The Project Gutenberg eBook of International Short Stories: French
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: International Short Stories: French

Compiler: Francis J. Reynolds

Contributor: Jean Aicard
        Honoré de Balzac
        René Bazin
        Paul Bourget
        Adolphe Chenevière
        François Coppée
        Alphonse Daudet
        Alexandre Dumas
        Erckmann-Chatrian
        Ludovic Halévy
        Victor Hugo
        Paul de Kock
        Alain René Le Sage
        Guy de Maupassant
        Catulle Mendès
        Prosper Mérimée
        Henri Murger
        Alfred de Musset
        Marcel Prévost
        Clémence Robert
        Eugène François Vidocq
        Voltaire
        Émile Zola

Release date: January 1, 2004 [eBook #10577]
                Most recently updated: May 2, 2024

Language: English

Credits: Juliet Sutherland, David Schaal, PG Distributed Proofreaders and David Widger


*** START OF THE PROJECT GUTENBERG EBOOK INTERNATIONAL SHORT STORIES: FRENCH ***




INTERNATIONAL SHORT STORIES

COMPILED BY
FRANCIS J. REYNOLDS

FRENCH

1910





FRENCH STORIES

A PIECE OF BREAD _By Francois Coppee_

THE ELIXIR OF LIFE _By Honore de Balzac_

THE AGE FOR LOVE _By Paul Bourget_

MATEO FALCONE _By Prosper Merimee_

THE MIRROR _By Catulle Mendes_

MY NEPHEW JOSEPH _By Ludovic Halevy_

A FOREST BETROTHAL _By Erckmann-Chatrian_

ZADIG THE BABYLONIAN _By Francois Marie Arouet de Voltaire_

ABANDONED _By Guy de Maupassant_

THE GUILTY SECRET _By Paul de Kock_

JEAN MONETTE _By Eugene Francois Vidocq_

SOLANGE _By Alexandre Dumas_

THE BIRDS IN THE LETTER-BOX _By Rene Bazin_

JEAN GOURDON'S FOUR DAYS _By Emile Zola_

BARON DE TRENCK _By Clemence Robert_

THE PASSAGE OF THE RED SEA _By Henry Murger_

THE WOMAN AND THE CAT _By Marcel Prevost_

GIL BLAS AND DR. SANGRADO _By Alain Rene Le Sage_

A FIGHT WITH A CANNON _By Victor Hugo_

TONTON _By A. Cheneviere_

THE LAST LESSON _By Alphonse Daudet_

CROISILLES _By Alfred de Musset_

THE VASE OF CLAY _By Jean Aicard_



A PIECE OF BREAD

BY FRANCOIS COPPEE


The young Duc de Hardimont happened to be at Aix in Savoy, whose waters he
hoped would benefit his famous mare, Perichole, who had become wind-broken
since the cold she had caught at the last Derby,--and was finishing his
breakfast while glancing over the morning paper, when he read the news of
the disastrous engagement at Reichshoffen.

He emptied his glass of chartreuse, laid his napkin upon the restaurant
table, ordered his valet to pack his trunks, and two hours later took the
express to Paris; arriving there, he hastened to the recruiting office and
enlisted in a regiment of the line.

In vain had he led the enervating life of a fashionable swell--that was
the word of the time--and had knocked about race-course stables from the
age of nineteen to twenty-five. In circumstances like these, he could not
forget that Enguerrand de Hardimont died of the plague at Tunis the same
day as Saint Louis, that Jean de Hardimont commanded the Free Companies
under Du Guesclin, and that Francois-Henri de Hardimont was killed at
Fontenoy with "Red" Maison. Upon learning that France had lost a battle on
French soil, the young duke felt the blood mount to his face, giving him a
horrible feeling of suffocation.

And so, early in November, 1870, Henri de Hardimont returned to Paris with
his regiment, forming part of Vinoy's corps, and his company being the
advance guard before the redoubt of Hautes Bruyères, a position fortified
in haste, and which protected the cannon of Fort Bicêtre.

It was a gloomy place; a road planted with clusters of broom, and broken
up into muddy ruts, traversing the leprous fields of the neighborhood; on
the border stood an abandoned tavern, a tavern with arbors, where the
soldiers had established their post. They had fallen back here a few days
before; the grape-shot had broken down some of the young trees, and all of
them bore upon their bark the white scars of bullet wounds. As for the
house, its appearance made one shudder; the roof had been torn by a shell,
and the walls seemed whitewashed with blood. The torn and shattered arbors
under their network of twigs, the rolling of an upset cask, the high swing
whose wet rope groaned in the damp wind, and the inscriptions over the
door, furrowed by bullets; "Cabinets de societé--Absinthe--Vermouth--Vin à
60 cent. le litre"--encircling a dead rabbit painted over two billiard
cues tied in a cross by a ribbon,--all this recalled with cruel irony the
popular entertainment of former days. And over all, a wretched winter sky,
across which rolled heavy leaden clouds, an odious sky, angry and hateful.

At the door of the tavern stood the young duke, motionless, with his gun
in his shoulder-belt, his cap over his eyes, his benumbed hands in the
pockets of his red trousers, and shivering in his sheepskin coat. He gave
himself up to his sombre thoughts, this defeated soldier, and looked with
sorrowful eyes toward a line of hills, lost in the fog, where could be
seen each moment, the flash and smoke of a Krupp gun, followed by a
report.

Suddenly he felt hungry.

Stooping, he drew from his knapsack, which stood near him leaning against
the wall, a piece of ammunition bread, and as he had lost his knife, he
bit off a morsel and slowly ate it.

But after a few mouthfuls, he had enough of it; the bread was hard and had
a bitter taste. No fresh would be given until the next morning's
distribution, so the commissary officer had willed it. This was certainly
a very hard life sometimes. The remembrance of former breakfasts came to
him, such as he had called "hygienic," when, the day after too over-heating
a supper, he would seat himself by a window on the ground floor of
the Café-Anglais, and be served with a cutlet, or buttered eggs with
asparagus tips, and the butler, knowing his tastes, would bring him a fine
bottle of old Léoville, lying in its basket, and which he would pour out
with the greatest care. The deuce take it! That was a good time, all the
same, and he would never become accustomed to this life of wretchedness.

And, in a moment of impatience, the young man threw the rest of his bread
into the mud.

At the same moment a soldier of the line came from the tavern, stooped and
picked up the bread, drew back a few steps, wiped it with his sleeve and
began to devour it eagerly.

Henri de Hardimont was already ashamed of his action, and now with a
feeling of pity, watched the poor devil who gave proof of such a good
appetite. He was a tall, large young fellow, but badly made; with feverish
eyes and a hospital beard, and so thin that his shoulder-blades stood out
beneath his well-worn cape.

"You are very hungry?" he said, approaching the soldier.

"As you see," replied the other with his mouth full.

"Excuse me then. For if I had known that you would like the bread, I would
not have thrown it away."

"It does not harm it," replied the soldier, "I am not dainty."

"No matter," said the gentleman, "it was wrong to do so, and I reproach
myself. But I do not wish you to have a bad opinion of me, and as I have
some old cognac in my can, let us drink a drop together."

The man had finished eating. The duke and he drank a mouthful of brandy;
the acquaintance was made.

"What is your name?" asked the soldier of the line.

"Hardimont," replied the duke, omitting his title. "And yours?"

"Jean-Victor--I have just entered this company--I am just out of the
ambulance--I was wounded at Châtillon--oh! but it was good in the
ambulance, and in the infirmary they gave me horse bouillon. But I had
only a scratch, and the major signed my dismissal. So much the worse for
me! Now I am going to commence to be devoured by hunger again--for,
believe me, if you will, comrade, but, such as you see me, I have been
hungry all my life."

The words were startling, especially to a Sybarite who had just been
longing for the kitchen of the Café-Anglais, and the Duc de Hardimont
looked at his companion in almost terrified amazement. The soldier smiled
sadly, showing his hungry, wolf-like teeth, as white as his sickly face,
and, as if understanding that the other expected something further in the
way of explanation or confidence:

"Come," said he, suddenly ceasing his familiar way of speaking, doubtless
divining that his companion belonged to the rich and happy; "let us walk
along the road to warm our feet, and I will tell you things, which
probably you have never heard of--I am called Jean-Victor, that is all,
for I am a foundling, and my only happy remembrance is of my earliest
childhood, at the Asylum. The sheets were white on our little beds in the
dormitory; we played in a garden under large trees, and a kind Sister took
care of us, quite young and as pale as a wax-taper--she died afterwards of
lung trouble--I was her favorite, and would rather walk by her than play
with the other children, because she used to draw me to her side and lay
her warm thin hand on my forehead. But when I was twelve years old, after
my first communion, there was nothing but poverty. The managers put me as
apprentice with a chair mender in Faubourg Saint-Jacques. That is not a
trade, you know, it is impossible to earn one's living at it, and as proof
of it, the greater part of the time the master was only able to engage the
poor little blind boys from the Blind Asylum. It was there that I began to
suffer with hunger. The master and mistress, two old Limousins--afterwards
murdered, were terrible misers, and the bread, cut in tiny pieces for each
meal, was kept under lock and key the rest of the time. You should have
seen the mistress at supper time serving the soup, sighing at each
ladleful she dished out. The other apprentices, two blind boys, were less
unhappy; they were not given more than I, but they could not see the
reproachful look the wicked woman used to give me as she handed me my
plate. And then, unfortunately, I was always so terribly hungry. Was it my
fault, do you think? I served there for three years, in a continual fit of
hunger. Three years! And one can learn the work in one month. But the
managers could not know everything, and had no suspicion that the children
were abused. Ah! you were astonished just now when you saw me take the
bread out of the mud? I am used to that for I have picked up enough of it;
and crusts from the dust, and when they were too hard and dry, I would
soak them all night in my basin. I had windfalls sometimes, such as pieces
of bread nibbled at the ends, which the children would take out of their
baskets and throw on the sidewalks as they came from school. I used to try
to prowl around there when I went on errands. At last my time was ended at
this trade by which no man can support himself. Well, I did many other
things, for I was willing enough to work. I served the masons; I have been
shop-boy, floor-polisher, I don't know what all! But, pshaw; to-day, work
is lacking, another time I lose my place: Briefly, I never have had enough
to eat. Heavens! how often have I been crazy with hunger as I have passed
the bakeries! Fortunately for me; at these times I have always remembered
the good Sister at the Asylum, who so often told me to be honest, and I
seemed to feel her warm little hand upon my forehead. At last, when I was
eighteen I enlisted; you know as well as I do, that the trooper has only
just enough. Now,--I could almost laugh--here is the siege and famine! You
see, I did not lie, when I told you, just now that I have always, always,
been hungry!"

The young duke had a kind heart and was profoundly moved by this terrible
story, told him by a man like himself, by a soldier whose uniform made him
his equal. It was even fortunate for the phlegm of this dandy, that the
night wind dried the tears which dimmed his eyes.

"Jean-Victor," said he, ceasing in his turn, by a delicate tact, to speak
familiarly to the foundling, "if we survive this dreadful war, we will
meet again, and I hope that I may be useful to you. But, in the meantime,
as there is no bakery but the commissary, and as my ration of bread is
twice too large for my delicate appetite,--it is understood, is it
not?--we will share it like good comrades."

It was strong and hearty, the hand-clasp which followed: then, harassed
and worn by their frequent watches and alarms, as night fell, they
returned to the tavern, where twelve soldiers were sleeping on the straw;
and throwing themselves down side by side, they were soon sleeping
soundly.

Toward midnight Jean-Victor awoke, being hungry probably. The wind had
scattered the clouds, and a ray of moonlight made its way into the room
through a hole in the roof, lighting up the handsome blonde head of the
young duke, who was sleeping like an Endymion.

Still touched by the kindness of his comrade, Jean-Victor was gazing at
him with admiration, when the sergeant of the platoon opened the door and
called the five men who were to relieve the sentinels of the out-posts.
The duke was of the number, but he did not waken when his name was called.

"Hardimont, stand up!" repeated the non-commissioned officer.

"If you are willing, sergeant," said Jean-Victor rising, "I will take his
duty, he is sleeping so soundly--and he is my comrade."

"As you please."

The five men left, and the snoring recommenced.

But half an hour later the noise of near and rapid firing burst upon the
night. In an instant every man was on his feet, and each with his hand on
the chamber of his gun, stepped cautiously out, looking earnestly along
the road, lying white in the moonlight.

"What time is it?" asked the duke. "I was to go on duty to-night."

"Jean-Victor went in your place."

At that moment a soldier was seen running toward them along the road.

"What is it?" they cried as he stopped, out of breath.

"The Prussians have attacked us, let us fall back to the redoubt."

"And your comrades?"

"They are coming--all but poor Jean-Victor."

"Where is he?" cried the duke.

"Shot through the head with a bullet--died without a word!--ough!"

       *       *       *       *       *

One night last winter, the Duc de Hardimont left his club about two
o'clock in the morning, with his neighbor, Count de Saulnes; the duke had
lost some hundred louis, and had a slight headache.

"If you are willing, André," he said to his companion, "we will go home on
foot--I need the air."

"Just as you please, I am willing, although the walking may he bad."

They dismissed their coupés, turned up the collars of their overcoats, and
set off toward the Madeleine. Suddenly an object rolled before the duke
which he had struck with the toe of his boot; it was a large piece of
bread spattered with mud.

Then to his amazement, Monsieur de Saulnes saw the Duc de Hardimont pick
up the piece of bread, wipe it carefully with his handkerchief embroidered
with his armorial bearings, and place it on a bench, in full view under
the gaslight.

"What did you do that for?" asked the count, laughing heartily, "are you
crazy?"

"It is in memory of a poor fellow who died for me," replied the duke in a
voice which trembled slightly, "do not laugh, my friend, it offends me."



THE ELIXIR OF LIFE

BY HONORE DE BALZAC


In a sumptuous palace of Ferrara, one winter evening, Don Juan Belvidéro
was entertaining a prince of the house of Este. In those days a banquet
was a marvelous affair, which demanded princely riches or the power of a
nobleman. Seven pleasure-loving women chatted gaily around a table lighted
by perfumed candles, surrounded by admirable works of art whose white
marble stood out against the walls of red stucco and contrasted with the
rich Turkey carpets. Clad in satin, glittering with gold and laden with
gems which sparkled only less brilliantly than their eyes, they all told
of passions, intense, but of various styles, like their beauty. They
differed neither in their words nor their ideas; but an expression, a
look, a motion or an emphasis served as a commentary, unrestrained,
licentious, melancholy or bantering, to their words.

One seemed to say: "My beauty has power to rekindle the frozen heart of
age." Another: "I love to repose on soft cushions and think with rapture
of my adorers." A third, a novice at these fêtes, was inclined to blush.
"At the bottom of my heart I feel compunction," she seemed to say. "I am a
Catholic and I fear hell; but I love you so--ah, so dearly--that I would
sacrifice eternity to you!" The fourth, emptying a cup of Chian wine,
cried: "Hurrah, for pleasure! I begin a new existence with each dawn.
Forgetful of the past, still intoxicated with the violence of yesterday's
pleasures, I embrace a new life of happiness, a life filled with love."

The woman sitting next to Belvidéro looked at him with flashing eyes. She
was silent. "I should have no need to call on a bravo to kill my lover if
he abandoned me." Then she had laughed; but a comfit dish of marvelous
workmanship was shattered between her nervous fingers.

"When are you to be grand duke?" asked the sixth of the prince, with an
expression of murderous glee on her lips and a look of Bacchanalian frenzy
in her eyes.

"And when is your father going to die?" said the seventh, laughing and
throwing her bouquet to Don Juan with maddening coquetry. She was an
innocent young girl who was accustomed to play with sacred things.

"Oh, don't speak of it!" cried the young and handsome Don Juan. "There is
only one immortal father in the world, and unfortunately he is mine!"

The seven women of Ferrara, the friends of Don Juan, and the prince
himself gave an exclamation of horror. Two hundred years later, under
Louis XV, well-bred persons would have laughed at this sally. But perhaps
at the beginning of an orgy the mind had still an unusual degree of
lucidity. Despite the heat of the candles, the intensity of the emotions,
the gold and silver vases, the fumes of wine, despite the vision of
ravishing women, perhaps there still lurked in the depths of the heart a
little of that respect for things human and divine which struggles until
the revel has drowned it in floods of sparkling wine. Nevertheless, the
flowers were already crushed, the eyes were steeped with drink, and
intoxication, to quote Rabelais, had reached even to the sandals. In the
pause that followed a door opened, and, as at the feast of Balthazar, God
manifested himself. He seemed to command recognition now in the person of
an old, white-haired servant with unsteady gait and drawn brows; he
entered with gloomy mien and his look seemed to blight the garlands, the
ruby cups, the pyramids of fruits, the brightness of the feast, the glow
of the astonished faces and the colors of the cushions dented by the white
arms of the women; then he cast a pall over this folly by saying, in a
hollow voice, the solemn words: "Sir, your father is dying!"

Don Juan rose, making a gesture to his guests, which might be translated:
"Excuse me, this does not happen every day."

Does not the death of a parent often overtake young people thus in the
fulness of life, in the wild enjoyment of an orgy? Death is as unexpected
in her caprices as a woman in her fancies, but more faithful--Death has
never duped any one.

When Don Juan had closed the door of the banquet hall and walked down the
long corridor, which was both cold and dark, he compelled himself to
assume a mask, for, in thinking of his rôle of son, he had cast off his
merriment as he threw down his napkin. The night was black. The silent
servant who conducted the young man to the death chamber, lighted the way
so insufficiently that Death, aided by the cold, the silence, the gloom,
perhaps by a reaction of intoxication, was able to force some reflections
into the soul of the spendthrift; he examined his life, and became
thoughtful, like a man involved in a lawsuit when he sets out for the
court of justice.

Bartholomeo Belvidéro, the father of Don Juan, was an old man of ninety,
who had devoted the greater part of his life to business. Having traveled
much in Oriental countries he had acquired there great wealth and learning
more precious, he said, than gold or diamonds, to which he no longer gave
more than a passing thought. "I value a tooth more than a ruby," he used
to say, smiling, "and power more than knowledge." This good father loved
to hear Don Juan relate his youthful adventures, and would say,
banteringly, as he lavished money upon him: "Only amuse yourself, my dear
child!" Never did an old man find such pleasure in watching a young man.
Paternal love robbed age of its terrors in the delight of contemplating so
brilliant a life.

At the age of sixty, Belvidéro had become enamored of an angel of peace
and beauty. Don Juan was the sole fruit of this late love. For fifteen
years the good man had mourned the loss of his dear Juana. His many
servants and his son attributed the strange habits he had contracted to
this grief. Bartholomeo lodged himself in the most uncomfortable wing of
his palace and rarely went out, and even Don Juan could not intrude into
his father's apartment without first obtaining permission. If this
voluntary recluse came or went in the palace or in the streets of Ferrara
he seemed to be searching for something which he could not find. He walked
dreamily, undecidedly, preoccupied like a man battling with an idea or
with a memory. While the young man gave magnificent entertainments and the
palace re-echoed his mirth, while the horses pawed the ground in the
courtyard and the pages quarreled at their game of dice on the stairs,
Bartholomeo ate seven ounces of bread a day and drank water. If he asked
for a little poultry it was merely that he might give the bones to a black
spaniel, his faithful companion. He never complained of the noise. During
his illness if the blast of horns or the barking of dogs interrupted his
sleep, he only said: "Ah, Don Juan has come home." Never before was so
untroublesome and indulgent a father to be found on this earth;
consequently young Belvidéro, accustomed to treat him without ceremony,
had all the faults of a spoiled child. His attitude toward Bartholomeo was
like that of a capricious woman toward an elderly lover, passing off an
impertinence with a smile, selling his good humor and submitting to be
loved. In calling up the picture of his youth, Don Juan recognized that it
would be difficult to find an instance in which his father's goodness had
failed him. He felt a newborn remorse while he traversed the corridor, and
he very nearly forgave his father for having lived so long. He reverted to
feelings of filial piety, as a thief returns to honesty in the prospect of
enjoying a well-stolen million.

Soon the young man passed into the high, chill rooms of his father's
apartment. After feeling a moist atmosphere and breathing the heavy air
and the musty odor which is given forth by old tapestries and furniture
covered with dust, he found himself in the antique room of the old man, in
front of a sick bed and near a dying fire. A lamp standing on a table of
Gothic shape shed its streams of uneven light sometimes more, sometimes
less strongly upon the bed and showed the form of the old man in
ever-varying aspects. The cold air whistled through the insecure windows,
and the snow beat with a dull sound against the panes.

This scene formed so striking a contrast to the one which Don Juan had
just left that he could not help shuddering. He felt cold when, on
approaching the bed, a sudden flare of light, caused by a gust of wind,
illumined his father's face. The features were distorted; the skin,
clinging tightly to the bones, had a greenish tint, which was made the
more horrible by the whiteness of the pillows on which the old man rested;
drawn with pain, the mouth, gaping and toothless, gave breath to sighs
which the howling of the tempest took up and drew out into a dismal wail.
In spite of these signs of dissolution an incredible expression of power
shone in the face. The eyes, hallowed by disease, retained a singular
steadiness. A superior spirit was fighting there with death. It seemed as
if Bartholomeo sought to kill with his dying look some enemy seated at the
foot of his bed. This gaze, fixed and cold, was made the more appalling by
the immobility of the head, which was like a skull standing on a doctor's
table. The body, clearly outlined by the coverlet, showed that the dying
man's limbs preserved the same rigidity. All was dead, except the eyes.
There was something mechanical in the sounds which came from the mouth.
Don Juan felt a certain shame at having come to the deathbed of his father
with a courtesan's bouquet on his breast, bringing with him the odors of a
banquet and the fumes of wine.

"You were enjoying yourself!" cried the old man, on seeing his son.

At the same moment the pure, high voice of a singer who entertained the
guests, strengthened by the chords of the viol by which she was
accompanied, rose above the roar of the storm and penetrated the chamber
of death. Don Juan would gladly have shut out this barbarous confirmation
of his father's words.

Bartholomeo said: "I do not grudge you your pleasure, my child."

These words, full of tenderness, pained Don Juan, who could not forgive
his father for such goodness.

"What, sorrow for me, father!" he cried.

"Poor Juanino," answered the dying man, "I have always been so gentle
toward you that you could not wish for my death?"

"Oh!" cried Don Juan, "if it were possible to preserve your life by giving
you a part of mine!" ("One can always say such things," thought the
spendthrift; "it is as if I offered the world to my mistress.")

The thought had scarcely passed through his mind when the old spaniel
whined. This intelligent voice made Don Juan tremble. He believed that the
dog understood him.

"I knew that I could count on you, my son," said the dying man. "There,
you shall be satisfied. I shall live, but without depriving you of a
single day of your life."

"He raves," said Don Juan to himself.

Then he said, aloud: "Yes, my dearest father, you will indeed live as long
as I do, for your image will be always in my heart."

"It is not a question of that sort of life," said the old nobleman,
gathering all his strength to raise himself to a sitting posture, for he
was stirred by one of those suspicions which are only born at the bedside
of the dying. "Listen, my son," he continued in a voice weakened by this
last effort. "I have no more desire to die than you have to give up your
lady loves, wine, horses, falcons, hounds and money----"

"I can well believe it," thought his son, kneeling beside the pillow and
kissing one of Bartholomeo's cadaverous hands. "But, father," he said
aloud, "my dear father, we must submit to the will of God!"

"God! I am also God!" growled the old man.

"Do not blaspheme!" cried the young man, seeing the menacing expression
which was overspreading his father's features. "Be careful what you say,
for you have received extreme unction and I should never be consoled if
you were to die in a state of sin."

"Are you going to listen to me?" cried the dying man, gnashing his
toothless jaws.

Don Juan held his peace. A horrible silence reigned. Through the dull wail
of the snowstorm came again the melody of the viol and the heavenly voice,
faint as the dawning day.

The dying man smiled.

"I thank you for having brought singers and music! A banquet, young and
beautiful women, with dark locks, all the pleasures of life. Let them
remain. I am about to be born again."

"The delirium is at its height," said Don Juan to himself.

"I have discovered a means of resuscitation. There, look in the drawer of
the table--you open it by pressing a hidden spring near the griffin."

"I have it, father."

"Good! Now take out a little flask of rock crystal."

"Here it is."

"I have spent twenty years in----"

At this point the old man felt his end approaching, and collected all his
energy to say:

"As soon as I have drawn my last breath rub me with this water and I shall
come to life again."

"There is very little of it," replied the young man.

Bartholomeo was no longer able to speak, but he could still hear and see.
At these words he turned his head toward Don Juan with a violent wrench.
His neck remained twisted like that of a marble statue doomed by the
sculptor's whim to look forever sideways, his staring eyes assumed a
hideous fixity. He was dead, dead in the act of losing his only, his last
illusion. In seeking a shelter in his son's heart he had found a tomb more
hollow than those which men dig for their dead. His hair, too, had risen
with horror and his tense gaze seemed still to speak. It was a father
rising in wrath from his sepulchre to demand vengeance of God.

"There, the good man is done for!" exclaimed Don Juan.

Intent upon taking the magic crystal to the light of the lamp, as a
drinker examines his bottle at the end of a repast, he had not seen his
father's eye pale. The cowering dog looked alternately at his dead master
and at the elixir, as Don Juan regarded by turns his father and the phial.
The lamp threw out fitful waves of light. The silence was profound, the
viol was mute. Belvidéro thought he saw his father move, and he trembled.
Frightened by the tense expression of the accusing eyes, he closed them,
just as he would have pushed down a window-blind on an autumn night. He
stood motionless, lost in a world of thought.

Suddenly a sharp creak, like that of a rusty spring, broke the silence.
Don Juan, in his surprise, almost dropped the flask. A perspiration,
colder than the steel of a dagger, oozed out from his pores. A cock of
painted wood came forth from a clock and crowed three times. It was one of
those ingenious inventions by which the savants of that time were awakened
at the hour fixed for their work. Already the daybreak reddened the
casement. The old timepiece was more faithful in its master's service than
Don Juan had been in his duty to Bartholomeo. This instrument was composed
of wood, pulleys, cords and wheels, while he had that mechanism peculiar
to man, called a heart.

In order to run no further risk of losing the mysterious liquid the
skeptical Don Juan replaced it in the drawer of the little Gothic table.
At this solemn moment he heard a tumult in the corridor. There were
confused voices, stifled laughter, light footsteps, the rustle of silk, in
short, the noise of a merry troop trying to collect itself in some sort of
order. The door opened and the prince, the seven women, the friends of Don
Juan and the singers, appeared, in the fantastic disorder of dancers
overtaken by the morning, when the sun disputes the paling light of the
candles. They came to offer the young heir the conventional condolences.

"Oh, oh, is poor Don Juan really taking this death seriously?" said the
prince in la Brambilla's ear.

"Well, his father was a very good man," she replied.

Nevertheless, Don Juan's nocturnal meditations had printed so striking an
expression upon his face that it commanded silence. The men stopped,
motionless. The women, whose lips had been parched with wine, threw
themselves on their knees and began to pray. Don Juan could not help
shuddering as he saw this splendor, this joy, laughter, song, beauty, life
personified, doing homage thus to Death. But in this adorable Italy
religion and revelry were on such good terms that religion was a sort of
debauch and debauch religion. The prince pressed Don Juan's hand
affectionately, then all the figures having given expression to the same
look, half-sympathy, half-indifference, the phantasmagoria disappeared,
leaving the chamber empty. It was, indeed, a faithful image of life! Going
down the stairs the prince said to la Rivabarella:

"Heigho! who would have thought Don Juan a mere boaster of impiety? He
loved his father, after all!"

"Did you notice the black dog?" asked la Brambilla.

"He is immensely rich now," sighed Bianca Cavatolini.

"What is that to me?" cried the proud Veronese, she who had broken the
comfit dish.

"What is that to you?" exclaimed the duke. "With his ducats he is as much a
prince as I am!"

At first Don Juan, swayed by a thousand thoughts, wavered toward many
different resolutions. After having ascertained the amount of the wealth
amassed by his father, he returned in the evening to the death chamber,
his soul puffed up with a horrible egoism. In the apartment he found all
the servants of the household busied in collecting the ornaments for the
bed of state on which "feu monseigneur" would lie to-morrow--a curious
spectacle which all Ferrara would come to admire. Don Juan made a sign and
the servants stopped at once, speechless and trembling.

"Leave me alone," he said in an altered voice, "and do not return until I
go out again."

When the steps of the old servant, who was the last to leave, had died
away on the stone flooring, Don Juan locked the door hastily, and, sure
that he was alone, exclaimed:

"Now, let us try!"

The body of Bartholomeo lay on a long table. To hide the revolting
spectacle of a corpse whose extreme decrepitude and thinness made it look
like a skeleton, the embalmers had drawn a sheet over the body, which
covered all but the head. This mummy-like figure was laid out in the
middle of the room, and the linen, naturally clinging, outlined the form
vaguely, but showing its stiff, bony thinness. The face already had large
purple spots, which showed the urgency of completing the embalming.
Despite the skepticism with which Don Juan was armed, he trembled as he
uncorked the magic phial of crystal. When he stood close to the head he
shook so that he was obliged to pause for a moment. But this young man had
allowed himself to be corrupted by the customs of a dissolute court. An
idea worthy of the Duke of Urbino came to him, and gave him a courage
which was spurred on by lively curiosity. It seemed as if the demon had
whispered the words which resounded in his heart: "Bathe an eye!" He took
a piece of linen and, after having moistened it sparingly with the
precious liquid, he passed it gently over the right eyelid of the corpse.
The eye opened!

"Ah!" said Don Juan, gripping the flask in his hand as we clutch in our
dreams the branch by which we are suspended over a precipice.

He saw an eye full of life, a child's eye in a death's head, the liquid
eye of youth, in which the light trembled. Protected by beautiful black
lashes, it scintillated like one of those solitary lights which travelers
see in lonely places on winter evenings. It seemed as if the glowing eye
would pierce Don Juan. It thought, accused, condemned, threatened, judged,
spoke--it cried, it snapped at him! There was the most tender
supplication, a royal anger, then the love of a young girl imploring mercy
of her executioners. Finally, the awful look that a man casts upon his
fellow-men on his way to the scaffold. So much life shone in this fragment
of life that Don Juan recoiled in terror. He walked up and down the room,
not daring to look at the eye, which stared back at him from the ceiling
and from the hangings. The room was sown with points full of fire, of
life, of intelligence. Everywhere gleamed eyes which shrieked at him.

"He might have lived a hundred years longer!" he cried involuntarily when,
led in front of his father by some diabolical influence, he contemplated
the luminous spark.

Suddenly the intelligent eye closed, and then opened again abruptly, as if
assenting. If a voice had cried, "Yes," Don Juan could not have been more
startled.

"What is to be done?" he thought

He had the courage to try to close this white eyelid, but his efforts were
in vain.

"Shall I crush it out? Perhaps that would be parricide?" he asked himself.

"Yes," said the eye, by means of an ironical wink.

"Ah!" cried Don Juan, "there is sorcery in it!"

He approached the eye to crush it. A large tear rolled down the hollow
cheek of the corpse and fell on Belvidéro's hand.

"It is scalding!" he cried, sitting down.

This struggle had exhausted him, as if, like Jacob, he had battled with an
angel.

At last he arose, saying: "So long as there is no blood--"

Then, collecting all the courage needed for the cowardly act, he crushed
out the eye, pressing it in with the linen without looking at it. A deep
moan, startling and terrible, was heard. It was the poor spaniel, who died
with a howl.

"Could he have been in the secret?" Don Juan wondered, surveying the
faithful animal.

Don Juan was considered a dutiful son. He raised a monument of white
marble over his father's tomb, and employed the most prominent artists of
the time to carve the figures. He was not altogether at ease until the
statue of his father, kneeling before Religion, imposed its enormous
weight on the grave, in which he had buried the only regret that had ever
touched his heart, and that only in moments of physical depression.

On making an inventory of the immense wealth amassed by the old
Orientalist, Don Juan became avaricious. Had he not two human lives in
which he should need money? His deep, searching gaze penetrated the
principles of social life, and he understood the world all the better
because he viewed it across a tomb. He analyzed men and things that he
might have done at once with the past, represented by history, with the
present, expressed by the law, and with the future revealed by religion.
He took soul and matter, threw them into a crucible, and found nothing
there, and from that time forth he became Don Juan.

Master of the illusions of life he threw himself--young and
beautiful--into life; despising the world, but seizing the world. His
happiness could never be of that bourgeois type which is satisfied by
boiled beef, by a welcome warming-pan in winter, a lamp at night and new
slippers at each quarter. He grasped existence as a monkey seizes a nut,
peeling off the coarse shell to enjoy the savory kernel. The poetry and
sublime transports of human passion touched no higher than his instep.
He never made the mistake of those strong men who, imagining that little
Souls believe in the great, venture to exchange noble thoughts of the
future for the small coin of our ideas of life. He might, like them, have
walked with his feet on earth and his head among the clouds, but he
preferred to sit at his ease and sear with his kisses the lips of more
than one tender, fresh and sweet woman. Like Death, wherever he passed,
he devoured all without scruple, demanding a passionate, Oriental love
and easily won pleasure. Loving only woman in women, his soul found its
natural trend in irony.

When his inamoratas mounted to the skies in an ecstasy of bliss, Don Juan
followed, serious, unreserved, sincere as a German student. But he said
"I" while his lady love, in her folly, said "we." He knew admirably how to
yield himself to a woman's influence. He was always clever enough to make
her believe that he trembled like a college youth who asks his first
partner at a ball: "Do you like dancing?" But he could also be terrible
when necessary; he could draw his sword and destroy skilled soldiers.
There was banter in his simplicity and laughter in his tears, for he could
weep as well as any woman who says to her husband: "Give me a carriage or
I shall pine to death."

For merchants the world means a bale of goods or a quantity of circulating
notes; for most young men it is a woman; for some women it is a man; for
certain natures it is society, a set of people, a position, a city; for
Don Juan the universe was himself! Noble, fascinating and a model of
grace, he fastened his bark to every bank; but he allowed himself to be
carried only where he wished to go. The more he saw the more skeptical he
became. Probing human nature he soon guessed that courage was rashness;
prudence, cowardice; generosity, shrewd calculation; justice, a crime;
delicacy, pusillanimity; honesty, policy; and by a singular fatality he
perceived that the persons who were really honest, delicate, just,
generous, prudent and courageous received no consideration at the hands of
their fellows.

"What a cheerless jest!" he cried. "It does not come from a god!"

And then, renouncing a better world, he showed no mark of respect to holy
things and regarded the marble saints in the churches merely as works of
art. He understood the mechanism of human society, and never offended too
much against the current prejudices, for the executioners had more power
than he; but he bent the social laws to his will with the grace and wit
that are so well displayed in his scene with M. Dimanche. He was, in
short, the embodiment of Molière's Don Juan, Goethe's Faust, Byron's
Manfred, and Maturin's Melmoth--grand pictures drawn by the greatest
geniuses of Europe, and to which neither the harmonies of Mozart nor the
lyric strains of Rossini are lacking. Terrible pictures in which the power
of evil existing in man is immortalized, and which are repeated from one
century to another, whether the type come to parley with mankind by
incarnating itself in Mirabeau, or be content to work in silence, like
Bonaparte; or to goad on the universe by sarcasm, like the divine
Rabelais; or again, to laugh at men instead of insulting things, like
Maréchal de Richelieu; or, still better, perhaps, if it mock both men and
things, like our most celebrated ambassador.

But the deep genius of Don Juan incorporated in advance all these. He
played with everything. His life was a mockery, which embraced men,
things, institutions, ideas. As for eternity, he had chatted for half an
hour with Pope Julius II., and at the end of the conversation he said,
laughing:

"If it were absolutely necessary to choose, I should rather believe in God
than in the devil; power combined with goodness has always more
possibilities than the spirit of evil."

"Yes; but God wants one to do penance in this world."

"Are you always thinking of your indulgences?" replied Belvidéro. "Well, I
have a whole existence in reserve to repent the faults of my first life."

"Oh, if that is your idea of old age," cried the Pope, "you are in danger
of being canonized."

"After your elevation to the papacy, one may expect anything."

And then they went to watch the workmen engaged in building the huge
basilica consecrated to St. Peter.

"St. Peter is the genius who gave us our double power," said the Pope to
Don Juan, "and he deserves this monument. But sometimes at night I fancy
that a deluge will pass a sponge over all this, and it will need to be
begun over again."

Don Juan and the Pope laughed. They understood each other. A fool would
have gone next day to amuse himself with Julius II at Raphael's house or
in the delightful Villa Madama; but Belvidéro went to see him officiate in
his pontifical capacity, in order to convince himself of his suspicions.
Under the influence of wine della Rovere would have been capable of
forgetting himself and criticising the Apocalypse.

When Don Juan reached the age of sixty he went to live in Spain. There, in
his old age, he married a young and charming Andalusian. But he was
intentionally neither a good father nor a good husband. He had observed
that we are never so tenderly loved as by the women to whom we scarcely
give a thought. Doña Elvira, piously reared by an old aunt in the heart of
Andalusia in a castle several leagues from San Lucas, was all devotion and
meekness. Don Juan saw that this young girl was a woman to make a long
fight with a passion before yielding to it, so he hoped to keep from her
any love but his until after his death. It was a serious jest, a game of
chess which he had reserved for his old age.

Warned by his father's mistakes, he determined to make the most trifling
acts of his old age contribute to the success of the drama which was to
take place at his deathbed. Therefore, the greater part of his wealth lay
buried in the cellars of his palace at Ferrara, whither he seldom went.
The rest of his fortune was invested in a life annuity, so that his wife
and children might be interested in keeping him alive. This was a species
of cleverness which his father should have practiced; but this
Machiavellian scheme was unnecessary in his case. Young Philippe
Belvidéro, his son, grew up a Spaniard as conscientiously religious as his
father was impious, on the principle of the proverb: "A miserly father, a
spendthrift son."

The Abbot of San Lucas was selected by Don Juan to direct the consciences
of the Duchess of Belvidéro and of Philippe. This ecclesiastic was a holy
man, of fine carriage, well proportioned, with beautiful black eyes and a
head like Tiberius. He was wearied with fasting, pale and worn, and
continually battling with temptation, like all recluses. The old nobleman
still hoped perhaps to be able to kill a monk before finishing his first
lease of life. But, whether the Abbot was as clever as Don Juan, or
whether Doña Elvira had more prudence or virtue than Spain usually accords
to women, Don Juan was obliged to pass his last days like a country
parson, without scandal. Sometimes he took pleasure in finding his wife
and son remiss in their religious duties, and insisted imperiously that
they should fulfil all the obligations imposed upon the faithful by the
court of Rome. He was never so happy as when listening to the gallant
Abbot of San Lucas, Doña Elvira and Philippe engaged in arguing a case of
conscience.

Nevertheless, despite the great care which the lord of Belvidéro bestowed
upon his person, the days of decrepitude arrived. With this age of pain
came cries of helplessness, cries made the more piteous by the remembrance
of his impetuous youth and his ripe maturity. This man, for whom the last
jest in the farce was to make others believe in the laws and principles at
which he scoffed, was compelled to close his eyes at night upon an
uncertainty. This model of good breeding, this duke spirited in an orgy,
this brilliant courtier, gracious toward women, whose hearts he had wrung
as a peasant bends a willow wand, this man of genius, had an obstinate
cough, a troublesome sciatica and a cruel gout. He saw his teeth leave
him, as, at the end of an evening, the fairest, best dressed women depart
one by one, leaving the ballroom deserted and empty. His bold hands
trembled, his graceful limbs tottered, and then one night apoplexy turned
its hooked and icy fingers around his throat. From this fateful day he
became morose and harsh. He accused his wife and son of being insincere in
their devotion, charging that their touching and gentle care was showered
upon him so tenderly only because his money was all invested. Elvira and
Philippe shed bitter tears, and redoubled their caresses to this malicious
old man, whose broken voice would become affectionate to say:

"My friends, my dear wife, you will forgive me, will you not? I torment
you sometimes. Ah, great God, how canst Thou make use of me thus to prove
these two angelic creatures! I, who should be their joy, am their bane!"

It was thus that he held them at his bedside, making them forget whole
months of impatience and cruelty by one hour in which he displayed to them
the new treasures of his favor and a false tenderness. It was a paternal
system which succeeded infinitely better than that which his father had
formerly employed toward him. Finally he reached such a state of illness
that manoeuvres like those of a small boat entering a dangerous canal were
necessary in order to put him to bed.

Then the day of death came. This brilliant and skeptical man, whose
intellect only was left unimpaired by the general decay, lived between a
doctor and a confessor, his two antipathies. But he was jovial with them.
Was there not a bright light burning for him behind the veil of the
future? Over this veil, leaden and impenetrable to others, transparent to
him, the delicate and bewitching delights of youth played like shadows.

It was on a beautiful summer evening that Don Juan felt the approach of
death. The Spanish sky was gloriously clear, the orange trees perfumed the
air and the stars cast a fresh glowing light. Nature seemed to give
pledges of his resurrection. A pious and obedient son regarded him with
love and respect. About eleven o'clock he signified his wish to be left
alone with this sincere being.

"Philippe," he began, in a voice so tender and affectionate that the young
man trembled and wept with happiness, for his father had never said
"Philippe" like this before. "Listen to me, my son," continued the dying
man. "I have been a great sinner, and all my life I have thought about
death. Formerly I was the friend of the great Pope Julius II. This
illustrious pontiff feared that the excessive excitability of my feelings
would cause me to commit some deadly sin at the moment of my death, after
I had received the blessed ointment. He made me a present of a flask of
holy water that gushed forth from a rock in the desert. I kept the secret
of the theft of the Church's treasure, but I am authorized to reveal the
mystery to my son 'in articulo mortis.' You will find the flask in the
drawer of the Gothic table which always stands at my bedside. The precious
crystals may be of service to you also, my dearest Philippe. Will you
swear to me by your eternal salvation that you will carry out my orders
faithfully?"

Philippe looked at his father. Don Juan was too well versed in human
expression not to know that he could die peacefully in perfect faith in
such a look, as his father had died in despair at his own expression.

"You deserve a different father," continued Don Juan. "I must acknowledge
that when the estimable Abbot of San Lucas was administering the viaticum'
I was thinking of the incompatibility of two so wide-spreading powers as
that of the devil and that of God."

"Oh, father!"

"And I said to myself that when Satan makes his peace he will be a great
idiot if he does not bargain for the pardon of his followers. This thought
haunted me. So, my child, I shall go to hell if you do not carry out my
wishes."

"Oh, tell them to me at once, father!"

"As soon as I have closed my eyes," replied Don Juan, "and that may be in
a few minutes, you must take my body, still warm, and lay it on a table in
the middle of the room. Then put out the lamp--the light of the stars will
be sufficient. You must take off my clothes, and while you recite 'Paters'
and 'Aves' and uplift your soul to God, you must moisten my eyes, my lips,
all my head first, and then my body, with this holy water. But, my dear
son, the power of God is great. You must not be astonished at anything."

At this point Don Juan, feeling the approach of death, added in a terrible
voice: "Be careful of the flask!"

Then he died gently in the arms of his son, whose tears fell upon his
ironical and sallow face.

It was nearly midnight when Don Philippe Belvidéro placed his father's
corpse on the table. After kissing the stern forehead and the gray hair he
put out the lamp. The soft rays of the moonlight which cast fantastic
reflections over the scenery allowed the pious Philippe to discern his
father's body dimly, as something white in the midst of the darkness. The
young man moistened a cloth in the liquid and then, deep in prayer, he
faithfully anointed the revered head. The silence was intense. Then he
heard indescribable rustlings, but he attributed them to the wind among
the tree-tops. When he had bathed the right arm he felt himself rudely
seized at the back of the neck by an arm, young and vigorous--the arm of
his father! He gave a piercing cry, and dropped the phial, which fell on
the floor and broke. The liquid flowed out.

The whole household rushed in, bearing torches. The cry had aroused and
frightened them as if the trumpet of the last judgment had shaken the
world. The room was crowded with people. The trembling throng saw Don
Philippe, fainting, but held up by the powerful arm of his father, which
clutched his neck. Then they saw a supernatural sight, the head of Don
Juan, young and beautiful as an Antinoüs, a head with black hair,
brilliant eyes and crimson lips, a head that moved in a blood-curdling
manner without being able to stir the skeleton to which it belonged.

An old servant cried: "A miracle!"

And all the Spaniards repeated: "A miracle!"

Too pious to admit the possibility of magic, Doña Elvira sent for the
Abbot of San Lucas. When the priest saw the miracle with his own eyes he
resolved to profit by it, like a man of sense, and like an abbot who asked
nothing better than to increase his revenues. Declaring that Don Juan must
inevitably be canonized, he appointed his monastery for the ceremony of
the apotheosis. The monastery, he said, should henceforth be called "San
Juan de Lucas." At these words the head made a facetious grimace.

The taste of the Spaniards for this sort of solemnities is so well known
that it should not be difficult to imagine the religious spectacle with
which the abbey of San Lucas celebrated the translation of "the blessed
Don Juan Belvidéro" in its church. A few days after the death of this
illustrious nobleman, the miracle of his partial resurrection had been so
thoroughly spread from village to village throughout a circle of more than
fifty leagues round San Lucas that it was as good as a play to see the
curious people on the road. They came from all sides, drawn by the
prospect of a "Te Deum" chanted by the light of burning torches. The
ancient mosque of the monastery of San Lucas, a wonderful building,
erected by the Moors, which for three hundred years had resounded with the
name of Jesus Christ instead of Allah, could not hold the crowd which was
gathered to view the ceremony. Packed together like ants, the hidalgos in
velvet mantles and armed with their good swords stood round the pillars,
unable to find room to bend their knees, which they never bent elsewhere.
Charming peasant women, whose dresses set off the beautiful lines of their
figures, gave their arms to white-haired old men. Youths with glowing eyes
found themselves beside old women decked out in gala dress. There were
couples trembling with pleasure, curious-fiancées, led thither by their
sweethearts, newly married couples and frightened children, holding one
another by the hand. All this throng was there, rich in colors, brilliant
in contrast, laden with flowers, making a soft tumult in the silence of
the night. The great doors of the church opened.

Those who, having come too late, were obliged to stay outside, saw in the
distance, through the three open doors, a scene of which the tawdry
decorations of our modern operas can give but a faint idea. Devotees and
sinners, intent upon winning the favor of a new saint, lighted thousands
of candles in his honor inside the vast church, and these scintillating
lights gave a magical aspect to the edifice. The black arcades, the
columns with their capitals, the recessed chapels glittering with gold and
silver, the galleries, the Moorish fretwork, the most delicate features of
this delicate carving, were all revealed in the dazzling brightness like
the fantastic figures which are formed in a glowing fire. It was a sea of
light, surmounted at the end of the church by the gilded choir, where the
high altar rose in glory, which rivaled the rising sun. But the
magnificence of the golden lamps, the silver candlesticks, the banners,
the tassels, the saints and the "ex voto" paled before the reliquary in
which Don Juan lay. The body of the blasphemer was resplendent with gems,
flowers, crystals, diamonds, gold, and plumes as white as the wings of a
seraphim; it replaced a picture of Christ on the altar. Around him burned
wax candles, which threw out waves of light. The good Abbot of San Lucas,
clad in his pontifical robes, with his jeweled mitre, his surplice and his
golden crozier reclined, king of the choir, in a large armchair, amid all
his clergy, who were impassive men with silver hair, and who surrounded
him like the confessing saints whom the painters group round the Lord. The
precentor and the dignitaries of the order, decorated with the glittering
insignia of their ecclesiastical vanities, came and went among the clouds
of incense like planets revolving in the firmament.

When the hour of triumph was come the chimes awoke the echoes of the
countryside, and this immense assembly raised its voice to God in the
first cry of praise which begins the "Te Deum."

Sublime exultation! There were voices pure and high, ecstatic women's
voices, blended with the deep sonorous tones of the men, thousands of
voices so powerful that they drowned the organ in spite of the bellowing
of its pipes. The shrill notes of the choir-boys and the powerful rhythm
of the basses inspired pretty thoughts of the combination of childhood and
strength in this delightful concert of human voices blended in an
outpouring of love.

"Te Deum laudamus!"

In the midst of this cathedral, black with kneeling men and women, the
chant burst forth like a light which gleams suddenly in the night, and the
silence was broken as by a peal of thunder. The voices rose with the
clouds of incense which threw diaphanous, bluish veils over the quaint
marvels of the architecture. All was richness, perfume, light and melody.

At the moment at which this symphony of love and gratitude rolled toward
the altar, Don Juan, too polite not to express his thanks and too witty
not to appreciate a jest, responded by a frightful laugh, and straightened
up in his reliquary. But, the devil having given him a hint of the danger
he ran of being taken for an ordinary man, for a saint, a Boniface or a
Pantaléon, he interrupted this harmony of love by a shriek in which the
thousand voices of hell joined. Earth lauded, heaven condemned. The church
trembled on its ancient foundations.

"Te Deum laudamus!" sang the crowd.

"Go to the devil, brute beasts that you are! 'Carajos demonios!' Beasts!
what idiots you are with your God!"

And a torrent of curses rolled forth like a stream of burning lava at an
eruption of Vesuvius.

"'Deus sabaoth! sabaoth'!" cried the Christians.

Then the living arm was thrust out of the reliquary and waved
threateningly over the assembly with a gesture full of despair and irony.

"The saint is blessing us!" said the credulous old women, the children and
the young maids.

It is thus that we are often deceived in our adorations. The superior man
mocks those who compliment him, and compliments those whom he mocks in the
depths of his heart.

When the Abbot, bowing low before the altar, chanted: "'Sancte Johannes,
ora pro nobis'!" he heard distinctly: "'O coglione'!"

"What is happening up there?" cried the superior, seeing the reliquary
move.

"The saint is playing devil!" replied the Abbot.

At this the living head tore itself violently away from the dead body and
fell upon the yellow pate of the priest.

"Remember, Doña Elvira!" cried the head, fastening its teeth in the head
of the Abbot.

The latter gave a terrible shriek, which threw the crowd into a panic. The
priests rushed to the assistance of their chief.

"Imbecile! Now say that there is a God!" cried the voice, just as the
Abbot expired.



THE AGE FOR LOVE

BY PAUL BOURGET


When I submitted the plan of my Inquiry Upon the Age for Love to the
editor-in-chief of the Boulevard, the highest type of French literary
paper, he seemed astonished that an idea so journalistic--that was his
word--should have been evolved from the brain of his most recent
acquisition. I had been with him two weeks and it was my first
contribution. "Give me some details, my dear Labarthe," he said, in a
somewhat less insolent manner than was his wont. After listening to me for
a few moments he continued: "That is good. You will go and interview
certain men and women, first upon the age at which one loves the most,
next upon the age when one is most loved? Is that your idea? And now to
whom will you go first?"

"I have prepared a list," I replied, and took from my pocket a sheet of
paper. I had jotted down the names of a number of celebrities whom I
proposed to interview on this all-important question, and I began to read
over my list. It contained two ex-government officials, a general, a
Dominican father, four actresses, two café-concert singers, four actors,
two financiers, two lawyers, a surgeon and a lot of literary celebrities.
At some of the names my chief would nod his approval, at others he would
say curtly, with an affectation of American manners, "Bad; strike it off,"
until I came to the name I had kept for the last, that of Pierre Fauchery,
the famous novelist.

"Strike that off," he said, shrugging his shoulders. "He is not on good
terms with us."

"And yet," I suggested, "is there any one whose opinion would be of
greater interest to reading men as well as to women? I had even thought of
beginning with him."

"The devil you had!" interrupted the editor-in-chief. "It is one of
Fauchery's principles not to see any reporters. I have sent him ten if I
have one, and he has shown them all the door. The Boulevard does not
relish such treatment, so we have given him some pretty hard hits."

"Nevertheless, I will have an interview with Fauchery for the Boulevard,"
was my reply. "I am sure of it."

"If you succeed," he replied, "I'll raise your salary. That man makes me
tired with his scorn of newspaper notoriety. He must take his share of it,
like the rest. But you will not succeed. What makes you think you can?"

"Permit me to tell you my reason later. In forty-eight hours you will see
whether I have succeeded or not."

"Go and do not spare the fellow."

Decidedly. I had made some progress as a journalist, even in my two weeks'
apprenticeship, if I could permit Pascal to speak in this way of the man I
most admired among living writers. Since that not far-distant time when,
tired of being poor, I had made up my mind to cast my lot with the
multitude in Paris, I had tried to lay aside my old self, as lizards do
their skins, and I had almost succeeded. In a former time, a former time
that was but yesterday, I knew--for in a drawer full of poems, dramas and
half-finished tales I had proof of it--that there had once existed a
certain Jules Labarthe who had come to Paris with the hope of becoming a
great man. That person believed in Literature with a capital "L;" in the
Ideal, another capital; in Glory, a third capital. He was now dead and
buried. Would he some day, his position assured, begin to write once more
from pure love of his art? Possibly, but for the moment I knew only the
energetic, practical Labarthe, who had joined the procession with the idea
of getting into the front rank, and of obtaining as soon as possible an
income of thirty thousand francs a year. What would it matter to this
second individual if that vile Pascal should boast of having stolen a
march on the most delicate, the most powerful of the heirs of Balzac,
since I, the new Labarthe, was capable of looking forward to an operation
which required about as much delicacy as some of the performances of my
editor-in-chief? I had, as a matter of fact, a sure means of obtaining the
interview. It was this: When I was young and simple I had sent some verses
and stories to Pierre Fauchery, the same verses and stories the refusal of
which by four editors had finally made me decide to enter the field of
journalism. The great writer was traveling at this time, but he had
replied to me. I had responded by a letter to which he again replied, this
time with an invitation to call upon him. I went I did not find him. I
went again. I did not find him that time. Then a sort of timidity
prevented my returning to the charge. So I had never met him. He knew me
only as the young Elia of my two epistles. This is what I counted upon to
extort from him the favor of an interview which he certainly would refuse
to a mere newspaper man. My plan was simple; to present myself at his
house, to be received, to conceal my real occupation, to sketch vaguely a
subject for a novel in which there should occur a discussion upon the Age
for Love, to make him talk and then when he should discover his
conversation in print--here I began to feel some remorse. But I stifled it
with the terrible phrase, "the struggle for life," and also by the
recollection of numerous examples culled from the firm with which I now
had the honor of being connected.

The morning after I had had this very literary conversation with my
honorable director, I rang at the door of the small house in the Rue
Desbordes-Valmore where Pierre Fauchery lived, in a retired corner of
Passy. Having taken up my pen to tell a plain unvarnished tale I do not
see how I can conceal the wretched feeling of pleasure which, as I rang
the bell, warmed my heart at the thought of the good joke I was about to
play on the owner of this peaceful abode.

Even after making up one's mind to the sacrifices I had decided upon,
there is always left a trace of envy for those who have triumphed in the
melancholy struggle for literary supremacy. It was a real disappointment
to me when the servant replied, ill-humoredly, that M. Fauchery was not in
Paris. I asked when he would return. The servant did not know. I asked for
his address. The servant did not know that. Poor lion, who thought he had
secured anonymity for his holiday! A half-hour later I had discovered that
he was staying for the present at the Château de Proby, near Nemours. I
had merely had to make inquiries of his publisher. Two hours later I
bought my ticket at the Gare de Lyon for the little town chosen by Balzac
as the scene for his delicious story of Ursule Mirouet. I took a traveling
bag and was prepared to spend the night there. In case I failed to see the
master that afternoon I had decided to make sure of him the next morning.
Exactly seven hours after the servant, faithful to his trust, had declared
that he did not know where his master was staying, I was standing in the
hall of the château waiting for my card to be sent up. I had taken care to
write on it a reminder of our conversation of the year before, and this
time, after a ten-minute wait in the hall, during which I noticed with
singular curiosity and _malice_ two very elegant and very pretty young
women going out for a walk, I was admitted to his presence. "Aha," I said
to myself, "this then is the secret of his exile; the interview promises
well!"

The novelist received me in a cosy little room, with a window opening onto
the park, already beginning to turn yellow with the advancing autumn. A
wood fire burned in the fireplace and lighted up the walls which were hung
with flowered cretonne and on which could be distinguished several colored
English prints representing cross-country rides and the jumping of hedges.
Here was the worldly environment with which Fauchery is so often
reproached. But the books and papers that littered the table bore witness
that the present occupant of this charming retreat remained a substantial
man of letters. His habit of constant work was still further attested by
his face, which I admit, gave me all at once a feeling of remorse for the
trick I was about to play him. If I had found him the snobbish pretender
whom the weekly newspapers were in the habit of ridiculing, it would have
been a delight to outwit his diplomacy. But no! I saw, as he put down his
pen to receive me, a man about fifty-seven years old, with a face that
bore the marks of reflection, eyes tired from sleeplessness, a brow heavy
with thought, who said as he pointed to an easy chair, "You will excuse
me, my dear confrère, for keeping you waiting." I, his dear confrère! Ah!
if he had known! "You see," and he pointed to the page still wet with ink,
"that man cannot be free from the slavery of furnishing copy. One has less
facility at my age than at yours. Now, let us speak of yourself. How do
you happen to be at Nemours? What have you been doing since the story and
the verses you were kind enough to send me?"

It is vain to try to sacrifice once for all one's youthful ideals. When a
man has loved literature as I loved it at twenty, he cannot be satisfied
at twenty-six to give up his early passion, even at the bidding of
implacable necessity. So Pierre Fauchery remembered my poor verses! He had
actually read my story! His allusion proved it. Could I tell him at such a
moment that since the creation of those first works I had despaired of
myself, and that I had changed my gun to the other shoulder? The image of
the Boulevard office rose suddenly before me. I heard the voice of the
editor-in-chief saying, "Interview Fauchery? You will never accomplish
that;" so, faithful to my self-imposed rôle, I replied, "I have retired to
Nemours to work upon a novel called The Age for Love, and it is on this
subject that I wished to consult you, my dear master."

It seemed to me--it may possibly have been an illusion--that at the
announcement of the so-called title of my so-called novel, a smile and a
shadow flitted over Fauchery's eyes and mouth. A vision of the two young
women I had met in the hall came back to me. Was the author of so many
great masterpieces of analysis about to live a new book before writing it?
I had no time to answer this question, for, with a glance at an onyx vase
containing some cigarettes of Turkish tobacco, he offered me one, lighted
one himself and began first to question, then to reply to me. I listened
while he thought aloud and had almost forgotten my Machiavellian
combination, so keen was my relish of the joyous intimacy of this
communion with a mind I had passionately loved in his works. He was the
first of the great writers of our day whom I had thus approached on
something like terms of intimacy. As we talked I observed the strange
similarity between his spoken and his written words. I admired the
charming simplicity with which he abandoned himself to the pleasures of
imagination, his superabundant intelligence, the liveliness of his
impressions and his total absence of arrogance and of pose.

"There is no such thing as an age for love," he said in substance,
"because the man capable of loving--in the complex and modern sense of
love as a sort of ideal exaltation--never ceases to love. I will go
further; he never ceases to love the same person. You know the experiment
that a contemporary physiologist tried with a series of portraits to
determine in what the indefinable resemblances called family likeness
consisted? He took photographs of twenty persons of the same blood, then
he photographed these photographs on the same plate, one over the other.
In this way he discovered the common features which determined the type.
Well, I am convinced that if we could try a similar experiment and
photograph one upon another the pictures of the different women whom the
same man has loved or thought he had loved in the course of his life we
should discover that all these women resembled one another. The most
inconsistent have cherished one and the same being through five or six or
even twenty different embodiments. The main point is to find out at what
age they have met the woman who approaches nearest to the one whose image
they have constantly borne within themselves. For them that would be the
age for love.

"The age for being loved?" he continued. "The deepest of all the passions
I have ever known a man to inspire was in the case of one of my masters, a
poet, and he was sixty years old at the time. It is true that he still
held himself as erect as a young man, he came and went with a step as
light as yours, he conversed like Rivarol, he composed verses as beautiful
as De Vigny's. He was besides very poor, very lonely and very unhappy,
having lost one after another, his wife and his children. You remember the
words of Shakespeare's Moor: 'She loved me for the dangers I had passed,
and I loved her that she did pity them.'

"So it was that this great artist inspired in a beautiful, noble and
wealthy young Russian woman, a devotion so passionate that because of him
she never married. She found a way to take care of him, day and night, in
spite of his family, during his last illness, and at the present time,
having bought from his heirs all of the poet's personal belongings, she
keeps the apartment where he lived just as it was at the time of his
death. That was years ago. In her case she found in a man three times her
own age the person who corresponded to a certain ideal which she carried
in her heart. Look at Goethe, at Lamartine and at many others! To depict
feelings on this high plane, you must give up the process of minute and
insignificant observation which is the bane of the artists of to-day. In
order that a sixty-year-old lover should appear neither ridiculous nor
odious you must apply to him what the elder Corneille so proudly said of
himself in his lines to the marquise:

  "'Cependant, j'ai quelques charmes
  Qui sont assez eclatants
  Pour n'avoir pas trop d'alarmes
  De ces ravages du temps.'

"Have the courage to analyze great emotions to create characters who shall
be lofty and true. The whole art of the analytical novel lies there."

As he spoke the master had such a light of intellectual certainty in his
eyes that to me he seemed the embodiment of one of those great characters
he had been urging me to describe. It made me feel that the theory of this
man, himself almost a sexagenarian, that at any age one may inspire love,
was not unreasonable! The contrast between the world of ideas in which he
moved and the atmosphere of the literary shop in which for the last few
months I had been stifling was too strong. The dreams of my youth were
realized in this man whose gifts remained unimpaired after the production
of thirty volumes and whose face, growing old, was a living illustration
of the beautiful saying: "Since we must wear out, let us wear out nobly."
His slender figure bespoke the austerity of long hours of work; his firm
mouth showed his decision of character; his brow, with its deep furrows,
had the paleness of the paper over which he so often bent; and yet, the
refinement of his hands, so well cared for, the sober elegance of his
dress and an aristocratic air that was natural to him showed that the
finer professional virtues had been cultivated in the midst of a life of
frivolous temptations. These temptations had been no more of a disturbance
to his ethical and spiritual nature than the academic honors, the
financial successes, the numerous editions that had been his. Withal he
was an awfully good fellow, for, after having talked at great length with
me, he ended by saying, "Since you are staying in Nemours I hope to see
you often, and to-day I cannot let you go without presenting you to my
hostess."

What could I say? This was the way in which a mere reporter on the
Boulevard found himself installed at a five-o'clock tea-table in the salon
of a château, where surely no newspaper man had ever before set foot and
was presented as a young poet and novelist of the future to the old
Marquise de Proby, whose guest the master was. This amiable white-haired
dowager questioned me upon my alleged work and I replied equivocally, with
blushes, which the good lady must have attributed to bashful timidity.
Then, as though some evil genius had conspired to multiply the witnesses
of my bad conduct, the two young women whom I had seen going out, returned
in the midst of my unlooked-for visit. Ah, my interview with this student
of femininity upon the Age for Love was about to have a living commentary!
How it would illumine his words to hear him conversing with these new
arrivals! One was a young girl of possibly twenty--a Russian if I rightly
understood the name. She was rather tall, with a long face lighted up by
two very gentle black eyes, singular in their fire and intensity. She bore
a striking resemblance to the portrait attributed to Froncia in the Salon
Carré of the Louvre which goes by the name of the "Man in Black," because
the color of his clothes and his mantle. About her mouth and nostrils was
that same subdued nervousness, that same restrained feverishness which
gives to the portrait its striking qualities. I had not been there a
quarter of an hour before I had guessed from the way she watched and
listened to Fauchery what a passionate interest the old master inspired in
her. When he spoke she paid rapt attention. When she spoke to him, I felt
her voice shiver, if I may use the word, and he, he glorious writer,
surfeited with triumphs, exhausted by his labors, seemed, as soon as he
felt the radiance of her glance of ingenuous idolatry, to recover that
vivacity, that elasticity of impression, which is the sovereign grace of
youthful lovers.

"I understand now why he cited Goethe and the young girl of Marienbad,"
said I to myself with a laugh, as my hired carriage sped on toward
Nemours. "He was thinking of himself. He is in love with that child, and
she is in love with him. We shall hear of his marrying her. There's a
wedding that will call forth copy, and when Pascal hears that I witnessed
the courtship--but just now I must think of my interview. Won't Fauchery
be surprised to read it day after to-morrow in his paper? But does he read
the papers? It may not be right but what harm will it do him? Besides,
it's a part of the struggle for life." It was by such reasoning, I
remember, the reasoning of a man determined to arrive that I tried to lull
to sleep the inward voice that cried, "You have no right to put on paper,
to give to the public what this noble writer said to you, supposing that
he was receiving a poet, not a reporter." But I heard also the voice of my
chief saying, "You will never succeed." And this second voice, I am
ashamed to confess, triumphed over the other with all the more ease
because I was obliged to do something to kill time. I reached Nemours too
late for the train which would have brought me back to Paris about dinner
time. At the old inn they gave me a room which was clean and quiet, a good
place to write, so I spent the evening until bedtime composing the first
of the articles which were to form my inquiry. I scribbled away under the
vivid impressions of the afternoon, my powers as well as my nerves spurred
by a touch of remorse. Yes, I scribbled four pages which would have been
no disgrace to the Journal des Goncourts, that exquisite manual of the
perfect reporter. It was all there, my journey, my arrival at the chateau,
a sketch of the quaint eighteenth century building, with its fringe of
trees and its well-kept walks, the master's room, the master himself and
his conversation; the tea at the end and the smile of the old novelist in
the midst of a circle of admirers, old and young. It lacked only a few
closing lines. "I will add these in the morning," I thought, and went to
bed with a feeling of duty performed, such is the nature of a writer.
Under the form of an interview I had done, and I knew it, the best work of
my life.

What happens while we sleep? Is there, unknown to us, a secret and
irresistible ferment of ideas while our senses are closed to the
impressions of the outside world? Certain it is that on awakening I am apt
to find myself in a state of mind very different from that in which I went
to sleep. I had not been awake ten minutes before the image of Pierre
Fauchery came up before me, and at the same time the thought that I had
taken a base advantage of the kindness of his reception of me became quite
unbearable. I felt a passionate longing to see him again, to ask his
pardon for my deception. I wished to tell him who I was, with what purpose
I had gone to him and that I regretted it. But there was no need of a
confession. It would be enough to destroy the pages I had written the
night before. With this idea I arose. Before tearing them up, I reread
them. And then--any writer will understand me--and then they seemed to me
so brilliant that I did not tear them up. Fauchery is so intelligent, so
generous, was the thought that crossed my mind. What is there in this
interview, after all, to offend him? Nothing, absolutely nothing. Even if
I should go to him again this very morning, tell him my story and that
upon the success of my little inquiry my whole future as a journalist
might depend? When he found that I had had five years of poverty and hard
work without accomplishing anything, and that I had had to go onto a paper
in order to earn the very bread I ate, he would pardon me, he would pity
me and he would say, "Publish your interview." Yes, but what if he should
forbid my publishing it? But no, he would not do that.

I passed the morning in considering my latest plan. A certain shyness made
it very painful to me. But it might at the same time conciliate my
delicate scruples, my "amour-propre" as an ambitious chronicler, and the
interests of my pocket-book. I knew that Pascal had the name of being very
generous with an interview article if it pleased him. And besides, had he
not promised me a reward if I succeeded with Fauchery? In short, I had
decided to try my experiment, when, after a hasty breakfast, I saw, on
stepping into the carriage I had had the night before, a victoria with
coat-of-arms drive rapidly past and was stunned at recognizing Fauchery
himself, apparently lost in a gloomy revery that was in singular contrast
to his high spirits of the night before. A small trunk on the coachman's
seat was a sufficient indication that he was going to the station. The
train for Paris left in twelve minutes, time enough for me to pack my
things pell-mell into my valise and hurriedly to pay my bill. The same
carriage which was to have taken me to the Château de Proby carried me to
the station at full speed, and when the train left I was seated in an
empty compartment opposite the famous writer, who was saying to me, "You,
too, deserting Nemours? Like me, you work best in Paris."

The conversation begun in this way, might easily have led to the
confession I had resolved to make. But in the presence of my unexpected
companion I was seized with an unconquerable shyness, moreover he inspired
me with a curiosity which was quite equal to my shyness. Any number of
circumstances, from a telegram from a sick relative to the most
commonplace matter of business, might have explained his sudden departure
from the château where I had left him so comfortably installed the night
before. But that the expression of his face should have changed as it had,
that in eighteen hours he should have become the careworn, discouraged
being he now seemed, when I had left him so pleased with life, so happy,
so assiduous in his attentions to that pretty girl. Mademoiselle de
Russaie, who loved him and whom he seemed to love, was a mystery which
took complete possession of me, this time without any underlying
professional motive. He was to give me the key before we reached Paris. At
any rate I shall always believe that part of his conversation was in an
indirect way a confidence. He was still unstrung by the unexpected
incident which had caused both his hasty departure and the sudden
metamorphosis in what he himself, if he had been writing, would have
called his "intimate heaven." The story he told me was "per sfogarsi," as
Bayle loved to say; his idea was that I would not discover the real hero.
I shall always believe that it was his own story under another name, and I
love to believe it because it was so exactly his way of looking at things.
It was apropos of the supposed subject of my novel--oh, irony!--apropos of
the real subject of my interview that he began.

"I have been thinking about our conversation and about your book, and I am
afraid that I expressed myself badly yesterday. When I said that one may
love and be loved at any age I ought to have added that sometimes this
love comes too late. It comes when one no longer has the right to prove to
the loved one how much she is loved, except by love's sacrifice. I should
like to share with you a human document, as they say to-day, which is in
itself a drama with a dénouement. But I must ask you not to use it, for
the secret is not my own." With the assurance of my discretion he went on:
"I had a friend, a companion of my own age, who, when he was twenty, had
loved a young girl. He was poor, she was rich. Her family separated them.
The girl married some one else and almost immediately afterward she died.
My friend lived. Some day you will know for yourself that it is almost as
true to say that one recovers from all things as that there is nothing
which does not leave its scar. I had been the confidant of his serious
passion, and I became the confidant of the various affairs that followed
that first ineffaceable disappointment. He felt, he inspired, other loves.
He tasted other joys. He endured other sorrows, and yet when we were alone
and when we touched upon those confidences that come from the heart's
depths, the girl who was the ideal of his twentieth year reappeared in his
words. How many times he has said to me, 'In others I have always looked
for her and as I have never found her, I have never truly loved any one
but her.'"

"And had she loved him?" I interrupted.

"He did not think so," replied Fauchery. "At least she had never told him
so. Well, you must now imagine my friend at my age or almost there. You
must picture him growing gray, tired of life and convinced that he had at
last discovered the secret of peace. At this time he met, while visiting
some relatives in a country house, a mere girl of twenty, who was the
image, the haunting image of her whom he had hoped to marry thirty years
before. It was one of those strange resemblances which extend from the
color of the eyes to the 'timbre' of the voice, from the smile to the
thought, from the gestures to the finest feelings of the heart. I could
not, in a few disjointed phrases describe to you the strange emotions of
my friend. It would take pages and pages to make you understand the
tenderness, both present and at the same time retrospective, for the dead
through the living; the hypnotic condition of the soul which does not know
where dreams and memories end and present feeling begins; the daily
commingling of the most unreal thing in the world, the phantom of a lost
love, with the freshest, the most actual, the most irresistibly naïve and
spontaneous thing in it, a young girl. She comes, she goes, she laughs,
she sings, you go about with her in the intimacy of country life, and at
her side walks one long dead. After two weeks of almost careless abandon
to the dangerous delights of this inward agitation imagine my friend
entering by chance one morning one of the less frequented rooms of the
house, a gallery, where, among other pictures, hung a portrait of himself,
painted when he was twenty-five. He approaches the portrait abstractedly.
There had been a fire in the room, so that a slight moisture dimmed the
glass which protected the pastel, and on this glass, because of this
moisture, he sees distinctly the trace of two lips which had been placed
upon the eyes of the portrait, two small delicate lips, the sight of which
makes his heart beat. He leaves the gallery, questions a servant, who
tells him that no one but the young woman he has in mind has been in the
room that morning."

"What then?" I asked, as he paused.

"My friend returned to the gallery, looked once more at the adorable
imprint of the most innocent, the most passionate of caresses. A mirror
hung near by, where he could compare his present with his former face, the
man he was with the man he had been. He never told me and I never asked
what his feelings were at that moment. Did he feel that he was too
culpable to have inspired a passion in a young girl whom he would have
been a fool, almost a criminal, to marry? Did he comprehend that through
his age which was so apparent, it was his youth which this child loved?
Did he remember, with a keenness that was all too sad, that other, who had
never given him a kiss like that at a time when he might have returned it?
I only know that he left the same day, determined never again to see one
whom he could no longer love as he had loved the other, with the hope, the
purity, the soul of a man of twenty."

A few hours after this conversation, I found myself once more in the
office of the Boulevard, seated in Pascal's den, and he was saying,
"Already? Have you accomplished your interview with Pierre Fauchery?"

"He would not even receive me," I replied, boldly.

"What did I tell you?" he sneered, shrugging his big shoulders. "We'll get
even with him on his next volume. But you know, Labarthe, as long as you
continue to have that innocent look about you, you can't expect to succeed
in newspaper work."

I bore with the ill-humor of my chief. What would he have said if he had
known that I had in my pocket an interview and in my head an anecdote
which were material for a most successful story? And he has never had
either the interview or the story. Since then I have made my way in the
line where he said I should fail. I have lost my innocent look and I earn
my thirty thousand francs a year, and more. I have never had the same
pleasure in the printing of the most profitable, the most brilliant
article that I had in consigning to oblivion the sheets relating my visit
to Nemours. I often think that I have not served the cause of letters as I
wanted to, since, with all my laborious work I have never written a book.
And yet when I recall the irresistible impulse of respect which prevented
me from committing toward a dearly loved master a most profitable but
infamous indiscretion, I say to myself, "If you have not served the cause
of letters, you have not betrayed it." And this is the reason, now that
Fauchery is no longer of this world, that it seems to me that the time has
come for me to relate my first interview. There is none of which I am more
proud.



MATEO FALCONE

BY PROSPER MERIMEE


On leaving Porto-Vecchio from the northwest and directing his steps
towards the interior of the island, the traveller will notice that the
land rises rapidly, and after three hours' walking over tortuous paths
obstructed by great masses of rock and sometimes cut by ravines, he will
find himself on the border of a great mâquis. The mâquis is the domain of
the Corsican shepherds and of those who are at variance with justice. It
must be known that, in order to save himself the trouble of manuring his
field, the Corsican husbandman sets fire to a piece of woodland. If the
flame spread farther than is necessary, so much the worse! In any case he
is certain of a good crop from the land fertilized by the ashes of the
trees which grow upon it. He gathers only the heads of his grain, leaving
the straw, which it would be unnecessary labor to cut. In the following
spring the roots that have remained in the earth without being destroyed
send up their tufts of sprouts, which in a few years reach a height of
seven or eight feet. It is this kind of tangled thicket that is called a
mâquis. They are made up of different kinds of trees and shrubs, so
crowded and mingled together at the caprice of nature that only with an
axe in hand can a man open a passage through them, and mâquis are
frequently seen so thick and bushy that the wild sheep themselves cannot
penetrate them.

If you have killed a man, go into the mâquis of Porto-Vecchio. With a good
gun and plenty of powder and balls, you can live there in safety. Do not
forget a brown cloak furnished with a hood, which will serve you for both
cover and mattress. The shepherds will give you chestnuts, milk and
cheese, and you will have nothing to fear from justice nor the relatives
of the dead except when it is necessary for you to descend to the city to
replenish your ammunition.

When I was in Corsica in 18--, Mateo Falcone had his house half a league
from this mâquis. He was rich enough for that country, living in noble
style--that is to say, doing nothing--on the income from his flocks, which
the shepherds, who are a kind of nomads, lead to pasture here and there on
the mountains. When I saw him, two years after the event that I am about
to relate, he appeared to me to be about fifty years old or more. Picture
to yourself a man, small but robust, with curly hair, black as jet, an
aquiline nose, thin lips, large, restless eyes, and a complexion the color
of tanned leather. His skill as a marksman was considered extraordinary
even in his country, where good shots are so common. For example, Mateo
would never fire at a sheep with buckshot; but at a hundred and twenty
paces, he would drop it with a ball in the head or shoulder, as he chose.
He used his arms as easily at night as during the day. I was told this
feat of his skill, which will, perhaps, seem impossible to those who have
not travelled in Corsica. A lighted candle was placed at eighty paces,
behind a paper transparency about the size of a plate. He would take aim,
then the candle would be extinguished, and, at the end of a moment, in the
most complete darkness, he would fire and hit the paper three times out of
four.

With such a transcendent accomplishment, Mateo Falcone had acquired a
great reputation. He was said to be as good a friend as he was a dangerous
enemy; accommodating and charitable, he lived at peace with all the world
in the district of Porto-Vecchio. But it is said of him that in Corte,
where he had married his wife, he had disembarrassed himself very
vigorously of a rival who was considered as redoubtable in war as in love;
at least, a certain gun-shot which surprised this rival as he was shaving
before a little mirror hung in his window was attributed to Mateo. The
affair was smoothed over and Mateo was married. His wife Giuseppa had
given him at first three daughters (which infuriated him), and finally a
son, whom he named Fortunato, and who became the hope of his family, the
inheritor of the name. The daughters were well married: their father could
count at need on the poignards and carbines of his sons-in-law. The son
was only ten years old, but he already gave promise of fine attributes.

On a certain day in autumn, Mateo set out at an early hour with his wife
to visit one of his flocks in a clearing of the mâquis. The little
Fortunato wanted to go with them, but the clearing was too far away;
moreover, it was necessary some one should stay to watch the house;
therefore the father refused: it will be seen whether or not he had reason
to repent.

He had been gone some hours, and the little Fortunato was tranquilly
stretched out in the sun, looking at the blue mountains, and thinking that
the next Sunday he was going to dine in the city with his uncle, the
Caporal [Note: Civic Official], when he was suddenly interrupted in his
meditations by the firing of a musket. He got up and turned to that side of
the plain whence the noise came. Other shots followed, fired at irregular
intervals, and each time nearer; at last, in the path which led from the
plain to Mateo's house, appeared a man wearing the pointed hat of the
mountaineers, bearded, covered with rags, and dragging himself along with
difficulty by the support of his gun. He had just received a wound in his
thigh.

This man was an outlaw, who, having gone to the town by night to buy
powder, had fallen on the way into an ambuscade of Corsican
light-infantry. After a vigorous defense he was fortunate in making
his retreat, closely followed and firing from rock to rock. But he
was only a little in advance of the soldiers, and his wound prevented
him from gaining the mâquis before being overtaken.

He approached Fortunato and said: "You are the son of Mateo
Falcone?"--"Yes."

"I am Gianetto Saupiero. I am followed by the yellow-collars [Note:
Slang for Gendarmes.]. Hide me, for I can go no farther."

"And what will my father say if I hide you without his permission?"

"He will say that you have done well."

"How do you know?"

"Hide me quickly; they are coming."

"Wait till my father gets back."

"How can I wait? Malediction! They will be here in five minutes. Come,
hide me, or I will kill you."

Fortunato answered him with the utmost coolness:

"Your gun is empty, and there are no more cartridges in your belt."

"I have my stiletto."

"But can you run as fast as I can?"

He gave a leap and put himself out of reach.

"You are not the son of Mateo Falcone! Will you then let me be captured
before your house?"

The child appeared moved.

"What will you give me if I hide you?" said he, coming nearer.

The outlaw felt in a leather pocket that hung from his belt, and took out
a five-franc piece, which he had doubtless saved to buy ammunition with.
Fortunato smiled at the sight of the silver piece; he snatched it, and
said to Gianetto:

"Fear nothing."

Immediately he made a great hole in a pile of hay that was near the house.
Gianetto crouched down in it and the child covered him in such a way that
he could breathe without it being possible to suspect that the hay
concealed a man. He bethought himself further, and, with the subtlety of a
tolerably ingenious savage, placed a cat and her kittens on the pile, that
it might not appear to have been recently disturbed. Then, noticing the
traces of blood on the path near the house, he covered them carefully with
dust, and, that done, he again stretched himself out in the sun with the
greatest tranquillity.

A few moments afterwards, six men in brown uniforms with yellow collars,
and commanded by an Adjutant, were before Mateo's door. This Adjutant was
a distant relative of Falcone's. (In Corsica the degrees of relationship
are followed much further than elsewhere.) His name was Tiodoro Gamba; he
was an active man, much dreaded by the outlaws, several of whom he had
already entrapped.

"Good day, little cousin," said he, approaching Fortunato; "how tall you
have grown. Have you seen a man go past here just now?"

"Oh! I am not yet so tall as you, my cousin," replied the child with a
simple air.

"You soon will be. But haven't you seen a man go by here, tell me?"

"If I have seen a man go by?"

"Yes, a man with a pointed hat of black velvet, and a vest embroidered
with red and yellow."

"A man with a pointed hat, and a vest embroidered with red and yellow?"

"Yes, answer quickly, and don't repeat my questions?"

"This morning the curé passed before our door on his horse, Piero. He
asked me how papa was, and I answered him--"

"Ah, you little scoundrel, you are playing sly! Tell me quickly which way
Gianetto went? We are looking for him, and I am sure he took this path."

"Who knows?"

"Who knows? It is I know that you have seen him."

"Can any one see who passes when they are asleep?"

"You were not asleep, rascal; the shooting woke you up."

"Then you believe, cousin, that your guns make so much noise? My father's
carbine has the advantage of them."

"The devil take you, you cursed little scapegrace! I am certain that you
have seen Gianetto. Perhaps, even, you have hidden him. Come, comrades, go
into the house and see if our man is there. He could only go on one foot,
and the knave has too much good sense to try to reach the mâquis limping
like that. Moreover, the bloody tracks stop here."

"And what will papa say?" asked Fortunato with a sneer; "what will he say
if he knows that his house has been entered while he was away?"

"You rascal!" said the Adjutant, taking him by the ear, "do you know that
it only remains for me to make you change your tone? Perhaps you will
speak differently after I have given you twenty blows with the flat of my
sword."

Fortunato continued to sneer.

"My father is Mateo Falcone," said he with emphasis.

"You little scamp, you know very well that I can carry you off to Corte or
to Bastia. I will make you lie in a dungeon, on straw, with your feet in
shackles, and I will have you guillotined if you don't tell me where
Gianetto is."

The child burst out laughing at this ridiculous menace. He repeated:

"My father is Mateo Falcone."

"Adjutant," said one of the soldiers in a low voice, "let us have no
quarrels with Mateo."

Gamba appeared evidently embarrassed. He spoke in an undertone with the
soldiers who had already visited the house. This was not a very long
operation, for the cabin of a Corsican consists only of a single square
room, furnished with a table, some benches, chests, housekeeping utensils
and those of the chase. In the meantime, little Fortunato petted his cat
and seemed to take a wicked enjoyment in the confusion of the soldiers and
of his cousin.

One of the men approached the pile of hay. He saw the cat, and gave the
pile a careless thrust with his bayonet, shrugging his shoulders as if he
felt that his precaution was ridiculous. Nothing moved; the boy's face
betrayed not the slightest emotion.

The Adjutant and his troop were cursing their luck. Already they were
looking in the direction of the plain, as if disposed to return by the way
they had come, when their chief, convinced that menaces would produce no
impression on Falcone's son, determined to make a last effort, and try the
effect of caresses and presents.

"My little cousin," said he, "you are a very wide-awake little fellow. You
will get along. But you are playing a naughty game with me; and if I
wasn't afraid of making trouble for my cousin, Mateo, the devil take me!
but I would carry you off with me."

"Bah!"

"But when my cousin comes back I shall tell him about this, and he will
whip you till the blood comes for having told such lies."

"You don't say so!"

"You will see. But hold on!--be a good boy and I will give you something."

"Cousin, let me give you some advice: if you wait much longer Gianetto
will be in the mâquis and it will take a smarter man than you to follow
him."

The Adjutant took from his pocket a silver watch worth about ten crowns,
and noticing that Fortunato's eyes sparkled at the sight of it, said,
holding the watch by the end; of its steel chain:

"Rascal! you would like to have such a watch as that hung around your
neck, wouldn't you, and to walk in the streets of Porto-Vecchio proud as a
peacock? People would ask you what time it was, and you would say: 'Look
at my watch.'"

"When I am grown up, my uncle, the Caporal, will give me a watch."

"Yes; but your uncle's little boy has one already; not so fine as this
either. But then, he is younger than you."

The child sighed.

"Well! Would you like this watch, little cousin?"

Fortunato, casting sidelong glances at the watch, resembled a cat that has
been given a whole chicken. It feels that it is being made sport of, and
does not dare to use its claws; from time to time it turns its eyes away
so as not to be tempted, licking its jaws all the while, and has the
appearance of saying to its master, "How cruel your joke is!"

However, the Adjutant seemed in earnest in offering his watch. Fortunato
did not reach out his hand for it, but said with a bitter smile:

"Why do you make fun of me?"

"Good God! I am not making fun of you. Only tell me where Gianetto is and
the watch is yours."

Fortunato smiled incredulously, and fixing his black eyes on those of the
Adjutant tried to read there the faith he ought to have had in his words.

"May I lose my epaulettes," cried the Adjutant, "if I do not give you the
watch on this condition. These comrades are witnesses; I can not deny it."

While speaking he gradually held the watch nearer till it almost touched
the child's pale face, which plainly showed the struggle that was going on
in his soul between covetousness and respect for hospitality. His breast
swelled with emotion; he seemed about to suffocate. Meanwhile the watch
was slowly swaying and turning, sometimes brushing against his cheek.
Finally, his right hand was gradually stretched toward it; the ends of his
fingers touched it; then its whole weight was in his hand, the Adjutant
still keeping hold of the chain. The face was light blue; the cases newly
burnished. In the sunlight it seemed to be all on fire. The temptation was
too great. Fortunato raised his left hand and pointed over his shoulder
with his thumb at the hay against which he was reclining. The Adjutant
understood him at once. He dropped the end of the chain and Fortunato felt
himself the sole possessor of the watch. He sprang up with the agility of
a deer and stood ten feet from the pile, which the soldiers began at once
to overturn.

There was a movement in the hay, and a bloody man with a poignard in his
hand appeared. He tried to rise to his feet, but his stiffened leg would
not permit it and he fell. The Adjutant at once grappled with him and took
away his stiletto. He was immediately secured, notwithstanding his
resistance.

Gianetto, lying on the earth and bound like a fagot, turned his head
towards Fortunato, who had approached.

"Son of--!" said he, with more contempt than anger.

The child threw him the silver piece which he had received, feeling that
he no longer deserved it; but the outlaw paid no attention to the
movement, and with great coolness said to the Adjutant:

"My dear Gamba, I cannot walk; you will be obliged to carry me to the
city."

"Just now you could run faster than a buck," answered the cruel captor;
"but be at rest. I am so pleased to have you that I would carry you a
league on my back without fatigue. Besides, comrade, we are going to make
a litter for you with your cloak and some branches, and at the Crespoli
farm we shall find horses."

"Good," said the prisoner, "You will also put a little straw on your
litter that I may be more comfortable."

While some of the soldiers were occupied in making a kind of stretcher out
of some chestnut boughs and the rest were dressing Gianetto's wound, Mateo
Falcone and his wife suddenly appeared at a turn in the path that led to
the mâquis. The woman was staggering under the weight of an enormous sack
of chestnuts, while her husband was sauntering along, carrying one gun in
his hands, while another was slung across his shoulders, for it is
unworthy of a man to carry other burdens than his arms.

At the sight of the soldiers Mateo's first thought was that they had come
to arrest him. But why this thought? Had he then some quarrels with
justice? No. He enjoyed a good reputation. He was said to have a
particularly good name, but he was a Corsican and a highlander, and there
are few Corsican highlanders who, in scrutinizing their memory, can not
find some peccadillo, such as a gun-shot, dagger-thrust, or similar
trifles. Mateo more than others had a clear conscience; for more than ten
years he had not pointed his carbine at a man, but he was always prudent,
and put himself into a position to make a good defense if necessary.
"Wife," said he to Giuseppa, "put down the sack and hold yourself ready."

She obeyed at once. He gave her the gun that was slung across his
shoulders, which would have bothered him, and, cocking the one he held in
his hands, advanced slowly towards the house, walking among the trees that
bordered the road, ready at the least hostile demonstration, to hide
behind the largest, whence he could fire from under cover. His wife
followed closely behind, holding his reserve weapon and his cartridge-box.
The duty of a good housekeeper, in case of a fight, is to load her
husband's carbines.

On the other side the Adjutant was greatly troubled to see Mateo advance
in this manner, with cautious steps, his carbine raised, and his finger on
the trigger.

"If by chance," thought he, "Mateo should be related to Gianetto, or if he
should be his friend and wish to defend him, the contents of his two guns
would arrive amongst us as certainly as a letter in the post; and if he
should see me, notwithstanding the relationship!"

In this perplexity he took a bold step. It was to advance alone towards
Mateo and tell him of the affair while accosting him as an old
acquaintance, but the short space that separated him from Mateo seemed
terribly long.

"Hello! old comrade," cried he. "How do you do, my good fellow? It is I,
Gamba, your cousin."

Without answering a word, Mateo stopped, and in proportion as the other
spoke, slowly raised the muzzle of his gun so that it was pointing upward
when the Adjutant joined him.

"Good-day, brother," said the Adjutant, holding out his hand. "It is a
long time since I have seen you."

"Good-day, brother."

"I stopped while passing, to say good-day to you and to cousin Pepa here.
We have had a long journey to-day, but have no reason to complain, for we
have captured a famous prize. We have just seized Gianetto Saupiero."

"God be praised!" cried Giuseppa. "He stole a milch goat from us last
week."

These words reassured Gamba.

"Poor devil!" said Mateo, "he was hungry."

"The villain fought like a lion," continued the Adjutant, a little
mortified. "He killed one of my soldiers, and not content with that, broke
Caporal Chardon's arm; but that matters little, he is only a Frenchman.
Then, too, he was so well hidden that the devil couldn't have found him.
Without my little cousin, Fortunato, I should never have discovered him."

"Fortunato!" cried Mateo.

"Fortunato!" repeated Giuseppa.

"Yes, Gianetto was hidden under the hay-pile yonder, but my little cousin
showed me the trick. I shall tell his uncle, the Caporal, that he may send
him a fine present for his trouble. Both his name and yours will be in the
report that I shall send to the Attorney-general."

"Malediction!" said Mateo in a low voice.

They had rejoined the detachment. Gianetto was already lying on the litter
ready to set out. When he saw Mateo and Gamba in company he smiled a
strange smile, then, turning his head towards the door of the house, he
spat on the sill, saying:

"House of a traitor."

Only a man determined to die would dare pronounce the word traitor to
Falcone. A good blow with the stiletto, which there would be no need of
repeating, would have immediately paid the insult. However, Mateo made no
other movement than to place his hand on his forehead like a man who is
dazed.

Fortunato had gone into the house when his father arrived, but now he
reappeared with a bowl of milk which he handed with downcast eyes to
Gianetto.

"Get away from me!" cried the outlaw, in a loud voice. Then, turning to
one of the soldiers, he said:

"Comrade, give me a drink."

The soldier placed his gourd in his hands, and the prisoner drank the
water handed to him by a man with whom he had just exchanged bullets. He
then asked them to tie his hands across his breast instead of behind his
back.

"I like," said he, "to lie at my ease."

They hastened to satisfy him; then the Adjutant gave the signal to start,
said adieu to Mateo, who did not respond, and descended with rapid steps
towards the plain.

Nearly ten minutes elapsed before Mateo spoke. The child looked with
restless eyes, now at his mother, now at his father, who was leaning on
his gun and gazing at him with an expression of concentrated rage.

"You begin well," said Mateo at last with a calm voice, but frightful to
one who knew the man.

"Oh, father!" cried the boy, bursting into tears, and making a forward
movement as if to throw himself on his knees. But Mateo cried, "Away from
me!"

The little fellow stopped and sobbed, immovable, a few feet from his
father.

Giuseppa drew near. She had just discovered the watch-chain, the end of
which was hanging out of Fortunato's jacket.

"Who gave you that watch?" demanded she in a severe tone.

"My cousin, the Adjutant."

Falcone seized the watch and smashed it in a thousand pieces against a
rock.

"Wife," said he, "is this my child?"

Giuseppa's cheeks turned a brick-red.

"What are you saying, Mateo? Do you know to whom you speak?"

"Very well, this child is the first of his race to commit treason."

Fortunato's sobs and gasps redoubled as Falcone kept his lynx-eyes upon
him. Then he struck the earth with his gun-stock, shouldered the weapon,
and turned in the direction of the mâquis, calling to Fortunato to follow.
The boy obeyed. Giuseppa hastened after Mateo and seized his arm.

"He is your son," said she with a trembling voice, fastening her black
eyes on those of her husband to read what was going on in his heart.

"Leave me alone," said Mateo, "I am his father."

Giuseppa embraced her son, and bursting into tears entered the house. She
threw herself on her knees before an image of the Virgin and prayed
ardently. In the meanwhile Falcone walked some two hundred paces along the
path and only stopped when he reached a little ravine which he descended.
He tried the earth with the butt-end of his carbine, and found it soft and
easy to dig. The place seemed to be convenient for his design.

"Fortunato, go close to that big rock there."

The child did as he was commanded, then he kneeled.

"Say your prayers."

"Oh, father, father, do not kill me!"

"Say your prayers!" repeated Mateo in a terrible voice.

The boy, stammering and sobbing, recited the Pater and the Credo. At the
end of each prayer the father loudly answered, "Amen!"

"Are those all the prayers you know?"

"Oh! father, I know the Ave Maria and the litany that my aunt taught me."

"It is very long, but no matter."

The child finished the litany in a scarcely audible tone.

"Are you finished?"

"Oh! my father, have mercy! Pardon me! I will never do so again. I will
beg my cousin, the Caporal, to pardon Gianetto."

He was still speaking. Mateo raised his gun, and, taking aim, said:

"May God pardon you!"

The boy made a desperate effort to rise and grasp his father's knees, but
there was not time. Mateo fired and Fortunato fell dead.

Without casting a glance on the body, Mateo returned to the house for a
spade with which to bury his son. He had gone but a few steps when he met
Giuseppa, who, alarmed by the shot, was hastening hither.

"What have you done?" cried she.

"Justice."

"Where is he?"

"In the ravine. I am going to bury him. He died a Christian. I shall have
a mass said for him. Have my son-in-law, Tiodoro Bianchi, sent for to come
and live with us."



THE MIRROR

BY CATULLE MENDES


There was once a kingdom where mirrors were unknown. They had all been
broken and reduced to fragments by order of the queen, and if the tiniest
bit of looking-glass had been found in any house, she would not have
hesitated to put all the inmates to death with the most frightful
tortures.

Now for the secret of this extraordinary caprice. The queen was dreadfully
ugly, and she did not wish to be exposed to the risk of meeting her own
image; and, knowing herself to be hideous, it was a consolation to know
that other women at least could not see that they were pretty.

You may imagine that the young girls of the country were not at all
satisfied. What was the use of being beautiful if you could not admire
yourself?

They might have used the brooks and lakes for mirrors; but the queen had
foreseen that, and had hidden all of them under closely joined flagstones.
Water was drawn from wells so deep that it was impossible to see the
liquid surface, and shallow basins must be used instead of buckets,
because in the latter there might be reflections.

Such a dismal state of affairs, especially for the pretty coquettes, who
were no more rare in this country than in others.

The queen had no compassion, being well content that her subjects should
suffer as much annoyance from the lack of a mirror as she felt at the
sight of one.

However, in a suburb of the city there lived a young girl called Jacinta,
who was a little better off than the rest, thanks to her sweetheart,
Valentin. For if someone thinks you are beautiful, and loses no chance to
tell you so, he is almost as good as a mirror.

"Tell me the truth," she would say; "what is the color of my eyes?"

"They are like dewy forget-me-nots."

"And my skin is not quite black?"

"You know that your forehead is whiter than freshly fallen snow, and your
cheeks are like blush roses."

"How about my lips?"

"Cherries are pale beside them."

"And my teeth, if you please?"

"Grains of rice are not as white."

"But my ears, should I be ashamed of them?"

"Yes, if you would be ashamed of two little pink shells among your pretty
curls."

And so on endlessly; she delighted, he still more charmed, for his words
came from the depth of his heart and she had the pleasure of hearing
herself praised, he the delight of seeing her. So their love grew more
deep and tender every hour, and the day that he asked her to marry him she
blushed certainly, but it was not with anger. But, unluckily, the news of
their happiness reached the wicked queen, whose only pleasure was to
torment others, and Jacinta more than anyone else, on account of her
beauty.

A little while before the marriage Jacinta was walking in the orchard one
evening, when an old crone approached, asking for alms, but suddenly
jumped back with a shriek as if she had stepped on a toad, crying:
"Heavens, what do I see?"

"What is the matter, my good woman? What is it you see? Tell me."

"The ugliest creature I ever beheld."

"Then you are not looking at me," said Jacinta, with innocent vanity.

"Alas! yes, my poor child, it is you. I have been a long time on this
earth, but never have I met anyone so hideous as you!"

"What! am I ugly?"

"A hundred times uglier than I can tell you."

"But my eyes--"

"They are a sort of dirty gray; but that would be nothing if you had not
such an outrageous squint!"

"My complexion--"

"It looks as if you had rubbed coal-dust on your forehead and cheeks."

"My mouth--"

"It is pale and withered, like a faded flower."

"My teeth--"

"If the beauty of teeth is to be large and yellow, I never saw any so
beautiful as yours."

"But, at least, my ears--"

"They are so big, so red, and so misshapen, under your coarse elf-locks,
that they are revolting. I am not pretty myself, but I should die of shame
if mine were like them." After this last blow, the old witch, having
repeated what the queen had taught her, hobbled off, with a harsh croak of
laughter, leaving poor Jacinta dissolved in tears, prone on the ground
beneath the apple-trees.

       *       *       *       *       *

Nothing could divert her mind from her grief. "I am ugly--I am ugly," she
repeated constantly. It was in vain that Valentin assured and reassured
her with the most solemn oaths. "Let me alone; you are lying out of pity.
I understand it all now; you never loved me; you are only sorry for me.
The beggar woman had no interest in deceiving me. It is only too true--I
am ugly. I do not see how you can endure the sight of me."

To undeceive her, he brought people from far and near; every man declared
that Jacinta was created to delight the eyes; even the women said as much,
though they were less enthusiastic. But the poor child persisted in her
conviction that she was a repulsive object, and when Valentin pressed her
to name their wedding-day--"I, your wife!" cried she. "Never! I love you
too dearly to burden you with a being so hideous as I am." You can fancy
the despair of the poor fellow so sincerely in love. He threw himself on
his knees; he prayed; he supplicated; she answered still that she was too
ugly to marry him.

What was he to do? The only way to give the lie to the old woman and prove
the truth to Jacinta was to put a mirror before her. But there was no such
thing in the kingdom, and so great was the terror inspired by the queen
that no workman dared make one.

"Well, I shall go to Court," said the lover, in despair. "Harsh as our
mistress is, she cannot fail to be moved by the tears and the beauty of
Jacinta. She will retract, for a few hours at least, this cruel edict
which has caused our trouble."

It was not without difficulty that he persuaded the young girl to let him
take her to the palace. She did not like to show herself, and asked of
what use would be a mirror, only to impress her more deeply with her
misfortune; but when he wept, her heart was moved, and she consented, to
please him.

       *       *       *       *       *

"What is all this?" said the wicked queen. "Who are these people? and what
do they want?"

"Your Majesty, you have before you the most unfortunate lover on the face
of the earth."

"Do you consider that a good reason for coming here to annoy me?"

"Have pity on me."

"What have I to do with your love affairs?"

"If you would permit a mirror----"

The queen rose to her feet, trembling with rage. "Who dares to speak to me
of a mirror?" she said, grinding her teeth.

"Do not be angry, your Majesty, I beg of you, and deign to hear me. This
young girl whom you see before you, so fresh and pretty, is the victim of
a strange delusion. She imagines that she is ugly."

"Well," said the queen, with a malicious grin, "she is right. I never saw
a more hideous object."

Jacinta, at these cruel words, thought she would die of mortification.
Doubt was no longer possible, she must be ugly. Her eyes closed, she fell
on the steps of the throne in a deadly swoon.

But Valentin was affected very differently. He cried out loudly that her
Majesty must be mad to tell such a lie. He had no time to say more. The
guards seized him, and at a sign from the queen the headsman came forward.
He was always beside the throne, for she might need his services at any
moment.

"Do your duty," said the queen, pointing out the man who had insulted her.
The executioner raised his gleaming axe just as Jacinta came to herself
and opened her eyes. Then two shrieks pierced the air. One was a cry of
joy, for in the glittering steel Jacinta saw herself, so charmingly
pretty--and the other a scream of anguish, as the wicked soul of the queen
took flight, unable to bear the sight of her face in the impromptu mirror.



MY NEPHEW JOSEPH

BY LUDOVIC HALEVY


(_Scene passes at Versailles; two old gentlemen are conversing, seated on
a bench in the King's garden._)

Journalism, my dear Monsieur, is the evil of the times. I tell you what,
if I had a son, I would hesitate a long while before giving him a literary
education. I would have him learn chemistry, mathematics, fencing,
cosmography, swimming, drawing, but not composition--no, not composition.
Then, at least, he would be prevented from becoming a journalist. It is so
easy, so tempting. They take pen and paper and write, it doesn't matter
what, apropos to it doesn't matter what, and you have a newspaper article.
In order to become a watchmaker, a lawyer, an upholsterer, in short, all
the liberal arts, study, application, and a special kind of knowledge are
necessary; but nothing like that is required for a journalist."

"You are perfectly right, my dear Monsieur, the profession of journalism
should be restricted by examinations, the issuing of warrants, the
granting of licenses--"

"And they could pay well for their licenses, these gentlemen. Do you know
that journalism is become very profitable? There are some young men in it
who, all at once, without a fixed salary, and no capital whatever, make
from ten, twenty to thirty thousand francs a year."

"Now, that is strange! But how do they become journalists?"

"Ah! It appears they generally commence by being reporters. Reporters slip
in everywhere, in official gatherings, and theatres, never missing a first
night, nor a fire, nor a great ball, nor a murder."

"How well acquainted you are with all this!"

"Yes, very well acquainted. Ah! Mon Dieu! You are my friend, you will keep
my secret, and if you will not repeat this in Versailles--I will tell you
how it is--we have one in the family."

"One what?"

"A reporter."

"A reporter in your family, which always seemed so united! How can that
be?"

"One can almost say that the devil was at the bottom of it. You know my
nephew Joseph--"

"Little Joseph! Is he a reporter?"

"Yes."

"Little Joseph, I can see him in the park now, rolling a hoop,
bare-legged, with a broad white collar, not more than six or seven
years ago--and now he writes for newspapers!"

"Yes, newspapers! You know my brother keeps a pharmacy in the Rue
Montorgueil, an old and reliable firm, and naturally my brother said to
himself, 'After me, my son.' Joseph worked hard at chemistry, followed the
course of study, and had already passed an examination. The boy was steady
and industrious, and had a taste for the business. On Sundays for
recreation he made tinctures, prepared prescriptions, pasted the labels
and rolled pills. When, as misfortune would have it, a murder was
committed about twenty feet from my brother's pharmacy--"

"The murder of the Rue Montorgueil--that clerk who killed his sweetheart,
a little brewery maid?"

"The very same. Joseph was attracted by the cries, saw the murderer
arrested, and after the police were gone stayed there in the street,
talking and jabbering. The Saturday before, Joseph had a game of billiards
with the murderer."

"With the murderer!"

"Oh! accidentally--he knew him by sight, went to the same café, that's
all, and they had played at pool together, Joseph and the murderer--a man
named Nicot. Joseph told this to the crowd, and you may well imagine how
important that made him, when suddenly a little blond man seized him. 'You
know the murderer?' 'A little, not much; I played pool with him.' 'And do
you know the motive of the crime?' 'It was love, Monsieur, love; Nicot had
met a girl, named Eugénie--' 'You knew the victim, too?' 'Only by sight,
she was there in the café the night we played.' 'Very well; but don't tell
that to anybody; come, come, quick.' He took possession of Joseph and made
him get into a cab, which went rolling off at great speed down the
Boulevard des Italiens. Ten minutes after, Joseph found himself in a hall
where there was a big table, around which five or six young men were
writing. 'Here is a fine sensation,' said the little blond on entering.
'The best kind of a murder! a murder for love, in the Rue Montorgueil, and
I have here the murderer's most intimate friend.' 'No, not at all,' cried
Joseph, 'I scarcely know him.' 'Be still,' whispered the little blond to
Joseph; then he continued, 'Yes, his most intimate friend. They were
brought up together, and a quarter of an hour before the crime was
committed were playing billiards. The murderer won, he was perfectly
calm----' 'That's not it, it was last Saturday that I played with----' 'Be
still, will you! A quarter of an hour, it is more to the point. Let's go.
Come, come.' He took Joseph into a small room where they were alone, and
said to him: 'That affair ought to make about a hundred lines--you
talk--I'll write--there will be twenty francs for you.' 'Twenty francs!'
'Yes, and here they are in advance; but be quick, to business!' Joseph told
all he knew to the gentleman--how an old and retired Colonel, who lived in
the house where the murder was committed, was the first to hear the
victim's cries; but he was paralyzed in both limbs, this old Colonel, and
could only ring for the servant, an old cuirassier, who arrested the
assassin. In short, with all the information concerning the game of
billiards, Eugénie and the paralytic old Colonel, the man composed his
little article, and sent Joseph away with twenty francs. Do you think it
ended there?"

"I don't think anything--I am amazed! Little Joseph a reporter!"

"Hardly had Joseph stepped outside, when another man seized him--a tall,
dark fellow. 'I've been watching for you,' he said to Joseph. 'You were
present when the murder was committed in the Rue Montorgueil!' 'Why, no, I
was not present----' 'That will do. I am well informed, come.' 'Where to?'
'To my newspaper office.' 'What for?' 'To tell me about the murder.' 'But
I've already told all I know, there, in that house.' 'Come, you will still
remember a few more little incidents--and I will give you twenty francs.'
'Twenty francs!' 'Come, come.' Another hall, another table, more young men
writing, and again Joseph was interrogated. He recommenced the history of
the old Colonel. 'Is that what you told them down there?' inquired the
tall, dark man of Joseph. 'Yes, Monsieur.' 'That needs some revision,
then.' And the tall, dark man made up a long story. How this old Colonel
had been paralyzed for fourteen years, but on hearing the victim's
heartrending screams, received such a shock that all at once, as if by a
miracle, had recovered the use of his legs; and it was he who had started
out in pursuit of the murderer and had him arrested.

"While dashing this off with one stroke of his pen, the man exclaimed:
'Good! this is perfect! a hundred times better than the other account.'
'Yes,' said Joseph, 'but it is not true.' 'Not true for you, because you
are acquainted with the affair; but for our hundred thousand readers, who
do not know about it, it will be true enough. They were not there, those
hundred thousand readers. What do they want? A striking account--well!
they shall have it!' And thereupon he discharged Joseph, who went home
with his forty francs, and who naturally did not boast of his escapade. It
is only of late that he has acknowledged it. However, from that day Joseph
has shown less interest in the pharmacy. He bought a number of penny
papers, and shut himself up in his room to write--no one knows what. At
last he wore a business-like aspect, which was very funny. About six
months ago I went to Paris to collect the dividends on my Northern stock."

"The Northern is doing very well; it went up this week----"

"Oh! it's good stock. Well, I had collected my dividends and had left the
Northern Railway Station. It was beautiful weather, so I walked slowly
down the Rue Lafayette. (I have a habit of strolling a little in Paris
after I have collected my dividends.) When at the corner of the Faubourg
Montmartre, whom should I see but my nephew, Joseph, all alone in a
victoria, playing the fine gentleman. I saw very well that he turned his
head away, the vagabond! But I overtook the carriage and stopped the
driver. 'What are you doing there?' 'A little drive, uncle.' 'Wait, I will
go with you,' and in I climbed. 'Hurry up,' said the driver, 'or I'll lose
the trail.' 'What trail?' 'Why, the two cabs we are following.' The man
drove at a furious rate, and I asked Joseph why he was there in that
victoria, following two cabs. 'Mon Dieu, uncle,' he replied, 'there was a
foreigner, a Spaniard, who came to our place in the Rue Montorgueil and
bought a large amount of drugs, and has not paid us, so I am going after
him to find out if he has not given us a wrong address.' 'And that
Spaniard is in both the cabs?' 'No, uncle, he is only in one, the first.'
'And who is in the second?' 'I don't know, probably another creditor, like
myself, in pursuit of the Spaniard.' 'Well, I am going to stay with you; I
have two hours to myself before the train leaves at five o'clock and I
adore this sort of thing, riding around Paris in an open carriage. Let's
follow the Spaniard!' And then the chase commenced, down the boulevards,
across the squares, through the streets, the three drivers cracking their
whips and urging their horses on. This man-hunt began to get exciting. It
recalled to my mind the romances in the Petit Journal. Finally, in a
little street, belonging to the Temple Quarter, the first cab stopped."

"The Spaniard?"

"Yes. A man got out of it--he had a large hat drawn down over his eyes and
a big muffler wrapped about his neck. Presently three gentlemen, who had
jumped from the second cab, rushed upon that man. I wanted to do the same,
but Joseph tried to prevent me. 'Don't stir, uncle!' 'Why not? But they
are going to deprive us of the Spaniard!' And I dashed forward. 'Take
care, uncle, don't be mixed up in that affair.' But I was already gone.
When I arrived they were putting the handcuffs on the Spaniard. I broke
through the crowd which had collected, and cried, 'Wait, Messieurs, wait;
I also demand a settlement with this man.' They made way for me. 'You know
this man?' asked one of the gentlemen from the second cab, a short, stout
fellow. 'Perfectly; he is a Spaniard.' 'I a Spaniard!' 'Yes, a Spaniard.'
'Good,' said the short, stout man, 'Here's the witness!' and, addressing
himself to one of the men, 'Take Monsieur to the Prefecture immediately.'
'But I have not the time; I live in Versailles; my wife expects me by the
five o'clock train, and we have company to dinner, and I must take home a
pie. I will come back to-morrow at any hour you wish.' 'No remarks,' said
the short, stout man, 'but be off; I am the Police Commissioner.' 'But,
Monsieur the Commissioner, I know nothing about it; it is my nephew Joseph
who will tell you,' and I called 'Joseph! Joseph!' but no Joseph came."

"He had decamped?"

"With the victoria. They packed me in one of the two cabs with the
detective, a charming man and very distinguished. Arriving at the
Prefecture, they deposited me in a small apartment filled with vagabonds,
criminals, and low, ignorant people. An hour after they came for me in
order to bring me up for examination."

"You were brought up for examination?"

"Yes, my dear Monsieur, I was. A policeman conducted me through the Palais
de Justice, before the magistrate, a lean man, who asked me my name and
address. I replied that I lived in Versailles, and that I had company to
dinner; he interrupted me, 'You know the prisoner?' pointing to the man
with the muffler, 'Speak up.' But he questioned me so threateningly that I
became disconcerted, for I felt that he was passing judgment upon me. Then
in my embarrassment the words did not come quickly. I finished, moreover,
by telling him that I knew the man without knowing him; then he became
furious: 'What's that you say? You know a man without knowing him! At
least explain yourself!' I was all of a tremble, and said that I knew he
was a Spaniard, but the man replied that he was not a Spaniard. 'Well,
well,' said the Judge. 'Denial, always denial; it is your way.' 'I tell
you that my name is Rigaud, and that I was born in Josey, in Josas; they
are not Spaniards that are born in Josey, in Josas.' 'Always
contradiction; very good, very good!' And the Judge addressed himself to
me. 'Then this man is a Spaniard?' 'Yes, Monsieur the Judge, so I have
been told.' 'Do you know anything more about him?' 'I know he made
purchases at my brother's pharmacy in the Rue Montorgueil.' 'At a
pharmacy! and he bought, did he not, some chlorate of potash, azotite of
potash, and sulphur powder; in a word, materials to manufacture
explosives.' 'I don't know what he bought. I only know that he did not
pay, that's all.' 'Parbleau! Anarchists never pay--' 'I did not need to
pay. I never bought chlorate of potash in the Rue Montorgueil,' cried the
man; but the Judge exclaimed, louder still, 'Yes, it is your audacious
habit of lying, but I will sift this matter to the bottom; sift it, do you
understand. And now why is that muffler on in the month of May?' 'I have a
cold,' replied the other. 'Haven't I the right to have a cold?' 'That is
very suspicious, very suspicious. I am going to send for the druggist in
the Rue Montorgueil!'"

"Then they sent for your brother?"

"Yes; I wanted to leave, tried to explain to the Judge that my wife was
expecting me in Versailles, that I had already missed the five o'clock
train, that I had company to dinner, and must bring home a pie. 'You shall
not go,' replied the Judge, 'and cease to annoy me with your dinner and
your pie; I will need you for a second examination. The affair is of the
gravest sort.' I tried to resist, but they led me away somewhat roughly,
and thrust me again into the little apartment with the criminals. After
waiting an hour I was brought up for another examination. My brother was
there. But we could not exchange two words, for he entered the courtroom
by one door and I by another. All this was arranged perfectly. The man
with the muffler was again brought out. The Judge addressed my brother.
'Do you recognize the prisoner?' 'No.' 'Ah! you see he does not know me!'
'Be silent!' said the Judge, and he continued talking excitedly: 'You know
the man?' 'Certainly not.' 'Think well; you ought to know him.' 'I tell
you, no.' 'I tell you, yes, and that he bought some chlorate of potash
from you.' 'No!' 'Ah!' cried the Judge, in a passion. 'Take care, weigh
well your words; you are treading on dangerous ground.' 'I!' exclaimed my
brother. 'Yes, for there is your brother; you recognize him, I think.'
'Yes, I recognize him.' 'That is fortunate. Well, your brother there says
that man owes you money for having bought at your establishment--I
specify--materials to manufacture explosives.' 'But you did not say that.'
'No, I wish to re-establish the facts.' But that Judge would give no one a
chance to speak. 'Don't interrupt me. Who is conducting this examination,
you or I?' 'You, Monsieur the Judge?' 'Well, at all events, you said the
prisoner owed your brother some money.' 'That I acknowledge.' 'But who
told you all this?' asked my brother. 'Your son, Joseph!' 'Joseph!' 'He
followed the man for the sake of the money, which he owed you for the
drugs.' 'I understand nothing of all this,' said my brother; 'Neither do
I,' said the man with the muffler; 'Neither do I,' I repeated in my turn;
'Neither do I any more,' cried the Judge; 'Or rather, yes, there is
something that I understand very well; we have captured a gang, all these
men understand one another, and side with one another; they are a band of
Anarchists!' 'That is putting it too strong,' I protested to the Judge,
'I, a landowner, an Anarchist! Can a man be an Anarchist when he owns a
house on the Boulevard de la Reine at Versailles and a cottage at
Houlgate, Calvados? These are facts.'"

"That was well answered."

"But this Judge would not listen to anything. He said to my brother,
'Where does your son live?' 'With me in the Rue Montorgueil.' 'Well, he
must be sent for; and in the meanwhile, these two brothers are to be
placed in separate cells.' Then, losing patience, I cried that this was
infamy! But I felt myself seized and dragged through the corridors and
locked in a little box four feet square. In there I passed three hours."

"Didn't they find your nephew Joseph?"

"No, it was not that. It was the Judge. He went off to his dinner, and
took his time about it! Finally, at midnight, they had another
examination. Behold all four of us before the Judge! The man with the
muffler, myself, my brother and Joseph. The Judge began, addressing my
nephew: 'This man is indeed your father?' 'Yes.' 'This man is indeed your
uncle?' 'Yes.' 'And that man is indeed the Spaniard who purchased some
chlorate of potash from you?' 'No.' 'What! No?' 'There,' exclaimed the
fellow with the muffler. 'You can see now that these men do not know me.'
'Yes, yes,' answered the Judge, not at all disconcerted. 'Denial again!
Let's see, young man, did you not say to your uncle----' 'Yes, Monsieur
the Judge, that is true.' 'Ah! the truth! Here is the truth!' exclaimed
the Judge, triumphantly. 'Yes, I told my uncle that the man purchased
drugs from us, but that is not so.' 'Why isn't it?' 'Wait, I will tell
you. Unknown to my family I am a journalist.' 'Journalist! My son a
journalist! Don't believe that, Monsieur the Judge, my son is an
apprentice in a pharmacy.' 'Yes, my nephew is an apprentice in a
pharmacy,' I echoed. 'These men contradict themselves; this is a gang,
decidedly a gang--are you a journalist, young man, or an apprentice in a
pharmacy?' 'I am both.' 'That is a lie!' cried my brother, now thoroughly
angry. 'And for what newspaper do you write?' 'For no paper at all,'
replied my brother, 'I know that, for he is not capable.' 'I do not
exactly write, Monsieur the Judge; I procure information; I am a
reporter.' 'Reporter! My son a reporter? What's that he says?' 'Will you
be still!' cried the Judge. For what newspaper are you a reporter?' Joseph
told the name of the paper. 'Well,' resumed the Judge, 'we must send for
the chief editor immediately--immediately, he must be awakened and brought
here. I will pass the night at court. I've discovered a great conspiracy.
Lead these men away and keep them apart.' The Judge beamed, for he already
saw himself Court Counsellor. They brought us back, and I assure you I no
longer knew where I was. I came and went up and down the staircases and
through the corridors. If anyone had asked me at the time if I were an
accomplice of Ravachol, I would have answered, 'Probably.'"

"When did all this take place?"

"One o'clock in the morning; and the fourth examination did not take place
until two. But, thank Heaven! in five minutes it was all made clear. The
editor of the newspaper arrived, and burst into a hearty laugh when he
learned of the condition of affairs; and this is what he told the Judge.
My nephew had given them the particulars of a murder, and had been
recompensed for it, and then the young man had acquired a taste for that
occupation, and had come to apply for the situation. They had found him
clear-headed, bold, and intelligent, and had sent him to take notes at the
executions, at fires, etc., and the morning after the editor had a good
idea. 'The detectives were on the lookout for Anarchists, so I sent my
reporters on the heels of each detective, and in this way I would be the
first to hear of all the arrests. Now, you see, it all explains itself;
the detective followed an Anarchist.'"

"And your nephew Joseph followed the detective?"

"Yes, but he dared not tell the truth, so he told me he was one of papa's
debtors.' The man with the muffler was triumphant. 'Am I still a
Spaniard?' 'No, well and good,' replied the Judge. 'But an Anarchist is
another thing.' And in truth he was; but he only held one, that Judge, and
was so vexed because he believed he had caught a whole gang, and was
obliged to discharge us at four o'clock in the morning. I had to take a
carriage to return to Versailles--got one for thirty francs. But found my
poor wife in such a state!"

"And your nephew still clings to journalism?"

"Yes, and makes money for nothing but to ride about Paris that way in a
cab, and to the country in the railway trains. The newspaper men are
satisfied with him."

"What does your brother say to all this?"

"He began by turning him out of doors. But when he knew that some months
he made two and three hundred francs, he softened; and then Joseph is as
cute as a monkey. You know my brother invented a cough lozenge,
'Dervishes' lozenges'?"

"Yes, you gave me a box of them."

"Ah! so I did. Well, Joseph found means to introduce into the account of a
murderer's arrest an advertisement of his father's lozenges."--"How did he
do it?"

"He told how the murderer was hidden in a panel, and that he could not be
found. But having the influenza, had sneezed, and that had been the means
of his capture. And Joseph added that this would not have happened to him
had he taken the Dervishes Lozenges. You see that pleased my brother so
much that he forgave him. Ah! there is my wife coming to look for me. Not
a word of all this! It is not necessary to repeat that there is a reporter
in the family, and there is another reason for not telling it. When I want
to sell off to the people of Versailles, I go and find Joseph and tell him
of my little plan. He arranges everything for me as it should be, puts it
in the paper quietly, and they don't know how it comes there!"



A FOREST BETROTHAL

BY ERCKMANN-CHATRIAN


One day in the month of June, 1845, Master Zacharias' fishing-basket was
so full of salmon-trout, about three o'clock in the afternoon, that the
good man was loath to take any more; for, as Pathfinder says: "We must
leave some for to-morrow!" After having washed his in a stream and
carefully covered them with field-sorrel and rowell, to keep them fresh;
after having wound up his line and bathed his hands and face; a sense of
drowsiness tempted him to take a nap in the heather. The heat was so
excessive that he preferred to wait until the shadows lengthened before
reclimbing the steep ascent of Bigelberg.

Breaking his crust of bread and wetting his lips with a draught of
Rikevir, he climbed down fifteen or twenty steps from the path and
stretched himself on the moss-covered ground, under the shade of the
pine-trees; his eyelids heavy with sleep.

A thousand animate creatures had lived their long life of an hour, when
the judge was wakened by the whistle of a bird, which sounded strange to
him. He sat up to look around, and judge his surprise; the so-called bird
was a young girl of seventeen or eighteen years of age; fresh, with rosy
cheeks and vermilion lips, brown hair, which hung in two long tresses
behind her. A short poppy-colored skirt, with a tightly-laced bodice,
completed her costume. She was a young peasant, who was rapidly descending
the sandy path down the side of Bigelberg, a basket poised on her head,
and her arms a little sunburned, but plump, were gracefully resting on her
hips.

"Oh, what a charming bird; but she whistles well and her pretty chin,
round like a peach, is sweet to look upon."

Mr. Zacharias was all emotion--a rush of hot blood, which made his heart
beat, as it did at twenty, coursed through his veins. Blushing, he arose
to his feet.

"Good-day, my pretty one!" he said.

The young girl stopped short--opened her big eyes and recognized him (for
who did not know the dear old Judge Zacharias in that part of the
country?).

"Ah!" she said, with a bright smile, "it is Mr. Zacharias Seiler!"

The old man approached her--he tried to speak--but all he could do was to
stammer a few unintelligible words, just like a very young man--his
embarrassment was so great that he completely disconcerted the young girl.
At last he managed to say:

"Where are you going through the forest at this hour, my dear child?"

She stretched out her hand and showed him, way at the end of the valley, a
forester's house.

"I am returning to my father's house, the Corporal Yeri Foerster. You know
him, without doubt, Monsieur le Juge."

"What, are you our brave Yeri's daughter? Ah, do I know him? A very worthy
man. Then you are little Charlotte of whom he has often spoken to me when
he came with his official reports?"

"Yes, Monsieur; I have just come from the town and am returning home."

"That is a very pretty bunch of Alpine berries you have,'" exclaimed the
old man.

She detached the bouquet from her belt and tendered it to him.

"If it would please you, Monsieur Seiler."

Zacharias was touched.

"Yes, indeed," he said, "I will accept it, and I will accompany you home.
I am anxious to see this brave Foerster again. He must be getting old by
now."

"He is about your age, Monsieur le Juge," said Charlotte innocently,
"between fifty-five and sixty years of age."

This simple speech recalled the good man to his senses, and as he walked
beside her be became pensive.

What was he thinking of? Nobody could tell; but how many times, how many
times has it happened that a brave and worthy man, thinking that he had
fulfilled all his duties, finds that he has neglected the greatest, the
most sacred, the most beautiful of all--that of love. And what it costs
him to think of it when it is too late.

Soon Mr. Zacharias and Charlotte came to the turn of the valley where the
path spanned a little pond by means of a rustic bridge, and led straight
to the corporal's house. They could now see Yeri Foerster, his large felt
hat decorated with a twig of heather, his calm eyes, his brown cheeks and
grayish hair, seated on the stone bench near his doorway; two beautiful
hunting dogs, with reddish-brown coats, lay at his feet, and the high vine
arbor behind him rose to the peak of the gable roof.

The shadows on Romelstein were lengthening and the setting sun spread its
purple fringe behind the high fir-trees on Alpnach.

The old corporal, whose eyes were as piercing as an eagle's, recognized
Monsieur Zacharias and his daughter from afar. He came toward them,
lifting his felt hat respectfully.

"Welcome, Monsieur le Juge," he said in the frank and cordial voice of a
mountaineer; "what happy circumstance has procured me the honor of a
visit?"

"Master Yeri," replied the good man, "I am belated in your mountains. Have
you a vacant corner at your table and a bed at the disposition of a
friend?"

"Ah!" cried the corporal, "if there were but one bed in the house, should
it not be at the service of the best, the most honored of our
ex-magistrates of Stantz? Monsieur Seiler, what an honor you confer on
Yeri Foerster's humble home."

"Christine, Christine! Monsieur le Juge Zacharias Seiler wishes to sleep
under our roof to-night."

Then a little old woman, her face wrinkled like a vine leaf, but still
fresh and laughing, her head crowned by a cap with wide black ribbons,
appeared on the threshold and disappeared again, murmuring:

"What? Is it possible? Monsieur le Juge!"

"My good people," said Mr. Zacharias, "truly you do me too much honor--I
hope--"

"Monsieur le Juge, if you forget the favors you have done to others, they
remember them."

Charlotte placed her basket on the table, feeling very proud at having
been the means of bringing so distinguished a visitor to the house. She
took out the sugar, the coffee and all the little odds and ends of
household provisions which she had purchased in the town. And Zacharias,
gazing at her pretty profile, felt himself agitated once more, his poor
old heart beat more quickly in his bosom and seemed to say to him: "This
is love, Zacharias! This is love! This is love!"

To tell you the truth, my dear friends, Mr. Seiler spent the evening with
the Head Forester, Yeri Foerster, perfectly oblivious to the fact of
Therese's uneasiness, to his promise to return before seven o'clock, to
all his old habits of order and submission.

Picture to yourself the large room, the time-browned rafters of the
ceiling, the windows opened on the silent valley, the round table in the
middle of the room, covered with a white cloth, with red stripes running
through it; the light from the lamp, bringing out more clearly the grave
faces of Zacharias and Yeri, the rosy, laughing features of Charlotte, and
Dame Christine's little cap, with long fluttering streamers. Picture to
yourself the soup-tureen, with gayly-flowered bowl, from which arose an
appetising odor, the dish of trout garnished with parsley, the plates
filled with fruits and little meal cakes as yellow as gold; then worthy
Father Zacharias, handing first one and then the other of the plates of
fruit and cakes to Charlotte, who lowered her eyes, frightened at the old
man's compliments and tender speeches.

Yeri was quite puffed up at his praise, but Dame Christine said: "Ah,
Monsieur le Juge! You are too good. You do not know how much trouble this
little girl gives us, or how headstrong she is when she wants anything.
You will spoil her with so many compliments."

To which speech Mr. Zacharias made reply:

"Dame Christine, you possess a treasure! Mademoiselle Charlotte merits all
the good I have said of her."

Then Master Yeri, raising his glass, cried out: "Let us drink to the
health of our good and venerated Judge Zacharias Seiler!"

The toast was drunk with a will.

Just then the clock, in its hoarse voice, struck the hour of eleven. Out
of doors there was the great silence of the forest, the grasshopper's last
cry, the vague murmur of the river. As the hour sounded, they rose,
preparatory to retiring. How fresh and agile he felt! With what ardor, had
he dared, would he not have pressed a kiss upon Charlotte's little hand!
Oh, but he must not think of that now! Later on, perhaps!

"Come, Master Yeri," he said, "it is bedtime. Good-night, and many thanks
for your hospitality."

"At what hour do you wish to rise, Monsieur?" asked Christine.

"Oh!" he replied gazing at Charlotte, "I am an early bird. I do not feel
my age, though perhaps you might not think so. I rise at five o'clock."

"Like me, Monsieur Seiler," cried the Head Forester. I rise before
daybreak; but I must confess it is tiresome all the same--we are no longer
young. Ha! Ha!"

"Bah! I have never had anything ail me, Master Forester; I have never been
more vigorous or more nimble."

And suiting his actions to his words, he ran briskly up the steep steps of
the staircase. Really Mr. Zacharias was no more than twenty; but his
twenty years lasted about twenty minutes, and once nestled in the large
canopied bed, with the covers drawn up to his chin and his handkerchief
tied around his head, in lieu of a nightcap, he said to himself:

"Sleep Zacharias! Sleep! You have great need of rest; you are very tired."

And the good man slept until nine o'clock. The forester returning from his
rounds, uneasy at his non-appearance, went up to his room and wished him
good morning. Then seeing the sun high in the heavens, hearing the birds
warbling in the foliage, the Judge, ashamed of his boastfulness of the
previous night, arose, alleging as an excuse for his prolonged slumbers,
the fatigue of fishing and the length of the supper of the evening before.

"Ah, Monsieur Seiler," said the forester, "it is perfectly natural; I
would love dearly myself to sleep in the mornings, but I must always be on
the go. What I want is a son-in-law, a strong youth to replace me; I would
voluntarily give him my gun and my hunting pouch."

Zacharias could not restrain a feeling of great uneasiness at these words.
Being dressed, he descended in silence. Christine was waiting with his
breakfast; Charlotte had gone to the hay field.

The breakfast was short, and Mr. Seiler having thanked these good people
for their hospitality, turned his face toward Stantz; he became pensive,
as he thought of the worry to which Mademoiselle Therèse had been
subjected; yet he was not able to tear his hopes from his heart, nor the
thousand charming illusions, which came to him like a latecomer in a nest
of warblers.

By Autumn he had fallen so into the habit of going to the forester's house
that he was oftener there than at his own; and the Head Forester, not
knowing to what love of fishing to attribute these visits, often found
himself embarrassed at being obliged to refuse the multiplicity of
presents which the worthy ex-magistrate (he himself being very much at
home) begged of him to accept in compensation for his daily hospitality.

Besides, Mr. Seiler wished to share all his occupations, following him in
his rounds in the Grinderwald and Entilbach.

Yeri Foerster often shook his head, saying: "I never knew a more honest or
better judge than Mr. Zacharias Seiler. When I used to bring my reports to
him, formerly, he always praised me, and it is to him that I owe my raise
to the rank of Head Forester. But," he added to his wife, "I am afraid the
poor man is a little out of his head. Did he not help Charlotte in the hay
field, to the infinite enjoyment of the peasants? Truly, Christine, it is
not right; but then I dare not say so to him, he is so much above us. Now
he wants me to accept a pension--and such a pension--one hundred florins a
month. And that silk dress he gave Charlotte on her birthday. Do young
girls wear silk dresses in our valley? Is a silk dress the thing for a
forester's daughter?"

"Leave him alone," said the wife. "He is contented with a little milk and
meal. He likes to be with us; it is a change from his lonesome city life,
with no one to talk to but his old governess; whilst here the little one
looks after him. He likes to talk to her. Who knows but he may end by
adopting her and leave her something in his will?"

The Head Forester, not knowing what to say, shrugged his shoulders; his
good judgment told him there was some mystery, but he never dreamed of
suspecting the good man's whole folly.

One fine morning a wagon slowly wended its way down the sides of Bigelberg
loaded with three casks of old Rikevir wine. Of all the presents that
could be given to him this was the most acceptable, for Yeri Foerster
loved, above everything else, a good glass of wine.

"That warms one up," he would say, laughing. And when he had tasted this
wine he could not help saying:

"Mr. Zacharias is really the best man in the world. Has he not filled my
cellar for me? Charlotte, go and gather the prettiest flowers in the
garden; cut all the roses and the jasmine, make them into a bouquet, and
when he comes you will present them to him yourself. Charlotte! Charlotte!
Hurry up, here he comes with his long pole."

At this moment the old man appeared descending the hillside in the shade
of the pines with a brisk step.

As far off as Yeri could make himself heard, he called out, his glass in
his hand:

"Here is to the best man I know! Here is to our benefactor."

And Zacharias smiled. Dame Christine had already commenced preparations
for dinner; a rabbit was turning at the spit and the savory odor of the
soup whetted Mr. Seiler's appetite.

The old Judge's eyes brightened when he saw Charlotte in her short
poppy-colored skirt, her arms bare to the elbow, running here and there
in the garden paths gathering the flowers, and when he saw her
approaching him with her huge bouquet, which she humbly presented to
him with downcast eyes.

"Monsieur le Juge, will you deign to accept this bouquet from your little
friend Charlotte?"

A sudden blush overspread his venerable cheeks, and as she stooped to kiss
his hand, he said:

"No, no, my dear child; accept rather from your old friend, your best
friend, a more tender embrace."

He kissed both her burning cheeks. The Head Forester laughing heartily,
cried out:

"Monsieur Seiler, come and sit down under the acacia tree and drink some
of your own wine. Ah, my wife is right when she calls you our benefactor."

Mr. Zacharias seated himself at the little round table, placing his pole
behind him; Charlotte sat facing him, Yeri Foerster was on his right; then
dinner was served and Mr. Seiler started to speak of his plans for the
future.

He was wealthy and had inherited a fine fortune from his parents. He
wished to buy some few hundred acres of forest land in the valley, and
build in the midst a forester's lodge. "We would always be together," he
said turning to Yeri Foerster, "sometimes you at my house, sometimes I at
yours."

Christine gave her advice, and they chatted, planning now one thing, then
another. Charlotte seemed perfectly contented, and Zacharias imagined that
these simple people understood him.

Thus the time passed, and when night had fallen and they had had a surfeit
of Rikevir, of rabbit and of Dame Christine's "koechten" sprinkled with
cinnamon. Mr. Seiler, happy and contented, full of joyous hope, ascended
to his room, putting off until to-morrow his declaration, not doubting for
a moment but that it would be accepted.

About this time of the year the mountaineers from Harberg, Kusnacht and
the surrounding hamlets descend from their mountains about one o'clock in
the morning and commence to mow the high grass in the valleys. One can
hear their monotonous songs in the middle of the night keeping time to the
circular movement of the scythes, the jingle of the cattle bells, and the
young men's and girls' voices laughing afar in the silence of the night.
It is a strange harmony, especially when the night is clear and there is a
bright moon, and the heavy dew falling makes a pitter-patter on the leaves
of the great forest trees.

Mr. Zacharias heard nothing of all this, for he was sleeping soundly; but
the noise of a handful of peas being thrown against the window waked him
suddenly. He listened and heard outside at the bottom of the wall, a
"scit! scit!" so softly whispered that you might almost think it the cry
of some bird. Nevertheless, the good man's heart fluttered.

"What is that?" he cried.

After a few seconds' silence a soft voice replied:

"Charlotte, Charlotte--it is I!"

Zacharias trembled; and as he listened with ears on the alert for each
sound, the foliage on the trellis struck against the window and a figure
climbed up quietly--oh so quietly--then stopped and stared into the room.

The old man being indignant at this, rose and opened the window, upon
which the stranger climbed through noiselessly.

"Do not be frightened, Charlotte," he said, "I have come to tell you some
good news. My father will be here tomorrow."

He received no response, for the reason that Zacharias was trying to light
the lamp.

"Where are you, Charlotte?"

"Here I am," cried the old man turning with a livid face and gazing
fiercely at his rival.

The young man who stood before him was tall and slender, with large,
frank, black eyes, brown cheeks, rosy lips, just covered with a little
moustache, and a large brown, felt hat, tilted a little to one side.

The apparition of Zacharias stunned him to immovability. But as the Judge
was about to cry out, he exclaimed:

"In the name of Heaven, do not call. I am no robber--I love Charlotte!"

"And--she--she?" stammered Zacharias.

"She loves me also! Oh, you need have no fear if you are one of her
relations. We were betrothed at the Kusnacht feast. The fiancés of the
Grinderwald and the Entilbach have the right to visit in the night. It is
a custom of Unterwald. All the Swiss know that."

"Yeri Foerster--Yeri, Charlotte's father, never told me."

"No, he does not know of our betrothal yet," said the other, in a lower
tone of voice; "when I asked his permission last year he told me to
wait--that his daughter was too young yet--we were betrothed secretly.
Only as I had not the Forester's consent, I did not come in the
night-time. This is the first time. I saw Charlotte in the town; but
the time seemed so long to us both that I ended by confessing all to my
father, and he has promised to see Yeri tomorrow. Ah, Monsieur, I knew
it would give such pleasure to Charlotte that I could not help coming
to announce my good news."

The poor old man fell back in his chair and covered his face with his
hands. Oh, how he suffered! What bitter thoughts passed through his brain;
what a sad awakening after so many sweet and joyous dreams.

And the young mountaineer was not a whit more comfortable, as he stood
leaning against a corner of the wall, his arms crossed over his breast,
and the following thoughts running through his head:

"If old Foerster, who does not know of our betrothal, finds me here, he
will kill me without listening to one word of explanation. That is
certain."

And he gazed anxiously at the door, his ear on the alert for the least
sound.

A few moments afterward, Zacharias lifting his head, as though awakening
from a dream, asked him:

"What is your name?"

"Karl Imnant, Monsieur."

"What is your business?"

"My father hopes to obtain the position of a forester in the Grinderwald
for me."

There was a long silence and Zacharias looked at the young man with an
envious eye.

"And she loves you?" he asked in a broken voice.

"Oh, yes, Monsieur; we love each other devotedly."

And Zacharias, letting his eyes fall on his thin legs and his hands
wrinkled and veined, murmured:

"Yes, she ought to love him; he is young and handsome."

And his head fell on his breast again. All at once he arose, trembling in
every limb, and opened the window.

"Young man, you have done very wrong; you will never know how much wrong
you have really done. You must obtain Mr. Foerster's consent--but
go--go--you will hear from me soon."

The young mountaineer did not wait for a second invitation; with one bound
he jumped to the path below and disappeared behind the grand old trees.

"Poor, poor Zacharias," the old Judge murmured, "all your illusions are
fled."

At seven o'clock, having regained his usual calmness of demeanor, he
descended to the room below, where Charlotte, Dame Christine and Yeri were
already waiting breakfast for him. The old man, turning his eyes from the
young girl, advanced to the Head Forester, saying:

"My friend, I have a favor to ask of you. You know the son of the forester
of the Grinderwald, do you not?"

"Karl Imnant, why yes, sir!"

"He is a worthy young man, and well behaved, I believe."

"I think so, Monsieur."

"Is he capable of succeeding his father?"

"Yes, he is twenty-one years old; he knows all about tree-clipping, which
is the most necessary thing of all--he knows how to read and how to write;
but that is not all; he must have influence."

"Well, Master Yeri, I still have some influence in the Department of
Forests and Rivers. This day fortnight, or three weeks at the latest, Karl
Imnant shall be Assistant Forester of the Grinderwald, and I ask the hand
of your daughter Charlotte for this brave young man."

At this request, Charlotte, who had blushed and trembled with fear,
uttered a cry and fell back into her mother's arms.

Her father looking at her severely, said: "What is the matter, Charlotte?
Do you refuse?"

"Oh, no, no, father--no!"

"That is as it should be! As for myself, I should never have refused any
request of Mr. Zacharias Seiler's! Come here and embrace your benefactor."

Charlotte ran toward him and the old man pressed her to his heart, gazing
long and earnestly at her, with eyes filled with tears. Then pleading
business he started home, with only a crust of bread in his basket for
breakfast.

Fifteen days afterward, Karl Imnant received the appointment of forester,
taking his father's place. Eight days later, he and Charlotte were
married.

The guests drank the rich Rikevir wine, so highly esteemed by Yeri
Foerster, and which seemed to him to have arrived so opportunely for the
feast.

Mr. Zacharias Seiler was not present that day at the wedding, being ill at
home. Since then he rarely goes fishing--and then, always to the
Brünnen--toward the lake--on the other side of the mountain.



ZADIG THE BABYLONIAN

BY FRANCOIS MARIE AROUET DE VOLTAIRE


THE BLIND OF ONE EYE

There lived at Babylon, in the reign of King Moabdar, a young man named
Zadig, of a good natural disposition, strengthened and improved by
education. Though rich and young, he had learned to moderate his passions;
he had nothing stiff or affected in his behavior, he did not pretend to
examine every action by the strict rules of reason, but was always ready
to make proper allowances for the weakness of mankind.

It was matter of surprise that, notwithstanding his sprightly wit, he
never exposed by his raillery those vague, incoherent, and noisy
discourses, those rash censures, ignorant decisions, coarse jests, and all
that empty jingle of words which at Babylon went by the name of
conversation. He had learned, in the first book of Zoroaster, that self
love is a football swelled with wind, from which, when pierced, the most
terrible tempests issue forth.

Above all, Zadig never boasted of his conquests among the women, nor
affected to entertain a contemptible opinion of the fair sex. He was
generous, and was never afraid of obliging the ungrateful; remembering the
grand precept of Zoroaster, "When thou eatest, give to the dogs, should
they even bite thee." He was as wise as it is possible for man to be, for
he sought to live with the wise.

Instructed in the sciences of the ancient Chaldeans, he understood the
principles of natural philosophy, such as they were then supposed to be;
and knew as much of metaphysics as hath ever been known in any age, that
is, little or nothing at all. He was firmly persuaded, notwithstanding the
new philosophy of the times, that the year consisted of three hundred and
sixty-five days and six hours, and that the sun was in the center of the
world. But when the principal magi told him, with a haughty and
contemptuous air, that his sentiments were of a dangerous tendency, and
that it was to be an enemy to the state to believe that the sun revolved
round its own axis, and that the year had twelve months, he held his
tongue with great modesty and meekness.

Possessed as he was of great riches, and consequently of many friends,
blessed with a good constitution, a handsome figure, a mind just and
moderate, and a heart noble and sincere, he fondly imagined that he might
easily be happy. He was going to be married to Semira, who, in point of
beauty, birth, and fortune, was the first match in Babylon. He had a real
and virtuous affection for this lady, and she loved him with the most
passionate fondness.

The happy moment was almost arrived that was to unite them forever in the
bands of wedlock, when happening to take a walk together toward one of the
gates of Babylon, under the palm trees that adorn the banks of the
Euphrates, they saw some men approaching, armed with sabers and arrows.
These were the attendants of young Orcan, the minister's nephew, whom his
uncle's creatures had flattered into an opinion that he might do
everything with impunity. He had none of the graces nor virtues of Zadig;
but thinking himself a much more accomplished man, he was enraged to find
that the other was preferred before him. This jealousy, which was merely
the effect of his vanity, made him imagine that he was desperately in love
with Semira; and accordingly he resolved to carry her off. The ravishers
seized her; in the violence of the outrage they wounded her, and made the
blood flow from her person, the sight of which would have softened the
tigers of Mount Imaus. She pierced the heavens with her complaints. She
cried out, "My dear husband! they tear me from the man I adore."
Regardless of her own danger, she was only concerned for the fate of her
dear Zadig, who, in the meantime, defended himself with all the strength
that courage and love could inspire. Assisted only by two slaves, he put
the ravishers to flight and carried home Semira, insensible and bloody as
she was.

On opening her eyes and beholding her deliverer. "O Zadig!" said she, "I
loved thee formerly as my intended husband; I now love thee as the
preserver of my honor and my life." Never was heart more deeply affected
than that of Semira. Never did a more charming mouth express more moving
sentiments, in those glowing words inspired by a sense of the greatest of
all favors, and by the most tender transports of a lawful passion.

Her wound was slight and was soon cured. Zadig was more dangerously
wounded; an arrow had pierced him near his eye, and penetrated to a
considerable depth. Semira wearied Heaven with her prayers for the
recovery of her lover. Her eyes were constantly bathed in tears; she
anxiously awaited the happy moment when those of Zadig should be able to
meet hers; but an abscess growing on the wounded eye gave everything to
fear. A messenger was immediately dispatched to Memphis for the great
physician Hermes, who came with a numerous retinue. He visited the patient
and declared that he would lose his eye. He even foretold the day and hour
when this fatal event would happen. "Had it been the right eye," said he,
"I could easily have cured it; but the wounds of the left eye are
incurable." All Babylon lamented the fate of Zadig, and admired the
profound knowledge of Hermes.

In two days the abscess broke of its own accord and Zadig was perfectly
cured. Hermes wrote a book to prove that it ought not to have been cured.
Zadig did not read it; but, as soon as he was able to go abroad, he went
to pay a visit to her in whom all his hopes of happiness were centered,
and for whose sake alone he wished to have eyes. Semira had been in the
country for three days past. He learned on the road that that fine lady,
having openly declared that she had an unconquerable aversion to one-eyed
men, had the night before given her hand to Orcan. At this news he fell
speechless to the ground. His sorrow brought him almost to the brink of
the grave. He was long indisposed; but reason at last got the better of
his affliction, and the severity of his fate served to console him.

"Since," said he, "I have suffered so much from the cruel caprice of a
woman educated at court, I must now think of marrying the daughter of a
citizen." He pitched upon Azora, a lady of the greatest prudence, and of
the best family in town. He married her and lived with her for three
months in all the delights of the most tender union. He only observed that
she had a little levity; and was too apt to find that those young men who
had the most handsome persons were likewise possessed of most wit and
virtue.


THE NOSE

One morning Azora returned from a walk in a terrible passion, and uttering
the most violent exclamations. "What aileth thee," said he, "my dear
spouse? What is it that can thus have discomposed thee?"

"Alas," said she, "thou wouldst be as much enraged as I am hadst thou seen
what I have just beheld. I have been to comfort the young widow Cosrou,
who, within these two days, hath raised a tomb to her young husband, near
the rivulet that washes the skirts of this meadow. She vowed to heaven, in
the bitterness of her grief, to remain at this tomb while the water of the
rivulet should continue to run near it."--"Well," said Zadig, "she is an
excellent woman, and loved her husband with the most sincere affection."

"Ah," replied Azora, "didst thou but know in what she was employed when I
went to wait upon her!"

"In what, pray, beautiful Azora? Was she turning the course of the
rivulet?"

Azora broke out into such long invectives and loaded the young widow with
such bitter reproaches, that Zadig was far from being pleased with this
ostentation of virtue.

Zadig had a friend named Cador, one of those young men in whom his wife
discovered more probity and merit than in others. He made him his
confidant, and secured his fidelity as much as possible by a considerable
present. Azora, having passed two days with a friend in the country,
returned home on the third. The servants told her, with tears in their
eyes, that her husband died suddenly the night before; that they were
afraid to send her an account of this mournful event; and that they had
just been depositing his corpse in the tomb of his ancestors, at the end
of the garden.

She wept, she tore her hair, and swore she would follow him to the grave.

In the evening Cador begged leave to wait upon her, and joined his tears
with hers. Next day they wept less, and dined together. Cador told her
that his friend had left him the greatest part of his estate; and that he
should think himself extremely happy in sharing his fortune with her. The
lady wept, fell into a passion, and at last became more mild and gentle.
They sat longer at supper than at dinner. They now talked with greater
confidence. Azora praised the deceased; but owned that he had many
failings from which Cador was free.

During supper Cador complained of a violent pain in his side. The lady,
greatly concerned, and eager to serve him, caused all kinds of essences to
be brought, with which she anointed him, to try if some of them might not
possibly ease him of his pain. She lamented that the great Hermes was not
still in Babylon. She even condescended to touch the side in which Cador
felt such exquisite pain.

"Art thou subject to this cruel disorder?" said she to him with a
compassionate air.

"It sometimes brings me," replied Cador, "to the brink of the grave; and
there is but one remedy that can give me relief, and that is to apply to
my side the nose of a man who is lately dead."

"A strange remedy, indeed!" said Azora.

"Not more strange," replied he, "than the sachels of Arnon against the
apoplexy." This reason, added to the great merit of the young man, at last
determined the lady.

"After all," says she, "when my husband shall cross the bridge Tchinavar,
in his journey to the other world, the angel Asrael will not refuse him a
passage because his nose is a little shorter in the second life than it
was in the first." She then took a razor, went to her husband's tomb,
bedewed it with her tears, and drew near to cut off the nose of Zadig,
whom she found extended at full length in the tomb. Zadig arose, holding
his nose with one hand, and, putting back the razor with the other,
"Madam," said he, "don't exclaim so violently against young Cosrou; the
project of cutting off my nose is equal to that of turning the course of a
rivulet." Zadig found by experience that the first month of marriage, as
it is written in the book of Zend, is the moon of honey, and that the
second is the moon of wormwood. He was some time after obliged to
repudiate Azora, who became too difficult to be pleased; and he then
sought for happiness in the study of nature. "No man," said he, "can be
happier than a philosopher who reads in this great book which God hath
placed before our eyes. The truths he discovers are his own; he nourishes
and exalts his soul; he lives in peace; he fears nothing from men; and his
tender spouse will not come to cut off his nose."

Possessed of these ideas he retired to a country house on the banks of the
Euphrates. There he did not employ himself in calculating how many inches
of water flow in a second of time under the arches of a bridge, or whether
there fell a cube line of rain in the month of the Mouse more than in the
month of the Sheep. He never dreamed of making silk of cobwebs, or
porcelain of broken bottles; but he chiefly studied the properties of
plants and animals; and soon acquired a sagacity that made him discover a
thousand differences where other men see nothing but uniformity.

One day, as he was walking near a little wood, he saw one of the queen's
eunuchs running toward him, followed by several officers, who appeared to
be in great perplexity, and who ran to and fro like men distracted,
eagerly searching for something they had lost of great value. "Young man,"
said the first eunuch, "hast thou seen the queen's dog?" "It is a female,"
replied Zadig. "Thou art in the right," returned the first eunuch. "It is
a very small she spaniel," added Zadig; "she has lately whelped; she limps
on the left forefoot, and has very long ears." "Thou hast seen her," said
the first eunuch, quite out of breath. "No," replied Zadig, "I have not
seen her, nor did I so much as know that the queen had a dog."

Exactly at the same time, by one of the common freaks of fortune, the
finest horse in the king's stable had escaped from the jockey in the
plains of Babylon. The principal huntsman and all the other officers ran
after him with as much eagerness and anxiety as the first eunuch had done
after the spaniel. The principal huntsman addressed himself to Zadig, and
asked him if he had not seen the king's horse passing by. "He is the
fleetest horse in the king's stable," replied Zadig; "he is five feet
high, with very small hoofs, and a tail three feet and a half in length;
the studs on his bit are gold of twenty-three carats, and his shoes are
silver of eleven pennyweights." "What way did he take? where is he?"
demanded the chief huntsman. "I have not seen him," replied Zadig, "and
never heard talk of him before."

The principal huntsman and the first eunuch never doubted but that Zadig
had stolen the king's horse and the queen's spaniel. They therefore had
him conducted before the assembly of the grand desterham, who condemned
him to the knout, and to spend the rest of his days in Siberia. Hardly was
the sentence passed when the horse and the spaniel were both found. The
judges were reduced to the disagreeable necessity of reversing their
sentence; but they condemned Zadig to pay four hundred ounces of gold for
having said that he had not seen what he had seen. This fine he was
obliged to pay; after which he was permitted to plead his cause before the
counsel of the grand desterham, when he spoke to the following effect:

"Ye stars of justice, abyss of sciences, mirrors of truth, who have the
weight of lead, the hardness of iron, the splendor of the diamond, and
many properties of gold: Since I am permitted to speak before this august
assembly, I swear to you by Oramades that I have never seen the queen's
respectable spaniel, nor the sacred horse of the king of kings. The truth
of the matter was as follows: I was walking toward the little wood, where
I afterwards met the venerable eunuch, and the most illustrious chief
huntsman. I observed on the sand the traces of an animal, and could easily
perceive them to be those of a little dog. The light and long furrows
impressed on little eminences of sand between the marks of the paws
plainly discovered that it was a female, whose dugs were hanging down, and
that therefore she must have whelped a few days before. Other traces of a
different kind, that always appeared to have gently brushed the surface of
the sand near the marks of the forefeet, showed me that she had very long
ears; and as I remarked that there was always a slighter impression made
on the sand by one foot than the other three, I found that the spaniel of
our august queen was a little lame, if I may be allowed the expression.

"With regard to the horse of the king of kings, you will be pleased to
know that, walking in the lanes of this wood, I observed the marks of a
horse's shoes, all at equal distances. This must be a horse, said I to
myself, that gallops excellently. The dust on the trees in the road that
was but seven feet wide was a little brushed off, at the distance of three
feet and a half from the middle of the road. This horse, said I, has a
tail three feet and a half long, which being whisked to the right and
left, has swept away the dust. I observed under the trees that formed an
arbor five feet in height, that the leaves of the branches were newly
fallen; from whence I inferred that the horse had touched them, and that
he must therefore be five feet high. As to his bit, it must be gold of
twenty-three carats, for he had rubbed its bosses against a stone which I
knew to be a touchstone, and which I have tried. In a word, from the marks
made by his shoes on flints of another kind, I concluded that he was shod
with silver eleven deniers fine."

All the judges admired Zadig for his acute and profound discernment. The
news of this speech was carried even to the king and queen. Nothing was
talked of but Zadig in the antechambers, the chambers, and the cabinet;
and though many of the magi were of opinion that he ought to be burned as
a sorcerer, the king ordered his officers to restore him the four hundred
ounces of gold which he had been obliged to pay. The register, the
attorneys, and bailiffs went to his house with great formality, to carry
him back his four hundred ounces. They only retained three hundred and
ninety-eight of them to defray the expenses of justice; and their servants
demanded their fees.

Zadig saw how extremely dangerous it sometimes is to appear too knowing,
and therefore resolved that on the next occasion of the like nature he
would not tell what he had seen.

Such an opportunity soon offered. A prisoner of state made his escape, and
passed under the window of Zadig's house. Zadig was examined and made no
answer. But it was proved that he had looked at the prisoner from this
window. For this crime he was condemned to pay five hundred ounces of
gold; and, according to the polite custom of Babylon, he thanked his
judges for their indulgence.

"Great God!" said he to himself, "what a misfortune it is to walk in a
wood through which the queen's spaniel or the king's horse has passed! how
dangerous to look out at a window! and how difficult to be happy in this
life!"


THE ENVIOUS MAN

Zadig resolved to comfort himself by philosophy and friendship for the
evils he had suffered from fortune. He had in the suburbs of Babylon a
house elegantly furnished, in which he assembled all the arts and all the
pleasures worthy the pursuit of a gentleman. In the morning his library
was open to the learned. In the evening his table was surrounded by good
company. But he soon found what very dangerous guests these men of letters
are. A warm dispute arose on one of Zoroaster's laws, which forbids the
eating of a griffin. "Why," said some of them, "prohibit the eating of a
griffin, if there is no such an animal in nature?" "There must necessarily
be such an animal," said the others, "since Zoroaster forbids us to eat
it." Zadig would fain have reconciled them by saying, "If there are no
griffins, we cannot possibly eat them; and thus either way we shall obey
Zoroaster."

A learned man who had composed thirteen volumes on the properties of the
griffin, and was besides the chief theurgite, hastened away to accuse
Zadig before one of the principal magi, named Yebor, the greatest
blockhead and therefore the greatest fanatic among the Chaldeans. This man
would have impaled Zadig to do honors to the sun, and would then have
recited the breviary of Zoroaster with greater satisfaction. The friend
Cador (a friend is better than a hundred priests) went to Yebor, and said
to him, "Long live the sun and the griffins; beware of punishing Zadig; he
is a saint; he has griffins in his inner court and does not eat them; and
his accuser is an heretic, who dares to maintain that rabbits have cloven
feet and are not unclean."

"Well," said Yebor, shaking his bald pate, "we must impale Zadig for
having thought contemptuously of griffins, and the other for having spoken
disrespectfully of rabbits." Cador hushed up the affair by means of a maid
of honor with whom he had a love affair, and who had great interest in the
College of the Magi. Nobody was impaled.

This levity occasioned a great murmuring among some of the doctors, who
from thence predicted the fall of Babylon. "Upon what does happiness
depend?" said Zadig. "I am persecuted by everything in the world, even on
account of beings that have no existence." He cursed those men of
learning, and resolved for the future to live with none but good company.

He assembled at his house the most worthy men and the most beautiful
ladies of Babylon. He gave them delicious suppers, often preceded by
concerts of music, and always animated by polite conversation, from which
he knew how to banish that affectation of wit which is the surest method
of preventing it entirely, and of spoiling the pleasure of the most
agreeable society. Neither the choice of his friends nor that of the
dishes was made by vanity; for in everything he preferred the substance to
the shadow; and by these means he procured that real respect to which he
did not aspire.

Opposite to his house lived one Arimazes, a man whose deformed countenance
was but a faint picture of his still more deformed mind. His heart was a
mixture of malice, pride, and envy. Having never been able to succeed in
any of his undertakings, he revenged himself on all around him by loading
them with the blackest calumnies. Rich as he was, he found it difficult to
procure a set of flatterers. The rattling of the chariots that entered
Zadig's court in the evening filled him with uneasiness; the sound of his
praises enraged him still more. He sometimes went to Zadig's house, and
sat down at table without being desired; where he spoiled all the pleasure
of the company, as the harpies are said to infect the viands they touch.
It happened that one day he took it in his head to give an entertainment
to a lady, who, instead of accepting it, went to sup with Zadig. At
another time, as he was talking with Zadig at court, a minister of state
came up to them, and invited Zadig to supper without inviting Arimazes.
The most implacable hatred has seldom a more solid foundation. This man,
who in Babylon was called the Envious, resolved to ruin Zadig because he
was called the Happy. "The opportunity of doing mischief occurs a hundred
times in a day, and that of doing good but once a year," as sayeth the
wise Zoroaster.

The envious man went to see Zadig, who was walking in his garden with two
friends and a lady, to whom he said many gallant things, without any other
intention than that of saying them. The conversation turned upon a war
which the king had just brought to a happy conclusion against the prince
of Hircania, his vassal. Zadig, who had signalized his courage in this
short war, bestowed great praises on the king, but greater still on the
lady. He took out his pocket-book, and wrote four lines extempore, which
he gave to this amiable person to read. His friends begged they might see
them; but modesty, or rather a well-regulated self love, would not allow
him to grant their request. He knew that extemporary verses are never
approved of by any but by the person in whose honor they are written. He
therefore tore in two the leaf on which he had wrote them, and threw both
the pieces into a thicket of rose-bushes, where the rest of the company
sought for them in vain. A slight shower falling soon after obliged them
to return to the house. The envious man, who stayed in the garden,
continued the search till at last he found a piece of the leaf. It had
been torn in such a manner that each half of a line formed a complete
sense, and even a verse of a shorter measure; but what was still more
surprising, these short verses were found to contain the most injurious
reflections on the king. They ran thus:

To flagrant crimes
His crown he owes,
To peaceful times
The worst of foes.

The envious man was now happy for the first time of his life. He had it in
his power to ruin a person of virtue and merit. Filled with this fiendlike
joy, he found means to convey to the king the satire written by the hand
of Zadig, who, together with the lady and his two friends, was thrown into
prison.

His trial was soon finished, without his being permitted to speak for
himself. As he was going to receive his sentence, the envious man threw
himself in his way and told him with a loud voice that his verses were
good for nothing. Zadig did not value himself on being a good poet; but it
filled him with inexpressible concern to find that he was condemned for
high treason; and that the fair lady and his two friends were confined in
prison for a crime of which they were not guilty. He was not allowed to
speak because his writing spoke for him. Such was the law of Babylon.
Accordingly he was conducted to the place of execution, through an immense
crowd of spectators, who durst not venture to express their pity for him,
but who carefully examined his countenance to see if he died with a good
grace. His relations alone were inconsolable, for they could not succeed
to his estate. Three-fourths of his wealth were confiscated into the
king's treasury, and the other fourth was given to the envious man.

Just as he was preparing for death the king's parrot flew from its cage
and alighted on a rosebush in Zadig's garden. A peach had been driven
thither by the wind from a neighboring tree, and had fallen on a piece of
the written leaf of the pocketbook to which it stuck. The bird carried off
the peach and the paper and laid them on the king's knee. The king took up
the paper with great eagerness and read the words, which formed no sense,
and seemed to be the endings of verses. He loved poetry; and there is
always some mercy to be expected from a prince of that disposition. The
adventure of the parrot set him a-thinking.

The queen, who remembered what had been written on the piece of Zadig's
pocketbook, caused it to be brought. They compared the two pieces together
and found them to tally exactly; they then read the verses as Zadig had
wrote them.

TYRANTS ARE PRONE         TO FLAGRANT CRIMES.
  TO CLEMENCY               HIS CROWN HE OWES.
TO CONCORD AND            TO PEACEFUL TIMES.
  LOVE ONLY IS              THE WORST OF FOES.

The king gave immediate orders that Zadig should be brought before him,
and that his two friends and the lady should be set at liberty. Zadig fell
prostrate on the ground before the king and queen; humbly begged their
pardon for having made such bad verses and spoke with so much propriety,
wit, and good sense, that their majesties desired they might see him
again. He did himself that honor, and insinuated himself still farther
into their good graces. They gave him all the wealth of the envious man;
but Zadig restored him back the whole of it. And this instance of
generosity gave no other pleasure to the envious man than that of having
preserved his estate.

The king's esteem for Zadig increased every day. He admitted him into all
his parties of pleasure, and consulted him in all affairs of state. From
that time the queen began to regard him with an eye of tenderness that
might one day prove dangerous to herself, to the king, her august comfort,
to Zadig, and to the kingdom in general. Zadig now began to think that
happiness was not so unattainable as he had formerly imagined.


THE GENEROUS

The time now arrived for celebrating a grand festival, which returned
every five years. It was a custom in Babylon solemnly to declare at the
end of every five years which of the citizens had performed the most
generous action. The grandees and the magi were the judges. The first
satrap, who was charged with the government of the city, published the
most noble actions that had passed under his administration. The
competition was decided by votes; and the king pronounced the sentence.
People came to this solemnity from the extremities of the earth. The
conqueror received from the monarch's hand a golden cup adorned with
precious stones, his majesty at the same time making him this compliment:

"Receive this reward of thy generosity, and may the gods grant me many
subjects like to thee."

This memorable day being come, the king appeared on his throne, surrounded
by the grandees, the magi, and the deputies of all nations that came to
these games, where glory was acquired not by the swiftness of horses, nor
by strength of body, but by virtue. The first satrap recited, with an
audible voice, such actions as might entitle the authors of them to this
invaluable prize. He did not mention the greatness of soul with which
Zadig had restored the envious man his fortune, because it was not judged
to be an action worthy of disputing the prize.

He first presented a judge who, having made a citizen lose a considerable
cause by a mistake, for which, after all, he was not accountable, had
given him the whole of his own estate, which was just equal to what the
other had lost.

He next produced a young man who, being desperately in love with a lady
whom he was going to marry, had yielded her up to his friend, whose
passion for her had almost brought him to the brink of the grave, and at
the same time had given him the lady's fortune.

He afterwards produced a soldier who, in the wars of Hircania, had given a
still more noble instance of generosity. A party of the enemy having
seized his mistress, he fought in her defense with great intrepidity. At
that very instant he was informed that another party, at the distance of a
few paces, were carrying off his mother; he therefore left his mistress
with tears in his eyes and flew to the assistance of his mother. At last
he returned to the dear object of his love and found her expiring. He was
just going to plunge his sword in his own bosom; but his mother
remonstrating against such a desperate deed, and telling him that he was
the only support of her life, he had the courage to endure to live.

The judges were inclined to give the prize to the soldier. But the king
took up the discourse and said: "The action of the soldier, and those of
the other two, are doubtless very great, but they have nothing in them
surprising. Yesterday Zadig performed an action that filled me with
wonder. I had a few days before disgraced Coreb, my minister and favorite.
I complained of him in the most violent and bitter terms; all my courtiers
assured me that I was too gentle and seemed to vie with each other in
speaking ill of Coreb. I asked Zadig what he thought of him, and he had
the courage to commend him. I have read in our histories of many people
who have atoned for an error by the surrender of their fortune; who have
resigned a mistress; or preferred a mother to the object of their
affection; but never before did I hear of a courtier who spoke favorably
of a disgraced minister that labored under the displeasure of his
sovereign. I give to each of those whose generous actions have been now
recited twenty thousand pieces of gold; but the cup I give to Zadig."

"May it please your majesty," said Zadig, "thyself alone deservest the
cup; thou hast performed an action of all others the most uncommon and
meritorious, since, notwithstanding thy being a powerful king, thou wast
not offended at thy slave when he presumed to oppose thy passion." The
king and Zadig were equally the object of admiration. The judge, who had
given his estate to his client; the lover, who had resigned his mistress
to a friend; and the soldier, who had preferred the safety of his mother
to that of his mistress, received the king's presents and saw their names
enrolled in the catalogue of generous men. Zadig had the cup, and the king
acquired the reputation of a good prince, which he did not long enjoy. The
day was celebrated by feasts that lasted longer than the law enjoined; and
the memory of it is still preserved in Asia. Zadig said, "Now I am happy
at last;" but he found himself fatally deceived.


THE MINISTER

The king had lost his first minister and chose Zadig to supply his place.
All the ladies in Babylon applauded the choice; for since the foundation
of the empire there had never been such a young minister. But all the
courtiers were filled with jealousy and vexation. The envious man in
particular was troubled with a spitting of blood and a prodigious
inflammation in his nose. Zadig, having thanked the king and queen for
their goodness, went likewise to thank the parrot. "Beautiful bird," said
he, "'tis thou that hast saved my life and made me first minister. The
queen's spaniel and the king's horse did me a great deal of mischief; but
thou hast done me much good. Upon such slender threads as these do the
fates of mortals hang! But," added he, "this happiness perhaps will vanish
very soon."

"Soon," replied the parrot.

Zadig was somewhat startled at this word. But as he was a good natural
philosopher and did not believe parrots to be prophets, he quickly
recovered his spirits and resolved to execute his duty to the best of his
power.

He made everyone feel the sacred authority of the laws, but no one felt
the weight of his dignity. He never checked the deliberation of the diran;
and every vizier might give his opinion without the fear of incurring the
minister's displeasure. When he gave judgment, it was not he that gave it,
it was the law; the rigor of which, however, whenever it was too severe,
he always took care to soften; and when laws were wanting, the equity of
his decisions was such as might easily have made them pass for those of
Zoroaster. It is to him that the nations are indebted for this grand
principle, to wit, that it is better to run the risk of sparing the guilty
than to condemn the innocent. He imagined that laws were made as well to
secure the people from the suffering of injuries as to restrain them from
the commission of crimes. His chief talent consisted in discovering the
truth, which all men seek to obscure.

This great talent he put in practice from the very beginning of his
administration. A famous merchant of Babylon, who died in the Indies,
divided his estate equally between his two sons, after having disposed of
their sister in marriage, and left a present of thirty thousand pieces of
gold to that son who should be found to have loved him best. The eldest
raised a tomb to his memory; the youngest increased his sister's portion,
by giving her part of his inheritance. Everyone said that the eldest son
loved his father best, and the youngest his sister; and that the thirty
thousand pieces belonged to the eldest.

Zadig sent for both of them, the one after the other. To the eldest he
said: "Thy father is not dead; he is recovered of his last illness, and is
returning to Babylon," "God be praised," replied the young man; "but his
tomb cost me a considerable sum." Zadig afterwards said the same to the
youngest. "God be praised," said he, "I will go and restore to my father
all that I have; but I could wish that he would leave my sister what I
have given her." "Thou shalt restore nothing," replied Zadig, "and thou
shalt have the thirty thousand pieces, for thou art the son who loves his
father best."


THE DISPUTES AND THE AUDIENCES

In this manner he daily discovered the subtilty of his genius and the
goodness of his heart. The people at once admired and loved him. He passed
for the happiest man in the world. The whole empire resounded with his
name. All the ladies ogled him. All the men praised him for his justice.
The learned regarded him as an oracle; and even the priests confessed that
he knew more than the old archmage Yebor. They were now so far from
prosecuting him on account of the griffin, that they believed nothing but
what he thought credible.

There had reigned in Babylon, for the space of fifteen hundred years, a
violent contest that had divided the empire into two sects. The one
pretended that they ought to enter the temple of Mitra with the left foot
foremost; the other held this custom in detestation and always entered
with the right foot first. The people waited with great impatience for the
day on which the solemn feast of the sacred fire was to be celebrated, to
see which sect Zadig would favor. All the world had their eyes fixed on
his two feet, and the whole city was in the utmost suspense and
perturbation. Zadig jumped into the temple with his feet joined together,
and afterwards proved, in an eloquent discourse, that the Sovereign of
heaven and earth, who accepted not the persons of men, makes no
distinction between the right and left foot. The envious man and his wife
alleged that his discourse was not figurative enough, and that he did not
make the rocks and mountains to dance with sufficient agility.

"He is dry." said they, "and void of genius: he does not make the flea to
fly, and stars to fall, nor the sun to melt wax; he has not the true
Oriental style." Zadig contented himself with having the style of reason.
All the world favored him, not because he was in the right road or
followed the dictates of reason, or was a man of real merit, but because
he was prime vizier.

He terminated with the same happy address the grand difference between the
white and the black magi. The former maintained that it was the height of
impiety to pray to God with the face turned toward the east in winter; the
latter asserted that God abhorred the prayers of those who turned toward
the west in summer. Zadig decreed that every man should be allowed to turn
as he pleased.

Thus he found out the happy secret of finishing all affairs, whether of a
private or a public nature, in the morning. The rest of the day he
employed in superintending and promoting the embellishments of Babylon. He
exhibited tragedies that drew tears from the eyes of the spectators, and
comedies that shook their sides with laughter; a custom which had long
been disused, and which his good taste now induced him to revive. He never
affected to be more knowing in the polite arts than the artists
themselves; he encouraged them by rewards and honors, and was never
jealous of their talents. In the evening the king was highly entertained
with his conversation, and the queen still more. "Great minister!" said
the king. "Amiable minister!" said the queen; and both of them added, "It
would have been a great loss to the state had such a man been hanged."

Never was a man in power obliged to give so many audiences to the ladies.
Most of them came to consult him about no business at all, that so they
might have some business with him. But none of them won his attention.

Meanwhile Zadig perceived that his thoughts were always distracted, as
well when he gave audience as when he sat in judgment. He did not know to
what to attribute this absence of mind; and that was his only sorrow.

He had a dream in which he imagined that he laid himself down upon a heap
of dry herbs, among which there were many prickly ones that gave him great
uneasiness, and that he afterwards reposed himself on a soft bed of roses
from which there sprung a serpent that wounded him to the heart with its
sharp and venomed tongue. "Alas," said he, "I have long lain on these dry
and prickly herbs, I am now on the bed of roses; but what shall be the
serpent?"


JEALOUSY

Zadig's calamities sprung even from his happiness and especially from his
merit. He every day conversed with the king and Astarte, his august
comfort. The charms of his conversation were greatly heightened by that
desire of pleasing, which is to the mind what dress is to beauty. His
youth and graceful appearance insensibly made an impression on Astarte,
which she did not at first perceive. Her passion grew and flourished in
the bosom of innocence. Without fear or scruple, she indulged the pleasing
satisfaction of seeing and hearing a man who was so dear to her husband
and to the empire in general. She was continually praising him to the
king. She talked of him to her women, who were always sure to improve on
her praises. And thus everything contributed to pierce her heart with a
dart, of which she did not seem to be sensible. She made several presents
to Zadig, which discovered a greater spirit of gallantry than she
imagined. She intended to speak to him only as a queen satisfied with his
services and her expressions were sometimes those of a woman in love.

Astarte was much more beautiful than that Semira who had such a strong
aversion to one-eyed men, or that other woman who had resolved to cut off
her husband's nose. Her unreserved familiarity, her tender expressions, at
which she began to blush; and her eyes, which, though she endeavored to
divert them to other objects, were always fixed upon his, inspired Zadig
with a passion that filled him with astonishment. He struggled hard to get
the better of it. He called to his aid the precepts of philosophy, which
had always stood him in stead; but from thence, though he could derive the
light of knowledge, he could procure no remedy to cure the disorders of
his lovesick heart. Duty, gratitude, and violated majesty presented
themselves to his mind as so many avenging gods. He struggled; he
conquered; but this victory, which he was obliged to purchase afresh every
moment, cost him many sighs and tears. He no longer dared to speak to the
queen with that sweet and charming familiarity which had been so agreeable
to them both. His countenance was covered with a cloud. His conversation
was constrained and incoherent. His eyes were fixed on the ground; and
when, in spite of all his endeavors to the contrary, they encountered
those of the queen, they found them bathed in tears and darting arrows of
flame. They seemed to say, We adore each other and yet are afraid to love;
we both burn with a fire which we both condemn.

Zadig left the royal presence full of perplexity and despair, and having
his heart oppressed with a burden which he was no longer able to bear. In
the violence of his perturbation he involuntarily betrayed the secret to
his friend Cador, in the same manner as a man who, having long supported
the fits of a cruel disease, discovers his pain by a cry extorted from him
by a more severe fit and by the cold sweat that covers his brow.

"I have already discovered," said Cador, "the sentiments which thou
wouldst fain conceal from thyself. The symptoms by which the passions show
themselves are certain and infallible. Judge, my dear Zadig, since I have
read thy heart, whether the king will not discover something in it that
may give him offense. He has no other fault but that of being the most
jealous man in the world. Thou canst resist the violence of thy passion
with greater fortitude than the queen because thou art a philosopher, and
because thou art Zadig. Astarte is a woman: she suffers her eyes to speak
with so much the more imprudence, as she does not as yet think herself
guilty. Conscious of her innocence, she unhappily neglects those external
appearances which are so necessary. I shall tremble for her so long as she
has nothing wherewithal to reproach herself. Were ye both of one mind, ye
might easily deceive the whole world. A growing passion, which we endeavor
to suppress, discovers itself in spite of all our efforts to the contrary;
but love, when gratified, is easily concealed."

Zadig trembled at the proposal of betraying the king, his benefactor; and
never was he more faithful to his prince than when guilty of an
involuntary crime against him.

Meanwhile the queen mentioned the name of Zadig so frequently and with
such a blushing and downcast look; she was sometimes so lively and
sometimes so perplexed when she spoke to him in the king's presence, and
was seized with such deep thoughtfulness at his going away, that the king
began to be troubled. He believed all that he saw and imagined all that he
did not see. He particularly remarked that his wife's shoes were blue and
that Zadig's shoes were blue; that his wife's ribbons were yellow and that
Zadig's bonnet was yellow; and these were terrible symptoms to a prince of
so much delicacy. In his jealous mind suspicions were turned into
certainty.

All the slaves of kings and queens are so many spies over their hearts.
They soon observed that Astarte was tender and that Moabdar was jealous.
The envious man brought false reports to the king. The monarch now thought
of nothing but in what manner he might best execute his vengeance. He one
night resolved to poison the queen and in the morning to put Zadig to
death by the bowstring. The orders were given to a merciless eunuch, who
commonly executed his acts of vengeance. There happened at that time to be
in the king's chamber a little dwarf, who, though dumb, was not deaf. He
was allowed, on account of his insignificance, to go wherever he pleased,
and, as a domestic animal, was a witness of what passed in the most
profound secrecy. This little mute was strongly attached to the queen and
Zadig. With equal horror and surprise he heard the cruel orders given. But
how to prevent the fatal sentence that in a few hours was to be carried
into execution! He could not write, but he could paint; and excelled
particularly in drawing a striking resemblance. He employed a part of the
night in sketching out with his pencil what he meant to impart to the
queen. The piece represented the king in one corner, boiling with rage,
and giving orders to the eunuch; a bowstring, and a bowl on a table; the
queen in the middle of the picture, expiring in the arms of her woman, and
Zadig strangled at her feet The horizon, represented a rising sun, to
express that this shocking execution was to be performed in the morning.
As soon as he had finished the picture he ran to one of Astarte's women,
awakened her, and made her understand that she must immediately carry it
to the queen.

At midnight a messenger knocks at Zadig's door, awakes him, and gives him
a note from the queen. He doubts whether it is a dream; and opens the
letter with a trembling hand. But how great was his surprise! and who can
express the consternation and despair into which he was thrown upon
reading these words: "Fly this instant, or thou art a dead man. Fly,
Zadig, I conjure thee by our mutual love and my yellow ribbons. I have not
been guilty, but I find I must die like a criminal."

Zadig was hardly able to speak. He sent for Cador, and, without uttering a
word, gave him the note. Cador forced him to obey, and forthwith to take
the road to Memphis. "Shouldst thou dare," said he, "to go in search of
the queen, thou wilt hasten her death. Shouldst thou speak to the king,
thou wilt infallibly ruin her. I will take upon me the charge of her
destiny; follow thy own. I will spread a report that thou hast taken the
road to India. I will soon follow thee, and inform thee of all that shall
have passed in Babylon." At that instant, Cador caused two of the swiftest
dromedaries to be brought to a private gate of the palace. Upon one of
these he mounted Zadig, whom he was obliged to carry to the door, and who
was ready to expire with grief. He was accompanied by a single domestic;
and Cador, plunged in sorrow and astonishment, soon lost sight of his
friend.

This illustrious fugitive arriving on the side of a hill, from whence he
could take a view of Babylon, turned his eyes toward the queen's palace,
and fainted away at the sight; nor did he recover his senses but to shed a
torrent of tears and to wish for death. At length, after his thoughts had
been long engrossed in lamenting the unhappy fate of the loveliest woman
and the greatest queen in the world, he for a moment turned his views on
himself and cried: "What then is human life? O virtue, how hast thou
served me! Two women have basely deceived me, and now a third, who is
innocent, and more beautiful than both the others, is going to be put to
death! Whatever good I have done hath been to me a continual source of
calamity and affliction; and I have only been raised to the height of
grandeur, to be tumbled down the most horrid precipice of misfortune."
Filled with these gloomy reflections, his eyes overspread with the veil of
grief, his countenance covered with the paleness of death, and his soul
plunged in an abyss of the blackest despair, he continued his journey
toward Egypt.


THE WOMAN BEATEN

Zadig directed his course by the stars. The constellation of Orion and the
splendid Dog Star guided his steps toward the pole of Cassiopeia. He
admired those vast globes of light, which appear to our eyes but as so
many little sparks, while the earth, which in reality is only an
imperceptible point in nature, appears to our fond imaginations as
something so grand and noble.

He then represented to himself the human species as it really is, as a
parcel of insects devouring one another on a little atom of clay. This
true image seemed to annihilate his misfortunes, by making him sensible of
the nothingness of his own being, and of that of Babylon. His soul
launched out into infinity, and, detached from the senses, contemplated
the immutable order of the universe. But when afterwards, returning to
himself, and entering into his own heart, he considered that Astarte had
perhaps died for him, the universe vanished from his sight, and he beheld
nothing in the whole compass of nature but Astarte; expiring and Zadig
unhappy. While he thus alternately gave up his mind to this flux and
reflux of sublime philosophy and intolerable grief, he advanced toward the
frontiers of Egypt; and his faithful domestic was already in the first
village, in search of a lodging.

Upon reaching the village Zadig generously took the part of a woman
attacked by her jealous lover. The combat grew so fierce that Zadig slew
the lover. The Egyptians were then just and humane. The people conducted
Zadig to the town house. They first of all ordered his wounds to be
dressed and then examined him and his servant apart, in order to discover
the truth. They found that Zadig was not an assassin; but as he was guilty
of having killed a man, the law condemned him to be a slave. His two
camels were sold for the benefit of the town; all the gold he had brought
with him was distributed among the inhabitants; and his person, as well as
that of the companion of his journey, was exposed to sale in the
marketplace.

An Arabian merchant, named Setoc, made the purchase; but as the servant
was fitter for labor than the master, he was sold at a higher price. There
was no comparison between the two men. Thus Zadig became a slave
subordinate to his own servant. They were linked together by a chain
fastened to their feet, and in this condition they followed the Arabian
merchant to his house.

BY the way Zadig comforted his servant, and exhorted him to patience; but
he could not help making, according to his usual custom, some reflections
on human life. "I see," said he, "that the unhappiness of my fate hath an
influence on thine. Hitherto everything has turned out to me in a most
unaccountable manner. I have been condemned to pay a fine for having seen
the marks of a spaniel's feet. I thought that I should once have been
impaled on account of a griffin. I have been sent to execution for having
made some verses in praise of the king. I have been upon the point of
being strangled because the queen had yellow ribbons; and now I am a slave
with thee, because a brutal wretch beat his mistress. Come, let us keep a
good heart; all this perhaps will have an end. The Arabian merchants must
necessarily have slaves; and why not me as well as another, since, as well
as another, I am a man? This merchant will not be cruel; he must treat his
slaves well, if he expects any advantage from them." But while he spoke
thus, his heart was entirely engrossed by the fate of the Queen of
Babylon.

Two days after, the merchant Setoc set out for Arabia Deserta, with his
slaves and his camels. His tribe dwelt near the Desert of Oreb. The
journey was long and painful. Setoc set a much greater value on the
servant than the master, because the former was more expert in loading the
camels; and all the little marks of distinction were shown to him. A camel
having died within two days' journey of Oreb, his burden was divided and
laid on the backs of the servants; and Zadig had his share among the rest.

Setoc laughed to see all his slaves walking with their bodies inclined.
Zadig took the liberty to explain to him the cause, and inform him of the
laws of the balance. The merchant was astonished, and began to regard him
with other eyes. Zadig, finding he had raised his curiosity, increased it
still further by acquainting him with many things that related to
commerce, the specific gravity of metals, and commodities under an equal
bulk; the properties of several useful animals; and the means of rendering
those useful that are not naturally so. At last Setoc began to consider
Zadig as a sage, and preferred him to his companion, whom he had formerly
so much esteemed. He treated him well and had no cause to repent of his
kindness.


THE STONE

As soon as Setoc arrived among his own tribe he demanded the payment of
five hundred ounces of silver, which he had lent to a Jew in presence of
two witnesses; but as the witnesses were dead, and the debt could not be
proved, the Hebrew appropriated the merchant's money to himself, and
piously thanked God for putting it in his power to cheat an Arabian. Setoc
imparted this troublesome affair to Zadig, who was now become his counsel.

"In what place," said Zadig, "didst thou lend the five hundred ounces to
this infidel?"

"Upon a large stone," replied the merchant, "that lies near Mount Oreb."

"What is the character of thy debtor?" said Zadig. "That of a knave,"
returned Setoc.

"But I ask thee whether he is lively or phlegmatic, cautious or
imprudent?"

"He is, of all bad payers," said Setoc, "the most lively fellow I ever
knew."

"Well," resumed Zadig, "allow me to plead thy cause." In effect Zadig,
having summoned the Jew to the tribunal, addressed the judge in the
following terms: "Pillar of the throne of equity, I come to demand of this
man, in the name of my master, five hundred ounces of silver, which he
refuses to pay."

"Hast thou any witnesses?" said the judge.

"No, they are dead; but there remains a large stone upon which the money
was counted; and if it please thy grandeur to order the stone to be sought
for, I hope that it will bear witness. The Hebrew and I will tarry here
till the stone arrives; I will send for it at my master's expense."

"With all my heart," replied the judge, and immediately applied himself to
the discussion of other affairs.

When the court was going to break up, the judge said to Zadig. "Well,
friend, is not thy stone come yet?"

The Hebrew replied with a smile, "Thy grandeur may stay here till the
morrow, and after all not see the stone. It is more than six miles from
hence; and it would require fifteen men to move it."

"Well," cried Zadig, "did not I say that the stone would bear witness?
Since this man knows where it is, he thereby confesses that it was upon it
that the money was counted." The Hebrew was disconcerted, and was soon
after obliged to confess the truth. The judge ordered him to be fastened
to the stone, without meat or drink, till he should restore the five
hundred ounces, which were soon after paid.

The slave Zadig and the stone were held in great repute in Arabia.


THE FUNERAL PILE

Setoc, charmed with the happy issue of this affair, made his slave his
intimate friend. He had now conceived as great esteem for him as ever the
King of Babylon had done; and Zadig was glad that Setoc had no wife. He
discovered in his master a good natural disposition, much probity of
heart, and a great share of good sense; but he was sorry to see that,
according to the ancient custom of Arabia, he adored the host of heaven;
that is, the sun, moon, and stars. He sometimes spoke to him on this
subject with great prudence and discretion. At last he told him that these
bodies were like all other bodies in the universe, and no more deserving
of our homage than a tree or a rock.

"But," said Setoc, "they are eternal beings; and it is from them we derive
all we enjoy. They animate nature; they regulate the seasons; and,
besides, are removed at such an immense distance from us that we cannot
help revering them."

"Thou receivest more advantage," replied Zadig, "from the waters of the
Red Sea, which carry thy merchandise to the Indies. Why may not it be as
ancient as the stars? And if thou adorest what is placed at a distance
from thee, thou oughtest to adore the land of the Gangarides, which lies
at the extremity of the earth."

"No," said Setoc, "the brightness of the stars commands my adoration."

At night Zadig lighted up a great number of candles in the tent where he
was to sup with Setoc; and the moment his patron appeared, he fell on his
knees before these lighted tapers, and said, "Eternal and shining
luminaries! be ye always propitious to me." Having thus said, he sat down
at table, without taking the least notice of Setoc.

"What art thou doing?" said Setoc to him in amaze.

"I act like thee," replied Zadig, "I adore these candles, and neglect
their master and mine." Setoc comprehended the profound sense of this
apologue. The wisdom of his slave sunk deep into his soul; he no longer
offered incense to the creatures, but adored the eternal Being who made
them.

There prevailed at that time in Arabia a shocking custom, sprung
originally from Leythia, and which, being established in the Indies by the
credit of the Brahmans, threatened to overrun all the East. When a married
man died, and his beloved wife aspired to the character of a saint, she
burned herself publicly on the body of her husband. This was a solemn
feast and was called the Funeral Pile of Widowhood, and that tribe in
which most women had been burned was the most respected.

An Arabian of Setoc's tribe being dead, his widow, whose name was Almona,
and who was very devout, published the day and hour when she intended to
throw herself into the fire, amidst the sound of drums and trumpets. Zadig
remonstrated against this horrible custom; he showed Setoc how
inconsistent it was with the happiness of mankind to suffer young widows
to burn themselves every other day, widows who were capable of giving
children to the state, or at least of educating those they already had;
and he convinced him that it was his duty to do all that lay in his power
to abolish such a barbarous practice.

"The women," said Setoc, "have possessed the right of burning themselves
for more than a thousand years; and who shall dare to abrogate a law which
time hath rendered sacred? Is there anything more respectable than ancient
abuses?"

"Reason is more ancient," replied Zadig; "meanwhile, speak thou to the
chiefs of the tribes and I will go to wait on the young widow."

Accordingly he was introduced to her; and, after having insinuated himself
into her good graces by some compliments on her beauty and told her what a
pity it was to commit so many charms to the flames, he at last praised her
for her constancy and courage. "Thou must surely have loved thy husband,"
said he to her, "with the most passionate fondness."

"Who, I?" replied the lady. "I loved him not at all. He was a brutal,
jealous, insupportable wretch; but I am firmly resolved to throw myself on
his funeral pile."

"It would appear then," said Zadig, "that there must be a very delicious
pleasure in being burned alive."

"Oh! it makes nature shudder," replied the lady, "but that must be
overlooked. I am a devotee, and I should lose my reputation and all the
world would despise me if I did not burn myself."

Zadig having made her acknowledge that she burned herself to gain the good
opinion of others and to gratify her own vanity, entertained her with a
long discourse, calculated to make her a little in love with life, and
even went so far as to inspire her with some degree of good will for the
person who spoke to her.

"Alas!" said the lady, "I believe I should desire thee to marry me."

Zadig's mind was too much engrossed with the idea of Astarte not to elude
this declaration; but he instantly went to the chiefs of the tribes, told
them what had passed, and advised them to make a law, by which a widow
should not be permitted to burn herself till she had conversed privately
with a young man for the space of an hour. Since that time not a single
woman hath burned herself in Arabia. They were indebted to Zadig alone for
destroying in one day a cruel custom that had lasted for so many ages and
thus he became the benefactor of Arabia.


THE SUPPER

Setoc, who could not separate himself from this man, in whom dwelt wisdom,
carried him to the great fair of Balzora, whither the richest merchants in
the earth resorted. Zadig was highly pleased to see so many men of
different countries united in the same place. He considered the whole
universe as one large family assembled at Balzora.

Setoc, after having sold his commodities at a very high price, returned to
his own tribe with his friend Zadig; who learned upon his arrival that he
had been tried in his absence and was now going to be burned by a slow
fire. Only the friendship of Almona saved his life. Like so many pretty
women she possessed great influence with the priesthood. Zadig thought it
best to leave Arabia.

Setoc was so charmed with the ingenuity and address of Almona that he made
her his wife. Zadig departed, after having thrown himself at the feet of
his fair deliverer. Setoc and he took leave of each other with tears in
their eyes, swearing an eternal friendship, and promising that the first
of them that should acquire a large fortune should share it with the
other.

Zadig directed his course along the frontiers of Assyria, still musing on
the unhappy Astarte, and reflecting on the severity of fortune which
seemed determined to make him the sport of her cruelty and the object of
her persecution.

"What," said he to himself, "four hundred ounces of gold for having seen a
spaniel! condemned to lose my head for four bad verses in praise of the
king! ready to be strangled because the queen had shoes of the color of my
bonnet! reduced to slavery for having succored a woman who was beat! and
on the point of being burned for having saved the lives of all the young
widows of Arabia!"


THE ROBBER

Arriving on the frontiers which divide Arabia Petraea from Syria, he
passed by a pretty strong castle, from which a party of armed Arabians
sallied forth. They instantly surrounded him and cried, "All thou hast
belongs to us, and thy person is the property of our master." Zadig
replied by drawing his sword; his servant, who was a man of courage, did
the same. They killed the first Arabians that presumed to lay hands on
them; and, though the number was redoubled, they were not dismayed, but
resolved to perish in the conflict. Two men defended themselves against a
multitude; and such a combat could not last long.

The master of the castle, whose name was Arbogad, having observed from a
window the prodigies of valor performed by Zadig, conceived a high esteem
for this heroic stranger. He descended in haste and went in person to call
off his men and deliver the two travelers.

"All that passes over my lands," said he, "belongs to me, as well as what
I find upon the lands of others; but thou seemest to be a man of such
undaunted courage that I will exempt thee from the common law." He then
conducted him to his castle, ordering his men to treat him well; and in
the evening Arbogad supped with Zadig.

The lord of the castle was one of those Arabians who are commonly called
robbers; but he now and then performed some good actions amid a multitude
of bad ones. He robbed with a furious rapacity, and granted favors with
great generosity; he was intrepid in action; affable in company; a
debauchee at table, but gay in debauchery; and particularly remarkable for
his frank and open behavior. He was highly pleased with Zadig, whose
lively conversation lengthened the repast.

At last Arbogad said to him; "I advise thee to enroll thy name in my
catalogue; thou canst not do better; this is not a bad trade; and thou
mayest one day become what I am at present."

"May I take the liberty of asking thee," said Zadig, "how long thou hast
followed this noble profession?"

"From my most tender youth," replied the lord. "I was a servant to a
pretty good-natured Arabian, but could not endure the hardships of my
situation. I was vexed to find that fate had given me no share of the
earth, which equally belongs to all men. I imparted the cause of my
uneasiness to an old Arabian, who said to me: 'My son, do not despair;
there was once a grain of sand that lamented that it was no more than a
neglected atom in the desert; at the end of a few years it became a
diamond; and is now the brightest ornament in the crown of the king of the
Indies.' This discourse made a deep impression on my mind. I was the grain
of sand, and I resolved to become the diamond. I began by stealing two
horses; I soon got a party of companions; I put myself in a condition to
rob small caravans; and thus, by degrees, I destroyed the difference which
had formerly subsisted between me and other men. I had my share of the
good things of this world; and was even recompensed with usury for the
hardships I had suffered. I was greatly respected, and became the captain
of a band of robbers. I seized this castle by force. The Satrap of Syria
had a mind to dispossess me of it; but I was too rich to have any thing to
fear. I gave the satrap a handsome present, by which means I preserved my
castle and increased my possessions. He even appointed me treasurer of the
tributes which Arabia Petraea pays to the king of kings. I perform my
office of receiver with great punctuality; but take the freedom to
dispense with that of paymaster.

"The grand Desterham of Babylon sent hither a pretty satrap in the name of
King Moabdar, to have me strangled. This man arrived with his orders: I
was apprised of all; I caused to be strangled in his presence the four
persons he had brought with him to draw the noose; after which I asked him
how much his commission of strangling me might be worth. He replied, that
his fees would amount to about three hundred pieces of gold. I then
convinced him that he might gain more by staying with me. I made him an
inferior robber; and he is now one of my best and richest officers. If
thou wilt take my advice thy success may be equal to his; never was there
a better season for plunder, since King Moabdar is killed, and all Babylon
thrown into confusion."

"Moabdar killed!" said Zadig, "and what is become of Queen Astarte?"

"I know not," replied Arbogad. "All I know is, that Moabdar lost his
senses and was killed; that Babylon is a scene of disorder and bloodshed;
that all the empire is desolated; that there are some fine strokes to be
struck yet; and that, for my own part, I have struck some that are
admirable."

"But the queen," said Zadig; "for heaven's sake, knowest thou nothing of
the queen's fate?"

"Yes," replied he, "I have heard something of a prince of Hircania; if she
was not killed in the tumult, she is probably one of his concubines; but I
am much fonder of booty than news. I have taken several women in my
excursions; but I keep none of them. I sell them at a high price, when
they are beautiful, without inquiring who they are. In commodities of this
kind rank makes no difference, and a queen that is ugly will never find a
merchant. Perhaps I may have sold Queen Astarte; perhaps she is dead; but,
be it as it will, it is of little consequence to me, and I should imagine
of as little to thee." So saying he drank a large draught which threw all
his ideas into such confusion that Zadig could obtain no further
information.

Zadig remained for some time without speech, sense, or motion. Arbogad
continued drinking; told stories; constantly repeated that he was the
happiest man in the world; and exhorted Zadig to put himself in the same
condition. At last the soporiferous fumes of the wine lulled him into a
gentle repose.

Zadig passed the night in the most violent perturbation. "What," said he,
"did the king lose his senses? and is he killed? I cannot help lamenting
his fate. The empire is rent in pieces; and this robber is happy. O
fortune! O destiny! A robber is happy, and the most beautiful of nature's
works hath perhaps perished in a barbarous manner or lives in a state
worse than death. O Astarte! what is become of thee?"

At daybreak he questioned all those he met in the castle; but they were
all busy, and he received no answer. During the night they had made a new
capture, and they were now employed in dividing the spoils. All he could
obtain in this hurry and confusion was an opportunity of departing, which
he immediately embraced, plunged deeper than ever in the most gloomy and
mournful reflections.

Zadig proceeded on his journey with a mind full of disquiet and
perplexity, and wholly employed on the unhappy Astarte, on the King of
Babylon, on his faithful friend Cador, on the happy robber Arbogad; in a
word, on all the misfortunes and disappointments he had hitherto suffered.


THE FISHERMAN

At a few leagues' distance from Arbogad's castle he came to the banks of a
small river, still deploring his fate, and considering himself as the most
wretched of mankind. He saw a fisherman lying on the brink of the river,
scarcely holding, in his weak and feeble hand, a net which he seemed ready
to drop, and lifting up his eyes to Heaven.

"I am certainly," said the fisherman, "the most unhappy man in the world.
I was universally allowed to be the most famous dealer in cream cheese in
Babylon, and yet I am ruined. I had the most handsome wife that any man in
my station could have; and by her I have been betrayed. I had still left a
paltry house, and that I have seen pillaged and destroyed. At last I took
refuge in this cottage, where I have no other resource than fishing, and
yet I cannot catch a single fish. Oh, my net! no more will I throw thee
into the water; I will throw myself in thy place." So saying, he arose and
advanced forward, in the attitude of a man ready to throw himself into the
river, and thus to finish his life.

"What!" said Zadig to himself, "are there men as wretched as I?" His
eagerness to save the fisherman's life was as this reflection. He ran to
him, stopped him, and spoke to him with a tender and compassionate air. It
is commonly supposed that we are less miserable when we have companions in
our misery. This, according to Zoroaster, does not proceed from _malice_,
but necessity. We feel ourselves insensibly drawn to an unhappy person as
to one like ourselves. The joy of the happy would be an insult; but two
men in distress are like two slender trees, which, mutually supporting
each other, fortify themselves against the storm.

"Why," said Zadig to the fisherman, "dost thou sink under thy
misfortunes?"

"Because," replied he, "I see no means of relief. I was the most
considerable man in the village of Derlback, near Babylon, and with the
assistance of my wife I made the best cream cheese in the empire. Queen
Astarte and the famous minister Zadig were extremely fond of them."

Zadig, transported, said, "What, knowest thou nothing of the queen's
fate?"

"No, my lord," replied the fisherman; "but I know that neither the queen
nor Zadig has paid me for my cream cheeses; that I have lost my wife, and
am now reduced to despair."

"I flatter myself," said Zadig, "that thou wilt not lose all thy money. I
have heard of this Zadig; he is an honest man; and if he returns to
Babylon, as he expects, he will give thee more than he owes thee. Believe
me, go to Babylon. I shall be there before thee, because I am on
horseback, and thou art on foot. Apply to the illustrious Cador; tell him
thou hast met his friend; wait for me at his house; go, perhaps thou wilt
not always be unhappy."

"Oh, powerful Oromazes!" continued he, "thou employest me to comfort this
man; whom wilt thou employ to give me consolation?" So saying, he gave the
fisherman half the money he had brought from Arabia. The fisherman, struck
with surprise and ravished with joy, kissed the feet of the friend of
Cador, and said, "Thou art surely an angel sent from Heaven to save me!"

Meanwhile, Zadig continued to make fresh inquiries, and to shed tears.
"What, my lord!" cried the fisherman, "art thou then so unhappy, thou who
bestowest favors?"

"An hundred times more unhappy than thou art," replied Zadig.

"But how is it possible," said the good man, "that the giver can be more
wretched than the receiver?"

"Because," replied Zadig, "thy greatest misery arose from poverty, and
mine is seated in the heart."

"Did Orcan take thy wife from thee?" said the fisherman.

This word recalled to Zadig's mind the whole of his adventures.

He repeated the catalogue of his misfortunes, beginning with the queen's
spaniel, and ending with his arrival at the castle of the robber Arbogad.
"Ah!" said he to the fisherman, "Orcan deserves to be punished; but it is
commonly such men as those that are the favorites of fortune. However, go
thou to the house of Lord Cador, and there wait my arrival." They then
parted, the fisherman walked, thanking Heaven for the happiness of his
condition; and Zadig rode, accusing fortune for the hardness of his lot.


THE BASILISK

Arriving in a beautiful meadow, he there saw several women, who were
searching for something with great application. He took the liberty to
approach one of them, and to ask if he might have the honor to assist them
in their search. "Take care that thou dost not," replied the Syrian; "what
we are searching for can be touched only by women."

"Strange," said Zadig, "may I presume to ask thee what it is that women
only are permitted to touch?"

"It is a basilisk," said she.

"A basilisk, madam! and for what purpose, pray, dost thou seek for a
basilisk?"

"It is for our lord and master Ogul, whose cattle thou seest on the bank
of that river at the end of the meadow. We are his most humble slaves. The
lord Ogul is sick. His physician hath ordered him to eat a basilisk,
stewed in rose water; and as it is a very rare animal, and can only be
taken by women, the lord Ogul hath promised to choose for his well-beloved
wife the woman that shall bring him a basilisk; let me go on in my search;
for thou seest what I shall lose if I am prevented by my companions."

Zadig left her and the other Assyrians to search for their basilisk, and
continued to walk in the meadow; when coming to the brink of a small
rivulet, he found another lady lying on the grass, and who was not
searching for anything. Her person worried to be majestic; but her face
was covered with a veil. She was inclined toward the rivulet, and profound
sighs proceeded from her mouth. In her hand she held a small rod with
which she was tracing characters on the fine sand that lay between the
turf and the brook. Zadig had the curiosity to examine what this woman was
writing. He drew near; he saw the letter Z, then an A; he was astonished;
then appeared a D; he started. But never was surprise equal to his when he
saw the last letters of his name.

He stood for some time immovable. At last, breaking silence with a
faltering voice: "O generous lady! pardon a stranger, an unfortunate man,
for presuming to ask thee by what surprising adventure I here find the name
of Zadig traced out by thy divine hand!"

At this voice and these words, the lady lifted up the veil with a
trembling hand, looked at Zadig, sent forth a cry of tenderness, surprise
and joy, and sinking under the various emotions which at once assaulted
her soul, fell speechless into his arms. It was Astarte herself; it was
the Queen of Babylon; it was she whom Zadig adored, and whom he had
reproached himself for adoring; it was she whose misfortunes he had so
deeply lamented, and for whose fate he had been so anxiously concerned.

He was for a moment deprived of the use of his senses, when he had fixed
his eyes on those of Astarte, which now began to open again with a languor
mixed with confusion and tenderness: "O ye immortal powers!" cried he,
"who preside over the fates of weak mortals, do ye indeed restore Astarte
to me! at what a time, in what a place, and in what a condition do I again
behold her!" He fell on his knees before Astarte and laid his face in the
dust at her feet. The Queen of Babylon raised him up, and made him sit by
her side on the brink of the rivulet. She frequently wiped her eyes, from
which the tears continued to flow afresh. She twenty times resumed her
discourse, which her sighs as often interrupted; she asked by what strange
accident they were brought together, and suddenly prevented his answers by
other questions; she waived the account of her own misfortunes, and
desired to be informed of those of Zadig.

At last, both of them having a little composed the tumult of their souls,
Zadig acquainted her in a few words by what adventure he was brought into
that meadow. "But, O unhappy and respectable queen! by what means do I
find thee in this lonely place, clothed in the habit of a slave, and
accompanied by other female slaves, who are searching for a basilisk,
which, by order of the physician, is to be stewed in rose water?"

"While they are searching for their basilisk," said the fair Astarte, "I
will inform thee of all I have suffered, for which Heaven has sufficiently
recompensed me by restoring thee to my sight. Thou knowest that the king,
my husband, was vexed to see thee the most amiable of mankind; and that
for this reason he one night resolved to strangle thee and poison me. Thou
knowest how Heaven permitted my little mute to inform me of the orders of
his sublime majesty. Hardly had the faithful Cador advised thee to depart,
in obedience to my command, when he ventured to enter my apartment at
midnight by a secret passage. He carried me off and conducted me to the
temple of Oromazes, where the mage his brother shut me up in that huge
statue whose base reaches to the foundation of the temple and whose top
rises to the summit of the dome. I was there buried in a manner; but was
saved by the mage; and supplied with all the necessaries of life. At break
of day his majesty's apothecary entered my chamber with a potion composed
of a mixture of henbane, opium, hemlock, black hellebore, and aconite; and
another officer went to thine with a bowstring of blue silk. Neither of us
was to be found. Cador, the better to deceive the king, pretended to come
and accuse us both. He said that thou hadst taken the road to the Indies,
and I that to Memphis, on which the king's guards were immediately
dispatched in pursuit of us both.

"The couriers who pursued me did not know me. I had hardly ever shown my
face to any but thee, and to thee only in the presence and by the order of
my husband. They conducted themselves in the pursuit by the description
that had been given them of my person. On the frontiers of Egypt they met
with a woman of the same stature with me, and possessed perhaps of greater
charms. She was weeping and wandering. They made no doubt but that this
woman was the Queen of Babylon and accordingly brought her to Moabdar.
Their mistake at first threw the king into a violent passion; but having
viewed this woman more attentively, he found her extremely handsome and
was comforted. She was called Missouf. I have since been informed that
this name in the Egyptian language signifies the capricious fair one. She
was so in reality; but she had as much cunning as caprice. She pleased
Moabdar and gained such an ascendancy over him as to make him choose her
for his wife. Her character then began to appear in its true colors. She
gave herself up, without scruple, to all the freaks of a wanton
imagination. She would have obliged the chief of the magi, who was old and
gouty, to dance before her; and on his refusal, she persecuted him with
the most unrelenting cruelty. She ordered her master of the horse to make
her a pie of sweetmeats. In vain did he represent that he was not a
pastry-cook; he was obliged to make it, and lost his place, because it was
baked a little too hard. The post of master of the horse she gave to her
dwarf, and that of chancellor to her page. In this manner did she govern
Babylon. Everybody regretted the loss of me. The king, who till the moment
of his resolving to poison me and strangle thee had been a tolerably good
kind of man, seemed now to have drowned all his virtues in his immoderate
fondness for this capricious fair one. He came to the temple on the great
day of the feast held in honor of the sacred fire. I saw him implore the
gods in behalf of Missouf, at the feet of the statue in which I was
inclosed. I raised my voice, I cried out, 'The gods reject the prayers of
a king who is now become a tyrant, and who attempted to murder a
reasonable wife, in order to marry a woman remarkable for nothing but her
folly and extravagance.' At these words Moabdar was confounded and his
head became disordered. The oracle I had pronounced, and the tyranny of
Missouf, conspired to deprive him of his judgment, and in a few days his
reason entirely forsook him.

"Moabdar's madness, which seemed to be the judgment of Heaven, was the
signal to a revolt. The people rose and ran to arms; and Babylon, which
had been so long immersed in idleness and effeminacy, became the theater
of a bloody civil war. I was taken from the heart of my statue and placed
at the head of a party. Cador flew to Memphis to bring thee back to
Babylon. The Prince of Hircania, informed of these fatal events, returned
with his army and made a third party in Chaldea. He attacked the king, who
fled before him with his capricious Egyptian. Moabdar died pierced with
wounds. I myself had the misfortune to be taken by a party of Hircanians,
who conducted me to their prince's tent, at the very moment that Missouf
was brought before him. Thou wilt doubtless be pleased to hear that the
prince thought me beautiful; but thou wilt be sorry to be informed that he
designed me for his seraglio. He told me, with a blunt and resolute air,
that as soon as he had finished a military expedition, which he was just
going to undertake, he would come to me. Judge how great must have been my
grief. My ties with Moabdar were already dissolved; I might have been the
wife of Zadig; and I was fallen into the hands of a barbarian. I answered
him with all the pride which my high rank and noble sentiment could
inspire. I had always heard it affirmed that Heaven stamped on persons of
my condition a mark of grandeur, which, with a single word or glance,
could reduce to the lowliness of the most profound respect those rash and
forward persons who presume to deviate from the rules of politeness. I
spoke like a queen, but was treated like a maidservant. The Hircanian,
without even deigning to speak to me, told his black eunuch that I was
impertinent, but that he thought me handsome. He ordered him to take care
of me, and to put me under the regimen of favorites, that so my complexion
being improved, I might be the more worthy of his favors when he should be
at leisure to honor me with them, I told him that rather than submit to
his desires I would put an end to my life. He replied, with a smile, that
women, he believed, were not, so bloodthirsty, and that he was accustomed
to such violent expressions; and then left me with the air of a man who
had just put another parrot into his aviary. What a state for the first
queen of the universe, and, what is more, for a heart devoted to Zadig!"

At these words Zadig threw himself at her feet and bathed them with his
tears. Astarte raised him with great tenderness and thus continued her
story: "I now saw myself in the power of a barbarian and rival to the
foolish woman with whom I was confined. She gave me an account of her
adventures in Egypt. From the description she gave me of your person, from
the time, from the dromedary on which you were mounted, and from every
other circumstance, I inferred that Zadig was the man who had fought for
her. I doubted not but that you were at Memphis, and, therefore, resolved
to repair thither. Beautiful Missouf, said I, thou art more handsome than
I, and will please the Prince of Hircania much better. Assist me in
contriving the means of my escape; thou wilt then reign alone; thou wilt
at once make me happy and rid thyself of a rival. Missouf concerted with
me the means of my flight; and I departed secretly with a female Egyptian
slave.

"As I approached the frontiers of Arabia, a famous robber, named Arbogad,
seized me and sold me to some merchants, who brought me to this castle,
where Lord Ogul resides. He bought me without knowing who I was. He is a
voluptuary, ambitious of nothing but good living, and thinks that God sent
him into the world for no other purpose than to sit at table. He is so
extremely corpulent that he is always in danger of suffocation. His
physician, who has but little credit with him when he has a good
digestion, governs him with a despotic sway when he has eaten too much. He
has persuaded him that a basilisk stewed in rose water will effect a
complete cure. The Lord Ogul hath promised his hand to the female slave
that brings him a basilisk. Thou seest that I leave them to vie with each
other in meriting this honor; and never was I less desirous of finding the
basilisk than since Heaven hath restored thee to my sight."

This account was succeeded by a long conversation between Astarte and
Zadig, consisting of everything that their long-suppressed sentiments,
their great sufferings, and their mutual love could inspire in hearts the
most noble and tender; and the genii who preside over love carried their
words to the sphere of Venus.

The woman returned to Ogul without having found the basilisk. Zadig was
introduced to this mighty lord and spoke to him in the following terms:
"May immortal health descend from heaven to bless all thy days! I am a
physician; at the first report of thy indisposition I flew to thy castle
and have now brought thee a basilisk stewed in rose water. Not that I
pretend to marry thee. All I ask is the liberty of a Babylonian slave, who
hath been in thy possession for a few days; and, if I should not be so
happy as to cure thee, magnificent Lord Ogul, I consent to remain a slave
in her place."

The proposal was accepted. Astarte set out for Babylon with Zadig's
servant, promising, immediately upon her arrival, to send a courier to
inform him of all that had happened. Their parting was as tender as their
meeting. The moment of meeting and that of parting are the two greatest
epochs of life, as sayeth the great book of Zend. Zadig loved the queen
with as much ardor as he professed; and the queen loved him more than she
thought proper to acknowledge.

Meanwhile Zadig spoke thus to Ogul: "My lord, my basilisk is not to be
eaten; all its virtues must enter through thy pores. I have inclosed it in
a little ball, blown up and covered with a fine skin. Thou must strike
this ball with all thy might and I must strike it back for a considerable
time; and by observing this regimen for a few days thou wilt see the
effects of my art." The first day Ogul was out of breath and thought he
should have died with fatigue. The second he was less fatigued, slept
better. In eight days he recovered all the strength, all the health, all
the agility and cheerfulness of his most agreeable years.

"Thou hast played at ball, and thou hast been temperate," said Zadig;
"know that there is no such thing in nature as a basilisk; that temperance
and exercise are the two great preservatives of health; and that the art
of reconciling intemperance and health is as chimerical as the
philosopher's stone, judicial astrology, or the theology of the magi."

Ogul's first physician, observing how dangerous this man might prove to
the medical art, formed a design, in conjunction with the apothecary, to
send Zadig to search for a basilisk in the other world. Thus, having
suffered such a long train of calamities on account of his good actions,
he was now upon the point of losing his life for curing a gluttonous lord.
He was invited to an excellent dinner and was to have been poisoned in the
second course, but, during the first, he happily received a courier from
the fair Astarte. "When one is beloved by a beautiful woman," says the
great Zoroaster, "he hath always the good fortune to extricate himself out
of every kind of difficulty and danger."


THE COMBATS

The queen was received at Babylon with all those transports of joy which
are ever felt on the return of a beautiful princess who hath been involved
in calamities. Babylon was now in greater tranquillity. The Prince of
Hircania had been killed in battle. The victorious Babylonians declared
that the queen should marry the man whom they should choose for their
sovereign. They were resolved that the first place in the world, that of
being husband to Astarte and King of Babylon, should not depend on cabals
and intrigues. They swore to acknowledge for king the man who, upon trial,
should be found to be possessed of the greatest valor and the greatest
wisdom. Accordingly, at the distance of a few leagues from the city, a
spacious place was marked out for the list, surrounded with magnificent
amphitheaters. Thither the combatants were to repair in complete armor.
Each of them had a separate apartment behind the amphitheaters, where they
were neither to be seen nor known by anyone. Each was to encounter four
knights, and those that were so happy as to conquer four were then to
engage with one another; so that he who remained the last master of the
field would be proclaimed conqueror at the games.

Four days after he was to return with the same arms and to explain the
enigmas proposed by the magi. If he did not explain the enigmas he was not
king; and the running at the lances was to be begun afresh till a man
would be found who was conqueror in both these combats; for they were
absolutely determined to have a king possessed of the greatest wisdom and
the most invincible courage. The queen was all the while to be strictly
guarded: she was only allowed to be present at the games, and even there
she was to be covered with a veil; but was not permitted to speak to any
of the competitors, that so they might neither receive favor, nor suffer
injustice.

These particulars Astarte communicated to her lover, hoping that in order
to obtain her he would show himself possessed of greater courage and
wisdom than any other person. Zadig set out on his journey, beseeching
Venus to fortify his courage and enlighten his understanding. He arrived
on the banks of the Euphrates on the eve of this great day. He caused his
device to be inscribed among those of the combatants, concealing his face
and his name, as the law ordained; and then went to repose himself in the
apartment that fell to him by lot. His friend Cador, who, after the
fruitless search he had made for him in Egypt, was now returned to
Babylon, sent to his tent a complete suit of armor, which was a present
from the queen; as also, from himself, one of the finest horses in Persia.
Zadig presently perceived that these presents were sent by Astarte; and
from thence his courage derived fresh strength, and his love the most
animating hopes.

Next day, the queen being seated under a canopy of jewels, and the
amphitheaters filled with all the gentlemen and ladies of rank in Babylon,
the combatants appeared in the circus. Each of them came and laid his
device at the feet of the grand magi. They drew their devices by lot; and
that of Zadig was the last. The first who advanced was a certain lord,
named Itobad, very rich and very vain, but possessed of little courage, of
less address, and hardly of any judgment at all. His servants had
persuaded him that such a man as he ought to be king; he had said in
reply, "Such a man as I ought to reign"; and thus they had armed him
cap-à-pie. He wore an armor of gold enameled with green, a plume of green
feathers, and a lance adorned with green ribbons. It was instantly
perceived by the manner in which Itobad managed his horse, that it was not
for such a man as he that Heaven reserved the scepter of Babylon. The
first knight that ran against him threw him out of his saddle; the second
laid him flat on his horse's buttocks, with his legs in the air, and his
arms extended. Itobad recovered himself, but with so bad a grace that the
whole amphitheater burst out a-laughing. The third knight disdained to
make use of his lance; but, making a pass at him, took him by the right
leg and, wheeling him half round, laid him prostrate on the sand. The
squires of the game ran to him laughing, and replaced him in his saddle.
The fourth combatant took him by the left leg, and tumbled him down on the
other side. He was conducted back with scornful shouts to his tent, where,
according to the law, he was to pass the night; and as he climbed along
with great difficulty he said, "What an adventure for such a man as I!"

The other knights acquitted themselves with greater ability and success.
Some of them conquered two combatants; a few of them vanquished three; but
none but Prince Otamus conquered four. At last Zadig fought him in his
turn. He successively threw four knights off their saddles with all the
grace imaginable. It then remained to be seen who should be conqueror,
Otamus or Zadig. The arms of the first were gold and blue, with a plume of
the same color; those of the last were white. The wishes of all the
spectators were divided between the knight in blue and the knight in
white. The queen, whose heart was in a violent palpitation, offered
prayers to Heaven for the success of the white color.

The two champions made their passes and vaults with so much agility, they
mutually gave and received such dexterous blows with their lances, and sat
so firmly in their saddles, that everybody but the queen wished there
might be two kings in Babylon. At length, their horses being tired and
their lances broken, Zadig had recourse to this stratagem: He passes
behind the blue prince; springs upon the buttocks of his horse; seizes him
by the middle; throws him on the earth; places himself in the saddle; and
wheels around Otamus as he lay extended on the ground. All the
amphitheater cried out, "Victory to the white knight!"

Otamus rises in a violent passion, and draws his sword; Zadig leaps from
his horse with his saber in his hand. Both of them are now on the ground,
engaged in a new combat, where strength and agility triumph by turns. The
plumes of their helmets, the studs of their bracelets, the rings of their
armor, are driven to a great distance by the violence of a thousand
furious blows. They strike with the point and the edge; to the right, to
the left, on the head, on the breast; they retreat; they advance; they
measure swords; they close; they seize each other; they bend like
serpents; they attack like lions; and the fire every moment flashes from
their blows.

At last Zadig, having recovered his spirits, stops; makes a feint; leaps
upon Otamus; throws him on the ground and disarms him; and Otamus cries
out, "It is thou alone, O white knight, that oughtest to reign over
Babylon!" The queen was now at the height of her joy. The knight in blue
armor and the knight in white were conducted each to his own apartment, as
well as all the others, according to the intention of the law. Mutes came
to wait upon them and to serve them at table. It may be easily supposed
that the queen's little mute waited upon Zadig. They were then left to
themselves to enjoy the sweets of repose till next morning, at which time
the conqueror was to bring his device to the grand magi, to compare it
with that which he had left, and make himself known.

Zadig though deeply in love, was so much fatigued that he could not help
sleeping. Itobad, who lay near him, never closed his eyes. He arose in the
night, entered his apartment, took the white arms and the device of Zadig,
and put his green armor in their place. At break of day he went boldly to
the grand magi to declare that so great a man as he was conqueror. This
was little expected; however, he was proclaimed while Zadig was still
asleep. Astarte, surprised and filled with despair, returned to Babylon.
The amphitheater was almost empty when Zadig awoke; he sought for his
arms, but could find none but the green armor. With this he was obliged to
cover himself, having nothing else near him. Astonished and enraged, he
put it on in a furious passion, and advanced in this equipage.

The people that still remained in the amphitheater and the circus received
him with hoots and hisses. They surrounded him and insulted him to his
face. Never did man suffer such cruel mortifications. He lost his
patience; with his saber he dispersed such of the populace as dared to
affront him; but he knew not what course to take. He could not see the
queen; he could not claim the white armor she had sent him without
exposing her; and thus, while she was plunged in grief, he was filled with
fury and distraction. He walked on the banks of the Euphrates, fully
persuaded that his star had destined him to inevitable misery, and
resolving in his own mind all his misfortunes, from the adventure of the
woman who hated one-eyed men to that of his armor. "This," said he, "is
the consequence of my having slept too long. Had I slept less, I should
now have been King of Babylon and in possession of Astarte. Knowledge,
virtue, and courage have hitherto served only to make me miserable." He
then let fall some secret murmurings against Providence, and was tempted
to believe that the world was governed by a cruel destiny, which oppressed
the good and prospered knights in green armor. One of his greatest
mortifications was his being obliged to wear that green armor which had
exposed him to such contumelious treatment. A merchant happening to pass
by, he sold it to him for a trifle and bought a gown and a long bonnet. In
this garb he proceeded along the banks of the Euphrates, filled with
despair, and secretly accusing Providence, which thus continued to
persecute him with unremitting severity.


THE HERMIT

While he was thus sauntering he met a hermit, whose white and venerable
beard hung down to his girdle. He held a book in his hand, which he read
with great attention. Zadig stopped, and made him a profound obeisance.
The hermit returned the compliment with such a noble and engaging air,
that Zadig had the curiosity to enter into conversation with him. He asked
him what book it was that he had been reading? "It is the Book of
Destinies," said the hermit; "wouldst thou choose to look into it?" He put
the book into the hands of Zadig, who, thoroughly versed as he was in
several languages, could not decipher a single character of it. This only
redoubled his curiosity.

"Thou seemest," said this good father, "to be in great distress."

"Alas," replied Zadig, "I have but too much reason."

"If thou wilt permit me to accompany thee," resumed the old man, "perhaps
I may be of some service to thee. I have often poured the balm of
consolation into the bleeding heart of the unhappy."

Zadig felt himself inspired with respect for the air, the beard, and the
book of the hermit. He found, in the course of the conversation, that he
was possessed of superior degrees of knowledge. The hermit talked of fate,
of justice, of morals, of the chief good, of human weakness, and of virtue
and vice, with such a spirited and moving eloquence, that Zadig felt
himself drawn toward him by an irresistible charm. He earnestly entreated
the favor of his company till their return to Babylon.

"I ask the same favor of thee," said the old man; "swear to me by
Oromazes, that whatever I do, thou wilt not leave me for some days." Zadig
swore, and they set out together.

In the evening the two travelers arrived in a superb castle. The hermit
entreated a hospitable reception for himself and the young man who
accompanied him. The porter, whom one might have easily mistaken for a
great lord, introduced them with a kind of disdainful civility. He
presented them to a principal domestic, who showed them his master's
magnificent apartments. They were admitted to the lower end of the table,
without being honored with the least mark of regard by the lord of the
castle; but they were served, like the rest, with delicacy and profusion.
They were then presented with water to wash their hands, in a golden basin
adorned with emeralds and rubies. At last they were conducted to bed in a
beautiful apartment; and in the morning a domestic brought each of them a
piece of gold, after which they took their leave and departed.

"The master of the house," said Zadig, as they were proceeding on the
journey, "appears to be a generous man, though somewhat too proud; he
nobly performs the duties of hospitality." At that instant he observed
that a kind of large pocket, which the hermit had, was filled and
distended; and upon looking more narrowly he found that it contained the
golden basin adorned with precious stones, which the hermit had stolen. He
durst not take any notice of it, but he was filled with a strange
surprise.

About noon, the hermit came to the door of a paltry house inhabited by a
rich miser, and begged the favor of an hospitable reception for a few
hours. An old servant, in a tattered garb, received them with a blunt and
rude air, and led them into the stable, where he gave them some rotten
olives, moldy bread, and sour beer. The hermit ate and drank with as much
seeming satisfaction as he had done the evening before; and then
addressing himself to the old servant, who watched them both, to prevent
their stealing anything, and rudely pressed them to depart, he gave him
the two pieces of gold he had received in the morning, and thanked him for
his great civility.

"Pray," added he, "allow me to speak to thy master." The servant, filled
with astonishment, introduced the two travelers. "Magnificent lord," said
the hermit, "I cannot but return thee my most humble thanks for the noble
manner in which thou hast entertained us. Be pleased to accept this golden
basin as a small mark of my gratitude." The miser started, and was ready
to fall backward; but the hermit, without giving him time to recover from
his surprise, instantly departed with his young fellow traveler.

"Father," said Zadig, "what is the meaning of all this? Thou seemest to me
to be entirely different from other men; thou stealest a golden basin
adorned with precious stones from a lord who received thee magnificently,
and givest it to a miser who treats thee with indignity."

"Son," replied the old man, "this magnificent lord, who receives strangers
only from vanity and ostentation, will hereby be rendered more wise; and
the miser will learn to practice the duties of hospitality. Be surprised
at nothing, but follow me."

Zadig knew not as yet whether he was in company with the most foolish or
the most prudent of mankind; but the hermit spoke with such an ascendancy,
that Zadig, who was moreover bound by his oath, could not refuse to follow
him.

In the evening they arrived at a house built with equal elegance and
simplicity, where nothing savored either of prodigality or avarice. The
master of it was a philosopher, who had retired from the world, and who
cultivated in peace the study of virtue and wisdom, without any of that
rigid and morose severity so commonly to be found in men of his character.
He had chosen to build this country house, in which he received strangers
with a generosity free from ostentation. He went himself to meet the two
travelers, whom he led into a commodious apartment, where he desired them
to repose themselves a little. Soon after he came and invited them to a
decent and well-ordered repast during which he spoke with great judgment
of the last revolutions in Babylon. He seemed to be strongly attached to
the queen, and wished that Zadig had appeared in the lists to dispute the
crown. "But the people," added he, "do not deserve to have such a king as
Zadig."

Zadig blushed, and felt his griefs redoubled. They agreed, in the course
of the conversation, that the things of this world did not always answer
the wishes of the wise. The hermit still maintained that the ways of
Providence were inscrutable; and that men were in the wrong to judge of a
whole, of which they understood but the smallest part.

They talked of passions. "Ah," said Zadig, "how fatal are their effects!"

"They are in the winds," replied the hermit, "that swell the sails of the
ship; it is true, they sometimes sink her, but without them she could not
sail at all. The bile makes us sick and choleric; but without bile we
could not live. Everything in this world is dangerous, and yet everything
is necessary."

The conversation turned on pleasure; and the hermit proved that it was a
present bestowed by the Deity. "For," said he, "man cannot give himself
either sensations or ideas; he receives all; and pain and pleasure proceed
from a foreign cause as well as his being."

Zadig was surprised to see a man, who had been guilty of such extravagant
actions, capable of reasoning with so much judgment and propriety. At
last, after a conversation equally entertaining and instructive, the host
led back his two guests to their apartment, blessing Heaven for having
sent him two men possessed of so much wisdom and virtue. He offered them
money with such an easy and noble air as could not possibly give any
offense. The hermit refused it, and said that he must now take his leave
of him, as he set out for Babylon before it was light. Their parting Was
tender; Zadig especially felt himself filled with esteem and affection for
a man of such an amiable character.

When he and the hermit were alone in their apartment, they spent a long
time praising their host. At break of day the old man awakened his
companion. "We must now depart," said he, "but while all the family are
still asleep, I will leave this man a mark of my esteem and affection." So
saying, he took a candle and set fire to the house.

Zadig, struck with horror, cried aloud, and endeavored to hinder him from
committing such a barbarous action; but the hermit drew him away by a
superior force, and the house was soon in flames. The hermit, who, with
his companion, was already at a considerable distance, looked back to the
conflagration with great tranquillity.

"Thanks be to God," said he, "the house of my dear host is entirely
destroyed! Happy man!"

At these words Zadig was at once tempted to burst out a-laughing, to
reproach the reverend father, to beat him, and to run away. But he did
none of all of these, for still subdued by the powerful ascendancy of the
hermit, he followed him, in spite of himself, to the next stage.

This was at the house of a charitable and virtuous widow, who had a nephew
fourteen years of age, a handsome and promising youth, and her only hope.
She performed the honors of her house as well as she could. Next day, she
ordered her nephew to accompany the strangers to a bridge, which being
lately broken down, was become extremely dangerous in passing. The young
man walked before them with great alacrity. As they were crossing the
bridge, "Come" said the hermit to the youth, "I must show my gratitude to
thy aunt." He then took him by the hair and plunged him into the river.
The boy sunk, appeared again on the surface of the water, and was
swallowed up by the current.

"O monster! O thou most wicked of mankind!" cried Zadig.

"Thou promisedst to behave with greater patience," said the hermit,
interrupting him. "Know that under the ruins of that house which
Providence hath set on fire the master hath found an immense treasure.
Know that this young, man, whose life Providence hath shortened, would
have assassinated his aunt in the space of a year, and thee in that of
two."

"Who told thee so, barbarian?" cried Zadig; "and though thou hadst read
this event in thy Book of Destinies, art thou permitted to drown a youth
who never did thee any harm?"

While the Babylonian was thus exclaiming, he observed that the old man had
no longer a beard, and that his countenance assumed the features and
complexion of youth. The hermit's habit disappeared, and four beautiful
wings covered a majestic body resplendent with light.

"O sent of heaven! O divine angel!" cried Zadig, humbly prostrating
himself on the ground, "hast thou then descended from the Empyrean to
teach a weak mortal to submit to the eternal decrees of Providence?"

"Men," said the angel Jesrad, "judge of all without knowing anything; and,
of all men, thou best deservest to be enlightened."

Zadig begged to be permitted to speak. "I distrust myself," said he, "but
may I presume to ask the favor of thee to clear up one doubt that still
remains in my mind? Would it not have been better to have corrected this
youth, and made him virtuous, than to have drowned him?"

"Had he been virtuous," replied Jesrad, "and enjoyed a longer life, it
would have been his fate to be assassinated himself, together with the
wife he would have married, and the child he would have had by her."

"But why," said Zadig, "is it necessary that there should be crimes and
misfortunes, and that these misfortunes should fall on the good?"

"The wicked," replied Jesrad, "are always unhappy; they serve to prove and
try the small number of the just that are scattered through the earth; and
there is no evil that is not productive of some good."

"But," said Zadig, "suppose there were nothing but good and no evil at
all."

"Then," replied Jesrad, "this earth would be another earth. The chain of
events would be ranged in another order and directed by wisdom; but this
other order, which would be perfect, can exist only in the eternal abode
of the Supreme Being, to which no evil can approach. The Deity hath
created millions of worlds among which there is not one that resembles
another. This immense variety is the effect of His immense power. There
are not two leaves among the trees of the earth, nor two globes in the
unlimited expanse of heaven that are exactly similar; and all that thou
seest on the little atom in which thou art born, ought to be in its proper
time and place, according to the immutable decree of Him who comprehends
all. Men think that this child who hath just perished is fallen into the
water by chance; and that it is by the same chance that this house is
burned; but there is no such thing as chance; all is either a trial, or a
punishment, or a reward, or a foresight. Remember the fisherman who
thought himself the most wretched of mankind. Oromazes sent thee to change
his fate. Cease, then, frail mortal, to dispute against what thou oughtest
to adore."

"But," said Zadig--as he pronounced the word "But," the angel took his
flight toward the tenth sphere. Zadig on his knees adored Providence, and
submitted. The angel cried to him from on high, "Direct thy course toward
Babylon."


THE ENIGMAS

Zadig, entranced, as it were, and like a man about whose head the thunder
had burst, walked at random. He entered Babylon on the very day when those
who had fought at the tournaments were assembled in the grand vestibule of
the palace to explain the enigmas and to answer the questions of the grand
magi. All the knights were already arrived, except the knight in green
armor. As soon as Zadig appeared in the city the people crowded round him;
every eye was fixed on him; every mouth blessed him, and every heart
wished him the empire. The envious man saw him pass; he frowned and turned
aside. The people conducted him to the place where the assembly was held.
The queen, who was informed of his arrival, became a prey to the most
violent agitations of hope and fear. She was filled with anxiety and
apprehension. She could not comprehend why Zadig was without arms, nor why
Itobad wore the white armor. A confused murmur arose at the sight of
Zadig. They were equally surprised and charmed to see him; but none but
the knights who had fought were permitted to appear in the assembly.

"I have fought as well as the other knights," said Zadig, "but another
here wears my arms; and while I wait for the honor of proving the truth of
my assertion, I demand the liberty of presenting myself to explain the
enigmas." The question was put to the vote, and his reputation for probity
was still so deeply impressed in their minds, that they admitted him
without scruple.

The first question proposed by the grand magi was: "What, of all things in
the world, is the longest and the shortest, the swiftest and the slowest,
the most divisible and the most extended the most neglected and the most
regretted, without which nothing can be done, which devours all that is
little, and enlivens all that is great?"

Itobad was to speak. He replied that so great a man as he did not
understand enigmas, and that it was sufficient for him to have conquered
by his strength and valor. Some said that the meaning of the enigma was
Fortune; some, the Earth; and others the Light. Zadig said that it was
Time. "Nothing," added he, "is longer, since it is the measure of
eternity; nothing is shorter, since it is insufficient for the
accomplishment of our projects; nothing more slow to him that expects,
nothing more rapid to him that enjoys; in greatness, it extends to
infinity; in smallness, it is infinitely divisible; all men neglect it;
all regret the loss of it; nothing can be done without it; it consigns to
oblivion whatever is unworthy of being transmitted to posterity, and it
immortalizes such actions as are truly great." The assembly acknowledged
that Zadig was in the right.

The next question was: "What is the thing which we receive without thanks,
which we enjoy without knowing how, which we give to others when we know
not where we are, and which we lose without perceiving it?"

Everyone gave his own explanation. Zadig alone guessed that it was Life,
and explained all the other enigmas with the same facility. Itobad always
said that nothing was more easy, and that he could have answered them with
the same readiness had he chosen to have given himself the trouble.
Questions were then proposed on justice, on the sovereign good, and on the
art of government. Zadig's answers were judged to be the most solid. "What
a pity is it," said they, "that such a great genius should be so bad a
knight!"

"Illustrious lords," said Zadig, "I have had the honor of conquering in
the tournaments. It is to me that the white armor belongs. Lord Itobad
took possession of it during my sleep. He probably thought that it would
fit him better than the green. I am now ready to prove in your presence,
with my gown and sword, against all that beautiful white armor which he
took from me, that it is I who have had the honor of conquering the brave
Otamus."

Itobad accepted the challenge with the greatest confidence. He never
doubted but that, armed as he was, with a helmet, a cuirass, and
brassarts, he would obtain an easy victory over a champion in a cap and
nightgown. Zadig drew his sword, saluting the queen, who looked at him
with a mixture of fear and joy. Itobad drew his without saluting anyone.
He rushed upon Zadig, like a man who had nothing to fear; he was ready to
cleave him in two. Zadig knew how to ward off his blows, by opposing the
strongest part of his sword to the weakest of that of his adversary, in
such a manner that Itobad's sword was broken. Upon which Zadig, seizing
his enemy by the waist, threw him on the ground; and firing the point of
his sword at the breastplate, "Suffer thyself to be disarmed," said he,
"or thou art a dead man."

Itobad, always surprised at the disgraces that happened to such a man as
he, was obliged to yield to Zadig, who took from him with great composure
his magnificent helmet, his superb cuirass, his fine brassarts, his
shining cuishes; clothed himself with them, and in this dress ran to throw
himself at the feet of Astarte. Cador easily proved that the armor
belonged to Zadig. He was acknowledged king by the unanimous consent of
the whole nation, and especially by that of Astarte, who, after so many
calamities, now tasted the exquisite pleasure of seeing her lover worthy,
in the eyes of all the world, to be her husband. Itobad went home to be
called lord in his own house. Zadig was king, and was happy. The queen and
Zadig adored Providence. He sent in search of the robber Arbogad, to whom
he gave an honorable post in his army, promising to advance him to the
first dignities if he behaved like a true warrior, and threatening to hang
him if he followed the profession of a robber.

Setoc, with the fair Almona, was called from the heart of Arabia and
placed at the head of the commerce of Babylon. Cador was preferred and
distinguished according to his great services. He was the friend of the
king; and the king was then the only monarch on earth that had a friend.
The little mute was not forgotten.

But neither could the beautiful Semira be comforted for having believed
that Zadig would be blind of an eye; nor did Azora cease to lament her
having attempted to cut off his nose. Their griefs, however, he softened
by his presents. The envious man died of rage and shame. The empire
enjoyed peace, glory, and plenty. This was the happiest age of the earth;
it was governed by love and justice. The people blessed Zadig, and Zadig
blessed Heaven.



ABANDONED

BY GUY DE MAUPASSANT


"I really think you must be mad, my dear, to go for a country walk in such
weather as this. You have had some very strange notions for the last two
months. You drag me to the seaside in spite of myself, when you have never
once had such a whim during all the forty-four years that we have been
married. You chose Fécamp, which is a very dull town, without consulting
me in the matter, and now you are seized with such a rage for walking, you
who hardly ever stir out on foot, that you want to take a country walk on
the hottest day of the year. Ask d'Apreval to go with you, as he is ready
to gratify all your whims. As for me, I am going back to have a nap."

Madame de Cadour turned to her old friend and said:

"Will you come with me, Monsieur d'Apreval?"

He bowed with a smile, and with all the gallantry of former years:

"I will go wherever you go," he replied.

"Very well, then, go and get a sunstroke," Monsieur de Cadour said; and he
went back to the Hôtel des Bains to lie down for an hour or two.

As soon as they were alone, the old lady and her old companion set off,
and she said to him in a low voice, squeezing his hand:

"At last! at last!"

"You are mad," he said in a whisper. "I assure you that you are mad. Think
of the risk you are running. If that man--"

She started.

"Oh! Henri, do not say that man, when you are speaking of him."

"Very well," he said abruptly, "if our son guesses anything, if he has any
suspicions, he will have you, he will have us both in his power. You have
got on without seeing him for the last forty years. What is the matter
with you to-day?"

They had been going up the long street that leads from the sea to the
town, and now they turned to the right, to go to Etretat. The white road
stretched in front of them under a blaze of brilliant sunshine, so they
went on slowly in the burning heat. She had taken her old friend's arm,
and was looking straight in front of her, with a fixed and haunted gaze,
and at last she said:

"And so you have not seen him again, either?"

"No, never."

"Is it possible?"

"My dear friend, do not let us begin that discussion again. I have a wife
and children and you have a husband, so we both of us have much to fear
from other people's opinion."

She did not reply; she was thinking of her long past youth and of many sad
things that had occurred. How well she recalled all the details of their
early friendship, his smiles, the way he used to linger, in order to watch
her until she was indoors. What happy days they were, the only really
delicious days she had ever enjoyed, and how quickly they were over!

And then--her discovery--of the penalty she paid! What anguish!

Of that journey to the South, that long journey, her sufferings, her
constant terror, that secluded life in the small, solitary house on the
shores of the Mediterranean, at the bottom of a garden, which she did not
venture to leave. How well she remembered those long days which she spent
lying under an orange tree, looking up at the round, red fruit, amid the
green leaves. How she used to long to go out, as far as the sea, whose
fresh breezes came to her over the wall, and whose small waves she could
hear lapping on the beach. She dreamed of its immense blue expanse
sparkling under the sun, with the white sails of the small vessels, and a
mountain on the horizon. But she did not dare to go outside the gate.
Suppose anybody had recognized her!

And those days of waiting, those last days of misery and expectation! The
impending suffering, and then that terrible night! What misery she had
endured, and what a night it was! How she had groaned and screamed! She
could still see the pale face of her lover, who kissed her hand every
moment, and the clean-shaven face of the doctor and the nurse's white cap.

And what she felt when she heard the child's feeble cries, that wail, that
first effort of a human's voice!

And the next day! the next day! the only day of her life on which she had
seen and kissed her son; for, from that time, she had never even caught a
glimpse of him.

And what a long, void existence hers had been since then, with the thought
of that child always, always floating before her. She had never seen her
son, that little creature that had been part of herself, even once since
then; they had taken him from her, carried him away, and had hidden him.
All she knew was that he had been brought up by some peasants in Normandy,
that he had become a peasant himself, had married well, and that his
father, whose name he did not know, had settled a handsome sum of money on
him.

How often during the last forty years had she wished to go and see him and
to embrace him! She could not imagine to herself that he had grown! She
always thought of that small human atom which she had held in her arms and
pressed to her bosom for a day.

How often she had said to M. d'Apreval: "I cannot bear it any longer; I
must go and see him."

But he had always stopped her and kept her from going. She would be unable
to restrain and to master herself; their son would guess it and take
advantage of her, blackmail her; she would be lost.

"What is he like?" she said.

"I do not know. I have not seen him again, either."

"Is it possible? To have a son and not to know him; to be afraid of him
and to reject him as if he were a disgrace! It is horrible."

They went along the dusty road, overcome by the scorching sun, and
continually ascending that interminable hill.

"One might take it for a punishment," she continued; "I have never had
another child, and I could no longer resist the longing to see him, which
has possessed me for forty years. You men cannot understand that. You must
remember that I shall not live much longer, and suppose I should never see
him, never have seen him! ... Is it possible? How could I wait so long? I
have thought about him every day since, and what a terrible existence mine
has been! I have never awakened, never, do you understand, without my
first thoughts being of him, of my child. How is he? Oh, how guilty I feel
toward him! Ought one to fear what the world may say in a case like this?
I ought to have left everything to go after him, to bring him up and to
show my love for him. I should certainly have been much happier, but I did
not dare, I was a coward. How I have suffered! Oh, how those poor,
abandoned children must hate their mothers!"

She stopped suddenly, for she was choked by her sobs. The whole valley was
deserted and silent in the dazzling light and the overwhelming heat, and
only the grasshoppers uttered their shrill, continuous chirp among the
sparse yellow grass on both sides of the road.

"Sit down a little," he said.

She allowed herself to be led to the side of the ditch and sank down with
her face in her hands. Her white hair, which hung in curls on both sides
of her face, had become tangled. She wept, overcome by profound grief,
while he stood facing her, uneasy and not knowing what to say, and he
merely murmured: "Come, take courage."

She got up.

"I will," she said, and wiping her eyes, she began to walk again with the
uncertain step of an elderly woman.

A little farther on the road passed beneath a clump of trees, which hid a
few houses, and they could distinguish the vibrating and regular blows of
a blacksmith's hammer on the anvil; and presently they saw a wagon
standing on the right side of the road in front of a low cottage, and two
men shoeing a horse under a shed.

Monsieur d'Apreval went up to them.

"Where is Pierre Benedict's farm?" he asked.

"Take the road to the left, close to the inn, and then go straight on; it
is the third house past Poret's. There is a small spruce fir close to the
gate; you cannot make a mistake."

They turned to the left. She was walking very slowly now, her legs
threatened to give way, and her heart was beating so violently that she
felt as if she should suffocate, while at every step she murmured, as if
in prayer:

"Oh! Heaven! Heaven!"

Monsieur d'Apreval, who was also nervous and rather pale, said to her
somewhat gruffly:

"If you cannot manage to control your feelings, you will betray yourself
at once. Do try and restrain yourself."

"How can I?" she replied. "My child! When I think that I am going to see
my child."

They were going along one of those narrow country lanes between farmyards,
that are concealed beneath a double row of beech trees at either side of
the ditches, and suddenly they found themselves in front of a gate, beside
which there was a young spruce fir.

"This is it," he said.

She stopped suddenly and looked about her. The courtyard, which was
planted with apple trees, was large and extended as far as the small
thatched dwelling house. On the opposite side were the stable, the barn,
the cow house and the poultry house, while the gig, the wagon and the
manure cart were under a slated outhouse. Four calves were grazing under
the shade of the trees and black hens were wandering all about the
enclosure.

All was perfectly still; the house door was open, but nobody was to be
seen, and so they went in, when immediately a large black dog came out of
a barrel that was standing under a pear tree, and began to bark furiously.

There were four bee-hives on boards against the wall of the house.

Monsieur d'Apreval stood outside and called out:

"Is anybody at home?"

Then a child appeared, a little girl of about ten, dressed in a chemise
and a linen petticoat, with dirty, bare legs and a timid and cunning look.
She remained standing in the doorway, as if to prevent any one going in.

"What do you want?" she asked.

"Is your father in?"

"No."

"Where is he?"

"I don't know."

"And your mother?"

"Gone after the cows."

"Will she be back soon?"

"I don't know."

Then suddenly the lady, as if she feared that her companion might force
her to return, said quickly:

"I shall not go without having seen him."

"We will wait for him, my dear friend."

As they turned away, they saw a peasant woman coming toward the house,
carrying two tin pails, which appeared to be heavy and which glistened
brightly in the sunlight.

She limped with her right leg, and in her brown knitted jacket, that was
faded by the sun and washed out by the rain, she looked like a poor,
wretched, dirty servant.

"Here is mamma." the child said.

When she got close to the house, she looked at the strangers angrily and
suspiciously, and then she went in, as if she had not seen them. She
looked old and had a hard, yellow, wrinkled face, one of those wooden
faces that country people so often have.

Monsieur d'Apreval called her back.

"I beg your pardon, madame, but we came in to know whether you could sell
us two glasses of milk."

She was grumbling when she reappeared in the door, after putting down her
pails.

"I don't sell milk," she replied.

"We are very thirsty," he said, "and madame is very tired. Can we not get
something to drink?"

The peasant woman gave them an uneasy and cunning glance and then she made
up her mind.

"As you are here, I will give you some," she said, going into the house,
and almost immediately the child came out and brought two chairs, which
she placed under an apple tree, and then the mother, in turn brought out
two bowls of foaming milk, which she gave to the visitors. She did not
return to the house, however, but remained standing near them, as if to
watch them and to find out for what purpose they had come there.

"You have come from Fécamp?" she said.

"Yes," Monsieur d'Apreval replied, "we are staying at Fécamp for the
summer."

And then, after a short silence he continued:

"Have you any fowls you could sell us every week?"

The woman hesitated for a moment and then replied:

"Yes, I think I have. I suppose you want young ones?"

"Yes, of course."

"What do you pay for them in the market?"

D'Apreval, who had not the least idea, turned to his companion:

"What are you paying for poultry in Fécamp, my dear lady?"

"Four francs and four francs fifty centimes," she said, her eyes full of
tears, while the farmer's wife, who was looking at her askance, asked in
much surprise:

"Is the lady ill, as she is crying?"

He did not know what to say, and replied with some hesitation:

"No--no--but she lost her watch as we came along, a very handsome watch,
and that troubles her. If anybody should find it, please let us know."

Mother Benedict did not reply, as she thought it a very equivocal sort of
answer, but suddenly she exclaimed:

"Oh, here is my husband!"

She was the only one who had seen him, as she was facing the gate.
D'Apreval started and Madame de Cadour nearly fell as she turned round
suddenly on her chair.

A man bent nearly double, and out of breath, stood there, ten yards from
them, dragging a cow at the end of a rope. Without taking any notice of
the visitors, he said:

"Confound it! What a brute!"

And he went past them and disappeared in the cow house.

Her tears had dried quickly as she sat there startled, without a word and
with the one thought in her mind, that this was her son, and D'Apreval,
whom the same thought had struck very unpleasantly, said in an agitated
voice:

"Is this Monsieur Benedict?"

"Who told you his name?" the wife asked, still rather suspiciously.

"The blacksmith at the corner of the highroad," he replied, and then they
were all silent, with their eyes fixed on the door of the cow house, which
formed a sort of black hole in the wall of the building. Nothing could be
seen inside, but they heard a vague noise, movements and footsteps and the
sound of hoofs, which were deadened by the straw on the floor, and soon
the man reappeared in the door, wiping his forehead, and came toward the
house with long, slow strides. He passed the strangers without seeming to
notice them and said to his wife:

"Go and draw me a jug of cider; I am very thirsty."

Then he went back into the house, while his wife went into the cellar and
left the two Parisians alone.

"Let us go, let us go, Henri," Madame de Cadour said, nearly distracted
with grief, and so d'Apreval took her by the arm, helped her to rise, and
sustaining her with all his strength, for he felt that she was nearly
fainting, he led her out, after throwing five francs on one of the chairs.

As soon as they were outside the gate, she began to sob and said, shaking
with grief:

"Oh! oh! is that what you have made of him?"

He was very pale and replied coldly:

"I did what I could. His farm is worth eighty thousand francs, and that is
more than most of the sons of the middle classes have."

They returned slowly, without speaking a word. She was still crying; the
tears ran down her cheeks continually for a time, but by degrees they
stopped, and they went back to Fécamp, where they found Monsieur de Cadour
waiting dinner for them. As soon as he saw them, he began to laugh and
exclaimed:

"So my wife has had a sunstroke, and I am very glad of it. I really think
she has lost her head for some time past!"

Neither of them replied, and when the husband asked them, rubbing his
hands:

"Well, I hope that, at least, you have had a pleasant walk?"

Monsieur d'Apreval replied:

"A delightful walk, I assure you; perfectly delightful."


THE GUILTY SECRET

BY PAUL DE KOCK


Nathalie De Hauteville was twenty-two years old, and had been a widow for
three years. She was one of the prettiest women in Paris; her large dark
eyes shone with remarkable brilliancy, and she united the sparkling
vivacity of an Italian and the depth of feeling of a Spaniard to the grace
which always distinguishes a Parisian born and bred. Considering herself
too young to be entirely alone, she had long ago invited M. d'Ablaincourt,
an old uncle of hers, to come and live with her.

M. d'Ablaincourt was an old bachelor; he had never loved anything in this
world but himself. He was an egotist, too lazy to do any one an ill turn,
but at the same time too selfish to do any one a kindness, unless it would
tend directly to his own advantage. And yet, with an air of complaisance,
as if he desired nothing so much as the comfort of those around him, he
consented to his niece's proposal, in the hope that she would do many
little kind offices for him, which would add materially to his comfort.

M. d'Ablaincourt accompanied his niece when she resumed her place in
society; but sometimes, when he felt inclined to stay at home, he would
say to her: "My dear Nathalie, I am afraid you will not be much amused
this evening. They will only play cards; besides, I don't think any of
your friends will be there. Of course, I am ready to take you, if you wish
to go."

And Nathalie, who had great confidence in all her uncle said, would stay
at home.

In the same manner, M. d'Ablaincourt, who was a great gourmand, said to
his niece: "My dear, you know that I am not at all fond of eating, and am
satisfied with the simplest fare; but I must tell you that your cook puts
too much salt in everything! It is very unwholesome."

So they changed the cook.

Again, the garden was out of order; the trees before the old gentleman's
window must be cut down, because their shade would doubtless cause a
dampness in the house prejudicial to Nathalie's health; or the surrey was
to be changed for a landau.

Nathalie was a coquette. Accustomed to charm, she listened with smiles to
the numerous protestations of admiration which she received. She sent all
who aspired to her hand to her uncle, saying: "Before I give you any hope,
I must know my uncle's opinion."

It is likely that Nathalie would have answered differently if she had ever
felt a real preference for any one; but heretofore she seemed to have
preferred her liberty.

The old uncle, for his part, being now master in his niece's house, was
very anxious for her to remain as she was. A nephew might be somewhat less
submissive than Nathalie. Therefore, he never failed to discover some
great fault in each of those who sought an alliance with the pretty widow.

Besides his egotism and his epicureanism, the dear uncle had another
passion--to play backgammon. The game amused him very much; but the
difficulty was to find any one to play with. If, by accident, any of
Nathalie's visitors understood it, there was no escape from a long siege
with the old gentleman; but most people preferred cards.

In order to please her uncle, Nathalie tried to learn this game; but it
was almost impossible. She could not give her attention to one thing for
so long a time. Her uncle scolded. Nathalie gave up in despair.

"It was only for your own amusement that I wished to teach it to you,"
said the good M. d'Ablaincourt.

Things were at this crisis when, at a ball one evening, Nathalie was
introduced to a M. d'Apremont, a captain in the navy.

Nathalie raised her eyes, expecting to see a great sailor, with a wooden
leg and a bandage over one eye; when to her great surprise, she beheld a
man of about thirty, tall and finely formed, with two sound legs and two
good eyes.

Armand d'Apremont had entered the navy at a very early age, and had
arrived, although very young, to the dignity of a captain. He had amassed
a large fortune, in addition to his patrimonial estates, and he had now
come home to rest after his labors. As yet, however, he was a single man,
and, moreover, had always laughed at love.

But when he saw Nathalie, his opinions underwent a change. For the first
time in his life he regretted that he had never learned to dance, and he
kept his eyes fixed on her constantly.

His attentions to the young widow soon became a subject of general
conversation, and, at last, the report reached the ears of M.
d'Ablaincourt. When Nathalie mentioned, one evening, that she expected the
captain to spend the evening with her, the old man grew almost angry.

"Nathalie," said he, "you act entirely without consulting me. I have heard
that the captain is very rude and unpolished in his manners. To be sure, I
have only seen him standing behind your chair; but he has never even asked
after my health. I only speak for your interest, as you are so giddy."

Nathalie begged her uncle's pardon, and even offered not to receive the
captain's visit; but this he forbore to require--secretly resolving not to
allow these visits to become too frequent.

But how frail are all human resolutions--overturned by the merest trifle!
In this case, the game of backgammon was the unconscious cause of
Nathalie's becoming Mme. d'Apremont. The captain was an excellent hand at
backgammon. When the uncle heard this, he proposed a game; and the
captain, who understood that it was important to gain the uncle's favor,
readily acceded.

This did not please Nathalie. She preferred that he should be occupied
with herself. When all the company were gone, she turned to her uncle,
saying: "You were right, uncle, after all. I do not admire the captain's
manners; I see now that I should not have invited him."

"On the contrary, niece, he is a very well-behaved man. I have invited him
to come here very often, and play backgammon with me--that is, to pay his
addresses to you."

Nathalie saw that the captain had gained her uncle's heart, and she
forgave him for having been less attentive to her. He soon came again,
and, thanks to the backgammon, increased in favor with the uncle.

He soon captivated the heart of the pretty widow, also. One morning,
Nathalie came blushing to her uncle.

"The captain has asked me to marry him. What do you advise me to do?"

He reflected for a few moments. "If she refuses him, D'Apremont will come
here no longer, and then no more backgammon. But if she marries him, he
will be here always, and I shall have my games." And the answer was: "You
had better marry him."

Nathalie loved Armand; but she would not yield too easily. She sent for
the captain.

"If you really love me--"

"Ah, can you doubt it?"

"Hush! do not interrupt me. If you really love me, you will give me one
proof of it."

"Anything you ask. I swear--"

"No, you must never swear any more; and, one thing more, you must never
smoke. I detest the smell of tobacco, and I will not have a husband who
smokes."

Armand sighed, and promised.

The first months of their marriage passed smoothly, but sometimes Armand
became thoughtful, restless, and grave. After some time, these fits of
sadness became more frequent.

"What is the matter?" asked Nathalie one day, on seeing him stamp with
impatience. "Why are you so irritable?"

"Nothing--nothing at all!" replied the captain, as if ashamed of his ill
humor.

"Tell me," Nathalie insisted, "have I displeased you in anything?"

The captain assured her that he had no reason to be anything but delighted
with her conduct on all occasions, and for a time he was all right. Then
soon he was worse than before.

Nathalie was distressed beyond measure. She imparted her anxiety to her
uncle, who replied: "Yes, my dear, I know what you mean; I have often
remarked it myself, at backgammon. He is very inattentive, and often
passes his hand over his forehead, and starts up as if something agitated
him."

And one day, when his old habits of impatience and irritability
reappeared, more marked than ever, the captain said to his wife: "My dear,
an evening walk will do me a world of good; an old sailor like myself
cannot bear to sit around the house after dinner. Nevertheless, if you
have any objection--"

"Oh, no! What objection can I have?"

He went out, and continued to do so, day after day, at the same hour.
Invariably he returned in the best of good humor.

Nathalie was now unhappy indeed. "He loves some other woman, perhaps," she
thought, "and he must see her every day. Oh, how wretched I am! But I must
let him know that his perfidy is discovered. No, I will wait until I shall
have some certain proof wherewith to confront him."

And she went to seek her uncle. "Ah, I am the most unhappy creature in the
world!" she sobbed.

"What is the matter?" cried the old man, leaning back in his armchair.

"Armand leaves the house for two hours every evening, after dinner, and
comes back in high spirits and as anxious to please me as on the day of
our marriage. Oh, uncle, I cannot bear it any longer! If you do not assist
me to discover where he goes, I will seek a separation."

"But, my dear niece--"

"My dear uncle, you who are so good and obliging, grant me this one favor.
I am sure there is some woman in the secret."

M. d'Ablaincourt wished to prevent a rupture between his niece and nephew,
which would interfere very much with the quiet, peaceable life which he
led at their house. He pretended to follow Armand; but came back very
soon, saying he had lost sight of him.

"But in what direction does he go?"

"Sometimes one way, and sometimes another, but always alone; so your
suspicions are unfounded. Be assured, he only walks for exercise."

But Nathalie was not to be duped in this way. She sent for a little errand
boy, of whose intelligence she had heard a great deal.

"M. d'Apremont goes out every evening."

"Yes, madame."

"To-morrow, you will follow him; observe where he goes, and come and tell
me privately. Do you understand?"

"Yes, madame."

Nathalie waited impatiently for the next day, and for the hour of her
husband's departure. At last, the time came--the pursuit is going
on--Nathalie counted the moments. After three-quarters of an hour,
the messenger arrived, covered with dust.

"Well," exclaimed Nathalie, "speak! Tell me everything that you have
seen!"

"Madame, I followed M. d'Apremont, at a distance, as far as the Rue
Vieille du Temple, where he entered a small house, in an alley. There was
no servant to let him in."

"An alley! No servant! Dreadful!"

"I went in directly after him, and heard him go up-stairs and unlock a
door."

"Open the door himself, without knocking! Are you sure of that?"

"Yes, madame."

"The wretch! So he has a key! But, go on."

"When the door shut after him, I stole softly up-stairs, and peeped
through the keyhole."

"You shall have twenty francs more."

"I peeped through the keyhole, and saw him drag a trunk along the floor."

"A trunk?"

"Then he undressed himself, and--"

"Undressed himself!"

"Then, for a few seconds, I could not see him, and directly he appeared
again, in a sort of gray blouse, and a cap on his Lead."

"A blouse! What in the world does he want with a blouse? What next?"

"I came away, then, madame, and made haste to tell you; but he is there
still."

"Well, now run to the corner and get me a cab, and direct the coachman to
the house where you have been."

While the messenger went for the cab, Nathalie hurried on her hat and
cloak, and ran into her uncle's room.

"I have found him out--he loves another. He's at her house now, in a gray
blouse. But I will go and confront him, and then you will see me no more."

The old man had no time to reply. She was gone, with her messenger, in the
cab. They stopped at last.

"Here is the house."

Nathalie got out, pale and trembling.

"Shall I go up-stairs with you, madame?" asked the boy.

"No, I will go alone. The third story, isn't it?"

"Yes, madame; the left-hand door, at the head of the stairs."

It seemed that now, indeed, the end of all things was at hand.

Nathalie mounted the dark, narrow stairs, and arrived at the door, and,
almost fainting, she cried: "Open the door, or I shall die!"

The door was opened, and Nathalie fell into her husband's arms. He was
alone in the room, clad in a gray blouse, and--smoking a Turkish pipe.

"My wife!" exclaimed Armand, in surprise.

"Your wife--who, suspecting your perfidy, has followed you, to discover
the cause of your mysterious conduct!"

"How, Nathalie, my mysterious conduct? Look, here it is!" (Showing his
pipe.) "Before our marriage, you forbade me to smoke, and I promised to
obey you. For some months I kept my promise; but you know what it cost me;
you remember how irritable and sad I became. It was my pipe, my beloved
pipe, that I regretted. One day, in the country, I discovered a little
cottage, where a peasant was smoking. I asked him if he could lend me a
blouse and cap; for I should like to smoke with him, but it was necessary
to conceal it from you, as the smell of smoke, remaining in my clothes,
would have betrayed me. It was soon settled between us. I returned thither
every afternoon, to indulge in my favorite occupation; and, with the
precaution of a cap to keep the smoke from remaining in my hair, I
contrived to deceive you. This is all the mystery. Forgive me."

Nathalie kissed him, crying: "I might have known it could not be! I am
happy now, and you shall smoke as much as you please, at home."

And Nathalie returned to her uncle, saying: "Uncle, he loves me! He was
only smoking, but hereafter he is to smoke at home."

"I can arrange it all," said D'Ablaincourt; "he shall smoke while he plays
backgammon."

"In that way," thought the old man, "I shall be sure of my game."



JEAN MONETTE

BY EUGENE FRANCOIS VIDOCQ


At the time when I first became commissary of police, my arrondissement
was in that part of Paris which includes the Rue St. Antoine--a street
which has a great number of courts, alleys, and culs-de-sac issuing from
it in all directions. The houses in these alleys and courts are, for the
most part, inhabited by wretches wavering betwixt the last shade of
poverty and actual starvation, ready to take part in any disturbance, or
assist in any act of rapine or violence.

In one of these alleys, there lived at that time a man named Jean Monette,
who was tolerably well stricken in years, but still a hearty man. He was a
widower, and, with an only daughter, occupied a floor, au quatrième, in
one of the courts; people said he had been in business and grown rich, but
that he had not the heart to spend his money, which year after year
accumulated, and would make a splendid fortune for his daughter at his
death. With this advantage, Emma, who was really a handsome girl, did not
want for suitors, and thought that, being an heiress, she might wait till
she really felt a reciprocal passion for some one, and not throw herself
away upon the first tolerable match that presented itself. It was on a
Sunday, the first in the month of June, that Emma had, as an especial
treat, obtained sufficient money from her father for an excursion with
some friends to see the fountains of Versailles.

It was a beautiful day, and the basin was thronged around with thousands
and thousands of persons, looking, from the variety of their dresses, more
like the colors of a splendid rainbow than aught besides; and when, at
four o'clock, Triton and his satellites threw up their immense volumes of
water, all was wonder, astonishment, and delight; but none were more
delighted than Emma, to whom the scene was quite new.

And, then, it was so pleasant to have found a gentleman who could explain
everything and everybody; point out the duke of this, and the count that,
and the other lions of Paris; besides, such an agreeable and well-dressed
man; it was really quite condescending in him to notice them! And then,
toward evening, he would insist they should all go home together in a
fiacre, and that he alone should pay all the expenses, and when, with a
gentle pressure of the hand and a low whisper, he begged her to say where
he might come and throw himself at her feet, she thought her feelings were
different to what they had ever been before. But how could she give her
address--tell so dashing a man that she lived in such a place? No, she
could not do that, but she would meet him at the Jardin d'Eté next Sunday
evening, and dance with no one else all night.

She met him on the Sunday, and again and again, until her father began to
suspect, from her frequent absence of an evening--which was formerly an
unusual circumstance with her--that something must be wrong. The old man
loved his money, but he loved his daughter more. She was the only link in
life that kept together the chain of his affections. He had been
passionately fond of his wife, and when she died, Emma had filled up the
void in his heart. They were all, save his money, that he had ever loved.
The world had cried out against him as a hard-hearted, rapacious man, and
he, in return, despised the world.

He was, therefore, much grieved at her conduct, and questioned Emma as to
where her frequent visits led her, but could only obtain for answer that
she was not aware she had been absent so much as to give him uneasiness.
This was unsatisfactory, and so confirmed the old man in his suspicions
that he determined to have his daughter watched.

This he effected through the means of an ancien ami, then in the
profession of what he called an "inspector," though his enemies (and all
men have such) called him a mouchard, or spy. However, by whatever name he
called himself, or others called him, he understood his business, and so
effectually watched the young lady that he discovered her frequent
absences to be for the purpose of meeting a man who, after walking some
distance with her, managed, despite the inspector's boasted abilities, to
give him the slip.

This naturally puzzled him, and so it would any man in his situation.
Fancy the feelings of one of the government's employees in the argus line
of business, a man renowned for his success in almost all the arduous and
intricate affairs that had been committed to his care, to find himself
baffled in a paltry private intrigue, and one which he had merely
undertaken for the sake of friendship!

For a second time, he tried the plan of fancying himself to be well paid,
thinking this would stimulate his dormant energies, knowing well that a
thing done for friendship's sake is always badly done; but even here he
failed. He watched them to a certain corner, but, before he could get
around it, they were nowhere to be seen. This was not to be borne. It was
setting him at defiance. Should he call in the assistance of a brother in
the line? No, that would be to acknowledge himself beaten, and the
disgrace he could not bear--his honor was concerned, and he would achieve
it single handed; but, then, it was very perplexing.

The man, to his experienced eye, seemed not, as he had done to Emma, a
dashing gentleman, but more like a foul bird in fine feathers. Something
must be wrong, and he must find it out--but, then, again came that
confounded question, how?

He would go and consult old Monette--he could, perhaps, suggest something;
and, musing on the strangeness of the adventure, he walked slowly toward
the house of the old man to hold a council with him on the situation.

On the road, his attention was attracted by a disturbance in the street,
and mingling with the crowd, in hope of seizing some of his enemies
exercising their illegal functions on whom the whole weight of his
official vengeance might fall, he for the time forgot his adventure. The
crowd had been drawn together by a difference of opinion between two
gentlemen of the vehicular profession, respecting some right of way, and,
after all the usual expressions of esteem common on such occasions had
been exhausted, one of them drove off, leaving the other at least master
of the field, if he had not got the expected job.

The crowd began to disperse, and with them also was going our friend, the
detective, when, on turning round, he came in contact with Mlle. Monette,
leaning on the arm of her mysterious lover. The light from a lamp above
his head shone immediately on the face of Emma and her admirer, showing
them both as clear as noonday, so that when his glance turned from the
lady to the gentleman, and he obtained a full view of his face, he
expressed his joy at the discovery by a loud "Whew!" which, though a short
sound and soon pronounced, meant a great deal.

For first, it meant that he had made a great discovery; secondly, that he
was not now astonished because he had not succeeded before in his
watchfulness; thirdly--but perhaps the two mentioned may be sufficient;
for, turning sharply round, he made the greatest haste to reach Monette
and inform him, this time, of the result of his espionage.

After a long prelude, stating how fortunate Monette was to have such a
friend as himself, a man who knew everybody and everything, he proceeded
to inform him of the pleasing intelligence that his daughter was in the
habit of meeting, and going to some place (he forgot to say where) with
the most desperate and abandoned character in Paris--one who was so
extremely dexterous in all his schemes that the police, though perfectly
aware of his intentions, had not been able to fix upon him the commission
of any one of his criminal acts, for he changed his appearance so often as
to set at naught all the assiduous exertions of the Corps des Espions.

The unhappy father received from his friend at parting the assurance that
they would catch him yet, and give him an invitation to pass the rest of
his days in the seclusion of a prison.

On Emma's return, he told her the information he had received, wisely
withholding the means from which his knowledge came, saying that he knew
she had that moment parted from a man who would lead her to the brink of
destruction, and then cast her off like a child's broken play-thing. He
begged, nay, he besought her, with tears in his eyes, to promise she would
never again see him. Emma was thunderstruck, not only at the accuracy of
her father's information, but at hearing such a character of one whom she
had painted as perfection's self; and, calling to her aid those
never-failing woman's arguments, a copious flood of tears, fell on her
father's neck and promised never again to see her admirer and, if possible,
to banish all thoughts of him from her mind.

"My child," said the old man, "I believe you from my heart--I believe you.
I love you, but the world says I am rich--why, I know not. You know I live
in a dangerous neighborhood, and all my care will be necessary to prevent
my losing either my child or my reputed wealth; therefore, to avoid all
accidents, I will take care you do not leave this house for the next six
months to come, and in that time your lover will have forgotten you, or
what will amount to the same thing, you will have forgotten him; but I am
much mistaken if the man's intentions are not to rob me of my money,
rather than my child."

The old man kept his word, and Emma was not allowed for several days to
leave the rooms on the fourth floor.

She tried, during the time, if it were possible to forget the object of
her affections, and thought if she could but see him once more, to bid him
a long and last farewell, she might in time wear out his remembrance from
her heart; but in order to do that, she must see him once more; and having
made up her mind that this interview would be an essential requisite to
the desired end, she took counsel with herself how it was to be
accomplished. There was only one great obstacle presenting itself to her
view, which was that "she couldn't get out."

Now women's invention never fails them, when they have set their hearts
upon any desired object; and it occurred to her, that although she could
not get out, yet it was not quite so apparent that he could not get in;
and this point being settled, it was no very difficult matter to persuade
the old woman who occasionally assisted her in the household arrangements,
to be the bearer of a short note, purporting to say that her father having
been unwell for the last few days, usually retired early to rest, and that
if her dear Despreau would come about eleven o'clock on the following
evening, her father would be asleep, and she would be on the watch for a
signal, which was to be three gentle taps on the door.

The old woman executed her commission so well that she brought back an
answer vowing eternal fidelity, and promising a punctual attendance at the
rendezvous. Nor was it likely that he meant to fail--seeing it was the
object he had had for months in view, and he reasoned with himself that if
he once got there, he would make such good use of his time as to render a
second visit perfectly unnecessary.

Therefore it would be a pity to disappoint any one, and he immediately
communicated his plans to two of his confederates, promising them a good
share of the booty, and also the girl herself, if either of them felt that
way inclined, as a reward for their assistance.

His plans were very well managed, and would have gone on exceedingly well,
but for one small accident which happened through the officious
interference of the inspector, who, the moment he had discovered who the
Lothario was, had taken all the steps he could to catch him, and gain the
honor of having caught so accomplished a gentleman. He rightly judged that
it would not be long before he would pay a visit to Monette's rooms, and
the letters, before their delivery by the old woman, had been read by him,
and met with his full approbation.

I was much pleased on being informed by the inspector that he wanted my
assistance, one evening, to apprehend the celebrated Despreau, who had
planned a robbery near the Rue St. Antoine, and make me acquainted with
nearly all the circumstances. So, about half past ten o'clock, I posted
myself with the inspector and four men where I could see Despreau pass,
and at eleven o'clock, punctual to the moment, he and his two associates
began to ascend the stairs.

The two confederates were to wait some time, when he was to come to the
door on some pretext and let them in.

After the lapse of half an hour they were let in, when we ascended after
them, and the inspector, having a duplicate key, we let ourselves gently
in, standing in the passage, so as to prevent our being seen; in a few
minutes we heard a loud shriek from Emma, and old Monette's voice most
vociferously crying "Murder!" and "Thieves!" On entering the rooms, we
perceived that the poor girl was lying on the ground, while one of the men
was endeavoring to stifle her cries by either gagging or suffocating her,
though in the way he was doing it, the latter would have soon been the
case.

The old man had been dragged from his bed, and Despreau stood over him
with a knife, swearing that unless he showed him the place where his money
and valuables were deposited, it should be the last hour of his existence.

Despreau, on seeing us, seemed inclined to make a most desperate
resistance, but not being seconded by his associates, submitted to be
pinioned, expressing his regret that we had not come half an hour later,
when we might have been saved the trouble.

Despreau was shortly after tried for the offense, which was too clearly
proved to admit of any doubt. He was sentenced to the galleys for life,
and is now at Brest, undergoing his sentence. Emma, soon afterward,
married a respectable man, and old Monette behaved on the occasion much
more liberally than was expected.



SOLANGE

DR. LEDRU'S STORY OF THE REIGN OF TERROR

BY ALEXANDRE DUMAS


Leaving l'Abbaye, I walked straight across the Place Turenne to the Rue
Tournon, where I had lodgings, when I heard a woman scream for help.

It could not be an assault to commit robbery, for it was hardly ten
o'clock in the evening. I ran to the corner of the place whence the sounds
proceeded, and by the light of the moon, just then breaking through the
clouds, I beheld a woman in the midst of a patrol of sans-culottes.

The lady observed me at the same instant, and seeing, by the character of
my dress, that I did not belong to the common order of people, she ran
toward me, exclaiming:

"There is M. Albert! He knows me! He will tell you that I am the daughter
of Mme. Ledieu, the laundress."

With these words the poor creature, pale and trembling with excitement,
seized my arm and clung to me as a shipwrecked sailor to a spar.

"No matter whether you are the daughter of Mme. Ledieu or some one else,
as you have no pass, you must go with us to the guard-house."

The young girl pressed my arm. I perceived in this pressure the expression
of her great distress of mind. I understood it.

"So it is you, my poor Solange?" I said. "What are you doing here?"

"There, messieurs!" she exclaimed in tones of deep anxiety; "do you
believe me now?"

"You might at least say 'citizens!'"

"Ah, sergeant, do not blame me for speaking that way," said the pretty
young girl; "my mother has many customers among the great people, and
taught me to be polite. That's how I acquired this bad habit--the habit of
the aristocrats; and, you know, sergeant, it's so hard to shake off old
habits!"

This answer, delivered in trembling accents, concealed a delicate irony
that was lost on all save me. I asked myself, who is this young woman? The
mystery seemed complete. This alone was clear; she was not the daughter of
a laundress.

"How did I come here, Citizen Albert?" she asked. "Well, I will tell you.
I went to deliver some washing. The lady was not at home, and so I waited;
for in these hard times every one needs what little money is coming to
him. In that way it grew dark, and so I fell among these gentlemen--beg
pardon, I would say citizens. They asked for my pass. As I did not have it
with me, they were going to take me to the guard-house. I cried out in
terror, which brought you to the scene; and as luck would have it, you are
a friend. I said to myself, as M. Albert knows my name to be Solange
Ledieu, he will vouch for me; and that you will, will you not, M. Albert?"

"Certainly, I will vouch for you."

"Very well," said the leader of the patrol; "and who, pray, will vouch for
you, my friend?"

"Danton! Do you know him? Is he a good patriot?"

"Oh, if Danton will vouch for you, I have nothing to say."

"Well, there is a session of the Cordeliers to-day. Let us go there."

"Good," said the leader. "Citizens, let us go to the Cordeliers."

The club of the Cordeliers met at the old Cordelier monastery in the Rue
l'Observance. We arrived there after scarce a minute's walk. At the door I
tore a page from my note-book, wrote a few words upon it with a lead
pencil, gave it to the sergeant, and requested him to hand it to Danton,
while I waited outside with the men.

The sergeant entered the clubhouse and returned with Danton.

"What!" said he to me; "they have arrested you, my friend? You, the friend
of Camilles--you, one of the most loyal republicans? Citizens," he
continued, addressing the sergeant, "I vouch for him. Is that sufficient?"

"You vouch for him. Do you also vouch for her?" asked the stubborn
sergeant.

"For her? To whom do you refer?"

"This girl."

"For everything; for everybody who may be in his company. Does that
satisfy you?"

"Yes," said the man; "especially since I have had the privilege of seeing
you."

With a cheer for Danton, the patrol marched away. I was about to thank
Danton, when his name was called repeatedly within.

"Pardon me, my friend," he said; "you hear? There is my hand; I must leave
you--the left. I gave my right to the sergeant. Who knows, the good
patriot may have scrofula?"

"I'm coming!" he exclaimed, addressing those within in his mighty voice
with which he could pacify or arouse the masses. He hastened into the
house.

I remained standing at the door, alone with my unknown.

"And now, my lady," I said, "whither would you have me escort you? I am at
your disposal."

"Why, to Mme. Ledieu," she said with a laugh. "I told you she was my
mother."

"And where does Mme. Ledieu reside?"

"Rue Ferou, 24."

"Then, let us proceed to Rue Ferou, 24."

On the way neither of us spoke a word. But by the light of the moon,
enthroned in serene glory in the sky, I was able to observe her at my
leisure. She was a charming girl of twenty or twenty-two--brunette, with
large blue eyes, more expressive of intelligence than melancholy--a finely
chiseled nose, mocking lips, teeth of pearl, hands like a queen's, and
feet like a child's; and all these, in spite of her costume of a
laundress, betokened an aristocratic air that had aroused the sergeant's
suspicions not without justice.

Arrived at the door of the house, we looked at each other a moment in
silence.

"Well, my dear M. Albert, what do you wish?" my fair unknown asked with a
smile.

"I was about to say, my dear Mlle. Solange, that it was hardly worth while
to meet if we are to part so soon."

"Oh, I beg ten thousand pardons! I find it was well worth the while; for
if I had not met you, I should have been dragged to the guard-house, and
there it would have been discovered that I am not the daughter of Mme.
Ledieu--in fact, it would have developed that I am an aristocrat, and in
all likelihood they would have cut off my head."

"You admit, then, that you are an aristocrat?"

"I admit nothing."

"At least you might tell me your name."

"Solange."

"I know very well that this name, which I gave you on the inspiration of
the moment, is not your right name."

"No matter; I like it, and I am going to keep it--at least for you."

"Why should you keep it for me? if we are not to meet again?"

"I did not say that. I only said that if we should meet again it will not
be necessary for you to know my name any more than that I should know
yours. To me you will be known as Albert, and to you I shall always be
Solange."

"So be it, then; but I say, Solange," I began.

"I am listening, Albert," she replied.

"You are an aristocrat--that you admit."

"If I did not admit it, you would surmise it, and so my admission would be
divested of half its merit."

"And you were pursued because you were suspected of being an aristocrat?"

"I fear so."

"And you are hiding to escape persecution?"

"In the Rue Ferou, No. 24, with Mme. Ledieu, whose husband was my father's
coachman. You see, I have no secret from you."

"And your father?"

"I shall make no concealment, my dear Albert, of anything that relates to
me. But my fathers secrets are not my own. My father is in hiding, hoping
to make his escape. That is all I can tell you."

"And what are you going to do?"

"Go with my father, if that be possible. If not, allow him to depart
without me until the opportunity offers itself to me to join him."

"Were you coming from your father when the guard arrested you to-night?"

"Yes."

"Listen, dearest Solange."

"I am all attention."

"You observed all that took place to-night?"

"Yes. I saw that you had powerful influence."

"I regret my power is not very great. However, I have friends."

"I made the acquaintance of one of them."

"And you know he is not one of the least powerful men of the times."

"Do you intend to enlist his influence to enable my father to escape?"

"No, I reserve him for you."

"But my father?"

"I have other ways of helping your father."

"Other ways?" exclaimed Solange, seizing my hands and studying me with an
anxious expression.

"If I serve your father, will you then sometimes think kindly of me?"

"Oh, I shall all my life hold you in grateful remembrance!"

She uttered these words with an enchanting expression of devotion. Then
she looked at me beseechingly and said:

"But will that satisfy you?"

"Yes," I said.

"Ah, I was not mistaken. You are kind, generous. I thank you for my father
and myself. Even if you should fail, I shall be grateful for what you have
already done!"

"When shall we meet again, Solange?"

"When do you think it necessary to see me again?"

"To-morrow, when I hope to have good news for you."

"Well, then, to-morrow."

"Where?"

"Here."

"Here in the street?"

"Well, mon Dieu!" she exclaimed. "You see, it is the safest place. For
thirty minutes, while we have been talking here, not a soul has passed."

"Why may I not go to you, or you come to me?"

"Because it would compromise the good people if you should come to me, and
you would incur serious risk if I should go to you."

"Oh, I would give you the pass of one of my relatives."

"And send your relative to the guillotine if I should be accidentally
arrested!"

"True. I will bring you a pass made out in the name of Solange."

"Charming! You observe Solange is my real name."

"And the hour?"

"The same at which we met to-night--ten o'clock, if you please."

"All right; ten o'clock. And how shall we meet?"

"That is very simple. Be at the door at five minutes of ten, and at ten I
will come down."

"Then, at ten to-morrow, dear Solange."

"To-morrow at ten, dear Albert."

I wanted to kiss her hand; she offered me her brow.

The next day I was in the street at half past nine. At a quarter of ten
Solange opened the door. We were both ahead of time.

With one leap I was by her side.

"I see you have good news," she said.

"Excellent! First, here is a pass for you."

"First my father!"

She repelled my hand.

"Your father is saved, if he wishes."

"Wishes, you say? What is required of him?"

"He must trust me."

"That is assured."

"Have you seen him?"

"Yes."

"You have discussed the situation with him?"

"It was unavoidable. Heaven will help us."

"Did you tell your father all?"

"I told him you had saved my life yesterday, and that you would perhaps
save his to-morrow."

"To-morrow! Yes, quite right; to-morrow I shall save his life, if it is
his will."

"How? What? Speak! Speak! If that were possible, how fortunately all
things have come to pass!"

"However--" I began hesitatingly.

"Well?"

"It will be impossible for you to accompany him."

"I told you I was resolute."

"I am quite confident, however, that I shall be able later to procure a
passport for you."

"First tell me about my father; my own distress is less important."

"Well, I told you I had friends, did I not?"

"Yes."

"To-day I sought out one of them."

"Proceed."

"A man whose name is familiar to you; whose name is a guarantee of courage
and honor."

"And this man is?"

"Marceau."

"General Marceau?"

"Yes."

"True, he will keep a promise."

"Well, he has promised."

"Mon Dieu! How happy you make me! What has he promised? Tell me all."

"He has promised to help us."

"In what manner?"

"In a very simple manner. Kléber has just had him promoted to the command
of the western army. He departs to-morrow night."

"To-morrow night! We shall have no time to make the smallest preparation."

"There are no preparations to make."

"I do not understand."

"He will take your father with him."

"My father?"

"Yes, as his secretary. Arrived in the Vendée, your father will pledge his
word to the general to undertake nothing against France. From there he
will escape to Brittany, and from Brittany to England. When he arrives in
London, he will inform you; I shall obtain a passport for you, and you
will join him in London."

"To-morrow," exclaimed Solange; "my father departs tomorrow!"

"There is no time to waste."

"My father has not been informed."

"Inform him."

"To-night?"

"To-night."

"But how, at this hour?"

"You have a pass and my arm."

"True. My pass."

I gave it to her. She thrust it into her bosom.

"Now? your arm?"

I gave her my arm, and we walked away. When we arrived at the Place
Turenne--that is, the spot where we had met the night before--she said:
"Await me here."

I bowed and waited.

She disappeared around the corner of what was formerly the Hôtel Malignon.
After a lapse of fifteen minutes she returned.

"Come," she said, "my father wishes to receive and thank you."

She took my arm and led me up to the Rue St. Guillaume, opposite the Hôtel
Mortemart. Arrived here, she took a bunch of keys from her pocket, opened
a small, concealed door, took me by the hand, conducted me up two flights
of steps, and knocked in a peculiar manner.

A man of forty-eight or fifty years opened the door. He was dressed as a
working man and appeared to be a bookbinder. But at the first utterance
that burst from his lips, the evidence of the seigneur was unmistakable.

"Monsieur," he said, "Providence has sent you to us. I regard you an
emissary of fate. Is it true that you can save me, or, what is more, that
you wish to save me?"

I admitted him completely to my confidence. I informed him that Marceau
would take him as his secretary, and would exact no promise other than
that he would not take up arms against France.

"I cheerfully promise it now, and will repeat it to him."

"I thank you in his name as well as in my own."

"But when does Marceau depart?"

"To-morrow."

"Shall I go to him to-night?"

"Whenever you please; he expects you."

Father and daughter looked at each other.

"I think it would be wise to go this very night," said Solange.

"I am ready; but if I should be arrested, seeing that I have no permit?"

"Here is mine."

"But you?"

"Oh, I am known."

"Where does Marceau reside?"

"Rue de l'Université, 40, with his sister, Mlle. Dégraviers-Marceau."

"Will you accompany me?"

"I shall follow you at a distance, to accompany mademoiselle home when you
are gone."

"How will Marceau know that I am the man of whom you spoke to him?"

"You will hand him this tri-colored cockade; that is the sign of
identification."

"And how shall I reward my liberator?"

"By allowing him to save your daughter also."

"Very well."

He put on his hat and extinguished the lights, and we descended by the
gleam of the moon which penetrated the stair-windows.

At the foot of the steps he took his daughter's arm, and by way of the Rue
des Saints Pères we reached Rue de l'Université. I followed them at a
distance of ten paces. We arrived at No. 40 without having met any one. I
rejoined them there.

"That is a good omen," I said; "do you wish me to go up with you?"

"No. Do not compromise yourself any further. Await my daughter here."

I bowed.

"And now, once more, thanks and farewell," he said, giving me his hand.
"Language has no words to express my gratitude. I pray that heaven may
some day grant me the opportunity of giving fuller expression to my
feelings."

I answered him with a pressure of the hand.

He entered the house. Solange followed him; but she, too, pressed my hand
before she entered.

In ten minutes the door was reopened.

"Well?" I asked.

"Your friend," she said, "is worthy of his name; he is as kind and
considerate as yourself. He knows that it will contribute to my happiness
to remain with my father until the moment of departure. His sister has
ordered a bed placed in her room. To-morrow at three o'clock my father
will be out of danger. To-morrow evening at ten I shall expect you in the
Rue Ferou, if the gratitude of a daughter who owes her father's life to
you is worth the trouble."

"Oh, be sure I shall come. Did your father charge you with any message for
me?"

"He thanks you for your pass, which he returns to you, and begs you to
join him as soon as possible."

"Whenever it may be your desire to go," I said, with a strange sensation
at my heart.

"At least, I must know where I am to join him," she said. "Ah, you are not
yet rid of me!"

I seized her hand and pressed it against my heart, but she offered me her
brow, as on the previous evening, and said: "Until to-morrow."

I kissed her on the brow; but now I no longer strained her hand against my
breast, but her heaving bosom, her throbbing heart.

I went home in a state of delirious ecstasy such as I had never
experienced. Was it the consciousness of a generous action, or was it love
for this adorable creature? I know not whether I slept or woke. I only
know that all the harmonies of nature were singing within me; that the
night seemed endless, and the day eternal; I know that though I wished to
speed the time, I did not wish to lose a moment of the days still to come.

The next day I was in the Rue Ferou at nine o'clock. At half-past nine
Solange made her appearance.

She approached me and threw her arms around my neck.

"Saved!" she said; "my father is saved! And this I owe you. Oh, how I love
you!"

Two weeks later Solange received a letter announcing her father's safe
arrival in England.

The next day I brought her a passport.

When Solange received it she burst into tears.

"You do not love me!" she exclaimed.

"I love you better than my life," I replied; "but I pledged your father my
word, and I must keep it."

"Then, I will break mine," she said. "Yes, Albert; if you have the heart
to let me go, I have not the courage to leave you."

Alas, she remained!

Three months had passed since that night on which we talked of her escape,
and in all that time not a word of parting had passed her lips.

Solange had taken lodgings in the Rue Turenne. I had rented them in her
name. I knew no other, while she always addressed me as Albert. I had
found her a place as teacher in a young ladies' seminary solely to
withdraw her from the espionage of the revolutionary police, which had
become more scrutinizing than ever.

Sundays we passed together in the small dwelling, from the bedroom of
which we could see the spot where we had first met. We exchanged letters
daily, she writing to me under the name of Solange, and I to her under
that of Albert.

Those three months were the happiest of my life.

In the meantime I was making some interesting experiments suggested by one
of the guillotiniers. I had obtained permission to make certain scientific
tests with the bodies and heads of those who perished on the scaffold. Sad
to say, available subjects were not wanting. Not a day passed but thirty
or forty persons were guillotined, and blood flowed so copiously on the
Place de la Révolution that it became necessary to dig a trench three feet
deep around the scaffolding. This trench was covered with deals. One of
them loosened under the feet of an eight-year-old lad, who fell into the
abominable pit and was drowned.

For self-evident reasons I said nothing to Solange of the studies that
occupied my attention during the day. In the beginning my occupation had
inspired me with pity and loathing, but as time wore on I said: "These
studies are for the good of humanity," for I hoped to convince the
lawmakers of the wisdom of abolishing capital punishment.

The Cemetery of Clamart had been assigned to me, and all the heads and
trunks of the victims of the executioner had been placed at my disposal. A
small chapel in one corner of the cemetery had been converted into a kind
of laboratory for my benefit. You know, when the queens were driven from
the palaces, God was banished from the churches.

Every day at six the horrible procession filed in. The bodies were heaped
together in a wagon, the heads in a sack. I chose some bodies and heads
in a haphazard fashion, while the remainder were thrown into a common
grave.

In the midst of this occupation with the dead, my love for Solange
increased from day to day; while the poor child reciprocated my affection
with the whole power of her pure soul.

Often I had thought of making her my wife; often we had mutually pictured
to ourselves the happiness of such a union. But in order to become my
wife, it would be necessary for Solange to reveal her name; and this name,
which was that of an emigrant, an aristocrat, meant death.

Her father had repeatedly urged her by letter to hasten her departure, but
she had informed him of our engagement. She had requested his consent, and
he had given it, so that all had gone well to this extent.

The trial and execution of the queen, Marie Antoinette, had plunged me,
too, into deepest sadness. Solange was all tears, and we could not rid
ourselves of a strange feeling of despondency, a presentiment of
approaching danger, that compressed our hearts. In vain I tried to whisper
courage to Solange. Weeping, she reclined in my arms, and I could not
comfort her, because my own words lacked the ring of confidence.

We passed the night together as usual, but the night was even more
depressing than the day. I recall now that a dog, locked up in a room
below us, howled till two o'clock in the morning. The next day we were
told that the dog's master had gone away with the key in his pocket, had
been arrested on the way, tried at three, and executed at four.

The time had come for us to part. Solange's duties at the school began at
nine o'clock in the morning. Her school was in the vicinity of the Botanic
Gardens. I hesitated long to let her go; she, too, was loath to part from
me. But it must be. Solange was prone to be an object of unpleasant
inquiries.

I called a conveyance and Accompanied her as far as the Rue des
Fosses-Saint-Bernard, where I got out and left her to pursue her way
alone. All the way we lay mutely wrapped in each other's arms, mingling
tears with our kisses.

After leaving the carriage, I stood as if rooted to the ground. I heard
Solange call me, but I dared not go to her, because her face, moist with
tears, and her hysterical manner were calculated to attract attention.

Utterly wretched, I returned home, passing the entire day in writing to
Solange. In the evening I sent her an entire volume of love-pledges.

My letter had hardly gone to the post when I received one from her.

She had been sharply reprimanded for coming late; had been subjected to a
severe cross-examination, and threatened with forfeiture of her next
holiday. But she vowed to join me even at the cost of her place. I thought
I should go mad at the prospect of being parted from her a whole week. I
was more depressed because a letter which had arrived from her father
appeared to have been tampered with.

I passed a wretched night and a still more miserable day.

The next day the weather was appalling. Nature seemed to be dissolving in
a cold, ceaseless rain--a rain like that which announces the approach of
winter. All the way to the laboratory my ears were tortured with the
criers announcing the names of the condemned, a large number of men,
women, and children. The bloody harvest was over-rich. I should not lack
subjects for my investigations that day.

The day ended early. At four o'clock I arrived at Clamart; it was almost
night.

The view of the cemetery, with its large, new-made graves; the sparse,
leafless trees that swayed in the wind, was desolate, almost appalling.

A large, open pit yawned before me. It was to receive to-day's harvest
from the Place de la Révolution. An exceedingly large number of victims
was expected, for the pit was deeper than usual.

Mechanically I approached the grave. At the bottom the water had gathered
in a pool; my feet slipped; I came within an inch of falling in. My hair
stood on end. The rain had drenched me to the skin. I shuddered and
hastened into the laboratory.

It was, as I have said, an abandoned chapel. My eyes searched--I know not
why--to discover if some traces of the holy purpose to which the edifice
had once been devoted did not still adhere to the walls or to the altar;
but the walls were bare, the altar empty.

I struck a light and deposited the candle on the operating-table on which
lay scattered a miscellaneous assortment of the strange instruments I
employed. I sat down and fell into a reverie. I thought of the poor queen,
whom I had seen in her beauty, glory, and happiness, yesterday carted to
the scaffold, pursued by the execrations of a people, to-day lying
headless on the common sinners' bier--she who had slept beneath the gilded
canopy of the throne of the Tuileries and St. Cloud.

As I sat thus, absorbed in gloomy meditation, wind and rain without
redoubled in fury. The rain-drops dashed against the window-panes, the
storm swept with melancholy moaning through the branches of the trees.
Anon there mingled with the violence of the elements the sound of wheels.

It was the executioner's red hearse with its ghastly freight from the
Place de la Révolution.

The door of the little chapel was pushed ajar, and two men, drenched with
rain, entered, carrying a sack between them.

"There, M. Ledru," said the guillotinier; "there is what your heart longs
for! Be in no hurry this night! We'll leave you to enjoy their society
alone. Orders are not to cover them up till to-morrow, and so they'll not
take cold."

With a horrible laugh, the two executioners deposited the sack in a
corner, near the former altar, right in front of me. Thereupon they
sauntered out, leaving open the door, which swung furiously on its hinges
till my candle flashed and flared in the fierce draft.

I heard them unharness the horse, lock the cemetery, and go away.

I was strangely impelled to go with them, but an indefinable power
fettered me in my place. I could not repress a shudder. I had no fear; but
the violence of the storm, the splashing of the rain, the whistling sounds
of the lashing branches, the shrill vibration of the atmosphere, which
made my candle tremble--all this filled me with a vague terror that began
at the roots of my hair and communicated itself to every part of my body.

Suddenly I fancied I heard a voice! A voice at once soft and plaintive; a
voice within the chapel, pronouncing the name of "Albert!"

I was startled.

"Albert!"

But one person in all the world addressed me by that name!

Slowly I directed my weeping eyes around the chapel, which, though small,
was not completely lighted by the feeble rays of the candle, leaving the
nooks and angles in darkness, and my look remained fixed on the
blood-soaked sack near the altar with its hideous contents.

At this moment the same voice repeated the same name, only it sounded
fainter and more plaintive.

"Albert!"

I bolted out of my chair, frozen with horror.

The voice seemed to proceed from the sack!

I touched myself to make sure that I was awake; then I walked toward the
sack with my arms extended before me, but stark and staring with horror. I
thrust my hand into it. Then it seemed to me as if two lips, still warm,
pressed a kiss upon my fingers!

I had reached that stage of boundless terror where the excess of fear
turns into the audacity of despair. I seized the head and collapsing in my
chair, placed it in front of me.

Then I gave vent to a fearful scream. This head, with its lips still warm,
with the eyes half closed, was the head of Solange!

I thought I should go mad.

Three times I called:

"Solange! Solange! Solange!"

At the third time she opened her eyes and looked at me. Tears trickled
down her cheeks; then a moist glow darted from her eyes, as if the soul
were passing, and the eyes closed, never to open again.

I sprang to my feet a raving maniac, I wanted to fly; I knocked against
the table; it fell. The candle was extinguished; the head rolled upon the
floor, and I fell prostrate, as if a terrible fever had stricken me
down--an icy-shudder convulsed me, and, with a deep sigh, I swooned.

The following morning at six the grave-diggers found me, cold as the
flagstones on which I lay.

Solange, betrayed by her father's letter, had been arrested the same day,
condemned, and executed.

The head that had called me, the eyes that had looked at me, were the
head, the eyes, of Solange!



THE BIRDS IN THE LETTER-BOX

BY RENE BAZIN


Nothing can describe the peace that surrounded the country parsonage. The
parish was small, moderately honest, prosperous, and was used to the old
priest, who had ruled it for thirty years. The town ended at the
parsonage, and there began meadows which sloped down to the river and were
filled in summer with the perfume of flowers and all the music of the
earth. Behind the great house a kitchen-garden encroached on the meadow.
The first ray of the sun was for it, and so was the last. Here the
cherries ripened in May, and the currants often earlier, and a week before
Assumption, usually, you could not pass within a hundred feet without
breathing among the hedges the heavy odor of the melons.

But you must not think that the abbé of St. Philémon was a gourmand. He
had reached the age when appetite is only a memory. His shoulders were
bent, his face was wrinkled, he had two little gray eyes, one of which
could not see any longer, and he was so deaf in one ear that if you
happened to be on that side you just had to get round on the other.

Mercy, no! he did not eat all the fruits in his orchard. The boys got
their share--and a big share--but the biggest share, by all odds, was
eaten by the birds--the blackbirds, who lived there very comfortably all
the year, and sang in return the best they could; the orioles, pretty
birds of passage, who helped them in summer, and the sparrows, and the
warblers of every variety; and the tomtits, swarms of them, with feathers
as thick as your fingers, and they hung on the branches and pecked at a
grape or scratched a pear--veritable little beasts of prey, whose only
"thank you" was a shrill cry like a saw.

Even to them, old age had made the abbé of St. Philémon indulgent. "The
beasts cannot correct their faults," he used to say; "if I got angry at
them for not changing I'd have to get angry with a good many of my
parishioners!"

And he contented himself with clapping his hands together loud when he
went into his orchard, so he should not see too much stealing.

Then there was a spreading of wings, as if all the silly flowers cut off
by a great wind were flying away; gray, and white, and yellow, and
mottled, a short flight, a rustling of leaves, and then quiet for five
minutes. But what minutes! Fancy, if you can, that there was not one
factory in the village, not a weaver or a blacksmith, and that the noise
of men with their horses and cattle, spreading over the wide, distant
plains, melted into the whispering of the breeze and was lost. Mills were
unknown, the roads were little frequented, the railroads were very far
away. Indeed, if the ravagers of his garden had repented for long the abbé
would have fallen asleep of the silence over his breviary.

Fortunately, their return was prompt; a sparrow led the way, a jay
followed, and then the whole swarm was back at work. And the abbé could
walk up and down, close his book or open it, and murmur: "They'll not
leave me a berry this year!"

It made no difference; not a bird left his prey, any more than if the good
abbé had been a cone-shaped pear-tree, with thick leaves, balancing
himself on the gravel of the walk.

The birds know that those who complain take no action. Every year they
built their nests around the parsonage of St. Philémon in greater numbers
than anywhere else. The best places were quickly taken, the hollows in the
trees, the holes in the walls, the forks of the apple-trees and the elms,
and you could see a brown beak, like the point of a sword, sticking out of
a wisp of straw between all the rafters of the roof. One year, when all
the places were taken, I suppose, a tomtit, in her embarrassment, spied
the slit of the letter-box protected by its little roof, at the right of
the parsonage gate. She slipped in, was satisfied with the result of her
explorations, and brought the materials to build a nest. There was nothing
she neglected that would make it warm, neither the feathers, nor the
horsehair, nor the wool, nor even the scales of lichens that cover old
wood.

One morning the housekeeper came in perfectly furious, carrying a paper.
She had found it under the laurel bush, at the foot of the garden.

"Look, sir, a paper, and dirty, too! They are up to fine doings!"

"Who, Philomène?"

"Your miserable birds; all the birds that you let stay here! Pretty soon
they'll be building their nests in your soup-tureens!"

"I haven't but one."

"Haven't they got the idea of laying their eggs in your letter-box! I
opened it because the postman rang and that doesn't happen every day. It
was full of straw and horsehair and spiders' webs, with enough feathers to
make a quilt, and, in the midst of all that, a beast that I didn't see
hissed at me like a viper!"

The abbé of St. Philémon began to laugh like a grandfather when he hears
of a baby's pranks.

"That must be a tomtit," said he, "they are the only birds clever enough
to think of it. Be careful not to touch it, Philomène."

"No fear of that; it is not nice enough!"

The abbé went hastily through the garden, the house, the court planted
with asparagus, till he came to the wall which separated the parsonage
from the public road, and there he carefully opened the letter-box, in
which there would have been room enough for all the mail received in a
year by all the inhabitants of the village.

Sure enough, he was not mistaken. The shape of the nest, like a pine-cone,
its color and texture, and the lining, which showed through, made him
smile. He heard the hiss of the brooding bird inside and replied:

"Rest easy, little one, I know you. Twenty-one days to hatch your eggs and
three weeks to raise your family; that is what you want? You shall have
it. I'll take away the key."

He did take away the key, and when he had finished the morning's
duties--visits to his parishioners who were ill or in trouble;
instructions to a boy who was to pick him out some fruit at the village:
a climb up the steeple because a storm had loosened some stones, he
remembered the tomtit and began to be afraid she would be troubled by the
arrival of a letter while she was hatching her eggs.

The fear was almost groundless, because the people of St. Philémon did not
receive any more letters than they sent. The postman had little to do on
his rounds but to eat soup at one house, to have a drink at another and,
once in a long while, to leave a letter from some conscript, or a bill for
taxes at some distant farm. Nevertheless, since St. Robert's Day was near,
which, as you know, comes on the 29th of April, the abbé thought it wise
to write to the only three friends worthy of that name, whom death had
left him, a layman and two priests: "My friend, do not congratulate me on
my saint's day this year, if you please. It would inconvenience me to
receive a letter at this time. Later I shall explain, and you will
appreciate my reasons."

They thought that his eye was worse and did not write.

The abbé of St. Philémon was delighted. For three weeks he never entered
his gate one time without thinking of the eggs, speckled with pink, that
were lying in the letter-box, and when the twenty-first day came round he
bent down and listened with his ear close to the slit of the box. Then he
stood up beaming:

"I hear them chirp, Philomène; I hear them chirp. They owe their lives to
me, sure enough, and they'll not be the ones to regret it any more than
I."

He had in his bosom the heart of a child that had never grown old.

Now, at the same time, in the green room of the palace, at the chief town
of the department, the bishop was deliberating over the appointments to be
made with his regular councillors, his two grand vicars, the dean of the
chapter, the secretary-general of the palace, and the director of the
great academy. After he had appointed several vicars and priests he made
this suggestion:

"Gentlemen of the council, I have in mind a candidate suitable in all
respects for the parish of X------; but I think it would be well, at
least, to offer that charge and that honor to one of our oldest priests,
the abbé of St. Philémon. He will undoubtedly refuse it, and his modesty,
no less than his age, will be the cause; but we shall have shown, as far
as we could, our appreciation of his virtues."

The five councilors approved unanimously, and that very evening a letter
was sent from the palace, signed by the bishop, and which contained in a
postscript: "Answer at once, my dear abbé; or, better, come to see me,
because I must submit my appointments to the government within three
days."

The letter arrived at St. Philémon the very day the tomtits were hatched.
The postman had difficulty in slipping it into the slit of the box, but it
disappeared inside and lay touching the base of the nest, like a white
pavement at the bottom of the dark chamber.

The time came when the tiny points on the wings of the little tomtits
began to be covered with down. There were fourteen of them, and they
twittered and staggered on their little feet, with their beaks open up to
their eyes, never ceasing, from morning till night, to wait for food, eat
it, digest it, and demand more. That was the first period, when the baby
birds hadn't any sense. But in birds it doesn't last long. Very soon they
quarrelled in the nest, which began to break with the fluttering of their
wings, then they tumbled out of it and walked along the side of the box,
peeped through the slit at the big world outside, and at last they
ventured out.

The abbé of St. Philémon, with a neighboring priest, attended this
pleasant garden party. When the little ones appeared beneath the roof of
the box--two, three--together and took their flight, came back, started
again, like bees at the door of a hive, he said:

"Behold, a babyhood ended and a good work accomplished. They are hardy and
strong, every one."

The next day, during his hour of leisure after dinner, the abbé came to
the box with the key in his hand. "Tap, tap," he went. There was no
answer. "I thought so," said he. Then he opened the box and, mingled with
the débris of the nest, the letter fell into his hands.

"Good Heavens!" said he, recognizing the writing. "A letter from the
bishop; and in what a state! How long has it been here?"

His cheek grew pale as he read.

"Philomène, harness Robin quickly."

She came to see what was the matter before obeying.

"What have you there, sir?"

"The bishop has been waiting for me three weeks!"

"You've missed your chance," said the old woman.

The abbé was away until the next evening. When he came back he had a
peaceful air, but sometimes peace is not attained without effort and we
have to struggle to keep it. When he had helped to unharness Robin and had
given him some hay, had changed his cassock and unpacked his box, from
which he took a dozen little packages of things bought on his visit to the
city, it was the very time that the birds assembled in the branches to
tell each other about the day. There had been a shower and the drops still
fell from the leaves as they were shaken by these bohemian couples looking
for a good place to spend the night.

Recognizing their friend and master as he walked up and down the gravel
path, they came down, fluttered about him, making an unusually loud noise,
and the tomtits, the fourteen of the nest, whose feathers were still not
quite grown, essayed their first spirals about the pear-trees and their
first cries in the open air.

The abbé of St. Philémon watched them with a fatherly eye, but his
tenderness was sad, as we look at things that have cost us dear.

"Well, my little ones, without me you would not be here, and without you I
would be dead. I do not regret it at all, but don't insist. Your thanks
are too noisy."

He clapped his hands impatiently.

He had never been ambitious, that is very sure, and, even at that moment,
he told the truth. Nevertheless, the next day, after a night spent in
talking to Philomène, he said to her:

"Next year, Philomène, if the tomtit comes back, let me know. It is
decidedly inconvenient."

But the tomtit never came again--and neither did the letter from the
bishop!



JEAN GOURDON'S FOUR DAYS

BY EMILE ZOLA


SPRING

On that particular day, at about five o'clock in the morning, the sun
entered with delightful abruptness into the little room I occupied at the
house of my uncle Lazare, parish priest of the hamlet of Dourgues. A broad
yellow ray fell upon ray closed eyelids, and I awoke in light.

My room, which was whitewashed, and had deal furniture, was full of
attractive gaiety. I went to the window and gazed at the Durance, which
traced its broad course amidst the dark green verdure of the valley. Fresh
puffs of wind caressed my face, and the murmur of the trees and river
seemed to call me to them.

I gently opened my door. To get out I had to pass through my uncle's room.
I proceeded on tip-toe, fearing the creaking of my thick boots might
awaken the worthy man, who was still slumbering with a smiling
countenance. And I trembled at the sound of the church bell tolling the
Angelus. For some days past my uncle Lazare had been following me about
everywhere, looking sad and annoyed. He would perhaps have prevented me
going over there to the edge of the river, and hiding myself among the
willows on the bank, so as to watch for Babet passing, that tall dark girl
who had come with the spring.

But my uncle was sleeping soundly. I felt something like remorse in
deceiving him and running away in this manner. I stayed for an instant and
gazed on his calm countenance, with its gentle expression enhanced by
rest, and I recalled to mind with feeling the day when he had come to
fetch me in the chilly and deserted home which my mother's funeral was
leaving. Since that day, what tenderness, what devotedness, what good
advice he had bestowed on me! He had given me his knowledge and his
kindness, all his intelligence and all his heart.

I was tempted for a moment to cry out to him:

"Get up, uncle Lazare! let us go for a walk together along that path you
are so fond of beside the Durance. You will enjoy the fresh air and
morning sun. You will see what an appetite you will have on your return!"

And Babet, who was going down to the river in her light morning gown, and
whom I should not be able to see! My uncle would be there, and I would
have to lower my eyes. It must be so nice under the willows, lying flat on
one's stomach, in the fine grass! I felt a languid feeling creeping over
me, and, slowly, taking short steps, holding my breath, I reached the
door. I went downstairs, and began running like a madcap in the
delightful, warm May morning air.

The sky was quite white on the horizon, with exquisitely delicate blue and
pink tints. The pale sun seemed like a great silver lamp, casting a shower
of bright rays into the Durance. And the broad, sluggish river, expanding
lazily over the red sand, extended from one end of the valley to the
other, like a stream of liquid metal. To the west, a line of low rugged
hills threw slight violet streaks on the pale sky.

I had been living in this out-of-the-way corner for ten years. How often
had I kept my uncle Lazare waiting to give me my Latin lesson! The worthy
man wanted to make me learned. But I was on the other side of the Durance,
ferreting out magpies, discovering a hill which I had not yet climbed.
Then, on my return, there were remonstrances: the Latin was forgotten, my
poor uncle scolded me for having torn my trousers, and he shuddered when
he noticed sometimes that the skin underneath was cut. The valley was
mine, really mine; I had conquered it with my legs, and I was the real
landlord by right of friendship. And that bit of river, those two leagues
of the Durance, how I loved them, how well we understood one another when
together! I knew all the whims of my dear stream, its anger, its charming
ways, its different features at each hour of the day.

When I reached the water's edge on that particular morning, I felt
something like giddiness at seeing it so gentle and so white. It had never
looked so gay. I slipped rapidly beneath the willows, to an open space
where a broad patch of sunlight fell on the dark grass. There I laid me
down on my stomach, listening, watching the pathway by which Babet would
come, through the branches.

"Oh! how sound uncle Lazare must be sleeping!" I thought.

And I extended myself at full length on the moss. The sun struck gentle
heat into my back, whilst my breast, buried in the grass, was quite cool.

Have you never examined the turf, at close quarters, with your eyes on the
blades of grass? Whilst I was waiting for Babet, I pried indiscreetly into
a tuft which was really a whole world. In my bunch of grass there were
streets, cross roads, public squares, entire cities. At the bottom of it,
I distinguished a great dark patch where the shoots of the previous spring
were decaying sadly, then slender stalks were growing up, stretching out,
bending into a multitude of elegant forms, and producing frail colonnades,
churches, virgin forests. I saw two lean insects wandering in the midst of
this immensity; the poor children were certainly lost, for they went from
colonnade to colonnade, from street to street, in an affrighted, anxious
way.

It was just at this moment that, on raising my eyes, I saw Babet's white
skirts standing out against the dark ground at the top of the pathway. I
recognized her printed calico gown, which was grey, with small blue
flowers. I sunk down deeper in the grass, I heard my heart thumping
against the earth and almost raising me with slight jerks. My breast was
burning now, I no longer felt the freshness of the dew.

The young girl came nimbly down the pathway, her skirts skimming the
ground with a swinging motion that charmed me, I saw her at full length,
quite erect, in her proud and happy gracefulness. She had no idea I was
there behind the willows; she walked with a light step, she ran without
giving a thought to the wind, which slightly raised her gown. I could
distinguish her feet, trotting along quickly, quickly, and a piece of her
white stockings, which was perhaps as large as one's hand, and which made
me blush in a manner that was alike sweet and painful.

Oh! then, I saw nothing else, neither the Durance, nor the willows, nor
the whiteness of the sky. What cared I for the valley! It was no longer my
sweetheart; I was quite indifferent to its joy and its sadness. What cared
I for my friends, the stories, and the trees on the hills! The river could
run away all at once if it liked; I would not have regretted it.

And the spring, I did not care a bit about the spring! Had it borne away
the sun that warmed my back, its leaves, its rays, all its May morning, I
should have remained there, in ecstasy, gazing at Babet, running along the
pathway, and swinging her skirts deliciously. For Babet had taken the
valley's place in my heart, Babet was the spring, I had never spoken to
her. Both of us blushed when we met one another in my uncle Lazare's
church. I could have vowed she detested me.

She talked on that particular day for a few minutes with the women who
were washing. The sound of her pearly laughter reached as far as me,
mingled with the loud voice of the Durance. Then she stooped down to take
a little water in the hollow of her hand; but the bank was high, and
Babet, who was on the point of slipping, saved herself by clutching the
grass. I gave a frightful shudder, which made my blood run cold. I rose
hastily, and, without feeling ashamed, without reddening, ran to the young
girl. She cast a startled look at me; then she began to smile. I bent
down, at the risk of falling. I succeeded in filling my right hand with
water by keeping my fingers close together. And I presented this new sort
of cup to Babet' asking her to drink.

The women who were washing laughed. Babet, confused, did not dare accept;
she hesitated, and half turned her head away. At last she made up her
mind, and delicately pressed her lips to the tips of my fingers; but she
had waited too long, all the water had run away. Then she burst out
laughing, she became a child again, and I saw very well that she was
making fun of me.

I was very silly. I bent forward again. This time I took the water in both
hands and hastened to put them to Babet's lips. She drank, and I felt the
warm kiss from her mouth run up my arms to my breast, which it filled with
heat.

"Oh! how my uncle must sleep!" I murmured to myself.

Just as I said that, I perceived a dark shadow beside me, and, having
turned round, I saw my uncle Lazare, in person, a few paces away, watching
Babet and me as if offended. His cassock appeared quite white in the sun;
in his look I saw reproaches which made me feel inclined to cry.

Babet was very much afraid. She turned quite red, and hurried off
stammering:

"Thanks, Monsieur Jean, I thank you very much."

As for me, wiping my wet hands, I stood motionless and confused before my
uncle Lazare.

The worthy man, with folded arms, and bringing back a corner of his
cassock, watched Babet, who was running up the pathway without turning her
head. Then, when she had disappeared behind the hedges, he lowered his
eyes to me, and I saw his pleasant countenance smile sadly.

"Jean," he said to me, "come into the broad walk. Breakfast is not ready.
We have half an hour to spare."

He set out with his rather heavy tread, avoiding the tufts of grass wet
with dew. A part of the bottom of his cassock that was dragging along the
ground, made a dull crackling sound. He held his breviary under his arm;
but he had forgotten his morning lecture, and he advanced dreamily, with
bowed head, and without uttering a word.

His silence tormented me. He was generally so talkative. My anxiety
increased at each step. He had certainly seen me giving Babet water to
drink. What a sight, O Lord! The young girl, laughing and blushing, kissed
the tips of my fingers, whilst I, standing on tip-toe, stretching out my
arms, was leaning forward as if to kiss her. My action now seemed to me
frightfully audacious. And all my timidity returned. I inquired of myself
how I could have dared to have my fingers kissed so sweetly.

And my uncle Lazare, who said nothing, who continued walking with short
steps in front of me, without giving a single glance at the old trees he
loved! He was assuredly preparing a sermon. He was only taking me into the
broad walk to scold me at his ease. It would occupy at least an hour:
breakfast would get cold, and I would be unable to return to the water's
edge and dream of the warm burns that Babet's lips had left on my hands.

We were in the broad walk. This walk, which was wide and short, ran beside
the river; it was shaded by enormous oak trees, with trunks lacerated by
seams, stretching out their great, tall branches. The fine grass spread
like a carpet beneath the trees, and the sun, riddling the foliage,
embroidered this carpet with a rosaceous pattern in gold. In the distance,
all around, extended raw green meadows.

My uncle went to the bottom of the walk, without altering his step and
without turning round. Once there, he stopped, and I kept beside him,
understanding that the terrible moment had arrived.

The river made a sharp curve; a low parapet at the end of the walk formed
a sort of terrace. This vault of shade opened on a valley of light. The
country expanded wide before us, for several leagues. The sun was rising
in the heavens, where the silvery rays of morning had become transformed
into a stream of gold; blinding floods of light ran from the horizon,
along the hills, and spread out into the plain with the glare of fire.

After a moment's silence, my uncle Lazare turned towards me.

"Good heavens, the sermon!" I thought, and I bowed my head. My uncle
pointed out the valley to me, with an expansive gesture; then, drawing
himself up, he said, slowly:

"Look, Jean, there is the spring. The earth is full of joy, my boy, and I
have brought you here, opposite this plain of light, to show you the first
smiles of the young season. Observe what brilliancy and sweetness! Warm
perfumes rise from the country and pass across our faces like puffs of
life."

He was silent and seemed dreaming. I had raised my head, astonished,
breathing at ease. My uncle was not preaching.

"It is a beautiful morning," he continued, "a morning of youth. Your
eighteen summers find full enjoyment amidst this verdure which is at most
eighteen days old. All is great brightness and perfume, is it not? The
broad valley seems to you a delightful place: the river is there to give
you its freshness, the trees to lend you their shade, the whole country to
speak to you of tenderness, the heavens themselves to kiss those horizons
that you are searching with hope and desire. The spring belongs to fellows
of your age. It is it that teaches the boys how to give young girls to
drink--"

I hung my head again. My uncle Lazare had certainly seen me.

"An old fellow like me," he continued, "unfortunately knows what trust to
place in the charms of spring. I, my poor Jean, I love the Durance because
it waters these meadows and gives life to all the valley; I love this
young foliage because it proclaims to me the coming of the fruits of
summer and autumn; I love this sky because it is good to us, because its
warmth hastens the fecundity of the earth. I should have had to tell you
this one day or other; I prefer telling it you now, at this early hour. It
is spring itself that is giving you the lesson. The earth is a vast
workshop wherein there is never a slack season. Observe this flower at our
feet; to you it is perfume; to me it is labour, it accomplishes its task
by producing its share of life, a little black seed which will work in its
turn, next spring. And, now, search the vast horizon. All this joy is but
the act of generation. If the country be smiling, it is because it is
beginning the everlasting task again. Do you hear it now, breathing hard,
full of activity and haste? The leaves sigh, the flowers are in a hurry,
the corn grows without pausing; all the plants, all the herbs are
quarrelling as to which shall spring up the quickest; and the running
water, the river comes to assist in the common labour, and the young sun
which rises in the heavens is entrusted with the duty of enlivening the
everlasting task of the labourers."

At this point my uncle made me look him straight in the face. He concluded
in these terms:

"Jean, you hear what your friend the spring says to you. He is youth, but
he is preparing ripe age; his bright smile is but the gaiety of labour.
Summer will be powerful, autumn bountiful, for the spring is singing at
this moment, while courageously performing its work."

I looked very stupid. I understood my uncle Lazare. He was positively
preaching me a sermon, in which he told me I was an idle fellow and that
the time had come to work.

My uncle appeared as much embarrassed as myself. After having hesitated
for some instants he said, slightly stammering:

"Jean, you were wrong not to have come and told me all--as you love Babet
and Babet loves you--"

"Babet loves me!" I exclaimed.

My uncle made me an ill-humoured gesture.

"Eh! allow me to speak. I don't want another avowal. She owned it to me
herself."

"She owned that to you, she owned that to you!"

And I suddenly threw my arms round my uncle Lazare's neck.

"Oh! how nice that is!" I added. "I had never spoken to her, truly. She
told you that at the confessional, didn't she? I would never have dared
ask her if she loved me, and I would never have known anything. Oh! how I
thank you!"

My uncle Lazare was quite red. He felt that he had just committed a
blunder. He had imagined that this was not my first meeting with the young
girl, and here he gave me a certainty, when as yet I only dared dream of a
hope. He held his tongue now; it was I who spoke with volubility.

"I understand all," I continued. "You are right, I must work to win Babet.
But you will see how courageous I shall be. Ah! how good you are, my uncle
Lazare, and how well you speak! I understand what the spring says: I,
also, will have a powerful summer and an autumn of abundance. One is well
placed here, one sees all the valley; I am young like it, I feel youth
within me demanding to accomplish its task--"

My uncle calmed me.

"Very good, Jean," he said to me. "I had long hoped to make a priest of
you, and I imparted to you my knowledge with that sole aim. But what I saw
this morning at the waterside compels me to definitely give up my fondest
hope. It is Heaven that disposes of us. You will love the Almighty in
another way. You cannot now remain in this village, and I only wish you to
return when ripened by age and work. I have chosen the trade of printer
for you; your education will serve you. One of my friends, who is a
printer at Grenoble, is expecting you next Monday."

I felt anxious.

"And I shall come back and marry Babet?" I inquired.

My uncle smiled imperceptibly; and, without answering in a direct manner,
said:

"The remainder is the will of Heaven."

"You are heaven, and I have faith in your kindness. Oh! uncle, see that
Babet does not forget me. I will work for her."

Then my uncle Lazare again pointed out to me the valley which the warm
golden light was overspreading more and more.

"There is hope," he said to me. "Do not be as old as I am, Jean. Forget my
sermon, be as ignorant as this land. It does not trouble about the autumn;
it is all engrossed with the joy of its smile; it labours, courageously
and without a care. It hopes."

And we returned to the parsonage, strolling along slowly in the grass,
which was scorched by the sun, and chatting with concern of our
approaching separation.

Breakfast was cold, as I had foreseen; but that did not trouble me much. I
had tears in my eyes each time I looked at my uncle Lazare. And, at the
thought of Babet, my heart beat fit to choke me.

I do not remember what I did during the remainder of the day. I think I
went and lay down under the willows at the riverside. My uncle was right,
the earth was at work. On placing my ear to the grass I seemed to hear
continual sounds. Then I dreamed of what my life would be. Buried in the
grass until nightfall, I arranged an existence full of labour divided
between Babet and my uncle Lazare. The energetic youthfulness of the soil
had penetrated my breast, which I pressed with force against the common
mother, and at times I imagined myself to be one of the strong willows
that lived around me. In the evening I could not dine. My uncle, no doubt,
understood the thoughts that were choking me, for he feigned not to notice
my want of appetite. As soon as I was able to rise from table, I hastened
to return and breathe the open air outside.

A fresh breeze rose from the river, the dull splashing of which I heard in
the distance. A soft light fell from the sky. The valley expanded,
peaceful and transparent, like a dark shoreless ocean. There were vague
sounds in the air, a sort of impassioned tremor, like a great flapping of
wings passing above my head. Penetrating perfumes rose with the cool air
from the grass.

I had gone out to see Babet; I knew she came to the parsonage every night,
and I went and placed myself in ambush behind a hedge. I had got rid of my
timidness of the morning; I considered it quite natural to be waiting for
her there, because she loved me and I had to tell her of my departure.

"When I perceived her skirts in the limpid night, I advanced noiselessly.
Then I murmured in a low voice:

"Babet, Babet, I am here."

She did not recognise me, at first, and started with fright. When she
discovered who it was, she seemed still more frightened, which very much
surprised me.

"It's you, Monsieur Jean," she said to me. "What are you doing there? What
do you want?"

I was beside her and took her hand.

"You love me fondly, do you not?"

"I! who told you that?"

"My uncle Lazare."

She stood there in confusion. Her hand began to tremble in mine. As she
was on the point of running away, I took her other hand. We were face to
face, in a sort of hollow in the hedge, and I felt Babet's panting breath
running all warm over my face. The freshness of the air, the rustling
silence of the night, hung around us.

"I don't know," stammered the young girl, "I never said that--his
reverence the curé misunderstood--For mercy's sake, let me be, I am in a
hurry."

"No, no," I continued, "I want you to know that I am going away to-morrow,
and to promise to love me always."

"You are leaving to-morrow!"

Oh! that sweet cry, and how tenderly Babet uttered it! I seem still to
hear her apprehensive voice full of affliction and love.

"You see," I exclaimed in my turn, "that my uncle Lazare said the truth.
Besides, he never tells fibs. You love me, you love me, Babet! Your lips
this morning confided the secret very softly to my fingers."

And I made her sit down at the foot of the hedge. My memory has retained
my first chat of love in its absolute innocence. Babet listened to me like
a little sister. She was no longer afraid, she told me the story of her
love. And there were solemn sermons, ingenious avowals, projects without
end. She vowed she would marry no one but me, I vowed to deserve her hand
by labour and tenderness. There was a cricket behind the hedge, who
accompanied our chat with his chaunt of hope, and all the valley,
whispering in the dark, took pleasure in hearing us talk so softly.

On separating we forgot to kiss each other.

When I returned to my little room, it appeared to me that I had left it
for at least a year. That day which was so short, seemed an eternity of
happiness. It was the warmest and most sweetly-scented spring-day of my
life, and the remembrance of it is now like the distant, faltering voice
of my youth.

II

SUMMER

When I awoke at about three o'clock in the morning on that particular day,
I was lying on the hard ground tired out, and with my face bathed in
perspiration. The hot heavy atmosphere of a July night weighed me down.

My companions were sleeping around me, wrapped in their hooded cloaks;
they speckled the grey ground with black, and the obscure plain panted; I
fancied I heard the heavy breathing of a slumbering multitude. Indistinct
sounds, the neighing of horses, the clash of arms rang out amidst the
rustling silence.

The army had halted at about midnight, and we had received orders to lie
down and sleep. We had been marching for three days, scorched by the sun
and blinded by dust. The enemy were at length in front of us, over there,
on those hills on the horizon. At daybreak a decisive battle would be
fought.

I had been a victim to despondency. For three days I had been as if
trampled on, without energy and without thought for the future. It was the
excessive fatigue, indeed, that had just awakened me. Now, lying on my
back, with my eyes wide open, I was thinking whilst gazing into the night,
I thought of this battle, this butchery, which the sun was about to light
up. For more than six years, at the first shot in each fight, I had been
saying good-bye to those I loved the most fondly, Babet and uncle Lazare.
And now, barely a month before my discharge, I had to say good-bye again,
and this time perhaps for ever.

Then my thoughts softened. With closed eyelids I saw Babet and my uncle
Lazare. How long it was since I had kissed them! I remembered the day of
our separation; my uncle weeping because he was poor, and allowing me to
leave like that, and Babet, in the evening, had vowed she would wait for
me, and that she would never love another. I had had to quit all, my
master at Grenoble, my friends at Dourgues. A few letters had come from
time to time to tell me they always loved me, and that happiness was
awaiting me in my well-beloved valley. And I, I was going to fight, I was
going to get killed.

I began dreaming of my return. I saw my poor old uncle on the threshold of
the parsonage extending his trembling arms; and behind him was Babet,
quite red, smiling through her tears. I fell into their arms and kissed
them, seeking for expressions--

Suddenly the beating of drums recalled me to stern reality. Daybreak had
come, the grey plain expanded in the morning mist. The ground became full
of life, indistinct forms appeared on all sides; a sound that became
louder and louder filled the air; it was the call of bugles, the galloping
of horses, the rumble of artillery, the shouting out of orders. War came
threatening, amidst my dream of tenderness. I rose with difficulty; it
seemed to me that my bones were broken, and that my head was about to
split. I hastily got my men together; for I must tell you that I had won
the rank of sergeant. We soon received orders to bear to the left and
occupy a hillock above the plain.

As we were about to move, the sergeant-major came running along and
shouting:

"A letter for Sergeant Gourdon!"

And he handed me a dirty crumpled letter, which had been lying perhaps for
a week in the leather bags of the post-office. I had only just time to
recognise the writing of my uncle Lazare.

"Forward, march!" shouted the major.

I had to march. For a few seconds I held the poor letter in my hand,
devouring it with my eyes; it burnt my fingers; I would have given
everything in the world to have sat down and wept at ease whilst reading
it. I had to content myself with slipping it under my tunic against my
heart.

I have never experienced such agony. By way of consolation I said to
myself what my uncle had so often repeated to me: I was in the summer of
my life, at the moment of the fierce struggle, and it was essential that I
should perform my duty bravely, if I would have a peaceful and bountiful
autumn. But these reasons exasperated me the more: this letter, which had
come to speak to me of happiness, burnt my heart, which had revolted
against the folly of war. And I could not even read it! I was perhaps
going to die without knowing what it contained, without perusing my uncle
Lazare's affectionate remarks for the last time.

We had reached the top of the hill. We were to await orders there to
advance. The battle-field had been marvellously chosen to slaughter one
another at ease. The immense plain expanded for several leagues, and was
quite bare, without a house or tree. Hedges and bushes made slight spots
on the whiteness of the ground. I have never since seen such a country, an
ocean of dust, a chalky soil, bursting open here and there, and displaying
its tawny bowels. And never either have I since witnessed a sky of such
intense purity, a July day so lovely and so warm; at eight o'clock the
sultry heat was already scorching our faces. O the splendid morning, and
what a sterile plain to kill and die in!

Firing had broken out with irregular crackling sounds, a long time since,
supported by the solemn growl of the cannon. The enemy, Austrians dressed
in white, had quitted the heights, and the plain was studded with long
files of men, who looked to me about as big as insects. One might have
thought it was an ant-hill in insurrection. Clouds of smoke hung over the
battle-field. At times, when these clouds broke asunder, I perceived
soldiers in flight, smitten with terrified panic. Thus there were currents
of fright which bore men away, and outbursts of shame and courage which
brought them back under fire.

I could neither hear the cries of the wounded, nor see the blood flow. I
could only distinguish the dead which the battalions left behind them, and
which resembled black patches. I began to watch the movements of the
troops with curiosity, irritated at the smoke which hid a good half of the
show, experiencing a sort of egotistic pleasure at the knowledge that I
was in security, whilst others were dying.

At about nine o'clock we were ordered to advance. We went down the hill at
the double and proceeded towards the centre which was giving way. The
regular beat of our footsteps appeared to me funeral-like. The bravest
among us panting, pale and with haggard features.

I have made up my mind to tell the truth. At the first whistle of the
bullets, the battalion suddenly came to a halt, tempted to fly.

"Forward, forward!" shouted the chiefs.

But we were riveted to the ground, bowing our heads when a bullet whistled
by our ears. This movement is instinctive; if shame had not restrained me,
I would have thrown myself flat on my stomach in the dust.

Before us was a huge veil of smoke which we dared not penetrate. Red
flashes passed through this smoke. And, shuddering, we still stood still.
But the bullets reached us; soldiers fell with yells. The chiefs shouted
louder:

"Forward, forward!"

The rear ranks, which they pushed on, compelled us to march. Then, closing
our eyes, we made a fresh dash and entered the smoke.

We were seized with furious rage. When the cry of "Halt!" resounded, we
experienced difficulty in coming to a standstill. As soon as one is
motionless, fear returns and one feels a wish to run away. Firing
commenced. We shot in front of us, without aiming, finding some relief in
discharging bullets into the smoke. I remember I pulled my trigger
mechanically, with lips firmly set together and eyes wide open; I was no
longer afraid, for, to tell the truth, I no longer knew if I existed. The
only idea I had in my head, was that I would continue firing until all was
over. My companion on the left received a bullet full in the face and fell
on me; I brutally pushed him away, wiping my cheek which he had drenched
with blood. And I resumed firing.

I still remember having seen our colonel, M. de Montrevert, firm and erect
upon his horse, gazing quietly towards the enemy. That man appeared to me
immense. He had no rifle to amuse himself with, and his breast was
expanded to its full breadth above us. From time to time, he looked down,
and exclaimed in a dry voice:

"Close the ranks, close the ranks!"

We closed our ranks like sheep, treading on the dead, stupefied, and
continuing firing. Until then, the enemy had only sent us bullets; a dull
explosion was heard and a shell carried off five of our men. A battery
which must have been opposite us and which we could not see, had just
opened fire. The shells struck into the middle of us, almost at one spot,
making a sanguinary gap which we closed unceasingly with the obstinacy of
ferocious brutes.

"Close the ranks, close the ranks!" the colonel coldly repeated.

We were giving the cannon human flesh. Each time a soldier was struck
down, I was taking a step nearer death, I was approaching the spot where
the shells were falling heavily, crushing the men whose turn had come to
die. The corpses were forming heaps in that place, and soon the shells
would strike into nothing more than a mound of mangled flesh; shreds of
limbs flew about at each fresh discharge. We could no longer close the
ranks.

The soldiers yelled, the chiefs themselves were moved.

"With the bayonet, with the bayonet!"

And amidst a shower of bullets the battalion rushed in fury towards the
shells. The veil of smoke was torn asunder; we perceived the enemy's
battery flaming red, which was firing at us from the mouths of all its
pieces, on the summit of a hillock. But the dash forward had commenced,
the shells stopped the dead only.

I ran beside Colonel Montrevert, whose horse had just been killed, and who
was fighting like a simple soldier. Suddenly I was struck down; it seemed
to me as if my breast opened and my shoulder was taken away. A frightful
wind passed over my face.

And I fell. The colonel fell beside me. I felt myself dying. I thought of
those I loved, and fainted whilst searching with a withering hand for my
uncle Lazare's letter.

When I came to myself again I was lying on my side in the dust. I was
annihilated by profound stupor. I gazed before me with my eyes wide open
without seeing anything; it seemed to me that I had lost my limbs, and
that my brain was empty. I did not suffer, for life seemed to have
departed from my flesh.

The rays of a hot implacable sun fell upon my face like molten lead. I did
not feel it. Life returned to me little by little; my limbs became
lighter, my shoulder alone remained crushed beneath an enormous weight.
Then, with the instinct of a wounded animal, I wanted to sit up. I uttered
a cry of pain, and fell back upon the ground.

But I lived now, I saw, I understood. The plain spread out naked and
deserted, all white in the broad sunlight. It exhibited its desolation
beneath the intense serenity of heaven; heaps of corpses were sleeping in
the warmth, and the trees that had been brought down, seemed to be other
dead who were dying. There was not a breath of air. A frightful silence
came from those piles of inanimate bodies; then, at times, there were
dismal groans which broke this silence, and conveyed a long tremor to it.
Slender clouds of grey smoke hanging over the low hills on the horizon,
was all that broke the bright blue of the sky. The butchery was continuing
on the heights.

I imagined we were conquerors, and I experienced selfish pleasure in
thinking I could die in peace on this deserted plain. Around me the earth
was black. On raising my head I saw the enemy's battery on which we had
charged, a few feet away from me. The struggle must have been horrible:
the mound was covered with hacked and disfigured bodies; blood had flowed
so abundantly that the dust seemed like a large red carpet. The cannon
stretched out their dark muzzles above the corpses. I shuddered when I
observed the silence of those guns.

Then gently, with a multitude of precautions, I succeeded in turning on my
stomach. I rested my head on a large stone all splashed with gore, and
drew my uncle Lazare's letter from my breast. I placed it before my eyes;
but my tears prevented my reading it.

And whilst the sun was roasting me in the back, the acrid smell of blood
was choking me. I could form an idea of the woeful plain around me, and
was as if stiffened with the rigidness of the dead. My poor heart was
weeping in the warm and loathsome silence of murder.

Uncle Lazare wrote to me:

"My Dear Boy,--I hear war has been declared; but I still hope you will get
your discharge before the campaign opens. Every morning I beseech the
Almighty to spare you new dangers; He will grant my prayer; He will, one
of these days, let you close my eyes.

"Ah! my poor Jean, I am becoming old, I have great need of your arm. Since
your departure I no more feel your youthfulness beside me, which gave me
back my twenty summers. Do you remember our strolls in the morning along
the oak-tree walk? Now I no longer dare to go beneath those trees; I am
alone, I am afraid. The Durance weeps. Come quickly and console me,
assuage my anxiety----"

The tears were choking me, I could not continue. At that moment a
heartrending cry was uttered a few steps away from me; I saw a soldier
suddenly rise, with the muscles of his face contracted; he extended his
arms in agony, and fell to the ground, where he writhed in frightful
convulsions; then he ceased moving.

"I have placed my hope in the Almighty," continued my uncle, "He will
bring you back safe and sound to Dourgues, and we will resume our peaceful
existence. Let me dream out loud and tell you my plans for the future.

"You will go no more to Grenoble, you will remain with me; I will make my
child a son of the soil, a peasant who shall live gaily whilst tilling the
fields.

"And I will retire to your farm. In a short time my trembling hands will
no longer be able to hold the Host. I only ask Heaven for two years of
such an existence. That will be my reward for the few good deeds I may
have done. Then you will sometimes lead me along the paths of our dear
valley, where every rock, every hedge will remind me of your youth which I
so greatly loved----"

I had to stop again. I felt such a sharp pain In my shoulder, that I
almost fainted a second time. A terrible anxiety had just taken possession
of me; it, seemed as if the sound of the fusillade was approaching, and I
thought with terror that our army was perhaps retreating, and that in its
flight it would descend to the plain and pass over my body. But I still
saw nothing but the slight cloud, of smoke hanging over the low hills.

My uncle Lazare added:

"And we shall be three to love one another. Ah! my well-beloved Jean, how
right you were to give her to drink that morning beside the Durance. I was
afraid of Babet, I was ill-humoured, and now I am jealous, for I can see
very well that I shall never be able to love you as much as she does,
'Tell him,' she repeated to me yesterday, blushing, 'that if he gets
killed, I shall go and throw myself into the river at the spot where he
gave me to drink.'

"For the love of God! be careful of your life. There are things that I
cannot understand, but I feel that happiness awaits you here. I already
call Babet my daughter; I can see her on your arm, in the church, when I
shall bless your union. I wish that to be my last mass.

"Babet is a fine, tall girl now. She will, assist you in your work----"

The sound of the fusillade had gone farther away. I was weeping sweet
tears. There were dismal moans among soldiers who were in their last
agonies between the cannon wheels. I perceived one who was endeavoring to
get rid of a comrade, wounded as he was, whose body was crushing his
chest; and, as this wounded man struggled and complained, the soldier
pushed him brutally away, and made him roll down the slope of the mound,
whilst the wretched creature yelled with pain. At that cry a murmur came
from the heap of corpses. The sun, which was sinking, shed rays of a light
fallow colour. The blue of the sky was softer.

I finished reading my uncle Lazare's letter.

"I simply wished," he continued, "to give you news of ourselves, and to
beg you to come as soon as possible and make us happy. And here I am
weeping and gossiping like an old child. Hope, my poor Jean, I pray, and
God is good.

"Answer me quickly, and give me, if possible, the date of your return.
Babet and I are counting the weeks. We trust to see you soon; be hopeful."

The date of my return!--I kissed the letter, sobbing, and fancied for a
moment that I was kissing Babet and my uncle. No doubt I should never see
them again. I would die like a dog in the dust, beneath the leaden sun.
And it was on that desolated plain, amidst the death-rattle of the dying,
that those whom I loved dearly were saying good-bye. A buzzing silence
filled my ears; I gazed at the pale earth spotted with blood, which
extended, deserted, to the grey lines of the horizon. I repeated: "I must
die." Then, I closed my eyes, and thought of Babet and my uncle Lazare.

I know not how long I remained in a sort of painful drowsiness. My heart
suffered as much as my flesh. Warm tears ran slowly down my cheeks. Amidst
the nightmare that accompanied the fever, I heard a moan similar to the
continuous plaintive cry of a child in suffering. At times, I awoke and
stared at the sky in astonishment.

At last I understood that it was M. de Montrevert, lying a few paces off,
who was moaning in this manner. I had thought him dead. He was stretched
out with his face to the ground and his arms extended. This man had been
good to me; I said to myself that I could not allow him to die thus, with
his face to the ground, and I began crawling slowly towards him.

Two corpses separated us. For a moment I thought of passing over the
stomachs of these dead men to shorten the distance; for, my shoulder made
me suffer frightfully at every movement. But I did not dare. I proceeded
on my knees, assisting myself with one hand. When I reached the colonel, I
gave a sigh of relief; it seemed to me that I was less alone; we would die
together, and this death shared by both of us no longer terrified me.

I wanted him to see the sun, and I turned him over as gently as possible.
When the rays fell upon his face, he breathed hard; he opened his eyes.
Leaning over his body, I tried to smile at him. He closed his eyelids
again; I understood by his trembling lips that he was conscious of his
sufferings.

"It's you, Gourdon," he said to me at last, in a feeble voice; "is the
battle won?"

"I think so, colonel," I answered him.

There was a moment of silence. Then, opening his eyes and looking at me,
he inquired--

"Where are you wounded?"

"In the shoulder--and you, colonel?"

"My elbow must be smashed. I remember; it was the same bullet that
arranged us both like this, my boy."

He made an effort to sit up.

"But come," he said with sudden gaiety, "we are not going to sleep here?"

You cannot believe how much this courageous display of joviality
contributed towards giving me strength and hope. I felt quite different
since we were two to struggle against death.

"Wait," I exclaimed, "I will bandage up your arm with my handkerchief, and
we will try and support one another as far as the nearest ambulance."

"That's it, my boy. Don't make it too tight. Now, let us take each other
by the good hand and try to get up."

We rose staggering. We had lost a great deal of blood; our heads were
swimming and our legs failed us. Any one would have mistaken us for
drunkards, stumbling, supporting, pushing one another, and making zigzags
to avoid the dead. The sun was setting with a rosy blush, and our gigantic
shadows danced in a strange way over the field of battle. It was the end
of a fine day.

The colonel joked; his lips were crisped by shudders, his laughter
resembled sobs. I could see that we were going to fall down in some corner
never to rise again. At times we were seized with giddiness, and were
obliged to stop and close our eyes. The ambulances formed small grey
patches on the dark ground at the extremity of the plain.

We knocked up against a large stone, and were thrown down one on the
other. The colonel swore like a pagan. We tried to walk on all-fours,
catching hold of the briars. In this way we did a hundred yards on our
knees. But our knees were bleeding.

"I have had enough of it," said the colonel, lying down; "they may come
and fetch me if they will. Let us sleep."

I still had the strength to sit half up, and shout with all the breath
that remained within me. Men were passing along in the distance picking up
the wounded; they ran to us and placed us side by side on a stretcher.

"Comrade," the colonel said to me during the journey, "Death will not have
us. I owe you my life; I will pay my debt, whenever you have need of me.
Give me your hand."

I placed my hand in his, and it was thus that we reached the ambulances.
They had lighted torches; the surgeons were cutting and sawing, amidst
frightful yells; a sickly smell came from the blood-stained linen, whilst
the torches cast dark rosy flakes into the basins.

The colonel bore the amputation of his arm with courage; I only saw his
lips turn pale and a film come over his eyes. When it was my turn, a
surgeon examined my shoulder.

"A shell did that for you," he said; "an inch lower and your shoulder
would have been carried away. The flesh, only, has suffered."

And when I asked the assistant, who was dressing my wound, whether it was
serious, he answered me with a laugh:

"Serious! you will have to keep to your bed for three weeks, and make new
blood."

I turned my face to the wall, not wishing to show my tears. And with my
heart's eyes I perceived Babet and my uncle Lazare stretching out their
arms towards me. I had finished with the sanguinary struggles of my summer
day.

III

AUTUMN

It was nearly fifteen years since I had married Babet In my uncle Lazare's
little church. We had sought happiness in our dear valley. I had made
myself a farmer; the Durance, my first sweetheart, was now a good mother
to me, who seemed to take pleasure in making my fields rich and fertile.
Little by little, by following the new methods of agriculture, I became
one of the wealthiest landowners in the neighbourhood.

We had purchased the oak-tree walk and the meadows bordering on the river,
at the death of my wife's parents. I had had a modest house built on this
land, but we were soon obliged to enlarge it; each year I found a means of
rounding off our property by the addition of some neighbouring field, and
our granaries were too small for our harvests.

Those first fifteen years were uneventful and happy. They passed away in
serene joy, and all they have left within me is the remembrance of calm
and continued happiness. My uncle Lazare, on retiring to our home, had
realised his dream; his advanced age did not permit of his reading his
breviary of a morning; he sometimes regretted his dear church, but
consoled himself by visiting the young vicar who had succeeded him. He
came down from the little room he occupied at sunrise, and often
accompanied me to the fields, enjoying himself in the open air, and
finding a second youth amidst the healthy atmosphere of the country.

One sadness alone made us sometimes sigh. Amidst the fruitfulness by which
we were surrounded, Babet remained childless. Although we were three to
love one another we sometimes found ourselves too much alone; we would
have liked to have had a little fair head running about amongst us, who
would have tormented and caressed us.

Uncle Lazare had a frightful dread of dying before he was a great-uncle.
He had become a child again, and felt sorrowful that Babet did not give
him a comrade who would have played with him. On the day when my wife
confided to us with hesitation, that we would no doubt soon be four, I saw
my uncle turn quite pale, and make efforts not to cry. He kissed us,
thinking already of the christening, and speaking of the child as if it
were already three or four years old.

And the months passed in concentrated tenderness. We talked together in
subdued voices, awaiting some one. I no longer loved Babet: I worshipped
her with joined hands; I worshipped her for two, for herself and the
little one.

The great day was drawing nigh. I had brought a midwife from Grenoble who
never moved from the farm. My uncle was in a dreadful fright; he
understood nothing about such things; he went so far as to tell me that he
had done wrong in taking holy orders, and that he was very sorry he was
not a doctor.

One morning in September, at about six o'clock, I went into the room of my
dear Babet, who was still asleep. Her smiling face was peacefully reposing
on the white linen pillow-case. I bent over her, holding my breath. Heaven
had blessed me with the good things of this world. I all at once thought
of that summer day when I was moaning in the dust, and at the same time I
felt around me the comfort due to labour and the quietude that comes from
happiness. My good wife was asleep, all rosy, in the middle of her great
bed; whilst the whole room recalled to me our fifteen years of tender
affection.

I kissed Babet softly on the lips. She opened her eyes and smiled at me
without speaking. I felt an almost uncontrollable desire to take her in my
arms, and clasp her to my heart; but, latterly, I had hardly dared press
her hand, she seemed so fragile and sacred to me.

I seated myself at the edge of the bed, and asked her in a low voice:

"Is it for to-day?"

"No, I don't think so," she replied. "I dreamt I had a boy: he was already
very tall and wore adorable little black moustachios. Uncle Lazare told me
yesterday that he also had seen him in a dream."

I acted very stupidly.

"I know the child better than you do," I said. "I see it every night. It's
a girl----"

And as Babet turned her face to the wall, ready to cry, I realised how
foolish I had been, and hastened to add:

"When I say a girl--I am not quite sure. I see a very small child with a
long white gown.--it's certainly a boy."

Babet kissed me for that pleasing remark.

"Go and look after the vintage," she continued, "I feel calm this
morning."

"You will send for me if anything happens?"

"Yes, yes, I am very tired: I shall go to sleep again. You'll not be angry
with me for my laziness?"

And Babet closed her eyes, looking languid and affected. I remained
leaning over her, receiving the warm breath from her lips in my face. She
gradually went off to sleep, without ceasing to smile. Then I disengaged
my hand from hers with a multitude of precautions. I had to manoeuvre for
five minutes to bring this delicate task to a happy issue. After that I
gave her a kiss on her forehead, which she did not feel, and withdrew with
a palpitating heart, overflowing with love.

In the courtyard below, I found my uncle Lazare, who was gazing anxiously
at the window of Babet's room. So soon as he perceived me he inquired:

"Well, is it for to-day?"

He had been putting this question to me regularly every morning for the
past month.

"It appears not," I answered him. "Will you come with me and see them
picking the grapes?"

He fetched his stick, and we went down the oak-tree walk. When we were at
the end of it, on that terrace which overlooks the Durance, both of us
stopped, gazing at the valley.

Small white clouds floated in the pale sky. The sun was shedding soft
rays, which cast a sort of gold dust over the country, the yellow expanse
of which spread out all ripe. One saw neither the brilliant light nor the
dark shadows of summer. The foliage gilded the black earth in large
patches. The river ran more slowly, weary at the task of having rendered
the fields fruitful for a season. And the valley remained calm and strong.
It already wore the first furrows of winter, but it preserved within it
the warmth of its last labour, displaying its robust charms, free from the
weeds of spring, more majestically beautiful, like that second youth, of
woman who has given birth to life.

My uncle Lazare remained silent; then, turning towards me, said:

"Do you remember, Jean? It is more than twenty years ago since I brought
you here early one May morning. On that particular day I showed you the
valley full of feverish activity, labouring for the fruits of autumn.
Look; the valley has just performed its task again."

"I remember, dear uncle," I replied. "I was quaking with fear on that day;
but you were good, and your lesson was convincing. I owe you all my
happiness."

"Yes, you have reached the autumn. You have laboured and are gathering in
the harvest. Man, my boy, was created after the way of the earth. And we,
like the common mother, are eternal: the green leaves are born again each
year from dry leaves; I am born again in you, and you will be born again
in your children. I am telling you this so that old age may not alarm you,
so that you may know how to die in peace, as dies this verdure, which will
shoot out again from its own germs next spring."

I listened to my uncle and thought of Babet, who was sleeping in her great
bed spread with white linen. The dear creature was about to give birth to
a child after the manner of this fertile soil which had given us fortune.
She also had reached the autumn: she had the beaming smile and serene
robustness of the valley. I seemed to see her beneath the yellow sun,
tired and happy, experiencing noble delight at being a mother. And I no
longer knew whether my uncle Lazare was talking to me of my dear valley,
or of my dear Babet.

We slowly ascended the hills. Below, along the Durance, were the meadows,
broad, raw green swards; next came the yellow fields, intersected here and
there by greyish olive and slender almond trees, planted wide apart in
rows; then, right up above, were the vines, great stumps with shoots
trailing along the ground.

The vine is treated in the south of France like a hardy housewife, and not
like a delicate young lady, as in the north. It grows somewhat as it
likes, according to the good will of rain and sun. The stumps, which are
planted in double rows, and form long lines, throw sprays of dark verdure
around them. Wheat or oats are sown between. A vineyard resembles an
immense piece of striped material, made of the green bands formed by the
vine leaves, and of yellow ribbon represented by the stubble.

Men and women stooping down among the vines, were cutting the bunches of
grapes, which they then threw to the bottom of large baskets. My uncle and
I walked slowly through the stubble. As we passed along, the vintagers
turned their heads and greeted us. My uncle sometimes stopped to speak to
some of the oldest of the labourers.

"Heh! Father André," he said, "are the grapes thoroughly ripe? Will the
wine be good this year?"

And the countryfolk, raising their bare arms, displayed the long bunches,
which were as black as ink, in the sun; and when the grapes were pressed
they seemed to burst with abundance and strength.

"Look, Mr. Curé," they exclaimed, "these are small ones. There are some
weighing several pounds. We have not had such a task these ten years."

Then they returned among the leaves. Their brown jackets formed patches in
the verdure. And the women, bareheaded, with small blue handkerchiefs
round their necks, were stooping down singing. There were children rolling
in the sun, in the stubble, giving utterance to shrill laughter and
enlivening this open-air workshop with their turbulency. Large carts
remained motionless at the edge of the field waiting for the grapes; they
stood out prominently against the clear sky, whilst men went and came
unceasingly, carrying away full baskets, and bringing back empty ones.

I confess that in the centre of this field, I had feelings of pride. I
heard the ground producing beneath my feet; ripe age ran all powerful in
the veins of the vine, and loaded the air with great puffs of it. Hot
blood coursed in my flesh, I was as if elevated by the fecundity
overflowing from the soil and ascending within me. The labour of this
swarm of work-people was my doing, these vines were my children; this
entire farm became my large and obedient family. I experienced pleasure in
feeling my feet sink into the heavy land.

Then, at a glance, I took in the fields that sloped down to the Durance,
and I was the possessor of those vines, those meadows, that stubble, those
olive-trees. The house stood all white beside the oak-tree walk; the river
seemed like a fringe of silver placed at the edge of the great green
mantle of my pasture-land. I fancied, for a moment, that my frame was
increasing in size, that by stretching out my arms, I would be able to
embrace the entire property, and press it to my breast, trees, meadows,
house, and ploughed land.

And as I looked, I saw one of our servant-girls racing, out of breath, up
the narrow pathway that ascended the hill. Confused by the speed at which
she was travelling, she stumbled over the stones, agitating both her arms,
and hailing us with gestures of bewilderment. I felt choking with
inexpressible emotion.

"Uncle, uncle," I shouted, "look how Marguerite's running. I think it must
be for to-day."

My uncle Lazare turned quite pale. The servant had at length reached the
plateau; she came towards us jumping over the vines. When she reached me,
she was out of breath; she was stifling and pressing her hands to her
bosom.

"Speak!" I said to her. "What has happened?"

She heaved a heavy sigh, agitated her hands, and finally was able to
pronounce this single word:

"Madame----"

I waited for no more.

"Come! come quick, uncle Lazare! Ah! my poor dear Babet!"

And I bounded down the pathway at a pace fit to break my bones. The
vintagers, who had stood up, smiled as they saw me running. Uncle Lazare,
who could not overtake me, shook his walking stick in despair.

"Heh! Jean, the deuce!" he shouted, "wait for me. I don't want to be the
last."

But I no longer heard Uncle Lazare, and continued running.

I reached the farm panting for breath, full of hope and terror. I rushed
upstairs and knocked with my fist at Babet's door, laughing, crying, and
half crazy. The midwife set the door ajar, to tell me in an angry voice
not to make so much noise. I stood there abashed and in despair.

"You can't come in," she added. "Go and wait in the courtyard."

And as I did not move, she continued: "All is going on very well. I will
call you."

The door was closed. I remained standing before it, unable to make up my
mind to go away. I heard Babet complaining in a broken voice. And, while I
was there, she gave utterance to a heartrending scream that struck me
right in the breast like a bullet. I felt an almost irresistible desire to
break the door open with my shoulder. So as not to give way to it, I
placed my hands to my ears, and dashed downstairs.

In the courtyard I found my uncle Lazare, who had just arrived out of
breath. The worthy man was obliged to seat himself on the brink of the
well.

"Hallo! where is the child?" he inquired of me.

"I don't know," I answered; "they shut the door in my face--Babet is in
pain and in tears." We gazed at one another, not daring to utter a word.
We listened in agony, without taking our eyes off Babet's window,
endeavouring to see through the little white curtains. My uncle, who was
trembling, stood still, with both his hands resting heavily on his
walking-stick; I, feeling very feverish, walked up and down before him,
taking long strides. At times we exchanged anxious smiles.

The carts of the vintagers arrived one by one. The baskets of grapes were
placed against a wall of the courtyard, and bare-legged men trampled the
bunches under foot in wooden troughs. The mules neighed, the carters
swore, whilst the wine fell with a dull sound to the bottom of the vat.
Acrid smells pervaded the warm air.

And I continued pacing up and down, as if made tipsy by those perfumes. My
poor head was breaking, and as I watched the red juice run from the grapes
I thought of Babet. I said to myself with manly joy, that my child was
born at the prolific time of vintage, amidst the perfume of new wine.

I was tormented by impatience, I went upstairs again. But I did not dare
knock, I pressed my ear against the door, and heard Babet's low moans and
sobs. Then my heart failed me, and I cursed suffering. Uncle Lazare, who
had crept up behind me, had to lead me back into the courtyard. He wished
to divert me, and told me the wine would be excellent; but he spoke
without attending to what he said. And at times we were both silent,
listening anxiously to one of Babet's more prolonged moans.

Little by little the cries subsided, and became nothing more than a
painful murmur, like the voice of a child falling off to sleep in tears.
Then there was absolute silence. This soon caused me unutterable terror.
The house seemed empty, now that Babet had ceased sobbing. I was just
going upstairs, when the midwife opened the window noiselessly. She leant
out and beckoned me with her hand:

"Come," she said to me.

I went slowly upstairs, feeling additional delight at each step I took. My
uncle Lazare was already knocking at the door, whilst I was only half way
up to the landing, experiencing a sort of strange delight in delaying the
moment when I would kiss my wife.

I stopped on the threshold, my heart was beating double. My uncle had
leant over the cradle. Babet, quite pale, with closed eyelids, seemed
asleep. I forgot all about the child, and going straight to Babet, took
her dear hand between mine. The tears had not dried on her checks, and her
quivering lips were dripping with them. She raised her eyelids wearily.
She did not speak to me, but I understood her to say: "I have suffered a
great deal, my dear Jean, but I was so happy to suffer! I felt you within
me."

Then I bent down, I kissed Babet's eyes and drank her tears. She laughed
with much sweetness; she resigned herself with caressing languidness. The
fatigue had made her all aches and pains. She slowly moved her hands from
the sheet, and taking me by the neck placed her lips to my ear:

"It's a boy," she murmured in a weak voice, but with an air of triumph.

Those were the first words she uttered after the terrible shock she had
undergone.

"I knew it would be a boy," she continued, "I saw the child every night.
Give him me, put him beside me."

I turned round and saw the midwife and my uncle quarrelling.

The midwife had all the trouble in the world to prevent uncle Lazare
taking the little one in his arms. He wanted to nurse it.

I looked at the child whom the mother had made me forget. He was all rosy.
Babet said with conviction that he was like me; the midwife discovered
that he had his mother's eyes; I, for my part, could not say, I was almost
crying, I smothered the dear little thing with kisses, imagining I was
still kissing Babet.

I placed the child on the bed. He kept on crying, but this sounded to us
like celestial music. I sat on the edge of the bed, my uncle took a large
arm-chair, and Babet, weary and serene, covered up to her chin, remained
with open eyelids and smiling eyes.

The window was wide open. The smell of grapes came in along with the
warmth of the mild autumn afternoon. One heard the trampling of the
vintagers, the shocks of the carts, the cracking of whips; at times the
shrill song of a servant working in the courtyard reached us. All this
noise was softened in the serenity of that room, which still resounded
with Babet's sobs. And the window-frame enclosed a large strip of
landscape, carved out of the heavens and open country. We could see the
oak-tree walk in its entire length; then the Durance, looking like a white
satin ribbon, passed amidst the gold and purple leaves; whilst above this
square of ground were the limpid depths of a pale sky with blue and rosy
tints.

It was amidst the calm of this horizon, amidst the exhalations of the vat
and the joys attendant upon labour and reproduction, that we three talked
together, Babet, uncle Lazare, and myself, whilst gazing at the dear
little new-born babe.

"Uncle Lazare," said Babet, "what name will you give the child?"

"Jean's mother was named Jacqueline," answered my uncle. "I shall call the
child Jacques."

"Jacques, Jacques," repeated Babet. "Yes, it's a pretty name. And, tell
me, what shall we make the little man: parson or soldier, gentleman or
peasant?"

I began to laugh.

"We shall have time to think of that," I said.

"But no," continued Babet almost angry, "he will grow rapidly. See how
strong he is. He already speaks with his eyes."

My uncle Lazare was exactly of my wife's opinion. He answered in a very
grave tone:

"Make him neither priest nor soldier, unless he have an irresistible
inclination for one of those callings--to make him a gentleman would be a
serious----"

Babet looked at me anxiously. The dear creature had not a bit of pride for
herself; but, like all mothers, she would have liked to be humble and
proud before her son. I could have sworn that she already saw him a notary
or a doctor. I kissed her and gently said to her:

"I wish our son to live in our dear valley. One day, he will find a Babet
of sixteen, on the banks of the Durance, to whom he will give some water.
Do you remember, my dear----? The country has brought us peace: our son
shall be a peasant as we are, and happy as we are."

Babet, who was quite touched, kissed me in her turn. She gazed at the
foliage and the river, the meadows and the sky, through the window; then
she said to me, smiling:

"You are right, Jean. This place has been good to us, it will be the same
to our little Jacques. Uncle Lazare, you will be the godfather of a
farmer."

Uncle Lazare made a languid, affectionate sign of approval with the head.
I had been examining him for a moment, and saw his eyes becoming filmy,
and his lips turning pale. Leaning back in the arm-chair, opposite the
window, he had placed his white hands on his knees, and was watching the
heavens fixedly with an expression of thoughtful ecstasy.

I felt very anxious.

"Are you in pain, uncle Lazare?" I inquired of him, "What is the matter
with you? Answer, for mercy's sake."

He gently raised one of his hands, as if to beg me to speak lower; then he
let it fall again, and said in a weak voice:

"I am broken down," he said. "Happiness, at my age, is mortal. Don't make
a noise. It seems as if my flesh were becoming quite light: I can no
longer feel my legs or arms."

Babet raised herself in alarm, with her eyes on uncle Lazare. I knelt down
before him, watching him anxiously. He smiled.

"Don't be frightened," he resumed. "I am in no pain; a feeling of calmness
is gaining possession of me; I believe I am going off into a good and just
sleep. It came over me all at once, and I thank the Almighty. Ah! my poor
Jean, I ran too fast down, the pathway on the hillside; the child caused
me too great joy."

And as we understood, we burst out into tears. Uncle Lazare continued,
without ceasing to watch the sky:

"Do not spoil my joy, I beg of you. If you only knew how happy it makes
me, to fall asleep for ever in this armchair! I have never dared expect
such a consoling death. All I love is here, beside me--and see what a blue
sky! The Almighty has sent a lovely evening."

The sun was sinking behind the oak-tree walk. Its slanting rays cast
sheets of gold beneath the trees, which took the tones of old copper. The
verdant fields melted into vague serenity in the distance. Uncle Lazare
became weaker and weaker amidst the touching silence of this peaceful
sunset, entering by the open window. He slowly passed away, like those
slight gleams that were dying out on the lofty branches.

"Ah! my good valley," he murmured, "you are sending me a tender farewell.
I was afraid of coming to my end in the winter, when you would be all
black."

We restrained our tears, not wishing to trouble this saintly death. Babet
prayed in an undertone. The child continued uttering smothered cries.

My uncle Lazare heard its wail in the dreaminess of his agony. He
endeavoured to turn towards Babet, and, still smiling, said:

"I have seen the child and die very happy."

Then he gazed at the pale sky and yellow fields, and, throwing back his
head, heaved a gentle sigh.

No tremor agitated uncle Lazare's body; he died as one falls asleep.

We had become so calm that we remained silent and with dry eyes. In the
presence of such great simplicity in death, all we experienced was a
feeling of serene sadness. Twilight had set in, uncle Lazare's farewell
had left us confident, like the farewell of the sun which dies at night to
be born again in the morning.

Such was my autumn day, which gave me a son, and carried off my uncle
Lazare in the peacefulness of the twilight.

IV

WINTER

There are dreadful mornings in January that chill one's heart. I awoke on
this particular day with a vague feeling of anxiety. It had thawed during
the night, and when I cast my eyes over the country from the threshold, it
looked to me like an immense dirty grey rag, soiled with mud and rent to
tatters.

The horizon was shrouded in a curtain of fog, in which the oak-trees along
the walk lugubriously extended their dark arms, like a row of spectres
guarding the vast mass of vapour spreading out behind them. The fields had
sunk, and were covered with great sheets of water, at the edge of which
hung the remnants of dirty snow. The loud roar of the Durance was
increasing in the distance.

Winter imparts health and strength to one's frame when the sun is clear
and the ground dry. The air makes the tips of your ears tingle, you walk
merrily along the frozen pathways, which ring with a silvery sound beneath
your tread. But I know of nothing more saddening than dull, thawing
weather: I hate the damp fogs which weigh one's shoulders down.

I shivered in the presence of that copper-like sky, and hastened to retire
indoors, making up my mind that I would not go out into the fields that
day. There was plenty of work in and around the farm-buildings.

Jacques had been up a long time. I heard him whistling in a shed, where he
was helping some men remove sacks of corn. The boy was already eighteen
years old; he was a tall fellow, with strong arms. He had not had an uncle
Lazare to spoil him and teach him Latin, and he did not go and dream
beneath the willows at the riverside. Jacques had become a real peasant,
an untiring worker, who got angry when I touched anything, telling me I
was getting old and ought to rest.

And as I was watching him from a distance, a sweet lithe creature, leaping
on my shoulders, clapped her little hands to my eyes, inquiring:

"Who is it?"

I laughed and answered:

"It's little Marie, who has just been dressed by her mamma."

The dear little girl was completing her tenth year, and for ten years she
had been the delight of the farm. Having come the last, at a time when we
could no longer hope to have any more children, she was doubly loved. Her
precarious health made her particularly dear to us. She was treated as a
young lady; her mother absolutely wanted to make a lady of her, and I had
not the heart to oppose her wish, so little Marie was a pet, in lovely
silk skirts trimmed with ribbons.

Marie was still seated on my shoulders.

"Mamma, mamma," she cried, "come and look; I'm playing at horses."

Babet, who was entering, smiled. Ah! my poor Babet, how old we were! I
remember we were shivering with weariness, on that day, gazing sadly at
one another when alone.

Our children brought back our youth.

Lunch was eaten in silence. We had been compelled to light the lamp. The
reddish glimmer that hung round the room was sad enough to drive one
crazy.

"Bah!" said Jacques, "this tepid rainy weather is better than intense cold
that would freeze our vines and olives."

And he tried to joke. But he was as anxious as we were, without knowing
why. Babet had had bad dreams. We listened to the account of her
nightmare, laughing with our lips but sad at heart.

"This weather quite upsets one," I said to cheer us all up.

"Yes, yes, it's the weather," Jacques hastened to add. "I'll put some vine
branches on the fire."

There was a bright flame which cast large sheets of light upon the walls.
The branches burnt with a cracking sound, leaving rosy ashes. We had
seated ourselves in front of the chimney; the air, outside, was tepid; but
great drops of icy cold damp fell from the ceilings inside the farmhouse.
Babet had taken little Marie on her knees; she was talking to her in an
undertone, amused at her childish chatter.

"Are you coming, father?" Jacques inquired of me. "We are going to look at
the cellars and lofts."

I went out with him. The harvests had been getting bad for some years
past. We were suffering great losses: our vines and trees were caught by
frost, whilst hail had chopped up our wheat and oats. And I sometimes said
that I was growing old, and that fortune, who is a woman, does not care
for old men. Jacques laughed, answering that he was young, and was going
to court fortune.

I had reached the winter, the cold season. I felt distinctly that all was
withering around me. At each pleasure that departed, I thought of uncle
Lazare, who had died so calmly; and with fond remembrances of him, asked
for strength.

Daylight had completely disappeared at three o'clock. We went down into
the common room. Babet was sewing in the chimney corner, with her head
bent over her work; and little Marie was seated on the ground, in front of
the fire, gravely dressing a doll. Jacques and I had placed ourselves at a
mahogany writing-table, which had come to us from uncle Lazare, and were
engaged in checking our accounts.

The window was as if blocked up; the fog, sticking to the panes of glass,
formed a perfect wall of gloom. Behind this wall stretched emptiness, the
unknown. A great noise, a loud roar, alone arose in the silence and spread
through the obscurity.

We had dismissed the workpeople, keeping only our old woman-servant,
Marguerite, with us. When I raised my head and listened, it seemed to me
that the farmhouse hung suspended in the middle of a chasm. No human sound
came from the outside. I heard naught but the riot of the abyss. Then I
gazed at my wife and children, and experienced the cowardice of those old
people who feel themselves too weak to protect those surrounding them
against unknown peril.

The noise became harsher, and it seemed to us that there was a knocking at
the door. At the same instant, the horses in the stable began to neigh
furiously, whilst the cattle lowed as if choking. We had all risen, pale
with anxiety, Jacques dashed to the door and threw it wide open.

A wave of muddy water burst into the room.

The Durance was overflowing. It was it that had been making the noise,
that had been increasing in the distance since morning. The snow melting
on the mountains had transformed each hillside into a torrent which had
swelled the river. The curtain of fog had hidden from us this sudden rise
of water.

It had often advanced thus to the gates of the farm, when the thaw came
after severe winters. But the flood had never increased so rapidly. We
could see through the open door that the courtyard was transformed into a
lake. The water already reached our ankles.

Babet had caught up little Marie, who was crying and clasping her doll to
her. Jacques wanted to run and open the doors of the stables and
cowhouses; but his mother held him back by his clothes, begging him not to
go out. The water continued rising. I pushed Babet towards the staircase.

"Quick, quick, let us go up into the bedrooms," I cried.

And I obliged Jacques to pass before me. I left the ground-floor the last.

Marguerite came down in terror from the loft where she happened to find
herself. I made her sit down at the end of the room beside Babet, who
remained silent, pale, and with beseeching eyes. We put little Marie into
bed; she had insisted on keeping her doll, and went quietly to sleep
pressing it in her arms. This child's sleep relieved me; when I turned
round and saw Babet, listening to the little girl's regular breathing, I
forgot the danger, all I heard was the water beating against the walls.

But Jacques and I could not help looking the peril in the face. Anxiety
made us endeavour to discover the progress of the inundation. We had
thrown the window wide open, we leant out at the risk of falling,
searching into the darkness. The fog, which was thicker, hung above the
flood, throwing out fine rain which gave us the shivers. Vague steel-like
flashes were all that showed the moving sheet of water, amidst the
profound obscurity. Below, it was splashing in the courtyard, rising along
the walls in gentle undulations. And we still heard naught but the anger
of the Durance, and the affrighted cattle and horses.

The neighing and lowing of these poor beasts pierced me to the heart.
Jacques questioned me with his eyes; he would have liked to try and
deliver them. Their agonising moans soon became lamentable, and a great
cracking sound was heard. The oxen had just broken down the stable doors.
We saw them pass before us, borne away by the flood, rolled over and over
in the current. And they disappeared amid the roar of the river.

Then I felt choking with anger. I became as one possessed, I shook my fist
at the Durance. Erect, facing the window, I insulted it.

"Wicked thing!" I shouted amidst the tumult of the waters, "I loved you
fondly, you were my first sweetheart, and now you are plundering me. You
come and disturb my farm, and carry off my cattle. Ah! cursed, cursed
thing.----Then you gave me Babet, you ran gently at the edge of my
meadows. I took you for a good mother. I remembered uncle Lazare felt
affection for your limpid stream, and I thought I owed you gratitude. You
are a barbarous mother, I only owe you my hatred----"

But the Durance stifled my cries with its thundering voice; and, broad and
indifferent, expanded and drove its flood onward with tranquil obstinacy.

I turned back to the room and went and kissed Babet, who was weeping.
Little Marie was smiling in her sleep.

"Don't be afraid," I said to my wife. "The water cannot always rise. It
will certainly go down. There is no danger."

"No, there is no danger," Jacques repeated feverishly. "The house is
solid."

At that moment Marguerite, who had approached the window, tormented by
that feeling of curiosity which is the outcome of fear, leant forward like
a mad thing and fell, uttering a cry. I threw myself before the window,
but could not prevent Jacques plunging into the water. Marguerite had
nursed him, and he felt the tenderness of a son for the poor old woman.
Babet had risen in terror, with joined hands, at the sound of the two
splashes. She remained there, erect, with open mouth and distended eyes,
watching the window.

I had seated myself on the wooden handrail, and my ears were ringing with
the roar of the flood. I do not know how long it was that Babet and I were
in this painful state of stupor, when a voice called to me. It was Jacques
who was holding on to the wall beneath the window. I stretched out my hand
to him, and he clambered up.

Babet clasped him in her arms. She could sob now; and she relieved
herself.

No reference was made to Marguerite. Jacques did not dare say he had been
unable to find her, and we did not dare question him anent his search.

He took me apart and brought me back to the window.

"Father," he said to me in an undertone, "there are more than seven feet
of water in the courtyard, and the river is still rising. We cannot remain
here any longer."

Jacques was right. The house was falling to pieces, the planks of the
outbuildings were going away one by one. Then this death of Marguerite
weighed upon us. Babet, bewildered, was beseeching us. Marie alone
remained peaceful in the big bed with her doll between her arms, and
slumbering with the happy smile of an angel.

The peril increased at every minute. The water was on the point of
reaching the handrail of the window and pouring into the room. Any one
would have said that it was an engine of war making the farmhouse totter
with regular, dull, hard blows. The current must be running right against
the facade, and we could not hope for any human assistance.

"Every minute is precious," said Jacques in agony. "We shall be crushed
beneath the ruins. Let us look for boards, let us make a raft."

He said that in his excitement. I would naturally have preferred a
thousand times to be in the middle of the river, on a few beams lashed
together, than beneath the roof of this house which was about to fall in.
But where could we lay hands on the beams we required? In a rage I tore
the planks from the cupboards, Jacques broke the furniture, we took away
the shutters, every piece of wood we could reach. And feeling it was
impossible to utilise these fragments, we cast them into the middle of the
room in a fury, and continued searching.

Our last hope was departing, we understood our misery and want of power.
The water was rising; the harsh voice of the Durance was calling to us in
anger. Then, I burst out sobbing, I took Babet in my trembling arms, I
begged Jacques to come near us. I wished us all to die in the same
embrace.

Jacques had returned to the window. And, suddenly, he exclaimed:

"Father, we are saved!--Come and see."

The sky was clear. The roof of a shed, torn away by the current, had come
to a standstill beneath our window. This roof, which was several yards
broad, was formed of light beams and thatch; it floated, and would make a
capital raft, I joined my hands together and would have worshipped this
wood and straw.

Jacques jumped on the roof, after having firmly secured it. He walked on
the thatch, making sure it was everywhere strong. The thatch resisted;
therefore we could adventure on it without fear.

"Oh! it will carry us all very well," said Jacques joyfully. "See how
little it sinks into the water! The difficulty will be to steer it."

He looked around him and seized two poles drifting along in the current,
as they passed by.

"Ah! here are oars," he continued. "You will go to the stern, father, and
I forward, and we will manoeuvre the raft easily. There are not twelve
feet of water. Quick, quick! get on board, we must not lose a minute."

My poor Babet tried to smile. She wrapped little Marie carefully up in her
shawl; the child had just woke up, and, quite alarmed, maintained a
silence which was broken by deep sobs. I placed a chair before the window
and made Babet get on the raft. As I held her in my arms I kissed her with
poignant emotion, feeling this kiss was the last.

The water was beginning to pour into the room. Our feet were soaking. I
was the last to embark; then I undid the cord. The current hurled us
against the wall; it required precautions and many efforts to quit the
farmhouse.

The fog had little by little dispersed. It was about midnight when we
left. The stars were still buried in mist; the moon which was almost at
the edge of the horizon, lit up the night with a sort of wan daylight.

The inundation then appeared to us in all its grandiose horror. The valley
had become a river. The Durance, swollen to enormous proportions and
washing the two hillsides, passed between dark masses of cultivated land,
and was the sole thing displaying life in the inanimate space bounded by
the horizon. It thundered with a sovereign voice, maintaining in its anger
the majesty of its colossal wave. Clumps of trees emerged in places,
staining the sheet of pale water with black streaks. Opposite us I
recognised the tops of the oaks along the walk; the current carried us
towards these branches, which for us were so many reefs. Around the raft
floated various kinds of remains, pieces of wood, empty barrels, bundles
of grass; the river was bearing along the ruins it had made in its anger.

To the left we perceived the lights of Dourgues--flashes of lanterns
moving about in the darkness. The water could not have risen as high as
the village; only the low land had been submerged. No doubt assistance
would come. We searched the patches of light hanging over the water; it
seemed to us at every instant that we heard the sound of oars.

We had started at random. As soon as the raft was in the middle of the
current, lost amidst the whirlpools of the river, anguish of mind overtook
us again; we almost regretted having left the farm. I sometimes turned
round and gazed at the house, which still remained standing, presenting a
grey aspect on the white water. Babet, crouching down in the centre of the
raft, in the thatch of the roof, was holding little Marie on her knees,
the child's head against her breast, to hide the horror of the river from
her. Both were bent double, leaning forward in an embrace, as if reduced
in stature by fear. Jacques, standing upright in the front, was leaning on
his pole with all his weight; from time to time he cast a rapid glance
towards us, and then silently resumed his task. I seconded him as well as
I could, but our efforts to reach the bank remained fruitless. Little by
little, notwithstanding our poles, which we buried into the mud until we
nearly broke them, we drifted into the open; a force that seemed to come
from the depths of the water drove us away. The Durance was slowly taking
possession of us.

Struggling, bathed in perspiration, we had worked ourselves into a
passion; we were fighting with the river as with a living being, seeking
to vanquish, wound, kill it. It strained us in its giant-like arms, and
our poles in our hands became weapons which we thrust into its breast. It
roared, flung its slaver into our faces, wriggled beneath our strokes. We
resisted its victory with clenched teeth. We would not be conquered. And
we had mad impulses to fell the monster, to calm it with blows from our
fists.

We went slowly towards the offing. We were already at the entrance to the
oak-tree walk. The dark branches pierced through the water, which they
tore with a lamentable sound. Death, perhaps, awaited us there in a
collision. I cried out to Jacques to follow the walk by clinging close to
the branches. And it was thus that I passed for the last time in the
middle of this oak-tree alley, where I had walked in my youth and ripe
age. In the terrible darkness, above the howling depth, I thought of uncle
Lazare, and saw the happy days of my youth smiling at me sadly.

The Durance triumphed at the end of the alley. Our poles no longer touched
the bottom. The water bore us along in its impetuous bound of victory. And
now it could do what it pleased with us. We gave ourselves up. We went
downstream with frightful rapidity. Great clouds, dirty tattered rags hung
about the sky; when the moon was hidden there came lugubrious obscurity.
Then we rolled in chaos. Enormous billows as black as ink, resembling the
backs of fish, bore us along, spinning us round. I could no longer see
either Babet or the children. I already felt myself dying.

I know not how long this last run lasted. The moon was suddenly unveiled,
and the horizon became clear. And in that light I perceived an immense
black mass in front of us which blocked the way, and towards which we were
being carried with all the violence of the current. We were lost, we would
be broken there.

Babet had stood upright. She held out little Marie to me:

"Take the child," she exclaimed. "Leave me alone, leave me alone!"

Jacques had already caught Babet in his arms. In a loud voice he said:

"Father, save the little one--I will save mother."

We had come close to the black mass. I thought I recognised a tree. The
shock was terrible, and the raft, split in two, scattered its straw and
beams in the whirlpool of water.

I fell, clasping little Marie tightly to me. The icy cold water brought
back all my courage. On rising to the surface of the river, I supported
the child, I half laid her on my neck and began to swim laboriously. If
the little creature had not lost consciousness but had struggled, we
should both have remained at the bottom of the deep.

And, whilst I swam, I felt choking with anxiety. I called Jacques, I tried
to see in the distance; but I heard nothing save the roar of the waters, I
saw naught but the pale sheet of the Durance. Jacques and Babet were at
the bottom. She must have clung to him, dragged him down in a deadly
strain of her arms. What frightful agony! I wanted to die; I sunk slowly,
I was going to find them beneath the black water. And as soon as the flood
touched little Marie's face, I struggled again with impetuous anguish to
get near the waterside.

It was thus that I abandoned Babet and Jacques, in despair at having been
unable to die with them, still calling out to them in a husky voice. The
river cast me on the stones, like one of those bundles of grass it leaves
on its way. When I came to myself again, I took my daughter, who was
opening her eyes, in my arms. Day was breaking. My winter night was at an
end, that terrible night which had been an accomplice in the murder of my
wife and son.

At this moment, after years of regret, one last consolation remains to me.
I am the icy winter, but I feel the approaching spring stirring within me.
As my uncle Lazare said, we never die. I have had four seasons, and here I
am returning to the spring, there is my dear Marie commencing the
everlasting joys and sorrows over again.



BARON DE TRENCK

BY CLEMENCE ROBERT


Baron de Trenck already had endured a year of arbitrary imprisonment in
the fortress of Glatz, ignorant alike of the cause of his detention or the
length of time which he was destined to spend in captivity.

During the early part of the month of September, Major Doo, aide to the
governor of the prison of Glatz, entered the prisoner's apartment for a
domiciliary visit, accompanied by an adjutant and the officer of the
guard.

It was noon. The excessive heat of the dying summer had grown almost
unsupportable in the tower chamber where Baron de Trenck was confined.
Half empty flagons were scattered among the books which littered his
table, but the repeated draughts in which the prisoner had sought
refreshment had only served to add to his ever-increasing exasperation.

The major ransacked every nook and corner of the prisoner's chamber and
the interior of such pieces of furniture as might afford a possible
hiding-place. Remarking the annoyance which this investigation caused the
baron, Doo said arrogantly:

"The general has issued his orders, and it is a matter of little
consequence to him whether or not they displease you. Your attempts to
escape have greatly incensed him against you."

"And I," retorted Trenck, with like hauteur, "am equally indifferent to
your general's displeasure. I shall continue to dispose of my time as may
best please me."

"Good!" replied the major, "but in your own interests you would be wiser
to philosophize with your books, and seek the key to the sciences, rather
than that of the fortress."

"I do not need your advice, major," the baron observed, with sovereign
disdain.

"You may perhaps repent later that you did not heed it. Your attempts to
escape have angered even the king, and it is impossible to say just how
far his severity toward you may go."

"But, great heavens! when I am deprived of my liberty without cause, have
I not the right to endeavor to regain it?"

"They do not see the matter in that light in Berlin. As a matter of fact
this spirit of revolt against your sovereign only serves to greatly
aggravate your crime."

"My crime!" Trenck exclaimed, trembling with anger.

His glance fell upon the major's sword and the thought came to him to tear
it from his side and pierce his throat with it. But in the same instant it
occurred to him that he might rather profit by the situation. Pale and
trembling as he was, he retained sufficient self-control to modify the
expression of his countenance and the tone of his voice, though his glance
remained fixed upon the sword.

"Major," he said, "no one can be called a criminal until he has been so
adjudged by the courts. Happily a man's honor does not depend upon the
inconsequent, malicious opinion of others. On the contrary blame should
attach to him who condemns the accused without a hearing. No constituted
power, whether that of king or judge, has yet convicted me of any culpable
action. Apart from the courtesy which should be observed between officers
of the same rank, you, out of simple justice, should refrain front such an
accusation."

"Every one knows," retorted Boo, "that you entered into relations with the
enemy."

"I? Great God!"

"Do you not consider the Pandours, then, as such?"

"I visited their chief solely as a relative. A glass of wine shared with
him in his tent can hardly be construed into a dangerous alliance!"

"But you hoped to inherit great riches from this relative. That hope might
well impel you to cross the frontier of Bohemia for all time."

"Why, what egregious folly! What more could I hope for than that which I
already possessed in Berlin? Was I a poor adventurer seeking his fortune
by his sword? Rich in my own right; enjoying to the full the king's favor;
attached to the court by all that satisfied pride could demand, as well as
by ties of the tenderest sentiments. What more was there for me to covet
or to seek elsewhere?"

The major turned his head aside with an air of indifference.

"One single fact suffices to discount everything you have said, Baron," he
replied dryly. "You have twice attempted to escape from the fortress. An
innocent man awaits his trial with confidence, knowing that it cannot be
other than favorable. The culprit alone flees."

Trenck, though quivering with blind rage, continued to maintain his former
attitude, his features composed, his eyes fixed upon the major's sword.

"Sir," he said, "in three weeks, on the twenty-fifth of September, I shall
have been a prisoner for one year. You in your position may not have found
the time long, but to me it has dragged interminably. And it has been
still harder for me to bear because I have not been able to count the days
or hours which still separate me from justice and liberty. If I knew the
limit set to my captivity--no matter what it may be--I could surely find
resignation and patience to await it."

"It is most unfortunate, then," said the major, "that no one could give
you that information."

"Say rather, would not," replied Trenck. "Surely, something of the matter
must be known here. You, for instance, major, might tell me frankly what
you think to be the case."

"Ah!" said Doo, assuming the self-satisfied manner of a jailer; "it would
not be proper for me to answer that."

"You would save me from despair and revolt," replied Trenck warmly. "For I
give you my word of honor that from the moment I know when my captivity is
to terminate--no matter when that may be, or what my subsequent fate--I
will make no further attempts to evade it by flight."

"And you want me to tell you----"

"Yes," interrupted Trenck, with a shudder; "yes, once again I ask you."

Doo smiled maliciously as he answered:

"The end of your captivity? Why, a traitor can scarcely hope for release!"

The heat of the day, the wine he had drunk, overwhelming anger and his
fiery blood, all mounted to Trenck's head. Incapable of further
self-restraint, he flung himself upon the major, tore the coveted sword
from his side, dashed out of the chamber, flung the two sentinels at the
door down the stairs, took their entire length himself at a single bound
and sprang into the midst of the assembled guards.

Trenck fell upon them with his sword, showering blows right and left. The
blade flashed snakelike in his powerful grasp, the soldiers falling back
before the fierce onslaught. Having disabled four of the men, the prisoner
succeeded in forcing his way past the remainder and raced for the first
rampart.

There he mounted the rampart and, never stopping to gauge its height,
sprang down into the moat, landing upon his feet in the bottom of the dry
ditch. Faster still, he flew to the second rampart and scaled it as he had
done the first, clambering up by means of projecting stones and
interstices.

It was just past noon; the sun blazed full upon the scene and every one
within the prison stood astounded at the miraculous flight in which Trenck
seemed to fairly soar through the air. Those of the soldiers whom Trenck
had not overthrown pursued, but with little hope of overtaking him. Their
guns were unloaded so that they were unable to shoot after him. Not a
soldier dared to risk trying to follow him by the road he had taken, over
the ramparts and moats; for, without that passion for liberty which lent
wings to the prisoner there was no hope of any of them scaling the walls
without killing himself a dozen times over.

They were, therefore, compelled to make use of the regular passages to the
outer posterns and these latter being located at a considerable distance
from the prisoner's avenue of escape, he was certain, at the pace he was
maintaining, to gain at least a half-hour's start over his pursuers.

Once beyond the walls of the prison, with the woods close by, it seemed as
if Trenck's escape was assured beyond doubt.

He had now come to a narrow passageway leading to the last of the inner
posterns which pierced the walls. Here he found a sentinel on guard and
the soldier sprang up to confront him. But a soldier to overcome was not
an obstacle to stop the desperate flight of the baron. He struck the man
heavily in the face with his sword, stunning him and sending him rolling
in the dust.

Once through the postern there now remained only a single palisade or
stockade--a great fence constructed of iron bars and iron trellis-work,
which constituted the outermost barrier between the fleeing prisoner and
liberty. Once over that iron palisade he had only to dash into the woods
and disappear.

But it was ordained that Trenck was not to overcome this last obstacle,
simple as it appeared. At a fatal moment, his foot was caught between two
bars of the palisade and he was unable to free himself.

While he was engaged in superhuman but futile efforts to release his foot,
the sentinel of the passage, who had picked himself up, ran through the
postern toward the palisade, followed by another soldier from the
garrison. Together they fell upon Trenck, overwhelming him with blows with
the butts of their muskets and secured him.

Bruised and bleeding he was borne back to his cell.

Major Doo informed Trenck, after this abortive attempt to escape, that he
had been condemned to one year's imprisonment only. That year was within
three weeks of expiring when the infamous major, who was an Italian,
goaded the unfortunate young man into open defiance of his sovereign's
mandate. His pardon was at once annulled and his confinement now became
most rigorous.

Another plot, headed by three officers and several soldiers of the guard,
who were friendly to Trenck, was discovered at the last moment--in time
for the conspirators themselves to escape to Bohemia, but under
circumstances which prevented Baron de Trenck from accompanying them.

This also served to increase the hardships of the prisoner's lot, and he
now found himself deprived of the former companionship of his friends and
surrounded by strangers, the one familiar face remaining being that of
Lieutenant Bach, a Danish officer, a braggart swordsman and ruffler, who
had always been hostile to him.

But, despite his isolation, the energy and strength of Trenck's character
were only augmented by his misfortunes, and he never ceased to plot for
his deliverance. Weeks passed without any fruitful event occurring in the
life of the prisoner, yet help was to come to him from a source from which
he could never have expected it. But before that fortuitous result was
destined to take place--in fact, as preliminary to its achievement--he was
destined to be an actor in the most remarkable scene that ever has been
recorded in the annals of prison life, and in one of the strangest duels
of modern times.

One day Trenck had cast himself fully clothed upon his bed, in order to
obtain a change of position in his cramped place of confinement.
Lieutenant Bach was on duty as his guard.

The young baron had retained in prison the proud and haughty demeanor
which had formerly brought upon him so much censure at court. Lieutenant
Bach's countenance also bore the imprint of incarnate pride.

The two exchanged from time to time glances of insolence; for the rest,
they remained silently smoking, side by side.

Trenck was the first to break the silence, for prisoners grasp every
opportunity for conversation, and at any price.

"It appears to me your hand is wounded, lieutenant," Trenck said. "Have
you found another opportunity to cross swords?"

"Lieutenant Schell, it seemed to me, looked somewhat obliquely at me,"
replied the Dane. "Therefore, I indulged him in a pass or two directed
against his right arm."

"Such a delicate youth, and so mild-mannered! Are you not ashamed?"

"What could I do? There was no one else at hand."

"Nevertheless he seems to have wounded you?"

"Yes, accidentally though, without knowing what he did."

"The fact, then, of having been expelled from two regiments for your
highhanded acts, and finally transferred to the garrison of the fortress
of Glatz as punishment, has not cured you of your fire-eating
propensities?"

"When a man has the reputation of being the best swordsman in Prussia he
values that title somewhat more than your military rank, which any clumsy
fool can obtain."

"You, the best swordsman!" exclaimed Trenck, concluding his remark with an
ironical puff of smoke.

"I flatter myself that such is the case," retorted Bach, emitting in turn
a great cloud of tobacco-smoke.

"If I were free," said Trenck, "I might, perhaps, prove to you in short
order that such is not the case."

"Do you claim to be my master at that art?"

"I flatter myself that such is the case."

"That we shall soon see," cried Bach, flushing with rage.

"How can we? I am disarmed and a prisoner."

"Ah, yes, you make your claim out of sheer boastfulness, because you think
we cannot put it to the test!"

"Truly, lieutenant, set me at liberty and I swear to you that on the other
side of the frontier we will put our skill to the test as freely as you
like!"

"Well, I am unwilling to wait for that. We will fight here, Baron Trenck."

"In this room?"

"After your assertion, I must either humble your arrogance or lose my
reputation."

"I shall be glad to know how you propose to do so?"

"Ah, you talk of Bohemia because that country is far away. As for me, I
prefer this one, because it affords an immediate opportunity to put the
matter to the test."

"I should ask nothing better if it were not impossible."

"Impossible! You shall see if it be."

Bach sprang up. An old door, supported by a couple of benches, had been
placed in the chamber for a table. He hammered at the worm-eaten wood and
knocked off a strip which he split in half. One of these substitutes for
rapiers he gave to Trenck, retaining the other himself, and both placed
themselves on guard.

After the first few passes, Trenck sent his adversary's make-shift sword
flying through space, and with his own he met the lieutenant full in the
chest.

"Touché!" he cried.

"Heavens! It is true!" growled Bach. "But I'll have my revenge!"

He went out hastily. Trenck watched him in utter amazement and he was even
more astounded when, an instant later, he saw Bach return with a couple of
swords, which he drew out from beneath his uniform.

"Now," he said to Trenck, "it is for you to show what you can do with good
steel!"

"You risk," returned the baron, smiling calmly, "you risk, over and above
the danger of being wounded, losing that absolute superiority in matters
of the sword of which you are so proud."

"Defend yourself, braggart!" shouted Bach. "Show your skill instead of
talking about it."

He flung himself furiously upon Trenck. The latter, seeming only to trifle
lightly with his weapon at first, parried his thrusts, and then pressed
the attack in turn, wounding Bach severely in the arm.

The lieutenant's weapon clattered upon the floor. For an instant he
paused, immovable, overcome by amazement; then an irresistible
admiration--a supreme tenderness, invaded his soul. He flung himself,
weeping, in Trenck's arms, exclaiming:

"You are my master!"

Then, drawing away from the prisoner, he contemplated him with the same
enthusiasm, but more reflectively, and observed:

"Yes, baron, you far exceed me in the use of the sword; you are the
greatest duelist of the day, and a man of your caliber must not remain
longer in prison."

The baron was somewhat taken by surprise at this, but, with his usual
presence of mind, he immediately set himself to derive such profit as he
might from his guardian's extravagant access of affection.

"Yes, my dear Bach," he replied, "yes, I should be free for the reason you
mention, and by every right, but where is the man who will assist me to
escape from these walls?"

"Here, baron!" said the lieutenant. "You shall regain your freedom as
surely as my name is Bach."

"Oh, I believe in you, my worthy friend," cried Trenck; "you will keep
your word."

"Wait," resumed Bach reflectively. "You cannot leave the citadel without
the assistance of an officer. I should compromise you at every step. You
have just seen what a hot-tempered scatterbrain I am. But I have in mind
one who admires you profoundly. You shall know who he is tonight, and
together we will set you at liberty."

Bach did, in fact, redeem his promise. He introduced Lieutenant Schell,
who was to be Trenck's companion during their arduous flight into Bohemia,
into the prisoner's cell, and himself obtained leave of absence for the
purpose of securing funds for his fellow conspirators. The plot was
discovered before his return and Schell, warned of this by one of the
governor's adjutants, hastened the day of their flight.

In scaling the first rampart, Schell fell and sprained his ankle so
severely that he could not use it. But Trenck was equal to all
emergencies. He would not abandon his companion. He placed him across his
shoulders, and, thus burdened, climbed the outer barriers and wandered all
night in the bitter cold, fleeing through the snow to escape his pursuers.
In the morning, by a clever ruse, he secured two horses and, thus mounted,
he and his companion succeeded in reaching Bohemia.

Trenck directed his course toward Brandenburg where his sister dwelt, near
the Prussian and Bohemian frontiers, in the Castle of Waldau, for he
counted upon her assistance to enable him to settle in a foreign land
where he would be safe.

The two friends, reduced shortly to the direst poverty, parted with their
horses and all but the most necessary wearing apparel. Even now, though in
Bohemia, they were not free from pursuit. Impelled one night, through
hunger and cold, to throw themselves upon the bounty of an inn-keeper,
they found in him a loyal and true friend. The worthy host revealed to
them the true identity of four supposed traveling merchants, who had that
day accosted them on the road and followed them to the inn. These men
were, in fact, emissaries from the fortress of Glatz who had attempted to
bribe him to betray the fugitives into their hands, for they were sworn to
capture Trenck and his companion and return them dead or alive to the
enraged governor of the fortress.

In the morning the four Prussians, the carriage, the driver, and the
horses set forth and soon disappeared in the distance.

Two hours later the fugitives, fortified by a good breakfast, took their
departure from the Ezenstochow inn, leaving behind them a man whom they,
at least, esteemed as the greatest honor to mankind.

The travelers hastened toward Dankow. They chose the most direct route and
tramped along in the open without a thought of the infamous spies who
might already be on their track.

They arrived at nightfall at their destination, however, without further
hindrance.

The next day they set out for Parsemachi, in Bohemia.

They started early, and a day in the open, together with a night's sleep,
had almost obliterated the memory of their adventure at the inn.

The cold was intense. The day was gray with heavy clouds that no longer
promised rain, but which shrouded the country with a pall of gloom. The
wind swirled and howled, and though the two friends struggled to keep
their few thin garments drawn closely about them, they still searched the
horizon hopefully, thinking of the journey's end and the peaceful
existence which awaited them. To their right, the aspect of the
countryside had altered somewhat. Great wooded stretches spread away into
the distance, while to the left all was yet free and open.

They had gone about half a mile past the first clump of trees when they
noticed, through the swaying branches by the roadside, a motionless object
around which several men busied themselves. With every step they gained a
clearer impression of the nature of this obstacle until, at last, an
expression of half-mockery, half-anger overspread their features.

"Now God forgive me!" exclaimed Schell finally, "but that is the infernal
brown traveling carriage from the inn!"

"May the devil take me!" rejoined Trenck, "if I delay or flee a step from
those miserable rascals."

And they strode sturdily onward.

As soon as they were within speaking distance, one of the Prussians, a big
man in a furred cap, believing them to be wholly unsuspicious, called to
them:

"My dear sirs, in heaven's name come help us! Our carriage has been
overturned and it is impossible to get it out of this rut."

The friends had reached an angle of the road where a few withered tree
branches alone separated them from the others. They perceived the brown
body of the carriage, half open like a huge rat-trap, and beside it the
forbidding faces of their would-be captors. Trenck launched these words
through the intervening screen of branches:

"Go to the devil, miserable scoundrels that you are, and may you remain
there!"

Then, swift as an arrow, he sped toward the open fields to the left of the
highroad, feigning flight. The carriage, which had been overturned solely
for the purpose of misleading them, was soon righted and the driver lashed
his horses forward in pursuit of the fugitives, the four Prussians
accompanying him with drawn pistols.

When they were almost within reaching distance of their prey they raised
their pistols and shouted:

"Surrender, rascals, or you are dead men!"

This was what Trenck desired. He wheeled about and discharged his pistol,
sending a bullet through the first Prussian's breast, stretching him dead
upon the spot.

At the same moment Schell fired, but his assailants returned the shot and
wounded him.

Trenck again discharged his pistol twice in succession. Then, as one of
the Prussians, who was apparently still uninjured, took to flight across
the plain he sped furiously after him. The pursuit continued some two or
three hundred paces. The Prussian, as if impelled by some irresistible
force, whirled around and Trenck caught sight of his blanched countenance
and blood-stained linen. One of the shots had struck him!

Instantly Trenck put an end to the half-finished task with a sword thrust.
But the time wasted on the Prussian had cost him dear. Returning hastily
to the field of action, he perceived Schell struggling in the grasp of the
two remaining Prussians. Wounded as he was, he had been unable to cope
single-handed with them, and was rapidly being borne toward the carriage.

"Courage, Schell!" Trenck shouted. "I am coming!"

At the sound of his friend's voice Schell felt himself saved. By a supreme
effort he succeeded in releasing himself from his captors.

Frantic with rage and disappointment, the Prussians again advanced to the
attack upon the two wretched fugitives, but Trenck's blood was up. He made
a furious onslaught upon them with his sword, driving them back step by
step to their carriage, into which they finally tumbled, shouting to the
driver in frantic haste to whip up his horses.

As the carriage dashed away the friends drew long breaths of relief and
wiped away the blood and powder stains from their heated brows. Careless
of their sufferings, these iron-hearted men merely congratulated each
other upon their victory.

"Ah, it's well ended, Schell," exclaimed Trenck, "and I rejoice that we
have had this opportunity to chastise the miserable traitors. But you are
wounded, my poor Schell!"

"It is nothing," the lieutenant replied carelessly; "merely a wound in the
throat, and, I think, another in the head."

This was the last attempt for a considerable time to regain possession of
Trenck's person. But the two friends suffered greatly from hardships and
were made to feel more than once the cruelty of Prussian oppression. Even
Trenck's sister, instigated thereto by her husband, who feared to incur
the displeasure of Frederick the Great, refused the poor fugitives
shelter, money, or as much as a crust of bread, and this after Trenck had
jeopardized his liberty by returning to Prussian soil in order to meet
her.

It was at this period, when starvation stared the exiles in the face, that
Trenck met the Russian General Liewen, a relative of Trenck's mother, who
offered the baron a captaincy in the Tobolsk Dragoons, and furnished him
with the money necessary for his equipment. Trenck and Schell were now
compelled to part, the latter journeying to Italy to rejoin relatives
there, the baron to go to Russia, where he was to attain the highest
eminence of grandeur.

Baron de Trenck, on his journey to Russia, passed through Danzig, which
was at that time neutral territory, bordering upon the confines of
Prussia. Here he delayed for a time in the hope of meeting with his cousin
the Pandour. During the interim he formed an intimacy with a young
Prussian officer named Henry, whom he assisted lavishly with money. Almost
daily they indulged in excursions in the environs, the Prussian acting as
guide.

One morning, while at his toilet, Trenck's servant, Karl, who was devoted
to him body and soul, observed:

"Lieutenant Henry will enjoy himself thoroughly on your excursion
to-morrow."

"Why do you say that, Karl?" asked the baron.

"Because he has planned to take your honor to Langführ at ten o'clock."

"At ten or eleven--the hour is not of importance."

"No! You must be there on the stroke of ten by the village clock. Langführ
is on the Prussian border and under Prussian rule."

"Prussia!" exclaimed Trenck, shaking his head, which Karl had not finished
powdering. "Are you quite sure?"

"Perfectly. Eight Prussians--non-commissioned officers and soldiers--will
be in the courtyard of the charming little inn that Lieutenant Henry
described so well. As soon as your honor crosses the threshold they will
fall upon you and bear you off to a carriage which will be in waiting."

"Finish dressing my hair, Karl," said Trenck, recovering his wonted
impassibility.

"Oh, for that matter," continued the valet, "they will have neither
muskets nor pistols. They will be armed with swords only. That will leave
them free to fall bodily upon your honor and to prevent you using your
weapon."

"Is that all, Karl?"

"No. There will be two soldiers detailed especially for my benefit, so
that I can't get away to give the alarm."

"Well, is that all!"

"No. The carriage is to convey your honor to Lavenburg, in Pomerania, and
you must cross a portion of the province of Danzig to get there. Besides
the under officers at the inn who will travel with your honor, two others
will accompany the carriage on horseback to prevent any outcry while you
are on neutral ground."

"Famously planned!"

"M. Reimer, the Prussian resident here, outlined the plot, and appointed
Lieutenant Henry to carry it out."

"Afterward, Karl?"

"That's all--this time--and it's enough!"

"Yes, but I regret that it should end thus, for your account has greatly
interested me."

"Your honor may take it that all I have said is absolutely correct."

"But when did you obtain this information?"

"Oh, just now!"

"And from whom?"

"Franz, Lieutenant Henry's valet, when we were watching the horses beneath
the big pines, while your honors waited in that roadside pavilion for the
shower to pass over."

"Is his information reliable?"

"Of course! As no one suspected him, the whole matter was discussed freely
before him."

"And he betrayed the secret?"

"Yes, because he greatly admires your honor and wasn't willing to see you
treated so."

"Karl, give him ten ducats from my purse and tell him I will take him in
my own service, for he has afforded me great pleasure. The outing
to-morrow will be a hundred times more amusing than I had hoped--indeed
more amusing than any I have ever undertaken in my life."

"Your honor will go to Langführ, then!"

"Certainly, Karl. We will go together, and you shall see if I misled you
when I promised you a delightful morning."

As soon as Baron de Trenck had completed his toilet, he visited M.
Scherer, the Russian resident, spent a few moments in private with him and
then returned to his apartments for dinner.

Lieutenant Henry arrived soon afterward. Trenck found delight in the
course of dissimulation to which he stood committed. He overwhelmed his
guest with courteous attentions, pressing upon him the finest wines and
his favorite fruits, meanwhile beaming upon him with an affection that
overspread his whole countenance, and expatiating freely upon the delights
of the morrow's ride.

Henry accepted his attentions with his accustomed dreamy manner.

The next morning, at half past nine, when the lieutenant arrived, he found
Trenck awaiting him.

The two officers rode off, followed by their servants, and took the road
to Langführ. Trenck's audacity was terrifying. Even Karl, who was well
aware of his master's great ability and cleverness, was nevertheless
uneasy, and Franz, who was less familiar with the baron's character, was
in a state of the greatest alarm.

The country, beautiful with its verdant grasslands, its budding bushes and
flowers, its rich fields of wheat, dotted with spring blossoms, revealed
itself to their delighted eyes. In the distance glistened the tavern of
Langführ, with its broad red and blue stripes and its tempting signboard
that displayed a well-appointed festive table.

The low door in the wall that enclosed the tavern courtyard was still
closed. Inside, to the right of that door, was a little terrace, and
against the wall was an arbor formed of running vines and ivy.

Lieutenant Henry, pausing near a clump of trees some two hundred paces
from the tavern, said:

"Baron, our horses will be in the way in that little courtyard. I think it
would be well to leave them here in the care of our servants until our
return."

Trenck assented readily. He sprang from his horse and tossed his bridle to
his valet and Henry did the same.

The path leading to the tavern was enchanting, with its carpet of flowers
and moss, and the two young men advanced arm in arm in the most
affectionate manner. Karl and Franz watched them, overwhelmed with
anxiety.

The door in the wall had been partly opened as they approached and the
young men saw, within the arbor on the terrace, the resident, Herr
Reimer--his three-cornered hat on his powdered wig, his arms crossed on
the top of the adjacent wall, as he awaited their coming.

As soon as the officers were within ear-shot, he called out:

"Come on, Baron de Trenck, breakfast is ready."

The two officers were almost at the threshold. Trenck slackened his pace
somewhat; then he felt Henry grip his arm more closely and forcibly drag
him toward the doorway.

Trenck energetically freed his arm, upon observing this movement that
spoke so eloquently of betrayal, and twice struck the lieutenant, with
such violence that Henry was thrown to the ground.

Reimer, the resident, realizing that Trenck knew of the plot, saw that the
time had come to resort to armed intervention.

"Soldiers, in the name of Prussia, I command you to arrest Baron de
Trenck!" he shouted to the men who were posted in the courtyard.

"Soldiers, in the name of Russia!" Trenck shouted, brandishing his sword,
"kill these brigands who are violating the rights of the country."

At these words, six Russian dragoons emerged suddenly from a field of
wheat and, running up, fell upon the Prussians who had rushed from the
courtyard at the resident's command.

This unexpected attack took the Prussians by surprise. They defended
themselves only half-heartedly and finally they fled in disorder, throwing
away their weapons, and followed by the shots of the Russians.

Lieutenant Henry and four soldiers remained in the custody of the victors.
Trenck dashed into the arbor to seize Resident Reimer, but the only
evidence of that personage was his wig, which remained caught in the
foliage at an opening in the rear of the arbor through which the resident
had made his escape. Trenck then returned to the prisoners.

As a fitting punishment for the Prussian soldiers, he commanded his
dragoons to give each of them fifty blows, to turn their uniforms
wrongside out, to decorate their helmets with straw cockades, and to drive
them thus attired across the frontier.

While his men proceeded to execute his orders, Trenck drew his sword and
turned to Lieutenant Henry.

"And now, for our affair, lieutenant!" he exclaimed.

The unfortunate Henry, under the disgrace of his position, lost his
presence of mind. Hardly knowing what he did, he drew his sword, but
dropped it almost immediately, begging for mercy.

Trenck endeavored to force him to fight, without avail, then, disgusted
with the lieutenant's cowardice, he caught up a stick and belabored him
heartily, crying:

"Rogue, go tell your fellows how Trenck deals with traitors!"

The people of the inn, attracted by the noise of the conflict, had
gathered around the spot, and, as the baron administered the punishment,
they added to the shame of the disgraced lieutenant by applauding the
baron heartily.

The punishment over and the sentence of the Prussians having been carried
out, Trenck returned to the city with his six dragoons and the two
servants.

In this affair, as throughout his entire career, Trenck was simply
faithful to the rule which he had adopted to guide him through life:

"Always face danger rather than avoid it."



THE PASSAGE OF THE RED SEA

BY HENRY MURGER


For five or six years Marcel had been engaged upon the famous painting
which he said was meant to represent the Passage of the Red Sea; and for
five or six years this masterpiece in color had been obstinately refused
by the jury. Indeed, from its constant journeying back and forth, from the
artist's studio to the Musée, and from the Musée to the studio, the
painting knew the road so well that one needed only to set it on rollers
and it would have been quite capable of reaching the Louvre alone. Marcel,
who had repainted the picture ten times, and minutely gone over it from
top to bottom, vowed that only a personal hostility on the part of the
members of the jury could account for the ostracism which annually turned
him away from the Salon, and in his idle moments he had composed, in honor
of those watch-dogs of the Institute, a little dictionary of insults, with
illustrations of a savage irony. This collection gained celebrity and
enjoyed, among the studios and in the Ecole des Beaux-Arts, the same sort
of popular success as that achieved by the immortal complaint of Giovanni
Bellini, painter by appointment to the Grand Sultan of the Turks; every
dauber in Paris had a copy stored away in his memory.

For a long time Marcel had not allowed himself to be discouraged by the
emphatic refusal which greeted him at each exposition. He was comfortably
settled in his opinion that his picture was, in a modest way, the
companion piece long awaited by the "Wedding of Cana," that gigantic
masterpiece whose dazzling splendor the dust of three centuries has not
dimmed. Accordingly, each year, at the time of the Salon, Marcel sent his
picture to be examined by the jury. Only, in order to throw the examiners
off the track and if possible to make them abandon the policy of exclusion
which they seemed to have adopted toward the "Passage of the Red Sea,"
Marcel, without in any way disturbing the general scheme of his picture,
modified certain details and changed its title.

For instance, on one occasion it arrived before the jury under the name of
the "Passage of the Rubicon!" but Pharaoh, poorly disguised under Caesar's
mantle, was recognized and repulsed with all the honors that were his due.

The following year, Marcel spread over the level plane of his picture a
layer of white representing snow, planted a pine-tree in one corner, and
clothing an Egyptian as a grenadier of the Imperial Guard, rechristened
the painting the "Passage of the Beresina."

The jury, which on that very day had polished its spectacles on the lining
of its illustrious coat, was not in any way taken in by this new ruse. It
recognized perfectly well the persistent painting, above all by a big
brute of a horse of many colors, which was rearing out of one of the waves
of the Red Sea. The coat of that horse had served Marcel for all his
experiments in color, and in private conversation he called it his
synoptic table of fine tones, because he had reproduced, in their play of
light and shade, all possible combinations of color. But once again,
insensible to this detail, the jury seemed scarcely able to find
blackballs enough to emphasize their refusal of the "Passage of the
Beresina."

"Very well," said Marcel; "no more than I expected. Next year I shall send
it back under the title of 'Passage des Panoramas.'"

"That will be one on them--on them--on them, them, them," sang the
musician, Schaunard, fitting the words to a new air he had been
composing--a terrible air, noisy as a gamut of thunderclaps, and the
accompaniment to which was a terror to every piano in the neighborhood.

"How could they refuse that picture without having every drop of the
vermilion in my Red Sea rise up in their faces and cover them with shame?"
murmured Marcel, as he gazed at the painting. "When one thinks that it
contains a good hundred crowns' worth of paint, and a million of genius,
not to speak of the fair days of my youth, fast growing bald as my hat!
But they shall never have the last word; until my dying breath I shall
keep on sending them my painting. I want to have it engraved upon their
memory."

"That is certainly the surest way of ever getting it engraved," said
Gustave Colline, in a plaintive voice, adding to himself: "That was a good
one, that was--really a good one; I must get that off the next time I am
asked out."

Marcel continued his imprecations, which Schaunard continued to set to
music.

"Oh, they won't accept me," said Marcel. "Ah! the government pays them,
boards them, gives them the Cross, solely for the one purpose of refusing
me once a year, on the 1st of March. I see their idea clearly now--I see
it perfectly clearly; they are trying to drive me to break my brushes.
They hope, perhaps, by refusing my Red Sea, to make me throw myself out of
the window in despair. But they know very little of the human heart if
they expect to catch me with such a clumsy trick. I shall no longer wait
for the time of the annual Salon. Beginning with to-day, my work becomes
the canvas of Damocles, eternally suspended over their existence. From now
on, I am going to send it once a week to each one of them, at their homes,
in the bosom of their families, in the full heart of their private life.
It shall trouble their domestic joy, it shall make them think that their
wine is sour, their dinner burned, their wives bad-tempered. They will
very soon become insane, and will have to be put in strait-jackets when
they go to the Institute, on the days when there are meetings. That idea
pleases me."

A few days later, when Marcel had already forgotten his terrible plans for
vengeance upon his persecutors, he received a visit from Father Medicis.
For that was the name by which the brotherhood called a certain Jew, whose
real name was Soloman, and who at that time was well known throughout the
bohemia of art and literature, with which he constantly had dealings.
Father Medicis dealt in all sorts of bric-à-brac. He sold complete
house-furnishings for from twelve francs up to a thousand crowns. He would
buy anything, and knew how to sell it again at a profit. His shop,
situated in the Place du Carrousel, was a fairy spot where one could find
everything that one might wish. All the products of nature, all the
creations of art, all that comes forth from the bowels of the earth or
from the genius of man, Medicis found it profitable to trade in. His
dealings included everything, absolutely everything that exists; he even
put a price upon the Ideal. Medicis would even buy ideas, to use himself
or to sell again. Known to all writers and artists, intimate friend of the
palette, familiar spirit of the writing-desk, he was the Asmodeus of the
arts. He would sell you cigars in exchange for the plot of a dime novel,
slippers for a sonnet, a fresh catch of fish for a paradox; he would talk
at so much an hour with newspaper reporters whose duty was to record the
lively capers of the smart set. He would get you passes to the parliament
buildings, or invitations to private parties; he gave lodgings by the
night, the week, or the month to homeless artists, who paid him by making
copies of old masters in the Louvre. The greenroom had no secrets for him;
he could place your plays for you with some manager; he could obtain for
you all sorts of favors. He carried in his head a copy of the almanac of
twenty-five thousand addresses, and knew the residence, the name, and
the secrets of all the celebrities, even the obscure ones.

In entering the abode of the bohemians, with that knowing air which
characterized him, the Jew divined that he had arrived at a propitious
moment. As a matter of fact, the four friends were at that moment gathered
in council, and under the domination of a ferocious appetite were
discussing the grave question of bread and meat. It was Sunday, the last
day of the month. Fatal day, sinister of date!

The entrance of Medicis was accordingly greeted with a joyous chorus, for
they knew that the Jew was too avaricious of his time to waste it in mere
visits of civility; accordingly his presence always announced that he was
open to a bargain.

"Good evening, gentlemen," said the Jew; "how are you?"

"Colline," said Rodolphe from where he lay upon the bed, sunk in the
delights of maintaining a horizontal line, "practise the duties of
hospitality and offer our guest a chair; a guest is sacred. I salute you,
Abraham," added the poet.

Colline drew forward a chair which had about as much elasticity as a piece
of bronze and offered it to the Jew, Medicis let himself fall into the
chair, and started to complain of its hardness, when he remembered that he
himself had once traded it off to Colline in exchange for a profession of
faith which he afterward sold to a deputy. As he sat down the pockets of
the Jew gave forth a silvery sound, and this melodious symphony threw the
four bohemians into a reverie that was full of sweetness.

"Now," said Rodolphe, in a low tone, to Marcel, "let us hear the song. The
accompaniment sounds all right."

"Monsieur Marcel," said Medicis. "I have simply come to make your fortune.
That is to say, I have come to offer you a superb opportunity to enter
into the world of art. Art, as you very well know, Monsieur Marcel, is an
arid road, in which glory is the oasis."

"Father Medicis," said Marcel, who was on coals of impatience, "in the
name of fifty per cent, your revered patron saint, be brief."

"Here is the offer," rejoined Medicis. "A wealthy amateur, who is
collecting a picture-gallery destined to make the tour of Europe, has
commissioned me to procure for him a series of remarkable works. I have
come to give you a chance to be included in this collection. In one word,
I have come to purchase your 'Passage of the Red Sea.'"

"Money down?" asked Marcel.

"Money down," answered the Jew, sounding forth the full orchestra of his
pockets.

"Go on, Medicis," said Marcel, pointing to his painting. "I wish to leave
to you the honor of fixing for yourself the price of that work of art
which is priceless."

The Jew laid Upon the table fifty crowns in bright new silver.

"Keep them going," said Marcel; "that is a good beginning."

"Monsieur Marcel," said Medicis, "you know very well that my first word is
always my last word. I shall add nothing more. But think; fifty crowns;
that makes one hundred and fifty francs. That is quite a sum."

"A paltry sum," answered the artist; "just in the robe of my Pharaoh there
is fifty crowns' worth of cobalt. Pay me at least something for my work."

"Hear my last word," replied Medicis. "I will not add a penny more; but, I
offer dinner for the crowd, wines included, and after dessert I will pay
in gold."

"Do I hear any one object?" howled Colline, striking three blows of his
fist upon the table. "It is a bargain."

"Come on," said Marcel. "I agree."

"I will send for the picture to-morrow," said the Jew. "Come, gentlemen,
let us start. Your places are all set."

The four friends descended the stairs, singing the chorus from "The
Huguenots," "to the table, to the table."

Medicis treated the bohemians in a fashion altogether sumptuous. He
offered them a lot of things which up to now had remained for them a
mystery. Dating from this dinner, lobster ceased to be a myth to
Schaunard, and he acquired a passion for that amphibian which was destined
to increase to the verge of delirium.

The four friends went forth from this splendid feast as intoxicated as on
a day of vintage. Their inebriety came near bearing deplorable fruits for
Marcel, because as he passed the shop of his tailor, at two o'clock in the
morning, he absolutely insisted upon awakening his creditor in order to
give him, on account, the one hundred and fifty francs that he had just
received. But a gleam of reason still awake in the brain of Colline held
back the artist from the brink of this precipice.

A week after this festivity Marcel learned in what gallery his picture had
found a place. Passing along the Faubourg Saint-Honoré, he stopped in the
midst of a crowd that seemed to be staring at a sign newly placed above a
shop. This sign was none other than Marcel's painting, which had been sold
by Medicis to a dealer in provisions. Only the "Passage of the Red Sea"
had once again undergone a modification and bore a new title. A steamboat
had been added to it, and it was now called "In the Port of Marseilles." A
flattering ovation arose among the crowd when they discovered the picture.
And Marcel turned away delighted with this triumph, and murmured softly:
"The voice of the people is the voice of God!"



THE WOMAN AND THE CAT

BY MARCEL PREVOST


"Yes," said our old friend Tribourdeaux, a man of culture and a
philosopher, which is a combination rarely found among army surgeons;
"yes, the supernatural is everywhere; it surrounds us and hems us in and
permeates us. If science pursues it, it takes flight and cannot be
grasped. Our intellect resembles those ancestors of ours who cleared a few
acres of forest; whenever they approached the limits of their clearing
they heard low growls and saw gleaming eyes everywhere circling them
about. I myself have had the sensation of having approached the limits of
the unknown several times in my life, and on one occasion in particular."

A young lady present interrupted him:

"Doctor, you are evidently dying to tell us a story. Come now, begin!"

The doctor bowed.

"No, I am not in the least anxious, I assure you. I tell this story as
seldom as possible, for it disturbs those who hear it, and it disturbs me
also. However, if you wish it, here it is:

"In 1863 I was a young physician stationed at Orléans. In that patrician
city, full of aristocratic old residences, it is difficult to find
bachelor apartments; and, as I like both plenty of air and plenty of room,
I took up my lodging on the first floor of a large building situated just
outside the city, near Saint-Euverte. It had been originally constructed
to serve as the warehouse and also as the dwelling of a manufacturer of
rugs. In course of time the manufacturer had failed, and this big barrack
that he had built, falling out of repair through lack of tenants, had been
sold for a song with all its furnishings. The purchaser hoped to make a
future profit out of his purchase, for the city was growing in that
direction; and, as a matter of fact, I believe that at the present time
the house is included within the city limits. When I took up my quarters
there, however, the mansion stood alone on the verge of the open country,
at the end of a straggling street on which a few stray houses produced at
dusk the impression of a jaw from which most of the teeth have fallen out.

"I leased one-half of the first floor, an apartment of four rooms. For my
bedroom and my study I took the two that fronted on the street; in the
third room I set up some shelves for my wardrobe, and the other room I
left empty. This made a very comfortable lodging for me, and I had, for a
sort of promenade, a broad balcony that ran along the entire front of the
building, or rather one-half of the balcony, since it was divided into two
parts (please note this carefully) by a fan of ironwork, over which,
however, one could easily climb.

"I had been living there for about two months when, one night in July on
returning to my rooms, I saw with a good deal of surprise a light shining
through the windows of the other apartment on the same floor, which I had
supposed to be uninhabited. The effect of this light was extraordinary. It
lit up with a pale, yet perfectly distinct, reflection, parts of the
balcony, the street below, and a bit of the neighboring fields.

"I thought to myself, 'Aha! I have a neighbor."

"The idea indeed was not altogether agreeable, for I had been rather proud
of my exclusive proprietorship. On reaching my bedroom I passed
noiselessly out upon the balcony, but already the light had been
extinguished. So I went back into my room, and sat down to read for an
hour or two. From time to time I seemed to hear about me, as though within
the walls, light footsteps; but after finishing my book I went to bed, and
speedily fell asleep.

"About midnight I suddenly awoke with a curious feeling that something was
standing beside me. I raised myself in bed, lit a candle, and this is what
I saw. In the middle of the room stood an immense cat gazing upon me with
phosphorescent eyes, and with its back slightly arched. It was a
magnificent Angora, with long fur and a fluffy tail, and of a remarkable
color--exactly like that of the yellow silk that one sees in cocoons--so
that, as the light gleamed upon its coat, the animal seemed to be made of
gold.

"It slowly moved toward me on its velvety paws, softly rubbing its sinuous
body against my legs. I leaned over to stroke it, and it permitted my
caress, purring, and finally leaping upon my knees. I noticed then that it
was a female cat, quite young, and that she seemed disposed to permit me
to pet her as long as ever I would. Finally, however, I put her down upon
the floor, and tried to induce her to leave the room; but she leaped away
from me and hid herself somewhere among the furniture, though as soon as I
had blown out my candle, she jumped upon my bed. Being sleepy, however, I
didn't molest her, but dropped off into a doze, and the next morning when
I awoke in broad daylight I could find no sign of the animal at all.

"Truly, the human brain is a very delicate instrument, and one that is
easily thrown out of gear. Before I proceed, just sum up for yourselves
the facts that I have mentioned: a light seen and presently extinguished
in an apartment supposed to be uninhabited; and a cat of a remarkable
color, which appeared and disappeared in a way that was slightly
mysterious. Now there isn't anything very strange about that, is there?
Very well. Imagine, now, that these unimportant facts are repeated day
after day and under the same conditions throughout a whole week, and then,
believe me, they become of importance enough to impress the mind of a man
who is living all alone, and to produce in him a slight disquietude such
as I spoke of in commencing my story, and such as is always caused when
one approaches the sphere of the unknown. The human mind is so formed that
it always unconsciously applies the principle of the causa sufficiens. For
every series of facts that are identical, it demands a cause, a law; and a
vague dismay seizes upon it when it is unable to guess this cause and to
trace out this law.

"I am no coward, but I have often studied the manifestation of fear in
others, from its most puerile form in children up to its most tragic phase
in madmen. I know that it is fed and nourished by uncertainties, although
when one actually sets himself to investigate the cause, this fear is
often transformed into simple curiosity.

"I made up my mind, therefore, to ferret out the truth. I questioned my
caretaker, and found that he knew nothing about my neighbors. Every
morning an old woman came to look after the neighboring apartment; my
caretaker had tried to question her, but either she was completely deaf or
else she was unwilling to give him any information, for she had refused to
answer a single word. Nevertheless, I was able to explain satisfactorily
the first thing that I had noted--that is to say, the sudden extinction of
the light at the moment when I entered the house. I had observed that the
windows next to mine were covered only by long lace curtains; and as the
two balconies were connected, my neighbor, whether man or woman, had no
doubt a wish to prevent any indiscreet inquisitiveness on my part, and
therefore had always put out the light on hearing me come in. To verify
this supposition, I tried a very simple experiment, which succeeded
perfectly. I had a cold supper brought in one day about noon by my
servant, and that evening I did not go out. When darkness came on, I took
my station near the window. Presently I saw the balcony shining with the
light that streamed through the windows of the neighboring apartment. At
once I slipped quietly out upon my balcony, and stepped softly over the
ironwork that separated the two parts. Although I knew that I was exposing
myself to a positive danger, either of falling and breaking my neck, or of
finding myself face to face with a man, I experienced no perturbation.
Reaching the lighted window without having made the slightest noise, I
found it partly open; its curtains, which for me were quite transparent
since I was on the dark side of the window, made me wholly invisible to
any one who should look toward the window from the interior of the room.

"I saw a vast chamber furnished quite elegantly, though it was obviously
out of repair, and lighted by a lamp suspended from the ceiling. At the
end of the room was a low sofa upon which was reclining a woman who seemed
to me to be both young and pretty. Her loosened hair fell over her
shoulders in a rain of gold. She was looking at herself in a hand mirror,
patting herself, passing her arms over her lips, and twisting about her
supple body with a curiously feline grace. Every movement that she made
caused her long hair to ripple in glistening undulations.

"As I gazed upon her I confess that I felt a little troubled, especially
when all of a sudden the young girl's eyes were fixed upon me--strange
eyes, eyes of a phosphorescent green that gleamed like the flame of a
lamp. I was sure that I was invisible, being on the dark side of a
curtained window. That was simple enough, yet nevertheless I felt that I
was seen. The girl, in fact, uttered a cry, and then turned and buried her
face in the sofa-pillows.

"I raised the window, rushed into the room toward the sofa, and leaned
over the face that she was hiding. As I did so, being really very
remorseful, I began to excuse and to accuse myself, calling myself all
sorts of names, and begging pardon for my indiscretion. I said that I
deserved to be driven from her presence, but begged not to be sent away
without at least a word of pardon. For a long time I pleaded thus without
success, but at last she slowly turned, and I saw that her fair young face
was stirred with just the faintest suggestion of a smile. When she caught
a glimpse of me she murmured something of which I did not then quite get
the meaning.

"'It is you,' she cried out; 'it is you!'

"As she said this, and as I looked at her, not knowing yet exactly what to
answer, I was harassed by the thought: Where on earth have I already seen
this face, this look, this very gesture? Little by little, however, I
found my tongue, and after saying a few more words in apology for my
unpardonable curiosity, and getting brief but not offended answers, I took
leave of her, and, retiring through the window by which I had come, went
back to my own room. Arriving there, I sat a long time by the window in
the darkness, charmed by the face that I had seen, and yet singularly
disquieted. This woman so beautiful, so amiable, living so near to me, who
said to me, 'It is you,' exactly as though she had already known me, who
spoke so little, who answered all my questions with evasion, excited in me
a feeling of fear. She had, indeed, told me her name--Linda--and that was
all. I tried in vain to drive away the remembrance of her greenish eyes,
which in the darkness seemed still to gleam upon me, and of those glints
which, like electric sparks, shone in her long hair whenever she stroked
it with her hand. Finally, however, I retired for the night; but scarcely
was my head upon the pillow when I felt some moving body descend upon my
feet. The cat had appeared again. I tried to chase her away, but she kept
returning again and again, until I ended by resigning myself to her
presence; and, just as before, I went to sleep with this strange companion
near me. Yet my rest was this time a troubled one, and broken by strange
and fitful dreams.

"Have you ever experienced the sort of mental obsession which gradually
causes the brain to be mastered by some single absurd idea--an idea almost
insane, and one which your reason and your will alike repel, but which
nevertheless gradually blends itself with your thought, fastens itself
upon your mind, and grows and grows? I suffered cruelly in this way on the
days that followed my strange adventure. Nothing new occurred, but in the
evening, going out upon the balcony, I found Linda standing upon her side
of the iron fan. We chatted together for a while in the half darkness,
and, as before, I returned to my room to find that in a few moments the
golden cat appeared, leaped upon my bed, made a nest for herself there,
and remained until the morning. I knew now to whom the cat belonged, for
Linda had answered that very same evening, on my speaking of it, 'Oh, yes,
my cat; doesn't she look exactly as though she were made of gold?' As I
said, nothing new had occurred, yet nevertheless a vague sort of terror
began little by little to master me and to develop itself in my mind, at
first merely as a bit of foolish fancy, and then as a haunting belief that
dominated my entire thought, so that I perpetually seemed to see a thing
which it was in reality quite impossible to see."

"Why, it's easy enough to guess," interrupted the young lady who had
spoken at the beginning of his story.

"Linda and the cat were the same thing."

Tribourdeaux smiled.

"I should not have been quite so positive as that," he said, "even then;
but I cannot deny that this ridiculous fancy haunted me for many hours
when I was endeavoring to snatch a little sleep amid the insomnia that a
too active brain produced. Yes, there were moments when these two beings
with greenish eyes, sinuous movements, golden hair, and mysterious ways,
seemed to me to be blended into one, and to be merely the double
manifestation of a single entity. As I said, I saw Linda again and again,
but in spite of all my efforts to come upon her unexpectedly, I never was
able to see them both at the same time. I tried to reason with myself, to
convince myself that there was nothing really inexplicable in all of this,
and I ridiculed myself for being afraid both of a woman and of a harmless
cat. In truth, at the end of all my reasoning, I found that I was not so
much afraid of the animal alone or of the woman alone, but rather of a
sort of quality which existed in my fancy and inspired me with a fear of
something that was incorporeal--fear of a manifestation of my own spirit,
fear of a vague thought, which is, indeed, the very worst of fears.

"I began to be mentally disturbed. After long evenings spent in
confidential and very unconventional chats with Linda, in which little by
little my feelings took on the color of love, I passed long days of secret
torment, such as incipient maniacs must experience. Gradually a resolve
began to grow up in my mind, a desire that became more and more
importunate in demanding a solution of this unceasing and tormenting
doubt; and the more I cared for Linda, the more it seemed absolutely
necessary to push this resolve to its fulfilment. I decided to kill the
cat.

"One evening before meeting Linda on the balcony, I took out of my medical
cabinet a jar of glycerin and a small bottle of hydrocyanic acid, together
with one of those little pencils of glass which chemists use in mixing
certain corrosive substances. That evening for the first time Linda
allowed me to caress her. I held her in my arms and passed my hand over
her long hair, which snapped and cracked under my touch in a succession of
tiny sparks. As soon as I regained my room the golden cat, as usual,
appeared before me. I called her to me; she rubbed herself against me with
arched back and extended tail, purring the while with the greatest
amiability. I took the glass pencil in my hand, moistened the point in the
glycerin, and held it out to the animal, which licked it with her long red
tongue. I did this three or four times, but the next time I dipped the
pencil in the acid. The cat unhesitatingly touched it with her tongue. In
an instant she became rigid, and a moment after, a frightful tetanic
convulsion caused her to leap thrice into the air, and then to fall upon
the floor with a dreadful cry--a cry that was truly human. She was dead!

"With the perspiration starting from my forehead and with trembling hands
I threw myself upon the floor beside the body that was not yet cold. The
starting eyes had a look that froze me with horror. The blackened tongue
was thrust out between the teeth; the limbs exhibited the most remarkable
contortions. I mustered all my courage with a violent effort of will, took
the animal by the paws, and left the house. Hurrying down the silent
street, I proceeded to the quays along the banks of the Loire, and, on
reaching them, threw my burden into the river. Until daylight I roamed
around the city, just where I know not; and not until the sky began to
grow pale and then to be flushed with light did I at last have the courage
to return home. As I laid my hand upon the door, I shivered. I had a dread
of finding there still living, as in the celebrated tale of Poe, the
animal that I had so lately put to death. But no, my room was empty. I
fell half-fainting upon my bed, and for the first time I slept, with a
perfect sense of being all alone, a sleep like that of a beast or of an
assassin, until evening came."

Some one here interrupted, breaking in upon the profound silence in which
we had been listening.

"I can guess the end. Linda disappeared at the same time as the cat."

"You see perfectly well," replied Tribourdeaux, "that there exists between
the facts of this story a curious coincidence, since you are able to guess
so exactly their relation. Yes, Linda disappeared. They found in her
apartment her dresses, her linen, all even to the night-robe that she was
to have worn that night, but there was nothing that could give the
slightest clue to her identity. The owner of the house had let the
apartment to 'Mademoiselle Linda, concert-singer,' He knew nothing more. I
was summoned before the police magistrate. I had been seen on the night of
her disappearance roaming about with a distracted air in the vicinity of
the river. Luckily the judge knew me; luckily also, he was a man of no
ordinary intelligence. I related to him privately the entire story, just
as I have been telling it to you. He dismissed the inquiry; yet I may say
that very few have ever had so narrow, an escape as mine from a criminal
trial."

For several moments the silence of the company was unbroken. Finally a
gentleman, wishing to relieve the tension, cried out:

"Come now, doctor, confess that this is really all fiction; that you
merely want to prevent these ladies from getting any sleep to-night."

Tribourdeaux bowed stiffly, his face unsmiling and a little pale.

"You may take it as you will," he said.



GIL BLAS AND DR. SANGRADO

BY ALAIN RENE LE SAGE


As I was on my way, who should come across me but Dr. Sangrado, whom I had
not seen since the day of my master's death. I took the liberty of
touching my hat. He knew me in a twinkling.

"Heyday!" said he, with as much warmth as his temperament would allow him,
"the very lad I wanted to see; you have never been out of my thought. I
have occasion for a clever fellow about me, and pitched upon you as the
very thing, if you can read and write."

"Sir," replied I, "if that is all you require, I am your man."

"In that case," rejoined he, "we need look no further. Come home with me;
you will be very comfortable; I shall behave to you like a brother. You
will have no wages, but everything will be found you. You shall eat and
drink according to the true scientific system, and be taught to cure all
diseases. In a word, you shall rather be my young Sangrado than my
footman."

I closed in with the doctor's proposal, in the hope of becoming an
Esculapius under so inspired a master. He carried me home forthwith, to
install me in my honorable employment; which honorable employment
consisted in writing down the name and residence of the patients who sent
for him in his absence. There had indeed been a register for this purpose,
kept by an old domestic; but she had not the gift of spelling accurately,
and wrote a most perplexing hand. This account I was to keep. It might
truly be called a bill of mortality; for my members all went from bad to
worse during the short time they continued in this system. I was a sort of
bookkeeper for the other world, to take places in the stage, and to see
that the first come were the first served. My pen was always in my hand,
for Dr. Sangrado had more practise than any physician of his time in
Valladolid. He had got into reputation with the public by a certain
professional slang, humored by a medical face, and some extraordinary
cures more honored by implicit faith than scrupulous investigation.

He was in no want of patients, nor consequently of property. He did not
keep the best house in the world; we lived with some little attention to
economy. The usual bill of fare consisted of peas, beans, boiled apples,
or cheese. He considered this food as best suited to the human stomach;
that is to say, as most amenable to the grinders, whence it was to
encounter the process of digestion. Nevertheless, easy as was their
passage, he was not for stopping the way with too much of them; and, to be
sure, he was in the right. But though he cautioned the maid and me against
repletion in respect of solids, it was made up by free permission to drink
as much water as we liked. Far from prescribing us any limits in that
direction, he would tell us sometimes:

"Drink, my children; health consists in the pliability and moisture of the
parts. Drink water by pailfuls; it is a universal dissolvent; water
liquefies all the salts. Is the course of the blood a little sluggish?
This grand principle sets it forward. Too rapid? Its career is checked."

Our doctor was so orthodox on this head that, though advanced in years, he
drank nothing himself but water. He defined old age to be a natural
consumption which dries us up and wastes us away; on this principle he
deplored the ignorance of those who call wine "old men's milk." He
maintained that wine wears them out and corrodes them; and pleaded with
all the force of his eloquence against that liquor, fatal in common both
to the young and old--that friend with a serpent in its bosom--that
pleasure with a dagger under its girdle.

In spite of these fine arguments, at the end of a week I felt an ailment
which I was blasphemous enough to saddle on the universal dissolvent and
the new-fangled diet. I stated my symptoms to my master, in the hope that
he would relax the rigor of his regimen and qualify my meals with a little
wine; but his hostility to that liquor was inflexible.

"If you have not philosophy enough," said he, "for pure water, there are
innocent infusions to strengthen the stomach against the nausea of aqueous
quaffings. Sage, for example, has a very pretty flavor; and if you wish to
heighten it into a debauch, it is only mixing rosemary, wild poppy, and
other simples with it--but no compounds!"

In vain did he sing the praise of water, and teach me the secret of
composing delicious messes. I was so abstemious that, remarking my
moderation, he said:

"In good sooth, Gil Blas, I marvel not that you are no better than you
are; you do not drink enough, my friend. Water taken in a small quantity
serves only to separate the particles of bile and set them in action; but
our practise is to drown them in a copious drench. Fear not, my good lad,
lest a superabundance of liquid should either weaken or chill your
stomach; far from thy better judgment be that silly fear of unadulterated
drink. I will insure you against all consequences; and if my authority
will not serve your turn, read Celsus. That oracle of the ancients makes
an admirable panegyric on water; in short, he says in plain terms that
those who plead an inconstant stomach in favor of wine, publish a libel on
their own viscera, and make their constitution a pretense for their
sensuality."

As it would have been ungenteel in me to run riot on my entrance into the
medical career, I pretended thorough conviction; indeed, I really thought
there was something in it. I therefore went on drinking water on the
authority of Celsus; or, to speak in scientific terms, I began to drown
the bile in copious drenches of that unadulterated liquor; and though I
felt my self more out of order from day to day, prejudice won the cause
against experience. It is evident therefore that I was in the right road
to the practise of physic.

Yet I could not always be insensible to the qualms which increased in my
frame, to that degree as to determine me on quitting Dr. Sangrado. But he
invested me with a new office which changed my tone.

"Hark you, my child," said he to me one day; "I am not one of those hard
and ungrateful masters who leave their household to grow gray in service
without a suitable reward. I am well pleased with you, I have a regard for
you; and without waiting till you have served your time, I will make your
fortune. Without more ado, I will initiate you in the healing art, of
which I have for so many years been at the head. Other physicians make the
science to consist of various unintelligible branches; but I will shorten
the road for you, and dispense with the drudgery of studying natural
philosophy, pharmacy, botany, and anatomy. Remember, my friend, that
bleeding and drinking warm water are the two grand principles--the true
secret of curing all the distempers incident to humanity.

"Yes, this marvelous secret which I reveal to you, and which nature,
beyond the reach of my colleagues, has not been able to conceal from me,
is comprehended in these two articles, namely, bleeding and drenching.
Here you have the sum total of my philosophy; you are thoroughly bottomed
in medicine, and may raise yourself to the summit of fame on the shoulders
of my long experience. You may enter into partnership at once, by keeping
the books in the morning and going out to visit patients in the afternoon.
While I dose the nobility and clergy, you shall labor in your vocation
among the lower orders; and when you have felt your ground a little, I
will get you admitted into our body. You are a philosopher, Gil Blas,
though you have never graduated; the common herd of them, though they have
graduated in due form and order, are likely to run out the length of their
tether without knowing their right hand from their left."

I thanked the doctor for having so speedily enabled me to serve as his
deputy; and by way of acknowledging his goodness, promised to follow his
system to the end of my career, with a magnanimous indifference about the
aphorisms of Hippocrates. But that engagement was not to be taken to the
letter. This tender attachment to water went against the grain, and I had
a scheme for drinking wine every day snugly among the patients. I left off
wearing my own suit a second time to take up one of my master's and look
like an experienced practitioner. After which I brought my medical
theories into play, leaving those it might concern to look to the event.

I began on an alguazil (constable) in a pleurisy; he was condemned to be
bled with the utmost rigor of the law, at the same time that the system
was to be replenished copiously with water. Next I made a lodgment in the
veins of a gouty pastry-cook, who roared like a lion by reason of gouty
spasms. I stood on no more ceremony with his blood than with that of the
alguazil, and laid no restriction on his taste for simple liquids. My
prescriptions brought me in twelve reales (shillings)--an incident so
auspicious in my professional career that I only wished for the plagues of
Egypt on all the hale citizens of Valladolid.

I was no sooner at home than Dr. Sangrado came in. I talked to him about
the patients I had seen, and paid into his hands eight reales of the
twelve I had received for my prescriptions.

"Eight reales!" said he, as he counted them. "Mighty little for two
visits! But we must take things as we find them." In the spirit of taking
things as he found them, he laid violent hands on six of the coins, giving
me the other two. "Here, Gil Blas," continued he, "see what a foundation
to build upon. I make over to you the fourth of all you may bring me. You
will soon feather your nest, my friend; for, by the blessing of
Providence, there will be a great deal of ill-health this year."

I had reason to be content with my dividend; since, having determined to
keep back the third part of what I recovered in my rounds, and afterward
touching another fourth of the remainder, then half of the whole, if
arithmetic is anything more than a deception, would become my perquisite.
This inspired me with new zeal for my profession.

The next day, as soon as I had dined, I resumed my medical paraphernalia
and took the field once more. I visited several patients on the list, and
treated their several complaints in one invariable routine. Hitherto
things had gone well, and no one, thank Heaven, had risen up in rebellion
against my prescriptions. But let a physician's cures be as extraordinary
as they will, some quack or other is always ready to rip up his
reputation.

I was called in to a grocer's son in a dropsy. Whom should I find there
before me but a little black-looking physician, by name Dr. Cuchillo,
introduced by a relation of the family. I bowed round most profoundly, but
dipped lowest to the personage whom I took to have been invited to a
consultation with me.

He returned my compliment with a distant air; then, having stared me in
the face for a few seconds, "Sir," said he, "I beg pardon for being
inquisitive; I thought I was acquainted with all my brethren in
Valladolid, but I confess your physiognomy is altogether new. You must
have been settled but a short time in town."

I avowed myself a young practitioner, acting as yet under direction of Dr.
Sangrado.

"I wish you joy," replied he politely; "you are studying under a great
man. You must doubtless have seen a vast deal of sound practise, young as
you appear to be."

He spoke this with so easy an assurance that I was at a loss whether he
meant it seriously, or was laughing at me. While I was conning over my
reply, the grocer, seizing on the opportunity, said:

"Gentlemen, I am persuaded of your both being perfectly competent in your
art; have the goodness without ado to take the case in hand, and devise
some effectual means for the restoration of my son's health."

Thereupon the little pulse-counter set himself about reviewing the
patient's situation; and after having dilated to me on all the symptoms,
asked me what I thought the fittest method of treatment.

"I am of opinion," replied I, "that he should be bled once a day, and
drink as much warm water as he can swallow."

At these words, our diminutive doctor said to me, with a malicious simper,
"And so you think such a course will save the patient?"

"Not a doubt of it," exclaimed I in a confident tone; "it must produce
that effect, because it is a certain method of cure for all distempers.
Ask Señor Sangrado."

"At that rate," retorted he, "Celsus is altogether in the wrong; for he
contends that the readiest way to cure a dropsical subject is to let him
almost die of hunger and thirst."

"Oh, as for Celsus," interrupted I, "he is no oracle of mine; he is as
fallible as the meanest of us; I often have occasion to bless myself for
going contrary to his dogmas."

"I discover by your language," said Cuchillo, "the safe and sure method of
practise Dr. Sangrado instils into his pupils! Bleeding and drenching are
the extent of his resources. No wonder so many worthy people are cut off
under his direction!"

"No defamation!" interrupted I, with some acrimony. "A member of the
faculty had better not begin throwing stones. Come, come, my learned
doctor, patients can get to the other world without bleeding and warm
water; and I question whether the most deadly of us has ever signed more
passports than yourself. If you have any crow to pluck with Señor
Sangrado, publish an attack on him; he will answer you, and we shall soon
see who will have the best of the battle."

"By all the saints in the calendar," swore he in a transport of passion,
"you little know whom you are talking to! I have a tongue and a fist, my
friend; and am not afraid of Sangrado, who with all his arrogance and
affectation is but a ninny."

The size of the little death-dealer made me hold his anger cheap. I gave
him a sharp retort; he sent back as good as I brought, till at last we
came to fisticuffs. We had pulled a few handfuls of hair from each other's
head before the grocer and his kinsman could part us. When they had
brought this about, they feed me for my attendance and retained my
antagonist, whom they thought the more skilful of the two.

Another adventure succeeded close on the heels of this. I went to see a
huge singer in a fever. As soon as he heard me talk of warm water, he
showed himself so adverse to this specific as to fall into a fit of
swearing. He abused me in all possible shapes, and threatened to throw me
out of the window. I was in a greater hurry to get out of his house than
to get in.

I did not choose to see any more patients that day, and repaired to the
inn where I had agreed to meet Fabricio. He was there first. As we found
ourselves in a tippling humor, we drank hard, and returned to our
employers in a pretty pickle; that is to say, so-so in the upper story.
Señor Sangrado was not aware of my being drunk, because he took the lively
gestures which accompanied the relation of my quarrel with the little
doctor for an effect of the agitation not yet subsided after the battle.
Besides, he came in for his share in my report; and, feeling himself
nettled by the insults of Cuchillo--

"You have done well, Gil Blas," said he, "to defend the character of our
practise against this little abortion of the faculty. So he takes upon him
to set his face against watery drenches in dropsical cases? An ignorant
fellow! I maintain, I do, in my own person, that the use of them may be
reconciled to the best theories. Yes, water is a cure for all sorts of
dropsies, just as it is good for rheumatisms and the green sickness. It is
excellent, too, in those fevers where the effect is at once to parch and
to chill; and even miraculous in those disorders ascribed to cold, thin,
phlegmatic, and pituitous humors. This opinion may appear strange to young
practitioners like Cuchillo, but it is right orthodox in the best and
soundest systems; so that if persons of that description were capable of
taking a philosophical view, instead of crying me down, they would become
my most zealous advocates."

In his rage, he never suspected me of drinking; for to exasperate him
still more against the little doctor, I had thrown into my recital some
circumstances of my own addition. Yet, engrossed as he was by what I had
told him, he could not help taking notice that I drank more water than
usual that evening.

In fact, the wine had made me very thirsty. Any one but Sangrado would
have distrusted my being so very dry as to swallow down glass after glass;
but, as for him, he took it for granted in the simplicity of his heart
that I had begun to acquire a relish for aqueous potations.

"Apparently, Gil Blas," said he, with a gracious smile, "you have no
longer such a dislike to water. As Heaven is my judge, you quaff it off
like nectar! It is no wonder, my friend; I was certain you would before
long take a liking to that liquor."

"Sir," replied I, "there is a tide in the affairs of men; with my present
lights I would give all the wine in Valladolid for a pint of water."

This answer delighted the doctor, who would not lose so fine an
opportunity of expatiating on the excellence of water. He undertook to
ring the changes once more in its praise; not like a hireling pleader, but
as an enthusiast in a most worthy cause.

"A thousand times," exclaimed he, "a thousand and a thousand times of
greater value, as being more innocent than all our modern taverns, were
those baths of ages past, whither the people went, not shamefully to
squander their fortunes and expose their lives by swilling themselves with
wine, but assembling there for the decent and economical amusement of
drinking warm water. It is difficult to admire enough the patriotic
forecast of those ancient politicians who established places of public
resort where water was dealt out gratis to all comers, and who confined
wine to the shops of the apothecaries, that its use might be prohibited
save under the direction of physicians. What a stroke of wisdom! It is
doubtless to preserve the seeds of that antique frugality, emblematic of
the golden age, that persons are found to this day, like you and me, who
drink nothing but water, and are persuaded they possess a prevention or a
cure for every ailment, provided our warm water has never boiled; for I
have observed that water when it is boiled is heavier, and sits less
easily on the stomach."

While he was holding forth thus eloquently, I was in danger more than once
of splitting my sides with laughing. But I contrived to keep my
countenance; nay, more, to chime in with the doctor's theory. I found
fault with the use of wine, and pitied mankind for having contracted an
untoward relish for so pernicious a beverage. Then, finding my thirst not
sufficiently allayed, I filled a large goblet with water, and, after
having swilled it like a horse--

"Come, sir," said I to my master, "let us drink plentifully of this
beneficial liquor. Let us make those early establishments of dilution you
so much regret live again in your house."

He clapped his hands in ecstasy at these words, and preached to me for a
whole hour about suffering no liquid but water to pass my lips. To confirm
the habit, I promised to drink a large quantity every evening; and to keep
my word with less violence to my private inclinations, I went to bed with
a determined purpose of going to the tavern every day.



A FIGHT WITH A CANNON

BY VICTOR HUGO


La vieuville was suddenly cut short by a cry of despair, and a the same
time a noise was heard wholly unlike any other sound. The cry and sounds
came from within the vessel.

The captain and lieutenant rushed toward the gun-deck but could not get
down. All the gunners were pouring up in dismay.

Something terrible had just happened.

One of the carronades of the battery, a twenty-four pounder, had broken
loose.

This is the most dangerous accident that can possibly take place on
shipboard. Nothing more terrible can happen to a sloop of war in open sea
and under full sail.

A cannon that breaks its moorings suddenly becomes some strange,
supernatural beast. It is a machine transformed into a monster. That short
mass on wheels moves like a billiard-ball, rolls with the rolling of the
ship, plunges with the pitching goes, comes, stops, seems to meditate,
starts on its course again, shoots like an arrow from one end of the
vessel to the other, whirls around, slips away, dodges, rears, bangs,
crashes, kills, exterminates. It is a battering ram capriciously
assaulting a wall. Add to this the fact that the ram is of metal, the wall
of wood.

It is matter set free; one might say, this eternal slave was avenging
itself; it seems as if the total depravity concealed in what we call
inanimate things has escaped, and burst forth all of a sudden; it appears
to lose patience, and to take a strange mysterious revenge; nothing more
relentless than this wrath of the inanimate. This enraged lump leaps like
a panther, it has the clumsiness of an elephant, the nimbleness of a
mouse, the obstinacy of an ox, the uncertainty of the billows, the zigzag
of the lightning, the deafness of the grave. It weighs ten thousand
pounds, and it rebounds like a child's ball. It spins and then abruptly
darts off at right angles.

And what is to be done? How put an end to it? A tempest ceases, a cyclone
passes over, a wind dies down, a broken mast can be replaced, a leak can
be stopped, a fire extinguished, but what will become of this enormous
brute of bronze. How can it be captured? You can reason with a bulldog,
astonish a bull, fascinate a boa, frighten a tiger, tame a lion; but you
have no resource against this monster, a loose cannon. You can not kill
it, it is dead; and at the same time it lives. It lives with a sinister
life which comes to it from the infinite. The deck beneath it gives it
full swing. It is moved by the ship, which is moved by the sea, which is
moved by the wind. This destroyer is a toy. The ship, the waves, the
winds, all play with it, hence its frightful animation. What is to be done
with this apparatus? How fetter this stupendous engine of destruction? How
anticipate its comings and goings, its returns, its stops, its shocks? Any
one of its blows on the side of the ship may stave it in. How foretell its
frightful meanderings? It is dealing with a projectile, which alters its
mind, which seems to have ideas, and changes its direction every instant.
How check the course of what must be avoided? The horrible cannon
struggles, advances, backs, strikes right, strikes left, retreats, passes
by, disconcerts expectation, grinds up obstacles, crushes men like flies.
All the terror of the situation is in the fluctuations of the flooring.
How fight an inclined plane subject to caprices? The ship has, so to
speak, in its belly, an imprisoned thunderstorm, striving to escape;
something like a thunderbolt rumbling above an earthquake.

In an instant the whole crew was on foot. It was the fault of the gun
captain, who had neglected to fasten the screw-nut of the mooring-chain,
and had insecurely clogged the four wheels of the gun carriage; this gave
play to the sole and the framework, separated the two platforms, and the
breeching. The tackle had given way, so that the cannon was no longer firm
on its carriage. The stationary breeching, which prevents recoil, was not
in use at this time. A heavy sea struck the port, the carronade,
insecurely fastened, had recoiled and broken its chain, and began its
terrible course over the deck.

To form an idea of this strange sliding, let one imagine a drop of water
running over a glass.

At the moment when the fastenings gave way, the gunners were in the
battery, some in groups, others scattered about, busied with the customary
work among sailors getting ready for a signal for action. The carronade,
hurled forward by the pitching of the vessel, made a gap in this crowd of
men and crushed four at the first blow; then sliding back and shot out
again as the ship rolled, it cut in two a fifth unfortunate, and knocked a
piece of the battery against the larboard side with such force as to
unship it. This caused the cry of distress just heard. All the men rushed
to the companion-way. The gun-deck was vacated in a twinkling.

The enormous gun was left alone. It was given up to itself. It was its
own master and master of the ship. It could do what it pleased. This whole
crew, accustomed to laugh in time of battle, now trembled. To describe the
terror is impossible.

Captain Boisberthelot and Lieutenant la Vieuville, although both dauntless
men, stopped at the head of the companion-way and, dumb, pale, and
hesitating, looked down on the deck below. Some one elbowed past and went
down.

It was their passenger, the peasant, the man of whom they had just been
speaking a moment before.

Reaching the foot of the companion-way, he stopped.

The cannon was rushing back and forth on the deck. One might have supposed
it to be the living chariot of the Apocalypse. The marine lantern swinging
overhead added a dizzy shifting of light and shade to the picture. The
form of the cannon disappeared in the violence of its course, and it
looked now black in the light, now mysteriously white in the darkness.

It went on in its destructive work. It had already shattered four other
guns and made two gaps in the side of the ship, fortunately above the
water-line, but where the water would come in, in case of heavy weather.
It rushed frantically against the framework; the strong timbers withstood
the shock; the curved shape of the wood gave them great power of
resistance; but they creaked beneath the blows of this huge club, beating
on all sides at once, with a strange sort of ubiquity. The percussions of
a grain of shot shaken in a bottle are not swifter or more senseless. The
four wheels passed back and forth over the dead men, cutting them, carving
them, slashing them, till the five corpses were a score of stumps rolling
across the deck; the heads of the dead men seemed to cry out; streams of
blood curled over the deck with the rolling of the vessel; the planks,
damaged in several places, began to gape open. The whole ship was filled
with the horrid noise and confusion.

The captain promptly recovered his presence of mind and ordered everything
that could check and impede the cannon's mad course to be thrown through
the hatchway down on the gun-deck--mattresses, hammocks, spare sails,
rolls of cordage, bags belonging to the crew, and bales of counterfeit
assignats, of which the corvette carried a large quantity--a
characteristic piece of English villainy regarded as legitimate warfare.

But what could these rags do? As nobody dared to go below to dispose of
them properly, they were reduced to lint in a few minutes.

There was just sea enough to make the accident as bad as possible. A
tempest would have been desirable, for it might have upset the cannon, and
with its four wheels once in the air there would be some hope of getting
it under control. Meanwhile, the havoc increased.

There were splits and fractures in the masts, which are set into the
framework of the keel and rise above the decks of ships like great, round
pillars. The convulsive blows of the cannon had cracked the mizzenmast,
and had cut into the mainmast.

The battery was being ruined. Ten pieces out of thirty were disabled; the
breaches in the side of the vessel were increasing, and the corvette was
beginning to leak.

The old passenger having gone down to the gun-deck, stood like a man of
stone at the foot of the steps. He cast a stern glance over this scene of
devastation. He did not move. It seemed impossible to take a step forward.
Every movement of the loose carronade threatened the ship's destruction. A
few moments more and shipwreck would be inevitable.

They must perish or put a speedy end to the disaster; some course must be
decided on; but what? What an opponent was this carronade! Something must
be done to stop this terrible madness--to capture this lightning--to
overthrow this thunderbolt.

Boisberthelot said to La Vieuville:

"Do you believe in God, chevalier?"

La Vieuville replied:

"Yes--no. Sometimes."

"During a tempest?"

"Yes, and in moments like this."

"God alone can save us from this," said Boisberthelot.

Everybody was silent, letting the carronade continue its horrible din.

Outside, the waves beating against the ship responded with their blows to
the shocks of the cannon. It was like two hammers alternating.

Suddenly, in the midst of this inaccessible ring, where the escaped cannon
was leaping, a man was seen to appear, with an iron bar in his hand. He
was the author of the catastrophe, the captain of the gun, guilty of
criminal carelessness, and the cause of the accident, the master of the
carronade. Having done the mischief, he was anxious to repair it. He had
seized the iron bar in one hand, a tiller-rope with a slip-noose in the
other, and jumped, down the hatchway to the gun-deck.

Then began an awful sight; a Titanic scene; the contest between gun and
gunner; the battle of matter and intelligence; the duel between man and
the inanimate.

The man stationed himself in a corner, and, with bar and rope in his two
hands, he leaned against one of the riders, braced himself on his legs,
which seemed two steel posts; and livid, calm, tragic, as if rooted to the
deck, he waited.

He waited for the cannon to pass by him.

The gunner knew his gun, and it seemed to him as if the gun ought to know
him. He had lived long with it. How many times he had thrust his hand into
its mouth! It was his own familiar monster. He began to speak to it as if
it were his dog.

"Come!" he said. Perhaps he loved it.

He seemed to wish it to come to him.

But to come to him was to come upon him. And then he would be lost. How
could he avoid being crushed? That was the question. All looked on in
terror.

Not a breast breathed freely, unless perhaps that of the old man, who was
alone in the battery with the two contestants, a stern witness.

He might be crushed himself by the cannon. He did not stir.

Beneath them the sea blindly directed the contest.

At the moment when the gunner, accepting this frightful hand-to-hand
conflict, challenged the cannon, some chance rocking of the sea caused the
carronade to remain for an instant motionless and as if stupefied. "Come,
now!" said the man.

It seemed to listen.

Suddenly it leaped toward him. The man dodged the blow.

The battle began. Battle unprecedented. Frailty struggling against the
invulnerable. The gladiator of flesh attacking the beast of brass. On one
side, brute force; on the other, a human soul.

All this was taking place in semi-darkness. It was like the shadowy vision
of a miracle.

A soul--strange to say, one would have thought the cannon also had a soul;
but a soul full of hatred and rage. This sightless thing seemed to have
eyes. The monster appeared to lie in wait for the man. One would have at
least believed that there was craft in this mass. It also chose its time.
It was a strange, gigantic insect of metal, having or seeming to have the
will of a demon. For a moment this colossal locust would beat against the
low ceiling overhead, then it would come down on its four wheels like a
tiger on its four paws, and begin to run at the man. He, supple, nimble,
expert, writhed away like an adder from all these lightning movements. He
avoided a collision, but the blows which he parried fell against the
vessel, and continued their work of destruction.

An end of broken chain was left hanging to the carronade. This chain had
in some strange way become twisted about the screw of the cascabel. One
end of the chain was fastened to the gun-carriage. The other, left loose,
whirled desperately about the cannon, making all its blows more dangerous.

The screw held it in a firm grip, adding a thong to a battering-ram,
making a terrible whirlwind around the cannon, an iron lash in a brazen
hand. This chain complicated the contest.

However, the man went on fighting. Occasionally, it was the man who
attacked the cannon; he would creep along the side of the vessel, bar and
rope in hand; and the cannon, as if it understood, and as though
suspecting some snare, would flee away. The man, bent on victory, pursued
it.

Such things can not long continue. The cannon seemed to say to itself, all
of a sudden, "Come, now! Make an end of it!" and it stopped. One felt that
the crisis was at hand. The cannon, as if in suspense, seemed to have, or
really had--for to all it was a living being--a ferocious malice prepense.
It made a sudden, quick dash at the gunner. The gunner sprang out of the
way, let it pass by, and cried out to it with a laugh, "Try it again!" The
cannon, as if enraged, smashed a carronade on the port side; then, again
seized by the invisible sling which controlled it, it was hurled to the
starboard side at the man, who made his escape. Three carronades gave way
under the blows of the cannon; then, as if blind and not knowing what more
to do, it turned its back on the man, rolled from stern to bow, injured
the stern and made a breach in the planking of the prow. The man took
refuge at the foot of the steps, not far from the old man who was looking
on. The gunner held his iron bar in rest. The cannon seemed to notice it,
and without taking the trouble to turn around, slid back on the man, swift
as the blow of an axe. The man, driven against the side of the ship, was
lost. The whole crew cried out with horror.

But the old passenger, till this moment motionless, darted forth more
quickly than any of this wildly swift rapidity. He seized a package of
counterfeit assignats, and, at the risk of being crushed, succeeded in
throwing it between the wheels of the carronade. This decisive and
perilous movement could not have been made with more exactness and
precision by a man trained in all the exercises described in Durosel's
"Manual of Gun Practice at Sea."

The package had the effect of a clog. A pebble may stop a log, the branch
of a tree turn aside an avalanche. The carronade stumbled. The gunner,
taking advantage of this critical opportunity, plunged his iron bar
between the spokes of one of the hind wheels. The cannon stopped. It
leaned forward. The man, using the bar as a lever, held it in equilibrium.
The heavy mass was overthrown, with the crash of a falling bell, and the
man, rushing with all his might, dripping with perspiration, passed the
slipnoose around the bronze neck of the subdued monster.

It was ended. The man had conquered. The ant had control over the
mastodon; the pygmy had taken the thunderbolt prisoner.

The mariners and sailors clapped their hands.

The whole crew rushed forward with cables and chains, and in an instant
the cannon was secured.

The gunner saluted the passenger.

"Sir," he said, "you have saved my life."

The old man had resumed his impassive attitude, and made no reply.

The man had conquered, but the cannon might be said to have conquered as
well. Immediate shipwreck had been avoided, but the corvette was not
saved. The damage to the vessel seemed beyond repair. There were five
breaches in her sides, one, very large, in the bow; twenty of the thirty
carronades lay useless in their frames. The one which had just been
captured and chained again was disabled; the screw of the cascabel was
sprung, and consequently leveling the gun made impossible. The battery was
reduced to nine pieces. The ship was leaking. It was necessary to repair
the damages at once, and to work the pumps.

The gun-deck, now that one could look over it, was frightful to behold.
The inside of an infuriated elephant's cage would not be more completely
demolished.

However great might be the necessity of escaping observation, the
necessity of immediate safety was still more imperative to the corvette.
They had been obliged to light up the deck with lanterns hung here and
there on the sides.

However, all the while this tragic play was going on, the crew were
absorbed by a question of life and death, and they were wholly ignorant of
what was taking place outside the vessel. The fog had grown thicker; the
weather had changed; the wind had worked its pleasure with the ship; they
were out of their course, with Jersey and Guernsey close at hand, further
to the south than they ought to have been, and in the midst of a heavy
sea. Great billows kissed the gaping wounds of the vessel--kisses full of
danger. The rocking of the sea threatened destruction. The breeze had
become a gale. A squall, a tempest, perhaps, was brewing. It was
impossible to see four waves ahead.

While the crew were hastily repairing the damages to the gun-deck,
stopping the leaks, and putting in place the guns which had been uninjured
in the disaster, the old passenger had gone on deck again.

He stood with his back against the mainmast.

He had not noticed a proceeding which had taken place on the vessel. The
Chevalier de la Vieuville had drawn up the marines in line on both sides
of the mainmast, and at the sound of the boatswain's whistle the sailors
formed in line, standing on the yards.

The Count de Boisberthelot approached the passenger.

Behind the captain walked a man, haggard, out of breath, his dress
disordered, but still with a look of satisfaction on his face.

It was the gunner who had just shown himself so skilful in subduing
monsters, and who had gained the mastery over the cannon.

The count gave the military salute to the old man in peasant's dress, and
said to him:

"General, there is the man."

The gunner remained standing, with downcast eyes, in military attitude.

The Count de Boisberthelot continued:

"General, in consideration of what this man has done, do you not think
there is something due him from his commander?"

"I think so," said the old man.

"Please give your orders," replied Boisberthelot.

"It is for you to give them, you are the captain."

"But you are the general," replied Boisberthelot.

The old man looked at the gunner.

"Come forward," he said.

The gunner approached.

The old man turned toward the Count de Boisberthelot, took off the cross
of Saint-Louis from the captain's coat and fastened it on the gunner's
jacket.

"Hurrah!" cried the sailors.

The mariners presented arms.

And the old passenger, pointing to the dazzled gunner, added:

"Now, have this man shot."

Dismay succeeded the cheering.

Then in the midst of the death-like stillness, the old man raised his
voice and said:

"Carelessness has compromised this vessel. At this very hour it is perhaps
lost. To be at sea is to be in front of the enemy. A ship making a voyage
is an army waging war. The tempest is concealed, but it is at hand. The
whole sea is an ambuscade. Death is the penalty of any misdemeanor
committed in the face of the enemy. No fault is reparable. Courage should
be rewarded, and negligence punished."

These words fell one after another, slowly, solemnly, in a sort of
inexorable metre, like the blows of an axe upon an oak.

And the man, looking at the soldiers, added:

"Let it be done."

The man on whose jacket hung the shining cross of Saint-Louis bowed his
head.

At a signal from Count de Boisberthelot, two sailors went below and came
back bringing the hammock-shroud; the chaplain, who since they sailed had
been at prayer in the officers' quarters, accompanied the two sailors; a
sergeant detached twelve marines from the line and arranged them in two
files, six by six; the gunner, without uttering a word, placed himself
between the two files. The chaplain, crucifix in hand, advanced and stood
beside him. "March," said the sergeant. The platoon marched with slow
steps to the bow of the vessel. The two sailors, carrying the shroud,
followed. A gloomy silence fell over the vessel. A hurricane howled in the
distance.

A few moments later, a light flashed, a report sounded through the
darkness, then all was still, and the sound of a body falling into the sea
was heard.

The old passenger, still leaning against the mainmast, had crossed his
arms, and was buried in thought.

Boisberthelot pointed to him with the forefinger of his left hand, and
said to La Vieuville in a low voice:

"La Vendée has a head."



TONTON

BY A. CHENEVIERE


There are men who seem born to be soldiers. They have the face, the
bearing, the gesture, the quality of mind. But there are others who have
been forced to become so, in spite of themselves and of the rebellion of
reason and the heart, through a rash deed, a disappointment in love, or
simply because their destiny demanded it, being sons of soldiers and
gentlemen. Such is the case of my friend Captain Robert de X----. And I
said to him one summer evening, under the great trees of his terrace,
which is washed by the green and sluggish Marne:

"Yes, old fellow, you are sensitive. What the deuce would you have done on
a campaign where you were obliged to shoot, to strike down with a sabre
and to kill? And then, too, you have never fought except against the
Arabs, and that is quite another thing."

He smiled, a little sadly. His handsome mouth, with its blond mustache,
was almost like that of a youth. His blue eyes were dreamy for an instant,
then little by little he began to confide to me his thought, his
recollections and all that was mystic and poetic in his soldier's heart.

"You know we are soldiers in my family. We have a marshal of France and
two officers who died on the field of honor. I have perhaps obeyed a law
of heredity. I believe rather that my imagination has carried me away. I
saw war through my reveries of epic poetry. In my fancy I dwelt only upon
the intoxication of victory, the triumphant flourish of trumpets and women
throwing flowers to the victor. And then I loved the sonorous words of the
great captains, the dramatic representations of martial glory. My father
was in the third regiment of zouaves, the one which was hewn in pieces at
Reichshofen, in the Niedervald, and which in 1859 at Palestro, made that
famous charge against the Austrians and hurled them into the great canal.
It was superb; without them the Italian divisions would have been lost.
Victor Emmanuel marched with the zouaves. After this affair, while still
deeply moved, not by fear but with admiration for this regiment of demons
and heroes, he embraced their old colonel and declared that he would be
proud, were he not a king, to join the regiment. Then the zouaves
acclaimed him corporal of the Third. And for a long time on the
anniversary festival of St. Palestro, when the roll was called, they
shouted 'Corporal of the first squad, in the first company of the first
battalion, Victor Emmanuel,' and a rough old sergeant solemnly responded:
'Sent as long into Italy.'

"That is the way my father talked to us, and by these recitals, a soldier
was made of a dreamy child. But later, what a disillusion! Where is the
poetry of battle? I have never made any campaign except in Africa, but
that has been enough for me. And I believe the army surgeon is right, who
said to me one day: 'If instantaneous photographs could be taken after a
battle, and millions of copies made and scattered through the world, there
would be no more war. The people would refuse to take part in it.'

"Africa, yes, I have suffered there. On one occasion I was sent to the
south, six hundred kilometres from Oran, beyond the oasis of Fignig, to
destroy a tribe of rebels.... On this expedition we had a pretty serious
affair with a military chief of the great desert, called Bon-Arredji. We
killed nearly all of the tribe, and seized nearly fifteen hundred sheep;
in short, it was a complete success. We also captured the wives and
children of the chief. A dreadful thing happened at that time, under my
very eyes! A woman was fleeing, pursued by a black mounted soldier. She
turned around and shot at him with a revolver. The horse-soldier was
furious, and struck her down with one stroke of his sabre. I did not have
the time to interfere. I dismounted from my horse to take the woman up.
She was dead, and almost decapitated. I uttered not one word of reproach
to the Turkish soldier, who smiled fiercely, and turned back.

"I placed the poor body sadly on the sand, and was going to remount my
horse, when I perceived, a few steps back, behind a thicket, a little girl
five or six years old. I recognized at once that she was a Touareg, of
white race, notwithstanding her tawny color. I approached her. Perhaps she
was not afraid of me, because I was white like herself. I took her on the
saddle with me, without resistance on her part, and returned slowly to the
place where we were to camp for the night. I expected to place her under
the care of the women whom we had taken prisoners, and were carrying away
with us. But all refused, saying that she was a vile little Touareg,
belonging to a race which carries misfortune with it and brings forth only
traitors.

"I was greatly embarrassed. I would not abandon the child.... I felt
somewhat responsible for the crime, having been one of those who had
directed the massacre. I had made an orphan! I must take her part. One of
the prisoners of the band had said to me (I understand a little of the
gibberish of these people) that if I left the little one to these women
they would kill her because she was the daughter of a Touareg, whom the
chief had preferred to them, and that they hated the petted, spoiled
child, whom he had given rich clothes and jewels. What was to be done?

"I had a wide-awake orderly, a certain Michel of Batignolles. I called him
and said to him: 'Take care of the little one.' 'Very well, Captain, I
will take her in charge.' He then petted the child, made her sociable, and
led her away with him, and two hours later he had manufactured a little
cradle for her out of biscuit boxes which are used on the march for making
coffins. In the evening Michel put her to bed in it. He had christened her
'Tonton,' an abbreviation of Touareg. In the morning the cradle was bound
on an ass, and behold Tonton following the column with the baggage, in the
convoy of the rear guard, under the indulgent eye of Michel.

"This lasted for days and weeks. In the evening at the halting place,
Tonton was brought into my tent, with the goat, which furnished her the
greater part of her meals, and her inseparable friend, a large chameleon,
captured by Michel, and responding or not responding to the name of
Achilles.

"Ah, well! old fellow, you may believe me or not; but it gave me pleasure
to see the little one sleeping in her cradle, during the short night full
of alarm, when I felt the weariness of living, the dull sadness of seeing
my companions dying, one by one, leaving the caravan; the enervation of
the perpetual state of alertness, always attacking or being attacked, for
weeks and months. I, with the gentle instincts of a civilized man, was
forced to order the beheading of spies and traitors, the binding of women
in chains and the kidnapping of children, to raid the herds, to make of
myself an Attila. And this had to be done without a moment of wavering,
and I the cold and gentle Celt, whom you know, remained there, under the
scorching African sun. Then what repose of soul, what strange meditations
were mine, when free at last, at night, in my sombre tent, around which
death might be prowling, I could watch the little Touareg, saved by me,
sleeping in her cradle by the side of her chameleon lizard. Ridiculous, is
it not? But, go there and lead the life of a brute, of a plunderer and
assassin, and you will see how at times your civilized imagination will
wander away to take refuge from itself.

"I could have rid myself of
Tonton. In an oasis we met some rebels, bearing a flag of truce, and
exchanged the women for guns and ammunition. I kept the little one,
notwithstanding the five months of march we must make, before returning to
Tlemcen. She had grown gentle, was inclined to be mischievous, but was
yielding and almost affectionate with me. She ate with the rest, never
wanting to sit down, but running from one to another around the table. She
had proud little manners, as if she knew herself to be a daughter of the
chief's favorite, obeying only the officers and treating Michel with an
amusing scorn. All this was to have a sad ending. One day I did not find
the chameleon in the cradle, though I remembered to have seen it there the
evening before. I had even taken it in my hands and caressed it before
Tonton, who had just gone to bed. Then I had given it back to her and gone
out. Accordingly I questioned her. She took me by the hand, and leading me
to the camp fire, showed me the charred skeleton of the chameleon,
explaining to me, as best she could, that she had thrown it in the fire,
because I had petted it! Oh! women! women! And she gave a horrible
imitation of the lizard, writhing in the midst of the flames, and she
smiled with delighted eyes. I was indignant. I seized her by the arm,
shook her a little, and finished by boxing her ears.

"My dear fellow, from that day she appeared not to know me. Tonton and I
sulked; we were angry. However, one morning, as I felt the sun was going
to be terrible, I went myself to the baggage before the loading for
departure, and arranged a sheltering awning over the cradle. Then to make
peace, I embraced my little friend. But as soon as we were on the march,
she furiously tore off the canvas with which I had covered the cradle.
Michel put it all in place again, and there was a new revolt. In short, it
was necessary to yield because she wanted to be able to lean outside of
her box, under the fiery sun, to look at the head of the column, of which
I had the command. I saw this on arriving at the resting place. Then
Michel brought her under my tent. She had not yet fallen asleep, but
followed with her eyes all of my movements, with a grave air, without a
smile, or gleam of mischief.

"She refused to eat and drink; the next day she was ill, with sunken eyes
and body burning with fever. When the major wished to give her medicine
she refused to take it and ground her teeth together to keep from
swallowing.

"There remained still six days' march before arriving at Oran. I wanted to
give her into the care of the nuns. She died before I could do so, very
suddenly, with a severe attack of meningitis. She never wanted to see me
again. She was buried under a clump of African shrubs near Geryville, in
her little campaign cradle. And do you know what was found in her cradle?
The charred skeleton of the poor chameleon, which had been the indirect
cause of her death. Before leaving the bivouac, where she had committed
her crime, she had picked it out of the glowing embers, and brought it
into the cradle, and that is why her little fingers were burned. Since the
beginning of the meningitis the major had never been able to explain the
cause of these burns."

Robert was silent for an instant, then murmured: "Poor little one! I feel
remorseful. If I had not given her that blow.... who knows?... she would
perhaps be living still....

"My story is sad, is it not? Ah, well, it is still the sweetest of my
African memories. War is beautiful! Eh?"

And Robert shrugged his shoulders....



THE LAST LESSON

BY ALPHONSE DAUDET


I started for school very late that morning and was in great dread of a
scolding, especially because M. Hamel had said that he would question us
on participles, and I did not know the first word about them. For a moment
I thought of running away and spending the day out of doors. It was so
warm, so bright! The birds were chirping at the edge of the woods; and in
the open field back of the saw-mill the Prussian soldiers were drilling.
It was all much more tempting than the rule for participles, but I had the
strength to resist, and hurried off to school.

When I passed the town hall there was a crowd in front of the
bulletin-board. For the last two years all our bad news had come from
there--the lost battles, the draft, the orders of the commanding
officer--and I thought to myself, without stopping:

"What can be the matter now?"

Then, as I hurried by as fast as I could go, the blacksmith, Wachter, who
was there, with his apprentice, reading the bulletin, called after me:

"Don't go so fast, bub; you'll get to your school in plenty of time!"

I thought he was making fun of me, and reached M. Hamel's little garden
all out of breath.

Usually, when school began, there was a great bustle, which could be heard
out in the street, the opening and closing of desks, lessons repeated in
unison, very loud, with our hands over our ears to understand better, and
the teacher's great ruler rapping on the table. But now it was all so
still! I had counted on the commotion to get to my desk without being
seen; but, of course, that day everything had to be as quiet as Sunday
morning. Through the window I saw my classmates, already in their places,
and M. Hamel walking up and down with his terrible iron ruler under his
arm. I had to open the door and go in before everybody. You can imagine
how I blushed and how frightened I was.

But nothing happened, M. Hamel saw me and said very kindly:

"Go to your place quickly, little Franz. We were beginning without you."

I jumped over the bench and sat down at my desk. Not till then, when I had
got a little over my fright, did I see that our teacher had on his
beautiful green coat, his frilled shirt, and the little black silk cap,
all embroidered, that he never wore except on inspection and prize days.
Besides, the whole school seemed so strange and solemn. But the thing that
surprised me most was to see, on the back benches that were always empty,
the village people sitting quietly like ourselves; old Hauser, with his
three-cornered hat, the former mayor, the former postmaster, and several
others besides. Everybody looked sad; and Hauser had brought an old
primer, thumbed at the edges, and he held it open on his knees with his
great spectacles lying across the pages.

While I was wondering about it all, M. Hamel mounted his chair, and, in
the same grave and gentle tone which he had used to me, said:

"My children, this is the last lesson I shall give you. The order has come
from Berlin to teach only German in the schools of Alsace and Lorraine.
The new master comes to-morrow. This is your last French lesson. I want
you to be very attentive."

What a thunder-clap these words were to me!

Oh, the wretches; that was what they had put up at the town-hall!

My last French lesson! Why, I hardly knew how to write! I should never
learn any more! I must stop there, then! Oh, how sorry I was for not
learning my lessons, for seeking birds' eggs, or going sliding on the
Saar! My books, that had seemed such a nuisance a while ago, so heavy to
carry, my grammar, and my history of the saints, were old friends now that
I couldn't give up. And M. Hamel, too; the idea that he was going away,
that I should never see him again, made me forget all about his ruler and
how cranky he was.

Poor man! It was in honor of this last lesson that he had put on his fine
Sunday-clothes, and now I understood why the old men of the village were
sitting there in the back of the room. It was because they were sorry,
too, that they had not gone to school more. It was their way of thanking
our master for his forty years of faithful service and of showing their
respect for the country that was theirs no more.

While I was thinking of all this, I heard my name called. It was my turn
to recite. What would I not have given to be able to say that dreadful
rule for the participle all through, very loud and clear, and without one
mistake? But I got mixed up on the first words and stood there, holding on
to my desk, my heart beating, and not daring to look up. I heard M. Hamel
say to me:

"I won't scold you, little Franz; you must feel bad enough. See how it is!
Every day we have said to ourselves: 'Bah! I've plenty of time. I'll learn
it to-morrow.' And now you see where we've come out. Ah, that's the great
trouble with Alsace; she puts off learning till to-morrow. Now those
fellows out there will have the right to say to you: 'How is it; you
pretend to be Frenchmen, and yet you can neither speak nor write your own
language?' But you are not the worst, poor little Franz. We've all a great
deal to reproach ourselves with.

"Your parents were not anxious enough to have you learn. They preferred to
put you to work on a farm or at the mills, so as to have a little more
money. And I? I've been to blame also. Have I not often sent you to water
my flowers instead of learning your lessons? And when I wanted to go
fishing, did I not just give you a holiday?"

Then, from one thing to another, M. Hamel went on to talk of the French
language, saying that it was the most beautiful language in the world--the
clearest, the most logical; that we must guard it among us and never
forget it, because when a people are enslaved, as long as they hold fast
to their language it is as if they had the key to their prison. Then he
opened a grammar and read us our lesson. I was amazed to see how well I
understood it. All he said seemed so easy, so easy! I think, too, that I
had never listened so carefully, and that he had never explained
everything with so much patience. It seemed almost as if the poor man
wanted to give us all he knew before going away, and to put it all into
our heads at one stroke.

After the grammar, we had a lesson in writing. That day M. Hamel had new
copies for us, written in a beautiful round hand: France, Alsace, France,
Alsace. They looked like little flags floating everywhere in the
school-room, hung from the rod at the top of our desks. You ought to have
seen how every one set to work, and how quiet it was! The only sound was
the scratching of the pens over the paper. Once some beetles flew in; but
nobody paid any attention to them, not even the littlest ones, who worked
right on tracing their fish-hooks, as if that was French, too. On the roof
the pigeons cooed very low, and I thought to myself:

"Will they make them sing in German, even the pigeons?"

Whenever I looked up from my writing I saw M. Hamel sitting motionless in
his chair and gazing first at one thing, then at another, as if he wanted
to fix in his mind just how everything looked in that little school-room.
Fancy! For forty years he had been there in the same place, with his
garden outside the window and his class in front of him, just like that.
Only the desks and benches had been worn smooth; the walnut-trees in the
garden were taller, and the hop-vine, that he had planted himself twined
about the windows to the roof. How it must have broken his heart to leave
it all, poor man; to hear his sister moving about in the room above,
packing their trunks! For they must leave the country next day.

But he had the courage to hear every lesson to the very last. After the
writing, we had a lesson in history, and then the babies chanted their ba,
be, bi, bo, bu. Down there at the back of the room old Hauser had put on
his spectacles and, holding his primer in both hands, spelled the letters
with them. You could see that he, too, was crying; his voice trembled with
emotion, and it was so funny to hear him that we all wanted to laugh and
cry. Ah, how well I remember it, that last lesson!

All at once the church-clock struck twelve. Then the Angelus. At the same
moment the trumpets of the Prussians, returning from drill, sounded under
our windows. M. Hamel stood up, very pale, in his chair. I never saw him
look so tall.

"My friends," said he, "I--I--" But something choked him. He could not go
on.

Then he turned to the blackboard, took a piece of chalk, and, bearing on
with all his might, he wrote as large as he could:

"Vive La France!"

Then he stopped and leaned his head against the wall, and, without a word,
he made a gesture to us with his hand; "School is dismissed--you may go."



CROISILLES

BY ALFRED DE MUSSET


I

At the beginning of the reign of Louis XV., a young man named Croisilles,
son of a goldsmith, was returning from Paris to Havre, his native town. He
had been intrusted by his father with the transaction of some business,
and his trip to the great city having turned out satisfactorily, the joy
of bringing good news caused him to walk the sixty leagues more gaily and
briskly than was his wont; for, though he had a rather large sum of money
in his pocket, he travelled on foot for pleasure. He was a good-tempered
fellow, and not without wit, but so very thoughtless and flighty that
people looked upon him as being rather weak-minded. His doublet buttoned
awry, his periwig flying to the wind, his hat under his arm, he followed
the banks of the Seine, at times finding enjoyment in his own thoughts and
again indulging in snatches of song; up at daybreak, supping at wayside
inns, and always charmed with this stroll of his through one of the most
beautiful regions of France. Plundering the apple-trees of Normandy on his
way, he puzzled his brain to find rhymes (for all these rattlepates are
more or less poets), and tried hard to turn out a madrigal for a certain
fair damsel of his native place. She was no less than a daughter of a
fermier-général, Mademoiselle Godeau, the pearl of Havre, a rich heiress,
and much courted. Croisilles was not received at M. Godeau's otherwise
than in a casual sort of way, that is to say, he had sometimes himself
taken there articles of jewelry purchased at his father's. M. Godeau,
whose somewhat vulgar surname ill-fitted his immense fortune, avenged
himself by his arrogance for the stigma of his birth, and showed himself
on all occasions enormously and pitilessly rich. He certainly was not the
man to allow the son of a goldsmith to enter his drawing-room; but, as
Mademoiselle Godeau had the most beautiful eyes in the world, and
Croisilles was not ill-favored, and as nothing can prevent a fine fellow
from falling in love with a pretty girl, Croisilles adored Mademoiselle
Godeau, who did not seem vexed thereat. Thus was he thinking of her as he
turned his steps toward Havre; and, as he had never reflected seriously
upon anything, instead of thinking of the invincible obstacles which
separated him from his lady-love, he busied himself only with finding a
rhyme for the Christian name she bore. Mademoiselle Godeau was called
Julie, and the rhyme was found easily enough. So Croisilles, having
reached Honfleur, embarked with a satisfied heart, his money and his
madrigal in his pocket, and as soon as he jumped ashore ran to the
paternal house.

He found the shop closed, and knocked again and again, not without
astonishment and apprehension, for it was not a holiday; but nobody came.
He called his father, but in vain. He went to a neighbor's to ask what had
happened; instead of replying, the neighbor turned away, as though not
wishing to recognize him. Croisilles repeated his questions; he learned
that his father, his affairs having long been in an embarrassed condition,
had just become bankrupt, and had fled to America, abandoning to his
creditors all that he possessed.

Not realizing as yet the extent of his misfortune, Croisilles felt
overwhelmed by the thought that he might never again see his father. It
seemed to him incredible that he should be thus suddenly abandoned; he
tried to force an entrance into the store; but was given to understand
that the official seals had been affixed; so he sat down on a stone, and
giving way to his grief, began to weep piteously, deaf to the consolations
of those around him, never ceasing to call his father's name, though he
knew him to be already far away. At last he rose, ashamed at seeing a
crowd about him, and, in the most profound despair, turned his steps
towards the harbor.

On reaching the pier, he walked straight before him like a man in a
trance, who knows neither where he is going nor what is to become of him.
He saw himself irretrievably lost, possessing no longer a shelter, no
means of rescue and, of course, no longer any friends. Alone, wandering on
the sea-shore, he felt tempted to drown himself, then and there. Just at
the moment when, yielding to this thought, he was advancing to the edge of
a high cliff, an old servant named Jean, who had served his family for a
number of years, arrived on the scene.

"Ah! my poor Jean!" he exclaimed, "you know all that has happened since I
went away. Is it possible that my father could leave us without warning,
without farewell?"

"He is gone," answered Jean, "but indeed not without saying good-bye to
you."

At the same time he drew from his pocket a letter, which he gave to his
young master. Croisilles recognized the handwriting of his father, and,
before opening the letter, kissed it rapturously; but it contained only a
few words. Instead of feeling his trouble softened, it seemed to the young
man still harder to bear. Honorable until then, and known as such, the old
gentleman, ruined by an unforeseen disaster (the bankruptcy of a partner),
had left for his son nothing but a few commonplace words of consolation,
and no hope, except, perhaps, that vague hope without aim or reason which
constitutes, it is said, the last possession one loses.

"Jean, my friend, you carried me in your arms," said Croisilles, when he
had read the letter, "and you certainly are to-day the only being who
loves me at all; it is a very sweet thing to me, but a very sad one for
you; for, as sure as my father embarked there, I will throw myself into
the same sea which is bearing him away; not before you nor at once, but
some day I will do it, for I am lost."

"What can you do?" replied Jean, not seeming to have understood, but
holding fast to the skirt of Croisilles' coat; "What can you do, my dear
master? Your father was deceived; he was expecting money which did not
come, and it was no small amount either. Could he stay here? I have seen
him, sir, as he made his fortune, during the thirty years that I served
him. I have seen him working, attending to his business, the crown-pieces
coming in one by one. He was an honorable man, and skilful; they took a
cruel advantage of him. Within the last few days, I was still there, and
as fast as the crowns came in, I saw them go out of the shop again. Your
father paid all he could, for a whole day, and, when his desk was empty,
he could not help telling me, pointing to a drawer where but six francs
remained: 'There were a hundred thousand francs there this morning!' That
does not look like a rascally failure, sir? There is nothing in it that
can dishonor you."

"I have no more doubt of my father's integrity," answered Croisilles,
"than I have of his misfortune. Neither do I doubt his affection. But I
wish I could have kissed him, for what is to become of me? I am not
accustomed to poverty, I have not the necessary cleverness to build up my
fortune. And, if I had it, my father is gone. It took him thirty years,
how long would it take me to repair this disaster? Much longer. And will
he be living then? Certainly not; he will die over there, and I cannot
even go and find him; I can join him only by dying."

Utterly distressed as Croisilles was, he possessed much religious feeling.
Although his despondency made him wish for death, he hesitated to take his
life. At the first words of this interview, he had taken hold of old
Jean's arm, and thus both returned to the town. When they had entered the
streets and the sea was no longer so near:

"It seems to me, sir," said Jean, "that a good man has a right to live and
that a misfortune proves nothing. Since your father has not killed
himself, thank God, how can you think of dying? Since there is no dishonor
in his case, and all the town knows it is so, what would they think of
you? That you felt unable to endure poverty. It would be neither brave nor
Christian; for, at the very worst, what is there to frighten you? There
are plenty of people born poor, and who have never had either mother or
father to help them on. I know that we are not all alike, but, after all,
nothing is impossible to God. What would you do in such a case? Your
father was not born rich, far from it,--meaning no offence--and that is
perhaps what consoles him now. If you had been here, this last month, it
would have given you courage. Yes, sir, a man may be ruined, nobody is
secure from bankruptcy; but your father, I make bold to say, has borne
himself through it all like a man, though he did leave us so hastily. But
what could he do? It is not every day that a vessel starts for America. I
accompanied him to the wharf, and if you had seen how sad he was! How he
charged me to take care of you; to send him news from you!--Sir, it is a
right poor idea you have, that throwing the helve after the hatchet. Every
one has his time of trial in this world, and I was a soldier before I was
a servant. I suffered severely at the time, but I was young; I was of your
age, sir, and it seemed to me that Providence could not have spoken His
last word to a young man of twenty-five. Why do you wish to prevent the
kind God from repairing the evil that has befallen you? Give Him time, and
all will come right. If I might advise you, I would say, just wait two or
three years, and I will answer for it, you will come out all right. It is
always easy to go out of this world. Why will you seize an unlucky
moment?"

While Jean was thus exerting himself to persuade his master, the latter
walked in silence, and, as those who suffer often do, was looking this way
and that as though seeking for something which might bind him to life. As
chance would have it, at this juncture, Mademoiselle Godeau, the daughter
of the fermier-général, happened to pass with her governess. The mansion
in which she lived was not far distant; Croisilles saw her enter it. This
meeting produced on him more effect than all the reasonings in the world.
I have said that he was rather erratic, and nearly always yielded to the
first impulse. Without hesitating an instant, and without explanation, he
suddenly left the arm of his old servant, and crossing the street, knocked
at Monsieur Godeau's door.


II

When we try to picture to ourselves, nowadays, what was called a
"financier" in times gone by, we invariably imagine enormous corpulence,
short legs, a gigantic wig, and a broad face with a triple chin,--and it
is not without reason that we have become accustomed to form such a
picture of such a personage. Everyone knows to what great abuses the royal
tax-farming led, and it seems as though there were a law of nature which
renders fatter than the rest of mankind those who fatten, not only upon
their own laziness, but also upon the work of others.

Monsieur Godeau, among financiers, was one of the most classical to be
found,--that is to say, one of the fattest. At the present time he had the
gout, which was nearly as fashionable in his day as the nervous headache
is in ours. Stretched upon a lounge, his eyes half-closed, he was coddling
himself in the coziest corner of a dainty boudoir. The panel-mirrors which
surrounded him, majestically duplicated on every side his enormous person;
bags filled with gold covered the table; around him, the furniture, the
wainscot, the doors, the locks, the mantel-piece, the ceiling were gilded;
so was his coat. I do not know but that his brain was gilded too. He was
calculating the issue of a little business affair which could not fail to
bring him a few thousand louis; and was even deigning to smile over it to
himself when Croisilles was announced. The young man entered with an
humble, but resolute air, and with every outward manifestation of that
inward tumult with which we find no difficulty in crediting a man who is
longing to drown himself. Monsieur Godeau was a little surprised at this
unexpected visit; then he thought his daughter had been buying some
trifle, and was confirmed in that thought by seeing her appear almost at
the same time with the young man. He made a sign to Croisilles not to sit
down but to speak. The young lady seated herself on a sofa, and
Croisilles, remaining standing, expressed himself in these terms:

"Sir, my father has failed. The bankruptcy of a partner has forced him to
suspend his payments and unable to witness his own shame he has fled to
America, after having paid his last sou to his creditors. I was absent
when all this happened; I have just come back and have known of these
events only two hours. I am absolutely without resources, and determined
to die. It is very probable that, on leaving your house, I shall throw
myself into the water. In all probability, I would already have done so,
if I had not chanced to meet, at the very moment, this young lady, your
daughter. I love her, from the very depths of my heart; for two years I
have been in love with her, and my silence, until now, proves better than
anything else the respect I feel for her; but to-day, in declaring my
passion to you, I fulfill an imperative duty, and I would think I was
offending God, if, before giving myself over to death, I did not come to
ask you Mademoiselle Julie in marriage. I have not the slightest hope that
you will grant this request; but I have to make it, nevertheless, for I am
a good Christian, sir, and when a good Christian sees himself come to such
a point of misery that he can no longer suffer life, he must at least, to
extenuate his crime, exhaust all the chances which remain to him before
taking the final and fatal step."

At the beginning of this speech, Monsieur Godeau had supposed that the
young man came to borrow money, and so he prudently threw his handkerchief
over the bags that were lying around him, preparing in advance a refusal,
and a polite one, for he always felt some good-will toward the father of
Croisilles. But when he had heard the young man to the end, and understood
the purport of his visit, he never doubted one moment that the poor fellow
had gone completely mad. He was at first tempted to ring the bell and have
him put out; but, noticing his firm demeanor, his determined look, the
fermier-général took pity on so inoffensive a case of insanity. He merely
told his daughter to retire, so that she might be no longer exposed to
hearing such improprieties.

While Croisilles was speaking, Mademoiselle Godeau had blushed as a peach
in the month of August. At her father's bidding, she retired, the young
man making her a profound bow, which she did not seem to notice. Left
alone with Croisilles, Monsieur Godeau coughed, rose, then dropped again
upon the cushions, and, trying to assume a paternal air, delivered himself
to the following effect:

"My boy," said he, "I am willing to believe that you are not poking fun at
me, but you have really lost your head. I not only excuse this proceeding,
but I consent not to punish you for it. I am sorry that your poor devil of
a father has become bankrupt and has skipped. It is indeed very sad, and I
quite understand that such a misfortune should affect your brain. Besides,
I wish to do something for you; so take this stool and sit down there."

"It is useless, sir," answered Croisilles. "If you refuse me, as I see you
do, I have nothing left but to take my leave. I wish you every good
fortune."

"And where are you going?"

"To write to my father and say good-bye to him."

"Eh! the devil! Any one would swear you were speaking the truth. I'll be
damned if I don't think you are going to drown yourself."

"Yes, sir; at least I think so, if my courage does not forsake me."

"That's a bright idea! Fie on you! How can you be such a fool? Sit down,
sir, I tell you, and listen to me."

Monsieur Godeau had just made a very wise reflection, which was that it is
never agreeable to have it said that a man, whoever he may be, threw
himself into the water on leaving your house. He therefore coughed once
more, took his snuff-box, cast a careless glance upon his shirt-frill, and
continued:

"It is evident that you are nothing but a simpleton, a fool, a regular
baby. You do not know what you are saying. You are ruined, that's what has
happened to you. But, my dear friend, all that is not enough; one must
reflect upon the things of this world. If you came to ask me--well, good
advice, for instance,--I might give it to you; but what is it you are
after? You are in love with my daughter?"

"Yes, sir, and I repeat to you, that I am far from supposing that you can
give her to me in marriage; but as there is nothing in the world but that,
which could prevent me from dying, if you believe in God, as I do not
doubt you do, you will understand the reason that brings me here."

"Whether I believe in God or not, is no business of yours. I do not intend
to be questioned. Answer me first: where have you seen my daughter?"

"In my father's shop, and in this house, when I brought jewelry for
Mademoiselle Julie."

"Who told you her name was Julie? What are we coming to, great heavens!
But be her name Julie or Javotte, do you know what is wanted in any one
who aspires to the hand of the daughter of a fermier-général?"

"No, I am completely ignorant of it, unless it is to be as rich as she."

"Something more is necessary, my boy; you must have a name."

"Well! my name is Croisilles."

"Your name is Croisilles, poor wretch! Do you call that a name?"

"Upon my soul and conscience, sir, it seems to me to be as good a name as
Godeau."

"You are very impertinent, sir, and you shall rue it."

"Indeed, sir, do not be angry; I had not the least idea of offending you.
If you see in what I said anything to wound you, and wish to punish me for
it, there is no need to get angry. Have I not told you that on leaving
here I am going straight to drown myself?"

Although M. Godeau had promised himself to send Croisilles away as gently
as possible, in order to avoid all scandal, his prudence could not resist
the vexation of his wounded pride. The interview to which he had to resign
himself was monstrous enough in itself; it may be imagined, then, what he
felt at hearing himself spoken to in such terms.

"Listen," he said, almost beside himself, and determined to close the
matter at any cost. "You are not such a fool that you cannot understand a
word of common sense. Are you rich? No. Are you noble? Still less so. What
is this frenzy that brings you here? You come to worry me; you think you
are doing something clever; you know perfectly well that it is useless;
you wish to make me responsible for your death. Have you any right to
complain of me? Do I owe a son to your father? Is it my fault that you
have come to this? Mon Dieu! When a man is going to drown himself, he
keeps quiet about it--"

"That is what I am going to do now. I am your very humble servant."

"One moment! It shall not be said that you had recourse to me in vain.
There, my boy, here are three louis d'or: go and have dinner in the
kitchen, and let me hear no more about you."

"Much obliged; I am not hungry, and I have no use for your money."

So Croisilles left the room, and the financier, having set his conscience
at rest by the offer he had just made, settled himself more comfortably in
his chair, and resumed his meditations.

Mademoiselle Godeau, during this time, was not so far away as one might
suppose; she had, it is true, withdrawn in obedience to her father; but,
instead of going to her room, she had remained listening behind the door.
If the extravagance of Croisilles seemed incredible to her, still she
found nothing to offend her in it; for love, since the world has existed,
has never passed as an insult. On the other hand, as it was not possible
to doubt the despair of the young man, Mademoiselle Godeau found herself a
victim, at one and the same time, to the two sentiments most dangerous to
women--compassion and curiosity. When she saw the interview at an end, and
Croisilles ready to come out, she rapidly crossed the drawing-room where
she stood, not wishing to be surprised eavesdropping, and hurried towards
her apartment; but she almost immediately retraced her steps. The idea
that perhaps Croisilles was really going to put an end to his life
troubled her in spite of herself. Scarcely aware of what she was doing,
she walked to meet him; the drawing-room was large, and the two young
people came slowly towards each other. Croisilles was as pale as death,
and Mademoiselle Godeau vainly sought words to express her feelings. In
passing beside him, she let fall on the floor a bunch of violets which she
held in her hand. He at once bent down and picked up the bouquet in order
to give it back to her, but instead of taking it, she passed on without
uttering a word, and entered her father's room. Croisilles, alone again,
put the flowers in his breast, and left the house with a troubled heart,
not knowing what to think of his adventure.


III

Scarcely had he taken a few steps in the street, when he saw his faithful
friend Jean running towards him with a joyful face.

"What has happened?" he asked; "have you news to tell me?"

"Yes," replied Jean; "I have to tell you that the seals have been
officially broken and that you can enter your home. All your father's
debts being paid, you remain the owner of the house. It is true that all
the money and all the jewels have been taken away; but at least the house
belongs to you, and you have not lost everything. I have been running
about for an hour, not knowing what had become of you, and I hope, my dear
master, that you will now be wise enough to take a reasonable course."

"What course do you wish me to take?"

"Sell this house, sir, it is all your fortune. It will bring you about
thirty thousand francs. With that at any rate you will not die of hunger;
and what is to prevent you from buying a little stock in trade, and
starting business for yourself? You would surely prosper."

"We shall see about this," answered Croisilles, as he hurried to the
street where his home was. He was eager to see the paternal roof again.
But when he arrived there so sad a spectacle met his gaze, that he had
scarcely the courage to enter. The shop was in utter disorder, the rooms
deserted, his father's alcove empty. Everything presented to his eyes the
wretchedness of utter ruin. Not a chair remained; all the drawers had been
ransacked, the till broken open, the chest taken away; nothing had escaped
the greedy search of creditors and lawyers; who, after having pillaged the
house, had gone, leaving the doors open, as though to testify to all
passers-by how neatly their work was done.

"This, then," exclaimed Croisilles, "is all that remains after thirty
years of work and a respectable life,--and all through the failure to have
ready, on a given day, money enough to honor a signature imprudently
given!"

While the young man walked up and down given over to the saddest thoughts,
Jean seemed very much embarrassed. He supposed that his master was without
ready money, and that he might perhaps not even have dined. He was
therefore trying to think of some way to question him on the subject, and
to offer him, in case of need, some part of his savings. After having
tortured his mind for a quarter of an hour to try and hit upon some way of
leading up to the subject, he could find nothing better than to come up to
Croisilles, and ask him, in a kindly voice:

"Sir, do you still like roast partridges?"

The poor man uttered this question in a tone at once so comical and so
touching, that Croisilles, in spite of his sadness, could not refrain from
laughing.

"And why do you ask me that?" said he.

"My wife," replied Jean, "is cooking me some for dinner, sir, and if by
chance you still liked them--"

Croisilles had completely forgotten till now the money which he was
bringing back to his father. Jean's proposal reminded him that his pockets
were full of gold.

"I thank you with all my heart," said he to the old man, "and I accept
your dinner with pleasure; but, if you are anxious about my fortune, be
reassured. I have more money than I need to have a good supper this
evening, which you, in your turn, will share with me."

Saying this, he laid upon the mantel four well-filled purses, which he
emptied, each containing fifty louis.

"Although this sum does not belong to me," he added, "I can use it for a
day or two. To whom must I go to have it forwarded to my father?"

"Sir," replied Jean, eagerly, "your father especially charged me to tell
you that this money belongs to you, and, if I did not speak of it before,
it was because I did not know how your affairs in Paris had turned out.
Where he has gone your father will want for nothing; he will lodge with
one of your correspondents, who will receive him most gladly; he has
moreover taken with him enough for his immediate needs, for he was quite
sure of still leaving behind more than was necessary to pay all his just
debts. All that he has left, sir, is yours; he says so himself in his
letter, and I am especially charged to repeat it to you. That gold is,
therefore, legitimately your property, as this house in which we are now.
I can repeat to you the very words your father said to me on embarking:
'May my son forgive me for leaving him; may he remember that I am still in
the world only to love me, and let him use what remains after my debts are
paid as though it were his inheritance.' Those, sir, are his own
expressions; so put this back in your pocket, and, since you accept my
dinner, pray let us go home."

The honest joy which shone in Jean's eyes, left no doubt in the mind of
Croisilles. The words of his father had moved him to such a point that he
could not restrain his tears; on the other hand, at such a moment, four
thousand francs were no bagatelle. As to the house, it was not an
available resource, for one could realize on it only by selling it, and
that was both difficult and slow. All this, however, could not but make a
considerable change in the situation the young man found himself in; so he
felt suddenly moved--shaken in his dismal resolution, and, so to speak,
both sad and, at the same time, relieved of much of his distress. After
having closed the shutters of the shop, he left the house with Jean, and
as he once more crossed the town, could not help thinking how small a
thing our affections are, since they sometimes serve to make us find an
unforeseen joy in the faintest ray of hope. It was with this thought that
he sat down to dinner beside his old servant, who did not fail, during the
repast, to make every effort to cheer him.

Heedless people have a happy fault. They are easily cast down, but they
have not even the trouble to console themselves, so changeable is their
mind. It would be a mistake to think them, on that account, insensible or
selfish; on the contrary they perhaps feel more keenly than others and are
but too prone to blow their brains out in a moment of despair; but, this
moment once passed, if they are still alive, they must dine, they must
eat, they must drink, as usual; only to melt into tears again at bed-time.
Joy and pain do not glide over them but pierce them through like arrows.
Kind, hot-headed natures which know how to suffer, but not how to lie,
through which one can clearly read,--not fragile and empty like glass, but
solid and transparent like rock crystal.

After having clinked glasses with Jean, Croisilles, instead of drowning
himself, went to the play. Standing at the back of the pit, he drew from
his bosom Mademoiselle Godeau's bouquet, and, as he breathed the perfume
in deep meditation, he began to think in a calmer spirit about his
adventure of the morning. As soon as he had pondered over it for awhile,
he saw clearly the truth; that is to say, that the young lady, in leaving
the bouquet in his hands, and in refusing to take it back, had wished to
give him a mark of interest; for otherwise this refusal and this silence
could only have been marks of contempt, and such a supposition was not
possible. Croisilles, therefore, judged that Mademoiselle Godeau's heart
was of a softer grain than her father's and he remembered distinctly that
the young lady's face, when she crossed the drawing-room, had expressed an
emotion the more true that it seemed involuntary. But was this emotion one
of love, or only of sympathy? Or was it perhaps something of still less
importance,--mere commonplace pity? Had Mademoiselle Godeau feared to see
him die--him, Croisilles--or merely to be the cause of the death of a man,
no matter what man? Although withered and almost leafless, the bouquet
still retained so exquisite an odor and so brave a look, that in breathing
it and looking at it, Croisilles could not help hoping. It was a thin
garland of roses round a bunch of violets. What mysterious depths of
sentiment an Oriental might have read in these flowers, by interpreting
their language! But after all, he need not be an Oriental in this case.
The flowers which fall from the breast of a pretty woman, in Europe, as in
the East, are never mute; were they but to tell what they have seen while
reposing in that lovely bosom, it would be enough for a lover, and this,
in fact, they do. Perfumes have more than one resemblance to love, and
there are even people who think love to be but a sort of perfume; it is
true the flowers which exhale it are the most beautiful in creation.

While Croisilles mused thus, paying very little attention to the tragedy
that was being acted at the time, Mademoiselle Godeau herself appeared in
a box opposite.

The idea did not occur to the young man that, if she should notice him,
she might think it very strange to find the would-be suicide there after
what had transpired in the morning. He, on the contrary, bent all his
efforts towards getting nearer to her; but he could not succeed. A
fifth-rate actress from Paris had come to play Mérope, and the crowd was so
dense that one could not move. For lack of anything better, Croisilles had
to content himself with fixing his gaze upon his lady-love, not lifting
his eyes from her for a moment. He noticed that she seemed pre-occupied
and moody, and that she spoke to every one with a sort of repugnance. Her
box was surrounded, as may be imagined, by all the fops of the
neighborhood, each of whom passed several times before her in the gallery,
totally unable to enter the box, of which her father filled more than
three-fourths. Croisilles noticed further that she was not using her
opera-glasses, nor was she listening to the play. Her elbows resting on
the balustrade, her chin in her hand, with her far-away look, she seemed,
in all her sumptuous apparel, like some statue of Venus disguised en
marquise. The display of her dress and her hair, her rouge, beneath which
one could guess her paleness, all the splendor of her toilet, did but the
more distinctly bring out the immobility of her countenance. Never had
Croisilles seen her so beautiful. Having found means, between the acts, to
escape from the crush, he hurried off to look at her from the passage
leading to her box, and, strange to say, scarcely had he reached it, when
Mademoiselle Godeau, who had not stirred for the last hour, turned round.
She started slightly as she noticed him and only cast a glance at him;
then she resumed her former attitude. Whether that glance expressed
surprise, anxiety, pleasure or love; whether it meant "What, not dead!" or
"God be praised! There you are, living!"--I do not pretend to explain. Be
that as it may; at that glance, Croisilles inwardly swore to himself to
die or gain her love.


IV

Of all the obstacles which hinder the smooth course of love, the greatest
is, without doubt, what is called false shame, which is indeed a very
potent obstacle.

Croisilles was not troubled with this unhappy failing, which both pride
and timidity combine to produce; he was not one of those who, for whole
months, hover round the woman they love, like a cat round a caged bird. As
soon as he had given up the idea of drowning himself, he thought only of
letting his dear Julie know that he lived solely for her. But how could he
tell her so? Should he present himself a second time at the mansion of the
fermier-général, it was but too certain that M. Godeau would have him
ejected.

Julie, when she happened to take a walk, never went without her maid; it
was therefore useless to undertake to follow her. To pass the nights under
the windows of one's beloved is a folly dear to lovers, but, in the
present case, it would certainly prove vain. I said before that Croisilles
was very religious; it therefore never entered his mind to seek to meet
his lady-love at church. As the best way, though the most dangerous, is to
write to people when one cannot speak to them in person, he decided on the
very next day to write to the young lady.

His letter possessed, naturally, neither order nor reason. It read
somewhat as follows:

"Mademoiselle,--Tell me exactly, I beg of you, what fortune one must
possess to be able to pretend to your hand. I am asking you a strange
question; but I love you so desperately, that it is impossible for me not
to ask it, and you are the only person in the world to whom I can address
it. It seemed to me, last evening, that you looked at me at the play. I
had wished to die; would to God I were indeed dead, if I am mistaken, and
if that look was not meant for me. Tell me if Fate can be so cruel as to
let a man deceive himself in a manner at once so sad and so sweet. I
believe that you commanded me to live. You are rich, beautiful. I know it.
Your father is arrogant and miserly, and you have a right to be proud; but
I love you, and the rest is a dream. Fix your charming eyes on me; think
of what love can do, when I who suffer so cruelly, who must stand in fear
of every thing, feel, nevertheless, an inexpressible joy in writing you
this mad letter, which will perhaps bring down your anger upon me. But
think also, mademoiselle that you are a little to blame for this, my
folly. Why did you drop that bouquet? Put yourself for an instant, if
possible, in my place; I dare think that you love me, and I dare ask you
to tell me so. Forgive me, I beseech you. I would give my life's blood to
be sure of not offending you, and to see you listening to my love with
that angel smile which belongs only to you.

"Whatever you may do, your image remains mine; you can remove it only by
tearing out my heart. As long as your look lives in my remembrance, as
long as the bouquet keeps a trace of its perfume, as long as a word will
tell of love, I will cherish hope."

Having sealed his letter, Croisilles went out and walked up and down the
street opposite the Godeau mansion, waiting for a servant to come out.
Chance, which always serves mysterious loves, when it can do so without
compromising itself, willed it that Mademoiselle Julie's maid should have
arranged to purchase a cap on that day. She was going to the milliner's
when Croisilles accosted her, slipped a louis into her hand, and asked her
to take charge of his letter.

The bargain was soon struck; the servant took the money to pay for her cap
and promised to do the errand out of gratitude. Croisilles, full of joy,
went home and sat at his door awaiting an answer.

Before speaking of this answer, a word must be said about Mademoiselle
Godeau. She was not quite free from the vanity of her father, but her good
nature was ever uppermost. She was, in the full meaning of the term, a
spoilt child. She habitually spoke very little, and never was she seen
with a needle in her hand; she spent her days at her toilet, and her
evenings on the sofa, not seeming to hear the conversation going on around
her. As regards her dress, she was prodigiously coquettish, and her own
face was surely what she thought most of on earth. A wrinkle in her
collarette, an ink-spot on her finger, would have distressed her; and,
when her dress pleased her, nothing can describe the last look which she
cast at her mirror before leaving the room. She showed neither taste nor
aversion for the pleasures in which young ladies usually delight. She went
to balls willingly enough, and renounced going to them without a show of
temper, sometimes without motive.

The play wearied her, and she was in the constant habit of falling asleep
there. When her father, who worshipped her, proposed to make her some
present of her own choice, she took an hour to decide, not being able to
think of anything she cared for. When M. Godeau gave a reception or a
dinner, it often happened that Julie would not appear in the drawing-room,
and at such times she passed the evening alone in her own room, in full
dress, walking up and down, her fan in her hand. If a compliment was
addressed to her, she turned away her head, and if any one attempted to
pay court to her, she responded only by a look at once so dazzling and so
serious as to disconcert even the boldest. Never had a sally made her
laugh; never had an air in an opera, a flight of tragedy, moved her;
indeed, never had her heart given a sign of life; and, on seeing her pass
in all the splendor of her nonchalant loveliness one might have taken her
for a beautiful somnambulist, walking through the world as in a trance.

So much indifference and coquetry did not seem easy to understand. Some
said she loved nothing, others that she loved nothing but herself. A
single word, however, suffices to explain her character,--she was waiting.
From the age of fourteen she had heard it ceaselessly repeated that
nothing was so charming as she. She was convinced of this, and that was
why she paid so much attention to dress. In failing to do honor to her own
person, she would have thought herself guilty of sacrilege. She walked, in
her beauty, so to speak, like a child in its holiday dress; but she was
very far from thinking that her beauty was to remain useless.

Beneath her apparent unconcern she had a will, secret, inflexible, and the
more potent the better it was concealed. The coquetry of ordinary women,
which spends itself in ogling, in simpering, and in smiling, seemed to her
a childish, vain, almost contemptible way of fighting with shadows. She
felt herself in possession of a treasure, and she disdained to stake it
piece by piece; she needed an adversary worthy of herself; but, too
accustomed to see her wishes anticipated, she did not seek that adversary;
it may even be said that she felt astonished at his failing to present
himself.

For the four or five years that she had been out in society and had
conscientiously displayed her flowers, her furbelows, and her beautiful
shoulders, it seemed to her inconceivable that she had not yet inspired
some great passion.

Had she said what was really behind her thoughts, she certainly would have
replied to her many flatterers: "Well! if it is true that I am so
beautiful, why do you not blow your brains out for me?" An answer which
many other young girls might make, and which more than one who says
nothing hides away in a corner of her heart, not far perhaps from the tip
of her tongue.

What is there, indeed, in the world, more tantalizing for a woman than to
be young, rich, beautiful, to look at herself in her mirror and see
herself charmingly dressed, worthy in every way to please, fully disposed
to allow herself to be loved, and to have to say to herself: "I am
admired, I am praised, all the world thinks me charming, but nobody loves
me. My gown is by the best maker, my laces are superb, my coiffure is
irreproachable, my face the most beautiful on earth, my figure slender, my
foot prettily turned, and all this helps me to nothing but to go and yawn
in the corner of some drawing-room! If a young man speaks to me he treats
me as a child; if I am asked in marriage, it is for my dowry; if somebody
presses my hand in a dance, it is sure to be some provincial fop; as soon
as I appear anywhere, I excite a murmur of admiration; but nobody speaks
low, in my ear, a word that makes my heart beat. I hear impertinent men
praising me in loud tones, a couple of feet away, and never a look of
humbly sincere adoration meets mine. Still I have an ardent soul full of
life, and I am not, by any means, only a pretty doll to be shown about, to
be made to dance at a ball, to be dressed by a maid in the morning and
undressed at night--beginning the whole thing over again the next day."

That is what Mademoiselle Godeau had many times said to herself; and there
were hours when that thought inspired her with so gloomy a feeling that
she remained mute and almost motionless for a whole day. When Croisilles
wrote her, she was in just such a fit of ill-humor. She had just been
taking her chocolate and was deep in meditation, stretched upon a lounge,
when her maid entered and handed her the letter with a mysterious air. She
looked at the address, and not recognizing the handwriting, fell again to
musing.

The maid then saw herself forced to explain what it was, which she did
with a rather disconcerted air, not being at all sure how the young lady
would take the matter. Mademoiselle Godeau listened without moving, then
opened the letter, and cast only a glance at it; she at once asked for a
sheet of paper, and nonchalantly wrote these few words:

"No, sir, I assure you I am not proud. If you had only a hundred thousand
crowns, I would willingly marry you."

Such was the reply which the maid at once took to Croisilles, who gave her
another louis for her trouble.


V

A hundred thousand crowns are not found "in a donkey's hoof-print," and if
Croisilles had been suspicious he might have thought in reading
Mademoiselle Godeau's letter that she was either crazy or laughing at him.
He thought neither, for he only saw in it that his darling Julie loved
him, and that he must have a hundred thousand crowns, and he dreamed from
that moment of nothing but trying to secure them.

He possessed two hundred louis in cash, plus a house which, as I have
said, might be worth about thirty thousand francs. What was to be done?
How was he to go about transfiguring these thirty-four thousand francs, at
a jump, into three hundred thousand. The first idea which came into the
mind of the young man was to find some way of staking his whole fortune on
the toss-up of a coin, but for that he must sell the house. Croisilles
therefore began by putting a notice upon the door, stating that his house
was for sale; then, while dreaming what he would do with the money that he
would get for it, he awaited a purchaser.

A week went by, then another; not a single purchaser applied. More and
more distressed, Croisilles spent these days with Jean, and despair was
taking possession of him once more, when a Jewish broker rang at the door.

"This house is for sale, sir, is it not? Are you the owner of it?"

"Yes, sir."

"And how much is it worth?"

"Thirty thousand francs, I believe; at least I have heard my father say
so."

The Jew visited all the rooms, went upstairs and down into the cellar,
knocking on the walls, counting the steps of the staircase, turning the
doors on their hinges and the keys in their locks, opening and closing the
windows; then, at last, after having thoroughly examined everything,
without saying a word and without making the slightest proposal, he bowed
to Croisilles and retired.

Croisilles, who for a whole hour had followed him with a palpitating
heart, as may be imagined, was not a little disappointed at this silent
retreat. He thought that perhaps the Jew had wished to give himself time
to reflect and that he would return presently. He waited a week for him,
not daring to go out for fear of missing his visit, and looking out of the
windows from morning till night. But it was in vain; the Jew did not
reappear. Jean, true to his unpleasant rôle of adviser, brought moral
pressure to bear to dissuade his master from selling his house in so hasty
a manner and for so extravagant a purpose. Dying of impatience, ennui, and
love, Croisilles one morning took his two hundred louis and went out,
determined to tempt fortune with this sum, since he could not have more.

The gaming-houses at that time were not public, and that refinement of
civilization which enables the first comer to ruin himself at all hours,
as soon as the wish enters his mind, had not yet been invented.

Scarcely was Croisilles in the street before he stopped, not knowing where
to go to stake his money. He looked at the houses of the neighborhood, and
eyed them, one after the other, striving to discover suspicious
appearances that might point out to him the object of his search. A
good-looking young man, splendidly dressed, happened to pass. Judging from
his mien, he was certainly a young man of gentle blood and ample leisure,
so Croisilles politely accosted him.

"Sir," he said, "I beg your pardon for the liberty I take. I have two
hundred louis in my pocket and I am dying either to lose them or win more.
Could you not point out to me some respectable place where such things are
done?"

At this rather strange speech the young man burst out laughing.

"Upon my word, sir!" answered he, "if you are seeking any such wicked
place you have but to follow me, for that is just where I am going."

Croisilles followed him, and a few steps farther they both entered a house
of very attractive appearance, where they were received hospitably by an
old gentleman of the highest breeding.

Several young men were already seated round a green cloth. Croisilles
modestly took a place there, and in less than an hour his two hundred
louis were gone.

He came out as sad as a lover can be who thinks himself beloved. He had
not enough to dine with, but that did not cause him any anxiety.

"What can I do now," he asked himself, "to get money? To whom shall I
address myself in this town? Who will lend me even a hundred louis on this
house that I can not sell?"

While he was in this quandary, he met his Jewish broker. He did not
hesitate to address him, and, featherhead as he was, did not fail to tell
him the plight he was in.

The Jew did not much want to buy the house; he had come to see it only
through curiosity, or, to speak more exactly, for the satisfaction of his
own conscience, as a passing dog goes into a kitchen, the door of which
stands open, to see if there is anything to steal. But when he saw
Croisilles so despondent, so sad, so bereft of all resources, he could not
resist the temptation to put himself to some inconvenience, even, in order
to pay for the house. He therefore offered him about one-fourth of its
value. Croisilles fell upon his neck, called him his friend and saviour,
blindly signed a bargain that would have made one's hair stand on end,
and, on the very next day, the possessor of four hundred new louis, he
once more turned his steps toward the gambling-house where he had been so
politely and speedily ruined the night before.

On his way, he passed by the wharf. A vessel was about leaving; the wind
was gentle, the ocean tranquil. On all sides, merchants, sailors, officers
in uniform were coming and going. Porters were carrying enormous bales of
merchandise. Passengers and their friends were exchanging farewells, small
boats were rowing about in all directions; on every face could be read
fear, impatience, or hope; and, amidst all the agitation which surrounded
it, the majestic vessel swayed gently to and fro under the wind that
swelled her proud sails.

"What a grand thing it is," thought Croisilles, "to risk all one possesses
and go beyond the sea, in perilous search of fortune! How it fills me with
emotion to look at this vessel setting out on her voyage, loaded with so
much wealth, with the welfare of so many families! What joy to see her
come back again, bringing twice as much as was intrusted to her, returning
so much prouder and richer than she went away! Why am I not one of those
merchants? Why could I not stake my four hundred louis in this way? This
immense sea! What a green cloth, on which to boldly tempt fortune! Why
should I not myself buy a few bales of cloth or silk? What is to prevent
my doing so, since I have gold? Why should this captain refuse to take
charge of my merchandise? And who knows? Instead of going and throwing
away this--my little all--in a gambling-house, I might double it, I might
triple it, perhaps, by honest industry. If Julie truly loves me, she will
wait a few years, she will remain true to me until I am able to marry her.
Commerce sometimes yields greater profits than one thinks; examples are
wanting in this world of wealth gained with astonishing rapidity in this
way on the changing waves--why should Providence not bless an endeavor
made for a purpose so laudable, so worthy of His assistance? Among these
merchants who have accumulated so much and who send their vessels to the
ends of the world, more than one has begun with a smaller sum than I have
now. They have prospered with the help of God; why should I not prosper in
my turn? It seems to me as though a good wind were filling these sails,
and this vessel inspires confidence. Come! the die is cast; I will speak
to the captain, who seems to be a good fellow; I will then write to Julie,
and set out to become a clever and successful trader."

The greatest danger incurred by those who are habitually but half crazy,
is that of becoming, at times, altogether so.

The poor fellow, without further deliberation, put his whim into
execution. To find goods to buy, when one has money and knows nothing
about the goods, is the easiest thing in the world.

The captain, to oblige Croisilles, took him to one of his friends, a
manufacturer, who sold him as much cloth and silk as he could pay for. The
whole of it, loaded upon a cart, was promptly taken on board. Croisilles,
delighted and full of hope, had himself written in large letters his name
upon the bales. He watched them being put on board with inexpressible joy;
the hour of departure soon came, and the vessel weighed anchor.


VI

I need not say that in this transaction, Croisilles had kept no money in
hand. His house was sold; and there remained to him, for his sole fortune,
the clothes he had on his back;--no home, and not a son. With the best
will possible, Jean could not suppose that his master was reduced to such
an extremity; Croisilles was not too proud, but too thoughtless to tell
him of it. So he determined to sleep under the starry vault, and as for
his meals, he made the following calculation; he presumed that the vessel
which bore his fortune would be six months before coming back to Havre;
Croisilles, therefore, not without regret, sold a gold watch his father
had given him, and which he had fortunately kept; he got thirty-six livres
for it. That was sufficient to live on for about six months, at the rate
of four sous a day. He did not doubt that it would be enough, and,
reassured for the present, he wrote to Mademoiselle Godeau to inform her
of what he had done. He was very careful in his letter not to speak of his
distress; he announced to her, on the contrary, that he had undertaken a
magnificent commercial enterprise, of the speedy and fortunate issue of
which there could be no doubt; he explained to her that La Fleurette, a
merchant-vessel of one hundred and fifty tons, was carrying to the Baltic
his cloths and his silks, and implored her to remain faithful to him for a
year, reserving to himself the right of asking, later on, for a further
delay, while, for his part, he swore eternal love to her.

When Mademoiselle Godeau received this letter she was sitting before the
fire, and had in her hand, using it as a screen, one of those bulletins
which are printed in seaports, announcing the arrival and departure of
vessels, and which also report disasters at sea. It had never occurred to
her, as one can well imagine, to take an interest in this sort of thing;
she had in fact never glanced at any of these sheets.

The perusal of Croisilles' letter prompted her to read the bulletin she
had been holding in her hand; the first word that caught her eye was no
other than the name of La Fleurette.

The vessel had been wrecked on the coast of France, on the very night
following its departure. The crew had barely escaped, but all the cargo
was lost.

Mademoiselle Godeau, at this news, no longer remembered that Croisilles
had made to her an avowal of his poverty; she was as heartbroken as though
a million had been at stake.

In an instant, the horrors of the tempest, the fury of the winds, the
cries of the drowning, the ruin of the man who loved her, presented
themselves to her mind like a scene in a romance. The bulletin and the
letter fell from her hands. She rose in great agitation, and, with heaving
breast and eyes brimming with tears, paced up and down, determined to act,
and asking herself how she should act.

There is one thing that must be said in justice to love; it is that the
stronger, the clearer, the simpler the considerations opposed to it, in a
word, the less common sense there is in the matter, the wilder does the
passion become and the more does the lover love. It is one of the most
beautiful things under heaven, this irrationality of the heart. We should
not be worth much without it. After having walked about the room (without
forgetting either her dear fan or the passing glance at the mirror), Julie
allowed herself to sink once more upon her lounge. Whoever had seen her at
this moment would have looked upon a lovely sight; her eyes sparkled, her
cheeks were on fire; she sighed deeply, and murmured in a delicious
transport of joy and pain:

"Poor fellow! He has ruined himself for me!"

Independently of the fortune which she could expect from her father,
Mademoiselle Godeau had in her own right the property her mother had left
her. She had never thought of it.

At this moment, for the first time in her life, she remembered that she
could dispose of five hundred thousand francs. This thought brought a
smile to her lips; a project, strange, bold, wholly feminine, almost as
mad as Croisilles himself, entered her head;--she weighed the idea in her
mind for some time, then decided to act upon it at once.

She began by inquiring whether Croisilles had any relatives or friends;
the maid was sent out in all directions to find out.

Having made minute inquiries in all quarters, she discovered, on the
fourth floor of an old rickety house, a half-crippled aunt, who never
stirred from her arm-chair, and had not been out for four or five years.
This poor woman, very old, seemed to have been left in the world expressly
as a specimen of hungry misery. Blind, gouty, almost deaf, she lived alone
in a garret; but a gayety, stronger than misfortune and illness, sustained
her at eighty years of age, and made her still love life. Her neighbors
never passed her door without going in to see her, and the antiquated
tunes she hummed enlivened all the girls of the neighborhood. She
possessed a little annuity which sufficed to maintain her; as long as day
lasted, she knitted. She did not know what had happened since the death of
Louis XIV.

It was to this worthy person that Julie had herself privately conducted.
She donned for the occasion all her finery; feathers, laces, ribbons,
diamonds, nothing was spared. She wanted to be fascinating; but the real
secret of her beauty, in this case, was the whim that was carrying her
away. She went up the steep, dark staircase which led to the good lady's
chamber, and, after the most graceful bow, spoke somewhat as follows:

"You have, madame, a nephew, called Croisilles, who loves me and has asked
for my hand; I love him too and wish to marry him; but my father, Monsieur
Godeau, fermier-général of this town, refuses his consent, because your
nephew is not rich. I would not, for the world, give occasion to scandal,
nor cause trouble to anybody; I would therefore never think of disposing
of myself without the consent of my family. I come to ask you a favor,
which I beseech you to grant me. You must come yourself and propose this
marriage to my father. I have, thank God, a little fortune which is quite
at your disposal; you may take possession, whenever you see fit, of five
hundred thousand francs at my notary's. You will say that this sum belongs
to your nephew, which in fact it does. It is not a present that I am
making him, it is a debt which I am paying, for I am the cause of the ruin
of Croisilles, and it is but just that I should repair it. My father will
not easily give in; you will be obliged to insist and you must have a
little courage; I, for my part, will not fail. As nobody on earth
excepting myself has any right to the sum of which I am speaking to you,
nobody will ever know in what way this amount will have passed into your
hands. You are not very rich yourself, I know, and you may fear that
people will be astonished to see you thus endowing your nephew; but
remember that my father does not know you, that you show yourself very
little in town, and that, consequently it will be easy for you to pretend
that you have just arrived from some journey. This step will doubtless be
some exertion to you; you will have to leave your arm-chair and take a
little trouble; but you will make two people happy, madame, and if you
have ever known love, I hope you will not refuse me."

The old lady, during this discourse, had been in turn surprised, anxious,
touched, and delighted. The last words persuaded her.

"Yes, my child," she repeated several times, "I know what it is,--I know
what it is."

As she said this she made an effort to rise; her feeble limbs could barely
support her; Julie quickly advanced and put out her hand to help her; by
an almost involuntary movement they found themselves, in an instant, in
each other's arms.

A treaty was at once concluded; a warm kiss sealed it in advance, and the
necessary and confidential consultation followed without further trouble.

All the explanations having been made, the good lady drew from her
wardrobe a venerable gown of taffeta, which had been her wedding-dress.
This antique piece of property was not less than fifty years old; but not
a spot, not a grain of dust had disfigured it; Julie was in ecstasies over
it. A coach was sent for, the handsomest in the town. The good lady
prepared the speech she was going to make to Monsieur Godeau; Julie tried
to teach her how she was to touch the heart of her father, and did not
hesitate to confess that love of rank was his vulnerable point.

"If you could imagine," said she, "a means of flattering this weakness,
you will have won our cause."

The good lady pondered deeply, finished her toilet without Another word,
clasped the hands of her future niece, and entered the carriage.

She soon arrived at the Godeau mansion; there, she braced herself up so
gallantly for her entrance that she seemed ten years younger. She
majestically crossed the drawing-room where Julie's bouquet had fallen,
and when the door of the boudoir opened, said in a firm voice to the
lackey who preceded her:

"Announce the dowager Baroness de Croisilles."

These words settled the happiness of the two lovers. Monsieur Godeau was
bewildered by them. Although five hundred thousand francs seemed little to
him, he consented to everything, in order to make his daughter a baroness,
and such she became;--who would dare contest her title? For my part, I
think she had thoroughly earned it.



THE VASE OF CLAY

BY JEAN AICARD


I

Jean had inherited from his father a little field close beside the sea.
Round this field the branches of the pine trees murmured a response to the
plashing of the waves. Beneath the pines the soil was red, and the crimson
shade of the earth mingling with the blue waves of the bay gave them a
pensive violet hue, most of all in the quiet evening hours dear to
reveries and dreams.

In this field grew roses and raspberries. The pretty girls of the
neighborhood came to Jean's home to buy these fruits and flowers, so like
their own lips and cheeks. The roses, the lips, and the berries had all
the same youth, had all the same beauty.

Jean lived happily beside the sea, at the foot of the hills, beneath an
olive tree planted near his door, which in all seasons threw a lance-like
blue shadow upon his white wall.

Near the olive tree was a well, the water of which was so cold and pure
that the girls of the region, with their cheeks like roses and their lips
like raspberries, came thither night and morning with their jugs. Upon
their heads, covered with pads, they carried their jugs, round and slender
as themselves, supporting them with their beautiful bare arms, raised
aloft like living handles.

Jean observed all these things, and admired them, and blessed his life.

As he was only twenty years old, he fondly loved one of the charming girls
who drew water from his well, who ate his raspberries and breathed the
fragrance of his roses.

He told this younger girl that she was as pure and fresh as the water, as
delicious as the raspberries and as sweet as the roses.

Then the young girl smiled.

He told it her again, and she made a face at him.

He sang her the same song, and she married a sailor who carried her far
away beyond the sea.

Jean wept bitterly, but he still admired beautiful things, and still
blessed his life. Sometimes he thought that the frailty of what is
beautiful and the brevity of what is good adds value to the beauty and
goodness of all things.


II

One day he learned by chance that the red earth of his field was an
excellent clay. He took a little of it in his hand, moistened it with
water from his well, and fashioned a simple vase, while he thought of
those beautiful girls who are like the ancient Greek jars, at once round
and slender.

The earth in his field was, indeed, excellent clay.

       *       *       *       *       *

He built himself a potter's wheel. With his own hands, and with his clay,
he built a furnace against the wall of his house, and he set himself to
making little pots to hold raspberries.

He became skilful at this work, and all the gardeners round about came to
him to provide themselves with these light, porous pots, of a beautiful
red hue, round and slender, wherein the raspberries could be heaped
without crushing them, and where they slept under the shelter of a green
leaf.

The leaf, the pot, the raspberries, these enchanted everybody by their
form and color; and the buyers in the city market would have no berries
save those which were sold in Jean the potter's round and slender pots.

Now more than ever the beautiful girls visited Jean's field.

Now they brought baskets of woven reeds in which they piled the empty
pots, red and fresh. But now Jean observed them without desire. His heart
was forevermore far away beyond the sea.

Still, as he deepened and broadened the ditch in his field, from which he
took the clay, he saw that his pots to hold the raspberries were variously
colored, tinted sometimes with rose, sometimes with blue or violet,
sometimes with black or green.

These shades of the clay reminded him of the loveliest things which had
gladdened his eyes: plants, flowers, ocean, sky.

Then he set himself to choose, in making his vases, shades of clay, which
he mingled delicately. And these colors, produced by centuries of
alternating lights and shadows, obeyed his will, changed in a moment
according to his desire.

Each day he modelled hundreds of these raspberry pots, moulding them upon
the wheel which turned like a sun beneath the pressure of his agile foot.
The mass of shapeless clay, turning on the center of the disk, under the
touch of his finger, suddenly raised itself like the petals of a lily,
lengthened, broadened, swelled or shrank, submissive to his will.

The creative potter loved the clay.


III

As he still dreamed of the things which he had most admired, his thought,
his remembrance, his will, descended into his fingers, where--without his
knowing how--they communicated to the clay that mysterious principle of
life which the wisest man is unable to define. The humble works of Jean
the potter had marvellous graces. In such a curve, in such a tint, he put
some memory of youth, or of an opening blossom, or the very color of the
weather, and of joy or sorrow.

In his hours of repose he walked with his eyes fixed upon the ground,
studying the variations in the color of the soil on the cliffs, on the
plains, on the sides of the hills.

And the wish came to him to model a unique vase, a marvellous vase, in
which should live through all eternity something of all the fragile
beauties which his eyes had gazed upon; something even of all the brief
joys which his heart had known, and even a little of his divine sorrows of
hope, regret and love.

He was then in the full strength and vigor of manhood.

Yet, that he might the better meditate upon his desire he forsook the
well-paid work, which, it is true, had allowed him to lay aside a little
hoard. No longer, as of old, his wheel turned from morning until night. He
permitted other potters to manufacture raspberry pots by the thousand. The
merchants forgot the way to Jean's field.

The young girls still came there for pleasure, because of the cold water,
the roses, and the raspberries; but the ill-cultivated raspberries
perished, the rose-vines ran wild, climbed to the tops of the high walls,
and offered their dusty blossoms to the travellers on the road.

The water in the well alone remained the same, cold and plenteous, and
that sufficed to draw about Jean eternal youth and eternal gaiety.

Only youth had grown mocking for Jean. For him gaiety had now become
scoffing.

"Ah, Master Jean! Does not your furnace burn any more? Your wheel, Master
Jean, does it scarcely ever turn? When shall we see your amazing pot which
will be as beautiful as everything which is beautiful, blooming like the
rose, beaded like the raspberry, and speaking--if we must believe what you
say about it--like our lips?"

Now Jean is ageing; Jean is old. He sits upon his stone seat beside the
well, under the lace-like shade of the olive tree, in front of his empty
field, all the soil of which is good clay but which no longer produces
either raspberries or roses.

Jean said formerly: "There are three things: roses, raspberries, lips."

All the three have forsaken him.

The lips of the young girls, and even those of the children, have become
scoffing.

"Ah, Father Jean! Do you live like the grasshoppers? Nobody ever sees you
eat, Father Jean! Father Jean lives on cold water. The man who grows old
becomes a child again!

"What will you put into your beautiful vase, if you ever make it, silly
old fellow? It will not hold even a drop of water from your well. Go and
paint the hen-coops and make water-jugs!"

Jean silently shakes his head, and only replies to all these railleries by
a kindly smile.

He is good to animals, and he shares his dry bread with the poor.

It is true that he eats scarcely anything, but he does not suffer in
consequence. He is very thin, but his flesh is all the more sound and
wholesome. Under the arch of his eyebrows his old eyes, heedful of the
world, continue to sparkle with the clearness of the spring which reflects
the light.


IV

One bright morning, upon his wheel, which turns to the rhythmic motion of
his foot, Jean sets himself to model a vase, the vase which he has long
seen with his mind's eye.

The horizontal wheel turns like a sun to the rhythmic beating of his foot.
The wheel turns. The clay vase rises, falls, swells, becomes crushed into
a shapeless mass, to be born again under Jean's hand. At last, with one
single burst, it springs forth like an unlooked-for flower from an
invisible stem.

It blooms triumphantly, and the old man bears it in his trembling hands to
the carefully prepared furnace where fire must add to its beauty of form
the illusive, decisive beauty of color.

All through the night Jean has kept up and carefully regulated the
furnace-fire, that artisan of delicate gradations of color.

At dawn the work must be finished.

And the potter, old and dying, in his deserted field, raises toward the
light of the rising sun the dainty form, born of himself, in which he
longs to find, in perfect harmony, the dream of his long life.

In the form and tint of the frail little vase he has wished to fix for all
time the ephemeral forms and colors of all the most beautiful things.

Oh, god of day! The miracle is accomplished. The sun lights the round and
slender curves, the colorations infinitely refined, which blend
harmoniously, and bring back to the soul of the aged man, by the pathway
of his eyes, the sweetest joys of his youth, the skies of daybreak and the
mournful violet waves of the sea beneath the setting sun.

Oh, miracle of art, in which life is thus epitomized to make joy eternal!

       *       *       *       *       *

The humble artist raises toward the sun his fragile masterpiece, the
flower of his simple heart; he raises it in his trembling hands as though
to offer it to the unknown divinities who created primeval beauty.

But his hands, too weak and trembling, let it escape from them suddenly,
even as his tottering body lets his soul escape--and the potter's dream,
fallen with him to the ground, breaks and scatters into fragments.

Where is it now, the form of that vase brought to the light for an
instant, and seen only by the sun and the humble artist? Surely, it must
be somewhere, that pure and happy form of the divine dream, made real for
an instant!




*** END OF THE PROJECT GUTENBERG EBOOK INTERNATIONAL SHORT STORIES: FRENCH ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.