The Project Gutenberg eBook of The History of Tom Thumb This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The History of Tom Thumb Editor: Henry Altemus Release date: December 1, 1999 [eBook #1988] Most recently updated: November 17, 2008 Language: English Credits: Produced by An Anonymous Volunteer, and David Widger *** START OF THE PROJECT GUTENBERG EBOOK THE HISTORY OF TOM THUMB *** Produced by An Anonymous Volunteer THE HISTORY OF TOM THUMB To which are added THE STORIES OF THE CAT AND THE MOUSE and FIRE! FIRE! BURN STICK! Edited by Henry Altemus THE HISTORY OF TOM THUMB It is said that in the days of the famed Prince Arthur, who was king of Britain, in the year 516, there lived a great magician, called Merlin, the most learned and skilful enchanter in the world at that time. This great magician, who could assume any form he pleased, was travelling in the disguise of a poor beggar, and being very much fatigued, he stopped at the cottage of an honest ploughman to rest himself, and asked for some refreshment. The countryman gave him a hearty welcome, and his wife, who was a very good-hearted, hospital woman, soon brought him some milk in a wooden bowl, an some coarse brown bread on a platter. Merlin was much pleased with this homely repast and the kindness of the ploughman and his wife; but he could not help seeing that though everything was neat and comfortable in the cottage, they seemed both be sad and much cast down. He therefore questioned them on the cause of their sadness, and learned they were miserable because they had no children. The poor woman declared, with tears in her eyes, that she should be the happiest creature in the world if she had a son; and although he was no bigger than her husband's thumb, she would be satisfied. Merlin was so much amused with the idea of a boy no bigger than a man's thumb, that he made up his mind to pay a visit to the queen of the fairies, and ask her to grant the poor woman's wish. The droll fancy of such a little person among the human race pleased the fairy queen too, greatly, and she promised Merlin that the wish should be granted. Accordingly, a short time after, the ploughman's wife had a son, who, wonderful to relate! was not bigger than his father's thumb. The fairy queen, wishing to see the little fellow thus born into the world, came in at the window while the mother was sitting up in bed admiring him. The queen kissed the child, and, giving it the name of Tom Thumb, sent for some of the fairies, who dressed her little favorite as she bade them. "An oak-leaf hat he had for his crown; His shirt of web by spiders spun; With jacket wove of thistle's down; His trowsers were of feathers done. His stockings, of apple-rind they tie With eyelash from his mother's eye: His shoes were made of mouse's skin Tann'd with the downy hair within." It is remarkable that Tom never grew any larger than his father's thumb, which was only of an ordinary size; but as he got older he became very cunning and full of tricks. When he was old enough to play with the boys, and had lost all his own cherry-stones, he used to creep into the bags of his playfellows, fill his pockets, and, getting out unseen, would again join in the game. One day, however, as he was coming out of a bag of cherrystones, where he had been pilfering as usual, the boy to whom it belonged chanced to see him. "Ah, ha! my little Tommy," said the boy, "so I have caught you stealing my cherrystones at last, and you shall be rewarded for your thievish tricks." On saying this, he drew the string tight around his neck, and gave the bag such a hearty shake, that poor little Tom's legs, thighs, and body were sadly bruised. He roared out in pain, and begged to be let out, promising never to be guilty of such bad practices again. A short time afterwards his mother was making a batter-pudding, and Tom being very anxious to see how it was made, climbed up to the edge of the bowl; but unfortunately his foot slipped and he plumped over head and ears into the batter, unseen by his mother, who stirred him into the pudding-bag, and put him in the pot to boil. The batter had filled Tom's mouth, and prevented him from crying; but, on feeling the hot water, he kicked and struggled so much in the pot, that his mother thought that the pudding was bewitched, and, instantly pulling it out of the pot, she threw it to the door. A poor tinker, who was passing by, lifted up the pudding, and, putting it into his budget, he then walked off. As Tom had now got his mouth cleared of the batter, he then began to cry aloud, which so frightened the tinker that he flung down the pudding and ran away. The pudding being broke to pieces by the fall, Tom crept out covered over with the batter, and with difficulty walked home. His mother, who was very sorry to see her darling in such a woeful state, put him into a tea-cup, and soon washed off the batter; after which she kissed him, and laid him in bed. Soon after the adventure of the pudding, Tom's mother went to milk her cow in the meadow, and she took him along with her. As the wind was very high, fearing lest he should be blown away, she tied him to a thistle with a piece of fine thread. The cow soon saw the oak-leaf hat, and, liking the look of it, took poor Tom and the thistle at one mouthful. While the cow was chewing the thistle Tom was afraid of her great teeth, which threatened to crush him in pieces, and he roared out as loud as he could: "Mother, mother!" "Where are you, Tommy, my dear Tommy?" said his mother. "Here, mother," replied he, "in the red cow's mouth." His mother began to cry and wring her hands; but the cow, surprised at the odd noise in her throat, opened her mouth and let Tom drop out. Fortunately his mother caught him in her apron as he was falling to the ground, or he would have been dreadfully hurt. She then put Tom in her bosom and ran home with him. Tom's father made him a whip of barley straw to drive the cattle with, and having one day gone into the fields, he slipped a foot and rolled into the furrow. A raven, which was flying over, picked him up and flew with him to the top of a giant's castle that was near the seaside, and there left him. Tom was in a dreadful state, and did not know what to do; but he was soon more dreadfully frightened; for old Grumbo, the giant, came up to walk on the terrace, and seeing Tom, he took him up and swallowed him like a pill. The giant had no sooner swallowed Tom than he began to repent what he had done; for Tom began to kick and jump about so much that he felt very uncomfortable, and at last threw him up again into the sea. A large fish swallowed Tom the moment he fell into the sea, which was soon after caught, and bought for the table of King Arthur. When they opened the fish in order to cook it, every on was astonished at finding such a little boy, and Tom was quite delighted to be out again. They carried him to the king, who made Tom his dwarf, and he soon grew a great favorite at court: for by his tricks and gambols he not only amused the king and queen, but also all the knights of the Round Table. It is said that when the kind rode out on horseback he often took Tom along with him, and if a shower came on he used to creep into his majesty's waistcoat pocket, where he slept till the rain was over. King Arthur one day asked Tom about his parents, wishing to know if they were as small as he was, and whether rich or poor. Tom told the king that his father and mother were as tall as any of the persons about the court, but rather poor. On hearing this the king carried Tom to the treasure, the place where he kept all his money, and told him to take as much money as he could carry home to his parents, which made the poor little fellow caper with joy. Tom went immediately to fetch a purse, which was made of a water-bubble, and then returned to the treasury, where he got a silver three-penny-piece to put into it. Our little hero had some trouble in lifting the burden upon his back; but he at last succeeded in getting it placed to his mind, and set forward on his journey. However, without meeting with any accidents, and after resting himself more than a hundred times by the way, in two days and two nights he reached his father's house in safety. Tom had travelled forty-eight hours with a huge silver-piece on his back, and was almost tired to death, when his mother ran out to meet him, and carried him into the house. Tom's parents were both happy to see him, and the more so as he had brought such an amazing sum of money with him; but the poor little fellow was excessively wearied, having travelled half a mile in forty-eight hours, with a huge silver three-penny-piece on his back. His mother, in order to recover him, placed him in a walnut shell by the fireside, and feasted him for three days on a hazel nut, which made him very sick; for a whole nut used to serve him a month. Tom was soon well again; but as there had been a fall of rain, and the ground was very wet, he could not travel back to King Arthur's court; therefore his mother, one day when the wind was blowing in that direction, made a little parasol of cambric paper, and tying Tom to it, she gave him a puff into the air with her mouth, which soon carried him to the king's palace. Just at the time when Tom came flying across the courtyard, the cook happened to be passing with the king's great bowl of furmenty, which was a dish his majesty was very fond of; but unfortunately the poor little fellow fell plump into the middle of it, and splashed the hot furmenty about the cook's face. The cook, who was an ill-natured fellow, being in a terrible rage at Tom for frightening and scalding him with the furmenty, went straight to the king, and said that Tom had jumped into the royal furmenty, and thrown it down out of mere mischief. The king was so enraged when he heard this, that he ordered Tom to be seized and tried for high treason; and there being no person who dared to plead for him, he was condemned to be beheaded immediately. On hearing this dreadful sentence pronounced, poor Tom fell a-trembling with fear, but, seeing no means of escape, and observing a miller close to him gaping with his great mouth, as country boobies do at a far, he took a leap, and fairly jumped down his throat. This exploit was done with such activity that not one person present saw it, and even the miller did not know the trick which Tom had played upon him. Now, as Tom had disappeared, the court broke up, and the miller went home to his mill. When Tom heard the mill at work he knew he was clear of the court, and therefore he began to tumble and roll about, so that the poor miller could get no rest, thinking he was bewitched; so he sent for a doctor. When the doctor came, Tom began to dance and sing; and the doctor, being as much frightened as the miller, sent in haste for five other doctors and twenty learned men. When they were debating about this extraordinary case, the miller happened to yawn, when Tom, seizing the chance, made another jump, and alighted safely upon his feet in the middle of the table. The miller, who was very much provoked at being tormented by such a little pygmy creature, fell into a terrible rage, and, laying hold of Tom, ran to the king with him; but his majesty, being engaged with state affairs, ordered him to be taken away and kept in custody till he sent for him. The cook was determined that Tom should not slip out of his hands this time, so he put him into a mouse-trap, and left him to peep through the wires. Tom had remained in the trap a whole week, when he was sent for by King Arthur, who pardoned him for throwing down the furmenty, and took him again into favor. On account of his wonderful feats of activity, Tom was knighted by the king, and went under the name of the renowned Sir Thomas Thumb. As Tom's clothes had suffered much in the batter-pudding, the furmenty, and the insides of the giant, miller, and fishes, his majesty ordered him a new suit of clothes, and to be mounted as a knight. "Of Butterfly's wings his shirt was made, His boots of chicken's hide; And by a nimble fairy blade, Well learned in the tailoring trade, His clothing was supplied.-- A needle dangled by his side; A dapper mouse he used to ride, Thus strutted Tom in stately pride!" It was certainly very diverting to see Tom in this dress, and mounted on the mouse, as he rode out a-hunting with the king and nobility, who were all ready to expire with laughter at Tom and his fine prancing charger. One day, as they were riding by a farmhouse, a large cat, which was lurking about the door, made a spring, and seized both Tom and his mouse. She then ran up a tree with them, and was beginning to devour the mouse; but Tom boldly drew his sword, and attacked the cat so fiercely that she let them both fall, when one of the nobles caught him in his hat, and laid him on a bed of down, in a little ivory cabinet. The queen of fairies came soon after to pay Tom a visit, and carried him back to Fairy-land, where he lived several years. During his residence there, King Arthur, and all the persons who knew Tom, had died; and as he was desirous of being again at court, the fairy queen, after dressing him in a suit of clothes, sent him flying through the air to the palace, in the days of king Thunstone, the successor of Arthur. Every one flocked round to see him, and being carried to the king, he was asked who he was--whence he came--and where he lived? Tom answered: "My name is Tom Thumb, From the fairies I've come. When King Arthur shone, His court was my home. In me he delighted, By him I was knighted; Did you never hear of Sir Thomas Thumb?" The king was so charmed with this address that he ordered a little chair to be made, in order that Tom might sit upon his table, and also a palace of gold, a span high, with a door an inch wide, to live in. He also gave him a coach, drawn by six small mice. The queen was so enraged at the honor paid to Sir Thomas that she resolved to ruin him, and told the king that the little knight had been saucy to her. The king sent for Tom in great haste, but being fully aware of the danger of royal anger, he crept into an empty snail-shell, where he lay for a long time, until he was almost starved with hunger; but at last he ventured to peep out, and seeing a fine large butterfly on the ground, near his hiding-place, he approached very cautiously, and getting himself placed astride on it, was immediately carried up into the air. The butterfly flew with him from tree to tree and from field to field, and at last returned to the court, where the king and nobility all strove to catch him; but at last poor Tom fell from his seat into a watering-pot, in which he was almost drowned. When the queen saw him she was in a rage, and said he should be beheaded; and he was again put into a mouse-trap until the time of his execution. However, a cat, observing something alive in the trap, patted it about till the wires broke, and set Thomas at liberty. The king received Tom again into favor, which he did not live to enjoy, for a large spider one day attacked him; and although he drew his sword and fought well, yet the spider's poisonous breath at last overcame him; "He fell dead on the ground where he stood, and the spider suck'd every drop of his blood." King Thunstone and his whole court were so sorry at the loss of their little favorite, that they went into mourning, and raised a fine white marble monument over his grave, with the following epitaph: "Here lyes Tom Thumb, King Arthur's knight, Who died by a spider's cruel bite. He was well known in Arthur's court, Where he afforded gallant sport; He rode at tilt and tournament, And on a mouse a-hunting went. Alive he filled the court with mirth; His death to sorrow soon gave birth. Wipe, wipe your eyes, and shake your head, And cry,--Alas! Tom Thumb is dead!" ***** THE CAT AND THE MOUSE The cat and the mouse Played in the malt-house: The cat bit the mouse's tail off. "Pray, puss, give me my tail." "No," says the cat, "I'll not give you your tail, till you go to the cow and fetch me some milk." First she leapt, and then she ran, Till she came to the cow, and thus began,-- "Pray, cow, give me milk, that I may give cat milk, that cat may give me my own tail again." "No," said the cow, "I will give you no milk, till you go to the farmer and get me some hay." First she leapt, and then she ran, Till she came to the farmer, and thus began,-- "Pray, farmer, give me hay that I may give cow hay, that cow may give me milk, that I may give cat milk, that cat may give me my own tail again." "No," says the farmer, "I'll give you no hay, till you go to the butcher and fetch me some meat." First she leapt, and then she ran, Till she came to the butcher, and thus began,-- "Pray, butcher, give me meat, that I may give farmer meat, that farmer may give me hay, that I may give cow hay, that cow may give me milk, that I may give cat milk, that cat may give me my own tail again." "No," says the butcher, "I'll give you no meat till you go to the baker and fetch me some bread." First she leapt, and then she ran, Till she came to the baker, and thus began,-- "Pray, baker, give me bread, that I may give butcher bread, that butcher may give me meat, that I may give farmer meat, that farmer may give me hay, that I may give cow hay, that cow may give me milk, that I may give cat milk, that cat may give me my own tail again." "Yes," says the baker, "I'll give you some bread, But if you eat my meal, I'll cut off your head." Then the baker gave mouse bread, and mouse gave butcher bread, and butcher gave mouse meat, and mouse gave farmer meat, and farmer gave mouse hay, and mouse gave cow hay, and cow gave mouse milk, and mouse gave cat milk, and cat gave mouse her own tail again! ***** FIRE! FIRE! BURN STICK! And old woman was sweeping her house, and she found a little crooked sixpence. "What," said she, "shall I do with this little sixpence? I will go to market and buy a little pig." As she was coming home she came to a stile; the piggy would not go over the stile. She went a little farther, and she met a dog. So she said to the dog, "Dog! bit pig; piggy won't go over the stile, and I shan't get home to-night." But the dog would not. She went a little farther, and she met a stick. So she said, "Stick! stick! beat dog; dog won't bite pig; piggy won't get over the stile, and I shan't get home to-night." But the stick would not. She went a little farther, and she met a fire. So she said, "Fire! fire! burn stick; stick won't beat dog; dog won't bite pig; piggy won't get over the stile, and I shan't get home to-night." But the fire would not. She went a little farther, and she met some water. So she said, "Water! water! quench fire; fire won't burn stick; stick wont beat dog; dog won't bite pig; piggy won't get over the stile, and I shan't get home to-night." But the water would not. She went a little farther, and she met an ox. So she said, "Ox! ox! drink water; water won't quench fire; fire won't burn stick; stick won't beat dog; dog won't bite pig; piggy won't get over the stile, and I shan't get home to-night." But the ox would not. She went a little farther, and she met a butcher. So she said, "Butcher! butcher! kill ox; ox won't drink water; water won't quench fire; fire won't burn stick; stick won't beat dog; dog won't bite pig; piggy won't get over the stile, and I shan't get home to-night." But the butcher would not. She went a little father, and she met a rope. So she said, "Rope! rope! hang butcher; butcher won't kill ox; ox won't drink water; water won't quench fire; fire won't burn stick; stick won't beat dog; dog won't bite pig; piggy won't get over the stile, and I shan't get home to-night." But the rope would not. So she went a little farther, and she met a rat. So she said, "Rat! rat! gnaw rope; rope won't hang butcher; butcher won't kill ox; ox won't drink water; water won't quench fire; fire won't burn stick; stick won't beat dog; dog won't bite pig; piggy won't get over the stile and I shan't get home to-night." But the rat would not. So she went a little farther, and she met a cat. So she said, "Cat! cat! kill rat; rat won't gnaw rope; rope won't hang butcher; butcher won't kill ox; ox won't drink water; water won't quench fire; fire won't burn stick; stick won't beat dog; dog won't bite pig; piggy won't get over the stile, and I shan't get home to-night." But the cat said to her, "If you will go to yonder cow and fetch me a saucer of milk, I will kill the rat." So away went the old woman to the cow. But the cow said to her, "If you will go to yonder haystack and fetch me a handful of hay, I'll give you the milk." So away went the old woman to the haystack; and she brought the hay to the cow. As soon as the cow had eaten the hay she gave the old woman the milk, and away she went with it in a saucer to the cat. As soon as the cat had lapped up the milk, the cat began to kill the rat; the rat began to gnaw the rope; the rope began to hang the butcher; the butcher began to kill the ox; the ox began to drink the water; the water began to quench the fire; the fire began to burn the stick; the stick began to beat the dog; the dog began to bite the pig; the little pig in a fright jumped over the stile; and so the old woman got home that night. End of Project Gutenberg's The History of Tom Thumb, and Others, by Anonymous *** END OF THE PROJECT GUTENBERG EBOOK THE HISTORY OF TOM THUMB *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.