The Project Gutenberg eBook of No Abolition of Slavery; Or the Universal Empire of Love: A Poem, by James Boswell.

——Most pleasing of thy sex,
Born to delight and never vex;
Whose kindness gently can controul
My wayward turbulence of soul.

Pry’thee, my dearest, dost thou read, 5
The Morning Prints , and ever heed
Minutes , which tell how time’s mispent,
In either House of Parliament?

See T—— , with the front of Jove!
But not like Jove with thunder grac’d 1 , 10
In Westminster’s superb alcove
Like the unhappy Theseus plac’d 2 .
Day after day indignant swells
His generous breast, while still he hears
Impeachment’s fierce relentless yells, 15
Which stir his bile and grate his ears.

And what a dull vain barren shew
St. Stephen’s luckless Chapel fills;
Our notions of respect how low,
While fools bring in their idle Bills. 20

Noodles 3 , who rave for abolition
Of th’ African’s improv’d condition 4 ,
At your own cost fine projects try;
Dont rob —from pure humanity .

Go, W———, with narrow scull, 25
Go home, and preach away at Hull,
No longer to the Senate 5 cackle,
In strains which suit the Tabernacle;
I hate your little wittling sneer,
Your pert and self-sufficient leer, 30
Mischief to Trade sits on thy lip,
Insects will gnaw the noblest ship;
Go, W———, be gone, for shame,
Thou dwarf, with a big-sounding name.

Poor inefficient B—— , we see 35
No capability in thee,
Th’ immortal spirit of thy Sire
Has borne away th’ æthereal fire,
And left thee but the earthy dregs,—
Let’s never have thee on thy legs; 40
’Tis too provoking, sure, to feel,
A kick from such a puny heel.

Pedantick pupil of old Sherry,
Whose shrugs and jerks would make us merry,
If not by tedious languor wrung— 45
Hold thy intolerable tongue.

Drawcansir Dolben would destroy
Both slavery and licentious joy;
Foe to all sorts of planters 6 , he
Will suffer neither bond nor free . 50

Go we to the Committee room,
There gleams of light conflict with gloom,
While unread rheams in chaos lye,
Our water closets to supply.

What frenzies will a rabble seize 55
In lax luxurious days, like these;
The People’s Majesty , forsooth,
Must fix our rights, define our truth;
Weavers 7 become our Lords of Trade,
And every clown throw by his spade, 60
T’ instruct our ministers of state,
And foreign commerce regulate:
Ev’n bony Scotland with her dirk,
Nay, her starv’d presbyterian kirk 8 ,
With ignorant effrontery prays 65
Britain to dim the western rays,
Which while they on our island fall
Give warmth and splendour to us all.

See in a stall three feet by four,
Where door is window, window door, 70
Saloop a hump-back’d cobler drink;
“With him the muse shall sit and think;”
He shall in sentimental strain,
That negroes are oppress’d , complain.
What mutters the decrepit creature? 75
The Dignity of Human Nature 9 !

Windham , I won’t suppress a gibe.
Whilst Thou art with the whining tribe;
Thou who hast sail’d in a balloon,
And touch’d, intrepid, at the moon, 80
(Hence, as the Ladies say you wander,
By much too fickle a Philander:)
Shalt Thou , a Roman free and rough,
Descend to weak blue stocking stuff,
And cherish feelings soft and kind, 85
Till you emasculate your mind.

Let Courtenay sneer, and gibe, and hack,
We know Ham’s sons are always black;
On sceptick themes he wildly raves,
Yet Africk’s sons were always slaves; 90
I’d have the rogue beware of libel,
And spare a jest—when on the Bible.

Burke , art Thou here too? thou, whose pen,
Can blast the fancied rights of men :
Pray, by what logick are those rights 95
Allow’d to Blacks —deny’d to Whites ?

But Thou! bold Faction’s chief Antistes ,
Thou, more than Samson Agonistes!
Who, Rumour tells us, would pull down
Our charter’d rights, our church, our crown;
Of talents vast, but with a mind
Unaw’d, ungovern’d, unconfin’d; 100
Best humour’d man, worst politician,
Most dangerous, desp’rate state physician;
Thy manly character why stain 105
By canting, when ’tis all in vain?
For thy tumultuous reign is o’er;
The People’s Man thou art no more.

And Thou, in whom the magick name
Of William Pitt still gathers fame, 110
Who could at once exalted stand,
Spurning subordinate command;
Ev’n when a stripling sit with ease,
The mighty helm of state to seise;
Whom now (a thousand storms endur’d) 115
Years of experience have matur’d;
For whom, in glory’s race untir’d,
Th’ events of nations have conspir’d;
For whom, eer many suns revolv’d,
Holland has crouch’d, and France dissolv’d; 120
And Spain, in a Don Quixote fit,
Has bullied only to submit;
Why stoop to nonsense? why cajole
Blockheads who vent their rigmarole ?

And yet, where influence must rule, 125
’Tis sometimes wise to play the fool;
Thus, like a witch, you raise a storm,
Whether the Parliament’s Reform ,
A set of Irish Propositions ,
Impeachment —on your own conditions , 130
Or Richmond’s wild fortifications ,
Enough to ruin twenty nations,
Or any thing you know can’t fail,
To be a tub to Party’s whale.
Then whilst they nibble, growl, and worry, 135
All keen and busy, hurry-scurry;
Britannia’s ship you onward guide,
Wrapt in security and pride.

Accept fair praise; but while I live
Your Regency I can’t forgive; 140
My Tory soul with anger swell’d,
When I a parcel’d Crown beheld;
Prerogative put under hatches,
A Monarchy of shreds and patches;
And lo! a Phantom ! to create, 145
A huge Hermaphrodite of State !
A monster, more alarming still
Than Fox’s raw-head India Bill!

Thurlow , forbear thy awful frown;
I beg you may not look me down 150
My honest fervour do not scout,
I too like thee can be devout,
And in a solemn invocation 10 ,
Of loyalty make protestation.

Courtiers, who chanc’d to guess aright, 155
And bask now in the Royal sight,
Gold sticks and silver, and white wands,
Ensigns of favour in your hands,
Glitt’ring with stars, and envied seen
Adorn’d with ribbands blue, red, green! 160
I charge you of deceit keep clear,
And poison not the Sovereign’s ear:
O ne’er let Majesty suppose
The Prince’s friends must be His foes.
There is not one amongst you all 165
Whose sword is readier at his call;
An ancient Baron of the land,
I by my King shall ever stand;
But when it pleases Heav’n to shroud
The Royal image in a cloud, 170
That image in the Heir I see,
The Prince is then as King to me.
Let’s have, altho’ the skies should lour,
No interval of Regal pow’r 11 .

Where have I wander’d? do I dream? 175
Sure slaves of power are not my theme;
But honest slaves, the sons of toil,
Who cultivate the Planter’s soil.

He who to thwart God’s system 12 tries,
Bids mountains sink, and vallies rise; 180
Slavery, subjection, what you will,
Has ever been, and will be still:
Trust me, that in this world of woe
Mankind must different burthens know;
Each bear his own, th’ Apostle spoke; 185
And chiefly they who bear the yoke.

From wise subordination’s plan
Springs the chief happiness of man;
Yet from that source to numbers flow
Varieties of pain and woe; 190
Look round this land of freedom, pray,
And all its lower ranks survey;
Bid the hard-working labourer speak,
What are his scanty gains a week?
All huddled in a smoaky shed, 195
How are his wife and children fed?
Are not the poor in constant fear
Of the relentless Overseer?

London ! Metropolis of bliss!
Ev’n there sad sights we cannot miss; 200
Beggars at every corner stand,
With doleful look and trembling hand;
Hear the shrill piteous cry of sweep ,
See wretches riddling an ash heap;
The streets some for old iron scrape, 205
And scarce the crush of wheels escape;
Some share with dogs the half-eat bones,
From dunghills pick’d with weary groans.

Dear Cumberland , whose various powers 210
Preserve thy life from languid hours,
Thou scholar, statesman, traveller, wit,
Who prose and verse alike canst hit;
Whose gay West-Indian on our stage,
Alone might check this stupid rage; 215
Fastidious yet—O! condescend
To range with an advent’rous friend:
Together let us beat the rounds,
St. Giles’s ample blackguard bounds:
Try what th’ accurs’d Short’s Garden yields, 220
His bludgeon where the Flash-man wields;
Where female votaries of sin,
With fetid rags and breath of gin,
Like antique statues stand in rows,
Fine fragments sure, but ne’er a nose. 225
Let us with calmness ascertain
The liberty of Lewkner’s Lane ,
And Cockpit-Alley — Stewart’s Rents ,
Where the fleec’d drunkard oft repents.
With Bentley’s 13 critical acumen 230
Explore the haunts of evil’s Numen ;
And in the hundreds of Old Drury ,
Descant de legibus Naturæ 14 .
Let’s prowl the courts of Newton-Street ,
Where infamy and murder meet; 235
Where Carpmeal 15 must with caution tread,
Macmanus tremble for his head,
Jealous look sharp with all his eyes,
And Townshend apprehend surprise;
And having view’d the horrid maze, 240
Let’s justify the Planter’s ways.

Lo then, in yonder fragrant isle
Where Nature ever seems to smile,
The cheerful gang 16 !—the negroes see
Perform the task of industry:
Ev’n at their labour hear them sing, 245
While time flies quick on downy wing;
Finish’d the bus’ness of the day,
No human beings are more gay:
Of food, clothes, cleanly lodging sure,
Each has his property secure; 250
Their wives and children are protected,
In sickness they are not neglected;
And when old age brings a release,
Their grateful days they end in peace.

But should our Wrongheads have their will, 255
Should Parliament approve their bill,
Pernicious as th’ effect would be,
T’ abolish negro slavery,
Such partial freedom would be vain,
Since Love’s strong empire must remain. 260

Venus , Czarina of the skies,
Despotick by her killing eyes,
Millions of slaves who don’t complain,
Confess her universal reign:
And Cupid too well-us’d to try 265
His bow-string lash, and darts to ply,
Her little Driver still we find,
A wicked rogue, although he’s blind.

Bring me not maxims from the schools;
Experience now my conduct rules; 270
O ———! trust thy lover true,
I must and will be slave to you.

Yet I must say—but pr’ythee smile,—
’Twas a hard trip to Paphos isle;
By your keen roving glances caught, 275
And to a beauteous tyrant brought;
My head with giddiness turn’d round,
With strongest fetters I was bound;
I fancy from my frame and face,
You thought me of th’ Angola race 17 : 280
You kept me long indeed, my dear,
Between the decks of hope and fear;
But this and all the seasoning o’er,
My blessings I enjoy the more.

Contented with my situation, 285
I want but little regulation ;
At intervals Chanson à boire
And good old port in my Code noire ;
Nor care I when I’ve once begun,
How long I labour, in the sun 290
Of your bright eyes!—which beam with joy,
Warm, cheer, enchant, but don’t destroy.

My charming friend! it is full time
To close this argument in rhime;
The rhapsody must now be ended, 295
My proposition I’ve defended;
For, Slavery there must ever be,
While we have Mistresses like thee!

THE END.

1 Had he the command of thunder, there can be no doubt that he would long before now have cleared a troublesome quarter.

Sedet eternumque sedebit
Infelix Theseus.

Virg.

3 If the abettors of the Slave trade Bill should think they are too harshly treated in this Poem, let them consider how they should feel if their estates were threatened by an agrarian law; (no unplausible measure) and let them make allowances for the irritation which themselves have occasioned.

4 That the Africans are in a state of savage wretchedness, appears from the most authentic accounts. Such being the fact, an abolition of the slave trade would in truth be precluding them from the first step towards progressive civilization, and consequently of happiness, which it is proved by the most respectable evidence they enjoy in a great degree in our West-India islands, though under well-regulated restraint. The clamour which is raised against this change of their situation, reminds us of the following passage in one of the late Mr. Hall’s ‘Fables for Grown Gentlemen.’

“’Tis thus the Highlander complains,
’Tis thus the Union they abuse,
For binding their backsides in chains,
And shackling their feet in shoes;
For giving them both food and fuel,
And comfortable cloaths,
Instead of cruel oatmeal gruel,
Instead of rags and heritable blows.”

5 The question now agitated in the British Parliament concerning slavery, is illustrated with great information, able argument, and perspicuous expression, in a work entitled, “ Doubts on the Abolition of the Slave Trade, by an Old Member of Parliament ;” printed for Stockdale, in Picadilly, 1790. It is ascribed to John Ranby, Esq.

That the evils of the Slave Trade should, like the evils incident to other departments of civil subordination, be humanely remedied as much as may be, every good man is convinced; and accordingly we find that great advances have been gradually made in that respect, as may be seen in various publications, particularly the evidence taken before the Privy-Council. It must be admitted, that in the course of the present imprudent and dangerous attempt to bring about a total abolition, one essential advantage has been obtained, namely, a better mode of carrying the slaves from Africa to the West-Indies; but surely this might have been had in a less violent manner.

6 Diogenes being discovered in the street in fond intercourse with one of those pretty misses whom Sir William Dolben dislikes, steadily said, “ Φυτενω Ανδρας —I plant men.”

7 Manchester Petition.

8 Some of the Scottish Presbyteries petitioned.

9 Risum teneatis amici. Horat.

10 When I forget Him , may God forget me!

11 Mira cano, Sol occubuit, nox nulla sequuta. See Camden’s Remains .

12 The state of slavery is acknowledged both in the Old Testament and the New.

13 The great Dr. Bentley was Mr. Cumberland’s grandfather.

14 Mr. Cumberland is a descendant of Bishop Cumberland, who wrote De legibus Naturæ .

15 Messieurs Carpmeal, Macmanus, Jealous, and Townshend, gentlemen of the Publick Office, in Bow-Street.

16 Sir William Young has a series of pictures, in which the negroes in our plantations are justly and pleasingly exhibited in various scenes.

17 The Angola blacks are the most ferocious. The author does not boast, like Abyssinian Yakoob , “of no ungracious figure”: nor does he, like another beau garçon , Mr. Gibbon, prefix his pleasing countenance to captivate the ladies.

Transcriber’s notes

All original spellings and punctuation have been retained, except as noted.

Title page : “By James Boswell, Esq.” is handwritten below “P O E M.”

Erratum : the change of “mighty” to “magick” has been made.

Line 9 : “Thurlow” is handwritten above “T——”.

Line 12, footnote 2 : “Sedet eternumqre sedebit” corrected to “Sedet eternumque sedebit”.

Line 27 : There is no footnote marker in the original text for footnote 5 .

Line 35 : “Brown” is handwritten above “B——”.

Line 100 : The line numbering is inconsistent.

Line 109 : “magick” substituted for “mighty” as specified in the erratum notice .

A press cutting from The Athenæum of 4th May 1896 was included with the original. It reads as follows:

A POEM ON THE SLAVE TRADE
BY JAMES BOSWELL

A hitherto unrecognized work by James Boswell was sold a few days ago by Mr. Salkeld, of Clapham Road. It is in quarto, and the title is, ‘No Abolition of Slavery: or, the Universal Empire of Love: a Poem, 1791.’ The authorship appears to have been attributed to Boswell on the strength of an inscription, “By James Boswell, Esq.,” in a contemporary handwriting on the title-page, and there is little doubt that the inscription is correct.

In the volume of Boswelliana edited by the Rev. Charles Rogers for the Grampian Club there is a letter, written in April, 1791, to Mr. Dempster by Boswell, who mentions a recently published poem on the slave trade, written by himself. The editor, in his comments on the letter, remarks that the work referred to by Boswell is unknown to bibliographers. Mr. Salkeld’s discovery, though interesting, will not confer additional lustre on Boswell’s reputation as a bard; but the poem is characteristic and amusing. It is “Addressed to Miss ——,” perhaps intended for Miss Bagnal, who was occupying his attention at that time, and is described in one of his letters as “about seven-and-twenty ... a Ranelagh girl—but of excellent principles, in so much that she reads prayers to the servants in her father’s family every Sunday evening.” The merits of the work are pretty nearly on a level with ‘The Cub at Newmarket’ and other poetical effusions of the writer. Nothing could be more Boswellian than the manner in which the subject is treated, and the piece is full of personal allusions. Now that the authorship of the work is known, it is probable that other copies will turn up.

*** END OF THE PROJECT GUTENBERG EBOOK NO ABOLITION OF SLAVERY ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate .

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org .

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.