The Project Gutenberg eBook of Life of Lord Byron: with His Letters and Journals, vol III, by Thomas Moore

LETTERS AND JOURNALS OF LORD BYRON, WITH NOTICES OF HIS LIFE,
from February, 1814, to April, 1817. Pg 1

NOTICES

OF THE

LIFE OF LORD BYRON.

"Better than a month since I last journalised:—most of it out of London and at Notts., but a busy one and a pleasant, at least three weeks of it. On my return, I find all the newspapers in hysterics [1] , Pg 2 and town in an uproar, on the avowal and republication of two stanzas on Princess Charlotte's weeping at Regency's speech to Lauderdale in 1812. They are daily at it still;—some of the abuse good, all of it hearty. They talk of a motion in our House upon it—be it so.

"Got up—redde the Morning Post, containing the battle of Buonaparte, the destruction of the Custom-house, and a paragraph on me as long as my pedigree, and vituperative, as usual.

"Hobhouse is returned to England. He is my best friend, the most lively, and a man of the most sterling talents extant.

"'The Corsair' has been conceived, written, published, &c. since I last took up this journal. They tell me it has great success;—it was written con amore , and much from existence . Murray is satisfied with its progress; and if the public are equally so with the perusal, there's an end of the matter.

"Been to Hanson's on business. Saw Rogers, and had a note from Lady Melbourne, who says, it Pg 3 is said I am 'much out of spirits.' I wonder if I really am or not? I have certainly enough of 'that perilous stuff which weighs upon the heart,' and it is better they should believe it to be the result of these attacks than of the real cause; but—ay, ay, always but , to the end of the chapter.

"Hobhouse has told me ten thousand anecdotes of Napoleon, all good and true. My friend H. is the most entertaining of companions, and a fine fellow to boot.

"Redde a little—wrote notes and letters, and am alone, which Locke says, is bad company. 'Be not solitary, be not idle.'—Um!—the idleness is troublesome; but I can't see so much to regret in the solitude. The more I see of men, the less I like them. If I could but say so of women too, all would be well. Why can't I? I am now six-and-twenty; my passions have had enough to cool them; my affections more than enough to wither them,—and yet—and yet—always yet and but —'Excellent well, you are a fishmonger—get thee to a nunnery.'—'They fool me to the top of my bent.'

"Began a letter, which I threw into the fire. Redde—but to little purpose. Did not visit Hobhouse, as I promised and ought. No matter, the loss is mine. Smoked cigars.

"Napoleon!—this week will decide his fate. All seems against him; but I believe and hope he will win—at least, beat back the invaders. What right have we to prescribe sovereigns to France? Oh for Pg 4 a Republic! 'Brutus, thou sleepest.' Hobhouse abounds in continental anecdotes of this extraordinary man; all in favour of his intellect and courage, but against his bonhommie . No wonder;—how should he, who knows mankind well, do other than despise and abhor them?

"The greater the equality, the more impartially evil is distributed, and becomes lighter by the division among so many—therefore, a Republic!

"More notes from Mad. de * * unanswered—and so they shall remain. I admire her abilities, but really her society is overwhelming—an avalanche that buries one in glittering nonsense—all snow and sophistry.

"Shall I go to Mackintosh's on Tuesday? um!—I did not go to Marquis Lansdowne's, nor to Miss Berry's, though both are pleasant. So is Sir James's,—but I don't know—I believe one is not the better for parties; at least, unless some regnante is there.

"I wonder how the deuce any body could make such a world; for what purpose dandies, for instance, were ordained—and kings—and fellows of colleges—and women of 'a certain age'—and many men of any age—and myself, most of all!

"Is there any thing beyond?— who knows? He that can't tell. Who tells that there is ? He who Pg 5 don't know. And when shall he know? perhaps, when he don't expect, and generally when he don't wish it. In this last respect, however, all are not alike: it depends a good deal upon education,—something upon nerves and habits—but most upon digestion.

"Just returned from seeing Kean in Richard. By Jove, he is a soul! Life—nature—truth without exaggeration or diminution. Kemble's Hamlet is perfect;—but Hamlet is not Nature. Richard is a man; and Kean is Richard. Now to my own concerns.

"Went to Waite's. Teeth all right and white; but he says that I grind them in my sleep and chip the edges. That same sleep is no friend of mine, though I court him sometimes for half the twenty-four.

"Got up and tore out two leaves of this Journal—I don't know why. Hodgson just called and gone. He has much bonhommie with his other good qualities, and more talent than he has yet had credit for beyond his circle.

"An invitation to dine at Holland House to meet Kean. He is worth meeting; and I hope, by getting into good society, he will be prevented from falling like Cooke. He is greater now on the stage, and off he should never be less. There is a stupid and under-rating criticism upon him in one of the newspapers. I thought that, last night, though great, he rather under-acted more than the first time. This may be the effect of these cavils; but I hope he has Pg 6 more sense than to mind them. He cannot expect to maintain his present eminence, or to advance still higher, without the envy of his green-room fellows, and the nibbling of their admirers. But, if he don't beat them all, why then—merit hath no purchase in 'these coster-monger days.'

"I wish that I had a talent for the drama; I would write a tragedy now . But no,—it is gone. Hodgson talks of one,—he will do it well;—and I think M—e should try. He has wonderful powers, and much variety; besides, he has lived and felt. To write so as to bring home to the heart, the heart must have been tried,—but, perhaps, ceased to be so. While you are under the influence of passions, you only feel, but cannot describe them,—any more than, when in action, you could turn round and tell the story to your next neighbour! When all is over,—all, all, and irrevocable,—trust to memory—she is then but too faithful.

"Went out, and answered some letters, yawned now and then, and redde the Robbers. Fine,—but Fiesco is better; and Alfieri and Monti's Aristodemo best . They are more equal than the Tedeschi dramatists.

"Answered—or, rather acknowledged—the receipt of young Reynolds's Poem, Safie. The lad is clever, but much of his thoughts are borrowed,— whence , the Reviewers may find out. I hate discouraging a young one; and I think,—though wild and more oriental than he would be, had he seen the scenes where he has placed his tale,—that he has much talent, and, certainly, fire enough.

Pg 7 "Received a very singular epistle; and the mode of its conveyance, through Lord H.'s hands, as curious as the letter itself. But it was gratifying and pretty.

"Here I am, alone, instead of dining at Lord H.'s, where I was asked,—but not inclined to go anywhere. Hobhouse says I am growing a loup garou ,—a solitary hobgoblin. True;—'I am myself alone.' The last week has been passed in reading—seeing plays—now and then visiters—sometimes yawning and sometimes sighing, but no writing,—save of letters. If I could always read, I should never feel the want of society. Do I regret it?—um!—'Man delights not me,' and only one woman—at a time.

"There is something to me very softening in the presence of a woman,—some strange influence, even if one is not in love with them,—which I cannot at all account for, having no very high opinion of the sex. But yet,—I always feel in better humour with myself and every thing else, if there is a woman within ken. Even Mrs. Mule [2] , my fire- Pg 8 lighter,—the most ancient and withered of her kind,—and (except to myself) not the best-tempered—always makes me laugh,—no difficult task when I am 'i' the vein.'

"Heigho! I would I were in mine island!—I am not well; and yet I look in good health. At times, I fear, 'I am not in my perfect mind;'—and yet my heart and head have stood many a crash, and what should ail them now? They prey upon themselves, and I am sick—sick—'Prithee, undo this button—why should a cat, a rat, a dog have life—and thou no life at all?' Six-and-twenty years, as they call them, why, I might and should have been a Pasha by this time. 'I 'gin to be a weary of the sun.'

Pg 9 "Buonaparte is not yet beaten; but has rebutted Blucher, and repiqued Swartzenburg. This it is to have a head. If he again wins, 'Væ victis!'

"On Tuesday last dined with Rogers,—Madame de Staël, Mackintosh, Sheridan, Erskine, and Payne Knight, Lady Donegall and Miss R. there. Sheridan told a very good story of himself and Madame de Recamier's handkerchief; Erskine a few stories of himself only. She is going to write a big book about England, she says;—I believe her. Asked by her how I liked Miss * *'s thing, called * *, and answered (very sincerely) that I thought it very bad for her , and worse than any of the others. Afterwards thought it possible Lady Donegall, being Irish, might be a patroness of * *, and was rather sorry for my opinion, as I hate putting people into fusses, either with themselves or their favourites; it looks as if one did it on purpose. The party went off very well, and the fish was very much to my gusto. But we got up too soon after the women; and Mrs. Corinne always lingers so long after dinner that we wish her in—the drawing-room.

"To-day C. called, and while sitting here, in came Merivale. During our colloquy, C.(ignorant that M. was the writer) abused the 'mawkishness of the Quarterly Review of Grimm's Correspondence.' I (knowing the secret) changed the conversation as soon as I could; and C. went away, quite convinced of having made the most favourable impression on his new acquaintance. Merivale is luckily a very Pg 10 good-natured fellow, or, God he knows what might have been engendered from such a malaprop. I did not look at him while this was going on, but I felt like a coal—for I like Merivale, as well as the article in question.

"Asked to Lady Keith's to-morrow evening—I think I will go; but it is the first party invitation I have accepted this 'season,' as the learned Fletcher called it, when that youngest brat of Lady * *'s cut my eye and cheek open with a misdirected pebble—'Never mind, my Lord, the scar will be gone before the season ;' as if one's eye was of no importance in the mean time.

"Lord Erskine called, and gave me his famous pamphlet, with a marginal note and corrections in his handwriting. Sent it to be bound superbly, and shall treasure it.

"Sent my fine print of Napoleon to be framed. It is framed; and the Emperor becomes his robes as if he had been hatched in them.

"Rose at seven—ready by half-past eight—went to Mr. Hanson's, Berkeley Square—went to church with his eldest daughter, Mary Anne (a good girl), and gave her away to the Earl of Portsmouth. Saw her fairly a countess—congratulated the family and groom (bride)—drank a bumper of wine (wholesome sherris) to their felicity, and all that—and came home. Asked to stay to dinner, but could not. At three sat to Phillips for faces. Called on Lady M.—I like her so well, that I always stay too long. (Mem. to mend of that.)

Pg 11 "Passed the evening with Hobhouse, who has begun a poem, which promises highly;—wish he would go on with it. Heard some curious extracts from a life of Morosini, the blundering Venetian, who blew up the Acropolis at Athens with a bomb, and be d——d to him! Waxed sleepy—just come home—must go to bed, and am engaged to meet Sheridan to-morrow at Rogers's.

"Queer ceremony that same of marriage—saw many abroad, Greek and Catholic—one, at home , many years ago. There be some strange phrases in the prologue (the exhortation), which made me turn away, not to laugh in the face of the surpliceman. Made one blunder, when I joined the hands of the happy—rammed their left hands, by mistake, into one another. Corrected it—bustled back to the altar-rail, and said 'Amen.' Portsmouth responded as if he had got the whole by heart; and, if any thing, was rather before the priest. It is now midnight, and * * *.

"On Tuesday dined with Rogers,—Mackintosh, Sheridan, Sharpe,—much talk, and good,—all, except my own little prattlement. Much of old times—Horne Tooke—the Trials—evidence of Sheridan, and anecdotes of those times, when I , alas! was an infant. If I had been a man, I would have made an English Lord Edward Fitzgerald.

"Set down Sheridan at Brookes's,—where, by the by, he could not have well set down himself, as he and I were the only drinkers. Sherry means to Pg 12 stand for Westminster, as Cochrane (the stock-jobbing hoaxer) must vacate. Brougham is a candidate. I fear for poor dear Sherry. Both have talents of the highest order, but the youngster has yet a character. We shall see, if he lives to Sherry's age, how he will pass over the redhot ploughshares of public life. I don't know why, but I hate to see the old ones lose; particularly Sheridan, notwithstanding all his méchanceté .

"Received many, and the kindest, thanks from Lady Portsmouth, père and mère , for my match-making. I don't regret it, as she looks the countess well, and is a very good girl. It is odd how well she carries her new honours. She looks a different woman, and high-bred, too. I had no idea that I could make so good a peeress.

"Went to the play with Hobhouse. Mrs. Jordan superlative in Hoyden, and Jones well enough in Foppington. What plays! what wit!—helas! Congreve and Vanbrugh are your only comedy. Our society is too insipid now for the like copy. Would not go to Lady Keith's. Hobhouse thought it odd. I wonder he should like parties. If one is in love, and wants to break a commandment and covet any thing that is there, they do very well. But to go out amongst the mere herd, without a motive, pleasure, or pursuit—'sdeath! 'I'll none of it.' He told me an odd report,—that I am the actual Conrad, the veritable Corsair, and that part of my travels are supposed to have passed in privacy. Um!—people sometimes hit near the truth; but never the whole truth. H. don't know what I was Pg 13 about the year after he left the Levant; nor does any one—nor—nor—nor—however, it is a lie—but, 'I doubt the equivocation of the fiend that lies like truth!'

"I shall have letters of importance to-morrow. Which, * *, * *, or * *? heigho!—* * is in my heart, * * in my head, * * in my eye, and the single one, Heaven knows where. All write, and will be answered. 'Since I have crept in favour with myself, I must maintain it;' but I never 'mistook my person,' though I think others have.

"* * called to-day in great despair about his mistress, who has taken a freak of * * *. He began a letter to her, but was obliged to stop short—I finished it for him, and he copied and sent it. If he holds out, and keeps to my instructions of affected indifference, she will lower her colours. If she don't, he will, at least, get rid of her, and she don't seem much worth keeping. But the poor lad is in love—if that is the case, she will win. When they once discover their power, finita e la musica .

"Dined yesterday with R., Mackintosh, and Sharpe. Sheridan could not come. Sharpe told several very amusing anecdotes of Henderson, the actor. Stayed till late, and came home, having drank so much tea , that I did not get to sleep till six this morning. R. says I am to be in this Quarterly—cut up, I presume, as they 'hate us youth.' N'importe . As Sharpe was passing by the doors of Pg 14 some debating society (the Westminster Forum), in his way to dinner, he saw rubricked on the walls Scott 's name and mine —'Which the best poet?' being the question of the evening; and I suppose all the Templars and would bes took our rhymes in vain, in the course of the controversy. Which had the greater show of hands, I neither know nor care; but I feel the coupling of the names as a compliment,—though I think Scott deserves better company.

"W.W. called—Lord Erskine, Lord Holland, &c. &c. Wrote to * * the Corsair report. She says she don't wonder, since 'Conrad is so like .' It is odd that one, who knows me so thoroughly, should tell me this to my face. However, if she don't know, nobody can.

"Mackintosh is, it seems, the writer of the defensive letter in the Morning Chronicle. If so, it is very kind, and more than I did for myself.

"Told Murray to secure for me Bandello's Italian Novels at the sale to-morrow. To me they will be nuts . Redde a satire on myself, called 'Anti-Byron,' and told Murray to publish it if he liked. The object of the author is to prove me an atheist and a systematic conspirator against law and government. Some of the verse is good; the prose I don't quite understand. He asserts that my 'deleterious works' have had 'an effect upon civil society, which requires,' &c. &c. &c. and his own poetry. It is a lengthy poem, and a long preface, with a harmonious title-page. Like the fly in the fable, I seem to have got upon a wheel which makes much dust; but, un Pg 15 like the said fly, I do not take it all for my own raising.

"A letter from Bella , which I answered. I shall be in love with her again, if I don't take care.

"I have been sparring with Jackson for exercise this morning; and mean to continue and renew my acquaintance with the muffles. My chest, and arms, and wind are in very good plight, and I am not in flesh. I used to be a hard hitter, and my arms are very long for my height (5 feet 8-1/2 inches). At any rate, exercise is good, and this the severest of all; fencing and the broad-sword never fatigued me half so much.

"Redde the 'Quarrels of Authors' (another sort of sparring )—a new work, by that most entertaining and researching writer, Israeli. They seem to be an irritable set, and I wish myself well out of it. 'I'll not march through Coventry with them, that's flat.' What the devil had I to do with scribbling? It is too late to enquire, and all regret is useless. But, an' it were to do again,—I should write again, I suppose. Such is human nature, at least my share of it;—though I shall think better of myself, if I have sense to stop now. If I have a wife, and that wife has a son—by any body—I will bring up mine heir in the most anti-poetical way—make him a lawyer, or a pirate, or—any thing. But, if he writes too, I shall be sure he is none of mine, and cut him off with a Bank token. Must write a letter—three o'clock.

"I intended to go to Lady Hardwicke's, but won't. I always begin the day with a bias towards going to parties; but, as the evening advances, my stimulus fails, and I hardly ever go out—and, when I do, always regret it. This might have been a pleasant one;—at least, the hostess is a very superior woman. Lady Lansdowne's to morrow—Lady Heathcote's Wednesday. Um!—I must spur myself into going to some of them, or it will look like rudeness, and it is better to do as other people do—confound them!

"Redde Machiavel, parts of Chardin, and Sismondi, and Bandello—by starts. Redde the Edinburgh, 44, just come out. In the beginning of the article on 'Edgeworth's Patronage,' I have gotten a high compliment, I perceive. Whether this is creditable to me, I know not; but it does honour to the editor, because he once abused me. Many a man will retract praise; none but a high-spirited mind will revoke its censure, or can praise the man it has once attacked. I have often, since my return to England, heard Jeffrey most highly commended by those who know him for things independent of his talents. I admire him for this —not because he has praised me , (I have been so praised elsewhere and abused, alternately, that mere habit has rendered me as indifferent to both as a man at twenty-six can be to any thing,) but because he is, perhaps, the only man who, under the relations in which he and I stand, or stood, with regard to each other, would have had the liberality to act thus; none but a great soul dared hazard it. The height on which he stands Pg 17 has not made him giddy:—a little scribbler would have gone on cavilling to the end of the chapter. As to the justice of his panegyric, that is matter of taste. There are plenty to question it, and glad, too, of the opportunity.

"Lord Erskine called to-day. He means to carry down his reflections on the war—or rather wars—to the present day. I trust that he will. Must send to Mr. Murray to get the binding of my copy of his pamphlet finished, as Lord E. has promised me to correct it, and add some marginal notes to it. Any thing in his handwriting will be a treasure, which will gather compound interest from years. Erskine has high expectations of Mackintosh's promised History. Undoubtedly it must be a classic, when finished.

"Sparred with Jackson again yesterday morning, and shall to-morrow. I feel all the better for it, in spirits, though my arms and shoulders are very stiff from it. Mem. to attend the pugilistic dinner:—Marquess Huntley is in the chair.

"Lord Erskine thinks that ministers must be in peril of going out. So much the better for him. To me it is the same who are in or out;—we want something more than a change of ministers, and some day we will have it.

"I remember [3] , in riding from Chrisso to Castri (Delphos), along the sides of Parnassus, I saw six Pg 18 eagles in the air. It is uncommon to see so many together; and it was the number—not the species, which is common enough—that excited my attention.

"The last bird I ever fired at was an eaglet , on the shore of the Gulf of Lepanto, near Vostitza. It was only wounded, and I tried to save it, the eye was so bright; but it pined, and died in a few days; and I never did since, and never will, attempt the death of another bird. I wonder what put these two things into my head just now? I have been reading Sismondi, and there is nothing there that could induce the recollection.

"I am mightily taken with Braccio di Montone, Giovanni Galeazzo, and Eccelino. But the last is not Bracciaferro (of the same name), Count of Ravenna, whose history I want to trace. There is a fine engraving in Lavater, from a picture by Fuseli, of that Ezzelin, over the body of Meduna, punished by him for a hitch in her constancy during his absence in the Crusades. He was right—but I want to know the story.

"Last night, party at Lansdowne House. To-night, party at Lady Charlotte Greville's—deplorable waste of time, and something of temper. Nothing imparted—nothing acquired—talking without ideas:—if any thing like thought in my mind, it was not on the subjects on which we were gabbling. Heigho!—and in this way half London pass what is called life. To-morrow there is Lady Heathcote's— Pg 19 shall I go? yes—to punish myself for not having a pursuit.

"Let me see—what did I see? The only person who much struck me was Lady S* *d's eldest daughter, Lady C.L. They say she is not pretty. I don't know—every thing is pretty that pleases; but there is an air of soul about her—and her colour changes—and there is that shyness of the antelope (which I delight in) in her manner so much, that I observed her more than I did any other woman in the rooms, and only looked at any thing else when I thought she might perceive and feel embarrassed by my scrutiny. After all, there may be something of association in this. She is a friend of Augusta's, and whatever she loves I can't help liking.

"Her mother, the Marchioness, talked to me a little; and I was twenty times on the point of asking her to introduce me to sa fille , but I stopped short. This comes of that affray with the Carlisles.

"Earl Grey told me laughingly of a paragraph in the last Moniteur , which has stated, among other symptoms of rebellion, some particulars of the sensation occasioned in all our government gazettes by the 'tear' lines,— only amplifying, in its re-statement, an epigram (by the by, no epigram except in the Greek acceptation of the word) into a roman . I wonder the Couriers, &c. &c., have not translated that part of the Moniteur, with additional comments.

"The Princess of Wales has requested Fuseli to paint from 'The Corsair,'—leaving to him the choice of any passage for the subject: so Mr. Locke tells Pg 20 me. Tired, jaded, selfish, and supine—must go to bed.

" Roman , at least Romance , means a song sometimes, as in the Spanish. I suppose this is the Moniteur's meaning, unless he has confused it with 'The Corsair.'

"This night got into my new apartments, rented of Lord Althorpe, on a lease of seven years. Spacious, and room for my books and sabres. In the house , too, another advantage. The last few days, or whole week, have been very abstemious, regular in exercise, and yet very un well.

"Yesterday, dined tête-à-tête at the Cocoa with Scrope Davies—sat from six till midnight—drank between us one bottle of champagne and six of claret, neither of which wines ever affect me. Offered to take Scrope home in my carriage; but he was tipsy and pious, and I was obliged to leave him on his knees praying to I know not what purpose or pagod. No headach, nor sickness, that night nor to-day. Got up, if any thing, earlier than usual—sparred with Jackson ad sudorem , and have been much better in health than for many days. I have heard nothing more from Scrope. Yesterday paid him four thousand eight hundred pounds, a debt of some standing, and which I wished to have paid before. My mind is much relieved by the removal of that debit .

"Augusta wants me to make it up with Carlisle. I have refused every body else, but I can't deny her any thing;—so I must e'en do it, though I had as Pg 21 lief 'drink up Eisel—eat a crocodile.' Let me see—Ward, the Hollands, the Lambs, Rogers, &c. &c.—every body, more or less, have been trying for the last two years to accommodate this couplet quarrel to no purpose. I shall laugh if Augusta succeeds.

"Redde a little of many things—shall get in all my books to-morrow. Luckily this room will hold them—with 'ample room and verge, &c. the characters of hell to trace.' I must set about some employment soon; my heart begins to eat itself again.

"Out of town six days. On my return, find my poor little pagod, Napoleon, pushed off his pedestal;—the thieves are in Paris. It is his own fault. Like Milo, he would rend the oak [4] ; but it closed again, wedged his hands, and now the beasts—lion, bear, down to the dirtiest jackall—may all tear him. That Muscovite winter wedged his arms;—ever since, he has fought with his feet and teeth. The last may still leave their marks; and 'I guess now' (as the Yankees say) that he will yet play them a pass. He is in their rear—between them and their homes. Query—will they ever reach them?

"Napoleon Buonaparte has abdicated the throne Pg 22 of the world. 'Excellent well.' Methinks Sylla did better; for he revenged and resigned in the height of his sway, red with the slaughter of his foes—the finest instance of glorious contempt of the rascals upon record. Dioclesian did well too—Amurath not amiss, had he become aught except a dervise—Charles the Fifth but so so—but Napoleon, worst of all. What! wait till they were in his capital, and then talk of his readiness to give up what is already gone!! 'What whining monk art thou—what holy cheat?' 'Sdeath!—Dionysius at Corinth was yet a king to this. The 'Isle of Elba' to retire to!—Well—if it had been Caprea, I should have marvelled less. 'I see men's minds are but a parcel of their fortunes.' I am utterly bewildered and confounded.

"I don't know—but I think I , even I (an insect compared with this creature), have set my life on casts not a millionth part of this man's. But, after all, a crown may be not worth dying for. Yet, to outlive Lodi for this!!! Oh that Juvenal or Johnson could rise from the dead! 'Expende—quot libras in duce summo invenies?' I knew they were light in the balance of mortality; but I thought their living dust weighed more carats . Alas! this imperial diamond hath a flaw in it, and is now hardly fit to stick in a glazier's pencil:—the pen of the historian won't rate it worth a ducat.

"Psha! 'something too much of this.' But I won't give him up even now; though all his admirers have, 'like the thanes, fallen from him.'

"I do not know that I am happiest when alone; but this I am sure of, that I never am long in the society even of her I love, (God knows too well, and the devil probably too,) without a yearning for the company of my lamp and my utterly confused and tumbled-over library. [5] Even in the day, I send away my carriage oftener than I use or abuse it. Per esempio ,—I have not stirred out of these rooms for these four days past: but I have sparred for exercise (windows open) with Jackson an hour daily, to attenuate and keep up the ethereal part of me. The more violent the fatigue, the better my spirits for the rest of the day; and then, my evenings have that calm nothingness of languor, which I most delight in. To-day I have boxed one hour—written an ode to Napoleon Buonaparte—copied it—eaten six biscuits—drunk four bottles of soda water—redde away the rest of my time—besides giving poor * * a world of advice about this mistress of his, who is plaguing him into a phthisic and intolerable tediousness. I am a pretty fellow truly to lecture about 'the sect.' No matter, my counsels are all thrown away.

"There is ice at both poles, north and south—all extremes are the same—misery belongs to the highest and the lowest only,—to the emperor and Pg 24 the beggar, when unsixpenced and unthroned. There is, to be sure, a damned insipid medium—an equinoctial line—no one knows where, except upon maps and measurement.

I will keep no further journal of that same hesternal torch-light; and, to prevent me from returning, like a dog, to the vomit of memory, I tear out the remaining leaves of this volume, and write, in Ipecacuanha ,—'that the Bourbons are restored!!!'—'Hang up philosophy.' To be sure, I have long despised myself and man, but I never spat in the face of my species before—'O fool! I shall go mad.'"

The perusal of this singular Journal having made the reader acquainted with the chief occurrences that marked the present period of his history—the publication of The Corsair, the attacks upon him in the newspapers, &c.—there only remains for me to add his correspondence at the same period, by which the moods and movements of his mind, during these events, will be still further illustrated.

In consequence of this letter, Mr. Dallas addressed an explanation to one of the newspapers, of which the following is a part;—the remainder being occupied with a rather clumsily managed defence of his noble benefactor on the subject of the Stanzas.

Another of his friends having expressed, soon after, some intention of volunteering publicly in his defence, he lost no time in repressing him by the following sensible letter:—

He did not long persevere in his resolution against writing, as will be seen from the following notes to his publisher.

A resolution was, about this time, adopted by him, which, however strange and precipitate it appeared, a knowledge of the previous state of his mind may enable us to account for satisfactorily. He had now, for two years, been drawing upon the admiration of the public with a rapidity and success which seemed to defy exhaustion,—having crowded, indeed, into that brief interval the materials of a long life of fame. But admiration is a sort of impost from which most minds are but too willing to relieve themselves. The eye grows weary of looking up to the same object of wonder, and begins to exchange, at last, the delight of observing its elevation for the less generous pleasure of watching and speculating on its fall. The reputation of Lord Byron had already begun to ex Pg 71 perience some of these consequences of its own prolonged and constantly renewed splendour. Even among that host of admirers who would have been the last to find fault, there were some not unwilling to repose from praise; while they, who had been from the first reluctant eulogists, took advantage of these apparent symptoms of satiety to indulge in blame. [28]

Pg 72 The loud outcry raised, at the beginning of the present year, by his verses to the Princess Charlotte, had afforded a vent for much of this reserved venom; and the tone of disparagement in which some of his assailants now affected to speak of his poetry was, however absurd and contemptible in itself, precisely that sort of attack which was the most calculated to wound his, at once, proud and diffident spirit. As long as they confined themselves to blackening his moral and social character, so far from offending, their libels rather fell in with his own shadowy style of self-portraiture, and gratified the strange inverted ambition that possessed him. But the slighting opinion which they ventured to express of his genius,—seconded as it was by that inward dissatisfaction with his own powers, which they whose standard of excellence is highest are always the surest to feel,—mortified and disturbed him; and, being the first sounds of ill augury that had come across his triumphal career, startled him, as we have seen, into serious doubts of its continuance.

Had he been occupying himself, at the time, with any new task, that confidence in his own energies, which he never truly felt but while in the actual exercise of them, would have enabled him to forget these humiliations of the moment in the glow and excitement of anticipated success. But he had just pledged himself to the world to take a long farewell of poesy,—had sealed up that only fountain from which his heart ever drew refreshment or strength,—and thus was left, idly and helplessly, to brood over the daily taunts of his enemies, without the Pg 73 power of avenging himself when they insulted his person, and but too much disposed to agree with them when they made light of his genius. "I am afraid, (he says, in noticing these attacks in one of his letters,) what you call trash is plaguily to the purpose, and very good sense into the bargain; and, to tell the truth, for some little time past, I have been myself much of the same opinion."

In this sensitive state of mind,—which he but ill disguised or relieved by an exterior of gay defiance or philosophic contempt,—we can hardly feel surprised that he should have, all at once, come to the resolution, not only of persevering in his determination to write no more in future, but of purchasing back the whole of his past copyrights, and suppressing every page and line he had ever written. On his first mention of this design, Mr. Murray naturally doubted as to its seriousness; but the arrival of the following letter, enclosing a draft for the amount of the copyrights, put his intentions beyond question.

In such a conjuncture, an appeal to his good nature and considerateness was, as Mr. Murray well judged, his best resource; and the following prompt reply, will show how easily, and at once, it succeeded.

During my stay in town this year, we were almost daily together; and it is in no spirit of flattery to the dead I say, that the more intimately I became acquainted with his disposition and character, the more warmly I felt disposed to take an interest in every thing that concerned him. Not that, in the opportunities thus afforded me of observing more closely his defects, I did not discover much to lament, and not a little to condemn. But there was still, in the neighbourhood of even his worst faults, some atoning good quality, which was always sure, if brought kindly and with management into play, to neutralise their ill effects. The very frankness, indeed, with which he avowed his errors seemed to imply a confi Pg 76 dence in his own power of redeeming them,—a consciousness that he could afford to be sincere. There was also, in such entire unreserve, a pledge that nothing worse remained behind; and the same quality that laid open the blemishes of his nature gave security for its honesty. "The cleanness and purity of one's mind," says Pope, "is never better proved than in discovering its own faults, at first view; as when a stream shows the dirt at its bottom, it shows also the transparency of the water."

The theatre was, at this time, his favourite place of resort. We have seen how enthusiastically he expresses himself on the subject of Mr. Kean's acting, and it was frequently my good fortune, during this season, to share in his enjoyment of it,—the orchestra being, more than once, the place where, for a nearer view of the actor's countenance, we took our station. For Kean's benefit, on the 25th of May, a large party had been made by Lady J * *, to which we both belonged; but Lord Byron having also taken a box for the occasion, so anxious was he to enjoy the representation uninterrupted, that, by rather an unsocial arrangement, only himself and I occupied his box during the play, while every other in the house was crowded almost to suffocation; nor did we join the remainder of our friends till supper. Between the two parties, however, Mr. Kean had no reason to complain of a want of homage to his talents; as Lord J * *, on that occasion, presented him with a hundred pound share in the theatre; while Lord Byron sent him, next day, Pg 77 the sum of fifty guineas [29] ; and, not long after, on seeing him act some of his favourite parts, made him presents of a handsome snuff-box and a costly Turkish sword.

Such effect had the passionate energy of Kean's acting on his mind, that, once, in seeing him play Sir Giles Overreach, he was so affected as to be seized with a sort of convulsive fit; and we shall find him, some years after, in Italy, when the representation of Alfieri's tragedy of Mirra had agitated him in the same violent manner, comparing the two instances as the only ones in his life when "any thing under reality" had been able to move him so powerfully.

The following are a few of the notes which I received from him during this visit to town.

The supper, to which he here looks forward, took place at Watier's, of which club he had lately become a member; and, as it may convey some idea of his irregular mode of diet, and thus account, in part, for the frequent derangement of his health, I shall here attempt, from recollection, a description of his supper on this occasion. We were to have been joined by Lord R * *, who however did not arrive, and the party accordingly consisted but of ourselves. Having Pg 83 taken upon me to order the repast, and knowing that Lord Byron, for the last two days, had done nothing towards sustenance, beyond eating a few biscuits and (to appease appetite) chewing mastic, I desired that we should have a good supply of, at least, two kinds of fish. My companion, however, confined himself to lobsters, and of these finished two or three, to his own share,—interposing, sometimes, a small liqueur-glass of strong white brandy, sometimes a tumbler of very hot water, and then pure brandy again, to the amount of near half a dozen small glasses of the latter, without which, alternately with the hot water, he appeared to think the lobster could not be digested. After this, we had claret, of which having despatched two bottles between us, at about four o'clock in the morning we parted.

As Pope has thought his "delicious lobster-nights" worth commemorating, these particulars of one in which Lord Byron was concerned may also have some interest.

Among other nights of the same description which I had the happiness of passing with him, I remember once, in returning home from some assembly at rather a late hour, we saw lights in the windows of his old haunt Stevens's, in Bond Street, and agreed to stop there and sup. On entering, we found an old friend of his, Sir G * * W* *, who joined our party, and the lobsters and brandy and water being put in requisition, it was (as usual on such occasions) broad daylight before we separated.

To the circumstance mentioned in this letter he recurs more than once in the Journals which he kept abroad; as thus, in a passage of his "Detached Thoughts,"—where it will be perceived that, by a trifling lapse of memory, he represents himself as having produced this gazette, for the first time, on our way to dinner.

"In the year 1814, as Moore and I were going to dine with Lord Grey in Portman Square, I pulled out a 'Java Gazette' (which Murray had sent to me), in which there was a controversy on our respective merits as poets. It was amusing enough that we should be proceeding peaceably to the same table while they were squabbling about us in the Indian seas (to be sure the paper was dated six months before), and filling columns with Batavian criticism. But this is fame, I presume."

Pg 85 The following poem, written about this time, and, apparently, for the purpose of being recited at the Caledonian Meeting, I insert principally on account of the warm feeling which it breathes towards Scotland and her sons:—

The following undated notes to Mr. Rogers must have been written about the same time:—

On my return to London, for a short time, at the beginning of July, I found his poem of 'Lara,' which he had begun at the latter end of May, in the hands of the printer, and nearly ready for publication. He had, before I left town, repeated to me, as we were on our way to some evening party, the first one hundred and twenty lines of the poem, which he Pg 94 had written the day before,—at the same time giving me a general sketch of the characters and the story.

His short notes to Mr. Murray, during the printing of this work, are of the same impatient and whimsical character as those, of which I have already given specimens, in my account of his preceding publications: but, as matter of more interest now presses upon us, I shall forbear from transcribing them at length. In one of them he says, "I have just corrected some of the most horrible blunders that ever crept into a proof:"—in another, "I hope the next proof will be better; this was one which would have consoled Job, if it had been of his 'enemy's book:'" —a third contains only the following words: "Dear sir, you demanded more battle —there it is.

The two letters that immediately follow were addressed to me, at this time, in town.

Soon after the date of this letter, Lord Byron had to pay a visit to Cambridge for the purpose of voting Pg 124 for Mr. Clarke, who had been started by Trinity College as one of the candidates for Sir Busick Harwood's Professorship. On this occasion, a circumstance occurred which could not but be gratifying to him. As he was delivering in his vote to the Vice-Chancellor, in the Senate House, the under-graduates in the gallery ventured to testify their admiration of him by a general murmur of applause and stamping of the feet. For this breach of order, the gallery was immediately cleared by order of the Vice-Chancellor.

At the beginning of the month of December, being called up to town by business, I had opportunities, from being a good deal in my noble friend's society, of observing the state of his mind and feelings, under the prospect of the important change he was now about to undergo; and it was with pain I found that those sanguine hopes [51] with which I had sometimes looked forward to the happy influence of marriage, in winning him over to the brighter and better side of life, were, by a view of all the circumstances of his present destiny, considerably diminished; while, at the same time, not a few doubts and Pg 125 misgivings, which had never before so strongly occurred to me, with regard to his own fitness, under any circumstances, for the matrimonial tie, filled me altogether with a degree of foreboding anxiety as to his fate, which the unfortunate events that followed but too fully justified.

The truth is, I fear, that rarely, if ever, have men of the higher order of genius shown themselves fitted for the calm affections and comforts that form the cement of domestic life. "One misfortune (says Pope) of extraordinary geniuses is, that their very friends are more apt to admire than love them." To this remark there have, no doubt, been exceptions,—and I should pronounce Lord Byron, from my own experience, to be one of them,—but it would not be difficult, perhaps, to show, from the very nature and pursuits of genius, that such must generally be the lot of all pre-eminently gifted with it; and that the same qualities which enable them to command admiration are also those that too often incapacitate them from conciliating love.

The very habits, indeed, of abstraction and self-study to which the occupations of men of genius lead, are, in themselves, necessarily, of an unsocial and detaching tendency, and require a large portion of indulgence from others not to be set down as unamiable. One of the chief sources, too, of sympathy and society between ordinary mortals being their dependence on each other's intellectual resources, the operation of this social principle must naturally be weakest in those whose own mental stores are most abundant and self-sufficing, and who, Pg 126 rich in such materials for thinking within themselves, are rendered so far independent of any aid from others. It was this solitary luxury (which Plato called "banqueting his own thoughts") that led Pope, as well as Lord Byron, to prefer the silence and seclusion of his library to the most agreeable conversation.—And not only too, is the necessity of commerce with other minds less felt by such persons, but, from that fastidiousness which the opulence of their own resources generates, the society of those less gifted than themselves becomes often a restraint and burden, to which not all the charms of friendship, or even love, can reconcile them. "Nothing is so tiresome (says the poet of Vaucluse, in assigning a reason for not living with some of his dearest friends) as to converse with persons who have not the same information as one's self."

But it is the cultivation and exercise of the imaginative faculty that, more than any thing, tends to wean the man of genius from actual life, and, by substituting the sensibilities of the imagination for those of the heart, to render, at last, the medium through which he feels no less unreal than that through which he thinks. Those images of ideal good and beauty that surround him in his musings soon accustom him to consider all that is beneath this high standard unworthy of his care; till, at length, the heart becoming chilled as the fancy warms, it too often happens that, in proportion as he has refined and elevated his theory of all the social affections, he has unfitted himself for the Pg 127 practice of them. [52] Hence so frequently it arises that, in persons of this temperament, we see some bright but artificial idol of the brain usurp the place of all real and natural objects of tenderness. The poet Dante, a wanderer away from wife and children, passed the whole of a restless and detached life in nursing his immortal dream of Beatrice; while Petrarch, who would not suffer his only daughter to reside beneath his roof, expended thirty-two years of poetry and passion on an idealised love.

It is, indeed, in the very nature and essence of genius to be for ever occupied intensely with Self, as the great centre and source of its strength. Like the sister Rachel, in Dante, sitting all day before her mirror,

To this power of self-concentration, by which alone all the other powers of genius are made available, there is, of course, no such disturbing and fatal Pg 128 enemy as those sympathies and affections that draw the mind out actively towards others [53] ; and, accordingly, it will be found that, among those who have felt within themselves a call to immortality, the greater number have, by a sort of instinct, kept aloof from such ties, and, instead of the softer duties and rewards of being amiable, reserved themselves for the high, hazardous chances of being great. In looking back through the lives of the most illustrious poets,—the class of intellect in which the characteristic features of genius are, perhaps, most strongly marked,—we shall find that, with scarcely one exception, from Homer down to Lord Byron, they have been, in their several degrees, restless and solitary spirits, with minds wrapped up, like silk-worms, in their own tasks, either strangers, or rebels to domestic ties, and bearing about with them a deposit for posterity in their souls, to the jealous watching and enriching of which almost all other thoughts and considerations have been sacrificed.

"To follow poetry as one ought (says the authority [54] I have already quoted), one must forget father and mother and cleave to it alone." In these few words is pointed out the sole path that leads genius to greatness. On such terms alone are the high Pg 129 places of fame to be won;—nothing less than the sacrifice of the entire man can achieve them. However delightful, therefore, may be the spectacle of a man of genius tamed and domesticated in society, taking docilely upon him the yoke of the social ties, and enlightening without disturbing the sphere in which he moves, we must nevertheless, in the midst of our admiration, bear in mind that it is not thus smoothly or amiably immortality has been ever struggled for, or won. The poet thus circumstanced may be popular, may be loved; for the happiness of himself and those linked with him he is in the right road,—but not for greatness. The marks by which Fame has always separated her great martyrs from the rest of mankind are not upon him, and the crown cannot be his. He may dazzle, may captivate the circle, and even the times in which he lives, but he is not for hereafter.

To the general description here given of that high class of human intelligences to which he belonged, the character of Lord Byron was, in many respects, a signal exception. Born with strong affections and ardent passions, the world had, from first to last, too firm a hold on his sympathies to let imagination altogether usurp the place of reality, either in his feelings, or in the objects of them. His life, indeed, was one continued struggle between that instinct of genius, which was for ever drawing him back into the lonely laboratory of Self, and those impulses of passion, ambition, and vanity, which again hurried him off into the crowd, and entangled him in its interests; and though it may be granted that he Pg 130 would have been more purely and abstractedly the poet , had he been less thoroughly, in all his pursuits and propensities, the man , yet from this very mixture and alloy has it arisen that his pages bear so deeply the stamp of real life, and that in the works of no poet, with the exception of Shakspeare, can every various mood of the mind—whether solemn or gay, whether inclined to the ludicrous or the sublime, whether seeking to divert itself with the follies of society or panting after the grandeur of solitary nature—find so readily a strain of sentiment in accordance with its every passing tone.

But while the naturally warm cast of his affections and temperament gave thus a substance and truth to his social feelings which those of too many of his fellow votaries of Genius have wanted, it was not to be expected that an imagination of such range and power should have been so early developed and unrestrainedly indulged without producing, at last, some of those effects upon the heart which have invariably been found attendant on such a predominance of this faculty. It must have been observed, indeed, that the period when his natural affections flourished most healthily was before he had yet arrived at the full consciousness of his genius,—before Imagination had yet accustomed him to those glowing pictures, after gazing upon which all else appeared cold and colourless. From the moment of this initiation into the wonders of his own mind, a distaste for the realities of life began to grow upon him. Not even that intense craving after affection, which nature had implanted in him, could keep his ardour still alive in Pg 131 a pursuit whose results fell so short of his "imaginings;" and though, from time to time, the combined warmth of his fancy and temperament was able to call up a feeling which to his eyes wore the semblance of love, it may be questioned whether his heart had ever much share in such passions, or whether, after his first launch into the boundless sea of imagination, he could ever have been brought back and fixed by any lasting attachment. Actual objects there were, in but too great number, who, as long as the illusion continued, kindled up his thoughts and were the themes of his song. But they were, after all, little more than mere dreams of the hour;—the qualities with which he invested them were almost all ideal, nor could have stood the test of a month's, or even week's, cohabitation. It was but the reflection of his own bright conceptions that he saw in each new object; and while persuading himself that they furnished the models of his heroines, he was, on the contrary, but fancying that he beheld his heroines in them.

There needs no stronger proof of the predominance of imagination in these attachments than his own serious avowal, in the Journal already given, that often, when in the company of the woman he most loved, he found himself secretly wishing for the solitude of his own study. It was there , indeed,—in the silence and abstraction of that study,—that the chief scene of his mistress's empire and glory lay. It was there that, unchecked by reality, and without any fear of the disenchantments of truth, he could view her through the medium of his own fer Pg 132 vid fancy, enamour himself of an idol of his own creating, and out of a brief delirium of a few days or weeks, send forth a dream of beauty and passion through all ages.

While such appears to have been the imaginative character of his loves, (of all, except the one that lived unquenched through all,) his friendships, though, of course, far less subject to the influence of fancy, could not fail to exhibit also some features characteristic of the peculiar mind in which they sprung. It was a usual saying of his own, and will be found repeated in some of his letters, that he had "no genius for friendship," and that whatever capacity he might once have possessed for that sentiment had vanished with his youth. If in saying thus he shaped his notions of friendship according to the romantic standard of his boyhood, the fact must be admitted: but as far as the assertion was meant to imply that he had become incapable of a warm, manly, and lasting friendship, such a charge against himself was unjust, and I am not the only living testimony of its injustice.

To a certain degree, however, even in his friendships, the effects of a too vivid imagination, in disqualifying the mind for the cold contact of reality, were visible. We are told that Petrarch (who, in this respect, as in most others, may be regarded as a genuine representative of the poetic character,) abstained purposely from a too frequent intercourse with his nearest friends, lest, from the sensitiveness he was so aware of in himself, there should occur Pg 133 any thing that might chill his regard for them [55] ; and though Lord Byron was of a nature too full of social and kindly impulses ever to think of such a precaution, it is a fact confirmatory, at least, of the principle on which his brother poet, Petrarch, acted, that the friends, whether of his youth or manhood, of whom he had seen least, through life, were those of whom he always thought and spoke with the most warmth and fondness. Being brought less often to the touchstone of familiar intercourse, they stood naturally a better chance of being adopted as the favourites of his imagination, and of sharing, in consequence, a portion of that bright colouring reserved for all that gave it interest and pleasure. Next to the dead, therefore, whose hold upon his fancy had been placed beyond all risk of severance, those friends whom he but saw occasionally, and by such favourable glimpses as only renewed the first kindly impression they had made, were the surest to live unchangingly, and without shadow, in his memory.

To this same cause, there is little doubt, his love for his sister owed much of its devotedness and fervour. In a mind sensitive and versatile as his, long habits of family intercourse might have estranged, or at least dulled, his natural affection for her;—but their separation, during youth, left this feeling Pg 134 fresh and untried. [56] His very inexperience in such ties made the smile of a sister no less a novelty than a charm to him; and before the first gloss of this newly awakened sentiment had time to wear off, they were again separated, and for ever.

If the portrait which I have here attempted of the general character of those gifted with high genius be allowed to bear, in any of its features, a resemblance to the originals, it can no longer, I think, be matter of question whether a class so set apart from the track of ordinary life, so removed, by their very elevation, out of the influences of our common atmosphere, are at all likely to furnish tractable subjects for that most trying of all social experiments, matrimony. In reviewing the great names of philosophy and science, we shall find that all who have most distinguished themselves in those walks have, at least, virtually admitted their own unfitness for the marriage tie by remaining in celibacy;—Newton, Gassendi, Galileo, Descartes, Bayle, Locke, Leibnitz, Boyle, Hume, and a long list of other illustrious sages, having all led single lives. [57]

Pg 135 The poetic race, it is true, from the greater susceptibility of their imaginations, have more frequently fallen into the ever ready snare. But the fate of the poets in matrimony has but justified the caution of the philosophers. While the latter have given warning to genius by keeping free of the yoke, the others have still more effectually done so by their misery under it;—the annals of this sensitive race having, at all times, abounded with proofs, that genius ranks but low among the elements of social happiness,—that, in general, the brighter the gift, the more disturbing its influence, and that in married life particularly, its effects have been too often like that of the "Wormwood Star," whose light filled the waters on which it fell with bitterness.

Besides the causes already enumerated as leading naturally to such a result, from the peculiarities by which, in most instances, these great labourers in the field of thought are characterised, there is also much, no doubt, to be attributed to an unluckiness in the choice of helpmates,—dictated, as that choice frequently must be, by an imagination accustomed to deceive itself. But from whatever causes it may have arisen, the coincidence is no less striking than saddening, that, on the list of married poets who have been unhappy in their homes, there should already be found four such illustrious names as Dante, Milton [58] , Shaks Pg 136 peare [59] , and Dryden; and that we should now have to add, as a partner in their destiny, a name worthy of being placed beside the greatest of them,—Lord Byron.

I have already mentioned my having been called up to town in the December of this year. The opportunities I had of seeing Lord Byron during my stay were frequent; and, among them, not the least memorable or agreeable were those evenings we passed together at the house of his banker, Mr. Douglas Kinnaird, where music,—followed by its accustomed sequel of supper, brandy and water, and Pg 137 not a little laughter,—kept us together, usually, till rather a late hour. Besides those songs of mine which he has himself somewhere recorded as his favourites, there was also one to a Portuguese air, "The song of war shall echo through our mountains," which seemed especially to please him;—the national character of the music, and the recurrence of the words "sunny mountains," bringing back freshly to his memory the impressions of all he had seen in Portugal. I have, indeed, known few persons more alive to the charms of simple music; and not unfrequently have seen the tears in his eyes while listening to the Irish Melodies. Among those that thus affected him was one beginning "When first I met thee warm and young," the words of which, besides the obvious feeling which they express, were intended also to admit of a political application. He, however, discarded the latter sense wholly from his mind, and gave himself up to the more natural sentiment of the song with evident emotion.

On one or two of these evenings, his favourite actor, Mr. Kean, was of the party; and on another occasion, we had at dinner his early instructor in pugilism, Mr. Jackson, in conversing with whom, all his boyish tastes seemed to revive;—and it was not a little amusing to observe how perfectly familiar with the annals of "The Ring [60] ," and with all the most Pg 138 recondite phraseology of "the Fancy," was the sublime poet of Childe Harold.

The following note is the only one, of those I received from him at this time, worth transcribing:—

On his arrival in town, he had, upon enquiring into the state of his affairs, found them in so utterly embarrassed a condition as to fill him with some alarm, and even to suggest to his mind the prudence of deferring his marriage. The die was, however, cast, and he had now no alternative but to proceed. Accordingly, at the end of December, accompanied by his friend Mr. Hobhouse, he set out for Seaham, the seat of Sir Ralph Milbanke, the lady's father, in the county of Durham, and on the 2d of January, 1815, was married.

This touching picture agrees so closely in many of its circumstances, with his own prose account of the wedding in his Memoranda, that I feel justified in introducing it, historically, here. In that Memoir, he described himself as waking, on the morning of his marriage, with the most melancholy reflections, on seeing his wedding-suit spread out before him. In the same mood, he wandered about the grounds alone, till he was summoned for the ceremony, and joined, for the first time on that day, his bride and her family. He knelt down, he repeated the words Pg 141 after the clergyman; but a mist was before his eyes,—his thoughts were elsewhere; and he was but awakened by the congratulations of the bystanders, to find that he was—married.

The same morning, the wedded pair left Seaham for Halnaby, another seat of Sir Ralph Milbanke, in the same county. When about to depart, Lord Byron said to the bride, "Miss Milbanke, are you ready?"—a mistake which the lady's confidential attendant pronounced to be a "bad omen."

It is right to add, that I quote these slight details from memory, and am alone answerable for any inaccuracy there may be found in them.

It was in the course of this spring that Lord Byron and Sir Walter Scott became, for the first time, personally acquainted with each other. Mr. Murray, having been previously on a visit to the latter gentleman, had been intrusted by him with a superb Turkish dagger as a present to Lord Byron; and the noble poet, on their meeting this year in London,—the only time when these two great men had ever an opportunity of enjoying each other's society,—presented to Sir Walter, in return, a vase containing some human bones that had been dug up from under a part of the old walls of Athens. The reader, however, will be much better pleased to have these particulars in the words of Sir Walter Scott himself, who, with that good-nature which renders him no less amiable than he is admirable, has found time, in the midst of all his marvellous Pg 160 labours for the world, to favour me with the following interesting communication: [78] —

"My first acquaintance with Byron began in a manner rather doubtful. I was so far from having Pg 161 any thing to do with the offensive criticism in the Edinburgh, that I remember remonstrating against it with our friend, the editor, because I thought the 'Hours of Idleness' treated with undue severity. They were written, like all juvenile poetry, rather from the recollection of what had pleased the author in others than what had been suggested by his own imagination; but, nevertheless, I thought they contained some passages of noble promise. I was so much impressed with this, that I had thoughts of writing to the author; but some exaggerated reports concerning his peculiarities, and a natural unwillingness to intrude an opinion which was uncalled for, induced me to relinquish the idea.

"When Byron wrote his famous Satire, I had my share of flagellation among my betters. My crime was having written a poem (Marmion, I think) for a thousand pounds; which was no otherwise true than that I sold the copy-right for that sum. Now, not to mention that an author can hardly be censured for accepting such a sum as the booksellers are willing to give him, especially as the gentlemen of the trade made no complaints of their bargain, I thought the interference with my private affairs was rather beyond the limits of literary satire. On the other hand, Lord Byron paid me, in several passages, so much more praise than I deserved, that I must have been more irritable than I have ever felt upon such subjects, not to sit down contented, and think no more about the matter.

"I was very much struck, with all the rest of the world, at the vigour and force of imagination dis Pg 162 played in the first Cantos of Childe Harold, and the other splendid productions which Lord Byron flung from him to the public with a promptitude that savoured of profusion. My own popularity, as a poet, was then on the wane, and I was unaffectedly pleased to see an author of so much power and energy taking the field. Mr. John Murray happened to be in Scotland that season, and as I mentioned to him the pleasure I should have in making Lord Byron's acquaintance, he had the kindness to mention my wish to his Lordship, which led to some correspondence.

"It was in the spring of 1815 that, chancing to be in London, I had the advantage of a personal introduction to Lord Byron. Report had prepared me to meet a man of peculiar habits and a quick temper, and I had some doubts whether we were likely to suit each other in society. I was most agreeably disappointed in this respect. I found Lord Byron in the highest degree courteous, and even kind. We met, for an hour or two almost daily, in Mr. Murray's drawing-room, and found a great deal to say to each other. We also met frequently in parties and evening society, so that for about two months I had the advantage of a considerable intimacy with this distinguished individual. Our sentiments agreed a good deal, except upon the subjects of religion and politics, upon neither of which I was inclined to believe that Lord Byron entertained very fixed opinions. I remember saying to him, that I really thought, that if he lived a few years he would alter his sentiments. He answered, rather sharply, 'I suppose you are Pg 163 one of those who prophesy I will turn Methodist.' I replied, 'No—I don't expect your conversion to be of such an ordinary kind. I would rather look to see you retreat upon the Catholic faith, and distinguish yourself by the austerity of your penances. The species of religion to which you must, or may, one day attach yourself must exercise a strong power on the imagination.' He smiled gravely, and seemed to allow I might be right.

"On politics, he used sometimes to express a high strain of what is now called Liberalism; but it appeared to me that the pleasure it afforded him as a vehicle of displaying his wit and satire against individuals in office was at the bottom of this habit of thinking, rather than any real conviction of the political principles on which he talked. He was certainly proud of his rank and ancient family, and, in that respect, as much an aristocrat as was consistent with good sense and good breeding. Some disgusts, how adopted I know not, seemed to me to have given this peculiar and, as it appeared to me, contradictory cast of mind: but, at heart, I would have termed Byron a patrician on principle.

"Lord Byron's reading did not seem to me to have been very extensive either in poetry or history. Having the advantage of him in that respect, and possessing a good competent share of such reading as is little read, I was sometimes able to put under his eye objects which had for him the interest of novelty. I remember particularly repeating to him the fine poem of Hardyknute, an imitation of the old Scottish Ballad, with which he was so much affected, Pg 164 that some one who was in the same apartment asked me what I could possibly have been telling Byron by which he was so much agitated.

I saw Byron, for the last time, in 1815, after I returned from France. He dined, or lunched, with me at Long's in Bond Street. I never saw him so full of gaiety and good-humour, to which the presence of Mr. Mathews, the comedian, added not a little. Poor Terry was also present. After one of the gayest parties I ever was present at, my fellow-traveller, Mr. Scott, of Gala, and I set off for Scotland, and I never saw Lord Byron again. Several letters passed between us—one perhaps every half year. Like the old heroes in Homer, we exchanged gifts:—I gave Byron a beautiful dagger mounted with gold, which had been the property of the redoubted Elfi Bey. But I was to play the part of Diomed, in the Iliad, for Byron sent me, some time after, a large sepulchral vase of silver. It was full of dead men's bones, and had inscriptions on two sides of the base. One ran thus:—'The bones contained in this urn were found in certain ancient sepulchres within the land walls of Athens, in the month of February, 1811.' The other face bears the lines of Juvenal:

To these I have added a third inscription, in these words—'The gift of Lord Byron to Walter Scott.' [79] Pg 165 There was a letter with this vase more valuable to me than the gift itself, from the kindness with which the donor expressed himself towards me. I left it naturally in the urn with the bones,—but it is now missing. As the theft was not of a nature to be practised by a mere domestic, I am compelled to suspect the inhospitality of some individual of higher station,—most gratuitously exercised certainly, since, after what I have here said, no one will probably choose to boast of possessing this literary curiosity.

"We had a good deal of laughing, I remember, on what the public might be supposed to think, or say, concerning the gloomy and ominous nature of our mutual gifts.

"I think I can add little more to my recollections of Byron. He was often melancholy,—almost gloomy. When I observed him in this humour, I used either to wait till it went off of its own accord, or till some natural and easy mode occurred of leading him into conversation, when the shadows almost always left his countenance, like the mist rising from a landscape. In conversation he was very animated.

Pg 166 "I met with him very frequently in society; our mutual acquaintances doing me the honour to think that he liked to meet with me. Some very agreeable parties I can recollect,—particularly one at Sir George Beaumont's, where the amiable landlord had assembled some persons distinguished for talent. Of these I need only mention the late Sir Humphry Davy, whose talents for literature were as remarkable as his empire over science. Mr. Richard Sharpe and Mr. Rogers were also present.

"I think I also remarked in Byron's temper starts of suspicion, when he seemed to pause and consider whether there had not been a secret, and perhaps offensive, meaning in something casually said to him. In this case, I also judged it best to let his mind, like a troubled spring, work itself clear, which it did in a minute or two. I was considerably older, you will recollect, than my noble friend, and had no reason to fear his misconstruing my sentiments towards him, nor had I ever the slightest reason to doubt that they were kindly returned on his part. If I had occasion to be mortified by the display of genius which threw into the shade such pretensions as I was then supposed to possess, I might console myself that, in my own case, the materials of mental happiness had been mingled in a greater proportion.

"I rummage my brains in vain for what often rushes into my head unbidden,—little traits and sayings which recall his looks, manner, tone, and gestures; and I have always continued to think that a crisis of life was arrived in which a new career of fame Pg 167 was opened to him, and that had he been permitted to start upon it, he would have obliterated the memory of such parts of his life as friends would wish to forget."

As, after this letter, there occur but few allusions to his connection with the Drury Lane Management, I shall here avail myself of the opportunity to give some extracts from his "Detached Thoughts," containing recollections of his short acquaintance with the interior of the theatre.

"When I belonged to the Drury Lane Committee, and was one of the Sub-Committee of Management, Pg 184 the number of plays upon the shelves were about five hundred. Conceiving that amongst these there must be some of merit, in person and by proxy I caused an investigation. I do not think that of those which I saw there was one which could be conscientiously tolerated. There never were such things as most of them! Mathurin was very kindly recommended to me by Walter Scott, to whom I had recourse, firstly, in the hope that he would do something for us himself; and, secondly, in my despair, that he would point out to us any young (or old) writer of promise. Mathurin sent his Bertram and a letter without his address, so that at first I could give him no answer. When I at last hit upon his residence, I sent him a favourable answer and something more substantial. His play succeeded; but I was at that time absent from England.

"I tried Coleridge too; but he had nothing feasible in hand at the time. Mr. Sotheby obligingly offered all his tragedies, and I pledged myself, and notwithstanding many squabbles with my Committed Brethren, did get 'Ivan' accepted, read, and the parts distributed. But, lo! in the very heart of the matter, upon some tepid ness on the part of Kean, or warmth on that of the author, Sotheby withdrew his play. Sir J.B. Burgess did also present four tragedies and a farce, and I moved green-room and Sub-Committee, but they would not.

"Then the scenes I had to go through!—the authors, and the authoresses, and the milliners, and the wild Irishmen,—the people from Brighton, from Blackwall; from Chatham, from Cheltenham, from Pg 185 Dublin, from Dundee,—who came in upon me! to all of whom it was proper to give a civil answer, and a hearing, and a reading. Mrs. * * * *'s father, an Irish dancing-master of sixty years, calling upon me to request to play Archer, dressed in silk stockings on a frosty morning to show his legs (which were certainly good and Irish for his age, and had been still better,)—Miss Emma Somebody, with a play entitled 'The Bandit of Bohemia,' or some such title or production,—Mr. O'Higgins, then resident at Richmond, with an Irish tragedy, in which the unities could not fail to be observed, for the protagonist was chained by the leg to a pillar during the chief part of the performance. He was a wild man, of a salvage appearance, and the difficulty of not laughing at him was only to be got over by reflecting upon the probable consequences of such cachinnation.

"As I am really a civil and polite person, and do hate giving pain when it can be avoided, I sent them up to Douglas Kinnaird,—who is a man of business, and sufficiently ready with a negative,—and left them to settle with him; and as the beginning of next year I went abroad, I have since been little aware of the progress of the theatres.

"Players are said to be an impracticable people. They are so; but I managed to steer clear of any disputes with them, and excepting one debate [87] with Pg 186 the elder Byrne about Miss Smith's pas de —(something—I forget the technicals,)—I do not remember any litigation of my own. I used to protect Miss Smith, because she was like Lady Jane Harley in the face, and likenesses go a great way with me. Indeed, in general, I left such things to my more bustling colleagues, who used to reprove me seriously for not being able to take such things in hand without buffooning with the histrions, or throwing things into confusion by treating light matters with levity.

"Then the Committee!—then the Sub-Committee!—we were but few, but never agreed. There was Peter Moore who contradicted Kinnaird, and Kinnaird who contradicted every body: then our two managers, Rae and Dibdin; and our secretary, Ward! and yet we were all very zealous and in Pg 187 earnest to do good and so forth. * * * * furnished us with prologues to our revived old English plays; but was not pleased with me for complimenting him as 'the Upton' of our theatre (Mr. Upton is or was the poet who writes the songs for Astley's), and almost gave up prologuing in consequence.

"In the pantomime of 1815-16 there was a representation of the masquerade of 1814 given by 'us youth' of Watier's Club to Wellington and Co. Douglas Kinnaird and one or two others, with myself, put on masks, and went on the stage with the ὁι πολλοι, to see the effect of a theatre from the stage:—it is very grand. Douglas danced among the figuranti too, and they were puzzled to find out who we were, as being more than their number. It was odd enough that Douglas Kinnaird and I should have been both at the real masquerade, and afterwards in the mimic one of the same, on the stage of Drury Lane theatre."

Those embarrassments which, from a review of his affairs previous to the marriage, he had clearly foreseen would, before long, overtake him, were not slow in realising his worst omens. The increased expenses induced by his new mode of life, with but very little increase of means to meet them,—the long arrears of early pecuniary obligations, as well as the claims which had been, gradually, since then, accumulating, all pressed upon him now with collected force, and Pg 192 reduced him to some of the worst humiliations of poverty. He had been even driven, by the necessity of encountering such demands, to the trying expedient of parting with his books,—which circumstance coming to Mr. Murray's ears, that gentleman instantly forwarded to him 1500 l. , with an assurance that another sum of the same amount should be at his service in a few weeks, and that if such assistance should not be sufficient, Mr. Murray was most ready to dispose of the copyrights of all his past works for his use.

The following are the lines alluded to in this note. They are written in the loosest form of that rambling style of metre which his admiration of Mr. Coleridge's "Christabel" led him, at this time, to adopt; and he judged rightly, perhaps, in omitting them as the opening of his poem. They are, however, too full of spirit and character to be lost. Though breathing the thick atmosphere of Piccadilly when he wrote them, it is plain that his fancy was far away, among the sunny hills and vales of Greece; and their contrast with the tame life he was leading at the moment, but gave to his recollections a fresher spring and force.

On reading over the foregoing letter, I was much struck by the tone of melancholy that pervaded it; and well knowing it to be the habit of the writer's mind to seek relief, when under the pressure of any Pg 197 disquiet or disgust, in that sense of freedom which told him that there were homes for him elsewhere, I could perceive, I thought, in his recollections of the "blue Olympus," some return of the restless and roving spirit, which unhappiness or impatience always called up in his mind. I had, indeed, at the time when he sent me those melancholy verses, "There's not a joy this world can give," &c. felt some vague apprehensions as to the mood into which his spirits then seemed to be sinking, and, in acknowledging the receipt of the verses, thus tried to banter him out of it:—"But why thus on your stool of melancholy again, Master Stephen?—This will never do—it plays the deuce with all the matter-of-fact duties of life, and you must bid adieu to it. Youth is the only time when one can be melancholy with impunity. As life itself grows sad and serious we have nothing for it but—to be as much as possible the contrary."

My absence from London during the whole of this year had deprived me of all opportunities of judging for myself how far the appearances of his domestic state gave promise of happiness; nor had any rumours reached me which at all inclined me to suspect that the course of his married life hitherto exhibited less smoothness than such unions,—on the surface, at least,—generally wear. The strong and affectionate terms in which, soon after the marriage, he had, in some of the letters I have given, declared his own happiness—a declaration which his known frankness left me no room to question—had, in no small degree, tended to still those appre Pg 198 hensions which my first view of the lot he had chosen for himself awakened. I could not, however, but observe that these indications of a contented heart soon ceased. His mention of the partner of his home became more rare and formal, and there was observable, I thought, through some of his letters a feeling of unquiet and weariness that brought back all those gloomy anticipations with which I had, from the first, regarded his fate. This last letter of his, in particular, struck me as full of sad omen, and, in the course of my answer, I thus noticed to him the impression it had made on me:—"And so you are a whole year married!—

Do you know, my dear B., there was a something in your last letter—a sort of unquiet mystery, as well as a want of your usual elasticity of spirits—which has hung upon my mind unpleasantly ever since. I long to be near you, that I might know how you really look and feel; for these letters tell nothing, and one word, a quattr'occhi , is worth whole reams of correspondence. But only do tell me you are happier than that letter has led me to fear, and I shall be satisfied."

It was in a few weeks after this latter communication between us that Lady Byron adopted the resolution of parting from him. She had left London about the middle of January, on a visit to her father's house, in Leicestershire, and Lord Byron was, in a short time after, to follow her. They had parted Pg 199 in the utmost kindness,—she wrote him a letter, full of playfulness and affection, on the road, and, immediately on her arrival at Kirkby Mallory, her father wrote to acquaint Lord Byron that she would return to him no more. At the time when he had to stand this unexpected shock, his pecuniary embarrassments, which had been fast gathering around him during the whole of the last year (there having been no less than eight or nine executions in his house within that period), had arrived at their utmost; and at a moment when, to use his own strong expressions, he was "standing alone on his hearth, with his household gods shivered around him," he was also doomed to receive the startling intelligence that the wife who had just parted with him in kindness, had parted with him—for ever.

The rumours of the separation did not reach me till more than a week afterwards, when I immediately wrote to him thus:—"I am most anxious to hear from you, though I doubt whether I ought to mention the subject on which I am so anxious. If, however, what I heard last night, in a letter from town, be true, you will know immediately what I allude to, and just communicate as much or as little upon the subject as you think proper;—only something I should like to know, as soon as possible, from yourself, in order to set my mind at rest with respect to the truth or falsehood of the report." The following is his answer:—

In my reply to this letter, written a few days after, there is a passage which (though containing an opinion it might have been more prudent, perhaps, to conceal,) I feel myself called upon to extract on account of the singularly generous avowal,—honourable alike to both the parties in this unhappy affair,—which it was the means of drawing from Lord Byron. The following are my words:—"I am much in the same state as yourself with respect to the subject of your letter, my mind being so full of things which I don't know how to write about, that I too must defer the greater part of them till we meet in May, when I shall put you fairly on your trial for all crimes and misdemeanors. In the mean time, you will not be at a loss for judges, nor executioners either, if they could have their will. The world, in their generous ardour to take what they call the weaker side, soon contrive to make it most formidably the strongest. Most sincerely do I grieve at what has happened. It has upset all my wishes and theories as to the influence of marriage on your life; for, instead of bringing you, as I expected, into something like a regular orbit, it has only cast you off again into infinite space, and left you, I fear, in a far worse state than it found you. As to defending you, the only person with whom I have yet attempted this task is myself; and, considering the little I know upon the subject, (or rather, perhaps, owing to this cause,) I have hitherto done it with very tolerable success. After all, your choice was the misfortune. I never liked,—but I'm here wandering into the απορρητα, Pg 204 and so must change the subject for a far pleasanter one, your last new poems, which," &c. &c.

The return of post brought me the following answer, which, while it raises our admiration of the generous candour of the writer, but adds to the sadness and strangeness of the whole transaction.

Having already gone so far in laying open to my readers some of the sentiments which I entertained, respecting Lord Byron's marriage, at a time when, little foreseeing that I should ever become his biographer, I was, of course, uninfluenced by the peculiar bias supposed to belong to that task, it may still further, perhaps, be permitted me to extract from my reply to the foregoing letter some sentences of explanation which its contents seemed to me to require.

"I had certainly no right to say any thing about the unluckiness of your choice, though I rejoice now that I did, as it has drawn from you a tribute which, however unaccountable and mysterious it renders the whole affair, is highly honourable to both parties. What I meant in hinting a doubt with respect to the object of your selection did not imply the least impeachment of that perfect amiableness which the world, I find, by common consent, allows to her. I only feared that she might have been too perfect—too precisely excellent—too matter-of-fact a paragon for you to coalesce with comfortably; and that a person whose perfection hung in more easy folds about her, whose brightness was softened down by some of 'those fair defects which best conciliate love,' would, by appealing more dependently to your protection, have stood a much better chance with Pg 208 your good nature. All these suppositions, however, I have been led into by my intense anxiety to acquit you of any thing like a capricious abandonment of such a woman [93] ; and, totally in the dark as I am with respect to all but the fact of your separation, you cannot conceive the solicitude, the fearful solicitude, with which I look forward to a history of the transaction from your own lips when we meet,—a history in which I am sure of, at least, one virtue—manly candour."

With respect to the causes that may be supposed to have led to this separation, it seems needless, with the characters of both parties before our eyes, to go in quest of any very remote or mysterious reasons to account for it. I have already, in some observations on the general character of men of genius, endeavoured to point out those peculiarities, both in disposition and habitudes, by which, in the far greater number of instances, they have been found unfitted for domestic happiness. Of these defects, (which are, as it were, the shadow that genius casts, and too generally, it is to be feared, in proportion to its stature,) Lord Byron could not, of course, fail to have inherited his share, in common with all the painfully-gifted class to which he belonged. How thoroughly, with respect to one attribute of this temperament which he possessed,—one, that "sicklies o'er" the face of happiness itself,—he was un Pg 209 derstood by the person most interested in observing him, will appear from the following anecdote, as related by himself. [94]

"People have wondered at the melancholy which runs through my writings. Others have wondered at my personal gaiety. But I recollect once, after an hour in which I had been sincerely and particularly gay and rather brilliant, in company, my wife replying to me when I said (upon her remarking my high spirits), 'And yet, Bell, I have been called and miscalled melancholy—you must have seen how falsely, frequently?'—'No, Byron,' she answered, 'it is not so: at heart you are the most melancholy of mankind; and often when apparently gayest.'"

To these faults and sources of faults inherent, in his own sensitive nature, he added also many of those which a long indulgence of self-will generates,—the least compatible, of all others, (if not softened down, as they were in him, by good nature,) with that system of mutual concession and sacrifice by which the balance of domestic peace is maintained. When we look back, indeed, to the unbridled career, of which this marriage was meant to be the goal,—to the rapid and restless course in which his life had run along, like a burning train, through a series of wanderings, adventures, successes, and passions, the fever of all which was still upon him, when, with the same headlong recklessness, he rushed into this marriage,—it can but little surprise us that, in the space of one short year, he should not have been able to re Pg 210 cover all at once from his bewilderment, or to settle down into that tame level of conduct which the close observers of his every action required. As well might it be expected that a steed like his own Mazeppa's,

Even had the new condition of life into which he passed been one of prosperity and smoothness, some time, as well as tolerance, must still have been allowed for the subsiding of so excited a spirit into rest. But, on the contrary, his marriage (from the reputation, no doubt, of the lady, as an heiress,) was, at once, a signal for all the arrears and claims of a long-accumulating state of embarrassment to explode upon him;—his door was almost daily beset by duns, and his house nine times during that year in possession of bailiffs [95] ; while, in addition to these Pg 211 anxieties and—what he felt still more—indignities of poverty, he had also the pain of fancying, whether rightly or wrongly, that the eyes of enemies and spies were upon him, even under his own roof, and that his every hasty word and look were interpreted in the most perverting light.

As, from the state of their means, his lady and he saw but little society, his only relief from the thoughts which a life of such embarrassment brought with it was in those avocations which his duty, as a member of the Drury Lane Committee, imposed upon him. And here,—in this most unlucky connection with the theatre,—one of the fatalities of his short year of trial, as husband, lay. From the reputation which he had previously acquired for gallantries, and the sort of reckless and boyish levity to which—often in very "bitterness of soul"—he gave way, it was not difficult to bring suspicion upon some of those acquaintances which his frequent intercourse with the green-room induced him to form, or even (as, in one instance, was the case,) to connect with his name injuriously that of a person to whom he had scarcely ever addressed a single word.

Pg 212 Notwithstanding, however, this ill-starred concurrence of circumstances, which might have palliated any excesses either of temper or conduct into which they drove him, it was, after all, I am persuaded, to no such serious causes that the unfortunate alienation, which so soon ended in disunion, is to be traced. "In all the marriages I have ever seen," says Steele, "most of which have been unhappy ones, the great cause of evil has proceeded from slight occasions;" and to this remark, I think, the marriage under our consideration would not be found, upon enquiry, to be an exception. Lord Byron himself, indeed, when at Cephalonia, a short time before his death, seems to have expressed, in a few words, the whole pith of the mystery. An English gentleman with whom he was conversing on the subject of Lady Byron, having ventured to enumerate to him the various causes he had heard alleged for the separation, the noble poet, who had seemed much amused with their absurdity and falsehood, said, after listening to them all,—"The causes, my dear sir, were too simple to be easily found out."

In truth, the circumstances, so unexampled, that attended their separation,—the last words of the parting wife to the husband being those of the most playful affection, while the language of the deserted husband towards the wife was in a strain, as the world knows, of tenderest eulogy,—are in themselves a sufficient proof that, at the time of their parting, there could have been no very deep sense of injury on either side. It was not till afterwards that, in both bosoms, the repulsive force came into Pg 213 operation,—when, to the party which had taken the first decisive step in the strife, it became naturally a point of pride to persevere in it with dignity, and this unbendingness provoked, as naturally, in the haughty spirit of the other, a strong feeling of resentment which overflowed, at last, in acrimony and scorn. If there be any truth, however, in the principle, that they "never pardon who have done the wrong," Lord Byron, who was, to the last, disposed to reconciliation, proved so far, at least, his conscience to have been unhaunted by any very disturbing consciousness of aggression.

But though it would have been difficult, perhaps, for the victims of this strife, themselves, to have pointed out any single, or definite, cause for their disunion,—beyond that general incompatibility which is the canker of all such marriages,—the public, which seldom allows itself to be at a fault on these occasions, was, as usual, ready with an ample supply of reasons for the breach,—all tending to blacken the already darkly painted character of the poet, and representing him, in short, as a finished monster of cruelty and depravity. The reputation of the object of his choice for every possible virtue, (a reputation which had been, I doubt not, one of his own chief incentives to the marriage, from the vanity, reprobate as he knew he was deemed, of being able to win such a paragon,) was now turned against him by his assailants, not only in the way of contrast with his own character, but as if the excellences of the wife were proof positive of every enormity they chose to charge upon the husband.

Pg 214 Meanwhile, the unmoved silence of the lady herself, (from motives, it is but fair to suppose, of generosity and delicacy,) under the repeated demands made for a specification of her charges against him, left to malice and imagination the fullest range for their combined industry. It was accordingly stated, and almost universally believed, that the noble lord's second proposal to Miss Milbanke had been but with a view to revenge himself for the slight inflicted by her refusal of the first, and that he himself had confessed so much to her on their way from church. At the time when, as the reader has seen from his own honey-moon letters, he was, with all the good will in the world, imagining himself into happiness, and even boasting, in the pride of his fancy, that if marriage were to be upon lease , he would gladly renew his own for a term of ninety-nine years,—at this very time, according to these veracious chroniclers, he was employed in darkly following up the aforesaid scheme of revenge, and tormenting his lady by all sorts of unmanly cruelties,—such as firing off pistols, to frighten her as she lay in bed [96] , and other such freaks.

Pg 215 To the falsehoods concerning his green-room intimacies, and particularly with respect to one beautiful actress, with whom, in reality, he had hardly ever exchanged a single word, I have already adverted; and the extreme confidence with which this tale was circulated and believed affords no unfair specimen of the sort of evidence with which the public, in all such fits of moral wrath, is satisfied. It is, at the same time, very far from my intention to allege that, in the course of the noble poet's intercourse with the theatre, he was not sometimes led into a line of acquaintance and converse, unbefitting, if not dangerous to, the steadiness of married life. But the imputations against him on this head were (as far as affected his conjugal character) not the less unfounded,—as the sole case in which he afforded any thing like real grounds for such an accusation did not take place till after the period of the separation.

Not content with such ordinary and tangible charges, the tongue of rumour was emboldened to proceed still further; and, presuming upon the mysterious silence maintained by one of the parties, Pg 216 ventured to throw out dark hints and vague insinuations, of which the fancy of every hearer was left to fill up the outline as he pleased. In consequence of all this exaggeration, such an outcry was now raised against Lord Byron as, in no case of private life, perhaps, was ever before witnessed; nor had the whole amount of fame which he had gathered, in the course of the last four years, much exceeded in proportion the reproach and obloquy that were now, within the space of a few weeks, showered upon him. In addition to the many who, no doubt, conscientiously believed and reprobated what they had but too much right, whether viewing him as poet or man of fashion, to consider credible excesses, there were also actively on the alert that large class of persons who seem to hold violence against the vices of others to be equivalent to virtue in themselves, together with all those natural haters of success who, having long sickened under the splendour of the poet , were now enabled, in the guise of champions for innocence, to wreak their spite on the man . In every various form of paragraph, pamphlet, and caricature, both his character and person were held up to odium [97] ;— Pg 217 hardly a voice was raised, or at least listened to, in his behalf; and though a few faithful friends remained unshaken by his side, the utter hopelessness of stemming the torrent was felt as well by them as by himself, and, after an effort or two to gain a fair hearing, they submitted in silence. Among the few attempts made by himself towards confuting his calumniators was an appeal (such as the following short letter contains) to some of those persons with whom he had been in the habit of living familiarly.

In those Memoirs (or, more properly, Memoranda,) of the noble poet, which it was thought expedient, for various reasons, to sacrifice, he gave a detailed account of all the circumstances connected with his marriage, from the first proposal to the lady till his own departure, after the breach, from England. In truth, though the title of "Memoirs," which he himself sometimes gave to that manuscript, conveys the idea of a complete and regular piece of biography, it was to this particular portion of his life that the work was principally devoted; while the anecdotes, having reference to other parts of his career, not only occupied a very disproportionate space in its pages, but were most of them such as are found repeated in the various Journals and other MSS. he left behind. The chief charm, indeed, of that narrative, was the melancholy playfulness—melancholy, from the wounded feeling so visible through its pleasantry—with which events unimportant and persons uninteresting, in almost every respect but their connection with such a man's destiny, were detailed and described in it. Frank, as usual, throughout, in his avowal of his own errors, and generously just towards her who was his fellow- Pg 219 sufferer in the strife, the impression his recital left on the minds of all who perused it was, to say the least, favourable to him;—though, upon the whole, leading to a persuasion, which I have already intimated to be my own, that, neither in kind nor degree, did the causes of disunion between the parties much differ from those that loosen the links of most such marriages.

With respect to the details themselves, though all important in his own eyes at the time, as being connected with the subject that superseded most others in his thoughts, the interest they would possess for others, now that their first zest as a subject of scandal is gone by, and the greater number of the persons to whom they relate forgotten, would be too slight to justify me in entering upon them more particularly, or running the risk of any offence that might be inflicted by their disclosure. As far as the character of the illustrious subject of these pages is concerned, I feel that Time and Justice are doing far more in its favour than could be effected by any such gossiping details. During the lifetime of a man of genius, the world is but too much inclined to judge of him rather by what he wants than by what he possesses, and even where conscious, as in the present case, that his defects are among the sources of his greatness, to require of him unreasonably the one without the other. If Pope had not been splenetic and irritable, we should have wanted his Satires; and an impetuous temperament, and passions untamed, were indispensable to the conformation of a poet like Byron. It is by posterity only that full justice is Pg 220 rendered to those who have paid such hard penalties to reach it. The dross that had once hung about the ore drops away, and the infirmities, and even miseries, of genius are forgotten in its greatness. Who now asks whether Dante was right or wrong in his matrimonial differences? or by how many of those whose fancies dwell fondly on his Beatrice is even the name of his Gemma Donati remembered?

Already, short as has been the interval since Lord Byron's death, the charitable influence of time in softening, if not rescinding, the harsh judgments of the world against genius is visible. The utter unreasonableness of trying such a character by ordinary standards, or of expecting to find the materials of order and happiness in a bosom constantly heaving forth from its depths such "lava floods," is—now that big spirit has passed from among us—felt and acknowledged. In reviewing the circumstances of his marriage, a more even scale of justice is held; and while every tribute of sympathy and commiseration is accorded to her, who, unluckily for her own peace, became involved in such a destiny,—who, with virtues and attainments that would have made the home of a more ordinary man happy, undertook, in evil hour, to "turn and wind a fiery Pegasus," and but failed where it may be doubted whether even the fittest for such a task would have succeeded,—full allowance is, at the same time, made for the great martyr of genius himself, whom so many other causes, beside that restless fire within him, concurred to unsettle in mind and (as he himself feelingly expresses it) "disqualify for comfort;"— Pg 221 whose doom it was to be either thus or less great, and whom to have tamed might have been to extinguish; there never, perhaps, having existed an individual to whom, whether as author or man, the following line was more applicable:—

While these events were going on,—events, of which his memory and heart bore painfully the traces through the remainder of his short life,—some occurrences took place, connected with his literary history, to which it is a relief to divert the attention of the reader from the distressing subject that has now so long detained us.

The letter that follows was in answer to one received from Mr. Murray, in which that gentleman had enclosed him a draft for a thousand guineas for the copyright of his two poems, The Siege of Corinth and Parisina:—

Notwithstanding the ruinous state of his pecuniary affairs, the resolution which the poet had formed not to avail himself of the profits of his works still continued to be held sacred by him; and the sum thus offered for the copyright of The Siege of Corinth and Parisina was, as we see, refused and left untouched in the publisher's hands. It happened that, at this time, a well-known and eminent writer on political science had been, by some misfortune, reduced to pecuniary embarrassment; and the circumstance having become known to Mr. Rogers and Sir James Mackin Pg 223 tosh, it occurred to them that a part of the sum thus unappropriated by Lord Byron could not be better bestowed than in relieving the necessities of this gentleman. The suggestion was no sooner conveyed to the noble poet than he proceeded to act upon it; and the following letter to Mr. Rogers refers to his intentions:—

In his mention here of other "purposes," he refers to an intention which he had of dividing the residue of the sum between two other gentlemen of literary Celebrity, equally in want of such aid, Mr. Maturin and Mr. * *. The whole design, however, though entered into with the utmost sincerity on the part of the noble poet, ultimately failed. Mr. Murray, who was well acquainted with the straits to which Lord Byron himself had been reduced, and foresaw that a time might come when even money thus gained would be welcome to him, on learning the uses to which the sum was to be applied, demurred in advancing it,—alleging that, though bound not only by his word but his will to pay the amount to Lord Byron, he did not conceive himself called upon to part with it to others. How earnestly the noble poet himself, though with executions, at the time, impending over his head, endeavoured to urge the point, will appear from the following letter:—

The letter that follows will give some idea of those embarrassments in his own affairs, under the pressure of which he could be thus considerate of the wants of others.

During the month of January and part of February, his poems of The Siege of Corinth and Parisina were in the hands of the printers, and about the end of the latter month made their appearance. The following letters are the only ones I find connected with their publication.

It was about the middle of April that his two celebrated copies of verses, "Fare thee well," and "A Sketch," made their appearance in the newspapers:—and while the latter poem was generally and, it must be owned, justly condemned, as a sort of literary assault on an obscure female, whose situation ought to have placed her as much beneath his satire as the undignified mode of his attack certainly raised her above it, with regard to the other poem, opinions were a good deal more divided. To many it appeared a strain of true conjugal tenderness, a kind of appeal, which no woman with a heart could resist: while by others, on the contrary, it was considered to be a mere showy effusion of sentiment, as difficult Pg 230 for real feeling to have produced as it was easy for fancy and art, and altogether unworthy of the deep interests involved in the subject. To this latter opinion, I confess my own to have, at first, strongly inclined; and suspicious as I could not help regarding the sentiment that could, at such a moment, indulge in such verses, the taste that prompted or sanctioned their publication appeared to me even still more questionable. On reading, however, his own account of all the circumstances in the Memoranda, I found that on both points I had, in common with a large portion of the public, done him injustice. He there described, and in a manner whose sincerity there was no doubting, the swell of tender recollections under the influence of which, as he sat one night musing in his study, these stanzas were produced,—the tears, as he said, falling fast over the paper as he wrote them. Neither, from that account, did it appear to have been from any wish or intention of his own, but through the injudicious zeal of a friend whom he had suffered to take a copy, that the verses met the public eye.

The appearance of these poems gave additional violence to the angry and inquisitorial feeling now abroad against him; and the title under which both pieces were immediately announced by various publishers, as "Poems by Lord Byron on his domestic Circumstances," carried with it a sufficient exposure of the utter unfitness of such themes for rhyme. It is, indeed, only in those emotions and passions, of which imagination forms a predominant ingredient,—such as love, in its first dreams, before reality has Pg 231 come to embody or dispel them, or sorrow, in its wane, when beginning to pass away from the heart into the fancy,—that poetry ought ever to be employed as an interpreter of feeling. For the expression of all those immediate affections and disquietudes that have their root in the actual realities of life, the art of the poet, from the very circumstance of its being an art, as well as from the coloured form in which it is accustomed to transmit impressions, cannot be otherwise than a medium as false as it is feeble.

To so very low an ebb had the industry of his assailants now succeeded in reducing his private character, that it required no small degree of courage, even among that class who are supposed to be the most tolerant of domestic irregularities, to invite him into their society. One distinguished lady of fashion, however, ventured so far as, on the eve of his departure from England, to make a party for him expressly; and nothing short, perhaps, of that high station in society which a life as blameless as it is brilliant has secured to her, could have placed beyond all reach of misrepresentation, at that moment, such a compliment to one marked with the world's censure so deeply. At this assembly of Lady J * *'s he made his last appearance, publicly, in England; and the amusing account given of some of the company in his Memoranda,—of the various and characteristic ways in which the temperature of their manner towards him was affected by the cloud under which he now appeared,—was one of the passages of that Memoir it would have been most desirable, perhaps, to have preserved; though, from being a Pg 232 gallery of sketches, all personal and many satirical, but a small portion of it, if any, could have been presented to the public till a time when the originals had long left the scene, and any interest they might once have excited was gone with themselves. Besides the noble hostess herself, whose kindness to him, on this occasion, he never forgot, there was also one other person (then Miss M * *, now Lady K * *,) whose frank and fearless cordiality to him on that evening he most gratefully commemorated,—adding, in acknowledgment of a still more generous service, "She is a high-minded woman, and showed me more friendship than I deserved from her. I heard also of her having defended me in a large company, which at that time required more courage and firmness than most women possess."

As we are now approaching so near the close of his London life, I shall here throw together the few remaining recollections of that period with which the gleanings of his Memorandum-book, so often referred to, furnish me.

"I liked the Dandies; they were always very civil to me , though in general they disliked literary people, and persecuted and mystified Madame de Staël, Lewis, * * * *, and the like, damnably. They persuaded Madame de Staël that A * * had a hundred thousand a year, &c. &c., till she praised him to his face for his beauty ! and made a set at him for * *, and a hundred fooleries besides. The truth is, that, though I gave up the business early, Pg 233 I had a tinge of dandyism [100] in my minority, and probably retained enough of it to conciliate the great ones at five-and-twenty. I had gamed, and drank, and taken my degrees in most dissipations, and having no pedantry, and not being overbearing, we ran quietly together. I knew them all more or less, and they made me a member of Watier's (a superb club at that time), being, I take it, the only literary man (except two others , both men of the world, Moore and Spenser,) in it. Our masquerade [101] was a grand one; so was the dandy-ball too, at the Argyle, but that (the latter) was given by the four chiefs, B., M., A., and P., if I err not.

"I was a member of the Alfred, too, being elected while in Greece. It was pleasant; a little too sober and literary, and bored with * * and Sir Francis D'Ivernois; but one met Peel, and Ward, and Valentia, and many other pleasant or known people; and it was, upon the whole, a decent resource in a rainy day, in a dearth of parties, or parliament, or in an empty season.

"I belonged, or belong, to the following clubs or societies:—to the Alfred; to the Cocoa Tree; to Pg 234 Watier's; to the Union; to Racket's (at Brighton); to the Pugilistic; to the Owls, or "Fly-by-night;" to the Cambridge Whig Club; to the Harrow Club, Cambridge; and to one or two private clubs; to the Hampden (political) Club; and to the Italian Carbonari, &c. &c., 'though last, not least .' I got into all these, and never stood for any other—at least to my own knowledge. I declined being proposed to several others, though pressed to stand candidate."

"When I met H * * L * *, the gaoler, at Lord Holland's, before he sailed for St. Helena, the discourse turned upon the battle of Waterloo. I asked him whether the dispositions of Napoleon were those of a great general? He answered, disparagingly, 'that they were very simple.' I had always thought that a degree of simplicity was an ingredient of greatness."

"I was much struck with the simplicity of Grattan's manners in private life; they were odd, but they were natural. Curran used to take him off, bowing to the very ground, and 'thanking God that he had no peculiarities of gesture or appearance,' in a way irresistibly ludicrous; and * * used to call him a 'Sentimental Harlequin.'"

"Curran! Curran's the man who struck me most [102] . Such imagination! there never was any Pg 235 thing like it that ever I saw or heard of. His published life—his published speeches, give you no idea of the man—none at all. He was a machine of imagination, as some one said that Piron was an epigrammatic machine.

"I did not see a great deal of Curran—only in 1813; but I met him at home (for he used to call on me), and in society, at Mackintosh's, Holland House, &c. &c. and he was wonderful even to me, who had seen many remarkable men of the time."

"* * * (commonly called long * * *, a very clever man, but odd) complained of our friend Scrope B. Davies, in riding, that he had a stitch in his side. 'I don't wonder at it,' said Scrope, 'for you ride like a tailor .' Whoever had seen * * * on horseback, with his very tall figure on a small nag, would not deny the justice of the repartee."

"When B * * was obliged (by that affair of poor M * *, who thence acquired the name of 'Dick the Pg 236 Dandy-killer'—it was about money, and debt, and all that) to retire to France, he knew no French, and having obtained a grammar for the purpose of study, our friend Scrope Davies was asked what progress Brummell had made in French; he responded, 'that Brummell had been stopped, like Buonaparte in Russia, by the Elements.'

"I have put this pun into Beppo, which is 'a fair exchange and no robbery; for Scrope made his fortune at several dinners (as he owned himself) by repeating occasionally, as his own, some of the buffooneries with which I had encountered him in the morning."

"* * * is a good man, rhymes well (if not wisely), but is a bore. He seizes you by the button. One night of a rout, at Mrs. Hope's, he had fastened upon me, notwithstanding my symptoms of manifest distress, (for I was in love, and had just nicked a minute when neither mothers, nor husbands, nor rivals, nor gossips, were near my then idol, who was beautiful as the statues of the gallery where we stood at the time,)—* * *, I say, had seized upon me by the button and the heart-strings, and spared neither. W. Spencer, who likes fun, and don't dislike mischief, saw my case, and coming up to us both, took me by the hand, and pathetically bade me farewell; 'for,' said he, 'I see it is all over with you.' * * * then went away. Sic me servavit Apollo. "

"I remember seeing Blucher in the London assemblies, and never saw any thing of his age less Pg 237 venerable. With the voice and manners of a recruiting sergeant, he pretended to the honours of a hero,—just as if a stone could be worshipped because a man had stumbled over it."

We now approach the close of this eventful period of his history. In a note to Mr. Rogers, written a short time before his departure for Ostend [103] , he says,—"My sister is now with me, and leaves town to-morrow: we shall not meet again for some time, at all events—if ever; and, under these circumstances, I trust to stand excused to you and Mr. Sheridan for being unable to wait upon him this evening."

This was his last interview with his sister,—almost the only person from whom he now parted with regret; it being, as he said, doubtful which had given him most pain, the enemies who attacked or the friends who condoled with him. Those beautiful and most tender verses, "Though the day of my destiny's over," were now his parting tribute to her [104] who, through all this bitter trial, had been his sole consolation; and, though known to most readers, so expressive are they of his wounded feelings at this crisis, that there are few, I think, who will object to seeing some stanzas of them here.

On a scrap of paper, in his handwriting, dated April 14. 1816, I find the following list of his attendants, with an annexed outline of his projected tour:—" Servants , —— Berger, a Swiss, William Fletcher, and Robert Rushton.—John William Polidori, M.D.—Switzerland, Flanders, Italy, and (perhaps) France." The two English servants, it will be observed, were the same "yeoman" and "page" who had set out with him on his youthful travels in 1809; and now,—for the second and last time taking leave of his country,—on the 25th of April he sailed for Ostend.

Pg 239 The circumstances under which Lord Byron now took leave of England were such as, in the case of any ordinary person, could not be considered otherwise than disastrous and humiliating. He had, in the course of one short year, gone through every variety of domestic misery;—had seen his hearth eight or nine times profaned by the visitations of the law, and been only saved from a prison by the privileges of his rank. He had alienated, as far as they had ever been his, the affections of his wife; and now, rejected by her, and condemned by the world, was betaking himself to an exile which had not even the dignity of appearing voluntary, as the excommunicating voice of society seemed to leave him no other resource. Had he been of that class of unfeeling and self-satisfied natures from whose hard surface the reproaches of others fall pointless, he might have found in insensibility a sure refuge against reproach; but, on the contrary, the same sensitiveness that kept him so awake to the applauses of mankind, rendered him, in a still more intense degree, alive to their censure. Even the strange, perverse pleasure which he felt in painting himself unamiably to the world did not prevent him from being both startled and pained when the world took him at his word; and, like a child in a mask before a looking-glass, the dark semblance which he had, half in sport, put on, when reflected back upon him from the mirror of public opinion, shocked even himself.

Thus surrounded by vexations, and thus deeply feeling them, it is not too much to say, that any Pg 240 other spirit but his own would have sunk under the struggle, and lost, perhaps irrecoverably, that level of self-esteem which alone affords a stand against the shocks of fortune. But in him,—furnished as was his mind with reserves of strength, waiting to be called out,—the very intensity of the pressure brought relief by the proportionate re-action which it produced. Had his transgressions and frailties been visited with no more than their due portion of punishment, there can be little doubt that a very different result would have ensued. Not only would such an excitement have been insufficient to waken up the new energies still dormant in him, but that consciousness of his own errors, which was for ever livelily present in his mind, would, under such circumstances, have been left, undisturbed by any unjust provocation, to work its usual softening and, perhaps, humbling influences on his spirit. But,—luckily, as it proved, for the further triumphs of his genius,—no such moderation was exercised. The storm of invective raised around him, so utterly out of proportion with his offences, and the base calumnies that were every where heaped upon his name, left to his wounded pride no other resource than in the same summoning up of strength, the same instinct of resistance to injustice, which had first forced out the energies of his youthful genius, and was now destined to give a still bolder and loftier range to its powers.

It was, indeed, not without truth, said of him by Goethe, that he was inspired by the Genius of Pain; for, from the first to the last of his agitated career, Pg 241 every fresh recruitment of his faculties was imbibed from that bitter source. His chief incentive, when a boy, to distinction was, as we have seen, that mark of deformity on his person, by an acute sense of which he was first stung into the ambition of being great. [105] As, with an evident reference to his own fate, he himself describes the feeling,—

Then came the disappointment of his youthful passion,—the lassitude and remorse of premature excess,—the lone friendlessness of his entrance into life, and the ruthless assault upon his first literary efforts,—all links in that chain of trials, errors, and sufferings, by which his great mind was gradually and painfully drawn out;—all bearing their respective shares in accomplishing that destiny which seems to have decreed that the triumphal march of Pg 242 his genius should be over the waste and ruins of his heart. He appeared, indeed, himself to have had an instinctive consciousness that it was out of such ordeals his strength and glory were to arise, as his whole life was passed in courting agitation and difficulties; and whenever the scenes around him were too tame to furnish such excitement, he flew to fancy or memory for "thorns" whereon to "lean his breast."

But the greatest of his trials, as well as triumphs, was yet to come. The last stage of this painful, though glorious, course, in which fresh power was, at every step, wrung from out his soul, was that at which we are now arrived, his marriage and its results,—without which, dear as was the price paid by him in peace and character, his career would have been incomplete, and the world still left in ignorance of the full compass of his genius. It is, indeed, worthy of remark, that it was not till his domestic circumstances began to darken around him that his fancy, which had long been idle, again rose upon the wing,—both The Siege of Corinth and Parisina having been produced but a short time before the separation. How conscious he was, too, that the turmoil which followed was the true element of his restless spirit, may be collected from several passages of his letters at that period, in one of which he even mentions that his health had become all the better for the conflict:—"It is odd," he says, "but agitation or contest of any kind gives a rebound to my spirits, and sets me up for the time."

This buoyancy it was,—this irrepressible spring Pg 243 of mind,—that now enabled him to bear up not only against the assaults of others, but, what was still more difficult, against his own thoughts and feelings. The muster of all his mental resources to which, in self-defence, he had been driven, but opened to him the yet undreamed extent and capacity of his powers, and inspired him with a proud confidence that he should yet shine down these calumnious mists, convert censure to wonder, and compel even those who could not approve to admire.

The route which he now took, through Flanders and by the Rhine, is best traced in his own matchless verses, which leave a portion of their glory on all that they touch, and lend to scenes, already clothed with immortality by nature and by history, the no less durable associations of undying song. On his leaving Brussels, an incident occurred which would be hardly worth relating, were it not for the proof it affords of the malicious assiduity with which every thing to his disadvantage was now caught up and circulated in England. Mr. Pryce Gordon, a gentleman, who appears to have seen a good deal of him during his short stay at Brussels, thus relates the anecdote:—

"Lord Byron travelled in a huge coach, copied from the celebrated one of Napoleon, taken at Genappe, with additions. Besides a lit de repos , it contained a library, a plate-chest, and every apparatus for dining in it. It was not, however, found sufficiently capacious for his baggage and suite; and he purchased a calèche at Brussels for his servants. It broke down going to Waterloo, and I advised him Pg 244 to return it, as it seemed to be a crazy machine; but as he had made a deposit of forty Napoleons (certainly double its value), the honest Fleming would not consent to restore the cash, or take back his packing case, except under a forfeiture of thirty Napoleons. As his Lordship was to set out the following day, he begged me to make the best arrangement I could in the affair. He had no sooner taken his departure, than the worthy sellier inserted a paragraph in 'The Brussels Oracle,' stating 'that the noble milor Anglais had absconded with his calèche, value 1800 francs!'"

In the Courier of May 13., the Brussels account of this transaction is thus copied:—

"The following is an extract from the Dutch Mail, dated Brussels, May 8th,:—In the Journal de Belgique, of this date, is a petition from a coachmaker at Brussels to the president of the Tribunal de Premier Instance, stating that he has sold to Lord Byron a carriage, &c. for 1882 francs, of which he has received 847 francs, but that his Lordship, who is going away the same day, refuses to pay him the remaining 1035 francs; he begs permission to seize the carriage, &c. This being granted, he put it into the hands of a proper officer, who went to signify the above to Lord Byron, and was informed by the landlord of the hotel that his Lordship was gone without having given him any thing to pay the debt, on which the officer seized a chaise belonging to his Lordship as security for the amount."

It was not till the beginning of the following month that a contradiction of this falsehood, stating Pg 245 the real circumstances of the case, as above related, was communicated to the Morning Chronicle, in a letter from Brussels, signed "Pryce L. Gordon."

Another anecdote, of far more interest, has been furnished from the same respectable source. It appears that the two first stanzas of the verses relating to Waterloo, "Stop, for thy tread is on an empire's dust [107] ," were written at Brussels, after a visit to that memorable field, and transcribed by Lord Byron, next morning, in an album belonging to the lady of the gentleman who communicates the anecdote.

"A few weeks after he had written them (says the relater), the well-known artist, R.R. Reinagle, a friend of mine, arrived in Brussels, when I invited him to dine with me and showed him the lines, requesting him to embellish them with an appropriate vignette to the following passage:—

Mr. Reinagle sketched with a pencil a spirited chained eagle, grasping the earth with his talons.

"I had occasion to write to his Lordship, and mentioned having got this clever artist to draw a vignette to his beautiful lines, and the liberty he had taken Pg 246 by altering the action of the eagle. In reply to this, he wrote to me,—'Reinagle is a better poet and a better ornithologist than I am; eagles, and all birds of prey, attack with their talons, and not with their beaks, and I have altered the line thus:—

This is, I think, a better line, besides its poetical justice.' I need hardly add, when I communicated this flattering compliment to the painter, that he was highly gratified."

From Brussels the noble traveller pursued his course along the Rhine,—a line of road which he has strewed over with all the riches of poesy; and, arriving at Geneva, took up his abode at the well-known hotel, Sécheron. After a stay of a few weeks at this place, he removed to a villa, in the neighbourhood, called Diodati, very beautifully situated on the high banks of the Lake, where he established his residence for the remainder of the summer.

I shall now give the few letters in my possession written by him at this time, and then subjoin to them such anecdotes as I have been able to collect relative to the same period.

From the Journal mentioned in the foregoing letter, I am enabled to give the following extracts:—

"Yesterday, September 17th, I set out with Mr. Hobhouse on an excursion of some days to the mountains.

"Rose at five; left Diodati about seven, in one of the country carriages (a char-à-banc), our servants on horseback. Weather very fine; the lake calm and clear; Mont Blanc and the Aiguille of Argentières both very distinct; the borders of the lake beautiful. Reached Lausanne before sunset; stopped and slept at ——. Went to bed at nine: slept till five o'clock.

"Called by my courier; got up. Hobhouse walked on before. A mile from Lausanne, the road overflowed by the lake; got on horseback and rode till within a mile of Vevay. The colt young, but went very well. Overtook Hobhouse, and resumed the carriage, which is an open one. Stopped at Vevay two hours (the second time I had visited it); walked to the church; view from the churchyard superb; within it General Ludlow (the regicide's) monument—black marble—long inscription—Latin, but simple; he was an exile two-and-thirty-years—one of King Charles's judges. Near him Broughton (who read King Charles's sentence to Pg 257 Charles Stuart) is buried, with a queer and rather canting, but still a republican, inscription. Ludlow's house shown; it retains still its inscription—'Omne solum forti patria.' Walked down to the Lake side; servants, carriage, saddle-horses—all set off and left us plantés là , by some mistake, and we walked on after them towards Clarens: Hobhouse ran on before, and overtook them at last. Arrived the second time (first time was by water) at Clarens. Went to Chillon through scenery worthy of I know not whom; went over the Castle of Chillon again. On our return met an English party in a carriage; a lady in it fast asleep—fast asleep in the most anti-narcotic spot in the world—excellent! I remember, at Chamouni, in the very eyes of Mont Blanc, hearing another woman, English also, exclaim to her party, 'Did you ever see any thing more rural ?'—as if it was Highgate, or Hampstead, or Brompton, or Hayes,—'Rural!' quotha.—Rocks, pines, torrents, glaciers, clouds, and summits of eternal snow far above them—and 'rural!'

"After a slight and short dinner we visited the Chateau de Clarens; an English woman has rented it recently (it was not let when I saw it first); the roses are gone with their summer; the family out, but the servants desired us to walk over the interior of the mansion. Saw on the table of the saloon Blair's Sermons and somebody else's (I forget who's) sermons, and a set of noisy children. Saw all worth seeing, and then descended to the 'Bosquet de Julie,' &c. &c.; our guide full of Rousseau, whom he is eternally confounding with St. Preux, and Pg 258 mixing the man and the book. Went again as far as Chillon to revisit the little torrent from the hill behind it. Sunset reflected in the lake. Have to get up at five to-morrow to cross the mountains on horseback; carriage to be sent round; lodged at my old cottage—hospitable and comfortable; tired with a longish ride on the colt, and the subsequent jolting of the char-à-banc, and my scramble in the hot sun.

"Mem. The corporal who showed the wonders of Chillon was as drunk as Blucher, and (to my mind) as great a man; he was deaf also, and thinking every one else so, roared out the legends of the castle so fearfully that H. got out of humour. However, we saw things from the gallows to the dungeons (the potence and the cachots ), and returned to Clarens with more freedom than belonged to the fifteenth century.

"Rose at five. Crossed the mountains to Montbovon on horseback, and on mules, and, by dint of scrambling, on foot also; the whole route beautiful as a dream, and now to me almost as indistinct. I am so tired;—for though healthy, I have not the strength I possessed but a few years ago. At Montbovon we breakfasted; afterwards, on a steep ascent dismounted; tumbled down; cut a finger open; the baggage also got loose and fell down a ravine, till stopped by a large tree; recovered baggage; horse tired and drooping; mounted mule. At the approach of the summit of Dent Jument [111] dismounted Pg 259 again with Hobhouse and all the party. Arrived at a lake in the very bosom of the mountains; left our quadrupeds with a shepherd, and ascended farther; came to some snow in patches, upon which my forehead's perspiration fell like rain, making the same dints as in a sieve; the chill of the wind and the snow turned me giddy, but I scrambled on and upwards. Hobhouse went to the highest pinnacle; I did not, but paused within a few yards (at an opening of the cliff). In coming down, the guide tumbled three times; I fell a laughing, and tumbled too—the descent luckily soft, though steep and slippery: Hobhouse also fell, but nobody hurt. The whole of the mountains superb. A shepherd on a very steep and high cliff playing upon his pipe ; very different from Arcadia , where I saw the pastors with a long musket instead of a crook, and pistols in their girdles. Our Swiss shepherd's pipe was sweet, and his tune agreeable. I saw a cow strayed; am told that they often break their necks on and over the crags. Descended to Montbovon; pretty scraggy village, with a wild river and a wooden bridge. Hobhouse went to fish—caught one. Our carriage not come; our horses, mules, &c. knocked up; ourselves fatigued; but so much the better—I shall sleep.

"The view from the highest points of to-day's journey comprised on one side the greatest part of Lake Leman; on the other, the valleys and mountain of the Canton of Fribourg, and an immense plain, with the lakes of Neuchâtel and Morat, and all which the borders of the Lake of Geneva inherit; Pg 260 we had both sides of the Jura before us in one point of view, with Alps in plenty. In passing a ravine, the guide recommended strenuously a quickening of pace, as the stones fall with great rapidity and occasional damage; the advice is excellent, but, like most good advice, impracticable, the road being so rough that neither mules, nor mankind, nor horses, can make any violent progress. Passed without fractures or menace thereof.

"The music of the cow's bells (for their wealth, like the patriarchs', is cattle) in the pastures, which reach to a height far above any mountains in Britain, and the shepherds shouting to us from crag to crag, and playing on their reeds where the steeps appeared almost inaccessible, with the surrounding scenery, realised all that I have ever heard or imagined of a pastoral existence:—much more so than Greece or Asia Minor, for there we are a little too much of the sabre and musket order, and if there is a crook in one hand, you are sure to see a gun in the other:—but this was pure and unmixed—solitary, savage, and patriarchal. As we went, they played the 'Rans des Vaches' and other airs, by way of farewell. I have lately repeopled my mind with nature.

Up at six; off at eight. The whole of this day's journey at an average of between from 2700 to 3000 feet above the level of the sea. This valley, the longest, narrowest, and considered the finest of the Alps, little traversed by travellers. Saw the bridge of La Roche. The bed of the river very low and Pg 261 deep, between immense rocks, and rapid as anger;—a man and mule said to have tumbled over without damage. The people looked free, and happy, and rich (which last implies neither of the former); the cows superb; a bull nearly leapt into the char-à-banc—'agreeable companion in a post-chaise;' goats and sheep very thriving. A mountain with enormous glaciers to the right—the Klitzgerberg; further on, the Hockthorn—nice names—so soft!— Stockhorn , I believe, very lofty and scraggy, patched with snow only; no glaciers on it, but some good epaulettes of clouds.

"Passed the boundaries, out of Vaud and into Berne canton; French exchanged for bad German; the district famous for cheese, liberty, property, and no taxes. Hobhouse went to fish—caught none. Strolled to the river; saw boy and kid; kid followed him like a dog; kid could not get over a fence, and bleated piteously; tried myself to help kid, but nearly overset both self and kid into the river. Arrived here about six in the evening. Nine o'clock—going to bed; not tired to day, but hope to sleep, nevertheless.

"Off early. The valley of Simmenthal as before. Entrance to the plain of Thoun very narrow; high rocks, wooded to the top; river; new mountains, with fine glaciers. Lake of Thoun; extensive plain with a girdle of Alps. Walked down to the Chateau de Schadau; view along the lake; crossed the river in a boat rowed by women. Thoun a very Pg 262 pretty town. The whole day's journey Alpine and proud.

"Left Thoun in a boat, which carried us the length of the lake in three hours. The lake small; but the banks fine. Rocks down to the water's edge. Landed at Newhause; passed Interlachen; entered upon a range of scenes beyond all description or previous conception. Passed a rock; inscription—two brothers—one murdered the other; just the place for it. After a variety of windings came to an enormous rock. Arrived at the foot of the mountain (the Jungfrau, that is, the Maiden); glaciers; torrents; one of these torrents nine hundred feet in height of visible descent. Lodged at the curate's. Set out to see the valley; heard an avalanche fall, like thunder; glaciers enormous; storm came on, thunder, lightning, hail; all in perfection, and beautiful. I was on horseback; guide wanted to carry my cane; I was going to give it him, when I recollected that it was a sword-stick, and I thought the lightning might be attracted towards him; kept it myself; a good deal encumbered with it, as it was too heavy for a whip, and the horse was stupid, and stood with every other peal. Got in, not very wet, the cloak being stanch. Hobhouse wet through; Hobhouse took refuge in cottage; sent man, umbrella, and cloak (from the curate's when I arrived) after him. Swiss curate's house very good indeed—much better than most English vicarages. It is immediately opposite the torrent I spoke of. The torrent is in shape curving over the rock, like the Pg 263 tail of a white horse streaming in the wind, such as it might be conceived would be that of the 'pale horse' on which Death is mounted in the Apocalypse. [112] It is neither mist nor water, but a something between both; its immense height (nine hundred feet) gives it a wave or curve, a spreading here or condensation there, wonderful and indescribable. I think, upon the whole, that this day has been better than any of this present excursion.

"Before ascending the mountain, went to the torrent (seven in the morning) again; the sun upon it, forming a rainbow of the lower part of all colours, but principally purple and gold; the bow moving as you move; I never saw any thing like this; it is only in the sunshine. Ascended the Wengen mountain; at noon reached a valley on the summit; left the horses, took off my coat, and went to the summit, seven thousand feet (English feet) above the level of the sea , and about five thousand above the valley Pg 264 we left in the morning. On one side, our view comprised the Jungfrau, with all her glaciers; then the Dent d'Argent, shining like truth; then the Little Giant (the Kleine Eigher); and the Great Giant (the Grosse Eigher), and last, not least, the Wetterhorn. The height of Jungfrau is 13,000 feet above the sea, 11,000 above the valley; she is the highest of this range. Heard the avalanches falling every five minutes nearly. From whence we stood, on the Wengen Alp, we had all these in view on one side; on the other, the clouds rose from the opposite valley, curling up perpendicular precipices like the foam of the ocean of hell, during a spring tide—it was white, and sulphury, and immeasurably deep in appearance. [113] The side we ascended was (of course) not of so precipitous a nature; but on arriving at the summit, we looked down upon the other side upon a boiling sea of cloud, dashing against the crags on which we stood (these crags on one side quite perpendicular). Stayed a quarter of an hour; begun to descend; quite clear from cloud on that side of the mountain. In passing the masses of snow, I made a snowball and pelted Hobhouse with it.

"Got down to our horses again; ate something; Pg 265 remounted; heard the avalanches still; came to a morass; Hobhouse dismounted to get over well; I tried to pass my horse over; the horse sunk up to the chin, and of course he and I were in the mud together; bemired, but not hurt; laughed, and rode on. Arrived at the Grindelwald; dined; mounted again, and rode to the higher glacier—like a frozen hurricane . [114] Starlight, beautiful, but a devil of a path! Never mind, got safe in; a little lightning; but the whole of the day as fine in point of weather as the day on which Paradise was made. Passed whole woods of withered pines, all withered ; trunks stripped and barkless, branches lifeless; done by a single winter [115] ,—their appearance reminded me of me and my family.

"Set off at seven; up at five. Passed the black glacier, the mountain Wetterhorn on the right; crossed the Scheideck mountain; came to the Rose glacier, said to be the largest and finest in Switzerland, I think the Bossons glacier at Chamouni as fine; Hobhouse does not. Came to the Reichenbach waterfall, two hundred feet high; halted to rest the horses. Arrived in the valley of Overland; rain came on; drenched a little; only four hours' rain, Pg 266 however, in eight days. Came to the lake of Brientz, then to the town of Brientz; changed. In the evening, four Swiss peasant girls of Oberhasli came and sang the airs of their country; two of the voices beautiful—the tunes also: so wild and original, and at the same time of great sweetness. The singing is over; but below stairs I hear the notes of a fiddle, which bode no good to my night's rest; I shall go down and see the dancing.

"The whole town of Brientz were apparently gathered together in the rooms below; pretty music and excellent waltzing; none but peasants; the dancing much better than in England; the English can't waltz, never could, never will. One man with his pipe in his mouth, but danced as well as the others; some other dances in pairs and in fours, and very good. I went to bed, but the revelry continued below late and early. Brientz but a village. Rose early. Embarked on the lake of Brientz, rowed by the women in a long boat; presently we put to shore, and another woman jumped in. It seems it is the custom here for the boats to be manned by women : for of five men and three women in our bark, all the women took an oar, and but one man.

"Got to Interlachen in three hours; pretty lake; not so large as that of Thoun. Dined at Interlachen. Girl gave me some flowers, and made me a speech in German, of which I know nothing; I do not know whether the speech was pretty, but as the woman was, I hope so. Re-embarked on the lake of Thoun; Pg 267 fell asleep part of the way; sent our horses round; found people on the shore, blowing up a rock with gunpowder; they blew it up near our boat, only telling us a minute before;—mere stupidity, but they might have broken our noddles. Got to Thoun in the evening; the weather has been tolerable the whole day. But as the wild part of our tour is finished, it don't matter to us; in all the desirable part, we have been most lucky in warmth and clearness of atmosphere.

"Being out of the mountains, my journal must be as flat as my journey. From Thoun to Berne, good road, hedges, villages, industry, property, and all sorts of tokens of insipid civilisation. From Berne to Fribourg; different canton; Catholics; passed a field of battle; Swiss beat the French in one of the late wars against the French republic. Bought a dog. The greater part of this tour has been on horseback, on foot, and on mule.

"Saw the tree planted in honour of the battle of Morat; three hundred and forty years old; a good deal decayed. Left Fribourg, but first saw the cathedral; high tower. Overtook the baggage of the nuns of La Trappe, who are removing to Normandy; afterwards a coach, with a quantity of nuns in it. Proceeded along the banks of the lake of Neuchâtel; very pleasing and soft, but not so mountainous—at least, the Jura, not appearing so, after the Bernese Alps. Reached Yverdun in the dusk; a long line of large trees on the border of the lake; fine and Pg 268 sombre; the auberge nearly full—a German princess and suite; got rooms.

"Passed through a fine and flourishing country, but not mountainous. In the evening reached Aubonne (the entrance and bridge something like that of Durham), which commands by far the fairest view of the Lake of Geneva; twilight; the moon on the lake; a grove on the height, and of very noble trees. Here Tavernier (the eastern traveller) bought (or built) the château, because the site resembled and equalled that of Erivan , a frontier city of Persia; here he finished his voyages, and I this little excursion,—for I am within a few hours of Diodati, and have little more to see, and no more to say."

"In the weather for this tour (of 13 days), I have been very fortunate—fortunate in a companion (Mr. H.)—fortunate in our prospects, and exempt from even the little petty accidents and delays which often render journeys in a less wild country disappointing. I was disposed to be pleased. I am a lover of nature and an admirer of beauty. I can bear fatigue and welcome privation, and have seen some of the noblest views in the world. But in all this—the recollection of bitterness, and more especially of recent and more home desolation, which must accompany me through life, have preyed upon me here; and neither the music of the shepherd, Pg 269 the crashing of the avalanche, nor the torrent, the mountain, the glacier, the forest, nor the cloud, have for one moment lightened the weight upon my heart, nor enabled me to lose my own wretched identity in the majesty, and the power, and the glory, around, above, and beneath me."

Among the inmates at Sécheron, on his arrival at Geneva, Lord Byron had found Mr. and Mrs. Shelley, and a female relative of the latter, who had about a fortnight before taken up their residence at this hotel. It was the first time that Lord Byron and Mr. Shelley ever met; though, long before, when the latter was quite a youth,—being the younger of the two by four or five years,—he had sent to the noble poet a copy of his Queen Mab, accompanied by a letter, in which, after detailing at full length all the accusations he had heard brought against his character, he added, that, should these charges not have been true, it would make him happy to be honoured with his acquaintance. The book alone, it appears, reached its destination,—the letter having miscarried,—and Lord Byron was known to have expressed warm admiration of the opening lines of the poem.

There was, therefore, on their present meeting at Geneva, no want of disposition towards acquaintance on either side, and an intimacy almost immediately sprung up between them. Among the tastes common to both, that for boating was not the least strong; and in this beautiful region they had more than ordinary temptations to indulge in it. Every evening, during their residence under the same roof at Sé Pg 270 cheron, they embarked, accompanied by the ladies and Polidori, on the Lake; and to the feelings and fancies inspired by these excursions, which were not unfrequently prolonged into the hours of moonlight, we are indebted for some of those enchanting stanzas [116] in which the poet has given way to his passionate love of Nature so fervidly.

A person who was of these parties has thus described to me one of their evenings:—"When the bise or north-east wind blows, the waters of the Lake are driven towards the town, and with the stream of the Rhone, which sets strongly in the same direction, combine to make a very rapid current towards the harbour. Carelessly, one evening, we had yielded to its course, till we found ourselves almost driven on the piles; and it required all our rowers' strength to master the tide. The waves were high and inspiriting—we were all animated by our contest with the elements. 'I will sing you an Albanian song,' cried Lord Byron; 'now, be sentimental and Pg 271 give me all your attention.' It was a strange, wild howl that he gave forth; but such as, he declared, was an exact imitation of the savage Albanian mode,—laughing, the while, at our disappointment, who had expected a wild Eastern melody."

Sometimes the party landed, for a walk upon the shore, and, on such occasions, Lord Byron would loiter behind the rest, lazily trailing his sword-stick along, and moulding, as he went, his thronging thoughts into shape. Often too, when in the boat, he would lean abstractedly over the side, and surrender himself up, in silence, to the same absorbing task.

The conversation of Mr. Shelley, from the extent of his poetic reading, and the strange, mystic speculations into which his system of philosophy led him, was of a nature strongly to arrest and interest the attention of Lord Byron, and to turn him away from worldly associations and topics into more abstract and untrodden ways of thought. As far as contrast, indeed, is an enlivening ingredient of such intercourse, it would be difficult to find two persons more formed to whet each other's faculties by discussion, as on few points of common interest between them did their opinions agree; and that this difference had its root deep in the conformation of their respective minds needs but a glance through the rich, glittering labyrinth of Mr. Shelley's pages to assure us.

In Lord Byron, the real was never forgotten in the fanciful. However Imagination had placed her whole realm at his disposal, he was no less a man of this world than a ruler of hers; and, accordingly, Pg 272 through the airiest and most subtile creations of his brain still the life-blood of truth and reality circulates. With Shelley it was far otherwise;—his fancy (and he had sufficient for a whole generation of poets) was the medium through which he saw all things, his facts as well as his theories; and not only the greater part of his poetry, but the political and philosophical speculations in which he indulged, were all distilled through the same over-refining and unrealising alembic. Having started as a teacher and reformer of the world, at an age when he could know nothing of the world but from fancy, the persecution he met with on the threshold of this boyish enterprise but confirmed him in his first paradoxical views of human ills and their remedies; and, instead of waiting to take lessons of authority and experience, he, with a courage, admirable had it been but wisely directed, made war upon both. From this sort of self-willed start in the world, an impulse was at once given to his opinions and powers directly contrary, it would seem, to their natural bias, and from which his life was too short to allow him time to recover. With a mind, by nature, fervidly pious, he yet refused to acknowledge a Supreme Providence, and substituted some airy abstraction of "Universal Love" in its place. An aristocrat by birth and, as I understand, also in appearance and manners, he was yet a leveller in politics, and to such an Utopian extent as to be, seriously, the advocate of a community of property. With a delicacy and even romance of sentiment, which lends such grace to some of his lesser poems, Pg 273 he could notwithstanding contemplate a change in the relations of the sexes, which would have led to results fully as gross as his arguments for it were fastidious and refined; and though benevolent and generous to an extent that seemed to exclude all idea of selfishness, he yet scrupled not, in the pride of system, to disturb wantonly the faith of his fellowmen, and, without substituting any equivalent good in its place, to rob the wretched of a hope, which, even if false, would be worth all this world's best truths.

Upon no point were the opposite tendencies of the two friends,—to long-established opinions and matter of fact on one side, and to all that was most innovating and visionary on the other,—more observable than in their notions on philosophical subjects; Lord Byron being, with the great bulk of mankind, a believer in the existence of Matter and Evil, while Shelley so far refined upon the theory of Berkeley as not only to resolve the whole of Creation into spirit, but to add also to this immaterial system some pervading principle, some abstract non-entity of Love and Beauty, of which—as a substitute, at least, for Deity—the philosophic bishop had never dreamed. On such subjects, and on poetry, their conversation generally turned; and, as might be expected, from Lord Byron's facility in receiving new impressions, the opinions of his companion were not altogether without some influence on his mind. Here and there, among those fine bursts of passion and description that abound in the third Canto of Childe Harold, may be discovered traces of Pg 274 that mysticism of meaning,—that sublimity, losing itself in its own vagueness,—which so much characterised the writings of his extraordinary friend; and in one of the notes we find Shelley's favourite Pantheism of Love thus glanced at:—"But this is not all: the feeling with which all around Clarens and the opposite rocks of Meillerie is invested, is of a still higher and more comprehensive order than the mere sympathy with individual passion; it is a sense of the existence of love in its most extended and sublime capacity, and of our own participation of its good and of its glory: it is the great principle of the universe, which is there more condensed, but not less manifested; and of which, though knowing ourselves a part, we lose our individuality, and mingle in the beauty of the whole."

Another proof of the ductility with which he fell into his new friend's tastes and predilections, appears in the tinge, if not something deeper, of the manner and cast of thinking of Mr. Wordsworth, which is traceable through so many of his most beautiful stanzas. Being naturally, from his love of the abstract and imaginative, an admirer of the great poet of the Lakes, Mr. Shelley omitted no opportunity of bringing the beauties of his favourite writer under the notice of Lord Byron; and it is not surprising that, once persuaded into a fair perusal, the mind of the noble poet should—in spite of some personal and political prejudices which unluckily survived this short access of admiration—not only feel the influence but, in some degree, even reflect the hues of one of the very few real and original poets that this Pg 275 age (fertile as it is in rhymers quales ego et Cluvienus ) has had the glory of producing.

When Polidori was of their party, (which, till he found attractions elsewhere, was generally the case,) their more elevated subjects of conversation were almost always put to flight by the strange sallies of this eccentric young man, whose vanity made him a constant butt for Lord Byron's sarcasm and merriment. The son of a highly respectable Italian gentleman, who was in early life, I understand, the secretary of Alfieri, Polidori seems to have possessed both talents and dispositions which, had he lived, might have rendered him a useful member of his profession and of society. At the time, however, of which we are speaking, his ambition of distinction far outwent both his powers and opportunities of attaining it. His mind, accordingly, between ardour and weakness, was kept in a constant hectic of vanity, and he seems to have alternately provoked and amused his noble employer, leaving him seldom any escape from anger but in laughter. Among other pretensions, he had set his heart upon shining as an author, and one evening at Mr. Shelley's, producing a tragedy of his own writing, insisted that they should undergo the operation of hearing it. To lighten the infliction, Lord Byron took upon himself the task of reader; and the whole scene, from the description I have heard of it, must have been not a little trying to gravity. In spite of the jealous watch kept upon every countenance by the author, it was impossible to withstand the smile lurking in the eye of the reader, whose only resource against the outbreak of Pg 276 his own laughter lay in lauding, from time to time, most vehemently, the sublimity of the verses;—particularly some that began "'Tis thus the goîter'd idiot of the Alps,'—and then adding, at the close of every such eulogy, "I assure you when I was in the Drury Lane Committee, much worse things were offered to us."

After passing a fortnight under the same roof with Lord Byron at Sécheron, Mr. and Mrs. Shelley removed to a small house on the Mont-Blanc side of the Lake, within about ten minutes' walk of the villa which their noble friend had taken, upon the high banks, called Belle Rive, that rose immediately behind them. During the fortnight that Lord Byron outstaid them at Sécheron, though the weather had changed and was become windy and cloudy, he every evening crossed the Lake, with Polidori, to visit them; and "as he returned again (says my informant) over the darkened waters, the wind, from far across, bore us his voice singing your Tyrolese Song of Liberty, which I then first heard, and which is to me inextricably linked with his remembrance."

In the mean time, Polidori had become jealous of the growing intimacy of his noble patron with Shelley; and the plan which he now understood them to have formed of making a tour of the Lake without him completed his mortification. In the soreness of his feelings on this subject he indulged in some intemperate remonstrances, which Lord Byron indignantly resented; and the usual bounds of courtesy being passed on both sides, the dismissal of Polidori appeared, even to himself, inevitable. Pg 277 With this prospect, which he considered nothing less than ruin, before his eyes, the poor young man was, it seems, on the point of committing that fatal act which, two or three years afterwards, he actually did perpetrate. Retiring to his own room, he had already drawn forth the poison from his medicine chest, and was pausing to consider whether he should write a letter before he took it, when Lord Byron (without, however, the least suspicion of his intention) tapped at the door and entered, with his hand held forth in sign of reconciliation. The sudden revulsion was too much for poor Polidori, who burst into tears; and, in relating all the circumstances of the occurrence afterwards, he declared that nothing could exceed the gentle kindness of Lord Byron in soothing his mind and restoring him to composure.

Soon after this the noble poet removed to Diodati. He had, on his first coming to Geneva, with the good-natured view of introducing Polidori into company, gone to several Genevese parties; but, this task performed, he retired altogether from society till late in the summer, when, as we have seen, he visited Copet. His means were at this time very limited; and though he lived by no means parsimoniously, all unnecessary expenses were avoided in his establishment. The young physician had been, at first, a source of much expense to him, being in the habit of hiring a carriage, at a louis a day (Lord Byron not then keeping horses), to take him to his evening parties; and it was some time before his noble patron had the courage to put this luxury down.

The liberty, indeed, which this young person Pg 278 allowed himself was, on one occasion, the means of bringing an imputation upon the poet's hospitality and good breeding, which, like every thing else, true or false, tending to cast a shade upon his character, was for some time circulated with the most industrious zeal. Without any authority from the noble owner of the mansion, he took upon himself to invite some Genevese gentlemen (M. Pictet, and, I believe, M. Bonstetten) to dine at Diodati; and the punishment which Lord Byron thought it right to inflict upon him for such freedom was, "as he had invited the guests, to leave him also to entertain them." This step, though merely a consequence of the physician's indiscretion, it was not difficult, of course, to convert into a serious charge of caprice and rudeness against the host himself.

By such repeated instances of thoughtlessness (to use no harsher term), it is not wonderful that Lord Byron should at last be driven into a feeling of distaste towards his medical companion, of whom he one day remarked, that "he was exactly the kind of person to whom, if he fell overboard, one would hold out a straw, to know if the adage be true that drowning men catch at straws."

A few more anecdotes of this young man, while in the service of Lord Byron, may, as throwing light upon the character of the latter, be not inappropriately introduced. While the whole party were, one day, out boating, Polidori, by some accident, in rowing, struck Lord Byron violently on the knee-pan with his oar; and the latter, without speaking, turned his face away to hide the pain. After a moment he Pg 279 said, "Be so kind, Polidori, another time, to take more care, for you hurt me very much."—"I am glad of it," answered the other; "I am glad to see you can suffer pain." In a calm suppressed tone, Lord Byron replied, "Let me advise you, Polidori, when you, another time, hurt any one, not to express your satisfaction. People don't like to be told that those who give them pain are glad of it; and they cannot always command their anger. It was with some difficulty that I refrained from throwing you into the water; and, but for Mrs. Shelley's presence, I should probably have done some such rash thing." This was said without ill temper, and the cloud soon passed away.

Another time, when the lady just mentioned was, after a shower of rain, walking up the hill to Diodati, Lord Byron, who saw her from his balcony where he was standing with Polidori, said to the latter, "Now, you who wish to be gallant ought to jump down this small height, and offer your arm." Polidori chose the easiest part of the declivity, and leaped;—but the ground being wet, his foot slipped, and he sprained his ankle. [117] Lord Byron instantly helped to carry him in and procure cold water for the foot; and, after he was laid on the sofa, perceiving that he was uneasy, went up stairs himself (an exertion which his lameness made painful and disagreeable) to fetch a pillow for him. "Well, I did not believe you had so much feeling," was Polidori's gracious Pg 280 remark, which, it may be supposed, not a little clouded the noble poet's brow.

A dialogue which Lord Byron himself used to mention as having taken place between them during their journey on the Rhine, is amusingly characteristic of both the persons concerned. "After all," said the physician, "what is there you can do that I cannot?"—"Why, since you force me to say," answered the other, "I think there are three things I can do which you cannot." Polidori defied him to name them. "I can," said Lord Byron, "swim across that river—I can snuff out that candle with a pistol-shot at the distance of twenty paces—and I have written a poem [118] of which 14,000 copies were sold in one day."

The jealous pique of the Doctor against Shelley was constantly breaking out; and on the occasion of some victory which the latter had gained over him in a sailing-match, he took it into his head that his antagonist had treated him with contempt; and went so far, in consequence, notwithstanding Shelley's known sentiments against duelling, as to proffer him a sort of challenge, at which Shelley, as might be expected, only laughed. Lord Byron, however, fearing that the vivacious physician might still further take advantage of this peculiarity of his friend, said to him, "Recollect, that though Shelley has some scruples about duelling, I have none; and shall be, at all times, ready to take his place."

At Diodati, his life was passed in the same regular round of habits and occupations into which, when Pg 281 left to himself, he always naturally fell; a late breakfast, then a visit to the Shelleys' cottage and an excursion on the Lake;—at five, dinner [119] (when he usually preferred being alone), and then, if the weather permitted, an excursion again. He and Shelley had joined in purchasing a boat, for which they gave twenty-five louis ,—a small sailing vessel, fitted to stand the usual squalls of the climate, and, at that time, the only keeled boat on the Lake. When the weather did not allow of their excursions after dinner,—an occurrence not unfrequent during this very wet summer,—the inmates of the cottage passed their evenings at Diodati, and, when the rain rendered it inconvenient for them to return home, remained there to sleep. "We often," says one, who was not the least ornamental of the party, "sat up in conversation till the morning light. There was never any lack of subjects, and, grave or gay, we were always interested."

During a week of rain at this time, having amused themselves with reading German ghost-stories, they agreed, at last, to write something in imitation of them. "You and I," said Lord Byron to Mrs. Shelley, "will publish ours together." He then began his tale of the Vampire; and, having the Pg 282 whole arranged in his head, repeated to them a sketch of the story [120] one evening,—but, from the narrative being in prose, made but little progress in filling up his outline. The most memorable result, indeed, of their story-telling compact, was Mrs. Shelley's wild and powerful romance of Frankenstein,—one of those original conceptions that take hold of the public mind at once, and for ever.

Towards the latter end of June, as we have seen in one of the preceding letters, Lord Byron, accompanied by his friend Shelley, made a tour in his boat round the Lake, and visited, "with the Heloise before him," all those scenes around Meillerie and Clarens, which have become consecrated for ever by ideal passion, and by that power which Genius alone possesses, of giving such life to its dreams as to make them seem realities. In the squall off Meillerie, which he mentions, their danger was considerable [121] . In the expectation, every moment, of Pg 283 being obliged to swim for his life, Lord Byron had already thrown off his coat, and, as Shelley was no swimmer, insisted upon endeavouring, by some means, to save him. This offer, however, Shelley positively refused; and seating himself quietly upon a locker, and grasping the rings at each end firmly in his hands, declared his determination to go down in that position, without a struggle. [122]

Subjoined to that interesting little work, the "Six Weeks' Tour," there is a letter by Shelley himself, giving an account of this excursion round the Lake, and written with all the enthusiasm such scenes should inspire. In describing a beautiful child they saw at the village of Nerni, he says, "My companion gave him a piece of money, which he took without speaking, with a sweet smile of easy thankfulness, and then with an unembarrassed air Pg 284 turned to his play." There were, indeed, few things Lord Byron more delighted in than to watch beautiful children at play;—"many a lovely Swiss child (says a person who saw him daily at this time) received crowns from him as the reward of their grace and sweetness."

Speaking of their lodgings at Nerni, which were gloomy and dirty, Mr. Shelley says, "On returning to our inn, we found that the servant had arranged our rooms, and deprived them of the greater portion of their former disconsolate appearance. They reminded my companion of Greece:—it was five years, he said, since he had slept in such beds."

Luckily for Shelley's full enjoyment of these scenes, he had never before happened to read the Heloise; and though his companion had long been familiar with that romance, the sight of the region itself, the "birth-place of deep Love," every spot of which seemed instinct with the passion of the story, gave to the whole a fresh and actual existence in his mind. Both were under the spell of the Genius of the place,—both full of emotion; and as they walked silently through the vineyards that were once the "bosquet de Julie," Lord Byron suddenly exclaimed, "Thank God, Polidori is not here."

That the glowing stanzas suggested to him by this scene were written upon the spot itself appears almost certain, from the letter addressed to Mr. Murray on his way back to Diodati, in which he announces the third Canto as complete, and consisting of 117 stanzas. At Ouchy, near Lausanne,—the place from which that letter is dated—he Pg 285 and his friend were detained two days, in a small inn, by the weather: and it was there, in that short interval, that he wrote his "Prisoner of Chillon," adding one more deathless association to the already immortalised localities of the Lake.

On his return from this excursion to Diodati, an occasion was afforded for the gratification of his jesting propensities by the avowal of the young physician that—he had fallen in love. On the evening of this tender confession they both appeared at Shelley's cottage—Lord Byron, in the highest and most boyish spirits, rubbing his hands as he walked about the room, and in that utter incapacity of retention which was one of his foibles, making jesting allusions to the secret he had just heard. The brow of the Doctor darkened as this pleasantry went on, and, at last, he angrily accused Lord Byron of hardness of heart. "I never," said he, "met with a person so unfeeling." This sally, though the poet had evidently brought it upon himself, annoyed him most deeply. "Call me cold-hearted— me insensible!" he exclaimed, with manifest emotion—"as well might you say that glass is not brittle, which has been cast down a precipice, and lies dashed to pieces at the foot!"

In the month of July he paid a visit to Copet, and was received by the distinguished hostess with a cordiality the more sensibly felt by him as, from his personal unpopularity at this time, he had hardly ventured to count upon it. [123] In her usual frank Pg 286 style, she took him to task upon his matrimonial conduct—but in a way that won upon his mind, and disposed him to yield to her suggestions. He must endeavour, she told him, to bring about a reconciliation with his wife, and must submit to contend no longer with the opinion of the world. In vain did he quote her own motto to Delphine, "Un homme peut braver, une femme doit se succomber aux opinions du monde;"—her reply was, that all this might be very well to say, but that, in real life, the duty and necessity of yielding belonged also to the man. Her eloquence, in short, so far succeeded, that he was prevailed upon to write a letter to a friend in England, declaring himself still willing to be reconciled to Lady Byron,—a concession not a little startling to those who had so often, lately, heard him declare that, "having done all in his power to persuade Lady Byron to return, and with this view put off as long as he could signing the deed of separation, that step being once taken, they were now divided for ever."

Of the particulars of this brief negotiation that ensued upon Madame de Staël's suggestion, I have Pg 287 no very accurate remembrance; but there can be little doubt that its failure, after the violence he had done his own pride in the overture, was what first infused any mixture of resentment or bitterness into the feelings hitherto entertained by him throughout these painful differences. He had, indeed, since his arrival in Geneva, invariably spoken of his lady with kindness and regret, imputing the course she had taken, in leaving him, not to herself but others, and assigning whatever little share of blame he would allow her to bear in the transaction to the simple and, doubtless, true cause—her not at all understanding him. "I have no doubt," he would sometimes say, "that she really did believe me to be mad."

Another resolution connected with his matrimonial affairs, in which he often, at this time, professed his fixed intention to persevere, was that of never allowing himself to touch any part of his wife's fortune. Such a sacrifice, there is no doubt, would have been, in his situation, delicate and manly; but though the natural bent of his disposition led him to make the resolution, he wanted,—what few, perhaps, could have attained,—the fortitude to keep it.

The effects of the late struggle on his mind, in stirring up all its resources and energies, was visible in the great activity of his genius during the whole of this period, and the rich variety, both in character and colouring, of the works with which it teemed. Besides the third Canto of Childe Harold and the Prisoner of Chillon, he produced also his two poems, "Darkness" and "The Dream," the latter of which cost him many a tear in writing,—being, indeed, Pg 288 the most mournful, as well as picturesque, "story of a wandering life" that ever came from the pen and heart of man. Those verses, too, entitled "The Incantation," which he introduced afterwards, without any connection with the subject, into Manfred, were also (at least, the less bitter portion of them) the production of this period; and as they were written soon after the last fruitless attempt at reconciliation, it is needless to say who was in his thoughts while he penned some of the opening stanzas.

Besides the unfinished "Vampire," he began also, at this time, another romance in prose, founded upon the story of the Marriage of Belphegor, and intended Pg 289 to shadow out his own matrimonial fate. The wife of this satanic personage he described much in the same spirit that pervades his delineation of Donna Inez in the first Canto of Don Juan. While engaged, however, in writing this story, he heard from England that Lady Byron was ill, and, his heart softening at the intelligence, he threw the manuscript into the fire. So constantly were the good and evil principles of his nature conflicting for mastery over him. [124]

The two following Poems, so different from each other in their character,—the first prying with an awful scepticism into the darkness of another world, and the second breathing all that is most natural and tender in the affections of this,—were also written at this time, and have never before been published.

In the month of August, Mr. M.G. Lewis arrived to pass some time with him; and he was soon after visited by Mr. Richard Sharpe, of whom he makes such honourable mention in the Journal already given, and with whom, as I have heard this gentleman say, it now gave him evident pleasure to converse about their common friends in England. Among those who appeared to have left the strongest impressions of interest and admiration on his mind was (as easily will be believed by all who know this distinguished person) Sir James Mackintosh.

Soon after the arrival of his friends, Mr. Hobhouse and Mr. S. Davies, he set out, as we have seen, with the former on a tour through the Bernese Alps,—after accomplishing which journey, about the beginning of October he took his departure, accompanied by the same gentleman, for Italy.

The first letter of the following series was, it will be seen, written a few days before he left Diodati.

It must have been observed, in my account of Lord Byron's life previous to his marriage, that, without leaving altogether unnoticed (what, indeed, was too notorious to be so evaded) certain affairs of gallantry in which he had the reputation of being engaged, I have thought it right, besides refraining from such details in my narrative, to suppress also whatever passages in his Journals and Letters might be supposed to bear too personally or particularly on the same delicate topics. Incomplete as the strange history of his mind and heart must, in one of its most interesting chapters, be left by these omissions, still a deference to that peculiar sense of decorum in this country, which marks the mention of such frailties as hardly a less crime than the commission of them, and, still more, the regard due to the feelings of the living, who ought not rashly to be made to suffer for the errors of the dead, have combined to render this sacrifice, however much it may be regretted, necessary.

We have now, however, shifted the scene to a region where less caution is requisite;—where, from the different standard applied to female morals in these respects, if the wrong itself be not lessened by this diminution of the consciousness of it, less scruple may be, at least, felt towards persons so circumstanced, and whatever delicacy we may think right to exercise in speaking of their frailties must be Pg 310 with reference rather to our views and usages than theirs.

Availing myself, with this latter qualification, of the greater latitude thus allowed me, I shall venture so far to depart from the plan hitherto pursued, as to give, with but little suppression, the noble poet's letters relative to his Italian adventures. To throw a veil altogether over these irregularities of his private life would be to afford—were it even practicable—but a partial portraiture of his character; while, on the other hand, to rob him of the advantage of being himself the historian of his errors (where no injury to others can flow from the disclosure) would be to deprive him of whatever softening light can be thrown round such transgressions by the vivacity and fancy, the passionate love of beauty, and the strong yearning after affection which will be found to have, more or less, mingled with even the least refined of his attachments. Neither is any great danger to be apprehended from the sanction or seduction of such an example; as they who would dare to plead the authority of Lord Byron for their errors must first be able to trace them to the same palliating sources,—to that sensibility, whose very excesses showed its strength and depth,—that stretch of imagination, to the very verge, perhaps, of what reason can bear without giving way,—that whole combination, in short, of grand but disturbing powers, which alone could be allowed to extenuate such moral derangement, but which, even in him thus dangerously gifted, were insufficient to excuse it.

Pg 311 Having premised these few observations, I shall now proceed, with less interruption, to lay his correspondence, during this and the two succeeding years, before the reader:—

"Venice, December 24. 1816.

"I have taken a fit of writing to you, which portends postage—once from Verona—once from Venice, and again from Venice— thrice that is. For this you may thank yourself, for I heard that you complained of my silence—so, here goes for garrulity.

"I trust that you received my other twain of letters. My 'way of life' (or 'May of life,' which is it, according to the commentators?)—my 'way of life' is fallen into great regularity. In the mornings I go over in my gondola to babble Armenian with the friars of the convent of St. Lazarus, and to help one of them in correcting the English of an English and Armenian grammar which he is publishing. In the evenings I do one of many nothings—either at the theatres, or some of the conversaziones, which are like our routs, or rather worse, for the women sit in a semicircle by the lady of the mansion, and the men stand about the room. To be sure, there is one improvement upon ours—instead of lemonade with their ices, they hand about stiff rum-punch—punch , by my palate; and this they think English . I would not disabuse them of so agreeable an error,—'no, not for Venice.'

"Last night I was at the Count Governor's, which, of course, comprises the best society, and is very Pg 316 much like other gregarious meetings in every country,—as in ours,—except that, instead of the Bishop of Winchester, you have the Patriarch of Venice, and a motley crew of Austrians, Germans, noble Venetians, foreigners, and, if you see a quiz, you may be sure he is a Consul. Oh, by the way, I forgot, when I wrote from Verona, to tell you that at Milan I met with a countryman of yours—a Colonel * * * *, a very excellent, good-natured fellow, who knows and shows all about Milan, and is, as it were, a native there. He is particularly civil to strangers, and this is his history,—at least, an episode of it.

"Six-and-twenty years ago, Col. * * * *, then an ensign, being in Italy, fell in love with the Marchesa * * * *, and she with him. The lady must be, at least, twenty years his senior. The war broke out; he returned to England, to serve—not his country, for that's Ireland—but England, which is a different thing; and she —heaven knows what she did. In the year 1814, the first annunciation of the Definitive Treaty of Peace (and tyranny) was developed to the astonished Milanese by the arrival of Col. * * * *, who, flinging himself full length at the feet of Mad. * * * *, murmured forth, in half-forgotten Irish Italian, eternal vows of indelible constancy. The lady screamed, and exclaimed, 'Who are you?' The Colonel cried, 'What! don't you know me? I am so and so,' &c. &c. &c.; till, at length, the Marchesa, mounting from reminiscence to reminiscence, through the lovers of the intermediate twenty-five years, arrived at last at the recollection of her povero sub- Pg 317 lieutenant. She then said, 'Was there ever such virtue?' (that was her very word) and, being now a widow, gave him apartments in her palace, reinstated him in all the rights of wrong, and held him up to the admiring world as a miracle of incontinent fidelity, and the unshaken Abdiel of absence.

"Methinks this is as pretty a moral tale as any of Marmontel's. Here is another. The same lady, several years ago, made an escapade with a Swede, Count Fersen (the same whom the Stockholm mob quartered and lapidated not very long since), and they arrived at an Osteria on the road to Rome or thereabouts. It was a summer evening, and, while they were at supper, they were suddenly regaled by a symphony of fiddles in an adjacent apartment, so prettily played, that, wishing to hear them more distinctly, the Count rose, and going into the musical society, said, 'Gentlemen, I am sure that, as a company of gallant cavaliers, you will be delighted to show your skill to a lady, who feels anxious,' &c. &c. The men of harmony were all acquiescence—every instrument was tuned and toned, and, striking up one of their most ambrosial airs, the whole band followed the Count to the lady's apartment. At their head was the first fiddler, who, bowing and fiddling at the same moment, headed his troop and advanced up the room. Death and discord!—it was the Marquis himself, who was on a serenading party in the country, while his spouse had run away from town. The rest may be imagined—but, first of all, the lady tried to persuade him that she was Pg 318 there on purpose to meet him, and had chosen this method for an harmonic surprise. So much for this gossip, which amused me when I heard it, and I send it to you, in the hope it may have the like effect. Now we'll return to Venice.

"The day after to-morrow (to-morrow being Christmas-day) the Carnival begins. I dine with the Countess Albrizzi and a party, and go to the opera. On that day the Phenix, (not the Insurance Office, but) the theatre of that name, opens: I have got me a box there for the season, for two reasons, one of which is, that the music is remarkably good. The Contessa Albrizzi, of whom I have made mention, is the De Staël of Venice, not young, but a very learned, unaffected, good-natured woman, very polite to strangers, and, I believe, not at all dissolute, as most of the women are. She has written very well on the works of Canova, and also a volume of Characters, besides other printed matter. She is of Corfu, but married a dead Venetian—that is, dead since he married.

"My flame (my 'Donna' whom I spoke of in my former epistle, my Marianna) is still my Marianna, and I, her—what she pleases. She is by far the prettiest woman I have seen here, and the most loveable I have met with any where—as well as one of the most singular. I believe I told you the rise and progress of our liaison in my former letter. Lest that should not have reached you, I will merely repeat, that she is a Venetian, two-and-twenty years old, married to a merchant well to do in the world, and that she has great black oriental eyes, and all the Pg 319 qualities which her eyes promise. Whether being in love with her has steeled me or not, I do not know; but I have not seen many other women who seem pretty. The nobility, in particular, are a sad-looking race—the gentry rather better. And now, what art thou doing?

"What are you doing now,
Oh Thomas Moore?
What are you doing now,
Oh Thomas Moore?
Sighing or suing now,
Rhyming or wooing now,
Billing or cooing now,
Which, Thomas Moore?

Are you not near the Luddites? By the Lord! if there's a row, but I'll be among ye! How go on the weavers—the breakers of frames—the Lutherans of politics—the reformers?

"As the Liberty lads o'er the sea
Bought their freedom, and cheaply, with blood,
So we, boys, we
Will die fighting, or live free,
And down with all kings but King Ludd!

"When the web that we weave is complete,
And the shuttle exchanged for the sword,
We will fling the winding-sheet
O'er the despot at our feet,
And dye it deep in the gore he has pour'd.

"Though black as his heart its hue,
Since his veins are corrupted to mud,
Yet this is the dew
Which the tree shall renew
Of Liberty, planted by Ludd!

Pg 320 "There's an amiable chanson for you—all impromptu. I have written it principally to shock your neighbour * * * *, who is all clergy and loyalty—mirth and innocence—milk and water.

"But the Carnival's coming,
Oh Thomas Moore,
The Carnival's coming,
Oh Thomas Moore,
Masking and humming,
Fifing and drumming,
Guitarring and strumming,
Oh Thomas Moore.

The other night I saw a new play,—and the author. The subject was the sacrifice of Isaac. The play succeeded, and they called for the author—according to continental custom—and he presented himself, a noble Venetian, Mali, or Malapiero, by name. Mala was his name, and pessima his production,—at least, I thought so, and I ought to know, having read more or less of five hundred Drury Lane offerings, during my coadjutorship with the sub-and-super Committee.

"When does your poem of poems come out? I hear that the E.R. has cut up Coleridge's Christabel, and declared against me for praising it. I praised it, firstly, because I thought well of it; secondly, because Coleridge was in great distress, and, after doing what little I could for him in essentials, I thought that the public avowal of my good opinion might help him further, at least with the booksellers. I am very sorry that J * * has attacked Pg 321 him, because, poor fellow, it will hurt him in mind and pocket. As for me, he's welcome—I shall never think less of J * * for any thing he may say against me or mine in future.

"I suppose Murray has sent you, or will send (for I do not know whether they are out or no) the poem, or poesies, of mine, of last summer. By the mass! they are sublime—'Ganion Coheriza'—gainsay who dares! Pray, let me hear from you, and of you, and, at least, let me know that you have received these three letters. Direct, right here, poste restante .

"Ever and ever, &c.

"P.S. I heard the other day of a pretty trick of a bookseller, who has published some d——d nonsense, swearing the bastards to me, and saying he gave me five hundred guineas for them. He lies—never wrote such stuff, never saw the poems, nor the publisher of them, in my life, nor had any communication, directly or indirectly, with the fellow. Pray say as much for me, if need be. I have written to Murray, to make him contradict the impostor."

To the Armenian Grammar, mentioned in the foregoing letter, the following interesting fragment, found among his papers, seems to have been intended as a Preface:—

Pg 336 "The English reader will probably be surprised to find my name associated with a work of the present description, and inclined to give me more credit for my attainments as a linguist than they deserve.

"As I would not willingly be guilty of a deception, I will state, as shortly as I can, my own share in the compilation, with the motives which led to it. On my arrival at Venice, in the year 1816, I found my mind in a state which required study, and study of a nature which should leave little scope for the imagination, and furnish some difficulty in the pursuit.

"At this period I was much struck—in common, I believe, with every other traveller—with the society of the Convent of St. Lazarus, which appears to unite all the advantages of the monastic institution, without any of its vices.

"The neatness, the comfort, the gentleness, the unaffected devotion, the accomplishments, and the virtues of the brethren of the order, are well fitted to strike the man of the world with the conviction that 'there is another and a better' even in this life.

"These men are the priesthood of an oppressed and a noble nation, which has partaken of the proscription and bondage of the Jews and of the Greeks, without the sullenness of the former or the servility of the latter. This people has attained riches without usury, and all the honours that can be awarded to slavery without intrigue. But they have long occupied, nevertheless, a part of 'the Pg 337 House of Bondage,' who has lately multiplied her many mansions. It would be difficult, perhaps, to find the annals of a nation less stained with crimes than those of the Armenians, whose virtues have been those of peace, and their vices those of compulsion. But whatever may have been their destiny—and it has been bitter—whatever it may be in future, their country must ever be one of the most interesting on the globe; and perhaps their language only requires to be more studied to become more attractive. If the Scriptures are rightly understood, it was in Armenia that Paradise was placed—Armenia, which has paid as dearly as the descendants of Adam for that fleeting participation of its soil in the happiness of him who was created from its dust. It was in Armenia that the flood first abated, and the dove alighted. But with the disappearance of Paradise itself may be dated almost the unhappiness of the country; for though long a powerful kingdom, it was scarcely ever an independent one, and the satraps of Persia and the pachas of Turkey have alike desolated the region where God created man in his own image."

END OF THE THIRD VOLUME.

LONDON:

SPOTTISWOODES and SHAW,

New Street Square

FOOTNOTES:

[1] Immediately on the appearance of The Corsair, (with those obnoxious verses, "Weep, daughter of a royal line," appended to it,) a series of attacks, not confined to Lord Byron himself, but aimed also at all those who had lately become his friends, was commenced in the Courier and Morning Post, and carried on through the greater part of the months of February and March. The point selected by these writers, as a ground of censure on the poet, was one which now , perhaps, even themselves would agree to class among his claims to praise,—namely, the atonement which he had endeavoured to make for the youthful violence of his Satire by a measure of justice, amiable even in its overflowings, to every one whom he conceived he had wronged.

Notwithstanding the careless tone in which, here and elsewhere, he speaks of these assaults, it is evident that they annoyed him;—an effect which, in reading them over now, we should be apt to wonder they could produce, did we not recollect the property which Dryden attributes to "small wits," in common with certain other small animals:—

"We scarce could know they live, but that they bite ."

The following is a specimen of the terms in which these party scribes could then speak of one of the masters of English song:—"They might have slept in oblivion with Lord Carlisle's Dramas and Lord Byron's Poems."—"Some certainly extol Lord Byron's Poem much, but most of the best judges place his Lordship rather low in the list of our minor poets."

[2] This ancient housemaid, of whose gaunt and witch-like appearance it would be impossible to convey any idea but by the pencil, furnished one among the numerous instances of Lord Byron's proneness to attach himself to any thing, however homely, that had once enlisted his good nature in its behalf, and become associated with his thoughts. He first found this old woman at his lodgings in Bennet Street, where, for a whole season, she was the perpetual scarecrow of his visiters. When, next year, he took chambers in Albany, one of the great advantages which his friends looked to in the change was, that they should get rid of this phantom. But, no,—there she was again—he had actually brought her with him from Bennet Street. The following year saw him married, and, with a regular establishment of servants, in Piccadilly; and here,—as Mrs. Mule had not made her appearance to any of the visiters,—it was concluded, rashly, that the witch had vanished. One of those friends, however, who had most fondly indulged in this persuasion, happening to call one day when all the male part of the establishment were abroad, saw, to his dismay, the door opened by the same grim personage, improved considerably in point of habiliments since he last saw her, and keeping pace with the increased scale of her master's household, as a new peruke, and other symptoms of promotion, testified. When asked "how he came to carry this old woman about with him from place to place," Lord Byron's only answer was, "The poor old devil was so kind to me."

[3] Part of this passage has been already extracted, but I have allowed it to remain here in its original position, on account of the singularly sudden manner in which it is introduced.

[4] He adopted this thought afterwards in his Ode to Napoleon, as well as most of the historical examples in the following paragraph.

[5] "As much company," says Pope, "as I have kept, and as much as I love it, I love reading better, and would rather be employed in reading than in the most agreeable conversation."

[6] He had made a present of the copyright of "The Corsair" to Mr. Dallas, who thus describes the manner in which the gift was bestowed:—"On the 28th of December, I called in the morning on Lord Byron, whom I found composing 'The Corsair.' He had been working upon it but a few days, and he read me the portion he had written. After some observations, he said, 'I have a great mind—I will.' He then added that he should finish it soon, and asked me to accept of the copyright. I was much surprised. He had, before he was aware of the value of his works, declared that he never would take money for them, and that I should have the whole advantage of all he wrote. This declaration became morally void when the question was about thousands, instead of a few hundreds; and I perfectly agree with the admired and admirable author of Waverley, that 'the wise and good accept not gifts which are made in heat of blood, and which may be after repented of.'—I felt this on the sale of 'Childe Harold,' and observed it to him. The copyright of 'The Giaour' and 'The Bride of Abydos' remained undisposed of, though the poems were selling rapidly, nor had I the slightest notion that he would ever again give me a copyright. But as he continued in the resolution of not appropriating the sale of his works to his own use, I did not scruple to accept that of 'The Corsair,' and I thanked him. He asked me to call and hear the portions read as he wrote them. I went every morning, and was astonished at the rapidity of his composition. He gave me the poem complete on New-year's day, 1814, saying, that my acceptance of it gave him great pleasure, and that I was fully at liberty to publish it with any bookseller I pleased, independent of the profit."

Out of this last-mentioned permission arose the momentary embarrassment between the noble poet and his publisher, to which the above notes allude.

[7] It had been at first Genevra,—not Francesca, as Mr. Dallas asserts.

[8] The first was, of course, the one that I preferred. The other ran as follows:—

"January 7. 1814.

"My dear Moore,

"I had written to you a long letter of dedication, which I suppress, because, though it contained something relating to you which every one had been glad to hear, yet there was too much about politics, and poesy, and all things whatsoever, ending with that topic on which most men are fluent, and none very amusing— one's self . It might have been re-written—but to what purpose? My praise could add nothing to your well-earned and firmly-established fame; and with my most hearty admiration of your talents, and delight in your conversation, you are already acquainted. In availing myself of your friendly permission to inscribe this poem to you, I can only wish the offering were as worthy your acceptance as your regard is dear to,

"Yours, most affectionately and faithfully,

"BYRON."

[9] He had at first, after the words "Scott alone," inserted, in a parenthesis,—"He will excuse the Mr. ——'we do not say Mr. Cæsar.'"

[10] The amusing rages into which he was thrown by the printer were vented not only in these notes, but frequently on the proof-sheets themselves. Thus, a passage in the dedication having been printed "the first of her bands in estimation," he writes in the margin, "bards, not bands—was there ever such a stupid misprint?" and, in correcting a line that had been curtailed of its due number of syllables, he says, "Do not omit words—it is quite enough to alter or mis-spell them."

[11] His translation of the pretty Portuguese song, "Tu mi chamas." He was tempted to try another version of this ingenious thought, which is, perhaps, still more happy, and has never, I believe, appeared in print.

"You call me still your life —ah! change the word—
Life is as transient as th' inconstant's sigh;
Say rather I'm your soul , more just that name,
For, like the soul, my love can never die."

[12] It will be recollected that he had announced The Corsair as "the last production with which he should trespass on public patience for some years."

[13] Reprinting the "Hours of Idleness."

[14] The printer at Newark.

[15] Relative to a proposed reconciliation between Lord Carlisle and himself.

[16] Of the Satire.

[17] I had endeavoured to persuade him to take a part in parliamentary affairs, and to exercise his talent for oratory more frequently.

[18] In concluding my letter, having said "God bless you!" I added—"that is, if you have no objection."

[19] The statement of the Courier, &c.

[20] In asserting that he devoted but four days to the composition of The Bride, he must be understood to refer only to the first sketch of that poem,—the successive additions by which it was increased to its present length having occupied, as we have seen, a much longer period. The Corsair, on the contrary, was, from beginning to end, struck off at a heat—there being but little alteration or addition afterwards,—and the rapidity with which it was produced (being at the rate of nearly two hundred lines a day) would be altogether incredible, had we not his own, as well as his publisher's, testimony to the fact. Such an achievement,—taking into account the surpassing beauty of the work,—is, perhaps, wholly without a parallel in the history of Genius, and shows that 'écrire par passion ,' as Rousseau expresses it, may be sometimes a shorter road to perfection than any that Art has ever struck out.

[21] Those bitter and powerful lines which he wrote on the opening of the vault that contained the remains of Henry VIII. and Charles I.

[22] He was not yet aware, it appears, that the anonymous manuscript sent to him by his publisher was from the pen of Mr. Knight.

[23] The manuscript of a long grave satire, entitled "Anti-Byron," which had been sent to Mr. Murray, and by him forwarded to Lord Byron, with a request —not meant, I believe, seriously—that he would give his opinion as to the propriety of publishing it.

[24] I had begun my letter in the following manner:—"Have you seen the 'Ode to Napoleon Buonaparte?'—I suspect it to be either F——g——d's or Rosa Matilda's. Those rapid and masterly portraits of all the tyrants that preceded Napoleon have a vigour in them which would incline me to say that Rosa Matilda is the person—but then, on the other hand, that powerful grasp of history," &c. &c. After a little more of this mock parallel, the letter went on thus:—"I should like to know what you think of the matter?—Some friends of mine here will insist that it is the work of the author of Childe Harold,—but then they are not so well read in F——g——d and Rosa Matilda as I am; and, besides, they seem to forget that you promised, about a month or two ago, not to write any more for years. Seriously," &c. &c.

I quote this foolish banter merely to show how safely, even on his most sensitive points, one might venture to jest with him.

[25] We find D'Argenson thus encouraging Voltaire to break a similar vow:—"Continue to write without fear for five-and-twenty years longer, but write poetry, notwithstanding your oath in the preface to Newton."

[26] Mr. Murray had requested of him to make some additions to the Ode, so as to save the stamp duty imposed upon publications not exceeding a single sheet; and he afterwards added, in successive editions, five or six stanzas, the original number being but eleven. There were also three more stanzas, which he never printed, but which, for the just tribute they contain to Washington, are worthy of being preserved:—

"There was a day—there was an hour,
While earth was Gaul's—Gaul thine—
When that immeasurable power
Unsated to resign
Had been an act of purer fame
Than gathers round Marengo's name
And gilded thy decline,
Through the long twilight of all time,
Despite some passing clouds of crime.

"But thou, forsooth, must be a king,
And don the purple vest,
As if that foolish robe could wring
Remembrance from thy breast.
Where is that faded garment? where
The gewgaws thou wert fond to wear,
The star—the string—the crest?
Vain froward child of empire! say,
Are all thy playthings snatch'd away?

"Where may the wearied eye repose
When gazing on the great;
Where neither guilty glory glows,
Nor despicable state?
Yes—one—the first—the last—the best—
The Cincinnatus of the West,
Whom envy dared not hate,
Bequeathed the name of Washington,
To make man blush there was but One!"

[27] A Poem by Mr. Stratford Canning, full of spirit and power, entitled "Buonaparte." In a subsequent note to Mr. Murray, Lord Byron says,—"I do not think less highly of 'Buonaparte' for knowing the author. I was aware that he was a man of talent, but did not suspect him of possessing all the family talents in such perfection."

[28] It was the fear of this sort of back-water current to which so rapid a flow of fame seemed liable, that led some even of his warmest admirers, ignorant as they were yet of the boundlessness of his resources, to tremble a little at the frequency of his appearances before the public. In one of my own letters to him, I find this apprehension thus expressed:—"If you did not write so well,—as the Royal wit observed,—I should say you write too much; at least, too much in the same strain. The Pythagoreans, you know, were of opinion that the reason why we do not hear or heed the music of the heavenly bodies is that they are always sounding in our ears; and I fear that even the influence of your song may be diminished by falling upon the world's dull ear too constantly."

The opinion, however, which a great writer of our day (himself one of the few to whom his remark replies) had the generosity, as well as sagacity, to pronounce on this point, at a time when Lord Byron was indulging in the fullest lavishment of his powers, must be regarded, after all, as the most judicious and wise:—"But they cater ill for the public," says Sir Walter Scott, "and give indifferent advice to the poet, supposing him possessed of the highest qualities of his art, who do not advise him to labour while the laurel around his brows yet retains its freshness. Sketches from Lord Byron are more valuable than finished pictures from others; nor are we at all sure that any labour which he might bestow in revisal would not rather efface than refine those outlines of striking and powerful originality which they exhibit when flung rough from the hand of a master."— Biographical Memoirs , by SIR W. SCOTT.

[29] To such lengths did he, at this time, carry his enthusiasm for Kean, that when Miss O'Neil soon after appeared, and, by her matchless representation of feminine tenderness, attracted all eyes and hearts, he was not only a little jealous of her reputation, as interfering with that of his favourite, but, in order to guard himself against the risk of becoming a convert, refused to go to see her act. I endeavoured sometimes to persuade him into witnessing, at least, one of her performances; but his answer was, (punning upon Shakspeare's word, "unanealed,") "No—I'm resolved to continue un-Oneiled ."

To the great queen of all actresses, however, it will be seen, by the following extract from one of his journals, he rendered due justice:—

"Of actors, Cooke was the most natural, Kemble the most supernatural,—Kean the medium between the two. But Mrs. Siddons was worth them all put together."— Detached Thoughts .

[30] An epigram here followed, which, as founded on a scriptural allusion, I thought it better to omit.

[31] We had been invited by Lord R. to dine after the play,—an arrangement which, from its novelty, delighted Lord Byron exceedingly. The dinner, however, afterwards dwindled into a mere supper, and this change was long a subject of jocular resentment with him.

[32] I had begged of him to write something for me to set to music.

[33] Miss Foote's first appearance, which we witnessed together.

[34] In a few days after this, he sent me a long rhyming epistle full of jokes and pleasantries upon every thing and every one around him, of which the following are the only parts producible:—

'What say I ?'—not a syllable further in prose;
I'm your man 'of all measures,' dear Tom,—so, here goes!
Here goes, for a swim on the stream of old Time,
On those buoyant supporters the bladders of rhyme.
If our weight breaks them down, and we sink in the flood,
We are smother'd, at least, in respectable mud,
Where the divers of bathos lie drown'd in a heap,
And S * * 's last paean has pillow'd his sleep;—
That 'felo de se' who, half drunk with his malmsey,
Walk'd out of his depth and was lost in a calm sea,
Singing 'Glory to God' in a spick-and-span stanza,
The like (since Tom Sternhold was choked) never man saw.

"The papers have told you, no doubt, of the fusses,
The fêtes, and the gapings to get at these Russes,—
Of his Majesty's suite, up from coachman to Hetman,—
And what dignity decks the flat face of the great man.
I saw him, last week, at two balls and a party,—
For a prince, his demeanour was rather too hearty.
You know, we are used to quite different graces,
* * * * *
The Czar's look, I own, was much brighter and brisker,
But then he is sadly deficient in whisker;
And wore but a starless blue coat, and in kersey-
mere breeches whisk'd round in a waltz with the J * *,
Who, lovely as ever, seem'd just as delighted
With majesty's presence as those she invited."

[35] The Journal from which I have given extracts in the preceding pages.

[36] Mr. Wrangham.

[37] A satirical pamphlet, in which all the writers of the day were attacked.

[38] He alludes to an action for piracy brought by Mr. Power (the publisher of my musical works), to the trial of which I had been summoned as a witness.

[39] Lord Byron afterwards proposed that I should make a third in this publication; but the honour was a perilous one, and I begged leave to decline it.

[40] In a note which I wrote to him, before starting, next day, I find the following:—"I got Lara at three o'clock this morning—read him before I slept, and was enraptured. I take the proofs with me."

[41] He here refers to an article in the number of the Edinburgh Review, just then published (No. 45.), on The Corsair and Bride of Abydos.

[42] An engraving by Agar from Phillips's portrait of him.

[43] Alluding to Lara.

[44] Mr. Hogg had been led to hope that he should be permitted to insert this poem in a Miscellany which he had at this time some thoughts of publishing; and whatever advice I may have given against such a mode of disposing of the work arose certainly not from any ill will to this ingenious and remarkable man, but from a consideration of what I thought most advantageous to the fame of Lord Byron.

[45] His servant had brought him up a large jar of ink, into which, not supposing it to be full, he had thrust his pen down to the very bottom. Enraged, on finding it come out all smeared with ink, he flung the bottle out of the window into the garden, where it lighted, as here described, upon one of eight leaden Muses, that had been imported, some time before, from Holland,—the ninth having been, by some accident, left behind.

[46] It was, if I mistake not, during his recent visit to Newstead, that he himself actually fancied he saw the ghost of the Black Friar, which was supposed to have haunted the Abbey from the time of the dissolution of the monasteries, and which he thus describes, from the recollection perhaps of his own fantasy, in Don Juan:—

"It was no mouse, but, lo! a monk, array'd
In cowl and beads and dusky garb, appear'd,
Now in the moonlight, and now lapsed in shade,
With steps that trod as heavy, yet unheard:
His garments only a slight murmur made:
He moved as shadowy as the sisters weird,
But slowly; and as he pass'd Juan by,
Glanced, without pausing, on him a bright eye."

It is said, that the Newstead ghost appeared, also, to Lord Byron's cousin, Miss Fanny Parkins, and that she made a sketch of him from memory.

[47] The reviews and magazines of the month.

[48] The following characteristic note, in reference to this passage, appears, in Mr. Gifford's hand-writing, on the copy of the above letter:—"It is a pity that Lord B. was ignorant of Jonson. The old poet has a Satire on the Court Pucelle that would have supplied him with some pleasantry on Johanna's pregnancy."

[49] On the day of the arrival of the lady's answer, he was sitting at dinner, when his gardener came in and presented him with his mother's wedding ring, which she had lost many years before, and which the gardener had just found in digging up the mould under her window. Almost at the same moment, the letter from Miss Milbanke arrived; and Lord Byron exclaimed, "If it contains a consent, I will be married with this very ring." It did contain a very flattering acceptance of his proposal, and a duplicate of the letter had been sent to London, in case this should have missed him.— Memoranda .

[50] He had agreed to forfeit these sums to the persons mentioned, should he ever marry.

[51] I had frequently, both in earnest and in jest, expressed these hopes to him; and, in one of my letters, after touching upon some matters relative to my own little domestic circle, I added, "This will all be unintelligible to you; though I sometimes cannot help thinking it within the range of possibility, that even you , volcano as you are, may, one day, cool down into something of the same habitable state. Indeed, when one thinks of lava having been converted into buttons for Isaac Hawkins Browne, there is no saying what such fiery things may be brought to at last."

[52] Of the lamentable contrast between sentiments and conduct, which this transfer of the seat of sensibility from the heart to the fancy produces, the annals of literary men afford unluckily too many examples. Alfieri, though he could write a sonnet full of tenderness to his mother, never saw her (says Mr. W. Rose) but once after their early separation, though he frequently passed within a few miles of her residence. The poet Young, with all his parade of domestic sorrows, was, it appears, a neglectful husband and harsh father; and Sterne (to use the words employed by Lord Byron) preferred "whining over a dead ass to relieving a living mother."

[53] It is the opinion of Diderot, in his Treatise on Acting, that not only in the art of which he treats, but in all those which are called imitative, the possession of real sensibility is a bar to eminence;—sensibility being, according to his view, "le caractere de la bonté de l'ame et de la médiocrité du génie."

[54] Pope.

[55] See Foscolo's Essay on Petrarch. On the same principle, Orrery says, in speaking of Swift, "I am persuaded that his distance from his English friends proved a strong incitement to their mutual affection."

[56] That he was himself fully aware of this appears from a passage in one of his letters already given:—"My sister is in town, which is a great comfort; for, never having been much together, we are naturally more attached to each other."

[57] Wife and children, Bacon tells us in one of his Essays, are "impediments to great enterprises;" and adds, "Certainly, the best works, and of greatest merit for the public, have proceeded from the unmarried or childless men." See, with reference to this subject, chapter xviii. of Mr. D'Israeli's work on "The Literary Character."

[58] Milton's first wife, it is well known, ran away from him, within a month after their marriage, disgusted, says Phillips, "with his spare diet and hard study;" and it is difficult to conceive a more melancholy picture of domestic life than is disclosed in his nuncupative will, one of the witnesses to which deposes to having heard the great poet himself complain, that his children "were careless of him, being blind, and made nothing of deserting him."

[59] By whatever austerity of temper or habits the poets Dante and Milton may have drawn upon themselves such a fate, it might be expected that, at least, the "gentle Shakspeare" would have stood exempt from the common calamity of his brethren. But, among the very few facts of his life that have been transmitted to us, there is none more clearly proved than the unhappiness of his marriage. The dates of the birth of his children, compared with that of his removal from Stratford,—the total omission of his wife's name in the first draft of his will, and the bitter sarcasm of the bequest by which he remembers her afterwards,—all prove beyond a doubt both his separation from the lady early in life, and his unfriendly feeling towards her at the close of it.

In endeavouring to argue against the conclusion naturally to be deduced from this will, Boswell, with a strange ignorance of human nature, remarks:—"If he had taken offence at any part of his wife's conduct, I cannot believe that he would have taken this petty mode of expressing it."

[60] In a small book which I have in my possession, containing a sort of chronological History of the Ring, I find the name of Lord Byron, more than once, recorded among the "backers."

[61] Dr. Woolriche, an old and valued friend of mine, to whose skill, on the occasion here alluded to, I was indebted for my life.

[62] The Dream.

[63] The Hebrew Melodies which he had employed himself in writing, during his recent stay in London.

[64] I had just been reading Mr. Southey's fine poem of "Roderick;" and with reference to an incident in it, had put the following question to Lord Byron:—"I should like to know from you, who are one of the philocynic sect, whether it is probable, that any dog (out of a melodrame) could recognise a master, whom neither his own mother or mistress was able to find out. I don't care about Ulysses's dog, &c.—all I want is to know from you (who are renowned as 'friend of the dog, companion of the bear') whether such a thing is probable."

[65] The letter H. is blotted in the MS.

[66] It was thus that, according to his account, a certain celebrated singer and actor used frequently to pronounce the word "enthusiasm."

[67] Mrs. Mule.

[68] Some remark which he told me had been made with respect to the frequent use of the demonstrative pronoun both by himself and by Sir W. Scott.

[69] Verses to Lady J * * (containing an allusion to Lord Byron), which I had written, while at Chatsworth, but consigned afterwards to the flames.

[70] A seal, with the head of Anacreon, which I had given him.

[71] I had taken the liberty of laughing a little at the manner in which some of his Hebrew Melodies had been set to music.

[72] The verses enclosed were those melancholy ones, now printed in his works, "There's not a joy the world can give like those it takes away."

[73] The MS. was in the handwriting of Lady Byron.

[74] These allusions to "a speech" are connected with a little incident, not worth mentioning, which had amused us both when I was in town. He was rather fond (and had been always so, as may be seen in his early letters,) of thus harping on some conventional phrase or joke.

[75] He here alludes to a circumstance which I had communicated to him in a preceding letter. In writing to one of the numerous partners of a well-known publishing establishment (with which I have since been lucky enough to form a more intimate connection), I had said confidentially (as I thought), in reference to a poem that had just appeared,—"Between you and me, I do not much admire Mr. * *'s poem." The letter being chiefly upon business, was answered through the regular business channel, and, to my dismay, concluded with the following words:—" We are very sorry that you do not approve of Mr. * *'s new poem, and are your obedient, &c. &c. L.H.R.O., &c. &c."

[76] The death of his infant god-daughter, Olivia Byron Moore.

[77] I had accused him of having entirely forgot that, in a preceding letter, I had informed him of my intention to publish with the Messrs. Longman in the ensuing winter, and added that, in giving him this information, I found I had been—to use an elegant Irish metaphor—"whistling jigs to a mile-stone."

[78] A few passages at the beginning of these recollections have been omitted, as containing particulars relative to Lord Byron's mother, which have already been mentioned in the early part of this work. Among these, however, there is one anecdote, the repetition of which will be easily pardoned, on account of the infinitely greater interest as well as authenticity imparted to its details by coming from such an eye-witness as Sir Walter Scott:—"I remember," he says, "having seen Lord Byron's mother before she was married, and a certain coincidence rendered the circumstance rather remarkable. It was during Mrs. Siddons's first or second visit to Edinburgh, when the music of that wonderful actress's voice, looks, manner, and person, produced the strongest effect which could possibly be exerted by a human being upon her fellow-creatures. Nothing of the kind that I ever witnessed approached it by a hundred degrees. The high state of excitation was aided by the difficulties of obtaining entrance and the exhausting length of time that the audience were contented to wait until the piece commenced. When the curtain fell, a large proportion of the ladies were generally in hysterics.

"I remember Miss Gordon of Ghight, in particular, harrowing the house by the desperate and wild way in which she shrieked out Mrs. Siddons's exclamation, in the character of Isabella, 'Oh my Byron! Oh my Byron!' A well-known medical gentleman, the benevolent Dr. Alexander Wood, tendered his assistance; but the thick-pressed audience could not for a long time make way for the doctor to approach his patient, or the patient the physician. The remarkable circumstance was, that the lady had not then seen Captain Byron, who, like Sir Toby, made her conclude with 'Oh!' as she had begun with it."

[79] Mr. Murray had, at the time of giving the vase, suggested to Lord Byron, that it would increase the value of the gift to add some such inscription; but the feeling of the noble poet on this subject will be understood from the following answer which he returned:—

"April 9. 1815.

"Thanks for the books. I have great objection to your proposition about inscribing the vase,—which is, that it would appear ostentatious on my part; and of course I must send it as it is, without any alteration.

"Yours," &c.

[80] Mr. Murray had presented Lady Byron with twelve drawings, by Stothard, from Lord Byron's Poems.

[81] This and the following letter were addressed to me in Ireland, whither I had gone about the middle of the preceding month.

[82] He had lately become one of the members of the Sub-Committee, (consisting, besides himself, of the persons mentioned in this letter,) who had taken upon themselves the management of Drury Lane Theatre; and it had been his wish, on the first construction of the Committee, that I should be one of his colleagues. To some mistake in the mode of conveying this proposal to me, he alludes in the preceding sentence.

[83] The following is the enclosure here referred to:—

"Darlington, June 3. 1815.

"My Lord,

"I have lately purchased a set of your works, and am quite vexed that you have not cancelled the Ode to Buonaparte. It certainly was prematurely written, without thought or reflection. Providence has now brought him to reign over millions again, while the same Providence keeps as it were in a garrison another potentate, who, in the language of Mr. Burke, 'he hurled from his throne.' See if you cannot make amends for your folly, and consider that, in almost every respect, human nature is the same, in every clime and in every period, and don't act the part of a foolish boy .—Let not Englishmen talk of the stretch of tyrants, while the torrents of blood shed in the East Indies cry aloud to Heaven for retaliation. Learn, good sir, not to cast the first stone. I remain your Lordship's servant,

"J. R * *."

[84] Notwithstanding this precaution of the poet, the coincidence in question was, but a few years after, triumphantly cited in support of the sweeping charge of plagiarism brought against him by some scribblers. The following are Mr. Sotheby's lines:—

"And I have leapt
In transport from my flinty couch, to welcome
The thunder as it burst upon my roof,
And beckon'd to the lightning, as it flash'd
And sparkled on these fetters."

I have since been informed by Mr. Sotheby that, though not published, these lines had been written long before the appearance of Lord Byron's poem.

[85] Mr. Taylor having inserted in the Sun newspaper (of which he was then chief proprietor) a sonnet to Lord Byron, in return for a present which his Lordship had sent him of a handsomely bound copy of all his works, there appeared in the same journal, on the following day (from the pen of some person who had acquired a control over the paper), a parody upon this sonnet, containing some disrespectful allusion to Lady Byron; and it is to this circumstance, which Mr. Taylor had written to explain, that the above letter, so creditable to the feelings of the noble husband, refers.

[86] It is but justice both to "him that gave and him that took" to mention that the noble poet, at this time, with a delicacy which enhanced the kindness, advanced to the eminent person here spoken of, on the credit of some work he was about to produce, one hundred pounds.

[87] A correspondent of one of the monthly Miscellanies gives the following account of this incident:—

"During Lord Byron's administration, a ballet was invented by the elder Byrne, in which Miss Smith (since Mrs. Oscar Byrne) had a pas seul . This the lady wished to remove to a later period in the ballet. The ballet-master refused, and the lady swore she would not dance it at all. The music incidental to the dance began to play, and the lady walked off the stage. Both parties flounced into the green-room to lay the case before Lord Byron, who happened to be the only person in that apartment. The noble committee-man made an award in favour of Miss Smith, and both complainants rushed angrily out of the room at the instant of my entering it. 'If you had come a minute sooner,' said Lord Byron, 'you would have heard a curious matter decided on by me: a question of dancing!—by me,' added he, looking down at the lame limb, 'whom Nature from my birth has prohibited from taking a single step.' His countenance fell after he had uttered this, as if he had said too much; and for a moment there was an embarrassing silence on both sides."

[88] A tragedy entitled, I think, Zopolia.

[89] "The last tidings recently heard of Dervish (one of the Arnaouts who followed me) state him to be in revolt upon the mountains, at the head of some of the bands common in that country in times of trouble."

[90] I had mentioned to him, as a subject worthy of his best powers of pathos, a melancholy event which had just occurred in my neighbourhood, and to which I have myself made allusion in one of the Sacred Melodies—"Weep not for her."

[91] My reply to this part of his letter was, I find, as follows:—"With respect to Hunt's poem, though it is, I own, full of beauties, and though I like himself sincerely, I really could not undertake to praise it seriously . There is so much of the quizzible in all he writes, that I never can put on the proper pathetic face in reading him."

[92] This sad doubt,—"if I am at all,"—becomes no less singular than sad when we recollect that six and thirty was actually the age when he ceased to "be," and at a moment, too, when (as even the least friendly to him allow) he was in that state of "progressing merits" which he here jestingly anticipates.

[93] It will be perceived from this that I was as yet unacquainted with the true circumstances of the transaction.

[94] MS.—"Detached Thoughts."

[95] An anecdote connected with one of these occasions is thus related in the Journal just referred to:—

"When the bailiff (for I have seen most kinds of life) came upon me in 1815 to seize my chattels, (being a peer of parliament, my person was beyond him,) being curious (as is my habit), I first asked him "what extents elsewhere he had for government?" upon which he showed me one upon one house only for seventy thousand pounds ! Next I asked him if he had nothing for Sheridan? "Oh—Sheridan!" said he; "ay, I have this" (pulling out a pocket-book, &c.); "but, my Lord, I have been in Sheridan's house a twelvemonth at a time—a civil gentleman—knows how to deal with us ," &c. &c. &c. Our own business was then discussed, which was none of the easiest for me at that time. But the man was civil, and (what I valued more) communicative. I had met many of his brethren, years before, in affairs of my friends, (commoners, that is,) but this was the first (or second) on my own account.—A civil man; fee'd accordingly; probably he anticipated as much."

[96] For this story, however, there was so far a foundation that the practice to which he had accustomed himself from boyhood, of having loaded pistols always near him at night, was considered so strange a propensity as to be included in that list of symptoms (sixteen, I believe, in number,) which were submitted to medical opinion, in proof of his insanity. Another symptom was the emotion, almost to hysterics, which he had exhibited on seeing Kean act Sir Giles Overreach. But the most plausible of all the grounds, as he himself used to allow, on which these articles of impeachment against his sanity were drawn up, was an act of violence committed by him on a favourite old watch that had been his companion from boyhood, and had gone with him to Greece. In a fit of vexation and rage, brought on by some of those humiliating embarrassments to which he was now almost daily a prey, he furiously dashed this watch upon the hearth, and ground it to pieces among the ashes with the poker.

[97] Of the abuse lavished upon him, the following extract from a poem, published at this time, will give some idea:—

"From native England, that endured too long
The ceaseless burden of his impious song;
His mad career of crimes and follies run,
And grey in vice, when life was scarce begun;
He goes, in foreign lands prepared to find
A life more suited to his guilty mind;
Where other climes new pleasures may supply
For that pall'd taste, and that unhallow'd eye;—
Wisely he seeks some yet untrodden shore,
For those who know him less may prize him more."

In a rhyming pamphlet, too, entitled "A Poetical Epistle from Delia, addressed to Lord Byron," the writer thus charitably expresses herself:—

"Hopeless of peace below, and, shuddering thought!
Far from that Heav'n, denied, if never sought,
Thy light a beacon—a reproach thy name—
Thy memory "damn'd to everlasting fame,"
Shunn'd by the wise, admired by fools alone—
The good shall mourn thee—and the Muse disown."

[98] Had he not erred , he had far less achieved.

[99] The sale of these books took place the following month, and they were described in the catalogue as the property of "a Nobleman about to leave England on a tour."

From a note to Mr. Murray, it would appear that he had been first announced as going to the Morea.

"I hope that the catalogue of the books, &c., has not been published without my seeing it. I must reserve several, and many ought not to be printed. The advertisement is a very bad one. I am not going to the Morea; and if I was, you might as well advertise a man in Russia as going to Yorkshire .—Ever," &c.

Together with the books was sold an article of furniture, which is now in the possession of Mr. Murray, namely, "a large screen covered with portraits of actors, pugilists, representations of boxing-matches," &c.

[100] Petrarch was, it appears, also in his youth, a Dandy. "Recollect," he says, in a letter to his brother, "the time, when we wore white habits, on which the least spot, or a plait ill placed, would have been a subject of grief; when our shoes were so tight we suffered martyrdom," &c.

[101] To this masquerade he went in the habit of a Caloyer, or Eastern monk,—a dress particularly well calculated to set off the beauty of his fine countenance, which was accordingly, that night, the subject of general admiration.

[102] In his Memoranda there were equally enthusiastic praises of Curran. "The riches," said he, "of his Irish imagination were exhaustless. I have heard that man speak more poetry than I have ever seen written,—though I saw him seldom and but occasionally. I saw him presented to Madame de Staël at Mackintosh's;—it was the grand confluence between the Rhone and the Saone, and they were both so d——d ugly, that I could not help wondering how the best intellects of France and Ireland could have taken up respectively such residences."

In another part, however, he was somewhat more fair to Madame de Staël's personal appearance:—"Her figure was not bad; her legs tolerable; her arms good. Altogether, I can conceive her having been a desirable woman, allowing a little imagination for her soul, and so forth. She would have made a great man."

[103] Dated April 16.

[104] It will be seen, from a subsequent letter, that the first stanza of that most cordial of Farewells, "My boat is on the shore," was also written at this time.

[105] In one of his letters to Mr. Hunt, he declares it to be his own opinion that "an addiction to poetry is very generally the result of 'an uneasy mind in an uneasy body;' disease or deformity," he adds, "have been the attendants of many of our best. Collins mad—Chatterton, I think, mad—Cowper mad—Pope crooked—Milton blind," &c. &c.

[106] The Deformed Transformed.

[107] Childe Harold, Canto iii. stanza 17.

[108] The following was the advertisement enclosed:—

"Neatly printed and hot-pressed, 2s. 6d.

"Lord Byron's Farewell to England, with Three other Poems—Ode to St. Helena, to My Daughter on her Birthday, and To the Lily of France.

"Printed by J. Johnston, Cheapside, 335.; Oxford, 9.

"The above beautiful Poems will be read with the most lively interest, as it is probable they will be the last of the author's that will appear in England."

[109] The motto is—

He left a name to all succeeding times,
Link'd with one virtue and a thousand crimes."

[110] A Monody on the death of Sheridan, which was spoken at Drury Lane theatre.

[111] Dent de Jaman.

[112] It is interesting to observe the use to which he afterwards converted these hasty memorandums in his sublime drama of Manfred.

"It is not noon—the sunbow's rays still arch
The torrent with the many hues of heaven,
And roll the sheeted silver's waving column
O'er the crag's headlong perpendicular,
And fling its lines of foaming light along,
And to and fro, like the pale coursers tail,
The Giant steed, to be bestrode by Death
As told in the Apocalypse. "

[113]

"Ye avalanches , whom a breath draws down
In mountainous o'erwhelming, come and crush me!
I hear ye momently above, beneath,
Crash with a frequent conflict. * * *
The mists boil up around the glaciers; clouds
Rise curling fast beneath me, white and sulphury,
Like foam from the roused ocean of deep hell! "
MANFRED.

[114]

"O'er the savage sea,
The glassy ocean of the mountain ice,
We skim its rugged breakers, which put on
The aspect of a tumbling tempest 's foam,
Frozen in a moment. "
MANFRED.

[115]

"Like these blasted pines,
Wrecks of a single winter, barkless, branchless. "
IBID.

[116] Childe Harold, Canto iii.

[117] To this lameness of Polidori, one of the preceding letters of Lord Byron alludes.

[118] The Corsair.

[119] His system of diet here was regulated by an abstinence almost incredible. A thin slice of bread, with tea, at breakfast—a light, vegetable dinner, with a bottle or two of Seltzer water, tinged with vin de Grave, and in the evening, a cup of green tea, without milk or sugar, formed the whole of his sustenance. The pangs of hunger he appeased by privately chewing tobacco and smoking cigars.

[120] From his remembrance of this sketch, Polidori afterwards vamped up his strange novel of the Vampire, which, under the supposition of its being Lord Byron's, was received with such enthusiasm in France. It would, indeed, not a little deduct from our value of foreign fame, if what some French writers have asserted be true, that the appearance of this extravagant novel among our neighbours first attracted their attention to the genius of Byron.

[121] "The wind (says Lord Byron's fellow-voyager) gradually increased in violence until it blew tremendously; and, as it came from the remotest extremity of the Lake, produced waves of a frightful height, and covered the whole surface with a chaos of foam. One of our boatmen, who was a dreadfully stupid fellow, persisted in holding the sail at a time when the boat was on the point of being driven under water by the hurricane. On discovering this error, he let it entirely go, and the boat for a moment refused to obey the helm; in addition, the rudder was so broken as to render the management of it very difficult; one wave fell in, and then another."

[122] "I felt, in this near prospect of death (says Mr. Shelley), a mixture of sensations, among which terror entered, though but subordinately. My feelings would have been less painful had I been alone; but I knew that my companion would have attempted to save me, and I was overcome with humiliation, when I thought that his life might have been risked to preserve mine. When we arrived at St. Gingoux, the inhabitants, who stood on the shore, unaccustomed to see a vessel as frail as ours, and fearing to venture at all on such a sea, exchanged looks of wonder and congratulation with our boatmen, who, as well as ourselves, were well pleased to set foot on shore."

[123] In the account of this visit to Copet in his Memoranda, he spoke in high terms of the daughter of his hostess, the present Duchess de Broglie, and, in noticing how much she appeared to be attached to her husband, remarked that "Nothing was more pleasing than to see the developement of the domestic affections in a very young woman." Of Madame de Staël, in that Memoir, he spoke thus:—"Madame de Staël was a good woman at heart and the cleverest at bottom, but spoilt by a wish to be—she knew not what. In her own house she was amiable; in any other person's, you wished her gone, and in her own again."

[124] Upon the same occasion, indeed, he wrote some verses in a spirit not quite so generous, of which a few of the opening lines is all I shall give:—

"And thou wert sad—yet I was not with thee!
And thou wert sick—and yet I was not near.
Methought that Joy and Health alone could be
Where I was not , and pain and sorrow here.
And is it thus?—it is as I foretold,
And shall be more so:—" &c. &c.

[125] "Admiral Byron was remarkable for never making a voyage without a tempest. He was known to the sailors by the facetious name of 'Foul-weather Jack.'

"But, though it were tempest-tost,
Still his bark could not be lost.

He returned safely from the wreck of the Wager (in Anson's Voyage), and subsequently circumnavigated the world, many years after, as commander of a similar expedition."

[126] The lake of Newstead Abbey.

[127] With Milan, however, or its society, the noble traveller was far from being pleased, and in his Memoranda, I recollect, he described his stay there to be "like a ship under quarantine." Among other persons whom he met in the society of that place was M. Beyle, the ingenious author of "L'Histoire de la Peinture en Italie," who thus describes the impression their first interview left upon him:—

"Ce fut pendant l'automne de 1816, que je le rencontrai au théâtre de la Scala , à Milan, dans la loge de M. Louis de Brême. Je fus frappé des yeux de Lord Byron au moment où il écoutait un sestetto d'un opéra de Mayer intitulé Elena. Je n'ai vu de ma vie, rien de plus beau ni de plus expressif. Encore aujourd'hui, si je viens à penser à l'expression qu'un grand peintre devrait donner an génie, cette tête sublime reparaît tout-à-coup devant moi. J'eus un instant d'enthousiasme, et oubliant la juste répugnance que tout homme un peu fier doit avoir à se faire présenter à un pair d'Angleterre, je priai M. de Brême de m'introduire à Lord Byron, je me trouvai le lendemain à dîner chez M. de Brême, avec lui, et le celèbre Monti, l'immortel auteur de la Basvigliana . On parla poésie, on en vint à demander quels étaient les douze plus beaux vers faits depuis un siècle, en Français, en Italien, en Anglais. Les Italiens présens s'accordèrent à designer les douze premiers vers de la Mascheroniana de Monti, comme ce que l'on avait fait de plus beau dans leur langue, depuis cent ans. Monti voulut bien nous les réciter. Je regardai Lord Byron, il fut ravi. La nuance de hauteur, ou plutôt l'air d'un homme qui se trouve avoir à repousser une importunité , qui déparait un peu sa belle figure, disparut tout-à-coup pour faire à l'expression du bonheur. Le premier chant de la Mascheroniana , que Monti récita presque en entier, vaincu par les acclamations des auditeurs, causa la plus vive sensation à l'auteur de Childe Harold. Je n'oublierai jamais l'expression divine de ses traits; c'était l'air serein de la puissance et du génie, et suivant moi, Lord Byron n'avait, en ce moment, aucune affectation à se reprocher."

[128] Manfred.

[129] An article in No. 31. of this Review, written, as Lord Byron afterwards discovered, by Sir Walter Scott, and well meriting, by the kind and generous spirit that breathes through it, the warm and lasting gratitude it awakened in the noble poet.

[130] He had been misinformed on this point,—the work in question having been, from the first, entitled an "Oriental Romance." A much worse mistake (because wilful, and with no very charitable design) was that of certain persons, who would have it that the poem was meant to be epic!—Even Mr. D'Israeli has, for the sake of a theory, given in to this very gratuitous assumption:—"The Anacreontic poet," he says, "remains only Anacreontic in his Epic."

[131] In a note to Mr. Murray, subjoined to some corrections for Manfred, he says, "Since I wrote to you last, the slow fever I wot of thought proper to mend its pace, and became similar to one which I caught some years ago in the marshes of Elis, in the Morea."

[132] Whenever a word or passage occurs (as in this instance) which Lord Byron would have pronounced emphatically in speaking, it appears, in his handwriting, as if written with something of the same vehemence.

[133] Here follow the same rhymes ("I read the Christabel," &c.) which have already been given in one of his letters to myself.

[134] The only plausible claim of these epistles to authenticity arises from the circumstance of St. Paul having (according to the opinion of Mosheim and others) written an epistle to the Corinthians, before that which we now call his first. They are, however, universally given up as spurious. Though frequently referred to as existing in the Armenian, by Primate Usher, Johan. Gregorius, and other learned men, they were for the first time, I believe, translated from that language by the two Whistons, who subjoined the correspondence, with a Greek and Latin version, to their edition of the Armenian History of Moses of Chorene, published in 1736.

The translation by Lord Byron is, as far as I can learn, the first that has ever been attempted in English; and as, proceeding from his pen, it must possess, of course, additional interest, the reader will not be displeased to find it in the Appendix. Annexed to the copy in my possession are the following words in his own handwriting:—"Done into English by me, January, February, 1817, at the Convent of San Lazaro, with the aid and exposition of the Armenian text by the Father Paschal Aucher, Armenian friar.—BYRON. I had also (he adds) the Latin text, but it is in many places very corrupt, and with great omissions."

The Project Gutenberg eBook of Life of Lord Byron, Vol. 3

LIFE

OF

LORD BYRON:

WITH HIS LETTERS AND JOURNALS.

BY THOMAS MOORE, ESQ.

IN SIX VOLUMES.—VOL. III.

NEW EDITION.

LONDON: JOHN MURRAY, ALBEMARLE STREET. 1854.

CONTENTS OF VOL. III.