http://www.gutenberg.org/ebooks/15369.opds 2024-11-10T03:03:20Z Old Scores and New Readings: Discussions on Music & Certain Musicians by Runciman Free eBooks since 1971. Project Gutenberg https://www.gutenberg.org webmaster@gutenberg.org https://www.gutenberg.org/gutenberg/favicon.ico 25 1 2024-11-10T03:03:20Z Old Scores and New Readings: Discussions on Music & Certain Musicians

This edition had all images removed.

Title: Old Scores and New Readings: Discussions on Music & Certain Musicians

Note: Reading ease score: 53.1 (10th to 12th grade). Somewhat difficult to read.

Contents: William Byrde ... his mass -- Our last great musician (Henry Purcell, 1658-95) -- Bach; the "Matthew" passion and the "John" -- Handel -- Haydn and his "Creation" -- Mozart, his "Don Giovanni" and the Requiem -- "Fidelio" -- Schubert -- Weber and Wagner -- Italian opera, dead and dying -- Verdi young and Verdi younger -- "The flying Dutchman" -- "Lohengrin" -- "Tristan and Isolda" -- "Siegfried" -- "The dusk of the gods" -- "Parsifal" -- Bayreuth in 1897 -- A note on Brahms -- Anton Dvorák -- Tschaikowsky and his "Pathetic" symphony -- Lamoureux and his orchestra.

Credits: E-text prepared by Steven Gibbs and the Project Gutenberg Online Distributed Proofreading Team

Summary: "Old Scores and New Readings: Discussions on Music & Certain Musicians" by John F. Runciman is a collection of musical critiques written in the early 20th century. The work delves into historical analyses and opinions on various composers, including well-known figures like Byrde, Purcell, Bach, Handel, Haydn, and Mozart. Runciman's discussions aim to reassess their contributions to music and defend the legacy of composers who he believes have been unjustly overlooked or misunderstood by later critics. The opening of the book begins with an admiration for the English composer William Byrde, particularly focusing on his D minor Mass and emphasizing its beauty and emotional depth. Runciman advocates for reevaluating Byrde's work, arguing that previous judgments have neglected the innovation and expressiveness found in his music, which deviated from later established rules of composition. He contrasts Byrde's artistry with that of his contemporaries and successors, suggesting that his music belongs among the finest treasures of early English composition. This sets the tone for the book, as Runciman promises to explore both the merits and cultural contexts of various historical musicians throughout his ensuing discussions. (This is an automatically generated summary.)

Author: Runciman, John F., 1866-1916

EBook No.: 15369

Published: Mar 15, 2005

Downloads: 97

Language: English

Subject: Music

Subject: Musicians

Subject: Opera

LoCC: Music: Literature of music

Category: Text

Rights: Public domain in the USA.

urn:gutenberg:15369:2 2005-03-15T00:00:00+00:00 Public domain in the USA. Runciman, John F. en 1
2024-11-10T03:03:20Z Old Scores and New Readings: Discussions on Music & Certain Musicians

This edition has images.

Title: Old Scores and New Readings: Discussions on Music & Certain Musicians

Note: Reading ease score: 53.1 (10th to 12th grade). Somewhat difficult to read.

Contents: William Byrde ... his mass -- Our last great musician (Henry Purcell, 1658-95) -- Bach; the "Matthew" passion and the "John" -- Handel -- Haydn and his "Creation" -- Mozart, his "Don Giovanni" and the Requiem -- "Fidelio" -- Schubert -- Weber and Wagner -- Italian opera, dead and dying -- Verdi young and Verdi younger -- "The flying Dutchman" -- "Lohengrin" -- "Tristan and Isolda" -- "Siegfried" -- "The dusk of the gods" -- "Parsifal" -- Bayreuth in 1897 -- A note on Brahms -- Anton Dvorák -- Tschaikowsky and his "Pathetic" symphony -- Lamoureux and his orchestra.

Credits: E-text prepared by Steven Gibbs and the Project Gutenberg Online Distributed Proofreading Team

Summary: "Old Scores and New Readings: Discussions on Music & Certain Musicians" by John F. Runciman is a collection of musical critiques written in the early 20th century. The work delves into historical analyses and opinions on various composers, including well-known figures like Byrde, Purcell, Bach, Handel, Haydn, and Mozart. Runciman's discussions aim to reassess their contributions to music and defend the legacy of composers who he believes have been unjustly overlooked or misunderstood by later critics. The opening of the book begins with an admiration for the English composer William Byrde, particularly focusing on his D minor Mass and emphasizing its beauty and emotional depth. Runciman advocates for reevaluating Byrde's work, arguing that previous judgments have neglected the innovation and expressiveness found in his music, which deviated from later established rules of composition. He contrasts Byrde's artistry with that of his contemporaries and successors, suggesting that his music belongs among the finest treasures of early English composition. This sets the tone for the book, as Runciman promises to explore both the merits and cultural contexts of various historical musicians throughout his ensuing discussions. (This is an automatically generated summary.)

Author: Runciman, John F., 1866-1916

EBook No.: 15369

Published: Mar 15, 2005

Downloads: 97

Language: English

Subject: Music

Subject: Musicians

Subject: Opera

LoCC: Music: Literature of music

Category: Text

Rights: Public domain in the USA.

urn:gutenberg:15369:3 2005-03-15T00:00:00+00:00 Public domain in the USA. Runciman, John F. en 1