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Title: The Bravo of Venice: A Romance

Author: Heinrich Zschokke

Editor: Henry Morley

Translator: M. G. Lewis

Release date: July 1, 2001 [eBook #2706]
                Most recently updated: September 27, 2014

Language: English

Credits: Transcribed from the 1886 Cassell & Company edition by David Price


*** START OF THE PROJECT GUTENBERG EBOOK THE BRAVO OF VENICE: A ROMANCE ***


Transcribed from the 1886 Cassell & Company edition by David Price, email
ccx074@pglaf.org

                          [Picture: Book cover]

                       CASSELL’S NATIONAL LIBRARY.

                                * * * * *





                                   THE
                             BRAVO OF VENICE
                                A ROMANCE.


                        TRANSLATED FROM THE GERMAN

                                    BY
                               M. G. LEWIS.

                      [Picture: Decorative graphic]

                       CASSELL & COMPANY, LIMITED:
                _LONDON_, _PARIS_, _NEW YORK & MELBOURNE_.
                                  1886.




INTRODUCTION.


MATTHEW GREGORY LEWIS, who professed to have translated this romance out
of the German, very much, I believe, as Horace Walpole professed to have
taken _The Castle of Otranto_ from an old Italian manuscript, was born in
1775 of a wealthy family.  His father had an estate in India and a post
in a Government office.  His mother was daughter to Sir Thomas Sewell,
Master of the Rolls in the reign of George III.  She was a young mother;
her son Matthew was devoted to her from the first.  As a child he called
her “Fanny,” and as a man held firmly by her when she was deserted by her
husband.  From Westminster School, M. G. Lewis passed to Christ Church,
Oxford.  Already he was busy over tales and plays, and wrote at college a
farce, never acted, a comedy, written at the age of sixteen, _The East
Indian_, afterwards played for Mrs. Jordan’s benefit and repeated with
great success, and also a novel, never published, called _The Effusions
of Sensibility_, which was a burlesque upon the sentimental school.  He
wrote also what he called “a romance in the style of _The Castle of
Otranto_,” which appeared afterwards as the play of _The Castle Spectre_.

With his mind thus interested in literature of the romantic form, young
Lewis, aged seventeen, after a summer in Paris, went to Germany, settled
for a time at Weimar, and, as he told his mother, knocked his brains
against German as hard as ever he could.  “I have been introduced,” he
wrote, in July, 1792, “to M. de Goethe, the celebrated author of
_Werter_, so you must not be surprised if I should shoot myself one of
these fine mornings.”  In the spring of 1793 the youth returned to
England, very full of German romantic tale and song, and with more paper
covered with wild fancies of his own.  After the next Christmas he
returned to Oxford.  There was a visit to Lord Douglas at Bothwell
Castle; there was not much academic work done at Oxford.  His father’s
desire was to train him for the diplomatic service, and in the summer of
1794 he went to the Hague as attaché to the British Embassy.  He had
begun to write his novel of _The Monk_, had flagged, but was spurred on
at the Hague by a reading of Mrs. Radcliffe’s _Mysteries of Udolpho_, a
book after his own heart, and he wrote to his mother at this time, “You
see I am horribly bit by the rage of writing.”

_The Monk_ was written in ten weeks, and published in the summer of 1795,
before its author’s age was twenty.  It was praised, attacked, said by
one review to have neither originality, morals, nor probability to
recommend it, yet to have excited and to be continuing to excite the
curiosity of the public: a result set down to the “irresistible energy of
genius.”  Certainly, Lewis did not trouble himself to keep probability in
view; he amused himself with wild play of a fancy that delighted in the
wonderful.  The controversy over _The Monk_ caused the young author to be
known as Monk Lewis, and the word Monk has to this day taken the place of
the words Matthew Gregory so generally, that many catalogue-makers must
innocently suppose him to have been so named at the font.  The author of
_The Monk_ came back from the Hague to be received as a young lion in
London society.  When he came of age he entered Parliament for Hindon, in
Wiltshire, but seldom went to the House, never spoke in it, and retired
after a few sessions.  His delight was in the use of the pen; his father,
although disappointed by his failure as a statesman, allowed him a
thousand a year, and he took a cottage at Barnes, that he might there
escape from the world to his ink-bottle.  He was a frequent visitor at
Inverary Castle, and was fascinated by his host’s daughter, Lady
Charlotte Campbell.  Still he wrote on.  The musical drama of _The Castle
Spectre_ was produced in the year after _The Monk_, and it ran sixty
nights.  He translated next Schiller’s _Kabale und Liebe_ as _The
Minister_, but it was not acted till it appeared, with little success,
some years afterwards at Covent Garden as _The Harper’s Daughter_.  He
translated from Kotzebue, under the name of _Rolla_, the drama superseded
by Sheridan’s version of the same work as _Pizarro_.  Then came the
acting, in 1799, of his comedy written in boyhood, _The East Indian_.
Then came, in the same year, his first opera, _Adelmorn the Outlaw_; then
a tragedy, _Alfonso_, _King of Castile_.  Of the origin of this tragedy
Lewis gave a characteristic account.  “Hearing one day,” he said, “my
introduction of negroes into a feudal baron’s castle” (in _The Castle
Spectre_) “exclaimed against with as much vehemence as if a dramatic
anachronism had been an offence undeserving of benefit of clergy, I said
in a moment of petulance, that to prove of how little consequence I
esteemed such errors, I would make a play upon the Gunpowder Plot, and
make Guy Faux in love with the Emperor Charlemagne’s daughter.  By some
chance or other, this idea fastened itself upon me, and by dint of
turning it in my mind, I at length formed the plot of _Alfonso_.”

To that time in Lewis’s life belongs this book, _The Bravo of Venice_;
which was published in 1804, when the writer’s age was twenty-nine.  It
was written at Inverary Castle, dedicated to the Earl of Moira, and
received as one of the most perfect little romances of its kind, “highly
characteristic of the exquisite contrivance, bold colouring, and profound
mystery of the German school.”  In 1805 Lewis recast it into a melodrama,
which he called _Rugantino_.

                                                                      H.M.




Book the First.


CHAPTER I.
VENICE.


IT was evening.  Multitudes of light clouds, partially illumined by the
moonbeams, overspread the horizon, and through them floated the full moon
in tranquil majesty, while her splendour was reflected by every wave of
the Adriatic Sea.  All was hushed around; gently was the water rippled by
the night wind; gently did the night wind sigh through the Colonnades of
Venice.

It was midnight; and still sat a stranger, solitary and sad, on the
border of the great canal.  Now with a glance he measured the battlements
and proud towers of the city; and now he fixed his melancholy eyes upon
the waters with a vacant stare.  At length he spoke—

“Wretch that I am, whither shall I go?  Here sit I in Venice, and what
would it avail to wander further?  What will become of me?  All now
slumber, save myself! the Doge rests on his couch of down; the beggar’s
head presses his straw pillow; but for _me_ there is no bed except the
cold, damp earth!  There is no gondolier so wretched but he knows where
to find work by day and shelter by night—while _I_—while _I_—Oh! dreadful
is the destiny of which I am made the sport!”

He began to examine for the twentieth time the pockets of his tattered
garments.

“No! not one paolo, by heavens!—and I hunger almost to death.”

He unsheathed his sword; he waved it in the moonshine, and sighed, as he
marked the glittering of the steel.

“No, no, my old true companion, thou and I must never part.  Mine thou
shalt remain, though I starve for it.  Oh, was not that a golden time
when Valeria gave thee to me, and when she threw the belt over my
shoulder, I kissed thee and Valeria?  She has deserted us for another
world, but thou and I will never part in this.”

He wiped away a drop which hung upon his eyelid.

“Pshaw! ’twas not a tear; the night wind is sharp and bitter, and makes
the eyes water; but as for _tears_—Absurd! my weeping days are over.”

And as he spoke, the unfortunate (for such by his discourse and situation
he appeared to be) dashed his forehead against the earth, and his lips
were already unclosed to curse the hour which gave him being, when he
seemed suddenly to recollect himself.  He rested his head on his elbow,
and sang mournfully the burthen of a song which had often delighted his
childhood in the castle of his ancestors.

“Right,” he said to himself; “were I to sink under the weight of my
destiny, I should be myself no longer.”

At that moment he heard a rustling at no great distance.  He looked
around, and in an adjacent street, which the moon faintly enlightened, he
perceived a tall figure, wrapped in a cloak, pacing slowly backwards and
forwards.

“’Tis the hand of God which hath guided him hither—yes—I’ll—I’ll
_beg_—better to play the beggar in Venice than the villain in Naples; for
the beggar’s heart may beat nobly, though covered with rags.”

He then sprang from the ground, and hastened towards the adjoining
street.  Just as he entered it at one end, he perceived another person
advancing through the other, of whose approach the first was no sooner
aware than he hastily retired into the shadow of a piazza, anxious to
conceal himself.

“What can this mean?” thought our mendicant.  “Is yon eavesdropper one of
death’s unlicensed ministers?  Has he received the retaining fee of some
impatient heir, who pants to possess the wealth of the unlucky knave who
comes strolling along yonder, so careless and unconscious?  Be not so
confident, honest friend!  I’m at your elbow.”

He retired further into the shade, and silently and slowly drew near the
lurker, who stirred not from his place.  The stranger had already passed
them by, when the concealed villain sprang suddenly upon him, raised his
right hand in which a poniard was gleaming, and before he could give the
blow, was felled to the earth by the arm of the mendicant.

The stranger turned hastily towards them; the bravo started up and fled;
the beggar smiled.

“How now?” cried the stranger; “what does all this mean?”

“Oh, ’tis a mere jest, signor, which has only preserved your life.”

“What? my life?  How so?”

“The honest gentleman who has just taken to his heels stole behind you
with true cat-like caution, and had already raised his dagger, when I saw
him.  You owe your life to me, and the service is richly worth one little
piece of money!  Give me some alms, signor, for on my soul I am hungry,
thirsty, cold.”

“Hence, scurvy companion!  I know you and your tricks too well.  This is
all a concerted scheme between you, a design upon my purse, an attempt to
procure both money and thanks, and under the lame pretence of having
saved me from an assassin.  Go, fellow, go! practise these dainty devices
on the Doge’s credulity if you will; but with Buonarotti you stand no
chance, believe me.”

The wretched starving beggar stood like one petrified, and gazed on the
taunting stranger.

“No, as I have a soul to save, signor, ’tis no lie I tell you!—’tis the
plain truth; have compassion, or I die this night of hunger.”

“Begone this instant, I say, or by Heaven—”

The unfeeling man here drew out a concealed pistol, and pointed it at his
preserver.

“Merciful Heaven! and is it thus that services are acknowledged in
Venice?”

“The watch is at no great distance, I need only raise my voice and—”

“Hell and confusion! do you take me for a robber, then?”

“Make no noise, I tell you.  Be quiet—you had better.”

“Hark you, signor.  Buonarotti is your name, I think?  I will write it
down as belonging to the second scoundrel with whom I have met in
Venice.”

He paused for a moment, then continuing in a dreadful voice, “And when,”
said he, “thou, Buonarotti, shalt hereafter hear the name of
_Abellino_—_tremble_!”

Abellino turned away, and left the hard-hearted Venetian.



CHAPTER II.
THE BANDITTI.


AND now rushed the unfortunate wildly through the streets of Venice.  He
railed at fortune; he laughed and cursed by turns; yet sometimes he
suddenly stood still, seemed as pondering on some great and wondrous
enterprise, and then again rushed onwards, as if hastening to its
execution.

Propped against a column of the Signoria, he counted over the whole sum
of his misfortunes.  His wandering eyeballs appeared to seek comfort, but
they found it not.

“Fate,” he at length exclaimed in a paroxysm of despair, “Fate has
condemned me to be either the wildest of adventurers, or one at the
relation of whose crimes the world must shudder.  To astonish is my
destiny.  Rosalvo can know no medium; Rosalvo can never act like common
men.  Is it not the hand of fate which has led me hither?  Who could ever
have dreamt that the son of the richest lord in Naples should have
depended for a beggar’s alms on Venetian charity?  I—I, who feel myself
possessed of strength of body and energy of soul fit for executing the
most daring deeds, behold me creeping in rags through the streets of this
inhospitable city, and torturing my wits in vain to discover some means
by which I may rescue life from the jaws of famine!  Those men whom my
munificence nourished, who at my table bathed their worthless souls in
the choicest wines of Cyprus, and glutted themselves with every delicacy
which the globe’s four quarters could supply, these very men now deny to
my necessity even a miserable crust of mouldy bread.  Oh, that is
dreadful, cruel—cruel of men—cruel of Heaven!”

He paused, folded his arms, and sighed.

“Yet will I bear it—I will submit to my destiny.  I will traverse every
path and go through every degree of human wretchedness; and whate’er may
be my fate, I will still be myself; and whate’er may be my fate, I will
still act greatly!  Away, then, with the Count Rosalvo, whom all Naples
idolised; now—now, I am the beggar Abellino.  A beggar—that name stands
last in the scale of worldly rank, but first in the list of the
famishing, the outcast, and the unworthy.”

Something rustled near him.  Abellino gazed around.  He was aware of the
bravo, whom he struck to the ground that night, and whom two companions
of a similar stamp had now joined.  As they advanced, they cast inquiring
glances around them.  They were in search of some one.

“It is of me that they are in search,” said Abellino; then advanced a few
steps, and whistled.

The ruffians stood still; they whispered together, and seemed to be
undecided.

Abellino whistled a second time.

“’Tis he,” he could hear one of them say distinctly, and in a moment
after they advanced slowly towards him.

Abellino kept his place, but unsheathed his sword.  The three unknown
(they were masked) stopped a few paces from him.

“How now, fellow!” quoth one of them; “what is the matter?  Why stand you
on your guard?”

_Abellino_.—It is as well that you should be made to keep your distance,
for I know you; you are certain honest gentlemen, who live by taking away
the lives of others.

_The First Ruffian_.—Was not your whistling addressed to us?

_Abellino_.—It was.

_A Ruffian_.—And what would you with us?

_Abellino_.—Hear me!  I am a miserable wretch, and starving; give me an
alms out of your booty!

_A Ruffian_.—An alms?  Ha! ha! ha!  By my soul that is whimsical!—Alms
from us, indeed!—Oh, by all means!  No doubt, you shall have alms in
plenty.

_Abellino_.—Or else give me fifty sequins, and I’ll bind myself to your
service till I shall have worked out my debt.

_A Ruffian_.—Aye? and pray, then, who may you be?

_Abellino_.—A starving wretch, the Republic holds none more miserable.
Such am I at present; but hereafter—I have powers, knaves.  This arm
could pierce a heart, though guarded by three breastplates; this eye,
though surrounded by Egyptian darkness, could still see to stab sure.

_A Ruffian_.—Why, then, did you strike me down, even now?

_Abellino_.—In the hope of being paid for it; but though I saved his
life, the scoundrel gave me not a single ducat.

_A Ruffian_.—No?  So much the better.  But hark ye, comrade, are you
sincere?

_Abellino_.—Despair never lies.

_A Ruffian_.—Slave, shouldst thou be a traitor—

_Abellino_.—My heart would be within reach of your hands, and your
daggers would be as sharp as now.

The three dangerous companions again whispered among themselves for a few
moments, after which they returned their daggers into the sheath.

“Come on, then,” said one of them, “follow us to our home.  It were
unwise to talk over certain matters in the open streets.”

“I follow you,” was Abellino’s answer, “but tremble should any one of you
dare to treat me as a foe.  Comrade, forgive me that I gave your ribs
somewhat too hard a squeeze just now; I will be your sworn brother in
recompense.”

“We are on honour,” cried the banditti with one voice; “no harm shall
happen to you.  He who does you an injury shall be to us as a foe.  A
fellow of your humour suits us well; follow us, and fear not.”

And on they went, Abellino marching between two of them.  Frequent were
the looks of suspicion which he cast around him; but no ill design was
perceptible in the banditti.  They guided him onwards, till they reached
a canal, loosened a gondola, placed themselves in it, and rowed till they
had gained the most remote quarter of Venice.  They landed, threaded
several by-streets, and at length knocked at the door of a house of
inviting appearance.  It was opened by a young woman, who conducted them
into a plain but comfortable chamber.  Many were the looks of surprise
and inquiry which she cast on the bewildered, half-pleased, half-anxious
Abellino, who knew not whither he had been conveyed, and still thought it
unsafe to confide entirely in the promises of the banditti.



CHAPTER III.
THE TRIAL OF STRENGTH.


SCARCELY were the bravoes seated, when Cinthia (for that was the young
woman’s name) was again summoned to the door; and the company was now
increased by two new-comers, who examined their unknown guest from head
to foot.

“Now, then,” cried one of these, who had conducted Abellino to this
respectable society, “let us see what you are like.”

As he said this he raised a burning lamp from the table, and the light of
its flame was thrown full upon Abellino’s countenance.

“Lord, forgive me my sins!” screamed Cinthia; “out upon him! what an ugly
hound it is!”

She turned hastily round, and hid her face with her hands.  Dreadful was
the look with which Abellino repaid her compliment.

“Knave,” said one of the banditti, “Nature’s own hand has marked you out
for an assassin—come, prithee be frank, and tell us how thou hast
contrived so long to escape the gibbet?  In what gaol didst thou leave
thy last fetters?  Or from what galley hast thou taken thy departure,
without staying to say adieu?”

Abellino, folding his arms—“If I be such as you describe,” said he, with
an air of authority, and in a voice which made his hearers tremble, “’tis
for me all the better.  Whate’er may be my future mode of life, Heaven
can have no right to find fault with it, since it was for that it formed
and fitted me.”

The five bravoes stepped aside, and consulted together.  The subject of
their conference is easy to be divined.  In the meanwhile Abellino
remained quiet and indifferent to what was passing.

After a few minutes they again approached him.  One, whose countenance
was the most ferocious, and whose form exhibited the greatest marks of
muscular strength, advanced a few paces before the rest, and addressed
Abellino as follows:—

“Hear me, comrade.  In Venice there exist but five banditti; you see them
before you; wilt thou be the sixth?  Doubt not thou wilt find sufficient
employment.  My name is Matteo, and I am the father of the band: that
sturdy fellow with the red locks is called Baluzzo; he, whose eyes
twinkle like a cat’s, is Thomaso, an arch-knave, I promise you; ’twas
Pietrino whose bones you handled so roughly to-night; and yon
thick-lipped Colossus, who stands next to Cinthia, is named Stuzza.  Now,
then, you know us all—and since you are a penniless devil, we are willing
to incorporate you in our society; but we must first be assured that you
mean honestly by us.”

Abellino smiled, or rather grinned, and murmured hoarsely—“I am
starving.”

“Answer, fellow!  Dost thou mean honestly by us?”

“That must the event decide.”

“Mark me, knave; the first suspicion of treachery costs you your life.
Take shelter in the Doge’s palace, and girdle yourself round with all the
power of the Republic—though clasped in the Doge’s arms, and protected by
a hundred cannons, still would we murder you!  Fly to the high altar;
press the crucifix to your bosom, and even at mid-day, still would we
murder you.  Think on this well, fellow, and forget not we are banditti!”

“You need not tell me that.  But give me some food, and then I’ll prate
with you as long as you please.  At present I am starving.
Four-and-twenty hours have elapsed since I last tasted nourishment.”

Cinthia now covered a small table with her best provisions, and filled
several silver goblets with delicious wine.

“If one could but look at him without disgust,” murmured Cinthia; “if he
had but the appearance of something human!  Satan must certainly have
appeared to his mother, and thence came her child into the world with
such a frightful countenance.  Ugh! it’s an absolute mask, only that I
never saw a mask so hideous.”

Abellino heeded her not; he placed himself at the table, and ate and
drank as if he would have satisfied himself for the next six months.  The
banditti eyed him with looks of satisfaction, and congratulated each
other on such a valuable acquisition.

If the reader is curious to know what this same Abellino was like, he
must picture to himself a young, stout fellow, whose limbs perhaps might
have been thought not ill-formed, had not the most horrible countenance
that ever was invented by a caricaturist, or that Milton could have
adapted to the ugliest of his fallen angels, entirely marred the
advantages of his person.  Black and shining, but long and straight, his
hair flew wildly about his brown neck and yellow face.  His mouth so
wide, that his gums and discoloured teeth were visible, and a kind of
convulsive twist, which scarcely ever was at rest, had formed its
expression into an internal grin.  His eye, for he had but one, was sunk
deep into his head, and little more than the white of it was visible, and
even that little was overshadowed by the protrusion of his dark and bushy
eyebrow.  In the union of his features were found collected in one
hideous assemblage all the most coarse and uncouth traits which had ever
been exhibited singly in wooden cuts, and the observer was left in doubt
whether this repulsive physiognomy expressed stupidity of intellect, or
maliciousness of heart, or whether it implied them both together.

“Now, then, I am satisfied,” roared Abellino, and dashed the still full
goblet upon the ground.  “Speak! what would you know of me?  I am ready
to give you answers.”

“The first thing,” replied Matteo, “the first thing necessary is to give
us a proof of your strength, for this is of material importance in our
undertakings.  Are you good at wrestling?”

“I know not; try me.”

Cinthia removed the table.

“Now, then, Abellino, which of us will you undertake?  Whom among us dost
thou think that thou canst knock down as easily as yon poor dabbler in
the art, Pietrino?”

The banditti burst into a loud fit of laughter.

“Now, then,” cried Abellino, fiercely; “now, then, for the trial.  Why
come you not on?”

“Fellow,” replied Matteo, “take my advice; try first what you can do with
me alone, and learn what sort of men you have to manage.  Think you, we
are marrowless boys, or delicate signors?”

Abellino answered him by a scornful laugh.  Matteo became furious.  His
companions shouted aloud, and clapped their hands.

“To business!” said Abellino; “I’m now in a right humour for sport!  Look
to yourselves, my lads.”  And in the same instant he collected his forces
together, threw the gigantic Matteo over his head as had he been an
infant, knocked Struzza down on the right hand, and Pietrino on the left,
tumbled Thomaso to the end of the room head over heels, and stretched
Baluzzo without animation upon the neighbouring benches.

Three minutes elapsed ere the subdued bravoes could recover themselves.
Loudly shouted Abellino, while the astonished Cinthia gazed and trembled
at the terrible exhibition.

“By the blood of St. Januarius!” cried Matteo at length, rubbing his
battered joints, “the fellow is our master!  Cinthia, take care to give
him our best chamber.”

“He must have made a compact with the devil!” grumbled Thomaso, and
forced his dislocated wrist back into its socket.

No one seemed inclined to hazard a second trial of strength.  The night
was far advanced, or rather the grey morning already was visible over the
sea.  The banditti separated, and each retired to his chamber.



CHAPTER IV.
THE DAGGERS.


ABELLINO, this Italian Hercules, all terrible as he appeared to be, was
not long a member of this society before his companions felt towards him
sentiments of the most unbounded esteem.  All loved, all valued him, for
his extraordinary talents for a bravo’s trade, to which he seemed
peculiarly adapted, not only by his wonderful strength of body, but by
the readiness of his wit, and his never-failing presence of mind.  Even
Cinthia was inclined to feel some little affection for him, but—he really
was too ugly.

Matteo, as Abellino was soon given to understand, was the captain of this
dangerous troop.  He was one who carried villainy to the highest pitch of
refinement, incapable of fear, quick and crafty, and troubled with less
conscience than a French financier.  The booty and price of blood, which
his associates brought in daily, were always delivered up to him: he gave
each man his share, and retained no larger portion for himself than was
allotted to the others.  The catalogue of those whom he had despatched
into the other world was already too long for him to have repeated it:
many names had slipped his memory, but his greatest pleasure in his hour
of relaxation was to relate such of these murderous anecdotes as he still
remembered, in the benevolent intention of inspiring his hearers with a
desire to follow his example.  His weapons were kept separate from the
rest, and occupied a whole apartment.  Here were to be found daggers of a
thousand different fashions, _with_ guards and _without_ them; two,
three, and four-edged.  Here were stored air-guns, pistols, and
blunderbusses; poisons of various kinds and operating in various ways;
garments fit for every possible disguise, whether to personate the monk,
the Jew, or the mendicant; the soldier, the sailor, or the gondolier.

One day he summoned Abellino to attend him in his armoury.

“Mark me,” said he, “thou wilt turn out a brave fellow, that I can see
already.  It is now time that you should earn that bread for yourself
which hitherto you have owed to our bounty.  Look!  Here thou hast a
dagger of the finest steel; you must charge for its use by the inch.  If
you plunge it only one inch deep into the bosom of his foe, your employer
must reward you with only one sequin: if two inches, with ten sequins; if
three, with twenty; if the whole dagger, you may then name your own
price.  Here is next a glass poniard; whomsoever this pierces, that man’s
death is certain.  As soon as the blow is given, you must break the
dagger in the wound.  The flesh will close over the point which has been
broken off, and which will keep its quarters till the day of
resurrection!  Lastly, observe this metallic dagger; its cavity conceals
a subtle poison, which, whenever you touch this spring, will immediately
infuse death into the veins of him whom the weapon’s point hath wounded.
Take these daggers.  In giving them I present you with a capital capable
of bringing home to you most heavy and most precious interest.”

Abellino received the instruments of death, but his hand shook as it
grasped them.

“Possessed of such unfailing weapons, of what immense sums must your
robberies have made you master!”

“Scoundrel!” interrupted Matteo, frowning and offended, “amongst us
robbery is unknown.  What?  Dost take us for common plunderers, for mere
thieves, cut-purses, housebreakers, and villains of that low, miserable
stamp?”

“Perhaps what you wish me to take you for is something worse; for, to
speak openly, Matteo, villains of that stamp are contented within
plundering a purse or a casket, which can easily be filled again; but
that which we take from others is a jewel which a man never has but once,
and which stolen can never be replaced.  Are we not, then, a thousand
times more atrocious plunderers?”

“By the house at Loretto, I think you have a mind to moralise, Abellino?”

“Hark ye, Matteo, only one question.  At the Day of Judgment, which think
you will hold his head highest, the thief or the assassin?”

“Ha! ha! ha!”

“Think not that Abellino speaks thus from want of resolution.  Speak but
the word, and I murder half the senators of Venice; but still—”

“Fool! know, the bravo must be above crediting the nurse’s antiquated
tales of vice and virtue.  What is virtue?  What is vice?  Nothing but
such things as forms of government, custom, manners, and education have
made sacred: and that which men are able to make honourable at one time,
it is in their power to make dishonourable at another, whenever the
humour takes them; had not the senate forbidden us to give opinions
freely respecting the politics of Venice, there would have been nothing
wrong in giving such opinions; and were the senate to declare that it is
right to give such opinions, that which to-day is thought a crime would
be thought meritorious to-morrow.  Then, prithee, let us have no more of
such doubts as these.  We are men, as much as the Doge and his senators,
and have reasons as much as _they_ have to lay down the law of right and
wrong, and to alter the law of right and wrong, and to decree what shall
be vice, and what shall be virtue.”

Abellino laughed.  Matteo proceeded with increased animation—

“Perhaps you will tell me that your trade is _dishonourable_!  And what,
then, is the thing called _honour_!   ’Tis a word, an empty sound, a mere
fantastic creature of the imagination!  Ask, as you traverse some
frequented street, in what honour consists?  The usurer will answer—’To
be honourable is to be rich, and he has most honour who can heap up the
greatest quantity of sequins.’  ’By no means,’ cries the voluptuary;
‘honour consists in being beloved by a very handsome woman, and finding
no virtue proof against your attacks.’  ‘How mistaken!’ interrupts the
general; ‘to conquer whole cities, to destroy whole armies, to ruin all
provinces, _that_ indeed brings _real_ honour.’  The man of learning
places his renown in the number of pages which he has either written or
read; the tinker, in the number of pots and kettles which he has made or
mended; the nun, in the number of _good_ things which she has done, or
_bad_ things which she has resisted; the coquette, in the list of her
admirers; the Republic, in the extent of her provinces; and thus, my
friend, every one thinks that honour consists in something different from
the rest.  And why, then, should not the bravo think that honour consists
in reaching the perfection of his trade, and in guiding a dagger to the
heart of an enemy with unerring aim?”

“By my life, ’tis a pity, Matteo, that you should be a bravo; the schools
have lost an excellent teacher of philosophy.”

“Do you think so?  Why, the fact is thus, Abellino.  I was educated in a
monastery; my father was a dignified prelate in Lucca, and my mother a
nun of the Ursuline order, greatly respected for her chastity and
devotion.  Now, Signor, it was thought fitting that I should apply
closely to my studies; my father, good man, would fain have made me a
light of the Church; but I soon found that I was better qualified for an
incendiary’s torch.  I followed the bent of my genius, yet count I not my
studies thrown away, since they taught me more philosophy than to tremble
at phantoms created by my own imagination.  Follow my example, friend,
and so farewell.”



CHAPTER V.
SOLITUDE.


ABELLINO had already passed six weeks in Venice, and yet, either from
want of opportunity, or of inclination, he had suffered his daggers to
remain idle in their sheaths.  This proceeded partly from his not being
as yet sufficiently acquainted with the windings and turnings, the
bye-lanes and private alleys of the town, and partly because he had
hitherto found no customers, whose murderous designs stood in need of his
helping hand.

This want of occupation was irksome to him in the extreme; he panted for
action, and was condemned to indolence.

With a melancholy heart did he roam through Venice, and number every step
with a sigh.  He frequented the public places, the taverns, the gardens,
and every scene which was dedicated to amusement.  But nowhere could he
find what ho sought—tranquillity.

One evening he had loitered beyond the other visitants in a public
garden, situated on one of the most beautiful of the Venetian islands.
He strolled from arbour to arbour, threw himself down on the sea-shore,
and watched the play of the waves as they sparkled in the moonshine.

“Four years ago,” said he, with a sigh, “just such a heavenly evening was
it, that I stole from Valeria’s lips the first kiss, and heard from
Valeria’s lips for the first time the avowal that she loved me.”

He was silent, and abandoned himself to the melancholy recollections
which thronged before his mind’s eye.

Everything around him was so calm, so silent!  Not a single zephyr sighed
among the blades of grass; but a storm raged in the bosom of Abellino.

“Four years ago could I have believed that a time would come when I
should play the part of a bravo in Venice!  Oh, where are they flown, the
golden hopes and plans of glory which smiled upon me in the happy days of
my youth?  I am a bravo: to be a beggar were to be something better.”

“When my good old father, in the enthusiasm of paternal vanity, so oft
threw his arms around my neck, and cried, ‘My boy, thou wilt render the
name of Rosalvo glorious!’  God, as I listened, how was my blood on fire?
What thought I not, what that was good and great did I not promise myself
to do!  The father is dead, and the son is a Venetian bravo!  When my
preceptors praised and admired me, and, carried away by the warmth of
their feelings, clapped my shoulder, and exclaimed, ‘Count, thou wilt
immortalise the ancient race of Rosalvo!’  Ha, in those blessed moments
of sweet delirium, how bright and beauteous stood futurity before me!
When, happy in the performance of some good deed, I returned home, and
saw Valeria hasten to receive me with open arms, and when, while she
clasped me to her bosom I heard her whisper ‘Oh, who could forbear to
love the great Rosalvo?’  God! oh, God!  Away, away, glorious visions of
the past.  To look on you drives me mad!”

He was again silent; he bit his lips in fury, raised one emaciated hand
to heaven, and struck his forehead violently with the other.

“An assassin, the slave of cowards and rascals, the ally of the greatest
villains that the Venetian sun ever shines upon, such is now the great
Rosalvo.  Fie, ah, fie on’t; and yet to this wretched lot hath fatality
condemned me.”

Suddenly he sprang from the ground after a long silence; his eyes
sparkled, his countenance was changed; he drew his breath easier.

“Yes, by Heaven, yes.  Great as Count Rosalvo, that can I be no longer;
but from being great as a Venetian bravo, what prevents me?  Souls in
bliss,” he exclaimed, and sank on his knee, while he raised his folded
hands to heaven, as if about to pronounce the most awful oath, “Spirit of
my father; spirit of Valeria, I will not become unworthy of you.  Hear
me, if your ghosts are permitted to wander near me, hear me swear that
the bravo shall not disgrace the origin, nor render vain the hopes which
soothed you in the bitterness of death.  No, sure as I live, I will be
the only dealer in this miserable trade, and posterity shall be compelled
to honour that name, which my actions shall render illustrious.”

He bowed his forehead till it touched the earth, and his tears flowed
plenteously.  Vast conceptions swelled his soul; he dwelt on wondrous
views, till their extent bewildered his brain; yet another hour elapsed,
and he sprang from the earth to realise them.

“I will enter into no compact against human nature with five miserable
cut-throats.  _Alone_ will I make the Republic tremble, and before eight
days are flown, these murderous knaves shall swing upon a gibbet.  Venice
shall no longer harbour _five_ banditti; _one_ and _one_ only shall
inhabit here, and that one shall beard the Doge himself, shall watch over
right and wrong, and according as he judges, shall reward and punish.
Before eight days are flown, the State shall be purified from the
presence of these outcasts of humanity, and then shall I stand here
alone.  Then must every villain in Venice, who hitherto has kept the
daggers of my companions in employment, have recourse to me; then shall I
know the names and persons of all those cowardly murderers, of all those
illustrious profligates, with whom Matteo and his companions carry on the
trade of blood.  And then—Abellino!  Abellino, that is the name.  Hear
it, Venice, hear it, and tremble.”

Intoxicated with the wildness of his hopes, he rushed out of the garden.
He summoned a gondolier, threw himself into the boat, and hastened to the
dwelling of Cinthia, where the inhabitants already were folded in the
arms of sleep.



CHAPTER VI.
ROSABELLA, THE DOGE’S LOVELY NIECE.


“HARK, comrade,” said Matteo the next morning to Abellino; “to-day thou
shalt make thy first step in our profession.”

“To-day!” hoarsely murmured Abellino; “and on whom am I to show my
skill?”

“Nay, to say truth, ’tis but a woman; but one must not give too difficult
a task to a young beginner.  I will myself accompany you, and see how you
conduct yourself in the first trial.”

“Hum!” said Abellino, and measured Matteo with his eye from head to foot.

“To-day, about four o’clock, thou shalt follow me to Dolabella’s gardens,
which are situated on the south side of Venice.  We must both be
disguised, you understand.  In these gardens are excellent baths; and
after using the baths, the Doge’s niece, the lovely Rosabella of Corfu,
frequently walks without attendants.  And then—you conceive me?”

“And you will accompany me?”

“I will be a spectator of your first adventure; ’tis thus I deal by every
one.”

“And how many inches deep must I plunge my dagger?”

“To the hilt, boy, to the very hilt!  Her death is required, and the
payment will be princely; Rosabella in the grave, we are rich for life.”

Every other point was soon adjusted.  Noon was now past, the clock in the
neighbouring church of the Benedictines struck four, and Mattes and
Abellino were already forth.  They arrived at the gardens of Dolabella,
which that day were unusually crowded.  Every shady avenue was thronged
with people of both sexes; every arbour was occupied by persons most
distinguished in Venice.  In every corner sighed lovesick couples, as
they waited for the wished approach of twilight; and on every side did
strains of vocal and instrumental music pour their harmony on the
enchanted ear.

Abellino mingled with the crowd.  A most respectable looking peruke
concealed the repulsive ugliness of his features; he imitated the walk
and manners of a gouty old man, and supported himself by a crutch, as he
walked slowly through the assembly.  His habit, richly embroidered,
procured for him universally a good reception, and no one scrupled to
enter into conversation with him respecting the weather, the commerce of
the Republic, or the designs of its enemies; and on none of these
subjects was Abellino found incapable of sustaining the discourse.

By these means he soon contrived to gain intelligence that Rosabella was
certainly in the gardens, how she was habited, and in what quarter he was
most likely to find her.

Thither he immediately bent his course; and hard at his heels followed
Matteo.

Alone, and in the most retired arbour, sat Rosabella of Corfu, the
fairest maid in Venice.

Abellino drew near the arbour; he tottered, as he passed its entrance,
like one oppressed with sudden faintness, and attracted Rosabella’s
attention.

“Alas, alas!” cried he, “is there no one at hand who will take compassion
on the infirmity of a poor old man?”

The Doge’s fair niece quitted the arbour hastily, and flew to give
assistance to the sufferer.

“What ails you, my good father?” she inquired in a melodious voice, and
with a look of benevolent anxiety.

Abellino pointed towards the arbour; Rosabella led him in, and placed him
on a seat of turf.

“God reward you, lady,” stammered Abellino, faintly.  He raised his eyes;
they met Rosabella’s, and a blush crimsoned her pale cheeks.

Rosabella stood in silence before the disguised assassin, and trembled
with tender concern for the old man’s illness; and oh, that expression of
interest ever makes a lovely women look so much more lovely!  She bent
her delicate form over the man who was bribed to murder her, and after a
while asked him, in gentlest tone, “Are you not better?”

“Better?” stammered the deceiver, with a feeble voice, “better—oh, yes,
yes, yes.  You—you are the Doge’s niece—the noble Rosabella of Corfu?”

“The same, my good old man.”

“Oh, lady, I have somewhat to tell you.  Be on your guard, Start not!
What I would say is of the utmost consequence, and demands the utmost
prudence.  Ah, God, that there should live men so cruel!  Lady, your life
is in danger.”

The maiden started back; the colour fled from her cheeks.

“Do you wish to behold your assassin?  You shall not die, but if you
value your life, be silent.”

Rosabella knew not what to think; the presence of the old man terrified
her.

“Fear nothing, lady, fear nothing; you have nothing to fear, while I am
with you.  Before you quit this arbour you shall see the assassin expire
at your feet.”

Rosabella made a movement as if she would have fled; but suddenly the
person who sat beside her was no longer an infirm old man.  He who a
minute before had scarcely strength to mutter out a few sentences, and
reclined against the arbour trembling like an aspen, sprang up with the
force of a giant, and drew her back with one arm.

“For the love of heaven!” she cried, “release me.  Let me fly!”

“Lady, fear nothing; _I_ protect you.”  This said, Abellino placed a
whistle at his lips, and blew it shrilly.

Instantly sprang Matteo from his concealment in a neighbouring clump of
trees, and rushed into the arbour.  Abellino threw Rosabella on the bank
of turf, advanced a few steps to meet Matteo, and plunged his dagger in
his heart.

Without uttering a single cry, sank the banditti captain at the feet of
Abellino: the death-rattle was heard in his throat, and after a few
horrible convulsions all was over.

Now did Matteo’s murderer look again towards the arbour, and beheld
Rosabella half senseless, as she lay on the bank of turf.

“Your life is safe, beautiful Rosabella,” said he; “there lies the
villain bleeding, who conducted me hither to murder you.  Recover
yourself; return to your uncle, the Doge, and tell him that you owe your
life to Abellino.”

Rosabella could not speak.  Trembling, she stretched her arms towards
him, grasped his hand, and pressed it to her lips in silent gratitude.

Abellino gazed with delight and wonder on the lovely sufferer; and in
such a situation, who could have beheld her without emotion?  Rosabella
had scarcely numbered seventeen summers; her light and delicate limbs,
enveloped in a thin white garment, which fell around her in a thousand
folds; her blue and melting eyes, whence beamed the expression of purest
innocence; her forehead, white as ivory, overshadowed the ringlets of her
bright dark hair; cheeks, whence terror had now stolen the roses; such
was Rosabella, a creature in whose formation partial Nature seemed to
have omitted nothing which might constitute the perfection of female
loveliness—such was she; and being such, the wretched Abellino may be
forgiven if for some few minutes he stood like one enchanted, and
bartered for those few minutes the tranquillity of his heart for ever.

“By Him who made me,” cried he at length, “oh! thou art fair, Rosabella;
Valeria was not fairer.”

He bowed himself down to her, and imprinted a burning kiss on the pale
cheeks of the beauty.

“Leave me, thou dreadful man,” she stammered in terror; “oh, leave me.”

“Ah, Rosabella, why art thou so beauteous, and why am I—Knowest thou who
kissed thy cheek, Rosabella?  Go, tell thy uncle, the proud Doge—_’Twas
the bravo_, _Abellino_,” he said, and rushed out of the arbour.



CHAPTER VII.
THE BRAVO’S BRIDE.


IT was not without good reason that Abellino took his departure in such
haste.  He had quitted the spot but a few minutes, when a large party
accidentally strolled that way, and discovered with astonishment the
corpse of Matteo, and Rosabella pale and trembling in the arbour.

A crowd immediately collected itself round them.  It increased with every
moment, and Rosabella was necessitated to repeat what had happened to her
for the satisfaction of every newcomer.

In the meanwhile some of the Doge’s courtiers, who happened to be among
the crowd, hastened to call her attendants together; her gondola was
already waiting for her, and the terrified girl soon reached her uncle’s
palace in safety.

In vain was an embargo laid upon every other gondola; in vain did they
examine every person who was in the gardens of Dolabella at the time,
when the murdered assassin was first discovered.  No traces could be
found of Abellino.

The report of this strange adventure spread like wildfire through Venice.
Abellino, for Rosabella had preserved but too well in her memory that
dreadful name, and by the relation of her danger had given it universal
publicity, Abellino was the object of general wonder and curiosity.
Every one pitied the poor Rosabella for what she had suffered, execrated
the villain who had bribed Matteo to murder her, and endeavoured to
connect the different circumstances together by the help of one
hypothesis or other, among which it would have been difficult to decide
which was the most improbable.

Every one who heard the adventure, told it again, and every one who told
it, added something of his own, till at length it was made into a
complete romantic novel, which might have been entitled with great
propriety, “The Power of Beauty;” for the Venetian gentlemen and ladies
had settled the point among themselves completely to their own
satisfaction, that Abellino would undoubtedly have assassinated
Rosabella, had he not been prevented by her uncommon beauty.  But though
Abellino’s interference had preserved her life, it was doubted much
whether this adventure would be at all relished by her destined
bridegroom, the Prince of Monaldeschi, a Neapolitan of the first rank,
possessed of immense wealth and extensive influence.  The Doge had for
some time been secretly engaged in negotiating a match between his niece
and this powerful nobleman, who was soon expected to make his appearance
at Venice.  The motive of his journey, in spite of all the Doge’s
precautions, had been divulged, and it was no longer a secret to any but
Rosabella, who had never seen the prince, and could not imagine why his
expected visit should excite such general curiosity.

Thus far the story had been told much to Rosabella’s credit; but at
length the women began to envy her for her share in the adventure.  The
kiss which she had received from the bravo afforded them an excellent
opportunity for throwing out a few malicious insinuations.  “She received
a great service,” said one, “and there’s no saying how far the fair
Rosabella in the warmth of gratitude may have been carried in rewarding
her preserver.”  “Very true,” observed another, “and for my part, I think
it not very likely that the fellow, being alone with a pretty girl, whose
life he had just saved, should have gone away contented with a single
kiss.”  “Come, come,” interrupted a third, “do not let us judge
uncharitably; the fact may be exactly as the lady relates it, though I
_must_ say, that gentlemen of Abellino’s profession are not usually so
pretty-behaved, and that this is the first time I ever heard of a bravo
in the Platonics.”

In short, Rosabella and the horrible Abellino furnished the indolent and
gossiping Venetians with conversation so long, that at length the Doge’s
niece was universally known by the honourable appellation of the “Bravo’s
Bride.”

But no one gave himself more trouble about this affair than the Doge, the
good but proud Andreas.  He immediately issued orders that every person
of suspicious appearance should be watched more closely than ever, the
night patrols were doubled, and spies were employed daily in procuring
intelligence of Abellino; and yet all was in vain.  Abellino’s retreat
was inscrutable.



CHAPTER VIII.
THE CONSPIRACY.


“CONFUSION!” exclaimed Parozzi, a Venetian nobleman of the first rank, as
he paced his chamber with a disordered air on the morning after Matteo’s
murder; “now all curses light upon the villain’s awkwardness; yet it
seems inconceivable to me how all this should have fallen out so
untowardly.  Has any one discovered my designs?  I know well that Verrino
loves Rosabella.  Was it he who opposed this confounded Abellino to
Matteo, and charged him to mar my plans against her?  That seems likely;
and now, when the Doge inquires who it was that employed assassins to
murder his niece, what other will be suspected than Parozzi, the
discontented lover, to whom Rosabella refused her hand, and whom Andreas
hates past hope of reconciliation?  And now, having once found the
scent—Parozzi!  Parozzi! should the crafty Andreas get an insight into
your plans, should he learn that you have placed yourself at the head of
a troop of hare-brained youths—hare-brained may I well call children—who,
in order to avoid the rod, set fire to their paternal mansions.  Parozzi,
should all this be revealed to Andreas—?”

Here his reflections were interrupted.  Memmo, Falieri, and Contarino
entered the room, three young Venetians of the highest rank, Parozzi’s
inseparable companions, men depraved both in mind and body, spendthrifts,
voluptuaries, well known to every usurer in Venice, and owing more than
their paternal inheritance would ever admit of their paying.

“Why, how is this, Parozzi?” cried Memmo as he entered, a wretch whose
every feature exhibited marks of that libertinism to which his life had
been dedicated; “I can scarce recover myself from my astonishment.  For
Heaven’s sake, is this report true?  Did you really hire Matteo to murder
the Doge’s niece?”

“I?” exclaimed Parozzi, and hastily turned away to hide the deadly
paleness which overspread his countenance; “why should you suppose that
any such designs—surely, Memmo, you are distracted.”

_Memmo_.—By my soul, I speak but the plain matter of fact.  Nay, only ask
Falieri; he can tell you more.

_Falieri_.—Faith, it is certain, Parozzi, that Lomellino has declared to
the Doge as a truth beyond doubting that you, and none but you, were the
person who instigated Matteo to attempt Rosabella’s life.

_Parozzi_.—And I tell you again that Lomellino knows not what he says.

_Contarino_.—Well, well, only be upon your guard.  Andreas is a terrible
fellow to deal with.

_Falieri_.—_He_ terrible.  I tell you he is the most contemptible
blockhead that the universe can furnish!  Courage perhaps he possesses,
but of brains not an atom.

_Contarino_.—And _I_ tell you that Andreas is as brave as a lion, and as
crafty as a fox.

_Falieri_.—Pshaw! pshaw!  Everything would go to rack and ruin were it
not for the wiser heads of this triumvirate of counsellors, whom Heaven
confound!  Deprive him of Paolo Manfrone, Conari, and Lomellino, and the
Doge would stand there looking as foolish as a schoolboy who was going to
be examined and had forgotten his lesson.

_Parozzi_.—Falieri is in the right.

_Memmo_.—Quite, quite.

_Falieri_.—And then Andreas is as proud as a beggar grown rich and
dressed in his first suit of embroidery.  By St. Anthony, he is become
quite insupportable.  Do you not observe how he increases the number of
his attendants daily?

_Memmo_.—Nay, that is an undoubted fact.

_Contarino_.—And then, to what an unbounded extent has he carried his
influence.  The Signoria, the Quaranti, the Procurators of St. Mark, the
Avocatori, all think and act exactly as it suits the Doge’s pleasure and
convenience!  Every soul of them depends as much on that one man’s honour
and caprices as puppets do who nod or shake their wooden heads just as
the fellow behind the curtain thinks proper to move the wires.

_Parozzi_.—And yet the populace idolises this Andreas.

_Memmo_.—Ay, that is the worst part of the story.

_Falieri_.—But never credit me again if he does not experience a reverse
of fortune speedily.

_Contarino_.—That might happen would we but set our shoulders to the
wheel stoutly.  But what do we do?  We pass our time in taverns; drink
and game, and throw ourselves headlong into such an ocean of debts, that
the best swimmer must sink at last.  Let us resolve to make the attempt.
Let us seek recruits on all sides; let us labour with all our might and
main.  Things must change, or if they do not, take my word for it, my
friends, this world is no longer a world for us.

_Memmo_.—Nay, it’s a melancholy truth, that during the last half-year my
creditors have been ready to beat my door down with knocking.  I am
awakened out of my sleep in the morning, and lulled to rest again at
night with no other music than their eternal clamour.

_Parozzi_.—Ha! ha! ha!  As for me, I need not tell you how I am suited.

_Falieri_.—Had we been less extravagant, we might at this moment have
been sitting quietly in our palaces; but as things stand now—

_Parozzi_.—Well, as things stand now—I verily believe that Falieri is
going to moralise.

_Contarino_.—That is ever the way with old sinners when they have lost
the power to sin any longer.  Then they are ready enough to weep over
their past life, and talk loudly about repentance and reformation.  Now,
for my own part, I am perfectly well satisfied with my wanderings from
the common beaten paths of morality and prudence.  They serve to convince
me that I am not one of your every-day men, who sit cramped up in the
chimney-corner, lifeless, phlegmatic, and shudder when they hear of any
extraordinary occurrence.  Nature evidently has intended me to be a
libertine, and I am determined to fulfil my destination.  Why, if spirits
like ours were not produced every now and then, the world would
absolutely go fast asleep, but we rouse it by deranging the old order of
things, force mankind to quicken their snail’s pace, furnish a million of
idlers with riddles which they puzzle their brains about without being
able to comprehend, infuse some hundreds of new ideas into the heads of
the great multitude, and, in short, are as useful to the world as
tempests are, which dissipate those exhalations with which Nature
otherwise would poison herself.

_Falieri_.—Excellent sophistry, by my honour.  Why, Contarino, ancient
Rome has had an irreparable loss in not having numbered you among her
orators.  It is a pity, though, that there should be so little that’s
solid wrapped up in so many fine-sounding words.  Now learn that while
you, with this rare talent of eloquence, have been most unmercifully
wearing out the patience of your good-natured hearers, Falieri has been
in _action_.  The Cardinal Gonzaga is discontented with the
government—Heaven knows what Andreas has done to make him so vehemently
his enemy—but, in short, Gonzaga now belongs to our party.

_Parozzi_ (with astonishment and delight).—Falieri, are you in your
senses?  The Cardinal Gonzaga—?

_Falieri_.—Is ours, and ours both body and soul.  I confess I was first
obliged to rhodomontade a good deal to him about our patriotism, our
glorious designs, our love for freedom, and so forth; in short, Gonzaga
is a hypocrite, and therefore is Gonzaga the fitter for us.

_Contarino_ (clasping Falieri’s hand).—Bravo, my friend!  Venice shall
see a second edition of Catiline’s conspiracy.  Now, then, it is _my_
turn to speak, for I have not been idle since we parted.  In truth, I
have as yet _caught_ nothing, but I have made myself master of an
all-powerful net, with which I doubt not to capture the best half of
Venice.  You all know the Marchioness Olympia?

_Parozzi_.—Does not each of us keep a list of the handsomest women in the
Republic, and can we have forgotten number one?

_Falieri_.—Olympia and Rosabella are the goddesses of Venice; our youths
burn incense on no other altars.

_Contarino_.—Olympia is my own.

_Falieri_.—How?

_Parozzi_.—Olympia?

_Contarino_.—Why, how now?  Why stare ye as had I prophesied to you that
the skies were going to fall?  I tell you Olympia’s heart is mine, and
that I possess her entire and most intimate confidence.  Our connection
must remain a profound secret, but depend on it, whatever _I_ wish _she_
wishes also; and you know she can make half the nobility in Venice dance
to the sound of her pipe, let her play what tune she pleases.

_Parozzi_.—Contarino, you are our master.

_Contarino_.—And you had not the least suspicion how powerful an ally I
was labouring to procure for you?

_Parozzi_.—I must blush for myself while I listen to you, since as yet I
have done nothing.  Yet this I must say in my excuse: Had Matteo, bribed
by my gold, accomplished Rosabella’s murder, the Doge would have been
robbed of that chain with which he holds the chief men in Venice attached
to his government.  Andreas would have no merit, were Rosabella once
removed.  The most illustrious families would care no longer for his
friendship with their hopes of a connection with him by means of his
niece buried in her grave.  Rosabella will one day be the Doge’s heiress.

_Memmo_.—All that I can do for you in this business is to provide you
with pecuniary supplies.  My old miserable uncle, whose whole property
becomes mine at his death, has brimful coffers, and the old miser dies
whenever I say the word.

_Falieri_.—You have suffered him to live too long already.

_Memmo_.—Why, I never have been able to make up my mind entirely to—You
would scarcely believe it, friends, but at times I am so hypochondriac,
that I could almost fancy I feel twinges of conscience.

_Contarino_.—Indeed.  Then take my advice, go into a monastery.

_Memmo_.—Our care first must be to find out our old acquaintances,
Matteo’s companions: yet, having hitherto always transacted business with
them through their captain, I know not where they are to be met with.

_Parozzi_.—As soon as they are found, their first employment must be the
removal of the Doge’s trio of advisers.

_Contarino_.—That were an excellent idea, if it were as easily done as
said.  Well, then, my friends, this principal point at least is decided.
Either we will bury our debts under the ruins of the existing
constitution of the Republic, or make Andreas a gift of our heads towards
strengthening the walls of the building.  In either case, we shall at
least obtain quiet.  Necessity, with her whip of serpents, has driven us
to the very highest point of her rock, whence we must save ourselves by
some act of extraordinary daring, or be precipitated on the opposite side
into the abyss of shame and eternal oblivion.  The next point to be
considered is, how we may best obtain supplies for our necessary
expenses, and induce others to join with us in our plans.  For this
purpose we must use every artifice to secure in our interests the
courtesans of the greatest celebrity in Venice.  What _we_ should be
unable to effect by every power of persuasion, banditti by their daggers,
and princes by their treasuries, can one of those Phrynes accomplish with
a single look.  Where the terrors of the scaffold are without effect, and
the exhortations of the priests are heard with coldness, a wanton look
and a tender promise often perform wonders.  The bell which sounded the
hour of assignation has often rang the knell of the most sacred
principles and most steadfast resolutions.  But should you either fail to
gain the mastery over the minds of these women, or fear to be yourselves
entangled in the nets which you wish to spread for others, in these cases
you must have recourse to the holy father confessors.  Flatter the pride
of these insolent friars; paint for them upon the blank leaf of futurity
bishops’ mitres, patriarchal missions, the hats of cardinals, and the
keys of St. Peter; my life upon it, they will spring at the bait, and you
will have them completely at your disposal.  These hypocrites who govern
the consciences of the bigoted Venetians, hold man and woman, the noble
and the mendicant, the Doge and the gondolier, bound fast in the chains
of superstition, by which they can head them wheresoever it best suits
their pleasure.  It will save us tons of gold in gaining over proselytes,
and keeping their consciences quiet when gained, if we can but obtain the
assistance of the confessors, whose blessings and curses pass with the
multitude for current coin.  Now, then, to work, comrades, and so
farewell.



CHAPTER IX.
CINTHIA’S DWELLING.


SCARCELY had Abellino achieved the bloody deed which employed every
tongue in Venice, when he changed his dress and whole appearance with so
much expedition and success as to prevent the slightest suspicion of his
being Matteo’s murderer.  He quitted the gardens unquestioned, nor left
the least trace which could lead to a discovery.

He arrived at Cinthia’s dwelling.  It was already evening.  Cinthia
opened the door, and Abellino entered the common apartment.

“Where are the rest?” said he in a savage tone of voice whose sound made
Cinthia tremble.

“They have been asleep,” she answered, “since mid-day.  Probably they
mean to go out on some pursuit to-night.”  Abellino threw himself into a
chair, and seemed to be lost in thought.

“But why are you always so gloomy, Abellino?” said Cinthia, drawing near
him; “it’s that which makes you so ugly.  Prithee away with those frowns;
they make your countenance look worse than nature made it?”

Abellino gave no answer.

“Really, you are enough to frighten a body!  Come, now, let us be
friends, Abellino; I begin not to dislike you, and to endure your
appearance; and I don’t know but—”

“Go, wake the sleepers!” roared the bravo.

“The sleepers?  Pshaw, let them sleep on, the stupid rogues.  Sure you
are not afraid to be alone with me?  Mercy on me, one would think I
looked as terrible as yourself?  Do I?  Nay, look on me, Abellino.”

Cinthia, to say the truth, was by no means an ill-looking girl; her eyes
were bright and expressive; the hair fell in shining ringlets over her
bosom; her lips were red and full, and she bowed them towards Abellino’s.
But Abellino’s were still sacred by the touch of Rosabella’s cheek.  He
started from his seat, and removed, yet gently, Cinthia’s hand, which
rested on his shoulder.

“Wake the sleepers, my good girl,” said he, “I must speak with them this
moment.”

Cinthia hesitated.

“Nay, go,” said he, in a fierce voice.

Cinthia retired in silence; yet as she crossed the threshold, she stopped
for an instant and menaced him with her finger.

Abellino strode through the chamber with hasty steps, his head reclining
on his shoulder, his arms folded over his breast.

“The first step is taken,” said he to himself.  “There is one moral
monster the less on earth.  I have committed no sin by this murder; I
have but performed a sacred duty.  Aid me, thou Great and Good, for
arduous is the task before me.  Ah, should that task be gone through with
success, and Rosabella be the reward of my labours—Rosabella?  What,
shall the Doge’s niece bestow on the outcast Abellino?  Oh, madman that I
am to hope it, never can I reach the goal of my wishes!  No, never was
there frenzy to equal mine.  To attach myself at first sight to—Yet
Rosabella alone is capable of thus enchanting at first sight—Rosabella
and Valeria?  To be beloved by two such women—Yet, though ’tis impossible
to attain, the striving to attain such an end is glorious.  Illusions so
delightful will at least make me happy for a moment, and alas, the
wretched Abellino needs so many illusions that for a moment will make him
happy!  Oh, surely, knew the world what I gladly would accomplish, the
world would both love and pity me.”

Cinthia returned; the four bravoes followed her, yawning, grumbling, and
still half asleep.

“Come, come!” said Abellino, “rouse yourselves, lads.  Before I say
anything, be convinced that you are wide awake, for what I am going to
tell you is so strange that you would scarce believe it in a dream.”

They listened to him with an air of indifference and impatience.

“Why, what’s the matter now?” said Thomaso, while he stretched himself.

“Neither more nor less than that our honest, hearty, brave Matteo is
murdered.”

“What, murdered!” every one exclaimed, and gazed with looks of terror on
the bearer of this unwelcome news; while Cinthia gave a loud scream, and,
clasping her hands together, sank almost breathless into a chair.

A general silence prevailed for some time.

“Murdered!” at length repeated Thomaso, “and by whom?”

_Baluzzo_.—Where?

_Pietrino_.—What? this forenoon?

_Abellino_.—In the gardens of Dolabella, where he was found bleeding at
the feet of the Doge’s niece.  Whether he fell by her hand, or by that of
one of her admirers, I cannot say.

_Cinthia_ (weeping).—Poor dear Matteo.

_Abellino_.—About this time to-morrow you will see his corpse exhibited
on the gibbet.

_Pietrino_.—What!  Did any one recognise him?

_Abellino_.—Yes, yes! there’s no doubt about his trade, you may depend
on’t.

_Cinthia_.—The gibbet!  Poor dear Matteo!

_Thomaso_.—This is a fine piece of work.

_Baluzzo_.—Confound the fellow, who would have thought of anything
happening so unlucky?

_Abellino_.—Why, how now?  You seem to be overcome.

_Struzza_.—I cannot recover myself; surprise and terror have almost
stupefied me.

_Abellino_.—Indeed!  By my life, when I heard the news I burst into
laughter.  “Signor Matteo,” said I, “I wish your worship joy of your safe
arrival.”

_Thomaso_.—What?

_Struzza_.—You laughed?  Hang me if I can see what there is to laugh at.

_Abellino_.—Why, surely you are not afraid of receiving what you are so
ready to bestow on others?  What is your object?  What can we expect as
our reward at the end of our labours except the gibbet or the rock?  What
memorials of our actions shall we leave behind us, except our skeletons
dancing in the air, and the chains which rattle round them?  He who
chooses to play the bravo’s part on the great theatre of the world must
not be afraid of death, whether it comes at the hands of the physician or
the executioner.  Come, come, pluck up your spirits, comrades.

_Thomaso_.—That’s easy to say, but quite out of my power.

_Pietrino_.—Mercy on me, how my teeth chatter.

_Baluzzo_.—Prithee, Abellino, be composed for a moment or two, your
gaiety at a time like this is quite horrible.

_Cinthia_.—Oh, me! oh, me!  Poor murdered Matteo.

_Abellino_.—Hey-day.  Why, what is all this! Cinthia, my life, are you
not ashamed of being such a child?  Come, let you and I renew that
conversation which my sending you to wake these gentlemen interrupted.
Sit down by me, sweetheart, and give me a kiss.

_Cinthia_.—Out upon you, monster.

_Abellino_.—What, have you altered your mind, my pretty dear?  Well,
well, with all my heart, when _you_ are in the humour, perhaps _I_ may
not have the inclination.

_Baluzzo_.—Death and the devil, Abellino, is this a time for talking
nonsense?  Prithee keep such trash for a fitter occasion, and let us
consider what we are to do just now.

_Pietrino_.—Nay, this is no season for trifling.

_Struzza_.—Tell us, Abellino; you are a clever fellow; what course is it
best for us to take?

_Abellino_ (after a pause).—Nothing must be done, or a great deal.  One
of two things we must choose.  Either we must remain _where_ we are, and
_what_ we are, murder honest men to please any rascal who will give us
gold and fair words, and make up our minds to be hung, broken on the
wheel, condemned to the galleys, burnt alive, crucified, or beheaded, at
the long run, just as it may seem best to the supreme authority; or else—

_Thomaso_.—Or else?  Well?

_Abellino_.—Or else we must divide the spoils which are already in our
possession, quit the Republic, begin a new and better life, and endeavour
to make our peace with Heaven.  We have already wealth enough to make it
unnecessary for us to ask how shall we get our bread?  You may either buy
an estate in some foreign country, or keep _Osteria_, or engage in
commerce, or set up some trade, or, in short, do whatever you like best,
so that you do but abandon the profession of an assassin.  Then we may
look out for a wife among the pretty girls of our own rank in life,
become the happy fathers of sons and daughters may eat and drink in peace
and security, and make amends by the honesty of our future lives for the
offences of our past.

_Thomaso_.—Ha! ha! ha!

_Abellino_.—What _you_ do, that will _I_ do too; I will either hang or be
broken on the wheel along with you, or become an honest man, just as you
please.  Now, then, what is your decision?

_Thomaso_.—Was there ever such a stupid counsellor.

_Pietrino_.—Our decision?  Nay, the point’s not very difficult to decide.

_Abellino_.—I should have thought it _had_ been.

_Thomaso_.—Without more words, then, I vote for our remaining as we are,
and carrying on our old trade; that will bring us plenty of gold, and
enable us to lead a jolly life.

_Pietrino_.—Right, lad, you speak my thoughts exactly.

_Thomaso_.—We are bravoes, it’s true; but what then?  We are honest
fellows, and the devil take him who dares to say we are not.  However, at
any rate, we must keep within doors for a few days, lest we should be
discovered; for I warrant you the Doge’s spies are abroad in search of us
by this.  But as soon as the pursuit is over, be it our first business to
find out Matteo’s murderer, and throttle him out of hand as a warning to
all others.

_All_.—Bravo, bravissimo.

_Pietrino_.—And from this day forth I vote that Thomaso should be our
captain.

_Struzza_.—Aye, in Matteo’s stead.

_All_.—Right, right.

_Abellino_.—To which I say amen with all my heart.  Now, then, all is
decided.




Book the Second.


CHAPTER I.
THE BIRTHDAY.


IN solitude and anxiety, with barred windows and bolted doors, did the
banditti pass the day immediately succeeding Matteo’s murder; every
murmur in the street appeared to them a cause of apprehension; every
footstep which approached their doors made them tremble till it had
passed them.

In the meanwhile the ducal palace blazed with splendour and resounded
with mirth.  The Doge celebrated the birthday of his fair niece,
Rosabella; and the feast was honoured by the presence of the chief
persons of the city, of the foreign ambassadors, and of many illustrious
strangers who were at that time resident in Venice.

On this occasion no expense had been spared, no source of pleasure had
been neglected.  The arts contended with each other for superiority; the
best poets in Venice celebrated this day with powers excelling anything
which they had before exhibited, for the subject of their verses was
Rosabella; the musicians and _virtuosi_ surpassed all their former
triumphs, for their object was to obtain the suffrage of Rosabella.  The
singular union of all kinds of pleasure intoxicated the imagination of
every guest; and the genius of delight extended his influence over the
whole assembly, over the old man and the youth, over the matron and the
virgin.

The venerable Andreas had seldom been in such high spirits as on this
occasion.  He was all life; smiles of satisfaction played round his lips;
gracious and condescending to every one, he made it his chief care to
prevent his rank from being felt.  Sometimes he trifled with the ladies,
whose beauty formed the greatest ornament of this entertainment;
sometimes he mingled among the masks, whose fantastic appearance and
gaiety of conversation enlivened the ball-room by their variety; at other
times he played chess with the generals and admirals of the Republic; and
frequently he forsook everything to gaze with delight on Rosabella’s
dancing, or listen in silent rapture to Rosabella’s music.

Lomellino, Conari, and Paolo Manfrone, the Doge’s three confidential
friends and counsellors, in defiance of their grey hairs, mingled in the
throng of youthful beauties, flirted first with one and then with
another, and the arrows of raillery were darted and received on both
sides with spirit and good humour.

“Now, Lomellino,” said Andreas to his friend, who entered the saloon in
which the Doge was at that time accidentally alone with his niece, “you
seem in gayer spirits this evening than when we were lying before
Scardona, and had so hard a game to play against the Turks.”

_Lomellino_.—I shall not take upon me to deny that, signor.  I still
think with a mixture of terror and satisfaction on the night when we took
Scardona, and carried the half-moon before the city walls.  By my soul,
our Venetians fought like lions.

_Andreas_.—Fill this goblet to their memory, my old soldier; you have
earned your rest bravely.

_Lomellino_.—Aye, signor, and oh, it is so sweet to rest on laurels.  But
in truth, ’tis to you that I am indebted for mine; it is you who have
immortalised me.  No soul on earth would have known that Lomellino
existed, had he not fought in Dalmatia and Sicilia under the banners of
the great Andreas, and assisted him in raising eternal trophies in honour
of the Republic.

_Andreas_.—My good Lomellino, the Cyprus wine must have heated your
imagination.

_Lomellino_.—Nay, I know well I ought not to call you great, and praise
you thus openly to your face; but faith, signor, I am grown too old for
it to be worth my while to flatter.  That is a business which I leave to
our young courtiers, who have never yet come within the smell of powder,
and never have fought for Venice and Andreas.

_Andreas_.—You are an old enthusiast.  Think you the Emperor is of the
same opinion?

_Lomellino_.—Unless Charles the Fifth is deceived by those about him, or
is too proud to allow the greatness of an enemy, he must say, perforce,
“There is but one man on earth whom I fear, and who is worthy to contend
with me, and that man is Andreas.”

_Andreas_.—I suspect he will be sorely displeased when he receives my
answer to the message by which he notified to me the imprisonment of the
French king.

_Lomellino_.—Displeased he will be, signor, no doubt of it; but what
then?  Venice need not fear his displeasure, while Andreas still lives.
But when you and your heroes are once gone to your eternal rest—then,
alas for thee, poor Venice.  I fear your golden times will soon come to
their conclusion.

_Andreas_.—What!  Have we not many young officers of great promise?

_Lomellino_.—Alas, what are most of them?  Heroes in the fields of Venus.
Heroes at a drinking-bout.  Effeminate striplings, relaxed both in mind
and body.  But how am I running on, forgetful.  Ah, when one is grown
old, and conversing with an Andreas, it is easy to forget everything
else.  My lord, I sought you with a request, a request, too, of
consequence.

_Andreas_.—You excite my curiosity.

_Lomellino_.—About a week ago there arrived here a young Florentine
nobleman called Flodoardo, a youth of noble appearance and great promise.

_Andreas_.—Well?

_Lomellino_.—His father was one of my dearest friends.  He is dead now,
the good old generous nobleman.  In our youth we served together on board
the same vessel, and many a turbaned head has fallen beneath his sword.
Ah, he was a brave soldier.

_Andreas_.—While celebrating the father’s bravery, you seem to have quite
forgotten the son.

_Lomellino_.—His son is arrived in Venice, and wishes to enter into the
service of the Republic.  I entreat you, give the young man some
respectable situation; he will prove the boast of Venice when we shall be
in our graves, on that would I hazard my existence.

_Andreas_.—Has he sense and talent?

_Lomellino_.—That he has; a heart like his father’s.  Will it please you
to see and converse with him?  He is yonder, among the masks in the great
saloon.  One thing I must tell you, as a specimen of his designs.  He has
heard of the banditti who infest Venice, and he engages that the first
piece of service which he renders the Republic shall be the delivering
into the hands of justice those concealed assassins, who hitherto have
eluded the vigilance of our police.

_Andreas_.—Indeed!  I doubt that promise will be too much for his power
to perform.  Flodoardo, I think you called him?  Tell him I would speak
with him.

_Lomellino_.—Oh! then I have gained at least the _half_ of my cause, and
I believe the _whole_ of it, for to see Flodoardo and not to like him is
as difficult as to look at Paradise and not wish to enter.  To see
Flodoardo and to hate him is as unlikely as that a blind man should hate
the kind hand which removes the cataract from his eyes, and pours upon
them the blessings of light and beauties of nature.

_Andreas_ (smiling).—In the whole course of our acquaintance, Lomellino,
never did I hear you so enthusiastic!  Go, then, conduct this prodigy
hither.

_Lomellino_.—I hasten to find him.  And as for you, signora, look to
yourself! look to yourself, I say!

_Rosabella_.—Nay, prithee, Lomellino, bring your hero hither without
delay; you have raised my curiosity to the height.

Lomellino quitted the saloon.

_Andreas_.—How comes it that you rejoin not the dancers, my child?

_Rosabella_.—I am weary, and, besides, curiosity now detains me here, for
I would fain see this Flodoardo, whom Lomellino thinks deserving of such
extraordinary praise.  Shall I tell you the truth, my dear uncle?  I
verily believe that I am already acquainted with him.  There was a mask
in a Grecian habit, whose appearance was so striking, that it was
impossible for him to remain confounded with the crowd.  The least
attentive eye must have singled him out from among a thousand.  It was a
tall light figure, so graceful in every movement; then his dancing was
quite perfection.

_Andreas_ (smiling, and threatening with his finger).—Child, child!

_Rosabella_.—Nay, my dear uncle, what I say is mere justice; it is
possible, indeed, that the Greek and the Florentine may be two different
persons, but still, according to Lomellino’s description—Oh! look, dear
uncle, only look yonder; there stands the Greek, as I live.

_Andreas_.—And Lomellino is with him; they approach.  Rosabella, you have
made a good guess.

The Doge had scarcely ceased to speak, when Lomellino entered the room,
conducting a tall young man, richly habited in the Grecian fashion.

“My gracious lord,” said Lomellino, “I present to you the Count
Flodoardo, who humbly sues for your protection.”

Flodoardo uncovered his head in token of respect, took off his mask, and
bowed low before the illustrious ruler of Venice.

_Andreas_.—I understand you are desirous of serving the Republic?

_Flodoardo_.—That is my ambition, should your Highness think me deserving
of such an honour.

_Andreas_.—Lomellino speaks highly of you; if all that he says be true,
how came you to deprive your own country of your services?

_Flodoardo_.—Because my own country is not governed by an Andreas.

_Andreas_.—You have intentions, it seems, of discovering the haunts of
the banditti, who for some time past have caused so many tears to flow in
Venice?

_Flodoardo_.—If your Highness would deign to confide in me, I would
answer with my head for their delivery into the hands of your officers,
and that speedily.

_Andreas_.—That were much for a stranger to perform.  I would fain make
the trial whether you can keep your word.

_Flodoardo_.—That is sufficient.  To-morrow, or the day after at least,
will I perform my promise.

_Andreas_.—And you make that promise so resolutely?  Are you aware, young
man, how dangerous a task it is to surprise these miscreants?  They are
never to be found when sought for, and always present when least
expected; they are at once everywhere and nowhere.  There exists not a
nook in Venice which our spies are not acquainted with, or have left
unexamined, and yet has our police endeavoured in vain to discover the
place of their concealment.

_Flodoardo_.—I know all this, and to know it rejoices me, since it
affords me an opportunity of convincing the Doge of Venice, that my
actions are not those of a common adventurer.

_Andreas_.—Perform your promise, and then let me hear of you.  For the
present our discourse shall end here, for no unpleasant thoughts must
disturb the joy to which this day is dedicated.  Rosabella, would you not
like to join the dancers?  Count, I confide her to your care.

_Flodoardo_.—I could not be entrusted with a more precious charge.

Rosabella, during this conversation, had been leaning against the back of
her uncle’s chair.  She repeated to herself Lomellino’s assertion, “that
to see Flodoardo, and not to like him, was as difficult as to look at
Paradise and not wish to enter;” and while she gazed on the youth, she
allowed that Lomellino had not exaggerated.  When her uncle desired
Flodoardo to conduct her to the dancers, a soft blush overspread her
cheek, and she doubted whether she should accept or decline the hand
which was immediately offered.

And to tell you my real opinion, my fair ladies, I suspect that very few
of you would have been more collected than Rosabella, had you found
yourselves similarly situated.  In truth, such a form as Flodoardo’s; a
countenance whose physiognomy seemed a passport at once to the hearts of
all who examined it; features so exquisitely fashioned that the artist
who wished to execute a model of manly beauty, had he imitated them,
would have had nothing to supply or improve; features, every one of which
spoke so clearly, “The bosom of this youth contains the heart of a hero.”
Ah, ladies, my dear ladies, a man like this might well make some little
confusion in the head and heart of a poor young girl, tender and
unsuspicious!

Flodoardo took Rosabella’s hand, and led her into the ball-room.  Here
all was mirth and splendour, the roofs re-echoed with the full swell of
harmony, and the floor trembled beneath the multitude of dancers, who
formed a thousand beautiful groups by the blaze of innumerable lustres.
Yes, Flodoardo and Rosabella passed on in silence till they reached the
extreme end of the great saloon.  Here they stopped, and remained before
an open window.  Some minutes passed, and still they spoke not.
Sometimes they gazed on each other, sometimes on the dancers, sometimes
on the moon; and then again they forgot each other, the dancers, and the
moon, and were totally absorbed in themselves.

“Lady,” said Flodoardo, at length, “can there be a greater misfortune?”

“A misfortune?” said Rosabella, starting as if suddenly awaking from a
dream; “what misfortune, signor?  Who is unfortunate?”

“He who is doomed to behold the joys of Elysium and never to possess
them.  He who dies of thirst and sees a cup stand full before him, but
which he knows is destined for the lips of another.”

“And are you, my lord, this outcast from Elysium?  Are you the thirsty
one who stands near the cup which is filled for another?  Is it thus that
you wish me to understand your speech?”

“You understand it as I meant: and now tell me, lovely Rosabella, am I
not indeed unfortunate?”

“And where, then, is the Elysium which you must never possess?”

“Where Rosabella is, there is indeed Elysium.  You are not offended,
signora?” said Flodoardo, and took her hand with an air of respectful
tenderness.  “Has this openness displeased you?”

“You are a native of Florence, Count Flodoardo.  In Venice we dislike
this kind of compliment: at least I dislike them, and wish to hear them
from no one less than from you.”

“By my life, signora, I spoke but as I thought! my words concealed no
flattery.”

“See, the Doge enters the saloon with Manfrone and Lomellino: he will
seek us among the dancers.  Come, let us join them.”

Flodoardo followed her in silence.  The dance began.  Heavens! how lovely
looked Rosabella, as she glided along to the sweet sounds of music,
conducted by Flodoardo.  How handsome looked Flodoardo, as, lighter than
air, he flew down the dance, while his brilliant eyes saw no object but
Rosabella.

He was still without his mask, and bareheaded: but every eye glanced away
from the helmets and _barettes_, waving with plumes, and sparkling with
jewels, to gaze on Flodoardo’s raven locks, as they floated on the air in
wild luxuriance.  A murmur of admiration rose from every corner of the
saloon, but it rose unmarked by those who were the objects of it.
Neither Rosabella nor Flodoardo at that moment formed a wish to be
applauded, except by each other.



CHAPTER II.
THE FLORENTINE STRANGER.


TWO evenings had elapsed since the Doge’s entertainment.  On the second,
Parozzi sat in his own apartment, with Memmo and Falieri.  Dimly burnt
the lights; lowering and tempestuous were the skies without; gloomy and
fearful were the souls of the libertines within.

_Parozzi_ (after a long silence).—What, are you both dreaming?  Ho,
there, Memmo, Falieri, fill your goblets.

_Memmo_ (with indifference).—Well, to please you—.  But I care not for
wine to-night.

_Falieri_.—Nor I.  Methinks it tastes like vinegar: yet the wine itself
is good: ’tis our ill temper spoils it.

_Parozzi_.—Confound the rascals.

_Memmo_.—What, the banditti?

_Parozzi_.—Not a trace of them can be found.  It is enough to kill one
with vexation.

_Falieri_.—And in the meanwhile the time runs out, our projects will get
wind, and then we shall sit quietly in the State prisons of Venice,
objects of derision to the populace and ourselves.  I could tear my flesh
for anger.  (A universal silence.)

_Parozzi_ (striking his hand against the table passionately).—Flodoardo,
Flodoardo.

_Falieri_.—In a couple of hours I must attend the Cardinal Gonzaga, and
what intelligence shall I have to give him?

_Memmo_.—Come, come, Contarino cannot have been absent so long without
cause; I warrant you he will bring some news with him when he arrives.

_Falieri_.—Pshaw, pshaw!  My life on’t he lies at this moment at
Olympia’s feet, and forgets us, the Republic, the banditti, and himself.

_Parozzi_.—And so neither of you know anything of this Flodoardo?

_Memmo_.—No more than of what happened on Rosabella’s birthday.

_Falieri_.—Well, then, I know one thing more about him; Parozzi is
jealous of him.

_Parozzi_.—I?  Ridiculous, Rosabella may bestow her hand on the German
Emperor, or a Venetian gondolier, without its giving me the least
anxiety.

_Falieri_.—Ha! ha! ha!

_Memmo_.—Well, one thing at least even envy must confess; Flodoardo is
the handsomest man in Venice.  I doubt whether there’s a woman in the
city who can resist him.

_Parozzi_.—And I should doubt it too, if women had as little sense as you
have, and looked only at the shell without minding the kernel—

_Memmo_.—Which unluckily is exactly the thing which women always do—

_Falieri_.—The old Lomellino seems to be extremely intimate with this
Flodoardo.  They say he was well acquainted with his father.

_Memmo_.—It was he who presented him to the Doge.

_Parozzi_.—Hark!—Surely some one knocked at the palace door?

_Memmo_.—It can be none but Contarino.  Now, then, we shall hear whether
he has discovered the banditti.

_Falieri_ (starting from his chair).—I’ll swear to that footstep, it’s
Contarino.

The doors were thrown open.  Contarino entered hastily, enveloped in his
cloak.

“Good evening, sweet gentlemen,” said he, and threw his mantle aside.
And Memmo, Parozzi, and Falieri started back in horror.

“Good God!” they exclaimed, “what has happened?  You are covered with
blood?”

“A trifle!” cried Contarino; “is that wine? quick, give me a goblet of
it, I expire with thirst.”

_Falieri_ (while he gives him a cup).—But, Contarino, you bleed?

_Contarino_.—You need not tell me that.  I did not do it myself, I
promise you.

_Parozzi_.—First let us bind up your wounds, and then tell us what has
happened to you.  It is as well that the servants should remain ignorant
of your adventure; I will be your surgeon myself.

_Contarino_.—What has happened to me, say you?  Oh! a joke, gentlemen, a
mere joke.  Here, Falieri, fill the bowl again.

_Memmo_.—I can scarcely breathe for terror.

_Contarino_.—Very possibly; neither should I, were I Memmo instead of
being Contarino.  The wound bleeds plenteously it’s true, but it’s by no
means dangerous (he tore open his doublet, and uncovered his bosom).
There, look, comrades; you see it’s only a cut of not more than two
inches deep.

_Memmo_ (shuddering).—Mercy on me! the very sight of it makes my blood
run cold.

Parozzi brought ointments and linen, and bound up the wound of his
associate.

_Contarino_.—Old Horace is in the right.  A philosopher can be anything
he pleases, a cobbler, a king, or a physician.  Only observe with what
dignified address the philosopher Parozzi spreads that plaster for me.  I
thank you, friend; that’s enough: and now, comrades, place yourselves in
a circle round me, and listen to the wonders which I am going to relate.

_Falieri_.—Proceed.

_Contarino_.—As soon as it was twilight, I stole out, wrapped in my
cloak, determined if possible to discover some of the banditti.  I knew
not their persons, neither were they acquainted with mine.  An
extravagant undertaking, perhaps, you will tell me; but I was resolved to
convince you that everything which a man _determines_ to do, may be done.
I had some information respecting the rascals, though it was but slight,
and on these grounds I proceeded.  I happened by mere accident to stumble
upon a gondolier, whose appearance excited my curiosity.  I fell into
discourse with him.  I was soon convinced that he was not ignorant of the
lurking-place of the bravoes, and by means of some gold and many fair
speeches, I at length brought him to confess that though not regularly
belonging to the band, he had occasionally been employed by them.  I
immediately made a bargain with him; he conducted me in his gondola
through the greatest part of Venice, sometimes right, sometimes left,
till I lost every idea as to the quarter of the town in which I found
myself.  At length he insisted on binding my eyes with his handkerchief,
and I was compelled to submit.  Half an hour elapsed before the gondola
stopped.  He told me to descend, conducted me through a couple of
streets, and at length knocked at a door, where he left me still
blindfolded.  The door was opened; my business was inquired with great
caution, and after some demur I was at length admitted.  The handkerchief
was now withdrawn from my eyes, and I found myself in a small chamber,
surrounded by four men of not the most creditable appearance, and a young
woman, who (it seems) had opened the door for me.

_Falieri_.—You are a daring fellow, Contarino.

_Contarino_.—Here was no time to be lost.  I instantly threw my purse on
the table, promised them mountains of gold, and fixed on particular days,
hours, and signals which were necessary to facilitate our future
intercourse.  For the present I only required that Manfrone, Conari, and
Lomellino should be removed with all possible expedition.

_All_.—Bravo.

_Contarino_.—So far everything went exactly as we could have wished, and
one of my new associates was just setting out to guide me home, when we
were surprised by an unexpected visit.

_Parozzi_.—Well?

_Memmo_ (anxiously).—Go on, for God’s sake!

_Contarino_.—A knocking was heard at the door; the girl went to inquire
the cause.  In an instant she returned pale as a corpse, and “Fly! fly!”
cried she.

_Falieri_.—What followed?

_Contarino_.—Why then followed a whole legion of sbirri and
police-officers, and who should be at their head but the Florentine
stranger.

_All_.—Flodoardo?  What, Flodoardo?

_Contarino_.—Flodoardo.

_Falieri_.—What demon could have guided him thither?

_Parozzi_.—Hell and furies!  Oh, that I had been there.

_Memmo_.—There, now, Parozzi, you see at least that Flodoardo is no
coward.

_Falieri_.—Hush, let us hear the rest.

_Contarino_.—We stood as if we had been petrified; not a soul could stir
a finger.  “In the name of the Doge and the Republic,” cried Flodoardo,
“yield yourselves and deliver your arms.”  “The devil shall yield himself
sooner than we,” exclaimed one of the banditti, and forced a sword from
one of the officers.  The others snatched their muskets from the walls;
and as for me, my first care was to extinguish the lamp so that we could
not tell friends from foes.  But still the confounded moonshine gleamed
through the window-shutters, and shed a partial light through the room.
“Look to yourself, Contarino,” thought I; “if you are found here, you
will be hanged for company,” and I drew my sword and made a plunge at
Flodoardo; but, however well intended, my thrust was foiled by his sabre,
which he whirled around with the rapidity of lightning.  I fought like a
madman, but all my skill was without effect on this occasion, and before
I was aware of it, Flodoardo ripped open my bosom.  I felt myself
wounded, and sprang back.  At that moment two pistols were fired, and the
flash discovered to me a small side door, which they had neglected to
beset.  Through this I stole unperceived into the adjoining chamber,
burst open the grated window, sprang below unhurt, crossed a courtyard,
climbed two or three garden walls, gained the canal, where a gondola
fortunately was waiting, persuaded the boatman to convey me with all
speed to the Place of St. Mark, and thence hastened hither, astonished to
find myself still alive.  There’s an infernal adventure for you.

_Parozzi_.—I shall go mad.

_Falieri_.—Everything we design is counteracted; the more trouble we give
ourselves, the further we are from the goal.

_Memmo_.—I confess it seems to me as if Heaven gave us warning to desist.
How say you?

_Contarino_.—Pshaw, these are trifles!  Such accidents should only serve
to sharpen our wits.  The more obstacles I encounter, the firmer is my
resolution to surmount them.

_Falieri_.—Do the banditti know who you are?

_Contarino_.—No; they are not only ignorant of my name, but suppose me to
be a mere instrument of some powerful man, who has been injured by the
ducal confederates.

_Memmo_.—Well, Contarino, in my mind you should thank Heaven that you
have escaped so well.

_Falieri_.—But since he is an absolute stranger in Venice, how could
Flodoardo discover the lurking place of the banditti?

_Contarino_.—I know not; probably by mere accident like myself, but by
the Power that made me, he shall pay dearly for this wound.

_Falieri_.—Flodoardo is rather too hasty in making himself remarked.

_Parozzi_.—Flodoardo must die.

_Contarino_ (filling a goblet).—May his next cup contain poison.

_Falieri_.—I shall do myself the honour of becoming better acquainted
with the gentleman.

_Contarino_.—Memmo, we must needs have full purses, or our business will
hang on hand wofully.

When does your uncle take his departure to a better world?

_Memmo_.—To-morrow evening, and yet—ugh, I tremble.



CHAPTER III.
MORE CONFUSION.


SINCE Rosabella’s birthday, no woman in Venice who had the slightest
pretensions to beauty, or the most remote expectations of making
conquests, had any subject of conversation except the handsome
Florentine.  He found employment for every female tongue, and she who
dared not to employ her tongue, made amends for the privation with her
thoughts.  Many a maiden now enjoyed less tranquil slumbers; many an
experienced coquette sighed as she laid on her colour at the looking
glass; many a prude forgot the rules which she had imposed upon herself,
and daily frequented the gardens and walks in which report gave her the
hope of meeting Flodoardo.

But from the time that, placing himself at the head of the sbirri, he had
dared to enter boldly the den of the banditti, and seize them at the
hazard of his life, he was scarcely more an object of attention among the
women than among the men.  Greatly did they admire his courage and
unshaken presence of mind while engaged in so perilous an adventure; but
still more were they astonished at his penetration in discovering where
the bravoes concealed themselves, an attempt which foiled even the keen
wits of the so much celebrated police of Venice.

The Doge Andreas cultivated the acquaintance of this singular young man
with increasing assiduity; and the more he conversed with him, the more
deserving of consideration did Flodoardo appear.  The action by which he
had rendered the Republic a service so essential was rewarded by a
present that would not have disgraced Imperial gratitude, and one of the
most important offices of the State was confided to his superintendence.

Both favours were conferred unsolicited, but no sooner was the Florentine
apprised of the Doge’s benevolent care of him, than with modesty and
respect he requested to decline the proposed advantages.  The only favour
which he requested was, to be permitted to live free and independent in
Venice during a year, at the end of which he promised to name that
employment which he esteemed the best adapted to his abilities and
inclination.

Flodoardo was lodged in the magnificent palace of his good old patron,
Lomellino, here he lived in the closest retirement, studied the most
valuable parts of ancient and modern literature, remained for whole days
together in his own apartment, and was seldom to be seen in public except
upon some great solemnity.

But the Doge, Lomellino, Manfrone, and Conari, men who had established
the fame of Venice on so firm a basis that it would require centuries to
undermine it; men in whose society one seemed to be withdrawn from the
circle of ordinary mortals, and honoured by the intercourse of superior
beings, men who now graciously received the Florentine stranger into
their intimacy, and resolved to spare no pains in forming him to support
the character of a great man; it could not long escape the observation of
men like these, that Flodoardo’s gaiety was assumed, and that a secret
sorrow preyed upon his heart.

In vain did Lomellino, who loved him like a father, endeavour to discover
the source of his melancholy; in vain did the venerable Doge exert
himself to dispel the gloom which oppressed his young favourite.
Flodoardo remained silent and sad.

And Rosabella?  Rosabella would have belied her sex had she remained gay
while Flodoardo sorrowed.  Her spirits were flown, her eyes were
frequently obscured with tears.  She grew daily paler and paler, till the
Doge, who doted on her, was seriously alarmed for her health.  At length
Rosabella grew really ill; a fever fixed itself upon her; she became
weak, and was confined to her chamber, and her complaint baffled the
skill of the most experienced physicians in Venice.

In the midst of these unpleasant circumstances in which Andreas and his
friends now found themselves, an incident occurred one morning, which
raised their uneasiness to the very highest pitch.  Never had so bold and
audacious an action been heard of in Venice, as that which I am going to
relate.

The four banditti, whom Flodoardo had seized, Pietrino, Struzza, Baluzza,
and Thomaso, had been safely committed to the Doge’s dungeons, where they
underwent a daily examination, and looked upon every sun that rose as the
last that would ever rise for _them_.  Andreas and his confidential
counsellors now flattered themselves that the public tranquillity had
nothing more to apprehend, and that Venice was now completely purified of
the miscreants, whom gold could bribe to be the instruments of revenge
and cruelty; when all at once the following address was discovered,
affixed to most of the remarkable statues, and pasted against the corners
of the principal streets, and pillars of the public buildings:—

                                 “VENETIANS!

    “Struzza, Thomaso, Pietrino, Baluzza, and Matteo, five as brave men
    as the world ever produced, who, had they stood at the head of
    armies, would have been called _heroes_, and now being called
    _banditti_, are fallen victims to the injustice of State policy.
    These men, it is true, exist for you no longer; but their place is
    supplied by him, whose name is affixed to this paper, and who will
    stand by his employers with body and with soul.  I laugh at the
    vigilance of the Venetian police; I laugh at the crafty and insolent
    Florentine, whose hand has dragged his brethren to the rack.  Let
    those who need me, seek me; they will find me everywhere!  Let those
    who seek me with the design of delivering me up to the law, despair
    and tremble; they will find me nowhere, but _I_ shall find _them_,
    and that when they least expect me!  Venetians, you understand me!
    Woe to the man who shall attempt to discover me; his life and death
    depend upon my pleasure.  This comes from the Venetian Bravo,
    ABELLINO.”

“A hundred sequins,” exclaimed the incensed Doge, on reading the paper,
“a hundred sequins to him who discovers this monster Abellino, and a
thousand to him who delivers him up to justice.”

But in vain did spies ransack every lurking place in Venice; no Abellino
was to be found.  In vain did the luxurious, the avaricious, and the
hungry stretch their wits to the utmost, incited by the tempting promise
of a thousand sequins.  Abellino’s prudence set all their ingenuity at
defiance.

But not the less did every one assert that he had recognised Abellino,
sometimes in one disguise, and sometimes in another, as an old man, a
gondolier, a woman, or a monk.  Everybody had seen him somewhere; but,
unluckily, nobody could tell where he was to be seen again.



CHAPTER IV.
THE VIOLET.


I INFORMED my readers, in the beginning of the last chapter, that
Flodoardo was become melancholy, and that Rosabella was indisposed, but I
did not tell them what had occasioned this sudden change.

Flodoardo, who on his first arrival at Venice was all gaiety, and the
life of every society in which he mingled, lost his spirits on one
particular day; and it so happened that it was on the very same day that
Rosabella betrayed the first symptoms of indisposition.

For on this unlucky day did the caprice of accident, or perhaps the
Goddess of Love (who has her caprices too every now and then), conduct
Rosabella into her uncle’s garden, which none but the Doge’s intimate
friends were permitted to enter; and where the Doge himself frequently
reposed in solitude and silence during the evening hours of a sultry day.

Rosabella, lost in thought, wandered listless and unconscious along the
broad and shady alleys of the garden.  Sometimes, in a moment of
vexation, she plucked the unoffending leaves from the hedges and strewed
them upon the ground; sometimes she stopped suddenly, then rushed forward
with impetuosity, then again stood still, and gazed upon the clear blue
heaven.  Sometimes her beautiful bosom was heaved with quick and
irregular motion, and sometimes a half-suppressed sigh escaped from her
lips of coral.

“He is very handsome!” she murmured, and gazed with such eagerness on
vacancy, as though she had there seen something which was hidden from the
sight of common observers.

“Yet Camilla is in the right,” she resumed, after a pause, and she
frowned as had she said that Camilla was in the wrong.

This Camilla was her governess, her friend, her confidante, I may almost
say her mother.  Rosabella had lost her parents early.  Her mother died
when her child could scarcely lisp her name; and her father, Guiscardo of
Corfu, the commander of a Venetian vessel, eight years before had
perished in an engagement with the Turks, while he was still in the prime
of life.  Camilla, one of the worthiest creatures that ever dignified the
name of woman, supplied to Rosabella the place of mother, had brought her
up from infancy, and was now her best friend, and the person to whose ear
she confided all her little secrets.

While Rosabella was still buried in her own reflections, the excellent
Camilla advanced from a side path, and hastened to join her pupil.
Rosabella started.

_Rosabella_.—Ah! dear Camilla, is it you?  What brings you hither?

_Camilla_.—You often call me your guardian angel, and guardian angels
should always be near the object of their care.

_Rosabella_.—Camilla, I have been thinking over your arguments; I cannot
deny that all you have said to me is very true, and very wise, but still—

_Camilla_.—But still, though your prudence agrees with me, your heart is
of a contrary opinion.

_Rosabella_.—It is, indeed.

_Camilla_.—Nor do I blame your heart for differing from me, my poor girl.
I have acknowledged to you without disguise that were _I_ at your time of
life, and were such a man as Flodoardo to throw himself in my way, I
could not receive his attentions with indifference.  It cannot be denied
that this young stranger is uncommonly pleasing, and, indeed, for any
woman whose heart is disengaged, an uncommonly _dangerous_ companion.
There is something very prepossessing in his appearance, his manners are
elegant, and short as has been his abode in Venice, it is already past
doubting that there are many noble and striking features in his
character.  But alas, after all, he is but a poor nobleman, and it is not
very probable that the rich and powerful Doge of Venice will ever bestow
his niece on one who, to speak plainly, arrived here little better than a
beggar.  No, no, child, believe me, a romantic adventurer is no fit
husband for Rosabella of Corfu.

_Rosabella_.—Dear Camilla, who was talking about husbands?  What I feel
for Flodoardo is merely affection, friendship.

_Camilla_.—Indeed!  Then you would be perfectly satisfied, should some
one of our wealthy ladies bestow her hand on Flodoardo?

_Rosabella_ (hastily).—Oh! Flodoardo would not _accept_ her hand,
Camilla; of that I am sure.

_Camilla_.—Child, child, you would willingly deceive yourself.  But be
assured that a girl who loves ever connects, perhaps unconsciously, the
wish for an eternal _union_ with the idea of eternal _affection_.  Now
this is a wish which you cannot indulge in regard to Flodoardo without
seriously offending your uncle, who, good man as he is, must still submit
to the severe control of politics and etiquette.

_Rosabella_.—I know all that, Camilla, but can I not make you comprehend
that I am not in love with Flodoardo, and do not mean to be in love with
him, and that love has nothing at all to do in the business?  I repeat to
you, what I feel for him is nothing but sincere and fervent friendship;
and surely Flodoardo deserves that I should feel that sentiment for him.
Deserves it, said I?  Oh, what does Flodoardo _not_ deserve?

_Camilla_.—Ay, ay, friendship, indeed, and love.  Oh, Rosabella, you know
not how often these deceivers borrow each other’s mask to ensnare the
hearts of unsuspecting maidens.  You know not how often love finds
admission, when wrapped in friendship’s cloak, into that bosom, which,
had he approached under his own appearance, would have been closed
against him for ever.  In short, my child, reflect how much you owe to
your uncle; reflect how much uneasiness this inclination would cost him;
and sacrifice to duty what at present is a mere caprice, but which, if
encouraged, might make too deep an impression on your heart to be
afterwards removed by your best efforts.

_Rosabella_.—You say right, Camilla.  I really believe myself that my
prepossession in Flodoardo’s favour is merely an accidental fancy, of
which I shall easily get the better.  No, no; I am not in love with
Flodoardo—of that you may rest assured.  I even think that I rather feel
an antipathy towards him, since you have shown me the possibility of his
making me prove a cause of uneasiness to my kind, my excellent uncle.

_Camilla_ (smiling).—Are your sentiments of duty and gratitude so very
strong?

_Rosabella_.—Oh, that they are, Camilla; and so you will say yourself
hereafter.  This disagreeable Flodoardo—to give me so much vexation!  I
wish he had never come to Venice.  I declare I do not like him at all.

_Camilla_.—No—what!  Not like Flodoardo?

_Rosabella_ (casting down her eyes).—No, not at all.  Not that I wish him
ill, either, for you know, Camilla, there’s no reason why I should hate
this poor Flodoardo!

_Camilla_.—Well, we will resume this subject when I return.  I have
business, and the gondola waits for me.  Farewell, my child; and do not
lay aside your resolution as hastily as you took it up.

_Camilla_ departed, and Rosabella remained melancholy and uncertain.  She
built castles in the air, and destroyed them as soon as built.  She
formed wishes, and condemned herself for having formed them.  She looked
round her frequently in search of something, but dared not confess to
herself what it was of which she was in search.

The evening was sultry, and Rosabella was compelled to shelter herself
from the sun’s overpowering heat.  In the garden was a small fountain,
bordered by a bank of moss, over which the magic hands of art and nature
had formed a canopy of ivy and jessamine.  Thither she bent her steps.
She arrived at the fountain, and instantly drew back, covered with
blushes, for on the bank of moss, shaded by the protecting canopy, whose
waving blossoms were reflected on the fountain, Flodoardo was seated, and
fixed his eyes on a roll of parchment.

Rosabella hesitated whether she should retire or stay.  Flodoardo started
from his place, apparently in no less confusion than herself, and
relieved her from her indecision by taking her hand with respect, and
conducting her to the seat which he had just quitted.

Now, then, she could not possibly retire immediately, unless she meant to
violate every common principle of good breeding.

Her hand was still clasped in Flodoardo’s; but it was so natural for him
to take it, that she could not blame him for having done so.  But what
was she next to do?  Draw her hand away?  Why should she, since he did
her hand no harm by keeping it, and the keeping it seemed to make him so
happy?  And how could the gentle Rosabella resolve to commit an act of
such unheard-of cruelty as wilfully to deprive any one of a pleasure
which made him so happy, and which did herself no harm?

“Signora,” said Flodoardo, merely for the sake of saying something, “you
do well to enjoy the open air.  The evening is beautiful.”

“But I interrupt your studies, my lord,” said Rosabella.

“By no means,” answered Flodoardo; and there this interesting
conversation came to a full stop.  Both looked down; both examined the
heaven and the earth, the trees and the flowers, in the hopes of finding
some hints for renewing the conversation; but the more anxiously they
sought them, the more difficult did it seem to find what they sought; and
in this painful embarrassment did two whole precious minutes elapse.

“Ah, what a beautiful flower!” suddenly cried Rosabella, in order to
break the silence, then stooped and plucked a violet with an appearance
of the greatest eagerness, though, in fact, nothing at that moment could
have been more a matter of indifference.

“It is a very beautiful flower, indeed,” gravely observed Flodoardo, and
was out of all patience with himself for having made so flat a speech.

“Nothing can surpass this purple,” continued Rosabella; “red and blue so
happily blended, that no painter can produce so perfect a union.”

“Red and blue—the one the symbol of happiness, the other of affection.
Ah, Rosabella! how enviable will be that man’s lot on whom your hand
shall bestow such a flower.  Happiness and affection are not more
inseparably united than the red and blue which purple that violet.”

“You seem to attach a value to the flower of which it is but little
deserving.”

“Might I but know on whom Rosabella will one day bestow what that flower
expresses.  Yet, this is a subject which I have no right to discuss.  I
know not what has happened to me to-day.  I make nothing but blunders and
mistakes.  Forgive my presumption, lady.  I will hazard such forward
inquiries no more.”

He was silent.  Rosabella was silent also.

But though they could forbid their lips to betray their hidden affection;
though Rosabella said not—“Thou art he on whom this flower shall be
bestowed:” though Flodoardo’s words had not expressed—“Rosabella, give me
that violet, and that which it implies”—oh, their eyes were far from
being silent.  Those treacherous interpreters of secret feelings
acknowledged more to each other than their hearts had yet acknowledged to
themselves.

Flodoardo and Rosabella gazed on each other with looks which made all
speech unnecessary.  Sweet, tender, and enthusiastic was the smile which
played around Rosabella’s lips when her eyes met those of the youth whom
she had selected from the rest of mankind; and with mingled emotions of
hope and fear did the youth study the meaning of that smile.  He
understood it, and his heart beat louder, and his eye flamed brighter.

Rosabella trembled; her eyes could no longer sustain the fire of his
glances, and a modest blush overspread her face and bosom.

“Rosabella!” at length murmured Flodoardo, unconsciously; “Flodoardo!”
sighed Rosabella, in the same tone.

“Give me that violet!” he exclaimed, eagerly, then sank at her feet, and
in a tone of the most humble supplication repeated, “Oh, give it to me!”

Rosabella held the flower fast.

“Ask for it what thou wilt.  If a throne can purchase it, I will pay that
price, or perish.  Rosabella, give me that flower!”

She stole one look at the handsome suppliant and dared not hazard a
second.

“My repose, my happiness, my life—nay, even my glory, all depend on the
possession of that little flower.  Let that be mine, and here I solemnly
renounce all else which the world calls precious.”

The flower trembled in her snowy hand.  Her fingers clasped it less
firmly.

“You hear me, Rosabella?  I kneel at your feet; and am I then in vain a
beggar?”

The word “beggar” recalled to her memory Camilla and her prudent
counsels.  “What am I doing?” she said to herself.  “Have I forgotten my
promise, my resolution?  Fly, Rosabella, fly, or this hour makes you
faithless to yourself and duty.”

She tore the flower to pieces, and threw it contemptuously on the ground.

“I understand you, Flodoardo,” said she; “and having understood you, will
never suffer this subject to be renewed.  Here let us part, and let me
not again be offended by a similar presumption.  Farewell!”

She turned from him with disdain, and left Flodoardo rooted to his place
with sorrow and astonishment.



CHAPTER V.
THE ASSASSIN.


SCARCELY had she reached her chamber ere Rosabella repented her having
acted so courageously.  It was cruel in her, she thought, to have given
him so harsh an answer.  She recollected with what hopeless and
melancholy looks the poor thunderstruck youth had followed her steps as
she turned to leave him.  She fancied that she saw him stretched
despairing on the earth, his hair dishevelled, his eyes filled with
tears.  She heard him term her the murderess of his repose, pray for
death as his only refuge; and she saw him with every moment approach
towards the attainment of his prayer through the tears which he shed on
her account.  Already she heard those dreadful words—“Flodoardo is no
more.”  Already she saw the sympathising multitude weep round the tomb of
him whom all the virtuous loved, and whom the wicked dreaded; whom all
his friends adored, and whom even his enemies admired.

“Alas! alas!” cried she, “this was but a wretched attempt to play the
heroine.  Already does my resolution fail me.  Ah, Flodoardo!  I meant
not what I said.  I love you—love you now, and must love you always,
though Camilla may chide, and though my good uncle may hate me.”

In a few days after this interview she understood that an extraordinary
alteration had taken place in Flodoardo’s manner and appearance; that he
had withdrawn himself from all general society; and that when the
solicitations of his intimate friends compelled him to appear in their
circle, his spirits seemed evidently depressed by the weight of an
unconquerable melancholy.

This intelligence was like the stroke of a poniard to the feeling heart
of Rosabella.  She fled for shelter to the solitude of her chamber, there
indulged her feelings without restraint, and lamented, with showers of
repentant tears, her harsh treatment of Flodoardo.

The grief which preyed in secret on her soul soon undermined her health.
No one could relieve her sufferings, for no one knew the cause of her
melancholy, or the origin of her illness.  No wonder, then, that
Rosabella’s situation at length excited the most bitter anxiety in the
bosom of her venerable uncle.  No wonder, too, that Flodoardo entirely
withdrew himself from a world which was become odious to him, since
Rosabella was to be seen in it no longer; and that he devoted himself in
solitude to the indulgence of a passion which he had vainly endeavoured
to subdue, and which, in the impetuosity of its course, had already
swallowed up every other wish, and every other sentiment.

But let us for the moment turn from the sick chamber of Rosabella, and
visit the dwellings of the conspirators, who were now advancing with
rapid strides towards the execution of their plans; and who, with every
hour that passed over their heads, became more numerous, more powerful,
and more dangerous to Andreas and his beloved Republic.

Parozzi, Memmo, Contarino, Falieri, the chiefs of this desperate
undertaking, now assembled frequently in the Cardinal Gonzaga’s palace,
where different plans for altering the constitution of Venice were
brought forward and discussed.  But in all different schemes it was
evident that the proposer was solely actuated by considerations of
private interest.  The object of one was to get free from the burden of
enormous debts; another was willing to sacrifice everything to gratify
his inordinate ambition.  The cupidity of _this_ man was excited by the
treasures of Andreas and his friends; while _that_ was actuated by
resentment of some fancied offence, a resentment which could only be
quenched with the offender’s blood.

These execrable wretches, who aimed at nothing less than the total
overthrow of Venice, or at least of her government, looked towards the
completion of their extravagant hopes with the greater confidence, since
a new but necessary addition to the already existing taxes had put the
Venetian populace out of humour with their rulers.

Rich enough, both in adherents and in wealth, to realise their projects,
rich enough in bold, shrewd, desperate men, whose minds were well adapted
to the contrivance and execution of revolutionary projects, they now
looked down with contempt upon the good old Doge, who as yet entertained
no suspicion of their nocturnal meetings.

Still did they not dare to carry their projects into effect, till some
principal persons in the State should be prevented by _death_ from
throwing obstacles in their way.  For the accomplishment of this part of
their plan they relied on the daggers of the banditti.  Dreadful
therefore was the sound in their ears, when the bell gave the signal for
execution, and they saw their best-founded hopes expire on the scaffold,
which supported the headless trunks of the four bravoes.  But if their
consternation was great at thus losing the destined instruments of their
designs, how extravagant was their joy when the proud Abellino dared
openly to declare to Venice that he still inhabited the Republic, and
that he still wore a dagger at the disposal of Vice.

“This desperado is the very man for us!” they exclaimed unanimously, and
in rapture; and now their most ardent wish was to enroll Abellino in
their services.

Their object was soon attained—they sought the daring ruffian, and he
suffered himself to be found.  He visited their meetings, but in his
promises and demands he was equally extravagant.

The first and most earnest wish of the whole conspiracy was the death of
Conari, the Procurator, a man whom the Doge valued beyond all others, a
man whose eagle eyes made the conspirators hourly tremble for their
secret, and whose service the Doge had accepted, in preference to those
of the Cardinal Gonzaga.  But the sum which Abellino demanded for the
murder of this one man was enormous.

“Give me the reward which I require,” said he, “and I promise, on the
word of a man of honour, that after this night the Procurator, Conari,
shall give you no further trouble.  Exalt him to heaven, or imprison him
in hell, I’ll engage to find and stab him.”

What could they do?  Abellino was not a man to be easily beat down in his
demands.  The Cardinal was impatient to attain the summit of his wishes;
but his road lay straight over Conari’s grave!

Abellino received the sum demanded; the next day the venerable Conari,
the Doge’s best and dearest friend, the pride and safeguard of the
Republic, was no longer numbered among the living.

“’Tis a terrible fellow, this Abellino!” cried the conspirators, when the
news reached them, and celebrated the Procurator’s death in triumph at
the Cardinal’s midnight feast.

The Doge was almost distracted with terror and astonishment.  He engaged
to give ten thousand sequins to any one who should discover by whom
Conari had been removed from the world.  A proclamation to this effect
was published at the corner of every street in Venice, and made known
throughout the territories of the Republic.  A few days after this
proclamation had been made, a paper was discovered affixed to the
principal door of the Venetian Signoria.

                                 “VENETIANS!

    “You would fain know the author of Conari’s death.  To spare you much
    fruitless trouble, I hereby acknowledge that I, Abellino, was his
    assassin.

    “Twice did I bury my dagger in his heart, and then sent his body to
    feed the fishes.  The Doge promises _ten_ thousand sequins to him who
    shall discover Conari’s murderer; and to him who shall be clever
    enough to _seize_ him, Abellino hereby promises _twenty_.  Adieu,
    Signors.  I remain your faithful servant,

                                                               “ABELLINO.”



CHAPTER VI.
THE TWO GREATEST MEN IN VENICE.


IT must be superfluous to inform my readers that all Venice became
furious at this new insolence.  Within the memory of man had no one ever
treated with such derision the celebrated Venetian police, or set the
Doge’s power at defiance with such proud temerity.  This occurrence threw
the whole city into confusion; every one was on the look-out; the patrols
were doubled; the sbirri extended their researches on all sides; yet no
one could see, or hear, or discover the most distant trace of Abellino.

The priests in their sermons strove to rouse the slumbering vengeance of
Heaven to crush this insolent offender.  The ladies were ready to swoon
at the very name of Abellino, for who could assure them that, at some
unexpected moment, he might not pay _them_ the same compliment which he
had paid to Rosabella?  As for the old women, they unanimously asserted
that Abellino had sold himself to the Prince of Darkness, by whose
assistance he was enabled to sport with the patience of all pious
Venetians, and deride the impotence of their just indignation.  The
Cardinal and his associates were proud of their terrible confederate, and
looking forward with confidence to the triumphant issue of their
undertaking.  The deserted family of Conari called down curses on his
murderer’s head, and wished that their tears might be changed into a sea
of sulphur, in whose waves they might plunge the monster Abellino; nor
did Conari’s relations feel more grief for his loss than the Doge and his
two confidants, who swore never to rest till they had discovered the
lurking-place of this ruthless assassin, and had punished his crime with
tenfold vengeance.

“Yet, after all,” said Andreas one evening, as he sat alone in his
private chamber, “after all, it must be confessed that this Abellino is a
singular man.  He who can do what Abellino has done must possess both
such talents and such courage as, stood he at the head of an army, would
enable him to conquer half the world.  Would that I could once get a
sight of him!”

“Look up, then!” roared Abellino, and clapped the Doge on the shoulder.
Andreas started from his seat.  A colossal figure stood before him,
wrapped in a dark mantle above which appeared a countenance so hideous
and forbidding, that the universe could not have produced its equal.

“Who art thou?” stammered out the Doge.

“Thou seest me, and canst doubt?  Well, then, I am Abellino, the good
friend of your murdered Conari, the Republic’s most submissive slave.”

The brave Andreas, who had never trembled in fight by land or by sea, and
for whom no danger had possessed terrors sufficient to shake his
undaunted resolution, the brave Andreas now forgot for a few moments his
usual presence of mind.  Speechless did he gaze on the daring assassin,
who stood before him calm and haughty, unappalled by the majesty of the
greatest man in Venice.

Abellino nodded to him with an air of familiar protection, and graciously
condescended to grin upon him with a kind of half-friendly smile.

“Abellino,” said the Doge, at length, endeavouring to recollect himself,
“thou art a fearful—a detestable man.”

“Fearful?” answered the bravo; “dost thou think me so?  Good, that glads
me to the very heart!  Detestable? that may be so, or it may not.  I
confess, the sign which I hang out gives no great promise of good
entertainment within; but yet, Andreas, one thing is certain.  You and I
stand on the same line, for at this moment we are the two greatest men in
Venice; you in your way, I in mine.”

The Doge could not help smiling at the bravo’s familiar tone.

“Nay, nay,” continued Abellino, “no smiles of disbelief, if you please.
Allow me, though a bravo, to compare myself to a Doge; truly, I think
there’s no great presumption in placing myself on a level with a man whom
I hold in my power, and who therefore is in fact beneath me.”

The Doge made a movement, as he would have left him.

“Not so fast,” said Abellino, laughing rudely, and he barred the Doge’s
passage.  “Accident seldom unites in so small a space as this chamber a
pair of such great men.  Stay where you are, for I have not done with you
yet; we must have a little conversation.”

“Hear me, Abellino,” said the Doge, mustering up all the dignity which he
possessed; “thou hast received great talents from Nature: why dost thou
employ them to so little advantage?  I here promise you, on my most
sacred word, pardon for the past, and protection for the future, will you
but name to me the villain who bribed you to assassinate Conari, abjure
your bloody trade, and accept an honest employment in the service of the
Republic.  If this offer is rejected, at least quit with all speed the
territory of Venice, or I swear—”

“Ho! ho!” interrupted Abellino; “pardon and protection, say you?  It is
long since I thought it worth my while to care for such trifles.
Abellino is able to protect himself without foreign aid; and, as to
pardon, mortals cannot give absolution for sins like mine.  On that day,
when all men must give in the list of their offences, then, too, will I
give in mine, but till then never.  You would know the name of him who
bribed me to be Conari’s murderer?  Well, well, you shall know it, but
not to-day.  I must quit with all speed the Venetian territory? and
wherefore; through fear of thee?  Ho! ho!  Through fear of Venice?  Ha,
Abellino fears not Venice; ’tis Venice that fears Abellino!  You would
have me abjure my profession?  Well, Andreas, there is one condition,
which, perhaps—”

“Name it,” cried the Doge, eagerly; “will ten thousand sequins purchase
your departure from the Republic?”

“I would gladly give you twice as much myself, could you recall the
insult of offering Abellino so miserable a bribe!  No, Andreas, but one
price can pay me: give me your niece for my bride.  I love Rosabella, the
daughter of Guiscard of Corfu.”

“Monster—what insolence!”

“Ho! ho!  Patience, patience, good uncle, that is to be.  Will you accept
my terms?”

“Name what sum will satisfy you, and it shall be yours this instant, so
you will only relieve Venice from your presence.  Though it should cost
the Republic a million she will be a gainer, if her air is no longer
poisoned by your breath.”

“Indeed!  Why, in fact, a million is not so great a sum; for look you,
Andreas, I have just sold for near _half_ a million the lives of your two
dear friends, Manfrone and Lomellino.  Now give me Rosabella, and I break
the bargain.”

“Miscreant!  Has Heaven no lightnings?”

“You will not?  Mark me!  In four-and-twenty hours shall Manfrone and
Lomellino be food for fishes.  Abellino has said it.  Away!”

And with these words he drew a pistol from under his cloak, and flashed
it in the Doge’s face.  Blinded by the powder, and confused by the
unexpected explosion, Andreas started back, and sunk bewildered on a
neighbouring sofa.  He soon recovered from his astonishment.  He sprang
from his seat to summon his guards and seize Abellino; but Abellino had
already disappeared.

On that same evening were Parozzi and his confederates assembled in the
palace of the Cardinal Gonzaga.  The table was spread with the most
luxurious profusion, and they arranged over their flowing goblets plans
for the Republic’s ruin.  The Cardinal related how he had of late
contrived to insinuate himself into the Doge’s good graces, and had
succeeded in impressing him with an opinion that the chiefs of the
confederacy were fit men to hold offices of important trust.  Contarino
boasted that he doubted not before long to be appointed to the vacant
procuratorship.  Parozzi reckoned for _his_ share upon Rosabella’s hand,
and the place either of Lomellino or Manfrone, when once those two chief
obstacles to his hope should be removed.  Such was the conversation in
which they were engaged, when the clock struck twelve, the doors flew
wide, and Abellino stood before them.

“Wine, there!” cried he; “the work is done.  Manfrone and Lomellino are
at supper with the worms.  And I have thrown the Doge himself into such a
fit of terror that I warrant he will not recover himself easily.  Now
answer are you content with me, you bloodhounds?”

“Next, then, for Flodoardo!” shouted Parozzi.

“Flodoardo!” muttered Abellino between his teeth; “hum—hum—that’s not so
easy.”




Book the Third.


CHAPTER I.
THE LOVERS.


ROSABELLA, the idol of all Venice, lay on the bed of sickness; a sorrow,
whose cause was carefully concealed from every one, undermined her
health, and destroyed the bloom of her beauty.  She loved the noble
Flodoardo; and who could have known Flodoardo and not have loved him?
His majestic stature, his expressive countenance, his enthusiastic
glance, his whole being declared aloud—Flodoardo is Nature’s favourite,
and Rosabella had been always a great admirer of Nature.

But if Rosabella was ill, Flodoardo was scarcely better.  He confined
himself to his own apartment; he shunned society, and frequently made
long journeys to different cities of the Republic, in hopes of
distracting his thoughts by change of place from that object which,
wherever he went, still pursued him.  He had now been absent for three
whole weeks.  No one knew in what quarter he was wandering; and it was
during this absence that the so-long expected Prince of Monaldeschi
arrived at Venice to claim Rosabella as his bride.

His appearance, to which a month before Andreas looked forward with such
pleasing expectation, now afforded but little satisfaction to the Doge.
Rosabella was too ill to receive her suitor’s visits, and he did not
allow her much time to recover her health; for six days after his arrival
at Venice the Prince was found murdered in a retired part of one of the
public gardens.  His sword lay by him unsheathed and bloody; his tablets
were gone, but one leaf had been torn from them and fastened on his
breast.  It was examined, and found to contain the following lines,
apparently written in blood:—

    “Let no one pretend to Rosabella’s hand, who is not prepared to share
    the fate of Monaldeschi.

                                 “The Bravo,

                                                               “ABELLINO.”

“Oh, where shall I now fly for comfort? for protection?” exclaimed the
Doge in despair, when this dreadful news was announced.  “Why, why, is
Flodoardo absent?”

Anxiously did he now desire the youth’s return, to support him under the
weight of these heavy misfortunes; nor was it long before that desire was
gratified.  Flodoardo returned.

“Welcome, noble youth!” said the Doge, when he saw the Florentine enter
his apartment.  “You must not in future deprive me of your presence for
so long.  I am now a poor forsaken old man.  You have heard that
Lomellino—that Manfrone—”

“I know all,” answered Flodoardo, with a melancholy air.

“Satan has burst his chains, and now inhabits Venice under the name of
Abellino, robbing me of all that my soul holds precious.  Flodoardo, for
Heaven’s love, be cautious; often, during your absence, have I trembled
lest the miscreant’s dagger should have deprived me too of _you_.  I have
much to say to you, my young friend, but I must defer it till the
evening.  A foreigner of consequence has appointed this hour for an
audience, and I must hasten to receive him—but in the evening—”

He was interrupted by the appearance of Rosabella, who, with tottering
steps and pale cheeks, advanced slowly into the apartment.  She saw
Flodoardo, and a faint blush overspread her countenance.  Flodoardo rose
from his seat, and welcomed her with an air of distant respect.

“Do not go yet,” said the Doge; “perhaps in half an hour I may be at
liberty: in the meanwhile I leave you to entertain my poor Rosabella.
She has been very ill during your absence; and I am still uneasy about
her health.  She kept her bed till yesterday, and truly I think she has
left it too soon.”

The venerable Doge quitted the apartment, and the lovers once more found
themselves alone.  Rosabella drew near the window; Flodoardo at length
ventured to approach it also.

“Signora,” said he, “are you still angry with me?”

“I am not angry with you,” stammered out Rosabella, and blushed as she
recollected the garden scene.

“And you have quite forgiven my transgression?”

“Your transgression?” repeated Rosabella, with a faint smile; “yes, if it
was a transgression, I have quite forgiven it.  Dying people ought to
pardon those who have trespassed against them, in order that they, in
their turn, may be pardoned their trespasses against Heaven—and I am
dying; I feel it.”

“Signora!”

“Nay, ’tis past a doubt.  It’s true, I have quitted my sick-bed since
yesterday; but I know well that I am soon to return to it, never to leave
it more.  And therefore—therefore, I now ask your pardon, signor, for the
vexation which I was obliged to cause to you the last time we met.”

Flodoardo replied not.

“Will you not forgive me?  You must be very difficult to appease—very
revengeful!”

Flodoardo replied not.

“Will you refuse my offered hand?  Shall all be forgotten?”

“Forgotten, lady?  Never, never—every word and look of yours is stamped
on my memory, never to be effaced.  I cannot forget a transaction in
which _you_ bore a part: I cannot forget the scene that passed between
us, every circumstance is too precious and sacred.  As to _pardon_”—he
took her extended hand and pressed it respectfully to his lips—“I would
to Heaven, dear lady, that you had in truth injured me much, that I might
have much to forgive you.  Alas! I have at present nothing to pardon.”

Both were now silent.  At length Rosabella resumed the conversation by
saying—“You have made a long absence from Venice; did you travel far?”

“I did.”

“And received much pleasure from your journey?”

“Much; for everywhere I heard the praises of Rosabella.”

“Count Flodoardo,” she interrupted him with a look of reprehension, but
in a gentle voice, “would you again offend me?”

“That will soon be out of my power.  Perhaps you can guess what are my
present intentions.”

“To resume your travels soon?”

“Exactly so; and the next time that I quit Venice, to return to it no
more.”

“No more?” she repeated, eagerly.  “Oh, not so, Flodoardo!  Ah, can you
leave me?”—She stopped, ashamed of her imprudence.  “Can you leave my
uncle?  I meant to say.  You do but jest, I doubt not.”

“By my honour, lady, I never was more in earnest.”

“And whither, then, do you mean to go?”

“To Malta, and assist the knights in their attacks upon the corsairs of
Barbary.  Providence, perhaps, may enable me to obtain the command of a
galley, then will I call my vessel ‘Rosabella;’ then shall the war-cry be
still ‘Rosabella;’ that name will render me invincible.”

“Oh! this is a mockery, Count.  I have not deserved that you should sport
with my feelings so cruelly.”

“It is to _spare_ your feelings, signora, that I am now resolved to fly
from Venice; my presence might cause you some uneasy moments.  I am not
the happy man whose sight is destined to give you pleasure; I will, at
least, avoid giving you pain.”

“And you really can resolve to abandon the Doge, whose esteem for you is
so sincere, whose friendship has always been so warm?”

“I value his friendship highly, but it is not sufficient to make me
happy, and could he lay kingdoms at my feet, still would his friendship
be insufficient to make me happy.”

“Does, then, your happiness require so much?”

“It does—much more than I have mentioned, infinitely more.  But one boon
can make me happy; I have begged for it on my knees.”  He caught her hand
and pressed it eagerly to his lips.  “I have begged for it, Rosabella,
and my suit has been rejected.”

“You are a strange enthusiast,” she said with difficulty, and scarcely
knew what she said, while Flodoardo drew her gently nearer to him, and
murmured in a supplicating voice, “Rosabella!”

“What would you of me?”

“My happiness!”

She gazed upon him for a moment undecided, then hastily drew away her
hand, and exclaimed, “Leave me, this moment, I command you.  Leave me,
for Heaven’s sake!”

Flodoardo clasped his hands together in despair and anguish.  He bowed
his head in token of obedience.  He left her with slow steps and a
melancholy air, and as he passed the threshold, turned to bid her
farewell for ever.  Suddenly she rushed towards him, caught his hand, and
pressed it to her heart.

“Flodoardo,” she cried, “I am thine!” and sank motionless at his feet.



CHAPTER II.
A DANGEROUS PROMISE.


AND now who was so blessed as the fortunate Flodoardo?  The victory was
his own, he had heard the wished-for sentence pronounced by the lips of
Rosabella.  He raised her from the ground, and placed her on a sofa.  Her
blue eyes soon unclosed themselves once more, and the first object which
they beheld was Flodoardo kneeling at her feet, while with one arm he
encircled her waist.  Her head sank upon the shoulder of the man for whom
she had breathed so many sighs, who had occupied so many of her thoughts
by day, who had been present in so many of her dreams by night.

As they gazed in silent rapture on each other, they forgot that they were
mortals; they seemed to be transported to a happier, to a better world.
Rosabella thought that the chamber in which she sat was transformed into
an earthly Paradise; invisible seraphs seemed to hallow by their
protecting presence the indulgence of her innocent affection, and she
poured forth her secret thanks to Him who had given her a heart
susceptible of love.

Through the whole course of man’s existence, such a moment as this occurs
but once.  Happy is he who sighs for its arrival; happy is he who, when
it arrives, has a soul worthy of its enjoyment; happy is even he for whom
that moment has long been passed, so it passed not unenjoyed, for the
recollection of it still is precious.  Sage philosophers, in vain do you
assure us that the raptures of a moment like this are mere illusions of a
heated imagination, scarcely more solid than an enchanting dream, which
fades before the sunbeams of truth and reason.  Alas! does there exist a
happiness under the moon which owes not its charms in some degree to the
magic of imagination!

“You are dear to me, Flodoardo,” murmured Rosabella, for Camilla and her
counsels were quite forgotten; “oh, you are very, very dear!”

The youth only thanked her by clasping her still closer to his bosom,
while, for the first time, he sealed her coral lips with his own.

At that moment the door was suddenly thrown open.  The Doge Andreas
re-entered the apartment: the expected stranger had been suddenly taken
ill, and Andreas was no sooner at liberty than he hastened to rejoin his
favourite.  The rustling of his garments roused the lovers from their
dream of bliss.  Rosabella started from Flodoardo’s embrace with a cry of
terror; Flodoardo quitted his kneeling posture, yet seemed by no means
disconcerted at the discovery.

Andreas gazed upon them for some minutes, with a look which expressed at
once anger, melancholy, and the most heartfelt disappointment.  He sighed
deeply, cast his eyes towards heaven, and in silence turned to leave the
apartment.

“Stay yet one moment, noble Andreas,” cried the Florentine.

The Doge turned, and Flodoardo threw himself at his feet.  Andreas looked
down with calm and serious dignity on the kneeling offender, by whom his
friendship had been so unworthily rewarded, and by whom his confidence
had been so cruelly betrayed.

“Young man,” said he, in a stern voice, “the attempt to excuse yourself
must be fruitless.”

“Excuse myself!” interrupted Flodoardo, boldly; “no, my lord, I need no
excuses for loving Rosabella; ’twere for him to excuse himself who had
seen Rosabella and _not_ loved her; yet, if it is indeed a crime in me
that I adore Rosabella, ’tis a crime of which Heaven itself will absolve
me, since it formed Rosabella so worthy to be adored.”

“You seem to lay too much stress on this fantastic apology,” answered the
Doge, contemptuously; “at least you cannot expect that it should have
much weight with me.”

“I say it once more, my lord,” resumed Flodoardo, while he rose from the
ground, “that I intend to make no apology; I mean not to excuse my love
for Rosabella, but to request your approbation of that love.  Andreas, I
adore your niece; I demand her for my bride.”

The Doge started in astonishment at this bold and unexpected request.

“It is true,” continued the Florentine, “I am no more than a needy,
unknown youth, and it seems a piece of strange temerity when such a man
proposes himself to espouse the heiress of the Venetian Doge.  But, by
Heaven, I am confident that the great Andreas means not to bestow his
Rosabella on one of those whose claims to favour are overflowing coffers,
extensive territories, and sounding titles, or who vainly decorate their
insignificance with the glory obtained by the titles of their ancestors,
glory of which they are themselves incapable of acquiring a single ray.
I acknowledge freely that I have as yet performed no actions which make
me deserving of such a reward as Rosabella; but it shall not be long ere
I _will_ perform such actions, or perish in the attempt.”

The Doge turned from him with a look of displeasure.

“Oh, be not incensed with him, dear uncle,” said Rosabella.  She hastened
to detain the Doge, threw her white arms around his neck fondly, and
concealed in his bosom the tears with which her countenance was bedewed.

“Make your demands,” continued Flodoardo, still addressing himself to the
Doge; “say what you wish me to do, and what you would have me become, in
order to obtain from you the hand of Rosabella.  Ask what you will, I
will look on the task, however difficult, as nothing more than sport and
pastime.  By Heaven, I would that Venice were at this moment exposed to
the most imminent danger, and that ten thousand daggers were unsheathed
against your life; Rosabella my reward—how certain should I be to rescue
Venice, and strike the ten thousand daggers down.”

“I have served the Republic faithfully and fervently for many a long
year,” answered Andreas, with a bitter smile; “I have risked my life
without hesitation; I have shed my blood with profusion; I asked nothing
for my reward but to pass my old age in soft tranquillity, and of this
reward have I been cheated.  My bosom friends, the companions of my
youth, the confidants of my age, have been torn from me by the daggers of
banditti; and you, Flodoardo, you, on whom I heaped all favours, have now
deprived me of this my only remaining comfort.  Answer me, Rosabella;
hast thou in truth bestowed thy heart on Flodoardo irrevocably?”

One hand of Rosabella’s still rested on her uncle’s shoulder; with the
other she clasped Flodoardo’s and pressed it fondly against her heart—yet
Flodoardo seemed still unsatisfied.  No sooner had the Doge’s question
struck his ear, than his countenance became dejected; and though his hand
returned the pressure of Rosabella’s, he shook his head mournfully, with
an air of doubt, and cast on her a penetrating look, as would he have
read the secrets of her inmost soul.

Andreas withdrew himself gently from Rosabella’s arm, and for some time
paced the apartment slowly, with a countenance sad and earnest.
Rosabella sank upon a sofa which stood near her, and wept.  Flodoardo
eyed the Doge, and waited for his decision with impatience.

Thus passed some minutes.  An awful silence reigned through the chamber;
Andreas seemed to be labouring with some resolution of dreadful
importance.  The lovers wished, yet dreaded, the conclusion of the scene,
and with every moment their anxiety became more painful.

“Flodoardo!” at length said the Doge, and suddenly stood still in the
middle of the chamber.  Flodoardo advanced with a respectful air.  “Young
man,” he continued, “I am at length resolved; Rosabella loves you, nor
will I oppose the decision of her heart; but Rosabella is much too
precious to admit of my bestowing her on the first who thinks fit to
demand her.  The man to whom I give her must be worthy such a gift.  She
must be the reward of his services; nor can he do services so great that
such a reward will not overpay them.  Your claims on the Republic’s
gratitude are as yet but trifling; an opportunity now offers of rendering
as an essential service.  The murderer of Conari, Manfrone, and
Lomellino—go, bring him hither!  Alive or dead, thou must bring to this
palace the terrible banditti-king, _Abellino_!”

At this unexpected conclusion of a speech on which his happiness or
despair depended, Flodoardo started back.  The colour fled from his
cheeks.

“My noble lord!” he said at length, hesitating, “you know well that—”

“I know well,” interrupted Andreas, “how difficult a task I enjoin, when
I require the delivery of Abellino.  For myself I swear that I had rather
a thousand times force my passage with a single vessel through the whole
Turkish fleet, and carry off the admiral’s ship from the midst of them,
than attempt to seize this Abellino, who seems to have entered into a
compact with Lucifer himself: who is to be found everywhere and nowhere;
whom so many have seen, but whom no one knows; whose cautious subtlety
has brought to shame the vigilance of our State inquisitors, of the
College of Ten, and of all their legions of spies and sbirri; whose very
name strikes terror into the hearts of the bravest Venetians, and from
whose dagger I myself am not safe upon my throne.  I know well,
Flodoardo, how much I ask; but I know also how much I proffer.  You seem
irresolute?  You are silent?  Flodoardo, I have long watched you with
attention.  I have discovered in you marks of a superior genius, and
therefore I am induced to make such a demand.  If any one is able to cope
with Abellino, thou art the man.  I wait your answer.”

Flodoardo paced the chamber in silence.  Dreadful was the enterprise
proposed.  Woe to him should Abellino discover his purpose.  But
Rosabella was the reward.  He cast a look on the beloved one, and
resolved to risk everything.

He advanced towards the Doge.

_Andreas_.—Now, then, Flodoardo—your resolution?

_Flodoardo_.—Should I deliver Abellino into your power, do you solemnly
swear that Rosabella shall be my bride?

_Andreas_.—She shall! and _not till then_.

_Rosabella_.—Ah!  Flodoardo, I fear this undertaking will end fatally.
Abellino is so crafty, so dreadful.  Oh! look well to yourself, for
should you meet with the detested monster, whose dagger—

_Flodoardo_ (interrupting her hastily).—Oh! silence, Rosabella—at least
allow me to hope.  Noble Andreas, give me your hand, and pledge your
princely word that, Abellino once in your power, nothing shall prevent me
from being Rosabella’s husband.

_Andreas_.—I swear it; deliver into my power, either alive or dead, this
most dangerous foe of Venice, and nothing shall prevent Rosabella from
being your wife.  In pledge of which I here give you my princely hand.

Flodoardo grasped the Doge’s hand in silence, and shook it thrice.  He
turned to Rosabella, and seemed on the point of addressing her, when he
suddenly turned away, struck his forehead, and measured the apartment
with disordered and unsteady steps.  The clock in the tower of St. Mark’s
church struck five.

“Time flies!” cried Flodoardo; “no more delay, then.  In four-and-twenty
hours will I produce in this very palace this dreaded bravo, Abellino.”

Andreas shook his head.  “Young man,” said he, “be less confident in your
promises; I shall have more faith in your performance.”

_Flodoardo_ (serious and firm).—Let things terminate as they may, either
I will keep my word, or never again will cross the threshold of your
palace.  I have discovered some traces of the miscreant, and I trust that
I shall amuse you to-morrow, at this time and in this place, with the
representation of a comedy; but should it prove a tragedy instead, God’s
will be done.

_Andreas_.—Remember that too much haste is dangerous; rashness will
destroy even the frail hopes of success which you may reasonably indulge
at present.

_Flodoardo_.—Rashness, my lord?  He who has lived as I have lived, and
suffered what I have suffered, must have been long since cured of
rashness.

_Rosabella_ (taking his hand).—Yet be not too confident of your own
strength, I beseech you!  Dear Flodoardo, my uncle loves you, and his
advice is wise!  Beware of Abellino’s dagger!

_Flodoardo_.—The best way to escape his dagger is not to allow him time
to use it: within four-and-twenty hours must the deed be done, or never.
Now, then, illustrious Prince, I take my leave of you.  To-morrow I doubt
not to convince you that nothing is too much for love to venture.

_Andreas_.—Right; to venture: but to achieve?

_Flodoardo_.—Ah, that must depend—He paused suddenly again his eyes were
fastened eagerly on those of Rosabella, and it was evident that with
every moment his uneasiness acquired fresh strength.  He resumed his
discourse to Andreas, with a movement of impatience.

“Noble Andreas,” said he, “do not make me dispirited; rather let me try
whether I cannot inspire you with more confidence of my success.  I must
first request you to order a splendid entertainment to be prepared.  At
this hour in the afternoon of to-morrow let me find all the principal
persons in Venice, both men and women, assembled in this chamber; for
should my hopes be realised, I would willingly have spectators of my
triumph.  Particularly let the venerable members of the College of Ten he
invited, in order that they may at last he brought face to face with this
terrible Abellino, against whom they have so long been engaged in
fruitless warfare.”

_Andreas_ (after eyeing him some time with a look of mingled surprise and
uncertainty).—They shall be present.

_Flodoardo_.—I understand, also, that since Conari’s death you have been
reconciled to the Cardinal Gonzaga; and that he has convinced you how
unjust were the prejudices with which Conari had inspired you against the
nobility—Parozzi, Contarino, and the rest of that society.  During my
late excursions I have heard much in praise of these young men, which
makes me wish to show myself to them in a favourable light.  If you have
no objection, let me beg you to invite them also.

_Andreas_.—You shall be gratified.

_Flodoardo_.—One thing more, which had nearly escaped my memory.  Let no
one know the motive of this entertainment till the whole company is
assembled.  Then let guards be placed around the palace, and, indeed, it
may be as well to place them even before the doors of the saloon; for in
truth this Abellino is such a desperate villain, that too many
precautions cannot be taken against him.  The sentinels must have their
pieces loaded, and, above all things, they must be strictly charged, on
pain of death, to let every one enter, but no one quit the chamber.

_Andreas_.—All this shall be done punctually.

_Flodoardo_.—I have nothing more to say.  Noble Andreas, farewell.
Rosabella, to-morrow, when the clock strikes five, we shall meet again,
or never.

He said, and rushed out of the apartment.  Andreas shook his head; while
Rosabella sank upon her uncle’s bosom, and wept bitterly.



CHAPTER III.
THE MIDNIGHT MEETING.


“VICTORY!” shouted Parozzi, as he rushed into the Cardinal Gonzaga’s
chamber, where the chief conspirators were all assembled; “our work goes
on bravely.  Flodoardo returned this morning to Venice, and Abellino has
already received the required sum.”

_Gonzaga_.—Flodoardo does not want talents; I had rather he should live
and join our party.  He is seldom off his guard—

_Parozzi_.—Such vagabonds may well be cautious; they must not forget
themselves, who have so much to conceal from others.

_Falieri_.—Rosabella, as I understand, by no means sees this Florentine
with unfavourable eyes.

_Parozzi_.—Oh, wait till to-morrow, and then he may make love to the
devil and his grandmother, if he likes it.  Abellino by that time will
have wrung his neck round, I warrant you.

_Contarino_.—It is strange that, in spite of all inquiries, I can learn
but little at Florence respecting this Flodoardo.  My letters inform me
that some time ago there did exist a family of that name; but it has been
long extinct, or if any of its descendants are still in being at
Florence, their existence is quite a secret.

_Gonzaga_.—Are you all invited to the Doge’s to-morrow?

_Contarino_.—All of us, without exception.

_Gonzaga_.—That is well.  It seems that my recommendations have obtained
some weight with him, since his triumvirate has been removed.  And in the
evening a masked ball is to be given.  Did not the Doge’s chamberlain say
so?

_Falieri_.—He did.

_Memmo_.—I only hope there is no trick in all this.  If he should have
been given a hint of our conspiracy!  Mercy on us! my teeth chatter at
the thought.

_Gonzaga_.—Absurd!  By what means should our designs have been made known
to him?  The thing is impossible.

_Memmo_.—Impossible?  What, when there’s scarce a cutpurse, housebreaker,
or vagabond in Venice who has not been enlisted in our service, would it
be so strange if the Doge discovered a little of the business?  A secret
which is known to so many, how should it escape his penetration?

_Contarino_.—Simpleton! the same thing happens to him which happens to
betrayed husbands.  Everyone can see the horns except the man who carries
them.  And yet I confess it is full time that we should realise our
projects, and prevent the possibility of our being betrayed.

_Falieri_.—You are right, friend; everything is ready now.  The sooner
that the blow is struck the better.

_Parozzi_.—Nay, the discontented populace, which at present sides with
us, would be perfectly well pleased if the sport began this very night;
delay the business longer, and their anger against Andreas will cool, and
render them unfit for our purpose.

_Contarino_.—Then let us decide the game at once; be to-morrow the
important day.  Leave the Doge to my disposal.  I’ll at least engage to
bury my poniard in his heart, and then let the business end as it may,
one of two things must happen: either we shall rescue ourselves from all
trouble and vexation, by throwing everything into uproar and confusion,
or else we shall sail with a full wind from this cursed world to another.

_Parozzi_.—Mark me, friends, we must go armed to the Doge’s
entertainment.

_Gonzaga_.—All the members of the College of Ten have been particularly
invited—

_Falieri_.—Down with every man of them!

_Memmo_.—Aye, aye!  Fine talking, but suppose it should turn out to be
down with ourselves?

_Falieri_.—Thou white-livered wretch!  Stay at home, then, and take care
of your worthless existence.  But if our attempt succeeds, come not to us
to reimburse you for the sums which you have already advanced.  Not a
sequin shall be paid you back, depend on’t.

_Memmo_.—You wrong me, Falieri; if you wish to prove my courage, draw
your sword and measure it against mine.  I am as brave as yourself; but,
thank Heaven, I am not quite so hot-headed.

_Gonzaga_.—Nay, even suppose that the event should not answer our
expectations?  Andreas once dead, let the populace storm as it pleases;
the protection of his Holiness will sanction our proceedings.

_Memmo_.—The Pope?  May we count on his protection?

_Gonzaga_ (throwing him a letter).—Read there, unbeliever.  The Pope, I
tell you, must protect us, since one of our objects is professed to be
the assertion of the rights of St. Peter’s Chair in Venice.  Prithee,
Memmo, tease us no more with such doubts, but let Contarino’s proposal be
adopted at once.  Our confederates must be summoned to Parozzi’s palace
with all diligence, and there furnished with such weapons as are
necessary.  Let the stroke of midnight be the signal for Contarino’s
quitting the ball-room, and hastening to seize the arsenal.  Salviati,
who commands there, is in our interest, and will throw open the gates at
the first summons.

_Falieri_.—The admiral Adorna, as soon as he hears the alarm-bell, will
immediately lead his people to our assistance.

_Parozzi_.—Oh, our success is certain.

_Contarino_.—Only let us take care to make the confusion as general as
possible.  Our adversaries must be kept in the dark who are their friends
and who their foes, and all but our own party must be left ignorant as to
the authors, the origin, and the object of the uproar.

_Parozzi_.—Heaven, I am delighted at finding the business at length so
near the moment of execution!

_Falieri_.—Parozzi, have you distributed the white ribbons by which we
are to recognise our partisans?

_Parozzi_.—That was done some days ago.

_Contarino_.—Then there is no more necessary to be said on the subject.
Comrades, fill your goblets.  We will not meet again together till our
work has been completed.

_Memmo_.—And yet methinks it would not be unwise to consider the matter
over again coolly.

_Contarino_.—Pshaw! consideration and prudence have nothing to do with a
rebellion; despair and rashness in this case are better counsellors.  The
work once begun, the constitution of Venice once boldly overturned, so
that no one can tell who is master and who is subject, then consideration
will be of service in instructing us how far it may be necessary for our
interest to push the confusion.  Come, friends! fill, fill, I say.  I
cannot help laughing when I reflect that, by giving this entertainment
to-morrow, the Doge himself kindly affords us an opportunity of executing
our plans.

_Parozzi_.—As to Flodoardo, I look upon him already as in his grave; yet
before we go to-morrow to the Doge’s, it will be as well to have a
conference with Abellino.

_Contarino_.—That care we will leave to you, Parozzi, and in the
meanwhile here’s the health of Abellino.

_All_.—Abellino!

_Gonzaga_.—And success to our enterprise to-morrow.

_Memmo_.—I’ll drink _that_ toast with all my heart.

_All_.—Success to to-morrow’s enterprise!

_Parozzi_.—The wine tastes well, and every face looks gay; pass
eight-and-forty hours, and shall we look as gaily?  We separate smiling;
shall we smile when two nights hence we meet again?  No matter.



CHAPTER IV.
THE DECISIVE DAY.


THE next morning everything in Venice seemed as tranquil as if nothing
more than ordinary was on the point of taking place; and yet, since her
first foundation, never had a more important day risen on the Republic.

The inhabitants of the ducal palace were in motion early.  The impatient
Andreas forsook the couch on which he had passed a sleepless and anxious
night, as soon as the first sunbeams penetrated through the lattice of
his chamber.  Rosabella had employed the hours of rest in dreams of
Flodoardo, and she still seemed to be dreaming of him, even after sleep
was fled.  Camilla’s love for her fair pupil had broken her repose; she
loved Rosabella as had she been her daughter, and was aware that on this
interesting day depended the love-sick girl’s whole future happiness.
For some time Rosabella was unusually gay; she sang to her harp the most
lively airs, and jested with Camilla for looking so serious and so
uneasy; but when mid-day approached, her spirits began to forsake her.
She quitted her instrument, and paced the chamber with unsteady steps.
With every succeeding hour her heart palpitated with greater pain and
violence, and she trembled in expectation of the scene which was soon to
take place.

The most illustrious persons in Venice already filled her uncle’s palace;
the afternoon so much dreaded, and yet so much desired, was come; and the
Doge now desired Camilla to conduct his niece to the great saloon, where
she was expected with impatience by all those who were of most
consequence in the Republic.

Rosabella sank on her knees before a statue of the Virgin.  “Blessed
Lady!” she exclaimed, with lifted hands, “have mercy on me!  Let all
to-day end well!”

Pale as death did she enter the chamber in which, on the day before, she
had acknowledged her love for Flodoardo, and Flodoardo had sworn to risk
his life to obtain her.  Flodoardo was not yet arrived.

The assembly was brilliant, the conversation was gay.  They talked over
the politics of the day, and discussed the various occurrences of Europe.
The Cardinal and Contarino were engaged in a conference with the Doge,
while Memmo, Parozzi, and Falieri stood silent together, and revolved the
project whose execution was to take place at midnight.

The weather was dark and tempestuous.  The wind roared among the waters
of the canal, and the vanes of the palace-towers creaked shrilly and
discordantly.  One storm of rain followed hard upon another.

The clock struck four.  The cheeks of Rosabella, if possible, became
paler than before.  Andreas whispered something to his chamberlain.  In a
few minutes the tread of armed men seemed approaching the doors of the
saloon, and soon after the clattering of weapons was heard.

Instantly a sudden silence reigned through the whole assembly.  The young
courtiers broke off their love-speeches abruptly, and the ladies stopped
in their criticisms upon the last new fashions.  The statesmen dropped
their political discussions, and gazed on each other in silence and
anxiety.

The Doge advanced slowly into the midst of the assembly.  Every eye was
fixed upon him.  The hearts of the conspirators beat painfully.

“Be not surprised, my friends,” said Andreas, “at these unusual
precautions; they relate to nothing which need interfere with the
pleasures of this society.  You have all heard but too much of the bravo
Abellino, the murderer of the Procurator Conari, and of my faithful
counsellors Manfrone and Lomellino, and to whose dagger my illustrious
guest the Prince of Monaldeschi has but lately fallen a victim.  This
miscreant, the object of aversion to every honest man in Venice, to whom
nothing is sacred or venerable, and who has hitherto set at defiance the
whole vengeance of the Republic—before another hour expires, perhaps this
outcast of hell may stand before you in this very saloon.”

_All_ (astonished).—Abellino?  What, the bravo Abellino?

_Gonzaga_.—Of his own accord!

_Andreas_.—No, not of his own accord, in truth.  But Flodoardo of
Florence has undertaken to render this important service to the Republic,
to seize Abellino, cost what it may, and conduct him hither at the risk
of his life.

_A Senator_.—The engagement will be difficult to fulfil.  I doubt much
Flodoardo’s keeping his promise.

_Another_.—But if he _should_ perform it, the obligation which Flodoardo
will lay upon the Republic will not be trifling.

_A Third_.—Nay, we shall be all his debtors, nor do I know how we can
reward Flodoardo for so important a service.

_Andreas_.—Be that my task.  Flodoardo has demanded my niece in marriage
if he performs his promise.  Rosabella shall be his reward.

All gazed on each other in silence; some with looks expressing the most
heartfelt satisfaction, and others with glances of envy and surprise.

_Falieri_ (in a low voice).—Parozzi, how will this end?

_Memmo_.—As I live, the very idea makes me shake as if I had a fever.

_Parozzi_ (smiling contemptuously).—It’s very likely that Abellino should
suffer himself to be caught!

_Contarino_.—Pray inform me, signors, have any of you ever met this
Abellino face to face?

_Several Noblemen at once_.—Not I.  Never.

_A Senator_.—He is a kind of spectre, who only appears now and then, when
he is least expected and desired.

_Rosabella_.—I saw him once; never again shall I forget the monster.

_Andreas_.—And my interview with him is too well known to make it needful
for me to relate it.

_Memmo_.—I have heard a thousand stories about this miscreant, the one
more wonderful than the other; and for my own part I verily believe that
he is Satan himself in a human form.  I must say that I think it would be
wiser not to let him be brought in among us, for he is capable of
strangling us all as we stand here, one after another, without mercy.

“Gracious Heaven!” screamed several of the ladies, “you don’t say so?
What, strangle us in this very chamber?”

_Contarino_.—The principal point is, whether Flodoardo will get the
better of _him_, or _he_ of Flodoardo.  Now I would lay a heavy wager
that the Florentine will return without having finished the business.

_A Senator_.—And _I_ would engage, on the contrary, that there is but one
man in Venice who is capable of seizing Abellino, and that _that_ man is
Flodoardo of Florence.  The moment that I became acquainted with him, I
prophesied that one day or other he would play a brilliant part in the
annals of history.

_Another Senator_.—I think with you, signor.  Never was I so struck with
a man at first sight as I was with Flodoardo.

_Contarino_.—A thousand sequins on Abellino’s not being taken, unless
death should have taken him first.

_The First Senator_.—A thousand sequins on Flodoardo seizing him—

_Andreas_.—And delivering him up to me, either alive or dead.

_Contarino_.—Illustrious signors, you are witnesses of the wager.  My
Lord Vitalba, there is my hand on it.  A thousand sequins!

_The Senator_.—Done.

_Contarino_ (smiling).—Many thanks for your gold, signor.  I look on it
as already in my purse.  Flodoardo is a clever gentleman, no doubt, yet I
would advise him to take good care of himself; for he will find that
Abellino knows a trick or two, or I am much mistaken.

_Gonzaga_.—May I request your Highness to inform me whether Flodoardo is
attended by the sbirri?

_Andreas_.—No, he is alone.  Near four-and-twenty hours have elapsed
since he set out in pursuit of the bravo.

_Gonzaga_ (to Contarino, with a smile of triumph).—I wish you joy of your
thousand sequins, signor.

_Contarino_ (bowing respectfully).—Since your Excellency prophesies it I
can no longer doubt my success.

_Memmo_.—I begin to recover myself!  Well, well! let us see the end.

Three-and-twenty hours had elapsed since Flodoardo had entered into the
rash engagement.  The four-and-twentieth now hastened to its completion,
and yet Flodoardo came not.



CHAPTER V.
THE CLOCK STRIKES FIVE.


THE Doge became uneasy.  The senator Vitalba began to tremble for his
thousand sequins, and the conspirators could not restrain their spiteful
laughter, when Contarino gravely declared that he would gladly lose, not
_one_ thousand sequins, but twenty, if the loss of his wager through
Abellino’s being captured might but secure the general safety of the
Republic.

“Hark!” cried Rosabella, “the clock strikes five!”

All listened to the chimes in the tower of St. Mark’s Church, and
trembled as they counted the strokes.  Had not Camilla supported her,
Rosabella would have sank upon the ground.  The destined hour was past,
and still Flodoardo came not!

The venerable Andreas felt a sincere affection for the Florentine; he
shuddered as he dwelt upon the probability that Abellino’s dagger had
prevailed.

Rosabella advanced towards her uncle as if she would have spoken to him;
but anxiety fettered her tongue, and tears forced themselves into her
eyes.  She struggled for a while to conceal her emotions, but the effort
was too much for her.  She threw herself on a sofa, wrung her hands, and
prayed to the God of mercy for help and comfort.

The rest of the company either formed groups of whisperers, or strolled
up and down the apartment in evident uneasiness.  They would willingly
have appeared gay and unconcerned, but they found it impossible to assume
even an affectation of gaiety, and thus elapsed another hour, and still
Flodoardo came not.

At that moment the evening sun broke through the clouds, and a ray of its
setting glory was thrown full upon the countenance of Rosabella.  She
started from the sofa, extended her arms towards the radiant orb, and
exclaimed, while a smile of hope played round her lips, “God is merciful;
God will have mercy on me.”

_Contarino_.—Was it at five o’clock that Flodoardo engaged to produce
Abellino?  It is now a full hour beyond his time.

_The Senator Vitalba_.—Let him only produce him at last, and he may be a
month beyond his time if he choose.

_Andreas_.—Hark!  No.  Silence! silence!  Surely I hear footsteps
approaching the saloon.

The words were scarcely spoken when the folding doors were thrown open,
and Flodoardo rushed into the room enveloped in his mantle.  His hair
streamed on the air in wild disorder; a deep shade was thrown over his
face by the drooping plumes of his _barrette_, from which the rain was
flowing.  Extreme melancholy was impressed on all his features, and he
threw gloomy looks around him as he bowed his head in salutation of the
assembly.

Every one crowded round him; every mouth was unclosed to question him;
every eye was fixed on his face as if eager to anticipate his answers.

“Holy Virgin!” exclaimed Memmo, “I am afraid that—”

“Be silent, signor!” interrupted Contarino, sternly; “there is nothing to
be afraid of.”

“Illustrious Venetians!”—it was thus that Flodoardo broke silence, and he
spoke with the commanding tone of a hero—“I conclude that his Highness
has already made known to you the object of your being thus assembled.  I
come to put an end to your anxiety; but first, noble Andreas, I must once
more receive the assurance that Rosabella of Corfu shall become my bride,
provided I deliver into your power the bravo Abellino.”

_Andreas_ (examining his countenance with extreme anxiety).—Flodoardo,
have you succeeded?  Is Abellino your prisoner?

_Flodoardo_.—If Abellino is my prisoner, shall Rosabella be my bride?

_Andreas_.—Bring me Abellino, alive or dead, and she is yours.  I swear
it beyond the power of retracting, and also that her dowry shall be
royal!

_Flodoardo_.—Illustrious Venetians, ye have heard the Doge’s oath?

_All_.—We are your witnesses.

_Flodoardo_ (advancing a few paces with a bold air, and speaking in a
firm voice).—Well, then, Abellino is in my power—is in _yours_.

_All_ (in confusion and a kind of uproar).—In ours?  Merciful heaven!
Where is he?  Abellino!

_Andreas_.—Is he dead or living?

_Flodoardo_.—He still lives.

_Gonzaga_ (hastily).—He lives?

_Flodoardo_ (bowing to the Cardinal respectfully).—He still lives,
signor.

_Rosabella_ (pressing Camilla to her bosom).  Didst thou hear that,
Camilla?  Didst thou hear it?  The villain still lives.  Not one drop of
blood has stained the innocent hand of Flodoardo.

_The Senator Vitalba_.—Signor Contarino, I have won a thousand sequins of
you.

_Contarino_.—So it should seem, signor.

_Andreas_.—My son, you have bound the Republic to you for ever, and I
rejoice that it is to Flodoardo that she is indebted for a service so
essential.

_Vitalba_.—And permit me, noble Florentine, to thank you for this heroic
act in the name of the Senate of Venice.  Our first care shall be to seek
out a reward proportioned to your merits.

_Flodoardo_ (extending his arms towards Rosabella, with a melancholy
air).—There stands the only reward for which I wish.

_Andreas_ (joyfully).—And that reward is your own.  But where have you
left the bloodhound?  Conduct him hither, my son, and let me look at him
once more.  When I last saw him, he had the insolence to tell me, “Doge,
I am your equal.  This narrow chamber now holds the two greatest men in
Venice.”  Now, then, let me see how this other great man looks in
captivity.

_Two or three Senators_.—Where is he?  Bring him hither.

Several of the ladies screamed at hearing this proposal.  “For heaven’s
sake,” cried they, “keep the monster away from us!  I shall be frightened
out of my senses if he comes here.”

“Noble ladies,” said Flodoardo, with a smile, expressing rather sorrow
than joy, “you have nothing to apprehend.  Abellino shall do you no harm;
but he needs must come hither to claim _The Bravo’s Bride_.”  And he
pointed to Rosabella.

“Oh, my best friend,” she answered, “how shall I express my thanks to you
for having thus put an end to my terrors?  I shall tremble no more at
hearing Abellino named.  Rosabella shall now be called the Bravo’s Bride
no longer.”

_Falieri_.—Is Abellino already in this palace?

_Flodoardo_.—He is.

_Vitalba_.—Then why do you not produce him?  Why do you trifle so long
with our impatience?

_Flodoardo_.—Be patient.  It’s now time that the play should begin.  Be
seated, noble Andreas.  Let all the rest arrange themselves behind the
Doge.  Abellino’s coming!

At that word both old and young, both male and female, with the rapidity
of lightning, flew to take shelter behind Andreas.  Every heart beat
anxiously; but as to the conspirators, while expecting Abellino’s
appearance, they suffered the torments of the damned.

Grave and tranquil sat the Doge in his chair, like a judge appointed to
pass sentence on this King of the Banditti.  The spectators stood around
in various groups, all hushed and solemn, as if they were waiting to
receive their final judgment.  The lovely Rosabella, with all the
security of angels whose innocence have nothing to fear, reclined her
head on Camilla’s shoulder and gazed on her heroic lover with looks of
adoration.  The conspirators, with pallid cheeks and staring eyes, filled
up the background, and a dead and awful silence prevailed through the
assembly, scarcely interrupted by a single breath.

“And now, then,” said Flodoardo, “prepare yourselves, for this terrible
Abellino shall immediately appear before you.  Do not tremble; he shall
do no one harm.”

With these words he turned away from the company, advanced towards the
folding-doors.  He paused for a few moments, and concealed his face in
his cloak.

“Abellino!” cried he at length, raising his head, and extending his arm
towards the door.  At that name all who heard it shuddered involuntarily,
and Rosabella advanced unconsciously a few steps towards her lover.  She
trembled more for Flodoardo than herself.

“Abellino!” the Florentine repeated, in a loud and angry tone, threw from
him his mantle and barrette, and had already laid his hand on the lock of
the door to open it, when Rosabella uttered a cry of terror.

“Stay, Flodoardo!” she cried, rushing towards him, and—Ha!  Flodoardo was
gone, and there, in his place, stood Abellino, and shouted out, “Ho! ho!”



CHAPTER VI.
APPARITIONS.


INSTANTLY a loud cry of terror resounded through the apartment.
Rosabella sank fainting at the bravo’s feet; the conspirators were almost
suffocated with rage, terror, and astonishment; the ladies made signs of
the cross, and began in all haste to repeat their paternosters; the
senators stood rooted to their places like so many statues; and the Doge
doubted the information of his ears and eyes.

Calm and terrible stood the bravo before them, in all the pomp of his
strange and awful ugliness, with his bravo’s habit, his girdle filled
with pistols and poniards, his distorted yellow countenance, his black
and bushy eyebrows, his lips convulsed, his right eye covered by a large
patch, and his left half buried among the wrinkles of flesh which swelled
around it.  He gazed around him for a few moments in silence, and then
approached the stupefied Andreas.

“Ho! ho!” he roared in a voice like thunder, “you wish to see the bravo
Abellino?  Doge of Venice, here he stands, and is come to claim his
bride.”

Andreas gazed with looks of horror on this model for demons, and at
length stammered out with difficulty, “It cannot be real; I must surely
be the sport of some terrible dream.”

“Without there, guards!” exclaimed the Cardinal Gonzaga, and would have
hastened to the folding doors, when Abellino put his back against them,
snatched a pistol from his girdle, and pointed it at the Cardinal’s
bosom.

“The first,” cried he, “who calls for the guard, or advances one step
from the place on which he stands, expires that moment.  Fools!  Do ye
think I would have delivered myself up, and desired that guards might
beset these doors, had I feared their swords, or intended to escape from
your power?  No; I am content to be your prisoner, but not through
compulsion!  I am content to be your prisoner; and it was with that
intent that I came hither.  No mortal should have the glory of seizing
Abellino.  If justice required him to be delivered up, it was necessary
that he should be delivered up by himself!  Or do ye take Abellino for an
ordinary ruffian, who passes his time in skulking from the sbirri, and
who murders for the sake of despicable plunder?  No, by heaven, no!
Abellino was no such common villain.  It’s true I was a bravo; but the
motives which induced me to become one were great and striking.”

_Andreas_ (clasping his hands together).—Almighty God! can all this be
possible?

An awful silence again reigned through the saloon.  All trembled while
they listened to the voice of the terrible assassin, who strode through
the chamber proud and majestic as the monarch of the infernal world.

Rosabella opened her eyes; their first look fell upon the bravo.

“Oh, God of mercy!” she exclaimed, “he is still there.  Methought, too,
that Flodoardo—.  No, no; it could not be!  I was deceived by
witchcraft.”

Abellino advanced towards her, and attempted to raise her.  She shrunk
from his touch with horror.

“No, Rosabella,” said the bravo, in an altered voice, “what you saw was
no illusion.  Your favoured Flodoardo is no other than Abellino the
bravo.”

“It is false!” interrupted Rosabella, starting from the ground in
despair, and throwing herself for refuge on Camilla’s bosom.  “Monster!
thou canst not be Flodoardo! such a fiend can never have been such a
seraph.  Flodoardo’s actions were good and glorious as a demi-god’s!
’Twas of him that I learned to love good and glorious actions, and ’twas
he who encouraged me to attempt them myself; his heart was pure from all
mean passions, and capable of conceiving all great designs.  Never did he
scruple, in the cause of virtue, to endure fatigue and pain, and to dry
up the tears of suffering innocence—that was Flodoardo’s proudest
triumph!  Flodoardo and thou—!  Wretch, whom many a bleeding ghost has
long since accused before the throne of heaven, darest thou to profane
the name of Flodoardo!”

_Abellino_ (proud and earnest).—Rosabella, wilt thou forsake me?  Wilt
thou retract thy promise?  Look, Rosabella, and be convinced: I, the
bravo, and thy Flodoardo are the same.

He said, removing the patch from his eye, and passed a handkerchief over
his face once or twice.  In an instant his complexion was altered, his
bushy eyebrows and straight black hair disappeared, his features were
replaced in their natural symmetry, and lo! the handsome Florentine stood
before the whole assembly, dressed in the habit of the bravo Abellino.

_Abellino_.—Mark me, Rosabella!  Seven times over, and seven times again,
will I change my appearance, even before your eyes, and that so artfully
that, study me as you will, the transformation shall deceive you.  But
change as I may, of one thing be assured: I am the man whom you loved as
Flodoardo.

The Doge gazed and listened without being able to recover from his
confusion, but every now and then the words “Dreadful! dreadful!” escaped
from his lips, and he wrung his hands in agony.  Abellino approached
Rosabella, and said in the tone of supplication: “Rosabella, wilt thou
break thy promise?  Am I no longer dear to thee?”

Rosabella was unable to answer; she stood like one changed to a statue,
and fixed her motionless eyes on the bravo.

Abellino took her cold hand and pressed it to his lips.

“Rosabella,” said he, “art thou still mine?”

_Rosabella_.—Flodoardo, oh! that I had never loved, had never seen thee!

_Abellino_.—Rosabella wilt thou still be the bride of Flodoardo? wilt
thou be “the Bravo’s Bride?”

Love struggled with abhorrence in Rosabella’s bosom, and painful was the
contest.

_Abellino_.—Hear me, beloved one!  It was for thee that I have discovered
myself—that I have delivered myself into the hands of justice.  For
thee—oh, what would I not do for thee!  Rosabella, I wait but to hear one
syllable from your lips; speak but a decisive yes or no, and all is
ended.  Rosabella, dost thou love me still?

And still she answered not; but she threw upon him a look innocent and
tender as ever beamed from the eye of an angel, and that look betrayed
but too plainly that the miscreant was still master of her heart.  She
turned from him hastily, threw herself into Camilla’s arms, and
exclaimed, “God forgive you, man, for torturing me so cruelly!”

The Doge had by this time recovered from his stupor.  He started from his
chair, threats flashed from his eyes, and his lips trembled with passion.
He rushed towards Abellino; but the senators threw themselves in his
passage, and held him back by force.  In the meanwhile the bravo advanced
towards him with the most insolent composure, and requested him to calm
his agitation.

“Doge of Venice,” said he, “will you keep your promise?  That you gave it
to me, these noble lords and ladies can testify.”

Andreas.—Monster! miscreant!  Oh! how artfully has this plan been laid to
ensnare me!  Tell me, Venetians, to _such_ a creditor am I obliged to
discharge my fearful debt?  Long has he been playing a deceitful bloody
part; the bravest of our citizens have fallen beneath his dagger, and it
was the price of their blood which has enabled him to act the nobleman in
Venice.  Then comes he to me in disguise of a man of honour, seduces the
heart of my unfortunate Rosabella, obtains my promise by an artful trick,
and now claims the maiden for his bride, in the hope that the husband of
the Doge’s niece will easily obtain an absolution for his crimes.  Tell
me, Venetians, ought I to keep my word with this miscreant?

_All the Senators_.—No, no, by no means.

_Abellino_ (with solemnity).—If you have once pledged your word, you
ought to keep it, though given to the Prince of Darkness.  Oh, fie, fie!
Abellino, how shamefully hast thou been deceived in thy reckoning.  I
thought I had to do with men of honour.  Oh! how grossly have I been
mistaken.  (In a terrible voice.)—Once again, and for the last time, I
ask you, Doge of Venice, wilt thou break thy princely word?

_Andreas_ (in the tone of authority).—Give up your arms.

_Abellino_.—And you will really withhold from me my just reward?  Shall
it be in vain that I delivered Abellino into your power?

_Andreas_.—It was to the brave Flodoardo that I promised Rosabella.  I
never entered into any engagement with the murderer Abellino.  Let
Flodoardo claim my niece, and she is his; but Abellino can have no claim
to her.  Again I say lay down your arms.

_Abellino_ (laughing wildly).—The murderer Abellino, say you?  Ho! ho!
Be it your care to keep your own promises, and trouble not yourself about
my murders, they are _my_ affair, and I warrant I shall find a word or
two to say in defence of them, when the judgment day arrives.

_Gonzaga_ (to the Doge).—What dreadful blasphemy.

_Abellino_.—Oh, good Lord Cardinal, intercede in my behalf, you know me
well; I have always acted by you like a man of honour, that at least you
cannot deny.  Say a word in my favour, then, good Lord Cardinal.

_Gonzaga_ (angrily, and with imperious dignity).—Address not thyself to
_me_, miscreant.  What canst thou and I have to do together?  Venerable
Andreas, delay no longer; let the guards be called in.

_Abellino_.—What?  Is there then no hope for me?  Does no one feel
compassion for the wretched Abellino?  What! _no one_?—(a pause)—All are
silent?—_all_!  ’Tis enough.  Then my fate is decided—call in your
guards.

_Rosabella_ (with a scream of agony, springing forward, and falling at
the feet of the Doge).—Mercy, mercy!  Pardon him—pardon _Abellino_!

_Abellino_ (in rapture).—Sayest thou so?  Ho! ho! then an angel prays for
Abellino in his last moments.

_Rosabella_ (clasping the Doge’s knees).—Have mercy on him, my friend, my
father, he is a sinner; but leave him to the justice of Heaven.  He is a
sinner, but oh, Rosabella loves him still.

_Andreas_ (pushing her away with indignation).—Away, unworthy girl; you
rave.

Abellino folded his arms, gazed with eagerness on what was passing, and
tears gushed into his brilliant eyes.  Rosabella caught the Doge’s hand,
as he turned to leave her, kissed it twice, and said, “If you have no
mercy on _him_, then have none on _me_.  The sentence which you pass on
Abellino will be mine; ’tis for my own life that I plead as well as
Abellino’s.  Father, dear father, reject not my suit, but spare him.”

_Andreas_ (in an angry and decided tone).—Abellino dies.

_Abellino_.—And can you look on with dry eyes while that innocent dove
bleeds at your feet?  Go, barbarian; you never loved Rosabella as she
deserved.  Now she is yours no longer.  She is mine, she is Abellino’s.

He raised her from the ground, and pressed her pale lips against his own.

“Rosabella, thou art mine; death alone can part us.  Thou lovest me as I
_would_ be loved; I am blest whate’er may happen, and can now set fortune
at defiance.  To business, then.”

He replaced Rosabella, who was almost fainting, on the bosom of Camilla,
then advanced into the middle of the chamber, and addressed the assembly
with an undaunted air—

“Venetians, you are determined to deliver me up to the axe of justice;
there is for me no hope of mercy.  ’Tis well, act as you please; but ere
you sit in judgment over _me_, signors, I shall take the liberty of
passing sentence upon some few of _you_.  Now mark me, you see in me the
murderer of Conari, the murderer of Paolo Manfrone, the murderer of
Lomellino.  I deny it not.  But would you know the illustrious persons
who paid me for the use of my dagger?”

With these words he put a whistle to his lips, sounded it, and instantly
the doors flew open, the guards rushed in, and ere they had time to
recollect themselves, the chief conspirators were in custody, and
disarmed.

“Guard them well,” said Abellino, in a terrible voice to the sentinels;
“you have your orders.  Noble Venetians, look on these villains; it is to
them that you are indebted for the loss of your three citizens.  I accuse
of those murders one, two, three, four, and my good Lord Cardinal there
has the honour to be the fifth.”

Motionless and bewildered stood the accused; tale-telling confusion spoke
in every feature that the charge was true, and no one was bold enough to
contradict Abellino.

“What can all this mean?” asked the senators of each other, in the utmost
surprise and confusion.

“This is all a shameful artifice,” the Cardinal at length contrived to
say; “the villain, perceiving that he has no chance of escaping
punishment, is willing, out of mere resentment, to involve us in his
destruction.”

_Contarino_ (recovering himself).—In the wickedness of his life he has
surpassed all former miscreants, and now he is trying to surpass them in
the wickedness of his death.

_Abellino_ (with majesty).—Be silent.  I know your whole plot, have seen
your list of proscriptions, am well informed of your whole arrangement,
and at the moment that I speak to you the officers of justice are
employed, by my orders, in seizing the gentlemen with the white ribbons
round their arms, who this very night intended to overturn Venice.  Be
silent, for defence were vain.

_Andreas_ (in astonishment)—Abellino, what is the meaning of all this?

_Abellino_.—Neither more nor less than that Abellino has discovered and
defeated a conspiracy against the constitution of Venice and the life of
its Doge!  The bravo, in return for your kind intention of sending him to
destruction in a few hours, has preserved you from it.

_Vitalba_ (to the accused).—Noble Venetians, you are silent under this
heavy charge.

_Abellino_.—They are wise, for no defence can now avail them.  Their
troops are already disarmed, and lodged in separate dungeons of the State
prison; visit them there, and you will learn more.  You now understand
probably that I did not order the doors of this saloon to be guarded for
the purpose of seizing the terrible bravo Abellino, but of taking those
heroes into secure custody.

And now, Venetians, compare together _your_ conduct and _mine_.  At the
hazard of my life have I preserved the State from ruin.  Disguised as a
bravo, I dared to enter the assembly of those ruthless villains, whose
daggers laid Venice waste.  I have endured for your sakes storm, and
rain, and frost, and heat; I have watched for your safety while you were
sleeping.  Venice owes to my care her constitution and your lives; and
yet are my services deserving of no reward?  All this have I done for
Rosabella of Corfu, and yet will you withhold from me my promised bride?
I have saved you from death, have saved the honour of your wives, and the
throats of your innocent children from the knife of the assassin.  Men!
men! and yet will you send me to the scaffold?

Look on this list!  See how many among you would have bled this night,
had it not been for Abellino, and see where the miscreants stand by whom
you would have bled!  Read you not in every feature that they are already
condemned by heaven and their own conscience?  Does a single mouth
unclose itself in exculpation?  Does a single movement of the head give
the lie to my charge?  Yet the truth of what I have advanced shall be
made still more evident.

He turned himself to the conspirators

“Mark me!” said he, “the first among you who acknowledges the truth shall
receive a free pardon.  I swear it, I, the bravo Abellino!”

The conspirators remained silent.  Suddenly Memmo started forward and
threw himself trembling at the Doge’s feet.

“Venetians,” he exclaimed, “Abellino has told you true.”

“’Tis false, ’tis false!” exclaimed the accused altogether.

“Silence!” cried Abellino, in a voice of thunder, while the indignation
which flamed in every feature struck terror into his hearers: “Silence, I
say, and hear me, or rather hear the ghosts of your victims.  Appear,
appear!” cried this dreadful man, in a tone still louder: “’Tis time!”

Again he sounded his whistle.  The folding doors were thrown open, and
there stood the Doge’s much lamented friends—Conari, Lomellino, and
Manfrone.

“We are betrayed!” shouted Contarino, who drew out a concealed dagger,
and plunged it in his bosom up to the very hilt.

And now what a scene of rapture followed.  Tears streamed down the silver
beard of Andreas, as he rushed into the arms of his long-lost companions;
tears bedewed the cheeks of the venerable triumvirate, as they once more
clasped the knees of their prince, their friend, their brother.  These
excellent men, these heroes, never had Andreas hoped to meet them again
till they should meet in heaven; and Andreas blessed heaven for
permitting him to meet them once more on earth.  These four men, who had
valued each other in the first dawn of _youth_, who had fought by each
other’s sides in _manhood_, were now assembled in _age_, and valued each
other more than ever.  The spectators gazed with universal interest on
the scene before them, and the good old senators mingled tears of joy
with those shed by the re-united companions.  In the happy delirium of
this moment, nothing but Andreas and his friends were attended to; no one
was aware that the conspirators and the self-murderer Contarino were
removed by the guards from the saloon; no one but Camilla observed
Rosabella, who threw herself sobbing on the bosom of the handsome bravo,
and repeated a thousand times, “Abellino, then, is not a murderer!”

At length they began to recollect themselves they looked round them—and
the first words which broke from every lip were—“Hail, saviour of
Venice!”—The roof rung with the name of Abellino, and unnumbered
blessings accompanied the name.

That very Abellino, who not an hour before had been doomed to the
scaffold by the whole assembly, now stood calm and dignified as a god
before the adoring spectators; and now he viewed with complacency the men
whose lives he had saved, and now his eye dwelt with rapture on the woman
whose love was the reward of all his dangers.

“Abellino!” said Andreas advancing to the bravo, and extending his hand
towards him.

“I am not Abellino,” replied he, smiling, while he pressed the Doge’s
hand respectfully to his lips “neither am I Flodoardo of Florence.  I am
by birth a Neapolitan, and by name Rosalvo.  The death of my inveterate
enemy the Prince of Monaldeschi makes it no longer necessary to conceal
who I really am.”

“Monaldeschi?” repeated Andreas, with a look of anxiety.

“Fear not,” continued Rosalvo; “Monaldeschi, it is true, fell by my hand,
but fell in honourable combat.  The blood which stained his sword flowed
from my veins, and in his last moments conscience asserted her empire in
his bosom.  He died not till he had written in his tablets the most
positive declaration of my innocence as to the crimes with which his
hatred had contrived to blacken me; and he also instructed me by what
means I might obtain at Naples the restoration of my forfeited estates
and the re-establishment of my injured honour.  Those means have been
already efficacious, and all Naples is by this time informed of the arts
by which Monaldeschi procured my banishment, and of the many plots which
he laid for my destruction; plots, which made it necessary for me to drop
my own character, and never to appear but in disguise.  After various
wanderings chance led me to Venice.  My appearance was so much altered,
that I dreaded not discovery, but I dreaded (and with reason) perishing
in your streets with hunger.  In this situation accident brought me
acquainted with the banditti, by whom Venice was then infested.  I
willingly united myself to their society, partly with a view of purifying
the Republic from the presence of these wretches, and partly in the hope
of discovering through them the more illustrious villains by whom their
daggers were employed.  I was successful.  I delivered the banditti up to
justice, and stabbed their captain in Rosabella’s sight.  I was now the
only bravo in Venice.  Every scoundrel was obliged to have recourse to
me.  I discovered the plans of the conspirators, and now you know them
also.  I found that the deaths of the Doge’s three friends had been
determined on; and in order to obtain full confidence with the
confederates, it was necessary to persuade them that these men had fallen
beneath my dagger.  No sooner had my plan been formed than I imparted it
to Lomellino.  He, and he only, was my confidant in this business.  He
presented me to the Doge as the son of a deceased friend; he assisted me
with his advice; he furnished me with keys to those doors to the public
gardens, which none were permitted to pass through except Andreas and his
particular friends, and which frequently enabled me to elude pursuit; he
showed me several private passages in the palace by which I could
penetrate unobserved even into the Doge’s very bed-chamber.  When the
time for his disappearance arrived, he not only readily consented to lie
concealed in a retreat known only to ourselves, but was also the means of
inducing Manfrone and Conari to join him in his retirement, till the
fortunate issue of this day’s adventure permitted me to set them once
more at liberty.  The banditti exist no longer; the conspirators are in
chains; my plans are accomplished; and now, Venetians, if you still think
him deserving of it, here stands the bravo Abellino, and you may lead him
to the scaffold when you will.”

“To the scaffold!” exclaimed at once the Doge, the senators, and the
whole crowd of nobility; and every one burst into enthusiastic praises of
the dauntless Neapolitan.

“Oh, Abellino,” exclaimed Andreas, while he wiped away a tear, “I would
gladly give my ducal bonnet to be such a bravo as thou hast been.
‘Doge,’ did thou once say to me, ‘thou and I are the two greatest men in
Venice,’ but oh, how much greater is the bravo than the Doge!  Rosabella
is that jewel, than which I have nothing in the world more precious;
Rosabella is dearer to me than an emperor’s crown; Rosabella is thine.”

“Abellino,” said Rosabella, and extended her hand to the handsome Bravo.

“Triumph!” cried he, “Rosabella is the Bravo’s Bride,” and he clasped the
blushing maid to his bosom.



CHAPTER VII.
CONCLUSION.


AND now it would not be at all amiss to make Count Rosalvo sit down
quietly between the good old Doge and his lovely niece; and then cause
him to relate the motive of Monaldeschi’s hatred, in what manner he lost
Valeria, what crimes were imputed to him, and how he escaped from the
assassins sent in pursuit of him by his enemy; how he had long wandered
from place to place, and how he had at length learned, during his abode
in Bohemia with a gang of gipsies, such means of disguising his features
as enabled him to defy the keenest penetration to discover in the beggar
Abellino the once admired Count Rosalvo; how in this disguise he had
returned to Italy; and how Lomellino, having ascertained that he was
universally believed at Naples to have long since perished by shipwreck,
and therefore that neither the officers of the Inquisition, nor the
assassins of his enemies were likely to trouble themselves any more about
him, he had ventured to resume, with some slight alterations, his own
appearance at Venice; how the arrival of Monaldeschi had obliged him to
conceal himself, till an opportunity offered of presenting himself to the
Prince when unattended, and of demanding satisfaction for his injuries;
how he had been himself wounded in several places by his antagonist,
though the combat finally terminated in his favour; how he had resolved
to make use of Monaldeschi’s death to terrify Andreas still further, and
of Parozzi’s conspiracy to obtain Rosabella’s hand of the Doge; how he
had trembled lest the heart of his mistress should have been only
captivated by the romantic appearance of the adventurer Flodoardo, and
have rejected him when known to be the bravo Abellino; how he had
resolved to make use of the terror inspired by the assassin to put her
love to the severest trial; and how, had she failed in that trial, he had
determined to renounce the inconstant maid for ever; with many other
_hows_, _whys_, and _wherefores_, which, not being explained, will, I
doubt, leave much of this tale involved in mystery: but before I begin
Rosalvo’s history, I must ask two questions—First—do my readers like the
manner in which I relate adventures?

Secondly—If my readers _do_ like my manner of relating adventures, can I
employ my time better than in relating them?

When these questions are answered, I may probably resume my pen.  In the
meanwhile, gentlemen and ladies, good-night, and pleasant dreams attend
you.






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