The Project Gutenberg eBook of Vandover and the Brute
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Vandover and the Brute

Author: Frank Norris

Release date: January 17, 2005 [eBook #14712]
                Most recently updated: December 19, 2020

Language: English

Credits: E-text prepared by Suzanne Shell, Melissa Er-Raqabi, and the Project Gutenberg Online Distributed Proofreading Team


*** START OF THE PROJECT GUTENBERG EBOOK VANDOVER AND THE BRUTE ***


E-text prepared by Suzanne Shell, Melissa Er-Raqabi, and the Project
Gutenberg Online Distributed Proofreading Team



VANDOVER AND THE BRUTE

By

Frank Norris

1914







Chapter One


It was always a matter of wonder to Vandover that he was able to recall
so little of his past life. With the exception of the most recent events
he could remember nothing connectedly. What he at first imagined to be
the story of his life, on closer inspection turned out to be but a few
disconnected incidents that his memory had preserved with the greatest
capriciousness, absolutely independent of their importance. One of these
incidents might be a great sorrow, a tragedy, a death in his family; and
another, recalled with the same vividness, the same accuracy of detail,
might be a matter of the least moment.

A certain one of these wilful fillips of memory would always bring
before him a particular scene during the migration of his family from
Boston to their new home in San Francisco, at a time when Vandover was
about eight years old.

It was in the depot of one of the larger towns in western New York. The
day had been hot and after the long ride on the crowded day coach the
cool shadow under the curved roof of the immense iron vaulted depot
seemed very pleasant. The porter, the brakeman and Vandover's father
very carefully lifted his mother from the car. She was lying back on
pillows in a long steamer chair. The three men let the chair slowly
down, the brakeman went away, but the porter remained, taking off his
cap and wiping his forehead with the back of his left hand, which in
turn he wiped against the pink palm of his right. The other train, the
train to which they were to change, had not yet arrived. It was rather
still; at the far end of the depot a locomotive, sitting back on its
motionless drivers like some huge sphinx crouching along the rails, was
steaming quietly, drawing long breaths. The repair gang in greasy caps
and spotted blue overalls were inspecting the train, pottering about the
trucks, opening and closing the journal-boxes, striking clear notes on
the wheels with long-handled hammers.

Vandover stood close to his father, his thin legs wide apart, holding in
both his hands the satchel he had been permitted to carry. He looked
about him continually, rolling his big eyes vaguely, watching now the
repair-gang, now a huge white cat dozing on an empty baggage truck.

Several passengers were walking up and down the platform, staring
curiously at the invalid lying back in the steamer chair.

The journey was too much for her. She was very weak and very pale, her
eyelids were heavy, the skin of her forehead looked blue and tightly
drawn, and tiny beads of perspiration gathered around the corners of her
mouth. Vandover's father put his hand and arm along the back of the
chair and his sick wife rested against him, leaning her head on his
waistcoat over the pocket where he kept his cigars and pocket-comb. They
were all silent.

By and by she drew a long sigh, her face became the face of an imbecile,
stupid, without expression, her eyes half-closed, her mouth half-open.
Her head rolled forward as though she were nodding in her sleep, while a
long drip of saliva trailed from her lower lip. Vandover's father bent
over her quickly, crying out sharply, "Hallie!--what is it?" All at once
the train for which they were waiting charged into the depot, filling
the place with a hideous clangor and with the smell of steam and of hot
oil.

This scene of her death was the only thing that Vandover could remember
of his mother.

As he looked back over his life he could recall nothing after this for
nearly five years. Even after that lapse of time the only scene he could
picture with any degree of clearness was one of the greatest triviality
in which he saw himself, a rank thirteen-year-old boy, sitting on a bit
of carpet in the back yard of the San Francisco house playing with his
guinea-pigs.

In order to get at his life during his teens, Vandover would have been
obliged to collect these scattered memory pictures as best he could,
rearrange them in some more orderly sequence, piece out what he could
imperfectly recall and fill in the many gaps by mere guesswork and
conjecture.

It was the summer of 1880 that they had come to San Francisco. Once
settled there, Vandover's father began to build small residence houses
and cheap flats which he rented at various prices, the cheapest at ten
dollars, the more expensive at thirty-five and forty. He had closed out
his business in the East, coming out to California on account of his
wife's ill health. He had made his money in Boston and had intended to
retire.

But he soon found that he could not do this. At this time he was an old
man, nearly sixty. He had given his entire life to his business to the
exclusion of everything else, and now when his fortune had been made and
when he could afford to enjoy it, discovered that he had lost the
capacity for enjoying anything but the business itself. Nothing else
could interest him. He was not what would be called in America a rich
man, but he had made money enough to travel, to allow himself any
reasonable relaxation, to cultivate a taste for art, music, literature
or the drama, to indulge in any harmless fad, such as collecting
etchings, china or bric-à-brac, or even to permit himself the luxury of
horses. In the place of all these he found himself, at nearly sixty
years of age, forced again into the sordid round of business as the only
escape from the mortal _ennui_ and weariness of the spirit that preyed
upon him during every leisure hour of the day.

Early and late he went about the city, personally superintending the
building of his little houses and cheap flats, sitting on saw-horses and
piles of lumber, watching the carpenters at work. In the evening he came
home to a late supper, completely fagged, bringing with him the smell of
mortar and of pine shavings.

On the first of each month when his agents turned over the rents to him
he was in great spirits. He would bring home the little canvas sack of
coin with him before banking it, and call his son's attention to the
amount, never failing to stick a twenty-dollar gold-piece in each eye,
monocle fashion, exclaiming, "Good for the masses," a meaningless jest
that had been one of the family's household words for years.

His plan of building was peculiar. His credit was good, and having
chosen his lot he would find out from the banks how much they would loan
him upon it in case he should become the owner. If this amount suited
him, he would buy the lot, making one large payment outright and giving
his note for the balance. The lot once his, the banks loaned him the
desired amount. With this money and with money of his own he would make
the final payment on the lot and would begin the building itself,
paying his labour on the nail, but getting his material, lumber, brick
and fittings on time. When the building was half-way up he would
negotiate a second loan from the banks in order to complete it and in
order to meet the notes he had given to his contractors for material.

He believed this to be a shrewd business operation, since the rents as
they returned to him were equal to the interest on a far larger sum than
that which he had originally invested. He said little about the double
mortgage on each piece of property "improved" after this fashion and
which often represented a full two-thirds of its entire value. The
interest on each loan was far more than covered by the rents; he chose
his neighbourhoods with great discrimination; real estate was
flourishing in the rapidly growing city, and the new houses, although
built so cheaply that they were mere shells of lath and plaster, were
nevertheless made gay and brave with varnish and cheap mill-work. They
rented well at first, scarcely a one was ever vacant. People spoke of
the Old Gentleman as one of the most successful realty owners in the
city. So pleased did he become with the success of his new venture that
in course of time all his money was reinvested after this fashion.

At the time of his father's greatest prosperity Vandover himself began
to draw toward his fifteenth year, entering upon that period of change
when the first raw elements of character began to assert themselves and
when, if ever, there was a crying need for the influence of his mother.
Any feminine influence would have been well for him at this time: that
of an older sister, even that of a hired governess. The housekeeper
looked after him a little, mended his clothes, saw that he took his bath
Saturday nights, and that he did not dig tunnels under the garden walks.
But her influence was entirely negative and prohibitory and the two were
constantly at war. Vandover grew in a haphazard way and after school
hours ran about the streets almost at will.

At fifteen he put on long trousers, and the fall of the same year
entered the High School. He had grown too fast and at this time was tall
and very lean; his limbs were straight, angular, out of all proportion,
with huge articulations at the elbows and knees. His neck was long and
thin and his head large, his face was sallow and covered with pimples,
his ears were big, red and stuck out stiff from either side of his head.
His hair he wore "pompadour."

Within a month after his entry of the High School he had a nickname. The
boys called him "Skinny-seldom-fed," to his infinite humiliation.

Little by little the crude virility of the young man began to develop in
him. It was a distressing, uncanny period. Had Vandover been a girl he
would at this time have been subject to all sorts of abnormal vagaries,
such as eating his slate pencil, nibbling bits of chalk, wishing he were
dead, and drifting into states of unreasoned melancholy. As it was, his
voice began to change, a little golden down appeared on his cheeks and
upon the nape of his neck, while his first summer vacation was
altogether spoiled by a long spell of mumps.

His appetite was enormous. He ate heavy meat three times a day, but took
little or no exercise. The pimples on his face became worse and worse.
He grew peevish and nervous. He hated girls, and when in their society
was a very bull-calf for bashfulness and awkward self-consciousness. At
times the strangest and most morbid fancies took possession of him,
chief of which was that every one was looking at him while he was
walking in the street.

Vandover was a good little boy. Every night he said his prayers, going
down upon his huge knees at the side of his bed. To the Lord's Prayer he
added various petitions of his own. He prayed that he might be a good
boy and live a long time and go to Heaven when he died and see his
mother; that the next Saturday might be sunny all day long, and that the
end of the world might not come while he was alive.

It was during Vandover's first year at the High School that his eyes
were opened and that he acquired the knowledge of good and evil. Till
very late he kept his innocence, the crude raw innocence of the boy,
like that of a young animal, at once charming and absurd. But by and by
he became very curious, stirred with a blind unreasoned instinct. In the
Bible which he read Sunday afternoons, because his father gave him a
quarter for doing so, he came across a great many things that filled him
with vague and strange ideas; and one Sunday at church, when the
minister was intoning the Litany, he remarked for the first time the
words, "all women in the perils of child-birth."

He puzzled over this for a long time, smelling out a mystery beneath the
words, feeling the presence of something hidden, with the instinct of a
young brute. He could get no satisfaction from his father and by and by
began to be ashamed to ask him; why, he did not know. Although he could
not help hearing the abominable talk of the High School boys, he at
first refused to believe that part of it which he could understand. For
all that he was ashamed of his innocence and ignorance and affected to
appreciate their stories nevertheless.

At length one day he heard the terse and brutal truth. In an instant he
believed it, some lower, animal intuition in him reiterating and
confirming the fact. But even then he hated to think that people were so
low, so vile. One day, however, he was looking through the volumes of
the old Encyclopædia Britannica in his father's library, hoping that he
might find a dollar bill which the Old Gentleman told him had been at
one time misplaced between the leaves of some one of the great tomes.
All at once he came upon the long article "Obstetrics," profusely
illustrated with old-fashioned plates and steel engravings. He read it
from beginning to end.

It was the end of all his childish ideals, the destruction of all his
first illusions. The whole of his rude little standard of morality was
lowered immediately. Even his mother, whom he had always believed to be
some kind of an angel, fell at once in his estimation. She could never
be the same to him after this, never so sweet, so good and so pure as he
had hitherto imagined her.

It was very cruel, the whole thing was a grief to him, a blow, a great
shock; he hated to think of it. Then little by little the first taint
crept in, the innate vice stirred in him, the brute began to make itself
felt, and a multitude of perverse and vicious ideas commenced to buzz
about him like a swarm of nasty flies.

A certain word, the blunt Anglo-Saxon name for a lost woman, that he
heard on one occasion among the boys at school, opened to him a vista of
incredible wickedness, but now after the first moment of revolt the
thing began to seem less horrible. There was even a certain attraction
about it. Vandover soon became filled with an overwhelming curiosity,
the eager evil curiosity of the schoolboy, the perverse craving for the
knowledge of vice. He listened with all his ears to everything that was
said and went about through the great city with eyes open only to its
foulness. He even looked up in the dictionary the meanings of the new
words, finding in the cold, scientific definitions some strange sort of
satisfaction.

There was no feminine influence about Vandover at this critical time to
help him see the world in the right light and to gauge things correctly,
and he might have been totally corrupted while in his earliest teens had
it not been for another side of his character that began to develop
about the same time.

This was his artistic side. He seemed to be a born artist. At first he
only showed bent for all general art. He drew well, he made curious
little modellings in clayey mud; he had a capital ear for music and
managed in some unknown way of his own to pick out certain tunes on the
piano. At one time he gave evidence of a genuine talent for the stage.
For days he would pretend to be some dreadful sort of character, he did
not know whom, talking to himself, stamping and shaking his fists; then
he would dress himself in an old smoking-cap, a red table-cloth and one
of his father's discarded Templar swords, and pose before the long
mirrors ranting and scowling. At another time he would devote his
attention to literature, making up endless stories with which he
terrified himself, telling them to himself in a low voice for hours
after he had got into bed. Sometimes he would write out these stories
and read them to his father after supper, standing up between the
folding doors of the library, acting out the whole narrative with
furious gestures. Once he even wrote a little poem which seriously
disturbed the Old Gentleman, filling him with formless ideas and vague
hopes for the future.

In a suitable environment Vandover might easily have become an author,
actor or musician, since it was evident that he possessed the
fundamental _afflatus_ that underlies all branches of art. As it was,
the merest chance decided his career.

In the same library where he had found the famous encyclopædia article
was "A Home Book of Art," one of those showily bound gift books one sees
lying about conspicuously on parlour centre tables. It was an English
publication calculated to meet popular and general demand. There were a
great many full-page pictures of lonely women, called "Reveries" or
"Idylls," ideal "Heads" of gipsy girls, of coquettes, and heads of
little girls crowned with cherries and illustrative of such titles as
"Spring," "Youth," "Innocence." Besides these were sentimental pictures,
as, for instance, one entitled "It Might Have Been," a sad-eyed girl,
with long hair, musing over a miniature portrait, and another especially
impressive which represented a handsomely dressed woman flung upon a
_Louis Quinze_ sofa, weeping, her hands clasped over her head. She was
alone; it was twilight; on the floor was a heap of opened letters. The
picture was called "Memories."

Vandover thought this last a wonderful work of art and made a hideous
copy of it with very soft pencils. He was so pleased with it that he
copied another one of the pictures and then another. By and by he had
copied almost all of them. His father gave him a dollar and Vandover
began to add to his usual evening petition the prayer that he might
become a great artist. Thus it was that his career was decided upon.

He was allowed to have a drawing teacher. This was an elderly German, an
immense old fellow, who wore a wig and breathed loudly through his nose.
His voice was like a trumpet and he walked with a great striding gait
like a colonel of cavalry. Besides drawing he taught ornamental writing
and engrossing. With a dozen curved and flowing strokes of an ordinary
writing pen he could draw upon a calling card a conventionalized
outline-picture of some kind of dove or bird of paradise, all curves and
curlicues, flying very gracefully and carrying in its beak a half-open
scroll upon which could be inscribed such sentiments as "From a Friend"
or "With Fond Regards," or even one's own name.

His system of drawing was of his own invention. Over the picture to be
copied he would paste a great sheet of paper, ruling off the same into
spaces of about an inch square. He would cut out one of these squares
and Vandover would copy the portion of the picture thus disclosed. When
he had copied the whole picture in this fashion the teacher would go
over it himself, retouching it here and there, labouring to obviate the
checker-board effect which the process invariably produced.

At other times Vandover copied into his sketch-book, with hard crayons,
those lithographed studies on buff paper which are published by the firm
in Berlin. He began with ladders, wheel-barrows and water barrels,
working up in course of time to rustic buildings set in a bit of
landscape; stone bridges and rural mills, overhung by some sort of
linden tree, with ends of broken fences in a corner of the foreground to
complete the composition. From these he went on to bunches of grapes,
vases of fruit and at length to more "Ideal heads." The climax was
reached with a life-sized Head, crowned with honeysuckles and entitled
_"Flora."_ He was three weeks upon it. It was an achievement, a
veritable _chef-d'oeuvre._ Vandover gave it to his father upon Christmas
morning, having signed his name to it with a great ornamental flourish.
The Old Gentleman was astounded, the housekeeper was called in and
exclaimed over it, raising her hands to Heaven. Vandover's father gave
him a five-dollar gold-piece, fresh from the mint, had the picture
framed in gilt and hung it up in his smoking-room over the clock.

Never for a moment did the Old Gentleman oppose Vandover's wish to
become an artist and it was he himself who first spoke about Paris to
the young man. Vandover was delighted; the Latin Quarter became his
dream. Between the two it was arranged that he should go over as soon as
he had finished his course at the High School. The Old Gentleman was to
take him across, returning only when he was well established in some
suitable studio.

At length Vandover graduated, and within three weeks of that event was
on his way to Europe with his father. He never got farther than Boston.

At the last moment the Old Gentleman wavered. Vandover was still very
young and would be entirely alone in Paris, ignorant of the language,
exposed to every temptation. Besides this, his education would stop
where it was. Somehow he could not make it seem right to him to cut the
young man adrift in this fashion. On the other hand, the Old Gentleman
had a great many old-time friends and business acquaintances in Boston
who could be trusted with a nominal supervision of his son for four
years. He had no college education himself, but in some vague way he
felt convinced that Vandover would be a better artist for a four years'
course at Harvard.

Vandover took his father's decision hardly. He had never thought of
being a college-man and nothing in that life appealed to him. He urged
upon his father the loss of time that the course would entail, but his
father met this objection by offering to pay for any artistic tuition
that would not interfere with the regular college work.

Little by little the idea of college life became more attractive to
Vandover; at the worst, it was only postponing the Paris trip, not
abandoning it. Besides this, two of his chums from the High School were
expecting to enter Harvard that fall, and he could look forward to a
very pleasant four years spent in their company.

Out at Cambridge the term was just closing. The Old Gentleman's friends
procured him tickets to several of the more important functions. From
the gallery of Memorial Hall Vandover and his father saw some of the
great dinners; they went up to New London for the boat-race; they gained
admittance to the historic Yard on Class-day, and saw the strange
football rush for flowers around the "Tree." They heard the seniors sing
"Fair Harvard" for the last time, and later saw them receive their
diplomas at Sander's Theatre.

The great ceremonies of the place, the picturesqueness of the elm-shaded
Yard, the old red dormitories covered with ivy, the associations and
traditions of the buildings, the venerable pump, Longfellow's room, the
lecture hall where the minute-men had barracked, all of these things, in
the end, appealed strongly to Vandover's imagination. Instead of passing
the summer months in an ocean voyage and a continental journey, he at
last became content to settle down to work under a tutor, "boning up"
for the examinations. His father returned to San Francisco in July.

Vandover matriculated the September of the same year; on the first of
October he signed the college rolls and became a Harvard freshman. At
that time he was eighteen years old.




Chapter Two


There was little of the stubborn or unyielding about Vandover, his
personality was not strong, his nature pliable and he rearranged himself
to suit his new environment at Harvard very rapidly. Before the end of
the first semester he had become to all outward appearances a typical
Harvardian. He wore corduroy vests and a gray felt hat, the brim turned
down over his eyes. He smoked a pipe and bought himself a brindled
bull-terrier. He cut his lectures as often as he dared, "ragged" signs
and barber-poles, and was in continual evidence about Foster's and among
Leavitt and Pierce's billiard-tables. When the great football games came
off he worked himself into a frenzy of excitement over them and even
tried to make several of his class teams, though without success.

He chummed with Charlie Geary and with young Dolliver Haight, the two
San Francisco boys. The three were continually together. They took the
same courses, dined at the same table in Memorial Hall and would have
shared the same room if it had been possible. Vandover and Charlie Geary
were fortunate enough to get a room in Matthew's on the lower floor
looking out upon the Yard; young Haight was obliged to put up with an
outside room in a boarding house.

Vandover had grown up with these fellows and during all his life was
thrown in their company. Haight was a well-bred young boy of good
family, very quiet; almost every morning he went to Chapel. He was
always polite, even to his two friends. He invariably tried to be
pleasant and agreeable and had a way of making people like him.
Otherwise, his character was not strongly marked.

Geary was quite different. He never could forget himself. He was
incessantly talking about what he had done or was going to do. In the
morning he would inform Vandover of how many hours he had slept and of
the dreams he had dreamed. In the evening he would tell him everything
he had done that day; the things he had said, how many lectures he had
cut, what brilliant recitations he had made, and even what food he had
eaten at Memorial. He was pushing, self-confident, very shrewd and
clever, devoured with an inordinate ambition and particularly pleased
when he could get the better of anybody, even of Vandover or of young
Haight. He delighted to assume the management of things. Vandover, he
made his protégé, taking over the charge of such business as the two had
in common. It was he who had found the room in Matthew's, getting it
away from all other applicants, securing it at the eleventh hour. He put
Vandover's name on the waiting list at Memorial, saw that he filled out
his blanks at the proper time, helped him balance his accounts, guided
him in the choice of his courses and in the making out of his
study-card.

"Look here, Charlie," Vandover would exclaim, throwing down the
Announcement of Courses, "I can't make this thing out. It's all in a
tangle. See here, I've got to fill up my hours some way or other; _you_
straighten this thing out for me. Find me some nice little course, two
hours a week, say, that comes late in the morning, a good hour after
breakfast; something easy, all lectures, no outside reading, nice
instructor and all that." And Geary would glance over the complicated
schedule, cleverly untangling it at once and would find two or three
such courses as Vandover desired.

Vandover's yielding disposition led him to submit to Geary's
dictatorship and he thus early began to contract easy, irresponsible
habits, becoming indolent, shirking his duty whenever he could, sure
that Geary would think for the two and pull him out of any difficulty
into which he might drift.

Otherwise the three freshmen were very much alike. They were hardly more
than boys and full of boyish spirits and activity. They began to see
"college life." Vandover was already smoking; pretty soon he began to
drink. He affected beer, whisky he loathed, and such wine as was not too
expensive was either too sweet or too sour. It became a custom for the
three to go into town two or three nights in the week and have beer and
Welsh rabbits at Billy Park's. On these occasions, however, young Haight
drank only beer, he never touched wine or spirits.

It was in Billy Park's the evening after the football game between the
Yale and Harvard freshmen that Vandover was drunk for the first time. He
was not so drunk but that he knew he was, and the knowledge of the fact
so terrified him that it kept him from getting very bad. The first
sensation soon wore off, and by the time that Geary took charge of him
and brought him back to Cambridge he was disposed to treat the affair
less seriously. Nevertheless when he got to his room he looked at
himself in the mirror a long time, saying to himself over and over
again, "I'm drunk--just regularly drunk. Good Heavens! what _would_ the
governor say to _this_?"

In the morning he was surprised to find that he felt so little ashamed.
Geary and young Haight treated the matter as a huge joke and told him of
certain funny things he had said and done and which he had entirely
forgotten. It was impossible for him to take the matter seriously even
if he had wished to, and within a few weeks he was drunk again. He found
that he was not an exception; Geary was often drunk with him, fully a
third of all the Harvard men he knew were intoxicated at different
times. It was out of the question for Vandover to consider them as
drunkards. Certainly, neither he nor any of the others drank because
they liked the beer; after the fifth or sixth glass it was all they
could do to force down another. Such being the case, Vandover often
asked himself why he got drunk at all. This question he was never able
to answer.

It was the same with gambling. At first the idea of playing cards for
money shocked him beyond all expression. But soon he found that a great
many of the fellows, fellows like young Haight, beyond question steady,
sensible and even worthy of emulation in other ways, "went in for that
sort of thing." Every now and then Vandover's "crowd" got together in
his room in Matthew's, and played Van John "for keeps," as they said,
until far into the night. Vandover joined them. The stakes were small,
he lost as often as he won, but the habit of the cards never grew upon
him. It was like the beer, he "went in for it" because the others did,
without knowing why. Geary, however, drew his line at gambling; he never
talked against it or tried to influence Vandover, but he never could be
induced to play "for keeps" himself.

One very warm Sunday afternoon in the first days of April, when the last
snows were melting, Vandover and Geary were in their room, sitting at
opposite ends of their window-seat, Geary translating his Monday's
"Horace" by the help of a Bonn's translation, Vandover making a pen and
ink drawing for the next _Lampoon_. A couple of young women passed down
the walk, going across the Yard toward the Square. They were cheaply and
showily dressed. One of them wore a mannish shirtwaist, with a high
collar and scarf. The other had taken off her gloves and was swinging a
bright red cape in one of her bare hands. As the couple passed they
stared calmly at the two young fellows in the window; Vandover lowered
his eyes over his work, blushing, he could not tell why. Geary stared
back at them, following them with his eyes until they had gone by.

All at once he began laughing and pounding on the window.

"Oh, for goodness sake, quit!" exclaimed Vandover in great alarm,
twisting off the window-seat and shrinking back out of sight into the
room. "Quit, Charlie; you don't want to insult a girl that way." Geary
looked at him over his shoulder in some surprise, and was about to
answer when he turned to the window again and exclaimed, grinning and
waving his hand:

"Oh, just come here, Skinny; get on to this, will you? Ah, come here and
look, you old chump! Do you think they're nice girls? Just take a _look_
at them." Vandover peered timidly around Geary's head and saw that the
two girls were looking back and laughing, and that the one with the red
cape was waving it at them.

At supper that night they saw the girls in the gallery of Memorial. They
pointed them out to young Haight, and Geary at length managed to attract
their attention. After supper the three freshmen, together with two of
their sophomore acquaintances, strolled slowly over toward the Yard,
lighting their pipes and cigarettes. All at once, as they turned into
the lower gate, they came full upon the same pair of girls. They were
walking fast, talking and laughing very loudly.

"Track!" called out one of the sophomores, and the group of young
fellows parted to let them pass. The sophomore exclaimed in a tone of
regret, "Don't be in such a hurry, girls." Vandover became scarlet and
turned his face away, but the girls looked back and laughed
good-naturedly. "Come on," said the sophomore. The group closed around
the girls and brought them to a standstill; they were not in the least
embarrassed at this, but laughed more than ever. Neither of them was
pretty, but there was a certain attraction about them that pleased
Vandover immensely. He was very excited.

Then there was a very embarrassing pause. No one knew what to say. Geary
alone regained his assurance at length, and began a lively interchange
of chaff with one of them. The others could only stand about and smile.

"Well," cried the other girl after a while, "I ain't going to stand here
in the snow all _night_. Let's take a walk; come along. I choose _you_."
Before Vandover knew it she had taken his arm. The sophomore managed in
some way to pair off with the other girl; Haight had already left the
group; the two couples started off, while Geary and the other sophomore
who were left out followed awkwardly in the rear for a little way and
then disappeared.

Vandover was so excited that he could scarcely speak. This was a new
experience. At first it attracted him, but the hopeless vulgarity of the
girl at his side, her tawdry clothes, her sordid, petty talk, her slang,
her miserable profanity, soon began to revolt him. He felt that he could
not keep his self-respect while such a girl hung upon his arm.

"Say," said the girl at length, "didn't I see you in town the other
afternoon on Washington Street?"

"Maybe you did," answered Vandover, trying to be polite. "I'm down there
pretty often."

"Well, I guess yes," she answered. "You Harvard sports make a regular
promenade out o' Washington Street Saturday afternoons. I suppose I've
seen you down there pretty often, but didn't notice. Do you stand or
walk?"

Vandover's gorge rose with disgust. He stopped abruptly and pulled away
from the girl. Not only did she disgust him, but he felt sorry for her;
he felt ashamed and pitiful for a woman who had fallen so low. Still he
tried to be polite to her; he did not know how to be rude with any kind
of woman.

"You'll have to excuse me," he said, taking off his hat. "I don't
believe I can take a walk with you to-night. I--you see--I've got a good
deal of work to do; I think I'll have to leave you." Then he bowed to
her with his hat in his hand, hurrying away before she could answer him
a word.

He found Geary alone in their room, cribbing "'Horace" again.

"Ah, you bet," Geary said. "I shook those chippies. I sized them up
right away. I was clever enough for that. They were no good. I thought
you would get enough of it."

"Oh, I don't know," said Vandover after a while, as he settled to his
drawing. "She was pretty common, but anyhow I don't want to help bring
down a poor girl like that any lower than she is already." This saying
struck Vandover as being very good and noble, and he found occasion to
repeat it to young Haight the next day.

But within three days of this, at the time when Vandover would have
fancied himself farthest from such a thing, he underwent a curious
reaction. On a certain evening, moved by an unreasoned instinct, he
sought out the girl who had just filled him with such deep pity and such
violent disgust, and that night did not come back to the room in
Matthew's. The thing was done almost before he knew it. He could not
tell why he had acted as he did, and he certainly would not have
believed himself capable of it.

He passed the next few days in a veritable agony of repentance,
overwhelmed by a sense of shame and dishonour that were almost feminine
in their bitterness and intensity. He felt himself lost, unworthy, and
as if he could never again look a pure woman in the eyes unless with an
abominable hypocrisy. He was ashamed even before Geary and young Haight,
and went so far as to send a long letter to his father acknowledging and
deploring what he had done, asking for his forgiveness and reiterating
his resolve to shun such a thing forever after.

What had been bashfulness in the boy developed in the young man to a
profound respect and an instinctive regard for women. This stood him in
good stead throughout all his four years of Harvard life. In general, he
kept himself pretty straight. There were plenty of fast girls and lost
women about Cambridge, but Vandover found that he could not associate
with them to any degree of satisfaction. He never knew how to take them,
never could rid himself of the idea that they were to be treated as
ladies. They, on their part, did not like him; he was too diffident, too
courteous, too "slow." They preferred the rough self-assertion and easy
confidence of Geary, who never took "no" as an answer and who could
chaff with them on their own ground.

Vandover did poor work at Harvard and only graduated, as Geary said, "by
a squeak." Besides his regular studies he took time to pass three
afternoons a week in the studio of a Boston artist, where he studied
anatomy and composition and drew figures from the nude. In the summer
vacations he did not return home, but accompanied this artist on
sketching tours along the coast of Maine. His style improved immensely
the moment he abandoned flat studies and began to work directly from
Nature. He drew figures well, showed a feeling for desolate landscapes,
and even gave promise of a good eye for colour. But he allowed his
fondness for art to interfere constantly with his college work. By the
middle of his senior year he was so loaded with conditions that it was
only Geary's unwearied coaching that pulled him through at all--as
Vandover knew it would, for that matter.

Vandover returned to San Francisco when he was twenty-two. It was
astonishing; he had gone away a pimply, overgrown boy, raw and callow as
a fledgling, constrained in society, diffident, awkward. Now he
returned, a tall, well-formed Harvardian, as careful as a woman in the
matter of dress, very refined in his manners. Besides, he was a
delightful conversationalist. His father was rejoiced; every one
declared he was a charming fellow.

They were right. Vandover was at his best at this time; it was
undeniable that he had great talent, but he was so modest about it that
few knew how clever he really was.

He went out to dinners and receptions and began to move a little in
society. He became very popular: the men liked him because he was so
unaffected, so straightforward, and the women because he was so
respectful and so deferential.

He had no vices. He had gone through the ordeal of college life and had
come out without contracting any habit more serious than a vague
distaste for responsibility, and an inclination to shirk disagreeable
duties. Cards he never thought of. It was rare that he drank so much as
a glass of beer.

However, he had come back to a great disappointment. Business in San
Francisco had entered upon a long period of decline, and values were
decreasing; for ten years rents had been sagging lower and lower. At the
same time the interest on loans and insurances had increased, and real
estate was brought to a standstill; one spoke bitterly of a certain
great monopoly that was ruining both the city and state. Vandover's
father had suffered with the rest, and now told his son that he could
not at this time afford to send him to Paris. He would have to wait for
better times.

At first this was a sharp grief to Vandover; for years he had looked
forward to an artist's life in the Quarter. For a time he was
inconsolable, then at length readjusted himself good-naturedly to suit
the new order of things with as little compunction as before, when he
had entered Harvard. He found that he could be contented in almost any
environment, the weakness, the certain pliability of his character
easily fitting itself into new grooves, reshaping itself to suit new
circumstances. He prevailed upon his father to allow him to have a
downtown studio. In a little while he was perfectly happy again.

Vandover's love for his art was keen. On the whole he kept pretty
steadily to his work, spending a good six hours at his easel every day,
very absorbed over the picture in hand. He was working up into large
canvases the sketches he had made along the Maine coast, great, empty
expanses of sea, sky, and sand-dune, full of wind and sun. They were
really admirable. He even sold one of them. The Old Gentleman was
delighted, signed him a check for twenty dollars, and told him that in
three years he could afford to send him abroad.

In the meanwhile Vandover set himself to enjoy the new life. Little by
little his "set" formed around him; Geary and young Haight, of course,
and some half dozen young men of the city: young lawyers, medical
students, and clerks in insurance offices. As Vandover thus began to see
the different phases of that life which lay beyond the limits of the
college, he perceived more and more clearly that he was an exception
among men for his temperance, his purity, and his clean living.

At their clubs and in their smoking-rooms he heard certain practices,
which he had always believed to be degrading and abominable, discussed
with shouts of laughter. Those matters which until now he had regarded
with an almost sacred veneration were subjects for immense jokes. A few
years ago he would have been horrified at it all, but the fine quality
of this first sensitiveness had been blunted since his experience at
college. He tolerated these things in his friends now.

Gradually Vandover allowed his ideas and tastes to be moulded by this
new order of things. He assumed the manners of these young men of the
city, very curious to see for himself the other lower side of their life
that began after midnight in the private rooms of fast cafés and that
was continued in the heavy musk-laden air of certain parlours amid the
rustle of heavy silks.

Slowly the fascination of this thing grew upon him until it mounted to a
veritable passion. His strong artist's imagination began to be filled
with a world of charming sensuous pictures.

He commenced to chafe under his innate respect and deference for women,
to resent and to despise it. As the desire of vice, the blind, reckless
desire of the male, grew upon him, he set himself to destroy this
barrier that had so long stood in his way. He knew that it was the
wilful and deliberate corruption of part of that which was best in him;
he was sorry for it, but persevered, nevertheless, ashamed of his
old-time timidity, his ignorance, his boyish purity.

For a second time the animal in him, the perverse evil brute, awoke and
stirred. The idea of resistance hardly occurred to Vandover; it would be
hard, it would be disagreeable to resist, and Vandover had not
accustomed himself to the performance of hard, disagreeable duties. They
were among the unpleasant things that he shirked. He told himself that
later on, when he had grown older and steadier and had profited by
experience and knowledge of the world, when he was stronger, in a word,
he would curb the thing and restrain it. He saw no danger in such a
course. It was what other men did with impunity.

In company with Geary and young Haight he had come to frequent a certain
one of the fast cafés of the city. Here he met and became acquainted
with a girl called Flossie. It was the opportunity for which he was
waiting, and he seized it at once.

This time there was no recoil of conscience, no shame, no remorse; he
even felt a better estimation of himself, that self-respect that comes
with wider experiences and with larger views of life. He told himself
that all men should at one time see certain phases of the world; it
rounded out one's life. After all, one had to be a man of the world.
Those men only were perverted who allowed themselves to be corrupted by
such vice.

Thus it was that Vandover, by degrees, drifted into the life of a
certain class of the young men of the city. Vice had no hold on him. The
brute had grown larger in him, but he knew that he had the creature in
hand. He was its master, and only on rare occasions did he permit
himself to gratify its demands, feeding its abominable hunger from that
part of him which he knew to be the purest, the cleanest, and the best.

Three years passed in this fashion.




Chapter Three


Vandover had decided at lunch that day that he would not go back to work
at his studio in the afternoon, but would stay at home instead and read
a very interesting story about two men who had bought a wrecked opium
ship for fifty thousand dollars, and had afterward discovered that she
contained only a few tins of the drug. He was curious to see how it
turned out; the studio was a long way downtown, the day was a little
cold, and he felt that he would enjoy a little relaxation. Anyhow, he
meant to stay at home and put in the whole afternoon on a good novel.

But even when he had made up his mind to do this he did not immediately
get out his book and settle down to it. After lunch he loitered about
the house while his meal digested, feeling very comfortable and
contented. He strummed his banjo a little and played over upon the piano
the three pieces he had picked up: two were polkas, and the third, the
air of a topical song; he always played the three together and in the
same sequence. Then he strolled up to his room, and brushed his hair for
a while, trying to make it lie very flat and smooth. After this he went
out to look at Mr. Corkle, the terrier, and let him run a bit in the
garden; then he felt as though he must have a smoke, and so went back to
his room and filled his pipe. When it was going well, he took down his
book and threw himself into a deep leather chair, only to jump up again
to put on his smoking-jacket. All at once he became convinced that he
must have something to eat while he read, and so went to the kitchen and
got himself some apples and a huge slice of fresh bread. Ever since
Vandover was a little boy he had loved fresh bread and apples. Through
the windows of the dining-room he saw Mr. Corkle digging up great holes
in the geranium beds. He went out and abused him and finally let him
come back into the house and took him upstairs with him.

Then at last he settled down to his novel, in the very comfortable
leather chair, before a little fire, for the last half of August is cold
in San Francisco. The room was warm and snug, the fresh bread and apples
were delicious, the good tobacco in his pipe purred like a sleeping
kitten, and his novel was interesting and well written. He felt calm and
soothed and perfectly content, and took in the pleasure of the occasion
with the lazy complacency of a drowsing cat.

Vandover was self-indulgent--he loved these sensuous pleasures, he loved
to eat good things, he loved to be warm, he loved to sleep. He hated to
be bored and worried--he liked to have a good time.

At about half-past four o'clock he came to a good stopping-place in his
book; the two men had got to quarrelling, and his interest flagged a
little. He pushed Mr. Corkle off his lap and got up yawning and went to
the window.

Vandover's home was on California Street not far from Franklin. It was a
large frame house of two stories; all the windows in the front were bay.
The front door was directly in the middle between the windows of the
parlour and those of the library, while over the vestibule was a sort of
balcony that no one ever thought of using. The house was set in a large
well-kept yard. The lawn was pretty; an enormous eucalyptus tree grew at
one corner. Nearer to the house were magnolia and banana trees growing
side by side with pines and firs. Humming-birds built in these, and one
could hear their curious little warbling mingling with the hoarse chirp
of the English sparrows which nested under the eaves. The back yard was
separated from the lawn by a high fence of green lattice-work. The hens
and chickens were kept here and two roosters, one of which crowed every
time a cable-car passed the house. On the door cut through the
lattice-fence was a sign, "Look Out for the Dog." Close to the unused
barn stood an immense windmill with enormous arms; when the wind blew in
the afternoon the sails whirled about at a surprising speed, pumping up
water from the artesian well sunk beneath. There was a small
conservatory where the orchids were kept. Altogether, it was a charming
place. However, adjoining it was a huge vacant lot with cows in it. It
was full of dry weeds and heaps of ashes, while around it was an
enormous fence painted with signs of cigars, patent bitters, and soap.

Vandover stood at a front window and looked out on a rather dreary
prospect. The inevitable afternoon trades had been blowing hard since
three, strong and brisk from the ocean, driving hard through the Golden
Gate and filling the city with a taint of salt. Now the fog was coming
in; Vandover could see great patches of it sweeping along between him
and the opposite houses. All the eucalyptus trees were dripping, and
occasionally there came the faint moan of the fog-horn out at the heads.
He could see up the street for nearly two miles as it climbed over Nob
Hill. It was almost deserted; a cable-car now and then crawled up and
down its length, and at times a delivery wagon rattled across it; but
that was about all. On the opposite sidewalk two boys and a girl were
coasting downhill on their roller-skates and their brake-wagons. The
cable in its slot kept up an incessant burr and clack. The whole view
was rather forlorn, and Vandover turned his back on it, taking up his
book again.

About five o'clock his father came home from his office. "Hello!" said
he, looking into the room; "aren't you home a little early to-day? Ah, I
thought you weren't going to bring that dog into the house any more. I
wish you wouldn't, son; he gets hair and fleas about everywhere."

"All right, governor," answered Vandover. "I'll take him out. Come
along, Cork."

"But aren't you home earlier than usual to-day?" persisted his father as
Vandover got up.

"Yes," said Vandover, "I guess I am, a little."

After supper the same evening when Vandover came downstairs, drawing on
his gloves, his father looked over his paper, saying pleasantly:

"Well, where are you going to-night?"

"I'm going to see my girl," said Vandover, smiling; then foreseeing the
usual question, he added, "I'll be home about eleven, I guess."

"Got your latch-key?" asked the Old Gentleman, as he always did when
Vandover went out.

"Yep," called back Vandover as he opened the door. "I'll not forget it
again. Good-night, governor."

Vandover used to call on Turner Ravis about twice a week; people said
they were engaged. This was not so.

Vandover had met Miss Ravis some two years before. For a time the two
had been sincerely in love with each other, and though there was never
any talk of marriage between them, they seemed to have some sort of
tacit understanding. But by this time Vandover had somehow outgrown the
idea of marrying Turner. He still kept up the fiction, persuaded that
Turner must understand the way things had come to be. However, he was
still very fond of her; she was a frank, sweet-tempered girl and very
pretty, and it was delightful to have her care for him.

Vandover could not shut his eyes to the fact that young Haight was very
seriously in love with Turner. But he was sure that Turner preferred him
to his chum. She was too sincere, too frank, too conscientious to
practise any deception on him.

There was quite a party at the Ravises' house that evening when Vandover
arrived. Young Haight was there, of course, and Charlie Geary. Besides
Turner herself there was Henrietta Vance, a stout, pretty girl, with pop
eyes and a little nose, who laughed all the time and who was very
popular. These were all part of Vandover's set; they called each other
by their first names and went everywhere together. Almost every Saturday
evening they got together at Turner's house and played whist, or euchre,
or sometimes even poker. "Just for love," as Turner said.

When Vandover came in they were all talking at the same time, disputing
about a little earthquake that had occurred the night before. Henrietta
Vance declared that it had happened early in the morning.

"_Wasn't_ it just about midnight, Van?" cried Turner.

"I don't know," answered Vandover. "It didn't wake me up. I didn't even
know there was one."

"Well, I know I heard our clock strike two just about half an hour
afterward," protested young Haight.

"Oh, it was almost five o'clock when it came," cried Henrietta Vance.

"Well, now, you're _all_ off," said Charlie Geary. "I know just when she
quaked to the fraction of a minute, because it stopped our hall clock at
just a little after three."

They were silent. It was an argument which was hard to contradict. By
and by, young Haight declared, "There must have been two of them then,
because--"

"How about whist or euchre or whatever it is to be?" said Charlie
Geary, addressing Turner and interrupting in an annoying way that was
peculiar to him. "Can't we start in now that Van has come?" They played
euchre for a while, but Geary did not like the game, and by and by
suggested poker.

"Well--if it's only just for love," said Turner, "because, you know,
mamma doesn't like it any other way."

At ten o'clock Geary said, "Let's quit after this hand round--what do
you say?" The rest were willing and so they all took account of their
chips after the next deal. Geary was protesting against his poor luck.
Honestly he hadn't held better than three tens more than twice during
the evening. It was Henrietta Vance who took in everything; did one ever
_see_ anything to beat her luck? "the funniest thing!"

They began to do tricks with the cards. Young Haight showed them a very
good trick by which he could make the pack break every time at the ace
of clubs. Vandover exclaimed: "Lend me a silk hat and ninety dollars and
I'll show you the queerest trick you ever saw," which sent Henrietta
Vance off into shrieks of laughter. Then Geary took the cards out of
young Haight's hands, asking them if they knew _this_ trick.

Turner said yes, she knew it, but the others did not, and Geary showed
it to them. It was interminable. Henrietta Vance chose a card and put it
back into the deck. Then the deck was shuffled and divided into three
piles. After this Geary made a mental calculation, selected one of these
piles, shuffled it, and gave it back to her, asking her if she saw her
card in it; then more shuffling and dividing until their interest and
patience were quite exhausted. When Geary finally produced a jack of
hearts and demanded triumphantly if that was her card, Henrietta began
to laugh and declared she had forgotten _what_ card she chose. Geary
said he would do the trick all over for her. At this, however, they all
cried out, and he had to give it up, very irritated at Henrietta's
stupidity.

Vexed at the ill success of this first trick, he retired a little from
their conversation, puzzling over the cards, thinking out new tricks.
Every now and then he came back among them, going about from one to
another, holding out the deck and exclaiming, "Choose any card--choose
any card."

After a while they all adjourned to the dining-room and Turner and
Vandover went out into the kitchen, foraging among the drawers and
shelves. They came back bringing with them a box of sardines, a tin of
_paté_, three quart bottles of blue-ribbon beer, and what Vandover
called "devilish-ham" sandwiches.

"Now do we want _tamales_ to go with these?" said Turner, as she spread
the lunch on the table. Henrietta Vance cried out joyfully at this, and
young Haight volunteered to go out to get them. "Get six," Turner cried
out after him. "Henrietta can always eat two. Hurry up, and we won't eat
till you get back."

While he was gone Turner got out some half-dozen glasses for their beer.
"Do you know," she said as she set the glasses on the table, "the
funniest thing happened this morning to mamma. It was at breakfast; she
had just drunk a glass of water and was holding the glass in her hand
like this"--Turner took one of the thin beer glasses in her hand to show
them how--"and was talking to pa, when all at once the glass broke right
straight around a ring, just below the brim, you know, and fell all--"
On a sudden Turner uttered a shrill exclamation; the others started up;
the very glass she held in her hand at the moment cracked and broke in
precisely the manner she was describing. A narrow ring snapped from the
top, dropping on the floor, breaking into a hundred bits.

Turner drew in a long breath, open-mouthed, her hand in the air still
holding the body of the glass that remained in her fingers. They all
began to exclaim over the wonder.

"Well, did you ever in all your _life_?" shouted Miss Vance, breaking
into a peal of laughter. Geary cried out, "Cæsar's ghost!" and Vandover
swore under his breath.

"If that isn't the strangest thing I ever saw!" cried Turner. "_Isn't_
that funny--why--oh! I'm going _to try it with another glass_!" But the
second glass remained intact. Geary recovered from his surprise and
tried to explain how it could happen.

"It was the heat from your fingers and the glass was cold, you know," he
said again and again.

But the strangeness of the thing still held them. Turner set down the
glass with the others and dropped into a chair, letting her hands fall
in her lap, looking into their faces, nodding her head and shutting her
lips:

"Ah, _no_," she said after a while. "That _is_ funny. It kind of scares
one." She was actually pale.

"Oh, there's Dolly Haight!" cried Henrietta Vance as the door bell rang.
They all rushed to the door, running and scrambling, eager to tell the
news. Young Haight stood bewildered on the door mat in the vestibule,
his arms full of brown-paper packages, while they recounted the marvel.
They all spoke at once, holding imaginary beer glasses toward him in
their outstretched hands. Geary, however, refused to be carried away by
their excitement, and one heard him from time to time repeating, between
their ejaculations, "It was the heat from her fingers, you know, and the
glass was cold."

Young Haight was confused, incredulous; he could not at first make out
what _had_ happened.

"Well, just come and _look_ at the broken _glass_ on the _floor_,"
shouted Turner decisively, dragging him into the dining-room. They
waited, breathless, to hear what he would say. He looked at the broken
glass and then into their faces. Then he suddenly exclaimed:

"Ah, you're joking me."

"No, honestly," protested Vandover, "that was just the way it happened."

It was some little time before they could get over their impression of
queerness, but by and by Geary cried out that the _tamales_ were getting
cold. They settled down to their lunch, and the first thing young Haight
did was to cut his lip on the edge of the broken glass. Turner had set
it down with the others and he had inadvertently filled it for himself.

It was a trifling cut. Turner fetched some court-plaster, and his lip
was patched up. For all that, it bled quite a little. He was very
embarrassed; he kept his handkerchief to his mouth and told them
repeatedly to go on with their lunch and not to mind him.

As soon as they were eating and drinking they began to be very jolly,
and Vandover was especially good-humoured and entertaining. He made
Henrietta Vance shout with laughter by pretending that the olive in his
_tamale_ was a green hen's egg.

About half-past ten young Haight rose from the table saying he thought
it was about time to say good-night. "Don't be in a hurry," said
Turner. "It's early yet." After that, however, they broke up very
quickly.

Before he left Vandover saw Turner in the dining-room alone for a
minute.

"Will I see you at church to-morrow?" he asked, as she held his overcoat
for him.

"I don't know, Van," she answered. "You know Henrietta is going to stay
all night with me, and I think she will want me to go home with her
to-morrow morning and then stay to dinner with her. But I'm going to
early communion to-morrow morning; why can't you meet me there?"

"Why, I can," answered Vandover, settling his collar. "I should like to
very much."

"Well, then," she replied, "you can meet me in front of the church at
half-past seven o'clock."

"Hey, break away there!" cried Geary from the front door. "Come along,
Van, if you are going with us."

Turner let Vandover kiss her before they joined the others. "I'll see
you at seven-thirty to-morrow morning," he said as he went away.

The three young men went off down the street, arm in arm, smoking their
cigars and cigarettes. As soon as they were alone, Charlie Geary began
to tell the other two of everything he had been doing since he had last
seen them.

"Well, sir," he said as he took an arm of each, "well, sir, I had a fine
sleep last night; went to bed at ten and never woke up till half-past
eight this morning. Ah, you bet I needed it, though. I've been working
like a slave this week. You know I take my law-examinations in about ten
days. I'll pass all right. I'm right up to the handle in everything. I
don't believe the judge could stick me anywhere in the subject of
torts."

"Say, boys," said Vandover, pausing and looking at his watch, "it isn't
very late; let's go downtown and have some oysters."

"That's a good idea," answered young Haight. "How about you, Charlie?"

Geary said he was willing. "Ah," he added, "you ought to have seen the
beefsteak I had this evening at the Grillroom." And as they rode
downtown he told them of the steak in question. "I had a little mug of
ale with it, too, and a dish of salad. Ah, it went great."

They decided after some discussion that they would go to the Imperial.




Chapter Four


The Imperial was a resort not far from the corner of Sutter and Kearney
streets, a few doors below a certain well-known drug store, in one
window of which was a showcase full of live snakes.

The front of the Imperial was painted white, and there was a cigar-stand
in the vestibule of the main entrance. At the right of this main
entrance was another smaller one, a ladies' entrance, on the frosted
pane of which one read, "Oyster Cafe."

The main entrance opened directly into the barroom. It was a handsome
room, paved with marble flags. To the left was the bar, whose counter
was a single slab of polished redwood. Behind it was a huge, plate-glass
mirror, balanced on one side by the cash-register and on the other by a
statuette of the Diving Girl in tinted bisque. Between the two were
pyramids of glasses and bottles, liqueur flasks in wicker cases, and a
great bouquet of sweet-peas.

The three bartenders, in clean linen coats and aprons, moved about here
and there, opening bottles, mixing drinks, and occasionally turning to
punch the indicator of the register.

On the other side of the room, facing the bar, hung a large copy of a
French picture representing a _Sabbath_, witches, goats, and naked girls
whirling through the air. Underneath it was the lunch counter, where
clam-fritters, the specialty of the place, could be had four afternoons
in the week.

Elsewhere were nickel-in-the-slot machines, cigar-lighters, a vase of
wax flowers under glass, and a racing chart setting forth the day's
odds, weights, and entries. On the end wall over the pantry-slides was a
second "barroom" picture, representing the ladies of a harem at their
bath.

But its "private rooms" were the chief attraction of the Imperial. These
were reached by going in through the smaller door to the right of the
main vestibule. Any one coming in through this entrance found himself in
a long and narrow passage. On the right of this passage were eight
private rooms, very small, and open at the top as the law required.
Half-way down its length the passage grew wider. Here the rooms were on
both sides and were much larger than those in front.

It was this part of the Imperial that was most frequented, and that had
made its reputation. In the smaller rooms in front one had beer and
Welsh rabbits; in the larger rooms, champagne and terrapin.

Vandover, Haight, and Geary came in through the ladies' entrance of the
Imperial at about eleven o'clock, going slowly down the passage, looking
into each of the little rooms, searching for one that was empty. All at
once Vandover, who was in the lead, cried out:

"Well, if here isn't that man Ellis, drinking whisky by himself. Bah! a
man that will drink whisky all _alone_! Glad to see you just the same,
Bandy; move along, will you--give a man some room."

"Hello, hello, Bandy!" cried Geary and young Haight, hitting him in the
back, while Geary added: "How long have you been down here? _I've_ just
come from making a call with the boys. Had a fine time; what are you
drinking, whisky? _I'm_ going to have something to eat. Didn't have much
of a lunch to-day, but you ought to have seen the steak I had at the
Grillroom--as thick as that, and tender! Oh, it went great! Here, hang
my coat up there on that side, will you?"

Bancroft Ellis was one of the young men of the city with whom the three
fellows had become acquainted just after their return from college. For
the most part, they met him at downtown restaurants, in the foyers and
vestibules of the theatres, on Kearney Street of a Saturday afternoon,
or, as now, in the little rooms of the Imperial, where he was a
recognized habitué and where he invariably called for whisky, finishing
from three to five "ponies" at every sitting. On very rare occasions
they saw him in society, at the houses where their "set" was received.
At these functions Ellis could never be persuaded to remain in the
parlours; he slipped up to the gentlemen's dressing-rooms at the
earliest opportunity, and spent the evening silently smoking the cigars
and cigarettes furnished by the host. When Vandover and his friends came
up between dances, to brush their hair or to rearrange their neckties,
they found him enveloped in a blue haze of smoke, his feet on a chair,
his shirt bosom broken, and his waistcoat unbuttoned. He would tell them
that he was bored and thirsty and ask how much longer they were going to
stay. He knew but few of their friends; his home was in a little town in
the interior and he prided himself on being a "Native Son of the Golden
West." He was a clerk in an insurance office on California Street, and
had never been out of the state.

For the rest he was a good enough fellow and the three others liked him
very much. He had a curious passion for facts and statistics, and his
pockets were full of little books and cards to which he was constantly
referring. He had one of those impossible pocket-diaries, the first half
dozen pages loaded with information of every kind printed in blinding
type, postal rates to every country in the world, statistics as to
population and rates of death, weights and measures, the highest
mountains in the world, the greatest depths of the ocean. He kept a
little book in his left-hand vest pocket that gave the plan and seating
capacity of every theatre in the city, while in the right-hand pocket
was a tiny Webster's dictionary which was his especial pride. The
calendar for the current year was pasted in the lining of his hat,
together with the means to be employed in the resuscitation of a
half-drowned person. He also carried about a "Vest Pocket Edition of
Popular Information," which had never been of the slightest use to him.

The room in which they were now seated was very small and opened
directly upon the passage. On either side of the table was a seat that
would hold two, and on the wall opposite the door hung a mirror, its
gilt frame enclosed in pink netting. The table itself was covered with a
tolerably clean cloth, though it was of coarse linen and rather damp.

There were the usual bottles of olives and pepper sauce, a plate of
broken crackers, and a ribbed match-safe of china. The sugar bowl was of
plated ware and on it were scratched numberless dates together with the
first names of a great many girls, "Nannie," "Ida," "Flossie."

Between the castor bottles was the bill of fare, held by a thin string
between two immense leather covers which were stamped with wine
merchants' advertisements. Geary reached for this before any of the
others, saying at the same time, "Well, what are you going to have?
_I'm_ going to have a Welsh rabbit and a pint of ale." He looked from
one to the other as if demanding whether or no they approved of his
choice. He assumed the management of what was going on, advising the
others what to have, telling Vandover not to order certain dishes that
he liked because it took so long to cook them. He had young Haight ring
for the waiter, and when he had come, Geary read off the entire order to
him twice over, making sure that he had taken it correctly. "That's what
we want all right, all right--isn't it?" he said, looking around at the
rest.

The waiter, whose eyes were red from lack of sleep, put down before them
a plate of limp, soft shrimps.

"Hello, Toby!" said Vandover.

"Good evening, gentlemen," answered Toby. "Why, good evening, Mr.
Vandover; haven't seen you 'round here for some time." He took their
order, and as he was going away, Vandover called him back:

"Say, Toby," said he, "has Flossie been around to-night?"

"No," answered Toby, "she hasn't shown up yet. Her running-mate was in
about nine, but she went out again right away."

"Well," said Vandover, smiling, "if Flossie comes 'round show her in
here, will you?"

The others laughed, and joked him about this, and Vandover settled back
in his seat, easing his position.

"Ah," he exclaimed, "I like it in here. It's always pleasant and warm
and quiet and the service is good and you get such good things to eat."

Now that the young fellows were by themselves, and could relax that
restraint, that good breeding and delicacy which had been natural to
them in the early part of the evening at the Ravises', their manners
changed: they lounged clumsily upon their seats, their legs stretched
out, their waistcoats unbuttoned, caring only to be at their ease. Their
talk and manners became blunt, rude, unconstrained, the coarser
masculine fibre reasserting itself. With the exception of young Haight
they were all profane enough, and it was not very long before their
conversation became obscene.

Geary told them how he had spent the afternoon promenading Kearney and
Market streets and just where he had gone to get his cocktail and his
cigar. "Ah," he added, "you ought to have seen Ida Wade and Bessie
Laguna. Oh, Ida was rigged up to beat the band; honestly her _hat_ was
as broad across as that. You know there's no use talking, she's an
awfully handsome girl."

A discussion arose over the girl's virtue. Ellis, Geary, and young
Haight maintained that Ida was only fast; Vandover, however, had his
doubts.

"For that matter," said Ellis after a while, "I like Bessie Laguna a
good deal better than I do Ida."

"Ah, yes," retorted young Haight, "you like Bessie Laguna too much
anyhow."

Young Haight had a theory that one should never care in any way for that
kind of a girl nor become at all intimate with her.

"The matter of liking her or not liking her," he said, "ought not to
enter into the question at all. You are both of you out for a good time
and that's all; you have a jolly flirtation with her for an hour or two,
and you never see her again. That's the way it ought to be! This idea of
getting intimate with that sort of a piece, and trying to get her to
care for you, is all wrong."

"Oh," said Vandover deprecatingly, "you take all the pleasure out of it;
where does your good time come in if you don't at least pretend that you
like the girl and try to make her like you?"

"But don't you see," answered Haight, "what a dreadful thing it would be
if a girl like that came to care for you seriously? It isn't the same as
if it were a girl of your own class."

"Ah, Dolly, you've got a bean," muttered Ellis, sipping his whisky.

Meanwhile, the Imperial had been filling up; at about eleven the
theatres were over, and now the barroom was full of men. They came in by
twos and threes and sometimes even by noisy parties of a half dozen or
more. The white swing doors of the main entrance flapped back and forth
continually, letting out into the street puffs of tepid air tainted with
the smell of alcohol. The men entered and ordered their drinks, and
leaning their elbows upon the bar continued the conversation they had
begun outside. Afterward they passed over to the lunch counter and
helped themselves to a plate of stewed tripe or potato salad, eating it
in a secluded corner, leaning over so as not to stain their coats. There
was a continual clinking of glasses and popping of corks, and at every
instant the cash-register clucked and rang its bell.

Between the barroom and the other part of the house was a door hung with
blue plush curtains, looped back; the waiters constantly passed back and
forth through this, carrying plates of oysters, smoking rarebits, tiny
glasses of liqueurs, and goblets of cigars.

All the private rooms opening from either passage were full; the men
came in, walking slowly, looking for their friends; but more often, the
women and girls passed up and down with a chatter of conversation, a
rattle of stiff skirts and petticoats, and a heavy whiff of musk. There
was a continual going and coming, a monotonous shuffle of feet and hum
of talk. A heavy odorous warmth in which were mingled the smells of
sweetened whisky, tobacco, the fumes of cooking, and the scent of
perfume, exhaled into the air. A gay and noisy party developed in one of
the large back rooms; at every moment one could hear gales of laughter,
the rattle of chairs and glassware, mingled with the sounds of men's
voices and the little screams and cries of women. Every time the waiter
opened the door to deliver an order he let out a momentary torrent of
noises.

Girls, habitués of the place, continued to pass the door of the room
where Vandover and his friends were seated. Each time a particularly
handsome one went by, the four looked out after her, shutting their lips
and eyes and nodding their heads.

Young Haight had called for more drinks, ordering, however, mineral
water for himself, and Vandover was just telling about posing the female
models in a certain life-class to which he belonged, when he looked up
and broke off, exclaiming:

"Well, well, here we are at last! How are you, Flossie? Come right in."

Flossie stood in the doorway smiling good-humouredly at them, without a
trace of embarrassment or of confusion in her manner. She was an immense
girl, quite six feet tall, broad and well-made, in proportion. She was
very handsome, full-throated, heavy-eyed, and slow in her movements.
Her eyes and mouth, like everything about her, were large, but each time
she spoke or smiled, she disclosed her teeth, which were as white, as
well-set, and as regular as the rows of kernels on an ear of green corn.
In her ears were small yellow diamonds, the only jewellery she wore.
There was no perceptible cosmetic on her face, which had a clean and
healthy look as though she had just given it a vigorous washing.

She wore a black hat with a great flare to the brim on one side. It was
trimmed very dashingly with black feathers, imitation jet, and a little
puff of plush--robin's-egg blue. Her dress was of rough, black camel's
hair, tailor-made, and but for the immense balloon sleeves, absolutely
plain. It was cut in such a way that from neck to waist there was no
break, the buttons being on the shoulder and under the arm. The skirt
was full and stiff, and without the least trimming. Everything was
black--hat, dress, gloves--and the effect was of a simplicity and
severity so pronounced as to be very striking.

However, around her waist she wore as a belt a thick rope of oxidized
silver, while her shoes, or rather walking slippers, were of white
canvas.

She belonged to that class of women who are not to know one's last name
or address, and whose hate and love are equally to be dreaded. There was
upon her face the unmistakable traces of a ruined virtue and a vanished
innocence. Her slightest action suggested her profession; as soon as she
removed her veil and gloves it was as though she were partially
undressed, and her uncovered face and hands seemed to be only portions
of her nudity.

The general conception of women of her class is a painted and broken
wreck. Flossie radiated health; her eyes were clear, her nerves steady,
her flesh hard and even as a child's. There hung about her an air of
cleanliness, of freshness, of good nature, of fine, high spirits, while
with every movement she exhaled a delicious perfume that was not only
musk, but that seemed to come alike from her dress, her hair, her neck,
her very flesh and body.

Vandover was no longer the same as he had been during his college days.
He was familiar now with this odour of abandoned women, this foul sweet
savour of the great city's vice, that quickened his breath and that sent
his heart knocking at his throat. It was the sensitive artist nature in
him that responded instantly to anything sensuously attractive. Each
kind and class of beautiful women could arouse in Vandover passions of
equal force, though of far different kind. Turner Ravis influenced him
upon his best side, calling out in him all that was cleanest, finest,
and most delicate. Flossie appealed only to the animal and the beast in
him, the evil, hideous brute that made instant answer.

"What will you take, Flossie?" asked Vandover, as she settled herself
among them. "We are all drinking beer except Ellis. He's filling up with
whisky." But Flossie never drank. It was one of the peculiarities for
which she was well known.

"I don't want either," she answered, and turning to the waiter, she
added, "You can bring me some Apollinaris water, Toby."

Flossie betrayed herself as soon as she spoke, the effect of her
appearance was spoiled. Her voice was hoarse, a low-pitched rasp, husky,
throaty, and full of brutal, vulgar modulations.

"Smoke, Flossie?" said Geary, pushing his cigarette case across to her.
Flossie took a cigarette, rolled it to make it loose, and smoked it
while she told them how she had once tried to draw up the smoke through
her nose as it came out between her lips.

"And honestly, boys," she growled, "it made me that sick that I just had
to go to bed."

"Who is the crowd out back?" asked Geary for the sake of saying
something. Flossie embarrassed them all a little, and conversation with
girls of her class was difficult.

"Oh, that's May and Nannie with some men from a banquet at the Palace
Hotel," she answered.

The talk dragged along little by little and Flossie began badgering
young Haight. "Say, you over there," she exclaimed, "what's the matter
with you? You don't say anything."

Young Haight blushed and answered very much embarrassed: "Oh, I'm just
listening." He was anxious to get away. He got up and reached for his
hat and coat, saying with a good-natured smile: "Well, boys and girls,
I think I shall have to leave you."

"Don't let me frighten you away," said Flossie, laughing.

"Oh, no," he answered, trying to hide his embarrassment, "I have to go
anyhow."

While the others were saying good night to him and asking when they
should see him again, Flossie leaned over to him, crying out, "Good
night!" All at once, and before he knew what she was about, she kissed
him full on the mouth. He started sharply at this, but was not angry,
simply pulling away from her, blushing, very embarrassed, and more and
more anxious to get away. Toby, the waiter, appeared at their door.

"That last was on me, you know," said young Haight, intercepting
Vandover and settling for the round of drinks.

"Hello!" exclaimed Toby, "what's the matter with your lip?"

"I cut it a little while ago on a broken glass," answered young Haight.
"Is it bleeding again?" he added, putting two fingers on his lips.

"It is sure enough," said Geary. "Here," he went on, wetting the corner
of a napkin from the water bottle, "hold that on it."

The others began to laugh. "Flossie did that," Vandover explained to
Toby. Ellis was hastily looking through his pockets, fumbling about
among his little books.

"I had something here," he kept muttering, "if I can only _find_ it,
that told just what to do when you cut yourself with glass. There may be
glass _in_ it, you know."

"Oh, that's all right, that's all right," exclaimed young Haight, now
altogether disconcerted. "It don't amount to anything."

"I tell you what," observed Geary; "get some court-plaster at the snake
doctor's just above here."

"No, no, that's all right," returned young Haight, moving off. "Good
night. I'll see you again pretty soon."

He went away. Ellis, who was still searching through his little books,
suddenly uttered an exclamation. He leaned out into the passage, crying:
"The half of a hot onion; tie it right on the cut." But Haight had
already gone. "You see," explained Ellis, "that draws out any little
particles of glass. Look at this," he added, reading an item just below
the one he had found. "You can use cigar ashes for eczema."

Flossie nodded her head at him, smiling and saying: "Well, the next time
I have eczema I will remember that."

Flossie left them a little after this, joining Nannie and May in the
larger room that held the noisy party. The three fellows had another
round of drinks.

All the evening Ellis had been drinking whisky. Now he astonished the
others by suddenly calling for beer. He persisted in drinking it out of
the celery glass, which he emptied at a single pull. Then Vandover had
claret-punches all round, protesting that his mouth felt dry as a
dust-bin. Geary at length declared that he felt pretty far gone, adding
that he was in the humour for having "a high old time."

"Say, boys," he exclaimed, bringing his hand down on the table, "what do
you say that we all go to every joint in town, and wind up at the
Turkish baths? We'll have a regular _time_. Let's see now how much money
I have."

Thereat they all took account of their money. Vandover had fourteen
dollars, but he owed for materials at his art dealer's, and so put away
eight of it in an inside pocket. The others followed his example, each
one reserving five dollars for immediate use.

"That will be one dollar for the Hammam," said Geary, "and four dollars
apiece for drinks. You can get all we want on four dollars." They had a
last claret-punch and, having settled with Toby, went out.

Coming out into the cold night air from the warm interior of the
Imperial affected Vandover and Geary in a few minutes. But apparently
nothing could affect Ellis, neither whisky, claret-punch nor beer. He
walked steadily between Vandover and Geary, linking an arm in each of
theirs.

These two became very drunk almost at once. At every minute Vandover
would cry out, "Yee-ee-_ow_! Thash way I feel, jush like that." Geary
made a "Josh" that was a masterpiece, the success of the occasion. It
consisted in exclaiming from time to time, "Cherries are ripe!" This was
funny. It seemed to have some ludicrous, hidden double-meaning that was
irresistible. It stuck to them all the evening; when a girl passed them
on Kearney Street and Geary cried out at her that "Cherries were ripe!"
it threw them all into spasms of laughter.

They went first to the Palace Garden near the Tivoli Theatre, where
Geary and Vandover had beer and Ellis a whisky cocktail. The performance
was just finishing, and they voted that they were not at all amused at a
lean, overworked girl whom they saw performing a song and dance through
a blue haze of tobacco smoke; so they all exclaimed, "Cherries are
ripe!" and tramped out again to visit the Luxembourg. The beer began to
go against Vandover's stomach by this time, but he forced it down his
throat, shutting his eyes. Then they said they would go to the toughest
place in town, "Steve Casey's"; this was on a side-street. The walls
were covered with yellowed photographs of once-famous pugilists and
old-time concert-hall singers. There was sand on the floor, and in the
dancing room at the back, where nobody danced, a jaded young man was
banging out polkas and quick-steps at a cheap piano.

At the Crystal Palace, where they all had shandy-gaff, they met one of
Ellis's friends, a young fellow of about twenty. He was stone deaf, and
in consequence had become dumb; but for all that he was very eager to
associate with the young men of the city and would not hear of being
separated and set apart with the other deaf mutes. He was very pleased
to meet them and joined them at once. They all knew him pretty well and
called him the "Dummy."

In the course of the evening the patty was seen at nearly every bar and
saloon in the neighbourhood of Market and Kearney streets. Geary and
Vandover were very drunk indeed. Vandover was having a glorious time; he
was not silent a minute, talking, laughing, and singing, and crying out
continually, "Cherries are ripe!" When he could think of nothing else to
say he would exclaim, "Yee-ee-_ow_! Thash way I feel."

For two hours they drank steadily. Vandover was in a dreadful condition;
the Dummy got so drunk that he could talk, a peculiarity which at times
had been known to occur to him. As will sometimes happen, Geary sobered
up a little and at the "Grotto" bathed his head and face in the
washroom. After this he became pretty steady, he stopped drinking, and
tried to assume the management of the party, ordering their drinks for
them, and casting up the amount of the check.

About two o'clock they returned toward the Luxembourg, staggering and
swaying. The Luxembourg was a sort of German restaurant under a theatre
where one could get some very good German dishes. There Vandover had
beer and sauerkraut, but Ellis took more whisky. The Dummy continued to
make peculiar sounds in his throat, half-noise, half-speech, and Geary
gravely informed the waiter that cherries were ripe.

All at once Ellis was drunk, collapsing in a moment. The skin around his
eyes was purple and swollen, the pupils themselves were contracted, and
their range of vision seemed to stop at about a yard in front of his
face. Suddenly he swept glasses, plates, castor, knives, forks, and all
from off the table with a single movement of his arm.

They all jumped up, sober in a minute, knowing that a scene was at hand.
The waiter rushed at Ellis, but Ellis knocked him down and tried to
stamp on his face. Vandover and the Dummy tried to hold his arms and
pull him off. He turned on the Dummy in a silent frenzy of rage and
brought his knuckles down upon his head again and again. For the moment
Ellis could neither hear, nor see, nor speak; he was blind, dumb,
fighting drunk, and his fighting was not the fighting of Vandover.

"Get in here and help, will you?" panted Vandover to Geary, as he
struggled with Ellis. "He can kill people when he's like this. Oh, damn
the whisky anyhow! Look out--don't let him get that knife! Grab his
other arm, there! now, kick his feet from under him! Oh, kick hard! Sit
on his legs; there now. Ah! Hell! he's bitten me! Look out! here comes
the bouncer!"

The bouncer and three other waiters charged into them while they were
struggling on the floor. Vandover was twice knocked down and the Dummy
had his lip split. Ellis struggled to his feet again and, still silent,
fought them all alike, a fine line of froth gathering at the corners of
his lips.

When they were finally ejected, and pulled themselves together in the
street outside, Geary had disappeared. He had left them during the
struggle with Ellis and had gone home. Ah, you bet he wasn't going to
stay any longer with the crowd when they got like that. If Ellis was
fool enough to get as drunk as that it was his own lookout. _He_ wasn't
going to stay and get thrown out of any saloon; ah, no, you bet he was
too clever for that. He was sober enough now and would go home to bed
and get a good sleep.

The fight in the saloon had completely sobered the rest of them. Ellis
was tractable enough again, and very sorry for having got them into such
a row. Vandover was horribly sick at his stomach.

The three locked arms and started slowly toward the Turkish baths. On
their way they stopped at an all-night drug store and had some seltzer.

       *       *       *       *       *

Vandover had about three hours' sleep that night. He was awakened by the
attendant shaking his arm and crying:

"Half-past six, sir."

"Huh!" he exclaimed, starting up. "What about half-past six? I don't
want to get up."

"Told me to call you, sir, at half-past six; quarter to seven now."

"Oh, all right, very well," answered Vandover. He turned away his face
on the pillow, while a wretched feeling of nausea crept over him; every
movement of his head made it ache to bursting. Behind his temples the
blood throbbed and pumped like the knocking of hammers. His mouth would
have been dry but for a thick slime that filled it and that tasted of
oil. He felt weak, his hands trembled, his forehead was cold and seemed
wet and sticky.

He could recall hardly anything of the previous night. He remembered,
however, of going to the Imperial and of seeing Flossie, and he _did_
remember at last of leaving word to be called at half-past six.

He got up without waking the other two fellows and took a plunge in the
cold tank, dressed very slowly, and went out. The stores were all
closed, the streets were almost deserted. He walked to the nearest
uptown car-line and took an outside seat, feeling better and steadier
for every moment of the sharp morning air.

Van Ness Avenue was very still. It was about half-past seven. The
curtains were down in all the houses; here and there a servant could be
seen washing down the front steps. In the vestibules of some of the
smaller houses were loaves of French bread and glass jars of cream,
while near them lay the damp twisted roll of the morning's paper. There
was everywhere a great chittering of sparrows, and the cable-cars, as
yet empty, trundled down the cross streets, the conductors cleaning the
windows and metal work. From far down at one end of the avenue came the
bells of the Catholic Cathedral ringing for early mass; and a
respectable-looking second girl hurried past him carrying her
prayer-book. At the other end of the avenue was a blue vista of the bay,
the great bulk of Mount Tamalpais rearing itself out of the water like a
waking lion.

In front of the little church Turner was waiting for him. She was
dressed very prettily and the cold morning air had given her a fine
colour.

"You don't look more than half awake," she said, as Vandover came up.
"It was awfully good of you to come. Oh, Van, you look dreadfully. It is
too bad to make you get up so early."

"No, no," protested Vandover. "I was only too glad to come. I didn't
sleep well last night. I hope I haven't kept you waiting."

"I've only just come," answered Turner. "But I think it is time to go
in."

The little organ was muttering softly to itself as they entered. It was
very still otherwise. The morning sun struck through the stained windows
and made pretty lights about the altar; besides themselves there were
some half dozen other worshippers. The little organ ceased with a long
droning sigh, and the minister in his white robes turned about, facing
his auditors, and in the midst of a great silence opened the communion
service with the words: "Ye who do truly and earnestly repent you of
your sins and are in love and charity with your neighbours--"

As Vandover rose with the rest the blood rushed to his head and a
feeling of nausea and exhaustion, the dregs of his previous night's
debauch, came over him again for a moment, so that he took hold of the
back of the pew in front of him to steady himself.




Chapter Five


In the afternoons Vandover worked in his studio, which was on Sacramento
Street, but in the mornings he was accustomed to study in the life-class
at the School of Design.

This was on California Street over the Market, an immense room
partitioned by enormous wooden screens into alcoves, where the
still-life classes worked, painting carrots, grapes, and dusty brown
stone-jugs.

All about were a multitude of casts, the fighting gladiator, the
discobulus, the Venus of Milo, and hundreds of smaller pieces, masks,
torsos, and the heads of the Parthenon horses. Flattened paint-tubes and
broken bits of charcoal littered the floor and cluttered the chairs and
shelves. A strong odour of turpentine and fixative was in the air,
mingled with the stronger odours of linseed oil and sour, stale French
bread.

Every afternoon a portrait class of some thirty-odd assembled in one of
the larger alcoves near the door. Several of the well-known street
characters of the city had posed for this class, and at one time Father
Elphick, the white-haired, bare-headed vegetarian, with his crooked
stick and white clothes, had sat to it for his head.

Vandover was probably the most promising member of the school. His style
was sketchy, conscientious, and full of strength and decision. He worked
in large lines, broad surfaces and masses of light or shade. His colour
was good, running to purples, reds, and admirable greens, full of
bitumen and raw sienna.

Though he had no idea of composition, he was clever enough to
acknowledge it. His finished pictures were broad reaches of landscape,
deserts, shores, and moors in which he placed solitary figures of men or
animals in a way that was very effective--as, for instance, a great
strip of shore and in the foreground the body of a drowned sailor; a
lion drinking in the midst of an immense Sahara; or, one that he called
"The Remnant of an Army," a dying war horse wandering on an empty plain,
the saddle turned under his belly, his mane and tail snarled with burrs.

Some time before there had come to him the idea for a great picture. It
was to be his first masterpiece, his salon picture when he should get to
Paris. A British cavalryman and his horse, both dying of thirst and
wounds, were to be lost on a Soudanese desert, and in the middle
distance on a ridge of sand a lion should be drawing in upon them,
crouched on his belly, his tail stiff, his lower jaw hanging. The
melodrama of the old English "Home Book of Art" still influenced
Vandover. He was in love with this idea for a picture and had determined
to call it "The Last Enemy." The effects he wished to produce were
isolation and intense heat; as to the soldier, he was as yet undecided
whether to represent him facing death resignedly, calmly, or grasping
the barrel of his useless rifle, determined to fight to the last.

Vandover loved to paint and to draw. He was perfectly contented when his
picture was "coming right," and when he felt sure he was doing good
work. He often did better than he thought he would, but never so well as
he thought he _could_.

However, it bored him to work very hard, and when he did not enjoy his
work he stopped it at once. He would tell himself on these occasions
that one had to be in the mood and that he should wait for the
inspiration, although he knew very well how absurd such excuses were,
how false and how pernicious.

That certain little weakness of Vandover's character, his
self-indulgence, _had_ brought him to such a point that he thought he
had to be amused. If his painting amused him, very good; if not, he
found something else that would.

On the following Monday as he worked in the life-class, Vandover was
thinking, or, rather, trying not to think, of what he had done the
Sunday morning previous when he had gone to communion with Turner Ravis.
For a long time he evaded the thought because he knew that if he allowed
it to come into his mind it would worry and harass him. But by and by
the effort of dodging the enemy became itself too disagreeable, so he
gave it up and allowed himself to look the matter squarely in the face.

Ah, yes; it was an ugly thing he had done there, a really awful thing.
He must have been still drunk when he had knelt in the chancel. Vandover
shuddered as he thought of this, and told himself that one could hardly
commit a worse sacrilege, and that some time he would surely be called
to account for it. But here he checked himself suddenly, not daring to
go further. One would have no peace of mind left if one went on brooding
over such things in this fashion. He realized the enormity of what he
had done. He had tried to be sorry for it. It was perhaps the worst
thing he had ever done, but now he had reached the lowest point. He
would take care never to do such a thing again. After this he would be
better.

But this was not so. Unconsciously, Vandover had shut a door behind him;
he would never again be exactly the same, and the keeping of his
appointment with Turner Ravis that Sunday morning was, as it were, a
long step onward in his progress of ruin and pollution.

He shook himself as though relieving his shoulders of a weight. The
model in the life-class had just been posed for the week, and the others
had begun work. The model for that week was a woman, a fact that pleased
Vandover, for he drew these nude women better than any one in the
school, perhaps better than any one in the city. Portrait work and the
power to catch subtle intellectual distinctions in a face were sometimes
beyond him, but his feeling for the flesh, and for the movement and
character of a pose, was admirable.

He set himself to work. Holding his stick of charcoal toward the model
at arm's-length, he measured off the heads, five in all, and laid off an
equal number of spaces upon his paper. After this, by aid of his mirror,
he studied the general character of the pose for nearly half an hour.
Then, with a few strokes of his charcoal he laid off his larger
construction lines with a freedom and a precision that were excellent.
Upon these lines he made a second drawing a little more detailed, though
as yet everything was blocked in, angularly and roughly. Then, putting a
thin flat edge upon his charcoal, he started the careful and finished
outline.

By the end of an hour the first sketch of his drawing was complete. It
was astonishingly good, vigorous and solid; better than all, it had that
feeling for form that makes just the difference between the amateur and
the genuine artist.

By this time Vandover's interest began to flag. Four times he had drawn
and redrawn the articulation of the model's left shoulder. As she stood,
turned sideways to him, one hand on her hip, the deltoid muscle was at
once contracted and foreshortened. It was a difficult bit of anatomy to
draw. Vandover was annoyed at his ill success--such close attention and
continued effort wearied him a little--the room was overheated and
close, and the gas stove, which was placed near the throne to warm the
model, leaked and filled the room with a nasty brassy smell. Vandover
remembered that the previous week he had been looking over some old
bound copies of _l'Art_ in the Mechanics Library and had found them of
absorbing interest. There was a pleasant corner and a huge comfortable
chair near where they were in the reading-room, and from the window one
could occasionally look out upon the street. It was a quiet spot, and he
would not be disturbed all the morning. The idea was so attractive that
he put away his portfolio and drawing things and went out.

For an hour he gave himself up to the enjoyment of _l'Art_, excusing his
indolence by telling himself that it was all in his profession and was
not time lost. A reproduction of a picture by Gérome gave him some
suggestions for the "Last Enemy," which he noted very carefully.

He was interrupted by a rustle of starched skirts and a voice that said:

"Why, hello, Van!"

He looked up quickly to see a young girl of about twenty dressed in a
black close-fitting bolero jacket of imitation astrakhan with big
leg-of-mutton sleeves, a striped silk skirt, and a very broad hat tilted
to one side. Her hair was very blond, though coarse and dry from being
bleached, and a little flat curl of it lay very low on her forehead. She
was marvellously pretty. Vandover was delighted.

"Why, _Ida_!" he exclaimed, holding her hand; "_it's_ awfully nice to
see you here; won't you sit down?" and he pushed his chair toward her.

But Ida Wade said no, she had just come in after a new book, and of
course it had to be out. But where had he kept himself so long? That was
the way he threw off on her; ah, yes, he was going with Miss Ravis now
and wouldn't look at any one else.

Vandover protested against this, and Ida Wade went on to ask him why he
couldn't come up to call on her that very night, adding:

"We might go to the Tivoli or somewhere." All at once she interrupted
herself, laughing, "Oh, I heard all about you the other night.
_'Cherries are ripe_!' You and the boys painted the town red, didn't
you? Ah, Van, I'm right on to _you_!"

She would not tell him how she heard, but took herself off, laughing and
reminding him to come up early.

Ida Wade belonged to a certain type of young girl that was very common
in the city. She was what men, among each other, called "gay," though
that was the worst that could be said of her. She was virtuous, but the
very fact that it was necessary to say so was enough to cause the
statement to be doubted. When she was younger and had been a pupil at
the Girls' High School, she had known and had even been the companion of
such girls as Turner Ravis and Henrietta Vance, but since that time
girls of that class had ignored her. Now, almost all of her
acquaintances were men, and to half of these she had never been
introduced. They had managed to get acquainted with her on Kearney
Street, at theatres, at the Mechanics' Fair, and at baseball games. She
loved to have a "gay" time, which for her meant to drink California
champagne, to smoke cigarettes, and to kick at the chandelier. She was
still virtuous and meant to stay so; there was nothing vicious about
her, and she was as far removed from Flossie's class as from that of
Turner Ravis.

She was very clever; half of her acquaintances, even the men, did not
know how very "gay" she was. Only those--like Vandover--who knew her
best, knew her for what she was, for Ida was morbidly careful of
appearances, and as jealous of her reputation as only fast girls are.

Bessie Laguna was her counterpart. Bessie was "the girl she went with,"
just as Henrietta Vance was Turner's "chum" and Nannie was Flossie's
"running-mate."

Ida lived with her people on Golden Gate Avenue not far from Larkin
Street. Her father had a three-fourths interest in a carpet-cleaning
establishment on Howard Street, and her mother gave lessons in painting
on china and on velvet. Ida had just been graduated from the normal
school, and often substituted at various kindergartens in the city. She
hoped soon to get a permanent place.

Vandover arrived at Ida's house that night at about eight o'clock in the
midst of a drenching fog. The parlour and front room on the second floor
were furnished with bay windows decorated with some meaningless sort of
millwork. The front door stood at the right of the parlour windows. Two
Corinthian pillars on either side of the vestibule supported a balcony;
these pillars had iron capitals which were painted to imitate the wood
of the house, which in its turn was painted to imitate stone. The house
was but two stories high, and the roof was topped with an iron cresting.
There was a microscopical front yard in which one saw a tiny gravel
walk, two steps long, that led to a door under the front steps, where
the gas-meter was kept. A few dusty and straggling calla-lilies grew
about.

Ida opened the door for Vandover almost as soon as he rang, and pulled
him into the entry, exclaiming: "Come in out of the wet, as the whale
said to Jonah. _Isn't_ it a nasty night?" Vandover noticed as he came in
that the house smelt of upholstery, cooking, and turpentine. He did not
take off his overcoat, but went with her into the parlour.

The parlour was a little room with tinted plaster walls shut off from
the "back-parlour" by sliding doors. A ply carpet covered the floor, a
cheap piano stood across one corner of the room, and a greenish sofa
across another. The mantelpiece was of white marble with gray spots; on
one side of it stood an Alaskan "grass basket" full of photographs, and
on the other an inverted section of a sewer-pipe painted with daisies
and full of gilded cat-tails tied with a blue ribbon. Near the piano
straddled a huge easel of imitation brass up-holding the crayon picture
of Ida's baby sister enlarged from a photograph. Across one corner of
this picture was a yellow "drape." There were a great many of these
"drapes" all about the room, hanging over the corners of the chairs,
upon an edge of the mantelpiece, and even twisted about the chandelier.
In the exact middle of the mantelpiece itself was the clock, one of the
chief ornaments of the room, almost the first thing one saw upon
entering; it was a round-faced timepiece perversely set in one corner of
an immense red plush palette; the palette itself was tilted to one
side, and was upheld by an easel of twisted brass wire. Out of the
thumb-hole stuck half a dozen brushes wired together in a round bunch
and covered with gilt paint. The clock never was wound. It went so fast
that it was useless as a timepiece. Over it, however, hung a large and
striking picture, a species of cheap photogravure, a lion lying in his
cage, looking mildly at the spectator over his shoulder. In front of the
picture were real iron bars, with real straw tucked in behind them.

Ida sat down on the piano stool, twisting back and forth, leaning her
elbows on the keys.

"All the folks have gone out to a whist-party, and I'm left all alone in
the house with Maggie," she said. Then she added: "Bessie and Bandy
Ellis said they would come down to-night, and I thought we could all go
downtown to the Tivoli or somewhere, in the open-air boxes, you know,
way up at the top." Hardly had she spoken the words when Bessie and
Ellis arrived.

Ida went upstairs to get on her hat at once, because it was so late, and
Bessie went with her.

Ellis and Vandover laughed as soon as they saw each other, and Ellis
exclaimed mockingly, "Ye-e-ow, thash jush way I feel." Vandover grinned:

"That's so," he answered. "I _do_ remember now of having made that
remark several times. But _you_--oh, you were fearful. Do you remember
the row in the Luxembourg? Look there where you bit me."

Ellis was incensed with Geary because he had forsaken their party.

"Oh, that's Charlie Geary, all over," answered Vandover.

As they were speaking there came a sudden outburst of bells in various
parts of the city and simultaneously they heard the hoarse croaking of a
whistle down by the waterfront.

"Fire," said Vandover indifferently.

Ellis was already fumbling in his pockets, keeping count of the strokes.

"That's one," he exclaimed, pulling out and studying his list of
alarm-boxes, "and one-two-three, that's three and one-two-three-_four_,
one thirty-four. Let's see now! That's Bush and Hyde streets, not very
far off," and he returned his card to the inside pocket of his coat as
though he had accomplished a duty.

He lit a cigar. "I wonder now," he said, hesitating. "I guess I better
not smoke in here. I'll go outside and get a mouthful of smoke before
the girls come down." He went out and Vandover sat down to the cheap
piano and played his three inevitable pieces, the two polkas and the air
of the topical song; but he was interrupted by Ellis, who opened the
door, crying out:

"Oh, come out here and see the _fire_, will you? Devil of a blaze!"
Vandover ran out and saw a great fan-shaped haze of red through the fog
over the roofs of the houses.

"Oh, say, girls," he shouted, jumping back to the foot of the stairs;
"Ida, Bessie, there's a fire. Just look out of your windows. Hark, there
go the engines."

Bessie came tearing down the stairs and out on the front steps, where
the two fellows were standing hatless.

"Where? Oh, show me where! O-o-oh, sure enough! That's a _big_ fire.
Just hear the engines. _Oh, let's go_!"

"Sure; come on, let's go!" exclaimed Vandover. "Tell Ida to hurry up."

"Oh, Ida," cried Bessie up the stairs, "there's an awful big fire right
near here, and we're going."

"Oh, wait!" shouted Ida, her mouth full of pins. "I had to change my
waist. Oh, _do_ wait for me. Where is it _at_? Please wait; I'm coming
right down in just a minute."

"Hurry up, hurry up!" cried Vandover. "It will be all out by the time we
get there. I'm coming up to help."

"No, no, no!" she screamed. "Don't; you rattle me. I'm all mixed up. Oh,
_darn_ it, I can't find my czarina!"

But at last she came running down, breathless, shrugging herself into
her bolero jacket. They all hurried into the street and turned in the
direction of the blaze. Other people were walking rapidly in the same
direction, and there was an opening and shutting of windows and front
doors. A steamer thundered past, clanging and smoking, followed by a
score of half-exhausted boys. It took them longer to reach the fire than
they expected, and by the time they had come within two blocks of it
they were quite out of breath. Here the excitement was lively; the
sidewalks were full of people going in the same direction; on all sides
there were guesses as to where the fire was. On the front steps of many
houses stood middle-aged gentlemen, still holding their evening papers
and cigars, very amused and interested in watching the crowd go past.
One heard them from time to time calling to their little sons, who were
dancing on the sidewalks, forbidding them to go; in the open windows
above could be seen the other members of the family, their faces faintly
tinged with the glow, looking and pointing, or calling across the street
to their friends in the opposite houses. Every one was in good humour;
it was an event, a fête for the entire neighbourhood.

Vandover and his party came at last to the first engines violently
pumping and coughing, the huge gray horses standing near by, already
unhitched and blanketed, indifferently feeding in their nosebags. Some
of the crowd preferred to watch the engines rather than the fire, and
there were even some who were coming away from it, exclaiming "false
alarm" or "all out now."

The party had come up quite close; they could smell the burning wood and
could see the roofs of the nearer houses beginning to stand out sharp
and black against the red glow beyond. It was a barn behind a huge frame
house that was afire, the dry hay burning like powder, and by the time
they reached it the flames were already dwindling. The hose was lying
like a python all about the streets, while upon the neighbouring roofs
were groups of firemen with helmets and axes; some were shouting into
the street below, and others were holding the spouting nozzles of the
hose. "Ah," exclaimed an old man, standing near to Ida and Vandover,
"ah, _I_ was here when it first broke out; you ought to have seen the
flames then! Look, there's a tree catching!"

The crowd became denser; policemen pushed it back and stretched a rope
across the street. There was a world of tumbling yellow smoke that made
one's eyes smart, and a great crackling and snapping of flames. Terribly
excited little boys were about everywhere whistling and calling for each
other as the crowd separated them.

They watched the fire for some time, standing on a pile of boards in
front of a half-built house, but as it dwindled they wearied of it.

"Want to go?" asked Vandover at last.

"Yes," answered Ida, "we might as well. Oh, where's Bessie and Ellis?"
They were nowhere to be seen. Vandover whistled and Ida even called, but
in vain. The little boys in the crowd mimicked Ida, crying back, "Hey!
Bessie! Oh, _Bes-see_, mommer wants you!" The men who stood near laughed
at this, but it annoyed Vandover much more than it did Ida.

"Ah, well, never mind," she said at length. "Let them go. Now shall _we_
go?"

It was too late for the theatre, but to return home was out of the
question. They started off aimlessly downtown.

While he talked Vandover was perplexed. Ida was gayly dressed and was
one of those girls who cannot open their mouths nor raise a finger in
the street without attracting attention. Vandover was not at all certain
that he cared to be seen on Kearney Street as Ida Wade's escort; one
never knew who one was going to meet. Ida was not a bad girl, she was
not notorious, but, confound it, it would look queer; and at the same
time, while Ida was the kind of girl that one did not want to be seen
with, she was not the kind of girl that could be told so. In an upper
box at the Tivoli it would have been different--one could keep in the
background; but to appear on Kearney Street with a girl who wore a hat
like that and who would not put on her gloves--ah, no, it was out of the
question.

Ida was talking away endlessly about a kindergarten in which she had
substituted the last week.

She told him about the funny little nigger girl, and about the games and
songs and how they played birds and hopped around and cried, "Twit,
twit," and the game of the butterflies visiting the flowers. She even
sang part of a song about the waves.

    "Every little wave had its night-cap on;
    Its white-cap, night-cap, white-cap on."

"It's more _fun_ than enough," she said.

"Say, Ida," interrupted Vandover at length, "I'm pretty hungry. Can't we
go somewhere and eat something? I'd like a Welsh rabbit."

"All right," she answered. "Where do you want to go?"

"Well," replied Vandover, running over in his mind the places he might
reach by unfrequented streets. "There's Marchand's or Tortoni's or the
Poodle Dog."

"Suits _me_," she answered, "any one you like. Say, Van," she added,
"weren't you boys at the Imperial the other night? What kind of a place
is that?"

On the instant Vandover wondered what she could mean. Was it possible
that Ida would go to a place like that with him?

"The Imperial?" he answered. "Oh, I don't know; the Imperial is a sort
of a nice place. It has private rooms, like all of these places. The
cooking is simply out of sight. I think there is a bar connected with
it." Then he went on to talk indifferently about the kindergarten,
though his pulse was beating fast, and his nerves were strung taut. By
and by Ida said:

"I didn't know there was a bar at the Imperial. I thought it was just
some kind of an oyster joint. Why, I heard of a very nice girl, a swell
girl, going in there."

"Oh, yes," said Vandover, "they do. I say, Ida," he went on, "what's the
matter with going down _there_?"

"The _Imperial_?" exclaimed Ida. "Well, I guess _not_!"

"Why, it's all right, if I'm with you," retorted Vandover, "but if you
don't like it we can go anywhere else."

"Well, I guess we _will_ go anywhere else," returned Ida, and for the
time the subject was dropped.

They took a Sutter Street car and got off at Grant Avenue, having
decided to go to Marchand's.

"That's the Imperial down there, isn't it?" asked Ida as they reached
the sidewalk. Vandover made a last attempt:

"I say, Ida, come on, let's go there. It's all right if I'm with you.
Ah, come along; what's the odds?"

"_No_--_no_--NO," she answered decisively. "What kind of a girl do you
think I am, anyway?"

"Well, I tell you what," answered Vandover, "just come down _by_ the
place, and if you don't like the looks of it you needn't go in. I want
to get some cigarettes, anyhow. You can walk down with me till I do
_that_."

"I'll walk down with you," replied Ida, "but I shan't go in."

They drew near to the Imperial. The street about was deserted, even the
usual hacks that had their stand there were gone.

"You see," explained Vandover as they passed slowly in front of the
doors, "this is all quiet enough. If you pulled down your veil no one
would know the difference, and here's the ladies' entrance, you see,
right at the side."

"All right, come along, let's go in," exclaimed Ida suddenly, and before
he knew it they had swung open the little door of the ladies' entrance
with its frosted pane of glass and had stepped inside.

It was between nine and ten o'clock, and the Imperial was quiet as yet;
a few men were drinking in the barroom outside, and Toby, the red-eyed
waiter, was talking in low tones to a girl under one of the electric
lights.

Vandover and Ida went into one of the larger rooms in the rear passage
and shut the door. Ida pushed her bolero jacket from her shoulders,
saying, "This seems nice and quiet enough."

"Well, of course," answered Vandover, as though dismissing the question
for good. "Now, what are we going to have? I say we have champagne and
oysters."

"Let's have Cliquot, then," exclaimed Ida, which was the only champagne
she had ever heard of besides the California brands.

She was very excited. This was the kind of "gay" time she delighted in,
tête-à-tête champagne suppers with men late at night. She had never been
in such a place as the Imperial before, and the daring and novelty of
what she had done, the whiff of the great city's vice caught in this
manner, sent a little tremor of pleasure and excitement over all her
nerves.

They did not hurry over their little supper, but ate and drank slowly,
and had more oysters to go with the last half of their bottle. Ida's
face was ablaze, her eyes flashing, her blond hair disordered and
falling about her cheeks.

Vandover put his arm about her neck and drew her toward him, and as she
sank down upon him, smiling and complaisant, her hair tumbling upon her
shoulders and her head and throat bent back, he leaned his cheek against
hers, speaking in a low voice.

"No--no," she murmured, smiling; "never--ah, if I hadn't come--no,
Van--please--" And then with a long breath she abandoned herself.

About midnight he left her at the door of her house on Golden Gate
Avenue. On their way home Ida had grown more serious than he had ever
known her to be. Now she began to cry softly to herself. "Oh, Van," she
said, putting her head down upon his shoulder, "oh, I am so _sorry_. You
don't think any less of me, do you? Oh, Van, you must be true to me
now!"




Chapter Six


Everybody in San Francisco knew of the Ravises and always made it a
point to speak of them as one of the best families of the city. They
were not new and they were not particularly rich. They had lived in the
same house on California Street for nearly twenty years and had always
been comfortably well off. As things go in San Francisco, they were
old-fashioned. They had family traditions and usages and time-worn
customs. Their library had been in process of collection for the past
half century and the pictures on the walls were oil paintings of steel
engravings and genuine old-fashioned chromos, beyond price to-day.

Their furniture and ornaments were of the preceding generation, solid,
conservative. They were not chosen with reference to any one style, nor
all bought at the same time. Each separate piece had an individuality of
its own. The Ravises kept their old things, long after the fashion had
gone out, preferring them to the smarter "art" objects on account of
their associations.

There were six in the family, Mr. and Mrs. Ravis, Turner, and her older
brother, Stanley, Yale '88, a very serious young gentleman of
twenty-seven, continually professing an interest in economics and
finance. Besides these were the two children, Howard, nine years old,
and his sister, aged fourteen, who had been christened Virginia.

They were a home-loving race. Mr. Ravis, senior, belonged to the
Bohemian Club, but was seldom seen there. Stanley was absorbed in his
law business, and Turner went out but little. They much preferred each
other's society to that of three fourths of their acquaintances, most of
their friends being "friends of the family," who came to dinner three or
four times a year.

It was a custom of theirs to spend the evenings in the big dining-room
at the back of the house, after the table had been cleared away, Mr.
Ravis and Stanley reading the papers, the one smoking his cigar, the
other his pipe; Mrs. Ravis, with the magazines and Turner with the
_Chautauquan_. Howard and Virginia appropriated the table to themselves
where they played with their soldiers and backgammon board.

The family kept two servants, June the "China boy," who had been with
them since the beginning of things, and Delphine the cook, a more recent
acquisition. June was, in a way, butler and second boy combined; he did
all the downstairs work and the heavy sweeping, but it was another
time-worn custom for Mrs. Ravis and Turner to spend part of every
morning in putting the bedrooms to rights, dusting and making up the
beds. Besides this, Turner exercised a sort of supervision over Howard
and Virginia, who were too old for a nurse but too young to take care of
themselves. She had them to bed at nine, mended some of their clothes,
made them take their baths regularly, reëstablished peace between them
in their hourly quarrels, and, most arduous task of all, saw that Howard
properly washed himself every morning, and on Wednesday and Saturday
afternoons that he was suitably dressed in time for dancing school.

It was Sunday afternoon. Mrs. Ravis was reading to her husband, who lay
on the sofa in the back-parlour smoking a cigar. Stanley had gone out to
make a call, while Howard and Virginia had forgathered in the bathroom
to sail their boats and cigar boxes in the tub. Toward half-past three,
as Turner was in her room writing letters, the door-bell rang. She
stopped, with her pen in the air, wondering if it might be Vandover. It
was June's afternoon out. In a few minutes the bell rang again, and
Turner ran down to answer it herself, intercepting Delphine, who took
June's place on these occasions, but who was hopelessly stupid.

Mrs. Ravis had peered out through the curtains of the parlour window to
see who it was, and Turner met her and Mr. Ravis coming upstairs,
abandoning the parlour to Turner's caller.

"Mamma and I are going upstairs to read," explained Mr. Ravis. "It's
some one of your young men. You can bring him right in the parlour."

"I think it's Mr. Haight," said Turner's mother. "Ask him to stay to
tea."

"Well," said Turner doubtfully, as she paused at the foot of the stairs,
"I will, but you know we never have anything to speak of for Sunday
evening tea. June is out, and you know how clumsy and stupid Delphine is
when she waits on the table."

It _was_ young Haight. Turner was very glad to see him, for next to
Vandover she liked him better than any of the others. She was never
bored by being obliged to entertain him, and he always had something to
say and some clever way of saying it.

About half-past five, as they were talking about amateur photography,
Mrs. Ravis came in and called them to tea.

Tea with the Ravises was the old-fashioned tea of twenty years ago. One
never saw any of the modern "delicacies" on their Sunday evening table,
no enticing cold lunch, no spices, not even catsups or pepper sauces.
The turkey or chicken they had had for dinner was served cold in slices;
there was canned fruit, preserves, tea, crackers, bread and butter, a
large dish of cold pork and beans, and a huge glass pitcher of
ice-water.

In the absence of June, Delphine the cook went through the agony of
waiting on the table, very nervous and embarrassed in her clean calico
gown and starched apron. Her hands were red and knotty, smelling of
soap, and they touched the chinaware with an over-zealous and
constraining tenderness as if the plates and dishes had been delicate
glass butterflies. She stood off at a distance from the table making
sudden and awkward dabs at it. When it came to passing the plates, she
passed them on the wrong side and remembered herself at the wrong moment
with a stammering apology. In her excess of politeness she kept up a
constant murmur as she attended to their wants. Another fork? Yes, sir.
She'd get it right away, sir. Did Mrs. Ravis want another cuppa tea? No?
No more tea? Well, she'd pass the bread. Some bread, Master Howard? Nice
French bread, he always liked that. Some more preserved pears, Miss
Ravis? Yes, miss, she'd get them right away; they were just over here on
the sideboard. Yes, here they were. No more? Now she'd go and put them
back. And at last when she had set the nerves of all of them in a
jangle, was dismissed to the kitchen and retired with a gasp of
unspeakable relief.

Somewhat later in the evening young Haight was alone with Turner, and
their conversation had taken a very unusual and personal turn. All at
once Turner exclaimed:

"I often wonder what good I am in the world to anybody. I don't _know_ a
thing, I can't _do_ a thing. I couldn't cook the plainest kind of a meal
to _save_ me, and it took me all of two hours yesterday to do just a
little buttonhole stitching. I'm not good for anything. I'm not a help
to anybody."

Young Haight looked into the blue flame of the gas-log, almost the only
modern innovation throughout the entire house, and was silent for a
moment; then he leaned his elbows on his knees and, still looking at the
flame, replied:

"I don't know about that. You have been a considerable help to _me_."

"To _you_!" exclaimed Turner, surprised. "A help to _you_? Why, how do
you mean?"

"Well," he answered, still without looking at her, "one always has one's
influence, you know."

"Ah, lots of influence _I_ have over anybody," retorted Turner,
incredulously.

"Yes, you have," he insisted. "You have plenty of influence over the
people that care for you. You have plenty of influence over me."

Turner, very much embarrassed, and not knowing how to answer, bent down
to the side of the mantelpiece and turned up the flame of the gas-log a
little. Young Haight continued, almost as embarrassed as she:

"I suppose I'm a bad lot, perhaps a little worse than most others, but I
think--I hope--there's some good in me. I know all this sounds absurd
and affected, but _really_ I'm not posing; you won't mind if I speak
just as I think, for this once. I promise," he went on with a half
smile, "not to do it again. You know my mother died when I was little
and I have lived mostly with men. You have been to me what the society
of women has been to other fellows. You see, you are the only girl I
ever knew very well--the only one I ever wanted to know. I have cared
for you the way other men have cared for the different women that come
into their lives; as they have cared for their mothers, their
sisters--and their wives. You have already influenced me as a mother or
sister should have done; what if I should ever ask you to be--to be the
_other_ to me, the one that's best of all?"

Young Haight turned toward her as he finished and looked at her for the
first time. Turner was still very much embarrassed.

"Oh, I'm very glad if I've been a help to--to anybody--to you," she
said, confusedly. "But I never knew that you cared--that you thought
about me--in that way. But you mustn't, you know, you mustn't care for
me in that way. I ought to tell you right away that I never could care
for you more than--I always have done; I mean care for you only as a
very, very good friend. You don't know, Dolly," she went on eagerly,
"how it hurts me to tell you so, because I care so much for you in every
other way that I wouldn't hurt your feelings for anything; but then you
know at the same time it would hurt you a great deal more if I
_shouldn't_ tell you, but encourage you, and let you go on thinking that
perhaps I liked you more than any one else, when I _didn't_. Now
wouldn't that be wrong? You don't know how glad it makes me feel that I
have been of some good to you, and that is just why I want to be sincere
_now_ and not make you think any less of me--think any worse of me."

"Oh, I know," answered young Haight. "I know I shouldn't have said
anything about it. I knew beforehand, or thought I knew, that you didn't
care in that way."

"Maybe I have been wrong," she replied, "in not seeing that you cared so
much, and have given you a wrong impression. I thought you knew how it
was all the time."

"Knew how what was?" he asked, looking up.

"Why," she said, "knew how Van and I were."

"I knew that Van cared for you a great deal."

"Yes, but you know," she went on, hesitating and confused, "you know we
are engaged. We have been engaged for nearly two years."

"But _he_ don't consider himself as engaged!" The words were almost out
of Haight's mouth, but he shut his teeth against them and kept
silence--he hardly knew why.

"Suppose Vandover were out of the question," he said, getting up and
smiling in order not to seem as serious as he really was.

"Ah," she said, smiling back at him. "I don't know; that's a hard
question to answer. I've never _asked_ myself _that_ question."

"Well, I'm saving you the trouble, you see," he answered, still smiling.
"I am asking it _for_ you."

"But I don't want to answer such a question off-hand like that; how can
I tell? It would only be _perhaps_, just now."

Young Haight answered quickly that "just now" he would be contented with
that "perhaps"; but Turner did not hear this. She had spoken at the same
time as he, exclaiming, "But what is the good of talking of that?
Because no matter what happened I feel as though I could not break my
promise to Van, even if I should want to. Because I have talked like
this, Dolly," she went on more seriously, "you must not be deceived or
get a wrong impression. You understand how things are, don't you?"

"Oh, yes," he answered, still trying to carry it off with a laugh. "I
know, I know. But now I hope you won't let anything I have said bother
you, and that things will go on just as if I hadn't spoken, just as if
nothing had happened."

"Why, of course," she said, laughing with him again. "Of _course_, why
shouldn't they?"

They were both at their ease again by the time young Haight stood at the
door with his hat in his hand ready to go.

He raised his free hand over her head, and said, with burlesque,
dramatic effect, trying to keep down a smile:

"Bless you both; go, go marry Vandover and be happy; I forgive you."

"Ah--don't be so _utterly_ absurd," she cried, beginning to laugh.




Chapter Seven


On a certain evening about four months later Ellis and Vandover had a
"date" with Ida Wade and Bessie Laguna at the Mechanics' Fair. Ellis,
Bessie, and Ida were to meet Vandover there in the Art Gallery, as he
had to make a call with his father, and could not get there until
half-past nine. They were all to walk about the Fair until ten, after
which the two men proposed to take the girls out to the Cliff House in
separate coupés. The whole thing had been arranged by Ellis and Bessie,
and Vandover was irritated. Ellis ought to have had more sense; rushing
the girls was all very well, but everybody went to the Mechanics' Fair,
and he didn't like to have nice girls like Turner or Henrietta Vance see
him with chippies like that. It was all very well for Ellis, who had no
social position, but for _him_, Vandover, it would look too confounded
queer. Of course he was in for it now, and would have to face the music.
You can't tell a girl like that that you're ashamed to be seen with her,
but very likely he would get himself into a regular box with it all.

When he arrived at the Mechanics' Pavilion, it was about twenty minutes
of ten, and as he pushed through the wicket he let himself into a huge
amphitheatre full of colour and movement.

There was a vast shuffling of thousands of feet and a subdued roar of
conversation like the noise of a great mill; mingled with these were the
purring of distant machinery, the splashing of a temporary fountain and
the rhythmic clamour of a brass band, while in the piano exhibit the
hired performer was playing a concert-grand with a great flourish.
Nearer at hand one could catch ends of conversation and notes of
laughter, the creaking of boots, and the rustle of moving dresses and
stiff skirts. Here and there groups of school children elbowed their way
through the crowd, crying shrilly, their hands full of advertisement
pamphlets, fans, picture cards, and toy whips with pewter whistles on
the butts, while the air itself was full of the smell of fresh popcorn.

Ellis and Bessie were in the Art Gallery upstairs. Mrs. Wade, Ida's
mother, who gave lessons in hand painting, had an exhibit there which
they were interested to find; a bunch of yellow poppies painted on
velvet and framed in gilt. They stood before it some little time
hazarding their opinions and then moved on from one picture to another;
Ellis bought a catalogue and made it a duty to find the title of every
picture. Bessie professed to be very fond of painting; she had 'taken it
up' at one time and had abandoned it, only because the oil or turpentine
or something was unhealthy for her. "Of course," she said, "I'm no
critic, I only know what I like. Now that one over there, I like _that_.
I think those ideal heads like that are lovely, don't you, Bandy? Oh,
there's Van!"

"Hello!" said Vandover, coming up. "Where's Ida?"

"Hello, Van!" answered Bessie. "Ida wouldn't come. Isn't it too mean?
She said she couldn't come because she had a cold, but she was just
talking through her face, I know. She's just got kind of a streak on and
you can't get anything out of her. You two haven't had a row, have you?
Well, I didn't _think_ you had. But she's worried about something or
other. I don't believe she's been out of the house this week. But isn't
it mean of her to throw cold water on the procession like this? She's
been giving me a lecture, too, and says she's going to reform."

"Well," said Vandover, greatly relieved, "that's too bad. We could have
had a lot of fun to-night. I'm awfully sorry. Well, what are you two
going to do?"

"Oh, I guess we'll follow out our part of the programme," said Ellis.
"You are kind of left out, though."

"I don't know," answered Vandover. "Maybe I'll go downtown, and see if I
can find some of the boys."

"Oh, Dolly Haight is around here somewheres," said Ellis. "We saw him
just now over by the chess machine."

"I guess I'll try and find him, then," responded Vandover. "Well, I hope
you two enjoy yourselves." As he was turning away Bessie Laguna came
running back, and taking him a little to one side said:

"You'd better go round and see Ida pretty soon if you can. She's all
broke up about something, I'm sure. I think she'd like to see you pretty
well. Honestly," she said, suddenly very grave, "I never saw Ida so cut
up in my life. She's been taking on over something in a dreadful way,
and I think she'd like to see you. She won't tell _me_ anything. You go
around and see her."

"All right," answered Vandover smiling, "I'll go."

As he was going down the stairs on his way to find young Haight it
occurred to him what Ida's trouble might be. He was all at once struck
with a great fear, so that for an instant he turned cold and weak, and
reached out his hand to steady himself against the railing of the
stairs. Ah, what a calamity that would be! What a calamity! What a
dreadful responsibility! What a crime! He could not keep the thought out
of his mind. He tried to tell himself that Ida had practically given her
consent by going into such a place; that he was not the only one, after
all; that there was nothing certain as yet. He stood on the stairway,
empty for that moment, biting the end of his thumb, saying to himself in
a low voice:

"What a calamity, what a horrible calamity that would be! Ah, you
scoundrel! You damned fool, not to have thought!" A couple of girls, the
counter girls at one of the candy booths, came down the stairs behind
him with a great babble of talk. Vandover gave an irritated shrug of his
shoulders as if freeing himself from the disagreeable subject and went
on.

He could not find young Haight down stairs and so went up into the
gallery again. After a long time he came upon him sitting on an empty
bench nursing his cane and watching the crowd go past.

"Hello, old man!" he exclaimed. "Ellis told me I would find you around
somewhere. I was just going to give you up." He sat down beside his
chum, and the two began to talk about the people as they passed. "Ah,
get on to the red hat!" exclaimed Vandover on a sudden. "That's the
third time she's passed."

"Has Ellis gone off with Bessie Laguna?" asked young Haight.

"Yes," answered Vandover. "They're going to have a time at the Cliff
House."

"That's too bad," young Haight replied. "Ellis has just thrown himself
away with that girl. He might have known some very nice people when he
first came here. Between that girl and his whisky he has managed to
spoil every chance he might have had."

"There's Charlie Geary," Vandover exclaimed suddenly, whistling and
beckoning. "Hey, there, Charlie! where you going? Oh," he cried on a
sudden as Geary came up, "oh, get on to his new store clothes, will
you?" They both pretended to be overwhelmed by the elegance of Geary's
new suit.

"O-oh!" cried young Haight. "The bloody, bloomin', bloated swell. Just
let me _touch_ them!"

Vandover shaded his eyes and turned away as though dazzled. "This is
_too_ much," he gasped. "Such magnificence, such purple and fine linen."
Then suddenly he shouted, "Oh, _oh! look_ at the crease in those
trousers. No; it's too much, I can't stand it."

"Oh, shut up," said Geary, irritated, as they had intended he should be.
"Yes," he went on, "I thought I'd blow myself. I've been working like a
dog the whole month. I'm trying to get in Beale's office. Beale and
Storey, you know. I got the promise of a berth last week, so I thought
I'd blow myself for some rags. I've been over to San Rafael all day
visiting my cousins; had a great time; went out to row. Oh, and had a
great feed: lettuce sandwiches with mayonnaise. Simply out of sight. I
came back on the four o'clock boat and held down the 'line' on Kearney
Street for an hour or two."

"Yes?" young Haight said perfunctorily, adding after a moment, "Isn't
this a gay crowd, a typical San Francisco crowd and--"

"I had a cocktail in the Imperial at about quarter of five," said Geary,
"and got a cigar at the Elite; then I went around to get my clothes. Oh,
you ought to have heard the blowing up I gave my tailor! I let him have
it right straight."

Geary paused a moment, and Vandover said: "Come on, let's walk around a
little; don't you want to? We might run on to the red hat again."

"I told him," continued Geary without moving, "that if he wanted to do
any more work for me, he'd have to get in front of himself in a hurry,
and that _I_ wasn't full of bubbles, if _he_ was. 'Why,' says he, 'why,
Mr. Geary, I've never had a customer talk like this to me before since
I've been in the business!' 'Well, Mr. Allen,' says I, 'it's time you
_had_! Oh, sure, I gave it to him straight."

"Vandover has gone daft over a girl in a red hat," said young Haight,
as they got up and began to walk. "Have you noticed her up here?"

"I went to the Grillroom after I left the tailor's," continued Geary,
"and had supper downtown. Ah, you ought to have seen the steak they gave
me! Just about as thick as it was wide. I gave the slavey a four-bit
tip. Oh, it's just as well, you know, to keep in with them, if you go
there often. I lunch there four or five times a week."

They descended to the ground floor and promenaded the central aisle
watching for pretty girls. In front of a candy-counter, where there was
a soda fountain, they saw the red hat again. Vandover looked her
squarely in the face and laughed a little. When he had passed he looked
back; the girl caught his eye and turned away with a droll smile.
Vandover paused, grinning, and raising his hat; "I guess that's mine,"
he said.

"You are not going, are you?" exclaimed young Haight, as Vandover
stopped. "Oh, for goodness' sake, Van, do leave the girls alone for one
hour in the day. Come on! Come on downtown with us."

"No, no," answered Vandover. "I'm going to chase it up. Good-bye. I may
see you fellows later," and he turned back and went up to the girl.

"Look at that!" said young Haight, exasperated. "He knows he's liable to
meet his acquaintances here, and yet there he goes, almost arm in arm
with a girl like that. It's too bad; why _can't_ a fellow keep straight
when there are such a lot of _nice_ girls?"

Geary never liked to see anything done better than he could do it
himself. Just now he was vexed because Vandover had got in ahead of him.
He looked after the girl a moment and muttered scornfully:

"Cheap meat!" adding, "Ah, you bet _I_ wouldn't do that. I flatter
myself that I'm a little too clever to cut my own throat in that
fashion. I look out after my interests better than that. Well, Dolly,"
he concluded, "_I've_ got a thirst on. Van and Ellis have gone off with
their girls; let's you and I go somewhere and have something wet."

"All right. What's the matter with the Luxembourg?" answered young
Haight.

"Luxembourg goes, then," assented Geary, and they turned about and
started for the door. As they were passing out some one came running up
behind them and took an arm of each: it was Vandover.

"Hello," cried Geary, delighted, "your girl shook you, didn't she?"

"Not a bit of it," answered Vandover. "Oh, but say, she is out of sight!
Says her name is Grace Irving. No, she didn't shake me. I made a date
with her for next Wednesday night. I didn't want to be seen around here
with her, you know."

"Of _course_ she will keep that date!" said Geary.

"Well, now, I think she will," protested Vandover.

"Well, come along," interrupted young Haight. "We'll all go down to the
Luxembourg and have something cold and wet."

"Ah, make it the Imperial instead," objected Vandover. "We may find
Flossie."

"Say," cried Geary, "can't you _live_ without trailing around after some
kind of petticoats?"

"You're right," admitted Vandover, "I can't," but he persuaded them to
go to the Imperial for all that.

At the Imperial, Toby, the red-eyed waiter, came to take their order.

"Good evening, gentlemen," he said. "Haven't seen you around here for
some time."

"No, no," said Geary. "I've been too busy. I've been working like a dog
lately to get into a certain office. You bet I'll make it all right--all
right. Bring me a stringy rabbit and a pint of dog's-head."

"You bet I've been working," he continued after they had settled down to
their beer and rabbits, "working like a dog. A man's got to rustle if
he's going to make a success at law. _I'm_ going to make it go, by
George, or I'll know the reason why. I'll make my way in this town and
my pile. There's money to be made here and _I_ might just as well make
it as the next man. Every man for himself, that's what _I_ say; that's
the way to get along. It may be selfish, but you've got to do it. By
God! it's human nature. Isn't that right, hey? Isn't that right?"

"Oh, that's right," admitted young Haight, trying to be polite. After
this the conversation lagged a little. Young Haight drank his
Apollinaris lemonade through a straw, Geary sipped his ale, and Vandover
fed himself Welsh rabbit and Spanish olives with the silent enjoyment of
a glutton. By and by, when they had finished and had lighted their
cigars and cigarettes, they began to talk about the last Cotillon, to
which Vandover and Haight belonged.

"Say, Van," said young Haight, tilting his head to one side and shutting
one eye to avoid the smoke from his cigar, "say, didn't I see you
dancing with Mrs. Doane after supper?"

"Yes," said Vandover laughing; "all the men were trying to get a dance
with her. She had an edge on."

"No?" exclaimed Geary, incredulously.

"That's a fact," admitted young Haight. "Van is right."

"She was opposite to me at table," said Vandover, "and _I_ saw her empty
a whole bottle of champagne."

"Why, I didn't know they got drunk like that at the Cotillons," said
Geary. "I thought they were very swell."

"Well, of course, they don't as a rule," returned Vandover. "Of course
there are girls like--like Henrietta Vance who belong to the Cotillon
and make it what it is, and what it ought to be. But there are other
girls like Mrs. Doane and Lilly Stannard and the Trafford girls that
like their champagne pretty well now, and don't you forget it! Oh, you
know, I wouldn't call it getting drunk, though."

"Well, why not?" exclaimed young Haight impatiently. "Why not call it
'getting drunk?' Why not call things by their right name? You can see
just how bad they are then; and I think it's shameful that such things
can go on in an organization that is supposed to contain the very best
people in the city. Now, I just want to tell you what I saw at one of
these same Cotillons in the first part of the season. Lilly Stannard
disappeared after supper and people said she was sick and was going
home, but I knew exactly what was the matter, because I had seen her at
the supper table. Well, I had gone outside on the steps to get a
mouthful of smoke, and my little cousin, Hetty, who has just come out
and who is only nineteen, was out there with me because it was so warm
inside, and _she_ had seen Lilly Stannard filling up with champagne at
supper, and didn't know what to make of it. Well, we were just talking
about it, and I was trying to make her believe too that Lilly Stannard
was sick, when here comes Lilly herself out to her carriage. Her maid
was supporting her, just about half-carrying her. Lilly's face was so
pale that the powder on it looked like ashes, her hair was all coming
down, and she was hiccoughing. Now," continued young Haight, his eyes
snapping, and his voice raised so as to make itself heard above the
exclamations of his two friends, "now, that's a _fact_; I give you my
word of honour that it actually happened. It's not hearsay; I saw it
myself. It's fine, isn't it?" he went on, wrathfully. "It sounds well,
don't it, when it's told _just as it happened_? The girl was dead drunk.
Oh, she may have made a mistake; it may have been the first time; but
the fact remains that she always drinks a lot of champagne at the
Cotillons, and other girls have been drunk there, too. Mrs. Doane, that
Van tells about, was _drunk_; that's the word for it. She was dead drunk
that night, and there was my little cousin, Hetty, who had never seen
even a man the worse for his liquor, standing there and taking it all
in. Of course, every one hushed the thing up or else said the poor girl
was sick; but Hetty knew, and what effect do you suppose it had upon a
little girl like that, who had always been told what nice,
irreproachable people went to the Cotillons? Hetty will never be the
same little girl now that she was before. Oh, it makes me damned tired."

"Well, I don't see," said Geary, "why the girls should make such a fuss
about the men keeping straight. I daresay now that this Stannard girl
would cut us all dead if she knew how drunk we were that night about
four months ago--that night that you fellows got thrown out of the
Luxembourg."

"No, I don't believe she would at all," said young Haight.

"She'd think better of you for it," put in Vandover. "Look here," he
went on, "all this talk of women demanding the same moral standard for
men as men do for women is fine on paper, but how does it work in real
life? The women don't demand it at all. Take the average society girl in
a big city like this. The girls that we meet at teas and receptions and
functions--don't you suppose they know the life we men lead? Of course
they do. They may not know it in detail, but they know in a general way
that we get drunk a good deal and go to disreputable houses and that
sort of thing, and do they ever cut us for that? No, sir; not much.
Why, I tell you, they even have a little more respect for us. They like
a man to know things, to be experienced. A man that keeps himself
straight and clean and never goes around with fast women, they think is
ridiculous. Of course, a girl don't want to know the particulars of a
man's vice; what they want is that a man should have the knowledge of
good and evil, yes, and lots of evil. To a large extent I really believe
it's the women's fault that the men are what they are. If they demanded
a higher moral standard the men would come up to it; they encourage a
man to go to the devil and then--and then when he's rotten with disease
and ruins his wife and has children--what is it--_'spotted
toads'_--_then_ there's a great cry raised against the men, and women
write books and all, when half the time the woman has only encouraged
him to be what he is."

"Oh, well now," retorted young Haight, "you know that all the girls are
not like that."

"Most of them that you meet in society are."

"But they are the best people, aren't they?" demanded Geary.

"No," answered Vandover and young Haight in a breath, and young Haight
continued:

"No; I believe that very few of what you would call the 'best people' go
out in society--people like the Ravises, who have good principles, and
keep up old-fashioned virtues and all that. You know," he added, "they
have family prayers down there every morning after breakfast."

Geary began to smile.

"Well, now, I don't care," retorted young Haight, "I like that sort of
thing."

"So do I," said Vandover. "Up home, now, the governor asks a blessing at
each meal, and somehow I wouldn't like to see him leave it off. But you
can't tell me," he went on, going back to the original subject of their
discussion, "you can't tell me that American society girls, city-bred,
and living at the end of the nineteenth century, don't know about
things. Why, man alive, how can they help but know? Look at those that
have brothers--don't you suppose they know, and if they know, why don't
they use their influence to stop it? I tell you if any one were to write
up the lives that we young men of the city lead after dark, people
wouldn't believe it. At that party that Henrietta Vance gave last month
there were about twenty fellows there and I knew every one, and I was
looking around the supper-table and wondering how many of those young
fellows had never been inside of a disreputable house, and there was
only _one_ beside Dolly Haight!"

Young Haight exclaimed at this, laughing good-naturedly, twirling his
thumbs, and casting down his eyes with mock-modesty.

"Well, that's the truth just the same," Vandover went on. "We young men
of the cities are a fine lot. I'm not doing the baby act. I'm not laying
the blame on the girls altogether, but I say that in a measure the girls
are responsible. They want a man to be a _man_, to be up to date, to be
a man of the world and to go in for that sort of vice, but they don't
know, they don't dream, how rotten and disgusting it is. Oh, I'm not
preaching. I know I'm just as bad as the rest, and I'm going to have a
good time while I can, but sometimes when you stop and think, and as
Dolly says 'call things by their right names,' why you feel, don't you
know--_queer_."

"I don't believe, Van," responded young Haight, "that it's _quite_ as
bad as you say. But it's even wrong, I think, that a good girl should
know anything about vice at all."

"Oh, that's nonsense," broke in Geary; "you can't expect nowadays that a
girl, an American girl, can live twenty years in a city and not know
things. Do you think the average modern girl is going to be the
absolutely pure and innocent girl of, say, fifty years ago? Not much;
they are right on to things to-day. You can't tell them much. And it's
all right, too; they know how to look out for themselves, then. It's
part of their education; and I think if they haven't the knowledge of
evil, and don't know what sort of life the average young man leads, that
their mothers ought to tell them."

"Well, I don't agree with you," retorted young Haight. "There's
something revolting in the idea that it's necessary a young girl should
be instructed in that sort of nastiness."

"Why, not at all," answered Geary. "Without it she might be ruined by
the first man that came along. It's a protection to her virtue."

"Oh, pshaw! I don't believe it at all," cried young Haight,
impatiently. "I believe that a girl is born with a natural intuitive
purity that will lead her to protect her virtue just as instinctively as
she would dodge a blow; if she wants to go wrong she will have to make
an effort herself to overcome that instinct."

"And if she don't," cried Vandover eagerly, "if she don't--if she don't
protect her virtue, I say a man has a right to go as far with her as he
can."

"If _he_ don't, some one else will," said Geary.

"Ah, you can't get around it that way," answered young Haight, smiling.
"It's a man's duty to protect a girl, even if he has to protect her
against herself."

When he got home that night Vandover thought over this remark of young
Haight's and in its light reviewed what had occurred in the room at the
Imperial. He felt aroused, nervous, miserably anxious. At length he
tried to dismiss the subject from his mind; he woke up his drowsing
grate fire, punching it with the poker, talking to it, saying, "Wake up
there, you!" When he was undressed, he sat down before it in his
bathrobe, absorbing its heat luxuriously, musing into the coals,
scratching himself as was his custom. But for all that he fretted
nervously and did not sleep well that night.

Next morning he took his bath. Vandover enjoyed his bath and usually
spent two or three hours over it. When the water was very warm he got
into it with his novel on a rack in front of him and a box of chocolates
conveniently near. Here he stayed, for over an hour, eating and reading,
and occasionally smoking a cigarette, until at length the enervating
heat of the steam gradually overcame him and he dropped off to sleep.

On this particular morning between nine and ten Geary called, and as was
his custom came right up to Vandover's room. Mr. Corkle, lying on the
wolfskin in the bay window, jumped up with a gruff bark, but,
recognizing him, came up wiggling his short tail. Geary saw Vandover's
clothes thrown about the floor and the closed door of the bathroom.

"Hey, Van!" he called. "It's Charlie Geary. Are you taking a bath?"

"Hello! What? Who is it?" came from behind the door. "Oh, is that you,
Charlie? Hello! how are you? Yes, I'm taking a bath. I must have been
asleep. Wait a minute; I'll be out."

"No, I can't stop," answered Geary. "I've an appointment downtown;
overslept myself, and had to go without my breakfast; makes me feel all
broke up. I'll get something at the Grillroom about eleven; a steak, I
guess. But that isn't what I came to say. Ida Wade has killed herself!
Isn't it fearful? I thought I'd drop in on my way downtown and speak to
you about it. It's dreadful! It's all in the morning papers. She must
have been out of her head."

"What is it--what has she done?" came back Vandover's voice. "Papers--I
haven't seen--what has she done? Tell me--what has she done?"

"Why, she committed suicide last night by taking laudanum," answered
Geary, "and nobody knows why. She didn't leave any message or letter or
anything of the kind. It's a fearful thing to happen so suddenly, but it
seems she has been very despondent and broke up about something or other
for a week or two. They found her in her room last night about ten
o'clock lying across her table with only her wrapper on. She was
unconscious then, and between one and two she died. She was unconscious
all the time. Well, I can't stop any longer, Van; I've an appointment
downtown. I was just going past the house and I thought I would run up
and speak to you about Ida. I'll see you again pretty soon and we'll
talk this over."

Mr. Corkle politely attended Geary to the head of the stairs, then went
back to Vandover's room, and after blowing under the crack of the
bathroom door to see if his master was still there returned to the
wolfskin and sat down on his short tail and yawned. He was impatient to
see Vandover and thought he stayed in his bath an unnecessarily long
time. He went up to the door again and listened. It was very still
inside; he could not hear the slightest sound, and he wondered again
what could keep Vandover in there so long. He had too much self-respect
to whine, so he went back to the wolfskin and curled up in the sun, but
did not go to sleep.

By and by, after a very long time, the bathroom door swung open, and
Vandover came out. He had not dried himself and was naked and wet. He
went directly to the table in the centre of the room and picked up the
morning paper, looking for the article of which Geary had spoken. At
first he could not find it, and then it suddenly jumped into prominence
from out the gray blur of the print on an inside page beside an
advertisement of a charity concert for the benefit of a home for
incurable children. There was a picture of Ida taken from a photograph
like one that she had given him, and which even then was thrust between
the frame and glass of his mirror. He read the article through; it
sketched her life and character and the circumstances of her death with
the relentless terseness of the writer cramped for space. According to
this view, the causes of her death were unknown. It had been remarked
that she had of late been despondent and in ill health.

Vandover threw the paper down and straightened up, naked and dripping,
putting both hands to his head. In a low voice under his breath he said:

"What have I done? What have I done now?"

Like the sudden unrolling of a great scroll he saw his responsibility
for her death and for the ruin of that something in her which was more
than life. What would become of her now? And what would become of him?
For a single brief instant he tried to persuade himself that Ida had
consented after all. But he knew that this was not so. She had
consented, but he had forced her consent; he was none the less guilty.
And then in that dreadful moment when he saw things in their true light,
all the screens of conventionality and sophistry torn away, the words
that young Haight had spoken came back to him. No matter if she had
consented, it was his duty to have protected her, even against herself.

He walked the floor with great strides, steaming with the warm water,
striking his head with his hands and crying out, "Oh, this is fearful,
fearful! What have I done now? I have killed her; yes, and worse!"

He could think of nothing worse that could have happened to him. What a
weight of responsibility to carry--he who hated responsibility of any
kind, who had always tried to escape from anything that was even
irksome, who loved his ease, his comfort, his peace of mind!

At every moment now he saw the different consequences of what he had
done. Now, it was that his life was ruined, and that all through its
course this crime would hang like a millstone about his neck. There
could be no more enjoyment of anything for him; all the little pleasures
and little self-indulgences which till now had delighted him were
spoiled and rendered impossible. The rest of his life would have to be
one long penitence; any pleasure he might take would only make his crime
seem more abominable.

Now, it was a furious revolt against his mistake that had led him to
such a fearful misunderstanding of Ida; a silent impotent rage against
himself and against the brute in him that he had permitted to drag him
to this thing.

Now, it was a wave of an immense pity for the dead girl that overcame
him, and he saw himself as another person, destroying what she most
cherished for the sake of gratifying an unclean passion.

Now, it was a terror for himself. What would they do to him? His part in
the affair was sure to be found out. He tried to think what the
punishment for such crime would be; but would he not be considered a
murderer as well? Could he not hang for this? His imagination was never
more active; his fear never more keen. At once a thousand plans of
concealment or escape were tossed up in his mind.

But worse than all was the thought of that punishment from which there
was absolutely no escape, and of that strange other place where his
crime would assume right proportions and receive right judgment, no
matter how it was palliated or evaded here. Then for an instant it was
as if a gulf without bottom had opened under him, and he had to fight
himself back from its edge for sheer self-preservation. To look too long
in that direction was simple insanity beyond any doubt.

And all this time he threw himself to and fro in his room, his long
white arms agitated and shaking, his wet and shining hair streaming far
over his face, and the sparse long fell upon his legs and ankles, all
straight and trickling with moisture. At times an immense unreasoning
terror would come upon him all of a sudden, horrible, crushing, so that
he rolled upon the bed groaning and sobbing, digging his nails into his
scalp, shutting his teeth against a desire to scream out, writhing in
the throes of terrible mental agony.

That day and the next were fearful. To Vandover everything in his world
was changed. All that had happened before the morning of Geary's visit
appeared to him to have occurred in another phase of his life, years and
years ago. He lay awake all night long, listening to the creaking of the
house and the drip of the water faucets. He turned from his food with
repugnance, told his father that he was sick, and kept indoors as much
as he could, reading all the papers to see if he had been found out. To
his great surprise and relief, a theory gained ground that Ida was
subject to spells of ill-health, to long fits of despondency, and that
her suicide had occurred during one of these. If Ida's family knew
anything of the truth, it was apparent that they were doing their best
to cover up their disgrace. Vandover was too thoroughly terrified for
his own safety to feel humiliated at this possible explanation of his
security. There was as yet not even a guess that implicated him.

He thought that he was bearing up under the strain well enough, but on
the evening of the second day, as he was pretending to eat his supper,
his father sent the servant out and turning to him, said kindly:

"What is it, Van? Aren't you well nowadays?"

"Not very, sir," answered Vandover. "My throat is troubling me again."

"You look deathly pale," returned his father. "Your eyes are sunken and
you don't eat."

"Yes, I know," said Vandover. "I'm not feeling well at all. I think I'll
go to bed early to-night. I don't know"--he continued, after a pause,
feeling a desire to escape from his father's observation--"I don't know
but what I'll go up now. Will you tell the cook to feed Mr. Corkle for
me?"

His father looked at him as he pushed back from the table.

"What's the matter, Van?" he said. "Is there anything wrong?"

"Oh, I'll be all right in the morning," he replied nervously. "I feel a
little under the weather just now."

"Don't you think you had better tell me what the trouble is?" said his
father, kindly.

"There _isn't_ any trouble, sir," insisted Vandover. "I just feel a
little under the weather."

But as he was starting to undress in his room a sudden impulse took
possession of him, an overwhelming childish desire to tell his father
all about it. It was beginning to be more than he was able to bear
alone. He did not allow himself to stop and reason with this impulse,
but slipped on his vest again and went downstairs. He found his father
in the smoking-room, sitting unoccupied in the huge leather chair before
the fireplace.

As Vandover came in the Old Gentleman rose and without a word, as if he
had been expecting him, went to the door and shut and locked it. He came
back and stood before the fireplace watching Vandover as he approached
and took the chair he had just vacated. Vandover told him of the affair
in two or three phrases, without choosing his words, repeating the same
expressions over and over again, moved only with the desire to have it
over and done with.

It was like a burst of thunder. The worst his father had feared was not
as bad as this. He had expected some rather serious boyish trouble, but
this was the crime of a man. Still watching his son, he put out his
hand, groping for the edge of the mantelpiece, and took hold of it with
a firm grasp. For a moment he said nothing; then:

"And--and you say you seduced her."

Without looking up, Vandover answered, "Yes, sir," and then he added,
"It is horrible; when I think of it I sometimes feel as though I should
go off my head. I--"

But the Old Gentleman interrupted him, putting out his hand:

"Don't," he said quickly, "don't say anything now--please."

They were both silent for a long time, Vandover gazing stupidly at a
little blue and red vase on the table, wondering how his father would
take the news, what next he would say; the Old Gentleman drawing his
breath short, occasionally clearing his throat, his eyes wandering
vaguely about the walls of the room, his fingers dancing upon the edge
of the mantelpiece. Then at last he put his hand to his neck as though
loosening his collar and said, looking away from Vandover:

"Won't you--won't you please go out--go away for a little while--leave
me alone for a little while."

When Vandover closed the door, he shut the edge of a rug between it and
the sill; as he reopened it to push the rug out of the way he saw his
father sink into the chair and, resting his arm upon the table, bow his
head upon it.

He did not see his father again that night, and at breakfast next
morning not a word was exchanged between them, but his father did not go
downtown to his office that forenoon, as was his custom. Vandover went
up to his room immediately after breakfast and sat down before the
window that overlooked the little garden in the rear of the house.

He was utterly miserable, his nerves were gone, and at times he would
feel again a touch of that hysterical, unreasoning terror that had come
upon him so suddenly the other morning.

Now there was a new trouble: the blow he had given his father. He could
see that the Old Gentleman was crushed under it, and that he had never
imagined that his son could have been so base as this. Vandover wondered
what he was going to do. It would seem as if he had destroyed all of his
father's affection for him, and he trembled lest the Old Gentleman
should cast him off, everything. Even if his father did not disown him,
he did not see how they could ever be the same. They might go on living
together in the same house, but as far apart from each other as
strangers. This, however, did not seem natural; it was much more likely
that his father would send him away, anywhere out of his sight,
forwarding, perhaps through his lawyer or agents, enough money to keep
him alive. The more Vandover thought of this, the more he became
convinced that such would be his father's decision. The Old Gentleman
had spent the night over it, time enough to make up his mind, and the
fact that he had neither spoken to him nor looked at him that morning
was only an indication of what Vandover was to expect. He fancied he
knew his father well enough to foresee how this decision would be
carried out, not with any imprecations or bursts of rage, but calmly,
sadly, inevitably.

Toward noon his father came into the room, and Vandover turned to face
him and to hear what he had to say as best he could. He knew he should
not break down under it, for he felt as though his misery had reached
its limit, and that nothing could touch or affect him much now.

His father had a decanter of port in one hand and a glass in the other;
he filled the glass and held it toward Vandover, saying gently:

"I think you had better take some of this: you've hardly eaten anything
in three days. Do you feel pretty bad, Van?"

Vandover put the glass down and got upon his feet. All at once a great
sob shook him.

"Oh, governor!" he cried.

It was as if it had been a mother or a dear sister. The prodigal son put
his arms about his father's neck for the first time since he had been a
little boy, and clung to him and wept as though his heart were breaking.




Chapter Eight


"We will begin all over again, Van," his father said later that same
day. "We will start in again and try to forget all this, not as much as
we _can_, but as much as we _ought_, and live it down, and from now on
we'll try to do the thing that is right and brave and good."

"Just try me, sir!" cried Vandover.

That was it, begin all over again. He had never seen more clearly than
now that other life which it was possible for him to live, a life that
was above the level of self-indulgence and animal pleasures, a life that
was not made up of the society of lost women or fast girls, but yet a
life of keen enjoyment.

Whenever he had been deeply moved about anything, the power and desire
of art had grown big within him, and he turned to it now, instinctively
and ardently.

It was all the better half of him that was aroused--the better half that
he had kept in check ever since his college days, the better half that
could respond to the influences of his father and of Turner Ravis, that
other Vandover whom he felt was his real self, Vandover the true man,
Vandover the artist, not Vandover the easy-going, the self-indulgent,
not Vandover the lover of women.

From this time forward he was resolved to give up the world that he had
hitherto known, and devote himself with all his strength to his art. In
the first glow of that resolution he thought that he had never been
happier; he wondered how he could have been blind so long; what was all
that life worth compared with the life of a great artist, compared even
with a life of sturdy, virile effort and patient labour even though
barren of achievement?

And then something very curious happened: The little picture of Turner
Ravis that hung over his mantelpiece caught his glance, looking out at
him with her honest eyes and sweet smile. In an instant he seemed to
love her as he had never imagined he could love any one. All that was
best in him went out toward her in a wave of immense tenderness; the
tears came to his eyes, he could not tell why. Ah, he was not good
enough for her now, but he would love her so well that he would grow
better, and between her and his good father and his art, the better
Vandover, the real Vandover, would grow so large and strong within him
that there should be no room for the other Vandover, the Vandover of
Flossie and of the Imperial, the Vandover of the brute.

During the course of talk that day between himself and his father, it
was decided that Vandover should go away for a little while. He was in a
fair way to be sick from worry and nervous exhaustion, and a sea trip to
San Diego and back seemed to be what he stood most in need of. Besides
this, his father told him, it was inevitable that his share in Ida's
death would soon be known; in any case it would be better for him to be
away from the city.

"You take whatever steamer sails next," said his father, "and! go down
to Coronado and stay there as long as you like, three weeks anyway; stay
there until you get well, and when you get back, Van, we'll have a talk
about Paris again. Perhaps you would like to get away this winter, maybe
as soon as next month. You think it over while you are away, and when
you want to go, why, we'll go over together, Van. What do you think?
Would you like to have your old governor along for a little while?"

       *       *       *       *       *

The _Santa Rosa_ cast off the company's docks the next day about noon in
the midst of a thick, cold mist that was half rain. The Old Gentleman
came to see Vandover off.

The steamer, which seemed gigantic, was roped and cabled to the piers,
feeling the water occasionally with her screw to keep the hawsers taut.
About the forward gangway a band of overworked stevedores were stowing
in the last of the cargo, aided by a donkey engine, which every now and
then broke out into a spasm of sputtering coughs. At the passenger
gangway a great crowd was gathered, laughing and exchanging remarks with
the other crowd that leaned over the railings of the decks.

There was a smell of pitch and bilge in the air mingled with the reek of
hot oil from the engines. About twelve o'clock an odour of cooking
arose, and the steward went about the decks drumming upon a snoring gong
for dinner.

Half an hour later the great whistle roared interminably, drowning out
the chorus of "good-byes" that rose on all sides. Long before it had
ceased, the huge bulk had stirred, almost imperceptibly at first, then,
gathering headway, swung out into the stream and headed for the Golden
Gate.

Vandover was in the stern upon the hurricane deck, shaking his hat
toward his father, who had tied his handkerchief to his cane and was
waving it at him as he stood upon an empty packing-case. As the throng
of those who were left behind dwindled away, one by one, Vandover could
see him standing there, almost the last of all, and long after the
figure itself was lost in the blur of the background he still saw the
tiny white dot of the handkerchief moving back and forth, as if spelling
out a signal to him across the water.

The fog drew a little higher as they passed down the bay. To the left
was the city swarming upon its hills, a dull gray mass, cut in parallel
furrows by the streets; straggling and uneven where it approached the
sand-dunes in the direction of the Presidio. To the right the long slope
of Tamalpais climbed up and was lost in the fog, while directly in front
of them was the Golden Gate, a bleak prospect of fog-drenched headlands
on either side of a narrow strip of yellow, frothy water. Beyond that,
the open Pacific.

A brisk cannonade was going on from the Presidio and from Black Point,
and both forts were hidden behind a great curtain of tumbling white
smoke that rolled up to mingle with the fog. Everybody was on that side
of the deck watching and making guesses as to the reason of it. It was
perhaps target practice. Ah, it was a good thing that the steamer was
not in line with the target. Perhaps, though, that was the safest place
to be. Some one told about a derelict that was anchored as a target off
the heads, and shot at for fifteen hours without being touched once. Oh,
they were great gunners at the Presidio! But just the same the sound of
cannon was a fine thing to hear; it excited one. A noisy party of
gentlemen already installed in the smoking-room came out on deck for a
moment with their cards in their hands, and declared laughingly that the
whole thing was only a salute in the _Santa Rosa's_ honour.

By the middle of the afternoon, Vandover began to see that for him the
trip was going to be tedious. He knew no one on board and had come away
so hurriedly that he had neglected to get himself any interesting books.
He spent an hour or two promenading the upper deck until the cold wind
that was blowing drove him to the smoking-room, where he tried to
interest himself in watching some of the whist games that were in
progress.

It surprised him that he could find occasion to be bored so soon after
what had happened; but he no longer wished to occupy his mind by
brooding over anything so disagreeable and wanted some sort of amusement
to divert and entertain him. Vandover had so accustomed himself to that
kind of self-indulgence that he could not go long without it. It had
become a simple necessity for him to be amused, and just now he thought
himself justified in seeking it in order to forget about Ida's death. He
had dwelt upon this now for nearly four days, until it had come to be
some sort of a formless horror that it was necessary to avoid. He could
get little present enjoyment by looking forward to the new life that he
was going to begin and in which his father, his art, and Turner Ravis
were to be the chief influences. The thought of this prospect did give
him pleasure, but he had for so long a time fed his mind upon the more
tangible and concrete enjoyments of the hour and minute that it demanded
them now continually.

He sat for a long time upon the slippery leather cushions of the
smoking-room trying desperately to become interested in the whist game,
or gazing awestruck at the man at his elbow who was smoking black
Perrique in a pipe, inhaling the smoke and blowing it out through his
nose. After a while he returned to the deck.

There it was cold and wet and a strong wind was blowing from the ocean.
Four miles to the east an endless procession of brown, bare hills filed
slowly past under the fog. The sky was a dreary brown and the leagues of
shifting water a melancholy desert of gray. Besides these there was
nothing but the bleached hills and the drifting fog; the wind blew
continually, passing between the immense reaches of sea and sky with
prolonged sighs of infinite sadness.

Three seagulls followed the vessel, now in a long line, now abreast, and
now in a triangle. They sailed slowly about, dipping and rising in the
vast hollows between the waves, turning their heads constantly from side
to side.

Vandover went to the stern and for a time found amusement in watching
the indicator of the patent log, and listening for its bell. But his
interest in this was soon exhausted, and he returned to the smoking-room
again, reflecting that this was only the first afternoon and that there
still remained two days that somehow had to be gone through with.

About five o'clock, as he was on his way to get a glass of seltzer, he
saw Grace Irving, the girl of the red hat whom he had met at the
Mechanics' Fair, sitting on a camp-stool just inside of her stateroom
eating a banana. The sight of her startled him out of all composure for
the minute. His first impulse was to speak to her, but he reflected that
he was done with all that now and that it was better for him to pass on
as though he had not seen her, but as he came in front of her she looked
up quickly and nodded to him very pleasantly in such a way that it was
evident she had already known he was on board. It was impossible for
Vandover to ignore her, and though he did not stop, he looked back at
her and smiled as he took off his hat.

He went down to supper in considerable agitation, marvelling at the
coincidence that had brought them together again. He wondered, too, how
she could be so pleasant to him now, for as a matter of course he had
not kept the engagement he had made with her at the Fair. At the same
time, he felt that she must think him a great fool not to have stopped
and spoken to her; either he should have done that or else have ignored
her little bow entirely. He was firmly resolved to have nothing to do
with her, yet it chafed him to feel that she thought him diffident. It
seemed now as though he owed it to himself to speak to her if only for a
minute and make some sort of an excuse. By the time he had finished his
supper, he had made up his mind to do this, and then to avoid her for
the rest of the trip.

As he was leaving the dining saloon he met her coming down the stairs
alone, dressed very prettily in a checked travelling ulster with a gray
velvet collar, and a little fore and aft cap to match. He stopped her
and made his excuses; she did not say much in reply and seemed a little
offended, so that Vandover could not refrain from adding that he was
very glad to see her on board.

"Ah, you don't seem as if you were, very," she said, putting out her
chin at him prettily and passing on. It was an awkward and embarrassing
little scene and Vandover was glad that it was over. But the thing had
been done now, he had managed to show the girl that he did not wish to
keep up the acquaintance begun at the Fair, and from now on she would
keep out of his way.

He took a few turns on the upper deck, smoking his pipe, walking about
fast, while his dinner digested. The sun went down behind the black
horizon in an immense blood-red nebula of mist, the sea turned from gray
to dull green and then to a lifeless brown, and the _Santa Rosa's_
lights began to glow at her quarters and at her masthead; in her stern
the screw drummed and threshed monotonously, a puff of warm air reeking
with the smell of hot oil came from the engine hatch, and in an instant
Vandover saw again the curved roof of the immense iron-vaulted depot,
the passengers on the platform staring curiously at the group around the
invalid's chair, the repair gang in spotted blue overalls, and the huge
white cat dozing on an empty baggage truck.

The wind freshened and he returned to the smoking-room to get warm. The
same game of whist was going on, and the man with the Perrique tobacco
had filled another pipe and continued to blow the smoke through his
nose.

After a while Vandover went back to the main deck and wandered aft,
where he stood a long time looking over the stern, interested in
watching the receding water. It was dark by this time, the wind had
increased and had blown the fog to landward, and the ocean had changed
to a deep blue, the blue of the sky at night; here and there a wave
broke, leaving a line of white on the sea like the trail of a falling
star across the heavens, while the white haze of the steamer's wake
wandered vaguely across the intense blue like the milky way across the
zenith.

Vandover was horribly bored. There seemed to be absolutely nothing to
amuse him, unless, indeed, he should decide to renew his acquaintance
with Grace Irving. But this was out of the question now, for he knew
what it would lead to. Even if he should yield to the temptation, he
did not see how he could take any great pleasure in that sort of thing
again, after what had happened.

Of all the consequences of what he had done, the one which had come to
afflict him the most poignantly was that his enjoyment of life was
spoiled. At first he had thought that he never could take pleasure in
anything again so long as he should live, that his good times were gone.
But as his pliable character rearranged itself to suit the new
environment, he began to see that there would come a time when he would
grow accustomed to Ida's death and when his grief would lose its
sharpness. He had even commenced to look forward to this time and to
long for it as a sort of respite and relief. He believed at first that
it would not be for a great many years; but even so soon after the
suicide as this, he saw with a little thrill of comfort that it would be
but a matter of months. At the same time Vandover was surprised and even
troubled at the ease with which he was recovering from the first shock.
He wondered at himself, because he knew he had been sincere in his talk
with his father. Vandover was not given to self-analysis, but now for a
minute he was wondering if this reaction were due to his youth, his good
health and his good spirits, or whether there was something wrong with
him. However, he dismissed these thoughts with a shrug of his shoulders
as though freeing himself from some disagreeable burden. Ah, he was no
worse than the average; one could get accustomed to almost anything; it
was only in the books that people had their lives ruined; and to brood
over such things was unnatural and morbid. Ah! what a dreadful thing to
become morbid! He could not bring Ida back, or mitigate what he had
done, or be any more sorry for it by making himself miserable. Well,
then! Only he would let that sort of thing alone after this, the lesson
had been too terrible; he would try and enjoy himself again, only it
should be in other ways.

Later in the evening, about nine o'clock, when nearly all the passengers
were in bed, and Vandover was leaning over the side of the boat
finishing his pipe before turning in himself, Grace Irving came out of
her stateroom and sat down at a little distance from him, looking out
over the water, humming a little song. She and Vandover were the only
people to be seen on the deserted promenade.

Vandover saw her without moving, only closing his teeth tighter on his
pipe. It was evident that Grace expected him to speak to her and had
given him a chance for an admirable little tête-à-tête. For a moment
Vandover's heart knocked at his throat; he drew his breath once or twice
sharply through his nose. In an instant all the old evil instincts were
back again, urging and clamouring never so strong, never so insistent.
But Vandover set his face against them, honestly, recalling his
resolution, telling himself that he was done with that life. As he had
said, the lesson had been too terrible.

He turned about resolutely, and walked slowly away from her. The girl
looked after him a moment, surprised, and then called out:

"Oh, Mr. Vandover!"

Vandover paused a moment, looking back.

"Where are you going?" she went on. "Didn't you see me here? Don't you
want to come and talk to me?"

"No," answered Vandover, smiling good-humouredly, trying to be as polite
as was possible. "No, I don't." Then he took a sudden resolution, and
added gravely, "I don't want to have anything to do with you."

In his stateroom, as he sat on the edge of his berth winding his watch
before going to bed, he thought over what he had said. "That was a mean
way to talk to a girl," he told himself, "but," he added, "it's the only
thing to do. I simply couldn't start in again after all that's happened.
Oh, yes, that was the right thing to do!"

He felt a glow of self-respect for his firmness and his decision, a
pride in the unexpected strength, the fine moral rigour that he had
developed at the critical moment. He _could_ turn sharp around when he
wanted to, after all. Ah, yes, that was the only thing to do if one was
to begin all over again and live down what had happened. He wished that
the governor might know how well he had acted.




Chapter Nine


Vandover stayed for two weeks at Coronado Beach and managed to pass the
time very pleasantly. He was fortunate enough to find a party at the
hotel whom he knew very well. In the morning they bathed or sailed on
the bay, and in the afternoon rode out with a pack of greyhounds and
coursed jack-rabbits on the lower end of the island. Vandover's good
spirits began to come back to him, his appetite returned, his nerves
steadied themselves, he slept eight hours every night. But for all that
he did not think that things were the same with him. He said to himself
that he was a changed man; that he was older, more serious.

During this time he received several letters from his father which he
answered very promptly. In the course of their correspondence it was
arranged that they should both leave for Europe on the twenty-fifth of
that month, and that consequently, Vandover should return to the city
not later than the fifteenth. Vandover was having such a good time,
however, that he stayed over the regular steamer in order to go upon a
moonlight picnic down on the beach. The next afternoon he took passage
for San Francisco on a second-class boat.

This homeward passage turned out to be one long misery for Vandover. He
had never been upon a second-class boat before and had never imagined
that anything could be so horribly uncomfortable or disagreeable. The
_Mazatlan_ was overcrowded, improperly ballasted, and rolled
continually. The table was bad, the accommodations inadequate, the
passengers hopelessly uncongenial. Cold and foggy weather accompanied
the boat continually. The same endless procession of bleached hills
still filed past under the mist, going now in the opposite direction,
and the same interminable game of whist was played in the smoking-room,
only with greasier, second-class cards, amidst the acrid smoke of
second-class tobacco. At supper, the first day out, a little Jew who sat
next to Vandover, and who invariably wore a plush skull-cap with
ear-laps, tried to sell him two flawed and yellow diamonds.

The evening after leaving Port Hartford the _Mazatlan_ ran into dirty
weather. It was not stormy--simply rough, disagreeable, the wind and sea
directly ahead. Half an hour after supper Vandover began to be sick. For
a long time he sat on the slippery leather cushions in the nasty
smoking-room, sucking limes, drinking seltzer, and trying to be
interested in the card games. He dozed a little and awoke, feeling
wretched, covered with a cold sweat, racked by a pain in the back of his
head, and tortured by an abominable nausea. He groped his way out upon
the swaying, gusty deck, descended to his cabin, and went to bed.

The _Mazatlan_ had booked more passengers than could be accommodated,
the steward being obliged to make up beds on the floor of the dining
saloon and even upon some of the tables. Vandover had not been able to
get a stateroom, and so had put up with a bunk in the common cabin at
the stern of the vessel.

About two o'clock in the morning he woke up in this place frightfully
sick at the stomach and wretched in body and mind. He had an upper bunk,
and for a long time he lay on his back rolling about with the rolling of
the steamer, vaguely staring straight above him at the roof of the
cabin, hardly a hand's-breadth above his face. The roof was iron,
painted with a white paint very thick and shiny, and was studded with
innumerable bolt-heads and enormous nuts. By and by, for no particular
reason, he rose on his elbow and, leaning over the side of his berth,
looked about him.

The light streaming from two strong-smelling ship's lanterns showed the
cabin, long and narrow. There were two cramped passageways, on either
side of which the tiers of bunks, mere open racks filled with bedding,
rose to the roof, those occupied by women hung with spotted turkey-red
calico.

The cabin was two decks below the open air and every berth was occupied,
the only ventilation being through the door. The air was foul with the
stench of bilge, the reek of the untrimmed lamps, the exhalation of so
many breaths, and the close, stale smell of warm bedding.

A vague murmur rose in the air, the sound of deep breathing, the moving
of restless bodies between the coarse sheets, the momentary noise of the
scratching of blunt finger-tips, a subdued cough, the moan of a sleeping
child. All the while the shaft of the screw, seemingly close beneath
the floor, pounded and rumbled without a moment's stop.

Immediately underneath Vandover two men, saloonkeepers, awoke and lit
their cigars and began a long discussion on the question of license. Two
or three bunks distant, a woman, a Salvation Army lassie, one of a large
party of Salvationists who were on board, began to cough violently,
choking for breath. Across the aisle the little Jew of the plush
skull-cap with ear-laps snored monotonously in alternate keys, one a
guttural bass, the other a rasping treble. The _Mazatlan_ was rolling
worse than ever, now up and down, now from side to side, and now with
long forward lurches that combined the other two motions. During one of
these latter the little Jew was half awakened. He stopped snoring,
leaving an abrupt silence in the air. Then Vandover could hear him
threshing about uneasily; still half asleep he began to mutter and
swear: "Dat's it, r-roll; I woult if I were you; r-roll, dat's
righd--dhere, soh--ah, geep it oop--r-roll, you damnt ole tub, yust
_r-r-roll_."

The continued pitching, the foul air, and the bitter smoke from the
saloonkeepers' cigars became more than Vandover could stand. His stomach
turned, at every instant he gagged and choked. He suddenly made up his
mind that he could stand it no longer, and determined to go on deck,
preferring to walk the night out rather than spend it in the cabin. He
drew on his shoes without lacing them, and dressed himself hurriedly,
omitting his collar and scarf; he put his hat on his tumbled hair, swung
into his overcoat, and, wrapping his travelling-rug around him, started
up toward the deck. On the stairs he was seized with such a nausea that
he could hardly keep from vomiting where he stood, but he rushed out
upon the lower deck, gaining the rail with a swimming head.

He sank back upon an iron capstan with a groan, weak and trembling, his
eyes full of tears, a bursting feeling in his head. He was utterly
miserable.

It was about half-past two in the morning, and a cold raw wind was
whistling through the cordage and flinging the steamer's smoke down upon
the decks and upon the water like a great veil of crêpe. A sickly
half-light was spread out between the sea and the heavens. By its means
he could barely distinguish great, livid blotches of fog or cloud
whirling across the black sky, and the unnumbered multitude of
white-topped waves rushing past, plunging and rising like a vast herd of
black horses galloping on with shaking white manes. Low in the northeast
horizon lay a long pale blur of light against which the bow of the
steamer, inky black, rose and fell and heaved and sank incessantly. To
the landward side and very near at hand, so near that he could hear the
surf at their feet, the long procession of hills continually defiled,
vague and formless masses between the sea and sky. The wind, the noise
of the waves rushing past, the roll of the breakers and the groaning of
the cordage all blended together and filled the air with a prolonged
minor note, lamentable beyond words. The atmosphere was cold and damp,
the spray flying like icy bullets. The sombre light that hung over the
sea reflected itself in long blurred streaks upon the wet decks and
slippery iron rods. Here and there about the rigging a tremulous ball of
orange haze showed where the ship's lanterns were swung. Directly under
him in the stern the screw snarled incessantly in a vortex of boiling
water that forever swirled away and was lost in the darkness. From time
to time the indicator of the patent log, just beside him, rang its tiny
bell.

Vandover drew his rug about him and went up to the main deck, dragging
his shoelaces after him. The wind was stronger here, but he bent his
head against it and went on toward the smoking-room, for the idea had
occurred to him that he could shut himself in there and pass the rest of
the night upon the cushions; anything was better than returning to the
cabin downstairs.

The deck was jerked away from beneath his feet, and he was hurled
forward, many times his own length, against a companionway, breaking his
thumb as he fell. A second shock threw him down again as he rose;
everything about him shook and danced like glassware upon a jarred
table. Then the whole ship rose under his feet as no wave had ever
lifted it, and fell again, not into yielding water, but upon something
that drove through its sides as if they had been paper. A deafening,
crashing noise split the mournful howl of the wind, and far underneath
him Vandover heard a rapid series of blows, a dreadful rumbling and
pounding that thrilled and quivered through all the vessel's framework
up to her very mast-tips. On all fours upon the deck, holding to a cleat
with one hand, he braced himself, watching and listening, his senses all
alive, his muscles tense. In the direction of the engine-room he heard
the furious ringing of a bell. The screw stopped. The _Mazatlan_
wallowed helplessly in the trough of the sea.

Vandover's very first impulse was a wild desire of saving himself; he
had not the least thought for any one else. Every soul on board might
drown, so only he should be saved. It was the primitive animal instinct,
the blind adherence to the first great law, an impulse that in this
first moment of excitement could not be resisted. He ran forward and
snatched a life-preserver from the pile that was stored beneath the
bridge.

As he was fastening it about him, the passengers began to pour out upon
the deck, from their staterooms, from the companionways, and from the
dining saloon. In an instant the deck was crowded. Men and women ran
about in all directions, pushing and elbowing each other, calling
shrilly over one another's heads. Near to Vandover a woman, clothed only
in her night-dress, clung to the arm of a half-dressed man, crying again
and again for a certain "August." She wrung her hands in her excitement;
at times the man shouted "August!" in a quavering bass voice. "August,
here we are over _here_!" "Oh, where _is_ Gussie?" wailed the woman.
"Here, here I am," another voice answered at length; "here I am, I'm all
right." "Oh," exclaimed the woman with a sob of relief, "here's Gussie;
now let's all keep together whatever happens."

All about the decks just such scenes were going on; most of the women
wore only their night-gowns or dressing-gowns, their hair tumbling down
and blowing about their cheeks, their bare feet slipping and sliding on
the heaving wet decks. The men were in shirt and drawers, standing in
the centre of their family groups, silent, excited, very watchful;
others of them ran about searching for life-preservers, shouting
hoarsely, talking to themselves, speaking all their thoughts aloud.

But there was no panic; there was excitement, confusion, bewilderment,
but no excess of fear, no unreasoning terror, deaf, blind, utterly
reckless.

All at once a man parted the crowd with shoulders and elbows, passing
along the deck with great strides. It was the captain. The next instant
Vandover saw him on the bridge, hatless, without his vest or his coat,
just as he had sprung from his berth. From time to time he shouted his
orders, leaning over the rail, gesturing with his arm. The crew ran
about, carrying out his directions, jostling the men out of the way,
knocking over women and children, speaking to no one, intent only upon
their work.

In a few moments the deck steward and one of the officers appeared amid
the crowd of passengers. They were very calm, and at every instant
shouted, "There is no danger; every one go back to his berth; clear the
deck, please; no danger, gentlemen; everybody be quiet; go back to your
berths!" The steward even came up to Vandover and pulled at the straps
of his life-preserver, exclaiming, "Take this off! There is no danger;
you're only exciting the other passengers. Come on, take it off and go
back to your berth."

Vandover obeyed him, slowly loosening the buckles, looking around him,
bewildered, but still holding the preserver in his hands.

Best of all, however, was the example of a huge old fellow wearing the
cap and clothes of a boatswain's mate of a United States battleship; he
seemed to dominate the excited throng in a moment, going about from
group to group, quieting them all, spreading a feeling of confidence and
courage throughout the whole ship. He was an inspiration to Vandover,
who began to be ashamed of having yielded to the first selfish instinct
of preservation.

Just as the boatswain's mate was offering his flask to the woman whom
Vandover had heard calling for "August," the _Mazatlan_ lurched heavily
once or twice, and then slowly listed to the port side, going over
farther and farther every instant. Vandover heard a renewed rumbling and
smashing noise far beneath him, and in some way knew that the cargo was
shifting. Instead of righting herself, the ship began to heave over more
and more. The whole sea on the port side seemed to rise up to meet the
rail; under Vandover's feet the incline of the deck grew steeper and
steeper. All at once his excitement came back upon him with the
sharpness of a blow, and he caught at the brass grating of a skylight
exclaiming: "By God! We're going _over_." The women screamed with
terror; one heard the men shouting, "Look out! hold on! catch hold
there!" An old man, wearing only a gray flannel shirt, lost his footing;
he fell, and rolled over and over down the deck stupidly, inertly,
without making the slightest effort to save himself, without uttering
the least cry; he brought up suddenly against the rail, with a great
jar, the shock of his soft, withered body against the hard wood sounding
like the sodden impact of a bundle of damp clothes. There was a cry;
they thought him killed--Vandover had seen his head gashed against a
sharp angle of iron--but he jumped up with sudden agility, clambering up
the slope of the deck with the strength and rapidity of an acrobat.

There had been a great rush to the other side of the ship, a wild
scrambling up the steep deck, over skylights and between masts and
ventilators. People clung to anything, to cleats, to steamer chairs, to
the brass railings, to the person who stood next to them. They no longer
listened to the protestations of the brave boatswain's mate; that last
long roll had terrified them. The sense of a great catastrophe began to
spread and widen all about like the rising of some fearful invisible
mist. "_What_ had happened? What was to become of them?"

While Vandover clung to the starboard rail, rolling his eyes wildly,
trying to control himself again, a young man, a waiter in the dining
saloon, rushed up to him from out of the crowd, holding out his hand.
"It's all up!" he shouted.

Vandover grasped his extended palm, shaking hands with him fervently,
without knowing why. The two looked straight into each other's eyes,
their hands gripped close; then the waiter turned away, and dropping on
his knees began to pray silently to himself.

Vandover saw a great many others praying; there was even a large group
gathered about the band of Salvationists trying to raise a hymn. Every
now and then their voices could be heard, singing all out of tune, a
medley of discords.

At one time Vandover caught sight of the little Jew of the plush cap
with the ear-laps; he was grovelling upon the deck, huddling a small
black satchel to his breast; without a moment's pause he screamed, "God
'a' mercy! God 'a' mercy!"

The sight revolted Vandover and in a great measure helped to calm him.
In a few moments he had himself in hand again, cool and self-collected,
resolved not to act like a fool before the others, but to help them if
he could.

Near to him a Salvation Army lassie was down upon her knees trying to
cord up a huge bundle wrapped in sail-cloth. "Here," exclaimed Vandover
coming up to her, "let me help. I'll tie this for you--you put _this_
on." He took the wet, stiff ropes from between her fingers and held the
life-preserver toward her; but she refused it.

"No," she cried enthusiastically, "I'm going to be saved anyhow; I ain't
going to drown; Jesus is watching over me. Oh!" she suddenly exclaimed
with a burst of fervor, "Jesus is going to save me. I _know_ I'm going
to be saved. I feel it, I feel it _here_," and she struck her palm on
the breast of the man's red jersey she was wearing.

"Well, I wish _I_ could have such a confidence," answered Vandover,
sincerely envying the plain little woman under the ugly blue bonnet.

She seemed as if inspired, her face glowing. "Only _believe_; that's
all," she told him. "It isn't too late for you now. Ah," she went on,
smiling, "ah, you don't know what it is in a time like this! What a
comfort! What a support! Oh, _look, look_!" she cried, breaking off and
starting to her feet. "That man is going to jump!"

It was the boatswain's mate, the hero who had filled all the passengers
with his own coolness and courage, who had been Vandover's inspiration.
Some strange reaction seemed to have seized upon him. Of a sudden he
rushed to the rail, the starboard rail that was heaved so high out of
the water, stood upon it for a moment, and then with a great shout
jumped over the side. His folly was as infectious as his courage. Four
more men followed him, three going over all at the same time, and a
fourth a little later, hanging an instant upon the outside of the rail,
then dropping down feet first, disappearing with a great splash that
made itself heard in the great silence that had suddenly fallen upon the
throng.

Every one had seen what had happened; a thrill of fear and apprehension
passed over them all like a cold breath. They were silent, struck dumb,
feeling the presence of death close by.

Suddenly a long flash of yellow upon the bridge made a momentary streak
on the darkness, and there was the report of a gun. A minute later it
was fired again, and alternating with it the _Mazatlan's_ whistle began
to roar, like a hoarse shout for help. Between these sounds could be
heard the renewed clamour upon the decks, the shouting, the screaming,
and the rush of many feet; the little children clung about the knees of
their mothers, shrieking and wailing monotonously, "Oh, ma_ma_--oh,
ma_ma_!" rolling their eyes fearfully behind them.

But many of the children, even some of the older passengers, were
absolutely silent, dazed, stupefied with terror and excitement, their
eyes vague and distended, looking slowly about them, scarcely daring to
move a limb.

Meanwhile the _Mazatlan_ was settling forward, and already the spray was
beginning to fly over the decks. Little by little the terror increased;
people threw themselves down upon the deck, rising up again, their arms
raised to heaven, praying aloud, screaming the same things over and over
again. The Salvationists tried to raise another hymn, but the sound of
their voices was drowned out by the tumult, the roaring of the whistle,
the barking of the minute guns, the straining and snapping of the
cordage, and the sound of waves drawing closer and closer. Prone upon
the deck, his arms still clasped about his black satchel, the little Jew
of the plush cap went into some kind of fit, his eyes rolled back, his
teeth grinding upon each other. Vandover turned from him in disgust.
Then he looked around and above him, drawing a long breath, saying aloud
to himself:

"It looks as though it were the end--well!"

All at once Vandover knew that the water had reached the boilers; there
came a noise of hissing: deafening, stunning; white billows of steam
poured up over the deck.

It was no longer the _Mazatlan_, no longer a thing of wood and iron, but
some strange huge living creature that was dying there under his feet,
some enormous brute that was plunging and writhing in its last agony,
its belly ripped open by a hidden enemy that struck from beneath, its
entrails torn out, its life-breath going from it in great gasps of
steam. Suddenly its bellow collapsed; the great bulk was sinking lower;
the enemy was in its very vitals. The great hoarse roar dwindled to a
long death rattle, then to a guttural rasp; all at once it ceased; the
brute was dead--the _Mazatlan_ was a wreck.

Almost at the moment, he heard an order shouted twice from the bridge,
where he could see the shadowy figures of the captain and officers
moving about through the clouds of steam and smoke and mist. Immediately
there followed the shrill piping of the boatswain's whistle; one of the
officers, the first engineer, and some half dozen of the crew came
dashing through the crowd, and there was a great shout of "The boats!
The boats!"

The crowd broke up, rushing here and there about the ship, reforming
again in smaller bands by the boats and life-rafts. Vandover followed
the first engineer, running forward toward one of the boats in the bow.

"Come on!" he shouted to the little Salvationist lassie, pausing a
moment to help her with her heavy canvas-covered bundle. "Come on!
they're going to lower the boats."

She started up to follow him and the boom of the foremast, which the
accident had in some way loosened, swung across the deck at the same
moment. Vandover was already out of its path but it struck the young
woman squarely across the back. She dropped in a heap upon the deck,
then her body slowly straightened out, stiff and rigid, her eyes rapidly
opened and shut, and a great puff of white froth slowly started from her
mouth. Vandover ran forward and lifted her up, but her back was broken;
she was already dead. He rose to his feet exclaiming to himself, "But
she was so sure--she _knew_ she was going to be saved," then suddenly
fell silent again, gazing wonderingly at the body, disturbed, very
thoughtful.

When Vandover finally reached the lifeboat, he found a great crowd
gathered there; three people were already in the boat itself. The first
engineer, who commanded that boat, and three of the crew stood by the
falls preparing to cast off. Just below on the deck of the _Mazatlan_
stood two sailors keeping the crowd in order, continually shouting,
"Women and children first!" As the women passed their children forward,
the sailors lifted them into the boats, some shrieking, others silent
and stupid as if stunned. Then the women were helped up; the men,
Vandover among them, climbing in afterward. The davits were turned out
and the boat was swung clear of the ship's side.

Vandover looked out and below him and then made an involuntary movement
to regain the ship's deck. Far below him, or so at least it seemed, were
mountains of tumbling green water, huge, relentless, irresistible,
rushing on by thousands, to shatter themselves with dreadful force
against the ship's side. It seemed simple madness to attempt to launch
the boat; even the sinking wreck would be safer than this chance.
Vandover was terrified, again deserted by all his calmness and
self-restraint.

The sailors standing in the bow and the stern let out the ropes little
by little, the vast black hulk of the ship began to loom up above them
all, higher and higher, and to their eyes the lifeboat began to grow
smaller and smaller, more and more frail, more and more pitiful.

All at once it struck the water with a crash, in an instant it was
tossed up again in the air, heaving on the crest of a wave, was carried
in and dashed up against the ship, all the oars on that side snapping in
an instant. It was a fearful moment; the little boat was unmanageable in
an instant, leaping and plunging among the waves like a terrified horse,
banged and battered between the heaving water and the hull of the
steamer itself. Vandover believed that all was over; he partially rose
from his seat preparing to jump before the boat should swamp.

There was an interval of shouting and confusion, the first engineer and
the crew leaning over the sides fending off the boat with the stumps of
the oars and with long boathooks. Some oars were shipped to the other
side to take the place of the broken ones, and a score of hands tugging
at them, the boat was at length pulled away out of danger.

The lifeboat had been built to hold thirty-five people; more than forty
had crowded into it, and it needed all prudence and care to keep it
afloat in the heavy seas that were running. The sailors and two of the
passengers were at the oars, while the first engineer took command,
standing in the stern at the steering-oar. He was dressed in a suit of
oilskins, a life-preserver strapped under his arms; he wore no hat, and
at every gust his drenched hair and beard whipped across his face.

Just as the boat was pulling away from the wreck, Vandover and the
others saw the little Jew of the plush cap with the ear-laps standing
upon the rail of the steamer, holding to a stanchion. He believed that
he had been abandoned, and screamed after them, stretching out his
hands. The engineer turned and saw him, but shook his head. "Give way
there!" he commanded the men; "there's no more room."

The Jew flung his satchel from him and jumped; for a moment he
disappeared, then suddenly came up on the crest of a wave, quite close
to them, gasping and beating his hands, the water running out of his
mouth, and his plush cap, glossy with wet, all awry and twisted so that
one ear-lap hung over his eye like a shade. In another moment he had
grasped one of the oar-blades. Every one was watching and there was a
cry, "Draw him in!" But the engineer refused.

"It's too late!" he shouted, partly to the Jew and partly to the boat.
"One more and we are swamped. Let go there!"

"But you can't let him drown," cried Vandover and the others who sat
near. "Oh, take him in anyhow; we must risk it."

"Risk hell!" thundered the engineer. "Look here, you!" he cried to
Vandover and the rest. "I'm in command here and am responsible for the
lives of all of you. It's a matter of his life or ours; one life or
forty. One more and we are swamped. Let go there!"

"Yes, yes," cried some. "It's too late! there's no more room!"

But others still protested. "It's too horrible; don't let him drown;
take him in." They threw him their life-preservers and the stumps of the
broken oars. But the Jew saw nothing, heard nothing, clinging to the
oar-blade, panting and stupid, his eyes wide and staring.

"Shake him off!" commanded the engineer. The sailor at the oar jerked
and twisted it, but the Jew still held on, silent and breathing hard.
Vandover glanced at the fearfully overloaded boat and saw the necessity
of it and held his peace, watching the thing that was being done. The
sailor still attempted to tear the oar from the Jew's grip, but the Jew
held on, panting, almost exhausted; they could hear his breathing in the
boat. "Oh, don't!" he gasped, rolling his eyes.

"Unship that oar and throw it overboard," shouted the engineer.

"Better not, sir," answered the sailor. "Extra oars all broken." The Jew
was hindering the progress of the boat and at every moment it threatened
to turn broad on to the seas.

"God damn you, let go there!" shouted the engineer, himself wrenching
and twisting at the oar. "Let go or I'll shoot!"

But the Jew, deaf and stupid, drew himself along the oar, hand over
hand, and in a moment had caught hold of the gunwale of the boat. It
careened on the instant. There was a great cry. "Push him off! We're
swamping! Push him off!" And one of the women cried to the mate, "Don't
let my little girls drown, sir! Push him away! Save my little girls! Let
him drown!"

It was the animal in them all that had come to the surface in an
instant, the primal instinct of the brute striving for its life and for
the life of its young.

The engineer, exasperated, caught up the stump of one of the broken oars
and beat on the Jew's hands where they were gripped whitely upon the
boat's rim, shouting, "Let go! let go!" But as soon as the Jew relaxed
one hand he caught again with the other. He uttered no cry, but his face
as it came and went over the gunwale of the boat was white and writhing.
When he was at length beaten from the boat he caught again at the oar;
it was drawn in, and the engineer clubbed his head and arms and hands
till the water near by grew red. The little Jew clung to the end of the
oar like a cat, writhing and grunting, his mouth open, and his eyes
fixed and staring. When his hands were gone, he tried to embrace the oar
with his arms. He slid off in the hollow of a wave, his body turned over
twice, and then he sank, his head thrown back, his eyes still open and
staring, and a silver chain of bubbles escaping from his mouth.

"Give way, men!" said the engineer.

"Oh, God!" exclaimed Vandover, turning away and vomiting over the side.

A little while later some one on the bow of the boat called to the
engineer asking why it was they were not heading for the shore. The
engineer did not answer, but Vandover in some way understood that it was
too dangerous to attempt to run the breakers in such heavy weather, and
that they must keep in the open, holding the boat head on to the seas
until either the wind fell or they were picked up by some other vessel.

It was still very dark, and seen under the night from the little boat,
the ocean and the sky seemed immense and terrible; the great waves grew
out of the obscurity ahead of them, rushing down upon the boat, big,
swelling, silent, their crests occasionally hissing and breaking into
irruptions of cold white froth. As one of them would draw near, the boat
would rise upon it as though it would never stop, would hang a moment
upon its summit and then topple into the black gulf that followed,
sending the bitter icy spray high into the air. The wind blew steadily.
Suddenly toward three o'clock it began to rain.

Vandover, the engineer, all the five sailors, and two of the passengers
were clothed. The rest of the passengers were little better than naked.
Here and there a man had snatched a blanket from his berth, and one or
two of them were wearing their trousers, but the rest were clothed for
the most part only with their shirts and drawers. There were eighteen
women and five little girls in the boat. The little girls were well
looked after. Two were wrapped in Vandover's travelling-rug and a couple
of men had put their coats around the third. But there were not wraps
enough to go around among the women, by far the larger part of them were
covered only by their night-dresses or their bed-gowns.

It was abominably cold; the rain fell continually, and the wind blew in
long gusts, piercing, cutting. Every plunge of the boat threw icy
bullets of spray into the air, which the wind caught up and flung down
broad upon the boat. Sometimes even a huge wave would break just upon
their quarter, and then great torrents of bitter, freezing water would
fall over them in a deluge, leaving a sediment of salt that cracked the
skin. The women were huddled upon the bottom of the boat near the waist,
where they had been placed for greater safety. They were fouled with
the muddy water that gathered there, their long hair dishevelled,
dripping with sleet, clinging to their wet cheeks and throats, their
bodies showing pink with cold, through their thin, soaked coverings,
their limbs racked with long incessant shudderings, a wretched group,
miserable beyond words. One of them close by Vandover's feet, he noticed
particularly, had but a single garment to cover her. She was drenched
through and through, her bare feet were blue with the cold, her head was
thrown back, her eyes closed. She was silent except when an unusual gust
of wind whipped the rain and spray across her body like the long, fine
lash of a whip. Then with every breath she moaned, drawing in her breath
between her teeth with a little whistling gasp, too weak, too exhausted,
too nearly unconscious to attempt to shield herself in any way.

Vandover could do nothing; he had almost stripped himself to help clothe
the others. Nothing more could be done. The suffering had to go on, and
he began to wonder how human beings could endure such stress and yet
live.

But Vandover himself suffered too keenly to take much thought for the
sufferings of the others, while besides that anguish which he shared
with the whole boat, the pain in his broken thumb gnawed incessantly
like a rat. From time to time he stared listlessly about him, looking at
the dark sky, the tumbling ocean, and the crowded groups in the
plunging, rolling lifeboat.

There was nothing picturesque about it all, nothing heroic. It was
unlike any pictures he had seen of lifeboat rescues, unlike anything he
had ever imagined. It was all sordid, miserable, and the sight of the
half-clad women, dirty, sodden, unkempt, stirred him rather to disgust
than to pity.

At last the dawn came and grew white over a world of tumbling green
billows and scudding wrack. Some three miles distant, seen only when the
boat topped a higher wave, the same procession of bleached hills moved
gradually to the south under the fog, their feet covered by the white
line of the surf. Not far behind in the wake of the boat the stern of
the _Mazatlan_ rose out of a ring of white foam, the waves breaking over
her as if she had been there for ages, the screw writhing its flanges
into the air like some enormous starfish already fastened upon the hulk.

One of the other boats could be seen now and then between them and the
shore, a momentary dot of black on the vast blur of green and gray.

There was no conversation; the men relieved each other at the oars or
bailed out the water with their caps and hands, scarcely interchanging a
word. The only utterance was an occasional moaning from among the women
and children. There was nothing to eat; long since the two whisky flasks
had been exhausted. The rain fell steadily into the sea with a prolonged
rippling noise.

Vandover was leaning upon the gunwale of the boat, his head buried in
his arms, when suddenly he raised himself and asked of the man who sat
next to him:

"What was the matter last night? What caused the accident?"

The other shook his head, wearily, turning away again. However, the
engineer answered:

"We couldn't carry coal enough to keep up the right pressure of steam
and drifted in upon a reef. I said once before that it would happen some
time."

About an hour later Vandover dropped off to sleep, in spite of the cold,
the wet, and the torment in his thumb. He dozed and woke, and dozed
again all through the morning. About noon he was awakened by a more
violent rolling of the boat, the sound of voices, and a stir among the
other passengers.

It was still raining; the boat was no longer cutting the waves with her
nose, but was being rowed seaward flank on; a sailor stood in the bow
holding a coil of rope. Close in and seen over the tops of the waves
were the shaking and slatting sails of a pilot-boat, lying to. One of
the sails bore an enormous number six.

Vandover slept all that day and the night following, rolled in hot
blankets. The next morning he awoke with a strange sense of unreality
and of having dropped a day somewhere. As he lay in his stuffy little
bunk between decks, and felt the rolling of the pilot-boat under him, he
still fancied himself upon the _Mazatlan_; he felt the pain in his
bandaged thumb and wondered how it came there. Then his fall on the deck
came back to him, the wreck of the steamer, the excitement on board,
the reports of the rifle fired as a minute gun, the clouds of steam that
smelt of a great laundry, and the drowning of the little Jew of the
plush cap with the ear-laps. He shuddered and grew sick again for a
minute, telling himself that he would never forget that scene.

Such of the passengers as could get about breakfasted as best they could
in the cabin with the boatkeeper and four of the pilots. Here they were
informed as to what was to be done with them. The schooner would not go
in for two weeks, and it was out of the question to keep the castaways
on board for that length of time. However, at that moment the pilots
were cruising in the neighbourhood on the lookout for two Cape Horners
that were expected to be up at any moment. It was decided that when the
first of these should be met with the party should be transferred.

An hour after they had been picked up, the wind had begun to freshen. By
noon of the second day it had come on to blow half a gale. One could
hope only for the best as regarded the rest of the _Mazatlan's_ boats
and rafts. Not another sign of the wreck was seen by the schooner.

The castaways filled the little schooner to overflowing, hindering her
management, and getting in the way at every step. The pilot crew hustled
them about without ceremony, and after dinner one had to intervene to
prevent a fight between one of them and a sailor from the _Mazatlan_
over the question of a broken pipe. The women of the _Mazatlan_ kept in
their berths continually, rolled in hot blankets, dosed with steaming
whisky punches. In the afternoon, however, Vandover saw two of them in
the lee of the house attempting to dry their hair; one of them was the
woman he had particularly noticed in the lifeboat clad in a night-dress,
and he wondered vaguely where the dress had come from she now was
wearing.

About three o'clock of the afternoon of the following day Vandover was
sitting on the deck near the stern, fastening on his shoes with a length
of tarred rope, the laces which he had left trailing having long before
broken and pulled out. By that time the wind was blowing squally out of
the northeast. The schooner was put under try sails, "a three-reefed
mitten with the thumb brailed up," as he heard the boatkeeper call it.
This latter was at the wheel for a moment, but in a little while he
called up a young man dressed in a suit of oilskins and a pea jacket and
gave him the charge. For a long time Vandover watched the boy turning
the spokes back and forth, his eyes alternating between the binocle and
the horizon.

In the evening about half-past ten, the lookout in the crow's nest sang
out: "Smoke--oh!" sounding upon his fish horn. The boatkeeper ran aft
and lit a huge calcium flare, holding it so as to illuminate the big
number on the mainsail. Suddenly, about a quarter of a mile off their
weather-bow, a couple of rockets left a long trail of yellow against the
night. It was the Cape Horner, and presently Vandover made out her
lights, two glowing spots moving upon the darkness, like the eyes of
some nocturnal sea-monster. In a few minutes she showed a blue light on
the bridge; she wanted a pilot.

The schooner approached and was laid to, and the towering mass of the
great deep-sea tramp began to be dimly seen through the darkness. There
was little confusion in making the transfer of the castaways. Most of
them seemed still benumbed with their recent terrible exposure. They
docilely allowed themselves to be pushed into the pilot tender and again
endured the experience of being lowered to the shifting waves below.
Silently, like frightened sheep, they stood up in turn in the rocking
tender and allowed the life preserver to be fitted about their shoulders
to protect them from the bite of the rope's noose beneath their arms.
There followed a sickening upward whirl between sea and sky, and then
the comforting grasp of many welcoming hands from the deck above. By
three o'clock in the morning the transfer had been made.

Vandover boarded the Cape Horner in company with the pilot and the rest
and reached San Francisco late on the next day, which happened to be a
Sunday.




Chapter Ten


About ten o'clock Vandover went ashore in the ship's yawl and landed in
the city on a literally perfect day in early November. It seemed many
years since he had been there. The drizzly morning upon which the _Santa
Rosa_ had cast off was already too long ago to be remembered. The city
itself as he walked up Market Street toward Kearney seemed to have taken
on a strange appearance.

It was Sunday, the downtown streets were deserted except for the
cable-cars and an occasional newsboy. The stores were closed and in
their vestibules one saw the peddlers who were never there on week-days,
venders of canes and peddlers of glue with heavy weights attached to
mended china plates.

Vandover had had no breakfast and was conscious of feeling desperately
hungry. He determined to breakfast downtown, as he would arrive home too
late for one meal and too early for the other.

Almost all of his money had been lost with the _Mazatlan_; he found he
had but a dollar left. He would have preferred breakfasting at the
Grillroom, but concluded he was too shabby in appearance, and he knew he
would get more for his money at the Imperial.

It was absolutely quiet in the Imperial at the hour when he arrived. The
single bartender was reading a paper, and in the passage between the
private rooms a Chinese with a clean napkin wound around his head was
polishing the brass and woodwork. In the passage he met Toby, the
red-eyed waiter, just going off night duty, without his usual apron or
white coat, dressed very carefully, wearing a brown felt hat.

"Why, how do you do, Mr. Vandover?" exclaimed Toby. "Haven't seen you
round here for some time." Vandover was about to answer when the other
interrupted:

"Well, what's happened to _you_? Look as though you'd been drawn through
hell backward and beaten with a cat!"

In fact Vandover's appearance was extraordinary. His hat was torn and
broken, and his clothes, stained with tar and dirt, shrunken and
wrinkled by sea-water. His shoes were fastened with bits of tarred rope;
he was wearing a red flannel shirt with bone buttons which the
boatkeeper on the pilot boat had given him, tied at the neck with a
purple handkerchief of pongee silk; his hair was long, and a week's
growth of beard was upon his lip and cheeks.

"That's a fact," he answered grimly. "I do look queer. I was in a wreck
down the coast," he added hastily.

"The _Mazatlan!_" exclaimed Toby. "That's a fact; the papers have been
full of it. That's so, you were one of the survivors."

"The survivors!" echoed Vandover with wondering curiosity. "Tell me--you
know I haven't heard a word yet--were there many lives lost?" He
marvelled at the strangeness of the situation, that this bar waiter
should know more of the wreck than he himself who had been upon it.

"You bet there were!" answered Toby. "Twenty-three altogether; one boat
capsized; Kelly, 'Bug' Kelly, son of that fellow that runs the Crystal
Grotto, _he_ was drowned, and one of Hocheimer's--Hocheimer, the
jeweller, you know--one of his travelling salesmen was drowned; a little
Jew named Brann, a diamond expert; he jumped overboard and--"

"Don't!" said Vandover with a sharp gesture. "I saw him drown--it was
sickening."

"Were you in that boat?" exclaimed Toby. "Well, wait till I tell you;
the authorities here are right after that first engineer with a sharp
stick, and some of the passengers, too, for not taking him in. A woman
in one of the other boats saw it all and gave the whole thing away. A
thing like that is regular murder, you know." Vandover shut his teeth
against answering, and after a little Toby went on, willing to talk.
"You know, we've got a new man for the day-work down here now--George
isn't here any more. No, he's going to start a roadhouse out on the
almshouse drive in a few months; swell place, you know. I'll have him
send you cards for the opening."

Vandover ordered oysters, an omelette, and a pint of claret from the new
waiter who did the day-work, and ate and drank the meal--the like of
which he had not tasted since leaving Coronado--with delicious
enjoyment.

He delayed over it long, taking a great pleasure in satisfying the
demands of the animal in him. The wine made him heavy, warm, stupid; he
felt calm, soothed, and perfectly contented, and had to struggle
against a desire to go to sleep where he was. The atmosphere of the
Imperial was warm and there was a tepid languor in the air as of the
traces of many past debauches, a stale odour of sweetened whisky and of
musk. After the roughness and hardships of the last week he felt a
pleasant sense of quiet, of relaxation, of enervation. He even began to
wish that Flossie would come in. This, however, made him rouse himself;
he shook himself, and started home, paying his carfare with his last
nickel.

He sat on the outside of the car, wondering if any one he knew would see
him, half hoping that such a thing might happen, realizing the dramatic
interest that would centre about him now in his present condition as a
survivor of a wreck. The idea soon attracted him immensely and he began
to look out for any possible acquaintance as the car began to climb over
Nob Hill.

At the crossing of Polk Street he saw Ida Wade's mother in deep
mourning, standing near a grocery store holding a little pink parcel.

It was like a blow between the eyes. Vandover caught his breath and
started violently, feeling again for an instant the cold grip of the
hysterical terror that had so nearly overcome him on the morning after
Ida's death. It slowly relaxed, however, and by the time he had reached
the house on California Street he was almost himself again.

It was about church time when Vandover arrived at home once more. There
was a Sunday quiet in the air. The bells were ringing, and here and
there family groups on their way to church, the children walking in
front, very sedate in their best clothes, carrying the prayer-books
carefully, by special privilege.

The butler was working in the garden, as he sometimes did of a Sunday
morning, pottering about a certain bed of sweet-peas, and it was the
housekeeper who answered his ring. She recognized him with a prolonged
exclamation, raising her hands to heaven.

"O-oh, and is it you, Mr. Vandover, sir? Ah, how we've been upset about
you and all, and it's glad to see you back again your father will be!
Oh, such times as we had when we heard about the wreck and knowing you
were on it! Yes, sir, your father's _pretty_ well, though he was main
poorly yesterday morning. But he's better now. You'll find him in the
smoking-room now, sir."

Vandover pushed open the door of the smoking-room quietly. His father
was sitting unoccupied in the huge leather chair before the fireplace.
He was dead, and must have died some considerable time before, as he was
already cold. He could have suffered no pain, hardly a muscle had moved,
and his attitude was quite natural, the legs crossed, the right hand
holding the morning's paper. However, as soon as Vandover touched the
body it collapsed and slid down into a heap in the depth of the chair,
the jaw dropping open, the head rolling sidewise upon his shoulder.

Vandover ran out into the hall, waving his arms, shouting for the
servants. "Oh, why didn't you tell me?" he cried to the housekeeper "Why
did you let me find him so? When did he die?" The housekeeper was
distraught. She couldn't believe it. Only a little while ago he had
called her to say there were no more matches in the little brass
matchsafe. She began to utter long cries and lamentations like a hen in
distress, raising her hands to heaven. All at once they heard some one
rushing up the stairs. It was the butler, in his shirt-sleeves and his
enormous apron of ticking, still carrying his trowel in his hand. He was
bewildered, his eyes protruding, while all about him he spread the smell
of fresh earth. At every instant he exclaimed:

"What? What? What's the matter?"

"Oh, my dear old governor--and all alone!" cried Vandover through shut
teeth.

"Oh, oh, the good God!" exclaimed the housekeeper, crossing herself and
rolling her eyes. "And him asking for matches in the little brass box
only a minute since. Oh, the good, kind master!"

Suddenly Vandover rushed down the stairs and through the front hall,
snatching his hat from the hatrack as he passed. He ran to call the
family doctor, who lived some two blocks below on the same street. He
caught him just as he was getting into the carry-all with his family,
bound for church.

Vandover and the physician rode back together in the carry-all, the two
gray horses going up the steep hill at a trot. The doctor was dressed
for church; he wore red gloves with thick white seams, a spray of
lilies-of-the-valley in his lapel.

"I'm afraid we can do nothing," he said warningly. "It's your father's
old enemy, I suppose. This was--it was sure to happen sooner or later.
Any sudden shock, you know."

Vandover scarcely listened, holding the door of the carry-all open with
one hand, ready to jump out, beating the other hand upon his knee.

"Go back and take the rest of them to church now," said the doctor to
his coachman when the carry-all stopped in front of Vandover's house.

The whole house was in the greatest agitation all the rest of the day.
The curtains were drawn, the door bell rang incessantly, strange faces
passed the windows, and the noise of strange footsteps continually
mounted and descended the staircase. The hours for meals were all
deranged, the table stood ready all day long, and one ate when there was
a chance. The telephone was in constant use, and at every moment
messenger boys came and went, people spoke in low tones, walking on
tiptoe; the florist's wagon drove to the door again and again, and the
house began to smell of tuberoses. Reporters came, waiting patiently for
interviews, sitting on the leather chairs in the dining-room, or writing
rapidly on a corner of the dining-table, the cloth pushed back. The
undertaker's assistants went about in their shirt-sleeves, working very
hard, and toward the middle of the afternoon the undertaker himself tied
the crêpe to the bell handle.

Little by little a subdued excitement spread throughout the vicinity.
The neighbours appeared at their windows, looking down into the street,
watching everything that went on. It was a veritable event, a matter of
comment and interest for the whole block. Women found excuses to call on
each other, talking over what had happened, as they sat near their
parlour windows, shaking their heads at each other, peering out between
the lace curtains. The people on the cable-cars and the pedestrians
looked again and again at the crêpe on the bell handle, and the
curtained windows, craning their necks backward when they had passed.
The neighbours' children collected in little groups on the sidewalk near
the house, looking and pointing, drawn close together, talking in low
tones. At last even a policeman appeared, walking deliberately, casting
the shadow of his huge stomach upon the fence that was about the vacant
lot. He frowned upon the children, ordering them away. But suddenly he
discovered an acquaintance, the driver of an express-wagon that had just
driven up with an enormous anchor of violets. He paused, exclaiming:

"Why, hello, Connors!"

"Why, hello, Mister Brodhead!"

Then a long conversation was begun, the policeman standing on the
curbstone, one foot resting upon the hub of a wheel, the expressman
leaning forward, his elbows on his knees, twirling his whip between his
hands. The expressman told some sort of story, pointing with his elbow
toward the house, but the other was incredulous, gravely shaking his
head, putting his chin in the air, and closing his eyes.

Inside the house itself there was a hushed and subdued bustling that
centred about a particular room. The undertaker's assistants and the
barber called in low voices through the halls for basins of water and
towels. There was a search for the Old Gentleman's best clothes and his
clean linen; bureau drawers were opened and shut, closet doors softly
closed. Relatives and friends called and departed or stayed to help. A
vague murmur arose, a mingled sound of whispers and light foot-steps,
the rustle of silks, and the noise of stifled weeping, and then at last
silence, night, solitude, a single gas-jet burning, and Vandover was
left alone.

The suddenness of the thing had stunned and dizzied him, and he had gone
through with all the various affairs of the day wondering at his
calmness and fortitude. Toward eleven o'clock, however, after the
suppressed excitement of the last hours, as he was going to bed, the
sense of his grief and loss came upon him all of a sudden, with their
real force for the first time, and he threw himself upon the bed face
downward, weeping and groaning. During the rest of the night pictures of
his father returned to him as he had seen him upon different occasions,
particularly three such pictures came and went through his mind.

In one the Old Gentleman stood in that very room, with the decanter in
his hand, asking him kindly if he felt very bad; in another he was on
the pier with his handkerchief tied to his cane, waving it after
Vandover as though spelling out a signal to him across the water. But in
a third, he was in the smoking-room, fallen into the leather chair, his
arm resting on the table and his head bowed upon it.

After the funeral, which took place from the house, Vandover drove back
alone in the hired carriage to his home. He would have paid the driver,
but the other told him that the undertaker looked out for that. Vandover
watched him a moment as he started his horses downhill, the brake as it
scraped against the tire making a noise like the yelping of a dog. Then
he turned and faced the house. It was near four o'clock in the
afternoon, and everything about the house was very quiet. All the
curtains were down except in one of the rooms upstairs. The butler had
already opened these windows and was airing the room. Vandover could
hear him moving about, sweeping up, rearranging the furniture, making up
the bed again. In front of him, between the horse-block and the front
door, one or two smilax leaves were still fallen, and a tuberose,
already yellow. Behind him in the street he had already noticed the
marks of the wheels of the hearse where it had backed up to the curb.

The crêpe was still on the bell handle. Vandover did not know whether it
had been forgotten, or whether it was proper to leave it there longer.
At any rate he took it off and carried it into the house with him.

His father's hat, a stiff brown derby hat, flat on the top, hung on the
hatrack. This had always been a sign to Vandover that his father was at
home. The sight was so familiar, so natural, that the same idea occurred
to him now involuntarily, and for an instant it was as though he had
dreamed of his father's death; he even wondered what was this terrible
grief that had overwhelmed him, and thought that he must go and tell his
father about it. He took the hat in his hands, turning it about
tenderly, catching the faint odour of the Old Gentleman's hair oil that
hung about it. It all brought back his father to him as no picture ever
could; he could almost _see_ the kind old face underneath the broad curl
of the brim. His grief came over him again keener than ever and he put
his arms clumsily about the old hat, weeping and whispering to himself:

"Oh, my poor, dear old dad--I'm never going to see you again, never,
never! Oh, my dear, kind old governor!"

He took the hat up to his room with him, putting it carefully away. Then
he sat down before the window that overlooked the little garden in the
rear of the house, looking out with eyes that saw nothing.




Chapter Eleven


The following days as they began to pass were miserable. Vandover had
never known until now how much he loved his father, how large a place he
had filled in his life. He felt horribly alone now, and a veritable
feminine weakness overcame him, a crying need to be loved as his father
had loved him, and also to love some one as he himself had loved his
father. Worst of all, however, was his loneliness. He could think of no
one who cared in the least for him; the very thought of Turner Ravis or
young Haight wrought in him an expression of scorn. He was sure that he
was nothing to them, though they were the ones whom he considered his
best friends.

Another cause of misery was the fact that his father's death in leaving
him alone had also thrown him upon his own resources. Now he would have
to shoulder responsibilities which hitherto his father had assumed, and
decide questions which until now his father had answered.

However, he felt that his father's death had sobered him as nothing
else, not even Ida's suicide, had done. The time was come at length for
him to take life seriously. He would settle down now to work at his art.
He would go to Paris as his father had wished, and devote himself
earnestly to painting. Yes, the time was come for him to steady himself,
and give over the vicious life into which he had been drifting.

But it was not long before Vandover had become accustomed to his
father's death, and had again rearranged himself to suit the new
environment which it had occasioned. He wondered at himself because of
the quickness with which he had recovered from this grief, just as
before he had marvelled at the ease with which he had forgotten Ida's
death. Could it be true, then, that nothing affected him very deeply?
Was his nature shallow?

However, he was wrong in this respect; his nature was not shallow. It
had merely become deteriorated.

Two days after his father's death Vandover went into the Old Gentleman's
room to get a certain high-backed chair which had been moved there from
his own room during the confusion of the funeral, and which, pending
the arrival of the trestles, had been used to support the coffin.

As he was carrying it back his eye fell upon a little heap of objects
carefully set down upon the bureau. They were the contents of the Old
Gentleman's pockets that the undertaker had removed when the body was
dressed for burial.

Vandover turned them over, sadly interested in them. There was the
watch, some old business letters and envelopes covered with memoranda,
his fountain-pen, a couple of cigars, a bank-book, a small amount of
change, his pen-knife, and one or two tablets of chewing-gum.

Vandover thrust the pen and the knife into his own pocket. The
bank-book, letters, and change he laid away in his father's desk, but
the cigars and the tablets of gum, together with the crumpled
pocket-handkerchief that he found on another part of the dressing-case,
he put into the Old Gentleman's hat, which he had hidden on the top
shelf of his clothes closet. The watch he hung upon a little brass
thermometer that always stood on his centre table. He even wound up the
watch with the resolve never to let it run down so long as he should
live.

The keys, however, disturbed him, and he kept changing them from one
hand to the other, looking at them very thoughtfully. They suggested to
him the inquiry as to whether or no his father had made a will, and how
much money he, Vandover, could now command. One of the keys was a long
brass key. Vandover knew that this unlocked a little iron box that from
time out of mind had been screwed upon the lower shelf of the clothes
closet in his father's room. It was in this box that the Old Gentleman
kept his ready money and a few important papers.

For a long time Vandover stood undecided, changing the keys about from
one hand to the other, hesitating before opening this iron box; he could
not tell why. By and by, however, he went softly into his father's room,
and into the clothes closet near the head of the bed. Holding the key
toward the lock, he paused listening; it was impossible to rid his mind
of the idea that he was doing something criminal. He shook himself,
smiling at the fancy, assuring himself of the honesty of the thing, yet
opening the box stealthily, holding the key firmly in order that it
might not spring back with a loud click, looking over his shoulder the
while and breathing short through his nose.

The first thing that he saw inside was a loaded revolver, the sudden
view of which sent a little qualm through the pit of his stomach. He
took it out gingerly, holding it at arm's length, throwing open the
cylinder and spilling out the cartridges on the bed, very careful to let
none of them fall on the floor lest they should explode.

Next he drew out the familiar little canvas sack. In it were
twenty-dollar gold-pieces, the coin that used to be "Good for the
Masses." Behind that was about thirty dollars in two rolls, and last of
all in an old, oblong tin cracker-box a great bundle of papers. A list
of these papers was pasted on one end of the box. They comprised deeds,
titles, insurance policies, tax receipts, mortgages, and all the papers
relating to the property. Besides these there was the will.

He took out this box, laying it on the shelf beside him. He was closing
the small iron safe again very quietly when all at once, before he could
think of what he was doing, he ran his hand into the mouth of the canvas
sack, furtively, slyly, snatched one of the heavy round coins, and
thrust it into his vest pocket, looking all about him, listening
intently, saying to himself with a nervous laugh, "Well, isn't it mine
anyway?"

In spite of himself he could not help feeling a joy in the possession of
this money as if of some treasure-trove dug up on an abandoned shore. He
even began to plan vaguely how he should spend it.

However, he could not bring himself to open any of the papers, but sent
them instead to a lawyer, whom he knew his father had often consulted. A
few days later he received a typewritten letter asking him to call at
his earliest convenience.

It was at his residence and not at his office that Vandover saw the
lawyer, as the latter was not well at the time and kept to his bed.
However, he was not so sick but that his doctor allowed him to transact
at least some of his business. Vandover found him in his room, a huge
apartment, one side entirely taken up by book-shelves filled with works
of fiction. The walls were covered with rough stone-blue paper, forming
an admirable background to small plaster casts of Assyrian
_bas-reliefs_ and large photogravures of Renaissance portraits.
Underneath an enormous baize-covered table in the centre of the room
were green cloth bags filled apparently with books, padlocked tin
chests, and green pasteboard deed-boxes. The lawyer was sitting up in
bed, wearing his dressing-gown and occasionally drinking hot water from
a glass. He was a thin, small man, middle-aged, with a very round head
and a small pointed beard.

"How do you do, Mr. Vandover?" he said, very pleasantly as Vandover
passed by the servant holding open the door and came in.

"How do you do, Mr. Field?" answered Vandover, shaking his hand. "Well,
I'm sorry to see you like this."

"Yes," answered the lawyer, "I'm--I have trouble with my digestion
sometimes, more annoying than dangerous, I suppose. Take a chair, won't
you? You can find a place for your hat and coat right on the table
there. Well," he added, settling back on the pillows and looking at
Vandover pleasantly, "I think you've grown thinner since the last time I
saw you, haven't you?"

"Yes," answered Vandover grimly, "I guess I have."

"Yes, yes, I suppose so, of course," responded the lawyer with a vague
air of apology and sympathy. "You have had a trying time of it lately,
taking it by and large. I was _very_ painfully shocked to hear of your
father's death. I had met him at lunch hardly a week before; he was a
far heartier man than I was. Eat? You should have seen--splendid
appetite. He spoke at length of you, I remember; told me you expected to
go abroad soon to study painting; in fact, I believe he was to go to
Paris with you. It was very sad and very sudden. But you know we've all
been expecting--been fearing--that for some time."

They both were silent for a moment, the lawyer looking absently at the
foot-board of the bed, nodding his head slowly from time to time,
repeating, "Yes, sir--yes, sir." Suddenly he exclaimed, "Well--now,
let's see." He cleared his throat, coming back to himself again, and
continued in a very businesslike and systematic tone:

"I have looked over your father's papers, Mr. Vandover, as you
requested me to, and I have taken the liberty of sending for you to let
you know exactly how you stand."

"That's the idea, sir," said Vandover, very attentive, drawing up his
chair.

Mr. Field took a great package of oblong papers from the small table
that stood at the head of his bed, and looked them over, adjusting his
eyeglasses. "Well, now, suppose we take up the real property first," he
continued, drawing out three or four of these papers and unfolding them.
"All of your father's money was invested in what we call 'improved
realty.'"

He talked for something over an hour, occasionally stopping to answer a
question of Vandover's, or interrupting himself to ask him if he
understood. At the end it amounted to this:

The bulk of the estate was residence property in distant quarters of the
city. Some twenty-six houses, very cheaply built, each, on an average,
renting for twenty-eight dollars. When all of these were rented, the
gross monthly income was seven hundred and twenty-eight dollars. At this
time, however, six were vacant, bringing down the gross receipts per
month to five hundred and sixty dollars. The expenses, which included
water, commissions for collecting, repairs, taxes, interest on
insurance, etc., when expressed in the terms of a monthly average,
amounted to one hundred and eighty-six dollars.

"Well, now, let's see," said Vandover, figuring on his cuff, "one
hundred and eighty-six from five hundred and sixty leaves me a net
monthly income of three hundred and eighty-four--no, seventy-four. Three
hundred and seventy-four dollars."

The lawyer shook his head while he drank another glass of hot water:

"You see," he said, wiping his moustache in the hollow of his palm, "you
see, we haven't figured on the mortgages yet."

"Mortgages?" echoed Vandover.

"Yes," answered Mr. Field, "when I spoke of expenses I was basing them
upon the monthly statements of Adams & Brunt, your father's agents. But
they never looked after the mortgages. Your father acted directly with
the banks in that matter. I find that there are mortgages that cover the
entire property, even the homestead. They are for 6-1/2 and 7 per cent.
In some cases there are two mortgages on the same piece of property."

"Well," said Vandover.

"Well," answered the lawyer, "the interest on these foots up to about
two hundred and ninety dollars a month."

Vandover made another hasty calculation on his cuff, and leaned back in
his chair staring at the lawyer, saying:

"Why, that leaves eighty-four dollars a month, net."

"Yes," assented Field. "I made it that, too."

"Why, the governor used to allow _me_ fifty a month," returned Vandover,
"just for pocket money."

"I'm afraid you mustn't expect anything like that, now, Mr. Vandover,"
replied Field, smiling. "You see, when your father was alive and
pursuing his profession, he made a comfortable income besides that which
he derived from his realty. His law business I consider to have been
excellent when you take everything into consideration. He often made
five hundred dollars a month at it. Such are the figures his papers
show. He could make you a handsome allowance while he was alive, but all
that is stopped now!"

"Well, but didn't he--didn't he leave any money, any--any--any lump
sum?" inquired Vandover incredulously.

"There was his bank account," answered the other. "You see, he invested
most of his savings in this same realty, and since he stopped building
he seems to have lived right up to his income."

"But eighty-four dollars!" repeated Vandover; "why, look at the house on
California Street where we live. It costs that much to run it, the
servants and all."

"Here's your father's domestic-account book," answered Field, taking it
up and turning the leaves. "One hundred and seventy-five dollars a month
were the average running expenses."

_"One hundred and seventy-five!"_ shouted Vandover, feeling suddenly as
if the ground were opening under him. "Why, great heavens! Mr. Field,
where am I going to get--what am I going to _do_?"

Mr. Field smiled a little. "Well," he said, "you must make up your mind
to live more modestly."

"Modestly?" exclaimed Vandover, scornfully.

"You'll have to rent the house and take rooms."

Vandover gave a gasp of relief.

"I hadn't thought of that," he answered, subsiding at once. "How much
would it bring--the house?"

The lawyer hesitated as to this. "That I could hardly tell you
definitely," he answered, shaking his head. "Adams & Brunt could give
you more exact figures. In fact, I would suggest that you put it into
their hands. California near Franklin, isn't it? Yes; the neighbourhood
isn't what it used to be, you know. Every one wants to live out on
Pacific Heights now. Double house? Yes, well--with the furniture, I
suppose--oh, I don't know--say, a hundred and fifty. But, you know, my
estimate is only guesswork. Brunt is the man you want to see."

"Well," answered Vandover, solaced, "that makes--two thirty-four; that's
more like it. But," he added, hastily, "you say the homestead is
mortgaged as well; how about the interest on that?"

"You needn't be bothered about that," answered Mr. Field. "The interest
on _that_ mortgage is included in the two hundred and ninety that I
spoke of, and the insurance interest on the homestead is included in
Adams & Brunt's statement. That was on the whole estate _with_ the
homestead, you understand? But there is another thing you must look out
for. Most of the mortgages are for one year, and every time they are
renewed there is an expense of between forty and fifty dollars."

"Yes, I see," assented Vandover.

"Now," resumed the lawyer, "here is your father's bank account. He had
in the First National to his credit between nine and ten thousand
dollars; nine thousand seven hundred and ninety, to be exact. His
professional account book shows that there is now due him in bills and
notes eight hundred and thirty dollars; on the debit side he owes in all
nine hundred; the difference, you see, is seventy. Nine thousand seven
hundred and ninety less seventy leaves a balance of nine thousand seven
hundred and twenty. All clear?" he asked, interrupting himself. Vandover
nodded and the other continued:

"Now, your father left a will; here it is. I drew it for him a year ago
last September. He has given fifteen hundred dollars to some cousin in
the southern part of the state, and six hundred to a few charities here
in the city. The remainder, seven thousand five hundred and twenty, and
all the rest of the estate is left to you with the wish that you pursue
your art studies abroad. Brunt, of Adams & Brunt, and myself are
appointed executors. So now, that is just how you stand as far as I can
see: seventy-five hundred dollars in ready money and, if we suppose you
rent the California Street house, income property that nets you two
hundred and thirty-four a month. The will will have to be probated some
time next month and you will have to appear; however, I shall let you
know about that in time."

During the next two weeks Vandover was plunged into the affairs of
business for the first time in his life. It interested and amused him,
and he felt a certain self-importance in handling large sums of money,
and in figuring interest, rents, and percentages. Three days after his
interview with Mr. Field the sale of his father's office effects took
place, and the consequent five hundred dollars Vandover turned over into
the hands of the lawyer, who was already looking for an investment for
the eighty-nine hundred. This matter had given Vandover considerable
anxiety.

"I don't want anything fancy," he said to Field. "No big per cents. and
bigger risks. If I've got to live economically I want something that's
secure. A good solid investment, don't you know, with a fair interest;
that's what I'm looking for."

"Yes," answered the lawyer grimly; "I've been looking for that myself
ever since I was your age."

They both laughed, and the lawyer added: "Has Brunt found a tenant for
the California Street house yet? No? Well, perhaps you had better keep
that five hundred for your running expenses until he does. It will
probably take some time."

"All right," answered Vandover. "There were a couple of women up to look
at the place yesterday, but they wanted to use it for a boarding-house.
I won't hear to that. Brunt says they would ruin it, dead sure."

"I suppose you are looking around, yourself, for rooms?" inquired Mr.
Field. "Have you found anything to suit you?"

"No," answered Vandover, "I have not. I don't like the idea of living
in one of the downtown hotels, and as far as I have looked, the uptown
flats are rather steep. However, I haven't gone around very much as yet.
I've been so busy. Oh, how about the paving of the street in front of
those Bush Street houses of mine? Brunt says that the supervisors have
passed a resolution of intention to that effect. Now shall I let the
city contractor have the job or give it to Brunt's man?"

"Better let the city people do it," advised Field. "They may charge
more, but you needn't pay _them_ for a long time."

By the end of three weeks Vandover had sickened of the whole thing. The
novelty was gone, and business affairs no longer amused him. Besides
this, he was anxious to settle down in some comfortable rooms. It was
now the middle of winter and he had determined that it was not the
season for a European trip. He would wait until the summer before going
to Paris.

Little by little Vandover turned over the supervision and management of
his affairs and his property to Adams & Brunt, declaring that he could
not afford to be bothered with them any longer. This course was much
more expensive and by no means so satisfactory from a business point of
view, but Vandover felt as though the loss in money was more than offset
by his freedom from annoyance and responsibility.

He was eager to get settled. The idea of taking rooms that should be all
his own and that he could fit up to suit his taste attracted him
immensely. Already he saw himself installed in charming bachelor's
apartments, the walls covered with rough stone-blue paper forming an
admirable background for small plaster casts of Assyrian _bas-reliefs_
and photogravures of Velasquez portraits. There would be a pipe-rack
over the mantelpiece, and a window-seat with a corduroy cushion such as
he had had in his room in Matthew's.

Very slowly his father's affairs were settled, and by degrees the estate
began to adjust itself to the new grooves in which it was to run. By the
middle of December everything was beginning to go smoothly, and the day
before Christmas Mr. Field announced to Vandover that he had invested
his eighty-nine hundred in registered U.S. 4 per cents. They had had
several long talks concerning this sum of money, and in the end had
concluded that it would be better to invest it in some such fashion
rather than to take up any of the mortgages that were on the houses.

During the first weeks of the new year the house on California Street
was rented for one hundred and twenty-five dollars to an English
gentleman, the president of a fruit syndicate in the southern part of
the state. There were but three in the family, and though the rent was
below that which Vandover had desired, Brunt advised him to close the
transaction at once, as they were desirable tenants and would probably
stay in the house a long time.

On the last evening which he was to spend in his home, Vandover cast up
his accounts and made out a schedule as to his monthly income.

    Rent from realty, net average                                  $ 84.00
    Rent from homestead property on California Street               125.00
    Interest on U.S. bonds, 4 per cent.                              23.00
                                                                   _______
        Total                                                      $232.00
    In small iron safe                                             $170.00
    Received from sale of office effects                           $500.00
                                                                   _______
                                                                   $670.00
    Expenses, outstanding bills, lawyer's fees, undertaker's
      bill, expenses for collecting, etc                            587.00
                                                                   _______
    Balance, January 16th                                           $83.00

Then with a shrug of the shoulders he dismissed the whole burdensome
business from his mind. Brunt would manage his property, sending him
regularly the monthly statement in order to keep him informed. The
English gentleman of the fruit syndicate would add his hundred and
twenty-five, and the 4 per cents., faithfully brooding over his
eighty-nine hundred in the dark of the safety deposit drawer, would
bring forth their little quota of twenty-three with absolute certainty.
Two thirty-two a month. Yes, he was comfortably fixed and was free now
to do exactly as he pleased.

His first object now was to settle down for the winter in some pleasant
rooms. He had decided that he would look for a suite of three--a
bedroom, studio, and sitting-room. The bedroom he was not particular
about, the studio he hoped would have plenty of light from the north,
but the sitting-room _must_ be sunny and overlook the street, else what
would be the use of a window-seat? As to the neighbourhood, he thought
he would prefer Sutter Street anywhere between Leavenworth and Powell.

In the downtown part this street was entirely given over to business
houses; in the far, uptown quarter it was lined with residences; but
between these two undesirable extremes was an intermediate district
where the residences had given place to flats, and the business blocks
to occasional stores. It was a neighbourhood affected by doctors,
dentists, and reputable music-teachers; drug stores occupied many of the
corners, here and there a fine residence still withstood the advance of
business, there were a number of great apartment houses, and even one or
two club buildings.

It was a gay locality, not too noisy, not too quiet. The street was one
of the great arteries of travel between the business and the residence
portions of the city, and its cable-cars were frequented by ladies going
to their shopping or downtown marketing or to and from the matinées.
Acquaintances of Vandover were almost sure to pass at every hour.

He took rooms temporarily at the Palace and at once set about locating
on Sutter Street. He had recourse again to Brunt, who furnished him with
a long list of vacancies in that neighbourhood. Apartment-hunting was an
agreeable pastime to Vandover, though in the end it began to bore him.
Altogether, he visited some fifteen or twenty suites, in each case
trying to fit himself into the rooms, imagining how the window-seat
would look in such a window, how the pipe-rack would show over such a
mantel, just where on such walls the Assyrian _bas-reliefs_ could be
placed to the best advantage, and if his easel could receive enough
steady light from such windows. Then he considered the conveniences, the
baths, the electric light, and the heat.

After a two weeks' search, he had decided upon one of two suites; both
of these were in the desired neighbourhood but differed widely in other
respects.

The first was reasonable enough in the matter of rent, and had even been
occupied by an artist for some three or four years previous. However,
the room that Vandover proposed to use as a sitting-room was small and
had no double windows, thus making the window-seat an impossibility.
There did not seem to be any suitable place for the Assyrian
_bas-reliefs_, and the mantelpiece was of old-fashioned white marble
like the mantelpiece in Mrs. Wade's front parlour, a veritable horror.
It revolted Vandover even to think of putting a pipe-rack over it. These
defects were offset by the studio, a large and splendid room with
hardwood floors and an enormous north light, the legendary studio, the
dream of an artist, precisely such a studio as Vandover had hoped he
would occupy in the Quarter.

The other suite was in a great apartment house, a hotel in fact, but
very expensive, with electric bulbs and bells, and with a tiled bathroom
connecting with the bedroom. The room which he would be obliged to use
as his studio was small, dark, the light coming from the west. But the
sitting-room was perfect. It had the sun all day long through a huge bay
window that seemed to have been made for a window-seat; there were
admirable, well-lighted spaces on the walls for casts and pictures, and
the mantelpiece was charming, extremely high, and made of oak; in a
word, the exact sitting-room that Vandover had in mind. Already he saw
himself settled there as comfortably and snugly as a kernel in a
nutshell. It was true that upon investigation he found that the grate
had been plastered up and the flue arranged for a stove. But for that
matter there were open-grate stoves to be had that would permit the fire
to be seen and that would look just as cheerful as a grate. He had even
seen such a stove in the window of a hardware store downtown, a tiled
stove with a brass fender and with curious flamboyant ornaments of
cast-iron--a jewel of a stove.

For two days Vandover hesitated between these two suites, undecided
whether he should sacrifice his studio for his sitting-room, or his
sitting-room for his studio. At length he came to the conclusion that as
he was now to be an artist a good studio ought to be the first
consideration, and that since he was to settle down to hard, serious
work at last he owed it to himself to have a fitting place in which to
paint; yes, decidedly he would take the suite with the studio. He went
to the agent, told him of his decision, and put up a deposit to secure
the rooms.

The same day upon which he took this decided step he had occasion to
pass by both places in question. As he approached the apartment house
in which the rejected suite was situated it occurred to him to tell the
clerk in the office that he had decided against the rooms; he could take
a last look at them at the same time.

He was shown up to the rooms again, and walked about in the
sitting-room, asking the same questions about the heat, the plumbing,
and the baths. He even went to the window and looked out into the
street. It _was_ a first-rate berth just the same, and how jolly it
would be to lounge in the window-seat of a morning, with a paper, a
cigarette, and a cup of coffee, watching the people on their way
downtown; the women going to their shopping and morning's marketing.
Then all at once he remembered that at most he would only have these
rooms for five months, and reflected that if his whole life was to be
devoted to painting he might easily put up with an inconvenient studio
for a few months. Once at Paris all would be different.

At that the rooms took on a more charming aspect than ever; never had
they appeared cheerier, sunnier, more comfortable; never had the oak
mantel and the tiled stove with the flamboyant ornaments been more
desirable; never had a window-seat seemed more luxurious, never a
pipe-rack more delectable, while at the same time, the other rooms, the
rooms of the big studio, presented themselves to his imagination more
sombre, uncomfortable, and forbidding than ever. It was out of the
question to think of living there; he was angry with himself for having
hesitated so long. But suddenly he remembered the deposit he had already
made; it was ten dollars; for a moment he paused, then dismissed the
matter with an impatient shrug of the shoulders. "So much the worse," he
said. "What's ten dollars?" He made up his mind then and there and went
downstairs, walking on his heels, to tell the clerk that after all he
would engage the rooms from that date.




Chapter Twelve


Vandover took formal possession of his rooms on Sutter Street during the
first few days of February. For a week previous they had been in the
greatest confusion: the studio filled with a great number of trunks,
crates, packing cases, and furniture still in its sacking. In the
bedroom was stored the furniture that had been moved out of the
sitting-room, while the sitting-room itself was given over to the
paperhangers and carpenters. Vandover himself appeared from time to
time, inquiring anxiously as to the arrival of his "stuff," or sitting
on a packing-case, his hands in his pockets, his hat pushed back, and a
cigarette between his lips.

He had passed a delightful week selecting the wall paper and the pattern
for the frieze, buying rugs, screens, Assyrian _bas-reliefs_,
photogravures of Renaissance portraits, and the famous tiled stove with
its flamboyant ornaments. Just after renting his home he had had a talk
with the English gentleman of the fruit syndicate and had spoken about
certain ornaments and bits of furniture, valuable chiefly to himself,
which he wished to keep. The president of the fruit syndicate had been
very gracious in the matter, and as soon as Vandover had taken his rooms
he had removed two great cases of such articles from the California
Street house and had stored them in the studio.

After the workmen were gone away Vandover began the labour of
arrangement, aided by one of the paperhangers he had retained for that
purpose. It was a work of three days, but at last everything was in its
place, and one evening toward the middle of the month Vandover stood in
the middle of the sitting-room in his shirt-sleeves, holding the
tweezers and a length of picture-wire in his hand, and looked around him
in his new home.

The walls were hung with dull blue paper of a very rough texture set off
by a narrow picture moulding of ivory white. A dark red carpet covered
with rugs and skins lay on the floor. Upon the left-hand wall, reaching
to the floor, hung a huge rug of sombre colours against which were fixed
a fencing trophy, a pair of antlers, a little water colour sketch of a
Norwegian fjord, and Vandover's banjo; underneath it was a low but very
broad divan covered with corduroy. To the right and left of this divan
stood breast-high bookcases with olive green curtains, their tops
serving as shelves for a multitude of small ornaments, casts of animals
by Fremiet and Barye, Donatello's lovely _femme inconnue_, beer steins,
a little bronze clock, a calendar, and a yellow satin slipper of
Flossie's in which Vandover kept Turkish cigarettes. The writing-desk
with the huge blue blotter in a silver frame, the paper-cutter, and the
enormous brass inkstand filled the corner to the right of the divan,
while drawn up to it was the huge leather chair, the chair in which the
Old Gentleman had died. In the drawer of the desk Vandover kept his
father's revolver; he never thought of loading it; of late he had only
used it to drive tacks with, when he could not find the hammer. Opposite
the divan, on the other side of the room, was the famous tiled stove
with the flamboyant ornaments; back of this the mantel, and over the
mantel a row of twelve grotesque heads in plaster, with a space between
each for a pipe. To the left in the angle of the room stood the Japanese
screen in black and gold, and close to this a tea-table of bamboo and a
piano-lamp with a great shade of crinkly red paper that Turner Ravis had
given to Vandover one Christmas. The bay window was filled by the
window-seat, covered with corduroy like the divan and heaped with
cushions, one of them of flaming yellow, the one spot of vivid colour
amidst the dull browns and sombre blues of the room. A great sideboard
with decanters and glasses and chafing-dishes faced the window from the
end wall. The entrance to the studio opened to the left of it, which
entrance Vandover had hung with curtains of dust-brown plush.

The casts of the Assyrian _bas-reliefs_ were against the wall upon
either side of the window. There were three of them, two representing
scenes from the life of the king, the third the wounded lioness which
Vandover never wearied of admiring.

Upon the wall over the mantel hung two very large photogravures, one of
Rembrandt's "Night Watch," the other a portrait of Velasquez
representing a young man with a hunting spear. Above one of the
bookcases was an admirable reproduction of the "Mona Lisa"; above the
other, a carbon print of a Vandyke, a Dutch lady in a silk gown and very
high ruff.

By the side of the "Mona Lisa," however, was a cheap brass rack stuffed
with photographs: actresses in tights, French quadrille dancers, high
kickers, and chorus girls.

In the studio, Vandover had tacked great squares and stripes of
turkey-red cloth against the walls to serve as a background for his
sketches. Some dozen or more portfolios and stretchers were leaned
against the baseboard, and a few ornaments and pieces of furniture, such
things as Vandover set but little store by, were carelessly arranged
about the room. The throne and huge easel were disposed so as to receive
as much light as was possible.

Beyond the studio was the bedroom, but here there was only the
regulation furniture. Some scores of photographs of Vandover's friends
were tacked upon the walls, or thrust between the wood and glass of the
mirror.

A new life now began for Vandover, a life of luxury and aimlessness
which he found charming. He had no duties, no cares, no
responsibilities. But there could be no doubt that he was in a manner
changed; the old life of dissipation seemed to have lost its charm. For
nearly twenty-six years nothing extraordinary had happened to break in
upon the uneventful and ordinary course of his existence, and then,
suddenly, three great catastrophes had befallen, like the springing of
three successive mines beneath his feet: Ida's suicide, the wreck, and
his father's death, all within a month. The whole fabric of his
character had been shaken, jostled out of its old shape. His desire of
vice was numbed, his evil habits all deranged; here, if ever, was the
chance to begin anew, to commence all over again. It seemed an easy
matter: he would merely have to remain inactive, impassive, and his
character would of itself re-form upon the new conditions.

But Vandover made another fatal mistake: the brute in him had only been
stunned; the snake was only soothed. His better self was as sluggish as
the brute, and his desire of art as numb as his desire of vice. It was
not a continued state of inaction and idleness that could help him, but
rather an active and energetic arousing and spurring up of those better
qualities in him still dormant and inert. The fabric of his nature was
shaken and broken up, it was true, but if he left it to itself there was
danger that it would re-form upon the old lines.

And this was precisely what Vandover did. As rapidly as ever his pliable
character adapted itself to the new environment; he had nothing to do;
there was lacking both the desire and necessity to keep him at his
easel; he neglected his painting utterly. He never thought of attending
the life-class at the art school; long since he had given up his
downtown studio. He was content to be idle, listless, apathetic, letting
the days bring whatever they chose, making no effort toward any fixed
routine, allowing his habits to be formed by the exigencies of the hour.

He rose late and took his breakfast in his room; after breakfast he sat
in his window-seat, reading his paper, smoking his pipe, drinking his
coffee, and watching the women on their way downtown to their morning's
shopping or marketing. Then, as the fancy moved him, he read a novel,
wrote a few letters, or passed an hour in the studio dabbling with some
sketches for the "Last Enemy." Very often he put in the whole morning
doing pen and inks of pretty, smartly dressed girls, after Gibson's
manner, which he gave away afterward to his friends. In the afternoon he
read or picked the banjo or, sitting down to the little piano he had
rented, played over his three pieces, the two polkas and the air of the
topical song. At three o'clock, especially of Wednesday and Saturday
afternoons, he bestirred himself, dressed very carefully, and went
downtown to promenade Kearney and Market streets, stopping occasionally
at the Imperial, where he sometimes found Ellis and Geary and where he
took cocktails in their company.

He rarely went out in the evenings; his father's death had changed all
that, at least for a while. He had not seen Turner Ravis nor Henrietta
Vance for nearly two months.

Vandover took his greatest pleasure while in his new quarters, delighted
to be pottering about his sitting-room by the hour, setting it to
rights, rearranging the smaller ornaments, adjusting the calendar,
winding the clock and, above all, tending the famous tiled stove.

In his idleness he grew to have small and petty ways. The entire day
went in doing little things. He passed one whole afternoon delightfully,
whittling out a new banjo bridge from the cover of a cigar-box, scraping
it smooth afterward with a bit of glass. The winding of his clock was
quite an occurrence in the course of the day, something to be looked
forward to. The mixing of his tobacco was a positive event and
undertaken with all gravity, while the task of keeping it moist and ripe
in the blue china jar, with the sponge attachment, that always stood on
the bamboo tea-table by the Japanese screen, was a wearing anxiety that
was yet a pleasure.

It became a fad with him to do without matches, using as a substitute
"lights," tapers of twisted paper to be ignited at the famous stove. He
found amusement for two days in twisting and rolling these "lights,"
cutting frills in the larger ends with a pair of scissors, and stacking
them afterward in a Chinese flower jar he had bought for the purpose and
stood on top of the bookcases. The lights were admirably made and looked
very pretty. When he had done he counted them. He had made two hundred
exactly. What a coincidence!

But the stove, the famous tiled stove with flamboyant ornaments, was the
chiefest joy of Vandover's new life. He was delighted with it; it was so
artistic, so curious, it kept the fire so well, it looked so cheerful
and inviting; a stove that was the life and soul of the whole room, a
stove to draw up to and talk to; no, never was there such a stove! There
was hardly a minute of the day he was not fussing with it, raking it
down, turning the damper off and on, opening and shutting the door,
filling it with coal, putting the blower on and then taking it off
again, sweeping away the ashes with a little brass-handled broom, or
studying the pictures upon the tiles: the "Punishment of Caliban and His
Associates," "Romeo and Juliet," the "Fall of Phaeton." He even
pretended to the chambermaid that he alone understood how to manage the
stove, forbidding her to touch it, assuring her that it had to be coaxed
and humoured. Often late in the evening as he was going to bed he would
find the fire in it drowsing; then he would hustle it sharply to arouse
it, punching it with the poker, talking to it, saying: "Wake up there,
you!" And then when the fire was snapping he would sit before it in his
bathrobe, absorbing its heat luxuriously and scratching himself, as was
his custom, for over an hour.

But very often in the evening he would have the boys, Ellis, Geary, and
young Haight, up to a little improvised supper. They would bring home
_tamales_ with them, and Vandover would try to make Welsh rabbits, which
did not always come out well and which they oftentimes drank instead of
ate. Ellis, always very silent, would mix and drink cocktails
continually. Vandover would pick his banjo, and together with young
Haight would listen to Geary.

"Ah, you bet," this one would say, "I'm going to make my pile in this
town. I can do it. Beale sent me to court the other morning to get the
judge's signature. He had a grouch on, and wanted to put me off. You
ought to have heard me jolly him. I talked right up to him! Yes, sir;
you bet! Didn't I have the gall? That's the way you want to do to get
along--get right in and not be afraid. I got his signature, you bet. Ah,
I'm right in it with Beale; he thinks I'm hot stuff."

Now that there was nothing to worry him, and little to occupy his mind,
Vandover gave himself over considerably to those animal pleasures which
he enjoyed so much. He lay abed late in the morning, dozing between the
warm sheets; he overfed himself at table, and drank too much wine; he
ate between meals, having filled his sideboard with canned patés, potted
birds, and devilled meats; while upon the bamboo table stood a tin box
of chocolates out of which he ate whole handfuls at a time. He would
take this box into the bathroom with him and eat while he lay in the hot
water until he was overcome by the enervating warmth and by the steam
and would then drop off to sleep.

It was during these days that Vandover took up his banjo-playing
seriously, if it could be said that he did anything seriously at this
time. He took occasional lessons of a Mexican in a room above a
wigmaker's store on Market Street, and learned to play by note. For a
little time he really applied himself; after he had mastered the
customary style of play he began to affect the more brilliant and fancy
performances, playing two banjos at once, or putting nickels under the
bridge and picking the strings with a calling-card to imitate a
mandolin. He even made up some comical pieces that had a great success
among the boys. One of these he called the "Pleasing Pan-Hellenic
Production"; another was the imitation of the "Midway Plaisance Music,"
and a third had for title "A Sailor Robbing a Ship," in which he managed
to imitate the sounds of the lapping of the water, the creaking of the
oarlocks, the tramp of the sailor's feet upon the deck, the pistol shot
that destroyed him, and--by running up the frets on the bass-string--his
dying groans, a finale that never failed to produce a tremendous effect.




Chapter Thirteen


Just before Lent, and about three months after the death of Vandover's
father, Henrietta Vance gave a reception and dance at her house. The
affair was one of a series that the girls of the Cotillon had been
giving to the men of the same club. Vandover had gone to all but the
last, which had occurred while he was at Coronado. He was sure of
meeting Geary, young Haight, Turner Ravis, and all the people of his set
at these functions, and had always managed to have a very jolly time. He
had been very quiet since his father's death and had hardly gone out at
all; in fact, since Ida Wade's death and his trip down the coast he had
seen none of his acquaintances except the boys. But he determined now
that he would go to this dance and in so doing return once more to the
world that he knew. By this time he had become pretty well accustomed to
his father's death and saw no reason why he should not have a good time.

At first he thought he would ask Turner to go with him, but in the end
made up his mind to go alone, instead; one always had a better time when
one went alone. Young Haight would have liked to have asked Turner, but
did not because he supposed, of course, that Vandover would take her. In
the end Turner had Delphine act as her escort.

Vandover arrived at Henrietta Vance's house at about half-past eight. A
couple of workmen were stretching the last guy ropes of the awning that
reached over the sidewalk; every window of the house was lighted. The
front door was opened for the guest before he could ring, and he passed
up the stairs, catching a glimpse of the parlours through the portières
of the doors. As yet they were empty of guests, the floors were covered
with canvas, and the walls decorated with fern leaves. In a window
recess one of the caterer's men was setting out two punch bowls and a
multitude of glass cups; three or four musicians were gathered about the
piano, tuning up, and one heard the subdued note of a cornet; the air
was heavy with the smell of pinks and of La France roses.

At the turn of the stairs the Vances' second girl in a white lawn cap
directed him to the gentlemen's dressing-room, which was the room of
Henrietta Vance's older brother. About a dozen men were here before him,
some rolling up their overcoats into balls and stowing them with their
canes in the corners of the room; others laughing and smoking together,
and still others who were either brushing their hair before the mirrors
or sitting on the bed in their stocking feet, breathing upon their
patent leathers, warming them before putting them on. There were one or
two who knew no one and who stood about unhappily, twisting the tissue
paper from the buttons of their new gloves, and looking stupidly at the
pictures on the walls of the room. Occasionally one of the gentlemen
would step to the door and look out into the hall to see if the ladies
whom they were escorting were yet come out of their dressing-room, ready
to go down.

On the centre table stood three boxes of cigars and a great many
packages of cigarettes, while extra hairbrushes, whiskbrooms, and papers
of pins had been placed about the bureau.

As Vandover came in, he nodded pleasantly to such of the men as he knew,
and, after hiding his hat and coat under the bed, shook himself into his
clothes again and rearranged his dress tie.

The house was filling up rapidly; one heard the deadened roll of wheels
in the street outside, the banging of carriage doors, and an incessant
rustle of stiff skirts ascending the stairs. From the ladies'
dressing-room came an increasing soprano chatter, while downstairs the
orchestra around the piano in the back parlour began to snarl and whine
louder and louder. About the halls and stairs one caught brief glimpses
of white and blue opera cloaks edged with swan's-down alternating with
the gleam of a starched shirt bosom and the glint of a highly polished
silk hat. Odours of sachet and violets came and went elusively or
mingled with those of the roses and pinks. An air of gayety and
excitement began to spread throughout the house.

"Hello, old man!" "Hello, Van!" Charlie Geary, young Haight, and Ellis
came in together. "Hello, boys!" answered Vandover, hairbrush in hand,
turning about from the mirror, where he had been trying to make his hair
lie very flat and smooth.

"Look here," said Geary, showing him a dance-card already full, "I've
got every dance promised. I looked out for that at the last one of these
affairs; made all my arrangements and engagements then. Ah, you bet, I
don't get left on any dance. That's the way you want to rustle. Ah," he
went on, "had a bully sleep last night. I knew I was going to be out
late to-night, so I went to bed at nine; didn't wake up till seven. Had
a fine cutlet for breakfast."

It was precisely at this moment that Geary got his first advancement in
life. Mr. Beale, Jr., head clerk in the great firm of Beale & Story,
came up to him as he was drawing off his overcoat:

"How is Fischer?" asked Geary.

Beale, Jr., pulled him over into a corner, talking in a low voice. "He's
even worse than yesterday," he answered. "I think we shall have to give
him a vacation, and that's what I want to speak to you about. If you
can, Geary, I should like to have you take his place for a while, at
least until we get through with this contract case. I don't know about
Fischer. He's sick so often, I'm afraid we may have to let him go
altogether."

Suddenly the orchestra downstairs broke out into a clash of harmony and
then swung off with the beat and cadence of a waltz. The dance was
beginning; a great bustle and hurrying commenced about the
dressing-rooms and at the head of the stairs; everybody went down. In
the front parlour by the mantel Henrietta Vance and Turner stood on
either side of Mrs. Vance, receiving, shaking hands, and laughing and
talking with the different guests who came up singly, in couples, or in
noisy groups.

No one was dancing yet. The orchestra stopped with a flourish of the
cornet, and at once a great crowding and pushing began amidst a vast hum
of talk. The cards were being filled up, a swarm of men gathered about
each of the more popular girls, passing her card from hand to hand while
she smiled upon them all helplessly and good-naturedly. The dance-cards
had run short and some of the men were obliged to use their visiting
cards; with these in one hand and the stump of a pencil in the other,
they ran about from group to group, pushing, elbowing, and calling over
one another's heads like brokers in a stock exchange.

Geary, however, walked about calmly, smiling contentedly, very
good-humoured. From time to time he stopped such a one of the hurrying,
excited men as he knew and showed him his card made out weeks before,
saying, "Ah, how's that? _I_ am all fixed; made all my engagements at
the last one of these affairs, even up to six extras. That's the way you
want to rustle."

Young Haight was very popular; everywhere the girls nodded and smiled at
him, many even saving a place on their cards for him before he had
asked.

Ellis took advantage of the confusion to disappear. He went up into the
deserted dressing-room, chose a cigar, unbuttoned his vest and sat down
in one chair, putting his feet upon another. The hum of the dance came
to him in a prolonged and soothing murmur and he enjoyed it in some
strange way of his own, listening and smoking, stretched out at ease in
the deserted dressing-room.

Vandover went up to Turner Ravis smiling and holding out his hand. She
seemed to be curiously embarrassed when she saw him, and did not smile
back at him. He asked to see her card, but she drew her hand quickly
from his, telling him that she was going home early and was not dancing
at all, that in fact she had to "receive" instead of dance. It was
evident to Vandover that he had done something to displease her, and he
quickly concluded that it was because he had not asked her to go with
him that evening.

He turned from her to Henrietta Vance as though nothing unusual had
happened, resolving to see her later in the evening and in the meanwhile
invent some suitable excuse. Henrietta Vance did not even see his hand;
she was a very jolly girl, ordinarily, and laughed all the time. Now she
looked him squarely in the face without so much as a smile, at once
angry and surprised; never had anything seemed so hateful and
disagreeable. Vandover put his hand back into his pocket, trying to
carry it all off with a laugh, saying in order to make her laugh with
him as he used to do, "Hello! how do you do this evening? It's a
pleasant morning this afternoon." "How do you do?" she answered
nervously, refusing to laugh. Then she turned from him abruptly to talk
to young Haight's little cousin Hetty.

Mrs. Vance was neither embarrassed nor nervous as the girls had been.
She stared calmly at Vandover and said with a peculiar smile, "I am
surprised to see you here, Mr. Vandover."

An hour later the dance was in full swing. Almost every number was a
waltz or a two-step, the music being the topical songs and popular airs
of the day set to dance music.

About half-past ten o'clock, between two dances, the cornet sounded a
trumpet call; the conversation ceased in a moment, and Henrietta Vance's
brother, standing by the piano, called out, "The next dance will be the
_first extra_," adding immediately, "a _waltz_." The dance recommenced;
in the pauses of the music one heard the rhythmic movement of the feet
shuffling regularly in one-two-three time.

Some of the couples waltzed fast, whirling about the rooms, bearing
around corners with a swirl and swing of silk skirts, the girls' faces
flushed and perspiring, their eyes half-closed, their bare, white
throats warm, moist, and alternately swelling and contracting with their
quick breathing. On certain of these girls the dancing produced a
peculiar effect. The continued motion, the whirl of the lights, the heat
of the room, the heavy perfume of the flowers, the cadence of the music,
even the physical fatigue, reacted in some strange way upon their
oversensitive feminine nerves, the monotony of repeated sensation
producing some sort of mildly hypnotic effect, a morbid hysterical
pleasure the more exquisite because mixed with pain. These were the
girls whom one heard declaring that they could dance all night, the
girls who could dance until they dropped.

Other of the couples danced with the greatest languor and gravity, their
arms held out rigid and at right angles with their bodies.

About the doors and hallways stood the unhappy gentlemen who knew no
one, watching the others dance, feigning to be amused. Some of them,
however, had ascended to the dressing-room and began to strike up an
acquaintance with each other and with Ellis, smoking incessantly,
discussing business, politics, and even religion.

In the ladies' dressing-room two of the maids were holding a long
conversation in low tones, their heads together; evidently it was
concerning something dreadful. They continually exclaimed "Oh!" and
"Ah!" suddenly sitting back from each other, shaking their heads, and
biting their nether lips. On the top floor in the hall the servants in
their best clothes leaned over the balustrade, nudging each other,
talking in hoarse whispers or pointing with thick fingers swollen with
dish-water. All up and down the stairs were the couples who were sitting
out the dance, some of them even upon the circular sofa in the hall over
the first landing.

The music stopped, leaving a babel of talk in the air, the couples fell
apart for an instant, but a great clapping of hands broke out and the
tired musicians heroically recommenced.

As soon as the short _encore_ was done there was a rush for the lemonade
and punch bowls. The guests thronged around them joking each other.
"Hello! are you here _again_?" "Oh, this is dreadful!" "This makes _six_
times I've seen you here."

A smell of coffee rose into the air from the basement. It was about
half-past eleven; the next dance was the supper dance and the gentlemen
hurried about anxiously searching the stairs, the parlours, and the
conservatory for the girls who had promised them this dance weeks
before. The musicians were playing a march, and the couples crowded down
the narrow stairs in single file, the ladies drawing off their gloves.
The tired musicians stretched themselves, rubbed their eyes, and began
to talk aloud in the deserted parlours.

Supper was served in the huge billiard-room in the basement and was
eaten in a storm of gayety. The same parties and "sets" tried to get
together at the same table; Henrietta Vance's party was particularly
noisy: at her table there was an incessant clamour of screams and shouts
of laughter. One ate oysters _à la poulette_, terrapin-salads, and
croquettes; the wines were Sauternes and champagnes. With the nuts and
dessert the caps came on, and in a few minutes were cracking and
snapping all over the room.

Six of the unfortunates who knew no one, but who had managed through a
common affliction to become acquainted with each other, gathered at a
separate table. Ellis was one of their number; he levied a twenty-five
assessment, and tipped the waiter a dollar and a half. This one
accordingly brought them extra bottles of champagne in which they found
consolation for all the _ennui_ of the evening.

After supper the dancing began again. The little stiffness and
constraint of the earlier part of the evening was gone; by this time
nearly everybody, except the unfortunates, knew everybody else. The good
dinner and the champagne had put them all into an excellent humour, and
they all commenced to be very jolly. They began a Virginia Reel still
wearing the magician's caps and Phrygian bonnets of tissue paper.

Young Haight was with Turner Ravis as much as possible during the
evening, very happy and excited. Something had happened; it was
impossible for him to say precisely what, for on the face of things
Turner was the same as ever. Nothing in her speech or actions was
different, but there was in her manner, in the very air that surrounded
her, something elusive and subtle that set him all in a tremor. There
was a change in his favour; he felt that she liked to have him with her
and that she was trying to have him feel as much in some mysterious way
of her own. He could see, however, that she was hardly conscious of
doing this and that the change was more apparent to his eyes than it was
to hers.

"Must you really go home now?" he said, as Turner began to talk of
leaving, soon after supper. They had been sitting out the dance under a
palm at the angle of the stairs.

"Yes," answered Turner; "Howard has the measles and I promised to be
home early. Delphine was to come for me and she ought to be here now."

"Delphine?" exclaimed young Haight. "Didn't you come with Van?"

"No," answered Turner quietly. Only by her manner, and by something in
the way she said the word, Haight knew at once that she had broken
definitely with Vandover. The talk he had had with her at her house came
back to him on the instant. He hesitated a moment and then asked:

"There is something wrong? Has Van done anything--never mind, I don't
mean that; it's no business of mine, I suppose. But I know you care for
him. I'm sorry if--"

But he was not sorry. Try as he would, his heart was leaping in him for
joy. With Vandover out of the way, he knew that all would be different;
Turner herself had said so.

"Oh, everything is wrong," said Turner, with tears in her eyes. "I have
been so disappointed in Van; oh, terribly disappointed."

"I know; yes, I think I know what you mean," answered young Haight in a
low voice.

"Oh, please don't let's talk about it at all," cried Turner. But young
Haight could not stop now.

"Is Van really out of the question, then?" he asked.

"Oh, yes," she exclaimed, not seeing what he was coming to. "Oh, yes;
how could I--how _could_ I care for him after--after what has happened?"

Very much embarrassed, young Haight went on: "I know it's unfair to take
advantage of you now, but do you remember what you said once? That if
Vandover were out of the question, that _'perhaps'_ you might--that it
would be--that there might be a chance for me?"

Turner was silent for a long time, and then she said: "Yes, I remember."

"Well, how about that _now_?" asked young Haight with a nervous laugh.

"Ah," answered Turner, "how do I know--so soon!"

"But what do you _think_, Turner?" he persisted.

"But I haven't thought at all," she returned.

"Well, think now!" he went on. "Tell me--how about that?"

"About _what_?"

"Ah, you know what I mean," young Haight replied, feeling like a little
boy, "about what you said at your house that Sunday night. Please tell
me; you don't know how much it means to me."

"Oh, there's Delphine at the door!" suddenly exclaimed Turner. "Now,
really, I _must_ go down. She doesn't know where to go; she's so
stupid!"

"No," he answered, "not until you tell me!" He caught her hand, refusing
to let it go.

"Ah, how mean you are to corner me so!" she cried laughing and
embarrassed. "Must I--well--I know I shouldn't. _O-oh_, I just _detest_
you!" Young Haight turned her hand palm upward and kissed the little
circle of crumpled flesh that showed where her glove buttoned. Then she
tore her hand away and ran downstairs, while he followed more slowly.

On her way back to the dressing-room she met him again, crossing the
hall.

"Don't you want to see me home?" she said.

"Do I _want_ to?" shouted young Haight.

"Oh, but I forgot," she cried. "You can't. I won't let you. You have
your other dances engaged!"

"Oh, damn the other dances!" he exclaimed, but instead of being
offended, Turner only smiled.

Toward one o'clock there was a general movement to go. Henrietta Vance
and Mrs. Vance were inquired for, and the blue and white opera cloaks
reappeared, descending the stairs, disturbing the couples who were
seated there. The banging of carriage doors and the rumble of wheels
recommenced in the street. The musicians played a little longer. As the
party thinned out, there was greater dance room and a consequent greater
pleasure in dancing. These last dances at the end of the evening were
enjoyed more than all the others. But the party was breaking up fast:
Turner had already gone home; Mrs. Vance and Henrietta were back at
their places in front of the mantel, surrounded by a group of gentlemen
in capecoats and ladies in opera wraps. Every one was crying "Good-bye"
or "Good night!" and assuring Mrs. Vance and Henrietta of the
enjoyableness of the occasion. Suddenly the musicians played "Home Sweet
Home." Those still dancing uttered an exclamation of regret, but
continued waltzing to this air the same as ever. Some began to dance
again in their overcoats and opera wraps. Then at last the tired
musicians stopped and reached for the cases of their instruments, and
the remaining guests, seized with a sudden panic lest they should be the
last to leave, fled to the dressing-rooms. These were in the greatest
confusion, every one was in a hurry; in the gentlemen's dressing-room
there was a great putting on of coats and mufflers and a searching for
misplaced gloves, hats and canes. A base hum of talk rose in the air,
bits and ends of conversation being tossed back and forth across the
room. "_You_ haven't seen my hat, have you, Jimmy?" "Did you meet that
girl I was telling you about?" "Hello, old man! have a good time
to-night?" "Lost your hat? No, I haven't seen it." "Yes, about half-past
ten!" "Well, I told him that myself!" "Ah, you bet it's the man that
rustles that gets there." "Come round about four, then." "What's the
matter with coming home in _our_ carriage?"

At the doors of the dressing-rooms the ladies joined their escorts, and
a great crowd formed in the halls, worming down the stairs and out upon
the front steps. As the first groups reached the open air there was a
great cry: "Why, it's pouring rain!" This was taken up and repeated and
carried all the way back into the house. There were exclamations of
dismay and annoyance: "Why, it's raining right _down_!" "What _shall_ we
do!" Tempers were lost, brothers and sisters quarrelling with each other
over the question of umbrellas. "Ah," said Geary, delighted, peeling the
cover from his umbrella in the vestibule, "I _thought_ it was going to
rain before I left and brought mine along with me. Ah, you bet I always
look out for rain!" On the horse-block stood the caller, chanting up the
carriages at the top of his voice. The street was full of coupés,
carriages, and hacks, the raindrops showing in a golden blur as they
fell across the streaming light of their lamps. The horses were smoking
and restless, and the drivers in oilskins and rubber blankets were
wrangling and shouting. At every instant there was a long roll of wheels
interrupted by the banging of the doors. Near the caller stood a useless
policeman, his shield pinned on the outside of his wet rubber coat, on
which the carriage lamps were momentarily reflected in long vertical
streaks.

In a short time all the guests were gone except the one young lady whose
maid and carriage had somehow not been sent. Henrietta Vance's brother
took this one home in a hired hack. Mrs. Vance and Henrietta sat down to
rest for a moment in the empty parlours. The canvas-covered floors were
littered with leaves of smilax and La France roses, with bits of ribbon,
ends of lace, and discarded Phrygian bonnets of tissue paper. The butler
and the second girl were already turning down the gas in the other
rooms.

       *       *       *       *       *

Long before the party broke up Vandover had gone home, stunned and
dazed, as yet hardly able to realize the meaning of what had happened.
Some strange and dreadful change had taken place; things were different,
people were different to him; not every one had been so outspoken as
Turner, Henrietta Vance and her mother, but even amongst others who had
talked to him politely and courteously enough, the change was no less
apparent. It was in the air, a certain vague shrinking and turning of
the shoulder, a general atmosphere of aversion and repulsion, an unseen
frown, an unexpressed rebuff, intangible, illusive, but as unmistakable
as his own existence. The world he had known knew him now no longer. It
was ostracism at last.

But why? Why? Sitting over his tiled flamboyant stove, brooding into the
winking coals, Vandover asked himself the question in vain. He knew what
latitude young men were allowed by society; he was sure nothing short of
discovered crime could affect them. True enough he had at one time
allowed himself to drift into considerable dissipation, but he was done
with that now, he had reformed, he had turned over a new leaf. Even at
his worst he had only lived the life of the other young men around him,
the other young men who were received as much as ever, even though
people, the girls themselves, practically knew of what they did, knew
that they were often drunk, and that they frequented the society of
abandoned women. What had he done to merit this casting off? What
_could_ he have done? He even went so far as to wonder if there was
anything wrong about his father or his sudden death.

A little after one o'clock he heard Geary's whistle in the street
outside. "Hello, old man!" he cried as Vandover opened the window. "I
was just on my way home from the hoe-down; saw a light in your window
and thought I'd call you up. Say, have you got anything wet up there?
I'm extra dry."

"Yes," said Vandover, "come on up!"

"Did you hear what Beale said to me this evening?" said Geary, as he
mixed himself a cocktail at the sideboard. "Oh, I tell you, I'm getting
right in, down at that office. Beale wants me to take the place of one
of the assistants in the firm, a fellow who's got the consumption,
coughing up his lungs all the time. It's an important place, hundred a
month; that's right. Yes, sir; you bet, I'm going to get in and rustle
now and make myself so indispensable in that fellow's place that they
can't get along without me. I'll crowd him right out; I know it may be
selfish, but, damn it! that's what you have to do to get along. It's
human nature. I'll tell you right here to-night," he exclaimed with
sudden energy, clenching his fist and slowly rapping the knuckles on the
table to emphasize each word, "that I'll be the head of that firm some
day, or I'll know the reason why."

When Geary finally became silent, the two looked into the fire for some
time without speaking. At last Geary said:

"You came home early to-night, didn't you?"

"Yes," answered Vandover, stirring uneasily. "Yes, I did."

There was another silence. Then Geary said abruptly: "It's too bad. They
are kind of stinky-pinky to you."

"Yes," said Vandover with a grin. "_I_ don't know what's the matter.
Everybody seems nasty!"

"It's that business with Ida Wade, you know," replied Geary. "It got
around somehow that she killed herself on your account. Everybody seems
to be on to it. I heard it--oh, nearly a month ago."

"Oh," said Vandover with a short laugh, "that's it, is it? I was
wondering."

"Yes, that's it," answered Geary. "You see they don't know for sure; no
one _knows_, but all at once every one seemed to be talking about it,
and they suspect an awful lot. I guess they are pretty near right,
aren't they?" He did not wait for an answer, but laughed clumsily and
went on: "You see, you always have to be awfully careful in those
things, or you'll get into a box. Ah, you bet I don't let any girl _I_
go with know _my_ last name or _my_ address if I can help it. I'm clever
enough for that; you have to manage very carefully; ah, you bet! You
ought to have looked out for that, old man!" He paused a moment and then
went on: "Oh, I guess it will be all right, all right, in a little
while. They will forget about it, you know. I wouldn't worry. I guess it
will be all right."

"Yes," answered Vandover absently, "I guess so--perhaps."

A few days later Vandover was in the reading-room of the Mechanics
Library, listlessly turning over the pages of a volume of _l'Art_. It
was Saturday morning and the place was full of ladies who were downtown
for their shopping and marketing, and who had come in either to change
their books or to keep appointments with each other. On a sudden
Vandover saw Turner just passing into the Biography alcove. He got up
and followed her. She was standing at the end of the dim book-lined
tunnel, searching the upper shelves, her head and throat bent back, and
her gloved finger on her lip. The faint odour of the perfume she always
affected came to him mingled with the fragrance of the jonquils at her
belt and the smell of leather and of books that exhaled from the shelves
on either side. He did not offer to take her hand, but came up slowly,
speaking in a low voice.

It was the last time that Vandover ever met Turner Ravis. They talked
for upward of an hour, leaning against the opposite book-shelves,
Vandover with his fists in his pockets, his head bent down, and the
point of his shoe tracing the pattern in the linoleum carpet; Turner,
her hands clasped in front of her, looking him squarely in the face,
speaking calmly and frankly.

"Now, I hope you see just how it is, Van," she said at length. "What has
happened hasn't made me cease to care for you, because if I had really
cared for you the way I thought I did, the way a girl ought to care for
the man she wants to marry, I would have stood by you through
everything, no matter what you did. I don't do so now, because I find I
don't care for you as much as I thought I did. What has happened has
only shown me that. I'm sorry, oh, so sorry to be disappointed in you,
but it's because I only think of you as being once a very good friend of
mine, not because I love you as you think I did. Once--a long time
ago--when we first knew each other, then, perhaps--things were different
then. But somehow we seem to have grown away from that. Since then we
have both been mistaken; you thought I cared for you in that way, and I
thought so, too, and I thought you cared for me; but it was only that we
were keeping up appearances, pretending to ourselves just for the sake
of old times. We don't love each other now; you know it. But I have
never intentionally deceived you or tried to lead you on; when I told
you I cared for you I really thought I did. I meant to be sincere; I
always thought so until this happened, and then when I saw how easily I
could let you go, it only proved to me that I did not care for you as I
thought I did. It was wrong of me, I know, and I should have known my
own mind before, but I didn't, I didn't. You talk about Dolly Haight;
but it is not Dolly Haight at all who has changed my affection for you.
I will be just as frank as I can with you, Van. I may learn really to
love Dolly Haight; I don't know, I think perhaps I will, but it isn't
that I care for him _just_ because I don't care for you. Can't you see,
it's just as if I had never met you. You know it's very hard for me to
say this to you, Van, and I suppose it's all mixed up, but I can't help
it. You don't know how sorry I am, because we have been such old
friends--because I really did care for you as a friend; it's a proof of
it, that there is no other man in the world I could talk to like this. I
think, too, Van, that was the only way you cared for me, just as a good
friend--except perhaps at first, when we first knew each other. You know
yourself that is so. We really haven't loved each other at all for a
long time, and now we have found it out before it was too late. And even
if everything were different, Van, don't you know how it is with girls?
They really love the man who loves them the most. Half the time they're
just in love with being loved. That's the way most girls love nowadays,
and you know yourself, Van, that Dolly Haight really loves me more than
you do." She gathered up her books and went on after a pause,
straightening up, ready to go: "If I should let myself think of what you
have done, I feel--as if--as if--why, dreadful--I--that I should hate
you, loathe you; but I try not to do that. I have been thinking it all
over since the other night. I shall always try to think of you at your
best; I have tried to forget everything else, and in forgetting it I
forgive you. I can honestly say that," she said, holding out her hand,
"I forgive you, and you must forgive me because once, by deceiving
myself, I deceived you, and made you think that I cared for you in that
way when I didn't." As their hands fell apart Turner faced him and
added, with tears in her eyes: "You know this must be good-bye for good.
You don't know how it hurts me to tell you. I know it looks as if I were
deserting you when you were alone in the world and had most need of some
one to influence you for the good. But, Van, won't you be better now?
Won't you break from it all and be your own self again? I have faith in
you. I believe it's in you to become a great man and a good man. It
isn't too late to begin all over again. Just be your better self; live
up to the best that's in you; if not for your own sake, then for the
sake of that other girl that's coming into your life some time; that
other girl who is good and sweet and pure, whom you will really, really
love and who will really, really love you."

       *       *       *       *       *

All the rest of that month Vandover was wretched. So great was his shame
and humiliation over this fresh disaster that he hardly dared to show
himself out of doors. His grief was genuine and it was profound. Yet he
took his punishment in the right spirit. He did not blame any one but
himself; it was only a just retribution for the thing he had done. Only
what made it hard to bear was the fact that the chastisement had fallen
upon him long after he had repented of the crime, long after he had
resolved to lead a new and upright life; but with shut teeth he
determined still to carry out that resolve; he would devote all his
future life to living down the past. It might be hard; it might be one
long struggle through many, many years, but he would do it. Ah, yes, he
would show them; they had cast him off, but he would go away to Paris
now as he had always intended. As invariably happened when he was deeply
moved, he turned to his art, blindly and instinctively. He would go to
Paris now and study his paintings, five, ten years, and come back at
last a great artist, when these same people who had cast him off would
be proud to receive him. Turner was right in saying that he had in him
the making of a great man. He _knew_ that she was right; knew that if he
only gave the better part of him, the other Vandover, the chance, that
he would become a great artist. Well, he would do so, and then when he
came back again, when all the world was at his feet, and there were long
articles in the paper announcing his arrival, these people would throng
around him; he would show them what a great and noble nature he really
had; he would forgive them; he would ignore what they had done. He even
dramatized a little scene between himself and Turner, then Mrs. Haight.
They would both be pretty old then and he would take her children on his
lap and look at her over their heads--he could almost see those heads,
white, silky and very soft--and he would nod at her thoughtfully, and
say, "Well, I have taken your advice, do you remember?" and she was to
answer, "Yes, I remember." There were actually tears in his eyes as he
saw the scene.

At the very first he thought that he could not live without Turner; that
he loved her too much to be able to give her up. But in a little while
he saw that this was not so. She was right, too, in saying that he had
long since outlived his first sincere affection for her. He had felt for
a long time that he did not love her well enough to marry her; that he
did not love her as young Haight did, and he acknowledged to himself
that this affair at least had ended rightly. The two loved each other,
he could see that; at last he even told himself that he would be glad to
see Turner married to Dolly Haight, who was his best friend. But for all
that, it came very hard at first to give up Turner altogether; never to
see her or speak to her again.

As the first impressions of the whole affair grew dull and blunt by the
lapse of time, this humble penitential mood of Vandover's passed away
and was succeeded by a feeling of gloomy revolt, a sullen rage at the
world that had cast him off _only_ because he had been found out. He
thought it a matter of self-respect to resent the insult they had put
upon him. But little by little he ceased to regret his exile; the new
life was not so bad as he had at first anticipated, and his relations
with the men whom he knew best, Ellis, Geary, and young Haight, were in
nowise changed. He was no longer invited anywhere, and the girls he had
known never saw him when he passed them on the street. It was
humiliating enough at first, but he got used to it after a while, and by
dint of thrusting the disagreeable subject from his thoughts, by
refusing to let the disgrace sink deep in his mind, by forgetting the
whole business as much as he could, he arrived after a time to be
passably contented. His pliable character had again rearranged itself to
suit the new environment.

Along with this, however, came a sense of freedom. Now he no longer had
anything to fear from society; it had shot its bolt, it had done its
worst, there was no longer anything to restrain him, now he could do
anything.

He was in precisely this state of mind when he received the cards for
the opening of the roadhouse, the "resort" out on the Almshouse drive,
about which Toby, the waiter at the Imperial, had spoken to him.

Vandover attended it. It was a debauch of forty-eight hours, the longest
and the worst he had ever indulged in. For a long time the brute had
been numb and dormant; now at last when he woke he was raging, more
insatiable, more irresistible than ever.

The affair at the roadhouse was but the beginning. All at once Vandover
rushed into a career of dissipation, consumed with the desire of vice,
the perverse, blind, and reckless desire of the male. Drunkenness,
sensuality, gambling, debauchery, he knew them all. He rubbed elbows
with street walkers, with bookmakers, with saloonkeepers, with the
exploiters of lost women. The bartenders of the city called him by his
first name, the policemen, the night detail, were familiar with his
face, the drivers of the nighthawks recognized his figure by the street
lamps, paling in the light of many an early dawn. At one time and
another he was associated with all the different types of people in the
low "sporting set," acquaintances of an evening, whose names grew faint
to his recollection amidst the jingle of glasses and the popping of
corks, whose faces faded from his memory in the haze of tobacco smoke
and the fumes of whisky; young men of the city, rich without apparent
means of livelihood, women and girls "recently from the East" with rooms
over the fast restaurants; owners of trotting horses, actresses without
engagements, billiard-markers, pool-sellers and the sons of the
proprietors of halfway houses and "resorts." With all these Vandover
kept the pace at the Imperial, at the race-track, at the gambling tables
in the saloons and bars along Kearney and Market streets, and in the
disreputable houses amid the strong odours of musk and the rustle of
heavy silk dresses. It lasted for a year; by the end of that time he had
about forgotten his determination to go to Paris and had grown out of
touch with his three old friends, Ellis, Geary, and Haight. He seldom
saw them now; occasionally he met them in one of the little rooms of the
Imperial over their beer and Welsh rabbits, but now he always went on to
the larger rooms where one had champagne and terrapin. He felt that he
no longer was one of them.

That year the opera came to San Francisco, and Vandover hired a
messenger boy to stand in line all night at the door of the music store
where the tickets were to be sold. Vandover could still love music. In
the wreckage of all that was good that had been going on in him his love
for all art was yet intact. It was the strongest side of his nature and
it would be the last to go.




Chapter Fourteen


The house was crowded to the doors; there was no longer any standing
room and many were even sitting on the steps of the aisles. In the boxes
the gentlemen were standing up behind the chairs of large plain ladies
in showy toilets and diamonds. The atmosphere was heavy with the smell
of gas, of plush upholstery, of wilting bouquets and of sachet. A fine
vapour as of the visible exhalation of many breaths pervaded the house,
blurring the lowered lights and dimming the splendour of the great glass
chandelier.

It was warm to suffocation, a dry, irritating warmth that perspiration
did not relieve, while the air itself was stale and close as though
fouled by being breathed over and over again. In the topmost galleries,
banked with tiers of watching faces, the heat must have been unbearable.

The only movement perceptible throughout the audience was the little
swaying of gay-coloured fans like the balancing of butterflies about to
light. Occasionally there would be a vast rustling like the sound of
wind in a forest, as the holders of librettos turned the leaves
simultaneously.

The orchestra thundered; the French horns snarling, the first violins
wailing in unison, while all the bows went up and down together like
parts of a well-regulated machine; the kettle-drums rolled sonorously at
exact intervals, and now and then one heard the tinkling of the harp
like the pattering of raindrops between peals of thunder. The leader
swayed from side to side in his place, beating time with his baton, his
hand, and his head.

On the stage itself the act was drawing to a close. There had just been
a duel. The baritone lay stretched upon the floor at left centre, his
sword fallen at some paces from him. On the left of the scene, front,
stood the tenor who had killed him, singing in his highest register,
very red in the face, continually striking his hand upon his breast and
pointing with his sword toward his fallen enemy. Next him on the extreme
left was his friend the basso, in high leather boots, growling from time
to time during a sustained chord, "_Mon honneur et ma foi._" In the
centre of the stage, the soprano, the star, the prima donna chanted a
fervid but ineffectual appeal to the tenor who cried, "_Jamais,
jamais!_" striking his breast and pointing with his sword. The prima
donna cried, "_Ah, mon Dieu, ayez pitié de moi._" Her confidante, the
mezzo-soprano, came to her support, repeating her words with an
impersonal meaning, "_Ayez pitié d'elle._" "_Mon honneur et ma foi_,"
growled the basso. The contralto, dressed as a man, turned toward the
audience on the extreme right, bringing out her notes with a wrench and
a twist of her body and neck, and intoning, "_Ah, malheureuse! Mon Dieu,
ayez pitié d'elle._"

The leader of the chorus, costumed as the captain of the watch, leaned
over the dead baritone and sang, "_Il est mort, il est mort. Mon Dieu,
ayez pitié de lui._" The soldiers of the watch were huddled together
immediately back of him. They wore tin helmets, much too large, and
green peplums, and repeated his words continually.

The chorus itself was made up of citizens of the town; it was in a
semicircle at the back of the stage--the men on one side, the women on
the other. They made all their gestures together and chanted without
ceasing: "_O horreur, O mystére! Il est mort. Mon Dieu, ayez pitié de
nous!_"

"_De Grace!_" cried the prima donna.

"_Jamais, jamais!_" echoed the tenor, striking his breast and pointing
with his sword.

"_O mystére!_" chanted the chorus, while the basso struck his hand upon
his sword hilt, growling "_Mon honneur et ma foi._"

The orchestra redoubled. The finale began; all the pieces of the
orchestra, all the voices on the stage, commenced over again very loud.
They all took a step forward, and the rhythm became more rapid, till it
reached a climax where the prima donna's voice jumped to a C in alt,
holding it long enough for the basso to thunder, "_Mon honneur et ma
foi_" twice. Then they all struck the attitudes for the closing tableau
and in one last burst of music sang all together, "_Mon Dieu, ayez pitié
de moi_" and "_de lui_" and "_d'elle_" and "_de nous_." Then the
orchestra closed with a long roll of the kettle-drums, and the prima
donna fainted into the arms of her confidante. The curtain fell.

There was a roar of applause. The gallery whistled and stamped. Every
one relaxed his or her position, drawing a long breath, looking about.
There was a general stir; the lights in the great glass chandelier
clicked and blazed up, and a murmur of conversation arose. The
footlights were lowered and the orchestra left their places and
disappeared underneath the stage, leaving the audience with the
conviction that they had gone out after beer. All over the house one
heard the shrill voices of boys crying out, "Op'ra books--books for the
op'ra--words and music for the op'ra."

Throughout the boxes a great coming and going took place and an
interchange of visits. The gentlemen out in the foyer stood about
conversing in groups or walked up and down smoking cigarettes, often
pausing in front of the big floral piece that was to be given to the
prima donna at the end of the great scene in the fourth act.

There was a little titter of an electric bell. The curtain was about to
go up, and a great rush for seats began. The orchestra were coming back
and tuning up. They sent up a prolonged medley of sounds, little minor
chirps and cries from the violins, liquid runs and mellow gurgles from
the oboes, flutes, and wood-wind instruments, and an occasional
deep-toned purring from the bass viols. A bell rang faintly from behind
the wings, the house lights sank, and the footlights blazed up. The
leader tapped with his baton; a great silence fell upon the house, while
here and there one heard an energetic "Ssh! ssh!" The fourth act was
about to begin.

When the curtain rose on the fourth act one saw the prima donna standing
in a very dejected pose in the midst of a vast apartment that might have
been a bedchamber, a council hall, or a hall of audience. She was alone.
She wore a loose cream-coloured gown knotted about the waist; her arms
were bare, and her hair unbound and flowing loose over her shoulders to
her girdle. She was to die in this act; it promised to be harrowing; and
the first few notes she uttered recurred again later on as the motif for
the famous quartet in the "great scene."

But for all this, the music had little by little taken possession of
Vandover, and little by little he had forgotten his surroundings, the
stifling air of the house, the blinding glitter of the stage and the
discomfort of his limbs cramped into the narrow orchestra chair. All
music was music to him; he loved it with an unreasoned, uncritical
love, enjoying even the barrel organs and hand pianos of the streets.
For the present the slow beat and cadence of the melodies of the opera
had cradled all his senses, carrying him away into a kind of exalted
dream. The quartet began; for him it was wonderfully sweet, the
long-sustained chords breathing over the subdued orchestral
accompaniment, like some sweet south wind passing in long sighs over the
pulse of a great ocean. It seemed to him infinitely beautiful,
infinitely sad, subdued minor plaints recurring persistently again and
again like sighs of parting, but could not be restrained, like voices of
regret for the things that were never to be again. Or it was a pathos, a
joy in all things good, a vast tenderness, so sweet, so divinely pure
that it could not be framed in words, so great and so deep that it found
its only expression in tears. There came over him a vague sense of those
things which are too beautiful to be comprehended, of a nobility, a
self-oblivion, an immortal eternal love and kindness, all goodness, all
benignity, all pity for sin, all sorrow for grief, all joy for the true,
the right, and the pure.

To be better, to be true and right and pure, these were the only things
that were worth while, these were the things that he seemed to feel in
the music. It was as if for the moment he had become a little child
again, not ashamed to be innocent, ignorant of vice, still believing in
all his illusions, still near to the great white gates of life.

The appeal had been made directly to what was best and strongest in
Vandover, and the answer was quick and over-powering. All the good that
still survived in him leaped to life again in an instant, clamouring for
recognition, pleading for existence. The other Vandover, the better
Vandover, wrestled with the brute in him once more, never before so
strong, never so persistent. He had not yet destroyed all that was good
in him; now it had turned in one more revolt, crying out against him,
protesting for the last time against its own perversion and destruction.
Vandover felt that he was at the great crisis of his life.

After all was over he walked home through the silent streets, proceeding
slowly, his hands in his pockets, his head bent down, his mind very
busy. Once in his rooms he threw off his things and, having stirred up
the drowsing fire in the tiled stove, sat down before it in his
shirt-sleeves, the bosom of his full dress shirt bulging from his vest
and faintly creaking as from time to time he drew a long breath. He had
been lured into a mood where he was himself at his very best, where the
other Vandover, the better Vandover, drew apart with eyes turned
askance, looking inward and downward into the depths of his own
character, shuddering, terrified. Far down there in the darkest, lowest
places he had seen the brute, squat, deformed, hideous; he had seen it
crawling to and fro dimly, through a dark shadow he had heard it
growling, chafing at the least restraint, restless to be free. For now
at last it was huge, strong, insatiable, swollen and distorted out of
all size, grown to be a monster, glutted yet still ravenous, some
fearful bestial satyr, grovelling, perverse, horrible beyond words.

And with the eyes of this better self he saw again, little by little,
the course of his whole life, and witnessed again the eternal struggle
between good and evil that had been going on within him since his very
earliest years. He was sure that at the first the good had been the
strongest. Little by little the brute had grown, and he,
pleasure-loving, adapting himself to every change of environment,
luxurious, self-indulgent, shrinking with the shrinking of a sensuous
artist-nature from all that was irksome and disagreeable, had shut his
ears to the voices that shouted warnings of the danger, and had allowed
the brute to thrive and to grow, its abominable famine gorged from the
store of that in him which he felt to be the purest, the cleanest, and
the best, its bulk fattened upon the rot and the decay of all that was
good, growing larger day by day, noisome, swollen, poddy, a filthy
inordinate ghoul, gorged and bloated by feeding on the good things that
were dead.

Besides this he saw how one by one he had wrenched himself free from all
those influences that had tended to foster and to cultivate all the
better part of him.

First of all, long ago it seemed now, he had allowed to be destroyed
that first instinctive purity, that fragile, delicate innocence which
dies young in almost every human being, and that one sees evaporating
under the earliest taint of vice with a smile partly of contempt,
partly of pity, partly of genuine regret.

Next it had been his father. The Old Gentleman had exerted a great
influence over Vandover; he had never forgotten that scene the morning
after he had told him of his measure of responsibility in Ida Wade's
suicide, the recovery from the first shock of dazed bewilderment and
then the forgiveness, the solicitude and the encouragement to begin over
again, to live it down and to do that which was right and good and true.
Not only had he stopped his ears to this voice, but also, something told
him, he had done much to silence it forever. Despite the Old Gentleman's
apparent fortitude the blow must have carried home. What must he not
have suffered during those long weeks while Vandover was away, what
lonely broodings in the empty house; and then the news of the wreck, the
days of suspense!

It all must have told; the Old Gentleman was not strong; Vandover could
not but feel that he had hastened his death, and that in so doing he had
destroyed another influence which would have cultivated and fostered his
better self, would have made it strong against the attacks of the brute.

The other person who had helped to bring out all that was best in
Vandover had been Turner Ravis. There was no denying that when he had
first known her he had loved her sincerely. Things were vastly different
with him when Turner had been his companion; things that were unworthy,
that were low, that were impure and vicious, did not seem worth while
then; not only did they have no attraction for him, but he even shunned
and avoided them. He knew he was a better man for loving her; invariably
she made him wish to be better. But little by little as he frequented
the society of such girls as Ida Wade, Grace Irving, and Flossie, his
affection for Turner faded. As the habits of passionate and unhealthy
excitement grew upon him he lost first the taste and then the very
capacity for a calm, pure feeling. His affection for her he frittered
away with fast girls and abandoned women, strangled it in the foul
musk-laden air of disreputable houses, dragged and defiled it in the
wine-lees of the Imperial. In the end he had quite destroyed it,
wilfully, wantonly killed it. As Turner herself had said, she could only
be in love with being loved; her affection for him had dwindled as
well; at last they had come to be indifferent to each other, she no
longer inspired him to be better, and thus he had shaken off this good
influence as well.

Public opinion had been a great check upon him, the fear of scandal, the
desire to stand well with the world he knew. Trivial though he felt it
to be, the dread of what people would say had to a great extent held
Vandover back. He had a position to maintain, a reputation to keep up in
the parlours and at the dinner tables where he was received. It could
not be denied that society had influenced Vandover for good. But this,
too, like all the others, he had cast from him. Now he was ostracized,
society cared no longer what he did, his position was gone, his
reputation was destroyed. There was no one now to stand in his way.

Vandover could not fall back on any religious influence. Religion had
never affected him very deeply. It was true that he had been baptized,
confirmed, and had gone to church with considerable regularity. If he
had been asked if he was a Christian and believed in God he would have
answered "Certainly, certainly." Until the time of his father's death he
had even said his prayers every night, the last thing before turning out
the gas, sitting upon the edge of his bed in his night-gown, his head in
both his hands. He added to the Lord's Prayer certain other petitions as
to those who were in trouble, sorrow, poverty, or any other privations;
he asked for blessings upon his father and upon himself, praying for the
former's health and prosperity, and for himself, that he might become a
great artist, that the "Last Enemy" might be admitted to the Salon when
he had painted it, and that it might make him famous. But, as a rule,
Vandover thought very little about religious matters and when he did,
told himself that he was too intelligent to believe in a literal heaven,
a literal hell, and a personal God personally interfering in human
affairs like any Jove or Odin. But the moment he rejected a concrete
religion Vandover was almost helpless. He was not mystic enough to find
any meaning in signs or symbols, nor philosophic enough to grasp vague
and immense abstractions. Infinities, Presences, Forces, could not help
him withstand temptation, could not strengthen him against the brute. He
felt that somewhere, some time, there was punishment for evildoing,
but, as happened in the case of Ida Wade's death, to dwell on such
thoughts disturbed and terrified him. He did not dare to look long in
that direction. Conscience, remorse, repentance, all these had been keen
enough at first, but he had so persistently kicked against the pricks
that little by little he had ceased to feel them at all.

Then an immense and overwhelming terror seized upon him. Was there
nothing, then--nothing left which he could lay hold of to save him? He
knew that he could not deliver himself by his own exertions. Religion
could not help him, he had killed his father, estranged the girl he
might have loved, outraged the world, and at a single breath blighted
the fine innate purity of his early years. It was as if he had entered
into his life in the world as into some vast labyrinth, wandering on
aimlessly, flinging from him one by one the threads, the clues, that
might have led him again to a safe exit, going down deeper and deeper
until, when near the centre, he had suddenly felt the presence of the
brute, had heard its loathsome muttering growl, had at last seen it far
down at the end of a passage, dimly and in a dark shadow; terrified, he
had started back, looking wildly about for any avenue of escape,
searching with frantic haste and eagerness for any one of those clues he
had so carelessly cast from him, realizing that without such guidance he
would inevitably tend down again to that fatal central place where the
brute had its lair.

There was nothing, nothing. He clearly saw the fate toward which he was
hurrying; it was not too late to save himself if he only could find
help, but he could find _no_ help. His terror increased almost to
hysteria. It was one of those dreadful moments that men sometimes
undergo that must be met alone, and that when past, remain in the memory
for all time; a glimpse far down into the springs and wheels of life; a
glimpse that does not come often lest the reason brought to the edge of
the fearful gulf should grow dizzy at the sight, and reeling, topple
headlong.

But suddenly Vandover rose to his feet, the tears came to his eyes, and
with a long breath he exclaimed: "Thank God for it!" He grew calmer in a
moment, the crisis had passed, he had found a clue beneath his groping
fingers.

He had remembered his art, turning to it instinctively as he always did
when greatly moved. This was the one good thing that yet survived. It
was the strongest side of him; it would be the last to go; he felt it
there yet. It was the one thing that could save him.

The thought had come to him so suddenly and with such marvellous
clearness that in his present exalted state of mind it filled him with a
vague sense of awe, it seemed like a manifestation, a writing on the
wall. Might it not be some sort of miracle? He had heard of men
reforming their lives, transformed almost in an instant, and had scoffed
at the idea. But might it not be true, after all? What was this
wonderful thing that had happened to him? Was this less strange than a
miracle? Less divine?

The following day Vandover rented a studio. It was the lofty room with
hardwood floors and the immense north light in that suite which he had
rejected when looking for rooms on the former occasion. He gave notice
to the clerk in the apartment house where his quarters were situated
that he intended to vacate after the first of the month. Charming as he
had found these rooms, he gave up, with scarcely a regret, the idea of
living in them any longer. In a month it would be summer and he would be
on his way to Paris.

But so great was his desire for work now, so eager was he to start the
"Last Enemy," so strong was the new energy that shook him, that Vandover
could not wait until summer to begin work again. He grudged everything
now that kept him away from his easel.

He disappeared from the sight of his ordinary companions; he did not
even seek the society of Geary or of young Haight. All the sketches he
had made for the "Last Enemy," together with his easel and his disused
palette, his colour-box, tubes, brushes and all the other materials and
tools for his work, he caused to be transferred to the new studio.
Besides this he had the stretcher made, best twill canvas on a frame
four feet long, two and a half feet high. This was for the large sketch
of the picture. But the finished work he calculated would demand an
eight by five stretcher.

He did not think of decorating the room, of putting any ornaments about
the wall. He was too serious, too much in earnest now to think of that.
The studio was not to be his lounging place, but his workshop. His art
was work with him now, hard, serious work. It was above all _work_ that
he needed to set him right again, regular work, steady, earnest work,
not the dilettante fancy of an amateur content with making pretty
things.

Never in his life had Vandover been so happy. He came and went
continually between his rooms, his studio, and his art dealers, tramping
grandly about the city, whistling to himself, strong, elated, filled
with energy, vigour, ambition. At times his mind was full of
thankfulness at this deliverance at the eleventh hour; at times it was
busy with the details of the picture, its composition, its colour
scheme. The main effects he wanted to produce were isolation and intense
heat, the shadows on the sand would be blue, the horizon line high on
the canvas, the sky would be light in tone, almost white near the earth.

The morning when he first began to work was charming. His new studio was
in the top floor of a five-story building, and on arriving there,
breathless from his long climb up the stairs, Vandover threw open the
window and gazed out and down upon the city spread out below him,
enjoying the view a moment before settling to his work.

A little later the trades would be blowing strong and brisk from the
ocean, driving steadily through the Golden Gate, filling the city with a
taint of salt; but at present the air was calm, touched with a certain
nimbleness, a sparkling effervescence, invigourating, exhilarating.

It was early in the forenoon, not yet past nine o'clock, and the mist
that gathers over the city just before dawn was steaming off under the
sun, very thin and delicate, turning all distant objects a flat tone of
pale blue. Over the roofs of the houses he could catch a glimpse of the
distant mountains, faint purple masses against the pale edge of the sky,
rimming the horizon round with a fillet of delicate colour. But any
larger view was barred by a huge frame house with a slated mansard roof,
directly opposite him across the street, a residence house, one of the
few in the neighbourhood. It had been newly painted white and showed
brave and gay against the dark blue of the sky and the ruddy greens of
the great garden in which it stood. Vandover from his window could from
time to time catch the smell of eucalyptus trees coming to him in long
aromatic breaths mingled with the odour of wet grass and fresh paint.
Somewhere he heard a hummingbird singing, a tiny tweedling thread of
song, while farther off two roosters were crowing back and forth at each
other with strained and raucous trumpet calls.

Vandover turned back to his work. Under the huge north light was the
easel, and clamped upon it the stretcher, blank, and untouched. The very
sight of the heavy cream-white twill was an inspiration. Already
Vandover saw a great picture upon it; a great wave of emotion suddenly
welled up within him and he cried with enthusiasm:

"By God! it is in moods like this that _chef d'oeuvres_ are made."

Around the baseboard of the room were a row of _esquisses_ for the
picture, on small landscape-stretchers, mere blotches of colour laid on
with the palette knife and large brushes, almost unintelligible to any
one but Vandover. He selected two or three of these and fastened them to
the easel above the big stretcher where he could have them continually
in his eye. He lit his pipe, rolled up his shirt-sleeves, and standing
before the easel, began to sharpen a stick of charcoal with an old
razor, drawing the blade toward him so as to keep the point of the stick
from breaking. Then at last with a deep breath of satisfaction he began
blocking in the first large construction lines of his picture.

It was one o'clock before he knew it. He went downtown and had a hasty
lunch, jealous of every moment that was not spent on his picture. The
sight of it as he re-entered the room sent a thrill all over him; he was
succeeding better than he could have expected, doing better than he
thought he would. He felt sure that now he should do good work; every
stage of the picture's progress was an inspiration for the next one. At
this time the figures had only been "placed," broadly sketched in large
lines, "blocked in" as he called it. The next step was the second
drawing, much more finished.

He rapped the stretcher sharply with his knuckles; it responded
sonorously like a drumhead, the vibration shaking the charcoal from the
tracings, filling the air with a fine dust. The outlines grew faint,
just perceptible enough to guide him in the second more detailed
drawing.

He brought his stick of charcoal to a very fine edge and set to work
carefully. In a moment he stopped and, with his chamois cloth, dusted
out what he had drawn. He had made a false start, he began but could not
recall how the lines should run, his fingers were willing enough; in his
imagination he saw just how the outlines should be, but somehow he could
not make his hand interpret what was in his head. Some third medium
through which the one used to act upon the other was sluggish, dull;
worse than that, it seemed to be absent. _"Well,"_ he muttered, "can't I
make this come out right?" Then he tried more carefully. His imagination
saw the picture clearer, his hand moved with more assurance, but the two
seemed to act independently of each other. The forms he made on the
canvas were no adequate reflection of those in his brain; some third
delicate and subtle faculty that coordinated the other two and that
called forth a sure and instant response to the dictates of his mind,
was lacking. The lines on his canvas were those of a child just learning
to draw; one saw for what they were intended, but they were crude, they
had no life, no meaning. The very thing that would have made them
intelligible, interpretive, that would have made them art, was absent. A
third, a fourth, and a fifth time Vandover made the attempt. It was
useless. He knew that it was not because his hand lacked cunning on
account of long disuse; such a thing, in spite of popular belief, never
happened to artists--a good artist might abandon his work for five
years, ten years--and take it up again precisely where he had laid it
down with no loss of technical skill. No, this thing seemed more subtle,
so subtle that at first he could hardly grasp it. But suddenly a great
fear came upon him, a momentary return of that wild hysterical terror
from which he believed he had forever escaped.

"Is it gone?" he cried out. "Is it gone from me? My art? Steady," he
went on, passing his hand over his face with a reassuring smile;
"steady, old man, this won't do, again--and so soon! It won't do for you
to get scared twice like that. This is just nervousness, you are
overexcited. Pshaw! What's the matter with me? Let's get to work."

Still another time he dusted out what he had done and recommenced,
concentrating all his attention with a tremendous effort of the will.
Grotesque and meaningless shapes, the mocking caricatures of those he
saw in his fancy, grew under his charcoal, while slowly, slowly, a
queer, numb feeling came in his head, like a rising fog, and the touch
of that unreasoning terror returned, this time stronger, more
persistent, more tenacious than before.

Vandover nerved himself against it, not daring to give in, fearing to
allow himself to see what this really meant. He passed one hand over his
cheek and along the side of his head, the fingers dancing. "Hum!" he
muttered, looking vaguely about him, "this is bad. I mustn't let this
get the better of me now. I'll knock off for to-day, take a little rest,
begin again to-morrow."

In ten minutes he was back at his easel again. His charcoal wandered,
tracing empty lines on his canvas, the strange numbness grew again in
his head. All the objects in the range of his eyes seemed to move back
and stand on the same plane. He became a little dizzy.

"It's the _tobacco_," he exclaimed. "That pipe always was too strong."
He turned away to the open window, feeling an irresistible need of
distraction, of amusement, and he remained there resting on his elbows,
listening and looking, trying to be interested.

It was toward the middle of the afternoon. The morning mist was long
since evaporated and the first faint puffs of the inevitable trade wind
were just stirring the leaves of the eucalyptus across the street. In
the music-room of the white house the young lady of the family had
opened the piano and was practising finger-exercises. The scales and
arpeggios following one another without interruption, came to his ears
in a pleasant monotone. A Chinese "boy" in a stiff blouse of white
linen, made a great splashing as he washed down the front steps with a
bucket of water and the garden hose. Grocery and delivery wagons came
and went, rattling over the cobbles and car-tracks, while occasionally a
whistle blew very far off. At the corner of the street by a
livery-stable a little boy in a flat-topped leather cap was calling
incessantly for some unseen dog, whistling and slapping his knees. An ex
press-wagon stopped a few doors below the white house and the driver
pulled down the back-board with a strident rattle of chains; the cable
in its slot kept up an unceasing burr and clack while the cars
themselves trundled up and down the street, starting and stopping with a
jangling of bells, the jostled glass windows whirring in a prolonged
vibrant note. All these sounds played lightly over the steady muffled
roar that seemed to come from all quarters at once; it was that deep
murmur, that great minor diapason that always disengages itself from
vast bodies, from mountains, from oceans, from forests, from sleeping
armies.

The desire for movement, for diversion, for anything that would keep him
from thinking was not to be resisted. Vandover caught up his hat and
fled from the room, not daring to look again at the easel. Once outside,
he began to walk, anywhere, straight before him, going on with great
strides, his head in the air.

He found Charlie Geary and took him to supper. Vandover talked
continually on all sorts of subjects, speaking very rapidly. In the
evening he insisted on Geary going to the theatre with him. He paid the
closest attention to the play, letting it occupy his mind entirely. When
the play was over and the two were about to say good night, Vandover
began to urge Geary to sleep up at his rooms that night. He overrode his
objections, interrupting him, taking hold of his arm, and starting off.
But Geary, a little surprised at his manner, refused. There were certain
law papers he had taken home with him from the office that afternoon and
that it was necessary he should return in the morning. Ah, you bet, he
would get it right in the neck if old Beale didn't have those
depositions the first thing when the office was open. Ah, he was getting
to be indispensable down there. He had had Fischer's place now for a
year. Fischer had never come back, and he had the promise of being taken
on as head clerk as soon as Beale Jr. went into the partnership with old
Beale. "I'll make my way in this town yet," he declared. "I'll be in
that partnership myself some day. You see; yes, sir; ah, you bet!"

The idea of passing the night alone terrified Vandover. He started
toward home, walking up Sutter Street, proceeding slowly, his hands in
his pockets. All at once he stopped, without knowing why; he roused
himself and looked about him. There was a smell of eucalyptus in the
air. Across the street was the huge white house, and he found that he
had stopped just before the door of the building on the top floor of
which his studio was situated. All day Vandover's mind had been in the
greatest agitation, his ideas leaping and darting hither and thither
like terrified birds in a cage. Just now he underwent a sudden reaction.
It had all been a matter of fancy, nothing but nervousness; he had not
drawn for some time, his hand lacked cunning from long disuse. The
desire for work came upon him again overpoweringly. He wanted to see
again if he could not draw just as truly and freely as in the old days.
No, he could not wait till morning; he must put himself to the test
again at once, at the very instant. It was a sudden feminine caprice,
induced, no doubt, by the exalted, strained, and unnatural condition of
his nerves, a caprice that could not be reasoned with, that could not be
withstood. He had his keys with him, he opened the outside door and
groped his way up the four long flights of stairs to his studio.

The studio was full of a sombre half-light, like a fog, spreading
downward from the great north light in the sloping roof. The window was
still wide open, the stretcher showed a pale gray blur. Vandover was
about to light the gas when he checked himself, his arm still raised
above his head. Ah, no; he did not dare to look at the result of his
day's work. It would be better to start in afresh from the beginning. He
found the chamois skin on the tray of the easel and rubbed out all the
drawing on the canvas. Then he lit the gas.

As he turned to his work once more a little thrill of joy and of relief
passed over him. This time his hand was sure, steady, his head was
clear. It had been nervousness after all. As he picked up his charcoal
he even exclaimed to himself, "Just the same, that _was_ a curious
experience this afternoon."

But the curious experience repeated itself again that night as soon as
he tried to work. Once more certain shapes and figures were born upon
his canvas, but they were no longer the true children of his
imagination, they were no longer his own; they were changelings,
grotesque abortions. It was as if the brute in him, like some malicious
witch, had stolen away the true offspring of his mind, putting in their
place these deformed dwarfs, its own hideous spawn.

Through the numbness and giddiness that gradually came into his head
like a poisonous murk he saw one thing clearly: It was gone--his art was
gone, the one thing that could save him. That, too, like all the other
good things of his life, he had destroyed. At some time during those
years of debauchery it had died, that subtle, elusive something,
delicate as a flower; he had ruined it. Little by little it had exhaled
away, wilting in the air of unrestrained debauches, perishing in the
warm musk-laden atmosphere of disreputable houses, defiled by the breath
of abandoned women, trampled into the spilt wine-lees of the Imperial,
dragged all fouled and polluted through the lowest mire of the great
city's vice.

For a moment Vandover felt as though he was losing his hold upon his
reason; the return of the hysteria shook him like a dry, light leaf. He
suddenly had a sensation that the room was too small to hold him; he
ran, almost reeled, to the open window, drawing his breath deep and
fast, inhaling the cool night air, rolling his eyes wildly.

It was night. He looked out into a vast blue-gray space sown with points
of light, winking lamps, and steady slow-burning stars. Below him was
the sleeping city. All the lesser staccato noises of the day had long
since died to silence; there only remained that prolonged and sullen
diapason, coming from all quarters at once. It was like the breathing of
some infinitely great monster, alive and palpitating, the sistole and
diastole of some gigantic heart. The whole existence of the great
slumbering city passed upward there before him through the still night
air in one long wave of sound.

It was Life, the murmur of the great, mysterious force that spun the
wheels of Nature and that sent it onward like some enormous engine,
resistless, relentless; an engine that sped straight forward, driving
before it the infinite herd of humanity, driving it on at breathless
speed through all eternity, driving it no one knew whither, crushing out
inexorably all those who lagged behind the herd and who fell from
exhaustion, grinding them to dust beneath its myriad iron wheels, riding
over them, still driving on the herd that yet remained, driving it
recklessly, blindly on and on toward some far-distant goal, some vague
unknown end, some mysterious, fearful bourne forever hidden in thick
darkness.




Chapter Fifteen


About a week later Hiram Wade, Ida's father, brought suit against
Vandover to recover twenty-five thousand dollars, claiming that his
daughter had killed herself because she had been ruined by him and that
he alone was responsible for her suicide.

Vandover had passed this week in an agony of grief over the loss of his
art, a grief that seemed even sharper than that which he had felt over
the death of his father. For this last calamity was like the death of a
child of his, some dear, sweet child, that might have been his companion
throughout all his life. At times it seemed to him impossible that his
art should fail him in this manner, and again and again he would put
himself at his easel, only to experience afresh the return of the
numbness in his brain, the impotency of his fingers.

He had begun little by little to pick up the course of his life once
more, and on a certain Wednesday morning was looking listlessly through
the morning paper as he sat in his window-seat. The room was delightful,
flooded with the morning sun, the Assyrian _bas-reliefs_ just touched
with a ruddy light, the Renaissance portraits looking down at him
through a fine golden haze; a little fire, just enough to blunt the
keenness of the early morning air, snapping in the famous tiled and
flamboyant stove. All about the room was a pleasant fragrance of coffee
and good tobacco.

Vandover caught sight of the announcement of the suit with a sudden
sharp intake of breath that was half gasp, half cry, starting up from
the window-seat, reading it over again and again with staring eyes.

It was a very short paragraph, not more than a dozen lines, lost at the
bottom of a column, among the cheap advertisements. It made no allusion
to any former stage of the affair; from its tone Ida might have killed
herself only the day before. It seemed hardly more than a notice that
some enterprising reporter, burrowing in the records at the City Hall,
had unearthed and brought to light with the idea that it might be of
possible interest to a few readers of the paper. But there was his name
staring back at him from out the gray blur of the type, like some
reflection of himself seen in a mirror. Insignificant as the paragraph
was, it seemed to Vandover as though it was the only item in the whole
paper. One might as well have trumpeted his crime through the streets.

"But twenty-five thousand dollars!" exclaimed Vandover, terrified.
"Where will _I_ find twenty-five thousand dollars?" And at once he fell
to wondering as to whether or no in default of payment he could be sent
to the penitentiary. The idea of winning the suit did not enter his mind
an instant; he did not even dream of fighting it.

For the moment it was like fire driving out fire. He forgot the loss of
his art, his mind filled only with the sense of the last disaster. What
could he do? Twenty-five thousand dollars! It would ruin him. A cry of
exasperation, of rage at his own folly, escaped him. "Ah, what a fool
I've been!"

For an hour he raged to and fro in the delightful sunlit room, pacing
back and forth in its longest dimension between the bamboo tea-table and
the low bookcase, a thousand different plans and projects coming and
going in his head. As his wits steadied themselves he began to see that
he must consult at once with some lawyer--Field, of course--perhaps
something could be done; a clever lawyer might make out a case for him
after all. But all at once he became convinced that Field would not
undertake his defence; he knew he had no case; so what could Field do
for him? He would have to tell him the truth, and he saw with absolute
clearness that the lawyer would refuse to try to defend him. The thing
could not honourably be done. But, then, what _should_ he do? He must
have legal advice from some quarter.

He was still in this state of perplexity when Charlie Geary arrived,
pounding on the door and opening it immediately afterward as was his
custom.

"Hello!" said Vandover, surprised. "Hello, Charlie! is that you?"

"Say," exclaimed Geary without returning his greeting, holding up his
hand as if to interrupt him; "say, have you seen your lawyer yet--seen
_any_ lawyer?"

"No," answered Vandover, shaking his head gravely; "no, I've only this
minute read about it in the paper." He was glad that Geary had come; at
once he felt a desire to throw this burden upon his chum's shoulders,
to let him assume the management of the affair, just as in the old
college days he had willingly, weakly, submitted to the dictatorship of
the shrewder, stronger man who smoothed out his difficulties for him,
and extricated him from all his scrapes. He knew Geary to be full of
energy and resource, and he had confidence in his ability as a lawyer,
even though he was so young in years and experience. Besides this, he
was his friend, his college chum; for all Geary's disagreeable qualities
he knew he would do the right thing by him now.

"You're the one man of all others I wanted to see," he exclaimed as he
gripped his hand. "By George! I'm glad you have come. Here, sit down and
let's talk this over." Geary took the big leather chair behind the desk,
and Vandover flung himself again upon the window-seat. It was as if the
two were back in the room in Matthew's; hundreds of times in those days
they had occupied precisely these positions, Geary bending over at the
study table, intent, nervous, very keen, Vandover lounging idly upon the
window-seat, resting easily on his elbow listening to the other man's
advice.

"Now, what must I do, Charlie?" Vandover began. "See my lawyer, I
suppose? But do you think a lawyer like Field would take my case? You
know I haven't a leg to stand on."

"But you haven't seen him?" inquired Geary sharply. "Haven't seen
anybody about it?" Vandover shook his head. "Sure?" insisted Geary
anxiously.

"Why, I have only just heard about it twenty minutes ago," protested
Vandover. "Why are you so particular about that?" he added. Then Geary
exploded his mine.

"Because," he said, with a smile of triumph that he could not restrain,
"because we are the counsel for the other side. I am on the case."

Vandover bounded from the window-seat speechless with astonishment,
bitterly disappointed. "_You?_ he shouted. Geary slowly nodded his head,
enjoying Vandover's bewilderment. Vandover dropped back upon the
cushions again, staring at him wildly with growing suspicion and anger.
He would not have thought it possible that Geary could so sacrifice
their old friendship to his own personal interest. The two continued
staring at each other across the table for a moment. In the silence
they heard the long rumble of a cable-car passing the house, and the
persistent jangling of its bell as it approached the street crossing. A
grocery wagon went up the side street, the horses' hoofs making a
cadenced clapping sound upon the asphalt.

"Well," exclaimed Vandover scornfully, "I suppose that's business, but I
would call it damned unkind!"

"Now, look here, old man," returned Geary consolingly. "Don't you take
the monkey-wrench off the safety valve like that. What am I here for if
it isn't to help you? Maybe you don't know that this is a mighty
unprofessional thing to do. Ah, you bet, if old Beale knew this I would
get it right in the neck. Don't you suppose I can help you more as
Wade's lawyer than I could as yours? And now that's the very first thing
I've got to tell you--to keep this dark, that I have seen you. I can't
do anything for you if you don't promise that."

"Oh, that's all right," returned Vandover, reassured. "That's all right,
you can--"

"It's not considered the right thing to do," Geary continued, not
heeding Vandover's answer, "but I just do it because"--he began to make
awkward gestures with both his hands--"because we're old friends, like
that. That was the very first thing I thought of when Beale Jr. told me
that we two had the case--that I could get you out of this hole better
as Wade's lawyer than as your own. Ah, you bet, I was clever enough to
see that the first thing."

"I'm sure it was awfully good of you, old man," said Vandover sincerely.
"I'm in a lot of trouble nowadays!"

"Well, now don't you bother, Van," answered Geary consolingly. "I guess
we can pull you out of this all right." He drew up to the table, looking
about from side to side. "Got any writing paper concealed about the
premises?" he asked. Vandover pushed him over his writing pad, and
Geary, taking the cap from his fountain pen, began asking a series of
questions, taking down his answers in shorthand. After he had asked him
as to his age, length of residence in the city, his property, and some
few other technical matters, he leaned back in his chair and said:

"Now, let's hear your side of the story, Van. I don't suppose you like
to go over the thing again, but you see I ought to know." Vandover told
of the affair, Geary making notes as he went along. It was nearly noon
before their interview was at an end. Then Geary gathered up the papers
and reached for his hat and stick, saying:

"Well, now, that's all we can do to-day. I think I'll be up to see you
again day after to-morrow, in the afternoon. Beale Jr. and I have a date
with Mr. Wade again to-morrow, I think, and I can talk to you more
definitely after that. You know this is the devil of a thing to do," he
suddenly exclaimed apprehensively, "this playing back and forth between
the two parties like this; regularly dishonourable, don't you know?"

"If you think it's dishonourable," said Vandover as he accompanied Geary
to the door, "if you think it's dishonourable, Charlie, why, don't do
it! I don't want to ask you to do anything dishonourable for me."

"Oh, that's all right," replied Geary uneasily; "I had just as soon do
it for you, only listen to this: don't you say a word about the case to
anybody, not to your lawyer, nor to anybody. If Field should write to
you, you tell him you have counsel already. And, look here! you may have
the reporters up here pretty soon, and don't you open your face to them;
you mind that; don't you let them get a thing out of you. And there's
another thing you must understand: I'm not your lawyer, of course; you
see that. I could be disbarred if I was lawyer for both sides. It's like
this, you see: I'm Wade's lawyer--at least the firm I am with are his
lawyers--and of course I'm acting in Wade's interest. But you're an old
chum of mine, and if I can I'm going to try and make it easier for you.
You understand, don't you?"

"Yes, I understand, Charlie," answered Vandover, "and you are just a
brick."

Vandover passed the rest of the day in his sitting-room, the suspense of
the situation slowly screwing his nerves tenser and tenser. He walked
for hours back and forth, his hands clasped behind his back, his head
bent down, his forehead drawn into a frown of anxiety and exasperation,
or he stood for a long time at the window looking out into the street
with eyes that saw nothing. At supper that night he found that his
appetite had left him; the very thought of food revolted him. He
returned to his room between seven and eight o'clock, his body and mind
completely fagged, feeling a crying need of some diversion, some escape
from the thoughts that had been hounding him all day.

He made up his mind to read a little before going to bed, and all at
once remembered a book that he had once begun a long time ago but had
never finished: the story of two men who had bought a wrecked opium ship
for fifty thousand dollars and had afterward discovered that she
contained only a few tins of the drug. He had never read on to find how
that story turned out. Suddenly he found himself repeating, "Twenty-five
thousand dollars, twenty-five thousand dollars--where will _I_ find
twenty-five thousand dollars?" He wondered if he would go to jail if he
failed to pay. His interest in the book was gone in a moment, and he
took up another of his favourite novels, the story of a boy at the time
of Christ, a Jewish boy unjustly condemned to the galleys, liberated
afterward, and devoting his life to the overthrow of his enemy, whom at
last he overcame and humbled, fouling him in a chariot race, all but
killing him.

He sat down in the huge leather chair, and, drawing it up to the piano
lamp and cocking his feet upon the table, began to read. In a few
moments the same numbness stole into his head like a rising fog, a
queer, tense feeling, growing at the back of his forehead and at the
base of his skull, a dulness, a strange stupefying sensation as of some
torpid, murky atmosphere. He looked about him quickly; all the objects
in the range of his vision--the corner of the desk, the corduroy couch,
the low bookcase with Flossie's yellow slipper and Barye's lioness upon
it--seemed to move back and stand upon the same plane; the objects
themselves appeared immovable enough, but the sensation of them in his
brain somewhere behind his eyes began to move about in a slow, dizzy
whirl. The old touch of unreasoning terror came back, together with a
sudden terror of the spirit, a sickening sinking of the heart, a
loathing of life, terrible beyond words.

Vandover started up, striving to keep himself in hand, fighting against
a wild desire to rush about from wall to wall, shrieking and waving his
arms. Over and over again he exclaimed, "Oh, _what_ is the matter with
me?" The strangeness of the thing was what unsettled and unnerved him.
He had all the sensations of terror, but without any assignable reason,
and this groundless fear became in the end the cause of a new fear: he
was afraid of this fear that was afraid of nothing.

Very gradually, however, the crisis passed away. He became a little
calmer, and as he was mixing himself a glass of whisky and water at the
sideboard he decided that he would go to bed. He was sure that he would
be better for a good night's rest; evidently his nerves were out of
order; it would not do for him to read late at night. He realized all at
once that his mind and body alike were exhausted.

He passed a miserable night, dozing and waking at alternate hours until
three o'clock, when he found it impossible to get to sleep; hour after
hour he lay flat on his back staring open-eyed into the darkness,
listening to the ticking of the clock, the mysterious footsteps that
creaked the floors overhead, and the persistent drip of a water faucet.
Outside in the street he heard at long intervals the rattling of wheels
as the early milk wagons came and went; a dog began to bark, three gruff
notes repeated monotonously at exact intervals; all at once there was a
long muffled roll and an abrupt clacking noise; it ceased, then broke
out again sharply, paused once more, then recommenced, settling to a
prolonged minor hum; the cable was starting up; it was almost morning,
the window of his room began to show a brighter blur in the darkness,
while very far off he could hear the steady puffing of a locomotive. As
the first cable-car trundled by the house he dropped off to sleep for
the last time, being waked again toward nine o'clock by the sound of
some one shovelling coal outside under his window, the shovel clinking
and rasping upon the stone sidewalk.

He felt a little refreshed, but as he entered the dining-room for his
late breakfast the smell of food repulsed him; his appetite was gone; it
was impossible for him to eat. Toward eleven o'clock that same morning
he was pottering idly about his sitting-room, winding his clock and
shaking down the ashes in the tiled flamboyant stove; his mind was still
busy going over for the hundredth time all the possibilities of Hiram
Wade's suit, and he was just wondering whether something in the way of a
compromise might not be arranged, when with the suddenness of a blow
between the eyes the numbness in his head returned, together with the
same unreasoning fear, the same depression of spirits, the same fearful
sinking of the heart. What! it was coming back again, this strange
attack, coming back even when his attention was not concentrated, even
when there was no unusual exertion of his brain!

Then the torment began. This time the crisis did not pass off; from now
on it persisted continually. Vandover began to feel strange. At first
the room looked unfamiliar to him, then his own daily life no longer
seemed recognizable, and, finally, all of a sudden, it was the whole
world, all the existing order of things, that appeared to draw off like
a refluent tide, leaving him alone, abandoned, cast upon some fearful,
mysterious shore.

Nothing seemed worth while; all the thousand little trivial things that
made up the course of his life and in which he found diversion and
amusement palled upon him. A fearful melancholia settled over him, a
despair, an abhorrence of living that could not be uttered. This only
was during the day. It was that night that Vandover went down into the
pit.

He went to bed early, his brain in a whirl, his frame worn out as if
from long physical exertion. He was just dropping into a grateful sleep
when his whole body twitched suddenly with a shock and a recoil of all
his nerves; in an instant he was broad awake, panting and exhausted as
if from a long run. Once more he settled himself upon the pillow, and
once more the same leap, the same sharp spasm of his nerves caught him
back to consciousness with the suddenness of a relaxed spring. At last
sleep was out of the question; his drowsiness of the early part of the
evening passed away, and he lay back, his hands clasped behind his head,
staring up into the darkness, his thoughts galloping incessantly through
his brain, suffering without pain as he had never imagined a human being
could suffer though racked with torture from head to heel.

From time to time a slow torsion and crisping of all his nerves,
beginning at his ankles, spread to every corner of his body till he had
to shut his fists and teeth against the blind impulse to leap from his
bed screaming. His hands felt light and, as he told himself, "jumpy."
All at once he felt a peculiar sensation in them: they seemed to swell,
the fingers puffing to an enormous size, the palms bulging, the whole
member from the wrist to the nails distended like a glove when one has
blown into it to straighten it out. Then he had a feeling that his head
was swelling in the same way. He had to rub his hands together, to pass
them again and again over his face to rid himself of the fancy.

But the strange numb feeling at the base of the skull did not keep him
from thinking--he would have been glad if it had--and now at last when
the terror overcame him it was no longer causeless; he knew now what he
feared--he feared that he was going mad.

It was the punishment that he had brought upon himself, some fearful
nervous disease, the result of his long indulgence of vice, his vile
submission to the brute that was to destroy his reason; some collapse of
all his faculties, beginning first with that which was highest, most
sensitive--his art--spreading onward and downward till he should have
reached the last stages of idiocy. It was Nature inexorably exacting. It
was the vast fearful engine riding him down beneath its myriad spinning
wheels, remorselessly, irresistibly.

The dreadful calamities that he had brought upon himself recoiled upon
his head, crushing him to the dust with their weight of anguish and
remorse: Ida Wade's suicide, his father's death, his social banishment,
the loss of his art, Hiram Wade's lawsuit menacing him with beggary, and
now this last, this approaching insanity. It was no longer fire driving
out fire; the sense of all these disasters seemed to come back upon him
at once, as keen, as bitter as when they had first befallen. He had told
himself that he did not believe in a hell. Could there be a worse hell
than this?

But all at once, without knowing why, moved by an impulse, a blind,
resistless instinct, Vandover started up in bed, raising his clasped
hands above him, crying out, "Oh, help me! Why don't you _help_ me? You
can if you only will!" Who was it to whom he had cried with such
unerring intuition? He gave no name to this mysterious "You," this
strange supernatural being, this mighty superhuman power. It was the cry
of a soul in torment that does not stop to reason, the wild last hope
that feels its own helplessness, that responds to an intuition of a
force outside of itself--the force that can save it in its time of
peril.

Trembling, his hands still clasped above him, Vandover waited for an
answer, waited for the miracle. In the tortured exalted state of his
nerves he seemed suddenly possessed of a sixth sense; he fancied that he
would know, there in that room, in a few seconds, while yet his hands
remained clasped above his head. It was his last hope: if this failed
him there was nothing left. Still he waited; he felt that he should know
when the miracle came, that he would suddenly be filled with a sense of
peace, of quiet joy. Still he waited--there was nothing, nothing but the
vast silence, the unbroken blackness of the night, a night that was to
last forever. There was no answer, nothing but the deaf silence, the
blind darkness. But in a moment he felt that the very silence, the very
lack of answer, was answer in itself; there was nothing for him. Even
that vast mysterious power to which he had cried could not help him now,
_could_ not help him, could not stay the inexorable law of nature, could
not reverse that vast terrible engine with its myriad spinning wheels
that was riding him down relentlessly, grinding him into the dust. And
afterward? After the engine had done its work, when that strange other
time should come, that other life, what then? No, not even then, nothing
but outer darkness then and the gnashing of teeth, nothing but the deaf
silence, nothing but the blind darkness, nothing but the unbroken
blackness of an eternal night.

It was the end of everything! With a muffled cry, "Oh, I can't stand
this!" Vandover threw himself from his bed, groping his way out into the
sitting-room. By this time he was only conscious of a suffering too
great to be borne, everything else was blurred as in a thick mist. For
nearly an hour he stumbled about in the darkened room, bruising himself
against the furniture, dazed, numb, trying in vain to find the drawer of
the desk where he kept his father's revolver. At last his hand closed
upon it, gripping it so tightly that the hundreds of little nicks and
scratches made by the contact of the tacks and nails which he had
hammered with it nipped and bit into his palm like the teeth of tiny
mice. A vague feeling of shame overcame him at the last moment: he had
no wish to be found sprawling upon the floor, dressed only in his
night-gown. He lit the gas and put on his bathrobe, drawing the cords
securely about his waist and neck.

When he turned about to pick up the revolver again he found that his
determination had weakened considerably, and he was obliged to reflect
again upon the wreck of his life and soul before he was back once more
to the proper pitch of resolution. It was five minutes to two, and he
made up his mind to kill himself when the clock struck the hour. He
spent the intervening moments in arranging the details of the matter. At
first he thought he would do it standing, but he abandoned that idea,
fearing to strike his head against the furniture as he fell. He was
about to decide upon the huge leather chair, when the remembrance of his
father's death made that impossible. He finally concluded to sit upon
the edge of his bed, leaning a little backward so as not to fall upon
the floor, and he dragged the bed out into the sitting-room, preferring
somehow to die there. For a moment the idea of lying at length upon the
bed occurred to him, but in an instant he recoiled from it, horrified at
the thought of the death that struck from above; no, it would be best to
sit upon the edge of the bed, falling backward with the shot. Then he
wondered as to which it should be, his heart or his head; evidently the
head was the better; there upon the right side in the little hollow of
the temple, and the next moment he found himself curiously touching and
pressing the spot with his fingers. All at once he heard the little
clicking noise that the clock makes a minute or so before the hour. It
was almost two; he sat down upon the edge of the bed, cocking the
revolver, waiting for the clock to strike. An idea came to him, and he
looked at the calendar that stood at the right of the clock upon the top
of the low bookcase. It was the twelfth of April, Thursday; that, then,
was to be the date of his death--Thursday, April twelfth, at two in the
morning, so it would read upon his gravestone. For an instant the
awfulness of the thing he was to do came upon him, and the next instant
he found himself wondering if they still coursed jack-rabbits with
greyhounds down at Coronado the way they used to do when he was there.
All at once the clock struck two, and at the very last instant a
strange impulse to seat himself before the mirror came upon him. He drew
up a chair before it, watching his reflection intently, but even as he
raised the revolver he suddenly changed his purpose without knowing why,
and all at once crammed the muzzle into his mouth. He drew the trigger.

He heard no sound of a report; he felt no shock, but a great feebleness
ran throughout his limbs, a relaxing and weakening of all his muscles;
his eyes were open and he saw everything small and seemingly very far
off as through the reversed end of an opera-glass. Suddenly he fainted.

When Vandover came to himself again it was early morning. The room was
full of daylight, but the gas was still burning. Little by little the
fearful things of the night came back to him; he realized that he had
shot himself, and he waited for the end, not daring to move, his eyes
closed, his hand still gripping the scratched butt of the revolver in
his lap. For a long time he lay back in the chair, motionless, his
consciousness slowly returning like an incoming tide. At length he
started to his feet with an expression of scorn and incredulity; he was
as sound as ever, there was neither scratch nor scar upon him; he had
not shot himself after all.

Curiously, he looked at the revolver, throwing open the breech--the
cylinder was empty; he had forgotten to load it. "What a fool!" he
exclaimed, laughing scornfully, and still laughing he walked to the
centre of the room under the chandelier and turned out the gas.

But when he turned about, facing the day once more, facing that day and
the next and the next throughout all the course of his life, the sense
of his misery returned upon him in its full strength and he raised his
clenched fist to his eyes, shutting out the light. Ah, no, he could not
endure it--the horror of life overpassed the horror of death; he could
not go on living. A new thought had come to him. Wretched as he was, he
saw that in time his anguish of conscience, even his dread of losing his
reason, would pass from him; he would become used to them; yes, even
become used to the dread of insanity, and then he would return once more
to vice, return once more into the power of the brute, the perverse and
evil monster that was knitted to him now irrevocably, part for part,
fibre for fibre. He saw clearly that nothing could save him, he had had
his answer that night, there was to be no miracle. Was it not right,
then, that he should destroy himself? Was it not even his duty? The
better part of him seemed to demand the act; should he not comply while
there yet was any better part left? In a little while the brute was to
take all.

On the shelves above his washstand Vandover found the cartridges in a
green pasteboard box, and loaded all the chambers of the revolver,
carefully. He closed the breech; but as he was about to draw back the
hammer all his courage, all his resolution, crumbled in an instant like
a tower of sand. He did not dare to shoot himself--he was afraid. The
night before he had been brave enough; how was it now that he could not
call up the same courage, the same determination? When he thought over
the wreck, the wretched failure of his life, the dreadful prospect of
the future years, his anguish and his terror were as keen as ever. But
now there was a shrinking of his every nerve from the thought of
suicide, the instinctive animal fear of death, stronger than himself.
His suffering had to go on, had to run its course, even death would not
help him. Let it go on, it was only the better part of him that was
suffering; in a little while this better part would be dead, leaving
only the brute. It would die a natural death without any intervention
from him. Was there any need of suicide? Suicide! Great God! his whole
life had been one long suicide.

       *       *       *       *       *

That same morning Charlie Geary had eaten a very thick underdone steak
for breakfast after enjoying a fine long sleep of eight hours. Toward
eight o'clock he went downtown. He did not take a car; he preferred to
walk; it helped his digestion and it gave him exercise. At night he
walked home as well; that gave him an appetite; besides, with the ten
cents that he saved in this way, he bought himself a nice cigar that he
smoked in the evening to help digest his supper. He was very careful of
his health. Ah, you bet, one had to look out for one's health.

At the office that morning he had a long talk with Beale, Jr., as to
Hiram Wade's suit. The great firm of Beale & Storey, into whose office
Geary had been received, made a specialty of damage suits, and
especially those suits that were brought against a certain great
monopoly which it was claimed was ruining the city and the state; such a
case involving nearly a quarter of a million of dollars was now
occupying the attention of the heads of the firm and, indeed, of the
whole office. Hiram Wade's suit was assigned to the assistants. Beale,
Jr., was one of these, and Charlie Geary had managed to push himself
into the position of his confidential clerk. But Beale, Jr., himself
took little interest in the Wade suit; the suit against the great
monopoly was coming to a head; it was a battle of giants; the whole
office found itself embroiled, and little by little Beale, Jr., allowed
himself to be drawn into the struggle. The management of the Wade case
was given over to Geary's hands.

When he had first heard of his assignment to the case Geary had been
unwilling to act against his old chum, but it was the first legal affair
of any great importance with which he had been connected, and he was
soon devoured with an inordinate ambition to distinguish himself in the
eyes of the firm, to get a "lift," to take a long step forward toward
the end of his desires, which was to become one of the firm itself. He
knew he could make a brilliant success of the case. Geary was at this
time nearly twenty-eight, keen, energetic, immensely clever; and the
case against Vandover was strong. No one knew better than he himself how
intimate Vandover had been with Ida Wade; Vandover had told him much of
the details of their acquaintance. Besides this, a letter which Ida had
written to Vandover the day before her suicide had been found, torn in
three pieces, thrust between the leaves of one of the books that she
used to study at the normal school. It directly implicated Vandover--it
was evidence that could not be gainsaid. Geary had resolved to push the
case against his old chum. Vandover ought to see that with Geary it was
a matter of business; he, Geary, was only an instrument of the law; if
Geary did not take the case some other lawyer would. At any rate,
whether Van would see it in this light or not, Geary was determined to
take the case; it was too good an opportunity to let slip; he was going
to make his way in the law or he would know the reason why. Every man
for himself, that was what he said. It might be damned selfish, but it
was human nature; if he had to sacrifice Van, so much the worse. It was
evident that his old college chum was going to the dogs anyway, but come
whatever would, _he_, Geary, was going to be a _success_. Ah, you bet,
he would make his way and he would make his money.

Ever since he had come into his little patrimony Geary had been making
offers to Vandover for his block in the Mission. Geary would offer only
eight thousand dollars, but Brunt steadily advised Vandover against
listening to such a figure, assuring him that the property was valued at
twelve thousand six hundred. Vandover had often wondered at Geary's
persistence in the matter, and had often asked him what he could
possibly want of the block. But Geary was very vague in his replies,
generally telling Vandover that there was money in the investment if one
could and would give the proper attention to pushing it. He told
Vandover that he--Vandover--was no business man, which was the
lamentable truth, and would much prefer to live upon the interest of his
bonds rather than to be continually annoyed by defective plumbing,
complaints, and repairs. The truth of the matter was that Geary knew
that a certain immense boot and shoe concern was after the same piece of
property. The houses themselves were nothing to the boot and shoe
people; they wanted the land in order to build their manufactory upon
it. A siding of the railroad ran down the alley just back of the
property, a fact that hurt the lot for residence purposes, but that was
indispensable for the boot and shoe people. Geary knew that the heads of
the manufactory were determined to buy the lot, and he was sure that if
properly handled by clever brokers they could be induced to offer at
least one third more than its appraised valuation. It was a chance for a
fine speculation, and it was torture to Geary to think that Vandover, or
in fact any one besides himself, was going to profit by it.

The afternoon of the day upon which Hiram Wade had brought suit for
twenty-five thousand dollars, while Geary was pottering about his swivel
office chair with an oil can trying to find out where it creaked, a
brilliant idea had suddenly occurred to him, a stroke of genius, a
veritable inspiration. Why could he not make the Wade suit a machine
with which to force Vandover into the sale of the property?

His first idea had been to push the case so vigorously that Vandover
would surely lose it. But on second thought this course did not seem to
promise any satisfactory results. Geary knew very well that though Hiram
Wade had sued for twenty-five thousand dollars he could not recover more
than five thousand, if as much as that. Geary did not know the exact
state of Vandover's affairs, but he did not think that his chum would
sell any property in order to make the payment of damages. It was much
more likely that he would raise the five thousand, or whatever it might
be, by placing a second mortgage on some of his property. This, however,
was presuming that Wade would get judgment for about five thousand
dollars. But suppose that Vandover thought that Wade could actually
recover twenty-five thousand! Suppose that Geary himself should see
Vandover and induce him to believe such a story, and to settle the
affair out of court! Vandover was as ignorant of law as he was of
business. Geary might frighten him into a sale. Yet this plan seemed
very impracticable. In the first place, it would be unprofessional for
Geary to have an interview with Vandover under such circumstances, the
story was almost too monstrous even for Vandover's credibility, and
besides, Geary would not pay, could not pay twenty-five thousand for the
property. This last was a serious tangle. In order to get Vandover to
sell, Geary would have to represent the damage suit as involving a
larger sum of money than Geary was willing to give for the block, even a
far larger sum than that which the boot and shoe manufacturers could be
induced to pay for it. It seemed to be a deadlock. Geary began to see
that the whole idea was out of the question. Yet the desire of it came
back upon him again and again. He dwelt upon it constantly, smelling out
the chance for a "deal" somewhere in the tangle with the instinct of the
keen man of business. At last he seemed to have straightened it out. The
idea of a compromise came into his mind. What if Vandover and Hiram Wade
could be made to compromise upon eight thousand dollars! Geary would be
willing to pay Vandover eight thousand for the block. That was his
original offer. Wade, though he had sued for twenty-five thousand, could
easily be made to see that eight thousand was as much as he could
reasonably expect, and Geary knew the boot and shoe manufacturers would
pay fifteen thousand for the lot, perhaps more.

But in order to carry out the delicate and complicated affair it was
absolutely necessary to keep Vandover from seeing a lawyer. Geary knew
that any lawyer would fight the proposition of a compromise at eight
thousand dollars: five thousand was as much as Wade could possibly get
in court, and if judgment for such amount was rendered, Vandover's
counsel would advise him to raise the sum by mortgaging some property
instead of selling the block.

Yet as soon as Geary arrived at a solution of the problem, as soon as
the "deal" began to seem feasible, he commenced to hesitate. It was not
so much that the affair was crooked, that his rôle in it was, to say the
least, unprofessional, as it was the fact that Vandover was his old
college chum and that, to put the matter into plain words, Geary was
swindling his best friend out of a piece of property valued at twelve
thousand six hundred dollars, and preventing him from reselling the same
piece at a very advanced figure. Again and again he wished that it was
some other than Vandover; he told himself that in such case he would put
the screw on without the least compunction. All through one night Geary
was on the rack torn between his friendship for his chum and his
devouring, inordinate ambition to make his way and to make his pile. In
the end Vandover was sacrificed--the opportunity was too good--Geary
could not resist the chance for a "deal." Ah, you bet, just think of it,
after all, not only would Vandover believe that Geary was doing him a
great service, but the office would be delighted with him for winning
his first case, they would get a heavy fee from Wade, and he would
nearly double his money invested in the block in the Mission. As soon as
he had made up his mind to put the "deal" through, he had seen Vandover
at his rooms early in the morning and had induced him to promise not to
engage any other counsel and in general keep very quiet about the whole
business.

The day after, he and Beale, Jr., had an appointment with Hiram Wade,
but toward noon Beale, Jr., disappeared, leaving word for Geary that he
had gone to court with his father to hear the closing arguments in the
great suit against the monopoly, the last struggle in the tremendous
legal battle that had embroiled the whole office; Geary was to use his
own judgment in the Wade case. Geary laboured with Hiram Wade all that
afternoon. The old fellow mistrusted him on account of his youth and his
inexperience, was unwilling to arrive at any definite conclusion without
the sanction of Geary's older associate, and for a long time would
listen to nothing less than ten thousand dollars, crying out that his
gray hairs had been dishonoured, and striking his palm upon his
forehead. Nothing could move him. He, also, had his ambitions; it was
his dream to own the carpet-cleaning establishment in which he now had
but a three-fourths interest. Summer was coming, the time of year when
people were going into the country, leaving their carpets to be cleaned
in their absence. If he could obtain complete ownership of his business
within the month he fancied that he saw an opportunity to make more
money than he had done before at any previous season.

"Why, I tell you, Mister Geary," he exclaimed indignantly, wagging his
head, "it would seem like selling my daughter's honour if we should
compromise at any less figure. I am a father. I--I have my feelings,
haven't I?"

"Well, now, it isn't like that at all, Mr. Wade," answered Geary, making
awkward gestures with both his hands. "It isn't what we _ought_ to get
out of him. Could any sum of money, could millions compensate you for
Miss Ida's death? I guess not. It's what we _can_ get. If this thing
comes into court we won't get but five thousand out of him; I'll tell
you that right now. He could raise that by a mortgage, easy; but if we
compromise we can squeeze him for eight thousand. You see, the fact that
we can act directly with him instead of through counsel makes it easier
for us. Of course, as I tell you, it isn't just the legal thing to do,
but I'm willing to do it for you because I think you've been wronged and
outraged."

Wade struck his hand to his head. "I tell you, he's brought dishonour
upon my gray hairs," he exclaimed.

"Exactly, of course, I understand how you feel," replied Geary, "but now
about this eight thousand? I tell you what I'll do." He had resolved to
stake everything upon one last hazard. "See here, Mr. Wade, there's a
difference, of course, between eight thousand dollars and ten thousand,
but the use of money is worth something, isn't it? And money down, cold
hard cash, is worth something, isn't it? Well, now, suppose you got that
eight thousand dollars money down within three days?"

Hiram Wade still demurred a little longer for the sake of his own
self-respect and his dishonoured hairs, but in the end it was agreed
that if the money was paid over to him in full before the end of the
following week he would be content and would agree to the compromise.
Eight thousand dollars would still be enough to buy out his partner's
interest, and even then he would have a little left over with which to
improve a certain steaming apparatus. If the amount was paid in full
within a week he could get control of the cleaning-works in time to
catch all of the summer trade.

Geary had calculated that this last argument would have its weight; the
great difficulty now was to get Vandover to sell at such a low figure
and upon such short notice. He almost despaired of his success in this
quarter; however, it all depended upon Vandover now.

Early in the forenoon of the next day Geary pounded on the door of
Vandover's sitting-room, pushing it open without waiting for an answer.
Vandover was lying in his shirt-sleeves on the corduroy divan under the
huge rug of sombre colours that hung against the wall, and he did not
get up as Geary came in; in fact, he hardly stirred.

"Hello!" cried Geary, closing the door with his heel. "Didn't expect to
find _you_ up so early. _I've_ been up since half-past six; had
breakfast at seven, fine cutlet, and then got down to the office at
twenty minutes of eight. How's that for rustling, hey?"

"Yes?" said Vandover, dully.

"But, say," exclaimed Geary, "what's all the matter with _you_? You look
all frazzled out, all pale around the wattles. Ah, you've been hitting
up a pace again. You're a bird, Van, there's no use talking! All night
racket this trip?".

"I suppose so," answered Vandover, never moving.

"But you _do_ look gone-in this morning, sure," continued Geary, seating
himself on the edge of the table and pushing back his hat. "Never saw
you looking so bad; you ought to be more careful, Van; there'll be a
smash some time. Ah, you bet a man ought to look out for his health. I
walk downtown every morning, and three times a week I take a cold shower
as soon as I get up. Ah, I tell you, that braces a fellow up; you ought
to try it; it's better than a dozen cocktails. You keep on getting thin
like you have for the past few days and I'll have to be calling you
Skinny Seldom-fed again, like we used to. Now, tell the truth, what time
did you get to bed last night? Did you go to bed at all?"

"No," replied Vandover with a long breath, looking vaguely at the
pipe-rack on the opposite wall.

"I thought as much," answered Geary. "Well, that's like you." He paused
a moment, and then went on, nervously gesturing with both his hands
simultaneously. "Well, I've had a long talk with Wade. I tell you, Van,
that old boy is as stubborn as a mule. You see, he knows he's got a
case. I couldn't talk him out of that. I'll tell you how it is,"
continued Geary, preparing to spring another mine; "he's found a letter
Ida wrote you the day before she killed herself." He paused to watch the
effect upon Vandover. Vandover waited for him to go on, but seeing that
he did not and that he expected him to say something, nodded his head
once and answered:

"I see."

"Don't you know, that letter that she wrote to you telling you how it
was, how she was fixed?" repeated Geary, puzzled and irritated at
Vandover's indifference.

"I know."

"Well, he's got it, anyhow," pursued Geary, "and of course that tells
against you. Well, I had a long talk with him yesterday afternoon and I
got him to compromise. Of course, you know in suits like this one a
party sues for a great deal more than he expects to get. At first you
know he said twenty-five thousand; that figure was decided upon at the
first interview he had with us. Of course, he could never get judgment
for that much. But he hung out at ten thousand; said it would be selling
his daughter if he took any less. Now I knew you couldn't raise that
much on any property you have, especially in these hard times--" Geary
paused for the fraction of an instant; he had thrown out the last remark
as a feeler, to see what Vandover would say; but his chum said nothing,
staring vaguely at the opposite wall, merely making a faint sign to show
that he understood, closing his eyes and bending his head. "And so,"
continued the other, "I jewed him down, and what do you suppose? Well,
sir, from twenty-five thousand I brought him right down to, say, eight
thousand. I could see that he had some scheme that he wants to go into
right away, and that he wants ready money, right on the nail, you know,
to carry it through. Ah, you bet, I was clever enough to see that. I
waltzed him right over when I began to speak of ready money, cash down.
As soon as he'd squeal I'd spring cold cash on him, money down, and he's
hit gravel like an ostrich. Well," he went on deliberately after a
pause, getting up from the table and standing before Vandover, his hands
in his pockets, "well, I think that's the best I can do for you, Van.
It's a good deal better than I expected, but I've done the best I could
for you, and I would advise you to see him on the proposition."

"All right," said Vandover. "Go ahead."

Geary was perplexed. "Well, you think that's a good thing, don't you?
You think I've done my best for you? You see it as I do, don't you?"

Vandover withdrew his eyes from the other wall, glancing under heavy
eyelids at Geary, and with a slight movement of his head and shoulders
replied:

"Of course."

"Have you got the money?" asked Geary eagerly; then, irritated at his
indiscretion, hastened to interrupt himself. "You see, he hasn't put his
proposition into writing yet, but it's like this: if you can pay him
eight thousand dollars in cash before the end of next week he'll sign a
document to the effect that he is satisfied."

"I've got no money," said Vandover quietly.

"I was afraid you wouldn't have," said Geary, "but you can raise it
somewhere. You had better close with the old man as soon as you can,
Van, while he's in the mood for it; you'll make a clear two thousand by
it. You can see that as well as I can. Now, where can you--how is your
property fixed? Let's see! Here's the statement you made to me the other
day," continued Geary, drawing his shorthand notes from his portfolio.
"How about this piece on California Street, the one that you have
rented, the homestead, you know?"

"Yes, there's that," answered Vandover, changing the position of his
head upon his clasped hands.

"But that's pretty well papered up already," returned Geary, consulting
his notes. "You couldn't very well raise another mortgage on that.'"

"I'd forgotten," answered Vandover. "There's the block in the Mission.
He can have _that_."

Geary began to tremble with excitement. It looked as though he might be
able to make the deal after all. But the next instant he grew
suspicious. Vandover's indifference puzzled him. Might he not have some
game of his own? The idea of playing off his cleverness against that of
an opponent strung his nerves in an instant; the notion of an impending
struggle was almost an inspiration, and his innate desire of getting the
better of a competitor, even though it was his closest friend, aroused
his wits and sharpened his faculties like a stimulant. He had no
hesitancy in sacrificing his chum. It was business now; friendship
ceased to be a factor in the affair. Ah, Van was going to be foxy; he'd
show him that he could be foxy, too.

"He can have it?" echoed Geary. "You don't mean to sign it over to him
bodily?"

"Oh, I suppose it could be mortgaged," answered Vandover.

"Yes, that's the idea," returned Geary. "You want me to figure that out
for you? I can just as well as not. Well, now, let's see," he went on,
settling himself at the desk, and figuring upon a sheet of Vandover's
stamped letter-paper. "The banks will never give you more than two
thirds of the appraised value; that's as much as we can expect; that
would come to--well, let's see--that would come to six thousand on that
piece; then you could mortgage something else to make up the
difference."

"Wouldn't it be more than six thousand?" asked Vandover with a little
show of interest. "I think that block has been appraised at something
over twelve thousand."

"Ah, yes," returned Geary, putting his chin in the air, "that was your
agent's valuation five years ago; but you know property out there, in
fact, property all over the city, what they call inside property, has
been going right down for the last ten years. That's what I've always
been telling you. You couldn't possibly get more than nine thousand for
that block to-day. You see the railroad there hurts it."

"I suppose so," replied Vandover. "I've heard the governor say as much
in his time."

"Of course," exclaimed Geary, delighted at this unexpected turn.

"Well, then, he can have my bonds," said Vandover. "I've got eighty-nine
hundred in bonds; he can have those. Let him have anything he wants."

"Oh, don't touch your bonds," answered Geary. "Hang on to those. Bonds
are always good--U.S. bonds. You don't want to sell those, Van. You see,
the homestead is already mortgaged. And, besides, you know, too, that
the banks are asking an awful big per cent. for mortgages on real
estate; it's seven and a half nowadays. Don't sell your bonds. I'll tell
you why: U.S. bonds are always good; they never depreciate, but it's
different with realty, especially in this city just now. It's been
depreciating ever since your father's time, and it's going to go right
on depreciating. If you want to sell anything, sell your realty before
it gets any lower. Now you don't want to sell your home, do you? You
don't like that idea. You've lived there so long, and then what would
you do with the furniture; besides, the rent of that," he glanced again
at his notes, "is bringing you in a good hundred and twenty-five a
month. If you've got to sell at all, why not sell your Mission block?"

"All right," said Vandover, as if wearied by Geary's clamour, "I'll sign
it over to him."

"No, that's not the idea at all," Geary insisted. "He wants the ready
money; he don't want depreciated real estate. You'll have to find a
purchaser in the next week if you possibly can in such a short time, and
make over the money to Wade. But if you can't sell in that time you will
have to dig up ten thousand instead of eight. It's a hard position for
you, Van; it's just a chance, you know, but I thought I would give you
the benefit of that chance. If you want to give me a power of attorney
I'll try and sell it for you."

"I guess Brunt would do that," replied Vandover.

"Yes," retorted Geary, watchful as a lynx, "but they would charge you a
big commission. Of course _I_ wouldn't think of asking you anything more
than the actual costs. I am afraid that they would try to sell it at
auction, too, if they knew you had to realize on it in so short a time,
and it would go for a mere song then; you know how it is."

"I thought," inquired Vandover, "that you wanted that property."

"Yes," replied Geary, hesitating, "I--I did want to buy it of you once;
well, for that matter I do now. But you know how it is with me."

"I might as well sell it to you as to any one else," returned Vandover.

"Well, now, it's like this, Van," said Geary. "I know that block is
worth nine thousand dollars; I won't deceive you. But I can only give
you eight thousand for it. That's all the money I've got. But I'm not
going to take advantage of your position to jew you down. I want the
block, I'll admit that, but I'm not going to have you sacrifice it for
me, or for any one else. I think you can get nine thousand for it. I
know you could if we had a little more time, and I'm not sure but what I
could find a purchaser for you within the next week that would give you
nine thousand."

"Oh, I don't care, Charlie; I'm sick of everything; eight thousand, nine
thousand, anything you like; take it at your own figure."

Geary began to tremble once more, and this time his excitement was so
great that he hardly dared to trust himself to speak; his breath grew
short, his hands in his pockets twitched nervously, and curled
themselves into fists, his heart seemed to him to beat high in his
throat; he hesitated long, pretending to deliberate as he steadied
himself.

Vandover remained silent, his hands still clasped back of his head,
staring at the opposite wall with eyes that saw nothing. The little
clock began to strike ten.

"I don't know, Van," said Geary; "I don't like to do this, and yet I
would like to help you out of this muss. You see, if I should ever
benefit by the property you would feel as though I had taken advantage
of you at this time and worked a flim-flam on you!"

"Oh, I'll look out for that," returned Vandover.

"No, no, I don't feel quite right about it," answered Geary, wagging his
head and shutting his eyes. "Better see what we can do at a forced
sale."

"Why, don't you see you would be doing me a favour?" said Vandover
wearily. "I _ask_ you to buy the block. I don't care what your figure
is!"

Once more Geary hesitated, for the last time going over the whole deal
in his mind from beginning to end, testing it, looking for weak points.
It was almost perfect. Suppose the boot and shoe people did not buy the
lot? He could resell it elsewhere, even below its appraised value and
yet make money by the transaction; the lot was cheap at ten thousand; it
might bring twelve; even as an ordinary, legitimate speculation it was
to be desired at such a figure. Suppose the boot and shoe people backed
out entirely, suppose even he could not find another purchaser for the
property, why, then, he could hold on to it; the income from the rents
was fully 10 per cent. of the price he would have paid for it.

"Well, Van," he said at last, making a slow, awkward gesture with his
left hand, all the fingers extended, "well, I'll take you up--but I
don't feel as though I should--" He suddenly interrupted himself with a
burst of sincerity, exclaiming: "Sure, old man, if I had nine thousand
I'd give it to you for the block, that's straight goods." He felt that
he was conscientious in saying this. It was true he would have given
nine thousand if he had had it. For that matter he might have given ten
or twelve.

"Can't we settle the whole matter to-day?" said Vandover. "Right
here--now. I'm sick of it, sick of everything. Let's get it done with."

Geary nearly bounded from his seat. He had been wondering how he might
accomplish this very thing. "All right," he said briskly, "no reason in
waiting." He had seen to it that he should be prepared to close the sale
the moment that Vandover was willing. Long ago, when he had first had
the idea of buying the block, he had spent a day in the offices of the
county recorder, the tax collector, and the assessor, assuring himself
of the validity of the title, and only two days ago he had gone over the
matter again in order to be sure that no encumbrances had been added to
the block in the meanwhile. He found nothing; the title was clear.

"Isn't this rather rushing the thing through?" he asked. "Maybe you
might regret it afterward. Don't you want to take two or three days to
think it over?"

"No."

"Sure now?" persisted Geary.

"But I've _got_ to sell before three days," answered Vandover.
"Otherwise he'll want ten thousand."

"That's a fact," admitted the other. "Well," he went on, "if your mind's
made up, why--we can go right ahead. As I say, there's no reason for
waiting; better take up Wade while he's in the mood for it. You see, he
hasn't signed any proposition as yet, and he might go back on us."
Vandover drew a long breath and got up slowly, heavily, from the couch,
saying:

"What's the odds to me what I sell for? _I_ don't get the money."

"Well, what do you say if we go right down to a notary's office and put
this thing right through," Geary suggested.

"Come on, then."

"Have you got your abstract here, the abstract of the block?" Vandover
nodded. "Better bring it along, then," said Geary.

The office of the notary adjoined those of the firm of Beale & Storey;
in fact, he was in a sense an attaché of the great firm and transacted a
great deal of legal business for them. Vandover and Geary fell upon him
in an idle moment. A man had come to regulate the water filter, which
took the place of an ice cooler in a corner of one of the anterooms, and
while he was engaged at his work the notary stood at his back, abusing
him and exclaiming at the ineffectiveness of the contrivance. The notary
was a middle-aged man with a swollen, purple face; he had a toothpick
behind each ear and wore an office coat of gray linen, ripped at the
shoulders.

Then the transfer was made. It was all settled in less than half an
hour, unceremoniously, almost hastily. For the sake of form Geary signed
a check for eight thousand dollars which Vandover in his turn made over
to Hiram Wade. The notary filled out a deed of grant, bargain, and sale,
pasting on his certificate of acknowledgment as soon as Vandover and
Geary had signed. Geary took the abstract, thrusting it into his
breast-pocket. As far as Vandover was concerned, the sale was complete,
but he had neither his properly nor its equivalent in money.

"Well," declared Geary at length, "I guess that's all there is to be
done. I'll get a release from old man Wade and send it to you to-morrow
or next day. Now, let's go down to the Imperial and have a drink on it."
They went out, but the notary returned to the anteroom, turning the
spigot of the filter to right and left, frowning at it suspiciously,
refusing to be satisfied.




Chapter Sixteen


That particular room in the Lick House was well toward the rear of the
building, on one of the upper floors, and from its window, one looked
out upon a vast reach of roofs that rose little by little to meet the
abrupt rise of Telegraph Hill. It was a sordid and grimy wilderness,
topped with a gray maze of wires and pierced with thousands of chimney
stacks. Many of the roofs were covered with tin long since blackened by
rust and soot. Here and there could be seen clothes hung out to dry.
Occasionally upon the flanking walls of some of the larger buildings was
displayed an enormous painted sign, a violent contrast of intense black
and staring white amidst the sooty brown and gray, advertising some
tobacco, some newspaper, or some department store. Not far in the
distance two tall smokestacks of blackened tin rose high in the air,
above the roof of a steam laundry, one very large like the stack of a
Cunarder, the other slender, graceful, with a funnel-shaped top. All day
and all night these stacks were smoking; from the first, the larger one,
rolled a heavy black smoke, very gloomy, waving with a slow and
continued movement like the plume of some sullen warrior. But the other
one, the tall and slender pipe, threw off a series of little white
puffs, three at a time, that rose buoyant and joyous into the air like
so many white doves, vanishing at last, melting away in the higher
sunshine, only to be followed by another flight. They came three at a
time, the pipe tossing them out with a sharp gay sound like a note of
laughter interrupted by a cough.

But the interior of the room presented the usual dreary aspect of the
hotel bedroom--cheerless, lamentable.

The walls were whitewashed and bare of pictures or ornaments, and the
floor was covered with a dull red carpet. The furniture was a "set," all
the pieces having a family resemblance. On entering, one saw the bed
standing against the right-hand wall, a huge double bed with the name of
the hotel in the corners of its spread and pillowcases. In the exact
middle of the room underneath the gas fixture was the centre-table, and
upon it a pitcher of ice-water. The blank, white monotony of one side
of the room was jarred upon by the grate and mantelpiece, iron, painted
black, while on the mantelpiece itself stood a little porcelain
matchsafe with ribbed sides in the form of a truncated cone. Precisely
opposite the chimney was the bureau, flanked on one side by the door of
the closet, and on the other in the corner of the room by the stationary
washstand with its new cake of soap and its three clean, glossy towels.
On the wall to the left of the door was the electric bell and the
directions for using it, and tacked upon the door itself a card as to
the hours for meals, the rules of the hotel, and the extract of the code
defining the liabilities of innkeepers, all printed in bright red.
Everything was clean, defiantly, aggressively clean, and there was a
clean smell of new soap in the air.

But the room was bare of any personality. Of the hundreds who had lived
there, perhaps suffered and died there, not a trace, not a suggestion
remained; their different characters had not left the least impress upon
its air or appearance. Only a few hairpins were scattered on the bottom
of one of the bureau drawers, and two forgotten medicine bottles still
remained upon the top shelf of the closet.

This had been the appearance of Vandover's new home when he had first
come to it, after leaving his suite of rooms in the huge apartment house
on Sutter Street. He had lived here now for something over a year.

It had all commenced with the seizure of his furniture by the
proprietors of the apartment house. Almost before he knew it he owed for
six months' room and board; when the extras were added to this bill it
swelled to nearly a thousand dollars. At first he would not believe it;
it was not possible that so large a bill could accumulate without his
knowledge. He declared there was a mistake, tossing back the bill to the
clerk who had presented it, and shaking his head incredulously. This
other became angry, offered to show the books of the house. The manager
was called in and attempted to prove the clerk's statement by figures,
dates, and extracts from the entries. Vandover was confused by their
noise, and grew angry in his turn; vociferating that he did not propose
to be cheated, the others retorted in a rage, the interview ended in a
scene.

But in the end they gained their point; they were right, and at length
Vandover was brought around to see that he was in the wrong, but he had
no ready money, and while he hesitated, unwilling to part with any of
his bonds or to put an additional mortgage upon the homestead, the
hotel, after two warnings, suddenly seized upon his furniture. What a
misery!

In a moment of time it was all taken from him, all the lovely
bric-à-brac, all the heavy pieces, all the little articles of _vertu_
which he had bought with such intense delight and amongst which he had
lived with such happiness, such contentment, such never-failing
pleasure. Everything went--the Renaissance portraits, the pipe-rack, the
chair in which the Old Gentleman had died, the Assyrian _bas-reliefs_
and, worst of all, the stove, the famous tiled stove, the delightful
cheery iron stove with the beautified flamboyant ornaments. For the
first few months after the seizure Vandover was furious with rage and
disappointment, persuaded that he could never live anywhere but in just
such a room; it was as if he had been uprooted and cast away upon some
barren, uncongenial soil. His new room in the hotel filled him with
horror, and for a long time he used it only as a place where he could
sleep and wash. For a long time even his pliable character refused to
fit itself to such surroundings, refused to be content between four
enormous white walls, a stuccoed ceiling, and a dark red carpet. He
passed most of his time elsewhere, reading the papers at the Mechanics
Library in the morning, and in the afternoon sitting about the hotel
office and parlours until it was time to take his usual little four
o'clock stroll on Kearney and Market streets. He had long since become a
familiar figure on this promenade. Even the women and girls of Flossie's
type had ceased to be interested in this tall, thin young man with the
tired, heavy eyes and blue-white face. One day, however, a curious
incident did for a moment invest Vandover with a sudden dramatic
interest. It was just after he had moved down to the Lick House, about a
month after he had sold the block in the Mission. Vandover was standing
at Lotta's fountain at the corner of Kearney and Market streets,
interested in watching a policeman and two boys reharnessing a horse
after its tumble. All at once he fell over flat into the street,
jostling one of the flower venders and nearly upsetting him. He struck
the ground with a sodden shock, his arms doubled under him, his hat
rolling away into the mud. Bewildered, he picked himself up; very few
had seen him fall, but a little crowd gathered for all that. One asked
if the man was drunk, and Vandover, terrified lest the policeman should
call the patrol wagon, hurried off to a basement barber shop near by,
where he brushed his clothes, still bewildered, confused, wondering how
it had happened.

The fearful nervous crisis which Vandover had undergone had passed off
slowly. Little by little, bit by bit, he had got himself in hand again.
However, the queer numbness in his head remained, and as soon as he
concentrated his attention on any certain line of thought, as soon as he
had read for any length of time, especially if late at night, the
numbness increased. Somewhere back of his eyes a strange blurring mist
would seem to rise; he would find it impossible to keep his mind fixed
upon any subject; the words of a printed page would little by little
lose their meaning. At first this had been a source of infinite terror
to him. He fancied it to be the symptoms of some approaching mental
collapse, but, as the weeks went by and nothing unusual occurred, he
became used to it, and refused to let it worry him. If it made his head
feel queer to read, the remedy was easy enough--he simply would not
read; and though he had been a great reader, and at one time had been
used to spend many delightful afternoons lost in the pages of a novel,
he now gave it all up with an easy indifference.

But, besides all this, the attack had left him with nerves all unstrung;
even his little afternoon walk on Kearney and Market streets exhausted
him; any trifling and sudden noise, the closing of a door, the striking
of a clock, would cause him to start from his place with a gasp and a
quick catch at the heart. Toward evening this little spasm of nerves
would sometimes come upon him even when there was nothing to cause it,
and now he could no longer drop off to sleep without first undergoing a
whole series of these recoils and starts, that would sometimes bring him
violently up to a sitting posture, his breath coming short and quick,
his heart galloping, startled at he knew not what.

At first he had intended to see a doctor, but he had put off carrying
his intention into effect until he had grown accustomed to the whole
matter; otherwise, he was well enough, his appetite was good, and when
he finally did get to sleep he would not wake up for a good eight hours.

One evening, however, about three months after the first crisis and just
as Vandover was becoming well accustomed to the condition of body and
mind in which it had left him, the second attack came on. It was
fearful, much worse than on the first occasion, and this time there was
no room for doubt. Vandover knew that for the moment he was actually
insane.

Ellis had been with Vandover most of that afternoon, the two had been
playing cards in Vandover's room until nearly six o'clock. All the
afternoon they had been drinking whisky while they played, and by
supper-time neither of them had any appetite. Ellis refused to go down,
declaring that if he should eat now it would make him sick. Vandover
went down alone, but once in the dining-room he found that _he_ could
not eat either. However, he knew that it was not the whisky. For two
days his appetite had been failing him. The smell of food revolted him,
and he left the supper-table, going up to his bare and lamentable room
with the feeling that he was about to undergo a long spell of sickness.
In the deserted hall, between the elevator and the door of his room, the
second crisis came upon him all at once. It was so sudden that it was as
if some enemy had leaped upon his back, springing out of the shadow,
gripping him from behind, holding him close. Once more the hysteria
shook him like a dry leaf. The little nervous starts came so fast that
they ran together, mingling to form one long thrill of terror, the
blind, unreasoning terror of something unknown; the numbness weighed
down upon his brain until consciousness dwindled to a mere point and
mercifully dulled the torture of his crisping nerves. It seemed to him
that his hands and head were rapidly swelling to enormous size.

All this he had felt before; it was his old enemy, but now with this
second attack began a new and even stranger sensation. In his distorted
wits he fancied that he was in some manner changing, that he was
becoming another man; worse than that, it seemed to him that he was no
longer human, that he was sinking, all in a moment, to the level of
some dreadful beast.

Later on in that same evening Ellis met young Haight coming out of one
of the theatres, and told him a story that Haight did not believe. Ellis
was very pale, and he seemed to young Haight to be trying to keep down
some tremendous excitement.

"If he was drunk," said Ellis, "it was the strangest drunk I ever saw.
He came back into the room on all fours--not on his hands and knees, you
understand, but running along the floor upon the palms of his hands and
his toes--and he pushed the door of the room open with his head,
nuzzling at the crack like any dog. Oh, it was horrible. _I_ don't know
what's the matter with Van. You should have seen him; his head was
hanging way down, and swinging from side to side as he came along; it
shook all his hair over his eyes. He kept rattling his teeth together,
and every now and then he would say, way down in his throat so it
sounded like growls, 'Wolf--wolf--wolf.' I got hold of him and pulled
him up to his feet. It was just as though he was asleep, and when I
shook him he came to all at once and began to laugh. 'What's the matter,
Van?' says I. 'What are you crawling on the floor that way for?' 'I'm
damned if I know,' says he, rubbing his eyes. 'I guess I must have been
out of my head. Too much whisky!' Then he says: 'Put me to bed, will
you, Bandy? I feel all gone in.' Well, I put him to bed and went out to
get some bromide of potassium; he said that made him sleep and kept his
nerves steady. Coming back, I met a bell-boy just outside of Van's door,
and told him to ask the hotel doctor to come up. You see, I had not
opened the door of the room yet, and while I was talking to the bell-boy
I could hear the sound of something four-footed going back and forth
inside the room. When I got inside there was Van, perfectly naked, going
back and forth along the wall, swinging his head very low, grumbling to
himself. But he came to again as soon as I shook him, and seemed
dreadfully ashamed, and went to bed all right. He got to sleep finally,
and I left the doctor with him, to come out and get something for my own
nerves."

"What did the doctor say was the matter?" asked young Haight, in horror.

"_Lycanthropy-Pathesis_. I never heard the name before--some kind of
nervous disease. I guess Van had been hitting up a pretty rapid gait,
and then I suppose he's had a good deal to worry him, too."

       *       *       *       *       *

Once more the attack passed off, leaving Vandover exhausted, his nerves
all jangling, his health impaired. Every day he seemed to grow thinner,
great brown hollows grew under his eyes, and the skin of his forehead
looked blue and tightly drawn. By degrees a deep gloom overcame him
permanently, nothing could interest him, nothing seemed worth while. Not
only were his nerves out of tune, but they were jaded, deadened, slack;
they were like harpstrings that had been played upon so long and so
violently that now they could no longer vibrate unless swept with a very
whirlwind.

As he had foreseen, Vandover had returned again to vice, to the vice
that was knitted into him now, fibre for fibre, to the ways of the brute
that by degrees was taking entire possession of him. But he no longer
found pleasure even in vice; once it had been his amusement, now it was
his occupation. It was the only thing that seemed to ease the horrible
nervousness that of late had begun to prey upon him constantly.

But though nothing could amuse him, on the other hand nothing could
worry him; in the end the very riot of his nerves ceased even to annoy
him. He had arrived at a state of absolute indifference. He had so often
rearranged his pliable nature to suit his changing environment that at
last he found that he could be content in almost any circumstances. He
had no pleasures, no cares, no ambitions, no regrets, no hopes. It was
mere passive existence, an inert, plantlike vegetation, the moment's
pause before the final decay, the last inevitable rot.

One day after he had been living nearly a year at the Lick House, Adams
& Brunt, the real estate agents, sent him word that they had an offer
for his property on California Street. It was the homestead. The English
gentleman, the president of the fruit syndicate who had rented the house
of Vandover, was now willing to buy it. His business was by this time on
a firm and paying basis and he had decided to make his home in San
Francisco. He offered twenty-five thousand dollars for the house,
including the furniture.

Brunt had several talks with Vandover and easily induced him to sell.
"You can figure it out for yourself, Mr. Vandover," he said, as he
pointed out his own calculations to him; "property has been going down
in the city for the last ten years, and it will continue to do so until
we can get a competing railroad through. Better sell when you can, and
twenty-five thousand is a fair price. Of course, you will have to pay
off the mortgage; you won't get but about fifteen thousand out of it,
but at the same time you won't have to pay the interest on that mortgage
to the banks; that will be so much saved a month; add that to what you
could get for your fifteen thousand at, say, 6 per cent., and you would
have a monthly income nearly equal to the present rent of the house, and
much more certain, too. Suppose your tenant should go out, then where
would you be?"

"All right, all right," answered Vandover, nodding his head vaguely. "Go
ahead, _I_ don't care." He parted from his old home with as much
indifference as he had parted from his block in the Mission.

Vandover signed the deed that made him homeless, and at about the same
time the first payment was made. Ten thousand dollars was deposited in
one of the banks to his credit, and a check sent to him for the amount.
The very next day Vandover drew against it for five hundred dollars.

At one time he had had an ambition to buy back his furniture from the
huge apartment house in which he had formerly lived, and with it to make
his cheerless bedroom in the Lick House seem more like a home. He felt
it almost as a dishonour to have strangers using this furniture, sitting
in the great leather chair in which the Old Gentleman had died, staring
stupidly at his Renaissance portraits and copies of Assyrian
_bas-reliefs_. Above all, it was torture to think that other hands than
his own would tend the famous tiled and flamboyant stove, a stove that
had its moods, its caprices, like any living person, a stove that had to
be coaxed and humoured, a stove that he alone could understand. He had
told himself that if ever again he should have money enough he would
bring back this furniture to him. At first its absence had been a matter
for the keenest regret and grief. He had been so used to pleasant
surroundings that he languished in his new quarters as in a prison. His
indulgent, luxurious character continually hungered after subdued,
harmonious colours, pictures, ornaments, and soft rugs. His imagination
was forever covering the white walls with rough stone-blue paper, and
placing screens, divans, and window-seats in different parts of the cold
bare room. One morning he had even gone so far as to pin about the walls
little placards which he had painted with a twisted roll of the hotel
letter-paper dipped into the inkstand. "Pipe-rack Here." "Mona Lisa
Here." "Stove Here." "Window-seat Here." He had left them up there ever
since, in spite of the chambermaid's protests and Ellis' clumsy satire.

Now, however, he had plenty of money. He would have his furniture back
within the week. He came back from the bank, the money in his pocket,
and went up to the room directly, with some vague intention of writing
to the proprietors of the apartment house at once. But as he shut the
door behind him, leaning his back against it and looking about, he
suddenly realized that his old-time desire was passed; he had become so
used to these surroundings that it now no longer made any difference to
him whether or not they were cheerless, lamentable, barren. It was like
all his other little ambitions--he had lost the taste for them, nothing
made much difference after all. His money had come too late.

Why should he spend his five hundred dollars on something that could no
longer amuse him? It would be much wiser to spend it all in having a
good time somewhere--champagne dinners with Flossie, or betting on the
races--he did not know exactly what. It was true that even these
alternatives would not amuse him very much--he would fall back upon them
as things of habit. For that matter everything was an _ennui_, and
Vandover began to long for some new pleasure, some violent untried
excitement.

Since the sale of the block in the Mission he had seen but little of
Geary; young Haight had not been his companion since the time when
Turner Ravis had broken with him, but little by little he had begun to
associate with Ellis and his friend the Dummy. Almost every evening the
three were together, sometimes at the theatre, sometimes in the back
rooms of the Imperial, sometimes even in the parlours of certain houses,
amid the murmur of heavy silks and the rustle of stiffly starched
skirts. At times they would be drunk four nights of the week, and on
these occasions it was tacitly understood between Ellis and Vandover
that they should try to get the Dummy so full that he could talk.

However, Ellis' vice was gambling; he and the Dummy often passed the
whole night over their cards, and as Vandover came more and more under
Ellis' influence--succumbing to it as weakly as he had succumbed to the
influence of Charlie Geary--he began to join these parties. They played
Van John at five dollars a corner. Vandover won as often as he lost, but
the habit of cards grew upon him steadily.

Toward eleven o'clock the evening of the day upon which he had drawn his
five hundred, Vandover went around to the Imperial looking for his two
friends. He found Ellis drinking whisky all alone in one of the little
rooms, as was his custom; fifteen minutes later the Dummy and Flossie
joined them. Flossie had grown stouter since Vandover had first known
her, nearly ten years ago. She had a double chin, and puffy, discoloured
pockets had come under her eyes. Now her hair was dyed, her cheeks and
lips rouged, and her former air of health and good spirits gone. She
never laughed. She had smoked so many cigarettes that now her voice
hardly rose above a whisper. At one time she had been accustomed to
boast that she never drank, and it had been one of her peculiarities for
which she was well known. But on this occasion she joined Ellis in his
whisky. She had long since departed from her old-time rule of
temperance, and nowadays drank nothing else but whisky. She had even
become well known for the quantity of whisky she could drink.

For half an hour the four sat around the little table, talking about the
new, enormous Sutro Baths that were building at that time. After a while
Flossie left them, and the Dummy began to imitate the motions of some
one dealing cards, looking at the same time inquiringly into their
faces.

"How about that, Bandy?" asked Vandover. "Shall we have a game
to-night?"

The man of few words merely nodded his head and drank off the rest of
his whisky at a swallow. They all went up to Vandover's room. Vandover
got out the cards, the celluloid chips, and a fresh box of cigars. The
Dummy held up two fingers of his left hand, shutting them together
afterward with his right and making a hissing noise between his teeth.
He raised his eyebrows at Vandover. Vandover understood, and, ringing
for a bell-boy, ordered up three bottles of soda in siphon bottles.

The game was _vingt et un_, or, as they called it, Van John. They cut
for banker. Ellis turned the first ace, and Vandover bought the bank
from him. For the first hour they were very jolly, laughing and talking
back and forth at each other; the Dummy especially communicative,
continually scribbling upon his writing-pad, holding it toward the
others. But it was not necessary for them to put their replies in
writing--he understood from watching the movement of their lips. The
luck had not declared itself as yet; none of them had lost or won very
much. The bell-boy brought up the siphons. The Dummy took off his coat,
and the other two followed his example. They were all smoking, and an
acrid blue haze filled the room, making a golden blur about each gas
globe.

But little by little the passion of the gambling seized upon them. The
luck had begun to declare itself, alternating between Ellis and the
Dummy. Vandover lost steadily; twice already his bank had been broken,
and he had been forced to buy in. The play resolved itself into two
parts, Vandover struggling to keep up with the game on one side, and on
the other a great battle going on between Ellis and the Dummy. Long
since they had ceased to laugh, and not a word was spoken; each one was
absorbed in the game, intently watching the cards as they were turned.
The four gas-jets of the chandelier flared steadily, filling the room
with a crude raw light that was reflected with a blinding glare from the
four staring white walls, the room grew hot, the layer of foul warm air
just beneath the ceiling, slowly descending. The acrid tobacco smoke no
longer rose, but hung in long, slow-waving threads just above their
heads. They played on steadily; a great stillness grew in the room, a
stillness broken only by the little rattle of chips and subdued rustle
of the shuffled cards. Once Vandover stopped, just time enough to throw
off his vest, his collar, and his scarf. For a moment the luck seemed
about to settle on him. He was still banking, and twice in succession
he drew Van John, both times winning heavily from the Dummy, and a
little later tied Ellis at twenty when the latter had staked on nearly a
third of his chips. But in the next half-dozen hands Ellis got back the
lead again, winning from both the others. From this time on it was
settled. The luck suddenly declared openly for Ellis, the Dummy and
Vandover merely fighting for second place. Ellis held his lead; at one
o'clock he was nearly fifty dollars ahead of the game. The profound
silence of the room seemed to widen about them. After midnight the
noises in the hotel, the ringing of distant call bells, the rattle of
dishes from the kitchens, the clash of closing elevator doors, gradually
ceased; only at long intervals one heard the hurried step of a bell-boy
in the hall outside and the clink of the ice in the water pitcher that
he was carrying. Outside a great quiet seemed in a sense to rise from
the sleeping city, the noises in the streets died away. The last
electric car went down Kearney Street, getting under way with a long
minor wail. Occasionally a belated coupé, a nighthawk, rattled over the
cobbles, while close by, from over the roofs, the tall slender stack
upon the steam laundry puffed incessantly, three puffs at a time, like
some kind of halting clock. The room became more and more close, none of
them would take the time to open the window, from ceiling to floor the
air was fouled by their breathing, by the tobacco smoke and by the four
flaring gas-jets. By this time a sombre excitement burnt in their eyes
and quivered in their fingers. Never for an instant did their glances
leave the cards. Ellis was drinking whisky again, mixed with soda, his
hand continually groping for the glass with a mechanical gesture; the
Dummy was so excited he could not keep his cigar alight, and contented
himself with chewing the end with an hysterical motion of his jaws. The
perspiration stood in beads on the back of Vandover's hands, running
down in tiny rivulets between his fingers, his teeth were shut close
together and he was breathing short through his nose, a fine trembling
had seized upon his hands so that the chips in his palm rattled like
castanets. In the stale and murky atmosphere of the overheated room in
the midst of the vast silence of the sleeping city they played on
steadily.

Then they began to "plunge," agreeing to play a no limit game and
raising the value of a red chip to ten dollars; at times they even
played with the coins themselves when their chips were exhausted.
Vandover had lost all his ready money, and now for a long time had been
gambling with the five hundred dollars he had that day drawn from the
bank. Ellis had practically put the Dummy out of the play, and now the
game was between him and Vandover. Ellis was banking, and at length
offered to sell the bank to either one of them. For the first time since
the real gambling began they commenced to talk a little, but in short,
brief sentences, answering by monosyllables and by signs.

"How much for the bank?" inquired Ellis, holding up the deck and looking
from one to the other. Instantly the Dummy wrote ten dollars, in
figures, on his pad, and showed it to him. Vandover looked at what the
Dummy had written, and said:

"Fifteen."

"Twenty," scribbled the Dummy, as he watched Vandover's lips form the
word.

"Twenty-five," returned Vandover. The Dummy hesitated a moment and then
wrote "thirty." Ellis shook his head saying, "I'll keep the bank myself
at that."

"Forty dollars!" cried Vandover. The Dummy shook his head, leaning back
in his chair. Ellis shoved the pack across the table to Vandover, and
Vandover gave him a twenty-dollar bill and two red chips.

On Vandover's very first deal around, the Dummy "stood" on the second
card, for twelve chips; Ellis bet twenty-five on his first card, and, as
he got the second, turned both of them face up. He had two jacks.
"Twenty-five on each of these," he said. "I'll draw to each one."
Vandover looked at his own card; it was a ten-spot. All at once he grew
reckless, and seized with a sudden folly, resolved to attempt a great
_coup_. "Double up!" he ordered. The Dummy set out twelve more chips,
and Ellis another fifty, making his bet an even hundred. Vandover began
to deal to Ellis. On the first jack Ellis drew eighteen and stood at
that; the first card that fell to the second jack was an ace. "Van
John," he remarked quietly. The Dummy drew three cards and stood on
nineteen. Vandover turned up his own card and began to deal for himself.
He already had a ten; now he drew a seven-spot and king in succession.

"The bank pays," he exclaimed. He paid the Dummy twenty-four chips. He
gave Ellis fifty for the eighteen he had drawn on his first jack, and
one hundred for the Van John upon the second, since the latter
combination called for double the amount wagered; besides this, the bank
was lost to him. Including the forty that he had paid for the bank, he
had lost in all two hundred and fourteen dollars.

Never in his life had Vandover played so high a game, never before had
he won or lost more than fifty dollars at a sitting. But he was content
to have it thus. Here at last was the new pleasure for which he had
longed, the fresh violent excitement that alone could rouse his jaded
nerves, the one thing that could amuse him. However, the failure of his
_coup_ had left him without chips; he was out of the game. He decided
that he would stop; more than half of his five hundred dollars was gone
already. He drank off a glass of soda, the dregs of one of the siphon
bottles, and got up yawning, shivering a little and stretching his arms
high above. The other two played on steadily. The Dummy began to gain
slowly upon Ellis, playing very cautiously, betting only upon face
cards, aces, and ten-spots. Twice Ellis offered to sell him the bank,
but he refused, fearful lest it should change his luck.

Vandover sat behind the Dummy's chair, watching his game, but at length,
worn out, he began to drop off to sleep, waking every now and then with
a sudden leap and recoil of all his nerves. An hour later the persistent
scratching of a match awoke him. Ellis and the Dummy were still playing,
and the Dummy was once more relighting the stump of his cigar. Ellis
continued to deal, winning at almost every play; a great pile of chips
and money lay at his elbow. For a few minutes Vandover watched the
Dummy's game, leaning forward in his chair, his elbows on his knees. But
it was evident that the Dummy had lost his nerve. Ellis' continued
winnings had at length demoralized him. At one time he would bet heavily
on worthless cards, and at another would throw back nines and tens for
no apparent reason. Finally Ellis dealt him a queen, which he kept,
betting ten chips. His next card was a seven-spot. He signed to Ellis
that he would stand. Ellis drew twenty in three cards. Vandover could
not restrain an exclamation of impatience at the Dummy's stupidity. What
a fool a man must be to stand on seventeen with only two in the game.
All at once he tossed twenty dollars across the table to Ellis, saying,
"Give me that in chips. I'm coming in again." Once more he resumed his
seat at the table, and Ellis dealt him a hand.

But Vandover's interruption had for an instant taken Ellis' mind from
the game. He stirred in his chair and looked about the room, puffing out
his cheeks and blowing between his lips.

"Say, this room is close enough to strangle you. Open the window behind
you, Van, you're nearest to it." As Vandover raised the curtain he
uttered a cry: "Look here! will you?"

It was morning; the city was flooded by the light of the sun already an
hour high. The sky was without a cloud. Over the roofs and amongst the
gray maze of telegraph wires swarms of sparrows were chittering
hoarsely, and as Vandover raised the window he could hear the newsboys
far below in the streets chanting the morning's papers.

"Come on, Van!" exclaimed Ellis impatiently; "we're waiting for you."

That night decided it. From that time on, Vandover's only pleasure was
gambling. Night and day he sat over the cards, the passion growing upon
him as he continued to lose, for his ill luck was extraordinary. It was
a veritable mania, a wild blind frenzy that knew no limit. At first he
had contented himself with a game in which twenty or thirty dollars was
as much as he could win or lose at a sitting, but soon this palled upon
him; he was obliged to raise the stakes continually in order to arouse
in him the interest, the keen tense excitement, that his jaded nerves
craved.

The five hundred dollars that he had drawn from the ten thousand, the
first payment on his old home, melted away within a week. Only a few
years ago Vandover would have stopped to reflect upon the meaning of
this, would have resisted the temptation that drew him constantly to the
gambling-table, but the idea of resistance never so much as occurred to
him. He did not invest his fifteen thousand, but drew upon it
continually to satisfy his last new craze. It was not with any hope of
winning that he gambled--the desire of money was never strong in him--it
was only the love of the excitement of the moment.

Little by little the fifteen thousand in the bank dwindled. It did not
all go in cards. Certain habits of extravagance grew upon Vandover, the
natural outcome of his persistent gambling, the desire of winning easily
being balanced by the impulses to spend quickly. He took a certain
hysterical delight in flinging away money with both hands. Now it was
the chartering of a yacht for a ten-days' cruise about the bay, or it
was a bicycle bought one week and thrown away the next, a fresh suit of
clothes each month, gloves worn but once, gold-pieces thrust into
Flossie's pockets, suppers given to bouffe actresses--twenty-four-hour
acquaintances--a racehorse bought for eight hundred dollars, resold for
two hundred and fifty--rings and scarf-pins given away to the women and
girls of the Imperial, and a whole world of follies that his poor
distorted wits conceived from hour to hour. His judgment was gone, his
mind unbalanced. All his life Vandover had been sinking slowly lower and
lower; this, however, was the beginning of the last plunge. The process
of degeneration, though inevitable, had been gradual as long as he
indulged generally in all forms of evil; it was only now when a passion
for one particular vice absorbed him that he commenced to rush headlong
to his ruin.

The fifteen thousand dollars--the price of his old home--he gambled or
flung away in a little less than a year. He never invested it, but ate
into it day after day, sometimes to pay his gambling debts, sometimes to
indulge an absurd and extravagant whim, sometimes to pay his bill at the
Lick House, and sometimes for no reason at all, moved simply by a
reckless desire for spending.

On the evening of a certain Thanksgiving day, nine months after he had
sold the house, Vandover came in through the ladies' entrance of the
Imperial, going slowly down the passageway, looking into the little
rooms on his right for Ellis or the Dummy. There had been a great
intercollegiate football game that day, and Vandover, remembering that
he had once found an interest in such things, had at first determined to
see it. But toward eleven o'clock in the morning the rain had begun to
fall, and Ellis, who was to have gone with him, declared that he did not
care enough about the game to go out to it in the rain. Vandover was
disappointed; he fancied that he could have enjoyed the game--as much as
he could enjoy anything of late--but he hated to go to places alone. In
the end, however, he resolved to go whether Ellis went or not. It was a
holiday. Vandover had Ellis and the Dummy to lunch with him at the
hotel, where they arranged the menu of a famous Thanksgiving dinner for
that evening: they would meet in one of the little rooms of the Imperial
and go from there to the restaurant. As they were finishing their lunch
Vandover said:

"I got a new kind of liqueur yesterday--has a colour like violets and
smells like cologne. You fellows better come up to my room and try it.
I've got to go up and change anyway, if I go out to that game." They all
went up to Vandover's cheerless room, and Ellis began to argue with
Vandover against the folly of going anywhere in the rain.

"_You_ don't want to go to that game, Van. Just look how it's raining.
I'll bet there won't be a thousand people there. They'll probably
postpone the game anyway. Say, this _is_ queer looking stuff. What do
you call it?"

"_Crème violette._"

The Dummy set down his emptied liqueur glass on the mantelshelf, and
nodded approvingly at Vandover; then he scribbled, "Out of sight," on
his tablet.

"Tastes like cough syrup and alcohol," growled Ellis, scowling and
sipping. "I think a pint of this would make the Dummy talk Dutch. Keep
it up, Dummy," he continued, articulating distinctly so that the other
could catch the movement of his lips. "Drink some more--make you talk."
Vandover was cutting the string around a pasteboard box that had just
come from his tailor's; it was a new suit of clothes, rough cheviot,
brown with small checks. He dressed slowly and tipped forward the
swinging mirror of the bureau to see how the trousers set. Meanwhile
Ellis and the Dummy had got out the cards and chips from the drawer of
the centre-table and had begun a game.

"Better change your mind, Van," said Ellis without raising his eyes from
the cards.

"No, sir," answered Van. "You don't know how it is--you never were a
college man. Why, I wouldn't miss a football game for anything. Talk
about your horse-racing, talk about your baseball--I tell you there's
nothing in the world so exciting as a hot football game." He swung into
his long high-coloured waterproof and stood behind Ellis, watching his
game for a moment while he tied a couple of long silk streamers to his
umbrella handle.

"It's one of the college colours," he explained. "Seems like old times
back at Harvard." Ellis snorted with contempt.

"Such kids!" he growled.

"I saw one of the coaches go down the street a little while ago,"
continued Vandover, still watching Ellis shuffle and deal. "There were
about twenty college men on top, and they had a big bulldog all
harnessed out in their colours, and they were blowing fish-horns, and I
tell you it made me wish I was one of them again." Ellis did not answer;
it was probable he did not hear. Both he and the Dummy were settling
down for a game that no doubt would last all the afternoon. Vandover
made them free of his room, and they often gambled there when he was
away. But it invariably made Ellis nervous to have any one stand behind
his chair while he was playing; he began to move about uneasily. By and
by he looked at his watch. "Better get a move on," he said, "you'll be
late."

"Just a minute," answered Vandover, more and more interested in the
game. "Go on playing; don't bother about me. Oh, I saw Charlie Geary,
too," he continued, "on another coach; there was a party of them.
Charlie was with Turner Ravis on the box seat. You remember Turner
Ravis, don't you, Bandy? The girl I used to go with."

"There's a girl I never liked," observed Ellis. "She always struck me as
being one of these regular snobs."

"Ah, snob is no name for it," assented Vandover. "She thought she was
too damned high-toned for me. As soon as I got into that mess about Ida
Wade, she threw me over. No, she didn't want to be associated with me
any longer. Well, she can go to the devil. Geary's welcome to her."

"I thought Dolly Haight was going to marry her," said Ellis. "What was
the matter _there_?"

"I don't know," returned Vandover; "probably Dolly Haight didn't have
enough money to suit her. Guess she wants a man that will make his pile
in this town and make his way, too. Ah, you bet!"

Half an hour later he was still behind Ellis' chair. Ellis had become so
fidgety that he was losing steadily. Once more he turned to Vandover,
speaking over his shoulder, "Come on, come on, Van, go along to your
football; you make me nervous standing there." Vandover pushed a
ten-dollar gold-piece across the table to the Dummy, who was banking,
and said:

"Give me that in chips. I'm coming in."

"I thought you were going to the game?" inquired Ellis.

"Ah, the devil!" answered Vandover. "Too much rain."

They had played without interruption all that afternoon, and for once
Vandover had all the luck. When they broke up about five o'clock with
the understanding to meet again in the Imperial at seven, he had won
nearly a hundred dollars.

When Vandover went out to keep this appointment he found the
streets--especially Kearney and Market streets--crowded. It was about
half-past six. The football game was over and the college men had
returned. They were everywhere, marching about in long files, chain-gang
fashion, each file headed by a man beating upon a gong, or parading the
sidewalks ten abreast, singing college songs or shouting their slogan.
At every moment one heard the college yells answering each other from
street corner to street corner, "Rah, rah, rah--Rah, rah, rah!" Vandover
found the Imperial crowded with students. The barroom was packed to the
doors, every one of the little rooms in the front hall was full, while
Flossie and Nannie had a great party of the young fellows in one of the
larger rooms in the rear. Among the crowd in the barroom, three members
of the winning team--heroes, with bandages about their heads--were
breaking training, smoking and drinking for the first time in many long
weeks.

Vandover found Ellis and the Dummy leaning against the wall in the
crowded front passage. They were both in bad humour, the Dummy sulking
because Flossie had left him for one of the football men, the full-back,
a young blond giant with two dislocated fingers; Ellis in a rage because
he could get no cocktails at the bar, only straight drinks that
night--too much of a crowd. These damn college sports thought they
owned the town. "Ah, let's get out of here, Van!" he called over the
heads of the throng as soon as Vandover came in sight.

They went out into the street and started in the direction of the
restaurant where they had decided to eat their Thanksgiving dinner.
After leaving Vandover that afternoon Ellis had seen the head waiter of
this restaurant and had explained to him the bill of fare that Vandover,
the Dummy, and himself had arranged during their lunch at the Lick
House. The streets had relapsed into a momentary quiet--it was between
half-past six and seven--and most of the college men were gathered into
the hotels and cafés eating dinner. About an hour later they would
reappear again for a moment on their way to the theatre, which they were
to attend in a body.

But Vandover suddenly discovered that he could not eat a mouthful, the
smell of food revolted him, and little by little an irregular twitching
had overcome his hands and forearms.

He had received a great shock. That same evening, as he was leaving the
hotel, the clerk at the office had handed him some letters that had
accumulated in his box. Vandover could never think to ask for his mail
in the morning as he went in to breakfast. Something was surely wrong
with his head of late. Every day he found it harder and harder to
remember things. There were three letters altogether: one was the
tailor's bill mailed the same day that his last suit had been finished;
a second was an advertisement announcing the near opening of the Sutro
Baths that were building at that time; and the third a notice from the
bank calling his attention to the fact that his account was overdrawn by
some sixty dollars.

At first Vandover did not see the meaning of this notice, and thrust it
back in his pocket together with the tailor's bill; then slowly an idea
struggled into his mind. Was it possible that he no longer had any money
at the bank? Was his fifteen thousand gone? From time to time his
bank-book had been balanced, and invariably during the first days of
each month his checks had come back to him, used and crumpled, covered
with strange signatures and stamped in blue ink; but after the first few
months he had never paid the least attention to these; he never kept
accounts, having a veritable feminine horror of figures. But it was
absurd to think that his money was gone. Pshaw! one could not spend
fifteen thousand in nine months! It was preposterous! This notice was
some technicality that he could not understand. He would look into it
the next day. And so he dismissed the wearisome matter from his mind
with a shrug of his shoulders as though ridding himself of some
troublesome burden. However, the idea persisted. Somehow, between the
lines of the printed form he smelt out a fresh disaster. He read it over
again and again. All at once as he stood in the doorway of the hotel,
turning up the collar of his waterproof and watching the little pools in
the hollows of the asphalt pavement to see if it were still raining, the
conviction came upon him. In a second he knew that he was ruined. The
true meaning of the notice became apparent with the swiftness of a great
flash of light. He had spent his fifteen thousand dollars!

The blow was strong enough, sudden enough to penetrate even Vandover's
clouded and distorted wits. His nerves were gone in a minute, a sudden
stupefying numbness fell upon his brain, and the fear of something
unknown, the immense unreasoning terror that had gripped him for the
first time the morning after Ida Wade's suicide came back upon him,
horrible, crushing, so that he had to shut his teeth against a wild
hysterical desire to rush through the streets screaming and waving his
arms.

By the time the three friends had reached the restaurant where they were
to eat their Thanksgiving dinner, Vandover's appetite had given place to
a loathing of the very smell of food, his nervousness was fast
approaching hysteria, the little nerve clusters all over his body seemed
to be crisping and writhing like balls of tiny serpents, at intervals he
would twitch sharply as though startled at some sudden noise, his breath
coming short, his heart beating quick.

They had their dinner in one of the private rooms of the restaurant on
the second floor. All through the meal Vandover struggled to keep
himself in hand, fighting with all his strength against this
reappearance of his old enemy, this sudden return of the dreadful
crisis, determined not to make an exhibition of himself before the
others. He pretended to eat, and forced himself to talk, joining in with
Ellis, who was badgering the Dummy about Flossie. The proper thing to
do was to fill the Dummy's glass while his attention was otherwise
absorbed, and in the end to get him so drunk that he could talk. Toward
the end of the dinner Ellis was successful. All at once the Dummy got
upon his feet, his eyes were glazed with drunkenness, he swayed about in
an irregular circle, holding up, now by the table, now by the
chair-back, and now by the wall behind him. He was very angry,
exasperated beyond control by Ellis' raillery and abuse. He forgot
himself and uttered a series of peculiar cries very faint and shrill,
like the sounds of a voice heard through a telephone when some
imperfection of transmission prevents one from distinguishing the words.
His mouth was wide open and his tongue rolled about in an absurd way
between his teeth. Now and then one could catch a word or two. Ellis
went into spasms of laughter, holding his sides, gasping for breath.
Vandover could not help being amused, and the two laughed at the Dummy's
stammering rage until their breath was spent. Throughout the rest of the
evening the Dummy recommenced from time to time, rising unsteadily to
his feet, shaking his fists, pouring out a stream of little ineffectual
birdlike twitterings, trying to give Ellis abuse for abuse, trying to
talk long after it had ceased to amuse the other two. Ellis had been
drinking for nearly six hours, without the liquor producing the
slightest effect upon him; long since, the Dummy was hopelessly drunk;
and now Vandover, who had been drinking upon an empty stomach, began to
grow very noisy and boisterous. Little by little Ellis himself commenced
to lose his self-control. By and by he and Vandover began to sing, each
independent of the other, very hoarse and loud. The Dummy joined them,
making a hideous and lamentable noise which so affected Ellis that he
pretended to howl at it like a little dog overcome by mournful music.
But suddenly Ellis had an idea, crying out thickly, between two
hiccoughs:

"Hey, there, Van, do your dog-act for us! Go on! Bark for us!"

By this time Vandover was very nearly out of his head, his drunkenness
finishing what his nervousness had begun. The attack was fast
approaching culmination; strange and unnatural fancies began to come and
go in his brain.

"Go on, Van!" urged Ellis, his eyes heavy with alcohol. "Go on, do your
dog-act!"

All at once it was as though an angry dog were snarling and barking over
a bone there under the table about their feet. Ellis roared with
laughter, but suddenly he himself was drunk. All the afternoon he had
kept himself in hand; now his intoxication came upon him in a moment.
The skin around his eyes was purple and swollen, the pupils themselves
were contracted; they grew darker, taking on the colour of bitumen.
Suddenly he swept glasses, plates, castor, knives, forks, and all from
off the table with a single movement of his arm. Then the alcohol
overcame him all in an instant like a poisonous gas. He swayed forward
in his chair and fell across the stripped table, his head rolling
inertly between his outstretched arms. He did not move again.

In a neighbouring room young Haight had been dining with some college
fellows, fraternity men, all friends of his, upon whose coach he had
ridden to and from the game. He had heard Vandover and Ellis in the room
across the hall and had recognized their voices. Haight had never been a
friend of Ellis, but no one, not even Turner, had grieved more over
Vandover's ruin than had his old-time college chum.

Young Haight heard the noise of the falling crockery as Ellis swept the
table clear, and turned his head sharply, listening. There was a
moment's silence after this, and Haight, fearing some accident had
happened, stepped out into the hall and stood there a moment listening
again; his head inclined toward the closed door. He heard no groaning,
no exclamations of pain, not even any noise of conversation; only
through the closed door came a steady sound of barking.

Puzzled, he tried the door and, finding it locked, as he had expected,
put one foot upon the knob and, catching hold of the top jamb, raised
himself up and looked down through the open space that answered for a
transom.

The room was very warm, the air thick with the smell of cooked food, the
fumes of whisky, and the acrid odour of cigar smoke. Ellis had rolled
from his chair and lay upon the floor sprawling on his face in the wreck
of the table. Near to him, likewise upon the floor, but sitting up, his
back against the wall, was the Dummy. He was muttering incessantly to
himself, as if delighted at having found his tongue, his head swaying
on his shoulders, and a strange murmur, soft, birdlike, meaningless,
like sounds heard from a vast distance, coming from his wide-open mouth.

Vandover was sitting bolt upright in his chair, his hands gripping the
table, his eyes staring straight before him. He was barking incessantly.
It was evident that now he could not stop himself; it was like
hysterical laughter, a thing beyond his control. Twice young Haight
called him by name, kicking the door as his leg hung against it. At last
Vandover heard him. Then as he caught sight of his face over the door he
raised his upper lip above his teeth and snarled at him, long and
viciously.

As Haight dropped down into the hall a waiter came running up; he, too,
had heard the noise of the breaking dishes. As he thrust his key into
the lock he paused a moment, listening and looking in a puzzled way at
young Haight. "They have a dog in here, then? They had no dog when they
came. That's funny!"

"Open the door," said young Haight quietly. Once inside Haight went
directly to Vandover, crying out: "Come! come on, Van! come home with
me." Vandover started suddenly, looking about him bewildered, drawing
his hand across his face.

"Home," he repeated vaguely; "yes, that's the idea. Let's go home. I
want to go to bed. Hello, Dolly! where did _you_ come from? Say, Dolly,
let me tell you--listen here--come down here close; you mustn't mind me;
you know I'm a wolf mostly!"

They went down toward the Lick House. Vandover grew steadier after a few
minutes in the open air. Young Haight locked arms with him; they went on
together in silence. By this time the streets were crowded again, the
theatres were over, and the college men were once more at large. Now
they were all gathered together into one immense procession, headed by a
brass band in a brewer's wagon, and they tramped aimlessly to and fro
about Kearney and Market streets, making a hideous noise. At the head
the band was playing a popular quick-step with a great banging of a bass
drum. The college men in the front ranks were singing one song, those
in the rear another, while the middle of the column was given over to an
abominable medley of fish-horns, policemen's rattles and great Chinese
gongs. At stated intervals the throng would halt and give the college
yell.

"Dolly, you and I used to do that," said Vandover, looking after the
procession. He had himself well in hand by this time. "What was the
matter with me back there at the restaurant, Dolly?" he asked after a
while.

"Oh, you'd been drinking a good deal, I guess," answered young Haight.
"You--you had some queer idea about yourself!"

"Yes, I know," answered Vandover quickly. "Fancied I was some kind of a
beast, didn't I--some kind of wolf? I have that notion sometimes and I
can't get it out of my head. It's curious just the same."

They went up to Vandover's room. Vandover lit the gas, but he could
hardly keep back an exclamation as the glare suddenly struck young
Haight's face. What in heaven's name was the matter with his old-time
chum? He seemed to be blighted, shattered, struck down by some terrible,
overwhelming calamity. A dreadful anguish looked through his eyes. The
sense of a hopeless misery had drawn and twisted his face. There could
be no doubt that something had made shipwreck of his life. Vandover was
looking at a ruined man.

"My God, Dolly!" exclaimed Vandover, "what's happened to you? You look
like a death's-head, man! What's gone wrong? Aren't you well?"

Haight caught his friend's searching gaze, and for a moment they looked
at each other without speaking. There was no mistaking the fearful grief
that smouldered behind Haight's dull, listless eyes. For a moment
Vandover thought of Turner Ravis. But even if she had turned him off,
that alone would not account for his friend's fearful condition of mind
and body.

"What is it, Dolly?" persisted Vandover. "We used to be pretty good
chums, not so long ago."

They sat down on the edge of the bed, and for a moment their positions
seemed reversed: Haight the one to be protected and consoled, Vandover
the shielding and self-reliant one.

Young Haight passed his hand over his face before he answered, and
Vandover noticed that his fingers trembled like an old man's.

"Do you remember that night, Van, when you and Charlie and I all went
out to Turner's house, and we had _tamales_ and beer, and a glass broke
in that peculiar way, and I cut my lip?"

Vandover nodded, forcing his attention against the alcoholic fumes, to
follow his friend's words.

"We went down to the Imperial afterward," Haight continued, "and ran
into Ellis, and we had something more to eat. Do you remember that as we
sat there, Toby, the waiter, brought Flossie in, and she sat there with
us a while?"

He paused, choosing his words. Vandover listened closely, trying to
recall the incident.

"She kissed me," said young Haight slowly, "and the court-plaster came
off. You know I never had anything to do with women, Van. I always tried
to keep away from them. But that's where my life practically came to an
end."

"You mean--" began Vandover. "You mean--that you--that Flossie--?"

Haight nodded.

"Good God! I can't believe it. It's not possible! I _know_ Flossie!"

Haight shook his head, smiling grimly.

"I can't help that, Van," said he. "There's no denying facts, there's no
other possible explanation! As soon as I knew, I went to the doctors
here, and then I went to New York for treatment, but there's no hope. I
didn't know, you see. I didn't believe it possible. Turner Ravis and I
were engaged. I waited too long! There's only one escape for me now."
His voice dropped, he stared for a moment at the floor. Then he
straightened up, and said in a different tone, "But, damn it, Van, let's
not talk about it! I'm haunted with the thing day and night. I want to
talk to you! I want to talk to you seriously. You know you are ruining
yourself, old man!"

But Vandover interrupted him with a gesture, saying, "Don't go on,
Dolly; it isn't the least use. There _was_ a time for that, but that was
long ago. I used to care, I used to be sorry and all that, but I'm not
now. Ruining myself? Why, I _have_ ruined myself long ago. We're both
ruined--only in your case it wasn't your fault. It's too late for me
now, and I'm even not sorry that it _is_ too late. Dolly, I don't _want_
to pull up. You can't imagine a man fallen as low as that, can you? I
couldn't imagine it myself a few years ago. I'm going right straight to
the devil now, and you might as well stand aside and give me a free
course, for I'm bound to get there sooner or later. I suppose you would
think that a man who could see this as plainly as I do would be afraid,
would have remorse and all that sort of thing. Well, I did at first.
I'll never forget the night when I first saw it; came near shooting
myself, but I got over it, and now I'm used to the idea. Dolly, _I can
get used to almost anything_. Nothing makes much difference to me
nowadays--only I like to play cards. Look here!" he went on, laying out
the notice from the bank upon the table, "this came to-day. You see what
it is! I sold the old house on California Street. Well, I've gambled
away that money in less than a year. It seems that I'm a financial ruin
now, but"--and he began to laugh--"I live through it somehow. The news
didn't prevent me from getting drunk to-night."

After young Haight was gone, Vandover went to bed, turning out the gas
and drawing down the window half-way from the top. The wine had made him
sleepy; he was dropping away into a very grateful doze when a sudden
shock, a violent leap of every nerve in his body, brought him up to a
sitting posture, gasping for breath, his heart fluttering, his hands
beating at the empty air. He settled down again, turning upon his
pillow, closing his eyes, very weary, longing for a good night's sleep.
Dolly Haight's terrible story, his unjustified fate, and the hopeless
tragedy of it, came back to him. Vandover would gladly have changed
places with him. Young Haight had the affection and respect of even
those that knew. He, Vandover, had thrown away his friends' love and
their esteem with the rest of the things he had once valued. His
thoughts, released from all control of his will, began to come and go
through his head with incredible rapidity, confused ideas,
half-remembered scenes, incidents of the past few days, bits and ends of
conversation recalled for no especial reason, all galloping across his
brain like a long herd of terrified horses; an excitement grew upon
him, a strange thrill of exhilaration. He was broad awake now, but
suddenly his left leg, his left arm and wrist, all his left side jerked
with the suddenness of a sprung trap; so violent was the shock that the
entire bed shook and creaked with it. Then the inevitable reaction
followed, the slow crisping and torsion of his nerves, twisting upon
each other like a vast swarm of tiny serpents; it seemed to begin with
his ankles, spreading slowly to every part of his body; it was a
veritable torture, so poignant that Vandover groaned under it, shutting
his eyes. He could not keep quiet a second--to lie in bed was an
impossibility; he threw the bed-clothes from him and sprang up. He did
not light the gas, but threw on his bathrobe and began to walk the
floor. Even as he walked, his eyelids drooped lower and lower. The need
of sleep overcame him like a narcotic, but as soon as he was about to
lose himself he would be suddenly and violently awakened by the same
shock, the same jangling recoil of his nerves. Then his hands and head
seemed to swell; next, it was as though the whole room was too small for
him. He threw open the window and, leaning upon his elbows, looked out.

The clouds had begun to break, the rain was gradually ceasing, leaving
in the air a damp, fresh smell, the smell of wet asphalt and the odour
of dripping woodwork. It was warm; the atmosphere was dank, heavy,
tepid. One or two stars were out, and a faint gray light showed him the
vast reach of roofs below stretching away to meet the abrupt rise of
Telegraph Hill. Not far off the slender, graceful smokestack puffed
steadily, throwing off continually the little flock of white jets that
rose into the air very brave and gay, but in the end dwindled
irresolutely, discouraged, disheartened, fading sadly away, vanishing
under the night, like illusions disappearing at the first touch of the
outside world. As Vandover leaned from his window, looking out into the
night with eyes that saw nothing, the college slogan rose again from the
great crowd of students who still continued to hold the streets.

"Rah, rah, rah! Rah, rah, rah!"

He turned back into the room, groping among the bottles on his washstand
for his bromide of potassium. As he poured out the required dose into
the teaspoon his hand twitched again sharply, flirting the medicine
over his bared neck and chest, exposed by the bathrobe which he had left
open at the throat. It was cold, and he shivered a bit as he wiped it
dry with the back of his hand.

He knew very well that his nervous attack was coming on again. As he set
down the bottle upon the washstand he muttered to himself, "Now I'm
going to have a night of it." He began to walk the floor again with
great strides, fighting with all his pitiful, shattered mind against the
increasing hysteria, trying to keep out of his brain the strange
hallucination that assailed it from time to time, the hallucination of a
thing four-footed, a thing that sulked and snarled. The hotel grew
quiet; a watchman went down the hall turning out each alternate gas jet.
Just outside of the door was a burner in a red globe, fixed at a stair
landing to show the exit in case of fire. This burned all night and it
streamed through the transom of Vandover's room, splotching the ceiling
with a great square of red light. Vandover was in a torment, overcome
now by that same fear with which he had at last become so familiar, the
unreasoning terror of something unknown. He uttered an exclamation, a
suppressed cry of despair, of misery, and then suddenly checked himself,
astonished, seized with the fancy that his cry was not human, was not of
himself, but of something four-footed, the snarl of some exasperated
brute. He paused abruptly in his walk, listening, for what he did not
know. The silence of the great city spread itself around him, like the
still waters of some vast lagoon. Through the silence he heard the noise
of the throng of college youths. They were returning, doubling upon
their line of march. A long puff of tepid air breathing through the open
window brought to his ears the distant joyous sound of their slogan:

"Rah, rah, rah! Rah, rah, rah!"

They passed by along the adjacent street, their sounds growing faint.
Vandover took up his restless pacing again. Little by little the
hallucination gained upon him; little by little his mind slipped from
his grasp. The wolf--the beast--whatever the creature was, seemed in his
diseased fancy to grow stronger in him from moment to moment. But with
all his strength he fought against it, fought against this strange
mania, that overcame him at these periodical intervals--fought with his
hands so tightly clenched that the knuckles grew white, that the nails
bit into the palm. It seemed to him that in some way his personality
divided itself into three. There was himself, the real Vandover of every
day, the same familiar Vandover that looked back at him from his mirror;
then there was the wolf, the beast, whatever the creature was that lived
in his flesh, and that struggled with him now, striving to gain the
ascendency, to absorb the real Vandover into its own hideous identity;
and last of all, there was a third self, formless, very vague, elusive,
that stood aside and watched the strife of the other two. But as he
fought against his madness, concentrating all his attention with a
tremendous effort of the will, the queer numbness that came upon his
mind whenever he exerted it enwrapped his brain like a fog, and this
third self grew vaguer than ever, dwindled and disappeared. Somehow it
seemed to be associated with consciousness, for after this the sense of
the reality of things grew dim and blurred to him. He ceased to know
exactly what he was doing. His intellectual parts dropped away one by
one, leaving only the instincts, the blind, unreasoning impulses of the
animal.

Still he continued his restless, lurching walk back and forth in his
room, his head hanging low and swinging from side to side with the
movement of his gait. He had become so nervous that the restraint
imposed upon his freedom of movement by his bathrobe and his loose
night-clothes chafed and irritated him. At length he had stripped off
everything.

Suddenly and without the slightest warning Vandover's hands came slowly
above his head and he dropped forward, landing upon his palms. All in an
instant he had given way, yielding in a second to the strange
hallucination of that four-footed thing that sulked and snarled. Now
without a moment's stop he ran back and forth along the wall of the
room, upon the palms of his hands and his toes, a ludicrous figure, like
that of certain clowns one sees at the circus, contortionists walking
about the sawdust, imitating some kind of enormous dog. Still he swung
his head from side to side with the motion of his shuffling gait, his
eyes dull and fixed. At long intervals he uttered a sound, half word,
half cry, "Wolf--wolf!" but it was muffled, indistinct, raucous, coming
more from his throat than from his lips. It might easily have been the
growl of an animal. A long time passed. Naked, four-footed, Vandover ran
back and forth the length of the room.

By an hour after midnight the sky was clear, all the stars were out, the
moon a thin, low-swinging scimitar, set behind the black mass of the
roofs of the city, leaving a pale bluish light that seemed to come from
all quarters of the horizon. As the great stillness grew more and more
complete, the persistent puffing of the slender tin stack, the three gay
and joyous little noises, each sounding like a note of discreet laughter
interrupted by a cough, became clear and distinct. Inside the room there
was no sound except the persistent patter of something four-footed going
up and down. At length even this sound ceased abruptly. Worn out,
Vandover had just fallen, dropping forward upon his face with a long
breath. He lay still, sleeping at last. The remnant of the great band of
college men went down an adjacent street, raising their cadenced slogan
for the last time. It came through the open window, softened as it were
by the warm air, thick with damp, through which it travelled:

"Rah, rah, rah! Rah, rah, rah!"

Naked, exhausted, Vandover slept profoundly, stretched at full length at
the foot of the bare, white wall of the room beneath two of the little
placards, scrawled with ink, that read, "Stove Here"; "Mona Lisa Here."




Chapter Seventeen


On A certain Saturday morning two years later Vandover awoke in his room
at the Reno House, the room he had now occupied for fifteen months.

One might almost say that he had been expelled from the Lick House. For
a time he had tried to retain his room there with the idea of paying his
bills by the money he should win at gambling. But his bad luck was now
become a settled thing--almost invariably he lost. At last Ellis and the
Dummy had refused to play with him, since he was never able to pay them
when they won. They had had a great quarrel. Ellis broke with him
sullenly, growling wrathfully under his heavy moustache, and the Dummy
had written upon his pad--so hastily and angrily that the words could
hardly be read--that he would not play with professional gamblers, men
who supported themselves by their winnings. Damn it! one had to be a
gentleman.

Next, Vandover had tried to borrow some money of Charlie Geary. Geary
had told him that he could not afford as much as Vandover needed. Then
Vandover became enraged. He had long since seen that Geary had
practically swindled him out of his block in the Mission, and at that
very moment the huge boot and shoe "concern" was completing the factory
built upon the ground that Vandover had once owned. Geary had cleared
seven thousand dollars on his "deal." His refusal to loan his old-time
friend fifty dollars upon this occasion had exasperated Vandover out of
all bounds. There was a scene. Vandover told Geary what he thought of
his "deal" in very plain words. They shouted "swindler" and "gambler"
into each other's faces; the whole office was aroused; Vandover was
ejected by force. On a stair landing half-way to the street he sat down
and cried into his arms folded upon his knees. When he returned to his
room he had a sudden return of his dreadful nervous malady and barked
and whined under the bed.

Then Vandover wrote a fifty-dollar check on the bank--the same bank that
had just notified him that he was overdrawn--and passed it upon young
Haight. How he came to do the thing he could not tell; it might have
been the influence of Geary's successful robbery, or it might have been
that he had at last lost all principle, all sense of honour and
integrity. At any rate, he could not bring himself to feel very sorry.
He knew that young Haight would not prosecute him for the dishonesty; he
traded upon Haight's magnanimity; he only felt glad that he had the
fifty dollars. But by this time Vandover did not even wonder at his own
baseness and degradation. A few years ago this would have been the case;
now his character was so changed that the theft seemed somehow
consistent. He had destroyed young Haight's friendship for him. He had
cast from him his college chum, his best friend, but neither did this
affect him. Nothing made much difference to him now.

Nevertheless, Vandover was evicted from the Lick House three days after
he had stolen young Haight's money. Instead of paying his bills with the
amount, he gambled it away in a back room of a new café on Market Street
with Toby, the red-eyed waiter from the Imperial, and a certain German
"professor," a billiard marker, who wore a waistcoat figured with little
designs of the Eiffel Tower, and who was a third owner in a trotting
mare named Tomato Ketchup.

Vandover was now left with only his bonds, his U.S. 4 per cents. These
brought him in but sixty-nine dollars a quarter, or as he had had it
arranged, twenty-three dollars a month. Just at this time, as if by a
miracle, a veritable God from the Machine, Vandover's lawyer, Mr. Field,
found him an opportunity to earn some money. For the first and only time
in his life Vandover knew what it was to work for a living. The work
that Field secured for him was the work of painting those little
pictures on the lacquered surface of iron safes, those little oval
landscapes between the lines of red and gold lettering--landscapes,
rugged gorges, ocean steamships under all sail, mountain lakes with
sailboats careening upon their surfaces, the boat indicated by two
little triangular dabs of Chinese white, one for the sail itself and the
other for its reflection in the water. Sometimes even he was called upon
to paint other little pictures upon the sides of big express wagons--two
horses, one white and the other bay, galloping very free in an open
field, their manes and tails flying, or a bulldog, very savage, sitting
upon a green and black safe, or the head of a mastiff with a spiked
collar about his neck.

What with the pay for this sort of work and the interest of his bonds,
Vandover managed to lead a haphazard sort of life, living about in cheap
lodging-houses and cheap restaurants. But he was never more than a
second-class workman, and he was so irregular that he could never be
depended upon.

The moment he began to paint again--even to paint such pitiful little
pictures as these--the same familiar experience repeated itself, the
unwillingness of his fingers, their failure to rightly interpret his
ideas, the resulting crudity of his work, the sudden numbness in his
brain, the queer, tense sensation behind his eyes. But Vandover had long
since become accustomed to these symptoms and would not have minded them
at this time had it not been that they were occasionally followed by a
nervous twitching and jerking of his whole arm, so that sometimes he
could not hold the brush steady a minute at a time.

For two years he had drifted about the city, living now here and now
there, a real hand-to-mouth existence, sinking a little lower each day.
Now, no one knew him. He had completely passed out of the lives of
Haight, Geary, and Ellis, just as before he had passed out of the life of
Turner Ravis. At the end of the first year they had ceased even to think
about him. For a long time they thought that he was dead, until one day
Ellis declared that he had seen him far down on Kearney Street, near the
Barbary Coast, looking at the pictures in the illustrated weeklies that
were tacked upon the show-board on the sidewalk in front of a
stationer's. Ellis had told the others that on this occasion Vandover
seemed to be more sickly than ever; he described his appearance in
detail, wagging his head at his own story, pursing his lips, putting his
chin in the air. Vandover had worn an old paint-stained pair of blue
trousers, fastened with a strap, so that his shirt showed below his
vest; he had no collar, and he had allowed his beard to grow, a
straggling thin beard, through which one could see the buttons of his
shirt, a dirty beard full of the cracker crumbs from the free
lunch-counters of cheap saloons; he had on a hat which he had worn when
they had known him; but one should see that hat now!

It was all true: little by little Vandover had abandoned all interest
in his personal appearance. Of course it was impossible for him to dress
well at this time, but he had even lost regard for decency and
cleanliness. He washed himself but rarely. He had even acquired the
habit of sleeping with all his clothes on during the colder nights of
the year.

Nothing made any difference. Gradually his mind grew more and more
clouded; he became stupid, sluggish. He went about the city from dawn to
dark, his feet dragging, his head hanging low and swinging from side to
side with the motion of his gait. He rarely spoke; his eyes took on a
dull, glazed appearance, filmy, like the eyes of a dead fish. At certain
intervals his mania came upon him, the strange hallucination of
something four-footed, the persistent fancy that the brute in him had
now grown so large, so insatiable, that it had taken everything, even to
his very self, his own identity--that he had literally _become the
brute_. The attack passed off and left him wondering, perplexed.

The Reno House, where Vandover had lived for some fifteen months, was a
sort of hotel on Sacramento Street below Kearney. The neighbourhood was
low--just on the edge of the Barbary Coast, abounding in stores for
second-hand clothing, saloons, pawnshops, gun-stores, bird-stores, and
the shops of Chinese cobblers. Around the corner on Kearney Street was a
concert hall, a dive, to which the admission was free. Near by was the
old Plaza.

Underneath the hotel on the ground floor were two saloons, a barber
shop, and a broom manufactory. The lodgers themselves were for the most
part "transients," sailors lounging about shore between two voyages,
Swedes and Danes, farmhands, grape-pickers, and cow-punchers from
distant parts of the state, a few lost women, and Japanese cooks and
second-boys remaining there while they advertised for positions.

Vandover sank to the grade of these people at once with that fatal
adaptability to environment which he had permitted himself to foster
throughout his entire life, and which had led him to be contented in
almost any circumstances. It was as if the brute in him were forever
seeking a lower level, wallowing itself lower and lower into the filth
and into the mire, content to be foul, content to be prone, to be inert
and supine.

It was Saturday morning about a quarter of nine. The wet season had
begun early that year. Though this was but the middle of September, the
rain had fallen steadily since the previous Wednesday. Its steady
murmur, prolonged and soothing like the purring of a great cat, filled
Vandover's room with a pleasant sound. The air of the room was thick and
foul, heavy with the odour of cooking, onions, and stale bedding. It was
very warm; there was no ventilation. Vandover lay upon the bed half
awake, dozing under the thick coarse blankets and soiled counterpane.
With the exception of his shoes and coat he wore all his clothes. He was
glad to be warm, to be stupefied by the heat of the bedding and the bad
air of the room.

In the next room a Portuguese fruit vender, very drunk, was fighting
with the tin pitcher and pasteboard bowl on his wash-stand, trying to
wet his head, swearing and making a hideous clatter. At length he tipped
them over upon the floor and gave the pitcher a great kick. The noise
roused Vandover; he sat up in bed, stretching, rubbing his hands over
his face. About the same moment the clock in the office downstairs
struck nine. Vandover let his feet drop to the floor and sat on the edge
of the bed, looking vaguely about him. His face, ordinarily very pale,
was oily from sleep and red upon one side from long contact with the
pillow, the marks of the creases still showing upon his cheek. His long
straight hair fell about his eyes and ears like a tangled mane. A thin
straggling beard and moustache, of a brown much lighter than his hair,
covered the lower part of his face. His nose was long and pinched, while
brown and puffed pockets hung beneath his eyes.

He wore a white shirt very crumpled and dirty, a low standing collar and
a black four-in-hand necktie, very greasy. His trousers were striped and
of a slate blue colour--the "blue pants" of the ready-made clothing
stores. Still sitting on the bed, Vandover continued his stupid gaze
about the room.

The room was small, and at some long-forgotten, almost prehistoric
period had been covered with a yellowish paper, stamped with a huge
pattern of flowers that looked like the flora of a carboniferous
strata, a pattern repeated to infinity wherever the eye turned.
Newspapers were pasted upon the ceiling and a great square of very dirty
matting covered the floor. There were a few pieces of furniture, very
old-fashioned, made of pine, with a black walnut veneer, two chairs, a
washstand and the bed. A great pile of old newspapers tied up with bale
rope was kicked into one corner. Two gas brackets without globes
stretched forth their long arms over the empty space where the bureau
should have been. Under the single window was Vandover's trunk, and upon
it his colour box and pots of paint. His hat hung upon a hook screwed to
the door. The hat had once been black, but it had long since turned to a
greenish hue, and sweat stains were showing about the band.

Vandover dressed slowly. He straightened his hair a bit before the cheap
mirror that hung over the washstand, putting on his hat immediately
after to keep it in place. He washed his hands in the dirty water that
had stood in his pasteboard bowl since the previous afternoon, but left
his face as it was. He put on his coat, an old cutaway which had been
his best years ago, but which was now absurdly small for him, the breast
all spotted and streaked with old stains of soup and gravy. Last of all
he drew on his shoes. They were new. Vandover had bought them two days
before for a dollar and ninety cents. They were lined so as to make
socks superfluous.

It had been a bad week with Vandover. The paint-shop had given him no
work to do for ten days, and he had been forced to get along in some way
upon the interest of his bonds--that is to say, upon five dollars and
seventy-five cents a week. Two dollars and seventy-five cents of this
went for his room rent, one dollar and ninety for his shoes, and Tuesday
afternoon he had bought a package of cigarettes for ten cents. By
Saturday morning he had spent seventy-five cents for food.

When the paint-shop gave him enough work it was Vandover's custom to buy
a week's commutation ticket at a certain restaurant. He never ate at the
hotel; it was too expensive. By the commutation system he could buy two
dollars and twenty-five cents' worth of meals for two dollars, paying in
tickets at each meal.

But such a thing had been impossible this week. He had been forced to
fall back upon the free-lunch system. In two years Vandover had learned
a great deal; even his dulled wits had been sharpened when it had come
to a question of food. The brute in him might destroy all his finer
qualities, but even the brute had to feed. When work failed him at the
beginning of the week Vandover was not unprepared for the contingency;
the thing had happened before and he knew how to meet it.

On Monday he beat up and down the Barbary Coast, picking out fifteen or
twenty saloons which supported a free-lunch counter in connection with
the bar. He took his breakfast Monday morning at the first of these. He
paid five cents for a glass of beer and ate his morning's meal at the
lunch counter: stew, bread, and cheese. At noon he made his dinner at
the second saloon on his route. Here he had another glass of beer, a
great plate of soup, potato salad, and pretzels. Thus he managed to feed
himself throughout the week.

It was always his great desire to feed well at Sunday's dinner, to spend
at least a quarter on that meal. It was something to be looked forward
to throughout the entire week. But to get twenty-five cents ahead when
he was out of work was bitter hard. That week he had started out with
the determination to eat but two meals a day. He would thus save five
cents daily and by Sunday morning would be thirty cents to the good. But
each day his resolution broke down. At breakfast he would resolve to go
without his lunch, at lunch he would make up his mind to go without
supper, and at supper he would tell himself that now at least his
determination was irrevocable--he would eat no breakfast the next
morning. But on each and every occasion his hunger proved too strong,
his feet carried him irresistibly to the saloon lunch counters, whether
he would or no. At no time in his life had Vandover accustomed himself
to self-denial; he could hardly begin now.

At length Saturday morning had come, and while he was dressing he
realized that he could not look forward to any unusual dinner the next
day at noon. The disappointment had all the force of an unexpected
disaster and he began keenly to regret his weakness of the past week.
Suddenly Vandover resolved that he would go without food all that day;
it would be a saving of fifteen cents, which, added to the five cents
that he would spend anyway for his dinner, would almost make a quarter.
He knew where he could dine excellently well for twenty cents. However,
he could not make up his mind to go without his Sunday morning's
breakfast. That, he told himself, he must eat.

Once dressed, Vandover went out. Fortunately, the rain had stopped. He
went on down through the reeking, steaming streets to one of the big
fruit markets not far from the water front. The Portuguese fruit vender
who roomed next to him at the Reno House was employed at a stall here.
Vandover knew him a little, and it was not hard for him to get a thin
slice of cocoanut out from the inside rind of one of those that were
lying cracked open among his other wares.

All the morning Vandover chewed this slice of cocoanut, at the same time
drinking a great deal of water; for hours he deadened the pang of hunger
by this means. He passed the time for the most part sitting on the
benches in the Plaza reading an old newspaper that he had found under a
seat. The sun came out a little; Vandover found the warmth very
grateful. He told himself that he could easily hold out until the next
morning.

He had forgotten about the time and was surprised when the whistles all
over the town began to blow for noon. In an instant Vandover was hungry
again. It was all one that he chewed the little pulp of cocoanut rind
more vigorously than ever, swallowed great draughts of water at the
public fountains; the little gnawing just between his chest and his
stomach began to persist. He got up and began to walk. He left the Plaza
behind him, crossed Kearney Street and went on down Clay Street till he
reached the water front. For a time he found a certain diversion among
the shipping and especially in watching a gang of caulkers knocking away
at the seams of an immense coal steamer. He sat upon a great iron
clamped pile, spitting into the yellow water below. The air was full of
the smell of bilge and oakum and fish; the thousands of masts made a
gray maze against the sky; occasionally an empty truck trundled over the
hollow docks with a sound of distant cannon. A weakness, a little
trembling that seemed to come from the pit of his stomach, began upon
Vandover. He was very hungry. Evidently the slice of cocoanut was no
longer effective. He swallowed it and lit a cigarette, one of the
half-dozen still left of the pack he had bought the Tuesday before.

He smoked the cigarette slowly, inhaling as much of the smoke as he
could. This quieted him for an hour, but he had the folly to smoke again
at the end of that time, and at once--as he might have known--was hungry
again. Until dark he struggled along, drinking water continually,
chewing chips of wood, toothpicks, bits of straw, anything so that the
action of his jaws might cheat the demands of his stomach. Toward
half-past seven in the evening he returned to his room in the Reno
House. If he could get to sleep that would be best of all. On the stairs
of the hotel, while going up to his room, the strong smell of cooking
onions came suddenly to his nostrils. It was delicious. Vandover
breathed in the warm savour with long sighs, closing his eyes; a great
feebleness overcame him. He asked himself how he could get through the
next twelve hours.

An hour later he went to bed, hiccoughing from the water he had been
drinking all day. By this time he had torn the paper from one of his
cigarettes and was chewing the tobacco. This was his last resort, an
expedient which he fell back upon only in great extremity, as it
invariably made him sick to his stomach. He slept a little, but in half
an hour was broad awake again, gagging and retching dreadfully. There
was nothing on his stomach to throw up, and now at length the hunger in
him raged like a wolf. Vandover was in veritable torment.

He could not keep his thoughts away from the money in his pocket, a
nickel and two dimes. He could eat if he wanted to, could satisfy this
incessant craving. At every moment the temptation grew stronger. Why
should he wait until morning? He had the money; it was only a matter of
a few minutes' walk to the nearest saloon. But he set his face against
this desire; he had held out so long that it would be a pity to give in
now; he was not so very hungry after all. No, no; he would not give in,
he was strong enough; as long as he used his will he need not succumb.
It was just a question of asserting his strength of mind, of calling up
the better part of him. Even better than eating would be the
satisfaction of knowing that he had shown himself stronger than his
lower animal appetite. No; he would not give in.

Hardly a minute after he had arrived at this resolution Vandover found
himself drawing on his coat and shoes making ready to go out--to go out
and eat.

The gas in the room was lit, his money, the nickel and the two dimes,
was shut in one of his fists. He was dressing himself with one hand,
dressing with feverish, precipitate haste. What had happened? He
marvelled at himself, but did not check his preparations an instant. He
could not stop, whether he would or no; there was something in him
stronger than himself, something that urged him on his feet, that drove
him out into the street, something that clamoured for food and that
would not be gainsaid. It was the animal in him, the brute, that would
be fed, the evil, hideous brute grown now so strong that Vandover could
not longer resist it--the brute that had long since destroyed all his
finer qualities but that still demanded to be fed, still demanded to
live. All the little money that Vandover had saved during the day he
spent that night among the coffee houses, the restaurants, and the
saloons of the Barbary Coast, continuing to eat even after his hunger
was satisfied. Toward daylight he returned to his room, and all dressed
as he was flung himself face downward among the coarse blankets and
greasy counterpane. For nearly eight hours he slept profoundly, with
long snores, prone, inert, crammed and gorged with food.

It was the middle of Sunday afternoon when he awoke. He roused himself
and going over to the Plaza sat for a long while upon one of the
benches. It was a very bright afternoon and Vandover sat motionless for
a long time in the sun while his heavy meal digested, very happy,
content merely to be warm, to be well fed, to be comfortable.




Chapter Eighteen


That winter passed, then the summer; September and October came and
went, and by the middle of November the rains set in. One very wet
afternoon toward the end of the month Charlie Geary sat at his desk in
his own private office. He was unoccupied for the moment, leaning back
in his swivel chair, his feet on the table, smoking a cigar. Geary had
broken from his old-time habit of smoking only so many cigars as he
could pay for by saving carfare. He was doing so well now that he could
afford to smoke whenever he chose. He was still with the great firm of
Beale & Storey, and while not in the partnership as yet, had worked up
to the position of an assistant. He had cases of his own now, a great
many of them, for the most part damage suits against that certain
enormous corporation whom it was said was ruining the city and entire
state. Geary posed as one of its bitterest enemies, pushing each suit
brought against it with a tireless energy, with a zeal that was almost
vindictive. He began to fit into his own niche, in the eyes of the
public, and just in proportion as the corporation was hated, Geary was
admired. Money came to him very fast. He was hardly thirty at this time,
but could already be called a rich man.

His "deal" with Vandover had given him a taste for real estate, and now
and then, with the greatest caution, he made a few discreet investments.
At present he had just completed a row of small cottages across the
street from the boot and shoe factory. The cottages held two rooms and a
large kitchen. Geary had calculated that the boot and shoe concern would
employ nearly a thousand operatives, and he had built his row with the
view of accommodating a few of them who had families and who desired to
live near the factory. His agents were Adams & Brunt.

It was toward half-past five, there was nothing more that Geary could do
that day, and for a moment he leaned back in his swivel chair, before
going home, smiling a little, very well pleased with himself. He was
still as clever and shrewd as ever, still devoured with an incarnate
ambition, still delighted when he could get the better of any one. He
was yet a young man; with the start he had secured for himself, and
with the exceptional faculties, the faculties of self-confidence and
"push" that he knew himself to possess, there was no telling to what
position he might attain. He knew that it was only a question of
time--of a short time even--when he would be the practical head of the
great firm. Everything he turned his hand to was a success. His row of
houses in the Mission might be enlarged to a veritable settlement for
every workman in the neighbourhood. His youth, his cleverness, and his
ambition, supported by his money on the one hand, and on the other by
the vast machinery of the great law firm, could raise him to a great
place in the world of men. Gazing through the little blue haze of his
cigar smoke, he began to have vague ideas, ideas of advancement, of
political successes. Politics fascinated him--such a field of action
seemed to be the domain for which he was precisely suited--not the
politics of the city or of the state; not the nasty little squabbling of
boodlers, lobbyists, and supervisors, but something large, something
inspiring, something on a tremendous scale, something to which one could
give up one's whole life and energy, something to which one could
sacrifice everything--friendships, fortunes, scruples, principles, life
itself, no matter what, anything to be a "success," to "arrive," to "get
there," to attain the desired object in spite of the whole world, to
ride on at it, trampling down or smashing through everything that stood
in the way, blind, deaf, fists and teeth shut tight. Not the little
squabbling politics of the city or state, but national politics, the
sway and government of a whole people, the House, the Senate, the
cabinet and the next--why not?--the highest, the best of all, the
Executive. Yes, Geary aspired even to the Presidency.

For a moment he allowed himself the indulgence of the delightful dream,
then laughed a bit at his own absurdity. But even the entertainment of
so vast an idea had made his mind, as it were, big; it was hard to come
down to the level again. In spite of himself he went on reasoning in
stupendous thoughts, in enormous ideas, figuring with immense
abstractions. And then after all, why not? Other men had striven and
attained; other men were even now striving, other men would "arrive";
why should not he? As well he as another. Every man for himself--that
was his maxim. It might be damned selfish, but it was human nature: the
weakest to the wall, the strongest to the front. Why should not he be in
the front? Why not in the very front rank? Why not be even before the
front rank itself--the leader? Vast, vague ideas passed slowly across
the vision of his mind, ideas that could hardly be formulated into
thought, ideas of the infinite herd of humanity, driven on as if by some
enormous, relentless engine, driven on toward some fearful distant
bourne, driven on recklessly at headlong speed. All life was but a
struggle to keep from under those myriad spinning wheels that dashed so
close behind. Those were happiest who were farthest to the front. To lag
behind was peril; to fall was to perish, to be ridden down, to be beaten
to the dust, to be inexorably crushed and blotted out beneath that
myriad of spinning iron wheels. Geary looked up quickly and saw Vandover
standing in the doorway.

For the moment Geary did not recognize the gaunt, shambling figure with
the long hair and dirty beard, the greenish hat, and the streaked and
spotted coat, but when he did it was with a feeling of anger and
exasperation.

"Look here!" he cried, "don't you think you'd better knock before you
come in?"

Vandover raised a hand slowly as if in deprecation, and answered slowly
and with a feeble, tremulous voice, the voice of an old man: "I did
knock, Mister Geary; I didn't mean no offence." He sat down on the edge
of the nearest chair, looking vaguely and stupidly about on the floor,
moving his head instead of his eyes, repeating under his breath from
time to time, "No offence--no, sir--no offence!"

"Shut that door!" commanded Geary. Vandover obeyed. He wore no vest, and
the old cutaway coat, fastened by the single remaining button, exposed
his shirt to view, abominably filthy, bulging at the waist like a
blouse. The "blue pants," held up by a strap, were all foul with mud and
grease and paint, and there hung about him a certain odour, that
peculiar smell of poverty and of degradation, the smell of stale clothes
and of unwashed bodies.

"Well?" said Geary abruptly.

Vandover put the tips of his fingers to his lips and rolled his eyes
about the room, avoiding Geary's glance; then he dropped them to the
floor again, looking at the pattern in the carpet.

"Well," repeated Geary, irritated, "you know I haven't got all the time
in the world." All at once Vandover began to cry, very softly, snuffling
with his nose, his chin twitching, the tears running through his thin,
sparse beard.

"Ah, get on to yourself!" shouted Geary, now thoroughly disgusted. "Quit
that! Be a man, will you? Stop that! do you hear?" Vandover obeyed,
catching his breath and slowly wiping his eyes with the side of his
hand.

"I'm no good!" he said at length, wagging his head and blinking through
his tears. "I'm--I'm done for and I ain't got no money; yet, of course,
you see I don't mean no offence. What I want, you see, is to be a man
and not give in and not let the wolf get me, and then I'll go back to
Paris. Everything goes round here, very slow, and seems far off; that's
why I can't get along, and I'm that hungry that sometimes I twitch all
over. I'm down. I ain't got another cent of money and I lost my job at
the paint-shop. There's where I drew down twenty dollars a week painting
landscapes on safes, you know, and then--"

Geary interrupted him, crying out, "You haven't a cent? Why, what have
you done with your bonds?"

"Bonds?" repeated Vandover, dazed and bewildered. "I ain't never had any
bonds. What bonds? Oh, yes," he exclaimed, suddenly remembering, "yes, I
know, my bonds, of course; yes, yes--well, I--those--those, I had to
sell those bonds--had some debts, you see, my board and my tailor's
bill. They got out some sort of paper after me. Yes, I had forgotten
about my bonds. I lost every damned one of them playing cards--gambled
'em all away. Ain't I no good? But I was winner once--just in two nights
I won ten thousand dollars. Then I must have lost it again. You see, I
get so hungry sometimes that I twitch all over--so, just like that. Lend
me a dollar."

For a few moments Geary was silent, watching Vandover curiously, as he
sat in a heap on the edge of the chair, fumbling his greenish hat,
looking about the floor. Presently he asked:

"When did you lose your job at the paint-shop?"

"Day before yesterday."

"And you are out of work now?"

"Yes," answered Vandover. "I'm broke; I haven't a cent. I'm blest if I
know how I'm to get along. Lately I've been working for a paint-shop,
painting landscapes on safes. I drew down fifty dollars a week there,
but I've lost my job."

"Good Lord, Van!" Geary suddenly exclaimed, nodding his head toward him
reflectively, "I'm sorry for you!"

The other laughed. "Yes; I suppose I'm a pitiable looking object, but
I'm used to it. I don't mind much now as long as I can have a place to
sleep and enough to eat. If you can put me in the way of some work,
Charlie, I'd be much obliged. You see, that's what I want--work. I don't
want to run any bunco game. I'm an honest man--I'm too honest. I gave
away all my money to help another poor duck; gave him thousands, he was
good to me when I was on my uppers and I meant to repay him. I was
grateful. I signed a paper that gave him everything I had. It was in
Paris. There's where my bonds went to. He was a struggling artist."

"Look here!" said Geary, willing to be interested, "you might as well be
truthful with me. You can't lie to me. Have you gambled away all those
bonds, or have you been victimized, or have you still got them? Come,
now, spit it out."

"Charlie, I haven't a cent!" answered Vandover, looking him squarely in
the face. "Would I be around here and trying to get work from you if I
had? No; I gambled it all away. You know I had eighty-nine hundred in
U.S. 4 per cents. Well, first I began to pawn things when my money got
short--the Old Gentleman's watch that I said I never would part with,
then my clothes. I couldn't keep away from the cards. Of course, you
can't understand that; gambling was the only thing that could amuse me.
Then I began to mortgage my bonds, very little at first. Oh, I went
slow! Then I got to selling them. Well, somehow, they all went. For a
time I got along by the work at the paint-shop. But they have let me out
now; said I was so irregular. I owe for nearly a month at my
lodging-place." His eyes sought the floor again, rolling about stupidly.
"Nearly a month, and that's what makes me jump and tremble so. You ought
to see me sometimes--_b-r-r-r-h!_--and I get to barking! I'm a wolf
mostly, you know, or some kind of an animal, some kind of a brute. But
I'd be all right if everything didn't go round very slowly, and seem far
off. But I'm a wolf. You look out for me; best take care I don't bite
you! Wolf--wolf! Ah! It's up four flights at the end of the hall, very
dark, eight thousand dollars in a green cloth sack, and lots of lights
a-burning. See how long my finger nails are--regular claws; that's the
wolf, the brute! Why can't I talk in my mouth instead of in my throat?
That's the devil of it. When you paint on steel and iron your colours
don't dry out true; all the yellows turn green. But it would 'a' been
all straight if they hadn't fired me! I never talked to anybody--that
was _my_ business, wasn't it? And when all those eight thousand little
lights begin to burn red, why, of course that makes you nervous! So I
have to drink a great deal of water and chew butcher's paper. That fools
him and he thinks he's eating. Just so as I can lay quiet in the Plaza
when the sun is out. There's a hack-stand there, you know, and every
time that horse tosses his head so's to get the oats in the bottom of
the nose-bag he jingles the chains on the poles and, by God! that's
funny; makes me laugh every time; sounds gay, and the chain sparkles
mighty pretty! Oh, I don't complain. Give me a dollar and I'll bark for
you!"

Geary leaned back in his chair listening to Vandover, struck with
wonder, marvelling at that which his old chum had come to be. He was
sorry for him, too, yet, nevertheless, he felt a certain indefinite
satisfaction, a faint exultation over his misfortunes, glad that their
positions were not reversed, pleased that he had been clever enough to
keep free from those habits, those modes of life that ended in such
fashion. He rapped sharply on the table. Vandover straightened up,
raising his eyes:

"You want some work?" he demanded.

"Yes; that's what I'm after," answered Vandover, adding, "I must have
it!"

"Well," said Geary, hesitatingly, "I can give you something to do, but
it will be pretty dirty."

Vandover smiled a little, saying, "I guess you can't give me any work
that would be too dirty for me!" With the words he suddenly began to cry
again. "I want to be honest, Mister Geary," he exclaimed, drawing the
backs of his fingers across his lips; "I want to be honest; I'm down and
I don't mean no offence. Charlie, you and I were old chums once at
Harvard. My God! to think I was a Harvard man once! Oh, I'm a goner now
and I ain't got a friend. When I was in the paint-shop they paid me
well. I've been in a paint-shop lately painting the little pictures on
the safes, little landscapes, you know, and lakes with mountains around
them. I pulled down my twenty dollars and findings!"

"Oh, don't be a fool!" cried Geary, ashamed even to see such an
exhibition. "If you can't be a man, you can get out. Now, see here, you
came up here once and insulted me in my office, and called me a
swindler. Ah, you bet you had the swelled head then and insulted me,
attacked my honesty and charged me with shoving the queer. Now I never
forget those things generally, but I am willing to let that pass this
time. I could be nasty now and tell you to rustle for yourself. If you
want half a dollar now to get something to eat, why, I'll give it to
you. But I don't propose to support you. Ah, no; I guess not! If you
want to work I'll give you a chance, but I shall expect you to do good
work if I give you my good money for it. You may be drunk now or--_I_
don't know what's the matter with you. But you come up here to-morrow at
noon, and if you come up here sober or straight or"--Geary began to make
awkward gestures in the air with both hands--"come up here to talk
_business_, I may have something for you, but I can't stop any longer
this evening."

Vandover got upon his feet slowly, turning his greenish hat about by the
brim, nodding his head. "All right, all right," he answered. "Thank you
very much, Mister Geary. It's very good of you, I'm sure. I'll be around
at noon sure."

When Geary was left alone, he walked slowly to his window, and stood
there a moment looking aimlessly down into the street, shaking his head
repeatedly, astonished at the degradation of his old-time chum. While he
stood there he saw Vandover come out upon the sidewalk from the door of
the great office building. Geary watched him, very interested.

Vandover paused a moment upon the sidewalk, turning up the collar of his
old cutaway coat against the cold trade wind that was tearing through
the streets; he thrust both his hands deep into his trousers pockets,
gripping his sides with his elbows and drawing his shoulders together,
shrinking into a small compass in order to be warm. The wind blew the
tails of his cutaway about him like flapping wings. He went up the
street, walking fast, keeping to the outside of the sidewalk, his
shoulders bent, his head inclined against the wind, his feet dragging
after him as he walked. For a moment Geary lost sight of him amid a
group of men who were hoisting a piano upon a dray. The street was
rather crowded with office boys, clerks, and typewriters going home to
supper, and Geary did not catch sight of him again immediately; then all
at once he saw him hesitating on a corner of Kearney Street, waiting for
an electric car to pass; he crossed the street, running, his hands still
in his pockets, and went on hurriedly, dodging in and out of the throng,
his high shoulders, long neck, and greenish hat coming into sight at
intervals. For a moment he paused to glance into the show window of a
tobacconist and pipe-seller's store. A Chinese woman passed him,
pattering along lamely, her green jade ear-rings twinkling in the light
of a street lamp, newly lighted. Vandover looked after her a moment,
gazing stupidly, then suddenly took up his walk again, zigzagging amid
the groups on the asphalt, striding along at a great pace, his head low
and swinging from side to side as he walked. He was already far down the
street; it was dusk; Geary could only catch glimpses of his head and
shoulders at long intervals. He disappeared.

       *       *       *       *       *

About ten minutes before one the next day as Geary came back from lunch
he was surprised to see Vandover peeping through the half-open door of
his office. He had not thought that Vandover would come back.

Of the many different stories that Vandover had told about the
disappearance of his bonds, the one that was probably truest was the one
that accounted for the thing by his passion for gambling. For a long
time after his advent at the Reno House this passion had been dormant;
he knew no one with whom he could play, and every cent of his income now
went for food and lodging. But one day, about six months before his
visit to Geary's office, Vandover saw that the proprietor of the Reno
House had set up a great bagatelle board in a corner of the
reading-room. A group of men, sailors, ranchmen, and fruit venders were
already playing. Vandover approached and watched the game, very
interested in watching the uncertain course of the marble jog-jogging
among the pins. The clear little note of the bell or the dry rattle as
the marble settled quickly into one of the lucky pockets thrilled him
from head to foot; his hands trembled, all at once his whole left side
twitched sharply.

From that day the fate of the rest of Vandover's little money was
decided. In two weeks he had lost twenty dollars at bagatelle, obtaining
the money by selling a portion of his bonds at a certain broker's on
Montgomery Street. As soon as he had begun to gamble again the old
habits of extravagance had come back upon him. From the moment he knew
that he could get all the money he wanted by the mere signing of a
paper, he ceased to be economical, scorning the former niggardliness
that had led him to starve on one day that he might feast the next; now,
he feasted every day. He still kept his room at the Reno House, but
instead of taking his meals by any ticket system, he began to affect the
restaurants of the Spanish quarter, gorging himself with the hot spiced
meals three and four times a day. He quickly abandoned the bagatelle
board for the card-table, gambling furiously with two of the ranchmen.
Almost invariably Vandover lost, and the more he lost the more eager and
reckless he became.

In a little time he had sold every one of his bonds and had gambled away
all but twenty dollars of the money received from the last one sold.
This sum, this twenty dollars, Vandover decided to husband carefully. It
was all that was left between him and starvation. He made up his mind
that he must stop gambling and find something to do. He had long since
abandoned his work at the paint-shop, but at this time he returned there
and asked for his old occupation. They laughed in his face. Was that the
way he thought they did business? Not much; another man had his job, a
much better man and one who was regular, who could be depended on. That
same evening Vandover broke his twenty dollars and became very drunk. A
game of poker was started in a back room of one of the saloons on the
Barbary Coast. One of the players was a rancher named Toedt, a
fellow-boarder at the Reno House, but the two other players were
strangers; and there in that narrow, dirty room, sawdust on the floor,
festoons of fly-specked red and blue tissue paper adorning the single
swinging lamp, figures cut from bill-posters of the Black Crook pasted
on the walls, there in the still hours after midnight, long after the
barroom outside had been closed for the night, the last penny of
Vandover's estate was gambled away.

The game ended in a quarrel, Vandover, very drunk, and exasperated at
his ill luck, accusing his friend Toedt, the rancher, of cheating. Toedt
kicked him in the stomach and made him abominably sick. Then they went
away and left Vandover alone in the little dirty room, racked with
nausea, very drunk, fallen forward upon the table and crying into his
folded arms. After a little he went to sleep, but the nausea continued,
nevertheless, and in a few moments he gagged and vomited. He never
moved. He was too drunk to wake. His hands and his coat-sleeves, the
table all about him, were foul beyond words, but he slept on in the
midst of it all, inert, stupefied, a great swarm of flies buzzing about
his head and face. It was the day after this that he had come to see
Geary.

"Ah," said Geary, as he came up, "it's you, is it? Well, I didn't expect
to see you again. Sit down outside there in the hall and wait a few
minutes. I'm not ready to go yet--or, wait; here, I tell you what to
do." Geary wrote off a list of articles on a slip of paper and pushed it
across the table toward Vandover, together with a little money. "You get
those at the nearest grocery and by the time you are back I'll be ready
to go."

That day Geary took Vandover out to the Mission. They went out in the
cable-car, Geary sitting inside reading the morning's paper, Vandover
standing on the front platform, carrying the things that Geary had told
him to buy: a bar of soap, a scrubbing brush, some wiping cloths, a
broom, and a pail.

Almost at the end of the car-line they got off and crossed over to where
Geary's property stood. Vandover looked about him. The ground on which
his own block had once stood was now occupied by an immense red brick
building with white stone trimmings; in front on either side of the main
entrance were white stone medallions upon which were chiselled the head
of a workman wearing the square paper cap that the workman never wears,
and a bent-up forearm, the biceps enormous, the fist gripping the short
hammer that the workman never uses. An enormous round chimney sprouted
from one corner; through the open windows came the vast purring of
machinery. It was a boot and shoe factory, built by the great concern
who had bought the piece of property from Geary for fifteen thousand
dollars, the same property Geary had bought from Vandover for eight.

Across the street from the factory was a long row of little cottages,
very neat, each having a tiny garden in front where nasturtiums grew.
There were fifteen of these cottages; three of them only were vacant.

"That was _my_ idea," observed Geary, as they approached the row,
willing to explain even though he thought Vandover would not comprehend,
"and it pays like a nitrate bed. I was clever enough to see that
cottages like these were just what's wanted by the workmen in the
factory that have families. I made some money when I sold out my block
to the boot and shoe people, and I invested it again in these cottages.
They are cheap and serviceable and they meet the demand." Vandover
nodded his head in assent, looking vaguely about him, now at the
cottages, now at the great building across the street. Geary got the
keys to one of the vacant cottages and the two went inside.

"Now here's what I want you to do," began Geary, pointing about with his
stick. "You see, when some of these people go out they leave the rooms
nasty, and that tells against the house when parties come to look at it.
I want you to go all over it, top and bottom, end to end, and give it a
good cleaning, sweep the floor, and wash the paint, you know. And now
these windows, you see how dirty they are; wash those inside and out,
but don't disturb the agents' signs; you understand?"

"Yes, I understand."

"Now come out here into the kitchen. Look at these laundry tubs and that
sink. See all that grease! Clean that all out, and underneath the sink
here. See that rubbish! Take that out, too. Now in here--look at that
bathtub and toilet. You see how nasty they have left them. You want to
make 'em look like new!"

"Yes."

"Now come downstairs. You see I give 'em a little floored basement,
here; kind of a storeroom and coalroom. Here's where most of the dirt
and rubbish is. Just look at it! See all that pile over there?"

"I see."

"Take it all out and pile it in the back yard. I'll have an ashman come
and remove it. Whew! there is a dead hen under here; sling that out the
first thing."

They went back through the house again, and Geary pointed out the tiny
garden to Vandover. "Straighten that up a bit, pick up those old
newspapers and the tin cans. Make it look neat. Now you understand just
what I want? You make a good job of it, and when you are through with
this house, you begin on the next vacant one farther down the row. You
can get the keys at the same place. You get to work right away. I should
think you ought to finish this house this afternoon."

"All right," answered Vandover.

"I'm going to look around a little. I'll drop in again in about an hour
and see how you're getting on."

With that Geary went away. It was Saturday afternoon, and as the law
office closed at noon that day, Geary very often spent the time until
evening looking about his property. He left Vandover and went slowly
down the street, noting each particular house with immense satisfaction,
even entering some of them, talking with the womenfolk, all the men
being at the factory.

Vandover took off his coat, his old and greasy cutaway, and began work.
He drew a pail of water from the garden faucet in a neighbour's yard,
and commenced washing the windows. First he washed the panes from the
inside, very careful not to disturb Adams & Brunt's signs, and then
cleaned the outside, sitting upon the window ledge, his body half in and
half out of the house.

Geary enjoyed himself immensely. The news of the landlord's visit had
spread from cottage to cottage, awakening a mild excitement throughout
the length of the row. The women showed themselves on the steps or on
the sidewalks, very slatternly, without corsets, their hair coming down,
dressed in faded calico wrappers just as they had come from the laundry
tubs or the cook-stove. They bethought them of their various grievances,
a leak here, a broken door-bell there, a certain bad smell that was
supposed to have some connection with a rash upon the children's faces.
They waited for Geary's appearance by ones and twos, timid, very
respectful, but querulous for all that, filling the air with their
lamentations.

Vandover had finished with the windows. Now he was cleaning out the sink
and the laundry tubs. They smelt very badly and were all foul with a
greasy mixture of old lard, soap, soot, and dust; a little mould was
even beginning to form about the faucets of the tubs. The escape pipe of
the sink was clogged, and he had to run his finger into it again and
again to get it free. The kitchen was very dirty; old bottles of sweet
oil, mouldy vinegar and flat beer cluttered the dusty shelves of the
pantry.

Meanwhile Geary continued his rounds. He went about among the groups of
his tenants, very pleased and contented, smiling affably upon them. He
enlarged himself, giving himself the airs of an English lord in the
midst of his tenantry, listening to their complaints with a
good-humoured smile of toleration. A few men were about, some of whom
were out of work for the moment; others who were sick. To these Geary
was particularly condescending. He sat in their parlours, little,
crowded rooms, smelling of stale upholstery and of the last meal, where
knitted worsted tidies, very gaudy, covered the backs of the larger
chairs and where one inevitably discovered the whatnot standing in one
corner, its shelves filled with shell-boxes, broken thermometers and
little alabaster jars, shaped like funeral urns, where one kept the
matches. The wife brought the children in, very dirty, looking solemnly
at Geary, their eyes enlarged in the direct unwinking gaze of cows.

By this time Vandover had finished with the sinks and tubs and was down
upon his hands and knees scrubbing the stains of grease upon the floor
of the kitchen. It was very hard work, as his water was cold. He was
still working about this spot when Geary returned. By this time Vandover
was so tired that he trembled all over, his spine seemed to be breaking
in two, and every now and then he paused and passed his hand over the
small of his back, closing his eyes and drawing a long breath.

"Well, how are you getting on?" asked Geary, as he came into the
kitchen, drawing on his gloves, about ready to go home.

"Oh, I'm getting along," replied Vandover, rising up to his knees.

"You want to hurry up," answered Geary. "You must be done with this
house by this evening. You see, I want to advertise it in to-morrow's
papers."

"All right; I'll have it done."

"Pretty dirty, wasn't it?"

"Yes, pretty dirty."

"You may have to work here a little later than usual this afternoon, but
be sure you have everything cleaned up before you leave," Geary said.

"All right," answered Vandover, bending to his work again.

Just as Geary was leaving he had the admirable good fortune to meet on
the steps of the cottage a little group who were house-hunting; two
young women and a little boy. The mother of the little boy, so she
explained to him, was married to one of the burnishers in the factory;
the other woman was her sister.

Geary showed them about the little house, very eager to secure them as
tenants then and there. He began to sing its praises, its nearness to
the factory, its excellent plumbing, its bathroom and its one stationary
washstand; its little garden and its location on the sunny side of the
street. "I'm a good landlord," he said to them, as he ushered them into
the kitchen. "Any one in the row will tell you that. I make it a point
to keep my houses in good repair and to keep them clean. You see, I have
a man here now cleaning out." Vandover glanced up at the women an
instant. The two of them and the little boy looked down at him on all
fours upon the floor. Then he went on with his work.

"This is the kitchen, you see," pursued Geary. "Notice how large it is;
you see, here are your laundry tubs, your iron sink, your boiler,
everything you need. Of course, it's a little grimy now, but by the time
the man gets through, it will be as clean as your face. Now come
downstairs here and I'll show the basement."

In a moment their voices sounded through the floor of the kitchen, an
indistinct, continuous murmur. Then the party returned and passed by
Vandover again and stood for a long time in the front room haggling. The
cottage rented for fifteen dollars. The young woman was willing to take
it at that, but with the understanding that Geary should pay the water
rent. Geary refused, unwilling even to listen to such a thing. Every
other tenant in the row paid for his own water. The young women went
away shaking their heads sadly. Geary let them get half-way down the
front steps and then called them back. He offered a compromise, the
young women should pay for the water, but half of their first month's
rent should be remitted. The burnisher's wife still hesitated, saying,
"You know yourself this house is awfully dirty."

"Well, you see I'm having it cleaned!"

"It'll have to be cleaned pretty thoroughly. I can't stand _dirt._"

"It _will_ be cleaned thoroughly," persisted Geary. "The man will work
at it until it is. You can keep an eye on him and see that the work is
done to suit you."

"You see," objected the burnisher's wife, "I would want to move in right
away. I don't want to wait all week for the man to get through."

"But he is going to be through with this house to-night," exclaimed
Geary delighted. "Come now, I know you want this cottage and I would
like to have such nice-looking people have it. I know you would make
good tenants. I can find lots of other tenants for this house, only you
know how it is, a nasty, slovenly woman about the house and a raft of
dirty children. And you don't like dirt, I can see that. Better call it
a bargain, and let it go at that."

In the end the burnisher's wife took the house. Geary even induced her
to deposit five dollars with him in order to secure it.

Vandover was down in the basement filling a barrel with the odds and
ends of rubbish left by the previous tenants: broken bottles, old
corsets, bones, rusty bedsprings. The dead hen he had taken out first of
all, carrying it by one leg. It was a gruesome horror, partly eaten by
rats, swollen, abnormally heavy, one side flattened from lying so long
upon the floor. He could hardly stand; each time he bent over it seemed
as though his backbone was disjointing. After cleaning out the debris he
began to sweep. The dust was fearful, choking, blinding, so thick that
he could hardly see what he was about. By and by he dimly made out
Geary's figure in the doorway.

"Those people have taken the house," he called out, "and I promised them
you would be through with it by this evening. So you want to stay with
it now till you're finished. I guess there's not much more to do. Don't
forget the little garden in front."

"No; I won't forget!"

Geary went away, and for another hour Vandover kept at his work,
stolidly, his mind empty of all thought, knowing only that he was very
tired, that his back pained him. He finished with the basement, but as
he was pottering about the little garden, picking up the discoloured
newspapers with which it was littered, the burnisher's wife returned,
together with her sister and the little boy; the little boy eating a
slice of bread and butter. They re-entered the house; Vandover heard
their voices, now in one room, now in another. They were looking over
their future home again; evidently they lived close by.

Suddenly the burnisher's wife came out upon the front steps, looking
down into the little garden, calling for Vandover. She was not pretty;
she had a nose like a man and her chin was broad.

"Say, there," she called to Vandover, "do you mean to say that you've
finished inside here?"

"Yes," answered Vandover, straightening up, nodding his head. "Yes, I've
finished."

"Well, just come in here and look at this."

Vandover followed her into the little parlour. Her sister was there,
very fat, smelling somehow of tallow candles and cooked cabbage; nearby
stood the little boy still eating his bread and butter.

"Look at that baseboard," exclaimed the burnisher's wife. "You never
touched that, I'll bet a hat." Vandover did not answer; he brought in
the pail of water, and soaping his scrubbing brush, went down again on
his hands and knees, washing the paint on the baseboard where the
burnisher's wife indicated. The two women stood by, looking on and
directing his movements. The little boy watched everything, never
speaking a word, slowly eating his bread and butter. Streaks of butter
and bread clung to his cheeks, stretching from the corners of his mouth
to his ears.

"I don't see how you come to overlook that," said the burnisher's wife
to Vandover. "That's the dirtiest baseboard I ever saw. Oh, my! I just
can't naturally stand _dirt_! There, you didn't get that stain off.
That's tobacco juice, I guess. Go back and wash that over again."
Vandover obeyed, holding the brush in one hand, crawling back along the
floor upon one palm and his two knees, a pool of soapy, dirty water very
cold gathered about him, soaking in through the old "blue pants" and
wetting him to the skin, but he slovened through it indifferently. "Put
a little more elbow grease to it," continued the burnisher's wife. "You
have to rub them spots pretty hard to get 'em out. Now scrub all along
here near the floor. You see that streak there--that's all gormed up
with something or other. Bugs get in there mighty quick. There, that'll
do, I guess. Now, is everything else all clean? Mister Geary said it was
to be done to my satisfaction, and that you were to stay here until
everything was all right."

All at once her voice was interrupted by the prolonged roar of the
factory's whistle, blowing as though it would never stop. It was
half-past five. In an instant the faint purring of the machinery
dwindled and ceased, leaving an abrupt silence in the air. A moment
later the army of operatives began to pour out of the main entrance; men
and girls and young boys, all in a great hurry, the men settling their
coat collars as they ran down the steps. The usually quiet street was
crowded in an instant.

The burnisher's wife stood on the steps of the vacant house with her
sister, watching the throng debouch into the street. All at once the
sister exclaimed, "There he is!" and the other began to call, "Oscar,
Oscar!" waving her hand to one of the workmen on the other side of the
street. It was her husband, the burnisher, and he came across the
street, crowding his lunch basket into the pocket of his coat. He was a
thin little man with a timid air, his face white and fat and covered
with a sparse unshaven stubble of a pale straw colour. An odour as of a
harness shop hung about him. Vandover gathered up his broom and pail and
soap preparing to go home.

"Well, Oscar, I've taken the house!" said his wife to the burnisher as
he came up the steps. "But I couldn't get him to say that he'd let me
have it for fifteen, water _included_. The landlord himself, Mr. Geary,
was here to-day and I made the dicker with him. He's had a man here all
day cleaning up." She explained the bargain, the burnisher approving of
everything, nodding his head continually. His wife showed him about the
house, her sister and the little boy following in silence. "He's a good
landlord, I guess," continued the young woman; "anybody in the row will
tell you that, and he means to keep his houses in good repair. Now you
see, here's the kitchen. You see how big it is. Here's our laundry tubs,
our iron sink, our boiler, and everything we want. It's all as clean as
a whistle; and get on to this big cubby under the sink where I can stow
away things." She opened its door to show her husband, but all at once
straightened up, exclaiming, "Well, dear me _suz_--did you _ever_ see
anything like that?" The cubby under the sink was abominably dirty.
Vandover had altogether forgotten it.

The little burnisher himself bent down and peered in.

"Oh, that'll never do!" he cried. "Has that man gone home yet? He
mustn't; he's got to clean this out first!" He had a weak, faint voice,
small and timid like his figure. He hurried out to the front door and
called Vandover back just as he was going down the steps. The two went
back into the kitchen and stood in front of the sink. "Look under
there!" piped the burnisher. "You can't leave that, that way."

"You know," protested his wife, "that this all was to be done to our
satisfaction. Mr. Geary said so. That's the only way I came to take the
house."

"It's about six o'clock, though," observed her fat sister, who smelt of
cooked cabbage. "Perhaps he'd want to go home to his dinner." But at
this both the others cried out in one voice, the burnisher exclaiming:
"I can't help _that_, this has got to be done first," while his wife
protested that she couldn't naturally stand dirt, adding, "This all was
to be done to our satisfaction, and we ain't satisfied yet by a long
shot." Delighted at this excitement, the little boy forgot to eat into
his bread and butter, rolling his eyes wildly from one to the other,
still silent.

Meanwhile, without replying, Vandover had gone down upon the floor
again, poking about amid the filth under the sink. The four others, the
burnisher, his wife, his sister-in-law and his little boy, stood about
in a half-circle behind him, seeing to it that he did the work properly,
giving orders as to how he should proceed.

"Now, be sure you get everything out that's under there," said the
burnisher. "Ouf! how it smells! They made a regular dump heap of it."

"What's that over in the corner there?" cried the wife, bending down. "I
can't see, it's so dark under there--something gray; can't you see, in
under there? You'll have to crawl way in to get at it--go way in!"
Vandover obeyed. The sink pipes were so close above him that he was
obliged to crouch lower and lower; at length he lay flat upon his
stomach. Prone in the filth under the sink, in the sour water, the
grease, the refuse, he groped about with his hand searching for the
something gray that the burnisher's wife had seen. He found it and drew
it out. It was an old hambone covered with a greenish fuzz.

"Oh, did you _ever_!" cried the burnisher, holding up his hands. "Here,
don't drop that on my clean floor; put it in your pail. Now get out the
rest of the dirt, and hurry up, it's late." Vandover crawled back, half
the way under the sink again, this time bringing out a rusty pan half
full of some kind of congealed gravy that exhaled a choking, acrid
odour; next it was an old stocking, and then an ink bottle, a broken
rat-trap, a battered teapot lacking a nozzle, a piece of rubber hose, an
old comb choked with a great handful of hair, a torn overshoe,
newspapers, and a great quantity of other debris that had accumulated
there during the occupancy of the previous tenant.

"Now go over the floor with a rag," ordered the little burnisher, when
the last of these articles had been brought out. "Wipe up all that nasty
muck! Look there by your knee to your left! Scrub that big spot there
with your brush--looks like grease. That's the style--scrub it hard!"
His wife joined her directions to his. Then it was over here, and over
there, now in that corner, now in this, and now with his brush and soap,
and now with his dry rag, and hurry up all the time because it was
growing late. But the little boy, carried away by the interest of the
occasion, suddenly broke silence for the first time, crying out shrilly,
his mouth full of bread and butter, "Hey there! Get up, you old
lazee-bones!"

The others shouted with laughter. _There_ was a smart little boy for
you. Ah, he'd be a man before his mother. It was wonderful how that boy
saw everything that went on. He took an _interest_, that was it. You
ought to see, he watched everything, and sometimes he'd plump out with
things that were astonishing for a boy of his years. Only four and a
half, too, and they reminded each other of the first day he put on
knickerbockers; stood in front of the house on the sidewalk all day long
with his hands in his pockets. The interest was directed from Vandover,
they turned their backs, grouping themselves about the little boy. The
burnisher's sister-in-law felt called upon to tell about her little
girl, a matter of family pride. _She_ was going on twelve, and would you
suppose that little thing was in next to the last grade in the grammar
school? Her teacher had said that she was a real wonder; never had had
such a bright pupil. Ah, but one should see how she studied over her
books all the time. Next year they were to try to get her into the high
school. Of course she was not ready for the high school yet, and it was
against the rule to let children in that way, she was too young, but
they had a pull, you understand. Oh, yes, for sure they had a pull.
_They'd_ work her in all right. The burnisher's wife was not listening.
She wanted to draw the interest back to her own little boy. She bent
down and straightened out his little jacket, saying, "Does he like his
bread 'n butter? Well, he could have all he wanted!" But the little boy
paid no attention to her. He had made a _bon-mot_, ambition stirred in
him, he had tasted the delights of an appreciative audience. Bread and
butter had fallen in his esteem. He wished to repeat his former success,
and cried out shriller than ever:

"Hey, there! Get up, you old lazee-bones!"

But his father corrected him--his mother ought not to encourage him to
be rude. "That's not right, Oscar," he observed, shaking his head. "You
must be kind to the poor man."

Vandover was sitting back on his heels to rest his back, waiting till
the others should finish.

"Well, all through?" inquired the burnisher in his thin voice. Vandover
nodded. But his wife was not satisfied until she had herself carefully
peered into the cubby, while her husband held a lighted match for her.
"Ah, that's something like," she said finally.

It was nearly seven. Vandover prepared to go home a second time. The
little boy stood in front of him, looking down at him as he made his
brush and rags and broom into a bundle; the boy slowly eating his bread
and butter the while. In one corner of the room an excited whispered
conference was going on between the burnisher, his wife, and his fat
sister-in-law. From time to time one heard such expressions as
"Overtime, you know--not afraid of work--ah! think I'd better, looks as
though he needed it." In a moment the two women went out, calling in
vain for the little boy to follow, and the burnisher crossed the room
toward Vandover. Vandover was on his knees tying up his bundle with a
bit of bale rope.

"I'm sorry," began the burnisher awkwardly. "We didn't mean to keep you
from your supper--here," he went on, holding out a quarter to Vandover,
"here, you take this, that's all right--you worked overtime for us,
that's all right. Come along, Oscar; come along, m'son."

Vandover put the quarter in his vest pocket.

"Thank you, sir," he said.

The burnisher hurried away, calling back, "Come along, m'son; don't keep
your mama waiting for supper." But the little boy remained very
interested in watching Vandover, still on the floor, tying the last
knots. As he finished, he glanced up. For an instant the two remained
there motionless, looking into each other's eyes, Vandover on the floor,
one hand twisted into the bale rope about his bundle, the little boy
standing before him eating the last mouthful of his bread and butter.





*** END OF THE PROJECT GUTENBERG EBOOK VANDOVER AND THE BRUTE ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.