Project Gutenberg
2004-12-30
Public domain in the USA.
101
Boyce, Benjamin
1903
1997
Argens, Jean-Baptiste de Boyer, marquis d'
1704
1771
D'Argens, Jean-Baptiste de Boyer, marquis
Boyer, Jean-Baptiste de (Marquis d'Argens)
Dargens, Jean-Baptiste de Boyer, marquis
Oraison, François d'
Oraison, Francois d'
Persifle, abbé
Persifle, abbe
Mirone, M. de
Derrick, Samuel
1724
1769
Manley, Mrs. (Mary de la Rivière)
1663
1724
Manley, Mary de la Rivière
Manley, Mary de la Riviere
Manley, Delariviere
Atalia
De la Rivière Manley, Mary
Eginardus
Eginhardus, Abbot of Seligenstadt
La Rivière Manley, Mary de
Manly, Mrs. (Mary de la Rivière)
Rivière Manley, Mary de la
Scudéry, M. de (Georges)
1601
1667
Scudéry, Georges de
De Scudéry, M. (Georges)
Scudery, M. de (Georges)
Warburton, William
1698
1779
William, Lord Bishop of Glocester
Prefaces to Fiction
Augustan Reprint Society, publication number 32
Reading ease score: 53.2 (10th to 12th grade). Somewhat difficult to read.
de Scudéry, Preface to Ibrahim (1674)
Manley, Preface to The Secret History of Queen Zarah (1705)
de Boyer, Marquis d'Argens, Preface to The Jewish Spy (1744)
Warburton, Preface to Richardson's Clarissa Vol. III and IV (1748)
Derrick, Preface to d'Argens's Memoirs of The Count Du Beauval (1754).
Produced by David Starner, Richard J. Shiffer and the Online
Distributed Proofreading Team
"Prefaces to Fiction" by Boyce, Argens, Derrick, Manley, Scudéry, and Warburton is a collection of literary prefaces and introductions that provide insight into early theories of prose fiction. Written during the early to mid-18th century, the book encompasses works from notable figures such as Georges de Scudéry, who initiated discussions on narrative structure, and Mary De la Riviere Manley, who critiqued the conventions of her time. The overarching topic of the book revolves around the evolving principles of fiction and narrative form, emphasizing the balance between truth and artistic representation. The book presents a series of prefaces that outline the authors’ thoughts on the art of fiction, character development, and moral considerations in storytelling. Scudéry's preface to "Ibrahim" offers a foundation for narrative structure, asserting that every story should revolve around a central action while maintaining true resemblance to life. Manley's reflections critique the excesses of romantic storytelling, advocating for a closer connection to real human experiences. Derrick's preface continues this conversation by exploring characterization and emotional depth, aligning with contemporary notions of realism. Overall, these prefaces serve as a critical exploration of the artistic and moral underpinnings of fiction, marking an important phase in the development of the English novel. (This is an automatically generated summary.)
en
Fiction -- Technique
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