The Project Gutenberg eBook of The Impossibles, by Randall Garrett and Laurence M. Janifer

This etext was produced from the 1963 book publication of the story. Extensive research did not uncover any evidence that the copyright on this publication was renewed.

Since the publication of BRAIN TWISTER (Pyramid Book F-783), Mark (Laurence M. Janifer) Phillips (Randall Philip Garrett) has, or have, undergone several changes. In order to keep the reader posted on the latest developments regarding this author, or these authors, he, or they, has, or have, passed on the following details:

GARRETT is still engaged. He and his charming fiancee plan to run out of excuses during the early Fall of 1994, but this date may be changed at any time by mutual agreement, or the end of the world. He has given up an interest in river pollution in favor of a new hobby, grading type-cleaner. Garrett, who spends an hour each day expanding his repertoire, now claims the ability to distinguish year and vineyard for over one thousand type-cleaners.

JANIFER is still on the other hand. He has had his eyeglasses cleaned, and is happy to report that he has recently met a woman. The woman, however, seems to have been looking for a man. Janifer's hobbies, humming and blinking, remain constant, but in an effort to add more healthful activity to his life he has begun training in leaping to conclusions. He states that he can now clear a conclusion of better than seven feet, eight and one-half inches from a running start.

THE IMPOSSIBLES was written in six days. On the seventh day, nothing of any interest whatsoever occurred.

The sidewalk was as soft as a good bed. Malone lay curled on it, thinking about nothing at all. He was drifting off into a wonderful dream, and he didn't want to interrupt it. There was this girl, a beautiful girl, more wonderful than anything he had ever imagined, with big blue eyes and long blonde hair and a figure that made the average pin-up girl look like a man. And she had her soft white hand on his arm, and she was looking, up at him with trust and devotion and even adoration in her eyes, and her voice was the softest possible whisper of innocence and promise.

Malone smiled back at her, gently but with complete confidence. "Call me Ken," he said, noticing that he was seven feet tall and superbly muscled. He put his free hand on the girl's warm, soft shoulder and she wriggled with delight.

"All right—Ken," she said. "You know, I've never met anyone like you before. I mean, you're so wonderful and everything."

Malone chuckled modestly, realizing, in passing, how full and rich his voice had become. He felt a weight pressing over his heart, and knew that it was his wallet, stuffed to bursting with thousand-dollar bills.

No, Malone told himself. This was the time for adventure, for romance, for love. He looked down at the girl and put his arm around her waist. She snuggled closer.

He led her easily down the long wide street to his car at the end of the block. It stood in godlike solitude, a beautiful red Cadillac capable of going a hundred and ten miles an hour in any gear, equipped with fully automatic steering and braking, and with a stereophonic radio, a hi-fi and a 3-D set installed in both front and back seats. It was a 1972 job, but he meant to trade it in on something even better when the 1973 models came out. In the meantime, he decided, it would do.

He handed the girl in, went round to the other side and slid in under the wheel. There was soft music playing somewhere, and a magnificent sunset appeared ahead of them as Malone pushed a button on the dashboard and the red Cadillac started off down the wide, empty, wonderfully paved street into the sunset, while he… The red Cadillac?

The sidewalk became a little harder, and, Malone suddenly realized that he was lying on it. Something terrible had happened; he knew that right away. He opened his eyes to look for the girl, but the sunset had become much brighter; his head began to pound with the slow regularity of a dead-march, and he closed his eyes again in a hurry.

The sidewalk swayed a little, but he managed to keep his balance on it somehow; and after a couple of minutes it was quiet again. His head hurt. Maybe that was the terrible thing that had happened, but Malone wasn't quite sure. As a matter of fact, he wasn't very sure about anything, and he started to ask himself questions to make certain he was all there.

He didn't feel all there. He felt as if several of his parts had been replaced with second- or even third-hand experimental models, and something had happened to the experiment. It was even hard to think of any questions, but after a while he managed to come up with a few.

He tried to find an answer to that, but there didn't seem to be any, no matter where he looked. The only thing he could think of was the red Cadillac.

And if the red Cadillac had anything to do with anything, Malone didn't know about it.

Very slowly and carefully, he opened his eyes again, one at a time. He discovered that the light was not coming from the gorgeous Hollywood sunset he had dreamed up. As a matter of fact, sunset was several hours in the past, and it never looked very pretty in New York anyhow. It was the middle of the night, and Malone was lying under a convenient street lamp.

A few minutes passed. It was obvious that his head had settled down for a long stay, and no matter how bad it felt, Malone told himself, it was his head, after all. He felt a certain responsibility for it. And he couldn't just leave it lying around somewhere with its eyes closed.

He opened the head's eyes once more, and this time he kept them open. For a long time he stared at the post of the street lamp, considering it, and he finally decided that it looked sturdy enough to support a hundred and sixty-five pounds of FBI man, even with the head added in. He grabbed for the post with both hands and started to pull himself upright, noticing vaguely that his legs had somehow managed to get underneath him.

As soon as he was standing, he wished he'd stayed on the nice horizontal sidewalk. His head was spinning dizzily, and his mind was being sucked down into the whirlpool. He held on to the post grimly and tried to stay conscious.

A long time, possibly two or three seconds, passed. Malone hadn't moved at all when the two cops came along.

One of them was a big man with a brassy voice and a face that looked as if it had been overbaked in a waffle iron. He came up behind Malone and tapped him on the shoulder, but Malone barely felt the touch. Then the cop bellowed into Malone's ear: "What's the matter, buddy?"

Malone appreciated the man's sympathy. It was good to know that you had friends. But he wished, remotely, that the cop and his friend, a shorter and thinner version of the beat patrolman, would go away and leave him in peace. Maybe he could lie down on the sidewalk again and get a couple of hundred years' rest.

"You're all right?" the big cop said. "That's fine. That's great. So why don't you go home and sleep it off?"

"Wherever you live, buddy," the big cop said. "Come on. Can't stand around on the sidewalk all night."

Malone shook his head, and decided at once never to do it again. He had some kind of rare disease, he realized. His brain was loose, and the inside of his skull was covered with sandpaper. Every time his head moved, the brain jounced against some of the sandpaper.

But the policemen thought he was drunk. That wasn't right. He couldn't let the police get the wrong impression of FBI agents. Now the men would go around telling people that the FBI was always drunk and disorderly.

"No," Malone said. The effort exhausted him, and he had to catch his breath before he could say anything else. But the cops waited patiently. At last he said, "Somebody slugged me."

"Didn't see him," Malone said. He let go of the post with one hand, keeping a precarious grip with the other. He stared at his watch. The hands danced back and forth, but he focused on them after a while. It was 1:05. "Happened just—a few minutes ago," he said. "Maybe you can catch him."

The big cop said, "Nobody around here. The place is deserted—except for you, buddy." He paused and then added: "Let's see some identification, huh? Or did he take your wallet?"

Malone thought about getting the wallet, and decided against it. The motions required would be a little tricky, and he wasn't sure he could manage them without letting go of the post entirely. At last he decided to let the cop get his wallet. "Inside coat pocket," he said.

The other policeman blinked and looked up. His face was a studied blank. "Hey, buddy," he said. "You know you got blood on your head?"

"I thought maybe my skull was going to explode from high blood pressure," Malone said. It was beginning to be a little easier to talk. "But as long as there's a slow leak, I guess I'm out of danger."

A hand went into Malone's jacket pocket. It tickled a little bit, but Malone didn't think of objecting. Naturally enough, the hand and Malone's wallet did not make an instantaneous connection. When the hand touched the bulky object strapped near Malone's armpit, it stopped, frozen, and then cautiously snaked the object out.

Bill looked up with the object in his hand. He seemed a little dazed.
"It's a gun," he said.

Malone considered getting away, and decided that he couldn't move.
"It's okay," he said.

"Okay, hell," Sam said. "It's a .44 Magnum. What are you doing with a gun, Mac?" He was no longer polite and friendly. "Why [are] you carrying a gun?" he said.

Bill backed away from Malone, putting the Magnum in his pocket and keeping the FBI agent covered with his own Police Positive. At the same time, he fished out the personal radio every patrolman carried in his uniform, and began calling for a prowl car in a low, somewhat nervous voice.

Malone began to feel slightly dangerous. Maybe he was a famous gangster. He wasn't sure. Maybe all this about being an FBI agent was just a figment of his imagination. Blows on the head did funny things. "I'll drill everybody full of holes," he said in a harsh, underworld sort of voice, but it didn't sound very convincing. Sam approached him gently and fished out his wallet with great care, as if Malone were a ticking bomb ready to go off any second.

There was a little silence. Then Sam said, "Give him his gun back,
Bill," in a hushed and respectful tone.

Sam shook his head slowly. "Nope," he said. "But we made a terrible mistake. Know who this guy is?"

"He's heeled," Bill said. "That's all I want to know." He put the radio away and gave all his attention to Malone.

"He's FBI," Sam said. "The wallet says so. Badge and everything. And not only that, Bill. He's Kenneth J. Malone."

Well, Malone thought with relief, that settled that. He wasn't a gangster after all. He was just the FBI agent he had always known and loved. Maybe now the cops would do-something about his head and take him away for burial.

"Malone?" Bill said. "You mean the guy who's here about all those red
Cadillacs?"

"Sure," Sam said. "So give him his gun back." He looked at Malone.
"Listen, Mr. Malone," he said. "We're sorry. We're sorry as hell."

"That's all right," Malone said absently. He moved his head slowly and looked around. His suspicions were confirmed. There wasn't a red Cadillac anywhere in sight, and from the looks of the street there never had been. "It's gone," he said, but the cops weren't listening.

"We better get you to a hospital," Bill said. "As soon as the prowl car gets here, we'll take you right on down to St. Vincent's. Can you tell us what happened? Or is it classified?"

Malone wondered what could be classified about a blow on the head, and decided not to think about it. "I can tell you," he said, "if you'll answer one question for me."

Malone gave them what he hoped was a gracious and condescending smile.
"All right, then," he said. "Where the hell am I?"

"I know that," Malone said tiredly. "Anywhere in particular, or just sort of all over New York?"

"Ninth Street," Bill said hurriedly. "Near the Village. Is that where you were when they slugged you?"

"I guess so," Malone said. "Sure." He nodded, and immediately remembered that he shouldn't have. He closed his eyes until the pain had softened to agony, and then opened them again. "I was getting pretty tired of sitting around waiting for something to break on this case," he said, "and I couldn't sleep, so I went out for a walk. I ended up in Greenwich Village—which is a hell of a place for a self-respecting man to end up."

"I know just what you mean," Sam said sympathetically. "Bohemians, they call themselves. Crazy people."

"Not the people," Malone said. "The streets. I got sort of lost." Chicago, he reflected, was a long way from the easiest city in the world to get around in. And he supposed you could even get confused in Washington if you tried hard enough. But he knew those cities. He could find his way around in them. Greenwich Village was different.

It was harder to navigate in than the trackless forests of the Amazon. The Village had tracks, all right—thousands of tracks. Only none of them led anywhere in particular.

The cops looked around hurriedly and then looked back at Malone. Bill started to say, "But there isn't any—"

"For all I know," Malone said, "it sprouted wings and flew away." He paused. "When I saw it, though—when I saw it, I decided to go over and have a look. Just in case."

"Sure," Bill said. "Makes sense." He stared at his partner as if defying him to prove it didn't make sense. Malone didn't really care.

"There wasn't anybody else on the street," he said, "so I walked over and tried the door. That's all. I didn't even open the car or anything. And I'll swear there was nobody behind me."

"But a guy could have driven off in that red Cadillac before we got here," Bill said.

"Sure," Malone said. "But where did he come from? I figured maybe somebody dropped something by mistake—a safe or something. Because there wasn't anybody behind me."

A pair of headlights rounded the nearby corner. Bill looked up.
"That's the prowl car," he announced, and went over to meet it.

The driver was a solidly built little man with the face of a Pekingese. His partner, a tall man who looked as if he'd have been much more comfortable in a ten-gallon Stetson instead of the regulation blue cap, leaned out at Bill, Sam, and Malone.

"No trouble," Bill said, and went over to the car. He began talking to the two cops inside in a low, urgent voice. Meanwhile, Sam got his arm around Malone and began pulling him away from the lamp post.

Malone was a little unwilling to let go, at first. But Sam was stronger than he looked. He convoyed the FBI agent carefully to the rear door of the prowl car, opened it and levered Malone gently to a seat inside, just as Bill said, "So with the cut and all, we figured he ought to go over to St. Vincent's. You people were already on the way, so we didn't bother with ambulances."

The driver snorted. "Next time you want taxi service," he said, "you just call us up. What do you think, a prowl car's an easy life?"

"Easier than doing a beat," Bill said mournfully. "And anyway," he added in a low, penetrating whisper, "the guy's FBI."

"So the FBI's got all kinds of equipment," the driver said. "The latest. Why don't he whistle up a helicopter or a jet?" Then, apparently deciding that further invective would get him nowhere, he settled back in his seat, said, "Aah, forget it," and started the car with a small but perceptible jerk.

Malone decided not to get into the argument. He was tired, and it was late. He rested his head on the back seat and tried to relax, but all he could do was think about red Cadillacs.

And it had all started so simply, too. Malone remembered very clearly the first time he had had any indication that red Cadillacs were anything unusual, or special. Before that, he'd viewed them all with slightly wistful eyes: red, blue, green, gray, white, or even black Cadillacs were all the same to him. They spelled luxury and wealth and display, and a lot of other nice things.

Now, he wasn't at all sure what they spelled. Except that it was definitely uncomfortable, and highly baffling.

He'd walked into the offices of Andrew J. Burris, Director of the FBI, just one week ago. It was a beautiful office, pine-paneled and spacious, and it boasted an enormous polished desk. And behind the desk sat Burris himself, looking both tired and somehow a little kindly.

Now, Malone thought, it was coming. The dismissal he'd always feared. At last Burris had found out that he wasn't the bright, intelligent, fearless, and alert FBI agent he was supposed to be. Burris had discovered that he was nothing more or less than lucky, and that all the "fine jobs" he was supposed to have done were only the result of luck.

Oh, well, Malone thought. Not being an FBI agent wouldn't be so bad.
He could always find another job.

He decided to make one last plea. "I haven't been working so hard,
Chief," he said. "Not too hard, anyhow. I'm in great shape. I—"

"I've taken advantage of you, Malone, that's what I've done," Burris said, just as if Malone hadn't spoken at all. "Just because you're the best agent I've got, that's no reason for me to hand you all the tough ones."

"I've given you the tough ones because you could handle them," Burris said. "But that's no reason to keep loading jobs on you. After that job you did on the Gorelik kidnaping, and the way you wrapped up the Transom counterfeit ring—well, Malone, I think you need a little relaxation."

"Relaxation?" Malone said, feeling just a little bit pleased. Of course, he didn't deserve any of the praise he was getting, he knew. He'd just happened to walk in on the Gorelik kidnapers because his telephone had been out of order. And the Transom ring hadn't been just his job. After all, if other agents hadn't managed to trace the counterfeit bills back to a common area in Cincinnati, he'd never have been able to complete his part of the assignment. But it was nice to be praised, anyhow. Malone felt a twinge of guilt, and told himself sternly to relax and enjoy himself.

"Well," Malone said, "I certainly would like a vacation, that's for sure. I'd like to snooze for a couple of weeks, or maybe go up to Cape Cod for a while. There's a lot of nice scenery up around there. It's restful, sort of, and I could just—"

He stopped. Burris was frowning, and when Andrew J. Burris frowned it was a good idea to look attentive, interested, and alert. "Now, Malone," Burris said sadly, "I wasn't exactly thinking about a vacation. You're not scheduled for one until August, you know."

"Much as I'd like to," Burris said, "I just can't make an exception; you know that, Malone. I've got to go pretty much by the schedule."

"Here's what I'm going to do," Burris said, and paused. Malone felt a little unsure as to exactly what his chief was talking about, but by now he knew better than to ask a lot of questions. Sooner or later, Burris would probably explain himself. And if he didn't, then there was no use worrying about it. That was just the way Burris acted.

"Suppose I gave you a chance to take it easy for a while," Burris said. "You could catch up on your sleep, see some shows, have a couple of drinks during the evening, take girls out for dinner—you know. Something like that. How would you like it?"

Malone opened his mouth, thought briefly and closed it again. After all, it did sound sort of promising, and if there was a catch in it he'd find out about it soon enough.

"It's really just a routine case," Burris said in an offhand tone.
"Nothing to it."

"There's this red Cadillac," Burris said. "It was stolen from a party in Connecticut, out near Danbury, and it showed up in New York City. Now, the car's crossed a state line."

"Naturally, they're in charge of everything," Burris said. "But I'm sending you out as sort of a special observer. Just keep your eyes open, and nose around and let me know what's happening."

Malone tried to picture himself with his eyes and nose open, and decided he didn't look very attractive that way. Well, it was only a figure of speech or something. He didn't have to think about it.

"But why a special observer?" he said after a second. Burris could read the reports from the New York office, and probably get more facts than any single agent could find out just wandering around a strange city. It sounded as if there were something, Malone told himself, just a tiny shade rotten in Denmark. It sounded as if there were going to be something in the nice easy assignment he was getting that would make him wish he'd gone lion hunting in Darkest Africa instead.

"Well," Burris said, "it is just a routine case. Just like I said. But there seems to be something a little bit odd about it."

"Here's what happened," Burris said hurriedly, as if he were afraid Malone was going to change his mind and refuse the assignment. "This red Cadillac I told you about was reported stolen from Danbury. Three days later, it turned up in New York City—parked smack across the street from a precinct police station. Of course it took them a while to wake up, but one of the officers happened to notice the routine report on stolen cars in the area, and he decided to go across the street and check the license number on the car. Then something funny happened."

"Something funny?" Malone asked. He doubted that, whatever it was, it was going to make him laugh. But he kept his face a careful, receptive blank.

"That's right," Burris said. "Now, if you're going to understand what happened, you've got to get the whole picture."

"Understanding what happened," Burris said. "That's the trouble. You won't understand what happened. I don't understand it, and neither does anybody else. So what do you think about it?"

Malone took a deep breath. "Well," he said, "this officer went over to check the license plate. It seems like the right thing to do. It's just what I'd have done myself."

"It was just after dawn—early in the morning." Malone wondered briefly if there were parts of the world where dawn came, say, late in the afternoon, or during the evening sometime, but he said nothing. "The street was deserted," Burris went on. "But it was pretty light out, and the witnesses are willing to swear that there was nobody on that street for a block in either direction. Except them, of course."

"Except the witnesses," Burris said patiently. "Four cops, police officers who were standing on the front steps of the precinct station, talking. They were waiting to go on duty, or anyhow that's what the report said. It's lucky they were there, for whatever reason; they're the only witnesses we've got."

Burris stopped. Malone waited a few seconds and then said, as calmly as he could, "Witnesses to what?"

The sudden introduction of a completely new name confused Malone for an instant, but he recovered gamely. "Sergeant Jukovsky was the man who investigated the car," he said.

"Those four officers—the witnesses—they weren't paying much attention to what looked like the routine investigation of a parked car," Burris said. "But here's their testimony. They were standing around talking when this Sergeant Jukovsky came out of the station, spoke to them in passing, and went on across the street. He didn't seem very worried or alarmed about anything."

"Ah," Burris said. "All right. Well. According to Jukovsky, he took a look at the plate and found the numbers checked the listing he had for a stolen Connecticut car. Then he walked around to take a look inside the car. It was empty. Get that, Malone. The car was empty."

"Well," Malone said, "it was parked. I suppose parked cars are usually empty. What's special about this one?"

"Wait and see," Burris said ominously. "Jukovsky swears the car was empty. He tried the doors, and they were all locked but one, the front door on the curb side, the driver's door. So he opened it, and leaned over to have a look at the odometer to check the mileage. And something clobbered him on the back of the head."

"Then something fell on him," Malone said. "Okay. Then whatever fell on him ought to be—"

"Jukovsky woke up on the sidewalk with the other cops all around him. There was nothing on that sidewalk but Jukovsky. Nothing could have fallen on him; it hadn't landed anywhere, if you see what I mean."

"Whatever it was," Burris said, "they didn't find it. But that isn't the peculiar thing."

"Wait a minute," Malone said. "They looked on the sidewalk and around there. But did they think to search the car?"

"They didn't get a chance," Burris said. "Anyhow, not then. Not until they got around to picking up the pieces of the car uptown at 125th Street."

"And the pieces of the car were eighty blocks away when they searched it?" Malone said.

"Well, that's what I'm trying to tell you," Burris said. "According to the witnesses, after Jukovsky fell out of the car, the motor started and the car drove off uptown."

"Oh," Malone said. He thought about that for a minute and decided at last to hazard one little question. It sounded silly—but then, what didn't? "The car just drove off all by itself?" he said.

Burris seemed abashed. "Well, Malone," he said carefully, "that's where the conflicting stories of the eyewitnesses don't agree. You see, two of the cops say there was nobody in the car. Nobody at all. Of any kind. Small or large."

"The other two swear they saw somebody at the wheel," Burris said, "but they won't say whether it was a man, a woman, a small child, or an anthropoid ape. And they haven't the faintest idea where he, she, or it came from."

"Great," Malone said. He felt a little tired. This trip was beginning to sound less and less like a vacation.

"Those two cops swear there was something—or somebody—driving the car," Burris said. "And that isn't all."

Burris shook his head. "A couple of the cops jumped into a squad car and started following the red Cadillac. One of these cops saw somebody in the car when it left the curb. The other one didn't. Got that?"

"Just hold on to it," Burris said, "and listen to this. The cops were about two blocks behind at the start, and they couldn't close the gap right away. The Cadillac headed west and climbed up the ramp of the West Side Highway, heading north, out toward Westchester. I'd give a lot to know where they were going, too."

"But they crashed," Malone said, remembering that the pieces were at 125th Street. "So—"

"They didn't crash right away," Burris said. "The prowl car started gaining on the Cadillac slowly. And—now, get this, Malone—both the cops swear there was somebody in the driver's seat now."

"Wait a minute," Malone said. "One of these cops didn't see anybody at all in the driver's seat when the car started off."

"But on the West Side Highway, he did see a driver," Malone said. He thought for a minute. "Hell, it could happen. They took off so fast he could have been confused, or something."

"Not that one," Burris said. "I'll tell you when I finish with this thing about the car itself. There isn't much description of whoever or whatever was driving that car on the West Side Highway, by the way. In case you were thinking of asking."

Malone, who hadn't been thinking of asking anything, tried to look clever. Burris regarded him owlishly for a second, and then went on:

"The car was hitting it up at about a hundred and ten by this time, and accelerating all the time. But the souped-up squad car was coming on fast, too, and it was quite a chase. Luckily, there weren't many cars on the road. Somebody could have been killed, Malone."

Burris looked pained. "Not exactly," he said. "Because the car hit the 125th Street exit like a bomb. It swerved right, just as though it were going to take the exit and head off somewhere, but it was going much too fast by that time. There just wasn't any way to maneuver. The Cadillac hit the embankment, flipped over the edge, and smashed. It caught fire almost at once. Of course the prowl car braked fast and went down the exit after it. But there wasn't anything to do."

"That's what I said," Malone said. "The driver of the Cadillac was killed. In a fire like that—"

"Don't jump to conclusions, Malone," Burris said. "Wait. When the prowl car boys got to the scene, there was no sign of anybody in the car. Nobody at all."

"Not enough heat, and not enough time," Burris said. "A human body couldn't have been destroyed in just a few minutes, not that completely. Some of the car's metal was melted, sure; but there would have been traces of anybody who'd been in the car. Nice, big, easily seen traces. And there weren't any. No corpse, no remains, no nothing."

"Whatever the cops said," Burris snapped, "there was nobody at all in that Cadillac when it went off the embankment."

"Now, wait a minute," Malone said. "Here's a car with a driver who appears and disappears practically at will. Sometimes he's there and sometimes he's not there."

Malone shifted his feet. Maybe there was another explanation. But, he told himself, it would have to be a good one.

"So," Burris said, "it would be a natural hallucination—or illusion, anyhow—for somebody to imagine he did see a driver when there wasn't any."

"Okay," Malone said. "There wasn't any driver. So the car couldn't have gone anywhere. So the New York police force is lying to us. It's a good explanation, but it—"

"They aren't lying," Burris said. "Why should they? I'm thinking of something else." He stopped, his eyes bright as he leaned across the desk toward Malone.

Burris ignored him. "Frankly," he said, "I've got a hunch that the whole thing was done with remote control. Somewhere in that car was a very cleverly concealed device that was capable of running the Cadillac from a distance."

It did sound plausible, Malone thought. "Did the prowl car boys find any traces of it when they examined the wreckage?" he said.

"Not a thing," Burris said. "But, after all, it could have been melted. The fire did destroy a lot of the Cadillac, and there's just no telling. But I'd give long odds that there must have been some kind of robot device in that car. It's the only answer, isn't it?"

"Malone," Burns said, his voice filled with Devotion To One's Country In The Face of Great Obstacles, "Malone, I want you to find that device!"

Burris sighed and leaned back. "No," he said. "Of course not. Not in the wreck. But the other red Cadillacs—some of them, anyhow—ought to have—"

"The other ones that have been stolen. From Connecticut, mostly. One from New Jersey, out near Passaic."

"Well," Burris said, "there's been no report of it. But who can tell?"
He gestured with both arms. "Anything is possible, Malone."

"Now," Burris said, "all of the stolen cars are red 1972 Cadillacs.
There's got to be some reason for that. I think they're covering up
another car like the one that got smashed: a remote-controlled
Cadillac. Or even a self-guiding, automatic, robot-controlled
Cadillac."

"So get up to New York," Burris said, "keep your eyes open, and nose around. Got it?"

Of course there were written reports, too. Burris had handed Malone a sheaf of them—copies of the New York police reports to Burris himself—and Malone, wanting some time to look through them, had taken a train to New York instead of a plane. Besides, the new planes still made him slightly nervous, though he could ride one when he had to. If jet engines had been good enough for the last generation, he thought, they were certainly good enough for him.

But avoidance of the new planes was all the good the train trip did him. The reports contained thousands of words, none of which was either new or, apparently, significant to Malone. Burris, he considered, had given him everything necessary for the job.

Except, of course, a way to make sense out of the whole thing. He considered robot-controlled Cadillacs. What good were they? They might make it easier for the average driver, of course—but that was no reason to cover up for them, hitting policemen over the head and smashing cars and driving a hundred and ten miles an hour on the West Side Highway.

All the same, it was the only explanation Malone had, and he cherished it deeply. He put the papers back in his brief case when the train pulled into Penn Station, handed his suitcases to a redcap and punched the buttons for the waiting room. Now, he thought as he strolled slowly along behind the robot, there was an invention that made sense. And nobody had to get killed for it, or hit over the head or smashed up, had they?

Driving these unwelcome reflections from his mind, he paused to light a cigarette. He had barely taken the first puff when a familiar voice said, "Hey, buddy, hold the light, will you?"

Malone looked up, blinked and grinned happily. "Boyd!" he said. "What are you doing here? I haven't seen you since—"

"Sure haven't," Boyd said. "I've been out West on a couple of cases.
Must be a year since we worked together."

Boyd nodded. "The chief sent me up. When I got back from the West, he suddenly decided you might need a good assistant, so I took the plane down, and got here ahead of you."

"Never mind," Boyd said; just a shade sadly. "I know. It isn't." He seemed deep in thought, as if he were deciding whether or not to get rid of Anne Boleyn. It was, Malone thought, an unusually apt simile. Boyd, six feet tall and weighing about two hundred and twenty-five pounds, had a large square face and a broad-beamed figure that might have made him a dead ringer for Henry VIII of England even without his Henry-like fringe of beard and his mustache. With them—thanks to the recent FBI rule that agents could wear "facial hair, at the discretion of the director or such board as he may appoint"—the resemblance to the Tudor monarch was uncanny.

But, like his famous double, Boyd didn't stay sad for long. "I thought I'd meet you at the station," he said, cheering up, "and maybe talk over old times for a while, on the way to the hotel, anyhow. So long as there wasn't anything else to do."

"Sure," Malone said. "It's good to see you again. And when did you get pulled out of the Frisco office?"

Boyd grimaced. "You know," he said, "I had a good thing going for me out there. Agent-in-Charge of the entire office. But right after that job we did together—the Queen Elizabeth affair—Burris decided I was too good a man to waste my fragrance on the desert air. Or whatever it is. So he recalled me, assigned me from the home office, and I've been on one case after another ever since."

"I'm a Roving Reporter," Boyd said, and struck a pose. "I'm a General
Trouble-shooter and a Mr. Fix-It. Just like you, Hero."

Boyd shook his head. "Not yet," he said. "I was waiting for you to show up. But I did manage hotel rooms—a couple of rooms with a connecting bath over at the Hotel New Yorker. Nice place. You'll like it, Ken."

"I'll love it," Malone said. "Especially that connecting bath. It would have been terrible to have an unconnecting bath. Sort of distracting."

"Okay," Boyd said. "Okay. You know what I mean." He stared down at
Malone's hand. "You know you've still got your lighter on?" he added.

"I didn't mean indefinitely," Boyd said. "Anyhow, how about grabbing a cab and heading on down to the hotel to get your stuff away, before we check in at 69th Street?"

"Good idea," Malone said. "And besides, I could do with a clean shirt.
Not to mention a bath."

Malone punched the redcap's buttons again, and he and Boyd followed it through the crowded station to the taxi stand. The robot piled the suitcases into the cab, and somehow Malone and Boyd found room for themselves.

The driver swung around to stare at them, blinked, and finally said, "Okay, Mac. You said it." He started with a terrific grinding of gears, drove out of the Penn Station arch and went two blocks.

"And saved half a buck," Malone said. "But don't let it bother you—this is expense-account money."

"That's right," Boyd said. He beamed and tipped the driver heavily. The cab drove off and Malone hailed the New Yorker doorman, who equipped them with a robot bellhop and sent them upstairs to their rooms.

Three-quarters of an hour later, Boyd and Malone were in the offices of the Federal Bureau of Investigation, on East 69th Street. There they picked up a lot of nice, new, shiny facts. It was unfortunate, if not particularly surprising, that the facts did not seem to make any sense.

In the first place, only red 1972 Cadillacs seemed to be involved. Anybody who owned such a car was likely to find it missing at any time; there had been a lot of thefts reported, including some that hadn't had time to get into Burris' reports. New Jersey now claimed two victims, and New York had three of its own.

And all the cars weren't turning up in New York, by any means. Some of the New York cars had turned up in New Jersey. Some had turned up in Connecticut—including one of the New Jersey cars. So far, there had been neither thefts nor discoveries in Pennsylvania, but Malone couldn't see why.

There was absolutely no pattern that he, Boyd, or anyone else could find. The list of thefts and recoveries had been fed into an electronic calculator, which had neatly regurgitated them without being in the least helpful. It had remarked that the square of seven was forty-nine, but this was traced to a defect in the mechanism.

Whoever was borrowing the red Caddies exhibited a peculiar combination of burglarious genius and what looked to Malone like outright idiocy. This was plainly impossible.

Locking the car doors didn't do a bit of good. The thief, or thieves, got in without so much as scratching the lock. This obviously proved that the criminal was either an extremely good lock-pick or else knew where to get duplicate keys.

This proved neatly that the criminal was not a very good lock-pick, and did not know where to get duplicate keys.

That was the first place. The second place was just what had been bothering Malone all along. There didn't seem to be any purpose to the car thefts. They hadn't been sold, or used as getaway cars. True, teenage delinquents sometimes stole cars just to use them joy-riding, or as some sort of prank.

But a car or two every night? How many joy-rides can one gang take? Malone thought. And how long does it take to get tired of the same prank?

And why, Malone asked himself wearily for what was beginning to feel like the ten thousandth time, why only red Cadillacs?

Burris, he told himself, must have been right all along. The red Cadillacs were only a smoke screen for something else. Perhaps it was the robot car, perhaps not; but whatever it was, Burris' general answer was the only one that made any sense at all.

That should have been a comforting thought, Malone reflected. Somehow, though, it wasn't.

After they'd finished with the files and personnel at 69th Street, Malone and Boyd started downtown on what turned out to be a sort of unguided tour of the New York Police Department. They spoke to some of the eyewitnesses, and ended up in Centre Street asking a lot of reasonably useless questions in the Bureau of Motor Vehicles. In general, they spent nearly six hours on the Affair of the Self-Propelled Cadillac, picking up a whole bundle of facts. Some of the facts they had already known. Some were new, but unhelpful.

Somehow, nobody felt much like going out for a night on the town. Instead both agents climbed wearily into bed, thinking morose and disillusioned thoughts.

Only one new thing became clear. In spite of the almost identical modus operandi used in all the car thefts, they were obviously the work of a gang rather than a single person. This required the assumption that there was not one insane man at work, but a crew of them, all identically unbalanced.

"But the jobs are just too scattered to be the work of one man," Malone said. "To steal a car in Connecticut and drive it to the Bronx, and then steal another car in Westfield, New Jersey, fifteen minutes later takes more than talent. It takes an outright for-sure magician."

This conclusion, while interesting, was not really helpful. The fact was that Malone needed more clues—or, anyhow, more facts—before he could do anything at all. And there just weren't any new facts around. He spent the week wandering morosely from one place to another sometimes accompanied by Thomas Boyd and sometimes all alone. Time, he knew, was ticking by at its usual rate. But there wasn't a thing he could do about it.

He did try to relax and have some fun, as Burris had suggested. But he didn't seem to be able to get his mind off the case.

Boyd, after the first little while, had no such trouble. He entered the social life of the city with a whoop of joy and disappeared from sight. That was fine for Boyd, Malone reflected, but it did leave Malone himself just a little bit at loose ends.

Not that he begrudged Boyd his fun. It was nice that one of them was enjoying himself, anyway.

It was just that Malone was beginning to get fidgety. He needed to be doing something—even if it was only taking a walk.

So he took a walk and ended up, to his own surprise, downtown near
Greenwich Village.

The patrol car pulled up in front of St. Vincent's Hospital, and one of the cops helped Malone into the emergency receiving room. He didn't feel as bad as he had a few minutes before. The motion of the car hadn't helped any, but his head seemed to be knitting a little, and his legs were a little steadier. True, he didn't feel one hundred per cent healthy, but he was beginning to think he might live, after all. And while the doctor was bandaging his head, a spirit of new life began to fill the FBI agent.

He was no longer morose and undirected. He had a purpose in life, and the purpose filled him with cold determination. He was going to find the robot-operated car—or whatever it turned out to be.

The doctor, Malone noticed, was whistling Greensleeves under his breath as he worked. That, he supposed, was the influence of the Bohemian folk-singers of Greenwich Village. But he put the noise resolutely out of his mind and concentrated on the red Cadillac.

It was one thing to think about a robot car miles away, doing something or other to somebody you'd never heard of before. That was just theoretical, a case for solution, nothing but an ordinary job.

But when the car stepped up and bopped Malone himself on the head, it became a personal matter. Now Malone had more than a job to contend with. Now he was thinking about revenge.

By God , he told himself, no car in the world—not even a Cadillac—can get away with beaning Kenneth J. Malone!

Malone was not quite certain that he agreed with Burris' idea of a self-operating car, but at least it was something to work on. A car that could reach out, crown an investigator, and then drive off humming something innocent under its breath was certainly a unique and dangerous machine within the meaning of the act. Of course, there were problems attendant on this view of things. For one thing, Malone couldn't quite see how the car could have beaned him when he was ten feet away from it. But that was, he told himself uncomfortably, a minor point. He could deal with it when he felt a little better.

The important thing was the car itself. Malone jerked a little under the doctor's calm hands, and swore subvocally.

"Hold still," the doctor said. "Don't go wiggling your head around that way. Just wait quietly until the dermijel sets."

Obediently, Malone froze. There was a crick in his neck, but he decided he could stand it. "My head still hurts," he said accusingly.

"What did you expect?" the doctor said. "Even an FBI agent isn't immune to blackjacks, you know." He resumed his work on Malone's skull.

Malone blinked. Somehow, though he could manage a fuzzy picture of a car reaching out to hit him, the introduction of a blackjack into this imaginative effort confused things a little. But he resolutely ignored it.

"The bruise is just the right size and shape," the doctor said. "And that cut on your head comes from the seams on the leather casing."

"You're sure?" Malone said doubtfully. It did seem as if a car had a lot more dangerous weapons around, without resorting to blackjacks. If it had really wanted to damage him, why hadn't it hit him with the engine block?

"I'm sure," the doctor said. "I've worked in Emergency in this hospital long enough to recognize a blackjack wound."

That was a disturbing idea, in a way. It gave a new color to Malone's reflection on Greenwich Villagers. Maybe things had changed since he'd heard about them. Maybe the blackjack had supplanted the guitar.

The fact that it had been a blackjack that had hit him was important. It was vital, as a matter of fact. Malone knew that perfectly well. It was a key fact in the case he was investigating.

The doctor stepped back and regarded Malone's head with something like pride. "There," he said. "You'll be all right now."

"Sure," the doctor said. "But it isn't serious. Just take these pills—one every two hours until they're gone—and you'll be rid of any effects within twenty-four hours." He went to a cabinet, fiddled around for a minute, and came back with a small bottle containing six orange pills. They looked very large and threatening.

"You'll be all right," the doctor said, giving Malone a cheerful, confident grin. "Nothing at all to worry about." He loaded a hypojet and blasted something through the skin of Malone's upper arm. Malone swallowed hard. He knew perfectly well that he hadn't felt a thing but he couldn't quite make himself believe it.

"That'll take care of you for tonight," the doctor said. "Get some sleep and start in on the pills when you wake up, okay?"

"Okay," Malone said. It was going to make waking up something less than a pleasure, but he wanted to get well, didn't he?

The emergency-room door opened a crack and a face peered in. It took Malone a second to recognize Bill, the waffle-faced cop who had picked him up next to the lamp post three years or so before. "Long time no see," Malone said at random.

"What?" Bill said, and opened the door wider. He came in and closed it behind him. "It's okay, Doc," he said to the attendant. "I'm a cop."

Bill shook his head. "Not recently," he said. "I came to see this guy." He looked at Malone. "They told me you were still here," he said.

"Outside," Bill said. "The attendants out there. They said you were still getting stitched up."

"Oh," Bill said. "Sure." He fished in his pockets. "You dropped your notebook, though, and I came to give it back to you." He located the object he was hunting for and brought it out with the triumphant gesture of a man displaying the head of a dragon he had slain. "Here," he said, waving the book.

"Notebook?" Malone said. He stared at it. It was a small looseleaf book bound in cheap black plastic.

Malone took a tentative step forward and managed not to fall. He stepped back again and looked at Bill scornfully. "I wasn't even in the gutter," he said. "There are limits."

"Sure," Bill said. "But the notebook was, so I brought it along to you. I thought you might need it or something." He handed it over to Malone with a flourish.

It wasn't Malone's notebook. In the first place, he had never owned a notebook that looked anything like that, and in the second place he hadn't had any notebooks on him when he went for his walk. Mine not to question why , Malone told himself with a shrug, and flipped the book open.

On the very first page were two names, written out in a careful, semieducated scrawl:

The rest of the page was blank. Malone wondered who Lieutenant Lynch was, and made a mental note to find out. Then he wondered what his name was doing in somebody else's notebook. Maybe, he thought, it was a list of people to slug, and the car had made it up. But he hadn't heard of anybody named Lynch being hit on the head by a marauding automobile, and he couldn't quite picture a Cadillac jotting things down in a notebook for future reference. Besides, he had an idea that a Cadillac's handwriting would be more formal, and prettier.

He turned the page. On the next leaf there were more names, eight of them. The first one was written in red pencil and the others were in ordinary black. Malone stared at them:

Mike F. Ramon O. Mario G. Silvo E. Alvarez A. Felipe la B. Juan de los S. Ray del E.

All the names except Mike F. sounded Spanish, or possibly Puerto Rican. Malone wondered who they were. Juvenile delinquents? Other people to slug? Police officers?

He blinked and rubbed at his forehead with one hand. His head still hurt, and that was probably why he was getting such strange ideas. It was obvious that, whatever the notebook was, it hadn't been written by an automobile.

Here there was a carefully detailed drawing of a car. Malone recognized it as a 1972 Cadillac without any effort at all.

He couldn't find an answer. He turned the page, hoping for some more facts that might make some sense out of what he had been seeing, but there was nothing more. All the rest of the pages in the notebook were blank.

He looked up at the cop and the doctor with a bland, blank face. "Thanks a lot," he told Bill. "I thought I'd lost this book. I appreciate it."

"No trouble at all," Bill said. "Any time." He gave Malone a big smile and turned back to the door. "But I got to get back to my beat," he said. "Listen, I'll see you. And if I can be any help—"

"Welcome," Bill said, and opened the door. He strode out with the air of a man who has just been decorated with the Silver Star, the Purple Heart and the Congressional Medal of Honor.

Malone tried a few more steps and discovered that he could walk without falling down. He thanked the doctor again.

"Perfectly all right," the doctor said. "Nothing to it. Why, you ought to see some of the cases we get here. There was a guy here the other night with both his legs all mashed up by a—"

"I'll bet," Malone said hurriedly. "Well, I've got to be on my way. Just send the bill to FBI headquarters on 69th Street." He closed the door on the doctor's enthusiastic "Yes, sir! " and went on down the hallway and out into the street. At Seventh Avenue and Greenwich Avenue he flagged a cab.

It was a hell of a place to be, Malone thought as the cab drove away. Where but in Greenwich Village did avenues intersect each other without so much as a by-your-leave?

"Hotel New Yorker," he said, giving the whole thing up as a bad job. He put his hat on his head and adjusted it painfully to the proper angle.

And that, he thought, made another little problem. The car had not only hit him on the head, it had removed his hat before doing so, and then replaced it. It had only fallen off when he'd started to get up against the lamp post.

He fumed in silence all the way to the hotel, through the lobby, up in the elevator, and to the door of his room. Then he remembered the notebook.

He went into the bathroom and tapped gently on the door to Boyd's connecting room. The door swung open.

Boyd, apparently, was still out painting the town—Malone considered the word red and dropped the whole phrase with a sigh. At any rate, his partner was nowhere in the room.

"The hell with it," Malone announced loudly to no one in particular. He went back into his own room, closed the door, and got wearily ready for bed.

Dawn came, and then daylight, and then a lot more daylight. It was streaming in through the windows with careless abandon, filling the room with a lot of bright sunshine and the muggy heat of the city. From the street below, the cheerful noises of traffic and pedestrians floated up and filled Malone's ears.

But sleep wouldn't come. After a long time he gave up, and swung himself over the edge of the bed. Standing up was a delicate job, but he managed it, feeling rather proud of himself in a dim, semiconscious sort of way.

He went into the bathroom, brushed his teeth, and then opened the connecting door to Boyd's room softly.

Boyd was home. He lay in a great tangle of bedclothes, snoring hideously and making little motions with his hands and arms like a beached whale. Malone padded over to him and dug him fiercely in the ribs.

Boyd's eyes did not open. In a voice as hollow as a zombie's, he said,
"My head hurts."

"Can't feel any worse than mine," Malone said cheerily. This, he reflected, was not quite true. Considering everything it had been through recently, his head felt remarkably like its old carefree self. "You'll feel better once you're awake."

"No, I won't," Boyd said simply. He jammed his head under a pillow and began to snore again. It was an awesome sound, like a man strangling to death in chicken fat. Malone sighed and poked at random among the bedclothes.

"The sun is up," Malone said, "and all the little pedestrians are chirping. It is time to rise."

Boyd said, "Gah," and withdrew his head from the pillow. Gently, as if he were afraid he were going to fall apart, he rose to a sitting position. When he had arrived at it, he opened his eyes.

"I'm up," Boyd said. His eyes flickered open. "But I can't move," he added. "We had quite a time last night."

"Me, and a couple of girls, and another guy. Just people I met." Boyd started to stand up and thought better of it. "Just having a good time, that's, all."

Malone thought of reading his partner a lecture on the Evils of Drink, and decided against it. Boyd might remember it, and use it against him sometime. Then he realized what had to be done. He went back into his own room, dialed for room service, and ordered a couple of pots of strong black coffee.

By the time a good deal of that was awash in Boyd's intestinal system, he was almost capable of rational, connected conversation. He filled himself to the eyebrows with aspirins and other remedies, and actually succeeded in getting dressed. He seemed quite proud of this feat.

"Nonsense," Boyd said, hunting for his coat with a doleful air. "Have you ever seen anybody with a loose upper lip?"

Malone, busy with his own coat, didn't bother with a reply. He managed somehow to get Boyd downstairs and bundled into a cab. They headed for 69th Street. There he made several phone calls. The first, of course, was to Burris in Washington. After that he got the New York Police Commissioner on the wire and, finding that he needed still more authority, he called the mayor and then, by long-distance to Albany, the governor.

But by noon he had everything straightened out. He had a plan fully worked out in his mind, and he had the authority to go ahead with it. Now, he could make his final call.

"They're completely trustworthy," Burris had told him. "Not only that, but they have a clearance for this kind of special work—we've needed them before."

"Not only that," Burris told him. "They're damned good men. Maybe among the best in their field."

So Malone made his last call, to the firm of Leibowitz and Hardin,
Electronic Engineers.

"I don't see what I've been sitting around here for, all this time," his partner complained. "I could have been home sleeping until you needed me."

"Here's what I want," Malone said. "Every red 1972 Cadillac in the area is to be picked up for inspection. I don't care why—make up a reason. A general traffic check. Anything you please. You can work that end of it out with the commissioner; he knows about it and he's willing to go along."

"Great," Boyd said. "Do you have any idea how many cars there are in a city this size?"

"Sure," Malone said, "but it isn't true. Anyhow, I want every one of those cars checked for any oddity, no matter how small. If there's an inch-long scratch on one fender, I want to know about it. If you've got to take the cars apart, then do that."

"My God, no," Malone said. "Use your head. There'll be a team working with you. Let me explain it. Every nut, every bolt, every inch of those cars has to be examined thoroughly—got it?"

Malone ignored him. "The governor of New York's promised his cooperation," he said, "and he said he'd get in touch with the governors of New Jersey and Connecticut and get cooperation from that angle. So we'll have both state and local police working with us."

"That's a help," Boyd said. "We'll make such a happy team of workmen. Singing as we pull the cars apart through the long day and night and—listen, Malone, when do you want reports on this?"

"I don't care how you get the cars," Malone said. "If you've got to, condemn 'em. But get every last one of them. And bring them over to Leibowitz and Hardin for a complete checkup. I'll give you the address."

"Not at all," Malone said. "Glad to be of help. And don't worry; I'll have other work to do." He paused, and then went on, "I talked to Dr. Isaac Leibowitz—he's the head of the firm out there—and he says—"

"You mean I don't have to take the cars apart myself? You mean this
Leibowitz and Hardin, or whatever it is, will do it for me?"

"Of course," Malone said wearily. "You're not an auto technician or an electronics man. You're an agent of the FBI."

"Anyhow," Malone said doggedly, "I talked to Leibowitz, and he says he can give a car a complete check in about six hours, normally."

"Well, he can set up a kind of assembly-line process and turn out a car every fifteen minutes. Any better?"

"Good," Malone said. "There can't be so many 1972 red Cadillacs in the area that we can't get through them all at that speed." He thought a minute and then added, "By the way, you might check with the Cadillac dealers around town, and find out just how many have been sold to people living in the area."

Malone looked at him and sighed. "I'll worry about that," he said.
"Just get started."

"If Leibowitz can't find it, it's not there," Malone said. "He can find electronic devices anywhere in any car made, he says—even if they're printed circuits hidden under the paint job."

"Then they aren't there," Malone said, "and we'll have to think of something else." He considered that. It sounded fine. Only he wished he knew what else there was to think of.

Well, that was just pessimism. Leibowitz would find something, and the case would be over, and he could go back to Washington and rest. In August he was going to have his vacation anyway, and August wasn't very far away.

Malone put a smile carefully on his face and told Boyd, "Get going."
He slammed his hat on his head.

Wincing, he took it off and replaced it gently. The bottle of pills was still in his pocket, but he wasn't due for another one just yet.

He had time to go over to the precinct station in the West Eighties first. He headed outside to get another taxi.

The door didn't say anything at all except Lt. P. Lynch . Malone looked at it for a couple of seconds. He'd asked the desk sergeant for Lynch, shown his credentials and been directed up a set of stairs and around a hall. But he still didn't know what Lynch did, who he was, or what his name was doing in the little black notebook.

The room was small and dark. It had a single desk in it, and three chairs, and a hatrack. There wasn't any coat or hat on the hatrack, and there was nobody in the chairs. In a fourth chair, behind the desk, sat a huskily built man. He had steel-gray hair, a hard jaw and, Malone noticed with surprise, a faint twinkle in his eye.

"I'm Kenneth J. Malone, FBI." He reached for his wallet and found it. He flipped it open for Lynch, who stared at it for what seemed a long, long time, and then burst into laughter.

"Oh, come on," Malone said bitterly. "After all, there's no reason to treat an FBI agent like some kind of a—"

"FBI agent?" Lynch said. "Listen, buster, this is the funniest gag I've seen since I came on the force. Really a hell of a funny thing. Who told you to pull it? Jablonski downstairs? Or one of the boys on the beat? I know those beat patrolmen, always on the lookout for a new joke.. But this tops 'em all. This is the—"

"I know it," Lynch said, and shrugged. "Around some precincts, you sort of pick it up. When all the other cops are—hey, listen. How'd we get to talking about me?"

"Disgrace." Malone looked carefully at Lynch. In a fight, he considered, he might get in a lucky punch that would kill Malone. Otherwise, Malone didn't have a thing to worry about except a few months of hospitalization.

Lynch looked as if he were about to get mad, and then he looked down at Malone's wallet again and started to laugh.

He grabbed the wallet and turned it toward him. At once, of course, he realized what had happened. He hadn't flipped it open to his badge at all. He'd flipped it open, instead, to a card in the card case:

KNOW ALL MEN BY THESE PRESENTS THAT
Sir Kenneth Malone, Knight, is hereby formally installed
with the title of
KNIGHT OF THE BATH
and this card shall signify his right to that title
and his high and respected position as officer in and of
THE QUEEN'S OWN FBI

Malone flipped the wallet open to his FBI shield. Lynch gave it a good long examination, peering at it from every angle and holding it up to the light two or three times. He even wet his thumb and rubbed the badge with it. At last he looked up.

"It isn't a gag," Malone said. "It's just—" He thought of the little old lady in Yucca Flats, the little old lady who had been the prime mover in the last case he and Boyd had worked on together. Without the little old lady, the case might never have been solved; she was an authentic telepath, about the best that had ever been found.

But with her, Boyd and Malone had had enough troubles. Besides being a telepath, she was quite thoroughly insane. She had one fixed delusion: she believed she was Queen Elizabeth I.

She was still at Yucca Flats, along with the other telepaths Malone's investigation had turned up. And she still believed, quite calmly, that she was Good Queen Bess. Malone had been knighted by her during the course of the investigation. This new honor had come to him through the mail; apparently she had decided to ennoble some of her friends still further.

Malone made a mental note to ask Boyd if he'd received one. After all, there couldn't be too many Knights of the Bath. There was no sense in letting everybody in.

Then he realized that he was beginning to believe everything again. There had been times, working with the little old lady, when he had been firmly convinced that he was, in fact, the swaggering, ruthless swordsman, Sir Kenneth Malone. And even now…

"It's too long a story," Malone said. "And besides, it's not what I came here about."

"Who knows?" Malone said. He found the black notebook and passed it across to Lynch. "I'm on this red Cadillac business, you know," he said by way of introduction.

"I've been hearing about it," Lynch said. He picked up the notebook without opening it and held it like a ticking bomb. "And I mean hearing about it," he said. "We haven't had any trouble at all in this precinct."

"Listen, not a single red Cadillac has been stolen from here, or been reported found here. We run a tight precinct here, and let me tell you—"

"I'm sure you do a fine job," Malone said hastily. "But I want you to look at the notebook. The first page."

Lynch opened his mouth, closed it, and then flipped the notebook cover. He stared at the first page for a few seconds. "What's this?" he said at last. "Another gag?"

Malone shrugged. "Search me," he said. "The notebook was found only a couple of feet away from another car theft, last night." That was the simplest way he could think of to put it. "So I asked the Commissioner who Peter Lynch was, and he told me it was you."

"And, by God, it is," Lynch said, staring at the notebook. He seemed to be expecting it to rise and strike him.

He wet his finger and turned the notebook page carefully over. When he saw the list of names on the second page he stopped again, and stared. This time he whistled under his breath.

The police lieutenant looked up. "I don't know if it's wrong or what," he said. "It gives me sort of the willies. I know every one of these kids."

Malone took out a pill and swallowed it in a hurry. He felt exactly as if he had been given another concussion, absolutely free and without any obligations. His mouth opened but nothing came out for a long time. At last he managed to say, "Kids?"

"They're some kind of kid gang—a social club, or something like that. This first kid—Miguel Fueyo's his full name—is the leader. They call themselves the Silent Spooks."

"The what?" It seemed to Malone that the name was just a little fancy, even for a kid gang.

"The Silent Spooks," Lynch said. "I can't help it. But here they are, every one of them: Fueyo, Ramon Otravez, Mario Grito, Silvo Envoz, Alvarez Altapor, Felipe la Barba, Juan de los Santos, and Ray del Este. Right down the line." He looked up from the notebook with a blank expression on his face. "All of them kids from this neighborhood. The Silent Spooks."

Malone thought. "They could have heard of me," he said at last, trying to be as modest as possible.

"Fourteen to seventeen," Lynch said. "Somewhere in there. You know how these kid things run."

"The Silent Spooks," Malone said meditatively. It was a nice name, in a way; you just had to get used to it for a while. When he had been a kid, he'd belonged to a group that called itself the East Division Street Kids. There just wasn't much romance in a name like that. Now the Silent Spooks…

With a wrench, he brought his mind back to the subject at hand. "Do they get into much trouble?" he said.

"Well, no," Lynch said reluctantly. "As a matter of fact, they don't. For a bunch like that, around here, they're pretty well behaved, as far as that goes."

Lynch's face took on a delicately unconcerned appearance. "I don't know," he said. "They just don't get into neighborhood trouble. Maybe a scrap now and then—nothing big, though. Or maybe one of them cuts a class at school or argues with his teacher. But there's nothing unusual, and damn little of anything." He frowned.

Malone sat down in a chair across the desk, and leaned eagerly toward
Lynch. "Money?" he said.

"Money," Lynch said. "New clothes. Cigarettes. Malone, three of them are even supporting their parents. Old Jose Otravez—Ramon's old man—quit his job a couple of months ago, and hasn't worked since. Spends all his time in bars, and never runs out of dough—and don't tell me you can do that on unemployment insurance. Or social security payments."

"And there's others. All the others, in fact. Mike Fueyo's sister dresses fit to kill, like a high-fashion model. And the Grito kid—"

"Wait a minute," Malone said. "From what you tell me, this isn't just a little extra money. These kids must be rolling in the stuff. Up to their ears in dough."

"Listen," Lynch said sadly, "Those kids spend more than I do. Hell, they do better than that—they spend more than I earn ." He looked remotely sorry for himself, but not for long. "Every one of those kids spends like a drunken sailor, tossing his money away on all sorts of things."

"Like an expense account," Malone said idly. Lynch looked up. "Sorry,"
Malone said. "I was thinking about something else."

"No," Malone said. "Really. Listen, I'll check with Internal Revenue on that money. But have you got a list of the kids' addresses?"

It closed behind him. Malone sat waiting alone for a few minutes, and then Lynch came back. "List'll be here in a minute," he said. He sat down behind his desk and reached for the notebook again. When he turned to the third page his expression changed to one of surprise.

"Be damned," he said. "There does seem to be a connection, doesn't there?" He held up the picture of the red Cadillac for Malone to see.

"Sure does," Malone said. "That's why I want those addresses. If there is a connection, I sure as hell want to find out about it."

Ten minutes later, Malone was walking out of the precinct station with the list of addresses in his pocket. He was heading for his Great Adventure, but he didn't know it. All he was thinking about was the red Cadillacs, and the eight teenagers.

"I'm going to get to the bottom of this if it takes me all summer," he said, muttering to himself.

Then, realizing he had just said it, he frowned. Perhaps it hadn't really counted. But then again…

The mutual collision was not catastrophic. On the other hand, it was not exactly minor. It fell somewhere between the two, as an unclassifiable phenomenon of undoubted potency. Malone said, "Oog," with, some fervor as the girl collided with his chest and rebounded like a handball striking a wall. Something was happening to her, but Malone had no time to spare to notice just what. He was falling through space, touching a concrete step once in a while, but not long enough to make any real acquaintance with it. It seemed to take him a long time to touch bottom, and when he had, he wondered if touch was quite the word.

Bottom certainly was. He had fallen backward and landed directly on his glutei maximi , obeying the law regarding equal and opposite reaction and several other laws involving falling bodies.

His first thought was that he was now neatly balanced. His tail had received the same treatment as his head. He wondered if a person could get concussion of the tail bones, and had reached no definite conclusion when, unexpectedly, his eyes focused again.

He was looking at a girl. That was all he saw at first. She had apparently fallen just as he had, bounced once and sat down rather hard. She was now lying flat on her back, making a sound like "rrr" between her teeth.

Malone discovered that he was sitting undignifiedly on the steps. He opened his mouth to say something objectionable, took another look at the girl, and shut it with a snap. This was no ordinary girl.

He smiled at her. She shook her head and sat up, still going "rrr."
Then she stopped and said instead, "What do you think—"

"I'm sorry," Malone said in what he hoped was a charming, debonair, and apologetic voice. It was quite a lot to get into one voice, but he tried his very hardest. "I just didn't see—"

"You didn't?" the girl said. She took a long, slow look at him, shook her head again, and then pulled her skirt down carefully. "If you didn't, you must be blind," she said.

Malone noticed with hope that there was no anger in her voice. The last thing in the world he wanted was to get this girl angry at him.

"Oh, no," Malone said. "I'm not blind. Not blind at all." He smiled at her and stood up. His tail throbbed a little, but it didn't seem to be anything really serious. "I'm just polite," he said, and smiled again. His face was beginning to get a little tired, but he retained his last smile as he went over to her, extended a hand and pulled her to her feet.

She was something special. Her hair was long and dark, and fell in soft waves to her shoulders. The shoulders were something all by themselves, but Malone postponed consideration of them for a minute to take a look at her face.

It was heart-shaped and rather thin. She had large brown liquid eyes that could look, Malone imagined, appealing, loving, worshiping—or, like a minute ago, downright furious. Below these features she had a straight lovely nose and a pair of lips which Malone immediately classified as kissable.

Her figure, including the shoulders, was on the slim side, but she was very definitely all there. Malone couldn't think of any parts the Creator had left out, and if there were any he didn't want to hear about them. In an instant, Malone knew that he had met the only great love of his life.

His mind was whirling, and for a second he didn't know what to do. And then he remembered the Queen's Own FBI. Phrases flowered forth in his mind as if it were a garden packed corner to corner with the most exquisite varieties of blooming idiots.

"My deepest apologies, my dear," Sir Kenneth Malone said gallantly, even managing a small display bow for the occasion. "May I be of any assistance?"

The girl smiled up at him as she came to her feet. The smile was radiant and beautiful and almost loving. Malone felt as if he couldn't stand it. Tingles of the most wonderful kind ran through him, reached his toes and then back the other way, meeting a whole new set going forward.

"You're very nice," the girl said, and the tingles became positive waves of sensation. "Actually, it was all my fault. Please don't apologize, Mr.—" She paused expectantly.

"Me?" Malone said, his gallantry deserting him for the second. But it returned full force before he expected it. "I'm Malone," he said. "Kenneth Joseph Malone." He had always liked the middle name he had inherited from his father, but he never had much opportunity to use it. He made the most of it now, rolling it out with all sorts of subsidiary flourishes. As a matter of fact, he barely restrained himself from putting a "Sir" before his name.

The girl's brown eyes widened just a trifle. Malone felt as if he could have fallen into them and drowned. "Oh, my," she said. "You must be a detective." And then, like the merest afterthought, "My name's Dorothy."

Dorothy. It was a beautiful name. It made Malone feel all choked up inside. He blinked at the girl and tried to look manly and wonderful. It was an effort, but he nearly carried it off.

After a second or two he realized that she had asked him a question. He didn't want to disillusion her in any way, and, after all, an FBI agent was a kind of detective, but he thought it was only fair that she should know the whole truth about him right from the start.

"Not exactly?" she said, looking puzzled. She looked positively glorious when puzzled, Malone decided at once.

Malone hastened to explain before he got to the point where conversation was impossible.

"Federal Bureau of Investigation," he said. After a second he thought of a clarification and added, "FBI."

"Oh," Malone said. "Were you looking for a detective? Because if I can help in any way—"

"Not exactly," Dorothy said. "Just a little routine business. I'll go on in and—"

Malone suddenly found himself talking without having any idea why he'd started, or what he was going to say. At first he said, "Urr," as if the machine were warming up, and this stopped Dorothy and caused her to give him a rather sharp, baffled stare. Then he found some words and used them hurriedly, before they got away.

"Dorothy," he said, "would you like to take in a show this evening? I think I can get tickets to—well, I guess I could get tickets to almost anything, if I really tried." His expression attempted to leave no doubt that he would really try.

Dorothy appeared to consider for a moment. "Well," she said at last, "how about The Hot Seat ?"

Malone felt just the way he had several years before when he had bluffed his way into a gigantic pot during a Washington poker game, with only a pair of fours to work with. At the last moment, his bluff had been called.

It had, he realized, been called again. The Hot Seat had set some sort of record, not only for Broadway longevity, but for audience frenzy. Getting tickets for it was about the same kind of proposition as buying grass on the moon, and getting them with absolutely no prior notice would require all the wire-pulling Malone could manage. He thought about The Hot Seat and wished Dorothy had picked something easy, like arranging for her to meet the Senate.

"Sure," she said, and laughed. "Pick any one you want. I haven't seen them all, and the ones I have seen are worth seeing again."

"Nothing," Malone said, "is impossible." He grinned at her.
"Meanwhile, where can I pick you up? Your home?"

Dorothy frowned and shook her head. "No," she said. "You see, I'm living with an aunt, and I—well, never mind." She thought for a minute. "I know," she said. "Topp's."

"Topp's," Dorothy said. "On Forty-second Street, just east of
Broadway? It's a restaurant."

"I don't exactly know where it is," Malone said, "but if it's there, I'll find it." He looked gallant and determined. "We can get something to eat there before the show—whatever the show turns out to be."

She nodded. "Six it is," she said. "Now bye-bye." She touched her forefinger to her lips, and brushed Malone's cheek with the kissed finger.

By the time the new set of tingles had begun to evaporate, she had gone into the police station. Malone heaved a great sigh of passion, and held down a strong impulse to follow her and protect her. He wasn't quite sure what he was going to protect her from, but he felt certain that that would come to him when the time arrived.

Nevertheless, he had work to do, unpleasant as the idea had suddenly begun to seem. He pulled the list of addresses out of his pocket and looked at the first one.

Mike was the leader of the Silent Spooks, according to Lieutenant
Lynch. Logically, therefore, he would be the first one to talk to.
Malone tried to think of some good questions, but the best one he
could come up with was: "Well, what about all those red Cadillacs?"

He checked the address again and started firmly down the street, trying to think of some better questions along the way.

The building was just off Amsterdam Avenue, in the eighties. It had been a shining new development once, but it was beginning to slide downhill now. The metal on the window frames was beginning to look worn, and the brickwork hadn't been cleaned in a long time. Where chain fences had once protected lonely blades of grass, children, mothers, and baby carriages held sway now, and the grass was gone. Instead, the building was pretty well surrounded by a moat of sick-looking brown dirt.

Malone went into the first building and checked the name against the mailboxes there, trying to ignore the combined smells of sour milk, red pepper, and here and there a whiff of unwashed humanity.

It was on the tenth floor: Fueyo, J. That, he supposed, would be Mike's widowed mother; Lynch had told him that much about the boy and his family. He found the elevator, which was covered with scribbles ranging from JANEY LOVES MIGUEL to startling obscenities, and rode it upstairs.

Apartment 1004 looked like every other apartment in the building, at least from the outside. Malone pressed the button and waited a second to hear the faint buzzing at the other side of the door. After a minute, he pressed it again.

A short, wrinkled, dark-eyed woman in a print housedress was eying him with deep suspicion. "My daughter is not home," she announced at once.

"Ah," the woman said. "You one of those hoodlum friends he has. I'm right? You can talk to Mike when I am dead and have no control over him. For now, you can just—"

"Wait a minute," Malone said. He pulled out his wallet and flipped it open to show his badge, being very careful that he made the right flip this time. He didn't know exactly how this woman would react to the Queen's Own FBI, but he didn't especially want to find out.

She looked down at the badge without taking the wallet from him. "Hah," she said. "You're cop, eh?" Her eyes left the wallet and examined Malone from head to foot. It was perfectly plain that they didn't like what they saw. "Cop," she said again, as if to herself. It sounded like a curse.

"You want to ask me stupid questions," she said. "That is what you want to do. I'm right?"

"I know nothing," she said. "Nothing of any kind." She closed her mouth and stood regarding him as if he were a particularly repulsive statue. Malone looked past her into the living room beyond the door.

It was faded now, but it had once been bright and colorful. There was an old rug on the floor, and tables were everywhere. The one bright thing about the room was the assortment of flowers; there were flowers everywhere, in vases, in pots, and even in window boxes. There was also a lot of crockery statuary, mostly faded, chipped, or worn in some way. The room looked to Malone as if its last inhabitant had died ten years before; only the flowers had been renewed. Everything else had not only the appearance of age, but the look of having been cast up as a high-water mark by the sea, which had receded and left only the tangled wreckage.

The woman cleared her throat, and Malone's gaze came back to her. "I can tell you nothing," she said.

Her eyes were very cold. "You from the police, and you want to talk to
Mike. You make a joke. Only I don't think the joke is very funny."

Her gaze never wavered. "You know he is not," she said. "Ten minutes ago the policemen were taking him away to the police station. How then could he be here?"

"Ten minutes ago?" Malone blinked. Ten minutes ago he had been looking for this apartment. Probably it hadn't taken Lynch's men ten minutes to find it; they weren't strangers in New York. "He was arrested?" Malone said.

"I said so, didn't I?" the woman said. "You must be crazy or else something." Her eyes were still cold points, but Malone suddenly saw a glow behind them, the glow of tears. Mike was her son. She did not seem surprised that the police had taken him away, but she was determined to protect him. He was her son.

"I'm not a cop," Malone said. "I'm from the FBI. I don't know anything about why the cops might have arrested Mike."

"It's all right," Malone said, with all the assurance he could muster.
"I only want to talk to him."

"Ah," the woman said. Tears were plain in her eyes now, glittering on the surface. "Why they take him away, I do not know. My Mike do nothing. Nothing."

"They say?" the woman cried. "They say only they have orders from this
Lieutenant Lynch. He is lieutenant at police station."

"Lieutenant Lynch wants to ask Mike questions, so police come, take him away." Her English was beginning to lose ground as the tears came closer, as she slowly lost control.

"Lynch asked for him?" Malone said. He frowned. Whatever that meant, he wanted to be there himself. And perhaps he could help the old woman in some way. Anyhow, he would try. She stared up at him stonily. "Look, Mrs. Fueyo," he said. "I'm going down there to talk to Mike right now. And if he hasn't done anything, I'll see that he gets right on home to you. Right away."

Her expression changed a trifle. She did not actually soften, but Malone could feel the gratitude lurking behind her eyes as if it were afraid to come out. She nodded gravely and said nothing at all. He stepped away, and she closed the door without a sound.

He stood staring at the door for a few seconds. Then he turned and punched the elevator button savagely.

He walked back to the precinct station. Knowing the way, it took him about five minutes instead of the fifteen it had taken him to find the Fueyo residence. But he still felt as if time were passing much too fast. He ran up the steps and passed right by the desk sergeant, who apparently recognized him; he said nothing as Malone charged up the stairs and around the hall to Lynch's office.

Malone stared at it and started down the hall again without knowing where he was heading. Halfway to the stairs he met a patrolman.

"Got some kid back in the tank, or somewhere," the patrolman said. "Asking him a couple of questions, that's all." He added, "Hey, listen, buddy, what do you want to see the lieutenant for? I mean, you can't just go charging in to—"

"I'm in a hurry," Malone said. "Where are the cells? I want to see
Lieutenant Lynch."

The desk sergeant nodded. "Okay," he said. "But the lieutenant ain't in any of the cells. He's back in Interrogation with some kid."

"I'll show you, anyway," the sergeant said. "Can't leave the desk on duty." He cleared his throat and gave Malone a set of directions that took him around to the back of the station. He was repeating the directions when Malone left.

There was a door at the end of a corridor at the back of the station.
It was a plain wooden door with the numeral 1 stenciled on it.
Malone opened it and looked inside.

He was staring into a rather small, rather plain little room. There were absolutely no bright beam lights burning, and there didn't seem to be any rubber hoses around anywhere. There were only four chairs.

Seated in three of the chairs were Lieutenant Lynch and two other police officers. In the fourth chair, facing them, was a young boy.

He didn't look like a tough kid. He had wavy black hair, brown eyes, and what Malone thought looked like a generally friendly appearance. He was slight and wiry, not over five feet five or six. And he wore an expression that was neither too eager nor hostile. It wasn't just blank, either; Malone finally pinned it down as receptive.

He had the strangest impression that he had seen the boy somewhere before. But he couldn't remember when or where.

"…all we want, Mike, is a little information. We thought you'd be able to help us, if you wanted to. Now, how about it?"

"Sure," Mike Fueyo said. His voice was a little high, but it was well controlled and responsive. "Sure, Lieutenant. I'll help if I can, but I just don't dig what you're giving me. It doesn't make sense."

Lynch stirred a little impatiently, and his voice began to carry a new bite. "I'm talking about Cadillacs," he said. "Red Cadillacs, 1972 models."

"Know about them?" Mike said. "I know they're nice cars. That's about it. What else am I going to know, Lieutenant? Maybe you think I own one of these big red 1972 Caddies. Maybe you think I got that kind of money. Well, listen, Lieutenant. I'd like to help you out, but I'm just not—"

"Just a minute, Lieutenant," Malone said. Dead silence fell with great suddenness. Lynch and all the others looked around at Malone, who smiled apologetically. "I don't want to disturb anything," he said. "But I would like to talk to Mike here for a little while."

"Alone." Lynch said. "Oh." But there was nothing for him to do, Malone knew, except bow to the inevitable. "Of course," he said. "Go right ahead."

"You can stand outside the door," Malone said. "He won't get away. And you'd better hold this." Malone, knowing perfectly well that staying armed and alone in a room with a suspect was something you just did not do, unstrapped his .44 Magnum and handed it to the lieutenant.

Malone could understand Lynch's attitude. If Malone solved the case, Lynch would not get any credit. Otherwise, it might go down in his personal record. And of course the NYPD would rather wrap the case up themselves; the FBI was treated as a necessary interference. Unfortunately, Malone thought, Lynch had had absolutely no choice. He sighed gently, and turned his attention to Mike Fueyo, who was still sitting in his chair.

He turned back to the boy. "Now, Mike," he began again. "My name is Malone, and I'm with the FBI in Washington. I'd like to ask you a few—"

"Gee, Mr. Malone," Mike broke in eagerly. "I'm glad you're here. I'm really glad about that."

"But I've been looking for you," Mike went on. "See, I wanted to say something to you. Something real important."

Malone leaned forward expectantly. At last he was going to get some information—perhaps the information that would break the whole case wide open. He said, "Yes?"

"You don't have to be afraid of me, Mike," Malone said. "Just tell me whatever's on your mind."

He took a deep breath. Malone clenched his fists. Now it was coming.
Now he would hear the all-important fact. He waited.

Mike stuck out his tongue and blew the longest, loudest, brassiest, and juiciest Bronx cheer that Malone had ever heard.

There wasn't any place to hide, and there hadn't been any time to hide in. Malone looked around wildly, but he had no doubts at all.

Mike Fueyo had vanished, utterly and instantaneously. He'd gone out like a light.

During that time, Malone did nothing at all. He just sat there, while a confused montage of pictures tumbled through his head. Sometimes he saw double exposures, and sometimes a couple of pictures overlapped, but it didn't seem to make any difference, because none of the pictures meant anything anyhow.

The reason for that was obvious. He was no longer sane. He had cracked up. At a crucial moment his brain had failed him, and now people would have to come in and cart him away and put him in a strait jacket. It was perfectly obvious to Malone that he was no longer capable of dealing with everyday life. The blow on the head had probably taken final effect, and it had been more serious than the doctor had imagined.

And now he was suffering from a delayed reaction. He wasn't living in the real world any more. He had gone off to dreamland, where people disappeared when you looked at them. There was no hope for him any more.

It was a nice theory, and it was even comforting in a way. There was only one thing wrong with it.

The room around him didn't look dreamlike at all. It was perfectly solid and real, and it looked just the way it had looked before Mike Fueyo had—well, Malone amended, before whatever had happened had happened. It was a perfectly complete little room, and it had four chairs in it. Malone was sitting in one of the chairs and all the others were empty.

With some regret, Malone abandoned the theory that he had gone mad. This left him with no ideas at all. Because if he hadn't become insane, then what had happened?

After another second or two, some ideas began to filter through the daze. Perhaps he'd just blacked out for a minute and the kid had gone out the door. That was possible, wasn't it?

Sure it was. And maybe he had just not seen the kid go. His eyes had failed for a second or two. That could certainly happen after a blow on the head. Malone tried to remember where the sight centers of the brain were. Maybe whoever had hit him had disturbed them, and he'd had a sudden blackout.

Come to think of it, that made pretty good sense. He had blacked out, and Mike had just walked out the door. It had to be the door, of course—the windows were out of the question, since there weren't any windows. And six-inch-wide air-conditioner ducts do not provide reasonable space for an exit, not if you happen to be a human being.

That, Malone told himself, was settled—and a good thing, too. He had begun to worry about it. But now he knew just what had happened, and he felt relieved. He got up from his chair, walked over to the door and opened it.

Lieutenant Lynch nearly fell into the room. He'd obviously had his ear pressed tightly to the door and hadn't expected it to open. The other two cops stood behind him, just about filling the hallway with their broad shoulders.

Lynch's expression was the same as that on the faces of the other two cops: complete and utter bafflement. Malone stopped and stared. It was suddenly very obvious that the lovely theory he had worked out for Mike's disappearance wasn't true in the least. If Mike Fueyo had come out the door, then these cops would know about it. But they obviously knew nothing at all about it.

"What are you talking about?" Lynch said. "Isn't the kid in there with you? What's happened?"

There was only one thing to do and, straight-faced, Malone went ahead and did it. "Of course not," he snapped, trying to sound impatient and official. "I released him."

"Released him," Malone said. He stepped out into the hall and closed the door of the interrogation room firmly behind him. "I got all the information I needed, so I let him go."

There was a little silence. Then Lynch asked, in a strangled voice,
"What did he say?"

"Sorry," Malone said at once. "That's classified information." He pushed his way into the corridor, trying to look as if he had fifteen other jobs to accomplish within the next hour. Being an FBI agent was going to help a little, but he still had to look good in order to carry it off.

"Thanks for your co-operation, Lieutenant," Malone said. "You've all been very helpful." He smiled at them in what he hoped was a superior manner. "So long," he said, and started walking.

"Wait!" Lynch said. He flung open the door of the interrogation room.
There was no doubt that it was empty. "Wait! Malone!"

Malone turned slowly, trying to look calm and in control of the situation. "Yes?" he said.

Lynch looked at him with puzzled, pleading eyes. "Malone, how did you release him? We were right here. He didn't come through the door. There isn't any other exit. So how did you get him out?"

There was only one answer to that, and Malone gave it with a quiet, assured air. "I'm terribly sorry, Lieutenant," he said, "but that's classified information, too." He gave the cops a little wave and walked slowly down the corridor. When he reached the stairs he began to speed up and he was out of the precinct station and into a taxicab before any of the cops could have realized what had happened.

He took a deep breath, feeling as if it were the first he'd had in several days. "Breathe air," he told himself. "It's good for you." Not that New York had any real air in it. It was mostly carbon fumes and the like. But it was the nearest thing to air that Malone could find at the moment, and he determined to go right on breathing it until something better and cleaner showed up.

But that wasn't important now. As the cab tooled along down Broadway toward 69th Street, Malone closed his eyes and began going over the whole thing in his mind.

Of that, Malone told himself, there was no shadow of doubt. No probable, possible shadow of doubt.

Dismissing the Grand Inquisitor with a negligent wave of his hand, he concentrated on the main question. It was a good question. Malone could have sat and pondered it admiringly for a long time.

As a matter of fact, that was all he could think of to do, as the cab turned up 70th Street and headed east. He certainly didn't have any answers for it.

It was obvious that he'd vanished on purpose. And it hadn't just been something he'd recently discovered. He had known all along that he could pull the trick; if he hadn't known that, he wouldn't have done what he had done beforehand. No seventeen-year-old boy, no matter what he was, would give the FBI the raspberry unless he was pretty sure he could get away with it.

Malone remembered the raspberry and winced slightly. The cab driver called back, "Anything wrong, buddy?"

The cab driver shrugged and turned back to the wheel. Malone went back to Mike Fueyo.

Malone thought about that for a while. The fact that it was impossible didn't decide him against it. Everything was impossible; that much was clear. But he didn't think Mike Fueyo had just become invisible. No. There had been the sense of presence actually leaving the room. If Mike had become invisible and stayed, Malone was sure he wouldn't have felt the boy leave.

Mike had not just become invisible. ( And what do I mean, "just"?
Malone asked himself unhappily.) He had gone—elsewhere.

This brought him back full circle to his original question. Where was the boy now? But he ignored it for a minute or two as another, even more difficult query presented itself.

Something was bothering him. Malone realized that it had been bothering him for a long time. At last he managed to locate it and hold it up to the light for inspection.

Dr. O'Connor, the psionics expert at Westinghouse, had mentioned something during Malone's last conversation with him. Dr. O'Connor, who'd invented a telepathy detector, had been discussing further reaches in his field.

"After all," he'd said, "if thoughts can bridge any distance whatever, regardless of other barriers, there is no reason why matter could not do likewise."

"There's no way to be sure of that," Dr. O'Connor had said sternly. "After all, we have no reports of it—but that means little. Our search has only begun."

"Matter, controlled by thought, might bridge distances instantaneously," Dr. O'Connor had said.

That was it. Malone sat back. All you had to do, he reflected, was to think yourself somewhere else, and—bing!—you were there. If Malone had been able to do it, it would not only have saved him a lot of time and trouble, but also such things as cab fare and train fare and … oh, a lot of different things.

But he couldn't. And Dr. O'Connor hadn't found anyone else who could, either. As far as Malone knew, nobody could teleport.

The cab stopped in front of FBI headquarters. "You some kind of secret agent?" the cabbie said. "Like on 3-D?"

"Oh," the cabbie said. "Sure." He took his money with a somewhat puzzled air, while Malone crossed the sidewalk and went into the building.

Everyone was active. Malone pushed his way through arguing knots of men until he reached the small office which he and Boyd had been assigned. He had already decided not to tell Boyd about the disappearing boy. That would only confuse him, and matters were confused enough as they stood. Malone had no proof; he had only his word and the word of a few baffled policemen, all of whom were probably thoroughly confused by now.

Boyd had a job to do, and Malone had decided to let him go on doing it. That, as a matter of fact, was what he was doing when Malone entered the room.

He was sitting at his desk, talking on the telephone. Malone couldn't see the face on the screen, but Boyd was scowling at it fiercely. "Sure," he said. "So some guy makes a fuss. That's what you're there for."

"I don't care now," Boyd snapped. "Get it. Then hand it over to the pickup squad and say, 'Mr. Malone wants this car immediately.' They'll know what to do. Got that?"

"Never mind," Boyd said. "Go ahead and get the job done. The United States of America is depending on you." With one last scowl, he hung up and swung around to face Malone. "You gave me a great job," he said. "I really love it, you know that?"

"It's got to be done," Malone said in a noncommittal voice. "How's it going so far?"

Boyd closed his eyes for a second. "Twenty-three red 1972 Cadillacs to date—which isn't bad, I suppose," he said. "And six calls like the one you just heard. All from agents with problems. What am I supposed to do when a guy catches a couple necking in a 1972 red Cadillac?"

"Good," Malone said. "Keep that sort of thing in the dark where it belongs." For some reason, this reminded him of Dorothy. He still had to get tickets for a show. But that could wait. "How about the assembly line?" he said.

"Disassembly," Boyd said. "Leibowitz has started it going. He borrowed the use of a big auto repair shop out in Jersey City, and they'll be doing a faster job than we thought." He paused. "But it's been a wonderful day," he said. "One to remember as long as I live. Possibly even until tomorrow. And how have you been doing?"

"Well, what the hell have you been doing?" Boyd said. "Drinking?
Helling around? Living it up while I sit here and talk to people about
Cadillacs?"

"Not exactly," Malone said. "I've been—well, doing more or less what
Burris told me to do. Nosing around. Keeping my eyes open. I think—"

The phone chimed. Boyd flipped up the mike and eyed the screen balefully. "Federal Bureau of Investigation," he said crisply. "Who the hell are you?"

"Federal Bureau of Investigation," Boyd said in a perfectly innocent voice. "Boyd speaking."

The image cleared. Boyd was facing the picture of a man in his middle thirties, a brown-haired man with large, gentle brown eyes and an expression that somehow managed to look both sad and confident. "Hello, Dr. Leibowitz," Boyd said.

He motioned to Malone, who came around and sat at Boyd's desk as Boyd got up. He nodded to Leibowitz, and the electronics engineer nodded back.

Leibowitz shrugged meaningfully. "All right," he said. "I called you to tell you about that, by the way. We've managed to cut the per-car time down somewhat."

"It's now down to about four hours per car, and that means we may be able to do even better than running one off the line every fifteen minutes. At the moment, fifteen minutes is about standard, though, with sixteen cars in the line."

"I understand," Leibowitz said. "Of course I'll do anything that I can for you. I have got a small preliminary report, by the way."

"The first car has just been run off the assembly line," Leibowitz said. "And I'm afraid, Mr. Malone, that there's nothing odd about it at all."

"Certainly not," Leibowitz said. "But the second should be off soon.
And then the rest. I'm keeping my eye on every one, of course."

"Fine," Malone said, and meant it. Leibowitz was the kind of man who inspired instant and complete trust. Malone was perfectly sure he'd do the job he had started to do. Then an idea struck him. "Has the first car been reassembled yet?" he asked.

"Of course," Leibowitz said. "We took that step into account in our timing. What would you like done with it—and with the other ones, as they come off?"

"Unless you can find something odd about a car, just return it to its owner," Malone said. "Or pass the problem on to the squad men; they'll take care of it." He paused. "If you do find something odd—"

"Good," Malone said. "Incidentally, I did want to ask you something. I don't want you to think I'm doubting your work, or anything like that. Believe me."

"But," Malone said, "why does it take so long? I'd think it would be fairly easy to spot a robotic or a semi-robotic brain capable of controlling a car."

"It might have been, once," Leibowitz said. "But these days the problems are rather special. Oh, I don't mean we can't do it—we can and we will. But with subminiaturization, Mr. Malone, and semipsionic circuits, a pretty good brain can be hidden beneath a coat of paint."

For no reason at all, Malone suddenly thought of Dorothy again. "A coat of paint?" he said in a disturbed tone.

"Certainly," Leibowitz said, and smiled at him. It was a warm smile that had little or nothing to do with the problem they were talking about. But Malone liked it. It made him feel as if Leibowitz liked him, and approved of him. He grinned back.

"It doesn't have to be very much," Leibowitz said. "Not these days. I've often told Emily—that's my wife, Mr. Malone—that I could hide a TV circuit under her lipstick. Not that there would be any use in it; but the techniques are there. Mr. Malone. And if your conjecture is correct, someone is using them."

Leibowitz nodded slowly. "We can, Mr. Malone," he said. "They betray themselves. A microcircuit need not be more than a few microns thick, you see—as far as the conductors and insulators are concerned, at any rate. But the regulators-transistors and such—have to be as big as a pinhead."

"Well," Leibowitz said, and chuckled, "quite large enough to locate without trouble, at any rate. They're very hard to conceal. And the leads from the brain to the power controls are even easier to find—comparatively speaking, of course."

"All the brain does, you see," Leibowitz said, "is control the mechanism that steers the car. But it takes real power to steer—a great deal more than it does to compute the steering."

"I see," Malone, who didn't, said desperately. "In other words, unless something radically new has been developed, you can find the circuits."

"Right," Leibowitz said, grinning. "It would have to be something very new indeed, Mr. Malone. We're up on most of the latest developments here; we've got to be. But I don't want you giving me the credit for this."

"Oh, no," Leibowitz said. "All I do is work out the general application to theory, as far as actual detection is concerned. It's my partner, Mr. Hardin, who takes care of all the engineering details."

"Sal's a real crackerjack," Leibowitz said enthusiastically. "He had an intuitive feel about these things. It's really amazing to watch him go to work."

"Oh, it really is," Leibowitz said. "And it's because of Sal that I can make the guarantee I do make: that if there are any unusual circuits in those cars, we can find them."

"Thanks," Malone said. "I'm sure you'll do the job. And we need that information. Don't bother to send along a detailed report, though, unless you find something out of the ordinary."

"Of course, Mr. Malone," Leibowitz said. "I wouldn't have bothered you except for the production speed-up here."

"I understand," Malone said. "It's perfectly all right. I'll be hearing from you, then?"

Malone cut the circuit at once and started to turn away, but he never got the chance. It started to chime again at once.

"Federal Bureau of Investigation," Malone said as he flipped up the receiver. He wanted badly to copy Boyd's salutation, but he found that he just didn't have the gall to do it, and said sadly instead, "Malone speaking."

There was no immediate answer from the other party. Instead, the screen slowly cleared, showing Malone the picture of a woman he recognized instantly.

Malone stared at her. It seemed to him as if a couple of hours passed while he tried to find his voice. Of course, she'd looked up the FBI number in the phone book, and found him that way. But she was about the last person on earth from whom he'd expected a call.

"Oh, Mr. Malone," she said, "thank you so much. You got my Mike back from the police."

"But, Mr. Malone, you must help me again. Because now my Mike says he must not stay at home! He is leaving, he is leaving right away!"

He thought of a thousand things to do. He could send a squad of men to arrest Mike. And Mike could disappear while they were trying to get hold of him. He could go down himself—and be greeted, if he knew Mike Fueyo, with another giant economy-size raspberry. He could try to plead with Mike on the phone.

"He says he will send me money, but money is nothing compared to my own boy, my own Mike. He says he must go away, Mr. Malone, but I know you can stop him. I know it!"

"Oh, I knew that you would," Mrs. Fueyo shrieked. She almost came through the screen at him. "You are a great man, Mr. Malone. I will say many prayers for you. Every day I will pray for you in all your work. I will never stop praying for you because you help me." Her voice and face changed abruptly. "Excuse me now," she said. "I must go back to work."

Then she turned back and beamed at him again. "Oh, thank you, Mr. Malone. Thank you with the thanks of a mother. Bring my boy back to me."

Boyd tapped Malone on the shoulder. "I didn't know you were involved in an advice column for the lovelorn," he said.

Malone thought of several possible answers and finally chose one. "That," he said, "was my mother-in-law. She worries about me every time I go out on a job with you."

He hoped he sounded more confident than he felt. Lighting a cigarette—and wishing he were alone in his own room, so that he could smoke a cigar and not have to worry about looking dashing and alert—Malone strolled out of the office with a final wave to Boyd. He was thinking about Mike Fueyo, and he stopped his chain of reasoning just long enough to look in at the office of the Agent-in-Charge, and ask him to pry loose two tickets for The Hot Seat for that night.

"My God," the agent said. He was a tall thin man who looked as if he suffered from chronic stomach trouble. "You must be crazy. Are they all like that in Washington?"

"No," Malone said cheerfully. "Some of them are pretty normal. There's this one man—Napoleon, we call him—who keeps insisting that he should have won the battle of Waterloo. But otherwise he's perfectly fine."

He flicked his cigarette in the air and left, grinning. Five steps away the grin disappeared and a frown took its place.

He walked along 69th Street to Park Avenue without noticing where he was going. Luckily, the streets weren't really crowded, and Malone only had to apologize twice, once for stepping on a man's toe and once for absently toeing a woman's dog. When he reached the corner he headed downtown, humming Kathleen Mavourneen under his breath and trying to figure out his next move.

He needed more than one move. He needed a whole series of moves. This was not the usual kind of case. Burris had called it a vacation and, in one way, Malone supposed, Burris was perfectly right. For once there was no question about who had committed the crimes. It was obvious by now that Mike Fueyo and his Silent Spooks had been stealing the Cadillacs.

It was even obvious that Mike—or someone with Mike's talent—had bopped him on the head, and taken the red Cadillac he had been examining. And the same gang probably accounted for the Sergeant Jukovsky affair, too.

Or at least it was reasonable to assume that they did, Malone thought. He could see how it had worked. One of the Silent Spooks was a lot smaller than a grown man, and the two cops who hadn't seen anyone in the parked car just hadn't been able to catch sight of the undersized driver. Of course, there had been someone in the car when it had been driving along the West Side Highway. Someone who had teleported himself right out of the car when it had gone over the embankment.

That, of course, meant that there would be no secret machines found in the red Cadillacs Leibowitz and Hardin were examining now. But Malone had already decided to let that phase of things go on. First of all, it was always possible that he was wrong, and that some such machine really did exist. Second, even if they didn't find a machine, they might find something else. Almost anything, he thought, might turn up.

That had been an easy solution. And, Malone thought, the problem of who had been taking the red Cadillacs looked just as easy now, if his answers were right. And he was reasonably sure of that.

Unfortunately, he was now left with a new and unusual question: How do you catch a teleport?

Malone looked up, jarred to a stop by a man built like a brown bear, with a chunky body and an oval, slightly sloping head and face. He had very short brown hair shot through with gray, and gave Malone a small inquisitive stare and looked away without a word.

Malone mumbled, "Sorry," and looked up at the street sign. He was at 47th Street and Park Avenue. He jerked a hand up to his face, and managed to hook the chunky man by the suit. It fell away, exposing the initials S.M. carefully worked into his shirt. Second Mistake, Malone thought wildly, muttered, "Sorry," again and turned west, feeling fairly grateful to the unfortunate bystander.

He had reminded Malone of one thing. If he wanted to get even a part of his plan past the drawing-board stage, he had to make a call in a hurry.

He found a phone booth in a bar called the Ad Lib, at Madison Avenue. Sternly telling himself that he was stopping there to make a phone call, a business phone call, and not to have a drink, he marched right past the friendly bartender and went into the phone booth, where he made a call to New York Police Commissioner John Henry Fernack.

Fernack's face was that of an old man, but there was no telling how old. The early seventies was one guess, Malone imagined; the late fifties might be another. He looked tough, as if he had spent all of his life trying to persuade other people that he was young enough for the handball tournament. When he saw Malone, his eyebrows lifted slightly, but he didn't say anything.

There was caution hidden in the calm and quiet voice. "Well," Fernack said, "what is it, Malone?"

"Can you have all the robberies for a given period run through the computer?" Malone said. "I need some dope."

"What would I need data on robberies in 1774 for?" Malone said, honestly interested.

"I want every reported crime that hasn't been solved," Malone said, "and which seems to have been committed by some impossible means. A safe that was robbed without being opened, for instance—that's the kind of thing I mean."

"Every unsolved crime?" Fernack said. "Now, hold your horses, Malone.
I'm not at all sure that—"

"I said confidential, John Henry," Malone said, trying to sound friendly and trustworthy. "After all, every place has unsolved crimes. Even the FBI isn't absolutely perfect."

"I don't exactly know," Fernack said. "The last time anything even remotely like this was run through—departmental survey, but you wouldn't be interested—it took something like eight hours."

"Fine," Malone said. "Eight hours, then. I'll look everything over and if we need a second run-through it won't take too long. I'll let you know as soon as I can about that." He grinned into the phone.

Fernack cleared his throat and asked delicately, "Mind telling me what all this is for?"

Malone offered up a little prayer before answering, and when he did answer it was in his softest and friendliest tones. "I'd rather not say just now, John Henry."

"But, Malone—" Fernack's voice sounded a little strained, and his jaw set just a trifle—"if you—"

Malone knew perfectly well how Fernack reacted when he didn't get a bit of information he wanted. And this was no time to set off any fireworks in the commissioner's office. "Look, John Henry," he said gently, "I'll tell you as soon as I can. Honest. But this is classified information; it's not my fault."

Fernack said, "But—" and apparently realized that argument was not going to do him any good. "All right, Malone," he said at last. "I'll have it for you as soon as possible."

"Sure," Fernack said. He paused, as if he were about to open the controversy just once more. But all he said was "So long, Malone."

Malone breathed a great sigh of relief and flipped the phone off. He stepped out of the booth feeling so proud of himself that he could barely walk. Not only had he managed to calm down Commissioner Fernack, he had also walked right past a bar on the way to the phone. He had performed several acts, he felt, above and beyond the call of duty, and he told himself that he deserved a reward.

Happily, the reward was convenient to hand. He went to the bar and beckoned the bartender over to him. "Bourbon and soda," he said. "And a medal, if possible."

The bartender nodded sadly. "Maybe you just ought to go home, Mac," he said. "Sleep it off for a while."

New Yorkers, Malone decided as the bartender went off to get his drink, had no sense of humor. Back in Chicago—where he'd been more or less weaned on gin, and discovered that, unlike his father, he didn't much care for the stuff—and even in Washington, people didn't go around accusing you of drunkenness just because you made some harmless little pleasantry.

He considered the itinerary of the magical Miguel Fueyo. He had gone straight home from the police station, apparently, and had then told his mother that he was going to leave home. But he had promised to send her money.

Of course, money was easy for Mike to get. With a shudder, Malone thought he was beginning to realize just how easy. Houdini had once boasted that no bank vault could hold him. In Mike Fueyo's case, that was just doubly true. The vault could neither hold him out nor keep him in.

Malone said, "Hmm," to himself, cleared his throat and tried it again. By now he was at the corner of the block, where he nearly collided with a workman who was busily stowing away a gigantic ladder, a pot of paint, and a brush. Malone looked at the street sign, where the words Avenue of the Americas had been painted out, and Sixth Avenue hand-lettered in.

"They finally give in," the painter told him. "But do you think they buy new signs? Nah. Cheap. That's all they are. Cheap as pretzels." He gave Malone a friendly push with one end of the ladder and disappeared into the crowd.

Malone didn't have the faintest idea of what he was talking about. And how cheap could a pretzel be, anyhow? Malone didn't remember ever having seen an especially tight-fisted one.

He walked downtown for a block, still thinking about Mike Fueyo, and absently turned west again. Between Sixth and Seventh, he had another attack of brilliance and began looking for another phone booth.

He found one in a Mexican bar named the Xochitl, across the street from the Church of Saint Mary the Virgin. It was a coincidence that he had landed in another bar, he told himself hopefully, but he didn't quite believe it. To prove it to himself, he headed straight for the phone booths again and put in his call, ignoring the blandishments of several rows of sparkling bottles which he passed on the way.

He dialed the number of Lieutenant Lynch's precinct, and then found himself connected with a new desk sergeant.

"Glad to know you, Malone," the desk sergeant said pleasantly. "Only Lieutenant Lynch doesn't want to subscribe to the Irish Echo !"

The desk sergeant took a good long look at it. "Maybe you are, and maybe you aren't," he said at last.

"We were kids together," Malone said. "We're brothers. Siamese twins.
Put him on the phone."

The screen went blank for two agonizing minutes before it cleared again to show Lynch's face.

"Hello, Mr. Malone," Lynch said formally. "Have you found some new little trick to show up poor stupid policemen? Like, say, making yourself vanish?"

"I'll make the whole damn police force vanish," Malone said, "in a couple of minutes. I called to ask a favor."

"Anything," Lynch said. "Anything within my poor power. Whatever I have is yours. Whither thou goest—"

"Knock it off," Malone said, and then grinned. After all, there was no sense in making an enemy out of Lynch.

Lynch blinked, took a deep breath, and said in an entirely different voice, "Okay, Malone. What's the favor?"

"I'll lay you ten to one," Malone said, "that every one of them has skipped out. Left home. Without giving a forwarding address."

Lynch nodded slowly. "Ten to one?" he said. "Want to make that a money bet? Or does the FBI frown on gambling?"

"I will wait with anxiety," Lynch said. "But it had better be before eight. I get off then."

"If you can't," Lynch said, "call me at home." He gave Malone the number, and then added, "Whatever information I get, I can keep for my own use this time, can't I?"

"Hell," Malone said, "you've already got all the information you're going to get. I just gave it to you."

Malone replaced the microphone and headed for the door. Halfway there, however, he stopped. He hadn't had any tequila in a long time, and he thought he owed it to himself. He felt he had come out ahead in his exchange with Lynch, and another medal was in order.

Only a small one, though. He told himself that he would order one tequila and quit. Besides, he had to meet Dorothy.

He sat down on one of the tall bar stools. The bartender bustled over and eyed him speculatively.

Malone waited with ill-concealed impatience. At last it arrived, Malone took the small glass of tequila in his right hand, with the slice of lemon held firmly between the index and middle fingers of the same hand, the rind facing in toward the glass. On the web between the thumb and forefinger of his left hand he had sprinkled a little salt. Moving adroitly and with dispatch, he downed the tequila, licked off the salt, and bit his teeth into the lemon slice.

It felt better than good; it felt wonderful. He hadn't had such a good time in years.

Then, noticing the time, he moved in a hurry and got out of the bar before temptation overcame him and he started ordering still more. It was nearly six o'clock, and he had to meet Dorothy at Topp's.

He headed downtown toward 42nd Street, turned right and, sure enough, there was a big red sign. It said Topp's. Malone beamed his approval at it. It was just where it ought to be, and he was grateful.

The maître d'hôtel was a chunky man with a pleasant face, a receding hairline and, some distance back on his head, dark curly hair. He beamed at Malone as if the FBI agent were a long-lost brother. "Table for one, sir?" he said.

"No," Malone said, peering into the place. It was much bigger than he had expected. "No," he said again. "I guess I'll just have a drink at the bar."

The maître d' smiled and bowed him to a bar stool. Malone sat down and looked the place over again. His first glance had shown him that Dorothy wasn't there yet, but he saw no harm in making sure. Always be careful of your facts , he admonished himself a little fuzzily.

There were a lot of women in the place, but they were all with escorts. Some of them had two escorts, and Malone wondered about them. Were they drunk, or was he? It was obvious that someone was seeing double, but Malone wasn't quite sure who.

He stared at his face in the bar mirror for a few seconds, and ordered a bourbon and soda when a bartender came over and occluded the image. The bartender went away and Malone went on studying himself.

He wasn't bad looking for an FBI agent. He was taller than his father, anyway, and less heavily built. That was one good thing. As a matter of fact, Malone told himself, he was really a pretty good-looking guy.

Malone turned around to get a look at Milty. He turned out to be the maître d'. What did he have that Malone didn't have? the agent asked himself sourly. Obviously Dorothy was captivated by his charm. Well, that showed him what city girls were like. Butterflies. Social butterflies. Flitting hither and yon with the wind, now attracted to this man, now to that. Once, Malone told himself sadly, he had known this beautiful woman. Now she belonged to someone else.

He felt a little bit sad about it, but he told himself to buck up and learn to live with his tragedy. He drank some more of his bourbon and soda, and then she noticed him.

He heard her say, "Oh. Excuse me, Milty. There's my man." She came over and sat down next to him.

He wanted to ignore her, just to teach her a lesson. But he had already turned around and smiled at her, and she smiled back.

Malone knew there was something he'd forgotten, and now he knew what it was. "Oh," he said. "Sure. Just a second. I've got to check up."

"Friend of mine," Malone improvised hurriedly. "Bringing them." He gave Dorothy a big smile and climbed down off the bar stool. He managed to find a phone booth, and dialed FBI headquarters on 69th Street and blessed several saints when he found that the A-in-C was still there.

"I got 'em," the Agent-in-Charge said sourly. "Had to chase all over town and pull more wires than there are on a grand piano. But they turned up, brother. Two seats. Do you know what a job like that entails?"

"I'd rather track down a gang of fingerless second-story men than go through that again," the Agent-in-Charge said. He looked as if his stomach trouble had suddenly gotten a great deal worse. Malone thought that the A-in-C was considering calling a doctor, and would probably decide to make it the undertaker instead, and save the price of a call.

"I can't express my gratitude," Malone told him. "Where are they?
Where do I pick them up?"

"Box office," the A-in-C said sourly. "I tell you, everybody in
Washington must be nuts. The things I have to go through—"

"Thanks," Malone said. "Thanks a lot. Thanks a million. If there's ever anything I can do for you, let me know and I'll do it." He hung up and went back to the bar, walking very carefully.

"Well?" Dorothy said. "Where do we go tonight? Joe's hot-dog stand? Or a revival of The Wild Duck in a loft on Bleecker Street?"

There was pride in Malone's manner as he stood there on his feet.
There was just a touch of hauteur as he said, "We'll see Hot Seat ."

And he was repaid for all of the Agent-in-Charge's efforts. Dorothy's eyes went wide with appreciation and awe. "My goodness," she said. "A man of his word—and what a tough word, too! Mr. Malone, I congratulate you."

"Nothing, the man says," Dorothy muttered. "My goodness. And modest, too. Tell me, how do you do, Mr. Malone?"

"And what," she said, "would I do with a dozen drinks? Don't answer. I think I can guess. But let's just take them one at a time, okay?" She signaled to the bartender. "Wally, I'll have a martini. And Mr. Malone will have whatever it is he has, I imagine."

"Bourbon and soda," Malone said, and gave the bartender a grin too, just to make sure he didn't feel left out. The sun was shining (although it was evening outside), and the birds were singing (although, Malone reflected, catching a bird on 42nd Street and Broadway might take a bit of doing), and all was well with the world.

There was only a tiny, nagging, disturbing thought in his mind. It had to do with Mike Fueyo and the Silent Spooks, and a lot of red Cadillacs. But he pushed it resolutely away. It had nothing to do with the evening he was about to spend. Nothing at all.

"Very well indeed," Malone said, raising his. "And just call me Ken.
Didn't I tell you that once before?"

"You did," she said. "And I asked you to call me Dorothy. Not Dotty.
Try and remember that."

"I will remember it," Malone said, "just as long as ever I live. You don't look the least bit dotty, anyhow. Which is probably more than anybody could say for me." He started to look at himself in the bar mirror again, and decided not to. "By the way," he added, as a sudden thought struck him. "Dotty what?"

"Oh," Malone said. "Make it Dorothy. Dorothy what?" He blinked. "I mean, I know you've got a last name. Dorothy Something. Only it probably isn't Something. What is it?"

"Francis," she said obligingly. "Dorothy Francis. My middle name is Something, in case you ever want to call me by my middle name. Just yell, 'Hey, Something,' and I'll come a-running. Unless I have something else to do. In which case everything will be very simple: I won't come."

"What do I do?" she said. "A standard question. Number two of a series. I do modeling. Photographic modeling. And that's not all; I also do commercials on 3-D. If I look familiar to you, it's probably because you've seen me on 3-D. Do I look familiar to you?"

"Don't apologize for it," Dorothy said. "I have to appear on it, but I don't have to like it. And now that I've answered your questions, how about answering some of mine."

"Gladly," Malone said. "The inmost secrets of the FBI are yours for the asking."

"Hmm," Dorothy said slowly. "What do you do as an FBI agent, anyhow?
Dig up spies?"

"Oh, no," Malone said. "We've got enough trouble with the live ones. We don't go around digging anybody up. Believe me." He paused, feeling dimly that the conversation was beginning to get out of control. "Have I told you that you are the most beautiful woman I've ever met?" he said at last.

"Certainly," Dorothy said. "You've been drinking. As a matter of fact, you've managed to get quite a head start."

Malone hung his head guiltily. "True," he said in a low voice. "Too true. Much too true."

Dorothy nodded, downed her drink and waved to the bartender. "Wally, bring me a double this time."

"Sure," Dorothy said. "I've got to do some fast catching-up on Mr.
Malone here."

"Don't be silly," Dorothy told him. "Wally hardly knows you. He'll call you Mr. Malone and like it."

The bartender went away, and Malone sat on his stool and thought busily for a minute. At last he said, "If you really want to catch up with me…"

"Because I intend to have another one," Malone added. "And even then you'll be just a little behind."

"That sounds sort of sad, in a way," Dorothy said. "Just a little behind. Tell me, is that a compliment or an insult?"

"Ah," Malone said. He searched in his mind for a quotation and found it. "If thine eye offend thee, pluck it out and cast it from thee," he said triumphantly.

"Didn't have to," Malone said. "Mine eye did not offend me." He blinked and added, "Far from it."

"I guess we'll just have to leave it unplucked," Dorothy said sadly.
"It didn't offend me, either."

"Zwieback!" Malone said, bowed carefully to Dorothy and drained his glass with a flourish.

In that distant past, a handful of photons deep in the interior of Sol began their random journey to the photosphere. They had been born as ultrahard gamma radiation, and they were positively bursting with energy, attempting to push their respective ways through the dense nucleonic gas that had been their womb. Within millimicroseconds, they had been swallowed up by the various particles surrounding them—swallowed, and emitted again, as the particles met in violent collision.

And then the process was repeated. After a thousand thousand years, and billions on billions of such repetitions, the handful of photons reached the relatively cool photosphere of the sun. But the long battle had taken some of the drive out of them; over the past million years, even the strongest had become only hard ultraviolet, and the weakest just sputtered out in the form of long radio waves.

But now, at last, they were free! And in the first flush of this newfound freedom, they flung themselves over ninety-three million miles of space, traveling at one hundred and eighty-six thousand miles a second, and making the entire trip in less than eight and one-half minutes.

They struck the earth's ionosphere, and their numbers diminished. The hard ultraviolet was gobbled up by ozone; much of the blue was scattered through the atmosphere. The remainder bore steadily onward.

Down through the air they came, only slightly weakened this time. They hit the glass of a window in the Hotel New Yorker, losing more of their members in the plunge.

And, a few feet from the glass, they ended their million-year epic by illuminating a face.

The face responded to them with something less than pleasure. It was clear that the face did not like being illuminated. The light was very bright, much too bright. It seemed to be searing its way through the face's closed eyelids, right past the optic nerves into the brain-pan itself. The face twisted in a sudden spasm, as if its brain were shriveling with heat. Its owner thoughtfully turned over, and the face sought the seclusion and comparative darkness of a pillow.

Unfortunately, the motion brought the face's owner to complete wakefulness. He did not want to be awake, but he had very little choice in the matter. Even though his face was no longer being illuminated, he could feel other rays of sunlight eating at the back of his head. He put the pillow over his head and felt more comfortable for a space, but this slight relief passed, too.

He thought about mausoleums. Mausoleums were nice, cool, dark places where there was never any sun or heat, and never any reason to wake up. Maybe, he told himself cunningly, if he went to sleep again he would wake up dead, in a mausoleum. That, he thought, would be nice.

Death was nice and pleasant. Unfortunately, he realized, he was not dead. And there was absolutely no chance of his ever getting back to sleep. He finally rolled over again, being very careful to avoid any more poisonous sunlight. Getting up was an even more difficult process, but Malone knew it had to be managed. Somehow he got his feet firmly planted on the floor and sat up.

That reminded him of the night before. He had been thinking quite a lot about the medals he deserved for various feats. He had even awarded some of them to himself, in the shape of liquid decoctions.

He remembered all that quite well. There were a lot of cloudy things in his mind, but from all the testimony he could gather, he imagined that he'd had quite a time the night before. Quite a wonderful time, as a matter of fact.

Not that that reflection did anything for him now. As he opened his eyes, one at a time, he thought of Boyd. Once, long ago, ages and ages ago, he had had to wake Boyd up, and he recalled how rough he had been about it. That had been unforgivable.

He made a mental note to apologize to Boyd the next time he saw him—if he could ever see again. Now, he knew how Boyd had felt. And it was terrible.

Still sitting on the bed, he told himself that, in spite of everything, he was lucky. To judge by his vague memories, he'd had quite a time the night before, and if the hangover was payment for it, then he was willing to accept the payment. Almost. Because it had really been a terrific time. The only nagging thought in his mind was that there had been something vital he'd forgotten.

"Tickets," he said aloud, and was surprised that his voice was audible. As a matter of fact, it was too audible; the noise made him wince slightly. He shifted his position very quietly.

And he hadn't forgotten the tickets. No. He distinctly remembered going to see The Hot Seat , and finding seats, and actually sitting through the show with Dorothy at his side. He couldn't honestly say that he remembered much of the show itself, but that couldn't be the important thing he'd forgotten. By no means.

He had heard that it was a good show, though. Sometime, he reminded himself, he would have to get tickets and actually see it.

He checked through the evening. Drinks. Dinner … he had had dinner, hadn't he? Yes, he had. He recalled a broiled sea bass looking up at him with mournful eyes. He couldn't have dreamed anything like that.

And then the theater, and after that some more drinks … and so on, and so on, and so on, right to his arrival back in his hotel room, at four-thirty in the morning, on a bright, boiled cloud.

He even remembered arguing with Dorothy about taking her home. She'd won that round by ducking into a subway entrance, and he had turned around after she'd left him and headed for home. Had he taken a taxi?

He had met Dorothy, he told himself, starting all over again in an effort to locate the gaps, at six o'clock, right after phoning…

"My God!" Malone said, and winced. He looked at his watch. It was ten o'clock in the morning. He had completely forgotten to call Fernack and Lynch.

Hangover or no hangover, Malone told himself grimly, there was work to be done. Somehow, he managed to get to his feet and start moving.

He checked Boyd's room after a while. But his partner wasn't home. Probably at work already , Malone thought, while I lie here useless and helpless. He thought of the Sermon on the Evils of Alcohol, and decided he'd better read it to himself instead of delivering it to Boyd.

But he didn't waste any time with it. By ten-fifteen he was showered and shaved, his teeth were brushed, and he was dressed. He felt, he estimated, about fifteen hundred per cent better. That was still lousy, but it wasn't quite as bad as it had been. He could move around and talk and even think a little, if he was careful about it. Before he left, he took a look at himself in the mirror.

It hardly showed at all. He looked tired, to be sure, but that was almost normal. The eyes weren't bloodshot red, and didn't seem to bug out at all, although Malone would have sworn that they were bleeding all over his face. His head was its normal size, as near as he remembered; it was not swollen visibly, or pulsing like a jellyfish at every move.

He started for the door, and then stopped himself. There was no need to go out so early; he could start work right in his own hotel room and not even have to worry about the streets of New York, the cars or the pedestrians for a while.

He thought wistfully about a hair of the hound, decided against it with great firmness, and sat down to the phone.

He dialed a number, and the face of Commissioner Fernack appeared almost at once. Malone forced himself to smile cheerfully, reasonably sure that he was going to crack something as he did it. "Hello, John Henry," he said in what he hoped was a good imitation of a happy, carefree voice. "And how are you this lovely morning?"

"Me?" Fernack said sourly. "I'm in great shape. Tiptop. Dancing in the goddamn daisies. Malone, how did you—"

Fernack waited a long time before he answered, and when he did his voice was dangerously soft and calm. "Malone," he said, "when you asked for this survey, just what kind of news did you expect to get?"

"A godawful lot of impossible crimes," Malone said frankly. "How did I do, John Henry?"

"You did damn well," Fernack said. "Too damn well. Listen, Malone, how could you know about anything like this?"

Malone blinked. "Well," he said, "we have our sources. Confidential. Top secret. I'm sure you understand, Commissioner." Hurriedly, he added, "What does the breakdown look like?"

"It looks like hell," Fernack said. "About eight months ago, according to the computer, there was a terrific upswing in certain kinds of crime. And since then it's been pretty steady, right at the top of the swing. Hasn't moved down hardly at all."

"I mean—" Malone stopped, thought of an answer and tried it. "I mean, that checks out my guess. My information. Sources."

Fernack seemed to weigh risks in his mind. "Malone, I know you're FBI," he said at last. "But this sounds pretty fishy to me. Pretty strange."

"I'm beginning to," Fernack said. "And if I ever find out that you had anything to do with this—"

"And don't look innocent," Fernack said. "It doesn't succeed in looking anything but horrible. You remind me of a convicted murderer trying to steal thirty cents from the prison chaplain."

"What would I have to do with all these crimes?" Malone said. "And what kind of crimes were they, anyway?"

"What you'd have to do with them," Fernack said, "is an unanswered question. And so long as it remains unanswered, Malone, you're safe. But when I come up with enough facts to answer it—"

"Don't be silly. Commissioner," Malone said. "How about those crimes?
What kind were they?"

"Burglaries," Fernack said. "And I have a hunch you know that well enough. Most of them were just burglaries—locked barrooms, for instance, early in the morning. There's never any sign of tampering with the locks, no sign of breaking and entering, no sign of any alarms being tampered with in any way. But the money's gone from the cash register, and all of the liquor is gone too."

"Well," Fernack said, "all of it that's in plain sight, anyway. Except for the open bottles. Disappeared. Gone. Without a trace. And most of the time the extra stock's gone too, from the basement or wherever they happen to keep it."

"A hell of a lot," Fernack said. "Some of the bars have gone broke, not being insured against the losses."

The thought of thousands of bottles of liquor—millions of bottles—went through Malone's mind like an ice pick. He could almost see them, handle them, taste them. "Hair of the dog," he muttered. "What hair. What a dog."

"Nothing," Malone said hastily. "Nothing at all." After a second another query occurred to him. "You mean to tell me that only bars were robbed? Nothing else?"

"Oh, no," Fernack said. "Bars are only part of it. Malone, why are you asking me to tell you this?"

"I still think—" Fernack began, and then said, "Never mind.. But it hasn't been only bars. Supermarkets. Homes. Cleaning and tailoring shops. Jewelers. Hell, Malone, you name it and it's been hit."

Malone tried valiantly to resist temptation, but he was not at his best, and he lost. "All right," he said. "I will name it. Here's a list of places that haven't even been touched by the rising crime wave. Banks, for one."

"Safes that have been locked, for another," Malone went on. "Homes with wall safes, though that's not quite accurate. The homes may have been robbed, but the safes won't have been touched."

"I'll make a general rule for you," Malone said. "Any place that fits the following description is safe: it's got a secure lock on it, and it's too small for a human being to get into."

Fernack opened his mouth, shut it, and stared downward, obviously scanning some papers lying on the desk in front of him. Malone waited patiently for the explosion, but it never came.

Instead, Fernack said, "You know, Malone, you remind me of an old friend of mine."

"You certainly do," Fernack said. "There's just one small difference.
You're an FBI man, and he's a crook. If that's a difference."

"It is," Malone said. "And on behalf of the FBI, I resent the allegation. And, as a matter of fact, defy the allegator. But that's neither here nor there," he continued. "If that's the difference, what are the similarities?"

Fernack drew in a deep, hissing breath, and when he spoke his voice was as calm and quiet as a coiled cobra. "The both of you come up with the goddamnedest answers to things. Things I never knew about or even cared about before. Things I wish I'd never heard of. Things that don't have any explanation. And—" He stopped, his face dark in the screen. Malone wondered what color it was going to turn, and decided on purple as a good choice.

"And you're always so goddamned right it makes me sick," Fernack finished flatly. He rubbed a hand through his hair and stared into the screen at Malone. "How did you know all this stuff?" he said.

Malone waited one full second, while Fernack got darker and darker on the screen. When he judged that the color was right, he said quietly, "I'm prescient. And thanks a lot, John Henry; just send the reports to me personally, at 69th Street. By messenger. So long."

With a satisfied, somewhat sheepish smile, Malone dialed another number. This time a desk sergeant told him politely that Lynch wasn't at the precinct, and wouldn't arrive until noon.

It was a long wait before the lieutenant answered, and he didn't look much like a police officer when his face finally showed up on the screen. His hair was uncombed and he was unshaven. His eyes were slightly bleary, but he was definitely awake.

"Hi, there," Lynch said with enormous cheerfulness. "Old buddy-boy.
Old pal. Old friend."

"Wrong?" Lynch said. "Nothing. Nothing. Nothing at all. I just wanted to thank you for not waking me up last night. I only waited for your call until midnight. Then I decided I just wasn't very important to you. You obviously had much bigger things on your mind."

"As a matter of fact," Malone said, speculatively eying Lynch's figure, dressed in a pair of trousers and a T-shirt, "you're right."

"That's what I thought," Lynch said. "And I decided that, since you were so terribly busy, it could wait until I woke up. Or even until I got down to the station. How about it, buddy-boy ?"

"Listen, Lynch," Malone said, "we made a bet. Ten to one. I just want to know if I can come down to collect or not."

"All right," Lynch said at last, looking crestfallen. "I owe you a buck. Every last one of those kids has skipped out on us."

"Good," Malone said. He wondered briefly just what was good about it, and decided he'd rather have lost the money to Lynch. But facts, he reflected, were facts. Thoroughly nasty facts.

"I spent all night tracing them," Lynch said. "Got nowhere. Nowhere at all. Malone, how did you know—"

"Classified," Malone said. "Very classified. But you're sure they're all gone? Vanished?"

Lynch's face reddened. "Sure I'm sure," he said. "Every last one of them is gone. And what more do you want me to do about it?" He paused, then added, "What do you expect, Malone? Miracles?"

Lynch shook his head and made a growling noise. "Don't be silly," he said. "It's just that this guy might have some information, but he won't say anything to me about it. He's a social worker or something like that."

"Hey," Lynch said, "hold on. He's not here now. What do you think this is—my house or a reception center?"

"How about three o'clock at the precinct station?" Lynch said. "I can have him there by then, and you can get together and talk." He paused. "Nobody likes the cops," he said. "People hear the FBI's mixed up in this, and they figure the cops are all second-stringers or something."

He sat there for a few seconds, grinning quietly. His brain throbbed like an overheated motor, but he didn't really mind any more. His theory had been justified, and that was the most important thing.

Eight of them—eight kids on the loose, stealing everything they could lay their hands on, and completely safe. How could you catch a boy who just disappeared when you started for him? No wonder their names hadn't appeared on the police blotter, Malone thought.

They could get into any place big enough to hold them, take what they wanted and just disappear. They'd been doing it for about eight months, according to the figures Malone had received from Fernack; maybe teleportative ability didn't develop until you were around fourteen or fifteen.

But it had developed in these kids—and they were using it in the most obvious way. They had a sure method of getting away from the cops, and a sure method of taking anything they wanted. No wonder they had so much money.

By three o'clock, he was again among the living. Maybe his occupations had had something to do with it; he'd spent about four hours supervising Operation Dismemberment, and then listening to the reports on the dismantled Cadillacs. It was nice, peaceful, unimportant work, but there just wasn't anything else to do. FBI work was ninety-five per cent marking time, anyway. Malone felt grateful that there was any action at all in what he was doing.

Dr. Leibowitz had found all sort of things in the commandeered Caddies—everything from guns and narcotics to pornographic pictures in lots of three hundred, for shipment into New York City from the suburbs where the processing plant probably was. Of course, there had been personal effects, too—maps and lucky dolls and, just once, a single crutch.

Malone wondered about that for quite a while. Who'd just walk off and leave one crutch in a car? But people did things like that all the time, he finally told himself heavily. There wasn't any explanation for it, and there probably never would be.

But in spite of the majestic assortment of valuables found in the cars, there was no sign of anything remotely resembling an electro-psionic brain. Dr. Leibowitz had found just about everything— except what he was looking for.

At a quarter to three, Malone gave up. The search wasn't quite finished, but he'd heard enough to last him for a long time. He grabbed a cab downstairs and went over to Lynch's office to meet Kettleman.

The "social worker or something" was a large, balding man about six feet tall. Malone estimated his weight as close to two hundred and fifty pounds, and he looked every pound of it; his face was round without being chubby, and his body was stocky and hard. He wore black-rimmed glasses, and he was going bald in front. His face was like a mask; it was held in a gentle, almost eager expression that Malone would have sworn had nothing to do with the way Kettleman felt underneath.

Lynch performed the introductions, escorted the two of them to one of the interrogation rooms at the rear of the station, and left them there, with, "If either of you guys comes up with anything, let me know," for a parting shot.

Kettleman blinked slowly behind his glasses. "Mr. Malone," he said, "I understand that the FBI is interested in one of the—ah—adolescent social groups with which I work."

"The Spooks," Kettleman said. His voice was rather higher than Malone would have expected, oddly breathy without much depth to it. "My, yes. I did want to talk to somebody about it, and I thought you might be the man."

"I'll be interested in anything you have to say," Malone said diplomatically. He was beginning to doubt whether he'd get any real information out of Kettleman. But it was impossible to tell. He sat back in a hard wooden chair and tried to look fascinated.

"Well," Kettleman said tentatively, "the boys themselves have sort of a word for it. They'd say that there was something oddball about the Spooks. Do you understand? Not just the fact that they never drink liquor, but—"

"Ah," Kettleman said. " Strange. Of course." He acted, Malone thought, as if he had never heard the word before, and was both pleased and startled by its sound. "Perhaps I had better explain my position a little more clearly," he said. "That will give you an idea of just where I 'fit into' this picture."

"Whatever you think best," Malone said, resigning himself to a very dull hour. He tried to picture Kettleman in the midst of a gang of juvenile delinquents. It was very hard to do.

"I'm a social worker," Kettleman said, "working on an individual basis with these—social groups that the adolescents have formed. It's my job to make friends with them, become accepted by them, and try to turn their hostile impulses toward society into more useful, more acceptable channels."

"I see," Malone said, feeling that something was expected of him.
"That's fine."

"Oh, we don't expect praise, we social workers," Kettleman said instantly. "The worth of a good job well done, that's enough for us." He smiled. The effect was a little unsettling, as if a hippopotamus had begun to laugh like a hyena. "But to continue, Mr. Malone," he said.

"I've worked with many of the organizations in this neighborhood," Kettleman said. "And I've been quite successful in getting to know them, and in being accepted by them. Of course, the major part of my job is more difficult, but—well, I'm sure that's enough about my own background. That isn't what you're interested in, now, is it?"

He looked penitent. Malone said, "It's all right. I don't mind." He shifted positions on the hard chair.

"Well, then," Kettleman said, with the air of a man suddenly getting down to business. He leaned forward eagerly, his eyes big and bright behind the lenses. "There's something very peculiar about those boys," he said in a whisper.

"Very peculiar indeed," Kettleman said. "My, yes. All of the other social groups are afraid of them."

"Oh, my, no," Kettleman said. "My goodness, no. All of the Spooks are rather slight, as a matter of fact. They've got something , but it isn't strength."

"I doubt if—in the language of my own groups—any one of the Spooks could punch his way out of a paper bag," Kettleman said. "It's more than that."

"Frankly," Malone said, "I'm inclined to agree with you. But what is this something that frightens everyone else?"

Kettleman leaned even closer. "I'm not sure," he said softly. "I can't say for certain, Mr. Malone. I've only heard rumors."

"Rumors are a very powerful force among my groups, Mr. Malone," Kettleman said. "I've learned, over the years, to keep my ear to the ground, as it were, and pay very close attention to rumors."

"Well," Kettleman said, and stopped. "Well," he said again. And at last he gulped and got it out. "Magicians, Mr. Malone. They say the Spooks are magicians—that they can come and go at will. Make themselves invisible. All sorts of things. Of course, I don't believe that, but—"

"Oh, my," Kettleman said. His face took on a whitish cast. "Oh, my goodness," he said. "Isn't that—isn't that amazing." He swallowed hard. "True all the time," he said.

"Oh," Kettleman said. "No. Of course not. My. It's—rather disconcerting to think about, isn't it?"

Kettleman fell silent. Malone offered him a cigarette, but the social worker refused with a pale smile, and Malone lit one for himself. He took a couple of puffs in the silence, and then Kettleman said, "Well, Mr. Malone, Lieutenant Lynch did say that I was to tell you everything I could about these boys."

"I'm sure we all appreciate that," Malone said at random, wondering exactly what he meant.

"There is—well, there is one more thing," Kettleman said.
"Ordinarily, of course, I wouldn't say anything about this to anyone.
In my line of work, Mr. Malone, you learn the need for confidence. For
being able to keep one's word."

"And we certainly try to keep the confidence of the boys," Kettleman said maddeningly. "We wouldn't betray them to the police in any way unless it were absolutely necessary."

"Betray them? Mr. Kettleman," Malone said, "just what are you trying to tell me?"

"It's about their meeting place," Kettleman said. "Oh, my. I'm not at all sure I ought to tell you this." He wrung his pale fat hands together and looked at Malone appealingly.

"Now, now," Malone said, feeling foolish. "It's perfectly all right. We don't want to hurt the Spooks. Not any more than we have to. You can tell me, Mr. Kettleman."

"Oh," Kettleman said. "Well, the Spooks do have a sort of secret meeting place, you know. And they meet there."

"Oh, it's a big empty warehouse," Kettleman said. "I really feel terrible about this. They're meeting there tonight sometime, or that's what the rumors say. I shouldn't be telling you—"

"Of course you should," Malone said, trying to sound reassuring.
"Don't worry about a thing, Mr. Kettleman. Tonight?"

"That's right," Kettleman said eagerly. He grinned, and then looked morosely down at his hands.

"Do you know where this warehouse is?" Malone said. "If any of the other little social groups use it—"

"Oh, no, they don't," Kettleman said. "That's what makes it so funny. You see, the warehouse is deserted, but it's kept in good repair; there are bars on the windows, and it's protected by all sorts of alarm systems and things like that. So none of the others can use it. Only the Spooks. You can't get in without a key, not at all."

"Oh, no," Kettleman moaned. "They don't have a key. At least, that's what the other groups say. The Spooks just—just melt borough the walls, or something like that."

Malone sighed. "Please, Mr. Kettleman. You know we're working for the good of those boys, don't you?"

Kettleman blinked behind his glasses, and moaned a little. Malone waited with his hands tense in his lap. At last Kettleman said, "It's on West Street, near Chambers. That's downtown." He gave Malone an address. "That's where it is," he said. "But you won't do anything to the boys, will you? They're basically good boys. No matter what. And they—"

"Don't worry about it, Mr. Kettleman," Malone said. "We'll take care of the Spooks."

"Well, now," Kettleman said, "I don't really know. You see, the reason I wanted to tell you all this was because Lieutenant Lynch was checking up on all those boys yesterday, and I thought…" He stopped and cleared his throat, and when he began again his voice had dropped almost to a whisper. "Well, Mr. Malone, I thought, after all, that since he was asking me questions—you know, questions about where the Spooks were, and all of that—since he was asking me questions…"

"I thought perhaps I ought to tell you about them," Kettleman said.
"Where they were, and all of that."

Malone stood up. "Mr. Kettleman," he said in his most official voice, "I want you to know that the FBI appreciates what you've done. Your information will probably be very helpful to us, and the FBI certainly commends you for being public-spirited enough to come to us and tell us what you know." He thought for a second, and then added, "In the name of the FBI, Mr. Kettleman—well done!"

Kettleman stared, smiled, and gulped. "My goodness," he said. "Well."
He smiled again, a little more broadly. "One has one's duty, you know.
My, yes. Duty." He nodded to Malone.

"Of course," Malone said, going to the door and opening it. "Thanks again, Mr. Kettleman."

Kettleman saw the open door and headed for it blindly. As he left he flashed one last smile after Malone, who sighed, shut the door, and leaned against it for a second.

When he had recovered, he opened the door again and peered carefully down the hallway to make sure Kettleman had gone. Then he left the interrogation room and went down the hall, past the desk sergeant, and up the stairs to Lieutenant Lynch's office. He was still breathing a little hard when he opened Lynch's door, and Lynch didn't seem to be expecting him at all. He was very busy with a veritable snow flurry of papers, and he looked as if he had been involved with them steadily ever since he had left Malone and Kettleman alone downstairs.

Lynch looked up, his face a mask of surprise. "Oh," he said. "It's you. Through with Kettleman?"

"I'm through," Malone said. "As if you didn't know." He looked at
Lynch for a long minute, and then said, "Lieutenant…"

Lynch had gone right back to his papers. He looked up again with a bland expression. "Yes?"

Lynch shrugged. "He's always been pretty good with the kids, if that's what you mean. You know these social workers—I've never got much information out of him. He feels it's his duty to the kids—I don't know. Some such thing. Why do you ask?"

"Well," Malone said, "what he told me. Was he kidding me? Or does he know what he's talking about? Was what he said reasonably accurate?"

"How would I know?" Lynch said. "After all, you were down there alone, weren't you? I was up here working. If you'll tell me what he said, maybe I'll be able to tell you whether or not I think he was kidding."

Malone placed both his palms on the lieutenant's desk, mashing a
couple of piles of papers. He leaned forward slowly, his eyes on
Lynch's bland, innocent face. "Now look, Lynch," he said. "I like you.
I really do. You're a good cop. You get things done."

"Come on, now," Malone said. "I know that room was bugged, just as well as you do. It was the sensible thing for you to pull, and you pulled it. You've got the whole thing recorded, haven't you?"

"All right," Lynch said. "So I recorded the conversation. Kill me. Crucify me. I'm stealing FBI secrets. I'm a spy secretly working for a foreign power. Take me out and electrocute me."

"I don't want to fight you," Malone said wearily. "So you've got the stuff recorded. That's your business."

"This is touchy stuff," Malone said. "We're going to have to take a lot of care in handling it. And I don't want you throwing raids all over the place and mixing everything up."

"Eventually," Malone said, "I'm going to need your help with these kids. But for right now, I want to handle this my way, without any interference."

"You wanted information," Malone said. "Fine. That's all right with me. You got the information, and that's okay too. But if you try to use it before I say the word, I'll—I'll talk to good old Uncle John Henry Fernack. And he'll help me out; he'll give you a refresher course on How To Be A Beat Cop. In Kew Gardens. It's nice and lonely out there now, Lynch, You'd love it."

"I won't argue with you, Malone," Lynch said. "I've been trying to tell you something."

Lynch took a deep breath. "Malone, I'm not trying to queer your pitch," he said. "If I were going to pull a raid, here's what I'd have to do: get my own cops together, then call the precinct that covers that old warehouse. We don't cover the warehouse from here, Malone, and we'd need the responsible precinct's aid in anything we did down there."

"Not only that," Lynch said. "I'd have to call Safe and Loft, and get them in on it. A warehouse raid would probably be their baby first of all. That means it takes this precinct, the warehouse precinct, and the Safe and Loft Squad, all together, to raid that warehouse. Malone, would I pull a raid at this stage, if I had to go through all that, without knowing what the hell I was going to find down there?"

"If those kids can just appear and disappear at will," Lynch said, "I'm not going to pull a raid on them, and end up looking like a damn fool, until I've got some way of making sure they're there when the raid goes through."

"There's only one thing I want," Lynch said. "I want to be able to move as soon as possible."

"And that means I'm going to have to be informed," Lynch said. "I want to know what's going on, as fast as possible."

Malone nodded gently. "Sure," he said. "I'll tell you everything that happens—as soon as I know myself. But right now, I haven't got a thing for you. All I have is a kind of theory, and it's pretty screwy."

He stopped. Lynch looked up at him. "How screwy can it get?" he said.
"The facts are nutty enough."

"You have absolutely no idea," Malone assured him. "I'm not even saying a word about this, not until I prove it out one way or another. I'm not even thinking about it—not until it stops sounding so nutty to me."

"Okay, Malone," Lynch said. "I can see a piece of it, if no more. The
Fueyo kid vanishes mysteriously—never mind all that about you getting
him out of the interrogation room by some kind of confidential method.
There isn't any confidential method. I know that better than you do."

"So the kid disappears," Lynch said, brushing Malone's question away with a wave of his hand. "So now I hear all this stuff from Kettleman. And it begins to add up. The kids can disappear somehow, and reappear some place else. Walk through walls?" He shrugged. "How should I know? But they can sure as hell do something like it."

Malone nodded. "Nobody likes it," he said. "But keep it under your hat. I'll give you everything I have—whenever I have anything. And by the way—"

"Thanks for giving me and Kettleman a chance to talk," Malone said.
"Even if you had reasons of your own."

"I was a little suspicious," Malone said. "I didn't think you'd give
Kettleman to me without getting something for yourself."

Lynch picked up a handful of papers. "I've got all this work to do," he said. "So I'll see you later."

"I'll yell," Malone said. "Don't worry about that. I'll yell loud enough to get myself heard in Space Station One."

The afternoon was bright and sunny, but it didn't match Malone's mood. He got a cab outside the precinct station and headed for 69th Street, dining off his nails en route. When he hit the FBI headquarters, he called Washington and got Burris on the line.

He made a full report to the FBI chief, including his wild theory and everything else that had happened. "And there was this notebook," he said, and reached into his jacket pocket for it.

Malone tried to remember if he'd left the book in his room. He couldn't quite recall. "This book I picked up," he said, and described it. "I'll send it on, or bring it in when the case is over."

Malone went on with his description of what had happened. When he'd finished, Burris heaved a great sigh.

"My goodness," he said. "Last year it was telepathic spies, and this year it's teleporting thieves. Malone, I hate to think about next year."

"Oh, just because," Malone said. "I haven't even had time to think about next year yet. But I'll think about it now."

Burris' eyes closed. "All right, Malone," he said after a little
pause. "Let's get back to the report. At least it explains the red
Cadillac business. Sergeant Jukovsky was hit by a boy who vanished.
Vanished. My God."

"I was hit by a boy who vanished, too," Malone said bitterly. "But of course I'm just an FBI agent. Expendable. Nobody cares about—"

Malone tried to stop himself from beaming, but he couldn't. "Well,
Chief," he began, "I—"

"Vanishing boys," Burris muttered. "What are you going to do with them, Malone?"

"Well," Malone said, "I suppose I'll figure it out. When I catch them.
But I did want something from you, Chief."

"I want you to get hold of Dr. O'Connor, out at Yucca Flats, if you can. He's the best psionics man Westinghouse has right now, and I might need him."

"Well," Malone said, "these kids are teleports. And maybe there's some way to stop a teleport. Give him a good hard kick in the psi, for instance."

"Never mind," Malone said savagely. "But if I'm going to get any information on what makes teleports tick, I'm going to have to get it from Dr. O'Connor. Right?"

"I'll have him call you," Burris said. "Meanwhile—well, meanwhile just carry on, Malone. I've got every confidence in you."

Then he started to think. The notebook wasn't in his pockets. He checked every one, even the jacket pocket where he usually kept a handkerchief and nothing else. It wasn't anywhere on his person.

He thought about that for several minutes, and finally decided that he hadn't. He hadn't taken it out of his pocket, for one thing, and if it had fallen to the ground he couldn't have helped seeing it. Of course he'd put his wallet, keys, change, and other such items on the dresser, and then replaced them in his pockets in the morning. But he could remember how they'd looked on the dresser.

Now that he came to think of it, when had he seen the notebook last? He'd shown it to Lieutenant Lynch during the afternoon, and then he'd put it back in his pocket, and he hadn't looked for it again.

So it had to be somewhere in one of the bars he'd visited, or at the theater where he and Dorothy had seen The Hot Seat .

Proud of himself for this careful and complete job of deduction, he strolled out and, giving Boyd and the Agent-in-Charge one small smile each, to remember him by, he went into the sunlight, trying to decide which place to check first.

He settled on the theater because it was most probable. After all, people were always losing things in theaters. Besides, if he started at the theater, and found the notebook there, he could then go on to a bar to celebrate. If he found the notebook in a bar, he didn't much relish the idea of going on to an empty theater in the middle of the afternoon to celebrate.

Shaking his head over this flimsy structure of logic, he headed down to The Hot Seat . He banged on the lobby doors for a while without any good result, and finally leaned against one of the side doors, which opened. Malone fell through, recovered his balance, and found himself facing an old bewhiskered man with a dustpan, a broom, and a surprised expression.

"Try a stationery store, youngster," the old man said. "I thought I'd heard 'em all, but—"

"I don't got to understand," the old man said. "That's what's so restful about this here job. I just got to sweep up. I don't got to understand nothing. Good-bye."

The old man led Malone in silence to a cave deep in the bowels of the theater, where he went behind a little desk, took up a pencil as if it were a club, held it poised over a sheet of grimy paper, and said, "Name?"

"Got to give me your name, youngster," the old man said solemnly.
"It's the rules here."

The old man, fiercely scribbling, looked up. "Wait a minute, can't you?" he said. "I ain't through 'Kenneth' yet." He wrote on, and finally said, "Address?"

"Hotel New Yorker," Malone said. "In Manhattan?" the old man said.
"That's right," Malone said wearily.

"Ah," the old man said. "Tourist, ain't you? Tourists is always losing things. Once it was a big dog. Don't know yet how a dog got into this here theater. Had to feed it for four days before somebody showed up to claim it. Fierce-looking animal. Part bloodhound, part water spaniel."

"Nothing's impossible," the old man said. "Work for a theater long enough and you find that out. Part bloodhound, I said, and part water spaniel. Should have seen that dog before you start talking about impossibilities. Hell of a strange-looking beast. And then there was the time—"

Malone heaved a great sigh. "Black plastic," he said. "About so big."
He made motions with his hands. "No names or initials on it. But the
first page had my name written on it, along with Lieutenant Peter
Lynch."

"My, my," the old man said. "Valuable notebook, with a cop's name in it and all. You a cop, youngster?"

"Too bad," the old man said obscurely. "I like cops." He stood up.
"You said black plastic? Black?"

"Got no notebooks at all here, youngster," the old man said. "Empty billfold, three hats, a couple of coats, and some pencils. And an umbrella. No dogs tonight, youngster, and no notebooks."

"What is it, youngster?" the old man said. "I'm busy this time of day.
Got to sweep and clean. Got work to do. Not like you tourists."

With difficulty, Malone leashed his temper. "Why did I have to describe the notebook?" he said. "You haven't got any notebooks at all."

"That's the rules," the old man said. "And I ain't about to go against the rules. Not for no tourist." He put the pencil down and rose. "Wish you were a cop," he said. "I never met a cop. They don't lose things like people do."

Making a mental note to call up later and talk to the manager, if the notebook hadn't turned up in the meantime, Malone went off to find the bars he had stopped in before the theater.

Saving Topp's for last, he started at the Ad Lib, where a surprised bald-headed man told him they hadn't found a notebook anywhere in the bar for something like six weeks. "Now if you'd been looking for umbrellas," he said, "we could have accommodated you. Got over ten umbrellas downstairs, waiting for their owners. I wonder why people lose so many umbrellas?"

"I don't know," the bald man said. "I'm sort of a psychologist—you know, a judge of people. I think it's an unconscious protest against the fetters of a society which is slowly strangling them by—"

Malone said good-bye in a hurry and left. His next stop was the Xochitl, the Mexican bar on 46th Street. He greeted the bartender warmly.

"A little black plastic book," Malone said, making motions, "about so big. And it—"

"Sure I lost him," Malone said. "I mean it . Would I be looking for it if I hadn't lost it?"

"Oh," the bartender said. "I only say that. Make customer feel good, think we miss him. Customers like, so we do. What your name?"

The last stop was Topp's. Well, he had to find the notebook there. It was the only place the notebook could be. That was logic, and Malone was proud of it. He walked into Topp's, trying to remember the bartender's name, and found it just as he walked into the bar.

The bartender stared at him. "I'm not Wally," he said. "Wally's the night barman. My name's Ray."

"I lost the notebook here yesterday evening, between six and eight. If you'll just take me to the Lost and Found—"

In a few seconds he was back. "I didn't see the notebook myself, sir," he said. "But if Wally picked it up, he'd have turned it over to the maître d'. Perhaps you'd like to check with him."

"Sure," Malone said. The daytime maître d' turned out to be a shortish, heavy-set man with large blue eyes, a silver mane, and a thin, pencil-line mustache. He was addressed, for no reason Malone was able to discover, as BeeBee.

Ray introduced them. "This gentleman wants to know about a notebook," he told BeeBee.

Malone explained at length. BeeBee nodded in an understanding fashion for some moments and, when Malone had finished, disappeared in search of the Lost and Found. He came back rather quickly, with the disturbing news that no notebook was anywhere in the place.

"Well," BeeBee said, "it isn't. Maybe you left it some place else.
Maybe it's home now."

Malone sighed. "I've tried every place I've been. The notebook couldn't be somewhere I haven't been. A rolling stone follows its owner." He thought about that. It didn't seem to mean anything, but maybe it had. There was no way to tell for sure.

He went back to the bar to think things over and figure out his next move. A bourbon and soda while thinking seemed the obvious order, and Ray bustled off to get it.

Had he left the notebook on the street somewhere, just dropping it by accident? Malone couldn't quite see that happening. It was, of course, possible; but the possibility was so remote that he decided to try and think of everything else first. There was Dorothy, for instance.

He didn't remember doing it, and he didn't quite see why he would have. Most of the evening was more or less clear in his mind; he hadn't apparently, forgotten any other details, either.

All the same, it was an idea. He decided to give the girl a call and find out for sure. Maybe she remembered something that would help him, anyway.

He took the drink from Ray and slid off the bar stool. Two steps away, he remembered one more little fact.

He didn't have her number, and he didn't know anything about where she lived, except that it could be reached by subway. That, Malone told himself morosely, limited things nicely to the five boroughs of New York.

And she said she was living with her aunt. Would she have a phone listing under her own name? Or would the listing be under her aunt's name, which he also didn't know?

There were lots and lots of people named Dorothy Francis, in Manhattan and in all the other boroughs.

Malone went back to the bar to think some more. He was on his second bourbon and soda, still thinking but without any new ideas, when BeeBee tapped him gently on the shoulder.

Malone stared at him. "I think it's fine," he said, "but I'd love to know why you asked me."

"Well," BeeBee said, "I knew you couldn't be American. Not after the phone call. You don't have to hide your nationality here; we're quite accustomed to foreign visitors. And we don't have special prices for tourists."

Malone waited two breaths. "Will you please tell me," he said slowly, "what it is you're talking about?"

"Certainly," BeeBee said with aplomb. "There's a call for you in the upstairs booth. A long-distance call, personal."

"Oh," Malone said. "Who'd know I was—" He stopped, thinking hard.
There was no way for anybody in the world to know he was in Topp's.
Therefore, nobody could be calling him. "They've got the wrong name,"
he said decisively.

"Oh, no," BeeBee said. "I heard them quite distinctly. You are Sir
Kenneth Malone, aren't you?"

Malone gaped for one long second, and then his mind caught up with the facts. "Oh," he said. "Sure." He raced upstairs to the phone booth, said, "This is Sir Kenneth Malone," into the blank screen, and waited.

After a while an operator said, "Person-to-person call, Sir Kenneth, from Yucca Flats. Will you take this call?"

"I'll take it," Malone said. A face appeared on the screen, and Malone knew he was right. He knew exactly how he'd been located, and by whom.

Looking only at the face in the screen, it might have been thought that the woman who appeared there was somebody's grandmother, kindly, red-cheeked, and twinkle-eyed. Perhaps that wasn't the only stereotype; she could have been an old-maid schoolteacher, one of the kindly schoolteachers who taught, once upon a time that never was, in the little red schoolhouses of the dim past. The face positively radiated kindliness, and friendship, and peace.

But if the face was the face of a sentimental dream, the garb was the garb of royalty. Somebody's grandmother was on her way to a costume party. She wore the full court costume of the days of Queen Elizabeth I, complete with brocaded velvet gown, wide ruff collar, and bejeweled skullcap.

Like all the other telepaths Malone and the rest of the FBI had found during their work in uncovering a telepathic spy, she had been located in an insane asylum. Months of extensive psychotherapy, including all the newest techniques and some so old that psychiatrists were a little afraid to use them, had done absolutely nothing to shake the firm conviction in the mind of Miss Rose Thompson.

She claimed she was immortal, which was not true. She also claimed to be a telepath. This was perfectly accurate. It had been her help that had enabled Malone to find the telepathic spy, and a grateful government had rewarded her.

It had given her a special expense allotment for life, covering the clothing she wore, and the style in which she lived. Rooms had been set aside for her at Yucca Flats, and she held court there, sometimes being treated by psychiatrists and sometimes helping Dr. Thomas O'Connor in his experiments and in the development of new psionic machines.

Malone stared at her. For a second he could think of nothing to say but, "My God." He said it.

"Good afternoon, Sir Kenneth," she said, and waited. After a second
Malone figured out what she was waiting for.

He inclined his head in as courtly a bow as he could manage over a visiphone. "I am deeply honored," he said, "that Your Majesty has called on me. Is there any way in which I might be of service?"

"Oh, goodness me, no," said the little old lady. "I don't need a thing. They do one very well here in Yucca Flats. You must come out soon and see my new throne room. I've had the decorations done by—but I can see you're not interested in that, Sir Kenneth."

"But—" Malone realized it was useless to argue with the old lady. She was telepathic, and knew exactly what he was thinking. That, after all, was how he had been located; she had mentally "hunted" for him until she found him.

"I'll tell you why, Sir Kenneth," the little old lady said. "I'm worried about you."

"Certainly," the little old lady said, inclining her head just the proper number of degrees, and raising it again. "You, Sir Kenneth, and that silly little notebook you lost. You've been stewing about it for the last hour."

It was obvious that, for reasons of her own, the Queen had seen fit to look into Malone's mind. She'd found him worrying, and called him about it. It was, Malone thought, sweet of her in a way. But it was also just a bit disconcerting.

He was perfectly well aware that the Queen could read his mind at any distance. But unless something reminded him of the fact, he didn't have to think about it.

"Don't be disturbed," the Queen said. "Please. I only want to help you, Sir Kenneth; you know that."

"What?" Malone said, and added at once, "Your Majesty." He knew perfectly well, of course, that Miss Thompson was not Queen Elizabeth I—and he knew that Miss Thompson knew what he thought.

But she didn't mind. Politeness, she held, was the act of being pleasant on the surface, no matter what a person really thought. People were polite to their bosses, she pointed out, even though they were perfectly sure that they could do a better job than the bosses were doing.

So she insisted on the surface pretense that Malone was going through, treating her like a Queen.

The psychiatrists had called her delusion a beautifully rationalized one. As far as Malone was concerned, it made more sense than most of real life.

"That's very nice of you, Sir Kenneth," the Queen said. "But I ask you again, what kind of detective are you? Haven't you got any common sense at all?"

Malone hated to admit it, but he had always had just that suspicion. After all, he wasn't a very good detective. He was just lucky. His luck had enabled him to break a lot of tough cases. But some day people would find out, and then—

"Well," the Queen said, "at the very least you ought to act like a detective." She sniffed audibly. "Sir Kenneth, I'm ashamed that a member of my own FBI can't do any better than you're doing now."

Malone blinked into the screen. He did feel ashamed in a vague sort of way, and he was willing to admit it. But he did feel, wistfully, that it would be nice to know just what he was being ashamed of. "Have I been missing something?" he said.

"Outside of the obvious," the Queen said, "that you've been missing your notebook—or rather Mike Fueyo's notebook—"

"You certainly have," the Queen said. "Don't you see what happened to that notebook? You've been missing the only possible explanation."

"I knew you could do it," the Queen said. "All you had to do was apply your intelligence, and you'd come up with just the fact you needed."

"All right," Malone said, and stopped and took a deep breath. "My God," he said after a pause. "What is that supposed to mean? Did I give it to her after all?"

"Yes, I know," the Queen said sympathetically. "You're upset. But you didn't give Miss Francis the notebook, and she didn't find it after you'd lost it."

"I imagine she took it right from your jacket pocket," the Queen said. "Now, if you'd only wear proper clothing, and a proper pouch at your belt—"

"No one in New York would stare at you," the Queen said. "They'd think it was what they call an advertising stunt."

"Anyhow," Malone said, "I wasn't wearing court clothing. So that made it easy for her to steal the notebook. But why, for God's sake? Why?"

"Please, Sir Kenneth," the Queen said. "Don't talk to your Sovereign in that manner. And I do wish you'd stop thinking of that girl as Dorothy Francis. She isn't at all, you know."

"No," Malone said. "I don't know. If she isn't Dorothy Francis, who in hell is she?"

"Don't swear, Sir Kenneth," the Queen said. "She's Dorothea Francisca
Fueyo, if you want to know."

Malone put in a great deal of time, he imagined, just staring at the face of the little old lady on the screen. At last he spoke. "My God," he said. "Her name is Fueyo. I'll be damned."

"I've told you," the Queen said with some asperity, "not to swear, Sir
Kenneth."

"You're excited," the Queen said. "You're stunned. Goodness, you don't need to tell me that, Sir Kenneth. I know."

"But she's—" Malone discovered that he couldn't talk. He swallowed a couple of times and then went on. "She's Mike Fueyo's sister."

"That's exactly right, Sir Kenneth," the Queen said. "That's just what
I told you."

"Then she swiped the book to protect her little brother," Malone said.
"Oh, boy."

"And she doesn't care about me at all," Malone said. "I mean, she only went out with me because I was me. Malone. And she wanted the notebook. That was all there was to it." He added an expletive. The Queen frowned, but said nothing about it.

"I wouldn't say that if I were you," she went on. "Quite the contrary. She does like you, you know. And she thinks you're a very nice person." The Queen beamed. "You are, you know," she said.

"You don't have to think that she merely went out with you because of her brother's notebook," the Queen said. "But she does have a strong sense of loyalty—and he is—her younger brother, after all."

"You see," the Queen continued imperturbably, "Mike told her about losing the notebook the other night—when he struck you."

"He guessed that you must have it when you started asking questions about the Silent Spooks, you see," the Queen said. "That was the only way you could have found out about him—unless you were telepathic. Which, of course, you're not."

"Now, understand me," the Queen said. "I do not think that his striking you was a very nice act."

"Certainly," the Queen said. "But he didn't hurt the car any, and he didn't want to. He just wanted to ride around in it for a while."

"Well, now," the Queen said. "You just go right on over to her house.
Of course she doesn't live with an aunt."

"She'll give you the book, Sir Kenneth. I just know that she will. And I want you to be very nice to her when you ask for it. She's a very nice girl, you know."

"How come you can read her thoughts?" Malone said. "And Mike's? I thought you had to know somebody pretty well before you could read them at a distance like this. Do you? Know them, I mean."

"Oh, no," the Queen said. "But I can read you , of course." Malone could see that the Queen was trying very hard not to look proud of herself. "And last night," she went on, "you two were—well, Sir Kenneth, you had a real rapport with each other. My goodness, yes."

"Don't explain, Sir Kenneth," the Queen said. "It really isn't necessary; I thought it was very sweet. And, in any case, I can pick her up now. Because of that rapport. Not quite as well as I can pick you up, but enough to get the strong surface thoughts."

"I can't pick him up at all, this far away," the Queen said. "There is just a faint touch of him, though, through the girl. But all I know about him is what she thinks." She smiled gently. "He's a nice boy, basically," she said.

"Sure he is," Malone said. "He's got a nice blackjack, too—basically." He grimaced. "Were you reading my mind all last night?" he said.

"Well," the Queen said, "no. Toward morning you were getting so fuzzy
I just didn't bother."

The queen nodded. "But toward afternoon," she said, "I didn't have anything to do, so I just listened in. You do have such a nice mind, Sir Kenneth. So refreshing and different. Especially when you're in love."

"Oh, I know," the Queen said. "You'd much rather think of yourself as a sort of apprentice lecher, a kind of cynical Don Juan, but—"

"Basically, I'm a nice boy," Malone said. "Sure I am." He paused. "Do you have any more pertinent information, Your Majesty?"

"Not right now," the Queen admitted. "But if I do, I'll let you know." She giggled. "You know, I had to argue awfully hard with Dr. Hatterer to get to use the telephone," she said.

"But I did manage," she said, and winked. "I won't have that sort of trouble again."

Malone wondered briefly what dark secret Dr. Hatterer had, that Her Majesty had discovered in his mind and used to blackmail him with. At last he decided that it was probably none of his business, and didn't matter too much anyway.

"Good-bye, Your Majesty," Malone said. He bowed again, and flipped off the phone. Bowing in a phone booth wasn't the easiest thing in the world to do, he thought to himself. But somehow he had managed it.

He reached into his pocket, half-convinced for a moment that it was an Elizabethan belt-pouch. Talks with Her Majesty always had that effect; after a time, Malone came to believe in the strange, bright world. But he shook off the lingering effects of her psychosis, fished out some coins and thought for a minute.

So Dorothy—Dorothea—had lifted the notebook. That was some help, certainly. It let him know something more about the enemy he was facing. But it wasn't really a lot of help.

Her Majesty had suggested going to the Fueyo house, collaring the girl (but treating her nicely, Malone reminded himself) and demanding the book back. She'd even said he would get the book back, and since she knew some of what went on in Dorothea Fueyo's mind, she was probably right.

He knew everything that was in the book. Getting it back was something that could wait. It didn't sound particularly profitable, and it didn't even sound like fun.

What he needed was a next move. He thought for a minute, dropped the coins into the phone and dialed the number of the Police Commissioner's office. After a brief argument with a secretary, he had Fernack on the phone. And this time, Malone told himself, he was going to be polite.

"Good afternoon, John Henry," he said sunnily, when the commissioner's face was finally on the screen. "Can you get me some more information?"

"On what?" Malone said, telling himself he wasn't going to get irritated, and knowing perfectly well that he was lying.

"Well," Malone said, "there's a warehouse I want to know some more about. Who the owner is, for one thing, and—"

Fernack nodded. "I've got it," he said. He fished around on his desk, and brought up a sheet of paper. He held it up to the screen while Malone copied off the name and address. "Lieutenant Lynch told me all about it."

"He said he wouldn't do anything, and he won't," Fernack said. "He just reported it to me for my action. He knew I was working with you, Malone. And I am his boss, remember."

"Hold it, Malone," Fernack said. "I'd like a little information too, you know. I'd like to know just what the hell is going on, if it isn't too much trouble."

"It's not that, John Henry," Malone said earnestly. "Really. It's just that I—"

"All this about vanishing boys," Fernack said. "Disappearing into thin air. All this nonsense."

"All right," Fernack said indulgently. "Boys disappear every day like that. Sure they do." He leaned toward the screen and his voice was as hard as his face. "Malone, are these kids mixed up with those impossible robberies you had me looking up?"

Fernack's face had begun its slow climb toward purple again. "Malone," he said, "if you're suppressing evidence, even if you are the FBI, I'll—"

"I'm not suppressing any evidence," Malone said. "I don't think you could prove a connection. I don't think I could prove a connection. I don't think anybody could—not right now."

"John Henry," Malone said, "I want to ask you to keep your hands off this case. To let me handle it my way."

Fernack leaned all the way back in his chair, his face a mask of disappointment and frustration. "Malone," he said, "I wish I'd never heard of this case. I wish I'd been retired or died before it ever came up. I've been a police officer in New York for a long time, and I wish this case had waited a few more years to happen."

He stopped. Malone leaned against the back wall of the phone booth and lit a cigarette.

"That's right," Fernack said. "Good old Burris of the FBI. And he told me this was a National Security case. National Security! It's your baby, Malone, because Burris wants it that way." He snorted. "So don't worry about me," he said. "I'm just here to co-operate. The patriotic, loyal, dumb slave of a grateful government."

Malone blew out a plume of smoke. "You know, John Henry," he said, "you might have made a good FBI man yourself. You've got the right attitude."

"Okay," Malone said. "But tell me, did you actually make arrangements for me to get into that warehouse? I suppose you know that's what I want."

"I guessed that much," Fernack said. "I haven't made any arrangements at all yet, but I will. I'll have Safe and Loft get the keys, and a full set of floor plans to the place while they're at it. Will that do, Your Majesty?"

Malone choked on his smoke and shot a quick look over his shoulder. There was nothing there but the wall of the booth. Queen Elizabeth I was nowhere in evidence. Then he realized that Fernack had been talking to him.

Malone realized in one awful second how strange the explanation was going to sound. Could he say that he thought he'd been mistaken for an old friend of his, Elizabeth Tudor? Could he say that he'd just had a call from her?

"Not right now," Malone said. "I'll let you know, though And thanks,
John Henry. No matter why you're doing this, thanks."

"I don't deserve 'em," Fernack muttered. "And I hope you get caught in some kind of deadfall and have to come screaming to the cops."

That, Malone reflected, was the second time a cop had suggested his yelling if he got into trouble. Hadn't the police force ever heard of telephones?

Then he stared at the screen for a little while, as his cigarette burned down between his fingers. At last he put the cigarette out and went downstairs again to the bar.

If he had to do some heavy thinking, he told himself, there was absolutely no reason why he couldn't enjoy himself a little while doing it.

The evening rush had begun, and Malone found himself a stool simply by slipping into one while a drinker's back was turned. Once ensconced, he huddled himself up like an old drunk, thus effectively cutting himself off from interruptions, and lit another cigarette. Ray was down at the other end of the bar, chatting with a red-headed woman and her pale, bald escort. Malone sighed and set himself to the job of serious, constructive thinking.

How, he asked himself, do you go about catching a person who can vanish away like so much smoke?

Nailing the kids to a wall would probably work, but he couldn't say much else for it. There had to be another way out. For some reason, Malone just couldn't see himself with a mouthful of nails, a hammer, and a teen-ager.

That sounded a little better. The trouble was that Malone simply didn't have enough information, and knew it. Obviously, the kids could carry stuff with them when they teleported; the stuff they stole proved that. And their clothes, Malone added. Apparently the kids didn't arrive at wherever they went stark staring naked.

In other words, Malone thought, if you put handcuffs on a teleport, would the handcuffs vanish when the teleport did? And did that include the part of the cuff you were holding?

What happened if you snapped half the cuff around your own wrist first? Did you go along with the teleport? Or did your wrist go, while you stayed behind and wondered how long it would take to bleed to death?

All the questions were intriguing ones. Malone sighed, wishing he knew the answer to even one of them.

It was somewhat comforting to think that he'd managed to progress a little, anyway. The kids hadn't meant anybody to find out about them; but Malone had found out about them, and alerted all the cops in town, as well as the rest of the FBI. He knew just who they were, and where they lived, and how they performed the "miracles" they performed.

He tabled that thought, and went back to feeling victorious. Within a few seconds, the sense of achievement was gone, and futility had come in its place. After all, he still didn't know how to catch the kids, did he?

He thought about handcuffs some more and then gave up. He'd just have to try it and see how it worked. And if the teleports took his wrist away he'd—he'd go after them and make them give it back.

That reminded him of the notebook again, and since the thing was being so persistent, he decided he might as well pay some attention to it.

Dorothea had the notebook. Malone tried to see himself barging in on her and asking for it, and he didn't care for the picture at all—no matter how Good Queen Bess felt about it.

That didn't sound very effective. And besides, it wasn't really his notebook. He tried again.

Now, for some reason, it sounded like something covered by the Vice Squad. It sounded terrible. But there were other ways of saying the same thing.

That was too patronizing. Malone told himself that he sounded like a character straight out of 3-D screens, and settled himself gamely for another try.

And Malone thought about answering that one. "Queen Elizabeth told me," was the literal truth, but somehow it didn't sound like it. And he couldn't find another answer to give the girl.

"Damn it," Malone exploded, "that's not the question. Drinks have nothing to do with notebooks. It's notebooks I'm after. Can't you understand…" Belatedly, he looked up.

"I just came over," Ray said. "And I figured if you couldn't find your notebook, maybe you'd like a drink. So long as you're here."

"Ray," Malone said with feeling, "you are an eminently reasonable fellow. I accept your solution. Nay, more. I endorse your solution. Wholeheartedly."

Ray went off to mix, and Malone stared after him happily. This was really a nice place, he reflected; almost as nice as the City Hall Bar in Chicago, where he'd gone long ago with his father.

But he tore his mind away from the happy past, and concentrated instead on the miserable present. He decided for the last time that he was not going to ask Dorothea for the book—not just yet, anyhow. After all, it wasn't as if he needed the book; he knew his own name, and he knew Lynch's name, and he knew the names on the second page. And he didn't see any particular need for a picture of a red Cadillac, no matter how nicely colored it was.

Of course, it was technically a crime to pick pockets, and that went double or triple for the pockets of FBI agents. But Malone told himself that he didn't feel like pressing charges, anyhow. And Dorothy probably didn't make a habit of pocket-picking.

That is, he amended, as soon as he finished the drink that Ray was setting up in front of him.

By the time Malone reached the Hotel New Yorker it was six-twenty. Malone hadn't reckoned with New York's rush-hour traffic, and, after seeing it, he still didn't believe it. Finding a cab had been impossible, and he had started for the subway, hoping that he wouldn't get lost and end up somewhere in Brooklyn.

But one look at the shrieking mob trying to sardine itself into the Seventh Avenue subway entrance had convinced him it was better to walk. Bucking the street crowds was bad enough. Bucking the subway crowds was something Malone didn't even want to think about.

He let himself into his room, and was taking off his shoes with a grateful sigh when there was a rap on the door of the bathroom that connected his room with Boyd's. Malone padded over to the door, his shoes in one hand. "Tom?" he said.

Boyd pushed open the door. He was stripped to the waist, a state of dress which showed the largest expanse of chest Malone had ever seen, and he was carrying the small scissors which he used to trim his Henry VIII beard. He stabbed the scissors toward Malone, who shuffled back hurriedly.

"There was a call for you," Boyd said. "Long distance, just before I left at five. I came on back to the hotel and waited until I heard you come in. Thought you might want to know about it."

"I do, I guess," Malone said. "Who from?" Looking at Boyd, a modern-day Henry VIII, the association was too obvious to be missed. Malone thought of Good Queen Bess, and wondered why she was calling him again.

And—more surprising—why she'd called him at FBI headquarters, when she must have known that he wasn't there.

"Thanks." Malone went over to the phone, remembered his shoes and put them down carefully on the floor. "Anything else of importance?" he asked.

"On the Cadillacs," Boyd said. "We've got a final report now. Leibowitz and Hardin finally finished checking the last of them; there weren't quite as many as we were afraid there were going to be. Red isn't a very popular color around here."

"And there isn't a doggone thing on any of 'em," Boyd said. "Oh, we cleared up a lot of small-time crime, one thing and another, but that's about all. No such thing as an electro-psionic brain to be found anywhere in the lot. Leibowitz says he's willing to swear to it."

Boyd stabbed at him with the scissors again. "Then why did you cause all that trouble?" he said.

"Because I thought we might find electro-psionic brains," Malone said wearily. "Or one, anyhow."

Malone picked up the phone, got long distance, and motioned Boyd to silence in one sweeping series of moves. The long-distance operator said, "Yes, sir? May we help you?"

There was a buzz, a click, and a new voice which said, "Operator ni-yun. May we help you?"

"All nine of you?" Malone muttered. "Never mind. This is Kenneth
Malone. I've got a call from Dr. Thomas O'Connor at Yucca Flats.
Please connect me."

There was another buzz, a click and an ungodly howl which was followed by the voice of operator ni-yun saying, "We are connecting you. There will be a slight delay. We are sor-ree."

Malone waited. At last there was another small howl, and the screen lit up. Dr. O'Connor's face, as stern and ascetic as ever, stared through at Malone.

"Ah, yes," Dr. O'Connor said. "It's very good to see you again, Mr. Malone." He gave Malone a smile good for exchange at your corner grocery; worth, one icicle.

"Mr. Burris explained to me what it was that you wanted to talk to me about," O'Connor said, "Am I to understand that you have actually found a teleport?"

"Unless my theories are away off," Malone said, "I've done a lot better than that. I've found eight of them."

"Eight." Dr. O'Connor's smile grew perceptibly warmer. It now stood at about thirty-four degrees Fahrenheit. "That is really excellent, Mr. Malone. You have done a fine job."

"Thanks," Malone muttered. He wished that O'Connor didn't make him feel quite so much like a first-year law student talking to an egomaniacal professor.

"Well," Malone said carefully, "that depends." O'Connor seemed to view the teleports as pieces of equipment, he thought. "I can't deliver them until I catch them," he said. "And that's why I wanted to talk to you."

"Some slight delay," Dr. O'Connor said, "will be quite understandable." His face left no doubt that he didn't like the necessity of understanding anything that was going to keep him and the eight teleports apart for even thirty seconds longer, now that he knew about them.

"You see," Malone said, "they're kids. Juvenile delinquents, or something like that. But they are teleports, that's for sure."

"So we've got to nab them," Malone said. "And for that I need all the information I can get."

Dr. O'Connor nodded slowly. "I'll be happy," he said, "to give you any information I can provide."

Malone took a deep breath, and plunged. "How does this teleportation bit work, anyhow?" he said.

"You've asked a very delicate question," Dr. O'Connor said. "Actually, we can't be quite positive." His expression showed just how little he wanted to make this admission. "However," he went on, brightening, "there is some evidence which seems to show that it is basically the same process as psychokinesis. And we do have quite a bit of empirical data on psychokinesis." He scribbled something on a sheet of paper and said, "For instance, there's this." He held the paper up to the screen so that Malone could read it.

Malone looked at it for some seconds. At last he said, "It's very pretty. What the hell is it?"

"This," Dr. O'Connor said, in a condescending tone of voice that meant, You should have known all along, but you're just hopeless, "is the basic formula for the phenomenon, where m is the mass in grams, d is the distance in centimeters, f is the force in dynes, and t is the time in seconds. K is a constant whose value is not yet known, and the numeral 1 is unity."

Malone said, "Hmm," and stared at the equation again. Somehow, the explanation was not very helpful. The numeral 1 was unity. He understood that much, all right, but it didn't seem to do him any good.

"As you can see," Dr. O'Connor went on, "the greater the force, and the longer time it is applied, the greater distance any given mass can be moved. Or, contrariwise, the more mass, the greater mass, that is, the easier it is to move it any given distance. This is, as you undoubtedly understand, not at all in contradistinction to physical phenomena."

"Ah," Malone said, feeling that something was expected of him, but not being quite sure what.

Dr. O'Connor frowned. "I must admit," he said, "that the uncertainty as to the constant k , and the lack of any real knowledge as to just what kind of force is being applied, have held up our work so far." Then his face smoothed out. "Of course, when we have the teleports to work with, we may derive a full set of laws which—"

"But our work is most important, Mr. Malone," Dr. O'Connor said with a motion of his eyebrows. "As I'm sure you must understand."

"Oh," Malone said, feeling if he'd been caught without his homework, "of course. But if you don't mind—"

"What I want to know," Malone said, "is this. What are the limitations of this—uh—phenomenon?"

Dr. O'Connor brightened up thoroughly. "Well, theoretically," he said, "there do not appear to be any limitations. However, practical limitations do exist. If the process is at all parallel with psychokinesis, or with levitation"—he stared at Malone, as if daring him to say that it wasn't—"if that parallel exists, then the subject is mentally limited by his own physical strength."

"Try and be patient, Mr. Malone," O'Connor said calmly. "Please. As I was saying, the subject is limited by his own physical strength. In other words, he cannot move psionically any subject larger than he can lift physically. This appears to be a psychological limitation which—"

"Oh," Malone said. "You mean he couldn't carry off a building, or anything like that?"

"Of course not," Dr. O'Connor said. "Nor, as a matter of fact, could he carry off anything that was securely bolted down. I hope you follow me."

"I think so," Malone said. "But look here. Suppose you handcuffed him to, say, a radiator, or a jail cell bar."

Dr. O'Connor appeared to consider this with some care. "Well," he said at last, "he certainly couldn't take the radiator with him, or the cell bar. If that's what you mean." He hesitated, looked slightly shamefaced, and then went on: "But you must realize that we lack any really extensive data on this phenomenon."

"Dr. O'Connor," Malone said earnestly, "that's just what I had in mind from the start. I've been going to a lot of extra trouble to make sure that those kids don't get killed or end up in reform schools or something, just so you could work with them."

Malone felt as if someone had given him a gold star. Fighting down the emotion, he went on: "I know right now that I can catch one or two of them. But I don't know for sure that I can hold one for more than a fraction of a second."

"I see your problem," Dr. O'Connor said. "Believe me, Mr. Malone. I do see your problem."

"And is there a way out?" Malone said. "I mean a way I can hold on to them for—"

"Oh, fine," Malone said. "We need the kids to get the data, and we need the data to get the kids." He sighed. "Hooray for our side," he added.

"There does appear to be something of a dilemma here," Dr. O'Connor admitted sadly.

"Well," Malone said, "maybe one of us will think of something. If anything does occur to you, let me know at once."

"I certainly will," Dr. O'Connor said. "Believe me, Mr. Malone, I want you to capture those kids just as badly as you want to capture them yourself."

"I'll try," Malone said at random. He flipped off and turned with a sense of relief back to Boyd. But it looked as if Henry VIII had been hit on the head with a cow, or something equally weighty. Boyd looked glassy-eyed and slightly stunned.

"I'm not sick," Boyd said carefully. "At least I don't think I'm sick.
It's hard to tell."

Malone felt a sudden twinge in the area of his conscience. He realized that he had told Boyd nothing at all about what had been going on since the discovery of the notebook two nights ago. He filled his partner in rapidly, while Boyd stood in front of the mirror and rather shakily attempted to trim his beard.

"That's why I had the car search continue," Malone said. "I was fairly sure the fault wasn't in the cars, but the boys. But I had to make absolutely sure."

Boyd said, "Oh," chopped a small section out of the center of his beard and added, "Damn. My hand's shaky."

"It's a hell of a story," Boyd said. "And I don't want you to think I don't believe it. Because I don't."

"That doesn't affect me," Boyd said. "I'll go along with the gag. But enough is enough. Vanishing teenagers. Ridiculous."

"Oh, I'll go along," Boyd said. "This is my vacation too, isn't it?
What's the next move, Mastermind?"

"We're going down to that warehouse," Malone said decisively. "I've got a hunch the kids have been hiding there ever since they left their homes yesterday."

"Oh, nothing," Boyd said. "Nothing at all. Everything's fine and dandy. I think I'm going to commit suicide, but don't let that bother you."

Boyd stared at him. "You happened," he said. "You and the teen-agers and the bloody damn warehouse happened. Three days' work—ruined."

Malone scratched his head, found out that his head still hurt and put his hand down again. "What work?" he said.

"For three days," Boyd said, "I've been taking this blonde chick all over New York. Wining her. Dining her. Spending money as if I were Burris himself, instead of the common or garden variety of FBI agent. Night clubs. Theaters. Bars. The works. Malone, we were getting along famously. It was wonderful."

"Tonight," Boyd said, "was supposed to be the night. The big night. The payoff. We've got a date for dinner—T-bone steak, two inches thick, with mushrooms. At her apartment, Malone. She will probably—"

"You'll have to break it," Malone said sympathetically. "Too bad, but it can't be helped now. You can pick up a sandwich before you go."

"A sandwich," Boyd said with great dignity, "is not my idea of something to eat."

The warehouse was locked up tight, all right, Malone thought. In the dim light that surrounded the neighborhood, it stood like a single stone block, alone near the waterfront. There were other buildings nearby, but they seemed smaller; the warehouse loomed over Malone and Boyd threateningly. They stood in a shadow-blacked alley just across the street, watching the big building nervously, studying it for weak points and escape areas.

Malone's voice was equally low. "We'll have to assume they've got at least one kid posted," he said. "But they can't be watching all the time. Remember, they can't do everything."

"They don't have to," Boyd said. "They do quite enough for me. Do you realize that, right now, I could be—"

"Break it up," Malone said. He took a small handset from his pocket and pressed the stud. "Lynch?" he whispered.

"Not yet," Lynch's voice replied. "We're working on a triangulation now. Just hold on for a minute or so. I'll let you know as soon as we've got results."

The police squads—Lynch and his men, the warehouse precinct men, and the Safe and Loft Squad—had set up a careful cordon around the area, and were now hard at work trying to determine two things.

The silence of the downtown warehouse district helped. They had several specially designed, highly sensitive directional microphones aimed at the building from carefully selected spots around the area, trying to pick up the muffled sounds of speech or motion within the warehouse. The watchmen in buildings nearby had been warned off for the time being so that their footsteps wouldn't occlude any results.

Malone waited, feeling nervous and cold. Finally Lynch's voice came through again. "We're getting something, all right," he said. "There are obviously several people in there. You were right, Malone."

"Hold it a second," Lynch said. Wind swept off the river at Malone and Boyd. Malone closed his eyes and shivered. He could smell fish and iodine and waste, the odor of the Hudson as it passes the city. Across the river lights sparkled warmly. Here there was nothing but darkness.

Then Lynch's voice was back. "Sergeant McNulty says they're on the top floor, Malone," he said. "Can't tell how many for sure. But they're talking and moving around."

"It's a shame these things won't pick up the actual words at a distance," Malone said.

"Just a general feeling of noise is all we get," Lynch said. "But it does some good."

"If those mikes pick up any unusual ruckus—any sharp increase in the noise level—come running," Malone said. "Otherwise, just sit still and wait for my signal. Got that?"

"Wait a minute," Malone said. He took his goggles and brought them down over his eyes, adjusting the helmet on his head. Boyd did the same. Malone flicked on the infrared flashlight he held in his hand.

Thanks to the goggles, both of them could see the normally invisible beams of the infrared flashlight. They'd equipped themselves to move in darkness without betraying themselves, and they'd be able to see where a person without equipment would be blind.

Malone stayed well within the shadows as he moved silently around to the alley behind the warehouse, and then to a narrow passageway that led to the building next door. Boyd followed a few feet behind him along the carefully planned route.

Malone unlocked the small door that led into the ground floor of the building adjoining. As he did so, he heard a sound behind him and called, "Tom?"

Before there was any outcry, Malone rushed back. Boyd was struggling with a figure in the dimness. Malone grabbed the figure and clamped his hand over its mouth. It bit him. He swore in a low voice, and clamped the hand over the mouth again.

It hadn't taken him more than half a second to realize what, whoever it was who struggled in his arms, it wasn't a boy.

The struggle stopped immediately. Malone gently eased his hand off the girl's mouth. She turned and looked at him.

"All right," Dorothea said. "You must know anyhow, since you're here…. Yes, I'm looking for that fatheaded brother of mine. But now I suppose it's too late. He'll—he'll go to prison."

Boyd whispered: "Malone, what is this? It's a hell of a place for a date. And I—"

"Oh, shut up," Malone told him in a kindly fashion. He turned back to Dorothea. "I promise he won't," he said. "If I can just talk to your brother, make him listen to reason, I think we can get him and the others off. Believe me."

"Sure I mean it," Malone said. "What have I been saying? The
Government needs these kids."

"It's nothing to worry about," Malone said. "Just go on home now, and
I'll call you tomorrow. Late tonight, if I can. All right?"

Malone ignored him. He had a bigger fight on his hands. "I'm not going home," Dorothea announced. "I'm going in there with you. After all," she added, "I can talk more sense into Mike's head than you can."

Dorothea grinned in the darkness. "If you don't take me along," she said quietly, "I'll scream and warn them."

Malone surrendered at once. He had no doubt at all that Dorothea meant what she said. And, after all, the girl might really be some use to them. And there probably wouldn't be much danger.

"All right," he said. "Come along. Stick close to us, and don't worry about the darkness. We can see, even if you can't, so let us guide you. And for heaven's sake be quiet!"

Boyd shrugged. "Malone," he said, "who do you think you are? The Pied
Piper of Hamelin?"

Malone wheeled and went ahead. Opening the door, he played his I-R flashlight on the room inside and he, Boyd, and Dorothea trailed in, going through rooms piled with huge boxes. They went up an iron stairway to the second floor, and so on up to the roof.

They moved quickly across the roof to the wall of the warehouse, which was two stories higher than the building they were on. Of course there were no windows in the warehouse wall facing them, except on the top story.

But there was a single, heavy, fireproof emergency exit. It would have taken power machinery or explosive to open that door from the outside without a key, although from the inside it would open easily. Fortunately, Malone had a key.

He took it out and stepped aside. "Give that lock the works," he whispered to Boyd.

Boyd took a lubricant gun from his pocket and fired three silent shots of special oil into the lock. Then he shot the hinges, and the cracks around the door.

They waited for a minute or two while the oil, forced in under pressure, did its work. Then Malone fitted the key carefully into the lock and turned it, slowly and delicately.

The door swung open in silence. Malone slipped inside, followed by
Boyd and Dorothea Fueyo.

Infrared equipment went on again, and the eerie illumination spread over their surroundings. Malone tapped Boyd on the shoulder, and jerked his thumb toward the back stairs. This was plainly no time for talk.

They started for the stairway. Fortunately, the building was of the steel-and-concrete type; there were no wooden floors to creak and groan beneath their feet.

At the bottom of the stairs, they paused. Voices came down the stairwell clearly, even words being defined in the silence.

"…and quit harping on whose fault it was." Malone recognized Mike Fueyo's voice. "That FBI guy was onto us, and we had to pull out; you know that. We always figured we'd have to pull out some day. So why not now?"

"Yeah," another voice said. "But you didn't have to go and vanish right under that Fed's nose. You been beating it into our heads not to do that sort of stuff ever since we first found out we could make this vanishing bit. And then you go and do it in front of a Fed. Sure, you got a big bang out of it, but is it smart? I ask you—"

"Yeah?" Mike said. "Listen, Silvo, they never would've got onto us if it hadn't been for your stupid tricks. Slugging a cop on the dome. Cracking up a car. You and your bug for speed!"

Malone blinked. Then it hadn't been Miguel Fueyo who'd hit Sergeant
Jukovsky, but Silvo. Malone tried to remember the list of Silent
Spooks. Silvo Envoz—that was his name.

"You slugged the FBI guy, Mike," Silvo said. "And now you got us all on the run. That's your fault, Mike. I want to see my old lady."

"I had to slug him," Mike said. "Listen, all Ramon's stuff was in that
Cadillac. What would've happened if he'd found all that stuff?"

"So what happened anyway?" a third voice said (That was probably
Ramon Otravez, Malone thought.) "He found your stupid notebook, didn't
he? He went yelling to the cops, didn't he? We're running, ain't we?
So what's the difference?"

"Me either," Silvo yelled. "You think you're a great big big-shot! You think you're king of the world!"

"Who figured out the Vanish?" Mike screamed. "You'd all be a bunch of bums if I hadn't showed you that! And you know it! You'd all—"

"Don't give us that," Silvo said. "We'd have been able to do it, same as you. Like you said, anybody who's got talent could do it. There were guys you tried to teach—"

"Sure," said a fourth voice. "Listen, Fueyo, you're so bright—so why don't you try teaching it to somebody who don't have the talent?"

"Yeah," said voice number five. "You think you could teach that flashy sister of yours the Vanish?"

Malone couldn't tell who was yelling what at who after a minute. They all seemed unhappy about being on the run from the police, and they were all tired of being cooped up in a warehouse under Mike's orders. Mike was the only person they could take it out on—and Mike was under heavy attack.

Two of the boys, surprisingly, seemed to side with him. The other five were trying to outshout them. Malone wondered if it would become a fight, and then realized that these kids could hardly fight each other when the one who was losing could always fade out.

He leaned over and whispered to Dorothea and Boyd, "Let's sneak up there while the argument's going on."

They tiptoed up the stairs and got behind a pile of crates in the shadows, while invective roared around them. This floor was lit by a single small bulb hanging from a socket in the ceiling. The windows were hung with heavy blankets to keep the light from shining out.

The kids didn't notice anything except each other. Malone took a couple of deep breaths and began to look around.

All things considered, he thought, the kids had fixed the place up pretty nicely. The unused warehouse had practically been made over into an apartment. There were chairs, beds, tables, and everything else in the line of furnishings for which the kids could conceivably have any use. There were even some floor lamps scattered around, but they weren't plugged in. Malone guessed that a job would have to be done on the warehouse wiring to get the floor lamps in operation, and the kids just hadn't got around to it yet.

By now the boys were practically standing toe-to-toe, ripping air-blueing epithets at each other. Not a single hand was lifted.

Malone stared at them for a second, then turned to Dorothea. "We'll wait till they calm down a little," he whispered. "Then you go out and talk to them. Tell them we won't hurt them or lock them up or anything. All we want to do is talk to them for awhile."

"They can vanish any time they want to," Malone said, "so there's no reason for them not to listen to—"

He stopped suddenly, listening. Over the shouting, screaming, and cursing of the kids, he heard motion on the floor below.

It couldn't be, he told himself. But when he took out his radiophone, his hands were shaking a little.

"…so hang on, Malone! I repeat: We heard the ruckus, and we're coming in! We're on our way! Hang on, Malone!"

Malone stared at the handset, fascinated and horrified. He swallowed. "No, Lynch!" he whispered, afraid to talk any louder for fear the kids would hear him. "No! Don't come up. Go away. Repeat: Go away! Stay away, Lynch!"

Lynch, apparently thinking Malone's set had been smashed in the fight, or else that Malone was unconscious, had shut his own receiver off.

The kids were still yelling at the top of their voices, but the thundering of heavy, flat feet galumphing up from the lower depths couldn't be ignored for long. All the boys noticed it at about the same time. They jerked their heads round to face the stairway. Malone and his compatriots crouched lower behind the boxes.

Mike Fueyo was the first to speak. "Don't vanish yet," he snapped.
"Let's see who it is."

The internal dissent among the Silent Spooks disappeared as if it had never been, as they faced a common foe. Once again they fell naturally under Fueyo's leadership. "If it's cops," he said, "we'll give 'em the grasshopper play we worked out. We'll show 'em."

It was cops, all right. Lieutenant Lynch ran up the stairs waving his billy in a heroic fashion, followed by a horde of blue-clad officers.

Later, Malone thought that he should have been surprised, but he wasn't. There wasn't any time to be surprised. The kids didn't disappear.

They spread out over the floor of the room easily and lightly, and the cops charged them in a great blundering mass.

Naturally, the kids winked out one by one—and re-formed in the center of the cops' muddle. Malone saw one cop raise his billy and swing it at Mike. Mike watched it come down and vanished at the last instant. The cop's billy descended on the head of another cop, standing just behind where Mike had been.

The second cop, blinded by the blow on his head, swung back and hit the first cop. Meanwhile, Mike was somewhere else.

Malone stayed crouched behind the boxes. Dorothea stood up and shouted, "Mike! Mike! We just want to talk to you!"

Unfortunately, the police were making such a racket that this could not be heard more than a foot or so from the speaker. Lynch himself charged into the mass, swinging his billy and his free fist, and laying others out one after the other. Pretty soon the floor was littered with cops. Lynch was doing yeoman duty, but it was hard to tell what side he was on.

The vanishing trick Mike had worked out was being used by all of the kids. Cops were hitting other cops, Lynch was hitting everybody, and the kids were winking on and off all over the loft. It was a scene of tremendous noise and carnage.

Malone suddenly sprang to his feet and charged into the melee, shouting at the top of his lungs and swinging both fists. The first person he saw was one of the teen-agers, and he charged him with abandon.

He should, he reflected, have known better. The kid disappeared. Malone caromed off the stomach of a policeman, received a blow on the shoulder from his billy, and rebounded into the arms of a surprised police officer at the edge of the battle.

"I'm a lieutenant here," the officer said. "In charge of the warehouse precinct. I—"

Malone and the lieutenant stepped nimbly aside as another cop careened by them, waving his billy helplessly. They looked away as the crash came. The cop had fallen over a table, and now lay with his legs in the air, supported by the overturned table, blissfully unconscious.

They shifted away a few feet. Malone looked into the foray and saw Boyd at work, roaring and going after the kids. One of them had established a kind of game with him. He appeared just in front of Boyd, who rushed at him, arms outstretched. As Boyd almost reached him, the kid disappeared, and reappeared again just behind Boyd. He tapped the FBI agent gently on the shoulder; Boyd turned and the process was repeated.

"Damn kids," the lieutenant muttered suddenly, and dashed back into the fray. Malone looked around, saw Mike Fueyo flickering in and out at the edges, and headed for him.

A cop swung at Mike, missed, and hit Malone on the arm. Malone swore. The cop backed off, looking in a bewildered fashion for his victim, who was nowhere in sight. Then Malone caught sight of him, at the other edge of the fight. He started to work his way around.

He tried to avoid blows, but it wasn't always possible. A reeling cop caught his lapel and tore it, and Lynch, indefatigable in battle, managed to graze his chin with a blow meant for one of the disappearing boys. Other cops were battling each other, going after the kids and clutching empty air, cursing and screaming unheard orders in the fracas.

Malone ducked past Lynch, rubbed at his chin and looked for Mike. In the tangle of bodies it was getting hard to see. There was the sound of breaking ceramics as a floor lamp went over, and then a table followed it, but Malone avoided both. He looked for Mike Fueyo.

A cop clutched him around the middle, out of nowhere, said, "Sorry, buddy. Who the hell are you?" and dove back into the mass of bodies. Malone caught his breath and forged onward.

There was Mike, at the edge of the fight, watching everything coolly. No cop was near him. In the dim light the place looked like a scene from hell, a special hell for policemen.

Malone wove through battling hordes to the edge, and came out a few feet away from Mike Fueyo.

Fueyo didn't see him. He was looking at Boyd instead—still stumbling back and forth as the teen-ager baiting him winked on and off in front of him and behind him. He was laughing.

Malone came up silently from behind. The trip seemed to take hours. He was being very quiet, although he was reasonably sure that even if he yelled he wouldn't be heard. But he didn't want to take the slightest chance.

He sprang on Mike, and attached the handcuffs to his wrist and to
Mike's wrist within ten seconds.

He started to stagger, trailing an empty cuff behind him, flailing his arms wildly. Ahead of him he could see a big cop with an upraised billy. Malone tried to alter his course, but it was too late. He skidded helplessly into the cop, who jerked round and swung the billy automatically. Malone said: "Ugh," as he caught the blow on the cheekbone, bounced off the cop and kept going.

He careened past a blur of figures, trying to avoid hard surfaces and other human beings. But there was—

Lynch was ready to swing. His fist was cocked, and he was heading for one of the teen-agers with murder in his eye. Malone knew their paths were going to intersect. "Watch out," he yelled. "Watch out, it's me! Stop me! Somebody stop me!" He went completely unheard.

Lynch swung and missed, hitting a cop who had been hiding behind the teen-ager. The cop went down to join the wounded, and Lynch roared like a bull and swung around, looking for more enemies.

Long afterward, he remembered Lynch's hat sailing through the air, and landing in the center of a struggling mass of policemen. He remembered Lynch saying, "So there you are!" and swinging before he looked.

And then he remembered falling, and falling, and falling. Somewhere there was a voice: "Where the hell are they? They've disappeared for good."

He woke up with a headache, but it wasn't too bad. Surprisingly, not much time had passed; he got up and dusted off his trousers, looking around at the battlefield. Wounded and groaning cops were lying all over. The room was a shambles; the walking wounded—which comprised the rest of the force—were stumbling around in a slow, hopeless sort of fashion.

Lynch was standing next to him. "Malone," he said, "I'm sorry. I hit you, didn't I?"

"So was I," Malone said. "I got the cuffs on one and yanked him along, but he disappeared and left me with the cuffs."

A cop stumbled up, handed Lynch his cap and disappeared without a word. Lynch stared mournfully at it. The emblem was crushed, and the cap looked rather worn and useless. He put it on his head, where it assumed the rakish tilt of a hobo's favorite tam-o'-shanter, and said, "I hope you're not thinking of blaming me for this fiasco."

"Not at all," Malone said nobly. He hurt all over, but on reflection he thought that he would probably live. "It was nobody's fault." Except, he thought, his own. If he'd only told Lynch to come in when called for—and under no other circumstances—this wouldn't have happened. He looked around at the remains of New York's Finest, and felt guilty.

The lieutenant from the local precinct limped up, rubbing a well-kicked shin and trying to disentangle pieces of floor lamp from his hair. "Listen, Lynch," he said, "What's with these kids? What's going on here? Look at my men."

"To the Commissioner," Lynch said, "and to nobody else. If this gets into the papers, heads will roll."

"My head is rolling right now," the local man said. "Know what one of those kids did? Stood in front of a floor lamp. I swung at him and he vanished. Vanished! I hit the lamp, and then the lamp hit me."

"It can't," the local man said. "Anybody who mentioned this to a reporter would just be laughed out of town. It's not possible." He paused thoughtfully, and added, "We'd all be laughed out of town."

"And probably replaced with the FBI," Lynch said morosely. He looked at Malone. "Nothing personal, you understand," he said.

"I don't think we can do any more anywhere," Lynch said. "Let's lock the place up and leave and forget all about it."

"Fine," Malone said. "I've got work to do." He looked around, found
Dorothea and signaled to her. "Come on, Dorothea. Where's Boyd?"

"Here I am," Boyd said, walking slowly across the big room to Malone.
He had one hand held to his chin.

Boyd took his hand away. There was a bald spot the size of a quarter on the point of his chin. "One of those kids," he said sadly, "has a hell of a strong grip. Come on, Miss Fueyo. Come on, Malone. Let's get out of here."

"Logically," Malone said, "there has to be some way to catch them." He looked around the hotel room as though he expected to find an answer painted in big black letters on the wall. "Logically," he said again, and tried to think of what came next. He liked the sound of the word, but that was as far as it went.

"That's fine," Boyd said. He sat on a chair, staring gloomily at the floor and rubbing the bald spot on his chin with a single, sad, inquisitive forefinger. "There has to be an answer. You're probably right. But what the hell is it?"

Malone started to answer, and then wondered what he had been going to say. He sunk himself in thought. There was a knock at the door. "Who's there?" he called, glad of any relief at all.

The door opened. Dorothea came in, shut the door behind her, and looked around the room a little awkwardly.

She nodded. "I guess so," she said. "Sure. It was nice of you to get me a room for the night. I mean, I guess I was—well…"

"Forget it," Malone said grandly. "You were upset and tired, that's all. Hell, in the car on the way back here last night, you fainted."

"Of course not," Malone said. "I said forget it, didn't I? Sit down and help us out."

"That's right," Boyd said. "Help us figure out how to catch this bunch of maniacs before they steal everything in New York."

"Police Commissioner Fernack has called twice this morning already," he said. "He's screaming about all the burglaries that have been occurring since midnight last night."

"Oh," Dorothea said. "You mean the Spooks? Mike and the others?
They've been stealing again?"

"I guess they're furnishing their new hideout," Malone said. "Wherever it is. Only God knows."

"And even if He told us," Boyd said, "it wouldn't do us any good.
Chase 'em out of there, and they'd go somewhere else."

Malone stood up, fished for his cigarettes and lit one. "What we need," he said, blowing out smoke, "is some way to trap 'em and hold 'em. And I don't see how we can do either."

"Wait a minute," Boyd said. "You said trap , didn't you?" He looked slowly and speculatively at Dorothea Fueyo.

"Oh, no, you don't!" she said. "Oh, no. Not on your life. I'll help catch him if I can, because I know you don't mean to hurt him or the others. But I wouldn't want Mike to know about it. You're not using me as bait in any trap."

Boyd looked at Malone, shook his head slowly, and said disconsolately,
"Well, it was an idea." He returned his gaze to the floor.

The furtive gleam of the half bottle of bourbon on Malone's dresser caught his eye. He'd had it sent up the night before, feeling the need of some medicinal refreshment. Now it winked at him. He ignored it resolutely. "Dorothea," he said.

"Dorothea, do you have any idea how far one of those kids can go when he teleports?"

"No," Dorothea said. "I really haven't any idea about any of it. Mike tried to teach me once, but I guess I just don't have the talent."

"He said you couldn't teleport to some place you haven't been before.
You've got to be able to visualize where you're going."

Malone said, "Hmm." It seemed like the right answer. Dorothea's statement was a fact, certainly, but he didn't see how the fact fit in anywhere.

"He didn't mention anything about distance, and I don't think any of the Spooks ever tested it for that," Dorothea said.

"There probably is a distance limit," Malone said. "At least if Dr.
O'Connor's theories are right. I just wish I knew what the limit was."

Silence fell again. Malone sighed. Dorothea sighed. Boyd sighed, looked around at the others and muttered, "Damn thing's catching." He got up and walked over to the dresser and picked up the bottle of bourbon.

"I don't care if it is early in the morning," he said, resolutely. "I need a drink. I need something to take the fog out of my head, anyhow." He poured himself a shot, held the bottle aloft, and said, "Dorothea? Malone?"

Malone was tempted but he put Satan behind him with decision. "No," he said firmly. "The way I feel now, one drink would probably immobilize me."

"You keep quiet," Dorothea shot at him. She turned back to Malone. "Mike never drinks at all," she said. "He says it immobilizes him—just what you said."

Somewhere in the black galactic depths of Malone's mind, a very small hot star gulped, took a deep breath and became a supernova.

The light was tremendous! It shed beams over everything, beams of a positively supernal brilliance. And in the all-pervasive brightness of that single inner light, bits of data began to fall into place with all the precision of aerial bombs, each falling neatly and exactly into its own little predetermined bomb crater.

None of the Silent Spooks drank. He remembered Kettleman telling him that. And the Queen never touched the stuff either.

"I feel green," Malone said. "I feel like newly sprung grass. I feel as if I had just hatched out of something. I feel wonderful."

"It's the strain," Boyd said. "That's what it is, strain. You've cracked at last."

Malone ignored him. "Tell me," he said to Dorothea with elaborate casualness, "when your brother says that, what does he mean?"

"What?" she said. "Oh, I don't know. I—" She stopped and her eyes widened. "You don't think that—"

Dorothea blinked. "What can you do?" she said. "I mean, to find out.
You can't force them to drink or anything, can you?"

Boyd held his untasted drink in his hand, staring at Malone and the girl. "What are you two talking about?" he said. "Or is this the special Captain Midnight code? I left my code ring home this week."

"I want you to call Dr. O'Connor at Yucca Flats," Malone said. "Shut up and listen."

"Never mind," Malone said. "I mean listen to me. I know it's pretty early out where O'Connor is, but that doesn't matter now. Wake him up. Wake everybody up, for all I care."

Malone grinned cheerfully. "No," he said. "Are you? Now listen: find out what effect drugs have on psionic abilities."

"Drugs?" Boyd said, and then his eyes lit up. "My God!" he said. "We might have something, at that!"

"Get the Queen up too," Malone said. "Ask her the same question. I hope we do have something."

"And if we get the information we're hoping to get, I want Her Majesty on the first plane to New York," Malone said. "I don't care what strings you have to pull to get that done. Call Burris if you have to. It'll be worth it." Malone paused. "Hell," he said, "call him anyway and tell him what's happened. But get the Queen here!"

"Right!" Boyd said. He dove for the phone and started dialing.
Suddenly he looked around. "Hey!" he yelled. "Where are you going?"

Malone, one hand on the door, turned. "Down to see Fernack," he said. "I've got to make some arrangements. I'm betting we're right, Tom!" He charged out the door, slamming it. A second passed and it opened again. Malone's head popped back in. "Dorothea," he said. "When Tom gets off the phone call your mother. Tell her you're going to be away for a day or two—two at the most—and she's not to worry. We'll need you, and her, too, to talk to Mike when the time comes. So stick around."

Twelve hours later, Kenneth J. Malone was sitting quietly in a small room at the rear of a sporting-goods store on upper Madison Avenue, trying to remain calm and hoping that the finest, most beautiful hunch he had ever had in his life was going to pay off. With him were Boyd and two agents from the 69th Street office. They were sitting quietly too, but there was a sense of enormous excitement in the air. Malone wanted to get up and walk around, but he didn't dare. He clamped his hands in his lap and sat tight.

They waited in silence, not daring to talk. There was no sound except for the faint whoosh of their breathing through the gas masks they were wearing, and the muffled hiss from a tank nearby.

It looked foolproof. But he didn't believe it would work. This was the time, he assured himself, that his luck ran out. He'd been lucky for too long, and now the wheel was going to turn and he'd be lost. All he could do was wait for it, and hope.

Her Majesty had said definitely that this would be the place the Spooks would hit tonight. She had no doubts about it. And Malone couldn't think of a single reason why she might be wrong. But maybe he'd got the address mixed up. Maybe the Spooks were somewhere else right now, robbing what they pleased, safe from capture….

His hunch about drugs had been correct, or at least everybody had said it was correct. Dr. O'Connor had assured Boyd that the deleterious effects of drugs on psionic abilities had been known ever since the early days of Dr. Rhine's pioneering work, more than twenty years before. And Good Queen Bess had admitted the same thing. She never drank, she said, because on the one occasion when she'd tried it, she'd lost her telepathic ability, and "My goodness, it was just like going blind."

Burris had had to put on the pressure, but it had worked. The Queen had been flown to New York, under psychiatric guard just as soon as possible after Boyd's phone call, and she'd been able to pick up Mike Fueyo without any trouble at all as soon as she was within the same city, and close enough to him.

It doesn't do much good to know where a teleporter is , Malone thought. But it's extremely handy to know where he's going to be . And if you also know what he plans to do when he gets where he's going, you've got an absolute lead-pipe cinch to work with.

The Queen had provided that lead-pipe cinch. Reading Mike's mind, she'd told Malone that he planned to raid the sporting-goods store with the rest of the Spooks that night. Lucky again, Malone thought; he might have had to wait two or three days before the Spooks set up a robbery.

But, of course, he might just be riding for some kind of horrible, unforeseen fall.

The main part of the sporting-goods store was fairly well lit, even at night, though it was by no means brightly illuminated. There were show-window lights on, and the street lamp from outside cast a nice glow. But the back room was dark, and the four men there were well concealed. A curtain closed the room off, and Malone watched the front of the store through a narrow opening in it. He stared through it until his eyes ached, afraid to blink in case he missed the appearance of the Spooks. Everything had to go off just right, precisely on schedule.

And it was going to happen any minute, he told himself nervously. In just a few minutes, everything would be over.

Then he saw the figure walk slowly by the glass front of the shop, looking in with elaborate casualness. He was casing the joint, making sure there were none left in it.

And then—almost magically—they appeared. Eight of them, almost simultaneously, in the center of the room.

Mike Fueyo spoke in a low, controlled voice. "Okay, now," he said.
"Let's move fast. We—"

The odorless anesthetic gas that filled the room had its sudden effect. Fueyo dropped out like a light.

The other seven followed him within seconds. Ramon Otravez, the tallest of them, stayed on his feet a little longer than the rest, obviously trying with all his strength to teleport himself out of danger, but the effects of the fast-working gas had already been felt. He was, literally, too stunned to move.

Then Malone said, "All right, boys. Let's get them out of here. They can't stay too long in this atmosphere." The men started forward into the front room, toward the still bodies. "Boyd," Malone said. "Get out front and wave the ambulance over here. I'll get the air-conditioners working and stop the gas."

He reached down and turned off the valve on the gently hissing tank of anesthetic gas that sat on the floor near him. "You guys get the kids," he said. "And let's make it fast, okay?"

"The one thing we had to worry about," Malone said, pouring some more champagne into the two hollow-stemmed glasses, "was whether it was possible to give them just enough synthecaine. Too little, and they'd still be able to teleport. Too much, and they'd be too groggy."

Dorothea relaxed in her chair and looked around at the hotel room walls with contentment. She looked like the proverbial cat who has swallowed the cream. "It looked to me as if it worked," she said. "Mike seemed pretty normal—except that he had that awful trapped feeling."

Malone handed her one of the filled glasses with an air. He was beginning slowly to feel less like the nervous, uncertain Kenneth J. Malone, and more and more like Sir Kenneth Malone. "I can see why he felt trapped," he said. "If a guy's been unhampered by four walls all the time, even only for a year or so, he's certainly going to feel penned in when he loses the ability to get through them. It might be just a little claustrophobic." He grinned, proud of himself. "Claustrophobic," he said again. "My tongue and palate are in excellent condition."

"The main thing is," Dorothea said, "that everybody's so happy. Commissioner Fernack, even—with Mr. Burris promising to give him a medal."

"And Lynch," Malone said reflectively. "He'll get a promotion out of this for sure. And good old Kettleman."

"Kettleman?" Dorothea said. "Oh, the funny fat man. He's some kind of social worker or something."

"And now he's getting a scroll from the FBI," Malone said. "A citation for coming up with the essential clue in this case. Even though he didn't know it was the essential clue. You know," he added reflectively, "one thing puzzles me about that man."

"He said he had a lot of success as a social worker," Malone said.
"Now, I've met him. And talked with him. And I just can't picture—"

"Oh," Dorothea said. "We keep him around—kept him around, I mean—as a sort of joke. A pet, or a mascot. Of course, he never did catch on. I don't suppose he has yet."

"Boyd?" Malone said. "Sure. He called his blonde and she was just thrilled at the adventures of an FBI agent, and he's with her now."

"The hell I am," Malone said, and proceeded to prove his point. Some minutes later they relaxed.

"Mike," she said. "He's probably the happiest of all. After Mom and I talked to him for a while, anyhow, and he began to lose that—that trapped feeling. Now he's all excited about being an FBI man." She looked worriedly at Malone for a second. "You weren't kidding about that, were you?" she said.

She looked very pretty when she was worried. Malone leaned over and kissed her with great care. After a second, the kiss seemed to gain momentum on its own, and all restraint went by the wayside. A long time passed.

Then, as Malone pulled away and began to recover his breath, he said weakly, "You were saying?"

"Oh," Malone said. "Well, normally you've got to be a lawyer or an accountant, but there are a few special cases. And maybe Mike would fit into the special-case bracket. If he doesn't—well, he'll be doing some sort of official work for the Government. You can be sure of that."

"That woman in the costume—the one you call Your Majesty—certainly threw a scare into the boys," Dorothea said.

"Well," Malone said, "we had to prove one thing to them. We can pick them up at any time. You see, they've got to think about where they're teleporting, and as soon as they do that one of our telepaths—like the Queen—will know where they're going to be. And we can crack down."

"Right," Malone said. "After all, we did them quite a favor—getting them out of all the trouble they'd gotten themselves into. If they try to—"

"That reminds me, Ken," Dorothea said. "All the things that were stolen. The liquor and all of that, Money. What's going to happen to that?"

"Well," Malone said, "everything that can be returned—and that includes most of the liquor, because they hadn't had a chance to get rid of it to the bootleggers around this area—will be returned. What can't be returned—money, stuff that they've used, broken, or sold—well, I don't exactly know about that. It might take a special act of Congress," he said brightly.

"Well, they'll be at Yucca Flats, and they'll be pretty useful," Malone said. "And, as I was saying, if they try to run away from Yucca Flats, we'll just have to keep them drugged all the time, little as we want to. They can be of some use that way, too. The Government isn't doing all this for nothing."

"I said we didn't want to do it. And I don't think we'll have to. They'll be well taken care of, don't worry. Some of the best psychiatrists and doctors are out there. And Mike and the others—if they can show they're trustworthy—can come home every weekend, or even every night if they can teleport that far." Malone paused. "But it isn't charity," he added. "We need people with specialized psionic abilities—and, for a variety of reasons, they're pretty hard to find."

Malone didn't answer her. He just kissed her again, not caring particularly whether or not the kiss went wild.

Dorothea pushed him gently away. "I'm envious," she announced. "Everybody gets a reward but me. Do I get left out just because I swiped your notebook?"

His lips met hers for the fifth time. She reached one hand gently out to the light switch and pushed it.

*** END OF THE PROJECT GUTENBERG EBOOK THE IMPOSSIBLES ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate .

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org .

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of The Impossibles

THE FULL PROJECT GUTENBERG LICENSE