The Project Gutenberg eBook of Tenterhooks
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Tenterhooks

Author: Ada Leverson

Release date: November 1, 2003 [eBook #10021]
                Most recently updated: December 19, 2020

Language: English

Credits: E-text prepared by Suzanne Shell, Sarah Lewis, and Project Gutenberg Distributed Proofreaders


*** START OF THE PROJECT GUTENBERG EBOOK TENTERHOOKS ***



E-text prepared by Suzanne Shell, Sarah Lewis, and Project Gutenberg
Distributed Proofreaders



Tenterhooks

[Book 2 of The Little Ottleys]

by Ada Leverson

1912







TO ROBERT ROSS




CHAPTER I

A Verbal Invitation

Because Edith had not been feeling very well, that seemed no reason why
she should be the centre of interest; and Bruce, with that jealousy of
the privileges of the invalid and in that curious spirit of rivalry
which his wife had so often observed, had started, with enterprise, an
indisposition of his own, as if to divert public attention. While he
was at Carlsbad he heard the news. Then he received a letter from
Edith, speaking with deference and solicitude of Bruce's rheumatism,
entreating him to do the cure thoroughly, and suggesting that they
should call the little girl Matilda, after a rich and sainted--though
still living--aunt of Edith's. It might be an advantage to the child's
future (in every sense) to have a godmother so wealthy and so
religious. It appeared from the detailed description that the new
daughter had, as a matter of course (and at two days old), long golden
hair, far below her waist, sweeping lashes and pencilled brows, a
rosebud mouth, an intellectual forehead, chiselled features and a tall,
elegant figure. She was a magnificent, regal-looking creature and was a
superb beauty of the classic type, and yet with it she was dainty and
winsome. She had great talent for music. This, it appeared, was shown
by the breadth between the eyes and the timbre of her voice.

Overwhelmed with joy at the advent of such a paragon, and horrified at
Edith's choice of a name, Bruce had replied at once by wire,
impulsively:

_'Certainly not Matilda I would rather she were called Aspasia.'_

Edith read this expression of feeling on a colourless telegraph form,
and as she was, at Knightsbridge, unable to hear the ironical tone of
the message she took it literally.

She criticised the name, but was easily persuaded by her mother-in-law
to make no objection. The elder Mrs Ottley pointed out that it might
have been very much worse.

'But it's not a pretty name,' objected Edith. 'If it wasn't to be
Matilda, I should rather have called her something out of
Maeterlinck--Ygraine, or Ysolyn--something like that.'

'Yes, dear, Mygraine's a nice name, too,' said Mrs Ottley, in her
humouring way, 'and so is Vaselyn. But what does it really matter? I
shouldn't hold out on a point like this. One gets used to a name. Let
the poor child be called Asparagus if he wishes it, and let him feel he
has got his own way.'

So the young girl was named Aspasia Matilda Ottley. It was
characteristic of Edith that she kept to her own point, though not
aggressively. When Bruce returned after his after-cure, it was too
late to do anything but pretend he had meant it seriously.

Archie called his sister Dilly.

Archie had been rather hurt at the--as it seemed to him--unnecessary
excitement about Dilly. Not that he was jealous in any way. It was
rather that he was afraid it would spoil her to be made so much of at
her age; make her, perhaps, egotistical and vain. But it was not
Archie's way to show these fears openly. He did not weep loudly or
throw things about as many boys might have done. His methods were more
roundabout, more subtle. He gave hints and suggestions of his views
that should have been understood by the intelligent. He said one
morning with some indirectness:

'I had such a lovely dream last night, Mother.'

'Did you, pet? How sweet of you. What was it?'

'Oh, nothing much. It was all right. Very nice. It was a lovely dream.
I dreamt I was in heaven.'

'Really! How delightful. Who was there?'

This is always a woman's first question.

'Oh, you were there, of course. And father. Nurse, too. It was a lovely
dream. Such a nice place.'

'Was Dilly there?'

'Dilly? Er--no--no--she wasn't. She was in the night nursery, with
Satan.'

Sometimes Edith thought that her daughter's names were decidedly a
failure--Aspasia by mistake, Matilda through obstinacy, and Dilly by
accident. However the child herself was a success. She was four years
old when the incident occurred about the Mitchells. The whole of this
story turns eventually on the Mitchells.

The Ottleys lived in a concise white flat at Knightsbridge. Bruce's
father had some time ago left him a good income on certain conditions;
one was that he was not to leave the Foreign Office before he was
fifty. One afternoon Edith was talking to the telephone in a voice of
agonised entreaty that would have melted the hardest of hearts, but did
not seem to have much effect on the Exchange, which, evidently, was not
responsive to pathos that day.

'Oh! Exchange, _why_ are you ringing off? _Please_ try again.... Do I
want any number? Yes, I do want any number, of course, or why should I
ring up?... I want 6375 Gerrard.'

Here Archie interposed.

'Mother, can I have your long buttonhook?'

'No, Archie, you can't just now, dear.... Go away Archie.... Yes, I
said 6375 Gerrard. Only 6375 Gerrard!... Are you there? Oh, don't keep
on asking me if I've got them!... No, they haven't answered.... Are you
6375?... Oh--wrong number--sorry.... 6375 Gerrard? Only six--are you
there?... Not 6375 Gerrard?... Are you anyone else?... Oh, is it you,
Vincy?... I want to tell you--'

'Mother, can I have your long buttonhook?'

Here Bruce came in. Edith rang off. Archie disappeared.

'It's really rather wonderful, Edith, what that Sandow exerciser has
done for me! You laughed at me at first, but I've improved
marvellously.'

Bruce was walking about doing very mild gymnastics, and occasionally
hitting himself on the left arm with the right fist.' Look at my
muscle--look at it--and all in such a short time!'

'Wonderful!' said Edith.

'The reason I know what an extraordinary effect these few days have had
on me is something I have just done which I couldn't have done before.
Of course I'm naturally a very powerful man, and only need a little--'

'What have you done?'

'Why--you know that great ridiculous old wooden chest that your awful
Aunt Matilda sent you for your birthday--absurd present I call it--mere
lumber.'

'Yes?'

'When it came I could barely push it from one side of the room to the
other. Now I've lifted it from your room to the box-room. Quite
easily. Pretty good, isn't it?'

'Yes, of course it's very good for you to do all these exercises; no
doubt it's capital.... Er--you know I've had all the things taken out
of the chest since you tried it before, don't you?'

'Things--what things? I didn't know there was anything in it.'

'Only a silver tea-service, and a couple of salvers,' said Edith, in a
low voice....

...He calmed down fairly soon and said: 'Edith, I have some news for
you. You know the Mitchells?'

'Do I know the _Mitchells_? Mitchell, your hero in your office, that
you're always being offended with--at _least_ I know the Mitchells by
_name_. I ought to.'

'Well, what do you think they've done? They've asked us to dinner.'

'Have they? Fancy!'

'Yes, and what I thought was so particularly jolly of him was that it
was a verbal invitation. Mitchell said to me, just like this, 'Ottley,
old chap, are you doing anything on Sunday evening?''

Here Archie came to the door and said, 'Mother, can I have your long
buttonhook?'

Edith shook her head and frowned.

''Ottley, old chap,'' continued Bruce, ''are you and your wife doing
anything on Sunday? If not, I do wish you would waive ceremony and come
and dine with us. Would Mrs Ottley excuse a verbal invitation, do you
think?' I said, 'Well, Mitchell, as a matter of fact I don't believe we
have got anything on. Yes, old boy, we shall be delighted.' I accepted,
you see. I accepted straight out. When you're treated in a friendly
way, I always say why be unfriendly? And Mrs Mitchell is a charming
little woman--I'm sure you'd like her. It seems she's been dying to
know you.'

'Fancy! I wonder she's still alive, then, because you and Mitchell have
known each other for eight years, and I've never met her yet.'

'Well, you will now. Let bygones be bygones. They live in Hamilton
Place.'

'Oh yes....Park Lane?'

'I told you he was doing very well, and his wife has private means.'

'Mother,' Archie began again, like a litany, 'can I have your long
buttonhook? I know where it is.'

'No, Archie, certainly not; you can't fasten laced boots with a
buttonhook.... Well, that will be fun, Bruce.'

'I believe they're going to have games after dinner,' said Bruce. 'All
very jolly--musical crambo--that sort of thing.... What shall you wear,
Edith?'

'Mother, do let me have your long buttonhook. I want it. It isn't for
my boots.'

'_Certainly_ not. What a nuisance you are! Do go away.... I think I
shall wear my salmon-coloured dress with the sort of mayonnaise-
coloured sash.... (No, you're not to have it, Archie).'

'But, Mother, I've got it.... I can soon mend it, Mother.'

On Sunday evening Bruce's high spirits seemed to flag; he had one of
his sudden reactions. He looked at everything on its dark side.

'What on earth's that thing in your hair, Edith?'

'It's a bandeau.'

'I don't like it. Your hair looks very nice without it. What on _earth_
did you get it for?'

'For about six-and-eleven, I think.'

'Don't be trivial, Edith. We shall be late. Ah! It really does seem
rather a pity, the very first time one dines with people like the
Mitchells.'

'We sha'n't be late, Bruce. It's eight o'clock, and eight o'clock I
suppose means--well, eight. Sure you've got the number right?'

'Really. Edith!... My memory is unerring, dear. I never make a mistake.
Haven't you ever noticed it?'

'A--oh yes--I think I have.'

'Well, it's 168 Hamilton Place. Look sharp, dear.'

On their way in the taxi he gave her a good many instructions and
advised her to be perfectly at her ease and _absolutely natural_; there
was nothing to make one otherwise, in either Mr or Mrs Mitchell. Also,
he said, it didn't matter a bit what she wore, as long as she had put
on her _best_ dress. It seemed a pity she had not got a new one, but
this couldn't be helped, as there was now no time. Edith agreed that
she knew of no really suitable place where she could buy a new evening
dress at eight-thirty on Sunday evening. And, anyhow, he said, she
looked quite nice, really very smart; besides, Mrs Mitchell was not the
sort of person who would think any the less of a pretty woman for being
a little dowdy and out of fashion.

When they drove up to what house agents call in their emotional way a
superb, desirable, magnificent town mansion, they saw that a large
dinner-party was evidently going on. A hall porter and four powdered
footmen were in evidence.

'By Jove!' said Bruce, as he got out, 'I'd no idea old Mitchell did
himself so well as this.'... The butler had never heard of the
Mitchells. The house belonged to Lord Rosenberg.

'Confound it! 'said Bruce, as he flung himself into the taxi. 'Well!
I've made a mistake for once in my life. I admit it. Of course, it's
really Hamilton Gardens. Sorry. Yet somehow I'm rather glad Mitchell
doesn't live in that house.'

'You are perfectly right,' said Edith: 'the bankruptcy of an old friend
and colleague could be no satisfaction to any man.'

Hamilton Gardens was a gloomy little place, like a tenement building
out of Marylebone Road. Bruce, in trying to ring the bell,
unfortunately turned out all the electric light in the house, and was
standing alone in despair in the dark when, fortunately the porter, who
had been out to post a letter, ran back, and turned up the light
again.... 'I shouldn't have thought they could play musical crambo
here, 'he called out to Edith while he was waiting. 'And now isn't it
odd? I have a funny kind of feeling that the right address is Hamilton
House.'

'I suppose you're perfectly certain they don't live at a private idiot
asylum?' Edith suggested doubtfully.

On inquiry it appeared the Mitchells did not live at Hamilton Gardens.
An idea occurred to Edith, and she asked for a directory.

The Winthrop Mitchells lived at Hamilton Terrace, St John's Wood.

'At last!' said Bruce. 'Now we shall be too disgracefully late for the
first time. But be perfectly at your ease, dear. Promise me that. Go in
quite naturally.'

'How else can I go in?'

'I mean as if nothing had happened.'

'I think we'd better tell them what _has_ happened,' said Edith; 'it
will make them laugh. I hope they will have begun their dinner.'

'Surely they will have finished it.'

'Perhaps we may find them at their games!'

'Now, now, don't be bitter, Edith dear--never be bitter--life has its
ups and downs.... Well! I'm rather glad, after all, that Mitchell
doesn't live in that horrid little hole.'

'I'm sure you are,' said Edith; 'it could be no possible satisfaction
to you to know that a friend and colleague of yours is either
distressingly hard up or painfully penurious.'

They arrived at the house, but there were no lights, and no sign of
life. The Mitchells lived here all right, but they were out. The
parlourmaid explained. The dinner-party had been Saturday, the night
before....

'Strange,' said Bruce, as he got in again. 'I had a curious
presentiment that something was going wrong about this dinner at the
Mitchells'.'

'What dinner at the Mitchells'? There doesn't seem to be any.'

'Do you know,' Bruce continued his train of thought, 'I felt certain
somehow that it would be a failure. Wasn't it odd? I often think I'm a
pessimist, and yet look how well I'm taking it. I'm more like a
fatalist--sometimes I hardly know what I am.'

'I could tell you what you are,' said Edith, 'but I won't, because now
you must take me to the Carlton. We shall get there before it's
closed.'



CHAPTER II

Opera Glasses

Whether to behave with some coolness to Mitchell, and be stand-offish,
as though it had been all his fault, or to be lavishly apologetic, was
the question. Bruce could not make up his mind which attitude to take.
In a way, it was all the Mitchells' fault. They oughtn't to have given
him a verbal invitation. It was rude, Bohemian, wanting in good form;
it showed an absolute and complete ignorance of the most ordinary and
elementary usages of society. It was wanting in common courtesy;
really, when one came to think about it, it was an insult. On the other
hand, technically, Bruce was in the wrong. Having accepted he ought to
have turned up on the right night. It may have served them right (as he
said), but the fact of going on the wrong night being a lesson to them
seemed a little obscure. Edith found it difficult to see the point.

Then he had a more brilliant idea; to go into the office as cheerily as
ever, and say to Mitchell pleasantly, 'We're looking forward to next
Saturday, old chap,' pretending to have believed from the first that
the invitation had been for the Saturday week; and that the dinner was
still to come....

This, Edith said, would have been excellent, provided that the
parlourmaid hadn't told them that she and Bruce had arrived about a
quarter to ten on Sunday evening and asked if the Mitchells had begun
dinner. The chances against the servant having kept this curious
incident to herself were almost too great.

After long argument and great indecision the matter was settled by a
cordial letter from Mrs Mitchell, asking them to dinner on the
following Thursday, and saying she feared there had been some mistake.
So that was all right.

Bruce was in good spirits again; he was pleased too, because he was
going to the theatre that evening with Edith and Vincy, to see a play
that he thought wouldn't be very good. He had almost beforehand settled
what he thought of it, and practically what he intended to say.

But when he came in that evening he was overheard to have a strenuous
and increasingly violent argument with Archie in the hall.

Edith opened the door and wanted to know what the row was about.

'Will you tell me, Edith, where your son learns such language? He keeps
on worrying me to take him to the Zoological Gardens to see
the--well--you'll hear what he says. The child's a perfect nuisance.
Who put it into his head to want to go and see this animal? I was
obliged to speak quite firmly to him about it.'

Edith was not alarmed that Bruce had been severe. She thought it much
more likely that Archie had spoken very firmly to him. He was always
strict with his father, and when he was good Bruce found fault with
him. As soon as he grew really tiresome his father became abjectly
apologetic.

Archie was called and came in, dragging his feet, and pouting, in tears
that he was making a strenuous effort to encourage.

'You must be firm with him,' continued Bruce. 'Hang it! Good heavens!
Am I master in my own house or am I not?'

There was no reply to this rhetorical question.

He turned to Archie and said in a gentle, conciliating voice:

'Archie, old chap, tell your mother what it is you want to see. Don't
cry, dear.'

'Want to see the damned chameleon,' said Archie, with his hands in his
eyes. 'Want father to take me to the Zoo.'

'You can't go to the Zoo this time of the evening. What do you mean?'

'I want to see the damned chameleon.'

'You hear!' exclaimed Bruce to Edith.

'Who taught you this language?'

'Miss Townsend taught it me.'

'There! It's dreadful, Edith; he's becoming a reckless liar. Fancy her
dreaming of teaching him such things! If she did, of course she must be
mad, and you must send her away at once. But I'm quite sure she
didn't.'

'Come, Archie, you know Miss Townsend never taught you to say that.
What have you got into your head?'

'Well, she didn't exactly teach me to say it--she didn't give me
lessons in it--but she says it herself. She said the damned chameleon
was lovely; and I want to see it. She didn't say I ought to see it. But
I want to. I've been wanting to ever since. She said it at lunch today,
and I do want to. Lots of other boys go to the Zoo, and why shouldn't
I? I want to see it so much.'

'Edith, I must speak to Miss Townsend about this very seriously. In the
first place, people have got no right to talk about queer animals to
the boy at all--we all know what he is--and in such language! I should
have thought a girl like Miss Townsend, who has passed examinations in
Germany, and so forth, would have had more sense of her
responsibility--more tact. It shows a dreadful want of--I hardly know
what to think of it--the daughter of a clergyman, too!'

'It's all right, Bruce,' Edith laughed. 'Miss Townsend told me she had
been to see the _Dame aux Camélias_ some time ago. She was enthusiastic
about it. Archie dear, I'll take you to the Zoological Gardens and
we'll see lots of other animals. And don't use that expression.'

'What! Can't I see the da--'

'Mr Vincy,' announced the servant.

'I must go and dress,' said Bruce.

Vincy Wenham Vincy was always called by everyone simply Vincy. Applied
to him it seemed like a pet name. He had arrived at the right moment,
as he always did. He was very devoted to both Edith and Bruce, and he
was a confidant of both. He sometimes said to Edith that he felt he was
just what was wanted in the little home; an intimate stranger coming in
occasionally with a fresh atmosphere was often of great value (as, for
instance, now) in calming or averting storms.

Had anyone asked Vincy exactly what he was he would probably have said
he was an Observer, and really he did very little else, though after he
left Oxford he had taken to writing a little, and painting less. He was
very fair, the fairest person one could imagine over five years old. He
had pale silky hair, a minute fair moustache, very good features, a
single eyeglass, and the appearance, always, of having been very
recently taken out of a bandbox.

But when people fancied from this look of his that he was an
empty-headed fop they soon found themselves immensely mistaken.

He was thirty-eight, but looked a gilded youth of twenty; and _was_
sufficiently gilded (as he said), not perhaps exactly to be
comfortable, but to enable him to get about comfortably, and see those
who were.

He had a number of relatives in high places, who bored him, and were
always trying to get him married. He had taken up various occupations
and travelled a good deal. But his greatest pleasure was the study of
people. There was nothing cold in his observation, nothing of the
cynical analyst. He was impulsive, though very quiet, immensely and
ardently sympathetic and almost too impressionable and enthusiastic. It
was not surprising that he was immensely popular generally, as well as
specially; he was so interested in everyone except himself.

No-one was ever a greater general favourite. There seemed to be no type
of person on whom he jarred. People who disagreed on every other
subject agreed in liking Vincy.

But he did not care in the least for acquaintances, and spent much
ingenuity in trying to avoid them; he only liked intimate friends, and
of all he had perhaps the Ottleys were his greatest favourites.

His affection for them dated from a summer they had spent in the same
hotel in France. He had become extraordinarily interested in them. He
delighted in Bruce, but had with Edith, of course, more mutual
understanding and intellectual sympathy, and though they met
constantly, his friendship with her had never been misunderstood.
Frivolous friends of his who did not know her might amuse themselves by
being humorous and flippant about Vincy's little Ottleys, but no-one
who had ever seen them together could possibly make a mistake. They
were an example of the absurdity of a tradition--'the world's'
proneness to calumny. Such friendships, when genuine, are never
misconstrued. Perhaps society is more often taken in the other way. But
as a matter of fact the truth on this subject, as on most others, is
always known in time. No-one had ever even tried to explain away the
intimacy, though Bruce had all the air of being unable to do without
Vincy's society sometimes cynically attributed to husbands in a
different position.

Vincy was pleased with the story of the Mitchells that Edith told him,
and she was glad to hear that he knew the Mitchells and had been to the
house.

'How like you to know everyone. What did they do?'

'The night I was there they played games,' said Vincy. He spoke in a
soft, even voice. 'It was just a little--well--perhaps just a _tiny_
bit ghastly, I thought; but don't tell Bruce. That evening I thought
the people weren't quite young enough, and when they played 'Oranges
and Lemons, and the Bells of St Clements,' and so on--their bones
seemed to--well, sort of rattle, if you know what I mean. But still
perhaps it was only my fancy. Mitchell has such very high spirits, you
see, and is determined to make everything go. He won't have
conventional parties, and insists on plenty of verve; so, of course,
one's forced to have it.' He sighed. 'They haven't any children, and
they make a kind of hobby of entertaining in an unconventional way.'

'It sounds rather fun. Perhaps you will be asked next Thursday. Try.'

'I'll try. I'll call, and remind her of me. I daresay she'll ask me.
She's very good-natured. She believes in spiritualism, too.'

'I wonder who'll be there?'

'Anyone might be there, or anyone else. As they say of marriage, it's a
lottery. They might have roulette, or a spiritual séance, or Kubelik,
or fancy dress heads.'

'Fancy dress heads!'

'Yes. Or a cotillion, or just bridge. You never know. The house is
rather like a country house, and they behave accordingly. Even
hide-and-seek, I believe, sometimes. And Mitchell adores unpractical
jokes, too.'

'I see. It's rather exciting that I'm going to the Mitchells at last.'

'Yes, perhaps it will be the turning-point of your life,' said Vincy.
'Ah! here's Bruce.'

'I don't think much of that opera glass your mother gave you,' Bruce
remarked to his wife, soon after the curtain rose.

'It's the fashion,' said Edith. 'It's jade--the latest thing.'

'I don't care if it is the fashion. It's no use. Here, try it, Vincy.'

He handed it to Vincy, who gave Bruce a quick look, and then tried it.

'Rather quaint and pretty, I think. I like the effect,' he said,
handing it back to Bruce.

'It may be quaint and pretty, and it may be the latest thing, and it
may be jade,' said Bruce rather sarcastically, 'but I'm not a slave to
fashion. I never was. And I don't see any use whatever in an opera
glass that makes everything look smaller instead of larger, and at a
greater distance instead of nearer. I call it rot. I always say what I
think. And you can tell your mother what I said if you like.'

'You're looking through it the wrong side, dear,' said Edith.



CHAPTER III

The Golden Quoribus

Edith had been very pretty at twenty, but at twenty-eight her
prettiness had immensely increased; she had really become a beauty of a
particularly troubling type. She had long, deep blue eyes, clearly-cut
features, hair of that soft, fine light brown just tinged with red
called by the French châtain clair; and a flower-like complexion. She
was slim, but not angular, and had a reposeful grace and a decided
attraction for both men and women. They generally tried to express this
fascination by discovering resemblances in her to various well-known
pictures of celebrated artists. She had been compared to almost every
type of all the great painters: Botticelli, Sir Peter Lely,
Gainsborough, Burne-Jones. Some people said she was like a Sargent,
others called her a post-impressionist type; there was no end to the
old and new masters of whom she seemed to remind people; and she
certainly had the rather insidious charm of somehow recalling the past
while suggesting something undiscovered in the future. There was a good
deal that was enigmatic about her. It was natural, not assumed as a
pose of mysteriousness. She was not all on the surface: not obvious.
One wondered. Was she capable of any depth of feeling? Was she always
just sweet and tactful and clever, or could there be another side to
her character? Had she (for instance) a temperament? This question was
considered one of interest,--so Edith had a great many admirers. Some
were new and fickle, others were old and faithful. She had never yet
shown more than a conversational interest in any of them, but always
seemed to be laughing with a soft mockery at her own success.

Edith was not a vain woman, not even much interested in dress, though
she had a quick eye and a sure impressionistic gift for it. She was
always an immense favourite with women, who felt subconsciously
grateful to her for her wonderful forbearance. To have the power and
not to use it! To be so pretty, yet never _to take_ _anyone away_!--not
even coldly display her conquests. But this liking she did not, as a
rule, return in any decided fashion. She had dreadfully little to say
to the average woman, except to a few intimate friends, and frankly
preferred the society of the average man, although she had not as yet
developed a taste for coquetry, for which she had, however, many
natural gifts. She was much taken up by Bruce, by Archie and Dilly, and
was fond of losing herself in ideas and in books, and in various
artistic movements and fads in which her interest was cultivated and
perhaps inspired by Vincy. Vincy was her greatest friend and confidant.
He was really a great safety-valve, and she told him nearly every
thought.

Still, Archie was, so far, her greatest interest. He was a particularly
pretty boy, and she was justified in thinking him rather unusual. At
this period he spent a considerable amount of his leisure time not only
in longing to see real animals, but in inventing and drawing pictures
of non-existent ones--horrible creatures, or quaint creatures, for
which he found the strangest names. He told Dilly about them, but Dilly
was not his audience--she was rather his confidante and literary
adviser; or even sometimes his collaborator. His public consisted
principally of his mother. It was a convention that Edith should be
frightened, shocked and horrified at the creatures of his imagination,
while Dilly privately revelled in their success. Miss Townsend, the
governess, was rather coldly ignored in this matter. She had a way of
speaking of the animals with a smile, as a nice occupation to keep the
children quiet. She did not understand.

'Please, Madam, would you kindly go into the nursery; Master Archie
wishes you to come and hear about the golden--something he's just made
up like,' said Dilly's nurse with an expression of resignation.

Edith jumped up at once.

'Oh dear! Tell Master Archie I'm coming.'

She ran into the nursery and found Archie and Dilly both looking rather
excited; Archie, fairly self-controlled, with a paper in his hand on
which was a rough sketch which he would not let her see, and hid behind
him.

'Mother,' Archie began in a low, solemn voice, rather slowly, 'the
golden quoribus is the most horrible animal, the most awful-looking
animal, you ever heard of in _your_ life!'

'Oh-h-h! How awful!' said Edith, beginning to shiver. 'Wait a
moment--let me sit down quietly and hear about it.'

She sat down by the fire and clasped her hands, looking at him with a
terrified expression which was part of the ritual.

Dilly giggled, and put her thumb in her mouth, watching the effect with
widely opened eyes.

'Much more awful than the gazeka, of course, I suppose?' Edith said
rather rashly.

'Much,' said Dilly.

'(Be quiet, Dilly!) Mother!' he was reproachful, 'what do you mean? The
gazeka? Why--the gazeka's nothing at all--it's a rotten little animal.
It doesn't count. Besides, it isn't real--it never was real. Gazeka,
indeed!'

'Oh, I beg your pardon,' said Edith repentantly; 'do go on.'

'No... the golden quoribus is far-ar-r-r-r more frightening even than
the jilbery. Do you remember how awful _that_ was? And much larger.'

'What! Worse than the jilbery! Oh, good gracious! How dreadful! What's
it like?'

'First of all--it's as long as from here to Brighton,' said Archie.

'A little longer,' said Dilly.

'(Shut up, miss!) As long. It's called the golden quoribus because it's
bright gold, except the bumps; and the bumps are green.'

'Bright green,' said Dilly.

'(Oh, will you hold your tongue, Dilly?) Green.'

'How terrible!... And what shape is it?'

'All pointed and sharp, and three-cornered.'

'Does it breathe fire?' asked Edith.

Archie smiled contemptuously.

'Breathe fire! Oh, Mother! Do you think it's a silly dragon in a fairy
story? Of course it doesn't. How can it breathe fire?'

'Sorry,' said Edith apologetically. 'Go on.'

'_But_, the peculiar thing about it, besides that it lives entirely on
muffins and mutton and the frightening part, I'm coming to now.' He
became emphatic, and spoke slowly. 'The golden quoribus has more claws
than any... other... animal... in the whole world!'

'Oh-h-h,' she shuddered.

'Yes,' said Archie solemnly. 'It has large claws coming out of its
head.'

'Its head! Good gracious!'

'It has claws here and claws there; claws coming out of the eyes; and
claws coming out of the ears; and claws coming out of its shoulders;
and claws coming out of the forehead!'

Edith shivered with fright and held up her hands in front of her eyes
to ward off the picture.

'And claws coming out of the mouth,' said Archie, coming a step nearer
to her and raising his voice.

Edith jumped.

'And claws coming out of the hands, and claws coming out of the feet!'

'Yes,' said Dilly, wildly and recklessly and jumping up and down, 'and
claws on the ceiling, and claws on the floor, and claws all over the
world!'

With one violent slap she was sent sprawling.

Shrieks, sobs and tears filled the quiet nursery.

'I know,' said Archie, when he had been persuaded to apologise, 'of
course I know a gentleman oughtn't to hit a lady, not even--I mean,
especially not if she's his little sister. But oh, Mother, ought a lady
to interrupt a story?'

When Edith told Vincy he entirely took Archie's side.

Suppose Sargent were painting a beautiful picture, and one of his
pupils, snatching the paint-brush from him, insisted on finishing it,
and spoiling it--how would he like it? Imagine a poet who had just
written a great poem, and been interrupted in reciting it by someone
who quickly finished it off all wrong! The author might be forgiven
under such circumstances if in his irritation he took a strong line. In
Vincy's opinion it served Dilly jolly well right. Young? Of course she
was young, but four (he said) was not a day too soon to begin to learn
to respect the work of the artist. Edith owned that Archie was not
easily exasperated and was as a rule very patient with the child. Bruce
took an entirely different view. He was quite gloomy about it and
feared that Archie showed every sign of growing up to be an Apache.



CHAPTER IV

The Mitchells

The Mitchells were, as Vincy had said, extremely hospitable; they had a
perfect mania for receiving; they practically lived for it, and the big
house at Hampstead, with its large garden covered in, and a sort of
studio built out, was scarcely ever without guests. When they didn't
have some sort of party they invariably went out.

Mitchell's great joy was to make his parties different from others by
some childish fantasy or other. He especially delighted in a surprise.
He often took the trouble (for instance) to have a telegram sent to
every one of his guests during the course of the evening. Each of these
wires contained some personal chaff or practical joke. At other times
he would give everyone little presents, concealed in some way.
Christmas didn't come once a year to the Mitchells; it seemed never to
go away. One was always surprised not to find a Christmas tree and
crackers. These entertainments, always splendidly done materially, and
curiously erratic socially, were sometimes extremely amusing; at
others, of course, a frost; it was rather a toss-up.

And the guests were, without exception, the most extraordinary mixture
in London. They included delightful people, absurd people, average
people; people who were smart and people who were dowdy, some who were
respectable and nothing else, some who were deplorable, others
beautiful, and many merely dull. There was never the slightest attempt
at any sort of harmonising, or of suitability; there was a great deal
of kindness to the hard-up, and a wild and extravagant delight in any
novelty. In fact, the Mitchells were everything except exclusive, and
as they were not guided by any sort of rule, they really lived, in St
John's Wood, superior to suburban or indeed any other restrictions.
They would ask the same guests to dinner time after time, six or seven
times in succession. They would invite cordially a person of no
attraction whatsoever whom they had only just met, and they would
behave with casual coolness to desirable acquaintances or favourite
friends whom they had known all their lives. However, there was no
doubt that their parties had got the name for being funny, and that was
quite enough. London people in every set are so desperate for something
out of the ordinary way, for variety and oddness, that the Mitchells
were frequently asked for invitations by most distinguished persons who
hoped, in their blasé fatigue, to meet something new and queer.

For the real Londoner is a good deal of a child, and loves Punch and
Judy shows, and conjuring tricks (symbolically speaking)--and is also
often dreaming of the chance of meeting some spring novelty, in the way
of romance. Although the Mitchells were proud of these successes they
were as free from snobbishness as almost anyone could be. On the whole
Mrs Mitchell had a slight weakness for celebrities, while Mr Mitchell
preferred pretty women, or people who romped. It was merely from
carelessness that the Ottleys had never been asked before.

When Edith and Bruce found themselves in the large square
country-house-looking hall, with its oak beams and early English
fireplace, about twenty people had arrived, and as many more were
expected. A lively chatter had already begun; for each woman had been
offered on her arrival a basket from which she had to choose a brightly
coloured ribbon. These ribbons matched the rosettes presented in an
equally haphazard way to every man. As Vincy observed, it gave one the
rather ghastly impression that there was going to be a cotillion at
once, on sight, before dinner; which was a little frightening. In
reality it was merely so that the partners for the meal should be
chosen by chance. Mitchell thought this more fun than arranging guests;
but there was an element of gambling about it that made wary people
nervous. Everyone present would have cheated had it been possible. But
it was not.

Mrs Mitchell was a tiny brown-eyed creature, who looked absurdly young;
she was kind, sprightly, and rather like a grouse. Mitchell was a
jovial-looking man, with a high forehead, almost too much ease of
manner, and a twinkling eye.

The chief guests tonight consisted of Lord Rye, a middle-aged
suffraget, who was known for his habit of barking before he spoke and
for his wonderful ear for music--he could play all Richard, Oscar and
Johann Strauss's compositions by ear on the piano, and never mixed them
up; Aylmer Ross, the handsome barrister; Myra Mooney, who had been on
the stage; and an intelligent foreigner from the embassy, with a
decoration, a goat-like beard, and an Armenian accent. Mrs Mitchell
said he was the minister from some place with a name like Ruritania.
She had a vague memory. There was also a Mr Cricker, a very young man
of whom it was said that he could dance like Nijinsky, but never would;
and the rest were chiefly Foreign Office clerks (like Mitchell and
Bruce), more barristers and their wives, a soldier or two, some
undergraduates, a lady photographer, a few pretty girls, and vague
people. There were to be forty guests for dinner and a few more in the
evening.

Almost immediately on her arrival Edith noticed a tall, clean-shaven
man, with smooth fair hair, observant blue eyes, and a rather humorous
expression, and she instantly decided that she would try to will him to
take her to dinner. (Rather a superfluous effort of magnetism, since it
must have been settled already by fate and the ribbons.) It was obvious
from one quick glance that he shared the wish. To their absurdly great
mutual disappointment (a lot of ground was covered very quickly at the
Mitchells), their ribbons didn't match, and she was taken to dinner by
Captain Willis, who looked dull. Fortune, however, favoured her. On her
other side she found the man who looked amusing. He was introduced to
her across the table by Mrs Mitchell, with _empressement_, as Mr Aylmer
Ross.

Edith felt happy tonight; her spirits were raised by what she felt to
be an atmosphere _tiède_, as the French say; full of indulgence,
sympathetic, relaxing, in which either cleverness or stupidity could
float equally at its ease. The puerility of the silly little
arrangements to amuse removed all sense of ceremony. The note is always
struck by the hostess, and she was everything that was amiable, without
effort or affectation.

No-one was ever afraid of her.

Bruce's neighbour at dinner was the delicate, battered-looking
actress, in a Royal fringe and a tight bodice with short sleeves, who
had once been a celebrity, though no-one remembered for what. Miss Myra
Mooney, formerly a beauty, had known her days of success. She had been
the supreme performer of ladylike parts. She had been known as the very
quintessence of refinement. It was assumed when she first came out that
a duke would go to the devil for her in her youth, and that in her late
maturity she would tour the provinces with _The Three Musketeers_.
Neither of these prophecies had, however, been fulfilled. She still
occasionally took small middle-aged titled parts in repertoire
matinees. She was unable to help referring constantly to the hit she
made in _Peril_ at Manchester in 1887; nor could she ever resist
speaking of the young man who sent her red carnations every day of his
blighted existence for fifteen years; a pure romance, indeed, for, as
she owned, he never even wished to be introduced to her. She still
called him poor boy, oblivious of the fact that he was now sixty-eight,
and, according to the illustrated papers, spent his entire time in
giving away a numberless succession of daughters in brilliant marriage
at St George's, Hanover Square.

In this way Miss Mooney lived a good deal in the past, but she was not
unaware of the present, and was always particularly nice to people
generally regarded as bores. So she was never without plenty of
invitations. Mitchell had had formerly a slight _tendre_ for her, and
in his good nature pretended to think she had not altered a bit. She
was still refined _comme cela ne se fait plus_; it was practically no
longer possible to find such a perfect lady, even on the stage. As she
also had all the easy good nature of the artist, and made herself
extremely agreeable, Bruce was delighted with her, and evidently
thought he had drawn a prize.

'I wondered,' Aylmer Ross said, 'whether this could possibly happen.
First I half hoped it might; then I gave it up in despair.'

'So did I,' said Edith; 'and yet I generally know. I've a touch of
second sight, I think--at dinner-parties.'

'Oh, well, I have second sight too--any amount; only it's always wrong.
However!...'

'Aren't the Mitchells dears?' said Edith.

'Oh, quite. Do you know them well?'

'Very well, indeed. But I've never seen them before.'

'Ah, I see. Well, now we've found our way here--broken the ice and that
sort of thing--we must often come and dine with them, mustn't we, Mrs
Ottley? Can't we come again next week?'

'Very sweet of you to ask us, I'm sure.'

'Not at all; very jolly of us to turn up. The boot is on the other leg,
or whatever the phrase is. By the way, I'm sure you know everything,
Mrs Ottley, tell me, did people ever wear only one boot at a time, do
you think, or how did this expression originate?'

'I wonder.'

Something in his suave manner of taking everything for granted seemed
to make them know each other almost too quickly, and gave her an odd
sort of self-consciousness. She turned to Captain Willis on her other
side.

'I say,' he said querulously, 'isn't this a bit off? We've got the same
coloured ribbons and you haven't said a word to me yet! Rather rot,
isn't it, what?'

'Oh, haven't I? I will now.'

Captain Willis lowered his voice to a confidential tone and said: 'Do
you know, what I always say is--live and let live and let it go at
that; what?'

'That's a dark saying,' said Edith.

'Have a burnt almond,' said Captain Willis inconsequently, as though it
would help her to understand. 'Yes, Mrs Ottley, that's what I always
say.... But people won't, you know--they won't--and there it is.' He
seemed resigned. 'Good chap, Mitchell, isn't he? Musical chairs, I
believe--that's what we're to play this evening; or bridge, whichever
we like. I shall go in for bridge. I'm not musical.'

'And which shall you do?' asked Aylmer of Edith. He had evidently been
listening.

'Neither.'

'We'll talk then, shall we? I can't play bridge either.... Mrs
Ottley--which is your husband? I didn't notice when you came in.'

'Over there, opposite; the left-hand corner.'

'Good-looking chap with the light moustache--next to Myra Mooney?'

'That's it,' she said. 'He seems to be enjoying himself. I'm glad he's
got Miss Mooney. He's lucky.'

'He is indeed,' said Aylmer.

'She's a wonderful-looking woman--like an old photograph, or someone in
a book,' said Edith.

'Do you care for books?'

'Oh, yes, rather. I've just been discovering Bourget. Fancy, I didn't
know about him! I've just read _Mensonges_ for the first time.'

'Oh yes. Rather a pompous chap, isn't he? But you could do worse than
read _Mensonges_ for the first time.'

'I _have_ done worse. I've been reading Rudyard Kipling for the last
time.'

'Really! Don't you like him? Why?'

'I feel all the time, somehow, as if he were calling me by my Christian
name without an introduction, or as if he wanted me to exchange hats
with him,' she said. 'He's so fearfully familiar with his readers.'

'But you think he keeps at a respectful distance from his characters?
However--why worry about books at all, Mrs Ottley? Flowers, lilies of
the field, and so forth, don't toil or spin; why should they belong to
libraries? I don't think you ever ought to read--except perhaps
sometimes a little poetry, or romance.... You see, that is what you
are, rather, isn't it?'

'Don't you care for books?' she answered, ignoring the compliment. 'I
should have thought you loved them, and knew everything about them. I'm
not sure that I know.'

'You know quite enough, believe me,' he answered earnestly. 'Oh, don't
be cultured--don't talk about Lloyd George! Don't take an intelligent
interest in the subjects of the day!'

'All right; I'll try not.'

She turned with a laugh to Captain Willis, who seemed very depressed.

'I say, you know,' he said complainingly, 'this is all very well. It's
all very well no doubt. But I only ask one thing--just one. Is this
cricket? I merely ask, you know. Just that--is it cricket; what?'

'It isn't meant to be. What's the matter?'

'Why, I'm simply fed up and broken-hearted, you know. Hardly two words
have I had with you tonight, Mrs Ottley.... I suppose that chap's
awfully amusing, what? I'm not amusing.... I know that.'

'Oh, don't say that. Indeed you are.' she consoled him.

'Am I though?'

'Well, you amuse _me_!'

'Right!' He laughed cheerily. He always filled up pauses with a laugh.



CHAPTER V

The Surprise

Certainly Mrs Mitchell on one side and Captain Willis on the other had
suffered neglect. But they seemed to become hardened to it towards the
end of dinner....

'I have a boy, too,' Aylmer remarked irrelevantly, 'rather a nice chap.
Just ten.'

Though only by the merest, slightest movement of an eyelash Edith could
not avoid showing her surprise. No-one ever had less the air of a
married man. Also, she was quite ridiculously disappointed. One can't
say why, but one doesn't talk to a married man quite in the same way or
so frankly as to a bachelor--if one is a married woman. She did not ask
about his wife, but said:

'Fancy! Boys are rather nice things to have about, aren't they?'

She was looking round the table, trying to divine which was Mrs Aylmer
Ross. No, she wasn't there. Edith felt sure of it. It was an
unaccountable satisfaction.

'Yes; he's all right. And now give me a detailed description of _your_
children.'

'I can't. I never could talk about them.'

'I see.... I should like to see them.... I saw you speak to Vincy. Dear
little fellow, isn't he?'

'He's a great friend of mine.'

'I'm tremendously devoted to him, too. He's what used to be called an
exquisite. And he _is_ exquisite; he has an exquisite mind. But, of
course, you know what a good sort he is.'

'Rather.'

'He seems rather to look at life than to act in it, doesn't he?'
continued Aylmer. 'He's a brilliant sort of spectator. Vincy thinks
that all the world's a stage, but _he's_ always in the front row of the
stalls. I never could be like that ... I always want to be right in the
thick of it, on in every scene, and always performing!'

'To an audience?' said Edith.

He smiled and went on.

'What's so jolly about him is that though he's so quiet, yet he's
genial; not chilly and reserved. He's frank, I mean--and confiding.
Without ever saying much. He expresses himself in his own way.'

'That's quite true.'

'And, after all, it's really only expression that makes things real.
'If you don't talk about a thing, it has never happened.''

'But it doesn't always follow that a thing has happened because you do
talk about it,' said Edith. 'Ah, Mrs Mitchell's going !'

She floated away.

He remained in a rather ecstatic state of absence of mind.

      *       *       *       *       *

Mrs Mitchell gladly told Edith all about Aylmer Ross, how clever he
was, how nice, how devoted to his little boy. He had married very
young, it seemed, and had lost his wife two years after. This was ten
years ago, and according to Mrs Mitchell he had never looked at another
woman since. Women love to simplify in this sentimental way.

'However,' she said consolingly, 'he's still quite young, under forty,
and he's sure to fall in love and marry again.'

'No doubt,' said Edith, wishing the first wife had remained alive. She
disliked the non-existent second one.

      *       *       *       *       *

Nearly all the men had now joined the ladies in the studio, with the
exception of Bruce and of Aylmer Ross. Mrs Mitchell had taken an
immense fancy to Edith and showed it by telling her all about a
wonderful little tailor who made coats and skirts better than Lucile
for next to nothing, and by introducing to her Lord Rye and the embassy
man, and Mr Cricker. Edith was sitting in a becoming corner under a
shaded light from which she could watch the door, when Vincy came up to
talk to her.

'You seemed to get on rather well at dinner,' he said.

'Yes; isn't Captain Willis a dear?'

'Oh, simply sweet. So bright and clever. I was sure you'd like him,
Edith.'

Captain Willis here came up and said, a shade more jovially than he had
spoken at dinner, with his laugh:

'Well, you know, Mrs Ottley, what I always say is--live and let live
and let it go at that; what? But they never _do_, you know! They
won't--and there it is!'

Edith now did a thing she had never done in her life before and which
was entirely unlike her. She tried her utmost to retain the group round
her, and to hold their attention. For a reason of which she was hardly
conscious, she wanted Aylmer Ross to see her surrounded. The minister
from the place with a name like Ruritania was so immensely bowled over
that he was already murmuring in a low voice (almost a hiss, as they
say in melodrama): 'Vous êtes chez vous, quand? Dites un mot, un mot
seulement, et je me précipiterai à vos pieds_,' while at the same time,
in her other ear, Lord Rye was explaining (to her pretended intense
interest) how he could play the whole of _Elektra, The Chocolate
Soldier_ and _Nightbirds_ by ear without a single mistake. ('Perfectly
sound!' grumbled Captain Willis, 'but why do it?') Vincy was listening,
enjoying himself. Bruce came in at last, evidently engaged in an
absorbed and intimate conversation with Aylmer Ross. They seemed so
much interested in their talk that they went to the other end of the
room and sat down there together. Aylmer gave her one glance only.

Edith was unreasonably annoyed. What on earth could he and Bruce find
to talk about? At length, growing tired of her position, she got up,
and walked across the room to look at a picture on the wall, turning
her graceful back to the room.

Bruce had now at last left his companion, but still Aylmer Ross did not
go and speak to her, though he was sitting alone.

Musical chairs began in the studio. Someone was playing 'Baby,
look-a-here,' stopping suddenly in the middle to shouts of laughter and
shrieks from the romping players. In the drawing-room some of the
people were playing bridge. How dull the rest of the evening was! Just
before the party practically broke up, Edith had an opportunity of
saying as she passed Aylmer:

'I thought we were going to have a talk instead of playing games?'

'I saw you were occupied,' he answered ceremoniously. 'I didn't
like--to interrupt.'

She laughed. 'Is this a jealous scene, Mr Ross?'

'I wonder,' he said, smiling, 'and if so, whose. Well, I hope to see
you again soon.'

'_What_ a success your charming wife has had tonight,' said Mrs
Mitchell to Bruce, as they took leave. 'Everyone is quite wild about
her. How pretty she is! You _must_ be proud of her.'

They were nearly the last. Mr Cricker, who had firmly refused the whole
evening, in spite of abject entreaties, to dance like Nijinsky,
suddenly relented when everyone had forgotten all about it, and was
leaping alone in the studio, while Lord Rye, always a great lingerer,
was playing Richard Strauss to himself on the baby Grand, and smoking a
huge cigar.

'Edith,' said Bruce solemnly, as they drove away, 'I've made a friend
tonight. There was one really charming man there--he took an immense
fancy to me.'

'Oh--who was that?'

'Who was that?' he mimicked her, but quite good-naturedly. 'How stupid
women are in some things! Why, Aylmer Ross, the chap who sat next to
you at dinner! I suppose you didn't appreciate him. Very clever, very
interesting. He was anxious to know several things which I was glad to
be in a position to tell him. Yes--an awfully good sort. I asked him to
dine at my club one day, to go on with our conversation.'

'Oh, did you?'

'Yes. Why shouldn't I? However, it seems from what he said that he
thinks the Carlton's nicer for a talk, so I'm going to ask him there
instead. You can come too, dear. He won't mind; it won't prevent our
talking.'

'Oh, are we going to give a dinner at the Carlton?'

'I wish you wouldn't oppose me, Edith. Once in a way! Of course I
shall. Our flat's too small to give a decent dinner. He's one of the
nicest chaps I've ever met.'

'Well, do you want me to write tomorrow morning then, dear?'

'Er--no--I have asked him already.'

'Oh, really--which day?'

'Well, I suggested next Thursday--but he thought tomorrow would be
better; he's engaged for every other day. Now don't go and say you're
engaged tomorrow. If you are, you'll have to chuck it!'

'Oh no; I'm not engaged.'

Mentally rearranging her evening dress, Edith drove home thoughtfully.
She was attracted and did not know why, and for the first time hoped
she had made an impression. It had been a long evening, and her
headache, she said, necessitated solitude and darkness at once.

'All right. I've got a much worse headache--gout, I think, but never
mind about me. Don't be anxious, dear! I say, that Miss Mooney is a
very charming woman. She took rather a fancy to me, Edith. Er--you
might ask her to dinner too, if you like, to make a fourth!'

'But--really! Ought we to snatch all the Mitchells' friends the first
time, Bruce?'

'Why, of course, it's only courteous. It's all right. One must return
their hospitality.'



CHAPTER VI

The Visit

The following afternoon Edith was standing by the piano in her
condensed white drawing-room, trying over a song, which she was
accompanying with one hand, when to her surprise the maid announced 'Mr
Aylmer Ross.' It was a warm day, and though there was a fire the
windows were open, letting in the scent of the mauve and pink hyacinths
in the little window-boxes. She thought as she came forward to meet him
that he seemed entirely different from last night. Her first impression
was that he was too big for the room, her second that he was very
handsome, and also a little agitated.

'I really hardly know how to apologise, Mrs Ottley. I oughtn't to have
turned up in this cool way. But your husband has kindly asked me to
dine with you tonight, and I wasn't sure of the time. I thought I'd
come and ask you.' He waited a minute. 'Of course, if I hadn't been so
fortunate as to find you in, I should just have left a note.' He looked
round the room.

      *       *       *       *       *

Obviously it was quite unnecessary for him to have called; he could
have sent the note that he had brought with him. She was flattered. She
thought that she liked his voice and the flash of his white teeth when
he smiled.

'Oh, I'm glad I'm at home,' she said, in a gentle way that put him at
his ease, and yet at an immense distance. 'I felt in the mood to stop
at home and play the piano today. I'm delighted to see you.' They sat
down by the fire. 'It's at eight tonight. Shall we have tea?'

'Oh no, thanks; isn't it too early? I sha'n't keep you a moment. Thanks
very much.... You were playing something when I came in. I wish you'd
play it to me over again.'

      *       *       *       *       *

Nine women out of ten would have refused, saying they knew nothing of
music, or that they were out of practice, or that they never played
except for their own amusement, or something of the kind; especially if
they took no pride whatever in that accomplishment. But Edith went back
to the piano at once, and went on trying over the song that she didn't
know, without making any excuse for the faltering notes.

'That's charming,' he said. 'Thanks. Tosti, of course.'

She came back to the fireplace. 'Of course. We had great fun last
night, didn't we?'

'Oh, _I_ enjoyed myself immensely; part of the time at least.'

'But after dinner you were rather horrid, Mr Ross. You wouldn't come
and talk to me, would you?'

'Wouldn't I? I was afraid. Tell me, do I seem many years older since
last night?' he asked.

'I don't see any difference. Why?'

'Because I've lived months--almost years--since I saw you last. Time
doesn't go by hours, does it?... What a charming little room this is.
It suits you. There's hardly anything in it, but everything is right.'

'I don't like to have many things in a room,' said Edith, holding out
her delicate hands to the fire. 'It makes me nervous. I have gradually
accustomed Bruce to my idea by removing one thing at a time
--photographs, pictures, horrid old wedding presents, all the
little things people have. They suggest too many different trains of
thought. They worry me. He's getting used to it now. He says, soon
there'll be nothing left but a couple of chairs and a bookcase!'

'And how right! I've had rather the same idea in my house, but I
couldn't keep it up. It's different for a man alone; things seem to
accumulate; especially pictures. I know such a lot of artists. I'm very
unfortunate in that respect.... I really feel I oughtn't to have turned
up like this, Mrs Ottley.'

'Why not?'

'You're very kind.... Excuse my country manners, but how nice your
husband is. He was very kind to me.'

'He liked _you_ very much, too.'

'He seems charming,' he repeated, then said with a change of tone and
with his occasional impulsive brusqueness, 'I wonder--does he ever jar
on you in any way?'

'Oh no. Never. He couldn't. He amuses me,' Edith replied softly.

'Oh, does he?... If I had the opportunity I wonder if I should _amuse_
you,' he spoke thoughtfully.

'No; I don't think you would at all,' said Edith, looking him straight
in the face.

'That's quite fair,' he laughed, and seemed rather pleased. 'You mean I
should bore you to death! Do forgive me, Mrs Ottley. Let's go on with
our talk of last night.... I feel it's rather like the Palace of Truth
here; I don't know why. There must be something in the atmosphere--I
seem to find it difficult not to think aloud--Vincy, now--do you see
much of Vincy?'

'Oh yes; he comes here most days, or we talk on the telephone.'

'I see; he's your confidant, and you're his. Dear Vincy. By the way, he
asked me last night to go to a tea-party at his flat next week. He was
going to ask one or two other kindred spirits--as I think they're
called. To see something--some collection. Including you, of course?'

'I shall certainly go,' said Edith, 'whether he asks me or not.'

Aylmer seemed to be trying to leave. He nearly got up once or twice and
sat down again.

'Well, I shall see you tonight,' he said. 'At eight.'

'Yes.'

'What shall you wear, Mrs Ottley?'

'Oh, I thought, perhaps, my mauve chiffon? What do you advise?' she
smiled.

'Not what you wore last night?'

'Oh no.'

'It was very jolly. I liked it. Er--red, wasn't it?'

'Oh no! It was pink!' she answered.

Then there was an extraordinary pause, in which neither of them seemed
able to think of anything to say. There was a curious sort of vibration
in the air.

'Isn't it getting quite springy?' said Edith, as she glanced at the
window. 'It's one of those sort of warm days that seem to have got
mixed up by mistake with the winter.'

'Very,' was his reply, which was not very relevant.

Another pause was beginning.

'Mr Vincy,' announced the servant.

He was received with enthusiasm, and Aylmer Ross now recovered his ease
and soon went away.

'Edith!' said Vincy, in a reproving tone. '_Really_! How _very_ soon!'

'He came to know what time we dine. He was just passing.'

'Oh, yes. He would want to know. He lives in Jermyn Street. I
suppose Knightsbridge is on his way to there.'

'From where?' she asked.

'From here,' said Vincy.

'What happened after we left?' said Edith. 'I saw the Cricker man
beginning to dance with hardly anyone looking at him.'

'Isn't his imitation of Nijinsky wonderful?' asked Vincy.

'Simply marvellous! I thought he was imitating George Grossmith. Do you
know, I love the Mitchells, Vincy. It's really great fun there. Fancy,
Bruce seems so delighted with Aylmer Ross and Miss Mooney that he
insisted on their both dining with us tonight.'

'He seemed rather carried away, I thought. There's a fascination about
Aylmer. There are so many things he's not,' said Vincy.

'Tell me some of them.'

'Well, for one thing, he's not fatuous, though he's so good-looking.
He's not a lady-killing sort of person or anything else tedious.'

She was delighted at this especially.

'If he took a fancy to a person--well, it might be rather serious, if
you take my meaning,' said Vincy.

'How sweet of him! So unusual. Do you like Myra Mooney?'

'Me? Oh, rather; I'm devoted to her. She's a delightful type. Get her
on to the subject of the red carnations. She's splendid about them....
She received them every day at breakfast-time for fifteen years.
Another jolly thing about Aylmer is that he has none of that awful
old-fashioned modernness, thank goodness!'

'Ah, I noticed that.'

'I suppose he wasn't brilliant today. He was too thrilled. But, do be
just a teeny bit careful, Edith dear, because when he is at all he's
very much so. Do you see?'

'What a lot you seem to think of one little visit, Vincy! After all, it
was only one.'

'There hasn't been time yet for many more, has there, Edith dear? He
could hardly call twice the same day, on the first day, too.... Yes, I
come over quite queer and you might have knocked me down with a
feather, in a manner of speaking, when I clapped eyes on him setting
here.'

Edith liked Vincy to talk in his favourite Cockney strain. It
contrasted pleasantly with his soft, even voice and _raffiné_
appearance.

'Here's Bruce,' she said.

Bruce came in carrying an enormous basket of gilded straw. It was
filled with white heather, violets, lilies, jonquils, gardenias and
mimosa. The handle was trimmed with mauve ribbon.

'Oh, Bruce! How angelic of you!'

'Don't be in such a hurry, dear. These are not from me. They arrived
just at the same time that I did. Brought by a commissionaire. There
was hardly room for it in the lift.'

Edith looked quickly at the card. It bore the name of the minister of
the place with a name like Ruritania.

'What cheek!' exclaimed Bruce, who was really flattered. 'What infernal
impertinence. Upon my word I've more than half a mind to go and tell
him what I think of him--straight from the shoulder. What's the
address?'

'Grosvenor Square.'

'Well, I don't care. I shall go straight to the embassy,' said Bruce.
'No, I sha'n't. I'll send them back and write him a line--tell him that
Englishwomen are not in the habit of accepting presents from
undesirable aliens.... I consider it a great liberty. Aren't I right,
Vincy?'

'Quite. But perhaps he means no harm, Bruce. I daresay it's the custom
in the place with the funny name. You see, you never know, in a place
like that.'

'Then you don't think I ought to take it up?'

'I don't want them. It's a very oppressive basket,' Edith said.

'How like you, Edith! I thought you were fond of flowers.'

'So I am, but I like one at a time. This is too miscellaneous and
crowded.'

'Some women are never satisfied. It's very rude and ungrateful to the
poor old man, who meant to be nice, no doubt, and to show his respect
for Englishwomen. I think you ought to write and thank him,' said
Bruce. 'And let me see the letter before it goes.'



CHAPTER VII

Coup de Foudre

When Aylmer Ross got back to the little brown house in Jermyn Street he
went to his library, and took from a certain drawer an ivory miniature
framed in black. He looked at it for some time. It had a sweet,
old-fashioned face, with a very high forehead, blue eyes, and dark hair
arranged in two festoons of plaits, turned up at the sides. It
represented his mother in the early sixties and he thought it was like
Edith. He had a great devotion and cult for the memory of his mother.
When he was charmed with a woman he always imagined her to be like his
mother.

He had never thought this about his wife People had said how
extraordinarily Aylmer must have been in love to have married that
uninteresting girl, no-one in particular, not pretty and a little
second-rate. As a matter of fact the marriage had happened entirely by
accident. It had occurred through a misunderstanding during a game of
consequences in a country house. She was terribly literal. Having taken
some joke of his seriously, she had sent him a touchingly coy letter
saying she was overwhelmed at his offer (feeling she was hardly worthy
to be his wife) and must think it over. He did not like to hurt her
feelings by explaining, and when she relented and accepted him he
couldn't bear to tell her the truth. He was absurdly tender-hearted,
and he thought that, after all, it didn't matter so very much. The
little house left him by his mother needed a mistress; he would
probably marry somebody or other, anyhow; and she seemed such a
harmless little thing. It would please her so much! When the hurried
marriage had come to a pathetic end by her early death everyone was
tragic about it except Aylmer. All his friends declared he was
heart-broken and lonely and would never marry again. He had indeed been
shocked and grieved at her death, but only for her--not at being left
alone. That part, was a relief. The poor little late Mrs Aylmer Ross
had turned out a terrible mistake. She had said the wrong thing from
morning till night, and, combining a prim, refined manner with a vulgar
point of view, had been in every way dreadfully impossible. He had
really been patience and unselfishness itself to her, but he had
suffered. The fact was, he had never even liked her. That was the
reason he had not married again.

But he was devoted to his boy in a quiet way. He was the sort of man
who is adored by children, animals, servants and women. Tall, strong
and handsome, with intelligence beyond the average, yet with nothing
alarming about him, good-humoured about trifles, jealous in matters of
love--perhaps that is, after all, the type women really like best. It
is sheer nonsense to say that women enjoy being tyrannised over. No
doubt there are some who would rather be bullied than ignored. But the
hectoring man is, with few exceptions, secretly detested. In so far as
one can generalise (always a dangerous thing to do) it may be said that
women like best a kind, clever man who can be always trusted; and
occasionally (if necessary) deceived.

Aylmer hardly ever got angry except in an argument about ideas. Yet his
feelings were violent; he was impulsive, and under his suave and
easy-going manner emotional. He was certainly good-looking, but had he
not been he would have pleased all the same. He seemed to radiate
warmth, life, a certain careless good-humour. To be near him was like
warming one's hands at a warm fire. Superficially susceptible and
inclined to be experimental he had not the instinct of the collector
and was devoid of fatuousness. But he could have had more genuine
successes than all the Don Juans and Romeos and Fausts who ever climbed
rope ladders. Besides his physical attraction he inspired a feeling of
reliance. Women felt safe with him; he would never treat anyone badly.
He inspired that kind of trust enormously in men also, and his house
was constantly filled with people asking his advice and begging him to
do things--sometimes not very easy ones. He was always being left
guardian to young persons who would never require one, and said himself
he had become almost a professional trustee.

As Aylmer was generous and very extravagant in a way of his own (though
he cared nothing for show), he really worked hard at the bar to add to
his already large income. He always wanted a great deal of money. He
required ease, margin and elbow-room. He had no special hobbies, but he
needed luxury in general of a kind, and especially the luxury of
getting things in a hurry, his theory being that everything comes to
the man who won't wait. He was not above detesting little material
hardships. He was not the sort of man, for instance, even in his
youngest days, who would go by omnibus to the gallery to the opera, to
hear a favourite singer or a special performance; not that he had the
faintest tinge of snobbishness, but simply because such trifling
drawbacks irritated him, and spoilt his pleasure.

Impressionistic as he was in life, on the other hand, curiously,
Aylmer's real taste in art and decoration was Pre-Raphaelite;
delicate, detailed and meticulous almost to preciousness. He often had
delightful things in his house, but never for long. He had no pleasure
in property; valuable possessions worried him, and after any amount of
trouble to get some object of art he would often give it away the next
week. For he really liked money only for freedom and ease. The general
look of the house was, consequently, distinguished, sincere and
extremely comfortable. It was neither hackneyed nor bizarre, and, while
it contained some interesting things, had no superfluities.

Aylmer had been spoilt as a boy and was still wilful and a little
impatient. For instance he could never wait even for a boy-messenger,
but always sent his notes by taxi to wait for an answer. And now he
wanted something in a hurry, and was very much afraid he would never
get it.

Aylmer was, as I have said, often a little susceptible. This time he
felt completely bowled over. He had only seen her twice. That made no
difference.

The truth was--it sounds romantic, but is really scientific, all
romance being, perhaps, based on science--that Edith's appearance
corresponded in every particular with an ideal that had grown up with
him. Whether he had seen some picture as a child that had left a vague
and lasting impression, or whatever the reason was, the moment he saw
her he felt, with a curious mental sensation, as of something that fell
into its place with a click ('Ça y est!'), that she realised some
half-forgotten dream. In fact, it was a rare and genuine case of _coup
de foudre_. Had she been a girl he would have proposed to her the next
day, and they might quite possibly have married in a month, and lived
happily ever after. These things occasionally happen. But she was
married already.

Had she been a fool, or a bore, a silly little idiot or a fisher of
men, a social sham who prattled of duchesses or a strenuous feminine
politician who babbled of votes; a Christian Scientist bent on
converting, an adventuress without adventures (the worst kind), a
mind-healer or a body-snatcher, a hockey-player or even a lady
novelist, it would have been exactly the same; whatever she had been,
mentally or morally, he would undoubtedly have fallen in love with her
physically, at first sight. But it was very much worse than that. He
found her delightful, and clever; he was certain she was an angel. She
was married to Ottley. Ottley was all right.... Rather an ass ...
rather ridiculous; apparently in every way but one.

       *       *       *       *       *

So absurdly hard hit was Aylmer that it seemed to him as if to see her
again as soon as possible was already the sole object in his life. Did
she like him? Intuitively he felt that during his little visit his
intense feeling had radiated, and not displeased--perhaps a little
impressed--her. He could easily, he knew, form a friendship with them;
arrange to see her often. He was going to meet her tonight, through his
own arrangement. He would get them to come and dine with him soon--no,
the next day.

What was the good?

Well, where was the harm?

Aylmer had about the same code of morals as the best of his numerous
friends in Bohemia, in clubland and in social London. He was no more
scrupulous on most subjects than the ordinary man of his own class.
Still, _he had been married himself_. That made an immense difference,
for he was positively capable of seeing (and with sympathy) from the
husband's point of view. Even now, indifferent as he had been to his
own wife, and after ten years, it would have caused him pain and fury
had he found out that she had ever tried to play him false. Of course,
cases varied. He knew that if Edith had been free his one thought would
have been to marry her. Had she been different, and differently placed,
he would have blindly tried for anything he could get, in any possible
way. But, as she was?... He felt convinced he could never succeed in
making her care for him; there was not the slightest chance of it. And,
supposing even that he could? And here came in the delicacy and scruple
of the man who had been married himself. He thought he wouldn't even
wish to spoil, by the vulgarity of compromising, or by the shadow of a
secret, the serenity of her face, the gay prettiness of that life. No,
he wouldn't if he could. And yet how exciting it would be to rouse her
from that cool composure. She was rather enigmatic. But he thought she
could be roused. And she was so clever. How well she would carry it
off! How she would never bore a man! And he suddenly imagined a day
with her in the country.... Then he thought that his imagination was
flying on far too fast. He decided not to be a hopeless fool, but just
to go ahead, and talk to her, and get to know her; not to think too
much about her. She needn't even know how he felt. To idolise her from
a distance would be quite delightful enough. When a passion is not
realised, he thought, it fades away, or becomes ideal worship
--Dante--Petrarch--that sort of thing! It could never fade away
in this case, he was sure. How pretty she was, how lovely her mouth was
when she smiled! She had no prejudices, apparently; no affectations;
how she played and sang that song again when he asked her! With what a
delightful sense of humour she had dealt with him, and also with Bruce,
at the Mitchells. Ottley must be a little difficult sometimes. She had
read and thought; she had the same tastes as he. He wondered if she
would have liked that thing in _The Academy_, on Gardens, that he had
just read. He began looking for it. He thought he would send it to her,
asking her opinion; then he would get an answer, and see her
handwriting. You don't know a woman until you have had a letter from
her.

But no--what a fool he would look! Besides he was going to see her
tonight. It was about time to get ready.... Knowing subconsciously that
he had made some slight favourable impression--at any rate that he
hadn't repelled or bored her--he dressed with all the anxiety, joy and
thrills of excitement of a boy of twenty; and no boy of twenty can ever
feel these things as keenly or half as elaborately as a man nearly
twice that age, since all the added experiences, disillusions,
practice, knowledge and life of the additional years help to form a
part of the same emotion, making it infinitely deeper, and all the
stronger because so much more _averti_ and conscious of itself.

He seemed so nervous while dressing that Soames, the valet, to whom he
was a hero, ventured respectfully to hope there was nothing wrong.

'No. I'm all right,' said Aylmer. 'I'm never ill. I think, Soames, I
shall probably die of middle age.'

He went out laughing, leaving the valet smiling coldly out of
politeness.

      *       *       *       *       *

Soames never understood any kind of jest. He took himself and everyone
else seriously. But he already knew perfectly well that his master had
fallen in love last night, and he disapproved very strongly. He thought
all that sort of thing ought to be put a stop to.



CHAPTER VIII

Archie's Essay

'Mrs Ottley,' said Miss Townsend,' do you mind looking at this essay of
Archie's? I really don't know what to think of it. I think it shows
talent, except the spelling. But it's _very_ naughty of him to have
written what is at the end.'

Edith took the paper and read:

'TRAYS OF CHARACTER

trays of character will always show threw how ever much you may polish
it up trays of character will always show threw the grane of the wood.

A burd will keep on singing because he wants to and they can't help
doing what it wants this is instinkt. and it is the same with trays of
charicter. having thus shown my theory that trays of carocter will
always show threw in spite of all trubble and in any circemstances
whatever I will conclude Archibald Bruce Ottley please t.o.'

On the other side of the paper was written very neatly, still in
Archie's writing:

'3 LINDEN MANSIONS, CADOGAN SQUARE, KNIGHTSBRIDGE. _Second Floor_

1. Mr Bruce Ottley (FO) 2. Mrs Bruce Ottley 3. Master Archibald Bruce
Ottley 4. Little _beast_ 5. Mary Johnson housemaid 6. Miss Thrupp Cook
7. Marie maid

8. Dorothy Margaret Miss Townsend governess 9. Ellen Maud Parrot
nurse.'

'Do you see?' said Miss Townsend. 'It's his way of slyly calling poor
Dilly a beast, because he's angry with her. Isn't it a shame? What
shall I do?' Both of them laughed and enjoyed it.

'Archie, what is the meaning of this? Why did you make this census of
your home?' Edith asked him gently.

'Why, I didn't make senses of my home; I just wrote down who lived
here.'

Edith looked at him reproachfully.

'Well, I didn't call Dilly a beast. I haven't broken Miss Townsend's
rules. She made a new rule I wasn't to call her a beast before
breakfast--'

'What, you're allowed to call her these awful names after breakfast?'

'No. She made a rule before breakfast I wasn't to call Dilly a beast,
and I haven't. How did you know it meant her anyway? It might have
meant somebody else.'

'That's prevaricating; it's mean--not like you, Archie.'

'Well, I never called her a beast. No-one can say I did. And besides,
anybody would have called her a beast after how she went on.'

'What are you angry with the child for?'

'Oh, she bothers so. The moment I imitate the man with the German
accent she begins to cry. She says she doesn't like me to do it. She
says she can't bear me to. Then she goes and tells Miss Townsend I
slapped her, and Miss Townsend blames me.'

'Then you shouldn't have slapped her; it was horrid of you; you ought
to remember she's a little girl and weaker than you.'

'I did remember...'

'Oh, Archie!'

'Well, I'll make it up if she begs my pardon; not unless she does I
sha'n't,' said Archie magnanimously.

'I shall certainly not allow her to do anything of the kind.'

At this moment Dilly came in, with her finger in her tiny mouth, and
went up to Archie, drawling with a pout, and in a whining voice:

'I didn't mean to.'

Archie beamed at once.

'That's all right, Dilly,' he said forgivingly.

Then he turned to his mother.

'Mother, have you got that paper?'

'Yes, I have indeed!'

'Well, cross out--that, and put in Aspasia Matilda Ottley. Sorry,
Dilly!' He kissed her, and they ran off together hand in hand; looking
like cherubs, and laughing musically.



CHAPTER IX

Aylmer

At the Carlton Aylmer had easily persuaded Bruce and Edith to dine with
him next day, although they were engaged to the elder Mrs Ottley
already. He said he expected two or three friends, and he convinced
them they must come too. It is only in London that people meet for the
first time at a friend's house, and then, if they take to each other,
practically live together for weeks after. No matter what social
engagements they may happen to have, these are all thrown aside for the
new friend. London people, with all their correctness, are really more
unconventional than any other people in the world. For instance, in
Paris such a thing could never happen in any kind of _monde_, unless,
perhaps, it were among artists and Bohemians; and even then it would be
their great object to prove to one another that they were not wanting
in distractions and were very much in demand; the lady, especially,
would make the man wait for an opportunity of seeing her again, from
calculation, to make herself seem of more value. Such second-rate
solicitudes would never even occur to Edith. But she had a scruple
about throwing over old Mrs Ottley.

      *       *       *       *       *

'Won't your mother be disappointed?' Edith asked.

'My dear Edith, you can safely leave that to me. Of course she'll be
disappointed, but you can go round and see her, and speak to her nicely
and tell her that after all we can't come because we've got another
engagement.'

'And am I to tell her it's a subsequent one? Otherwise she'll wonder we
didn't mention it before.'

'Don't be in a hurry, dear. Don't rush things; remember... she's my
mother. Perhaps to you, Edith, it seems a rather old-fashioned idea,
and I daresay you think it's rot, but to me there's something very
sacred about the idea of a mother.' He lit a cigarette and looked in
the glass.

'Yes, dear. Then, don't you think we really ought to have kept our
promise to dine with her? She'll probably be looking forward to it. I
daresay she's asked one or two people she thinks we like, to meet us.'

'Circumstances alter cases, Edith. If it comes to that, Aylmer Ross has
got two or three people coming to dine with him whom he thinks we might
like. He said so himself. That's why he's asked us.'

'Yes, but he can't have asked them on purpose, Bruce, because, you see,
we didn't know him on Thursday.'

'Well, why should he have asked them on purpose? _How_ you argue! _How_
you go on! It really seems to me you're getting absurdly exacting and
touchy, Edith dear. I believe all those flowers from the embassy have
positively turned your head. _Why_ should he have asked them on
purpose. You admit yourself that we didn't even know the man last
Thursday, and yet you expect--' Bruce stopped. He had got into a slight
tangle.

Edith looked away. She had not quite mastered the art of the inward
smile.

'Far better, in my opinion,' continued Bruce, walking up and down the
room.--'Now, don't interrupt me in your impulsive way, but hear me
out--it would be far more kind and sensible in every way for you to sit
right down at that little writing-table, take out your stylographic pen
and write and tell my mother that I have a bad attack of influenza....
Yes; one should always be considerate to one's parents. I suppose it
really is the way I was brought up that makes me feel this so keenly,'
he explained.

Edith sat down to the writing-table. 'How bad is your influenza?'

'Oh, not very bad; because it would worry her: a slight attack.--Stop!
Not so very slight--we must let her think it's the ordinary kind, and
then she'll think it's catching and she won't come here for a few days,
and that will avoid our going into the matter in detail, which would be
better.'

'If she thinks it's catching, dear, she'll want Archie and Dilly, and
Miss Townsend and Nurse to go and stay with her in South Kensington,
and that will be quite an affair.'

'Right as usual; very thoughtful of you; you're a clever little woman
sometimes, Edith. Wait!'--he put up his hand with a gesture frequent
with him, like a policeman stopping the traffic at Hyde Park Corner.
'Wait!--leave out the influenza altogether, and just say I've caught a
slight chill.'

'Yes. Then she'll come over at once, and you'll have to go to bed.'

'My dear Edith,' said Bruce, 'you're over-anxious; I shall do nothing
of the kind. There's no need that I should be laid up for this. It's
not serious.'

He was beginning to believe in his own illness, as usual.

'Air! (I want to go round to the club)--tonic treatment!--that's the
thing!--that's often the very best thing for a chill--this sort of
chill.... Ah, that will do very nicely. Very neatly written....
Good-bye, dear.'

      *       *       *       *       *

As soon as Bruce had gone out Edith rang up the elder Mrs Ottley on the
telephone, and relieved her anxiety in advance. They were great
friends; the sense of humour possessed by her mother-in-law took the
sting out of the relationship.

      *       *       *       *       *

The dinner at Aylmer's house was a great success. Bruce enjoyed himself
enormously, for he liked nothing better in the world than to give his
opinion. And Aylmer was specially anxious for his view as to the
authenticity of a little Old Master he had acquired, and took notes,
also, of a word of advice with regard to electric lighting, admitting
he was not a very practical man, and Bruce evidently was.

Edith was interested and pleased to go to the house of her new friend
and to reconstruct the scene as it must have been when Mrs Aylmer Ross
had been there.

Freddy, the boy, was at school, but there was a portrait of him.
Evidently he resembled his father. The sketch represented him with the
same broad forehead, smooth, dense light hair, pale blue eyes under
eyebrows with a slight frown in them, and the charming mouth rather
fully curved, expressing an amiable and pleasure-loving nature. The boy
was good-looking, but not, Edith thought, as handsome as Aylmer.

The only other woman present was Lady Everard, a plump, talkative,
middle-aged woman in black; the smiling widow of Lord Everard, and well
known for her lavish musical hospitality and her vague and
indiscriminate good nature. She bristled with aigrettes and sparkled
with diamonds and determination. She was marvellously garrulous about
nothing in particular. She was a woman who never stopped talking for a
single moment, but in a way that resembled leaking rather than laying
down the law. Tepidly, indifferently and rather amusingly she prattled
on without ceasing, on every subject under the sun, and was socially a
valuable help because where she was there was never an awkward
pause--or any other kind.

Vincy was there and young Cricker, whose occasional depressed silences
were alternated with what he called a certain amount of sparkling
chaff.

Lady Everard told Edith that she felt quite like a sort of mother to
Aylmer.

'Don't you think it's sad, Mrs Ottley,' she said, when they were alone,
'to think that the dear fellow has no wife to look after this dear
little house? It always seems to me such a pity, but still, I always
say, at any rate Aylmer's married once, and that's more than most of
them do nowadays. It's simply horse's work to get them to do it at all.
Sometimes I think it's perfectly disgraceful. And yet I can't help
seeing how sensible it is of them too; you know, when you think of it,
what with one thing and another, what does a man of the present day
need a wife for? What with the flats, where everything on earth is done
for them, and the kindness of friends--just think how bachelors are
spoilt by their married friends!--and their clubs, and the frightful
expense of everything, it seems to me, as a general rule, that the
average man must be madly unselfish or a perfect idiot to marry at
all--that's what it seems to me--don't you? When you think of all the
responsibilities they take upon themselves!--and I'm sure there are not
many modern wives who expect to do anything on earth but have their
bills and bridge debts paid, and their perpetual young men asked to
dinner, and one thing and another. Of course, though, there are some
exceptions.' She smiled amiably. 'Aylmer tells me you have two
children; very sweet of you, I'm sure. What darling pets they must be!
Angels!--Angels! Oh, I'm so fond of children! But, particularly--isn't
it funny?--when they're not there, because I can't stand their noise.
Now my little grandchildren--my daughter Eva's been married ten
years--Lady Lindley, you know--hers are perfect pets and heavenly
angels, but I can't stand them for more than a few minutes at a time. I
have nerves, so much so, do you know (partly because I go in a good
deal for music and intellect and so on), so much so, that I very nearly
had a rest cure at the end of last season, and I should have had,
probably, but that new young French singer came over with a letter of
introduction to me, and of course I couldn't desert him, but had to do
my very best. Ever heard him sing? Yes, you would, of course. Oh, how
wonderful it is!'

Edith waited in vain for a pause to say she didn't know the name of the
singer. Lady Everard went on, leaning comfortably back in Aylmer's
arm-chair.

'Willie Cricker dances very prettily, too; he came to one of my
evenings and had quite a success. Only an amateur, of course; but
rather nice. However, like all amateurs he wants to perform only when
people would rather he didn't, and when they want him to he won't; he
refuses. That's the amateur all over. The professional comes up to the
scratch when wanted and stops when the performance is not required.
It's all the difference in the world, isn't it, Mrs Ottley? Still, he's
a nice boy. Are you fond of music?'

'Very. Really fond of it; but I'm only a listener.'

Lady Everard seemed delighted and brightened up.

'Oh, you don't sing or play?--you must come to one of my Musical
Evenings. We have all the stars in the season at times--dear Melba and
Caruso--and darling Bemberk and dear Debussy! Oh! don't laugh at my
enthusiasm, my dear; but I'm quite music-mad--and then, of course, we
have any amount of amateurs, and all the new young professionals that
are coming on. In my opinion Paul La France, that's the young man I was
telling you about, will be one of the very very best--quite at the top
of the tree, and I'm determined he shall. But of course, he needs care
and encouragement. I think of his giving a _Conférence_, in which he'll
lecture on his own singing. I shall be on the platform to make a sort
of introductory speech and Monti, of course, will accompany. He is the
only accompanist that counts. But then I suppose he's been accompanying
somebody or other ever since he was a little boy, so it's second nature
to him. And you must come, and bring your husband. Does he go with you
to places? Very nice of him. Nowadays if husbands and wives don't
occasionally go to the same parties they have hardly any opportunity of
meeting at all; that's what I always say. But then, of course, _you're_
still almost on your honeymoon, aren't you? Charming!'

In the dining-room Cricker was confiding in Aylmer, while Vincy and
Bruce discussed the Old Master.

'Awful, you know,' Cricker said, in a low voice--' this girl's mania
for me! I get wires and telephones all day long; she hardly gives me
time to shave. And she's jolly pretty, so I don't like to chuck it; in
fact, I daren't. But her one cry is 'Cold; cold; cold!' She says I'm as
cold as a stone. What do you thing of that?'

'You may be a stone, and a rolling one at that, said Aylmer, 'but there
are other pebbles on the beach, I daresay.'

'I bet not one of them as stony as I am!' cried Cricker.

Cricker came a little nearer, lowering his voice again.

'It's a very peculiar case,' he said proudly.

'Of course; it always is.'

'You see, she's frightfully pretty, on the stage, and married! One of
the most awkward positions a person can be in. Mind you, I'm sorry for
her. I thought of consulting you about something if you'll give me a
minute or two, old chap.'

He took out a letter-case.

'I don't mean Ill show you this--oh no, I can't show it--it isn't
compromising.'

'Of course not. No-one really likes to show a really lukewarm love
letter. Besides it would hardly be--'

Cricker put the case back.

My dear chap! I wasn't going to show it to you--I shouldn't dream of
such a thing--to anybody; but I was just going to read you out a
sentence from which you can form an opinion of my predicament. It's no
good mincing matters, old boy, the woman is crazy mad about me--there
you've got it straight--in a nutshell.--Crazy!'

'She certainly can't be very sane,' returned Aylmer.

Before the end of the evening Aylmer had arranged to take the Ottleys
to see a play that was having a run. After this he dropped in to tea to
discuss it and Bruce kept him to dinner.

Day after day went on, and they saw him continually. He had never shown
by word or manner any more of his sentiment than on the second occasion
when they had met but Edith was growing thoroughly accustomed to this
new interest, and it certainly gave a zest to her existence, for she
knew, as women do know, or at any rate she believed, that she had an
attraction for him, which he didn't intend to give away. The situation
was pleasant and notwithstanding Vincy's slight anxiety, she persisted
in seeing nothing in it to fear in any way. Aylmer didn't even flirt.

One day, at Vincy's rooms, she thought he seemed different.

Vincy, with all his gentle manner, had in art an extraordinary taste
for brutality and violence, and his rooms were covered with pictures by
Futurists and Cubists, wild studies by wild men from Tahiti and a
curious collection of savage ornaments and weapons.

'I don't quite see Vincy handling that double-edged Chinese sword, do
you? said Aylmer, laughing.

'No, nor do I; but I do like to look at it,' Vincy said.

They went into the little dining-room, which was curiously furnished
with a green marble dining-table, narrow, as in the pictures of the
Last Supper, at which the guests could sit on one side only to be
waited on from the other. On it as decoration (it was laid for two,
side by side) were some curious straw mats, a few laurel leaves, a
little marble statuette of Pan, and three Tangerine oranges.

'Oh, Vincy, do tell me--what are you going to eat tonight?' Edith
exclaimed. 'Unless you're with other people I can never imagine you
sitting down to a proper meal.'

Eat? Oh a nice orange, I think,' said he. Sometimes when I'm alone I
just have a nice egg and a glass of water, I do myself very well. Don't
worry about me, Edith.'

When they were alone for a moment Aylmer looked out of the window. It
was rather high up, and they looked down on the hustling crowds of
people pushing along through the warm air in Victoria Street.

'It's getting decent weather,' he said.

'Yes, quite warm.'

They always suddenly talked commonplaces when they were first left
alone.

'I may be going away pretty soon,' he said.

'Going away! Oh, where?'

'I'm not quite sure yet.'

There was a pause.

'Well, you'll come to tea tomorrow, won't you? said Edith. 'Yes,
indeed, thank you--thank you so much. I shall look forward to it. At
five?' He spoke formally.

'At four,' said Edith.

'I shall be lunching not very far from you tomorrow.'

'At a quarter to four,' said Edith.

'I wonder who this other place is laid for,' said Aylmer, looking at
the table.

'How indiscreet of you! So do I. One must find out.'

'How? By asking?'

'Good heavens, no!' cried Edith. 'What an extraordinary idea!'



CHAPTER X

Shopping Chez Soi

Edith was expecting Aylmer to call that afternoon before he went away.
She was surprised to find how perturbed she was at the idea of his
going away. He had become almost a part of their daily existence, and
seeing him was certainly quite the most amusing and exciting experience
she had ever had. And now it was coming to an end. Some obscure
clairvoyance told her that his leaving and telling her of it in this
vague way had some reference to her; but perhaps (she thought) she was
wrong; perhaps it was simply that, after the pleasant intercourse and
semi-intimacy of the last few weeks, he was going to something that
interested him more? He was a widower; and still a young man. Perhaps
he was in love with someone. This idea was far from agreeable, although
except the first and second time they met he had never said a word that
could be described even as flirtation. He showed admiration for her,
and pleasure in her society, but he rarely saw her alone. The few
visits and _tête-à-têtes_ had always begun by conventional commonplace
phrases and embarrassment, and had ended in a delightful sympathy, in
animated conversation, in a flowing confidence and gaiety, and in long
discussions on books, and art, and principally people. That was all. In
fact he had become, in two or three weeks, in a sense _l'ami de la
maison_; they went everywhere with him and met nearly every day, and
Bruce appeared to adore him. It was entirely different from her long
and really intimate friendship with Vincy. Vincy was her confidant, her
friend. She could tell _him_ everything, and she did, and he confided
in her and told her all except one side of his life, of which she was
aware, but to which she never referred. This was his secret romance
with a certain girl artist of whom he never spoke, although Edith knew
that some day he would tell her about that also.

But with Aylmer there was, and would always be, less real freedom and
impersonal frankness, because there was so much more selfconsciousness;
in fact because there was an unacknowledged but very strong mutual
physical attraction. Edith had, however, felt until now merely the
agreeable excitement of knowing that a man she liked, and in whom she
was immensely interested, was growing apparently devoted to her, while
_she_ had always believed that she would know how to deal with the case
in such a way that it could never lead to anything more--that is to
say, to more than _she_ wished.

And now, he was going away. Why? And where? However, the first thing to
consider was that she would see him today. The result of this
consideration was the obvious one. She must do some shopping.

Edith was remarkably feminine in every attribute, in manner, in
movement and in appearance; indeed, for a woman of the present day
unusually and refreshingly feminine. Yet she had certain mental
characteristics which were entirely unlike most women. One was her
extreme aversion for shops, and indeed for going into any concrete
little details. It has been said that her feeling for dress was sure
and unerring. But it was entirely that of the artist; it was
impressionistic. Edith was very clever, indeed, most ingenious, in
managing practical affairs, as long as she was the director, the
general of the campaign. But she did not like carrying out in detail
her plans. She liked to be the architect, not the workman.

For example, the small household affairs in the flat went on wheels;
everything was almost always perfect. But Edith did not rattle her
housekeeping keys, or count the coals, nor did she even go through
accounts, or into the kitchen every day. The secret was simple. She had
a good cook and housekeeper, who managed all these important but
tedious details admirably, under her suggestions. In order to do this
Edith had to practise a little fraud on Bruce, a justifiable and quite
unselfish one. She gave the cook and housekeeper a quarter of her dress
allowance, in addition to the wages Bruce considered sufficient;
because Bruce believed that they could not afford more than a certain
amount for a cook, while he admitted that Edith, who had a few hundred
pounds a year of her own, might need to spend this on dress. Very
little of it went on dress, although Edith was not very economical. But
she had a plan of her own; she knew that to be dressed in a very
ordinary style (that is to say, simple, conventional, comme il faut)
suited her, by throwing her unusual beauty into relief. Occasionally a
touch of individuality was added, when she wanted to have a special
effect. But she never entered a shop; very rarely interviewed a
milliner. It was always done for her. She was easy to dress, being
tall, slim and remarkably pretty. She thought that most women make a
great mistake in allowing dress to be the master instead of the servant
of their good looks; many women were, she considered, entirely crushed
and made insignificant by the beauty of their clothes. The important
thing was to have a distinguished appearance, and this cannot, of
course, easily be obtained without expensive elegance. But Edith was
twenty-eight, and looked younger, so she could dress simply.

This morning Edith had telephoned to her friend, Miss Bennett, an old
schoolfellow who had nothing to do, and adored commissions. Edith,
sitting by the fire or at the 'phone, gave her orders, which were
always decisive, short and yet meticulous. Miss Bennett was a little
late this morning, and Edith had been getting quite anxious to see her.
When she at last arrived--she was a nondescript-looking girl, with a
small hat squashed on her head, a serge coat and skirt, black gloves
and shoes with spats--Edith greeted her rather reproachfully with:

'You're late, Grace.'

'Sorry,' said Grace.

The name suited her singularly badly. She was plain, but had a pleasant
face, a pink complexion, small bright eyes, protruding teeth and a
scenario for a figure, merely a collection of bones on which a dress
could be hung. She was devoted to Edith, and to a few other friends of
both sexes, of whom she made idols. She was hard, abrupt, enthusiastic,
ignorant and humorous.

'Sorry, but I had to do a lot of--'

'All right,' interrupted Edith. 'You couldn't help it. Listen' to what
I want you to do.'

'Go ahead,' said Miss Bennett, taking out a note-book and pencil.

Edith spoke in her low, soft, impressive voice, rather slowly.

'Go anywhere you like and bring me back two or three perfectly simple
tea-gowns--you know the sort of shape, rather like evening
cloaks--straight lines--none of the new draperies and curves--in red,
blue and black.'

'On appro.?' asked Miss Bennett.

'On anything you like, but made of Liberty satin, with a dull surface.'

'There's no such thing.' Grace Bennett laughed. 'You mean charmeuse, or
crepe-de-chine, perhaps?'

'Call it what you like, only get it. You must bring them back in a
taxi.'

'Extravagant girl!'

'They're not to cost more than--oh! not much,' added Edith, 'at the
most.'

'Economical woman! Why not have a really good tea-gown while you're
about it?'

'These _will_ be good. I want to have a hard outline like a
Fergusson.'

'Oh, really? What's that?'

'Never mind. And suppose you can't get the shape, Grace.'

'Yes?'

'Bring some evening cloaks--the kimonoish kind--I could wear one over a
lace blouse; it would look exactly the same.'

'Edith, what curious ideas you have! But you're right enough. Anything
else?' said Miss Bennett, standing up, ready to go. 'I like shopping
for you. You know what you want.'

'Buy me an azalea, not a large one, and a bit of some dull material of
the same colour to drape round it.'

'How extraordinary it is the way you hate anything shiny!' exclaimed
Miss Bennett, making a note.

'I know; I only like _mat_ effects. Oh, and in case I choose a
light-coloured gown, get me just one very large black velvet orchid,
too.'

'Right. That all?'

Edith looked at her shoes; they were perfect, tiny, pointed and made of
black suède. She decided they would do.

'Yes, that's all, dear.'

'And might I kindly ask,' said Miss Bennett, getting up, 'any
particular reason for all this? Are you going to have the flu, or a
party, or what?'

'No,' said Edith, who was always frank when it was possible. 'I'm
expecting a visitor who's never seen me in anything but a coat and
skirt, or in evening dress.'

'Oh! He wants a change, does he?'

'Don't be vulgar, Grace. Thanks awfully, dear. You're really kind.'

They both laughed, and Edith gently pushed her friend out of the room.
Then she sat down on a sofa, put up her feet, and began to read
_Rhythm_ to divert her thoughts. Vincy had brought it to convert her to
Post-Impressionism.

When Archie and Dilly were out, and Edith, who always got up rather
early, was alone, she often passed her morning hours in reading,
dreaming, playing the piano, or even in thinking. She was one of the
few women who really can think, and enjoy it. This morning she soon put
down the mad clever little prophetic Oxford journal. Considering she
was usually the most reposeful woman in London, she was rather restless
today. She glanced round the little room; there was nothing in it to
distract or irritate, or even to suggest a train of thought; except
perhaps the books; everything was calming and soothing, with a touch of
gaiety in the lightness of the wall decorations. An azalea, certainly,
would be a good note. The carpet, and almost everything in the room,
was green, except the small white enamelled piano. Today she felt that
she wanted to use all her influence to get Aylmer to confide in her
more. Perhaps he was slipping away from her--she would have been only a
little incident in his existence--while she certainly wished it to go
on. Seeing this, perhaps it oughtn't to go on. She wondered if he would
laugh or be serious today... whether...

      *       *       *       *       *

Miss Bennett had come up in the lift with a heap of cardboard boxes,
and the azalea. A taxi was waiting at the door.

Edith opened the boxes, cutting the string with scissors. She put four
gowns out on the sofa. Grace explained that two were cloaks, two were
gowns--all she could get.

'That's the one,' said Edith, taking out one of a deep blue colour,
like an Italian sky on a coloured picture post-card. It had a collar of
the same deep blue, spotted with white--a birdseye effect. Taking off
her coat Edith slipped the gown over her dress, and went to her room
(followed closely by Miss Bennett) to see herself in the long mirror.

'Perfect!' said Edith. 'Only I must cut off those buttons. I hate
buttons.'

'How are you going to fasten it, then, dear?'

'With hooks and eyes. Marie can sew them on.'

The deep blue with the white spots had a vivid and charming effect, and
suited her blonde colouring; she saw she was very pretty in it, and was
pleased.

'Aren't you going to try the others on, dear?' asked Grace.

'No; what's the good? This one will do.'

'Right. Then I'll take them back.'

'You're sweet. Won't you come back to lunch?'

'I'll come back to lunch tomorrow,' said Miss Bennett, 'and you can
tell me about your tea-party. Oh, and here's a little bit of stuff for
the plant. I suppose you'll put the azalea into the large pewter vase?'

'Yes, and I'll tie this round its neck.'

'Sorry it's cotton,' said Miss Bennett. 'I couldn't get any silk the
right colour.'

'Oh, I like cotton, if only it's not called sateen! Good-bye, darling.
You're delightfully quick!'

'Yes, I don't waste time,' said Miss Bennett. 'Mother says, too, that
I'm the best shopper in the world.' She turned round to add, 'I'm dying
to know why you want to look so pretty. Who is it?'

With a quiet smile, Edith dismissed her.



CHAPTER XI

P.P.C.

'It always seems to me so unlike you,' Aylmer said (he had arrived
punctually at twenty minutes to four)--'your extreme fondness for
newspapers. You're quite celebrated as a collector of Last Editions,
aren't you?'

'I know it's very unliterary of me, but I enjoy reading newspapers
better than reading anything else in the world. After all, it's
contemporary history, that's my defence. But I suppose it is because
I'm so intensely interested in life.'

'Tell me exactly, what papers do you really read?'

She laughed. 'Four morning papers--never mind their names--four
evening papers; five Sunday papers: _The Academy, The Saturday Review,
The Bookman, The World, The English Review_.'

'Well, I think it's wicked of you to encourage all this frivolity. And
what price _The Queen, Horrie Notes, or The Tatler_?'

'Oh, we have those too--for Bruce.'

'And does Archie show any of this morbid desire for journalism?'

'Oh yes. He takes in _Chums and Little Folks_.'

'And I see you're reading _Rhythm_. That's Vincy's fault, of course.'

'Perhaps it is.'

'How do you find time for all this culture?'

'I read quickly, and what I have to do I do rather quickly.'

'Is that why you never seem in a hurry? I think you're the only
leisured-looking woman I know in London.'

'I do think I've solved the problem of labour-saving; I've reduced it
to a science.'

'How?'

'By not working, I suppose.'

'You're wonderful. And that blue....'

'Do you really think so?'

He was beginning to get carried away. He stood up and looked out of the
window. The pink and white hyacinths were strongly scented in the warm
air. He turned round.

She said demurely: 'It will be nice weather for you to go away now,
won't it?'

'I don't think so.' He spoke impulsively. 'I shall hate it; I shall be
miserable.'

'Really!' in a tone of great surprise.

'You're dying to ask me something,' he said.

'Which am I dying to ask you: _where_ you're going, or _why_ you're
going?' She gave her most vivid smile. He sat down with a sigh. People
still sigh, sometimes, even nowadays.

'I don't know where I'm going; but I'll tell you why.... I'm seeing too
much of you.'

She was silent.

'You see, Mrs Ottley, seeing a great deal of you is very entrancing,
but it's dangerous.'

'In what way?'

'Well--your society--you see one gets to feel one can't do without it,
do you see?'

'But why should you do without it?'

He looked at her. 'You mean there's no reason why we shouldn't keep on
going to plays with Bruce, dining with Bruce, being always with Bruce?'
(Bruce and Aylmer had become so intimate that they called each other by
their Christian names.) 'Don't you see, it makes one sometimes feel one
wants more and more of you--of your society I mean. One could talk
better alone.'

'But you can come and see me sometimes, can't you?'

'Yes; that's the worst of all,' he answered, with emphasis.

'Oh.'

Aylmer spoke decidedly: 'I'm not a man who could ever be a tame cat.
And also I'm not, I hope, a man who--who would dare to think, or even
wish, to spoil--to--'

'And is that really why you're going?' she asked gently.

'You're forcing me to answer you.'

'And shall you soon forget all about it?'

He changed his position and sat next to her on the sofa.

'And so you won't miss me a bit,' he said caressingly. 'You wouldn't
care if you never saw me again, would you?'

'Yes, I should care. Why, you know we're awfully good friends; I like
you immensely.'

'As much as Vincy?'

'Oh! So differently.'

'I'm glad of that, at any rate!'

There was an embarrassed pause.

'So this is really the last time I'm to see you for ages, Mrs Ottley?'

'But aren't we all going to the theatre tomorrow? With you, I mean?
Bruce said so.'

'Oh yes. I mean the last time alone. Yes, I've got a box for _The
Moonshine Girl_. Bruce said you'd come. Lady Everard and Vincy will be
there.'

'That will be fun--I love that sort of show. It takes one right away
from life instead of struggling to imitate it badly like most plays.'

'It's always delightful to hear what you say. And anything I see with
you I enjoy, and believe to be better than it is,' said Aylmer. 'You
know you cast a glamour over anything. But the next day I'm going away
for three months at least.'

'A long time.'

'Is it? Will it seem long to you?'

'Why, of course. We shall--I shall miss you very much. I told you so.'

'Really?' he insisted.

'Really,' she smiled.

They looked at each other.

Edith felt less mistress of the situation than she had expected. She
was faced with a choice; she felt it; she knew it. She didn't want him
to go. Still, perhaps.... There was a vibration in the air. Suddenly a
sharp ring was heard.

Overpowered by a sudden impulse, Aylmer seized her impetuously by the
shoulders, kissed her roughly and at random before she could stop him,
and said incoherently: 'Edith! Good-bye. I love you, Edith,' and then
stood up by the mantelpiece.

'Mr Vincy,' announced the servant.



CHAPTER XII

'The Moonshine Girl'

The next evening Bruce and Edith were going to the Society Theatre with
Aylmer. It was their last meeting before he was to go away, Edith half
expected that he would put it off, but there was no change made in the
plans, and they met in the box as arranged.

Aylmer had expected during the whole day to hear that she had managed
to postpone the party. At one moment he was frightened and rather
horrified when he thought of what he had done. At another he was
delighted and enchanted about it, and told himself that it was
absolutely justified. After all, he couldn't do more than go away if he
found he was too fond of her. No hero of romance could be expected to
do more than that, and he wasn't a hero of romance; he didn't pretend
to be. But he _was_ a good fellow--and though Bruce's absurdities
irritated him a great deal he had a feeling of delicacy towards him,
and a scrupulousness that is not to be found every day. At other
moments Aylmer swore to himself, cursing his impulsiveness, fearing she
now would really not ever think of him as he wished, but as a hustling
sort of brute. But no--he didn't care. He had come at last to close
quarters with her. He had kissed the pretty little mouth that he had so
often watched with longing. He admitted to himself that he had really
wished to pose a little in her eyes: to be the noble hero in the third
act who goes away from temptation. But who does not wish for the _beau
rôle_ before one's idol?

      *       *       *       *       *

This meeting at the play tonight was the sort of anti-climax that is
almost invariable in a London romance. How he looked forward to it! For
after Vincy came in only a few banalities had been said. He was to see
her now for the last time--the first time since he had given himself
away to her. Probably it was only her usual kindness to others that
prevented her getting out of the evening plans, he thought. Or--did she
want to see him once more?

At dinner before the play Edith was very bright, and particularly
pretty. Bruce, too, was in good spirits.

'It's rather sickening,' he remarked, 'Aylmer going away like this; we
shall miss him horribly, sha'n't we? And then, where's the sense,
Edith, in a chap leaving London where he's been the whole of the awful
winter, just as it begins to be pleasant here? Pass the salt; don't
spill it--that's unlucky. Not that I believe in any superstitious rot.
I can see the charm of the quaint old ideas about black cats and so
forth, but I don't for one moment attach any importance to them, nor to
the number thirteen, nor any of that sort of bosh. Indeed as a matter
of fact, I walked round a ladder only today rather than go under it.
But that's simply because I don't go in for trying to be especially
original.'

'No, dear. I think you're quite right.'

'And oddly enough--as I was trying to tell you just now, only you
didn't seem to be listening--a black cat ran across my path only this
afternoon.' He smiled, gratified at the recollection.

'How do you mean, your path? I didn't know you had one--or that there
were any paths about here.'

'How literal women are! I mean _I_ nearly ran over it in a taxi. When I
say I nearly ran over it, I mean that a black cat on the same side of
the taxi (if you must have details) ran away as the taxi drove on....
Yes, Aylmer is a thoroughly good chap, and he and I have enormous
sympathy. I don't know any man in the world with whom I have more
intellectual sympathy than Aylmer Ross. Do you remember how I pointed
him out to you at once at the Mitchells'? And sometimes when I think
how you used to sneer at the Mitchells--oh, you did, you know, dear,
before you knew them--and I remember all the trouble I had to get you
to go there, I wonder--I simply wonder! Don't you see, through going
there, as I advised, we've made one of the nicest friends we ever had.'

'Really, Bruce, you didn't have _any_ trouble to get me to go to the
Mitchells; you're forgetting. The trouble was I couldn't go there very
well until I was asked. The very first time we were asked (if you
recollect), we flew!'

'Flew? Why, we went on the wrong night. That doesn't look as if I was
very keen about it! However, I'm not blaming you, dear. It wasn't your
fault. Mind you,' continued Bruce, 'I consider the Society Theatre pure
frivolity. But one thing I'll say, a bad show there is better than a
good show anywhere else. There's always jolly music, pretty dresses,
pretty girls--you don't mind my saying so, dear, do you?'

'No, indeed. I think so myself.'

'Of course, the first row of the chorus is not what it was when I was a
bachelor,' continued Bruce, frowning thoughtfully. 'Either they're not
so good-looking, or I don't admire them so much, or they don't admire
_me_ as much, or they're a different class, or--or--something!' he
laughed.

'You're pleased to be facetious,' remarked Edith.

'My dear girl, you know perfectly well I think there's no-one else in
the world like you. Wherever I go I always say there's no-one to touch
my wife. No-one!'

Edith got up. 'Very sweet of you.'

'But,' continued Bruce, 'because I think you pretty, it doesn't follow
that I think everybody else is hideous. I tell you that straight from
the shoulder, and I must say this for you, dear, I've never seen any
sign of jealousy on your part.'

'I'd show it soon enough if I felt it--if I thought I'd any cause,'
said Edith; 'but I didn't think I had.'

Bruce gave a rather fatuous smile. 'Oh, go and get ready, my dear,' he
answered. 'Don't let's talk nonsense. Who's going to be there tonight,
do you know?'

'Oh, only Lady Everard and Vincy.'

'Lady Everard is a nice woman. You're going to that musical thing of
hers, I suppose?'

'Yes, I suppose so.'

'It's in the afternoon, and it's not very easy for me to get away in
the afternoon, but to please you, I'll take you--see? I loathe music
(except musical comedies), and I think if ever there was a set of
appalling rotters--I feel inclined to knock them off the music-stool
the way they go on at Lady Everard's--at the same time, some of them
are very cultured and intelligent chaps, and _she's_ a very charming
woman. One can't get in a word edgeways, but _when_ one does--well, she
listens, and laughs at one's jokes, and that sort of thing. I think I'm
rather glad you're not musical, Edith, it takes a woman away from her
husband.'

'Not musical! Oh dear! I thought I was,' said Edith.

'Oh, anyhow, not when I'm here, so it doesn't matter. Besides, your
being appreciative and that sort of thing is very nice. Look what a
social success you've had at the Everards', for instance, through
listening and understanding these things; it is not an accomplishment
to throw away. No, Edith dear, I should tell you, if you would only
listen to me, to keep up your music, but you won't and there's an end
of it...That soufflé was really very good. Cook's improving. For a
plain little cook like that, with such small wages, and no kitchenmaid,
she does quite well.'

'Oh yes, she's not bad,' said Edith. She knew that if Bruce had been
aware the cook's remuneration was adequate he would not have enjoyed
his dinner.

      *       *       *       *       *

They were in the box in the pretty theatre. Lady Everard, very smart in
black, sparkling with diamonds, was already there with Aylmer. Vincy
had not arrived.

The house was crammed to the ceiling. Gay, electrical music of
exhilarating futility was being played by the orchestra. The scene
consisted of model cottages; a chorus of pretty girls in striped cotton
were singing. The heroine came on; she was well known for her smile,
which had become public property on picture post-cards and the Obosh
bottles. She was dressed as a work-girl also, but in striped silk with
a real lace apron and a few diamonds. Then the hero arrived. He wore a
red shirt, brown boots, and had a tenor voice. He explained an
interesting little bit of the plot, which included an eccentric will
and other novelties. The humorous dandy of the play was greeted with
shouts of joy by the chorus and equal enthusiasm by the audience. He
agreed to change places with the hero, who wished to give up one
hundred and forty thousand pounds a year to marry the heroine.

'Very disinterested,' murmured Lady Everard. 'Very nice of him, I'm
sure. It isn't many people that would do a thing like that. A nice
voice, too. Of course, this is not what _I_ call good music, but it's
very bright in its way, and the words--I always think these words are
so clever. So witty. Listen to them--do listen to them, dear Mrs
Ottley.'

They listened to the beautiful words sung, of which the refrain ran as
follows:--

  'The Author told the Actor,
  (The Actor had a fit).
  The Box Office man told the Programme-girl,
  The Theatre all was in quite a whirl.
  The call-boy told the Chorus.
  (Whatever could it be?)
  The super asked the Manager,
  What did the Censor see?'

'Charming,' murmured Lady Everard; 'brilliant--I know his father so
well.'

'Whose father--the censor's?'

'Oh, the father of the composer--a very charming man. When he was young
he used to come to my parties--my Wednesdays. I used to have Wednesdays
then. I don't have Wednesdays now. I think it better to telephone at
the last minute any particular day for my afternoons because, after
all, you never know when the artists one wants are disengaged, does
one? You're coming on Wednesday to hear Paul La France sing, dear Mrs
Ottley?'

Edith smiled and nodded assent, trying to stop the incessant trickle of
Lady Everard's leaking conversation. She loved theatres, and she
enjoyed hearing every word, which was impossible while there was more
dialogue in the box than on the stage; also, Aylmer was sitting behind
her.

The comic lady now came on; there were shrieks of laughter at her
unnecessary and irrelevant green boots and crinoline and Cockney
accent. She proposed to marry the hero, who ran away from her. There
was more chorus; and the curtain fell.

In the interval Vincy arrived. He and Bruce went into the little salon
behind the box. Lady Everard joined them there. Edith and Aylmer looked
round the house. The audience at the Society Theatre is a special one;
as at the plays in which the favourite actor-managers and _jeunes
premiers_ perform there are always far more women than men, at this
theatre there are always far more men than women.

The stage box opposite our friends was filled with a party of about ten
men.

'It looks like a jury,' said Edith. 'Perhaps it is.' 'Probably a board
of directors,' said Aylmer.

The first two rows of the stalls were principally occupied by
middle-aged and rather elderly gentlemen. Many had grey moustaches and
a military bearing. Others were inclined to be stout, with brilliant
exuberant manners and very dark hair that simply wouldn't lie flat.
There were a great many parties made up like those of our friends--of
somebody in love with somebody, surrounded by chaperons. These were the
social people, and also there were a certain number of young men with
pretty women who were too fashionably dressed, too much made up, and
who were looking forward too much to supper. These ladies seemed
inclined to crab the play, and to find unimportant little faults with
the unimportant actresses. There were many Americans--who took it
seriously; and altogether one could see it was an immense success; in
other words everyone had paid for their seats...

      *       *       *       *       *

The play was over; Aylmer had not had a word with Edith. He was going
away the next day, and he asked them all to supper. Of course he drove
Edith, and Lady Everard took the other two in her motor....

'You're an angel if you've forgiven me,' he said, as they went out.



CHAPTER XIII

The Supper-party

'Have you forgiven me?' he asked anxiously, as soon as they were in the
dark shelter of the cab.

'Yes, oh yes. Please don't let's talk about it any more... What time do
you start tomorrow?'

'You think I ought to go then?'

'You say so.'

'But you'd rather I remained here; rather we should go on as we
are--wouldn't you?'

'Well, you know I should never have dreamt of suggesting you should go
away. I like you to be here.'

'At any cost to me? No, Edith; I can't stand it. And since I've told
you it's harder. Your knowing makes it harder.'

'I should have thought that if you liked anyone so _very_ much, you
would want to see them all the time, as much as possible, always--even
with other people...anything rather than not see them--be away
altogether. At least, that's how I should feel.'

'No doubt you would; that's a woman's view. And besides, you see, you
don't care!'

'The more I cared, the less I should go away, I think.'

'But, haven't I tried? And I can't bear it. You don't know how cruel
you are with your sweetness, Edith...Oh, put yourself in my place! How
do you suppose I feel when I've been with you like this, near you,
looking at you, delighting in you the whole evening--and then, after
supper, you go away with Bruce? _You've_ had a very pleasant evening,
no doubt; it's all right for you to feel you've got me, as you know you
have--and with no fear, no danger. Yes, you enjoy it!'

'Oh, Aylmer!'

He saw in the half-darkness that her eyes looked reproachful.

'I didn't mean it. I'm sorry--I'm always being sorry.' His bitter tone
changed to gentleness. 'I want to speak to you now, Edith. We haven't
much time. Don't take away your hand a minute....I always told you,
didn't I, that the atmosphere round you is so clear that I feel with
you I'm in the Palace of Truth? You're so _real_. You're the only woman
I ever met who really cared for truth. You're not afraid of it; and
you're as straight and honourable as a man! I don't mean you can't
diplomatise if you choose, of course, and better than anyone; but it
isn't your nature to deceive yourself, nor anyone else. I recognise
that in you. I love it. And that's why I can't pretend or act with you;
I must be frank.'

'Please, do be frank.'

'I love you. I'm madly in love with you. I adore you.'

Aylmer stopped, deeply moved at the sound of his own words. Few people
realise the effect such words have on the speaker. Saying them to her
was a great joy, and an indulgence, but it increased painfully his
passionate feeling, making it more accentuated and acute. To let
himself go verbally was a wild, bitter pleasure. It hurt him, and he
enjoyed it.

'And I'd do anything in the world to get you. And I'd do anything in
the world for you, too. And if you cared for me I'd go away all the
same. At least, I believe I should...We shall be there in a minute.

'Listen, dear. I want you, occasionally, to write to me; there's no
earthly reason why you shouldn't. I'll let you know my address. It will
prevent my being too miserable, or rushing back. And will you do
something else for me?'

'Anything.'

'Angel! Well, when you write, call me Aylmer. You never have yet, in a
letter. Treat me just like a friend--as you treat Vincy. Tell me what
you're doing, where you're going, who you see; about Archie and Dilly;
about your new dresses and hats; what you're reading--any little thing,
so that I'm still in touch with you.'

'Yes, I will; I shall like to. And don't be depressed, Aylmer. Do enjoy
your journey; write to me, too.'

'Yes, I'm going to write to you, but only in an official way, only for
Bruce. And, listen. Take care of yourself. You're too unselfish. Do
what you want sometimes, not what other people want all the time. Don't
read too much by electric light and try your eyes. And don't go out in
these thin shoes in damp weather--promise!'

She laughed a little--touched.

'Be a great deal with the children. I like to think of you with them.
And I hope you won't be always going out,' he continued, in a tone of
unconscious command, which she enjoyed....'Please don't be continually
at Lady Everard's, or at the Mitchells', or anywhere. I hate you to be
admired--how I hate it!'

'Fancy! And I was always brought up to believe people are proud of
what's called the 'success' of the people that they--like.'

'Don't you believe it, Edith! That's all bosh--vanity and nonsense. At
any rate, I know I'm not. In fact, as I can't have you myself, I would
really like you to be shut up. Very happy, very well, with everything
in the world you like, even thinking of me a little, but absolutely
shut up! And if you did go out, for a breath of air, I should like
no-one to see you. I'd like you to cover up your head--wear a thick
veil--and a thick loose dress!'

'You're very Oriental!' she laughed.

'I'm not a bit Oriental; I'm human. It's selfish, I suppose, you think?
Well, let me tell you, if you care to know, that it's _love_, and
nothing else, Edith....Now, is there anything in the world I can do for
you while I'm away? It would be kind to ask me. Remember I shan't see
you for three months. I may come back in September. Can't I send you
something--do something that you'd like? I count on you to ask me at
any time if there's anything in the world I could do for you, no matter
what!'

No woman could help being really pleased at such whole-hearted
devotion and such Bluebeard-like views--especially when they were not
going to be carried out. Edith was thrilled by the passionate emotion
she felt near her. How cold it would be when he had gone! He _was_
nice, handsome, clever--a darling!

'Don't forget me, Aylmer. I don't want you to forget me. Later on we'll
have a real friendship.'

'_Friendship!_ Don't use that word. It's so false--such humbug--for
_me_ at any rate. To say I could care for you as a friend is simply
blasphemy! How can it be possible for _me_? But I'll try. Thanks for
_any_thing! You're an angel--I'll try.'

'And it's horribly inconsistent, and no doubt very wicked of me, but,
do you know, I should be rather pained if I heard you had fallen in
love with someone else.'

'Ah, that would be impossible!' he cried. 'Never--never! It's the real
thing; there never was anyone like you, there never will be.

Let me look at you once more....Oh, Edith! And now--here we are.'

Edith took away her hand. 'Your scarf's coming off, you'll catch
cold,' said Aylmer, and as he was trying, rather awkwardly, to put the
piece of blue chiffon round her head he drew the dear head to him and
kissed her harshly. She could not protest; it was too final; besides,
they were arriving; the cab stopped. Vincy came to the door.

'Welcome to Normanhurst!' cried Vincy, with unnecessary facetiousness,
giving them a slightly anxious glance. He thought Edith had more colour
than usual. Aylmer was pale.

      *       *       *       *       *

The supper was an absolute and complete failure; the guests
displayed the forced gaiety and real depression, and constrained
absentmindedness, of genuine and hopeless boredom. Except for Lady
Everard's ceaseless flow of empty prattle the pauses would have been
too obvious. Edith, for whom it was a dreary anti-climax, was rather
silent. Aylmer talked more, and a little more loudly, than usual, and
looked worn. Bruce, whom champagne quickly saddened, became vaguely
reminiscent and communicative about old, dead, forgotten grievances of
the past, while Vincy, who was a little shocked at what he saw (and he
always saw everything), did his very best, just saving the
entertainment from being a too disastrous frost.

'Well! Good luck!' said Aylmer, lifting his glass with sham
conviviality.' I start tomorrow morning by the Orient Express.'

'Hooray!' whispered Vincy primly.

'Doesn't it sound romantic and exciting?' Edith said. 'The two words
together are so delightfully adventurous. Orient--the languid East,
and yet express--quickness, speed. It's a fascinating blend of ideas.'

'Whether it's adventurous or not isn't the question, my dear girl; I
only wish we were going too,' said Bruce, with a sigh; 'but, I never
can get away from my wretched work, to have any fun, like you lucky
chaps, with no responsibilities or troubles! I suppose perhaps we may
take the children to Westgate for Whitsuntide, and that's about all.
Not that there isn't quite a good hotel there, and of course it's all
right for me, because I shall play golf all day and run up to town when
I want to. Still, it's very different from one of these jolly long
journeys that you gay bachelors can indulge in.'

'But I'm not a gay bachelor. My boy is coming to join me in the summer
holidays, wherever I am,' said Aylmer.

'Ah, but that's not the point. I should like to go with you now--at
once. Don't you wish we were both going, Edith? Why aren't we going
with him tomorrow?'

'Surely June's just the nice time in London, Bruce,' said Vincy, in his
demure voice.

'Won't it be terribly hot?' said Lady Everard vaguely. She always
thought every place must be terribly hot. 'Venice? Are you going to
Venice? Delightful! The Viennese are so charming, and the Austrian
officers--Oh, you're going to Sicily first? Far too hot. Paul La
France--the young singer, you know--told me that when he was in Sicily
his voice completely altered; the heat quite affected the _velouté_ of
his voice, as the French call it--and what a voice it is at its best!
It's not the _highest_ tenor, of course, but the medium is so
wonderfully soft and well developed. I don't say for a moment that he
will ever be a Caruso, but as far as he goes--and he goes pretty far,
mind--it's really wonderful. You're coming on Wednesday, aren't you,
dear Mrs Ottley? Ah!'... She stopped and held up her small beaded fan,
'what's that the band's playing? I know it so well; everyone knows it;
it's either _Pagliacci_ or _Bohème_, or _some_thing. No, isn't it
really? What is it? All the old Italian operas are coming in again, by
the way, you know, my dear... _Rigoletto_, _Lucia_, _Traviata_--the
_bel canto_--that sort of thing; there's nothing like it for showing
off the voice. Wagner's practically gone out (at least what _I_ call
out), and I always said Debussy wouldn't last. Paul La France still
clings to Brahms--Brahms suits his voice better than anyone else. He
always falls back on Brahms, and dear de Lara; and Tosti; of course,
Tosti. I remember...'

      *       *       *       *       *

Aylmer and his guests had reached the stage of being apparently all
lost in their own thoughts, and the conversation had been practically
reduced to a disjointed monologue on music by Lady Everard, when the
lights began to be lowered, and the party broke up.

'I'm coming to see you so soon,' said Vincy.



CHAPTER XIV

The Letter

It was about a fortnight later.

Edith and Bruce, from different directions, arrived at the same moment
at their door, and went up together in the lift. On the little
hall-table was a letter addressed to Edith. She took it up rather
quickly, and went into the drawing-room. Bruce followed her.

'That a letter, Edith?'

'What do you suppose it is, Bruce?'

'What _could_ I have supposed it was, Edith? A plum pudding?' He
laughed very much.

'You are very humorous today, Bruce.'

She sat down with her hat, veil and gloves on, holding the letter. She
did not go to her room, because that would leave her no further
retreat. Bruce sat down exactly opposite to her, with his coat and
gloves on. He slowly drew off one glove, folded it carefully, and put
it down. Then he said amiably, a little huskily:

'Letter from a friend?'

'I beg your pardon? What did you say, dear?'

He raised his voice unnecessarily:

'I Said A LETTER FROM A FRIEND!'

She started. 'Oh yes! I heard this time.'

'Edith, I know of an excellent aurist in Bond Street. I wish you'd go
and see him. I'll give you the address.'

'I know of a very good elocutionist in Oxford Street. I think I would
go and have some lessons, if I were you, Bruce; the summer classes are
just beginning. They teach you to speak so clearly, to get your voice
over the footlights, as it were. I think all men require to study
oratory and elocution. It comes in so useful!'

Bruce lowered his voice almost to a whisper.

'Are you playing the fool with me?'

She nodded amiably in the manner of a person perfectly deaf, but who is
pretending to hear.

'Yes, dear; yes, quite right.'

'What do you mean by 'quite right'?' He unfastened his coat and threw
it open, glaring at her a little.

'Who--me? _I_ don't know.'

'Who is that letter from, Edith?' he said breezily, in a tone of sudden
careless and cheery interest.

'I haven't read it yet, Bruce,' she answered, in the same tone,
brightly.

'Oh. Why don't you read it?'

'Oh! I shall presently.'

'When?'

'When I've opened it.'

He took off his other glove, folded it with the first one, made them
into a ball, and threw it across the room against the window, while his
colour deepened.

'Oh, do you want to have a game? Shall I send for Archie?'

'Edith, why don't you take off your hat?'

'I can't think. Why don't you take off your coat?'

'I haven't time. Show me that letter.'

'What letter?'

'Don't prevaricate with me.' Bruce had now definitely lost his temper.
'I can stand anything except prevarication. Anything in the world, but
prevarication, I can endure, with patience. But _not_ that! As if you
didn't know perfectly well there's only one letter I want to see.'

'Really?'

'Who's your letter from?'

'How should I know?'

Edith got up and went towards the door. Bruce was beforehand with her
and barred the way, standing with his arms outstretched and his back to
the door.

'Edith, I'm pained and surprised at your conduct!'

'Conduct!' she exclaimed.

'Don't echo my words! I will _not_ be echoed, do you hear?...
Behaviour, then, if you prefer the word.... Why don't you wish me to
see that letter?'

Edith quickly looked at the letter. Until this moment she had had an
unreasonable and nervous terror that Aylmer might have forgotten his
intention of writing what he called officially, and might have written
her what she now inwardly termed a lot of nonsense. But she now saw she
had made a mistake: it was not his handwriting nor his postmark. She
became firmer.

'Look here Bruce,' she said, in a decided voice, quietly. 'We have been
married eight years, and I consider you ought to trust me sufficiently
to allow me to open my own letters.'

'Oh, you do, do you? What next? What next! I suppose the next thing
you'll wish is to be a suffragette.'

'The question,' said Edith, in the most cool, high, irritating voice
she could command, 'really, of votes for women hardly enters into our
argument here. As a matter of fact, I take no interest in any kind of
politics, and, I may be entirely wrong, but if I were compelled to take
sides on the subject, I should be an anti-suffragist.'

'Oh, you would, would you? That's as well to know! That's interesting.
Give me that letter.'

'Do you think you have the right to speak to me like that?'

'Edith,' he said rather pathetically, trying to control himself. 'I beg
you, I _implore_ you to let me see the letter! Hang it all! You know
perfectly well, old girl, how fond I am of you. I may worry you a bit
sometimes, but you know my heart's all right.'

'Of course, Bruce; I'm not finding fault with you. I only want to read
my own letter, that's all.'

'But if I let you out of this room without having shown it me, then if
there's something you don't want me to see, you'll tear it up or chuck
it in the fire.'

Edith was quite impressed at this flash of prophetic insight. She
admitted to herself he was right.

'It's entirely a matter of principle,' she said after another
reassuring look at the envelope. 'It's only a matter of principle,
dear, I'm twenty-eight years old, we've been married eight years; you
leave the housekeeping, the whole ordering of the children's education,
and heaps of other quite important things, entirely to me; in fact, you
lead almost the life of a schoolboy, without any of the tiresome part,
and with freedom, going to school in the day and amusing yourself in
the evening, while everything disagreeable and important is thought of
and seen to for you. You only have the children with you when they
amuse you. I have all the responsibility; I have to be patient,
thoughtful--in fact, you leave things to me more than most men do to
their wives, Bruce. You won't be bothered even to look at an
account--to do a thing. But I'm not complaining.'

'Oh, you're not! It sounded a little like it.'

'But it isn't. I don't _mind_ all this responsibility, but I ought, at
least, to be allowed to read my letters.'

'Well, darling, you shall, as a rule. Look here, old girl, you shall. I
promise you, faithfully, dear. Oh, Edith, you're looking awfully
pretty; I like that hat. Look here, I promise you, dear, I'll _never_
ask you again, never as long as I live. But I've a fancy to read this
particular letter. Why not just gratify it? It's a very harmless whim.'
His tone suddenly changed. 'What do you suppose there's _in_ the damned
letter? Something you're jolly well anxious I shouldn't see.'

She made a step forward. He rushed at her, snatched the letter out of
her hand, and went to the window with it.

She went into her own room, shut the door, and threw herself on the
bed, her whole frame shaking with suppressed laughter.

      *       *       *       *       *

Bruce, alone, with trembling fingers tore open the envelope. Never in
his life had he been opposed by Edith before in this way. He read these
words in stereotyped writing:

_'Van will call on receipt of post-card. The Lavender Laundry hopes
that you will give them a trial, as their terms are extremely mod--'_

Bruce rushed to the door and called out:

'Edith! Sorry! Edie, I say, I'm sorry. Come back.'

There was no answer.

He pushed the letter under the door of her room, and said through the
keyhole:

'Edith, look here, I'm just going for a little walk. I'll be back to
dinner. Don't be angry.'

Bruce brought her home a large bunch of Parma violets. But neither of
them ever referred to the question again, and for some time there was a
little less of the refrain of 'Am I master in my own house, or am I
not?'

The next morning, when a long letter came from Aylmer, from Spain,
Edith read it at breakfast and Bruce didn't ask a single question.
However, she left it on his plate, as if by mistake. He might just as
well read it.



CHAPTER XV

Mavis Argles

Vincy had the reputation of spending his fortune with elaborate yet
careful lavishness, buying nothing that he did not enjoy, and giving
away everything he did not want. At the same time his friends
occasionally wondered on what he _did_ spend both his time and his
money. He was immensely popular, quite sought after socially; but he
declined half his invitations and lived a rather quiet existence in the
small flat, with its Oriental decorations and violent post-impressions
and fierce Chinese weapons, high up in Victoria Street. Vincy really
concealed under an amiable and gentle exterior the kindest heart of any
man in London. There was 'more in him than met the eye,' as people say,
and, frank and confidential as he was to his really intimate friends,
at least one side of his life was lived in shadow. It was his secret
romance with a certain young girl artist, whom he saw rarely, for
sufficient reasons. He was not devoted to her in the way that he was to
Edith, for whom he had the wholehearted enthusiasm of a loyal friend,
and the idolising worship of a fanatic admirer. It was perhaps Vincy's
nature, a little, to sacrifice himself for anyone he was fond of. He
spent a great deal of time thinking out means of helping materially the
young art-student, and always he succeeded in this object by his
elaborate and tactful care. For he knew she was very, very poor, and
that her pride was of an old-fashioned order--she never said she was
hard up, as every modern person does, whether rich or poor, but he knew
that she really lacked what he considered very nearly--if not
quite--the necessities of life.

Vincy's feeling for her was a curious one. He had known her since she
was sixteen (she was now twenty-four). Yet he did not trust her, and
she troubled him. He had met her at a studio at a time when he had
thought of studying art seriously. Sometimes, something about her
worried and wearied him, yet he couldn't do without her for long. The
fact that he knew he was of great help to her fascinated him; he often
thought that if she had been rich and he poor he would never wish to
see her again. Certainly it was the touch of pathos in her life that
held him; also, of course, she was pretty, with a pale thin face, deep
blue eyes, and rich dark red frizzy hair that was always coming
down--the untidy hair of the art-student.

He was very much afraid of compromising her, and _she_ was very much
afraid of the elderly aunt with whom she lived. She had no parents,
which made her more pathetic, but no more free. He could not go and see
her, with any satisfaction to either of them, at _her_ home, though he
did so occasionally. This was why she first went to see him at his
flat. But these visits, as they were both placed, could, of course,
happen rarely.

Mavis Argles--this was the girl's extraordinary name--had a curious
fascination for him. He was rather fond of her, yet the greatest wish
he had in the world was to break it off. When with her he felt himself
to be at once a criminal and a benefactor, a sinner and a saint.
Theoretically, theatrically, and perhaps conventionally, his relations
with her constituted him the villain of the piece. Yet he behaved to
her more like Don Quixote than Don Juan....

      *       *       *       *       *

One afternoon about four o'clock--he was expecting her--Vincy had
arranged an elaborate tea on his little green marble dining-table.
Everything was there that she liked. She was particularly attached to
scones; he also had cream-cakes, sandwiches, sweets, chocolate and
strawberries. As he heard the well-known slightly creaking step, his
heart began to beat loudly--quick beats. He changed colour, smiled, and
nervously went to the door.

'Here you are, Mavis!' He calmed her and himself by this banal welcome.

He made a movement to help her off with her coat, but she stopped him,
and he didn't insist, guessing that she supposed her blouse to be unfit
for publication.

She sat down on the sofa, and leaned back, looking at him with her
pretty, weary, dreary, young, blue eyes.

'It seems such a long time since I saw you,' said Vincy. 'You're tired;
I wish I had a lift.'

'I am tired,' she spoke in rather a hoarse voice always. 'And I ought
not to stop long.'

'Oh, stay a minute longer, won't you?' he asked.

'Well, I like that! I've only just this moment arrived!'

'Oh, Mavis, don't say that! Have some tea.'

He waited on her till she looked brighter.

'How is Aunt Jessie?'

'Aunt Jessie's been rather ill.'

'Still that nasty pain?' asked Vincy.

She stared at him, then laughed.

'As if you remember anything about it.'

'Oh, Mavis! I do remember it. I remember what was the matter with her
quite well.'

'I bet you don't. What was it?' she asked, with childish eagerness.

'It was that wind round the heart that she gets sometimes. She told me
about it. Nothing seems to shift it, either.'

Mavis laughed--hoarse, childlike laughter that brought tears to her
eyes.

'It's a shame to make fun of Aunt Jessie; she's a very, very good
sort.'

'Oh, good gracious, Mavis, if it comes to sorts, I'm sure she's quite
at the top of the tree. But don't let's bother about her now.'

'What _do_ you want to bother about?'

'Couldn't you come out and dine with me, Mavis? It would be a
change'--he was going to say 'for you', but altered it--'for me.'

'Oh no, Vincy; you can't take me out to dinner. I don't look up to the
mark.' She looked in a glass. 'My hat--it's a very good hat--it cost
more than you'd think--but it shows signs of wear.'

'Oh, that reminds me,' began Vincy. 'What _do_ you think happened the
other day? A cousin of mine who was up in London a little while bought
a hat--it didn't suit her, and she insisted on giving it to me! She
didn't know what to do to get rid of it! I'd given her something or
other, for her birthday, and _she_ declared she would give this to _me_
for _my_ birthday, and so--I've got it on my hands.'

'What a very queer thing! It doesn't sound true.'

'No; does it? Do have some more tea, Mavis darling.'

'No, thanks; I'll have another cake.'

'May I smoke?'

She laughed. 'Asking _me_! You do what you like in your own house.'

'It's yours,' he answered, 'when you're here. And when you're not, even
more,' he added as an afterthought.

He struck a match; she laughed and said: 'I don't believe I understand
you a bit.'

'Oh--I went to the play last night,' said Vincy. 'Oh, Mavis, it was
such a wearing play.'

'All about nothing, I suppose? They always are, now.'

'Oh no. It was all about everything. The people were _so_ clever; it
was something cruel how clever they were. One man _did_ lay down the
law! Oh, didn't he though! I don't hold with being bullied and lectured
from the stage, do you, Mavis? It seems so unfair when you can't answer
back.'

'Was it Bernard Shaw?' she asked.

'No; it wasn't; not this time; it was someone else. Oh, I do feel
sometimes when I'm sitting in my stall, so good and quiet, holding my
programme nicely and sitting up straight to the table, as it were, and
then a fellow lets me have it, tells me where I'm wrong and all that; I
_should_ like to stand up and give a back answer, wouldn't you?'

'No; I'd like to see _you_ do it! Er--what colour is that hat that your
cousin gave you?'

'Oh, colour?' he said thoughtfully, smoking. 'Let me see--what colour
was it? It doesn't seem to me that it was any particular colour. It was
a very curious colour. Sort of mole-colour. Or was it cerise? Or
violet?... You wouldn't like to see it, would you?'

'Why, yes, I'd like to see it; I wouldn't try it on of course.'

He opened the box.

'Why, what a jolly hat!' she exclaimed. 'You may not know it, but that
would just suit me; it would go with my dress, too.'

'Fancy.'

She took off her own hat, and touched up her hair with her fingers, and
tried on the other. Under it her eyes brightened in front of the glass;
her colour rose; she changed as one looked at her--she was sixteen
again--the child he had first met at the Art School.

'Don't you think it suits me?' she said, turning round.

'Yes, I think you look very charming in it. Shall I put it back?'

There was a pause.

'I sha'n't know what on earth to do with it,' he said discontentedly.
'It's so silly having a hat about in a place like this. Of course you
wouldn't dare to keep it, I suppose? It does suit you all right, you
know; it would be awfully kind of you.'

'What a funny person you are, Vincy. I _should_ like to keep it. What
could I tell Aunt Jessie?'

'Ah, well, you see, that's where it is! I suppose it wouldn't do for
you to tell her the truth.'

'What do you mean by the truth?'

'I mean what I told you--how my cousin, Cissie Cavanack,' he smiled a
little as he invented this name, 'came up to town, chose the wrong hat,
didn't know what to do with it--and, you know!'

'I could tell her all that, of course.'

'All right,' said Vincy, putting the other hat--the old one--in the
box.' Where shall we dine?'

'Oh, Vincy, I think you're very sweet to me, but how late dare I get
back to Ravenscourt Park?'

'Why not miss the eight-five train?--then you'll catch the quarter to
ten and get back at about eleven.'

'Which would you _rather_ I did?'

'Well, need you ask?'

'I don't know, Vincy. I have a curious feeling sometimes. I believe
you're rather glad when I've gone--relieved!'

'Well, my dear,' he answered, 'look how you worry all the time! If
you'd only have what I call a quiet set-down and a chat, without being
always on the fidget, always looking either at the glass or at the
clock, one might _not_ have that feeling.'

Her colour rose, and tears came to her eyes. 'Oh, then you _are_ glad
when I'm gone!' She pouted. 'You don't care for me a bit, Vincy,' she
said, in a plaintive voice.

He sat down next to her on the little striped sofa, and took her hand.

'Oh, give over, Mavis, do give over! I wish you wouldn't carry on like
that; you do carry on, Mavis dear, don't you? Some days you go on
something cruel, you do really. Reely, I mean. Now, cheer up and be
jolly. Give a kiss to the pretty gentleman, and look at all these
pretty good-conduct stripes on the sofa! There! That's better.'

'Don't speak as if I were a baby!'

'Do you mind telling me what we're quarrelling about, my dear? I only
ask for information.'

'Oh, we're _not_. You're awfully sweet. You know I love you, Vincy.'

'I thought, perhaps, it was really all right.'

'Sometimes I feel miserable and jealous.'

He smiled. 'Ah! What are you jealous of, Mavis?'

'Oh, everything--everyone--all the people you meet.'

'Is that all? Well, you're the only person I ever meet--by appointment,
at any rate.'

'Well--the Ottleys!'

His eye instinctively travelled to a photograph of Edith, all tulle and
roses; a rather fascinating portrait.

'What about _her_?' asked Mavis. 'What price Mrs Ottley?'

'Really, Mavis!--What price? No price. Nothing about her; she's just a
great friend of mine. I think I told you that before. ... What a
frightfully bright light there is in the room,' Vincy said. He got up
and drew the blind down. He came back to her.

'Your hair's coming down,' he remarked.

'I'm sorry,' she said. 'But at the back it generally is.'

'Don't move--let me do it.'

Pretending to arrange it, he took all the hairpins out, and the cloud
of dark red hair fell down on her shoulders.

'I like your hair, Mavis.'

      *       *       *       *       *

'It seems too awful I should have been with you such a long time this
afternoon,' she exclaimed.

'It _isn't_ long.'

'And sometimes it seems so dreadful to think I can't be with you
always.'

'Yes, doesn't it? Mavis dear, will you do up your hair and come out to
dinner?'

'Vincy dear, I think I'd better not, because of Aunt Jessie.'

'Oh, very well; all right. Then you will another time?'

'Oh, you don't want me to stay?'

'Yes, I do; do stay.'

'No, next time--next Tuesday.'

'Very well, very well.'

He took a dark red carnation out of one of the vases and pinned it on
to her coat.

'The next time I see you,' she said, 'I want to have a long, _long_
talk.'

'Oh yes; we must, mustn't we?'

He took her downstairs, put her into a cab. It was half-past six.

He felt something false, worrying, unreliable and incalculable in
Mavis. She didn't seem real.... He wished she were fortunate and happy;
but he wished even more that he were never going to see her again. And
still!...

He walked a little way, then got into a taxi and drove to see Edith.
When he was in this peculiar condition of mind--the odd mixture of
self-reproach, satisfaction, amusement and boredom that he felt now
--he always went to see Edith, throwing himself into the little affairs
of her life as if he had nothing else on his mind. He was a little
anxious about Edith. It seemed to him that since Aylmer had been away
she had altered a little.



CHAPTER XVI

More of the Mitchells

Edith had become an immense favourite with the Mitchells. They hardly
ever had any entertainment without her. Her success with their friends
delighted Mrs Mitchell, who was not capable of commonplace feminine
jealousy, and who regarded Edith as a find of her own. She often
reproached Winthrop, her husband, for having known Bruce eight years
without discovering his charming wife.

One evening they had a particularly gay party. Immediately after dinner
Mitchell had insisted on dressing up, and was solemnly announced in his
own house as Prince Gonoff, a Russian noble. He had a mania for
disguising himself. He had once travelled five hundred miles under the
name of Prince Gotoffski, in a fur coat, a foreign accent, a false
moustache and a special saloon carriage. Indeed, only his wife knew all
the secrets of Mitchell's wild early career of unpractical jokes, to
some of which he still clung. When he was younger he had carried it
pretty far. She encouraged him, yet at the same time she acted as
ballast, and was always explaining his jokes; sometimes she was in
danger of explaining him entirely away. She loved to tell of his
earlier exploits. How often, when younger, he had collected money for
charities (particularly for the Deaf and Dumb Cats' League, in which he
took special interest), by painting halves of salmon and ships on fire
on the cold grey pavement! Armed with an accordion, and masked to the
eyes, he had appeared at Eastbourne, and also at the Henley Regatta, as
a Mysterious Musician. At the regatta he had been warned off the
course, to his great pride and joy. Mrs Mitchell assured Edith that his
bath-chair race with a few choice spirits was still talked of at St
Leonard's (bath-chairmen, of course, are put in the chairs, and you
pull them along). Mr Mitchell was beaten by a short head, but that, Mrs
Mitchell declared, was really most unfair, because he was so
handicapped--his man was much stouter than any of the others--and the
race, by rights, should have been run again.

When he was at Oxford he had been well known for concealing under a
slightly rowdy exterior the highest spirits of any of the
undergraduates. He was looked upon as the most fascinating of
_farceurs_. It seems that he had distinguished himself there less for
writing Greek verse, though he was good at it, than for the wonderful
variety of fireworks that he persistently used to let off under the
dean's window. It was this fancy of his that led, first, to his
popularity, and afterwards to the unfortunate episode of his being sent
down; soon after which he had married privately, chiefly in order to
send his parents an announcement of his wedding in _The Morning Post_,
as a surprise.

Some people had come in after dinner--for there was going to be a
little _sauterie intime_, as Mrs Mitchell called it, speaking in an
accent of her own, so appalling that, as Vincy observed, it made it
sound quite improper. Edith watched, intensely amused, as she saw that
there were really one or two people present who, never having seen
Mitchell before, naturally did not recognise him now, so that the
disguise was considered a triumph. There was something truly agreeable
in the deference he was showing to a peculiarly yellow lady in red,
adorned with ugly real lace, and beautiful false hair. She was
obviously delighted with the Russian prince.

'Winthrop is a wonderful man!' said Mrs Mitchell to Edith, as she
watched her husband proudly. 'Who would dream he was clean-shaven! Look
at that moustache! Look at the wonderful way his coat doesn't fit; he's
got just that Russian touch with his clothes; I don't know how he's
done it, I'm sure. How I wish dear Aylmer Ross was here; he _would_
appreciate it so much.'

'Yes, I wish he were,' said Edith.

'I can't think what he went away for. I suppose he heard the East
a-calling, and all that sort of thing. The old wandering craving you
read of came over him again, I suppose. Well, let's hope he'll meet
some charming girl and bring her back as his bride. Where is he now, do
you know, Mrs Ottley?'

'In Armenia, I fancy,' said Edith.

'Oh, well, we don't want him to bring home an Armenian, do we? What
colour are they? Blue, or brown, or what? I hope no-one will tell Lady
Hartland that is my husband. She'll expect to see Winthrop tonight; she
never met him, you know; but he really ought to be introduced to her. I
think I shall tell him to go and undress, when they've had a little
dancing and she's been down to supper.'

Lady Hartland was the yellow lady in red, who thought she was flirting
with a fascinating Slav.

'She's a sort of celebrity,' continued Mrs Mitchell. 'She was an
American once, and she married Sir Charles Hartland for her money. I
hate these interested marriages, don't you?--especially when they're
international. Sir Charles isn't here; he's such a sweet boy. He's a
friend of Mr Cricker; it's through Mr Cricker I know them, really. Lady
Everard has taken _such_ a fancy to young Cricker; she won't leave him
alone. After all he's _my_ friend, and as he's not musical I don't see
that she has any special right to him; but he's there every Wednesday
now, and does his dances on their Sunday evenings too. He's got a new
one--lovely, quite lovely--an imitation of Lydia Kyasht as a
water-nymph. I wanted him to do it here tonight, but Lady Everard has
taken him to the opera. Now, won't you dance? Your husband promised he
would. You both look so young!'

Edith refused to dance. She sat in a corner with Vincy and watched the
dancers.

By special permission, as it was so _intime_, the Turkey Trot was
allowed. Bruce wanted to attempt it with Myra Mooney, but she was
horrified, and insisted on dancing the 1880 _trois-temps_ to a jerky
American two-step.

'Edith,' said Vincy; 'I think you're quieter than you used to be.
Sometimes you seem rather absent-minded.'

'Am I? I'm sorry; there's nothing so tedious to other people. Why do
you think I'm more serious?'

'I think you miss Aylmer.'

'Yes, I do. He gave a sort of meaning to everything. He's always
interesting. And there's something about him--I don't know what it is.
Oh, don't be frightened, Vincy, I'm not going to use the word
personality. Isn't that one of the words that ought to be forbidden
altogether? In all novels and newspapers that poor, tired word is
always cropping up.'

'Yes, that and magnetism, and temperament, and technique. Let's cut out
technique altogether. Don't let there be any, that's the best way; then
no-one can say anything about it. I'm fed up with it. Aren't you?'

'Oh, I don't agree with you at all. I think there ought to be any
amount of technique, and personality, and magnetism, and temperament. I
don't mind _how_ much technique there is, as long as nobody talks about
it. But neither of these expressions is quite so bad as that dreadful
thing you always find in American books, and that lots of people have
caught up--especially palmists and manicures--mentality.'

'Yes, mentality's very depressing,' said Vincy. 'I could get along
nicely without it, I think.... I had a long letter from Aylmer today.
He seemed unhappy.'

'I had a few lines yesterday,' said Edith. 'He said he was having a
very good time. What did he say to you?'

'Oh, he wrote, frankly to _me_.'

'Bored, is he?'

'Miserable; enamoured of sorrow; got the hump; frightfully off colour;
wants to come back to London. He misses the Mitchells. I suppose it's
the Mitchells.'

Edith smiled and looked pleased. 'He asked me not to come here much.'

'Ah! But he wouldn't want you to go anywhere. That is so like Aylmer.
He's not jealous; of course. How could he be? It's only a little
exclusiveness.... And how delightfully rare that is, Edith dear. I
admire him for it. Most people now seem to treasure anything they value
in proportion to the extent that it's followed about and surrounded by
the vulgar public. I sympathise with that feeling of wishing to
keep--anything of that sort--to oneself.'

'You are more secretive than jealous, yourself. But I have very much
the same feeling,' Edith said. 'Many women I know think the ideal of
happiness is to be in love with a great man, or to be the wife of a
great public success; to share his triumph! They forget you share the
man as well!'

'I suppose the idea is that, after the publicity and the acclamation
and the fame and the public glory and the shouting, you take the person
home, and feel he is only yours, really.'

'But, can a famous person be only yours? No. I shouldn't like it.

It isn't that I don't _like_ cleverness and brilliance, but I don't
care for the public glory.'

'I see; you don't mind how great a genius he is, as long as he isn't
appreciated,' replied Vincy. 'Well, then, in heaven's name let us stick
to our obscurities!'



CHAPTER XVII

The Agonies of Aylmer

In the fresh cheerfulness of the early morning, after sleep, with the
hot June sun shining in at the window, Aylmer used to think he was
better. He would read his letters and papers, dress slowly, look out of
the window at the crowds on the pavement--he had come back to
Paris--feel the infectious cheeriness and sense of adventure of the
city; then he would say to himself that his trip had been successful.
He _was_ better. When he went out his heart began to sink a little
already, but he fought it off; there would be a glimpse of an English
face flashing past in a carriage--he thought of Edith, but he put it
aside. Then came lunch. For some reason, immediately after lunch his
malady--for, of course, such love is a malady--incongruously attacked
him in an acute form. 'Why after lunch?' he asked himself. Could it be
that only when he was absolutely rested, before he had had any sort of
fatigue, that the deceptive improvement would show itself? He felt a
wondering humiliation at his own narrow grief.

However, this was the hour that it recurred; he didn't know why. He had
tried all sorts of physical cures--for there is no disguising the fact
that such suffering is physical, and so why should the cure not be,
also? He had tried wine, no wine, exercise, distraction,
everything--and especially a constant change of scene. This last was
the worst of all. He felt so exiled in Sicily, and in Spain--so
terribly far away--it was unbearable. He was happier directly he got
to Paris, because he seemed more in touch with England and her. Yes;
the pain had begun again....

Aylmer went and sat alone outside the café. It was not his nature to
dwell on his own sensations. He would diagnose them quickly and
acutely, and then throw them aside. He was quickly bored with himself;
he was no egotist. But today, he thought, he _would_ analyse his state,
to see what could be done.

Six weeks! He had not seen her for six weeks. The longing was no
better. The pain seemed to begin at his throat, pressing down gradually
on the chest It was that feeling of oppression, he supposed, that makes
one sigh; as though there were a weight on the heart. And certain
little memories made it acute; sudden flashing vivid recollection of
that last drive was like a sharp jagged tear. Had they ever been on
nearer terms, and had she treated him badly, it would not have caused
this slow and insidious suffering. He was a man of spirit; he was proud
and energetic; he would have thrown it off. If he could have been angry
with her, or despised her, he could have cured himself in time. Instead
of that, all the recollections were of an almost sickening sweetness;
particularly that kiss on the day he went to see her. And the other,
the _second_, was also the last; so it had a greater bitterness.

  'Rapture sharper than a sword,
  Joy like o sudden spear.'

These words, casually read somewhere, came back to him whenever he
remembered her!

Aylmer had read, heard of these obsessions, but never believed in them.
It was folly, madness!

He stood up, tossing his head as though to throw it off.

He went to fetch some friends, went with them to see pictures, to have
tea, and to drive in the Bois, accepting also an invitation to dine
with a man--a nice boy--a fellow who had been at Oxford with him, and
was at the embassy here, a young attaché.

He was quite nice: a little dull, and a little too fond of talking
about his chief.

Aylmer got home at about half-past six to dress for dinner. Then the
torture began again. It was always worse towards evening--an agony of
longing, regret, fury, vague jealousy and desire.

He stood and looked out of the window again at the crowd, hurrying
along now to their pleasures or their happy homes. So many people in
the world, like stars in the sky--why want the one star only? Why cry
for the moon?

He had no photograph of her, but he still thought she was like his
mother's miniature, and often looked at it. He wished he wasn't going
to dine with that young man tonight. Aylmer was the most genial and
sociable of men; he usually disliked being alone; yet just now being
with people bored him; it seemed an interruption. He was going through
a crisis.

Yes; he could not stand anyone this evening. He rang the bell and sent
a _petit bleu_ to say he was prevented from dining with his friend.
What a relief when he had sent this--now he could think of her alone
in peace....

She had never asked him to go away. It was his own idea. He had come
away to get over it. Well, he hadn't got over it. He was worse. But it
wasn't because he didn't see her; no, he didn't deceive himself. The
more he saw of her the worse he would be. Not one man in a thousand was
capable of feeling so intensely and deeply as Aylmer felt, and never in
his life before had he felt anything like it. And now it came on again
with the ebb and flow of passion, like an illness. Why was he so
miserable--why would nothing else do? He suddenly remembered with a
smile that when he was five years old he had adored a certain nurse,
and for some reason or other his mother sent her away. He had cried and
cried for her to come back. He remembered even now how people had said:
'Oh, the child will soon forget.' But he wore out their patience; he
cried himself to sleep every night. And his perseverance had at last
been rewarded. After six weeks the nurse came back. His mother sent for
her in despair at the boy's misery. How well he remembered that evening
and her plain brown face, with the twinkling eyes. How he kissed his
mother, and thanked her! The nurse stayed till he went to school and
then he soon forgot all about her. Perhaps it was in his nature at rare
intervals to want one particular person so terribly, to pine and die
for someone!

That was a recollection of babyhood, and yet he remembered even now
that obstinate, aching longing.... He suddenly felt angry, furious.
What was Edith doing now? Saying good-night to Archie and Dilly? They
certainly did look, as she had said, heavenly angels in their night
attire (he had been privileged to see them). Then she was dressing for
dinner and going out with Bruce. Good heavens! what noble action had
Bruce ever done for _him_ that he should go away? Why make such a
sacrifice--for Bruce?

Perhaps, sometimes, she really missed him a little. They had had great
fun together; she looked upon him as a friend; not only that, but he
knew that he amused her, that she liked him, thought him clever,
and--admired him even.

But that was all. Yet she _could_ have cared for him. He knew that. And
not only in one way, but in every way. They could have been comrades
interested in the same things; they had the same sense of humour, much
the same point of view. She would have made him, probably,
self-restrained and patient as she was, in certain things. But, in
others, wouldn't he have fired her with his own ideas and feelings, and
violent passions and enthusiasms!

She was to be always with Bruce! That was to be her life!--Bruce, who
was almost indescribable because he was neither bad, nor stupid, nor
bad-looking. He had only one fault. _'Il n'a qu'un défaut--il est
impossible,'_ said Aylmer aloud to himself.

He took up a book--of course one of _her_ books, something she had lent
him.

      *       *       *       *       *

Now it was time to go out again--to dinner. He couldn't; it was too
much effort. Tonight he would give way, and suffer grief and desire and
longing like a physical pain. He hadn't heard from her lately. Suppose
she should be ill? Suppose she was forgetting him entirely? Soon they
would be going away to some summer place with the children. He stamped
his foot like an angry child as he imagined her in her thin summer
clothes. How people would admire her! How young she would look! Why
couldn't he find some fault with her?--imagine her cold, priggish,
dull, too cautious. But he could only think of her as lovely, as beyond
expression attractive, drawing him like a magnet, as marvellously kind,
gentle, graceful, and clever. He was obliged to use the stupid word
clever, as there was no other. He suddenly remembered her teeth when
she smiled, and a certain slight wave in her thick hair that was a
natural one. It is really barely decent to write about poor Aylmer as
he is alone, suffering, thinking himself unwatched. He suddenly threw
himself on his bed and gave way to a crisis of despair.

      *       *       *       *       *

About an hour later, when the pain had somehow become stupefied, he lit
a cigarette, ashamed of his emotion even to himself, and rang. The
servant brought him a letter--the English post.

He had thought so much of her, felt her so deeply the last few days
that he fancied it must somehow have reached her. He read:

'My Dear Aylmer,

'I'm glad you are in Paris; it seems nearer home. Last night I went to
the Mitchells' and Mr Mitchell disguised himself as a Russian Count.
Nobody worried about it, and then he went and undisguised himself
again. But Lady Hartland worried about it, and as she didn't know the
Mitchells before, when he was introduced to her properly she begged him
to give her the address of that charming Russian. And Vincy was there,
and darling Vincy told me you'd written him a letter saying you weren't
so very happy. And oh, Aylmer, I don't see the point of your waiting
till September to come back. Why don't you come _now_?

'We're going away for Archie's holidays. Come back and see us and take
Freddie with us somewhere in England. You told me to ask you when I
wanted you--ask you anything I wanted. Well, I want to see you. I miss
you too much. You arrived in Paris last night. Let me knew when you can
come. I want you.

Edith.'

The bell was rung violently. Orders were given, arrangements made,
packing was done. Aylmer was suddenly quite well, quite happy.

In a few hours he was in the midnight express due to arrive in London
at six in the morning--happy beyond expression.

By ten o'clock in the morning he would hear her voice on the telephone.

He met a poor man just outside the hotel selling matches, in rags.
Aylmer gave him three hundred francs. He pretended to himself that he
didn't want any more French money. He felt he wanted someone else to be
happy too.



CHAPTER XVIII

A Contretemps

Edith did not know, herself, what had induced her to write that letter
to Paris. Some gradual obscure influence, in an impulsive moment of
weakness, a conventional dread of Paris for one's idol. Then, what
Vincy told her had convinced her Aylmer was unhappy. She thought that
surely there might be some compromise; that matters could be adjusted.
Couldn't they go on seeing each other just as friends? Surely both
would be happier than separated? For, yes--there was no doubt she
missed him, and longed to see him. Is there any woman in the world on
whom a sincere declaration from a charming, interesting person doesn't
make an impression, and particularly if that person goes away
practically the next day, leaving a blank? Edith had a high opinion of
her own strength of will. When she appeared weak it was on some subject
about which she was indifferent. She took a great pride in her own
self-poise; her self-control, which was neither coldness nor density.
She had made up her mind to bear always with the little irritations
Bruce caused her; to guide him in the right direction; keep her
influence with him in order to be able to arrange everything about the
children just as she wished. The children were a deep and intense
preoccupation. To say she adored them is insufficient. Archie she
regarded almost as her greatest friend, Dilly as a pet; for both she
had the strongest feeling that a mother could have. And yet the fact
remained that they did not nearly fill her life. With Edith's intellect
and temperament they could only fill a part.

Bending down to a lower stature of intelligence all day long would make
one's head ache; standing on tiptoe and stretching up would do the
same; one needs a contemporary and a comrade.

Perhaps till Edith met Aylmer she had not quite realised what such real
comradeship might mean, coupled with another feeling--not the
intellectual sympathy she had for Vincy, but something quite different.
When she recollected their last drive her heart beat quickly, and the
little memories of the few weeks of their friend-ship gave her
unwonted moments of sentiment. Above all, it was a real, solid
happiness--an uplifting pleasure, to believe he was utterly devoted to
her. And so, in a moment of depression, a feeling of the sense of the
futility of her life, she had, perhaps a little wantonly, written to
ask him to come back. It is human to play with what one loves.

She thought she had a soft, tender admiration for him, that he had a
charm for her; that she admired him. But she had not the slightest idea
that on her side there was anything that could disturb her in any way.
And so that his sentiment, which she had found to be rather infectious,
should never carry her away, she meant only to see him now and then; to
meet again and be friends.

As soon as she had written the letter and sent it she felt again a
cheerful excitement. She felt sure he would come in a day or two.

Aylmer arrived, as I have said, eight hours after he received the
letter. His first intention was to ring her up, or to speak to Bruce on
the telephone. But it so happened that it was engaged. This decided him
to have a short rest, and then go and surprise her with a visit. He
thought he would have lunch at one (he knew she always lunched with the
children at this hour), and would call on her unexpectedly at two,
before she would have time to go out. They might have a long talk; he
would give her the books and things he had bought for her, and he would
have the pleasure of surprising her and seeing on her face that first
look that no-one can disguise, the look of real welcome.

Merely to be back in the same town made him nearly wild with joy. How
jolly London looked at the beginning of July! So gay, so full of life.
And then he read a letter in a writing he didn't know; it was from
Mavis Argles, the friend of Vincy--the young art-student: Vincy had
given her his address some time ago--asking him for some special
privilege which he possessed, to see some of the Chinese pictures in
the British Museum. He was to oblige her with a letter to the museum.
She would call for it. Vincy was away, and evidently she had by
accident chosen the day of Aylmer's return without knowing anything of
his absence. She had never seen him in her life.

Aylmer was wandering about the half-dismantled house _désoeuvré_, with
nothing to do, restlessly counting the minutes till two in the
afternoon. He remembered the very little that Vincy had told him of
Mavis; how proud she was and how hard up. He saw her through the
window. She looked pale and rather shabby. He told the servant to show
her in.

'I've just this moment got your letter, Miss Argles. But, of course,
I'm only too delighted.'

'Thank you. Mr Vincy said you'd give me the letter.'

The girl sat down stiffly on the edge of a chair. Vincy had said she
was pretty. Aylmer could not see it. But he felt brimming over with
sympathy and kindness for her--for everyone, in fact.

She wore a thin light grey cotton dress, and a small grey hat; her hair
looked rich, red, and fluffy as ever; her face white and rather thin.
She looked about seventeen. When she smiled she was pretty; she had a
Rossetti mouth; that must have been what Vincy admired. Aylmer had no
idea that Vincy did more than admire her very mildly.

'Won't you let me take you there?' suggested Aylmer suddenly. He had
nothing on earth to do, and thought it would fill up the time. 'Yes!
I'll drive you there and show you the pictures. And then, wouldn't you
come and have lunch? I've got an appointment at two.'

She firmly declined lunch, but consented that he should drive her, and
they went.

Aylmer talked with the eagerness produced by his restless excitement
and she listened with interest, somewhat fascinated, as people always
were, with his warmth and vitality.

As they were driving along Oxford Street Edith, walking with Archie,
saw them clearly. She had been taking him on some mission of clothes.
(For the children only she went into shops.) He was talking with such
animation that he did not see her, to a pale young girl with bright red
hair. Edith knew the girl by sight, knew perfectly well that she was
Vincy's friend--there was a photograph of her at his rooms. Aylmer did
not see her. After a start she kept it to herself. She walked a few
steps, then got into a cab. She felt ill.

So Aylmer had never got her letter? He had been in London without
telling her. He had forgotten her. Perhaps he was deceiving her? And he
was making love obviously to that sickening, irritating red-haired fool
(so Edith thought of her), Vincy's silly, affected art-student.

When Edith went home she had a bad quarter of an hour. She never even
asked herself what right she had to mind so much; she only knew it
hurt. A messenger boy at once, of course.

'Dear Mr Ross,

I saw you this morning. I wrote you a line to Paris, not knowing you
had returned. When you get the note forwarded, will you do me the
little favour to tear it up unopened? I'm sure you will do this to
please me.

'We are going away in a day or two, but I don't know where. Please
don't trouble to come and see me.

'Good-bye.

'EDITH OTTLEY.'

Aylmer left Miss Argles at the British Museum. When he went back, he
found this letter.



CHAPTER XIX

An Extraordinary Afternoon

Aylmer guessed at once she had seen him driving. Being a man of sense,
and not an impossible hero in a feuilleton, instead of going away again
and leaving the misunderstanding to ripen, he went to the telephone,
endeavoured to get on, and to explain, in few words, what had obviously
happened. To follow the explanation by an immediate visit was his plan.
Though, of course, slightly irritated that she had seen him under
circumstances conveying a false impression, on the other hand he was
delighted at the pique her letter showed, especially coming immediately
after the almost tender letter in Paris.

He rang and rang (and used language), and after much difficulty getting
an answer he asked, '_Why he could not get on_' a pathetic question
asked plaintively by many people (not only on the telephone).

'The line is out of order.'

In about twenty minutes he was at her door. The lift seemed to him
preternaturally slow.

'Mrs Ottley?'

'Mrs Ottley is not at home, sir.'

At his blank expression the servant, who knew him, and of course liked
him, as they always did, offered the further information that Mrs
Ottley had gone out for the whole afternoon.

'Are the children at home, or out with Miss Townsend?'

'The children are out, sir, but not with Miss Townsend. They are
spending the day with their grandmother.'

'Oh! Do you happen to know if Mr and Mrs Ottley will be at home to
dinner?'

'I've heard nothing to the contrary, sir.'

'May I come in and write a note?'

He went into the little drawing-room. It was intensely associated with
her. He felt a little ému.... There was the writing-table, there the
bookcase, the few chairs, the grey walls; some pale roses fading in a
pewter vase.... The restfulness of the surroundings filled him, and
feeling happier he wrote on the grey notepaper:

'DEAR MRS OTTLEY,

I arrived early this morning. I started, in fact, from Paris
immediately after receiving a few lines you very kindly sent me there.
I'm so disappointed not to see you. Unless I hear to the contrary--and
even if I do, I think!--I propose to come round this evening about
nine, and tell you and Bruce all about my travels.

'Excuse my country manners in thus inviting myself. But I know you will
say no if you don't want me. And in that case I shall have to come
another time, very soon, instead, as I really must see you and show you
something I've got for Archie. Yours always--'

He paused, and then added:

'Sincerely,

'AYLMER ROSS'

He went to his club, there to try and pass the time until the evening.
He meant to go in the evening, even if she put him off again; and, if
they were out, to wait until they returned, pretending he had not heard
from her again.

He was no better. He had been away six weeks and was rather more in
love than ever. He would only see her--she _did_ want to see him before
they all separated for the summer! He could not think further than of
the immediate future; he would see her; they could make plans
afterwards. Of course, her letter was simply pique! She had given
herself away--twice--once in the angry letter, also in the previous
one to Paris. Where was she now? What did it mean? Why did she go out
for the whole afternoon? Where was she?

      *       *       *       *       *

After Edith had written and sent her letter to Aylmer in the morning,
Mrs Ottley the elder came to fetch the children to dine, and Edith told
Miss Townsend to go for the afternoon. She was glad she would be
absolutely alone.

'Aren't you very well, dear Mrs Ottley?' asked this young lady, in her
sweet, sympathetic way.

Edith was fond of her, and, by implication only, occasionally confided
in her on other subjects than the children. Today, however, Edith
answered that she was _very_ well _indeed_, but was going to see about
things before they went away. 'I don't know how we shall manage without
you for the holidays, Miss Townsend. I think you had better come with
us for the first fortnight, if you don't mind much.'

Miss Townsend said she would do whatever Edith liked. She could easily
arrange to go with them at once. This was a relief, for just at this
moment Edith felt as if even the children would be a burden.

Sweet, gentle Miss Townsend went away. She was dressed rather like
herself, Edith observed; she imitated Edith. She had the soft, graceful
manner and sweet voice of her employer. She was slim and had a pretty
figure, but was entirely without Edith's charm or beauty. Vaguely Edith
wondered if she would ever have a love affair, ever marry. She hoped
so, but (selfishly) not till Archie went to Eton.

Then she found herself looking at her lonely lunch; she tried to eat,
gave it up, asked for a cup of tea.

At last, she could bear the flat no longer. It was a glorious day, very
hot, Edith felt peculiar. She thought that if she spent all the
afternoon out and alone, it would comfort her, and she would think it
out. Trees and sky and sun had always a soothing effect on her. She
went out, walked a little, felt worried by the crowd of shoppers
swarming to Sloane Street and the Brompton Road, got into a taxi and
drove to the gate of Kensington Gardens, opposite Kensington Gore. Here
she soon found a seat. At this time of the day the gardens were rather
unoccupied, and in the burning July afternoon she felt almost as if in
the country. She took off her gloves--a gesture habitual with her
whenever possible. She looked utterly restful. She had nothing in her
hands, for she never carried either a parasol or a bag, nor even in
winter a muff or in the evening a fan. All these little accessories
seemed unnecessary to her. She liked to simplify. She hated fuss,
anything worrying, agitating.

... And now she felt deeply miserable, perturbed and agitated. What a
punishment for giving way to that half-coquettish, half self-indulgent
impulse that had made her write to Paris! She had begged him to come
back; while, really, he was here, and had not even let her know. She
had never liked what she had heard of Mavis Argles, but had vaguely
pitied her, wondering what Vincy saw in her, and wishing to believe the
best. Now, she assumed the worst! As soon as Vincy had gone out of
town--he was staying in Surrey with some of his relatives--she, the
minx, began flirting or carrying on with Aylmer. How far had it gone?
she wondered jealously. She did not believe Aylmer's love-making to be
harmless. He was so easily carried away. His feelings were impulsive.
Yet it was only a very short time since Vincy had told her of Aylmer's
miserable letter. Edith was not interested in herself, and seldom
thought much of her own feelings, but she hated self-deception; and now
she faced facts. She adored Aylmer! It had been purely jealousy that
made her write to Paris so touchingly, asking him to come back--vague
fears that, if he were so depressed in Spain, perhaps he might try by
amusements to forget her in Paris. He had once said to her that, of all
places, he thought Paris the least attractive for a romance, because it
was all so obvious, so prepared, so professional. He liked the
unexpected, the veiled and somewhat more hypocritical atmosphere, and
in the fogs of London, he had said, were more romantic mysteries than
in any other city. Still, she had feared. And besides she longed to see
him. So she had unbent and thought herself soon after somewhat
reckless; it was a little wanton and unfair to bring him back. But she
was not a saint; she was a woman; and sometimes Bruce was trying....

Edith belonged to the superior class of human being whom jealousy
chills and cures, and does not stimulate to further efforts. It was not
in her to go in for competition. The moment she believed someone else
took her place she relaxed her hold. This is the finer temperament, but
it suffers most.

She would not try to take Aylmer away. Let him remain with his
red-haired Miss Argles! He might even marry her. He deserved it.

She meant to tell Vincy, of course. Poor Vincy, _he_ didn't know of the
treachery. Now she must devote herself to the children, and be good and
kind to Bruce. At least, Bruce was _true_ to her in his way.

He had been in love when they married, but Edith shrewdly suspected he
was not capable of very much more than a weak rather fatuous sentiment
for any woman. And anyone but herself would have lost him many years
ago, would very likely have given him up. But she had kept it all
together, had really helped him, and was touched when she remembered
that jealous scene he made about the letter. The letter she wouldn't at
first let him see. Poor Bruce! Well, they were linked together. There
were Archie, the angel, and Dilly, the pet.... She was twenty-eight and
Aylmer forty. He ought not to hold so strong a position in her mind.
But he did. Yes, she was in love with him in a way--it was a mania, an
obsession. But she would now soon wrestle with it and conquer it. The
great charm had been his exclusive devotion--but also his appearance,
his figure, his voice. He looked sunburnt and handsome. He was laughing
as he talked to the miserable creature (so Edith called her in her own
mind).

Then Edith had a reaction. She would cure herself today! No more
flirtation, no more amitié amoureuse. They were going away. The
children, darlings, how they loved her! And Bruce. She was reminding
herself she must be gentle, good, to Bruce. He had at least never
deceived her!

She got up and walked on and on. It was about five o'clock now. As she
walked, she thought how fortunate she was in Miss Townsend; what a nice
girl she was, what a good friend to her and the children. She had a
sort of intuition that made her always have the right word, the right
manner. She had seemed a little odd lately, but she was quite pleased
to come with them to the country. What made her think of Miss Townsend?
Some way off was a girl, with her back to Edith, walking with a man.
Her figure was like Miss Townsend's, and she wore a dress like the one
copied from Edith's. Edith walked more quickly, it was the retired part
of the gardens on the way towards the Bayswater Road. The two figures
turned down a flowery path.... It was Miss Townsend! She had turned her
face. Edith was surprised, was interested, and walked on a few steps.
She had not seen the man clearly. Then they both sat down on a seat. He
took her hand. She left it in his. There was something familiar in his
figure and clothes, and Edith saw his face.

Yes, it was Bruce.

Edith turned round and went home.



CHAPTER XX

Journeys End

So that was how Bruce behaved to her!

The deceit of both of them hurt her immensely. But she pulled herself
together. It was a case for action. She felt a bitter, amused contempt,
but she felt it half-urgent _not_ to do anything that would lead to a
life of miserable bickering and mutual harm.

It must be stopped. And without making Bruce hate her.

She wrote the second note of this strange day and sent it by a
messenger.

Giving no reason of any kind, she told the governess that she had
decided the children's holidays should begin from that day, and that
she was unexpectedly going away with them almost immediately, and she
added that she would not require Miss Townsend any more. She enclosed a
cheque, and said she would send on some books and small possessions
that Miss Townsend had kept there.

This was sent by a messenger to Miss Townsend's home near Westbourne
Grove. She would find it on her return from her walk!

And now Edith read Aylmer's note--it was so real, so sincere, she began
to disbelieve her eyes this morning.

It gave her more courage; she wanted to be absolutely calm, and looking
her very best, for Bruce's entrance.

He came in with his key. He avoided her eye a little--looked rather
sheepish, she thought. It was about seven.

'Hallo! Aren't the children in yet? Far too late for them to be out.'
'Nurse fetched Dilly. She has gone to bed. Archie is coming presently;
mother will send him all right.'

'How are you, Edith, old girl?'

'I'm quite well, Bruce.'

'I have a sort of idea, as you know,' he said, growing more at ease,
'that we shall rather miss--a--Miss Townsend, when we first go away.
What do you think of taking her for part of the time?' 'Dinner's
ready,' announced Edith, and they dined. Towards the end of dinner he
was about to make the suggestion again, when Edith said in clear, calm
but decided tones:

'Bruce, I am not going to take Miss Townsend away with us. She is not
coming any more.'

'Not--Why? What the devil's the idea of this new scheme? What's the
matter with Miss Townsend?'

'Bruce,' answered Edith, 'I prefer not to go into the question, and
later you will be glad I did not. I've decided that Miss Townsend is
not to come any more at all. I've written to tell her so. I'll look
after the children with nurse until we come back.... It's all settled.'

Bruce was silent.

'Well upon my word!' he exclaimed, looking at her uneasily. 'Have it
your own way, of course--but upon my word! Why?'

'Do you really want me to tell you exactly why? I would so much prefer
not.'

'Oh, all right, Edith dear; after all--hang it all--you're the
children's mother--it's for you to settle.... No, I don't want to know
anything. Have it as you wish.'

'Then we won't discuss it again. Shall we?'

'All right.'

He was looking really rather shamefaced, and she thought she saw a
gleam of remorse and also of relief in his eye. She went into the other
room. She had not shown him Aylmer's letter.

After ten minutes he came in and said: 'Look here, Edith. Make what
arrangements you like. _I_ never want to see--Miss Townsend again.'

She looked a question.

'And I never shall.'

She was really pleased at this, and held out her hand. Bruce had tears
in his eyes as he took it. 'Edith, old girl, I think I'll go round to
the club for an hour or two.'

'Do. And look here, Bruce, leave it to me to tell the children. They'll
forget after the holidays. Archie must not be upset.'

'Whatever you do, Edith, will be--what I mean to say is that--Well,
good night; I sha'n't be long.'

Edith was really delighted, she felt she had won, and she _did_ want
that horrid little Townsend to be scored off! Wasn't it natural? She
wanted to hear no more about it.

There was a ring. It was nine o'clock. It was Aylmer's voice.



CHAPTER XXI

The Great Exception

The absurdly simple explanation, made almost in dumb show, by action
rather than in dialogue, was soon given. He was surprised, simply
enchanted, at the entire frankness of her recognition; she acknowledged
openly that it mattered to her tremendously whether or not he was on
intimate terms or flirting with little Miss Argles, or with little Miss
anybody. He was not even to look at any woman except herself, that was
arranged between them now and understood. They were side by side, with
hands clasped as a matter of course, things taken for granted that he
formerly never dreamt of. The signs of emotion in her face he
attributed of course to the morning's contretemps, knowing nothing of
the other trouble.

'It's heavenly being here again. You're prettier than ever, Edith;
sweeter than ever. What a time I had away. It got worse and worse.'

'Dear Aylmer!'

'You're far too good and kind to me. But I _have_ suffered--awfully.'

'So have I, since this morning. I felt--'

'What did you feel? Tell me!'

'Must I?'

'Yes!'

'I felt, when I saw you with her, as if I hadn't got a friend in the
world. I felt quite alone. I felt as if the ground were going to open
and swallow me up. I relied on you so much, far more than I knew! I was
struck dumb, and rooted to the spot, and knocked all of a heap, in a
manner of speaking, as Vincy would say,' Edith went on, laughing. 'But
now, you've cured me thoroughly; you're such a _real_ person.'

'Angel!'

She still left her hand in his. Her eyes were very bright, the result
of few but salt tears, the corners of her mouth were lifted by a happy
smile, not the tantalising, half-mocking smile he used to see. She was
changed, and was, he thought, more lovable--prettier; today's emotion
had shaken her out of herself. The reaction of this evening gave a
brilliancy to her eyes, happy curves to her lips, and the slight
disarrangement of her hair, not quite silky-smooth tonight, gave her a
more irresponsible look. She seemed more careless--younger.

'Where's Bruce?' Aylmer asked suddenly.

'He's gone to the club. He'll be back rather soon, I should think.'

'I won't wait. I would rather not meet him this evening. When shall I
see you again?'

'Oh, I don't know. I don't think I want to make any plans now.'

'As you wish. I say, do you really think Vincy can care for that girl?'

'I believe he has had a very long friendship of some kind with her.
He's never told me actually, but I've felt it,' Edith said.

'Is he in love with her? Can he be?'

'In a way--in one of his peculiar ways.'

'She's in love with him, I suppose,' said Aylmer. 'It was only because
she thought it would please him that she wanted to see those things at
the museum. I think she's a little anxious. I found her a wild,
irritating, unaccountable, empty creature. I believe she wants him to
marry her.'

'I hope he won't, unless he _really_ wants to,' said Edith. 'It would
be a mistake for Vincy to sacrifice himself as much as that.'

'I hope indeed he won't,' exclaimed Aylmer. 'And I think it's out of
the question. Miss Argles is only an incident, surely. She looks the
slightest of episodes.'

'It's a very long episode. It might end, though--if she insists and he
won't.'

'Oh, bother, never mind them!' Aylmer replied, with boyish impatience.
'Let me look at _you_ again. Do you care for me a little bit, Edith?'

'Yes; I do.'

'Well, what's going to be done about it?' he asked, with happy
triviality.

'Don't talk nonsense,' she replied. 'We're just going to see each other
sometimes.' 'I'll be satisfied with anything!' cried Aylmer, 'after
what I've suffered not seeing you at all. We'll have a new game. You
shall _make_ the rules and I'll keep them.'

'Naturally.'

'About the summer?'

'Oh, no plans tonight. I must think.' She looked thoughtful.

'Tell me, how's Archie?' he said.

'Archie's all right--delightful. Dilly, too. But I'm rather bothered.'

'Why should you bother? What's it about? Tell me at once.'

She paused a moment. 'Miss Townsend won't be able to come back any
more,' she said steadily.

'Really? What a pity. I suppose the fool of a girl's engaged, or
something.'

'She won't come back any more,' answered Edith.

'Will you have to get a new Miss Townsend?'

'I thought of being their governess myself--during the holidays,
anyhow.'

'But that will leave you hardly any time--no leisure.'

'Leisure for what?'

'For anything--for me, for instance,' said Aylmer boldly. He was full
of the courage and audacity caused by the immense relief of seeing her
again and finding her so responsive.

There is, of course, no joy so great as the cessation of pain; in fact
all joy, active or passive, is the cessation of some pain, since it
must be the satisfaction of a longing, even perhaps an unconscious
longing. A desire is a sort of pain, even with hope, without it is
despair. When, for example, one takes artistic pleasure in looking at
something beautiful, that is a cessation of the pain of having been
deprived of it until then, since what one enjoys one must have longed
for even without knowing it.

'Look here,' said Aylmer suddenly. 'I don't believe I can do without
you.'

'You said _I_ was to make the rules.'

'Make them then; go on.'

'Well, we'll be intimate friends, and meet as often as we can. Once a
week you may say you care for me, and I'll say the same. That's all. If
you find you don't like it--can't stand it, as you say--then you'll
have to go away again.'

'I agree to it all, to every word. You'll see if I don't stick to it
absolutely.'

'Thank you, dear Aylmer.'

He paused.

'Then I mustn't kiss you?'

'No. Never again.'

'All right. Never again after tonight. Tonight is the great exception,'
said Aylmer.

She made a tardy and futile protest. Then she said:

'Now, Aylmer, you must go.' She sighed. 'I have a lot of worries.'

'I never heard you say that before. Let me take them and demolish them
for you. Can't you give them to me?'

'No; I shall give nothing more to you. Good-bye....

'Remember, there are to be no more exceptions,' said Edith.

'I promise.'

She sat quietly alone for half-an-hour, waiting for Bruce.

She now felt sorry for Bruce, utterly and completely indifferent about
'the Townsend case', as she already humorously called it to herself.
But, she thought, she _must_ be strong! She was not prepared to lose
her dignity, nor to allow the children to be educated by a woman whose
faith at least with them and in their home was unreliable; their
surroundings must be crystal-clear. It would make a certain difference
to them, she thought. How could it not? There were so many little ways
in which she might spoil them or tease them, scamp things, or rush
them, or be nicer to one of them, or less nice, if she had any sort of
concealed relation with their father. And as she had been treated
absolutely as a confidante by Edith, the girl had certainly shown
herself treacherous, and rather too clearly capable of dissimulation.
Edith thought this must have a bad effect on the children.

Edith was essentially a very feminine woman though she had a mental
attitude rightly held to be more characteristic of men. Being so
feminine, so enraged under her calm and ease, she was, of course, not
completely consistent. She was still angry, and very scornful of Miss
Townsend. She was hurt with her; she felt a friend had played her
false--a friend, too, in the position of deepest trust, of grave
responsibility. Miss Townsend knew perfectly well what the children
were to Edith, and, for all she knew, there was no-one in Edith's life
except Bruce; so that it was rather cruel. Edith intended to keep up
her dignity so absolutely that Miss Townsend could never see her again,
that she could never speak to Edith on the subject. She wished also,
_very_ much, that Bruce should never see her again, but didn't know how
to encompass this. She must find a way.

On the other hand, after the first shock and disgust at seeing him,
Edith's anger with Bruce himself had entirely passed. Had she not
known, for years, that he was a little weak, a little fatuous? He was
just as good a sort now as he had ever been, and as she was not blinded
by the resentment and fury of the real jealousy of passion, Edith saw
clearly, and knew that Bruce cared far more for _her_ than for anybody
else; that in so far as he could love anybody he loved her in his way.
And she wanted to keep the whole thing together on account of Archie,
and for Dilly's sake. She must be so kind, yet so strong that Bruce
would be at once grateful for her forbearance and afraid to take
advantage of it. Rather a difficult undertaking!...

And she had seen Aylmer again! There was nothing in it about Miss
Argles. What happiness! She ought to have trusted him. He cared for
her. He loved her. His sentiment was worth having. And she cared for
him too; how much she didn't quite know. She admired him; he fascinated
her, and she also felt a deep gratitude because he gave her just the
sort of passionate worship that she must have always unconsciously
craved for.

Certainly the two little events of today had drawn her nearer to him.
She had been far less reserved that evening. She closed her eyes and
smiled to herself. But this mustn't happen again.

With a strong effort of self-coercion she banished all delightful
recollections as she heard Bruce come up in the lift.

He came in with a slightly shy, uncomfortable manner. Again, she felt
sorry for him.

'Hallo!' he said.

He gave her a quick glance, a sort of cautious look which made her feel
rather inclined to laugh. Then he said:

'I've just been down to the club. What have you been doing?'

'Aylmer's been here.'

'Didn't know he was in town.'

'He's only come for a few days.'

'I should like to see him,' said Bruce, looking brighter. 'Did he ask
after me?'

'Yes.'

He looked at her again and said suspiciously:

'I suppose you didn't mention--'

'Mention what?'

'Edith!'

'Yes?'

He cleared his throat and then said with an effort of self-assertion
that she thought at once ridiculous and touching:

'Look here, I don't wish to blame you in any way for what--er--
arrangements you like to make in your own household. But--er--have you
written to Miss Townsend?'

'Yes; she won't come back.'

'Er--but won't she ask why?'

'I hope not.'

'Why?' asked Bruce, with a tinge of defiance.

'Because then I should have to explain. And I don't like explaining.'

There was another pause. Bruce seemed to take a great interest in his
nails, which he examined separately one at a time, and then all
together, holding both hands in front of him.

'Did Archie enjoy his day?'

'Oh yes,' said Edith.

Bruce suddenly stood up, and a franker, more manly expression came into
his face. He looked at her with a look of pain. Tears were not far from
his eyes.

'Edith, you're a brick. You're too good for me.'

She looked down and away without answering.

'Look here, is there anything I can do to please you?'

'Yes, there is.'

'What? I'll do it, whatever it is, on my word of honour.'

'Well, it's a funny thing to ask you, but you know our late governess,
Miss Townsend? I should like you to promise never to see her again,
even by accident. If you meet her--by accident, I mean--I want you not
to see her.'

Bruce held out both his hands.

'I swear I'd never recognise her even if I should meet her
accidentally.'

'I know it's a very odd thing to ask,' continued Edith, 'just a fancy;
why should I mind your not seeing Miss Townsend?'

He didn't answer.

'However, I _do_ mind, and I'll be grateful.'

Edith thought one might be unfaithful without being disloyal, and she
believed Bruce now. She was too sensible to ask him never to write a
line, never to telephone, never to do anything else; besides, it was
beneath her dignity to go into these details, and common-sense told her
that one or the other must write or communicate if the thing was to be
stopped. If Miss Townsend wrote to him to the club, he would have to
answer. Bruce meant not to see her again, and that was enough.

'Then you're not cross, Edith--not depressed?'

She gave her sweetest smile. She looked brilliantly happy and
particularly pretty.

'Edith!'

With a violent reaction of remorse, and a sort of tenderness, he tried
to put his arm round her. She moved away.

'Don't you forgive me, Edith, for anything I've done that you don't
like?'

'Yes, I _entirely_ forgive you. The incident is closed.'

'Really forgive me?'

'Absolutely. And I've had a tiring day and I'm going to sleep. Good
night.'

With a kind little nod she left him standing in the middle of the room
with that air of stupid distinction that he generally assumed when in a
lift with other people, and that came to his rescue at awkward
moments--a dull, aloof, rather haughty expression. But it was no use to
him now.

He had considerable difficulty in refraining from venting his temper on
the poor, dumb furniture; in fact, he did give a kick to a pretty
little writing-table. It made no sound, but its curved shoulder looked
resentful.

'What a day!' said Bruce to himself.

He went to his room, pouting like Archie. But he knew he had got off
cheaply.



CHAPTER XXII

Another Side of Bruce

Ever since his earliest youth, Bruce had always had, at intervals, some
vague, vain, half-hearted entanglement with a woman. The slightest
interest, practically even common civility, shown him by anyone of the
feminine sex between the ages of sixteen and sixty, flattered his
vanity to such an extraordinary extent that he immediately thought
these ladies were in love with him, and it didn't take much more for
him to be in love with them. And yet he didn't really care for women.
With regard to them his point of view was entirely that of vanity, and
in fact he only liked both men or women who made up to him, or who gave
him the impression that they did. Edith was really the only woman for
whom his weak and flickering passion had lingered at all long; and in
addition to that (the first glamour of which had faded) she had a real
hold over him. He felt for her the most genuine fondness of which he
was capable, besides trust and a certain admiration. A sort of respect
underlay all his patronising good-nature or caprices with her. But
still he had got into the habit of some feeble flirtation, a little
affair, and at first he missed it very much. He didn't care a straw for
Miss Townsend; he never had. He thought her plain and tedious; she
bored him more than any woman he had ever met, and yet he had slipped
into a silly sort of intrigue, beginning by a few words of pity or
sympathy to her, and by the idea that she looked up to him in
admiration. He was very much ashamed of it and of the circumstances; he
was not proud of his conquest with her, as he generally was. He felt
that on account of the children, and altogether, he had been playing it
a bit low down.

He was not incapable, either, of appreciating Edith's attitude. She had
never cross-questioned him, never asked him for a single detail, never
laboured the subject, nor driven the point home, nor condescended even
to try to find out how far things had really gone. She hadn't even told
him how she knew; he was ashamed to ask.

And, after that promise of forgiveness, she never referred to it; there
was never the slightest innuendo, teasing, reproach. Yes, by Jove!
Edith was wonderful! And so Bruce meant to play the game too.

For several days he asked the porter at the club if there were any
letters, receiving the usual reply, 'None, sir.'

The third day he received the following note, and took it to read with
enjoyment of the secrecy combined with a sort of self-important shame.
Until now he hadn't communicated with her:--

'Dear Mr Ottley,

Of course you know I'm not returning to the children after the
holidays, nor am I going with you to Westgate. I'm very unhappy, for I
fear I have offended Mrs Ottley. She has always been very kind to me
till now; but I shall let the matter rest. Under the circumstances I
suppose I shall not see you any more. May I ask that you should not
call or write. I and mother are going to spend the summer at Bexhill
with some friends. Our address will be Sandringham, Seaview Road,
Bexhill, if you like to write just one line to say good-bye. I fear I
have been rather to blame in seeing you without Mrs Ottley's knowledge,
but you know how one's feelings sometimes lead one to do what one knows
one ought not to ...'

'Sandringham, indeed! Some boarding house, I suppose,' said Bruce to
himself. 'What a lot of 'ones'!... Fine grammar for a governess.'

'... Wishing you every happiness (I _shall_ miss the children!).

Yours sincerely,

Margaret Townsend

'_P.S._--I shall never forget how happy I was with you and Mrs Ottley.'

Bruce's expression as he read the last line was rather funny.

'She's a silly little fool, and I shan't answer,' he reflected.

Re-reading the letter, he found it more unsatisfactory still, and
destroyed it.

The thought of Miss Townsend bored him unutterably; and indeed he was
incapable of caring for any woman (however feebly) for more than two or
three weeks. He was particularly fickle, vague, and scrappy in his
emotions. Edith was the only woman for whom even a little affection
could last, and he would have long tired of her but for her exceptional
character and the extraordinary trouble and tact she used with him. He
didn't appreciate her fine shades, he was not in love with her, didn't
value her as another man might have done. But he was always coming back
to a certain steady, renewed feeling of tenderness for her.

With the curious blindness common to all married people (and indeed to
any people who live together), clever Edith had been entirely taken in,
in a certain sense; she had always felt (until the 'Townsend case')
half disdainfully but satisfactorily certain of Bruce's fidelity. She
knew that he had little sham flirtations, but she had never imagined
his going anywhere near an intrigue. She saw now that in that she had
been duped, and that if he didn't do more it was not from loyalty to
her. Still, she now felt convinced that it wouldn't occur again. She
had treated him well; she had spared him in the matter. He was a little
grateful, and she believed he would be straight now, though her opinion
of him had rather gone down. Edith always felt that she must go to the
very extreme of loyalty to anyone who was faithful to her; she valued
fidelity so deeply, and now this feeling was naturally relaxed a
little. She hadn't the slightest desire for revenge, but she felt she
had a slightly freer hand. She didn't see why she should, for instance,
deprive herself of the pleasure of seeing Aylmer; she had not told him
anything about it.

That day at the club, Bruce in his depression had a chat with
Goldthorpe, his golfing companion and sometime confidant. Over a
cigarette and other refreshments, Bruce murmured how he had put an end
to the little affair for the sake of his wife.

'Rather jolly little girl, she was.'

'Oh yes,' said Goldthorpe indifferently. He thought Edith very
attractive, and would have liked to have the duty of consoling her.

'One of those girls that sort of _get round_ you, and appeal to
you--_you_ know.'

'Oh yes.'

'Grey eyes--no, by Jove! I should call them hazel, with black lashes,
no, not exactly black--brown. Nice, white teeth, slim figure--perhaps
a bit too straight. Brownish hair with a tinge of gold in the sun.'

'Oh yes.'

'About twenty,' continued Bruce dreamily. He knew that Miss Townsend
was thirty-two, but suspected Goldthorpe of admiring flappers, and so,
with a subconscious desire to impress him, rearranged the lady's age.

'About twenty--if that. Rather long, thin hands--the hands of a lady.
Well, it's all over now.'

'That's all right,' said Goldthorpe. He seemed to have had enough of
this retrospective inventory. He looked at his watch and found he had
an appointment.

Bruce, thinking he seemed jealous, smiled to himself.

For a few days after what had passed there was a happy reaction in the
house. Everyone was almost unnaturally sweet and polite and unselfish
about trifles to everybody else. Edith was devoting herself to the
children, Bruce had less of her society than usual. She seemed to
assume they were to be like brother and sister. He wouldn't at present
raise the question; thinking she would soon get over such a rotten
idea. Besides, a great many people had left town; and they were,
themselves, in the rather unsettled state of intending to go away in a
fortnight. Though happy at getting off so easily, Bruce was really
missing the meetings and notes (rather than the girl).

Fortunately, Vincy now returned; he was looking sunburnt and happy. He
had been having a good time. Yet he looked a little anxious
occasionally, as if perplexed.

One day he told Edith that he had just had a rather serious quarrel
with someone who was awfully cross, and carried on like anything and
wouldn't give over.

'I guess who she is. What does she want you to do?'

'She wants me to do what all my relations are always bothering me to
do,' said Vincy, 'only with a different person.'

'What, to marry?'

'Yes.'

'To marry her, I suppose? Shall you?'

'I'm afraid not,' he said. 'I don't think I quite can.'

'Don't you think it would be rather unkind to her?'

Neither of them had mentioned Miss Argles' name. The fact that Vincy
referred to it at all showed her that he had recovered from his
infatuation.

'But do you think I'm treating the poor girl badly?'

'Vincy, even if you adored her it would end unhappily. As you don't,
you would both be miserable from the first day. Be firm. Be nice and
kind to her and tell her straight out, and come and stay with us in the
country.'

'Well, that was rather my idea. Oh, but, Edith, it's hard to hurt
anyone.'

'You know I saw her driving with Aylmer that day, and I thought he
liked her. I found I was wrong.'

'Yes. He doesn't. I wish I could get some nice person to--er--take
her out. I mean, take her on.'

'What sort of person? She's pretty in her way. I daresay she'll attract
someone.'

'What sort of person? Oh, I don't know. Some nice earl would please
her, or one of those artist chaps you read of in the feuilletons--the
sort of artist who, when he once gets a tiny little picture skied at
the Academy, immediately has fortune, and titles and things, rolling
in. A little picture called 'Eventide' or 'Cows by Moonlight', or
something of that sort, in those jolly stories means ten thousand
pounds a year at once. Jolly, isn't it?'

'Yes, Vincy dear, but we're not living in a feuilleton. What's really
going to be done? Will she be nasty?'

'No. But I'm afraid Aunt Jessie will abuse me something cruel.' He
thought a little while. 'In fact she has.'

'What does she say?'

'She says I'm no gentleman. She said I had no business to lead the poor
girl on, in a manner of speaking, and walk out with her, and pay her
marked attention, and then not propose marriage like a gentleman.'

'Then you're rather unhappy just now, Vincy?'

'Well, I spoke to _her_ frankly, and said I would like to go on being
her friend, but I didn't mean to marry. And _she_ said she'd never see
me again unless I did.'

'And what else?'

'That's about all, thanks very much,' said Vincy.

Here Bruce came in.

'Edith,' he said,' have you asked Aylmer to come and stay with us at
Westgate?'

'Oh no. I think I'd rather not.'

'Why on earth not? How absurd of you. It's a bit selfish, dear, if
you'll excuse my saying so. It's all very well for you: you've got the
children and Vincy to amuse you (you're coming, aren't you, Vincy?).
What price me? I must have someone else who can go for walks and play
golf, a real pal, and so forth. I need exercise, and intellectual
sympathy. Aylmer didn't say he had anywhere else to go.'

'He's going to take his boy, Freddie, away to some seaside place. He
doesn't like staying with people.'

'All right, then. I shall go and ask him to come and stay at the hotel,
for at least a fortnight. I shall go and ask him now. You're
inconsistent, Edith. At one moment you seem to like the man, but as
soon as I want to make a pleasant arrangement you're off it. So like a
woman, isn't it, Vincy?' He laughed.

'Isn't it?' answered Vincy.

'Well, look here, I'm going right down to Jermyn Street purposely to
tell him. I'll be back to dinner; do stop, Vincy.'

Bruce was even more anxious than he used to be always to have a third
person present whenever possible.

He walked through the hot July streets with that feeling of flatness
--of the want of a mild excitement apart from his own home. He saw
Aylmer and persuaded him to come.

While he was there a rather pretty pale girl, with rough red hair, was
announced. Aylmer introduced Miss Argles.

'I only came for a minute, to bring back those books, Mr Ross,' she
said shyly. 'I can't stop.'

'Oh, thank you so much,' said Aylmer. 'Won't you have tea?'

'No, nothing. I _must_ go at _once_. I only brought you in the books
myself to show you they were safe.'

She gave a slightly coquettish glance at Aylmer, a half-observant
glance at Bruce, sighed heavily and went away. She was dressed in green
serge, with a turned-down collar of black lace. She wore black suède
gloves, a gold bangle and a smart and pretty hat, the hat Vincy
pretended had been given to _him_ by Cissie Cavanack, his entirely
imaginary cousin, and which he'd really bought for her in Bond Street.

'Well, I'll be off then. I'll tell Edith you'll write for rooms. Look
sharp about it, because they soon go at the best hotels.'

'At any rate I'll bring Freddie down for a week,' said Aylmer, 'and
then we'll see.'

'Who is that girl?' asked Bruce, as he left.

'She's a young artist, and I lent her some books of old prints she
wanted. She's not a particular friend of mine--I don't care for her
much.'

Bruce didn't hear the last words, for he was flying out of the door.
Miss Argles was walking very slowly; he joined her.

'Pardon me,' he said, raising his hat. 'It's so very hot--am I going
your way? Would you allow me to see you home?'

'Oh, you're very kind, I'm sure,' she said sadly. 'But I don't think--I
live at Ravenscourt Park.'

Bruce thought there was plenty of time.

'Why how very curious! That's just where I was going,' said he boldly.

He put up his stick. Instead of a taxi a hansom drove up. Bruce hailed
it.

'Always like to give these chaps a turn when I can,' he said. It would
take longer.

'How kind-hearted you are,' murmured the girl. 'But I'd really rather
not, thank you.'

'Then how shall you get back?'

'Walk to the Tube.'

'Oh no; it's far too hot. Let me drop you, as I'm going in your
direction.'

He gave her a rather fixed look of admiration, and smiled. She gave a
slight look back and got into the cab.

'What ripping red hair,' said Bruce to himself as he followed her.

      *       *       *       *       *

Before the end of the drive, which for him was a sort of adventure,
Mavis had promised to meet Bruce when she left her Art School next
Tuesday at a certain tea-shop in Bond Street.

Bruce went home happy and in good spirits again. There was no earthly
harm in being kind to a poor little girl like this. He might do a great
deal of good. She seemed to admire him. She thought him so clever.
Funny thing, there was no doubt he had the gift; women liked him, and
there you are. Look at Miss Mooney at the Mitchells' the other day,
why, she was ever so nice to him; went for him like one o'clock; but he
gave her no encouragement. Edith was there. He wouldn't worry her, dear
girl.

As he came towards home he smiled again. And Edith, dear Edith--she,
too, must be frightfully keen on him, when one came to think about it,
to forgive him so readily about Margaret Tow--Oh, confound Miss
Townsend. This girl was a picture, a sort of Rossetti, and she had had
such trouble lately--terrible trouble. The man she had been devoted to
for years had suddenly thrown her over, heartlessly.... What a brute he
must have been! She was going to tell him all about it on Tuesday. That
man must have been a fiend!...

'Holloa, Vincy! So glad you're still here. Let's have dinner, Edie.'



CHAPTER XXIII

At Lady Everard's

Lady Everard was sitting in her favourite attitude at her
writing-table, with her face turned to the door. She had once been
photographed at her writing-table, with a curtain behind her, and her
face turned to the door. The photograph had appeared in _The Queen, The
Ladies' Field, The Sketch, The Taller, The Bystander, Home Chat, Home
Notes, The Woman at Home_, and _Our Stately Homes of England_. It was a
favourite photograph of hers; she had taken a fancy to it, and
therefore she always liked to be found in this position. The photo had
been called: 'Lady Everard at work in her Music-Room.'

What she was supposed to be working at, heaven only knew; for she never
wrote a line of anything, and even her social notes and invitation
cards were always written by her secretary.

As soon as a visitor came in, she rose from the suspiciously clean
writing-table, put down the dry pen on a spotless blotter, went and sat
in a large brocaded arm-chair in front of some palms, within view of
the piano, and began to talk. The music-room was large, splendid and
elaborately decorated. There was a frieze all round, representing
variously coloured and somewhat shapeless creatures playing what were
supposed to be musical instruments. One, in a short blue skirt, was
blowing at something; another in pink drapery (who squinted) was
strumming on a lyre; other figures were in white, with their mouths
open like young birds preparing to be fed by older birds. They
represented Harmony in all its forms. There were other attempts at the
classical in the decoration of the room; but Lady Everard herself had
reduced this idea to bathos by huge quantities of signed photographs in
silver frames, by large waste-paper baskets, lined with blue satin and
trimmed with pink rosettes, by fans which were pockets, stuffed cats
which were paperweights, oranges which were pincushions, and other
debris from those charitable and social bazaars of which she was a
constant patroness.

With her usual curious combination of weak volubility and decided
laying-down of the law, she was preparing to hold forth to young La
France (whom she expected), on the subject of Debussy, Edvina, Marcoux,
the appalling singing of all his young friends, his own good looks, and
other subjects of musical interest, when Mr Cricker was announced.

She greeted him with less eagerness, if less patronage, than her other
protégé, but graciously offered him tea and permitted a cigarette.

Lady Everard went in for being at once _grande dame_ and Bohemian. She
was truly good-natured and kind, except to rivals in her own sphere,
but when jealous she was rather redoubtable.

'I'm pleased to see you, my dear Willie,' she said; 'all the more
because I hear Mrs Mitchell has taken Wednesdays now. Not _quite_ a
nice thing to do, I think; although, after all, I suppose we could
hardly really clash. True, we _do_ happen to know a few of the same
people.' (By that Lady Everard meant she had snatched as many of Mrs
Mitchell's friends away as she thought desirable.) 'But as a general
rule I suppose we're not really in the same set. But perhaps you're
going on there afterwards?'

That had been Mr Clicker's intention, but he denied it, with surprise
and apparent pain at the suspicion.

She settled down more comfortably.

'Ah, well, Mrs Mitchell is an extremely nice, hospitable woman, and her
parties are, I know, considered _quite_ amusing, but I do think--I
really do--that her husband carries his practical jokes and things a
_little_ too far. It isn't good form, it really isn't, to see a man of
his age, with his face blacked, coming in after dinner with a banjo,
calling himself the Musical White-eyed Kaffir, as he did the last time
I was there. I find it _déplacé_--that's the word, _déplacé_. He seemed
to think that we were all children at a juvenile party! I was saying so
to Lord Rye only last night. Lord Rye likes it, I think, but he says Mr
Mitchell's mad--that's what it is, a little mad. Last time Lord Rye was
there everybody had a present given them hidden in their table napkins.
There had been some mistake in the parcels, I believe, and Miss
Mooney--you know, the actress, Myra Mooney--received a safety razor,
and Lord Rye a vanity bag. Everybody screamed with laughter, but I must
say it seemed to me rather silly. I wasn't there myself.'

'I was,' said Mr Cricker. 'I got a very pretty little feather fan. I
suppose the things really had been mixed up, and after all I was very
glad of the fan; I was able to give it to--' He stopped, sighed and
looked down on the floor.

'And is that affair still going on, Willie dear? It seems to me _such_
a pity. I _do_ wish you would try and give it up.'

'I know, but she _won't_,' he said in a voice hoarse with anxiety.
'Dear Lady Everard, you're a woman of the world, and know everything--'

She smiled. 'Not everything, Willie; a little of music, perhaps. I know
a good voice when I hear it. I have a certain _flair_ for what's going
to be a success in that direction, and of course I've been everywhere
and seen everything. I've a certain natural knowledge of life, too, and
keep well up to date with everything that's going on. I knew about the
Hendon Divorce Case long before anyone else, though it never came off
after all, but that's not the point. But then I'm so discreet; people
tell me things. At any rate, I always _know_.'

Indeed, Lady Everard firmly believed herself to be a great authority on
most subjects, but especially on contemporary gossip. This was a
delusion. In reality she had that marvellous talent for not knowing
things, that gift for ignorance, and genius for inaccuracy so
frequently seen in that cultured section of society of which she was so
popular and distinguished a member. It is a talent that rarely fails to
please, particularly in a case like her own. There is always a certain
satisfaction in knowing that a woman of position and wealth, who plumes
herself on her early knowledge and special information, is absolutely
and entirely devoid of the one and incorrect in the other. A marked
ignorance in a professionally well-informed person has always something
touching and appealing to those who are able, if not willing, to set
that person right. It was taken for granted among her acquaintances,
and probably was one of the qualities that endeared her to them most,
that dear Lady Everard was generally positive and always wrong.

'Yes, I do know most things, perhaps,' she said complacently. 'And one
thing I know is that this woman friend of yours is making you perfectly
miserable. You're longing to shake it off. Ah, I know you! You've far
more real happiness in going to the opera with me than even in seeing
her, and the more she pursues you the less you like it. Am I not
right?'

'Yes, I suppose so. But as a matter of fact, Lady Everard, if she
didn't--well--what you might call make a dash for it, I shouldn't worry
about her at all.'

'Men,' continued Lady Everard, not listening, 'only like coldness;
coldness, reserve. The only way in the world to draw a man on is to be
always out to him, or to go away, and never even let him hear your name
mentioned.'

'I daresay there's a lot in that,' said Cricker, wondering why she did
not try that plan with young La France.

'Women of the present day,' she continued, growing animated, 'make such
a terrible, terrible mistake I What do they do when they like a young
man? Oh, I know! They write to him at his club; they call at his rooms
and leave messages; they telephone whenever they can. The more he
doesn't answer their invitations the more they invite him. It's
appalling! And what's the result? Men are becoming cooler and cooler--
as a class, I mean. Of course, there are exceptions. But it's such a
mistake of women to run after the few young men there are. There are
such a tremendous lot of girls and married women nowadays, there are so
many more of them.'

'Well, perhaps that's why they do it,' said Cricker rather stupidly.
'At any rate--oh, well, I know if my friend hadn't been so jolly nice
to me at first and kept it up so--oh, well, you know what I mean--kept
on keeping on, if I may use the expression, I should have drifted away
from her ages ago. Because, you see, supposing I'm beginning to think
about something else, or somebody else, she doesn't stand it; she won't
stand it. And the awkward part is, you see, her being _on_ the stage
_and_ married makes the whole thing about as awkward as a case of that
sort can possibly be.'

'I would not ask you her name for the world,' said Lady Everard
smoothly. 'Of course I know she's a beautiful young comedy actress, or
is it tragedy? I wonder if I could guess her first name? Will you tell
me if I guess right?' She looked arch.

'Oh, I say, I can't tell you who it is, Lady Everard; really not.'

'Only the first name? I don't _want_ you to tell me; I'm discretion
itself, I prefer not to know. The Christian name is not Margaretta, is
it? Ah! no, I thought not. It's Irene Pettifer! There, I've guessed.
The fact is, I always knew it, my dear boy. Your secret is safe with
me. I'm the tomb! I--'

'Excuse me, Lady Everard,' said Cricker, with every sign of annoyance,
'it's no more Irene Pettifer than it's you yourself. Please believe me.
First of all I don't _know_ Irene Pettifer; I've never even seen her
photograph--she's not young, not married, and an entirely different
sort of person.'

'What did I tell you? I knew it wasn't; I only said that to draw you.
However, have a little more tea, or some iced coffee, it's so much more
refreshing I always think. My dear Willie, I was only chaffing you. I
knew perfectly well it wasn't either of the people I suggested. The
point is, it seems to prey on your mind, and worry you, and you won't
break it off.'

'But how can I?'

'I will dictate you a letter,' she said. 'Far be it from me to
interfere, and I don't pretend to know more about this sort of thing
than anybody else. At the same time, if you'll take it down just as I
tell it, and send it off, you'll find it will do admirably. Have you
got a pencil?'

As if dully hypnotised, he took out a pencil and notebook.

'It would be awfully kind of you, Lady Everard. It might give me an
idea anyway.'

'All right.'

She leant back and half closed her eyes, as if in thought; then started
up with one finger out.

'We must be quick, because I'm expecting someone presently,' she said.
'But we've got time for this. Now begin. July 7th, 1912. Have you got
that?'

'Yes, I've got that.'

'Or, perhaps, just Thursday. Thursday looks more casual, more full of
feeling than the exact date. Got Thursday?'

'Yes, but it isn't Thursday, it's Friday.'

'All right, Friday, or any day you like. The day is not the point. You
can send it tomorrow, or any time you like. Wednesday. My dearest
Irene.'

'Her name's not Irene.'

'Oh no, I forgot. Take that out. Dear Margaretta. Circumstances have
occurred since I last had the pleasure of seeing you that make it
absolutely impossible that I could ever meet you again.'

'Oh, I say!'

'Go on. Ever see you or meet you again. You wish to be kind to her, I
suppose?'

'Oh yes.'

'Then say: Duty has to come between us, but God knows I wish you well.'
Tears were beginning to come to Lady Everard's eyes, and she spoke with
a break in her voice. 'I wish you well, Irene.'

'It's not Irene.'

'I wish you well, Margaretta. Some day in the far distant future you'll
think of me, and be thankful for what I have done. It's for your good
and my own happiness that we part now, and for ever. Adieu, and may God
bless you. How do you sign yourself?'

'Oh, Willie.'

'Very well then, be more serious this time: Always your faithful
friend, William Stacey Cricker.'

He glanced over the note, his face falling more and more, while Lady
Everard looked more and more satisfied.

'Copy that out, word for word, the moment you go back, and send it
off,' she said, 'and all the worst of your troubles will be over.'

'I should think the worst is yet to come,' said he ruefully.

'But you promise to do it, Willie? Oh, promise me?'

'Oh yes rather,' said he half-heartedly.

'Word for word?'

'O Lord, yes. That's to say, unless anything--'

'Not a word, Willie; it will be your salvation. Come and see me soon,
and tell me the result. Ah! here you are, cher maître!'

With a bright smile she welcomed Mr La France, who was now announced,
gently dismissing Willie with a push of the left hand.

'Good heavens!' he said to himself, as he got into the cab, 'why, if I
were to send a thing like that there would be murder and suicide! She'd
show it to her husband, and he'd come round and knock me into a cocked
hat for it. Dear Lady Everard--she's a dear, but she doesn't know
anything about anything.'

He tore the pages out of his pocket-book, and called out to the cabman
the address of the Mitchells.

'Ah, chère madame, que je suis fatigué!' exclaimed La France, as he
threw himself back against the cushions.

His hair was long and smooth and fair, so fair that he had been spoken
of by jealous singers as a peroxide blond. His eyes were greenish, and
he had dark eyebrows and eyelashes. He was good-looking. His voice in
speaking was harsh, but his manner soft and insidious. His talents were
cosmopolitan; his tastes international; he had no duties, few pleasures
and that entire want of leisure known only to those who have
practically nothing whatever to do.

'Fatigued? That's what you always say,' said Lady Everard, laughing.

'But it is always true,' he said, with a strong French accent.

'You should take more exercise, Paul. Go out more in the air. You lead
too secluded a life.'

'What exercises? I practise my voice every day, twenty minutes.'

'Ah, but I didn't mean that. I mean in the open air--sport--that sort
of thing.'

'Ah, you wish I go horseback riding. Ver' nice, but not for me. I have
never did it. I cannot begun now, Lady Everard. I spoil all the
_velouté_ of my voice. Have you seen again that pretty little lady I
met here before? Delicious light brown hair, pretty blue eyes, a
wonderful blue, a blue that seem to say to everyone something
different.'

'What!' exclaimed Lady Everard. 'Are you referring to Mrs Ottley?' She
calmed down again. 'Oh yes, she's charming, awfully sweet--devoted to
her husband, you know--absolutely devoted to her husband; so rare and
delightful nowadays in London.'

'Oh yes, ver' nice. Me, I am devoted to 'er husband too. I go to see
him. He ask me.'

'What, without _me_?' exclaimed Lady Everard.

'I meet him the other night. He ask me to come round and sing him a
song. I cannot ask if I may bring Lady Everard in my pocket.'

'Really, Paul, I don't think that quite a nice joke to make, I must
say.' Then relenting she said: 'I know it's only your artistic fun.'

'So she ver' devoted to him? He have great confidence in her; he trust
her quite; he sure she never have any flirt?'

'He has every confidence; he's certain, absolutely certain!' exclaimed
Lady Everard.

'He wait till she come and tell him, I suppose. 'E is right.'

He continued in this strain for some time, constantly going back to his
admiration for Edith, and then began (with a good deal of bitterness)
on the subject of another young singer, whom he declared to be _un
garçon charmant_, but no good. 'He could not sing for nuts.'

She heartily agreed, and they began to get on beautifully again, when
she suddenly said to him:

'Is it true you were seen talking in the park to that girl Miss
Turnbull, on Sunday?'

'If you say I was seen, I was. You could not know I talk to her unless
I was seen. You could not know by wireless.'

'Don't talk nonsense, Paul,' she answered sharply. 'The point isn't
that you were seen, but that you did it.'

'Who did it? Me? I didn't do anything.'

'I don't think it's fair to me, I must say; it hurt my feelings that
you should meet Amy Turnbull in the park and talk to her.'

'But what could I say? It is ver' difficul. I walk through the park;
she walk through it with another lady. She speak to me. She say: Ah,
dear Mr La France, what pleasure to see you! I ask you, Lady Everard,
could I, a foreigner, not even naturalised here, could I order her out
of the park? Could I scream out to her: Go out, do not walk in ze Hyde
Park! Lady Everard do not like you! I have no authority to say that. I
am not responsible for the persons that walk in their own park in their
own country. She might answer me to go to the devil! She might say to
me: What, Lady Everard not like me, so I am not allowed in the park?
What that got to do with it? In a case like this, chère madame, I have
no legal power.'

She laughed forgivingly and said:

'Ah, well, one mustn't be too exacting!' and as she showed some signs
of a desire to pat his hair he rose, sat down to the piano, greatly to
her disappointment, and filled up the rest of the time by improvising
(from memory). It was a little fatiguing, as she thought it her duty to
keep up an expression of acute rapture during the whole of the
performance, which lasted at least three-quarters of an hour.



CHAPTER XXIV

Miss Bennett

Since his return Aylmer saw everything through what he called a
rose-coloured microscope--that is to say, every detail of his life, and
everything connected with it, seemed to him perfect. He saw Edith as
much as ever, and far less formally than before. She treated him with
affectionate ease. She had admitted by her behaviour on the night he
returned that she cared for him, and, for the moment, that was enough.
A sort of general relaxation of formality, due to the waning of the
season, and to people being too busy to bother, or already in thought
away, seemed to give a greater freedom. Everyone seemed more natural,
and more satisfied to follow their own inclinations and let other
people follow theirs. London was getting stale and tired, and the last
feverish flickers of the exhausted season alternated with a kind of
languor in which nobody bothered much about anybody else's affairs.
General interest was exhausted, and only a strong sense of
self-preservation seemed to be left; people clung desperately to their
last hopes. Edith was curiously peaceful and contented. She would have
had scarcely any leisure but that her mother-in-law sometimes relieved
her of the care of the children.

Being very anxious that they should not lose anything from Miss
Townsend's absence, she gave them lessons every day.

One day, at the end of a history lesson, Archie said:

'Where's Miss Townsend?'

'She's at Bexhill.'

'Why is she at Bexhill?'

'Because she likes it.'

'Where's Bexhill?'

'In England.'

'Why isn't Miss Townsend?'

'What do you mean, Archie?'

'Well, why isn't she Miss Townsend any more?'

'She is.'

'But she's not our Miss Townsend any more. Why isn't she?'

'She's gone away.'

'Isn't she coming back?'

'No.'

Watching his mother's face he realised that she didn't regret this, so
he said:

'Is Miss Townsend teaching anybody else?'

'I daresay she is, or she will, perhaps.'

'What are their names?'

'How should I know?'

'Do you think she'll teach anybody else called Archie?'

'It's possible.'

'I wonder if she'll ever be cross with the next boy she teaches.'

'Miss Townsend was very kind to you,' said Edith. 'But you need not
think about her any more, because you will be going to school when you
come back from the holidays.'

'That's what I told Dilly,' said Archie. 'But Dilly's not going to
school. Dilly doesn't mind; she says she likes you better than Miss
Townsend.'

'Very kind of her, I'm sure,' laughed Edith.

'You see you're not a real governess,' said Archie, putting his arm
round her neck. 'You're not angry, are you, mother? Because you're not
a real one it's more fun for us.'

'How do you mean, I'm not a real governess?'

'Well, I mean we're not _obliged_ to do what you tell us!'

'Oh, aren't you? You've got to; you're to go now because I expect Miss
Bennett.'

'Can't I see Miss Bennett?'

'Why do you want to see her?'

'I don't want to see her; but she always brings parcels. I like to see
the parcels.'

'They are not for you; she brings parcels because I ask her to do
shopping for me. It's very kind of her.'

She waited a minute, then he said:

'Mother, do let me be here when Miss Bennett brings the parcels. I'll
be very useful. I can untie parcels with my teeth, like this. Look! I
throw myself on the parcel just like a dog, and shake it and shake it,
and then I untie it with my teeth. It would be awfully useful.'

She refused the kind offer.

Miss Bennett arrived as usual with the parcels, looking pleasantly
business-like and important.

'I wonder if these things will do?' she said, as she put them out on
the table.

'Oh, they're sure to do,' said Edith; 'they're perfect.'

'My dear, wait till you see them. I don't think I've completed all your
list.' She took out a piece of paper.

'Where did you get everything?' Edith asked, without much interest.

'At Boots', principally. Then the novels--Arnold Bennett, Maxwell--Oh,
and I've got you the poem: 'What is it?' by Gilbert Frankau.'

'No, you mean, 'One of us',' corrected Edith.

'Then white serge for nurse to make Dilly's skirts--skirts a quarter of
a yard long!--how sweet!--and heaps and heaps of muslin, you see, for
her summer dresses. Won't she look an angel? Oh, and you told me to get
some things to keep Archie quiet in the train.' She produced a drum, a
trumpet, and a mechanical railway train. 'Will that do?'

'Beautifully.'

'And here's your travelling cloak from the other place.'

'It looks lovely,' said Edith.

'Aren't you going to try it on?'

'No; it's sure to be all right.'

'I never saw such a woman as you! Here are the hats. You've _got_ to
choose these.'

Here Edith showed more interest. She put them on, said all the colour
must be taken out of them, white put in one, black velvet in the other.
Otherwise they would do.

'Thanks, Grace; you're awfully kind and clever. Now do you know what
you're going to do? You're going to the Academy with me and Aylmer.
He's coming to fetch us.'

'Oh, really--what fun!'

At this moment he arrived. Edith introduced them.

'I've been having such a morning's shopping,' she said, 'I deserve a
little treat afterwards, don't I?'

'What sort of shopping? I'll tell you what you ought to have--a great
cricket match when the shopping season's over, between the Old
Selfridgians, and the Old Harrodians,' he said, laughing.

They walked through acres of oil paintings and dozens of portraits of
Chief Justices.

'I can't imagine anyone but Royalty enjoying these pictures,' said
Edith.

'They don't go to see pictures; they go to view exhibits,' Aylmer
answered.

Declaring they had 'Academy headache' before they had been through the
second room, they sat down and watched the people.

One sees people there that are to be seen nowhere else. An
extraordinary large number of clergymen, a peculiar kind of provincial,
and strange Londoners, almost impossible to place, in surprising
clothes.

Then they gave it up, and Aylmer took them out to lunch at a club
almost as huge and noisy and as miscellaneous as the Academy itself.
However, they thoroughly enjoyed themselves.

Edith and Bruce were to take up their abode in their little country
house at Westgate next day.



CHAPTER XXV

At Westgate

'I've got to go up to town on special business,' said Bruce, one
afternoon, after receiving a telegram which he had rather
ostentatiously left about, hoping he would be questioned on the
subject. It had, however, been persistently disregarded.

'Oh, have you?'

'Yes. Look at this wire.'

He read aloud:

'_Wish to see you at once if possible come up today M_.'

'Who _is_ 'M'?'

'Mitchell, of course. Who should it be?' He spoke aggressively, then
softened down to explanation, 'Mitchell's in town a few days on
business, too. I may be detained till Tuesday--or even Wednesday next.'

Bruce had been to town so often lately, his manner was so vague, he
seemed at once so happy and so preoccupied, so excited, so pleased, so
worried, and yet so unnaturally good-tempered, that Edith had begun to
suspect he was seeing Miss Townsend again.

The suspicion hurt her, for he had given his word of honour, and had
been nice to her ever since, and amiable (though rather absent and
bored) with the children.

She walked down to the station with him, though he wished to go in the
cab which took his box and suit-case, but he did not resist her wish.
On the way he said, looking round as if he had only just arrived and
had never seen it before:

'This is a very nice little place. It's just the right place for you
and the children. If I were you, I should stay on here.'

It struck her he spoke in a very detached way, and some odd
foreshadowing came to her.

'Why--aren't you coming back?' she asked jokingly.

'Me? _What_ an idea! Yes, of course. But I've told you--this
business of mine--well, it'll take a little time to arrange. Still, I
expect to be back on Tuesday. Or quite on Wednesday--or sooner.'

They walked on and had nearly reached the station.

'How funny you are, Bruce!'

'What do you mean? Are you angry with me for going up to see about
important business? Why, here you've got Aylmer and his boy at the
hotel, my mother and Vincy to stay with you. You've got plenty of
companions. I don't suppose you'll miss me much. You see--a--this is a
sort of business matter women don't understand. Women are incapable of
understanding it.'

'Of what nature is it?'

'How do you mean, nature? It's not of any particular _nature_. Nature,
indeed! How like a woman! It's just business.' He waited a minute.
'Stockbroking; that's what it is. Yes, it's stockbroking. I want to see
a chap who's put me in to a good thing. A perfectly safe thing. No
gambling. But one has to see into it, you see. Mitchell wants to see me
at once, you see. Do you see? You saw his wire, didn't you? I've
explained, haven't I? Aren't you satisfied with my explanation?'

'_You_ appear to be--very. But I'm not asking you to tell me any
details about the business, whatever it may be.'

They arrived at the station, and Bruce gave her what she thought a very
queer look. It was a mixture of fear, daring, caution and a sort of
bravado. Anxiety was in it, as well as a pleased self-consciousness.

'Tell me, frankly, something I'd like to know, Bruce.'

'Are you getting suspicious of me, Edith? That's not like you. Mind
you, it's a great mistake in a woman; women should always trust.
Mistrust sometimes drives a man to--to--Oh, anyhow, it's a great
mistake.'

'I only want you to tell me something, Bruce. I'll believe you
implicitly if you'll answer.... Do you ever see Miss Townsend now?'

'Never, on my honour! I swear it.' He spoke with such genuine good
faith that she believed him at once.

'Thanks. I'm glad. And--have you never since--'

'Never seen her, never written to her, never communicated with her
since she left! Don't know where she is and don't care. Now you do
believe me?' he asked, with all the earnestness and energy of truth.

'Absolutely. Forgive me for asking.'

'Oh, that's all right.'

He was relieved, and smiled.

'All right, Bruce dear. I'm glad. It would have worried me.'

'Now go, Edith. Don't bother to wait till I get in. I'll write to
you--I'll write to you soon.'

She still lingered, seeing something odd in his manner.

'Give my love to my mother,' he said, looking away. 'I say--' Edith.'

'Yes, dear?'

'Oh, nothing.'

She waited on till the train started. His manner was alternately
peevish and kind, but altogether odd. Her last glimpse was a rather
pale smile from Bruce as he waved his hand and then turned to his
paper....

'Well, what _does_ it matter so long as he _has_ gone!' exclaimed
Aylmer impatiently, when she expressed her wonder at Bruce's going. The
tide was low, and they went for a long walk over the hard shining sand,
followed by Archie picking up wonderful shells and slipping on the
green seaweed. Everything seemed fresh, lovely. She herself was as
fresh as the sea breeze, and Aylmer seemed to her as strong as the sea.
(Privately, Edith thought him irresistible in country clothes.) Edith
had everything here to make her happy, including Bruce's mother, who
relieved her of the children when she wanted rest and in whose eyes she
was perfection.

She saw restrained adoration in Aylmer's eyes, love and trust in the
eyes of the children. She had all she wanted. And yet--something tugged
at her heart, and worried her. She had a strange and melancholy
presentiment.

But she threw it off. Probably there was nothing really wrong with
Bruce; perhaps only one of those little imaginary romances that he
liked to fabricate for himself; or, perhaps, it was really business? It
was all right if Mr Mitchell knew about it. Yet she could not believe
that 'M' _was_ Mitchell. Bruce had repeated it too often; and, why on
earth should Mitchell suddenly take to sending Bruce fantastic
telegrams and signing them, for no reason, with an initial?...



CHAPTER XXVI

Goggles

'What divine heavenly pets and ducks of angels they are!' exclaimed
Lady Everard rather distractedly. 'Angels! Divine! And so good, too! I
never saw such darlings in my life. Look at them, Paul. Aren't they
sweet?'

Lady Everard with her party (what Aylmer called her performing troupe)
had driven over to Westgate, from where she was staying in the
neighbourhood, to have tea with Edith. She had brought with her a sort
of juvenile party, consisting of Mr Cricker, Captain Willis and, of
course, Paul La France, the young singer. She never moved without him.
She explained that two other women had been coming also, but they had
deserted her at the last minute.

Paul La France had been trying for an hour and a half to make eyes
through motor goggles, which, naturally, was not a success; so he
seemed a little out of temper. Archie was staring at him as if
fascinated. He went up and said:

'Voulez-vous lend me your goggles?'

'Mais certainement! Of course I will. Voilà mon petit.'

'The darling! How sweet and amusing of him! But they're only to be used
in the motor, you know. Don't break them, darling, will you? Monsieur
will want them again. Ah! how sweet he looks!' as he put them on, 'I
never saw such a darling in the whole course of my life! Look at him,
Mrs Ottley. Look at him, Paul!'

'Charmant. C'est délicieux,' grumbled La France.

'What a charming little lawn this is, going right down to the sea, too.
Oh, Mr Ross, is that you? Isn't this a delightful little house? More
tea? Yes, please. Mr La France doesn't take sugar, and--'

'You don't know what I am now,' said Archie, having fixed the goggles
on his own fair head, to the delight of Dilly.

'Oh, I guess what you are! You're a motorist, aren't you, darling?
That's it! It's extraordinary how well I always get on with children,
Mrs Ottley,' explained Lady Everard. 'I daresay it's through being used
to my little grandchildren, Eva's two angels, you know, but I never see
them because I can't stand their noise, and yet I simply adore them.
Pets!'

'What am I?' asked Archie, in his persistent way, as he walked round
the group on the lawn, in goggles, followed closely by Dilly, saying,
'Yes, what is he?' looking exactly like a live doll, with her golden
hair and blue ribbons.

'You're a motorist, darling.'

'No, I'm not a silly motorist. Guess what I am?'

'It's so difficult to guess, such hot weather! Can you guess, Paul?'

'I sink he is a nuisance,' replied the Frenchman, laughing politely.

'No, that's wrong. You guess what I am.'

'Guess what he is,' echoed Dilly.

'O Lord! what does it matter? What I always say is--live and let live,
and let it go at that,' said Captain Willis, with his loud laugh.
'What, Mrs Ottley? But they won't do it, you know--they won't--and
there it is!'

'Guess what I am,' persisted Archie.

'Never mind what you are; do go and sit down, and take those things
off,' said Edith.

'Not till you guess what I am.'

'Does Dilly know?'

'No, Dilly doesn't know. Guess what I am, grandmamma!'

'I give it up.'

'I thought you'd never guess. Well, I'm a blue-faced mandrill!'
declared Archie, as he took the goggles off reluctantly and gave them
back to La France, who put them under his chair.

'Yes, he's a two-faced mangle,' repeated Dilly.

He turned round on her sharply. 'Now, don't talk nonsense! You're a
silly girl. I never said anything about being a two-faced mangle; I'm
a blue-faced mandrill.'

'Well, I said so; a two-faced mangle.'

'Don't say anything at all if you can't say it right,' said Archie,
raising his voice and losing his temper.

'Well, they's both the same.'

'No, they jolly well aren't.'

He drew her a little aside. 'A blue-faced mandrill, silly, is real;
it's in my natural history book.'

'Sorry,' said Dilly apologetically.

'In my natural history book it is, a _real_ thing. I'm a blue-faced
mandrill.... Now say it after me.'

'You's a two-faced mangle.'

'Now you're doing it on purpose! If you weren't a little girl, Dilly--'

'I wasn't doing it on purpose.'

'Oh, get away before I hit you! You're a silly little fool.'

She slowly walked away, calling out: 'And you're a silly two-faced
mangle,' in a very irritating tone. Archie made a tremendous effort to
ignore her, then he ran after her saying:

'Will you shut up or will you not?'

Aylmer seized hold of him.

'What are you going to do, Archie?'

'Teach Dilly what I am. She says--Oh, she's _such_ a fool!'

'No, Archie, leave her alone; she's only a baby. Come along, old boy.
Give Mr Cricker a cup of tea; he hasn't had one yet.'

Archie was devoted to Aylmer. Following him, he handed the tea to Mr
Cricker, saying pathetically:

'I'm a blue-faced mandrill, and she knew it. I told her so. Aren't
girls fools? They do worry!'

'They _are_ torments,' said Aylmer.

'I wish that Frenchman would give me his goggles to keep! He doesn't
want them.'

'I'll give you a pair,' said Aylmer.

'Thanks,' said Cricker,' I won't have any tea. I wish you'd come and
have a little talk with me, Ross. Can I have a word with you alone?'

Aylmer good-naturedly went aside with him.

'It's worse than ever,' said Cricker, in low, mysterious tones. 'Since
I've been staying with Lady Everard it's been wire, wire, wire--ring,
ring, ring--and letters by every post! You see, I thought it was rather
a good plan to get away for a bit, but I'm afraid I shall have to go
back. Fancy, she's threatened suicide, and telling her husband, and
confiding in Lady Everard! And giving up the stage, and oh, goodness
knows what! There's no doubt the poor child is absolutely raving about
me. No doubt whatever.'

Aylmer was as sympathetic as he knew how.

The party was just going off when La France found that the
goggles had disappeared. A search-party was organised; great excitement
prevailed; but in the end they went away without the glasses.

When Dilly had just gone to sleep in her cot a frightening figure crept
into her room and turned on the electric light.

'Oh, Archie! What is it! Who is it! Oh!... Oh!'

'Don't be frightened,' said Archie, in his deepest voice, obviously
hoping she would be frightened. He was in pyjamas and goggles. 'Don't
be frightened! _Now! Say what I am_. What am I?'

'A blue-faced mandrill,' she whined.

He took off the goggles and kissed her.

'Right! Good night, old girl!'



CHAPTER XXVII

The Elopement

The following Tuesday, Edith, Aylmer, Vincy and Mrs Ottley were sitting
on the veranda after dinner. They had a charming little veranda which
led on to a lawn, and from there straight down to the sea. It was their
custom to sit there in the evening and talk. The elder Mrs Ottley
enjoyed these evenings, and the most modern conversation never seemed
to startle her. She would listen impassively, or with a smile, as if in
silent approval, to the most monstrous of paradoxes or the most
childish chaff.

Aylmer's attention and kind thought for her had absolutely won her
heart. She consulted him about everything, and was only thoroughly
satisfied when he was there. His strong, kind, decided voice, his good
looks, his decision, and a sort of responsible impulsiveness, all
appealed to her immensely. She looked up to him, in a kind of admiring
maternal way; Edith often wondered, did she not see Aylmer's devotion?
But, if she did, Mrs Ottley thought nothing of it. Her opinion of Edith
was so high that she trusted her in any complications....

'Isn't Bruce coming down tonight?' she asked Edith.

'I'm to have a wire.'

'Ah, here's the last post. Perhaps he's written instead.'

Vincy fetched the letters. There was one from Bruce.

Edith went into the drawing-room to read it; there was not sufficient
light on the veranda....

In growing amazement she read the following words:--

DEAR EDITH,

'I hope what I am about to tell you will not worry you too much. At any
rate I do hope you will not allow it to affect your health. It is
inevitable, and you must make up your mind to it as soon as possible. I
say this in no spirit of unkindness; far from it. It is hard to me to
break the news to you, but it must be done.

'Mavis Argles and I are all in all to each other. We have made up our
minds on account of certain _circumstances_ to throw in our lot
together, and we are starting for Australia today. When this reaches
you, we shall have started. I enclose the address to write to me.

'In taking this step I have, I am sure, acted for the best. It may
cause you great surprise and pain. I regret it, but we met and became
very quickly devoted to one another. She cannot live without me. What I
am doing is my duty. I now ask you, and believe you will grant my
request, to make arrangements to _give me my freedom as soon as
possible_. Mind you do this, Edith, for it is really my duty to give my
name to Mavis, who, as I have said, is devoted to me heart and soul,
and cannot live without me.

'I shall always have the greatest regard and respect for you, and _wish
you well_.

'I am sorry also about my mother, but you must try and explain that it
is for the best. You also will know exactly what to do, and how to
bring up the children just as well without me as with.

'Hoping this sudden news will not affect your health in any way, and
that you will try and stay on a good while at Westgate, as I am sure
the air is doing you good, believe me, yours affectionately as always,

'BRUCE.

'_P.S._--Mind you don't forget to divorce me as soon as you can for
Mavis's sake. Vincy will give you all the advice you need. Don't think
badly of me; I have meant well. Try and cheer up. I am sorry not to
write more fully, but you can imagine how I was rushed to catch today's
steamer.'

She sat alone gazing at the letter under the light. She was divided at
first between a desire to laugh and cry. Bruce had actually eloped! His
silly weakness had culminated, his vanity had been got hold of. Vincy's
horrid little art-student had positively led him into running away,
and leaving his wife and children.

Controlling herself, Edith went to the veranda and said to Mrs Ottley
that Bruce wasn't coming back for a day or two, that she had neuralgia
and was going to retire, but begged Aylmer not to go yet. Of course at
this he went at once.

The next morning Aylmer at his hotel received a little note asking him
to come round and see Edith, while the others were out.

It was there, in the cool, shady room, that Edith showed him the
letter.

'Good God!' he exclaimed, looking simply wild with joy. 'This is too
marvellous!--too heavenly! Do you realise it? Edith, don't you see he
wants you to make him free? You will be my wife--that's
settled--that's fixed up.'

He looked at her in delight almost too great for expression.

Edith knew she was going to have a hard task now. She was pale, but
looked completely composed. She said:

'You're wrong, Aylmer. I'm not going to set him free.'

'What?' he almost shouted. 'Are you mad? What! Stick to him when he
doesn't want you! Ruin the wretched girl's life!'

'That remains to be seen. I don't believe everything in the letter. The
children--'

'Edith!' he exclaimed. 'What--when he doesn't _want_ the children--when
he deserts them?'

'He is their father.'

'Their father! Then, if you were married to a criminal who implored you
to divorce him you wouldn't, because he was their father!'

'Bruce is not a criminal. He is not bad. He is a fool. He has behaved
idiotically, and I can never care for him in the way I used to, but I
mean to give him a chance. I'm not going to jump at his first real
folly to get rid of him.... Poor Bruce!'

She laughed.

Aylmer threw himself down in an arm-chair, staring at her.

'You amaze me,' he said. 'You amaze me. You're not human. Do you adore
this man, that you forgive him everything? You don't even seem angry.'

'I don't adore him, that is why I'm not so very angry. I was terribly
hurt about Miss Townsend. My pride, my trust were hurt but after that I
can't ever feel that personal jealousy any more. What I have got to
think of is what is best.'

'Edith, you don't care for me. I'd better go away.' He turned away; he
had tears in his eyes.

'Oh, don't, Aylmer! You know I do!'

'Well, then, it's all right. Fate seems to have arranged this on
purpose for us--don't you know, dear, how I'd be good to the children?
How I'd do anything on this earth for them? Why, I'd reconcile Mrs
Ottley to it in ten minutes; I'd do _anything_!' He started up.

'I'm not going to let Mrs Ottley know anything about it for the
present.'

'You're not going to tell her?'

'No. I shall invent a story to account for his absence. No-one need
know. But, of course, if, later--I mean if he persists--'

'Oh, Edith, don't be a fool! You're throwing away our happiness when
you've got it in your hand.'

'There are some things that one _can't_ do.' said Edith. 'It goes
against the grain. I can't take advantage of his folly to make the path
smoother--for myself. What will become of him when they quarrel! It's
all nonsense. Bruce is only weak. He's a very good fellow, really. He
has no spirit, and not much intellect; but with us to look after him,'
she unconsciously said us, and could not help smiling at the absurdity
of it,' he will get along all right yet.'

'Edith, you're beyond me,' said Aylmer. 'I give up understanding you.'

She stood up again and looked out of the window.

'Let him have his silly holiday and his elopement and his trip! He
thinks it will make a terrific sensation! And I hope she will be
seasick. I'm sure she will; she's the sort of woman who would, and
then--after--'

'And you'll take him back? You have no pride, Edith.'

She turned round. 'Take him back?--yes; officially. He has a right to
live in his own house, with his own children. Why, ever since I found
out about Miss Townsend ... I'm sure I was nice to him, but only like a
sister. Yes. I feel just like a sister to him now.'

'Oh, good God! I haven't patience with all this hair-splitting
nonsense. Brotherly husbands who run away with other girls, and beg you
to divorce them; sisterly wives who forgive them and stick to them
against their will....'

He suddenly stopped, and held out his hand.

'Forgive me, Edith. I believe whatever you say is right. Will you
forgive me?'

'You see, it's chiefly on account of the children. If it weren't for
them I _would_ take advantage of this to be happy with you. At
least--no--I'm not sure that I would; not if I thought it would be
Bruce's ruin.'

'And you don't think I'd be good to the children?'

'Good? I know you would be an angel to them! But what's the use? I tell
you I can't do it.'

'I won't tease you, I won't worry you any more,' he said, in a rather
broken voice. 'At any rate, think what a terrible blow this is to me.
You show me the chance of heaven, then you voluntarily dash it away.
Don't you think you ought to consult someone? You have asked no-one?'

'I have consulted _you_,' she said, with a slight smile.

'You take no notice of what I say.'

'As a matter of fact, I don't wish to consult anyone. I have made my
own decision. I have written my letter.'

She took it out of her bag. It was directed to Bruce, at the address he
had given her in Australia.

'I suppose you won't let me read it?' he said sadly.

'I think I'd rather not,' she said.

Terribly hurt, he turned to the door.

'No--no, you shall read it!' she exclaimed. 'But don't say anything,
make no remark about it. You shall read it because I trust you, because
I really care for you.'

'Perhaps I oughtn't to,' he said. 'No, dear; keep it to yourself.' His
delicacy had revived and he was ashamed of his jealousy.

But now she insisted on showing it to him, and he read:

'DEAR BRUCE,

'I'm not going to make any appeal to your feelings with regard to your
mother and the children, because if you had thought even of me a little
this would not have happened. I'm very, very sorry for it. I believe it
happened from your weakness and foolishness, or you could not have
behaved with such irresponsibility, but I'm trying to look at it quite
calmly. I therefore propose to do nothing at all for three months. If I
acted on your suggestion you might regret it ever after. If in three
months you write to me again in the same strain, still desiring to be
free, I will think of it, though I'm not sure that I should do it even
then. But in case you change your mind I propose to tell nobody, not
even your mother. By the time you get this letter, it will be six weeks
since yours to me, and you may look at things differently. Perhaps by
then you will be glad to hear that I have told your mother merely that
you have been ordered away for a change, and I shall say the same to
anyone else who inquires for you. If you feel after this time still
responsible, and that you have a certain duty, still remember, even so,
you might be very unhappy together all your lives. Excuse me, then, if
I don't take you at your word.

'Another point occurs to me. In your hurry and excitement, perhaps you
forgot that your father's legacy depended on the condition that you
should not leave the Foreign Office before you were fifty. That is
about fourteen years from now. If you are legally freed, and marry Miss
Argles, you could hardly go back there. I think it would be practically
impossible under those circumstances, while if you live in Australia
you will have hardly any means. I merely remind you of this, in case
you had forgotten.

'I shall regard it all as an unfortunate aberration; and if you regret
it, and change your mind, you will be free at any time you like to come
back and nothing shall be ever said about it. But I'm not begging you
to do so. I may be wrong; perhaps she's the woman to make you happy.
Let me know within three months how you feel about it. No-one will
suffer except myself during this time, as I shall keep it from your
mother, and shall remain here during this time. Perhaps you will be
very angry with me that I don't wish to take you at your word, Bruce.
At first I thought I would, but I'm doing what I think right, and one
cannot do more.

'I'm not going to reproach you, for if you don't feel the claims of
others on you, my words will make no difference.

'Think over what I say. Should you be unhappy and wish to separate from
her without knowing how, and if it becomes a question of money, as so
many things do, I would help you. I did not remind you about your
father's legacy to induce you to come back. If you really find
happiness in the way you expect, we could arrange it. You see, I have
thought of everything, in one night. But you _won't_ be happy.

'EDITH OTTLEY.'

'Remember, whenever you like to come back, you will be welcomed, and
nothing shall ever be said about it.'

Aylmer gave her back the letter. He was touched.

'You see,' she said eagerly, 'I haven't got a grain of jealousy. All
that part is quite finished. That's the very reason why I can judge
calmly.'

She fastened up the letter, and then said with a smile:

'And now, let's be happy the rest of the summer. Won't you?'

He answered that she was _impayable_--marvellous--that he would help
her--devote himself to doing whatever she wished. On consideration he
saw that there was still hope.



CHAPTER XXVIII

Bruce Returns

'Never, Edith!' exclaimed Vincy, fixing his eyeglass in his eye, and
opening his mouth in astonishment. 'Never! Well, I'm gormed!'

A week had passed since the news of Bruce's elopement. The little group
at Westgate didn't seem to have much been affected by it; and this was
the less surprising as Aylmer and Edith had kept it to themselves. Mrs
Ottley listened imperturbably to Edith's story, a somewhat incoherent
concoction, but told with dash and decision, that Bruce had been
ordered away for a sea-voyage for fear of a nervous breakdown. She
cried a little, said nothing, kissed Edith more than usual, and took
the children away for longer walks and drives. With a mother's
flashlight of intuition she felt at once certain there was something
wrong, but she didn't wish to probe the subject. Her confidence in
Edith reached the point of superstition; she would never ask her
questions. Edith had assured her that Bruce would come back all right,
and that was enough. Personally, Mrs Ottley much preferred the society
of Aylmer to that of her son. Aylmer was far more amusing, far more
considerate to her, and to everybody else, and he didn't use his
natural charm for those who amused him only, as the ordinary
fascinating man does. Probably there was at the back of his attentions
to Mrs Ottley a vague idea that he wanted to get her on his side--that
she might be a useful ally; but he was always charming to elderly
women, and inclined to be brusque with younger ones, excepting Edith;
he remembered his own mother with so great a cult of devotion, and his
late wife with such a depressed indifference.

Edith had asked Aylmer to try and forget what had happened--to make
himself believe that Bruce had really only gone away medicinally. For
the present, he did as she wished, but he was longing to begin talking
to her on the subject again, both because it interested him
passionately from the psychological point of view, and far more,
naturally, because he had hopes of persuading her in time. She was not
bound by letter; she could change her mind. Bruce might and possibly
would, insist.

There was difficulty in keeping the secret from Vincy, who was actually
staying in the house, and whose wonderful nerves and whimsical mind
were so sensitive to every variation of his surroundings. He had the
gift of reading people's minds. But it never annoyed anyone; one felt
he had no illusions; that he sympathised with one's weaknesses and
follies and, in a sense, enjoyed them, from a literary point of view.
Probably his friends forgave his clear vision for the sake of his
interest. Most people would far rather be seen through than not be seen
at all.

One day Vincy, alone on the beach with Edith, remarked that he wondered
what had happened to Mavis.

Edith told him that she had run away with a married man.

'Never, Edith!' he exclaimed. 'Who would have thought it! It seems
almost too good to be true!'

'Don't say that, Vincy.'

'But how did you hear it? You know everything.'

'I heard it on good authority. I _know_ it's true.'

'And to think I was passing the remark only the other day that I
thought I ought to look her up, in a manner of speaking, or write, _or
something_,' continued Vincy; 'and who _is_ the poor dear man? Do you
know?'

He looked at her with a sudden vague suspicion of he knew not what.

'Bruce was always inclined to be romantic, you know,' she said
steadily.

'Oh, give over!'

'Yes, that's it; I didn't want anyone to know about it. I'm so afraid
of making Mrs Ottley unhappy.'

'But you're not serious, Edith?'

'I suppose I'd better show you his letter. He tells me to ask your
advice.'

She gave it to him.

'There is only one word for what I feel about it,' Vincy said, as he
gave it back. 'I'm gormed! Simply gormed! Gormed, Edith dear, is really
the only word.'

'I'm not jealous,' said Edith. 'My last trouble with Bruce seems to
have cured me of any feeling of the kind. But I have a sort of pity and
affection for him still in a way--almost like a mother! I'm really
afraid he will be miserable with her, and then he'll feel tied to her
and be wretched all his life. So I'm giving him a chance.'

He looked at her with admiring sympathy.

'But what about other friends?'

'Well--oh, you know--'

'Edith, I'm awfully sorry; I wish I'd married her now, then she
wouldn't have bothered about Bruce.'

'But you can't stand her, Vincy.'

'I know, Edith dear; but I'd marry any number of people to prevent
anything tiresome for you. And Aylmer, of course--Edith, really, I
think Aylmer ought to go away; I'm sure he ought. It is a mistake to
let him stay here under these circumstances.'

'Why?' said Edith. 'I don't see that; if I were going to take Bruce at
his word, then it would be different, of course.'

'It does seem a pity not to, in some ways; everything would be all
nicely settled up, just like the fourth act of a play. And then I
should be glad I hadn't married Mavis... Oh, do let it be like the
fourth act, Edith.'

'How can life be like a play? It's hopeless to attempt it,' she said
rather sadly.

'Edith, do you think if Bruce knew--how much you liked Aylmer--he would
have written that letter?'

'No. And I don't believe he would ever have gone away.'

'Still, I think you ought to send Aylmer away now.'

'Why?' she repeated. 'Nothing could be more intensely correct. Mrs
Ottley's staying with me--why shouldn't I have the pleasure of seeing
Aylmer because Bruce is having a heavenly time on board ship?'

'I suppose there's that point of view,' said Vincy, rather bewildered.
'I say, Edith!'

'About Bruce having a heavenly time on board ship--a--she always
grumbles; she's always complaining. She's never, never satisfied... She
keeps on making scenes.'

'So does Bruce.'

'Yes. But I suppose if there's a certain predicament--then--Oh,
Edith--are you unhappy?'

'No, not a bit now. I think I'm only really unhappy when I'm undecided.
Once I've taken a line--no matter what it is--I can be happy again. I
can adjust myself to my good fortune.'

Curiously, when Edith had once got over the pain and shock that the
letter first gave her, she was positively happier now than she ever had
been before. Bruce really must have been a more formidable bore than
she had known, since his absence left such a delicious freedom. The
certainty of having done the right, the wisest thing, was a support, a
proud satisfaction.

During these summer days Aylmer was not so peacefully happy. His
devotion was assiduous, silent, discreet, and sometimes his feelings
were almost uncontrollable, but he hoped; and he consoled himself by
the thought that some day he would really have his wish--anything might
happen; the chances were all in his favour.

What an extraordinary woman she was--and how pretty--how subtle; how
perfect their life might be together....

He implored Vincy to use his influence.

'I can't see Edith in anything so crude as the--as--that court,' Vincy
said.

'But Bruce begs her to do it. What could their life be together
afterwards? It's simply a deliberate sacrifice.'

'There's every hope that Miss Argles will never let him go,' said
Vincy. 'One has to be very firm to get away from her. Oh, ever so firm,
and _obstinate_, you can't think! How many times a day she must be
reproaching Bruce--that will be rather a change for him. However,
anything may happen,' said Vincy soothingly. He still maintained, for
he had a very strong sense of propriety in matters of form, that Aylmer
ought to go away. But Edith would not agree.

      *       *       *       *       *

So the children played and enjoyed themselves, and sometimes asked
after their father, and Mrs Ottley, though a little anxious, enjoyed
herself too, and Edith had never been so happy. She was having a
holiday. She dismissed all trouble and lived in a sort of dream.

      *       *       *       *       *

Towards the end of the summer, hearing no more from Bruce, Aylmer grew
still more hopeful; he began to regard it as practically settled. The
next letter in answer to Edith's would doubtless convince her, and he
would then persuade her; it was, tacitly, he thought, almost agreed
now; it was not spoken of between them, but he believed it was all
right....

      *       *       *       *       *

Aylmer had come back to London in the early days of September and was
wandering through his house thinking how he would have it done up and
how he wouldn't leave it when they were married, when a telephone
message summoned him to Knightsbridge.

He went, and found the elder Mrs Ottley just going away. He thought she
looked at him rather strangely.

'I think Edith wants to speak to you,' she said, as she left the room.
'Dear Edith! Be nice to her.' And she fled.

      *       *       *       *       *

Aylmer waited alone, looking round the room that he loved because he
associated it with her.

It was one of the first cold damp days of the autumn, and there was a
fire. Edith came in, in a dark dress, looking pale, and different, he
thought. She had seemed the very spirit of summer only a day or two
before.

A chill presentiment struck to his heart.

'You've had a letter? Go on; don't keep me in suspense.' He spoke with
nervous impatience, and no self-restraint.

She sat down by him. She had no wish to create an effect, but she found
it difficult to speak.

'Yes, I've had a letter,' she said quietly. 'They've quarrelled. They
quarrelled on board. He hates her. He says he would rather die than
remain with her. He's written me a rather nice letter. They quarrelled
so frightfully that a young man on board interfered,' she said, smiling
faintly. 'As soon as they arrived the young man married her. He's a
commercial traveller. He's only twenty-five.... It seems he pitied her
so much that he proposed to her on board, and she left Bruce. It wasn't
true about the predicament. It was--a mistake. Bruce was grateful for
my letter. He's glad I've not told anyone--not done anything. Now the
children will never know. But I've told Mrs Ottley all about it. I
thought I'd better, now it's over. She won't ask him questions....
Bruce is on his way home.'

'All right!' said Aylmer, getting up. 'Let him come. Forgive him again,
that's right! Would you have done that for _me_?'

'No! Never! If you had once been unfaithful, and I knew it, I'd never
have forgiven you.'

'I quite believe it. But why?'

'Because I care for you too much. If you had been in Bruce's position I
should never have seen you again. With him it's different. It's a
feeling of--it's for him, not for me. I've felt no jealousy, no
passion, so I could judge calmly.'

'All right,' repeated Aylmer ironically; 'all right! Judge calmly! Do
the right thing. You know best.' He stopped a moment, and then said,
taking his hat: 'I understand now. I see clearly at last. You've had
the opportunity and you wouldn't take it; you don't care for me. I'm
going.'

He went to the door.

'Oh, come back, Aylmer! Don't go like that! You know I care for you,
but what could I do? I foresaw this...You know, I can't feel _no_
responsibility about Bruce. I couldn't make my happiness out of someone
else's misery. He would have been miserable and, not only that, it
would have been his ruin. Bruce could never be safe, happy, or all
right, except here.'

'And you think he'll alter, now, be grateful and devoted, I
suppose--appreciate you?'

'Do people alter?' she answered.

'I neither know nor care if he will, but you? I could have made you
happy. You won't let me. Oh, Edith, how could you torture me like this
all the summer?'

'I didn't mean to torture you. We enjoyed being together.'

'Yes. But it makes this so much harder.'

'It would be such a risk!' she answered. 'But is anything worth having
unless you're ready to risk every-thing to get it?'

'I _would_ risk everything, for myself. But not for others...If you
feel you want to go away,' she said, 'let it be only for a little
while.'

'A little while! I hope I shall _never_ see you again! Do you think I'm
such a miserable fool--do you think I could endure the position of a
tame cat? You forget I'm a man!... No; I'll never see you again now,
not if it kills me!'

At these words, the first harsh ones she had ever heard from him, her
nerves gave way, and she burst into tears.

This made him irresolute, for his tender-heartedness almost reached the
point of weakness. He went up to her, as she lifted her head, and
looked at her once more. Then he said:

'No, you've chosen. You _have_ been cruel to me, and you're too good to
him. But I suppose you must carry out your own nature, Edith. I've been
the victim. That's all.'

'And won't you be friends?' she said.

'No. I won't and I can't.'

He waited one moment more.

      *       *       *       *       *

'If you'll change your mind--you still can--we can still be happy. We
can be everything to each other.... Give him up. Give him up.'

'I can't,' said Edith.

'Then, good-bye.'



CHAPTER XXIX

Intellectual Sympathy

'What are you going to wear tonight, Edith?'

'Oh; anything!'

'Don't say anything. I don't wish you to wear anything. I'm anxious you
should look your best, really nice, especially as we haven't been to
the Mitchells' for so long. Wear your new blue dress.'

'Very well.'

Bruce got up and walked across the room and looked in the glass.

'Certainly, I'm a bit sunburnt,' he remarked thoughtfully. 'But it
doesn't suit me badly, not really badly; does it?'

'Not at all.'

'Edith.'

'Yes?'

'If I've spoken about it once, I've spoken about it forty times. This
ink-bottle is too full.'

'I'll see about it.'

'Don't let me have to speak about it again, will you? I wonder who will
be at the Mitchells' tonight?'

'Oh, I suppose there'll be the new person--the woman with the dramatic
contralto foghorn voice; and the usual people: Mr Cricker, Lady
Everard, Miss Mooney--'

'Miss Mooney! I hope not! I can't stand that woman. I think she's
absurd; she's a mass of affectation and prudishness. And--Edith!'

'Yes?'

'I don't want to interfere between mother and daughter--I know you're
perfectly capable and thoroughly well suited to bringing up a girl, but
I really do think you're encouraging Dilly in too great extravagance.'

'Oh! In what way?'

'I found her making a pinafore for her doll out of a lace flounce of
real old Venetian lace. Dilly said she found it on the floor. 'On the
floor, indeed,' I said to her. 'You mustn't use real lace!' She said,
'Why not? It's a real doll!' Lately Dilly's got a way of answering back
that I don't like at all. Speak to her about it, will you, Edith?'

'Oh yes, of course I will.'

'I'm afraid my mother spoils them. However, Archie will be going to
school soon. Of course it isn't for me to interfere. I have always made
a point of letting you do exactly as you like about the children,
haven't I, Edith? But I'm beginning to think, really, Dilly ought to
have another gov--' He stopped, looking self-conscious.

'Oh, she's only five, quite a baby,' said Edith. 'I daresay I can
manage her for the present. Leave it to me.'

      *       *       *       *       *

Since his return, Edith had never once referred to Bruce's sea-voyage.
Once or twice he had thanked her with real gratitude, and even remorse,
for the line she had taken, but her one revenge had been to change the
subject immediately. If Bruce wished to discuss the elopement that she
had so laboriously concealed, he would have to go elsewhere.

      *       *       *       *       *

A brilliantly coloured version, glittering with success and lurid with
melodrama, had been given (greatly against the hearer's will) to
Goldthorpe at the club. One of the most annoying things to Bruce was
that he was perfectly convinced, when he was confessing the exact
truth, that Goldthorpe didn't believe a word of it.

It was unfortunate, too, for Bruce, that he felt it incumbent on him to
keep it from Vincy; and not to speak of the affair at all was a real
sacrifice on Vincy's part, also. For they would both have enjoyed
discussing it, while Goldthorpe, the only human being in whom Bruce
ever really confided, was not only bored but incredulous. He considered
Bruce not only tedious to the verge of imbecility, but unreliable
beyond the pardonable point of inaccuracy. In fact, Bruce was his ideal
of the most wearisome of liars and the most untruthful of bores; and
here was poor Vincy dying to hear all about his old friend, Mavis (he
never knew even whether she had mentioned his name), ready to revel,
with his peculiar humour, in every detail of the strange romance,
particularly to enjoy her sudden desertion of Bruce for an unmarried
commercial traveller who had fallen in love with her on board.--And
yet, it had to be withheld! Bruce felt it would be disloyal, and he had
the decency to be ashamed to speak of his escapade to an intimate
friend of his wife.

      *       *       *       *       *

Bruce complained very much of the dullness of the early autumn in
London without Aylmer. This sudden mania for long journeys on Aylmer's
part was a most annoying hobby. He would never get such a pleasant
friend as Aylmer again. Aylmer was his hero.

'Why do you think he's gone away?' he rather irritatingly persisted.

'I haven't the slightest idea.'

'Do you know, Edith, it has sometimes occurred to me that if--that,
well--well, you know what I mean--if things had turned out differently,
and you had done as I asked you--'

'Well?'

'Why, I have a sort of idea,' he looked away, 'that Aylmer might--well,
might have proposed to you!'

'Oh! _What_ an extraordinary idea!'

'But he never did show any sign whatever, I suppose of--well,
of--being more interested in you than he ought to have been?'

'Good heavens, no!'

'Oh, of course, I know that--you're not his style. You liked him very
much, didn't you, Edith?...'

'I like him very much now.'

'However, I doubt if you ever quite appreciated him. He's so full of
ability; such an intellectual chap! Aylmer is more a man's man. _I_
miss him, of course. He was a very great friend of mine. And he didn't
ever at all, in the least--seem to--'

'Seem to what?'

'It would have been a very unfair advantage to take of my absence if he
had,' continued Bruce.

'Oh!'

'But he was incapable of it, of course.'

'Of course.'

'He _never_ showed any special interest, then, beyond--'

'Never.'

'I was right, I suppose, as usual. You never appreciated him; he was
not the sort of man a woman _would_ appreciate ... But he's a great
loss to me, Edith. I need a man who can understand--Intellectual
sympathy--'

      *       *       *       *       *

'Mr Vincy!' announced the servant.

Vincy had not lost his extraordinary gift for turning up at the right
moment. He was more welcome than ever now.





*** END OF THE PROJECT GUTENBERG EBOOK TENTERHOOKS ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.