The Project Gutenberg eBook of A Letter to A.H. Esq.; Concerning the Stage (1698) and The Occasional Paper No. IX (1698) This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: A Letter to A.H. Esq.; Concerning the Stage (1698) and The Occasional Paper No. IX (1698) Author of introduction, etc.: H. T. Swedenberg Contributor: Charles Hopkins Richard Willis Release date: November 15, 2004 [eBook #14047] Most recently updated: December 18, 2020 Language: English Original publication: Los Angeles: The Augustan Reprint Society Credits: E-text prepared by David Starner and the Project Gutenberg Online Distributed Proofreading Team *** START OF THE PROJECT GUTENBERG EBOOK A LETTER TO A.H. ESQ.; CONCERNING THE STAGE (1698) AND THE OCCASIONAL PAPER NO. IX (1698) *** E-text prepared by David Starner and the Project Gutenberg Online Distributed Proofreading Team Note: H. T. Swedenberg, Jr. (1906-1978) was a professor at the University of California (Los Angeles). In 1946 he, Edward N. Hooker, and Richard C. Boys founded the Augustan Reprint Society, with Swedenberg as general editor. The Society reprinted many rare works, drawn largely from the collections of the University of California's library. The two anonymous essays here were part of a series of essays on the stage. Series Three: Essays on the Stage No. 1 A LETTER TO A.H. ESQ; CONCERNING THE STAGE (1698) and THE OCCASIONAL PAPER: NO. IX (1698) With an Introduction by H. T. Swedenberg, Jr. The Augustan Reprint Society September, 1946 Price: 75c Membership in the Augustan Reprint Society entitles the subscriber to six publications issued each year. The annual membership fee is $2.50. Address subscriptions and communications to The Augustan Reprint Society in care of the General Editors: Richard C. Boys, University of Michigan, Ann Arbor, Michigan; or Edward N. Hooker or H.T. Swedenberg, Jr., University of California, Los Angeles 24, California. Editorial Advisors: Louis I. Bredvold, University of Michigan, Ann Arbor, Michigan, and James L. Clifford, Columbia University, New York. INTRODUCTION In the spring of 1698 the rumblings against the excesses of the English stage broke into a roar with the publication of Jeremy Collier's _Short View of the Immorality and Profaneness of the English Stage_. A wild joyousness marked Collier's attack, and at times it seemed as though the zeal of the Lord had eaten him up. But he was no enthusiast without plan or reason. A man of some learning, he used it for all it was worth to confound the playwrights and the critics. Collier was careful to make good use of accepted and honored critical principles. He contended that the purpose of the stage is to instruct; he argued for poetic justice; he discussed the unities; he spoke of propriety of manners and language; and he warned of the danger of fancy's overriding judgment--"the Fancy may be gain'd, and the Guards corrupted, and Reason suborn'd against itself." Unfortunately for Collier, however, such argument from reason and critical theory was only part of his book. He pretended to be attacking the current excesses, but a reading of his entire book gives the definite impression that he was really opposing the stage as an institution. His enemies were quick to point this out. He also weakened his argument by finding bawdry where there was none, overlooking the many unquestionably off-color passages in the Restoration plays. Furthermore he was extremely touchy about the clergy, arguing violently that no priest should ever be satirized. In short, Collier weakened a strong position by immoderate demands and contentions. After a short, uneasy silence, the defenders of the stage began to answer. By the end of the summer, ten rejoinders had appeared, among which was the anonymous _A Letter to A.H. Esq; Concerning the Stage_. The initials in the title have been identified as those of Anthony Hammond, pamphleteer, small poet, and politician, whom Bolingbroke characterized as "silver-tongued Hammond." Charles Hopkins has been suggested as the probable author of the pamphlet (E.N. Hooker, _Modern Language Notes_, LIV [1939], 388). Hopkins was a wit, a friend of Hammond, as of Dryden, Congreve, Dorset, Southerne, and Wycherley, a clever fellow who loved the bottle and the ladies so much that, according to Giles Jacob, he died at 36, "a Martyr to the cause." _His Epistolary Poems_, published in 1694, had been dedicated to Hammond and had included an effusive poem addressed to him. Some other wit among Hammond's friends might have been the author of the pamphlet, however, for Hammond yearned for immortality through the works of others and frequently asked writers of his acquaintance to mention him. Whoever the author was, he spotted the weaknesses in Collier's arguments, at the same time pointing out the essential usefulness of the _Short View_ as a corrective. He was not particularly original, for many of the points he made were considered public property by writers in the controversy. Thus, along with Dennis and others, the writer admitted the necessity for reform, but opposed Collier's apparent desire to abolish the stage. He pointed out the fallacy of Collier's argument from the authority of the church fathers and the absurdity of his contentions about the ridicule of the clergy. And using ancient doctrine, he defended the stage as an instrument of instruction in manners and morals. Of particular interest is his belief that the stage had contributed to the improvement of the language, especially in dissuading the clergy from a fantastic, conceited rhetoric. The fury of Collier's attack seemed to dull the wits of the defenders of the stage. Too often they allowed themselves to be drawn into quibbling over trivialities. None of them distinguished himself with a brilliant answer. With the exception of Dennis's _The Usefulness of the Stage_, the _Letter to A.H. Esq._ is as suave and sensible as any of the answers, and considerably better then many. Among the pamphlets taking the part of Collier was _The Occasional Paper: Number IX_, attributed to Richard Willia, Chaplain to William III and later Bishop of Winchester. In this paper the approach of literary criticism is abandoned completely, the author feeling that the controversy over the stage has already been obscured by wit and learning. He concerns himself with religion and morality, and argues the danger of going to plays. Though he admits that good plays are possible, it is clear that he considers the stage a bad influence upon Christians. Collier might veil his true attitude toward the theater, but Willis makes no pretense of hiding his. Plays are bad. The _Letter to A.H. Esq._ was announced in the _Post Man_ of June 11-13, 1698; _The Occasional Paper: Number IX_ was noted in the same journal for May 19-21, 1698. The copy of the _Letter to A.H. Esq._ reprinted here is owned by the University of Michigan. _The Occasional Paper: No. IX_ is reproduced by permission of the The Huntington Library, San Marino, California. H. T. Swedenberg, Jr. University of California, Los Angeles A LETTER TO A.H. Esq; Concerning the STAGE. LONDON, Printed for A. Baldwin, near the Oxford-Arms in Warwick-Lane, 1698. (I) TO A.H. Esq; &c. SIR, Forgive me if I think it Ill-nature in you to leave the Town, at a Time when it wants your Company, and seems to beg your Assistance: How can you propose to live at Ease in the Country, when so many of your Friends, the Wits, are engag'd here in open War? Let Mr. _Collier_ say what he pleases of Mr. _Dryden_, I begin to think 'twas his prophetick Genius mov'd him to declaim against Priests; and there is great reason to complain of their being the Incendiaries of the People, when they set the World on fire by Preaching, which they were only sent to warm. But what can Mr. _Collier_ mean by exposing the Stage so? he wou'd not surely have it silenc'd: That wou'd be a little too barbarous, and too much like Cant to be entertain'd by Men of Thought or Ingenuity. I wou'd rather suppose he design'd a Reformation; and that is so reasonable, I wonder any Man should put his Face in disorder, or study a Revenge for the Attempt. But it may be ask'd, Cou'd he not have done that without exposing so many great _Genius_'s? Had it not been better to have let Mr. _Durfey_ alone? Tho' even this Method wou'd not have pleas'd every body; for whate'er Effect it has had on Mr. _Vanbroug_ and _Congreve; Motteux_ and _Guildon_ resent it to the last degree. Is their nothing in their Works Illustrious, or that cou'd merit Censure? Indeed some People are not to be reclaim'd by Ridicule; and Mr. _Collier_ knowing their Vertues, with how much Compos'dness and Resignation they can bear a Hiss, out of Compassion, took Example by the Town and neglected both. It is the Observation of some, That whereever the State flourishes, the Theatre has never fail'd of Encouragement; and that 'tis hardly possible the State shou'd suffer without the others sinking in its Reputation. It is Pity that _England_ shou'd be the only Exception, and since we have some of our Nobility, who have a Taste of Eloquence, and all those Vertues which adorn the Stage, that It shou'd want their Assistance by whom it was at first rais'd, and since maintain'd: If it has fallen from its Purity, or never arriv'd to what they fully lik'd, let it not want their Countenance, without whom 'tis impossible to be any thing at all, and by whom it may become all that we can wish. They alone can free it from Contempt and Censure, by maintaining such an Awe, that the least Glymps of Profaneness and Immorality shou'd not dare to appear on the Stage; and this may be done by encouraging none but those who write well: for when a good Poet takes on him to instruct, we need fear no Immodesty; for 'tis impossible in a Regular Play, he shou'd find room for an Indecency. I know you'll ask, Why shou'd I appear so zealous in desiring the Favour of the Nobility for what is deny'd to be lawful; and that I ought not to wish an Encouragement of the Stage, when 'tis affirm'd that from Thence we derive our Corruption of Manners. Mr. _Collier_ has endeavour'd to prove this from the Looseness of some of our Plays, and then has brought the Opinion of the Fathers to condemn the Theatre in general. As to the _First_ Objection, _That the Debauchery of the Town is to be attributed to the Looseness of our Plays and Stage_. If this were true, it is an Objection only against the present Corruption of the Theatre; and is of no force against a regulated Stage; for that admits of nothing Immodest or Immoral. As to the _Second_ Objection brought from Councils and Fathers, if what is quoted were really design'd by them against the Theatre in general, yet it can have but little effect with the People, I mean the Men of Probity and Learning; for they are not to be mov'd by the Opinions of others no longer than those Opinions are agreeable to Reason: No Man ought to pay such a Respect either to Councils or Fathers, as to submit his Judgment contrary to his Reason. Their saying so in this Case ought to have no more effect with us than if they had at the same time given us their Opinion of the Truth of _Transubstantiation_. I think the Matter ought to be disputed by it self; for the Opinion of the Fathers cannot alter the Nature of the Thing. Sir, give me leave to make this Digression: 'Tis my Opinion, even in Matters of Religion, the preaching up the Fathers so much has been of fatal Consequence. If we run out of our selves to search for Truth, we are expos'd to be deceiv'd; and relying too much upon another's Judgment, may be the occasion of an Errour in our own. A false Quotation or Interpretation by a Man of some Figure, to an easie Credulous Bigot, has been the Conversion of a great many, and of excellent Service in the Church of _Rome_: They cannot attack any without a Father or Council, and that to a Person who knows nothing of the matter, is as good as a Demonstration. The Fathers were but Men, and as capable to be deceiv'd as others: And I do not know why the Bishop of _Worcester_ may not deserve an equal Esteem; he understands the Languages, and has as much Sincerity as any of them; and why then shou'd he not be able to give the Sense of the Scripture as well. I have a Veneration for them as good Men, and where their Opinion is a Consequent of true Reason, it ought to be embraced; but where 'tis not, I need not say it ought to be rejected; and I think any Man may be allowed to dispute whether it be so or no. The Bishop of _Worcester_ cannot publish a Book, but you'll have an Answer to it. It would indeed be of Reputation to the Councils and Fathers, some of them at least, if what were objected against them were of no more force. His Philosophy is too rational to be weak'ned by Sophistry, his Divinity too solid to be shook by Heresie: He seems to have been predestinated to Glory, and the appointed Instrument to deliver us from Popery, Atheism, Deism, and Socinianism, with all those spurious Sectaries which have been spawned into the Worlds: What can resist the Power of his Arguments? And who is able to abide his Force. But to return, I think the Controversie, in short, is this: _Whether the Allowance of a Theatre in a Christian Country, is consisting with the Christian Religion._ The Answer to this Question may be this: That whatever is approved by lawful Authority, and is not against any positive revealed Law of God, is consisting with the Christian Religion. Now it lies upon the Adversaries of the Stage to prove, That the Theatre is against Law or Scripture. 'Tis unfair to take the advantage of the present Corruptions, and cry down the Stage, because Men make an ill use of it. The Priests Won't allow this Argument in another Case; and I think an ill Poet is no more an Objection against the Stage, than a Clergyman's being a Blockhead, is to the Pulpit. 'Tis our Misfortune to have too many in both Vocations; tho', as bad as the Stage is, I don't doubt but the World has receiv'd a great many Advantaged from it. I shall name you some, and the first may be the reclaiming the Manners of the Clergy. 'Tis certain, since the Stage has used the Gown freely, and the Laity have not been afraid to look into their Faults, that they are more humble, and less publickly vicious: They know if _Tom D'urfey_ can light upon a frail Priest, he won't scruple to expose his Infirmities, tho' he is not the only _Whipping Tom_ of the Stage; if they had not others to fear, they wou'd soon grow too many for him. I believe they wou'd be angry, if they thought the People gave the Honour of their Reformation to the Stage; tho' you can't believe otherwise, if you consider the difference of the former and present Clergy, what a strange alteration there is where the Knowledge of Plays have come (I wou'd be understood only of those who needed a Reformation) There are now, and have always been, Men among them able and fit to give Laws, and from whom the World was glad to receive them, who appear'd as burning and shining Lights in their Generation; and it was from them we learnt the difference; it was their Light which expos'd the other, and the Stage only took their evil Deeds, to shew them truly the Evils of them. But besides their Reforming of Manners, the Stage has taught them to speak English, and preach more like Ambassadors of their great Master. It has taught them to argue rationally, and at once mended their Stile, and Form of their Sermons. How did Religion labour under heavy Language, and how many People rather absented the Church, than come to hear the Word of God Burlesqu'd? In what a ridiculous Dress did Religion appear? When to spin out the time in old Proverbs, and wretched Puns, a Fellow wou'd run it up to _Six and thirtiethly_, before he came to his _Use_ and _Applications_. In short, the Drunkenness, Whoring, Insolence, and Dulness that has appear'd under a Black Coat on the Stage, have made the Men of the same Colour of it keep within Bounds: And that a Man might not teize them with the Representation, they have endeavour'd to appear in as differing a Form as possible. If what Mr. _Collier_ says was true, That when a Clergyman is brought on the Stage, it is with a design to ridicule the Function, it wou'd be abominable, and as bad as the Town is, wou'd be hiss'd off the Stage. I dare say, whatever the Intention of the Poet is, 'tis not receiv'd so by the Audience. For at this rate, every foolish Peer who Is brought on the Stage, must be suppos'd to intend a Reflection on all the Men of Condition; and an Alderman, who is a Cuckold, must be look'd on as the Representative of his Brethren. 'Tis absurd to make no distinction; as if a particular Vice in a particular Man, cou'd not be expos'd without a design'd Reflection on all who belong to him. It ought to touch no body but whom it concerns; and it has its end, if it reclaims where it was design'd, and prevents others, by shewing the Danger: And this is the Design of Comedy. But the Question is, Whether our Poets have managed it as they ought? Whether they have not pick'd out a particular Person, and expos'd the Character in general, under the Notion of one Man? I answer to this, That whatever the Design of the Poet has been, it has not had the effect with the People: For who disbelieves the Authority of their Function, or thinks the worse of Good, Learned, and Ingenious Men among them? Are not the Religious very much reverenc'd? Has any Body thought the worse of _Stillingfleet_, _Tillotson_, and _Burnet_, upon this Account? Who can believe, that when Mr. _Vanbroug_ disguises a Parson, that he thought of these Men, or any who lives soberly, and makes Religion their Business, and at the same time, don't make it inconsistent with good Manners? The Good among them know the People love them, and that nothing but their own mis-behaviour draws them into Contempt. Any Minister, tho' he was but of mean Understanding, yet if he had other good Qualities, if he liv'd soberly, and did his Duty religiously, that ever such a Man was pickt out to be the Scandal of his Neighbours, or a Ridicule of the Stage. Whence is it then, that the Clergy are so angry? If you hook but one of them, all the rest are upon your Back, and you can't expose his Vices without being an Enemy to the Church: And in this, _Priests of all Religions are the same_. But after all, why shou'd Mr. _Collier_ blame Mr. _Dryden_ for making _Dorax_ exclaim against the _Mahometan_ Priest? Or how can that be a Prejudice to the Character of the Christian Clergy? Is it not natural for such a one as _Dorax_ to say as much, and especially against such a one as the _Mufti_ in the Play? And does Mr. _Collier_ blame Mr. _Dryden_ for writing naturally? I think it is a Fault throughout Mr. _Collier's_ Book, that in his Criticisms of the Plays, he never considers the Person who speaks; that is, Whether 'tis not natural for a Man of such a Character, to say such a thing? It wou'd have been of more Service to have proved, That no Person is to be brought on the Stage to say an ill thing, and then he had thrown away all the Profaneness, which is so much an Offence, at once. But if such Persons are to be represented, there is not so much Reason against any of our present Plays, as is urg'd by Mr. _Collier_; for you must allow a Coquett to talk like her self, a Lover to vent his Passion in Raptures, and a Rake to speak the Language of the Town. I have already told you, That I am far from vindicating the present Stage. I don't know a regular Play, or that ought to be represented on a regular Stage; yet I know a great many Plays that I would not loose for want of that Regularity. Who wou'd not have Sir _G. Etheridge_, Mr. _Wicherly_, and even some of Mr. _Dryden_'s Plays? Who would reject the _Orphan_, because Mr. _Collier_ objects against a loose Speech in it. But Mr. _Collier_ has laid other things to the Poet's Charge besides the Abuse of the Clergy; and that the profane Characters in the Play, has had an ill Effect on the Age, by promoting of Immorality and Vice. This I very much question; for I can't apprehend so much danger even in the present Stage as Mr. _Collier_ wou'd suggest. The greatest Faults of our Plays are their being generally, in one part or other, unnatural: That which is regular in any of them can never be an Offence; and where that Monster appears, it rather frightens than allures; so that we are not in so much danger, even from our very bad Plays: For the more monstrous, the less Power it has to please; and whatever looses the Power, can never do much damage. So that if Mr. _Collier_ should make a Collection of _D'urfey_'s Works, who is there that wou'd become a Convert? And who wou'd turn Parson to be drunk and beat the Watch? Or who wou'd be proud of an Imitation of any of his Heroes? Has any Body brought themselves under his Character, in hopes to recommend them to the World? It would be happy if the World had learnt no more Irreligion from the Pulpit than it has from the Stage; at least, the Consequence of the first has been more fatal. What dismal Effect has the holy Cant had upon the Multitude: What Rebellion, Blood-shed and Mischief have been encourag'd under the Name of _Sanctity_, _Religion_, and the _Good old Cause_. Whoever learnt to cut a King's Throat by seeing of Plays? But by going to Church, the People were instructed to _bind the King in Chains, and his Nobles in Fetters of Iron, That the Kingdom ought to be taken away, and given to the Saints_; And who wou'd not be a Saint for such an Inheritance? Who cou'd refuse resisting of Authority, when instead of _Damnation_, it was _coming forth to the Help of the Lord against the Mighty_? But this is but one Mischief of the Pulpit; this is only putting a Kingdom in Civil Broils, intestine Wars, and unnatural Murthers. But when Men of debauch'd Principles shall become the Teachers of the Nation, what may we not expect from their Industry and Sedition. After all, my Lord _Foppington_ was never design'd to teach People to speak or act like him; nor was it intended that the Ladies shou'd be byass'd by the Example of _Berinthia_ to turn Coquetts. These and the like Characters in other Plays, are not propos'd as a Direction for the _Gallant Man_, or the _Vertuous Lady_; but that seeing how such Persons behave themselves on the Stage, that they may not make the like Figure in the World; but if any body shou'd rather be in love than terrified by these Examples, 'tis their Fault, and not the Poets, since the best things are liable to Corruptions. But it may be objected, That our Poets don't make Persons speak like themselves. That indeed is a Fault, and I can't say any thing to excuse it but this; That they who, have the Judgment to know when a Poet speaks improperly, ought to have so much Judgment, as not to be byassed by his Irregularities: The People who don't understand it, generally suppose, that what is Vertuous is to be imitated, and what is Vicious is to be avoided. That this is the general Observation of those who frequent Plays, may justly be inferr'd from the Practice of the Town: For I challenge any Man to prove, That any one Vice, now in being, took its Rise from the Stage. The Stage takes Examples from the Town. The Scene must be really acted in the World before it comes to be expos'd: So that whatever appears Vicious or Ridiculous, is owing to the Wickedness of the Times, and not to the Theatre. It may be objected, That what is generally acted on the Stage, if it was done before; yet it was done in private, but the Stage publishes it. To this I answer, That it does not intend to license it, only to set it in a true Light, that it may be expos'd and shunn'd. As to those Objections, That the Actors are generally debauch'd, and of leud Conversation; and that no Person who is a known Adulterer, or Profane, ought to be encouraged. That the Play-house is a Resort of vicious Persons, and gives Opportunity to such who have wicked Inclinations. All these wou'd fall upon the advancement of a regular Stage; but as 'tis, the Objections are not levell'd Right; for the State is chargeable with the Immoralities. There are Laws for the Punishment of Vice; and if the Magistrate neglect his Duty, he must answer for it. I don't know that any body is oblig'd to a Conversation with the Players; and their Lives can influence only their Associates; and such they wou'd find, whether they are Players or not. When they are on the Stage they are confin'd to the Poets Language: And if we shou'd see Mr. _Powel_ acting a Brave, Generous and Honest Part; or Mrs. _Knight_, a very Modest and Chaste one, it ought not to give us Offence; because we are not to consider what they are off the Stage, but whom they represent: We are to do by them as in Religion we do by the Priest, mind what they say, and not what they do. Tho' the Stage is not so abandon'd but that there are some Honest and Vertuous, for any thing the Town can say to the contrary. And I wou'd leave it to themselves, whether they don't find their Account in it; whether the Town is not more favourable on any Occasion; so that it ought to be an Encouragement to persist in their Vertue. The Objection against the Play-House it self, because it gives Opportunities for Wickedness, is so trifling, it is hardly worth answering, for they who are viciously inclin'd will find an Opportunity; and as long as the Toleration Act is in force, there is never a Meeting in Town but will afford extraordinary Hints of that kind; the Morning and Evening Lectures are precious Seasons, Mr. _Doelittle_ may thresh his Heart out, there will be Tares among the Wheat; and those Houses are haunted with a sort of Spirits that are not to be cast out with Prayer and Fasting. I think from the little I have said, it is certain the Town has not been debauch'd by the Stage, and that 'tis much easier to demonstrate the Good, than prove the Evil Effect even of our bad Plays. I have shew'd that there has been a Vertue in them; and we might very well pardon them if it were only for that one Benefit, of being so serviceable to the reclaiming of the Clergy. If they can give me an Instance of any Play, whose Vices have had so ill Effect with the People as to counter-balance the Good it has wrought in them, I shou'd set my self against the Stage too; but then as to other Advantages which we have receiv'd from the Plays of the first Rank, we are certainly very much in debt to them. The Refinement of our Tongue is principally owing to them; Good Manners and good Conversation is owing to our Comedy; and I don't doubt but some of our Tragedies have fired some with a Greatness of Spirit, and taught to act the Hero with Prudence, Vertue and Courage. I shall conclude this part of my Letter with this Observation, that if the present Stage has not been so terrible an Enemy to Christianity, but on the contrary, has afforded a great deal of good to the World; that a Regulated Stage wou'd be of infinite Service to the Nation. I have proposed it as an Argument in Defence of a Regular Stage, that it lies on its Adversaries to prove it against Law or Scripture, and so might leave it justify'd till some Person or other make the Discovery to the World: But because 'tis my Opinion 'tis utterly impossible, I shall give you some Reasons why I think it not only lawful in it self but very necessary in this populous City. And, First, if we consider the Matter that ought to be represented, whether it be Tragedy or Comedy; there is nothing in either that can offend Religion or Good Manners. Tragedy is a Representation of an Action by some Great Man, teaching us to regulate our Passions with exactness, and by shewing the strange and differing Accidents of Life, to which the most important Persons are subject; proving to us that Vice never goes unpunished; and that true Happiness does not chiefly consist in the Enjoyment of this World. Comedy is a Representation of common Conversation; and its Design is to represent things Natural; to shew the Faults of Particular Men in order to correct the Faults of the Publick, and to amend the People thro' a fear of being expos'd, with this Observation, That the Ridiculous of the Stage is to be only a Copy of the Ridiculous found in Nature. In short, 'tis the Property both of Tragedy and Comedy to instruct: The Characters in both are to be Natural; and the Persons concern'd in the whole Action, are to be such whose Vertues ought to provoke us to an Emulation, or whose Vices ought to deter us from imitating their Example, The Language and Sentiments are to be suitable to each Character: A Wife, Good, and Great Man is to say nothing but what is natural for such a one to say: The Gallant Man is to appear with all the Qualities of a Man of Honour: and the Fool in his proper colour'd Coat. The Vices of the Wicked are not to be represented so nicely, as punish'd severely; that is, a Vicious Person is not to be allow'd to plead in favour of his Vices, or to represent his Villany so calmly as to tempt any Man to try Practices in another Place. Vice is only to be brought there to be condemn'd, and the reason of this is, that our Terrour may be excited, and all our Passions vent themselves with Strength and Reason. Our Pity is not to be extended in a wrong place. In short, The Disposition of the play is to be such that all the Characters have a proper Effect with us. Our Fear, Love, and Anger are to be exerted with Justice; and we are to learn from a just Fable how to behave our selves in earnest. Thus may we exercise our Souls by examining our reasonable Faculties, and try how we can love to extremity, and yet without a Fault; to be angry and sin not; to be just without partiality, and rejoyce with them that rejoyce. We are there instructed to Love, Hate, and Fear within measure, how we may be Men without debasing our Souls; and all this by moving Examples, which in spite of Stubbornness, will force its Impressions; and 'tis our own Fault if they are not lasting. This certainly must recommend the Stage to the Vertuous; and Piety can't be offended at the decent reproving of Vice, and the insinuating recommendation of Vertue. Here we find Morality urg'd by Precept and Example, and the Stage reprehending those Follies which the Pulpit wou'd blush to correct; for tho' the Church is the Place to declaim against Sin, yet there are some sorts of Wickedness which can't be so decently reprov'd there; so that the Stage is serviceable on this account, to supply the Defects of the Pulpit. In short, whatever may be objected against the present management of the Stage, is of no force against such Proceedings as these. Religion and Morality can receive no Damage here; for as long as these Rules are observ'd, they strictly include both. It was the Opinion of a great Master of Reason, that Tragedy conduces more to the Instruction of Mankind, than even Philosophy itself, because it teaches the Mind by Sense, and rectifies the Passions by the Passions themselves. And there is this further Advantage, that we have always the Example of great Men before us, and are generally inclinable to take our Manners from them. There has indeed Authorities been produc'd against the Stage, tho' there don't want as ancient Advocates for it; and some of the Fathers themselves writ Plays, however Mr. _Collier_ came to forget it. If the Theatre is capable to give us such Advantage, it will easily be prov'd of what necessity there is for its encouragement in this Populous City: If there were no Politick Reasons, yet the Good to Religion that may be done by it, is a convincing Argument at once for its Lawfulness and Use. I know the Gravity of some can't dispense with so much time to be spent in Diversion, tho' I can't think this a reasonable Objection where so much Profit may attend our Delight. If it be lawful to recreate our selves at all, it can never be amiss to frequent such a Diversion, that only takes up our Time to make us wiser. I wou'd to God all of them were directed to the same End. No Man is to employ himself so as to exclude the Duties of Religion; and there is as much danger in minding too much the Business of the World, as the Pleasures of it; both of them are to be kept within bounds, and both subservient to Religion. The Passions of Men are active and restless; and 'tis the Prudence of every State to encourage some publick Exercise to keep them at quiet. If the Theatre was down, the Churches wou'd not be the fuller for't. Or if they shou'd, Religion is not always the design of them who come there; so that I cannot see that any thing can be allow'd for the publick Diversion with so much Innocence and so much, Advantage. I'm only afraid that such a Regularity wou'd be too Vertuous for the Age; and I don't doubt but the Beaux and Poetasters wou'd be full of Exclamation: For it wou'd be a dreadful Time if the Ladies should regard the Play more than their Beaux Airs; and how wou'd _Vanbroug_ be able to pass a Comedy on them, if they shou'd once be so nice in their Taste as to disgust Obscenity; this indeed wou'd be a Vexation, and such a Delicacy which Mr. _Congreve_ cou'd not be pleased with: And if the Town shou'd be so refin'd to admit of nothing but what is Natural, we can't expect that ever he will gratifie us with another Tragedy. _Durfey_ and _Motteux_ wou'd write no more Farces; _Guildon_ and _Tom_. _Brown, &c._ wou'd be the Saints with wry Mouthes and scrue'd Faces: Mr. _Guildon_ indeed has Philosophy enough to support himself under such a Calamity, and knows a Method to prevent starving; for who can think that he who writ _Blunt_'s Life can be at a loss for a decent dispatch of his own? 'Tis a deplorable Case, indeed, and I pity a Man who cannot get Bread by Writing, and yet must beg or starve without it. The Prince of _Conti_ believ'd the _French_ Stage wou'd not have been so bad if the Priests had begun sooner to declaim against it: It is possible that some of our Defects may be owing to such a Negligence. However 'tis never too late to mend; and since Mr. _Collier_ has took up the Cudgels, I wish the rest of the same Coat wou'd so far as is just and reasonable, stand his Second: He has his Faults, but they are such as I wou'd not have lost his Book for. I know there are some violent Wits, who will not allow him either Wit or Style, but, in plain terms, to be a Fool. I hope none of them will go about to prove it. I confess he has kept ill Company of late; but surely they don't ground a Conjecture upon that, especially when a Man only converses to convince. The naming Mr. _Durfey_, or examining his Works, is not so contagious as to stain a Man's Reputation. We are indeed to answer for evil Communication; and tho' I cannot justifie a Man who wou'd read Mr. _Durfey_ with too much Delight, because we must not set our Affection on things below, yet I wou'd pardon any who wou'd read him only to forewarn others of the Danger. 'Tis a Misfortune to have good Poets stand in need of Assistance; but 'tis very much aggravated when they are deny'd it. A Man who is oblig'd to write for his Bread, is forc'd to be very hasty to prevent starving; And every Man's Genius is not so sharp as his Appetite. This may be one Reason we have so many things appear Abortive. Some Poets have not so much as to save their longing; and if their Muse miscarry, or come with an ugly Mark into the World, are rather to be pity'd than condemn'd. In what Pangs have I seen some poor Creatures to be deliver'd, when at the same time they have fear'd the Poverty of their Brats, and that the World wou'd discover they were very sick in the breeding. A good Poet ought never to want a worthy Patron; and our Nobility and Gentry ought to be Industrious in the Advancement of Letters. They might do it with great ease and little Expence; for the Number is not so great who deserve their Countenance. In vain we complain of the Irregularity of the Stage, if they who cou'd support its Honour, want support themselves: So that one great Step to advance the Theatre, is to take care, that they who write for the Stage, do not want for Encouragement. You see, Sir, I have given my Thoughts freely: I wish they may receive your Approbation; because I wou'd never think but to please you. I dare not now think of excusing any thing I have writ, for I was resolv'd to tie my self to no Method, but to think as much as I cou'd for the advantage of the Stage, which I must believe very lawful, for any thing I have yet met to the contrary. Nor can I be perswaded, that our Plays have had so ill effect as some wou'd imagine. The best of our Plays have nothing in them that is so scandalous; and for the worst, I wou'd not allow them the Credit, nor the Authors the Vanity to think they could influence any one Man. The evil Conversation of some of them wou'd frighten a Man from being vicious; so that they are serviceable against their Wills, and do the World a Kindness through mistake. I dare not stay any longer with you, tho' I have a great Inclination to beg you'd excuse the roughness of my Stile: But you know I have been busie in _Virgil_; and that they say, at _Will_'s, is enough to spoil it: But if I had begg'd a more important thing, and ask'd you to forgive the length of my Letter, I might assure my self you wou'd oblige, Your Humble Servant. FINIS. THE Occasional Paper: Number IX. Containing some CONSIDERATIONS ABOUT THE DANGER Of going to PLAYS. In a Letter to a Friend. LONDON, Printed for M. Wotton, at the Three Daggers in Fleet Street. 1698. SIR, Being well assured that you sincerely desire to live as becomes a Christian, though you are not in Holy Orders; and that your complying with some things in use among those with whom you converse, is rather from a care to avoid being over-nice to the prejudice of Religion, than any want of a due Concern for the Interest of it: I cannot refuse the letting you see all at once, my thoughts of that, which having been at several times discoursed on between us, was never yet brought to a perfect Conclusion. I have always found you doubting the _Lawfulness_, at least the _Expedience_ of going to _Plays, as they are now acted amongst us_; and sometimes you have seem'd to think it did not consist with the Faith of the _Gospel_, considering the Outrage committed there for the most part upon it, in one instance or other. And a fresh sense of this I perceive has been given you, by the late _lively Account of the Stages_, the natural colours of which indeed are so black as to be more than enough to affright those who have any _Fear of Him that ought to be feared_, or any Dread of the Ruin of Men. But for as much as the thread of that serious _Design_ may seem broken too often with Observations of Learning, and Reflections of Wit, to be closely follow'd by those who are either not used to the one, or too fond of the other; the same good End may perhaps be helped forward a little, by setting this matter in a less interrupted Light, and a Simpler View. And if things are as bad as they are there represented apart, looking on them together, you will scarce think those expressions too hard, which in a more large and general State of the Case, you sometimes thought did a little exceed. And very possibly the Zeal of some may have proceeded too far in running down to the ground, all _Diversions of this kind_ without any distinction: Tho' at the same time 'tis easie accounting for that seeming distance between those who agree that _Vertue_ shall be their common Design. For they that are most for condemning these Entertainments, do not deny but some proper Instructions for civil Conduct at least, might thereby be gently instill'd; nor are they wholly against _Unbending_ the Mind, as if they suppose the Spirits of Men wou'd carry them through the Business of Life without any Relief: But they think these, as they stand, are _dangerous Schools_: And, as for _Refreshment_, they see none in that which _unfits_ us for our respective duties. And thus much is granted by those who wou'd shew a regard to the weakness of Nature, and not be over severe upon the Practice of those they think well enough of in other Respects. Whenever you have inclined to savour these _Idle Amusements_, you have set them before you in an Innocent Dress, and contended for nothing but what might _Please_ without giving _Offence_, you never design'd that what was _Prophane_ or _Immodest_, should have your _Protection_; or to allow your self or your Friends a _Conversation_ that was apt to _Corrupt_. You always hoped such _Spots_ might be separated from those things you took in to _Divert_, and when you had made them as clear as you cou'd, you was easie to own, they might still be too freely indulged: For which reason I do not believe we shall differ much when we come to the End. Taking then these _Plays_ at the best, _pure_ from all those _defiling Ingredients_, and _free_ from the blemish of a _Vicious Resort_, a condition so perfect as we never yet saw the _Theater_ in: All this would not make it a Place to be greatly frequented by those, that desire to keep their Minds in a suitable frame. No one wou'd chuse to converse always with _Fiction_ and _Show_, that cared to preserve something _Real_ within; Mens Minds in effect being nothing else but their usual Thoughts, which passing continually through them with repeated delight, are sure to leave their Image upon them; as we can't but observe the _Admirers_ of _Scenes_ to have something Romantick in all that they do. Were we daily to be in the _House_ of _Feasting_ and the soberest Mirth, our Spirits wou'd grow by degrees so frothy and light, that we shou'd not easily bring them to settle again on any thing that was worthy our care: Without something now and then to raise them a little, they wou'd be dull and unactive, but _all_ Relaxation wou'd make them too airy, and of no sort of Use. They wou'd not serve to keep up our Souls from sinking under the pleasures of sense, but so unawares betray us into them, by loosning the strength we have to resist, and improving the Charm, that tho' we supposed the whole Concern of the _Stage_ to set out all Virtuous at first, we cou'd not expect its continuing long in that primitive State, before it run into some foolish Excess. For if Mens coming often and many together, on business, or kind and friendly Occasions, is apt to lay a snare in their Way; Nay if _Societies_ form'd for the very promotion of Virtue; and ti'd to all the Discipline of it, are yet hardly kept from growing irregular: What can we hope from such places of Concourse, where Imagination expects to be rais'd, and the End is Delight? But I doubt we never began so fairly as this, because our present _Corruption_ is greater, than can well be conceiv'd to have sprung from a _Root_ that had at first no _Bitterness_ in it. Was there nothing _ill_ in the _Representations_ themselves, yet there is so much of that by agreement of All, in the Vain _Behaviour of those that are there_; that they must needs be very fond of a _Play_, that can bring themselves to sit often and long in such _Company_ for it. And yet one wou'd think sufficient care had been taken by those on the _Stage_, to heighten and please the most vicious _Tast_. They appear to have study'd all the _Arts_ of an easie _Defilement_, and to have left out no _Colours_ that were likely to _Stain_. And that these may be sure to sink deep enough, their business is to discharge the Heart of all its pure and _native Impressions_, that it may be the better disposed to receive what _Tincture_ they please. Men must here begin to _unlearn_ what their _Parents_ and grave _Instructors_ have told them in the very tenderest part of their care; and learn to suspect some of their first and plainest Notions of things. They are now to be taught how they might _Be_, without a Creator; and how, now they are, they may live best without any Dependance on his Providence. They are call'd to doubt of the _Existence_ of _God_, or if that be allow'd them, 'tis only to question what _Notice_ he takes: His Wise _Providence_ at every turn is charged with _Neglect_, and often not for, that which has something of Precedent, supporting the Wicked, but which is _dreadfully New_ disappointing their _Lusts_. Things they are no longer ashamed of, but publickly own, without so much as pretending to hide them from _God_, whom they are not afraid to treat as blind, or as giving _Consent_. Thus is His _Holiness_ turn'd to the vilest Reproach, his perfect _Knowledge_ mention'd with scoffing, and his infinite _Power_ despised. Had we nothing to oppose to this; but that sense of things which is natural to Us, and which even with all these Arts is not quickly defaced, we could not but stand amazed at such Presumptions as these, in so poor, and ignorant, and short lived a Creature as _Man_; who came naked but lately out of the Earth, and must soon return to that condition again; who finds his sight bounded in every thought, and meets with a thousand stops in all his Designs; who every step that he takes, wants some one to help him, and can scarce avoid being conscious of that Hand to which he ows his Support. And yet as if it was honour to rave, this impotent Wretch must still be daring at something above him, as if he reckon'd it weakness to own of what he was made, and thought any submission too great a price to pay for being preserv'd. This cou'd not be accounted less than a Monstrous _Extravagance_, had we no other _Rule_ than that of _Reason_ to measure it by; and a Man with only his senses about him, would have a horrour to be thus Entertain'd. How then shall he that professes the _Christian Religion_, be able to bear so licentious a Treatment of all that is Good? a little degree of _temperate Zeal_ wou'd turn him against such _Abuses_ as these, and a middle proportion of _Faith_ spread over the World, wou'd keep these Places from being so throng'd in their present State as they shamefully are. They whose Dependence is on them, are so apprehensive of this; that they are very industrious to weaken the force of that _Revelation_ which darts it's rays so strongly against them, and discovers the vileness of that, they wou'd have Men admire. _Redeemer_ and _Saviour_ are Titles bestow'd upon infamous persons, which shews what sense they have of the want of him to whom they belong: And for what they are pleas'd to mention as _Sins_, they are sure to find as slight an _Attonement_. They make very bold with the _Grace_ of God, and crave _Inspiration_ to serve the ends of _Lust_ and _Revenge_: In which that they may have nothing to check them, all _Flames_ but their own are meer _Fancies_ and _Dreams_; the sickly Thoughts of a future Account must be banish'd away, and _Conscience_ dismissed as a weak and _Cowardly_ thing. That nothing may bind it, the Holy _Scripture_ is used as a _Fable_, and at every turn brought out in disguise to be the better exposed: They will allow it to be but one of these two, either _Imposture_ or _Madness_. And they who profess to make it their _Rule_, and to lead others by it, are scorn'd and traduc'd as running into _Frenzy_ or _Cheat_, that no body else may have any regard to them or their way. And when the _Fences_ are thus broken down, what hopes can we have any _Virtue_ shou'd stand without being impair'd at the least? Nor do they stick to pursue their design, but go on overturning the natures of things as fast as they can, and they have met but with too much success. The _Sense of God_ being pretty well laid, the next thing to be sunk is all Respect to Superiours here; A _Prince_ seldom appears to advantage, and 'tis easie to guess what use of this the Subjects will make. Imposing on _Parents_, and despising their Age is made a Mark of Spirit and Wit, and few are brought in _dull_ enough to _Obey_. False Notions of _Honour_ are here proposed as the ground of Esteem, and something of _Wildness_ must go to the gaining _Applause_. To set up for themselves is the first thing young People must learn, and to think it brave to trample on all that stands in their Way: No _Greatness_ like a thorough _Revenge_, nor any Spirit so _Mean_ as that which _forgives_; _Abusing_ those that honestly help them with their _Labour_, or _Goods_, has briskness and _Reach_, and a lively _Cheat_ go's off with more _Reputation_ than paying ones _Debts_. Their _Friendships_ are built upon serving their Pleasures, and so cannot but be as loose as that which holds them together: They who are Constant in breaking their _Vows_, shall here be caress'd as _Faithful_ and _True_; but to shew _Fidelity_ where it is ow'd, is too _formal_ a business for those who have the _sense_ to be _free_, and can relish nothing but what is forbid. This makes them treat all _Regular Love_ with that Stile of contempt, as if keeping of Measures was unbecoming our nature; and it was a shame to have the _Bed undefiled_. They mix with _Marriage_ all the disagreeable things they can find to turn the _single_ against it, and make those that are in weary and sick of so flouted a _State_: To increase their uneasiness under which Holy and Prudent Restraint, wandring Images are dressed up with all possible skill to affect them, and their heads are filled with the ways, of bringing these strange Desires to pass. If this be the Case in the Main, as it plainly appears from the _Account_ above mention'd, and might further be shewn by a very great addition of proof; then whether all this can be found at any one time, or whether some Days may not possibly be pretty clear of it all but what is brought thither, is not very material, more than to determin, what particular _Plays_ should always be chosen by those that will go to Any. For the fitness of allowing this Custom, or giving it any Encouragement, will not depend upon it's not being faulty alike in every Part; but 'tis enough to condemn it, if what has been said is the general Scope, tho' I doubt a Tryal wou'd shew that All offend in one thing or other. Matters, then, being so, you will readily grant that they who go to be pleased, with any of those things which are hardly fit to be named; are wickedly bent, and live to the _Scandal_ of that _Religion_ they still make some shew to profess: Tho' not enough to give any hopes of their being reclaim'd, until we can find them perswaded indeed, that there is such a thing as _Sin_ in the World, which will certainly have its _Wages_ at last. But for those who are satisfied of this, and wou'd be loath to savour so much as the _Appearance of Evil_, they must be beg'd to consider, what _Vows_ they are under, and _whereof they are made_, and How much Weaker still many _Others_ may be, and What _Mankind_ must come to in time if this _Humour_ prevails, and How much the _next Life_ must be at this rate more wretched than this! Who that reflected what it was to _Renounce_ the _World_, the _Flesh_, and the _Devil_, wou'd play with the sharpest Weapons of these, and offer themselves to such apparent _Danger_ in _Sport_? there's not one of these _Enemies_ but know how to take the utmost advantage, and will be sure to hit all the Blots that they give, they cannot without receiving some hurt, be so much as a Minate off from their _Guard_; and sure they do not come hither to _Watch_. Who that had engaged to believe the _Christian Faith_, cou'd be content to see it exposed in every branch? To have their _Lord_ and _Master_ affronted for pretending to _Save_, and his _Ministers_ scorn'd for the work he gave them to do! to hear a _Moment_ preferr'd to the hopes of Eternity, and the _Judgment to come_ thrown off with a Jest! Who that had promised _Obedience_ to God in all his Wise and Holy _Commands_, would bear the seeing them not only broken with ease, as often as Mens Inclinations rose up against them, but charged as unconcernedly too with harshness and folly! Their _Souls_ one wou'd think shou'd be _vex'd_ at such daring _Impieties_, and their _Spirits stirr'd_ in them to see such Vices Adored; to find _Lewdness_ vaunting it over Religion and Virtue, and usurping their place in a bold recommending itself to the affections of Men, with all those Advantages God design'd for the Adorning of Things that were really Good. And who wou'd lightly endure all this, that from their Vows went on to reflect of what they were made? I suppose they wou'd find as they often complain, that they are Weak and Infirm, that while this _Flesh and Blood_ is about them, their _Souls_ are heavy, apt to decline, and seldom continue long in one posture and stay; that the World is upon them where ever they go, and the Devil busily marking their steps in every Path. That their _Faith_ wavers upon many Surprises, their _Hopes_ languish, and their _Fervour_ decays; that in such cold seasons as these, their Spirits move but stiffly about, and seldom rise into any earnest petitions for Grace, but sink under the burden of _Prayer_, or steal away to some Trifle, or other for a little Relief. That in such cases they have no _Heart_ to go on with the rest of their Duties, all the Commandments of God growing grievous upon them, and _Repentance_ beginning to have a discouraging face: That they know not how to follow their Master, wheresoever he goeth with all this Oppression, the _Cross_ being now too much for them to take up, and they feeling now no _Ease_ in his _Yoke_. And when they often find it thus to their grief, even where they think they take care to prevent it, wou'd one ever believe they shou'd act, as if they desir'd these Gloomy Returns, or thought the present Light they enjoy'd cou'd never be obscured again? How shall we do to think them sincere in their daily bewailings of _Human Infirmities_, while they continue to lay new weights on their Nature, as if the common Occasions of Life afforded not tryal enough for their faith, unless they call'd in _Temptations_ to prove how much they coul'd bear? Wou'd they that desired to be _fervent in Prayer_, and _attend_ on the Lord with as little _Distraction_ as their State would admit, fill their Heads with a crowd of extravagant thoughts, and run to see _Devotion_ it self ridiculed, as if nothing was in it but Solemn _Pretences_? Or wou'd they that proposed to have their _Affections_ in order, and their Appetites calm, chuse to thrust in themselves, where _Moving the Passions_ is the business in hand, and such things are rendred inviting, to which the Heart is but too much inclined? It cannot sure be safe for any to let _Errours_ come often before them in such shapes, as may make them wish they were true. It must needs enfeeble their Minds, to have those Spirits divided that want to be fixed; and to converse with _loose Manners_ brought down into fashion, and dress'd up with intent to deceive, is much too great a hazard to run in that little ground that is left to hope for the grace and assistance of God, where his _Spirit is griev'd_, and his _Being_ deny'd. And it is to be feared that they who come freest from any of that Pollution, which is in such quantities scattered there, have at least some dust to wipe off before they get home: 'Tis hard staying so long in such a Cloud of black vapours and smoak, without having so much as a soiling remain; great odds it is, but something will stick for a sober reflection to banish, and a Prayer to correct. And who is there that wants more work of that nature than He has already. But tho' these shou'd be well enough armed to go away as clear as they came, yet Methinks they shou'd have some concern for the _Weakness of Others_, and the heat of their blood, as not to lead them into so _Contagious_ a _Place_. All that go thither as yet uncorrupted, are not however so fully prepar'd, as to be above taking any Infection: Their Experience is little, and their Aversions to Evil but imperfectly setled; that it can't be expected they shou'd be proof against all the Assaults that are made in a pleasing Disguise. That _Root of Vanity_ that secretly twists it self with their natures, is drawn out by degrees, and they are carryed on to the hopes of their _Liberty_ and of being _Admired_. Now were they to find no Company here, but such as were lost to good manners and shame, they wou'd suspect some deceit in the whole, and look well to themselves: But going under the shelter of many that have names for Religion, and I trust have it indeed; they are emboldned to think they are very secure, and that there is no need of being so Nice. Thus while those, by whose Example these are encouraged, preserve it may be themselves from the _Danger_ they run; these unwary beholders take all that glisters for Gold, and are sadly betray'd. [Sidenote: 1 Cor. 8, 9, 10, 11, 12.] St. _Pauls_ advice to those that were strong, in another case is so fitted to this, that I cannot forbear the letting you have it at large. _Take heed_ (says he) _least by any means this Liberty of yours become a Stumbling-block to them that are weak. For if any Man see thee which hast knowledge, sit at Meat in the Idols Temple, shall not the Conscience of him that is weak, be emboldned to eat those things that are offered to Idols: And through thy knowledge shall the weak Brother perish, for whom Christ dyed? But when ye sin so against the Brethren, and wound their weak Consciences, ye sin against Christ_. And as forreign as this Instance may seem, was there any comfort in drawing the _Parallel_, we shou'd find but too great a Similitude between the _Places_ in question, and the _Idolatrous Temples_; while the other difference that is in the case seems to lie on the side I am writing, that if Christians might sin in the use of their _Liberty_ to the offence of their Brethren, much more wou'd they do so in such a Point as we have before us, where their own Consciences can hardly be clear, as we shall think it more difficult for them to be, if we consider yet further what _Mankind_ will come to at last if this _Humour_ prevails. It is confess'd on all hands, that we live in a sad degenerate Age, and though some have suggested other causes of our horrid Declension, yet most considering People have the fairness to own, that the _Stage_ has gon furthest in running us down to this low and almost Brutal condition; nor will there remain much question of this, if we can but agree what _Corruption_ is. If Exposing Religion with the Persons and things design'd for the keeping it up in the World, will pass for disorder; or if the Increase of Pride and Injustice, Blood and Revenge, are any signs of our being _Depraved_; or if want of Modesty, Obedience, and Love, contempt of Marriage, and neglect of it's Bonds may serve to shew the _foundations_ of things to be at all _out of Course_. I think we have sufficient warrant to lay the confusion at that _Door_, which opens to these. That these things are taught there, and found in the World, can be no way deny'd, and then it is not of any great use to enquire, whether strictly speaking they were at first brought from thence, or carryed thither. For when our Bodies and Minds are much out of order at once, 'tis hard saying where the Distemper began; and the less material to know, when both must have their Cures apply'd, and it is to the advantage of neither, that they go on to hurt one another. If the ill humour does not begin in the place we suppose, it is there at least increased to a head, and thrown out again into all parts of the body, many of which to be sure first have it from thence, tho' they afterwards help to keep up the Spring: And if this pestilent Matter, be not only thus suffered to circulate, but assisted to spread, the _Sickness_ will quickly be _unto Death_. For whatever some fancy, a Nation can never live long without any Religion, nor Religion subsist without some to attend it as their principal Care: So that shou'd it indeed come to pass, that no body minded what Men of this Character said, as these _Teachers_ would have it, Darkness with all it's hideous works wou'd soon cover the face of the Land, and make it fit for the Stroke. We are already almost advanced to the brink of the Pit, by People's unlearning only what once they were taught, of the Honour and Advantage of _Marriage_, and the mutual Duties of Husbands and Wives, which are indeed so grosly forgot, that the Offenders have well nigh made their own Doctrine against it, appear to be true: But then it cannot confuse it self better, then by bidding so fair to destroy all the Comfort and Use of a _Social Life_: For if Mankind cannot indeed be happy in Wedlock, they are in a very deplorable State. It was deservedly thought a Monstrous Error in those that declaimed against Marriage of old, as bringing more Creatures into the World to Sin, and be punished for it; tho' Salvation and Purity were their design: How much then above these are they to be blamed, who wou'd fain bring it into discredit, without any intent to keep Souls from Miscarrying, or set an unspotted life in it's place; but on purpose to spread their _Abominations_ the wider, in defiance of all the Threatnings of God denounced against them, and those they defile. And who then that had any serious concern for the Glory of God, or the welfare of Men in this life or the next, wou'd not stop and consider a while with themselves, how far they shou'd give any countenance to such _Recreations_, as tend to disturb even the best of their present Enjoyments and Peace, and lead to extreme _Despair_ in the _End_? For however Men may with vain words be sadly deceived, _the Wrath of God cometh upon the Children of Disobedience, because of these things_, and when they have mock'd all they can, they will find that He is _a Consuming fire_. Compassion, then, one wou'd think, shou'd work upon those that are good, to discourage by all their Endeavours, such Customs as bring on the ruine of many, and do hurt to the whole, tho' they shou'd have strength to go in, without being tainted themselves: Not that they can pretend to be safe even from taking _Infection_, if once their _Preservatives_ come to be frequently used, and to lose their Virtue, as they will by degrees. At least they will want a great deal of fulfilling the duty incumbent upon them to _Adorn their Holy Profession_, and can hardly assure themselves of their being redeemed from the vain Conversation they had in the World. Those allowances to this, at best, _careless spending of time_, which a little share in it, will bring them to make, cannot chuse but abate a great part of their _Zeal_, and slacken their pace in their spiritual Course; to which these _Entertainments_ are so flat a Reverse, that _Dying daily_, and going to them, set out as they are, can scarce have their good Opinion together. And who then that desired to perfect their natures, by a patient _striving for Mastery_ over their Lusts, and following the _Captain_ of their _common Salvation_ thro' all the Paths of an humble Obedience, wou'd care to appear under so different a _Banner_, and encumber their Souls with more than they need, of what must again be thrown out of their way, or hinder their winning the _Prize_. This being the case, good Christians certainly cannot have the much easier thoughts of such freedoms as these, for not finding them in so many words expresly forbid. Such as these will consider the end and design of the Gospel, and the frailty of Man, and think themselves obliged to be jealous of any fashion that tends to increase the weakness of one, and lessen the force of the other: When this plainly appears to be the Consequence of any Indulgence, they allow it to lay as full a Restraint, as cou'd be set by one or two particular Texts, which a corrupt understanding wou'd be at less pains to evade. And yet if it blemishes any opinion to be Earthly and Sensual, or if _Evil Communications_ are ever the worse for their effect upon _Manners_: If to cherish a _Mind that is at Enmity with God_, and declared to be _Death_, be opposing his Will, and endangering the Souls of them that support the Resistance; Accusations abound against the Custom that passes for so inoffensive a thing. If _casting down Imaginations, and every high thing that exalteth it self against the knowledge of God, and bringing into Captivity every thought to the Obedience of Christ_, be the Warfare of those that wou'd go by his Name; If arming themselves against the _Lust of the Flesh, the Lust of the Eye, and the pride of Life_, be that Task he has set them to do; If a _chast Conversation coupled with fear_, and _letting their Light so shine before Men_, that they may see 'em _do all to the glory of God_, be the duty of Christians; we have places enough to shew them of what importance it is, to withdraw from those that walk so very disorderly, as wou'd not have been in the times of a livelier Faith, allow'd the outward Communion of Saints. Nor is the Case so mightily altered from what it was then, unless it be for the worse; as that we shou'd from thinking them wholly unworthy to come into our _Assemblies_, run flocking to theirs: For what vileness has ever offended the World, which is not exceeded if possible there? Can the Burlesquing an absurd Religion, or Mocking it upon the Stage be so bad as defying one that is reasonable and wise, or paying Honour to _Gods that were not_, be like the blaspheming him that is _True_? This cannot sure in reason be thought, whatever Excuses People may find to palliate that which they cannot find in their Hearts to condemn. Nor is that primitive Spirit so wholly extinct, but that some in our days, and of _that Religion_ which carries more marks of the World, then God be thanked are met with in ours, have dared to appear directly against that vain Practice, which notwithstanding sits easie on many of so much a _stricter Communion_ than theirs. And this Instance is so far from being the worse for coming from _France_, that it is a great deal the more fit to be urged in the present debate. For if, in a Country disposed to a _lighter Temper and Air_, where the _Church_ has greater Corruption, and the _Theater_ fewer, there can yet be whole Bodies of _Casuists_ found, disallowing the sight of their _Modester Plays_; Methinks it shou'd not be thought an Absurdity here, to go about to disswade so _thoughtful_ a _People_ as we reckon our selves, from going to ours which shew so little of that Reformation to which we pretend. [Sidenote: P. of _Conde_. _Vid. traite de la Comedie_.] And least this should seem to be only the sense of some retired _Divines_, I beg leave to observe that the same censure is also pass'd by a _Prince of the Blood_, as highly Esteem'd for his _Learning_ as _Birth_. And I wish his Example were follow'd here, that the shameful _Indignities_ put upon Persons of the _Highest Descent_ by those of the _Meanest_, wou'd stir up some excellent Spirit of that Eminent Rank, to shew them how much beneath them it was, to stoop so low to be thus coarsly entertained: And that it betray'd a want of _Honour_ as well as _Religion_, tamely to see themselves as well as their _Maker_ abused, and to seem pleased with that in a Croud, which said or done before them any where else, they wou'd be obliged to resent as the highest Affront. At least I hope that one way or other, they will be convinced how much it concerns them to put a stop to this Insolent Course, and find out some other _Diversions_, till these at least are reform'd, more suitable to the Christian Religion, and less threatning their Virtue and Fame. And such no doubt may be found, tho' some perhaps will be apt to reply, that, at this way of talking, all are condemn'd. But this I conceive is not fair, nor rightly deduced from what has been said; good reasons I know are sometimes press'd with these kind of Extremities, when Men have not a mind to admit their natural force; and to hinder inferring any thing from them, they frowardly insist on their proving too much: And thus I think it wou'd be in those, who shou'd offer to urge that this sort of arguing puts an end to all kind of Mirth. For are then all Diversions alike? And can there be none without such follies, as no Man in his sense wou'd endure? Must all easie Conversation be lost, unless Men have leave to be loose and profane? And can there be no coming together of Strangers or Friends, but some naked Vice must dance and be praised, or some Virtue made a Sacrifice of, to fill up the Feast? There may very well be, and no doubt but there is, in most Conversation, a great deal of that which shou'd never be there; and this is what one cannot wholly avoid without leaving the World. But can this be reason why we must let People make to themselves new and needless Occasions of Vanity, and lay dangerous snares in the way of unwary People? I shou'd rather think the Argument lay; that since there were so many faults, in all parts of the World and divertion of life, Men shou'd not look out for more of this Trash to offend their Company with, and foment the Disease, but get clear away from all the Infection they cou'd, and lay in a Stock of such agreeable and wholsom provisions, as might enable them to treat others with Safety and Ease, and sometimes to correct the ill humours they found. But then they must not go to such _Books_ and prescriptions for these, as are full of the leaven they shou'd put out from amongst them, and can serve for nothing else but to poyson their Food: To converse with Impiety here, is to give it all the advantage they can, it is to surrender the Mind entirely up to whatever assaults it, without being able to save so much as a stragling thought. For they whose _Closets_ are fill'd with nothing but these, do not even pretend to resist the force they call in, and a good Book standing idly by, will be little security, against the strong Delusions of those they read with concent: And therefore they who wou'd have their own virtue preserved, and see more in the World, must not only avoid ill commerce abroad, but reject it at home, and employ their Retirements in preparing themselves to appear in publick without danger, and to some kind of life. This care, I am sure, of our selves, and this Compassion one of another, God and Nature and the Gospel require; and how much or how little soever others may be affected at this, you Sir, I dare say, will think best of your self, when you tread most in the steps of your _Saviour_, and like him, _go about doing good_: When you relieve the Afflicted, assist your Neighbours, and comfort your Friends; when you please and benefit those that desire to hear you, and Reverence and Kindness and Truth, are the Law of your Tongue. When a meek and quiet Spirit adorns you, and Piety gives the grace to your looks, when your Religious Example shines so lovely and clear, as to draw those after you, to whom it shews the beautiful way, and Vanity has not the face to appear; then, and not much before then, will you think you have made some Advance to Peace and a Crown. In hopes of that desired Success, I am, SIR, Your, &c. FINIS. These sermons preach'd upon several Occasions. By the Right Reverend Father in God, Richard Lord Bishop of Bath and Wells. Remarks upon an Essay concerning Humane Understanding: In a Letter address'd to the Author. Second Remarks upon an Essay concerning _Humane Understanding_; In a Letter address'd to the Author. Being a Vindication of the _First Remarks_, against the Answer of Mr. _Lock_, at the End of His _Reply to the Lord Bishop of_ Worcester. _The Occasional Paper_: Numb. I. II. III. IV. V. VI. VII. VIII. A Guide to the Devout Christian in 3 Parts. By _John Inett M.A._ Chanter of the Cathedral Church in _Lincoln_. A Guide to Repentance, or the Character and Behaviour of the Devout Christian in Retirement. By _John Inett, M.A._ Printed for _Matt. Wotton_, at the _Three Daggers_ in _Fleetstreet_. *** END OF THE PROJECT GUTENBERG EBOOK A LETTER TO A.H. ESQ.; CONCERNING THE STAGE (1698) AND THE OCCASIONAL PAPER NO. IX (1698) *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.