The Project Gutenberg eBook of The Third Degree: A Narrative of Metropolitan Life
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Third Degree: A Narrative of Metropolitan Life

Author: Charles Klein
        Arthur Hornblow

Release date: April 5, 2009 [eBook #28505]
                Most recently updated: January 4, 2021

Language: English

Credits: E-text prepared by Juliet Sutherland, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team


*** START OF THE PROJECT GUTENBERG EBOOK THE THIRD DEGREE: A NARRATIVE OF METROPOLITAN LIFE ***


E-text prepared by Juliet Sutherland, Mary Meehan, and the Project
Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net)



Note: Project Gutenberg also has an HTML version of this
      file which includes the original illustrations.
      See 28505-h.htm or 28505-h.zip:
      (https://www.gutenberg.org/dirs/2/8/5/0/28505/28505-h/28505-h.htm)
      or
      (https://www.gutenberg.org/dirs/2/8/5/0/28505/28505-h.zip)





THE THIRD DEGREE

A Narrative of Metropolitan Life

by

CHARLES KLEIN and ARTHUR HORNBLOW

Authors of the novel _The Lion and the Mouse_

Illustrations by Clarence Rowe







Grosset & Dunlap Publishers :: New York

Copyright, 1909, by
G. W. Dillingham Company

_The Third Degree._




[Illustration: "I ACCUSE YOU OF PREJUDICING THE COMMUNITY AGAINST THE
PRISONER BEFORE HE COMES TO TRIAL."]




CONTENTS

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX




List of Illustrations


"I ACCUSE YOU OF PREJUDICING THE COMMUNITY AGAINST THE PRISONER BEFORE
HE COMES TO TRIAL."

"YOU DID IT, AND YOU KNOW YOU DID IT."

"I CAN DO NOTHING FOR YOU," SAID THE JUDGE.

"WHEN THIS MYSTERIOUS WITNESS DOES COME I SHALL PLACE HER UNDER ARREST."




The Third Degree




CHAPTER I.


"I'm N. G.--that's a cinch! The sooner I chuck it the better!"

Caught in the swirl of the busy city's midday rush, engulfed in
Broadway's swift moving flood of hustling humanity, jostled
unceremoniously by the careless, indifferent crowds, discouraged from
stemming further the tide of pushing, elbowing men and women who hurried
up and down the great thoroughfare, Howard Jeffries, tired and hungry
and thoroughly disgusted with himself, stood still at the corner of
Fulton street, cursing the luck which had brought him to his present
plight.

It was the noon hour, the important time of day when nature loudly
claims her due, when business affairs, no matter how pressing, must be
temporarily interrupted so that the human machine may lay in a fresh
store of nervous energy. From under the portals of precipitous office
buildings, mammoth hives of human industry, which to right and left
soared dizzily from street to sky, swarmed thousands of employees of
both sexes--clerks, stenographers, shop-girls, messenger boys, all moved
by a common impulse to satisfy without further delay the animal cravings
of their physical natures. They strode along with quick, nervous step,
each chatting and laughing with his fellow, interested for the nonce in
the day's work, making plans for well-earned recreation when five
o'clock should come and the up-town stampede for Harlem and home begin.

The young man sullenly watched the scene, envious of the energy and
activity of all about him. Each one in these hurrying throngs, he
thought bitterly to himself, was a valuable unit in the prosperity and
welfare of the big town. No matter how humble his or her position, each
played a part in the business life of the great city, each was an
unseen, unknown, yet indispensable cog in the whirling, complicated
mechanism of the vast world-metropolis. Intuitively he felt that he was
not one of them, that he had no right even to consider himself their
equal. He was utterly useless to anybody. He was without position or
money. He was destitute even of a shred of self-respect. Hadn't he
promised Annie not to touch liquor again before he found a job? Yet he
had already imbibed all the whiskey which the little money left in his
pocket would buy.

Involuntarily, instinctively, he shrank back into the shadow of a
doorway to let the crowds pass. The pavements were now filled to
overflowing and each moment newcomers from the side streets came to
swell the human stream. He tried to avoid observation, fearing that some
one might recognize him, thinking all could read on his face that he was
a sot, a self-confessed failure, one of life's incompetents. In his
painful self-consciousness he believed himself the cynosure of every eye
and he winced as he thought he detected on certain faces side glances of
curiosity, commiseration and contempt.

Nor was he altogether mistaken. More than one passer-by turned to look
in his direction, attracted by his peculiar appearance. His was a type
not seen every day in the commercial district--the post-graduate college
man out at elbows. He was smooth-faced and apparently about twenty-five
years of age. His complexion was fair and his face refined. It would
have been handsome but for a drooping, irresolute mouth, which denoted
more than average weakness of character. The face was thin, chalk-like
in its lack of color and deeply seamed with the tell-tale lines of
dissipation. Dark circles under his eyes and a peculiar watery look
suggested late hours and over-fondness for alcoholic refreshment. His
clothes had the cut of expensive tailors, but they were shabby and
needed pressing. His linen was soiled and his necktie disarranged. His
whole appearance was careless and suggested that recklessness of mind
which comes of general demoralization.

Howard Jeffries knew that he was a failure, yet like most young men
mentally weak, he insisted that he could not be held altogether to
blame. Secretly, too, he despised these sober, industrious people who
seemed contented with the crumbs of comfort thrown to them. What, he
wondered idly, was their secret of getting on? How were they able to
lead such well regulated lives when he, starting out with far greater
advantages, had failed? Oh, he knew well where the trouble lay--in his
damnable weakness of character, his love for drink. That was responsible
for everything. But was it his fault if he were born weak? These people
who behaved themselves and got on, he sneered, were calm, commonplace
temperaments who found no difficulty in controlling their baser
instincts. They did right simply because they found it easier than to do
wrong. Their virtue was nothing to brag about. It was easy to be good
when not exposed to temptation. But for those born with the devil in
them it came hard. It was all a matter of heredity and influence. One's
vices as well as one's virtues are handed down to us ready made. He had
no doubt that in the Jeffries family somewhere in the unsavory past
there had been a weak, vicious ancestor from whom he had inherited all
the traits which barred his way to success.

The crowds of hungry workers grew bigger every minute. Every one was
elbowing his way into neighboring restaurants, crowding the tables and
buffets, all eating voraciously as they talked and laughed. Howard was
rudely reminded by inward pangs that he, too, was famished. Not a thing
had passed his lips since he had left home in Harlem at eight o'clock
that morning and he had told Annie that he would be home for lunch.
There was no use staying downtown any longer. For three weary hours he
had trudged from office to office seeking employment, answering
advertisements, asking for work of any kind, ready to do no matter what,
but all to no purpose. Nobody wanted him at any price. What was the good
of a man being willing to work if there was no one to employ him? A nice
look-out certainly. Hardly a dollar left and no prospect of getting any
more. He hardly had the courage to return home and face Annie. With a
muttered exclamation of impatience he spat from his mouth the
half-consumed cigarette which was hanging from his lip, and crossing
Broadway, walked listlessly in the direction of Park Place.

He had certainly made a mess of things, yet at one time, not so long
ago, what a brilliant future life seemed to have in store for him! No
boy had ever been given a better start. He remembered the day he left
home to go to Yale; he recalled his father's kind words of
encouragement, his mother's tears. Ah, if his mother had only lived!
Then, maybe, everything would have been different. But she died during
his freshman year, carried off suddenly by heart failure. His father
married again, a young woman twenty years his junior, and that had
started everything off wrong. The old home life had gone forever. He had
felt like an intruder the first time he went home and from that day his
father's roof had been distasteful to him. Yes, that was the beginning
of his hard luck. He could trace all his misfortunes back to that. He
couldn't stand for mother-in-law, a haughty, selfish, supercilious,
ambitious creature who had little sympathy for her predecessor's child,
and no scruple in showing it.

Then, at college, he had met Robert Underwood, the popular upper-class
man, who had professed to take a great fancy to him. He, a timid young
freshman, was naturally flattered by the friendship of the dashing,
fascinating sophomore and thus commenced that unfortunate intimacy which
had brought about the climax to his troubles. The suave, amiable
Underwood, whom he soon discovered to be a gentlemanly scoundrel,
borrowed his money and introduced him into the "sporty" set, an
exclusive circle into which, thanks to his liberal allowance from home,
he was welcomed with open arms. With a youth of his proclivities and
inherent weakness the outcome was inevitable. At no time overfond of
study, he regarded residence in college as a most desirable emancipation
from the restraint of home life. The love of books he considered a pose
and he scoffed at the men who took their reading seriously. The
university attracted him mostly by its most undesirable features, its
sports, its secret societies, its petty cliques, and its rowdyism. The
broad spirit and the dignity of the _alma mater_ he ignored completely.
Directly he went to Yale he started in to enjoy himself and with the
sophisticated Underwood as guide, went to the devil faster than any man
before him in the entire history of the university.

Reading, attendance at lectures, became only a convenient cloak to
conceal his turpitudes. Poker playing, automobile joy rides, hard
drinking became the daily curriculum. In town rows and orgies of every
description he was soon a recognized leader. Scandal followed scandal
until he was threatened with expulsion. Then his father heard of it and
there was a terrible scene. Jeffries, Sr., went immediately to New
Haven and there followed a stormy interview in which Howard promised to
reform, but once the parent's back was turned things went on pretty much
as before. There were fresh scandals, the smoke of which reached as far
as New York. This time Mr. Jeffries tried the plan of cutting down the
money supply and Howard found himself financially embarrassed. But this
had not quite the effect desired by the father, for, rendered desperate
by his inability to secure funds with which to carry on his sprees, the
young man started in to gamble heavily, giving notes for his losses and
pocketing the ready money when he won.

Then came the supreme scandal which turned his father's heart to steel.
Jeffries, Sr., could forgive much in a young man. He had been young
himself once. None knew better than he how difficult it is when the
blood is rich and red to keep oneself in control. But there was one
offence which a man proud of his descent could not condone. He would
never forgive the staining of the family name by a degrading marriage.
The news came to the unhappy father like a thunder-clap. Howard,
probably in a drunken spree, had married secretly a waitress employed in
one of the "sporty" restaurants in New Haven, and to make the
mésalliance worse, the girl was not even of respectable parents. Her
father, Billy Delmore, the pool-room king, was a notorious gambler and
had died in convict stripes. Fine sensation that for the yellow press.
"Banker's Son Weds Convict's Daughter." So ran the "scare heads" in the
newspapers. That was the last straw for Mr. Jeffries, Sr. He sternly
told his son that he never wanted to look upon his face again. Howard
bowed his head to the decree and he had never seen his father since.

All this the young man was reviewing in his mind when suddenly his
reflections were disturbed by a friendly hail.

"Hello, Jeffries, old sport! Don't you know a fellow frat when you see
him?"

He looked up. A young man of athletic build, with a pleasant, frank
face, was standing at the news stand under the Park Place elevated
station. Quickly Howard extended his hand.

"Hello, Coxe!" he exclaimed. "What on earth are you doing in New York?
Whoever would have expected to meet you in this howling wilderness?
How's everything at Yale?"

The athlete grinned.

"Yale be hanged! I don't care a d----. You know I graduated last June. I'm
in business now--in a broker's office in Wall Street. Say, it's great!
We had a semi-panic last week. Prices went to the devil. Stocks broke
twenty points. You should have seen the excitement on the Exchange
floor. Our football rushes were nothing to it. I tell you, it's great.
It's got college beaten to a frazzle!" Quickly he added: "What are you
doing?"

Howard averted his eyes and hung his head.

"Nothing," he answered gloomily.

Coxe had quickly taken note of his former classmate's shabby appearance.
He had also heard of his escapades.

"Didn't you hear?" muttered Howard. "Row with governor, marriage and all
that sort of thing?

"Of course," he went on, "father's damnably unjust, actuated by absurd
prejudice. Annie's a good girl and a good wife, no matter what her
father was. D----n it, this is a free country! A man can marry whom he
likes. All these ideas about family pride and family honor are
old-world notions, foreign to this soil. I'm not going to give up Annie
to please any one. I'm as fond of her now as ever. I haven't regretted a
moment that I married her. Of course, it has been hard. Father at once
shut down money supplies, making my further stay at Yale impossible, and
I was forced to come to New York to seek employment. We've managed to
fix up a small flat in Harlem and now, like Micawber, I'm waiting for
something to turn up."

Coxe nodded sympathetically.

"Come and have a drink," he said cheerily.

Howard hesitated. Once more he remembered his promise to Annie, but as
long as he had broken it once he would get no credit for refusing now.
He was horribly thirsty and depressed. Another drink would cheer him up.
It seemed even wicked to decline when it wouldn't cost him anything.

They entered a bar conveniently close at hand, and with a tremulous hand
Howard carried greedily to his lips the insidious liquor which had
undermined his health and stolen away his manhood.

"Have another?" said Coxe with a smile as he saw the glass emptied at a
gulp.

"I don't care if I do," replied Howard. Secretly ashamed of his
weakness, he shuffled uneasily on his feet.

"Well, what are you going to do, old man?" demanded Coxe as he pushed
the whiskey bottle over.

"I'm looking for a job," stammered Howard awkwardly. Hastily he went on:
"It isn't so easy. If it was only myself I wouldn't mind. I'd get along
somehow. But there's the little girl. She wants to go to work, and I
won't hear of it. I couldn't stand for that, you know."

Coxe feared a "touch." Awkwardly he said:

"I wish I could help you, old man. As it is, my own salary barely serves
to keep me in neckwear. Wall Street's great fun, but it doesn't pay
much; that is, not unless you play the game yourself."

Howard smiled feebly as he replied:

"Nonsense--I wouldn't accept help of that sort. I'm not reduced to
soliciting charity yet. I guess I'd prefer the river to that. But if you
hear of anything, keep me in mind."

The athlete made no response. He was apparently lost in thought when
suddenly he blurted out:

"Say, Jeffries, you haven't got any money, have you--say a couple of
thousand dollars?"

Howard stared at the questioner as if he doubted his sanity.

"Two thousand dollars!" he gasped. "Do you suppose that I'd be wearing
out shoe leather looking for a job, if I had two thousand dollars?"

Coxe looked disappointed as he replied:

"Oh, of course, I understand you haven't it on you, only I thought you
might be able to raise it."

"Why do you ask?" inquired Howard, his curiosity aroused.

Coxe looked around to see if any one was listening. Then in a whisper he
said:

"It's a cinch. If you had $2,000, you and I could make a snug little
fortune. Don't you understand? In my office I get tips. I'm on the
inside. I know in advance what the big men are going to do. When they
start to move a certain stock up, I'm on the job. Understand? If you had
$2,000, I could raise as much, and we'd pool our capital, starting in
the business ourselves--on a small scale, of course. If we hit it right
we might make a nice income."

Howard's mouth watered. Certainly that was the kind of life he liked
best. The feverish excitement of gambling, the close association with
rich men, the promise of a luxurious style of living--all this appealed
to him strongly. But what was the use? Where could he get $2,000? He
couldn't go to his father. He shook his head.

"I'm afraid not, old sport," he said as they left the saloon and he held
out his hand to say good-by. "But I'll bear it in mind, and if things
improve, I'll look you up. So long!"

Climbing wearily up the dirty stairs of the elevated railroad, he bought
a ticket with one of the few nickels remaining in his pocket, and taking
a seat in a northbound train started on his trip back to Harlem.

The day was overcast, rain threatened. A pall of mingled smoke and mist
hung over the entire city. From the car window as the train wound its
serpentine course in and out the maze of grimy offices, shops and
tenements, everything appeared drab, dirty and squalid. New York was
seen at its ugliest. Ensconced in a cross-seat, his chin leaning heavily
on his hand, Howard gazed dejectedly out of the window. The depressing
outlook was in keeping with his own state of mind.

How would the adventure end? Reconciliation with his father was out of
the question. Letters sent home remained without response. He wasn't
surprised. He knew his pater too well to expect that he would relent so
soon. Besides, if the old man were so infernally proud, he'd show him he
had some pride too. He'd drown himself before he'd go down on his knees,
whining to be forgiven. His father was dead wrong, anyway. His marriage
might have been foolish; Annie might be beneath him socially. She was
not educated and her father wasn't any better than he ought to be. She
did not talk correctly, her manners left much to be desired, at times he
was secretly ashamed of her. But her bringing up was her misfortune, not
her fault. The girl herself was straight as a die. She had a heart of
gold. She was far more intelligent, far more likely to make him a happy
home than some stuck-up, idle society girl who had no thought for
anything save money, dress and show. Perhaps if he had been less
honorable and not married her, his father would have thought more
highly of him. If he'd ruined the girl, no doubt he would have been
welcomed home with open arms. Pshaw! He might be a poor, weak fool, but,
thank God, they couldn't reproach him with that. Annie had been loyal to
him throughout. He'd stick to her through thick and thin.

As the train swept round the curve at 53d Street and started on its
long, straight run up the West Side, his mind reverted to Robert
Underwood. He had seen his old associate only once since leaving
college. He ran across him one day on Fifth Avenue. Underwood was coming
out of a curio shop. He explained hurriedly that he had left Yale and
when asked about his future plans talked vaguely of going in for art.
His manner was frigid and nervous--the attitude of the man who fears he
may be approached for a small loan. He was evidently well aware of the
change in his old associate's fortunes and having squeezed all he could
out of him, had no further use for him. It was only when he had
disappeared that Howard suddenly remembered a loan of $250 which
Underwood had never repaid. Some time later Howard learned that he
occupied apartments at the exclusive and expensive Astruria where he
was living in great style. He went there determined to see him and
demand his money, but the card always came back "not at home."

Underwood had always been a mystery to Howard. He knew him to be an
inveterate gambler and a man entirely without principle. No one knew who
his family were or where he came from. His source of income, too, was
always a puzzle. At college he was always hard up, borrowing right and
left and forgetting to pay, yet he always succeeded in living on the fat
of the land. His apartments in the Astruria cost a small fortune; he
dressed well, drove a smart turnout and entertained lavishly. He was not
identified with any particular business or profession. On leaving
college he became interested in art. He frequented the important art
sales and soon got his name in the newspapers as an authority on art
matters. His apartment was literally a museum of European and Oriental
art. On all sides were paintings by old masters, beautiful rugs,
priceless tapestries, rare ceramics, enamels, statuary, antique
furniture, bronzes, etc. He passed for a man of wealth, and mothers with
marriageable daughters, considering him an eligible young bachelor,
hastened to invite him to their homes, none of them conscious of the
danger of letting the wolf slip into the lambs' fold.

What a strange power of fascination, mused Howard as the train jogged
along, men of Underwood's bold and reckless type wield, especially over
women. Their very daring and unscrupulousness seems to render them more
attractive. He himself at college had fallen entirely under the man's
spell. There was no doubt that he was responsible for all his troubles.
Underwood possessed the uncanny gift of being able to bend people to his
will. What a fool he had made of him at the university! He had been his
evil genius, there was no question of that. But for meeting Underwood he
might have applied himself to serious study, left the university with
honors and be now a respectable member of the community. He remembered
with a smile that it was through Underwood that he had met his wife.
Some of the fellows hinted that Underwood had known her more intimately
than he had pretended and had only passed her on to him because he was
tired of her. He had nailed that as a lie. Annie, he could swear, was as
good a girl as ever breathed.

He couldn't explain Underwood's influence over him. He had done with him
what he chose. He wondered why he had been so weak, why he had not tried
to resist. The truth was Underwood exercised a strange, subtle power
over him. He had the power to make him do everything he wanted him to
do, no matter how foolish or unreasonable the request. Every one at
college used to talk about it. One night Underwood invited all his
classmates to his rooms and made him cut up all kinds of capers. He at
first refused, point blank--but Underwood got up and, standing directly
in front of him, gazed steadily into his eyes. Again he commanded him to
do these ridiculous, degrading things. Howard felt himself weakening. He
was suddenly seized with the feeling that he must obey. Amid roars of
laughter he recited the entire alphabet standing on one leg, he crowed
like a rooster, he hopped like a toad, and he crawled abjectly on his
belly like a snake. One of the fellows told him afterward that he had
been hypnotized. He had laughed at it then as a good joke, but now he
came to think of it, perhaps it was true. Possibly he was a subject.
Anyway he was glad to be rid of Underwood and his uncanny influence.

The train stopped with a jerk at his station and Howard rode down in the
elevator to the street Crossing Eighth Avenue, he was going straight
home when suddenly he halted. The glitter and tempting array of bottles
in a corner saloon window tempted him. He suddenly felt that if there
was one thing he needed in the world above all others it was another
drink. True, he had had more than enough already. But that was Coxe's
fault. He had invited him and made him drink. There couldn't be any harm
in taking another. He might as well be hanged for a sheep as a lamb. By
the time he emerged from the saloon his speech was thick and his step
uncertain. A few minutes later he was painfully climbing up the rickety
stairs of a cheap-looking flat house. As he reached the top floor a
cheerful voice called out:

"Is that you, Howard, dear?"




CHAPTER II.


A young woman hurried out of one of the apartments to greet Howard. She
was a vivacious brunette of medium height, intelligent looking, with
good features and fine teeth. It was not a doll face, but the face of a
woman who had experienced early the hard knocks of the world, yet in
whom adversity had not succeeded in wholly subduing a naturally buoyant,
amiable disposition. There was determination in the lines above her
mouth. It was a face full of character, the face of a woman who by sheer
dint of dogged perseverance might accomplish any task she cared to set
herself. A smile of welcome gleamed in her eyes as she inquired eagerly:

"Well, dear, anything doing?"

Howard shook his head for all response and a look of disappointment
crossed the young wife's face.

"Say, that's tough, ain't it?" she exclaimed. "The janitor was here
again for the rent. He says they'll serve us with a dispossess. I told
him to chase himself, I was that mad."

Annie's vocabulary was emphatic, rather than choice. Entirely without
education, she made no pretense at being what she was not and therein
perhaps lay her chief charm. As Howard stooped to kiss her, she said
reproachfully:

"You've been drinking again, Howard. You promised me you wouldn't."

The young man made no reply. With an impatient gesture he passed on into
the flat and flung himself down in a chair in the dining room. From the
adjoining kitchen came a welcome odor of cooking.

"Dinner ready?" he demanded. "I'm devilish hungry."

"Yes, dear, just a minute," replied his wife from the kitchen. "There's
some nice Irish stew, just what you like."

The box-like hole where Howard sat awaiting his meal was the largest
room in a flat which boasted of "five and bath." There was a bedroom of
equally diminutive proportions and a parlor with wall paper so loud that
it talked. There was scarcely enough room to swing a cat around. The
thin walls were cracked, the rooms were carpetless. Yet it showed the
care of a good housekeeper. Floors and windows were clean, the cover on
the table spotless. The furnishings were as meagre as they were
ingenious. With their slender purse they had been able to purchase only
the bare necessities--a bed, a chair or two, a dining-room table, a few
kitchen utensils. When they wanted to sit in the parlor they had to
carry a chair from the dining room; when meal times came the chairs had
to travel back again. A soap box turned upside down and neatly covered
with chintz did duty as a dresser in the bedroom, and with a few
photographs and tacks they had managed to impart an æsthetic appearance
to the parlor. This place cost the huge sum of $25 a month. It might
just as well have cost $100 for all Howard's ability to pay it. The past
month's rent was long overdue and the janitor looked more insolent every
day. But they did not care. They were young and life was still before
them.

Presently Annie came in carrying a steaming dish of stew, which she laid
on the table. As she helped Howard to a plate full she said: "So you had
no luck again this morning?"

Howard was too busy eating to answer. As he gulped down a huge piece of
bread, he growled:

"Nothing, as usual--same old story, nothing doing."

Annie sighed. She had been given this answer so often that it would have
surprised her to hear anything else. It meant that their hard
hand-to-mouth struggle must go on. She said nothing. What was the use?
It would never do to discourage Howard. She tried to make light of it.

"Of course it isn't easy, I quite understand that. Never mind, dear.
Something will turn up soon. Where did you go? Whom did you see? Why
didn't you let drink alone when you promised me you would?"

"That was Coxe's fault," blurted out Howard, always ready to blame
others for his own shortcomings. "You remember Coxe! He was at Yale when
I was. A big, fair fellow with blue eyes. He pulled stroke in the
'varsity boat race, you remember?"

"I think I do," replied his wife, indifferently, as she helped him to
more stew. "What did he want? What's he doing in New York?"

"He's got a fine place in a broker's office in Wall Street. I felt
ashamed to let him see me low down like this. He said that I could make
a good deal of money if only I had a little capital. He knows everything
going on in Wall Street. If I went in with him I'd be on Easy Street."

"How much would it require?"

"Two thousand dollars."

The young wife gave a sigh as she answered:

"I'm afraid that's a day dream. Only your father could give you such an
amount and you wouldn't go to him, would you?"

"Not if we hadn't another crust in the house," snapped Howard savagely.
"You don't want me to, do you?" he asked looking up at her quickly.

"No, dear," she answered calmly. "I have certainly no wish that you
should humble yourself. At the same time I am not selfish enough to want
to stand in the way of your future. Your father and stepmother hate me,
I know that. I am the cause of your separation from your folks. No doubt
your father would be very willing to help you if you would consent to
leave me."

Howard laughed as he replied:

"Well, if that's the price for the $2,000 I guess I'll go without it. I
wouldn't give you up for a million times $2,000!"

Annie stretched her hand across the table.

"Really," she said.

"You know I wouldn't Annie," he said earnestly. "Not one second have I
ever regretted marrying you--that's honest to God!"

A faint flush of pleasure lit up the young wife's face. For all her
assumed lightheartedness she was badly in need of this reassurance. If
she thought Howard nourished secret regrets it would break her heart.
She could stand anything, any hardship, but not that. She would leave
him at once.

In a way she held herself responsible for his present predicament. She
had felt a deep sense of guilt ever since that afternoon in New Haven
when, listening to Howard's importunities and obeying an impulse she
was powerless to resist, she had flung aside her waitress's apron,
furtively left the restaurant and hurried with him to the minister who
declared them man and wife.

Their marriage was a mistake, of course. Howard was in no position to
marry. They should have waited. They both realized their folly now. But
what was done could not be undone. She realized, too, that it was worse
for Howard than it was for her. It had ruined his prospects at the
outset of his career and threatened to be an irreparable blight on his
entire life. She realized that she was largely to blame. She had done
wrong to marry him and at times she reproached herself bitterly. There
were days when their union assumed in her eyes the enormity of a crime.
She should have seen what a social gulf lay between them. All these
taunts and insults from his family which she now endured she had
foolishly brought upon her own head. But she had not been able to resist
the temptation. Howard came into her life when the outlook was dreary
and hopeless. He had offered to her what seemed a haven against the
cruelty and selfishness of the world. Happiness for the first time in
her life seemed within reach and she had not the moral courage to say
"No."

If Annie had no education she was not without brains. She had sense
enough to realize that her bringing up or the lack of it was an
unsurmountable barrier to her ever being admitted to the inner circle of
Howard's family. If her husband's father had not married again the
breach might have been crossed in time, but his new wife was a prominent
member of the smart set, a woman full of aristocratic notions who
recoiled with horror at having anything to do with a girl guilty of the
enormity of earning her own living. Individual merit, inherent nobility
of character, amiability of disposition, and a personal reputation
untouched by scandal--all this went for nothing--because unaccompanied
by wealth or social position. Annie had neither wealth or position. She
had not even education. They considered her common, impossible. They
were even ready to lend an ear to certain ugly stories regarding her
past, none of which were true. After their marriage, Mr. Jeffries, Sr.,
and his wife absolutely refused to receive her or have any communication
with her whatsoever. As long, therefore, as Howard remained faithful to
her, the breach with his family could never be healed.

"Have some more stew, dear," she said, extending her hand for her
husband's plate.

Howard shook his head and threw down his knife and fork.

"I've had enough," he said despondently. "I haven't much appetite."

She looked at him with concern.

"Poor boy, you're tired out!"

As she noted how pale and dejected he appeared, her eyes filled with
sympathetic tears. She forgot the appalling number of cigarettes he
smoked a day, nor did she realize how abuse of alcohol had spoiled his
stomach for solid food.

"I wish I knew where to go and get that $2,000," muttered Howard, his
mind still preoccupied with Coxe's proposition. Lighting another
cigarette, he leaned back in his chair and lapsed into silence.

Annie sat and watched him, wishing she could suggest some way to solve
the problem that troubled him. She loved her husband with all her heart
and soul. His very weakness of character endeared him the more to her.
She was not blind to his faults, but she excused them. His vices, his
drinking, cigarette smoking and general shiftlessness were, she argued,
the result of bad associates. He was self-indulgent. He made good
resolutions and broke them. But he was not really vicious. He had a good
heart. With some one to watch him and keep him in the straight path, he
would still give a good account of himself to the world. She was
confident of that. She recognized many excellent qualities in him. They
only wanted fostering and bringing out. That was why she married him.
She was a few years his senior; she felt that she was the stronger
mentally. She considered it was her duty to devote her life to him, to
protect him from himself and make a man of him.

It was not her fault, she mused, if she were not a lady. Literally
brought up in the gutter, what advantages had she had? Her mother died
in childbirth and her father, a professional gambler, abandoned the
little girl to the tender mercies of an indifferent neighbor. When she
was about eight years old her father was arrested. He refused to pay
police blackmail, was indicted, railroaded to prison and died soon after
in convict stripes. There was no provision for Annie's maintenance, so
at the age of nine she found herself toiling in a factory, a helpless
victim of the brutalizing system of child slavery which in spite of
prohibiting laws still disgraces the United States. Ever since that time
she had earned her own living. The road had often been hard, there were
times when she thought she would have to give up the fight, other girls
she had met had hinted at an easier way of earning one's living, but she
had kept her courage, refused to listen to evil counsel and always
managed to keep her name unsullied. She left the factory to work behind
the counter in a New York dry goods store. Then about a year ago she
drifted to New Haven and took the position of waitress at the restaurant
which the college boys patronized.

Robert Underwood was among the students who came almost every day. He
made love to her from the start, and one day attempted liberties which
she was prompt to resent in a way he did not relish. After that he let
her alone. She never liked the man. She knew him to be unprincipled as
well as vicious. One night he brought Howard Jeffries to the restaurant.
They seemed the closest of cronies and she was sorry to see what bad
influence the elder sophomore had over the young freshman, to whom she
was at once attracted. Every time they came she watched them and she
noticed how under his mentor Howard became more hardened. He drank more
and more and became a reckless gambler. Underwood seemed to exercise a
baneful spell over him. She saw that he would soon be ruined with such a
man as Underwood for a constant companion. Her interest in the young
student grew. They became acquainted and Howard, not realizing that she
was older than he, was immediately captivated by her vivacious charm and
her common-sense views. They saw each other more frequently and their
friendship grew until one day Howard asked her to marry him.

While she sometimes blamed herself for having listened too willingly to
Howard's pleadings, she did not altogether regret the step she had
taken. It was most unfortunate that there must be this rupture with his
family, yet something within told her that she was doing God's
work--saving a man's soul. Without her, Howard would have gone swiftly
to ruin, there was little doubt of that. His affection for her had
partly, if not wholly, redeemed him and was keeping him straight. He had
been good to her ever since their marriage and done everything to make
her comfortable. Once he took a position as guard on the elevated road,
but caught cold and was forced to give it up. She wanted to go to work
again, but he angrily refused. That alone showed that he was not
entirely devoid of character. He was unfortunate at present and they
were poor, but by dint of perseverance he would win out and make a
position for himself without his father's help. These were their darkest
days, but light was ahead. As long as they loved each other and had
their health what more was necessary?

"Say, Annie, I have an idea," suddenly blurted out Howard.

"What is it, dear?" she asked, her reveries thus abruptly interrupted.

"I mean regarding that $2,000. You know all about that $250 which I once
lent Underwood. I never got it back, although I've been after him many
times for it. He's a slippery customer. But under the circumstances I
think it's worth another determined effort. He seems to be better fixed
now than he ever was. He's living at the Astruria, making a social
splurge and all that sort of thing. He must have money. I'll try to
borrow the $2,000 from him."

"He certainly appears to be prosperous," replied Annie. "I see his name
in the newspapers all the time. There is hardly an affair at which he is
not present."

"Yes," growled Howard; "I don't see how he does it. He travels on his
cheek, principally, I guess. His name was among those present at my
stepmother's musicale the other night." Bitterly he added: "That's how
the world goes. There is no place for me under my father's roof, but
that blackguard is welcomed with open arms!"

"I thought your father was such a proud man," interrupted Annie. "How
does he come to associate with people like Underwood?"

"Oh, pater's an old dolt!" exclaimed Howard impatiently. "There's no
fool like an old fool. Of course, he's sensible enough in business
matters. He wouldn't be where he is to-day if he weren't. But when it
comes to the woman question he's as blind as a bat. What right had a
man of his age to go and marry a woman twenty years his junior? Of
course she only married him for his money. Everybody knows that except
he. People laugh at him behind his back. Instead of enjoying a quiet,
peaceful home in the declining years of his life, he is compelled to
keep open house and entertain people who are personally obnoxious to
him, simply because that sort of life pleases his young wife."

"Who was she, anyway, before their marriage?" interrupted Annie.

"Oh, a nobody," he replied. "She was very attractive looking, dressed
well and was clever enough to get introductions to good people. She
managed to make herself popular in the smart set and she needed money to
carry out her social ambitions. Dad--wealthy widower--came along and she
caught him in her net, that's all!"

Annie listened with interest. She was human enough to feel a certain
sense of satisfaction on hearing that this woman who treated her with
such contempt was herself something of an intriguer.

"How did your stepmother come to know Robert Underwood?" she asked. "He
was never in society."

"No," replied Howard with a grin. "It was my stepmother who gave him the
entrée. You know she was once engaged to him, but broke it off so she
could marry Dad. He felt very sore over it at the time, but after her
marriage he was seemingly as friendly with her as ever--to serve his own
ends, of course. It is simply wonderful what influence he has with her.
He exercises over her the same fascination that he did over me at
college. He has sort of hypnotized her. I don't think it's a case of
love or anything like that, but he simply holds her under his thumb and
gets her to do anything he wants. She invites him to her house,
introduces him right and left, got people to take him up. Everybody
laughs about it in society. Underwood is known as Mrs. Howard Jeffries'
pet. Such a thing soon gets talked about. That is the secret of his
successful career in New York. As far as I know, she's as much
infatuated with him as ever."

A look of surprise came into Annie's face. To this young woman, whose
one idea of matrimony was steadfast loyalty to the man whose life she
shared and whose name she bore, there was something repellent and
nauseating in a woman permitting herself to be talked about in that way.

"Doesn't your father object?" she asked.

"Pshaw!" laughed Howard. "He doesn't see what's going on under his very
nose. He's too proud a man, too sure of his own good judgment, to
believe for a moment that the woman to whom he gave his name would be
guilty of the slightest indiscretion of that kind."

Annie was silent for a minute. Then she said:

"What makes you think that Underwood would let you have the money?"

"Because I think he's got it. I obliged him once in the same way myself.
I would explain to him what I want it for. He will see at once that it
is a good thing. I'll offer him a good rate of interest, and he might be
very glad to let me have it. Anyhow, there's no harm trying."

Annie said nothing. She did not entirely approve this idea of her
husband trying to borrow money of a man in whom his stepmother was so
much interested. On the other hand starvation stared them in the face.
If Howard could get hold of this $2,000 and start in the brokerage
business it might be the beginning of a new life for them.

"Well, do as you like, dear," she said. "When will you go to him?"

"The best time to catch him would be in the evening," replied Howard.

"Well, then, go to-night," she suggested.

Howard shook his head.

"No, not to-night. I don't think I should find him in. He's out every
night somewhere. To-night there's another big reception at my father's
house. He'll probably be there. I think I'll wait till to-morrow night.
I'm nearly sure to catch him at home then."

Annie rose and began to remove the dishes from the table. Howard
nonchalantly lighted another cigarette and, leaving the table, took up
the evening newspaper. Sitting down comfortably in a rocker by the
window, he blew a cloud of blue smoke up in the air and said:

"Yes, that's it--I'll go to-morrow night to the Astruria and strike Bob
Underwood for that $2,000."




CHAPTER III.


The handsome town house of Howard Jeffries, the well-known banker, on
Riverside Drive, was one of the most striking among the many imposing
millionaire homes that line the city's splendid water front. Houses
there were in the immediate proximity which were more showy and had cost
more money, but none as completely satisfying from the art lover's
standpoint. It was the home of a man who studied and loved the beautiful
for its own sake and not because he wanted to astonish people with what
miracles his money could work. Occupying a large plot on slightly
elevated ground, the house commanded a fine view of the broad Hudson.
Directly opposite, across the river, busy with steam and sailing craft,
smiled the green slopes of New Jersey; in the purplish north frowned the
jagged cliffs of the precipitous Palisades.

The elder Jeffries, aristocratic descendant of an old Knickerbocker
family, was proud of his home and had spent large sums of money in
beautifying it. Built in colonial style of pure white marble with long
French windows and lofty columns supporting a flat, rounded roof,
surrounded by broad lawns, wide-spreading shade trees and splashing
fountains, it was a conspicuous landmark for miles. The interior was
full of architectural beauty. The stately entrance hall, hung with
ancestral portraits, was of noble proportions and a superb staircase,
decorated with statuary led off to tastefully decorated reception rooms
above. To-night the house was brilliantly illuminated and there was
considerable activity at the front entrance, where a footman in smart
livery stood opening the doors of the carriages as they drove up in
quick succession.

Mrs. Jeffries' musicales were always largely attended because she knew
the secret of making them interesting. Her husband's wealth and her fine
house enabled her to entertain on a liberal scale, and she was a tactful
and diplomatic hostess as well. She not only cultivated the right kind
of people who were congenial to each other, but she always managed to
have some guest of special distinction whom every one was eager to meet.
Her own wide acquaintance among the prominent operatic artists and her
husband's influential position in the world of finance made this policy
an easy way of furthering her social ambitions. She would always invite
some one whom she could present as the lion of the evening. One week it
would be a tenor from the opera house, another time a famous violinist.
In this way she managed to create a little artistic salon on the lines
of the famous political salons in which the brilliant women of the
eighteenth century moulded public opinion in France.

Alicia knew she was clever and as she stood admiring herself in front of
a full length mirror while awaiting the arrival of her guests she
congratulated herself that she had made a success of her life. She had
won those things which most women hold dear--wealth and social position.
She had married a man she did not love, it was true, but other women had
done that before her. If she had not brought her husband love she at
least was not a wife he need be ashamed of. In her Paquin gown of gold
cloth with sweeping train and a jeweled tiara in her hair, she
considered herself handsome enough to grace any man's home. It was
indeed a beauty which she saw in the mirror--the face of a woman not
yet thirty with the features regular and refined. The eyes were large
and dark and the mouth and nose delicately moulded. The face seemed
academically perfect, all but the expression. She had a cold,
calculating look, and a cynic might have charged her with being
heartless, of stopping at nothing to gain her own ends.

To-night Alicia had every reason to feel jubilant. She had secured a
social lion that all New York would talk about--no less a person than
Dr. Bernstein, the celebrated psychologist, the originator of the theory
of scientific psychology. Everything seemed to go the way she wished;
her musicales were the talk of the town; her husband had just presented
her with the jeweled tiara which now graced her head; there seemed to be
nothing in the world that she could not enjoy.

Yet she was not happy, and as she gazed at the face reflected before her
in the glass she wondered if the world guessed how unhappy she was. She
knew that by her own indiscretion she was in danger of losing all she
had won, her position in society, her place in the affections of her
husband, everything.

When she married Mr. Jeffries it was with deliberate calculation. She
did not love him, but, being ambitious, she did not hesitate to deceive
him. He was rich, he could give her that prominent position in society
for which she yearned. The fact that she was already engaged to a man
for whom she did care did not deter her for a moment from her set
purpose. She had met Robert Underwood years before. He was then a
college boy, tall, handsome, clever. She fell in love with him and they
became engaged. As she grew more sophisticated she saw the folly of
their youthful infatuation. Underwood was without fortune, his future
uncertain. What position could she possibly have as his wife? While in
this uncertain state of mind she met Mr. Jeffries, then a widower, at a
reception. The banker was attracted to her and being a business man he
did things quickly. He proposed and was accepted, all in the brief time
of--five minutes. Robert Underwood and the romance of her girlhood were
sacrificed without question when it came to reaching a prompt decision.
She wrote Underwood a brief letter of farewell, telling him that the
action she had taken was really for the best interests of them both.
Underwood made no reply and for months did not attempt to go near her.
Then he met her in public. There was a reconciliation. He exerted the
old spell--on the married woman. Cold and indifferent to her husband,
Alicia found it amusing to have her old lover paying her court and the
danger of discovery only gave the intrigue additional zest and charm.
She did not lead Underwood to believe that he could induce her to forget
her duty to Mr. Jeffries, but she was foolish enough to encourage a
dangerous intimacy. She thought she was strong enough to be able to call
a halt whenever she would be so disposed, but as is often the case she
overestimated her powers. The intimacy grew. Underwood became bolder,
claiming and obtaining special privileges. He soon realized that he had
the upper hand and he traded on it. Under her patronage he was invited
everywhere. He practically lived on her friends. He borrowed their money
and cheated them at cards. His real character was soon known to all, but
no one dared expose him for fear of offending the influential Mrs.
Jeffries. Realizing this, Underwood continued his depredations until he
became a sort of social highwayman. He had no legitimate source of
income, but he took a suite of apartments at the expensive Astruria and
on credit furnished them so gorgeously that they became the talk of the
town. The magazines and newspapers devoted columns to the magnificence
of their furnishings and the art treasures they contained. Art dealers
all over the country offered him liberal commissions if he would dispose
of expensive _objets d'art_ to his friends. He entered in business
relation with several firms and soon his rooms became a veritable bazaar
for art curios of all kinds. Mrs. Jeffries' friends paid exorbitant
prices for some of the stuff and Underwood pocketed the money,
forgetting to account to the owners for the sums they brought. The
dealers demanded restitution or a settlement and Underwood, dreading
exposure, had to hustle around to raise enough money to make up the
deficiency in order to avoid prosecution. In this way he lived from day
to day borrowing from Peter to settle with Paul, and on one or two
occasions he had not been ashamed to borrow from Mrs. Jeffries herself.

Alicia lent the money more because she feared ridicule than from any
real desire to oblige Underwood. She had long since become disgusted
with him. The man's real character was now plainly revealed to her. He
was an adventurer, little better than a common crook. She congratulated
herself on her narrow escape. Suppose she had married him--the horror of
it! Yet the next instant she was filled with consternation. She had
allowed him to become so intimate that it was difficult to break off
with him all at once. She realized that with a man of that character the
inevitable must come. There would be a disgraceful scandal. She would be
mixed up in it, her husband's eyes would be opened to her folly, it
might ruin her entire life. She must end it now--once for all. She had
already given him to understand that their intimacy must cease. Now he
must stop his visits to her house and desist from trapping her friends
into his many schemes. She had written him that morning forbidding him
to come to the house this evening. She was done with him forever.

These thoughts were responsible for the frown on the beautiful Mrs.
Jeffries' bejeweled brow that particular Saturday evening. Alicia gave a
sigh and was drawing on her long kid gloves before the glass, when
suddenly a maid entered and tendered her mistress a note. Alicia knew
the handwriting only too well. She tore the letter open and read:

     DEAR MRS. JEFFRIES: I received your letter telling me that my
     presence at your house to-night would be distasteful to you. As you
     can imagine, it was a great shock. Don't you understand the harm
     this will do me? Everybody will notice my absence. They will jump
     to the conclusion that there has been a rupture, and my credit will
     suffer immediately with your friends. I cannot afford to let this
     happen now. My affairs are in such condition that it will be fatal
     to me. I need your support and friendship more than ever. I have
     noticed for some time that your manner to me has changed. Perhaps
     you have believed some of the stories my enemies have circulated
     about me. For the sake of our old friendship, Alicia, don't desert
     me now. Remember what I once was to you and let me come to your
     reception to-night. There's a reason why I must be seen in your
     house.

     Yours devotedly,
     ROBERT UNDERWOOD.

Alicia's face flushed with anger. Turning to the maid, she said:
"There's no answer."

The girl was about to close the door when her mistress suddenly recalled
her.

"Wait a minute," she said; "I'll write a line."

Taking from her dainty escritoire a sheet of perfumed notepaper, she
wrote hurriedly as follows:

     "If you dare to come near my house to-night, I will have you put
     out by the servants."

Quickly folding the note, she crushed it into an envelope, sealed it,
handed it to the girl, and said:

"Give that to the messenger."

The servant disappeared and Alicia resumed her work of drawing on her
gloves in front of her mirror. How dare he write her such a letter? Was
her house to be made the headquarters for his swindling schemes? Did he
want to cheat more of her friends? The more she thought of all he had
done, the angrier she became. Her eyes flashed and her bosom heaved with
indignation. She wondered what her husband, the soul of honor, would say
if he suspected that she had permitted a man of Underwood's character to
use his home for his dishonest practices. She was glad she had ended it
now, before it was too late. There might have been a scandal, and that
she must avoid at any cost. Mr. Jeffries, she felt certain, would not
tolerate a scandal of any kind.

All at once she felt something brush her cheek. She turned quickly. It
was her husband, who had entered the room quietly.

"Oh, Howard," she exclaimed peevishly; "how you frightened me! You
shouldn't startle me like that."

A tall, distinguished-looking man with white mustache and pointed beard
stood admiring her in silence. His erect figure, admirably set off in a
well-cut dress coat suggested the soldier.

"What are doing alone here, dear?" he said. "I hear carriages outside.
Our guests are arriving."

"Just thinking, that's all," she replied evasively.

He noticed her preoccupied look and, with some concern, he demanded:

"There's nothing to worry you, is there?"

"Oh, no--nothing like that," she said hastily.

He looked at her closely and she averted her eyes. Mr. Jeffries often
wondered if he had made a mistake. He felt that this woman to whom he
had given his name did not love him, but his vanity as much as his pride
prevented him from acknowledging it, even to himself. After all, what
did he care? She was a companion, she graced his home and looked after
his creature comforts. Perhaps no reasonable man should expect anything
more. Carelessly, he asked:

"Whom do you expect to-night?"

"Oh, the usual crowd," replied Alicia languidly. "Dr. Bernstein is
coming--you know he's quite the rage just now. He has to do with
psychology and all that sort of thing."

"So, he's your lion to-night, is he?" smiled the banker. Then he went
on:

"By the bye, I met Brewster at the club to-night. He promised to drop
in."

Now it was Alicia's turn to smile. It was not everybody who could boast
of having such a distinguished lawyer as Judge Brewster on their calling
lists. To-night would certainly be a success--two lions instead of one.
For the moment she forgot her worry.

"I am delighted that the judge is coming," she exclaimed, her face
beaming. "Every one is talking about him since his brilliant speech for
the defense in that murder case."

The banker noted his wife's beautiful hair and the white transparency of
her skin. His gaze lingered on the graceful lines of her neck and bosom,
glittering with precious stones. An exquisite aroma exuding from her
person reached where he stood. His eyes grew more ardent and, passing
his arm affectionately around her slender waist, he asked:

"How does my little girl like her tiara?"

"It's very nice. Don't you see I'm wearing it to-night?" she replied
almost impatiently and drawing herself away.

Before Mr. Jeffries had time to reply there was a commotion at the other
end of the reception room, where rich tapestries screened off the main
entrance hall. The butler drew the curtains aside.

"Mr. and Mrs. Cortwright," he announced loudly.

Alicia went forward, followed by her husband, to greet her guests.




CHAPTER IV.


The richly decorated reception rooms, brilliantly illuminated with soft
incandescent lights artistically arranged behind banks of flowers, were
filled with people. In the air was the familiar buzz always present in a
room where each person is trying to speak at the same time. On all sides
one heard fragments of inept conversation.

"So good of you to come! How well you're looking, my dear."

"My husband? Oh, he's at the club, playing poker, as usual. He hates
music."

"I've such a terrible cold!"

"Trouble with servants? I should say so. I bounced my cook this
morning."

"Aren't these affairs awefully tiresome?"

"I was so glad to come. I always enjoy your musicales."

"Dr. Bernstein coming? How perfectly delightful. I'll ask him for his
autograph."

"What's psychology?"

"Something to do with religion, I think."

"Haven't we been having dreadful weather?"

"I saw you at the opera."

"Doesn't she look sweet?"

"Oh, I think it's just lovely."

People now arrived in quick succession and, forming little groups, the
room soon presented an animated scene. The women in their smart gowns
and the men in their black coats made a pleasing picture.

"My dear Mrs. Jeffries, how do you do this evening?" exclaimed a rich,
deep voice.

The hostess turned to greet an elderly and distinguished-looking man who
had just entered. Directly he came in voices were hushed, and on every
side one heard the whisper:

"There's Judge Brewster, the famous lawyer."

There was a general craning of necks to catch a glimpse of the eminent
jurist whose brilliant address to the jury in a recent _cause célèbre_
had saved an innocent man from the electric chair.

Richard Brewster was a fine example of the old school statesman-lawyer
of the Henry Clay type. He belonged to that small class of public men
who are independent of all coteries, whose only ambition is to serve
their country well, who know no other duty than that dictated by their
oath and conscience. A brilliant and forceful orator, there was no
office in the gift of the nation that might not have been his for the
asking, but he had no taste for politics. After serving with honor for
some years on the bench he retired into private practice, and thereafter
his name became one to conjure with in the law courts. By sheer power of
his matchless oratory and unanswerable logic he won case after case for
his clients and it is a tribute to his name to record the plain fact
that in all his career he never championed a cause of which he need be
ashamed. Powerful financial interests had attempted to secure his
services by offers of princely retainers, but without success. He fought
the trusts bitterly every time he found them oppressing the people. He
preferred to remain comparatively poor rather than enrich himself at the
price of prostituting his profession.

Alicia advanced with extended hand.

"This is indeed kind, Judge," she exclaimed with a gracious smile. "I
hardly dared hope that my poor musicale would be so honored."

The old lawyer smiled good-humoredly as he replied gallantly:

"I don't know much about music, m'm; I came to see you." Looking around
he added: "You've got a nice place here."

He spoke in his characteristic manner--short, nervous, explosive
sentences, which had often terrified his opponents in court.

"Lawyers are such flatterers," laughed Alicia as she nervously fanned
herself, and looked around to see if her guests were watching.

"Lawyers only flatter when they want to," interrupted grimly Mr.
Jeffries, who had just joined the group.

Alicia turned to greet a new arrival and the lawyer continued chatting
with his host.

"I suppose you'll take a rest now, after your splendid victory," said
the banker.

Judge Brewster shook his head dubiously.

"No, sir, we lawyers never rest. We can't. No sooner is one case
disposed of than another crops up to claim our attention. The trouble
with this country is that we have too much law. If I were to be guilty
of an epigram I would say that the country has so much law that it is
practically lawless."

"So you're preparing another case, eh?" said Mr. Jeffries, interested.
"What is it--a secret?"

"Oh, no!" answered the lawyer, "the newspapers will be full of it in a
day or two. We are going to bring suit against the city. It's really a
test case that should interest every citizen; a protest against the
high-handed actions of the police."

The banker elevated his eyebrows.

"Indeed," he exclaimed. "What have the police been doing now?"

The lawyer looked at his client in surprise.

"Why, my dear sir, you must have seen by the papers what's been going on
in our city of late. The papers have been full of it. Police brutality,
illegal arrests, assaults in station houses, star-chamber methods that
would disgrace the middle ages. A state of affairs exists to-day in the
city of New York which is inconceivable. Here we are living in a
civilized country, every man's liberty is guaranteed by the
Constitution, yet citizens, as they walk our streets, are in greater
peril than the inhabitants of terror-stricken Russia. Take a police
official of Captain Clinton's type. His only notion of the law is brute
force and the night stick. A bully by nature, a man of the coarsest
instincts and enormous physical strength, he loves to play the tyrant.
In his precinct he poses as a kind of czar and fondly imagines he has
the power to administer the law itself. By his brow-beating tactics,
intolerable under Anglo-Saxon government, he is turning our police force
into a gang of ruffians who have the city terror-stricken. In order to
further his political ambitions he stops at nothing. He lets the guilty
escape when influence he can't resist is brought to bear, but in order
to keep up his record with the department he makes arrests without the
slightest justification. To secure convictions he manufactures, with the
aid of his detectives, all kinds of perjured evidence. To paraphrase a
well-known saying, his motto is: 'Convict--honestly, if you can--but
convict.'"

"It is outrageous," said Mr. Jeffries. "No one can approve such methods.
Of course, in dealing with the criminal population of a great city, they
cannot wear kid gloves, but Captain Clinton certainly goes too far. What
is the specific complaint on which the suit is based?"

"Captain Clinton," replied the judge, "made the mistake of persecuting a
young woman who happened to be the daughter of a wealthy client of mine.
One of his detectives arrested her on a charge of shoplifting. The girl,
mind you, is of excellent family and irreproachable character. My client
and his lawyer tried to show Captain Clinton that he had made a serious
blunder, but he brazened it out, claiming on the stand that the girl was
an old offender. Of course, he was forced at last to admit his mistake
and the girl went free, but think of the humiliation and mental anguish
she underwent! It was simply a repetition of his old tactics. A
conviction, no matter at what cost."

"What do you hope to bring about by this suit?"

"Arouse public indignation, and if possible get Captain Clinton
dismissed from the force. His record is none too savory. Charges of
graft have been made against him time and time again, but so far nothing
has been proved. To-day he is a man of wealth on a comparatively small
salary. Do you suppose his money could have come to him honestly?"

In another corner of the salon stood Dr. Bernstein, the celebrated
psychologist, the centre of an excited crowd of enthusiastic admirers.

Alicia approached a group of chattering women. Each was more elaborately
dressed than her neighbor, and loaded down with rare gems. They at once
stopped talking as their hostess came up.

"It was so good of you to come!" said Alicia effusively to a fat woman
with impossible blond hair and a rouged face. "I want to introduce Dr.
Bernstein to you."

"Oh, I shall be delighted," smiled the blonde. Gushingly she added: "How
perfectly exquisite you look to-night, my dear."

"Do you think so?" said Alicia, pleased at the clumsy flattery.

"Your dress is stunning and your tiara simply gorgeous," raved another.

"Your musicales are always so delightful," exclaimed a third.

At that moment Mr. Jeffries caught his wife by the arm and drew her
attention to some newcomers. With a laugh she left the group and
hurried toward the door. Directly she was out of earshot, the three
women began whispering:

"Isn't she terribly overdressed?" exclaimed the blonde. "The cheek of
such a _parvenue_ to wear that tiara."

"Her face is all made up, too," said another.

"These affairs of hers are awfully stupid, don't you think so?" piped
the third.

"Yes, they bore everybody to death," said the blonde. "She's ambitious
and likes to think she is a social leader. I only come here because it
amuses me to see what a fool she makes of herself. Fancy a woman of her
age marrying a man old enough to be her father. By the bye, I don't see
her _beau_ here to-night."

"You mean that scamp, Robert Underwood?"

"Isn't it perfectly scandalous, the way he dances after her? I'm
surprised Mr. Jeffries allows him to come to the house."

"Maybe there's been a row. Perhaps that explains why he's not here
to-night. It's the first time I've known him absent from one of her
musicales."

"He's conspicuous by his absence. Do you know what I heard the other
day? I was told that Underwood had again been caught cheating at cards
and summarily expelled from the club--kicked out, so to speak."

"I'm not at all surprised. I always had my doubts about him. He induced
a friend of mine to buy a picture, and got a tremendous price for it on
the false representation that it was a genuine Corot. My friend found
out afterward that he had been duped. Proceedings were threatened, but
Underwood managed to hush the affair by returning part of the money."

In another part of the room a couple were discussing Mr. Jeffries as he
stood talking with Judge Brewster.

"Did you notice how Mr. Jeffries has aged recently? He no longer seems
the same man."

"No wonder, after all the trouble he's had. Of course you know what a
disappointment his son turned out?"

"A scamp, I understand. Married a chorus girl and all that sort of
thing."

"Not exactly, but almost as bad. The girl was a waitress or something
like that in a restaurant. She's very common; her father died in
prison. You can imagine the blow to old Jeffries. He turned the boy
adrift and left him to shift for himself."

Alicia approached her husband, who was still talking with Judge
Brewster. She was leaning on the arm of a tall, handsome man with a dark
Van Dyke beard.

"Who are you discussing with such interest?" she demanded, as she came
up with her escort.

"We were talking of Captain Clinton and his detestable police methods,"
said the banker.

"Judge," said Alicia, turning to the lawyer, "allow me to introduce Dr.
Bernstein. Doctor, this is Judge Brewster."

The stranger bowed low, as he replied courteously:

"The fame of Judge Brewster has spread to every State in the Union."

A faint smile spread over the face of the famous lawyer as he extended
his hand:

"I've often heard of you, too, doctor. I've been reading with great
interest your book, 'Experimental Psychology.' Do you know," he went on
earnestly, "there's a lot in that. We have still much to learn in that
direction."

"I think," said Dr. Bernstein quietly, "that we're only on the threshold
of wonderful discoveries."

Pleased to find that her two distinguished guests were congenial, Alicia
left them to themselves and joined her other guests.

"Yes," said the lawyer musingly, "man has studied for centuries the
mechanism of the body, but he has neglected entirely the mechanism of
the mind."

Dr. Bernstein smiled approvingly.

"We are just waking up," he replied quickly. "People are beginning to
look upon psychology seriously. Up to comparatively recently the layman
has regarded psychology as the domain of the philosopher and the
dreamer. It did not seem possible that it could ever be applied to our
practical everyday life, but of late we have made remarkable strides.
Although it is a comparatively new science, you will probably be
astonished to learn that there are to-day in the United States fifty
psychological laboratories. That is to say, workshops fully
equipped with every device known for the probing of the human brain.
In my laboratory in California alone I have as many as twenty rooms
hung with electric wires and equipped with all the necessary
instruments--chronoscopes, kymographs, tachistoscopes, and ergographs,
instruments which enable us to measure and record the human brain as
accurately as the Bertillon system."

"Really, you astonish me!" exclaimed the judge. "This is most
interesting. Think of laboratories solely devoted to delving into
mysteries of the human brain! It is wonderful!"

He was silent for a moment, then he said:

"It is quite plain, I think, that psychology can prove most useful in
medicine. It is, I take it, the very foundation of mental healing, but
what else would it do for humanity? For instance, can it help me, the
lawyer?"

Dr. Bernstein smiled.

"You gentlemen of the law have always scoffed at the very suggestion of
bringing psychology to your aid, but just think, sir, how enormously it
might aid you in cross-examining a witness. You can tell with almost
scientific accuracy if the witness is telling lies or the truth, and the
same would be clear to the judge and the jury. Just think how your
powers would be increased if by your skill in psychological observation
you could convince the jury that your client, who was about to be
convicted on circumstantial evidence alone, was really innocent of the
crime of which he was charged. Why, sir, the road which psychology opens
up to the lawyer is well-nigh boundless. Don't you use the Bertillon
system to measure the body? Don't you rely on thumb prints to identify
the hand? How do you know that we psychologists are not able to-day to
test the individual differences of men?"

"In a word," laughed the judge, "you mean that any one trained to read
my mind can tell just what's passing in my brain?"

"Precisely," replied the doctor with a smile; "the psychologist can tell
with almost mathematical accuracy just how your mental mechanism is
working. I admit it sounds uncanny, but it can be proved. In fact, it
has been proved, time and time again."

Alicia came up and took the doctor's arm.

"Oh, Dr. Bernstein," she protested, "I can't allow the judge to
monopolize you in this way. Come with me. I want to introduce you to a
most charming woman who is dying to meet you. She is perfectly crazy on
psychology."

"Don't introduce me to her," laughed the judge. "I see enough crazy
people in the law courts."

Dr. Bernstein smiled and followed his hostess. Judge Brewster turned to
chat with the banker. From the distant music room came the sound of a
piano and a beautiful soprano voice. The rooms were now crowded and
newcomers were arriving each minute. Servants passed in and out serving
iced delicacies and champagne.

Suddenly the butler entered the salon and, quietly approaching Alicia,
handed her a letter. In a low tone, he said:

"This letter has just come, m'm. The messenger said it was very
important and I should deliver it at once."

Alicia turned pale. She instantly recognized the handwriting. It was
from Robert Underwood. Was not her last message enough? How dare he
address her again and at such a time? Retiring to an inner room, she
tore open the envelope and read as follows:

     DEAR MRS. JEFFRIES: This is the last time I shall ever bore you
     with my letters. You have forbidden me to see you again.
     Practically you have sentenced me to a living death, but as I
     prefer death shall not be partial, but full and complete oblivion,
     I take this means of letting you know that unless you revoke your
     cruel sentence of banishment, I shall make an end of it all. I
     shall be found dead, Monday morning, and you will know who is
     responsible. Yours devotedly,

     ROBERT UNDERWOOD.

An angry exclamation escaped Alicia's lips, and crushing the note up in
her hand, she bit her lips till the blood came. It was just as she
feared. The man was desperate. He was not to be got rid of so easily.
How dare he--how dare he? The coward--to think that she could be
frightened by such a threat. What did she care if he killed himself? It
would be good riddance. Yet suppose he was in earnest, suppose he did
carry out his threat? There would be a terrible scandal, an
investigation, people would talk, her name would be mentioned.
No--no--that must be prevented at all costs.

Distracted, not knowing what course to pursue, she paced the floor of
the room. Through the closed door she could hear the music and the
chatter of her guests. She must go to see Underwood at once, that was
certain, and her visit must be a secret one. There was already enough
talk. If her enemies could hear of her visiting him alone in his
apartment that would be the end.

"Yes--I must see him at once. To-morrow is Sunday. He's sure to be home
in the evening. He mentions Monday morning. There will still be time.
I'll go and see him to-morrow."

"Alicia! Alicia!"

The door opened and Mr. Jeffries put his head in.

"What are you doing here, my dear?" he asked. "I was looking everywhere
for you. Judge Brewster wishes to say good night."

"I was fixing my hair, that's all," replied Alicia with perfect
composure.




CHAPTER V.


Among the many huge caravansaries that of recent years have sprung up in
New York to provide luxurious quarters regardless of cost for those who
can afford to pay for the best, none could rival the Astruria in size
and magnificence. Occupying an entire block in the very heart of the
residential district, it took precedence over all the other apartment
hotels of the metropolis as the biggest and most splendidly appointed
hostelry of its kind in the world. It was, indeed, a small city in
itself. It was not necessary for its fortunate tenants to leave it
unless they were so minded. Everything for their comfort and pleasure
was to be had without taking the trouble to go out of doors. On the
ground floor were shops of all kinds, which catered only to the
Astruria's patrons. There were also on the premises a bank, a broker's
office, a hairdresser, and a postal-telegraph office. A special feature
was the garden court, containing over 30,000 square feet of open space,
and tastefully laid out with plants and flowers. Here fountains
splashed and an orchestra played while the patrons lounged on
comfortable rattan chairs or gossiped with their friends. Up on the
sixteenth floor was the cool roof garden, an exquisite bower of palms
and roses artificially painted by a famous French artist, with its
recherché restaurant, its picturesque _tziganes_, and its superb view of
all Manhattan Island.

The Astruria was the last word in expensive apartment hotel building.
Architects declared that it was as far as modern lavishness and
extravagance could go. Its interior arrangements were in keeping with
its external splendor. Its apartments were of noble dimensions, richly
decorated, and equipped with every device, new and old, that modern
science and builders' ingenuity could suggest. That the rents were on a
scale with the grandeur of the establishment goes without saying. Only
long purses could stand the strain. It was a favorite headquarters for
Westerners who had "struck it rich," wealthy bachelors, and successful
actors and opera singers who loved the limelight on and off the stage.

Sunday evening was usually exceedingly quiet at the Astruria. Most of
the tenants were out of town over the week-end, and as the restaurant
and roof garden were only slimly patronized, the elevators ran less
frequently, making less chatter and bustle in corridors and stairways.
Stillness reigned everywhere as if the sobering influence of the Sabbath
had invaded even this exclusive domain of the unholy rich. The uniformed
attendants, having nothing to do, yawned lazily in the deserted halls.
Some even indulged in surreptitious naps in corners, confident that they
would not be disturbed. Callers were so rare that when some one did
enter from the street, he was looked upon with suspicion.

It was shortly after seven o'clock the day following Mrs. Jeffries'
reception when a man came in by the main entrance from Broadway, and
approaching one of the hall boys, inquired for Mr. Robert Underwood.

The boy gave his interlocutor an impudent stare. There was something
about the caller's dress and manner which told him instinctively that he
was not dealing with a visitor whom he must treat respectfully. No one
divines a man's or woman's social status quicker or more unerringly than
a servant. The attendant saw at once that the man did not belong to the
class which paid social visits to tenants in the Astruria. He was rather
seedy-looking, his collar was not immaculate, his boots were thick and
clumsy, his clothes cheap and ill-fitting.

"Is Mr. Underwood in?" he demanded.

"Not home," replied the attendant insolently, after a pause. Like most
hall boys, he took a savage pleasure in saying that the tenants were
out.

The caller looked annoyed.

"He must be in," he said with a frown. "I have an appointment with him."

This was not strictly true, but the bluff had the desired effect.

"Got an appointment! Why didn't you say so at once?"

Reaching lazily over the telephone switchboard, and without rising from
his seat, he asked surlily:

"What's the name?"

"Mr. Bennington."

The boy took the transmitter and spoke into it:

"A party called to see Mr. Underwood."

There was a brief pause, as if the person upstairs was in doubt whether
to admit that he was home or not. Then came the answer. The boy looked
up.

"He says you should go up. Apartment 165. Take the elevator."

       *       *       *       *       *

In his luxuriously appointed rooms on the fourteenth floor, Robert
Underwood sat before the fire puffing nervously at a strong cigar. All
around him was a litter of _objets d'art_, such as would have filled the
heart of any connoisseur with joy. Oil paintings in heavy gilt frames,
of every period and school, Rembrandts, Cuyps, Ruysdaels, Reynoldses,
Corots, Henners, some on easels, some resting on the floor; handsome
French bronzes, dainty china on Japanese teakwood tables, antique
furniture, gold-embroidered clerical vestments, hand-painted screens,
costly Oriental rugs, rare ceramics--all were confusedly jumbled
together. On a grand piano in a corner of the room stood two tall
cloisonné vases of almost inestimable value. On a desk close by were
piled miniatures and rare ivories. The walls were covered with
tapestries, armor, and trophies of arms. More like a museum than a
sitting room, it was the home of a man who made a business of art or
made of art a business.

Underwood stared moodily at the glowing logs in the open chimneyplace.
His face was pale and determined. After coming in from the restaurant he
had changed his tuxedo for the more comfortable house coat. Nothing
called him away that particular Sunday evening, and no one was likely to
disturb him. Ferris, his man-servant, had taken his usual Sunday off and
would not return until midnight. The apartment was still as the grave.
It was so high above the street that not a sound reached up from the
noisy Broadway below. Underwood liked the quiet so that he could think,
and he was thinking hard. On the flat desk at his elbow stood a dainty
_demi-tasse_ of black coffee--untasted. There were glasses and decanters
of whiskey and cordial, but the stimulants did not tempt him.

He wondered if Alicia would ignore his letter or if she would come to
him. Surely she could not be so heartless as to throw him over at such a
moment. Crushed in his left hand was a copy of the _New York Herald_
containing an elaborate account of the brilliant reception and musicale
given the previous evening at her home. With an exclamation of
impatience he rose from his seat, threw the paper from him, and began to
pace the floor.

Was this the end of everything? Had he reached the end of his rope? He
must pay the reckoning, if not to-day, to-morrow. As his eyes wandered
around the room and he took mental inventory of each costly object, he
experienced a sudden shock as he recalled the things that were missing.
How could he explain their absence? The art dealers were already
suspicious. They were not to be put off any longer with excuses. Any
moment they might insist either on the immediate return of their
property or on payment in full. He was in the position to do neither.
The articles had been sold and the money lost gambling. Curse the luck!
Everything had gone against him of late. The dealers would begin
criminal proceedings, disgrace and prison stripes would follow. There
was no way out of it. He had no one to whom he could turn in this
crisis.

And now even Alicia had deserted him. This was the last straw. While he
was still able to boast of the friendship and patronage of the
aristocratic Mrs. Howard Jeffries he could still hold his head high in
the world. No one would dare question his integrity, but now she had
abandoned him to his fate, people would begin to talk. There was no use
keeping up a hopeless fight--suicide was the only way out!

He stopped in front of a mirror, startled at what he saw there. It was
the face of a man not yet thirty, but apparently much older. The
features were drawn and haggard, and his dark hair was plentifully
streaked with gray. He looked like a man who had lived two lives in one.
To-night his face frightened him. His eyes had a fixed stare like those
of a man he had once seen in a madhouse. He wondered if men looked like
that when they were about to be executed. Was not his own hour close at
hand? He wondered why the clock was so noisy; it seemed to him that the
ticks were louder than usual. He started suddenly and looked around
fearfully. He thought he had heard a sound outside. He shuddered as he
glanced toward the little drawer on the right-hand side of his desk, in
which he knew there was a loaded revolver.

If Alicia would only relent escape might yet be possible. If he did not
hear from her it must be for to-night. One slight little pressure on the
trigger and all would be over.

Suddenly the bell of the telephone connecting the apartment with the
main hall downstairs rang violently. Interrupted thus abruptly in the
midst of his reflections, Underwood jumped forward, startled. His nerves
were so unstrung that he was ever apprehensive of danger. With a
tremulous hand, he took hold of the receiver and placed it to his ear.
As he listened, his already pallid face turned whiter and the lines
about his mouth tightened. He hesitated a moment before replying. Then,
with an effort, he said:

"Send him up."

Dropping the receiver, he began to walk nervously up and down the room.
The crisis had come sooner than he expected--exposure was at hand. This
man Bennington was the manager of the firm of dealers whose goods he
disposed of. He could not make restitution. Prosecution was inevitable.
Disgrace and prison would follow. He could not stand it; he would rather
kill himself. Trouble was very close at hand, that was certain. How
could he get out of it? Pacing the floor, he bit his lips till the blood
came.

There was a sharp ring at the front door. Underwood opened it. As he
recognized his visitor on the threshold, he exclaimed:

"Why, Bennington, this is a surprise!"

The manager entered awkwardly. He had the constrained air of a man who
has come on an unpleasant errand, but wants to be as amiable as the
circumstances will permit.

"You didn't expect me, did you?" he began.

Shutting the front door, Underwood led the way back into the sitting
room, and making an effort to control his nerves, said:

"Sit down, won't you?"

But Mr. Bennington merely bowed stiffly. It was evident that he did not
wish his call to be mistaken for a social visit.

"I haven't time, thank you. To be frank, my mission is rather a delicate
one, Mr. Underwood."

Underwood laughed nervously. Affecting to misinterpret the other's
meaning, he said:

"Yes, you're right. The art and antique business is a delicate business.
God knows it's a precarious one!" Reaching for the decanter, he added:
"Have a drink."

But Mr. Bennington refused to unbend. The proffer of refreshment did
not tempt him to swerve from the object of his mission. While Underwood
was talking, trying to gain time, his eyes were taking in the contents
of the apartment.

"Come, take a drink," urged Underwood again.

"No, thanks," replied Mr. Bennington curtly.

Suddenly he turned square around.

"Let's get down to business, Mr. Underwood," he exclaimed. "My firm
insists on the immediate return of their property." Pointing around the
room, he added: "Everything, do you understand?"

Underwood was standing in the shadow of the lamp so his visitor did not
notice that he had grown suddenly very white, and that his mouth
twitched painfully.

"Why, what's the trouble?" he stammered. "Haven't you done a lot of
business through me? Haven't I got prices for your people that they
would never have gotten?"

"Yes--we know all that," replied Mr. Bennington impatiently. "To be
frank, Mr. Underwood, we've received information that you've sold many
of the valuable articles entrusted to you for which you've made no
accounting at all."

"That's not true," exclaimed Underwood hotly. "I have accounted for
almost everything. The rest of the things are here. Of course, there may
be a few things----"

Taking a box of cigars from the desk, he offered it to his visitor.

"No, thanks," replied Bennington coldly, pushing back the proffered box.

Underwood was fast losing his self-control. Throwing away his cigar with
an angry exclamation, he began to walk up and down.

"I can account for everything if you give me time. You must give me
time. I'm hard pressed by my creditors. My expenses are enormous and
collections exceedingly difficult. I have a large amount of money
outstanding. After our pleasant business relations it seems absurd and
most unfair that your firm should take this stand with me." He halted
suddenly and faced Bennington. "Of course, I'm much obliged to you,
personally, for this friendly tip."

Bennington shrugged his shoulders.

"The warning may give you time either to raise the money or to get the
things back."

Underwood's dark eyes flashed with suppressed wrath, as he retorted:

"Of course, I can get them all back in time. Damn it, you fellows don't
know what it costs to run this kind of business successfully! One has to
spend a small fortune to keep up appearances. These society people won't
buy if they think you really need the money. I've had to give expensive
dinners and spend money like water even to get them to come here and
look at the things. You must give me time to make a settlement. I need
at least a month."

Bennington shook his head. There was a hard, uncompromising look in his
face as he replied caustically:

"They're coming for the things to-morrow. I thought it fair to let you
know. I can do no more."

Underwood stopped short.

"To-morrow," he echoed faintly.

"Yes," said Bennington grimly. "You might as well understand the
situation thoroughly. The game's up. The firm has been watching you for
some time. When you tried to sell these things to old Defries for
one-quarter their real value he instantly recognized where they came
from. He telephoned straight to our place. You've been shadowed by
detectives ever since. There's a man outside watching this place now."

"My God!" exclaimed Underwood. "Why are they hounding me like this?"

Approaching Bennington quickly, he grasped his hand.

"Bennington," he said earnestly, "you and I've always been on the
square. Can't you tell them it's all right? Can't you get them to give
me time?"

Before the manager could reply the telephone bell rang sharply.
Underwood started. An expression of fear came over his face. Perhaps the
firm had already sworn out a warrant for his arrest. He picked up the
receiver to answer the call.

"What name is that?" he demanded over the telephone. The name was
repeated and with a gesture of relief he exclaimed:

"Howard Jeffries!--what on earth does he want? I can't see him. Tell
him I'm----"

Bennington took his hat and turned to go:

"Well, I must be off."

"Don't go," exclaimed Underwood, as he hung up the receiver
mechanically. "It's only that infernal ass Howard Jeffries!"

"I must," said the manager. As he went toward the door he made a close
scrutiny of the walls as if searching for something that was not there.
Stopping short, he said:

"I don't see the Velasquez."

"No--no," stammered Underwood nervously. "It's out--out on probation.
Oh, it's all right. I can account for everything."

Mr. Bennington continued his inspection.

"I don't see the Gobelin tapestry," he said laconically.

"Oh, that's all right, too, if they'll only give me time," he cried
desperately. "Good God, you don't know what it means to me, Bennington!
The position I've made for myself will be swept away and----"

Mr. Bennington remained distant and unsympathetic and Underwood threw
himself into a chair with a gesture of disgust.

"Sometimes I think I don't care what happens," he exclaimed. "Things
haven't been going my way lately. I don't care a hang whether school
keeps or not. If they drive me to the wall I'll do something desperate.
I'll----"

A ring at the front door bell interrupted him.

"Who can that be?" he exclaimed startled. He looked closely at his
companion, as if trying to read in his face if he were deceiving him.

"Probably your friend of the telephone," suggested Bennington.

Underwood opened the door and Howard entered jauntily.

"Hello, fellers, how goes it?" was his jocular greeting.

He was plainly under the influence of liquor. When he left home that
evening he had sworn to Annie that he would not touch a drop, but by the
time he reached the Astruria his courage failed him. He rather feared
Underwood, and he felt the need of a stimulant to brace him up for the
"strike" he was about to make. The back door of a saloon was
conveniently open and while he was refreshing himself two other men he
knew dropped in. Before he knew it, half a dozen drinks had been
absorbed, and he had spent the whole of $5 which his wife had intrusted
to him out of her carefully hoarded savings. When he sobered up he would
realize that he had acted like a coward and a cur, but just now he was
feeling rather jolly. Addressing Underwood with impudent familiarity, he
went on:

"The d----d boy didn't seem to know if you were in or not, so I came up
anyhow." Glancing at Bennington, he added: "Sorry, if I'm butting in."

Underwood was not in the humor to be very gracious. Long ago young
Howard Jeffries had outgrown his usefulness as far as he was concerned.
He was at a loss to guess why he had come to see him uninvited, on this
particular Sunday night, too. It was with studied coldness, therefore,
that he said:

"Sit down--I'm glad to see you."

"You don't look it," grinned Howard, as he advanced further into the
room with shambling, uncertain steps.

Concealing his ill humor and promising himself to get rid of his
unwelcome visitor at the first opportunity, Underwood introduced the two
men.

"Mr. Bennington--Mr. Howard Jeffries, Jr."

Mr. Bennington had heard of the elder Jeffries' trouble with his
scapegrace son, and he eyed, with some interest, this young man who had
made such a fiasco of his career.

"Oh, I know Bennington," exclaimed Howard jovially. "I bought an
elephant's tusk at his place in the days when I was somebody." With mock
sadness he added, "I'm nobody now--couldn't even buy a collar button."

"Won't you sit down and stay awhile?" said Underwood sarcastically.

"If you don't mind, I'll have a drink first," replied Howard, making his
way to the desk and taking up the whiskey decanter.

Underwood did not conceal his annoyance, but his angry glances were
entirely lost on his new visitor, who was rapidly getting into a maudlin
condition. Addressing Bennington with familiarity, Howard went on:

"Say, do you remember that wonderful set of ivory chessmen my old man
bought?"

Bennington smiled and nodded.

"Yes, sir; I do, indeed. Ah, your father is a fine art critic!"

Howard burst into boisterous laughter.

"Art critic!" he exclaimed. "I should say he was. He's a born critic. He
can criticise any old thing--every old thing. I don't care what it is,
he can criticise it. 'When in doubt--criticise,' is nailed on father's
escutcheon." Bowing with mock courtesy to each he raised the glass to
his lips and said: "Here's how!"

Bennington laughed good humoredly, and turned to go.

"Well, good night, Mr. Jeffries. Good night, Mr. Underwood."

Underwood followed the manager to the door.

"Good night!" he said gloomily.




CHAPTER VI.


The door slammed, and Underwood returned to the sitting room. Taking no
notice of Howard, he walked over to the desk, slowly selected a cigar
and lighted it. Howard looked up at him foolishly, not knowing what to
say. His frequent libations had so befuddled him that he had almost
forgotten the object of his visit.

"Excuse my butting in, old chap," he stammered, "but----"

Underwood made no answer. Howard stared at him in comic surprise. He was
not so drunk as not to be able to notice that something was wrong.

"Say, old fellow," he gurgled; "you're a regular Jim Dumps. Why so
chopfallen, so----? My! what a long face! Is that the way you greet a
classmate, a fellow frat? Wait till you hear my hard-luck story. That'll
cheer you up. Who was it said: 'There's nothing cheers us up so much as
other people's money?" Reaching for the whiskey bottle, he went on,
"First, I'll pour out another drink. You see, I need courage, old man.
I've got a favor to ask. I want some money. I not only want it--I need
it."

Underwood laughed, a hollow, mocking laugh of derision. His old
classmate had certainly chosen a good time to come and ask him for
money. Howard mistook the cynical gayety for good humor.

"I said I'd cheer you up," he went on. "I don't want to remind you of
that little matter of two hundred and fifty bucks which you borrowed
from me two years ago. I suppose you've forgotten it, but----"

A look of annoyance came over Underwood's face.

"Well, what of it?" he snapped.

Howard took another drink before he continued.

"I wouldn't remind you of the loan, old chap; but I'm up against it.
When the family kicked me out for marrying the finest girl that ever
lived, my father cut me off with a piking allowance which I told him to
put in the church plate. I told him I preferred independence. Well," he
went on with serio-comic gravity, "I got my independence, but I'm--I'm
dead broke. You might as well understand the situation plainly. I can't
find any business that I'm fitted for, and Annie threatens to go back to
work. Now, you know I can't stand for anything like that. I'm too much
of a man to be supported by any woman."

He looked toward Underwood in a stupid kind of way, as if looking for
some sign of approval, but he was disappointed. Underwood's face was a
study of supreme indifference. He did not even appear to be listening.
Somewhat disconcerted, Howard again raised the glass to his lips, and
thus refreshed, went on:

"Then I thought of you, old chap. You've made a rousing success of
it--got a big name as art collector--made lots of money and all
that----"

Underwood impatiently interrupted him.

"It's impossible, Jeffries. Things are a little hard with me, too, just
now. You'll have to wait for that $250."

Howard grinned.

"'Taint the $250, old man, I didn't want that. I want a couple of
thousand."

Underwood could not help laughing.

"A couple of thousand? Why not make it a million?"

Howard's demand struck him as being so humorous that he sat down
convulsed with laughter.

Looking at him stupidly, Howard helped himself to another drink.

"It seems I'm a hit," he said with a grin.

Underwood by this time had recovered his composure.

"So you've done nothing since you left college?" he said.

"No," answered Howard. "I don't seem to get down to anything. My ideas
won't stay in one place. I got a job as time-keeper, but I didn't keep
it down a week. I kept the time all right, but it wasn't the right
time," Again raising his glass to his lips, he added: "They're so
beastly particular."

"You keep pretty good time with that," laughed Underwood, pointing to
the whiskey.

Howard grinned in drunken fashion.

"It's the one thing I do punctually," he hiccoughed. "I can row, swim,
play tennis, football, golf and polo as well as anybody, but I'll be
damned if I can do anything quite as well as I can do this."

"What do you want $2,000 for?" demanded Underwood.

"I've got an opportunity to go into business. I want $2,000 and I want
it deuced quick."

Underwood shrugged his shoulders.

"Why don't you go home and ask your father?" he demanded.

His visitor seemed offended at the suggestion.

"What!" he exclaimed, with comic surprise, "after being turned out like
a dog with a young wife on my hands! Not much--no. I've injured their
pride. You know father married a second time, loaded me down with a
stepmother. She's all right, but she's so confoundedly aristocratic. You
know her. Say, didn't you and she--wasn't there some sort of an
engagement once? Seems to me I----"

Underwood rose to his feet and abruptly turned his back.

"I'd rather you wouldn't get personal," he said curtly. Sitting down at
a desk, he began to rummage with some papers and, turning impatiently to
Howard, he said:

"Say, old man, I'm very busy now. You'll have to excuse me."

If Howard had been sober, he would have understood that this was a
pretty strong hint for him to be gone, but in his besotted condition, he
did not propose to be disposed of so easily. Turning to Underwood, he
burst out with an air of offended dignity:

"Underwood, you wouldn't go back on me now. I'm an outcast, a pariah, a
derelict on the ocean of life, as one of my highly respectable uncles
wrote me. His grandfather was an iron puddler." With a drunken laugh he
went on: "Doesn't it make you sick? I'm no good because I married the
girl. If I had ruined her life I'd still be a decent member of society."

He helped himself to another drink, his hand shaking so that he could
hardly hold the decanter. He was fast approaching the state of complete
intoxication. Underwood made an attempt to interfere. Why should he care
if the young fool made a sot of himself? The sooner he drank himself
insensible the quicker he would get rid of him.

"No, Howard," he said; "you'd never make a decent member of society."

"P'r'aps not," hiccoughed Howard.

"How does Annie take her social ostracism?" inquired Underwood.

"Like a brick. She's a thoroughbred, all right. She's all to the good."

"All the same I'm sorry I ever introduced you to her," replied
Underwood. "I never thought you'd make such a fool of yourself as to
marry----"

Howard shook his head in a maudlin manner, as he replied:

"I don't know whether I made a fool of myself or not, but she's all
right. She's got in her the makings of a great woman--very crude, but
still the makings. The only thing I object to is, she insists on going
back to work, just as if I'd permit such a thing. Do you know what I
said on our wedding day? 'Mrs. Howard Jeffries, you are entering one of
the oldest families in America. Nature has fitted you for social
leadership. You'll be a petted, pampered member of that select few
called the "400,"' and now, damn it all, how can I ask her to go back
to work? But if you'll let me have that $2,000----"

By this time Howard was beginning to get drowsy. Lying back on the sofa,
he proceeded to make himself comfortable.

"Two thousand dollars!" laughed Underwood. "Why, man, I'm in debt up to
my eyes."

As far as his condition enabled him, Howard gave a start of surprise.

"Hard up!" he exclaimed. Pointing around the room, he said: "What's all
this--a bluff?"

Underwood nodded.

"A bluff, that's it. Not a picture, not a vase, not a stick belongs to
me. You'll have to go to your father."

"Never," said Howard despondently. The suggestion was evidently too much
for him, because he stretched out his hand for his whiskey glass.
"Father's done with me," he said dolefully.

"He'll relent," suggested Underwood.

Howard shook his head drowsily. Touching his brow, he said:

"Too much brains, too much up here." Placing his hand on his heart, he
went on: "Too little down here. Once he gets an idea, he never lets it
go, he holds on. Obstinate. One idea--stick to it. Gee, but I've made a
mess of things, haven't I?"

Underwood looked at him with contempt.

"You've made a mess of your life," he said bitterly, "yet you've had
some measure of happiness. You, at least, married the woman you love.
Drunken beast as you are, I envy you. The woman I wanted married some
one else, damn her!"

Howard was so drowsy from the effects of the whiskey that he was almost
asleep. As he lay back on the sofa, he gurgled:

"Say, old man; I didn't come here to listen to hard-luck stories. I came
to tell one."

In maudlin fashion he began to sing, _Oh, listen to my tale of woe_,
while Underwood sat glaring at him, wondering how he could put him out.

As he reached the last verse his head began to nod. The words came
thickly from his lips and he sank sleepily back among the soft divan
pillows.

Just at that moment the telephone bell rang. Underwood quickly picked up
the receiver.

"Who's that?" he asked. As he heard the answer his face lit up and he
replied eagerly: "Mrs. Jeffries--yes. I'll come down. No, tell her to
come up."

Hanging up the receiver, he hastily went over to the divan and shook
Howard.

"Howard, wake up! confound you! You've got to get out--there's somebody
coming."

He shook him roughly, but his old classmate made no attempt to move.

"Quick, do you hear!" exclaimed Underwood impatiently. "Wake up--some
one's coming."

Howard sleepily half opened his eyes. He had forgotten entirely where he
was and believed he was on the train, for he answered:

"Sure, I'm sleepy. Say--porter, make up my bed."

His patience exhausted, Underwood was about to pull him from the sofa by
force, when there was a ring at the front door.

Bending quickly over his companion, Underwood saw that he was fast
asleep. There was no time to awaken him and get him out of the way, so,
quickly, he took a big screen and arranged it around the divan so that
Howard could not be seen. Then he hurried to the front door and opened
it.

Alicia entered.




CHAPTER VII.


For a few moments Underwood was too much overcome by emotion to speak.
Alicia brushed by in haughty silence, not deigning to look at him. All
he heard was the soft rustle of her clinging silk gown as it swept along
the floor. She was incensed with him, of course, but she had come. That
was all he asked. She had come in time to save him. He would talk to her
and explain everything and she would understand. She would help him in
this crisis as she had in the past. Their long friendship, all these
years of intimacy, could not end like this. There was still hope for
him. The situation was not as desperate as he feared. He might yet avert
the shameful end of the suicide. Advancing toward her, he said in a
hoarse whisper:

"Oh, this is good of you, you've come--this is the answer to my
letter."

Alicia ignored his extended hand and took a seat. Then, turning on him,
she exclaimed indignantly:

"The answer should be a horsewhip. How dare you send me such a message?"
Drawing from her bag the letter received from him that evening, she
demanded:

"What do you expect to gain by this threat?"

"Don't be angry, Alicia."

Underwood spoke soothingly, trying to conciliate her. Well he knew the
seductive power of his voice. Often he had used it and not in vain, but
to-night it fell on cold, indifferent ears.

"Don't call me by that name," she snapped.

Underwood made no answer. He turned slightly paler and, folding his
arms, just looked at her, in silence. There was an awkward pause.

At last she said:

"I hope you understand that everything's over between us. Our
acquaintance is at an end."

"My feelings toward you can never change," replied Underwood earnestly.
"I love you--I shall always love you."

Alicia gave a little shrug of her shoulders, expressive of utter
indifference.

"Love!" she exclaimed mockingly. "You love no one but yourself."

Underwood advanced nearer to her and there was a tremor in his voice as
he said:

"You have no right to say that. You remember what we once were. Whose
fault is it that I am where I am to-day? When you broke our engagement
and married old Jeffries to gratify your social ambition, you ruined my
life. You didn't destroy my love--you couldn't kill that. You may forbid
me everything--to see you--to speak to you--even to think of you, but I
can never forget that you are the only woman I ever cared for. If you
had married me, I might have been a different man. And now, just when I
want you most, you deny me even your friendship. What have I done to
deserve such treatment? Is it fair? Is it just?"

Alicia had listened with growing impatience. It was only with difficulty
that she contained herself. Now she interrupted him hotly:

"I broke my engagement with you because I found that you were deceiving
me--just as you deceived others."

"It's a lie!" broke in Underwood. "I may have trifled with others, but I
never deceived you."

Alicia rose and, crossing the room, carelessly inspected one of the
pictures on the wall, a study of the nude by Bouguereau.

"We need not go into that," she said haughtily. "That is all over now. I
came to ask you what this letter--this threat----means. What do you
expect to gain by taking your life unless I continue to be your friend?
How can I be a friend to a man like you? You know what your friendship
for a woman means. It means that you would drag her down to your own
level and disgrace her as well as yourself. Thank God, my eyes are now
opened to your true character. No self-respecting woman could afford to
allow her name to be associated with yours. You are as incapable of
disinterested friendship as you are of common honesty." Coldly she
added: "I hope you quite understand that henceforth my house is closed
to you. If we happen to meet in public, it must be as strangers."

Underwood did not speak. Words seemed to fail him. His face was set and
white. A nervous twitching about the mouth showed the terrible mental
strain which the man was under. In the excitement he had forgotten about
Howard's presence on the divan behind the screen. A listener might have
detected the heavy breathing of the sleeper, but even Alicia herself was
too preoccupied to notice it. Underwood extended his arms pleadingly:

"Alicia--for the sake of Auld Lang Syne!"

"Auld Lang Syne," she retorted. "I want to forget the past. The old
memories are distasteful. My only object in coming here to-night was to
make the situation plain to you and to ask you to promise me not
to--carry out your threat to kill yourself. Why should you kill
yourself? Only cowards do that. Because you are in trouble? That is the
coward's way out. Leave New York. Go where you are not known. You are
still young. Begin life over again, somewhere else." Advancing toward
him, she went on: "If you will do this I will help you. I never want to
see you again, but I'll try not to think of you unkindly. But you must
promise me solemnly not to make any attempt against your life."

"I promise nothing," muttered Underwood doggedly.

"But you must," she insisted. "It would be a terrible crime, not only
against yourself, but against others. You must give me your word."

Underwood shook his head.

"I promise nothing."

"But you must," persisted Alicia. "I won't stir from here until I have
your promise."

He looked at her curiously.

"If my life has no interest for you, why should you care?" he asked.

There was a note of scorn in his voice which aroused his visitor's
wrath. Crumpling up his letter in her hand, she confronted him angrily.

"Shall I tell you why I care?" she cried. "Because you accuse me in this
letter of being the cause of your death--I, who have been your friend in
spite of your dishonesty. Oh! it's despicable, contemptible! Above all,
it's a lie----"

Underwood shrugged his shoulders. Cynically he replied:

"So it wasn't so much concern for me as for yourself that brought you
here."

Alicia's eyes flashed as she answered:

"Yes, I wished to spare myself this indignity--the shame of being
associated in any way with a suicide. I was afraid you meant what you
said."

"Afraid," interrupted Underwood bitterly, "that some of the scandal
might reach as far as the aristocratic Mrs. Howard Jeffries, Sr.!"

Her face flushed with anger, Alicia paced up and down the room. The
man's taunts stung her to the quick. In a way, she felt that he was
right. She ought to have guessed his character long ago and had nothing
to do with him. He seemed desperate enough to do anything, yet she
doubted if he had the courage to kill himself. She thought she would try
more conciliatory methods, so, stopping short, she said more gently:

"You know how my husband has suffered through the wretched marriage of
his only son. You know how deeply we both feel this disgrace, and yet
you would add----"

Underwood laughed mockingly.

"Why should I consider your husband's feelings?" he cried. "He didn't
consider mine when he married you." Suddenly bending forward, every
nerve tense, he continued hoarsely: "Alicia, I tell you I'm desperate.
I'm hemmed in on all sides by creditors. You know what your
friendship--your patronage means? If you drop me now, your friends will
follow--they're a lot of sheep led by you--and when my creditors hear of
me they'll be down on me like a flock of wolves. I'm not able to make a
settlement. Prison stares me in the face."

Glancing around at the handsome furnishings, Alicia replied carelessly:

"I'm not responsible for your wrongdoing. I want to protect my friends.
If they are a lot of sheep as you say, that is precisely why I should
warn them. They have implicit confidence in me. You have borrowed their
money, cheated them at cards, stolen from them. Your acquaintance with
me has given them the opportunity. But now I've found you out. I refuse
any longer to sacrifice my friends, my self-respect, my sense of
decency." Angrily she continued: "You thought you could bluff me. You've
adopted this coward's way of forcing me to receive you against my will.
Well, you've failed. I will not sanction your robbing my friends. I will
not allow you to sell them any more of your high-priced rubbish, or
permit you to cheat them at cards."

Underwood listened in silence. He stood motionless, watching her flushed
face as she heaped reproaches on him. She was practically pronouncing
his death sentence, yet he could not help thinking how pretty she
looked. When she had finished he said nothing, but, going to his desk,
he opened a small drawer and took out a revolver.

Alicia recoiled, frightened.

"What are you going to do?" she cried.

Underwood smiled bitterly.

"Oh, don't be afraid. I wouldn't do it while you are here. In spite of
all you've said to me, I still think too much of you for that."
Replacing the pistol in the drawer, he added: "Alicia, if you desert me
now, you'll be sorry to the day of your death."

His visitor looked at him in silence. Then, contemptuously, she said:

"I don't believe you intend to carry out your threat. I should have
known from the first that your object was to frighten me. The pistol
display was highly theatrical, but it was only a bluff. You've no more
idea of taking your life than I have of taking mine. I was foolish to
come here. I might have spared myself the humiliation of this
clandestine interview. Good night!"

She went toward the door. Underwood made no attempt to follow her. In a
hard, strange voice, which he scarcely recognized as his own, he merely
said:

"Is that all you have to say?"

"Yes," replied Alicia, as she turned at the door. "Let it be thoroughly
understood that your presence at my house is not desired. If you force
yourself upon me in any way, you must take the consequences."

Underwood bowed, and was silent. She did not see the deathly pallor of
his face. Opening the door of the apartment which led to the hall, she
again turned.

"Tell me, before I go--you didn't mean what you said in your letter, did
you?"

"I'll tell you nothing," replied Underwood doggedly.

She tossed her head scornfully.

"I don't believe that a man who is coward enough to write a letter like
this has the courage to carry out his threat." Stuffing the letter back
into her bag, she added: "I should have thrown it in the waste-paper
basket, but on second thoughts, I think I'll keep it. Good night."

"Good night," echoed Underwood mechanically.

He watched her go down the long hallway and disappear in the elevator.
Then, shutting the door, he came slowly back into the room and sat down
at his desk. For ten minutes he sat there motionless, his head bent
forward, every limb relaxed. There was deep silence, broken only by
Howard's regular breathing and the loud ticking of the clock.

"It's all up," he muttered to himself. "It's no use battling against the
tide. The strongest swimmer must go under some time. I've played my last
card and I've lost. Death is better than going to jail. What good is
life anyway without money? Just a moment's nerve and it will all be
over."

Opening the drawer in the desk, he took out the revolver again. He
turned it over in his hand and regarded fearfully the polished surface
of the instrument that bridged life and death. He had completely
forgotten Howard's presence in the room. On the threshold of a terrible
deed, his thoughts were leagues away. Like a man who is drowning, and
close to death, he saw with surprising distinctness a kaleidoscopic view
of his past life. He saw himself an innocent, impulsive school boy, the
pride of a devoted mother, the happy home where he spent his childhood.
Then came the association with bad companions, the first step in
wrongdoing, stealing out of a comrade's pocket in school, the death of
his mother, leaving home--with downward progress until he gradually
drifted into his present dishonest way of living. What was the good of
regrets? He could not recall his mother to life. He could never
rehabilitate himself among decent men and women. The world had suddenly
become too small for him. He must go, and quickly.

Fingering the pistol nervously, he sat before the mirror and placed it
against his temple. The cold steel gave him a sudden shock. He wondered
if it would hurt, and if there would be instant oblivion. The glare of
the electric light in the room disconcerted him. It occurred to him that
it would be easier in the dark. Reaching out his arm, he turned the
electric button, and the room was immediately plunged into darkness,
except for the moonlight which entered through the windows, imparting a
ghostly aspect to the scene. On the other side of the room, behind the
screen, a red glow from the open fire fell on the sleeping form of
Howard Jeffries.

Slowly, deliberately, Underwood raised the pistol to his temple and
fired.




CHAPTER VIII.


"Hello! What's that?"

Startled out of his Gargantuan slumber by the revolver's loud report,
Howard sat up with a jump and rubbed his eyes. On the other side of the
screen, concealed from his observation, there was a heavy crash of a
body falling with a chair--then all was quiet.

Scared, not knowing where he was, Howard jumped to his feet. For a
moment he stood still, trying to collect his senses. It was too dark to
discern anything plainly, but he could dimly make out outlines of
æsthetic furniture and bibelots. Ah, he remembered now! He was in
Underwood's apartment.

Rubbing his eyes, he tried to recall how he came there, and slowly his
befuddled brain began to work. He remembered that he needed $2,000, and
that he had called on Robert Underwood to try and borrow the money. Yes,
he recalled that perfectly well. Then he and Underwood got drinking and
talking, and he had fallen asleep. He thought he had heard a woman's
voice--a voice he knew. Perhaps that was only a dream. He must have been
asleep some time, because the lights were out and, seemingly, everybody
had gone to bed. He wondered what the noise which startled him could
have been. Suddenly he heard a groan. He listened intently, but all was
still. The silence was uncanny.

Now thoroughly frightened, Howard cautiously groped his way about,
trying to find the electric button. He had no idea what time it was. It
must be very late. What an ass he was to drink so much! He wondered what
Annie would say when he didn't return. He was a hound to let her sit up
and worry like that. Well, this would be a lesson to him--it was the
last time he'd ever touch a drop. Of course, he had promised her the
same thing a hundred times before, but this time he meant it. His
drinking was always getting him into some fool scrape or other.

He was gradually working his way along the room, when suddenly he
stumbled over something on the floor. It was a man lying prostrate.
Stooping, he recognized the figure.

"Why--it's Underwood!" he exclaimed.

At first he believed his classmate was asleep, yet considered it strange
that he should have selected so uncomfortable a place. Then it occurred
to him that he might be ill. Shaking him by the shoulder, he cried:

"Hey, Underwood, what's the matter?"

No response came from the prostrate figure. Howard stooped lower, to see
better, and accidentally touching Underwood's face, found it clammy and
wet. He held his hand up in the moonlight and saw that it was covered
with blood. Horror-stricken, he cried:

"My God! He's bleeding--he's hurt!"

What had happened? An accident--or worse? Quickly he felt the man's
pulse. It had ceased to beat. Underwood was dead.

For a moment Howard was too much overcome by his discovery to know what
to think or do. What dreadful tragedy could have happened? Carefully
groping along the mantelpiece, he at last found the electric button and
turned on the light. There, stretched out on the floor, lay Underwood,
with a bullet hole in his left temple, from which blood had flowed
freely down on his full-dress shirt. It was a ghastly sight. The man's
white, set face, covered with a crimson stream, made a repulsive
spectacle. On the floor near the body was a highly polished revolver,
still smoking.

Howard's first supposition was that burglars had entered the place and
that Underwood had been killed while defending his property. He
remembered now that in his drunken sleep he had heard voices in angry
altercation. Yet why hadn't he called for assistance? Perhaps he had and
he hadn't heard him.

He looked at the clock, and was surprised to find it was not yet
midnight. He believed it was at least five o'clock in the morning. It
was evident that Underwood had never gone to bed. The shooting had
occurred either while the angry dispute was going on or after the
unknown visitor had departed. The barrel of the revolver was still warm,
showing that it could only have been discharged a few moments before.
Suddenly it flashed upon him that Underwood might have committed
suicide.

But it was useless to stand there theorizing. Something must be done.
He must alarm the hotel people or call the police. He felt himself turn
hot and cold by turn as he realized the serious predicament in which he
himself was placed. If he aroused the hotel people they would find him
here alone with a dead man. Suspicion would at once be directed at him,
and it might be very difficult for him to establish his innocence. Who
would believe that he could have fallen asleep in a bed while a man
killed himself in the same room? It sounded preposterous. The wisest
course for him would be to get away before anybody came.

Quickly he picked up his hat and made for the door. Just as he was about
to lay his hand on the handle there was the click of a latchkey. Thus
headed off, and not knowing what to do, he halted in painful suspense.
The door opened and a man entered.

He looked as surprised to see Howard as the latter was to see him. He
was clean-shaven and neatly dressed, yet did not look the gentleman. His
appearance was rather that of a servant. All these details flashed
before Howard's mind before he blurted out:

"Who the devil are you?"

The man looked astounded at the question and eyed his interlocutor
closely, as if in doubt as to his identity. In a cockney accent he said
loftily:

"I am Ferris, Mr. Underwood's man, sir." Suspiciously, he added: "Are
you a friend of Mr. Underwood's, sir?"

He might well ask the question, for Howard's disheveled appearance and
ghastly face, still distorted by terror, was anything but reassuring.
Taken by surprise, Howard did not know what to say, and like most people
questioned at a disadvantage, he answered foolishly:

"Matter? No. What makes you think anything is the matter?"

Brushing past the man, he added: "It's late. I'm going."

"Stop a minute!" cried the man-servant. There was something in Howard's
manner that he did not like. Passing quickly into the sitting room, he
called out: "Stop a minute!" But Howard did not stop. Terror gave him
wings and, without waiting for the elevator, he was already half way
down the first staircase when he heard shouts behind him.

"Murder! Stop thief! Stop that man! Stop that man!"

There was a rush of feet and hum of voices, which made Howard run all
the faster. He leaped down four steps at a time in his anxiety to get
away. But it was no easy matter descending so many flights of stairs. It
took him several minutes to reach the main floor.

By this time the whole hotel was aroused. Telephone calls had quickly
warned the attendants, who had promptly sent for the police. By the time
Howard reached the main entrance he was intercepted by a mob too
numerous to resist.

Things certainly looked black for him. As he sat, white and trembling,
under guard in a corner of the entrance hall, waiting for the arrival of
the police, the valet breathlessly gave the sensational particulars to
the rapidly growing crowd of curious onlookers. He had taken his usual
Sunday out and on returning home at midnight, as was his custom, he had
let himself in with his latchkey. To his astonishment he had found this
man, the prisoner, about to leave the premises. His manner and remarks
were so peculiar that they at once aroused his suspicion. He hurried
into the apartment and found his master lying dead on the floor in a
pool of blood. In his hurry the assassin had dropped his revolver, which
was lying near the corpse. As far as he could see, nothing had been
taken from the apartment. Evidently the man was disturbed at his work
and, when suddenly surprised, had made the bluff that he was calling on
Mr. Underwood. They had got the right man, that was certain. He was
caught red-handed, and in proof of what he said, the valet pointed to
Howard's right hand, which was still covered with blood.

"How terrible!" exclaimed a woman bystander, averting her face. "So
young, too!"

"It's all a mistake, I tell you. It's all a mistake," cried Howard,
almost panic-stricken. "I'm a friend of Mr. Underwood's."

"Nice friend!" sneered an onlooker.

"Tell that to the police," laughed another.

"Or to the marines!" cried a third.

"It's the chair for his'n!" opined a fourth.

By this time the main entrance hall was crowded with people, tenants and
passers-by attracted by the unwonted commotion. A scandal in high life
is always caviare to the sensation seeker. Everybody excitedly inquired
of his neighbor:

"What is it? What's the matter?"

Presently the rattle of wheels was heard and a heavy vehicle, driven
furiously, drew up at the sidewalk with a jerk. It was the police patrol
wagon, and in it were the captain of the precinct and a half dozen
policemen and detectives. The crowd pushed forward to get a better view
of the burly representatives of the law as, full of authority, they
elbowed their way unceremoniously through the throng. Pointing to the
leader, a big man in plain clothes, with a square, determined jaw and a
bulldog face, they whispered one to another:

"That's Captain Clinton, chief of the precinct. He's a terror. It'll go
hard with any prisoner he gets in his clutches!"

Followed by his uniformed myrmidons, the police official pushed his way
to the corner where sat Howard, dazed and trembling, and still guarded
by the valet and elevator boys.

"What's the matter here?" demanded the captain gruffly, and looking
from Ferris to the white-faced Howard. The valet eagerly told his story:

"I came home at midnight, sir, and found my master, Mr. Robert
Underwood, lying dead in the apartment, shot through the head." Pointing
to Howard, he added: "This man was in the apartment trying to get away.
You see his hand is still covered with blood."

Captain Clinton chuckled, and expanding his mighty chest to its fullest,
licked his chops with satisfaction. This was the opportunity he had been
looking for--a sensational murder in a big apartment hotel, right in the
very heart of his precinct! Nothing could be more to his liking. It was
a rich man's murder, the best kind to attract attention to himself. The
sensational newspapers would be full of the case. They would print
columns of stuff every day, together with his portrait. That was just
the kind of publicity he needed now that he was wire-pulling for an
inspectorship. They had caught the man "with the goods"--that was very
clear. He promised himself to attend to the rest. Conviction was what he
was after. He'd see that no tricky lawyer got the best of him.
Concealing, as well as he could, his satisfaction, he drew himself up
and, with blustering show of authority, immediately took command of the
situation. Turning to a police sergeant at his side, he said:

"Maloney, this fellow may have had an accomplice. Take four officers and
watch every exit from the hotel. Arrest anybody attempting to leave the
building. Put two officers to watch the fire escapes. Send one man on
the roof. Go!"

"Yes, sir," replied the sergeant, as he turned away to execute the
orders.

Captain Clinton gave two strides forward, and catching Howard by the
collar, jerked him to his feet.

"Now, young feller, you come with me! We'll go upstairs and have a look
at the dead man."

Howard was at no time an athlete, and now, contrasted with the burly
policeman, a colossus in strength, he seemed like a puny boy. His
cringing, frightened attitude, as he looked up in the captain's bulldog
face, was pathetic. The crowd of bystanders could hardly contain their
eagerness to take in every detail of the dramatic situation. The
prisoner was sober by this time, and thoroughly alarmed.

"What do you want me for?" he cried. "I haven't done anything. The man's
dead, but I didn't kill him."

"Shut your mouth!" growled the captain.

Dragging Howard after him, he made his way to the elevator. Throwing his
prisoner into the cage, he turned to give orders to his subordinate.

"Maloney, you come up with me and bring Officer Delaney." Addressing the
other men, he said: "You other fellers look after things down here.
Don't let any of these people come upstairs," Then, turning to the
elevator boy, he gave the command: "Up with her."

The elevator, with its passengers, shot upward, stopped with a jerk at
the fourteenth floor, and the captain, once more laying a brutal hand on
Howard, pushed him out into the corridor.

If it could be said of Captain Clinton that he had any system at all, it
was to be as brutal as possible with everybody unlucky enough to fall
into his hands. Instead of regarding his prisoners as innocent until
found guilty, as they are justly entitled to be regarded under the law,
he took the direct opposite stand. He considered all his prisoners as
guilty as hell until they had succeeded in proving themselves innocent.
Even then he had his doubts. When a jury brought in a verdict of
acquittal, he shook his head and growled. He had the greatest contempt
for a jury that would acquit and the warmest regard for a jury which
convicted. He bullied and maltreated his prisoners because he firmly
believed in undermining their moral and physical resistance. When by
depriving them of sleep and food, by choking them, clubbing them and
frightening them he had reduced them to a state of nervous terror, to
the border of physical collapse, he knew by experience that they would
no longer be in condition to withstand his merciless cross-examinations.
Demoralized, unstrung, they would blurt out the truth and so convict
themselves. The ends of justice would thus be served.

Captain Clinton prided himself on the thorough manner in which he
conducted these examinations of persons under arrest. It was a laborious
ordeal, but always successful. He owed his present position on the force
to the skill with which he brow-beat his prisoners into "confessions."
With his "third degree" seances he arrived at results better and more
quickly than in any other way. All his convictions had been secured by
them. The press and meddling busy-bodies called his system barbarous, a
revival of the old-time torture chamber. What did he care what the
people said as long as he convicted his man? Wasn't that what he was
paid for? He was there to find the murderer, and he was going to do it.

He pushed his way into the apartment, followed closely by Maloney and
the other policemen, who dragged along the unhappy Howard. The dead man
still lay where he had fallen. Captain Clinton stooped down, but made no
attempt to touch the corpse, merely satisfying himself that Underwood
was dead. Then, after a casual survey of the room, he said to his
sergeant:

"We won't touch a thing, Maloney, till the coroner arrives. He'll be
here any minute, and he'll give the order for the undertaker. You can
call up headquarters so the newspaper boys get the story."

While the sergeant went to the telephone to carry out these orders,
Captain Clinton turned to look at Howard, who had collapsed, white and
trembling, into a chair.

"What do you want with me?" cried Howard appealingly. "I assure you I've
had nothing to do with this. My wife's expecting me home. Can't I go?"

"Shut up!" thundered the captain.

His arms folded, his eyes sternly fixed upon him, Captain Clinton stood
confronting the unfortunate youth, staring at him without saying a word.
The persistence of his stare made Howard squirm. It was decidedly
unpleasant. He did not mind the detention so much as this man's
overbearing, bullying manner. He knew he was innocent, therefore he had
nothing to fear. But why was this police captain staring at him so?
Whichever way he sat, whichever way his eyes turned, he saw this
bulldog-faced policeman staring silently at him. Unknown to him, Captain
Clinton had already begun the dreaded police ordeal known as the "third
degree."




CHAPTER IX.


Fifteen minutes passed without a word being spoken. There was deep
silence in the room. It was so quiet that one could have heard a pin
drop. Had a disinterested spectator been there to witness it, he would
have been at once impressed by the dramatic tableau presented--the dead
man on the floor, his white shirt front spattered with blood, the
cringing, frightened boy crouching in the chair, the towering figure of
the police captain sitting sternly eyeing his hapless prisoner, and at
the far end of the room Detective Sergeant Maloney busy sending hurried
messages through the telephone.

"What did you do it for?" thundered the captain suddenly.

Howard's tongue clove to his palate. He could scarcely articulate. He
was innocent, of course, but there was something in this man's manner
which made him fear that he might, after all, have had something to do
with the tragedy. Yet he was positive that he was asleep on the bed all
the time. The question is, Would anybody believe him? He shook his head
pathetically.

"I didn't do it. Really, I didn't."

"Shut your mouth! You're lying, and you know you're lying. Wait till the
coroner comes. We'll fix you."

Again there was silence, and now began a long, tedious wait, both men
retaining the same positions, the captain watching his prisoner as a cat
watches a mouse.

Howard's mental anguish was almost unendurable. He thought of his poor
wife who must be waiting up for him all this time, wondering what had
become of him. She would imagine the worst, and there was no telling
what she might do. If only he could get word to her. Perhaps she would
be able to explain things. Then he thought of his father. They had
quarreled, it was true, but after all it was his own flesh and blood. At
such a critical situation as this, one forgets. His father could hardly
refuse to come to his assistance. He must get a lawyer, too, to protect
his interests. This police captain had no right to detain him like
this. He must get word to Annie without delay. Summoning up all his
courage, he said boldly:

"You are detaining me here without warrant in law. I know my rights. I
am the son of one of the most influential men in the city."

"What's your name?" growled the captain.

"Howard Jeffries."

"Son of Howard Jeffries, the banker?"

Howard nodded.

"Yes."

The captain turned to his sergeant.

"Maloney, this feller says he's the son of Howard Jeffries, the banker."

Maloney leaned over and whispered something in the captain's ear. The
captain smiled grimly.

"So, you're a bad character, eh? Father turned you out of doors, eh?
Where's that girl you ran away with?" Sharply he added: "You see I know
your record."

"I've done nothing I'm ashamed of," replied Howard calmly. "I married
the girl. She's waiting my return now. Won't you please let me send her
a message?"

The captain eyed Howard suspiciously for a moment, then he turned to his
sergeant:

"Maloney, telephone this man's wife. What's the number?"

"Eighty-six Morningside."

Maloney again got busy with the telephone and the wearying wait began
once more. The clock soon struck two. For a whole hour he had been
subjected to this gruelling process, and still the lynx-eyed captain sat
there watching his quarry.

If Captain Clinton had begun to have any doubts when Howard told him who
his father was, Maloney's information immediately put him at his ease.
It was all clear to him now. The youth had never been any good. His own
father had kicked him out. He was in desperate financial straits. He had
come to this man's rooms to make a demand for money. Underwood had
refused and there was a quarrel, and he shot him. There was probably a
dispute over the woman. Ah, yes, he remembered now. This girl he married
was formerly a sweetheart of Underwood's. Jealousy was behind it as
well. Besides, wasn't he caught red-handed, with blood on his hands,
trying to escape from the apartment? Oh, they had him dead to rights,
all right. Any magistrate would hold him on such evidence.

"It's the Tombs for him, all right, all right," muttered the captain to
himself; "and maybe promotion for me."

Suddenly there was a commotion at the door. The coroner entered,
followed by the undertaker. The two men advanced quickly into the room,
and took a look at the body. After making a hasty examination, the
coroner turned to Captain Clinton.

"Well, Captain, I guess he's dead, all right."

"Yes, and we've got our man, too."

The coroner turned to look at the prisoner.

"Caught him red-handed, eh? Who is he?"

Howard was about to blurt out a reply, when the captain thundered:

"Silence!"

To the coroner, the captain explained:

"He's the scapegrace son of Howard Jeffries, the banker. No good--bad
egg. His father turned him out of doors. There is no question about his
guilt. Look at his hands. We caught him trying to get away."

The coroner rose. He believed in doing things promptly.

"I congratulate you, captain. Quick work like this ought to do your
reputation good. The community owes a debt to the officers of the law if
they succeed in apprehending criminals quickly. You've been getting some
pretty hard knocks lately, but I guess you know your business."

The captain grinned broadly.

"I guess I do. Don't we, Maloney?"

"Yes, cap.," said Maloney quietly.

The coroner turned to go.

"Well, there's nothing more for me to do here. The man is dead. Let
justice take its course." Addressing the undertaker, he said:

"You can remove the body."

The men set about the work immediately. Carrying the corpse into the
inner room, they commenced the work of laying it out.

"I suppose," said the coroner, "that you'll take your prisoner
immediately to the station house, and before the magistrate to-morrow
morning?"

"Not just yet," grinned the captain. "I want to put a few questions to
him first."

The coroner smiled.

"You're going to put him through the 'third degree,' eh? Every one's
heard of your star-chamber ordeals. Are they really so dreadful?"

"Nonsense!" laughed the captain. "We wouldn't harm a baby, would we
Maloney?"

The sergeant quickly endorsed his chief's opinion.

"No, cap."

Turning to go, the coroner said:

"Well, good night, captain."

"Good night, Mr. Coroner."

Howard listened to all this like one transfixed. They seemed to be
talking about him. They were discussing some frightful ordeal of which
he was to be the victim. What was this "third degree" they were talking
about? Now he remembered. He had heard of innocent men being bullied,
maltreated, deprived of food and sleep for days, in order to force them
to tell what the police were anxious to find out. He had heard of secret
assaults, of midnight clubbings, of prisoners being choked and brutally
kicked by a gang of ruffianly policemen, in order to force them into
some damaging admission. A chill ran down his spine as he realized his
utter helplessness. If he could only get word to a lawyer. Just as the
coroner was disappearing through the door, he darted forward and laid a
hand on his arm.

"Mr. Coroner, won't you listen to me?" he exclaimed.

The coroner, startled, drew back.

"I cannot interfere," he said coldly.

"Mr. Underwood was a friend of mine," explained Howard. "I came here to
borrow money. I fell asleep on that sofa. When I woke up he was dead. I
was frightened. I tried to get away. That's the truth, so help me God!"

The coroner looked at him sternly and made no reply. No one could ever
reproach him with sympathizing with criminals. Waving his hand at
Captain Clinton, he said:

"Good night, captain."

"Good night, Mr. Coroner."

The door slammed and Captain Clinton, with a twist of his powerful arm,
yanked his prisoner back into his seat. Howard protested.

"You've got no right to treat me like this. You exceed your powers. I
demand to be taken before a magistrate at once."

The captain grinned, and pointed to the clock.

"Say, young feller, see what time it is? Two-thirty A. M. Our good
magistrates are all comfy in their virtuous beds. We'll have to wait
till morning."

"But what's the good of sitting here in this death house?" protested
Howard. "Take me to the station if I must go. It's intolerable to sit
any longer here."

The captain beckoned to Maloney.

"Not so fast, young man. Before we go to the station we want to ask you
a few questions. Don't we Maloney?"

The sergeant came over, and the captain whispered something in his ear.
Howard shivered. Suddenly turning to his prisoner, the captain shouted
in the stern tone of command:

"Get up!"

Howard did as he was ordered. He felt he must. There was no resisting
that powerful brute's tone of authority. Pointing to the other side of
the table, the captain went on:

"Stand over there where I can look at you!"

The two men now faced each other, the small table alone separating them.
The powerful electrolier overhead cast its light full on Howard's
haggard face and on the captain's scowling features. Suddenly Maloney
turned off every electric light except the lights in the electrolier,
the glare of which was intensified by the surrounding darkness. The rest
of the room was in shadow. One saw only these two figures standing
vividly out in the strong light--the white-faced prisoner and his
stalwart inquisitor. In the dark background stood Policeman Delaney.
Close at hand was Maloney taking notes.

"You did it, and you know you did it!" thundered the captain, fixing his
eyes on his trembling victim.

[Illustration: "YOU DID IT, AND YOU KNOW YOU DID IT."]

"I did not do it," replied Howard slowly and firmly, returning the
policeman's stare.

"You're lying!" shouted the captain.

"I'm not lying," replied Howard calmly.

The captain glared at him for a moment and then suddenly tried new
tactics.

"Why did you come here?" he demanded.

"I came to borrow money."

"Did you get it?"

"No--he said he couldn't give it to me."

"Then you killed him."

"I did not kill him," replied Howard positively.

Thus the searching examination went on, mercilessly, tirelessly. The
same questions, the same answers, the same accusations, the same
denials, hour after hour. The captain was tired, but being a giant in
physique, he could stand it. He knew that his victim could not. It was
only a question of time when the latter's resistance would be weakened.
Then he would stop lying and tell the truth. That's all he wanted--the
truth.

"You shot him!"

"I did not."

"You're lying!"

"I'm not lying--it's the truth."

So it went on, hour after hour, relentlessly, pitilessly, while the
patient Maloney, in the obscure background, took notes.




CHAPTER X.


The clock ticked on, and still the merciless brow-beating went on. They
had been at it now five long, weary hours. Through the blinds the gray
daylight outside was creeping its way in. All the policemen were
exhausted. The prisoner was on the verge of collapse. Maloney and
Patrolman Delaney were dozing on chairs, but Captain Clinton, a marvel
of iron will and physical strength, never relaxed for a moment. Not
allowing himself to weaken or show signs of fatigue, he kept pounding
the unhappy youth with searching questions.

By this time Howard's condition was pitiable to witness. His face was
white as death. His trembling lips could hardly articulate. It was with
the greatest difficulty that he kept on his feet. Every moment he seemed
about to fall. At times he clutched the table nervously, for fear he
would stumble. Several times, through sheer exhaustion, he sat down.
The act was almost involuntary. Nature was giving way.

"I can't stand any more," he murmured. "What's the good of all these
questions? I tell you I didn't do it."

He sank helplessly on to a chair. His eyes rolled in his head. He looked
as if he would faint.

"Stand up!" thundered the captain angrily.

Howard obeyed mechanically, although he reeled in the effort. To steady
himself, he caught hold of the table. His strength was fast ebbing. He
was losing his power to resist. The captain saw he was weakening, and he
smiled with satisfaction. He'd soon get a confession out of him.
Suddenly bending forward, so that his fierce, determined stare glared
right into Howard's half-closed eyes, he shouted:

"You did it and you know you did!"

"No--I----" replied Howard weakly.

"These repeated denials are useless!" shouted the captain. "There's
already enough evidence to send you to the chair!"

Howard shook his head helplessly. Weakly he replied:

"This constant questioning is making me dizzy. Good God! What's the use
of questioning me and questioning me? I know nothing about it."

"Why did you come here?" thundered the captain.

"I've told you over and over again. We're old friends. I came to borrow
money. He owed me a few hundred dollars when we were at college
together, and I tried to get it. I've told you so many times. You won't
believe me. My brain is tired. I'm thoroughly exhausted. Please let me
go. My poor wife won't know what's the matter."

"Never mind about your wife," growled the captain. "We've sent for her.
How much did you try to borrow?"

Howard was silent a moment, as if racking his brain, trying to remember.

"A thousand--two thousand. I forget. I think one thousand."

"Did he say he'd lend you the money?" demanded the inquisitor.

"No," replied the prisoner, with hesitation. "He couldn't--he--poor
chap--he----"

"Ah!" snapped the captain. "He refused--that led to words. There was a
quarrel, and----" Suddenly leaning forward until his face almost touched
Howard's, he hissed rather than spoke: "You shot him!"

Howard gave an involuntary step backward, as if he realized the trap
being laid for him.

"No, no!" he cried.

Quickly following up his advantage, Captain Clinton shouted
dramatically:

"You lie! He was found on the floor in this room--dead. You were trying
to get out of the house without being seen. You hadn't even stopped to
wash the blood off your hands. All you fellers make mistakes. You relied
on getting away unseen. You never stopped to think that the blood on
your hands would betray you." Gruffly he added: "Now, come, what's the
use of wasting all this time? It won't go so hard with you if you own
up. You killed Robert Underwood!"

Howard shook his head. There was a pathetic expression of helplessness
on his face.

"I didn't kill him," he faltered. "I was asleep on that sofa. I woke up.
It was dark. I went out. I wanted to get home. My wife was waiting for
me."

"Now I've caught you lying," interrupted the captain quickly. "You told
the coroner you saw the dead man and feared you would be suspected of
his murder, and so tried to get away unseen." Turning to his men, he
added: "How is that, Maloney? Did the prisoner say that?"

The sergeant consulted his back notes, and replied:

"Yes, Cap', that's what he said."

Suddenly Captain Clinton drew from his hip pocket the revolver which he
had found on the floor, near the dead man's body. The supreme test was
about to be made. The wily police captain would now play his trump card.
It was not without reason that his enemies charged him with employing
unlawful methods in conducting his inquisitorial examinations.

"Stop your lying!" he said fiercely. "Tell the truth, or we'll keep you
here until you do. The motive is clear. You came for money. You were
refused, and you did the trick."

Suddenly producing the revolver, and holding it well under the light,
so that the rays from the electrolier fell directly on its highly
polished surface, he shouted:

"Howard Jeffries, you shot Robert Underwood, and you shot him with this
pistol!"

Howard gazed at the shining surface of the metal as if fascinated. He
spoke not a word, but his eyes became riveted on the weapon until his
face assumed a vacant stare. From the scientific standpoint, the act of
hypnotism had been accomplished. In his nervous and overfatigued state,
added to his susceptibility to quick hypnosis, he was now directly under
the influence of Captain Clinton's stronger will, directing his weaker
will. He was completely receptive. The past seemed all a blur on his
mind. He saw the flash of steel and the police captain's angry,
determined-looking face. He felt he was powerless to resist that will
any longer. He stepped back and gave a shudder, averting his eyes from
the blinding steel. Captain Clinton quickly followed up his advantage:

"You committed this crime, Howard Jeffries!" he shouted, fixing him with
a stare. To his subordinate he shouted: "Didn't he, Maloney?"

"He killed him all right," echoed Maloney.

His eyes still fixed on those of his victim, and approaching his face
close to his, the captain shouted:

"You did it, Jeffries! Come on, own up! Let's have the truth! You shot
Robert Underwood with this revolver. You did it, and you can't deny it!
You know you can't deny it! Speak!" he thundered. "You did it!"

Howard, his eyes still fixed on the shining pistol, repeated, as if
reciting a lesson:

"I did it!"

Quickly Captain Clinton signaled to Maloney to approach nearer with his
notebook. The detective sergeant took his place immediately back of
Howard. The captain turned to his prisoner:

"You shot Robert Underwood!"

"I shot Robert Underwood," repeated Howard mechanically.

"You quarreled!"

"We quarreled."

"You came here for money!"

"I came here for money."

"He refused to give it to you!"

"He refused to give it to me."

"There was a quarrel!"

"There was a quarrel."

"You drew that pistol!"

"I drew that pistol."

"And shot him!"

"And shot him."

Captain Clinton smiled triumphantly.

"That's all," he said.

Howard collapsed into a chair. His head dropped forward on his breast,
as if he were asleep. Captain Clinton yawned and looked at his watch.
Turning to Maloney, he said with a chuckle:

"By George! it's taken five hours to get it out of him!"

Maloney turned out the electric lights and went to pull up the window
shades, letting the bright daylight stream into the room. Suddenly there
was a ring at the front door. Officer Delaney opened, and Dr. Bernstein
entered. Advancing into the room, he shook hands with the captain.

"I'm sorry I couldn't come before, captain. I was out when I got the
call. Where's the body?"

The captain pointed to the inner room.

"In there."

After glancing curiously at Howard, the doctor disappeared into the
inner room.

Captain Clinton turned to Maloney.

"Well, Maloney, I guess our work is done here. We want to get the
prisoner over to the station, then make out a charge of murder, and
prepare the full confession to submit to the magistrate. Have everything
ready by nine o'clock. Meantime, I'll go down and see the newspaper
boys. I guess there's a bunch of them down there. Of course, it's too
late for the morning papers, but it's a bully good story for the
afternoon editions. Delaney, you're responsible for the prisoner. Better
handcuff him."

The patrolman was just putting the manacles on Howard's wrists when Dr.
Bernstein reentered from the inner room. The captain turned.

"Well, have you seen your man?" he asked.

The doctor nodded.

"Found a bullet wound in his head," he said. "Flesh all burned--must
have been pretty close range. It might have been a case of suicide."

Captain Clinton frowned. He didn't like suggestions of that kind after a
confession which had cost him five hours' work to procure.

"Suicide?" he sneered. "Say, doctor, did you happen to notice what side
of the head the wound was on?"

Dr. Bernstein reflected a moment.

"Ah, yes. Now I come to think of it, it was the left side."

"Precisely," sneered the captain. "I never heard of a suicide shooting
himself in the left temple. Don't worry, doctor, it's murder, all
right." Pointing with a jerk of his finger toward Howard, he added: "And
we've got the man who did the job."

Officer Delaney approached his chief and spoke to him in a low tone. The
captain frowned and looked toward his prisoner. Then, turning toward the
officer, he said:

"Is the wife downstairs?"

The officer nodded.

"Yes, sir, they just telephoned."

"Then let her come up," said the captain. "She may know something."

Delaney returned to the telephone and Dr. Bernstein turned to the
captain:

"Say what you will, captain, I'm not at all sure that Underwood did not
do this himself."

"Ain't you? Well, I am," replied the captain with a sneer. Pointing
again to Howard, he said:

"This man has just confessed to the shooting."

At that moment the front door opened and Annie Jeffries came in escorted
by an officer. She was pale and frightened, and looked timidly at the
group of strange and serious-looking men present. Then her eyes went
round the room in search of her husband. She saw him seemingly asleep in
an armchair, his wrists manacled in front of him. With a frightened
exclamation she sprang forward, but Officer Delaney intercepted her.
Captain Clinton turned around angrily at the interruption:

"Keep the woman quiet till she's wanted!" he growled.

Annie sat timidly on a chair in the background and the captain turned
again to the doctor.

"What's that you were saying, doctor?"

"You tell me the man confessed?"

Crossing the room to where Howard sat, Dr. Bernstein looked closely at
him. Apparently the prisoner was asleep. His eyes were closed and his
head drooped forward on his chest. He was ghastly pale.

The captain grinned.

"Yes, sir, confessed--in the presence of three witnesses. Eh, sergeant?"

"Yes, sir," replied Maloney.

"You heard him, too, didn't you, Delaney?"

"Yes, captain."

Squaring his huge shoulders, the captain said with a self-satisfied
chuckle:

"It took us five hours to get him to own up, but we got it out of him at
last."

The doctor was still busy with his examination.

"He seems to be asleep. Worn out, I guess. Five hours, yes--that's your
method, captain." Shaking his head, he went on: "I don't believe in
these all-night examinations and your 'third degree' mental torture. It
is barbarous. When a man is nervous and frightened his brain gets so
benumbed at the end of two or three hours' questioning on the same
subject that he's liable to say anything, or even believe anything. Of
course you know, captain, that after a certain time the law of
suggestion commences to operate and----"

The captain turned to his sergeant and laughed:

"The law of suggestion? Ha, ha! That's a good one! You know, doctor,
them theories of yours may make a hit with college students and amateur
professors, but they don't go with us. You can't make a man say 'yes'
when he wants to say 'no'."

Dr. Bernstein smiled.

"I don't agree with you," he said. "You can make him say anything, or
believe anything--or do anything if he is unable to resist your will."

The captain burst into a hearty peal of laughter.

"Ha, ha! What's the use of chinnin'? We've got him to rights. I tell
you, doctor, no newspaper can say that my precinct ain't cleaned up. My
record is a hundred convictions to one acquittal. I catch 'em with the
goods when I go after 'em!"

A faint smile hovered about the doctor's face.

"I know your reputation," he said sarcastically.

The captain thought the doctor was flattering him, so he rubbed his
hands with satisfaction, as he replied:

"That's right. I'm after results. None of them _Psyche_ themes for
mine." Striding over to the armchair where sat Howard, he laid a rough
hand on his shoulder:

"Hey, Jeffries, wake up!"

Howard opened his eyes and stared stupidly about him. The captain took
him by the collar of his coat.

"Come--stand up! Brace up now!" Turning to Sergeant Maloney, he added,
"Take him over to the station. Write out that confession and make him
sign it before breakfast. I'll be right over."

Howard struggled to his feet and Maloney helped him arrange his collar
and tie. Officer Delaney clapped his hat on his head. Dr. Bernstein
turned to go.

"Good morning, captain. I'll make out my report"

"Good morning, doctor."

Dr. Bernstein disappeared and Captain Clinton turned to look at Annie,
who had been waiting patiently in the background. Her anguish on seeing
Howard's condition was unspeakable. It was only with difficulty that she
restrained herself from crying out and rushing to his side. But these
stern, uniformed men intimidated her. It seemed to her that Howard was
on trial--a prisoner--perhaps his life was in danger. What could he have
done? Of course, he was innocent, whatever the charge was. He wouldn't
harm a fly. She was sure of that. But every one looked so grave, and
there was a big crowd gathered in front of the hotel when she came up.
She thought she had heard the terrible word "murder," but surely there
was some mistake. Seeing Captain Clinton turn in her direction, she
darted eagerly forward.

"May I speak to him, sir? He is my husband."

"Not just now," replied the captain, not unkindly. "It's against the
rules. Wait till we get him to the Tombs. You can see him all you want
there."

Annie's heart sank. Could she have heard aright?

"The Tombs!" she faltered. "Is the charge so serious?"

"Murder--that's all!" replied the captain laconically.

Annie nearly swooned. Had she not caught the back of a chair she would
have fallen.

The captain turned to Maloney and, in a low tone, said:

"Quick! Get him over to the station. We don't want any family scenes
here."

Manacled to Officer Delaney and escorted on the other side by Maloney,
Howard made his way toward the door. Just as he reached it he caught
sight of his wife who, with tears streaming down her cheeks, was
watching him as if in a dream. To her it seemed like some hideous
nightmare from which both would soon awaken. Howard recognized her, yet
seemed too dazed to wonder how she came there. He simply blurted out as
he passed:

"Something's happened, Annie, dear. I--Underwood--I don't quite
know----"

The policemen pushed him through the door, which closed behind him.




CHAPTER XI.


Unable to control herself any longer, Annie broke down completely and
burst into tears. When the door opened and she saw her husband led away,
pale and trembling, between those two burly policemen, it was as if all
she cared for on earth had gone out of her life forever. Captain Clinton
laid his hand gently on her shoulder. With more sympathy in his face
than was his custom to display, he said:

"Now, little woman--t'ain't no kind of use carrying on like that! If you
want to help your husband and get him out of his trouble you want to get
busy. Sitting there crying your eyes out won't do him any good."

Annie threw up her head. Her eyes were red, but they were dry now. Her
face was set and determined. The captain was right. Only foolish women
weep and wail when misfortune knocks at their door. The right sort of
women go bravely out and make a fight for liberty and honor. Howard was
innocent. She was convinced of that, no matter how black things looked
against him. She would not leave a stone unturned till she had regained
for him his liberty. With renewed hope in her heart and resolution in
her face, she turned to confront the captain.

"What has he done?" she demanded.

"Killed his friend, Robert Underwood."

He watched her face closely to see what effect his words would have on
her.

"Robert Underwood dead!" exclaimed Annie with more surprise than
emotion.

"Yes," said the captain sternly, "and your husband, Howard Jeffries,
killed him."

"That's not true! I'd never believe that," said Annie promptly.

"He's made a full confession," went on the captain.

"A confession!" she echoed uneasily. "What do you mean?"

"Just what I say. Your husband has made a full confession, in the
presence of witnesses, that he came here to Underwood's rooms to ask for
money. They quarreled. Your husband drew a pistol and shot him. He has
signed a confession which will be presented to the magistrate this
morning."

Annie looked staggered for a moment, but her faith in her husband was
unshakable. Almost hysterically she cried:

"I don't believe it. I don't believe it. You may have tortured him into
signing something. Everybody knows your methods, Captain Clinton. But
thank God there is a law in the United States which protects the
innocent as well as punishes the guilty. I shall get the most able
lawyers to defend him even if I have to sell myself into slavery for the
rest of my life."

"Bravo, little woman!" said the captain mockingly. "That's the way to
talk. I like your spunk, but before you go I'd like to ask you a few
questions. Sit down."

He waved her to a chair and he sat opposite her.

"Now, Mrs. Jeffries," he began encouragingly, "tell me--did you ever
hear your husband threaten Howard Underwood?"

By this time Annie had recovered her self-possession. She knew that the
best way to help Howard was to keep cool and to say nothing which was
likely to injure his cause. Boldly, therefore, she answered:

"You've no right to ask me that question."

The captain shifted uneasily in his seat. He knew she was within her
legal rights. He couldn't bully her into saying anything that would
incriminate her husband.

"I merely thought you would like to assist the authorities, to----" he
stammered awkwardly.

"To convict my husband," she said calmly. "Thank you, I understand my
position."

"You can't do him very much harm, you know," said the captain with
affected jocularity. "He has confessed to the shooting."

"I don't believe it," she said emphatically.

Trying a different tack, he asked carelessly:

"Did you know Mr. Underwood?"

She hesitated before replying, then indifferently she said:

"Yes, I knew him at one time. He introduced me to my husband."

"Where was that?"

"In New Haven, Conn."

"Up at the college, eh? How long have you known Mr. Underwood?"

Annie looked at her Inquisitor and said nothing. She wondered what he
was driving at, what importance the question had to the case. Finally
she said:

"I met him once or twice up at New Haven, but I've never seen him since
my marriage to Mr. Jeffries. My husband and he were not very good
friends. That is----"

She stopped, realizing that she had made a mistake. How foolish she had
been! The police, of course, were anxious to show that there was ill
feeling between the two men. Her heart misgave her as she saw the look
of satisfaction in the captain's face.

"Ah!" he exclaimed. "Not very good friends, eh? In fact, your husband
didn't like him, did he?"

"He didn't like him well enough to run after him," she replied
hesitatingly.

The captain now started off in another direction.

"Was your husband ever jealous of Underwood?"

By this time Annie had grown suspicious of every question. She was on
her guard.

"Jealous? What do you mean? No, he was not jealous. There was never any
reason. I refuse to answer any more questions."

The captain rose and began to pace the floor.

"There's one little thing more, Mrs. Jeffries, and then you can go. You
can help your husband by helping us. I want to put one more question to
you and be careful to answer truthfully. Did you call at these rooms
last night to see Mr. Underwood?"

"I!" exclaimed Annie with mingled astonishment and indignation. "Of
course not."

"Sure?" demanded the captain, eyeing her narrowly.

"Positive," said Annie firmly.

The captain looked puzzled.

"A woman called here last night to see him," he said thoughtfully, "and
I thought that perhaps----"

Interrupting himself, he went quickly to the door of the apartment and
called to some one who was waiting in the corridor outside. A boy about
eighteen years of age, in the livery of an elevator attendant, entered
the room. The captain pointed to Annie.

"Is that the lady?"

The boy looked carefully, and then shook his head:

"Don't think so--no, sir. The other lady was a great swell."

"You're sure, eh?" said the captain.

"I--think so," answered the boy.

"Do you remember the name she gave?"

"No, sir," replied the boy. "Ever since you asked me----"

Annie arose and moved toward the door. She had no time to waste there.
Every moment now was precious. She must get legal assistance at once.
Turning to Captain Clinton, she said:

"If you've no further use for me, captain, I think I'll go."

"Just one moment, Mrs. Jeffries," he said.

The face of the elevator boy suddenly brightened up.

"That's it," he said eagerly. "That's it--Jeffries. I think that was the
name she gave, sir."

"Who?" demanded the captain.

"Not this lady," said the boy. "The other lady. I think she said
Jeffries, or Jenkins, or something like that."

The captain waved his hand toward the door.

"That's all right--go. We'll find her all right."

The boy went out and the captain turned round to Annie.

"It'll be rather a pity if it isn't you," he said, with a suggestive
smile.

"How so?" she demanded.

The captain laughed.

"Well, you see, a woman always gets the jury mixed up. Nothing fools a
man like a pretty face, and twelve times one is twelve. You see if they
quarreled about you--your husband would stand some chance."
Patronizingly he added, "Come, Mrs. Jeffries, you'd better tell the
truth and I can advise you who to go to."

Annie drew herself up, and with dignity said:

"Thanks, I'm going to the best lawyer I can get. Not one of those
courtroom politicians recommended by a police captain. I am going to
Richard Brewster. He's the man. He'll soon get my husband out of the
Tombs." Reflectively she added: "If my father had had Judge Brewster to
defend him instead of a legal shark, he'd never have been railroaded to
jail. He'd be alive to-day."

Captain Clinton guffawed loudly. The idea of ex-Judge Brewster taking
the case seemed to amuse him hugely.

"Brewster?" he laughed boisterously. "You'd never be able to get
Brewster. Firstly, he's too expensive. Secondly, he's old man Jeffries'
lawyer. He wouldn't touch your case with a ten-foot pole. Besides," he
added in a tone of contempt, "Brewster's no good in a case of this kind.
He's a constitution lawyer--one of them international fellers. He don't
know nothing----"

"He's the only lawyer I want," she retorted determinedly. Then she went
on: "Howard's folks must come to his rescue. They must stand by
him--they must----"

The captain grinned.

"From what I hear," he said, "old man Jeffries won't raise a finger to
save his scapegrace son from going to the chair. He's done with him for
good and all."

Chuckling aloud and talking to himself rather than to his vis-à-vis, he
muttered:

"That alone will convince the jury. They'll argue that the boy can't be
much good if his own go back on him."

Annie's eyes flashed.

"Precisely!" she exclaimed. "But his own won't go back on him. I'll see
to it that they don't." Rising and turning toward the door, she asked:
"Have you anything more to say to me, captain?"

"No," replied the captain hesitatingly. "You can go. Of course you'll be
called later for the trial You can see your husband in the Tombs when
you wish."

No man is so hard that he has not a soft spot somewhere. At heart
Captain Clinton was not an unkind man. Long service in the police force
and a mistaken notion of the proper method of procedure in treating his
prisoners had hardened him and made him brutal. Secretly he felt sorry
for this plucky, energetic little woman who had such unbounded faith in
her good-for-nothing husband, and was ready to fight all alone in his
defense. Eyeing her with renewed interest, he demanded:

"What are you going to do now?"

Annie reached the door, and drawing herself up to her full height,
turned and said:

"I'm going to undo all you have done, Captain Clinton. I'm going to free
my husband and prove his innocence before the whole world. I don't know
how I'm going to do it, but I'll do it. I'll fight you, captain, to the
last ditch, and I'll rescue my poor husband from your clutches if it
takes everything I possess in the world."

Quickly she opened the door and disappeared.




CHAPTER XII.


The American dearly loves a sensation, and the bigger and more
blood-curdling it is the better. Nothing is more gratifying on arising
in the morning and sitting down to partake of a daintily served
breakfast than to glance hurriedly over the front page of one's favorite
newspaper and see it covered with startling headlines. It matters little
what has happened during the night to shock the community, so long as it
satisfies one's appetite for sensational news. It can be a fatal
conflagration, a fearful railroad wreck, a gigantic bank robbery, a
horrible murder, or even a scandalous divorce case. All one asks is that
it be something big, with column after column of harrowing details. The
newspapers are fully alive to what is expected of them, but it is not
always easy to supply the demand. There are times when the metropolis
languishes for news of any description. There are no disastrous fires,
trains run without mishap, burglars go on a vacation, society leaders
act with decorum--in a word the city is deadly dull. Further
consideration of the tariff remains the most thrilling topic the
newspapers can find to write about.

The murder at the aristocratic Astruria, therefore, was hailed by the
editors as a unmixed journalistic blessing, and they proceeded to play
it up for all it was worth. All the features of a first-class sensation
were present. The victim, Robert Underwood, was well known in society
and a prominent art connoisseur. The place where the crime was committed
was one of the most fashionable of New York's hostelries. The presumed
assassin was a college man and the son of one of the most wealthy and
influential of New York's citizens.

True, this Howard Jeffries, the son, was a black sheep. He had been
mixed up in all kinds of scandals before. His own father had turned him
out of doors, and he was married to a woman whose father died in prison.
Could a better combination of circumstances for a newspaper be
conceived? The crime was discovered too late for the morning papers to
make mention of it, but the afternoon papers fired a broadside that
shook the town. All the evening papers had big scare heads stretching
across the entire front page, with pictures of the principals involved
and long interviews with the coroner and Captain Clinton. There seemed
to be no doubt that the police had arrested the right man, and in all
quarters of the city there was universal sympathy for Mr. Howard
Jeffries, Sr. It was terrible to think that this splendid, upright man,
whose whole career was without a single stain, who had served his
country gallantly through the civil war, should have such disgrace
brought upon him in his old age.

Everything pointed to a speedy trial and quick conviction. Public
indignation was aroused almost to a frenzy, and a loud clamor went up
against the law's delay. Too many crimes of this nature, screamed the
yellow press, had been allowed to sully the good name of the city. A
fearful example must be made, no matter what the standing and influence
of the prisoner's family. Thus goaded on, the courts acted with
promptness. Taken before a magistrate, Howard was at once committed to
the Tombs to await trial, and the district attorney set to work
impaneling a jury. Justice, he promised, would be swiftly done. One
newspaper stated positively that the family would not interfere, but
would abandon the scapegrace son to his richly deserved fate. Judge
Brewster, the famous lawyer, it was said, had already been approached by
the prisoner's wife, but had declined to take the case. Banker Jeffries
also was quoted as saying that the man under arrest was no longer a son
of his.

As one paper pointed out, it seemed a farce and a waste of money to have
any trial at all. The assassin had not only been caught red-handed, but
had actually confessed. Why waste time over a trial? True, one paper
timidly suggested that it might have been a case of suicide. Robert
Underwood's financial affairs, it went on to say, were in a critical
condition, and the theory of suicide was borne out to some extent by an
interview with Dr. Bernstein, professor of psychology at one of the
universities, who stated that he was by no means convinced of the
prisoner's guilt, and hinted that the alleged confession might have been
forced from him by the police, while in a hypnotic state. This theory,
belittling as it did their pet sensation, did not suit the policy of
the yellow press, so the learned professor at once became the target for
editorial attack.

The sensation grew in importance as the day for the trial approached.
All New York was agog with excitement. The handsome Jeffries mansion on
Riverside Drive was besieged by callers. The guides on the sight-seeing
coaches shouted through their megaphones:

"That's the house where the murderer of Robert Underwood lived."

The immediate vicinity of the house the day that the crime was made
public was thronged with curious people. The blinds of the house were
drawn down as if to shield the inmates from observation, but there were
several cabs in front of the main entrance and passers by stopped on the
sidewalk, pointing at the house. A number of newspaper men stood in a
group, gathering fresh material for the next edition. A reporter
approached rapidly from Broadway and joined his colleagues.

"Well, boys," he said cheerily. "Anything doing? Say, my paper is going
to have a bully story to-morrow! Complete account by Underwood's valet.
He tells how he caught the murderer just as he was escaping from the
apartment We'll have pictures and everything. It's fine. Anything doing
here?" he demanded.

"Naw," grunted the others in disgruntled tones.

"We saw the butler," said one reporter, "and tried to get a story from
him, but he flatly refused to talk. All he would say was that Howard
Jeffries was nothing to the family, that his father didn't care a straw
what became of him."

"That's pretty tough!" exclaimed another reporter. "He's his son, after
all."

"Oh, you don't know old Jeffries," chimed in a third. "When once he
makes up his mind you might as well try to move a house."

The afternoon was getting on; if their papers were to print anything
more that day they must hasten downtown.

"Let's make one more attempt to get a talk out of the old man,"
suggested one enterprising scribe.

"All right," cried the others in chorus. "You go ahead. We'll follow in
a body and back you up."

Passing through the front gate, they rang the bell, and after a brief
parley were admitted to the house. They had hardly disappeared when a
cab drove hurriedly up and stopped at the curb. A young woman, heavily
veiled, descended, paid the driver, and walked quickly through the gates
toward the house.

Annie tried to feel brave, but her heart misgave her when she saw this
splendid home with all its evidence of wealth, culture, and refinement.
It was the first time she had ever entered its gates, although, in a
measure, she was entitled to look upon it as her own home. Perhaps never
so much as now she realized what a deep gulf lay between her husband's
family and herself. This was a world she had never known--a world of
opulence and luxury. She did not know how she had summoned up courage
enough to come. Yet there was no time to be lost. Immediate action was
necessary. Howard must have the best lawyers that money could procure.
Judge Brewster had been deaf to her entreaties. He had declined to take
the case. She had no money. Howard's father must come to his assistance.
She would plead with him and insist that it was his duty to stand by his
son. She wondered how he would receive her, if he would put her out or
be rude to her. Perhaps he would not even receive her. He might tell the
servants to shut the door in her face. Timidly she rang the bell. The
butler opened the door, and summoning up all her courage, she asked:

"Is Mr. Jeffries in?"

To her utter amazement the butler offered no objection to her entering.
Mistaking her for a woman reporter, several of whom had already called
that morning, he said:

"Go right in the library, madam; the other newspaper folk are there."

She passed through the splendid reception hall, marveling inwardly at
the beautiful statuary and pictures, no little intimidated at finding
herself amid such splendid surroundings. On the left there was a door
draped with handsome tapestry.

"Right in there, miss," said the butler.

She went in, and found herself in a room of noble proportions, the walls
of which were lined with bookshelves filled with tomes in rich bindings.
The light that entered through the stained-glass windows cast a subdued
half-light, warm and rich in color, on the crimson plush furnishings.
Near the heavy flat desk in the centre of the room a tall, distinguished
man was standing listening deprecatingly to the half dozen reporters
who were bombarding him with questions. As Annie entered the room she
caught the words of his reply:

"The young man who has inherited my name has chosen his own path in
life. I am grieved to say that his conduct at college, his marriage, has
completely separated him from his family, and I have quite made up my
mind that in no way or manner can his family become identified with any
steps he may take to escape the penalty of his mad act. I am his father,
and I suppose, under the circumstances, I ought to say something. But I
have decided not to. I don't wish to give the American public any excuse
to think that I am paliating or condoning his crime. Gentlemen, I wish
you good-day."

Annie, who had been listening intently, at once saw her opportunity. Mr.
Jeffries had taken no notice of her presence, believing her to be a
newspaper writer like the others. As the reporters took their departure
and filed out of the room, she remained behind. As the last one
disappeared she turned to the banker and said:

"May I speak to you a moment?"

He turned quickly and looked at her in surprise. For the first time he
was conscious of her presence. Bowing courteously, he shook his head:

"I am afraid I can do nothing for you, madam--as I've just explained to
your confrères of the press."

Annie looked up at him, and said boldly:

"I am not a reporter, Mr. Jeffries. I am your son's wife."

The banker started back in amazement. This woman, whom he had taken for
a newspaper reporter, was an interloper, an impostor, the very last
woman in the world whom he would have permitted to be admitted to his
house. He considered that she, as much as anybody else, had contributed
to his son's ruin. Yet what could he do? She was there, and he was too
much of a gentleman to have her turned out bodily. Wondering at his
silence, she repeated softly:

"I'm your son's wife, Mr. Jeffries."

The banker looked at her a moment, as if taking her in from head to
foot. Then he said coldly:

"Madam, I have no son." He hesitated, and added:

"I don't recognize----"

She looked at him pleadingly.

"But I want to speak to you, sir."

Mr. Jeffries shook his head, and moved toward the door.

"I repeat, I have nothing to say."

Annie planted herself directly in his path. He could not reach the door
unless he removed her forcibly.

"Mr. Jeffries," she said earnestly, "please don't refuse to hear
me--please----"

He halted, looking as if he would like to escape, but there was no way
of egress. This determined-looking young woman had him at a
disadvantage.

"I do not think," he said icily, "that there is any subject which can be
of mutual interest----"

"Oh, yes, there is," she replied eagerly. She was quick to take
advantage of this entering wedge into the man's mantle of cold reserve.

"Flesh and blood," she went on earnestly, "is of mutual interest. Your
son is yours whether you cast him off or not. You've got to hear me. I
am not asking anything for myself. It's for him, your son. He's in
trouble. Don't desert him at a moment like this. Whatever he may have
done to deserve your anger--don't--don't deal him such a blow. You
cannot realize what it means in such a critical situation. Even if you
only pretend to be friendly with him--you don't need to really be
friends with him. But don't you see what the effect will be if you, his
father, publicly withdraw from his support? Everybody will say he's no
good, that he can't be any good or his father wouldn't go back on him.
You know what the world is. People will condemn him because you condemn
him. They won't even give him a hearing. For God's sake, don't go back
on him now!"

Mr. Jeffries turned and walked toward the window, and stood there gazing
on the trees on the lawn. She did not see his face, but by the nervous
twitching of his hands behind his back, she saw that her words had not
been without effect. She waited in silence for him to say something.
Presently he turned around, and she saw that his face had changed. The
look of haughty pride had gone. She had touched the chords of the
father's heart. Gravely he said:

"Of course you realize that you, above all others, are responsible for
his present position."

She was about to demur, but she checked herself. What did she care what
they thought of her? She was fighting to save her husband, not to make
the Jeffries family think better of her. Quickly she answered:

"Well, all right--I'm responsible--but don't punish him because of me."

Mr. Jeffries looked at her.

Who was this young woman who championed so warmly his own son? She was
his wife, of course. But wives of a certain kind are quick to desert
their husbands when they are in trouble. There must be some good in the
girl, after all, he thought. Hesitatingly, he said:

"I could have forgiven him everything, everything but----"

"But me," she said promptly. "I know it. Don't you suppose I feel it
too, and don't you suppose it hurts?"

Mr. Jeffries stiffened up. This woman was evidently trying to excite his
sympathies. The hard, proud expression came back into his face, as he
answered curtly:

"Forgive me for speaking plainly, but my son's marriage with such a
woman as you has made it impossible to even consider the question of
reconciliation."

With all her efforts at self-control, Annie would have been more than
human had she not resented the insinuation in this cruel speech. For a
moment she forgot the importance of preserving amicable relations, and
she retorted:

"Such a woman as me? That's pretty plain----. But you'll have to speak
even more plainly. What do you mean when you say such a woman as me?
What have I done?"

Mr. Jeffries looked out of the window without answering, and she went
on:

"I worked in a factory when I was nine years old, and I've earned my
living ever since. There's no disgrace in that, is there? There's
nothing against me personally--nothing disgraceful, I mean. I know I'm
not educated. I'm not a lady in your sense of the word, but I've led a
decent life. There isn't a breath of scandal against me--not a breath.
But what's the good of talking about me? Never mind me. I'm not asking
for anything. What are you going to do for him? He must have the best
lawyer that money can procure--none of those bar-room orators. Judge
Brewster, your lawyer, is the man. We want Judge Brewster."

Mr. Jeffries shrugged his shoulders.

"I repeat--my son's marriage with the daughter of a man who died in
prison----"

She interrupted him.

"That was hard luck--nothing but hard luck. You're not going to make me
responsible for that, are you? Why, I was only eight years old when that
happened. Could I have prevented it?" Recklessly she went on: "Well,
blame it on me if you want to, but don't hold it up against Howard. He
didn't know it when he married me. He never would have known it but for
the detectives employed by you to dig up my family history, and the
newspapers did the rest. God! what they didn't say! I never realized I
was of so much importance. They printed it in scare-head lines. It made
a fine sensation for the public, but it destroyed my peace of mind."

"A convict's daughter!" said Mr. Jeffries contemptuously.

"He was a good man at that!" she answered hotly. "He kept the squarest
pool room in Manhattan, but he refused to pay police blackmail, and he
was railroaded to prison." Indignantly she went on: "If my father's
shingle had been up in Wall Street, and he'd made fifty dishonest
millions, you'd forget it next morning, and you'd welcome me with open
arms. But he was unfortunate. Why, Billy Delmore was the best man in the
world. He'd give away the last dollar he had to a friend. I wish to God
he was alive now! He'd help to save your son. I wouldn't have to come
here to ask you."

Mr. Jeffries shifted uneasily on his feet and looked away.

"You don't seem to understand," he said impatiently. "I've completely
cut him off from the family. It's as if he were dead."

She approached nearer and laid her hand gently on the banker's arm.

"Don't say that, Mr. Jeffries. It's wicked to say that about your own
son. He's a good boy at heart, and he's been so good to me. Ah, if you
only knew how hard he's tried to get work I'm sure you'd change your
opinion of him. Lately he's been drinking a little because he was
disappointed in not getting anything to do. But he tried so hard. He
walked the streets night and day. Once he even took a position as guard
on the elevated road. Just think of it, Mr. Jeffries, your son--to such
straits were we reduced--but he caught cold and had to give it up. I
wanted to go to work and help him out. I always earned my living before
I married him, but he wouldn't let me. You don't know what a good heart
he's got. He's been weak and foolish, but you know he's only a boy."

She watched his face to see if her words were having any effect, but Mr.
Jeffries showed no sign of relenting. Sarcastically, he said:

"And you took advantage of the fact and married him?"

For a moment she made no reply. She felt the reproach was not unmerited,
but why should they blame her for seeking happiness? Was she not
entitled to it as much as any other woman? She had not married Howard
for his social position or his money. In fact, she had been worse off
since her marriage than she was before. She married him because she
loved him, and because she thought she could redeem him, and she was
ready to go through any amount of suffering to prove her disinterested
devotion. Quietly, she said:

"Yes, I know--I did wrong. But I--I love him, Mr. Jeffries. Believe me
or not--I love him. It's my only excuse. I thought I could take care of
him. He needed some one to look after him, he's too easily influenced.
You know his character is not so strong as it might be. He told me that
his fellow students at college used to hypnotize him and make him do all
kinds of things to amuse the other boys. He says that somehow he's never
been the same since. I--I just loved him because I was strong and he was
weak. I thought I could protect him. But now this terrible thing has
happened, and I find I am powerless. It's too much for me. I can't fight
this battle alone. Won't you help me, Mr. Jeffries?" she added
pleadingly. "Won't you help me?"

The banker was thoughtful a minute, then suddenly he turned on her.

"Will you consent to a divorce if I agree to help him?"

She looked at him with dismay. There was tragic tenseness in this
dramatic situation--a father fighting for his son, a woman fighting for
her husband.

"A divorce?" she stammered. "Why, I never thought of such a thing as
that."

"It's the only way to save him," said the banker coldly.

"The only way?" she faltered.

"The only way," said Mr. Jeffries firmly. "Do you consent?" he asked.

Annie threw up her head. Her pale face was full of determination, as she
replied resignedly, catching her breath as she spoke:

"Yes, if it must be. I will consent to a divorce--to save him!"

"You will leave the country and go abroad to live?" continued the banker
coldly.

She listened as in a dream. That she would be confronted by such an
alternative as this had never entered her mind. She wondered why the
world was so cruel and heartless. Yet if the sacrifice must be made to
save Howard she was ready to make it.

"You will leave America and never return--is that understood?" repeated
the banker.

"Yes, sir," she replied falteringly.

Mr. Jeffries paced nervously up and down the room. For the first time he
seemed to take an interest in the interview. Patronizingly he said:

"You will receive a yearly allowance through my lawyer."

Annie tossed up her chin defiantly. She would show the aristocrat that
she could be as proud as he was.

"Thanks," she exclaimed. "I don't accept charity. I'm used to earning my
own living."

"Oh, very well," replied the banker quickly. "That's as you please. But
I have your promise--you will not attempt to see him again?"

"What! Not see him once more? To say good-by?" she exclaimed. A broken
sob half checked her utterance. "Surely you can't mean that, Mr.
Jeffries."

The banker shrugged his shoulders.

"I don't want the newspapers filled with sensational articles about the
heartrending farewell interview between Howard Jeffries, Jr., and his
wife--with your picture on the front page."

She was not listening to his sarcasm.

"Not even to say good-by?" she sobbed.

"No," replied Mr. Jeffries firmly. "Not even to say good-by."

"But what will he say? What will he think?" she cried.

"He will see it is for the best," answered the banker. "He himself will
thank you for your action."

There was a long silence, broken only by the sound of the girl's
sobbing. Finally she said:

"Very well, sir. I'll do as you say." She looked up. Her eyes were dry,
the lines about her mouth set and determined. "Now," she said, "what are
you going to do for him?"

The banker made a gesture of impatience as if such considerations were
not important.

"I don't know yet," he said haughtily. "I shall think the matter over
carefully."

Annie was fast losing patience. She was willing to sacrifice herself and
give up everything she held dear in life to save the man she loved, but
the cold, deliberate, calculating attitude of this unnatural father
exasperated her.

"But I want to know," she said boldly. "I want to consider the matter
carefully, too."

"You?" sneered Mr. Jeffries.

"Yes, sir," she retorted. "I'm paying dearly for it--with my--with all I
have. I want to know just what you're going to give him for it."

He was lost in reflection for a moment, then he said pompously:

"I shall furnish the money for the employment of such legal talent as
may be necessary. That's as far as I wish to go in the case. It must not
be known--I cannot allow it to be known that I am helping him."

"Must not be known?" cried Annie in astonishment. "You mean you won't
stand by him? You'll only just pay for the lawyer?"

The banker nodded:

"That is all I can promise."

She laughed hysterically.

"Why," she exclaimed, "I--I could do that myself if I--I tried hard
enough."

"I can promise nothing more," replied Mr. Jeffries coldly.

"But that is not enough," she protested. "I want you to come forward and
publicly declare your belief in your son's innocence. I want you to put
your arms around him and say to the world: 'My boy is innocent! I know
it and I'm going to stand by him.' You won't do that?"

Mr. Jeffries shook his head.

"It is impossible."

The wife's pent-up feelings now gave way. The utter indifference of this
aristocratic father aroused her indignation to such a pitch that she
became reckless of the consequences. They wanted her to desert him, just
as they deserted him, but she wouldn't. She would show them the kind of
woman she was.

"So!" she cried in an outburst of mingled anger and grief. "So his
family must desert him, and his wife must leave him! The poor boy must
stand absolutely alone in the world, and face a trial for his life! Is
that your idea?"

The banker made no reply. Snapping her fingers, she went on:

"Well, it isn't mine, Mr. Jeffries! I won't consent to a divorce! I
won't leave America! And I'll see him just as often as I can, even if I
have to sit in the Tombs prison all day. As for his defense, I'll find
some one. I'll go to Judge Brewster again, and if he still refuses, I'll
go to some one else. There must be some good, big-hearted lawyer in
this great city who'll take up his case."

Trembling with emotion she readjusted her veil and with her handkerchief
dried her tear-stained face. Going toward the door, she said:

"You needn't trouble yourself any more, Mr. Jeffries. We shan't need
your help. Thank you very much for the interview. It was very kind of
you to listen so patiently. Good afternoon, sir."

Before the astonished banker could stop her, she had thrown back the
tapestry and disappeared through the door.




CHAPTER XIII.


In the very heart of Manhattan, right in the centre of the city's most
congested district, an imposing edifice of gray stone, mediæval in its
style of architecture, towered high above all the surrounding dingy
offices and squalid tenements. Its massive construction, steep walls,
pointed turrets, raised parapets and long, narrow, slit-like windows,
heavily barred, gave it the aspect of a feudal fortress incongruously
set down plumb in the midst of twentieth-century New York. The dull roar
of Broadway hummed a couple of blocks away; in the distance loomed the
lofty, graceful spans of Brooklyn Bridge, jammed with its opposing
streams of busy inter-urban traffic. The adjacent streets were filled
with the din of hurrying crowds, the rattle of vehicles, the cries of
vendors, the clang of street cars, the ugh! ugh! of speeding
automobiles. The active, pulsating life of the metropolis surged like a
rising flood about the tall gray walls, yet there was no response
within. Grim, silent, sinister, the City Prison, popularly known as "the
Tombs," seemed to have nothing in common with the daily activities of
the big town in which, notwithstanding, it unhappily played an important
part.

The present prison is a vastly different place to the old jail from
which it got its melancholy cognomen. To-day there is not the slightest
justification for the lugubrious epithet applied to it, but in the old
days, when man's inhumanity to man was less a form of speech than a
cold, merciless fact, the term "Tombs" described an intolerable and
disgraceful condition fairly accurately. Formerly the cells in which the
unfortunate prisoners were confined while awaiting trial were situated
deep under ground and had neither light nor ventilation. A man might be
guiltless of the offense with which he was charged, yet while awaiting
an opportunity to prove his innocence he was condemned to spend days,
sometimes months, in what was little better than a grave. Literally, he
was buried alive. A party of foreigners visiting the prison one day were
startled at seeing human beings confined in such holes. "They look like
tombs!" cried some one. New York was amused at the singularly
appropriate appelative, and it has stuck to the prison ever since.

But times change, and institutions with them. As man becomes more
civilized he treats the law-breaker with more humanity. Probably society
will always need its prisons, but as we become more enlightened we
insist on treating our criminals more from the physiological and
psychological standpoints than in the cruel, brutal, barbarous manner of
the dark ages. In other words the sociologist insists that the
law-breaker has greater need of the physician than he has of the jailer.

To-day the City Prison is a tomb in name only. It is admirably
constructed, commodious, well ventilated. The cells are large and well
lighted, with comfortable cots and all the modern sanitary arrangements.
There are roomy corridors for daily exercise and luxurious shower baths
can be obtained free for the asking. There are chapels for the
religiously inclined and a library for the studious. The food is
wholesome and well prepared in a large, scrupulously clean kitchen
situated on the top floor. Carping critics have, indeed, declared the
Tombs to be too luxurious, declaring that habitual criminals enjoy a
stay at the prison and actually commit crime so that they may enjoy some
of its hotel-like comforts.

It was with a sinking heart and a dull, gnawing sense of apprehension
that Annie descended from a south-bound Madison Avenue car in Centre
Street and approached the small portal under the forbidding gray walls.
She had visited a prison once before, when her father died. She
remembered the depressing ride in the train to Sing Sing, the formidable
steel doors and ponderous bolts, the narrow cells, each with its
involuntary occupant in degrading stripes and closely cropped hair, and
the uniformed guards armed with rifles. She remembered how her mother
wept and how she had wondered why they kept her poor da-da in such an
ugly place. To think that after all these years she was again to go
through a similar experience.

She had nerved herself for this ordeal. Anxious as she was to see Howard
and learn from his lips all that had happened, she feared that she would
never be able to see him behind the bars without breaking down. Yet she
must be strong so she could work to set him free. So much had happened
in the last two days. It seemed a month since the police had sent for
her at midnight to hurry down to the Astruria, yet it was only two days
ago. The morning following her trying interview with Captain Clinton in
the dead man's apartment she had tried to see Howard, but without
success. The police held him a close prisoner, pretending that he might
make an attempt upon his life. There was nothing for her to do but wait.

Intuitively she realized the necessity of immediately securing the
services of an able lawyer. There was no doubt of Howard's innocence,
but she recalled with a shiver that even innocent persons have suffered
capital punishment because they were unable to establish their
innocence, so overwhelming were the appearances against them. He must
have the best lawyer to be had, regardless of expense. Only one name
occurred to her, the name of a man of international reputation, the mere
mention of whose name in a courtroom filled the hearts of the innocent
with hope and the guilty with dread. That man was Judge Brewster. She
hurried downtown to his office and waited an hour before he could see
her. Then he told her politely, but coldly, that he must decline to
take her case. He knew well who she was, and he eyed her with some
curiosity, but his manner was frigid and discouraging. There were plenty
of lawyers in New York, he said. She must go elsewhere. Politely he
bowed her out. Half of a precious day was already lost. Judge Brewster
refused the case. To whom could she turn now? In despair, almost
desperate, she drove up-town to Riverside Drive and forced an entrance
into the Jeffries home. Here, again, she was met with a rebuff. Still
not discouraged, she returned to Judge Brewster's office. He was out and
she sat there an hour waiting to see him. Night came and he did not
return. Almost prostrated with nervous exhaustion, she returned to their
deserted little flat in Harlem.

It was going to be a hard fight, she saw that. But she would keep right
on, no matter at what cost. Howard could not be left alone to perish
without a hand to save him. Judge Brewster must come to his rescue. He
could not refuse. She would return again to his office this afternoon
and sit there all day long, if necessary, until he promised to take the
case. He alone could save him. She would go to the lawyer and beg him
on her knees if necessary, but first she must see Howard and bid him
take courage.

A low doorway from Centre Street gave access to the gray fortress. At
the heavy steel gate stood a portly policeman armed with a big key. Each
time before letting people in or out he inserted this key in the
ponderous lock. The gate would not open merely by turning the handle.
This was to prevent the escape of prisoners, who might possibly succeed
in reaching so far as the door, but could not open the steel gate
without the big key. When once any one entered the prison he was not
permitted to go out again except on a signal from a keeper.

When Annie entered, she found the reception room filled with visitors,
men and women of all ages and nationalities who, like herself, had come
to see some relative or friend in trouble. It was a motley and
interesting crowd. There were fruit peddlers, sweat-shop workers,
sporty-looking men, negroes and flashy-looking women. All seemed callous
and indifferent as if quite at home amid the sinister surroundings of a
prison. One or two others appeared to belong to a more respectable
class, their sober manner and care-worn faces reflecting silently the
humiliation and shame they felt at their kinsman's disgrace.

The small barred windows did not permit of much ventilation and, as the
day was warm, the odor was sickening. Annie looked around fearfully, and
humbly took her place at the end of the long line which slowly worked
its way to the narrow inner grating where credentials were closely
scrutinized. The horror of the place seized upon her. She wondered who
all these poor people were and what the prisoners whom they came to see
had done to offend the majesty of the law. The prison was filled with
policemen and keepers, and running in and out with messages and packages
were a number of men in neat linen suits. She asked a woman who they
were.

"Them's trusties--prisoners that has special privileges in return for
work they does about the prison."

The credentials were passed upon slowly and Annie, being the twentieth
in line, found it a tedious wait. In front of her was a bestial-looking
negro, behind her a woman whose cheap jewelry, rouged face and
extravagant dress proclaimed her profession to be the most ancient in
the world. But at last the gate was reached. As the doorkeeper examined
her ticket he looked up at her with curiosity. A murderer is rare enough
even in the Tombs to excite interest, and as she passed on the
attendants whispered among themselves. She knew they were talking about
her, but she steeled herself not to care. It was only a foretaste of
other humiliations which she must expect.

A keeper now took charge of her and led her to a room where she was
searched by a matron for concealed weapons, a humiliating ordeal to
which even the richest and most influential visitors must submit with as
good grace as possible. The matron was a hard-looking woman of about
fifty years of age, in whom every spark of human pity and sympathy had
been killed during her many years of constant association with
criminals. The word "prison" had lost its meaning to her. She saw
nothing undesirable in jail life, but looked upon the Tombs rather as a
kind of boarding house in which people made short or long sojourns,
according to their luck. She treated Annie unceremoniously, yet not
unkindly.

"So you're the wife of Jeffries, whom they've got for murder, eh?" she
said, as she rapidly ran her hands through the visitor's clothing.

"Yes," faltered Annie, "but it's all a mistake, I assure you. My
husband's perfectly innocent. He wouldn't hurt a fly."

The woman grinned.

"They all say that, m'm." Lugubriously she added: "I hope you'll be more
lucky than some others were."

Annie felt herself grow cold. Was this a sinister prophecy? She
shuddered and, hastily taking a dollar from her purse, slipped it into
the matron's hand.

"May I go now?" she said.

"Yes, my dear; I guess you've got nothing dangerous on you. We have to
be very careful. I remember once when we had that Hoboken murderer here.
He's the feller that cut his wife's head off and stuffed the body in a
barrel. His mother came here to see him one day and what did I find
inside her stocking but an innocent-looking little round pill, and if
you please, it was nothing less than prussic acid. He would have
swallowed it and the electric chair would have been cheated. So you see
how careful we has to be."

Annie could not listen to any more. The horror of having Howard classed
with fiends of that description sickened her. To the keeper she said
quickly:

"Please take me to my husband."

Taking another dollar from her purse, she slipped the bill into the
man's hand, feeling that, here as everywhere else, one must pay for
privileges and courtesies. Her guide led the way and ushered her into an
elevator, which, at a signal, started slowly upwards.

The cells in the Tombs are arranged in rows in the form of an ellipse in
the centre of each of the six floors. There is room to accommodate nine
hundred prisoners of both sexes. The men are confined in the new prison;
the women, fewer in number, in what remains of the old building. Only
the centre of each floor being taken up with the rows of narrow cells,
there remains a broad corridor, running all the way round and flanked on
the right by high walls with small barred windows. An observer from the
street glancing up at the windows might conclude that they were those
of the cells in which prisoners were confined. As a matter of fact, the
cells have no windows, only a grating which looks directly out into the
circular corridor.

At the fourth floor the elevator stopped and the heavy iron door swung
back.

"This way," said the keeper, stepping out and quickly walking along the
corridor. "He's in cell No. 456."

A lump rose in Annie's throat. The place was well ventilated, yet she
thought she would faint from a choking feeling of restraint. All along
the corridor to the left were iron doors painted yellow. In the upper
part of the door were half a dozen broad slits through which one could
see what was going on inside.

"Those are the cells," volunteered her guide.

Annie shuddered as, mentally, she pictured Howard locked up in such a
dreadful place. She peered through one of the slits and saw a narrow
cell about ten feet long by six wide. The only furnishings were a
folding cot with blanket, a wash bowl and lavatory. Each cell had its
occupant, men and youths of all ages. Some were reading, some playing
cards. Some were lying asleep on their cots, perhaps dreaming of home,
but most of them leaning dejectedly against the iron bars wondering when
they would regain their liberty.

"Where are the women?" asked Annie, trying to keep down the lump that
rose chokingly in her throat.

"They're in a separate part of the prison," replied the keeper.

"Isn't it dreadful?" she murmured.

"Not at all," he exclaimed cheerfully. "These prisoners fare better in
prison than they do outside. I wager some of them are sorry to leave."

"But it's dreadful to be cooped up in those little cells, isn't it?" she
said.

"Not so bad as it looks," he laughed. "They are allowed to come out in
the corridor to exercise twice a day for an hour and there is a splendid
shower bath they can take."

"Where is my husband's cell?" she whispered, almost dreading to hear the
reply.

"There it is," he said, pointing to a door. "No. 456."

Walking rapidly ahead of her and stopping at one of the cell doors, he
rapped loudly on the iron grating and cried:

"Jeffries, here's a lady come to see you. Wake up there!"

A white, drawn face approached the grating. Annie sprang forward.

"Howard!" she sobbed.

"Is it you, Annie?" came a weak voice through the bars.

"Can't I go in to him?" she asked pleadingly.

The keeper shook his head.

"No, m'm, you must talk through the bars, but I won't disturb you."

He walked away and the husband and wife were left facing each other. The
tears were streaming down Annie's cheeks. It was dreadful to be standing
there so close and yet not be able to throw her arms around him. Her
heart ached as she saw the distress in his wan, pale face.

"Why didn't you come before?" he asked.

"I could not. They wouldn't let me. Oh, Howard," she gasped. "What a
dreadful thing this is! Tell me how you got into such a scrape!"

He put his hand to his head as if it hurt him, and she noticed that his
eyes looked queer. For a moment the agony of a terrible suspicion
crossed her mind. Was it possible that in a moment of drunken
recklessness he had shot Underwood? Quickly, almost breathlessly, she
whispered to him:

"Tell me quickly, 'tis not true, is it? You did not kill Robert
Underwood."

He shook his head.

"No," he said.

"Thank God for that!" she exclaimed. "But your confession--what does
that mean?"

"I do not know. They told me I did it. They insisted I did it. He was
sure I did it. He told me he knew I did it. He showed me the pistol. He
was so insistent that I thought he was right--that I had done it." In a
deep whisper he added earnestly, "But you know I didn't, don't you?"

"Who is _he_?" demanded Annie.

"The police captain."

"Oh, Captain Clinton told you you did it?"

Howard nodded.

"Yes, he told me he _knew_ I did it. He kept me standing there six
hours, questioning and questioning until I was ready to drop. I tried to
sit down; he made me stand up. I did not know what I was saying or
doing. He told me I killed Robert Underwood. He showed me the pistol
under the strong light. The reflection from the polished nickel flashed
into my eyes, everything suddenly became a blank. A few moments later
the coroner came in and Captain Clinton told him I confessed. But it
isn't true, Annie. You know I am as innocent of that murder as you are."

"Thank God, thank God!" exclaimed Annie. "I see it all now."

Her tears were dried. Her brain was beginning to work rapidly. She
already saw a possible line of defense.

"I don't know how it all happened," went on Howard. "I don't know any
more about it than you do. I left you to go to Underwood's apartment. On
the way I foolishly took a drink. When I got there I took more whiskey.
Before I knew it I was drunk. While talking I fell asleep. Suddenly I
heard a woman's voice."

"Ah!" interrupted Annie. "You, too, heard a woman's voice. Captain
Clinton said there was a woman in it." Thoughtfully, as if to herself,
she added: "We must find that woman."

"When I woke up," continued Howard, "it was dark. Groping around for the
electric light, I stumbled over something. It was Underwood's dead body.
How he came by his death I have not the slightest idea. I at once
realized the dangerous position I was in and I tried to leave the
apartment unobserved. Just as I was going, Underwood's man-servant
arrived and he handed me over to the police. That's the whole story.
I've been here since yesterday and I'll be devilish glad to get out."

"You will get out," she cried. "I'm doing everything possible to get you
free. I've been trying to get the best lawyer in the country--Richard
Brewster."

"Richard Brewster!" exclaimed Howard. "He's my father's lawyer."

"I saw your father yesterday afternoon," she said quietly.

"You did!" he exclaimed, surprised. "Was he willing to receive you?"

"He had to," she replied. "I gave him a piece of my mind."

Howard looked at her in mingled amazement and admiration. That she
should have dared to confront a man as proud and obstinate as his father
astounded him.

"What did he say?" he asked eagerly.

"I asked him to come publicly to your support and to give you legal
assistance. He refused, saying he could not be placed in a position of
condoning such a crime and that your behavior and your marriage had made
him wash his hands of you forever."

Tears filled Howard's eyes and his mouth quivered.

"Then my father believes me guilty of this horrible crime?" he
exclaimed.

"He insisted that you must be guilty as you had confessed. He offered,
though, to give you legal assistance, but only on one condition."

"What was that condition?" he demanded.

"That I consent to a divorce," replied Annie quietly.

"What did you say?"

"I said I'd consent to anything if it would help you, but when he told
me that even then he would not come personally to your support I told
him we would worry along without his assistance. On that I left him."

"You're a brave little woman!" cried Howard. Noticing her pale, anxious
face, he said:

"You, too, must have suffered."

"Oh, never mind me," she rejoined quickly. "What we must do now is to
get you out of this horrid place and clear your name before the world.
We must show that your alleged confession is untrue; that it was dragged
from you involuntarily. We must find that mysterious woman who came to
Underwood's rooms while you lay on the couch asleep. Do you know what my
theory is, Howard?"

"What?" demanded her husband.

"I believe you were hypnotized into making that confession. I've read of
such things before. You know the boys in college often hypnotized you.
You told me they made you do all kinds of things against your will. That
big brute, Captain Clinton, simply forced his will on yours."

"By Jove--I never thought of that!" he exclaimed. "I know my head ached
terribly after he got through all that questioning. When he made me
look at that pistol I couldn't resist any more. But how are we going to
break through the net which the police have thrown around me?"

"By getting the best lawyer we can procure. I shall insist on Judge
Brewster taking the case. He declines, but I shall go to his office
again this afternoon. He must----"

Howard shook his head.

"You'll not be able to get Brewster. He would never dare offend my
father by taking up my case without his permission. He won't even see
you."

"We'll see," she said quietly. "He'll see me if I have to sit in his
office all day for weeks. I have decided to have Judge Brewster defend
you because I believe it would mean acquittal. He will build up a
defense that will defeat all the lies that the police have concocted.
The police have a strong case because of your alleged confession. It
will take a strong lawyer to fight them." Earnestly she added: "Howard,
if your life is to be saved we must get Judge Brewster."

"All right, dear," he replied. "I can only leave it in your hands. I
know that whatever you do will be for the best. I'll try to be as
patient as I can. My only comfort is thinking of you, dear."

A heavy step resounded in the corridor. The keeper came up.

"Time's up, m'm," he said civilly.

Annie thrust her hand through the bars; Howard carried it reverently to
his lips.

"Good-by, dear," she said. "Keep up your courage. You'll know that I am
working for your release every moment. I won't leave a stone unturned."

"Good-by, darling," he murmured.

He looked at her longingly and there were tears in her eyes as she
turned away.

"I'll be back very soon," she said.

A few minutes later they were in the elevator and she passed through the
big steel gate once more into the sunlit street.




CHAPTER XIV.


Outwardly, at least, Judge Brewster's offices at 83 Broadway in no way
differed from the offices of ten thousand other lawyers who strive to
eke out a difficult living in the most overcrowded of all the
professions. They consisted of a modest suite of rooms on the sixth
floor. There was a small outer office with a railed-off inclosure,
behind which sat a half dozen stenographers busy copying legal
documents; as many men clerks were writing at desks, and the walls were
fitted with shelves filled with ponderous law books. In one corner was a
room with glass door marked "Mr. Brewster, Private."

Assuredly no casual visitor could guess from the appearance of the place
that this was the headquarters of one of the most brilliant legal minds
in the country, yet in this very office had been prepared some of the
most sensational victories ever recorded in the law courts.

Visitors to Judge Brewster's office were not many. A man of such renown
was naturally expensive. Few could afford to retain his services and in
fact he was seldom called upon except to act in the interest of wealthy
corporations. In these cases, of course, his fees were enormous. He had
very few private clients; in fact, he declined much private practice
that was offered to him. He had been the legal adviser of Howard
Jeffries, Sr., for many years. The two men had known each other in their
younger days and practically had won success together--the one in the
banking business, the other in the service of the law. An important
trust company, of which Mr. Jeffries was president, was constantly
involved in all kinds of litigation of which Judge Brewster had
exclusive charge. As the lawyer found this highly remunerative, it was
only natural that he had no desire to lose Mr. Jeffries as a client.

Secluded in his private office, the judge was busy at his desk,
finishing a letter. He folded it up, addressed an envelope, then lit a
cigar and looked at the time. It was three o'clock. The day's work was
about over and he smiled with satisfaction as he thought of the
automobile ride in the park he would enjoy before dressing and going to
his club for dinner. He felt in singularly good spirits that afternoon.
He had just won in the court a very complicated case which meant not
only a handsome addition to his bank account, but a signal triumph over
his legal opponents. Certainly, fortune smiled on him. He had no other
immediate cases on hand to worry about. He could look forward to a few
weeks of absolute rest. He struck a bell on his desk and a clerk
entered. Handing him the note he had just written, he said:

"Have this sent at once by messenger."

"Very well, judge," answered the clerk.

"By the bye," frowned the lawyer, "has that woman been in to-day?"

"Yes--she sat in the outer office all morning, trying to see you. We
said you were out of town, but she did not believe it. She sat there
till she got tired. She had no idea that you went out by another
stairway."

"Humph," growled the lawyer; "a nice thing to be besieged in this
manner. If she annoys me much longer, I shall send for the police."

At that moment another clerk entered the room.

"What is it, Mr. Jones?" demanded the lawyer.

"A lady to see you, judge," said the clerk, handing him a card.

The lawyer glanced at the bit of pasteboard, and said immediately:

"Oh, yes, show her in."

The two clerks left the room and Judge Brewster, after a glance in the
mirror to re-adjust his cravat, turned to greet his visitor. The door
opened and Alicia entered. She was faultlessly gowned, as usual, but her
manner was flurried and agitated. Evidently something had happened to
upset her, and she had come to make her husband's lawyer the confidant
of her troubles. The judge advanced gallantly and pointed to a chair.

"Good morning, my dear Mrs. Jeffries, how do you do?"

"Is Mr. Jeffries here?" asked Alicia hurriedly.

"Not yet," he replied, smiling. "This is an unexpected pleasure. I think
it is the first time you have graced my office with your presence."

"How quiet it is here!" she exclaimed, looking around nervously. "It is
hard to believe this is the very centre of the city." Taking the seat
offered to her, she went on:

"Oh, judge, we are dreadfully worried."

"You mean about the Underwood case?"

Alicia nodded.

"Yes, Mr. Jeffries is terribly upset. As if the coming trial and all the
rest of the scandal were not enough. But now we have to face something
even worse, something that affects me even more than my husband. Really,
I'm frantic about it."

"What's happened now?" asked the lawyer calmly.

"That woman is going on the stage, that's all!" she snapped.

"H'm," said the lawyer calmly.

"Just think!" she cried, "the name, 'Mrs. Howard Jeffries'--my
name--paraded before the public! At a time when everything should be
done to keep it out of the papers this woman is going to flaunt herself
on the stage!"

She fanned herself indignantly, while the lawyer rapped his desk
absent-mindedly with a paper cutter. Alicia went on:

"You know I have never met the woman. What is she like? I understand
she's been bothering you to take the case of that worthless husband of
hers. Do you know she had the impertinence to come to our house and ask
Mr. Jeffries to help them? I asked my husband to describe her, but all I
could get from him was that she was impertinent and impossible." She
hesitated a moment, then she added: "Is she as pretty as her pictures in
the paper? You've seen her, of course?"

Judge Brewster frowned.

"Yes," he replied. "She comes here every day regularly. She literally
compels me to see her and refuses to go till I've told her I haven't
changed my decision about taking her case."

"What insolence!" exclaimed Alicia. "I should think that you would have
her put out of the office."

The lawyer was silent and toyed somewhat nervously with the paper
cutter, as if not quite decided as to what response to make. He coughed
and fussed with the papers on the desk.

"Why don't you have her put out of the office?" she repeated.

The judge looked up. There was an expression in his face that might
have been interpreted as one of annoyance, as if he rather resented this
intrusion into his business affairs, but Mrs. Jeffries, Sr., was too
important a client to quarrel with, so he merely said:

"Frankly, Mrs. Jeffries, if it were not for the fact that Mr. Jeffries
has exacted from me a promise not to take up this case, I should be
tempted to--consider the matter. In the first place, you know I always
liked Howard. I saw a good deal of him before your marriage to Mr.
Jeffries. He was always a wild, unmanageable boy, weak in character, but
he had many lovable traits. I am very sorry indeed, to see him in such a
terrible position. It was hard for me to realize it and I should never
have believed him guilty had he not confessed to the crime."

"Yes," she assented. "It is an awful thing and a terrible blow to his
father. Of course, he has had nothing to do with Howard for months. As
you know, he turned him out of doors long ago, but the disgrace is none
the less overwhelming."

The lawyer looked out of the window and drummed his fingers on the arm
of his chair. Suddenly wheeling round, and facing his client, he said:

"You know this girl he married is no ordinary woman."

"Oh!" she exclaimed sarcastically. "She has succeeded in arousing your
sympathy."

The judge bowed coldly.

"No," he replied. "I would hardly say that. But she has aroused my
curiosity. She is a very peculiar girl, evidently a creature of impulse
and determination. I certainly feel sorry for her. Her position is a
very painful one. She has been married only a few months, and now her
husband has to face the most awful accusation that can be brought
against a man. She is plucky in spite of it all, and is moving heaven
and earth in Howard's defense. She believes herself to be in some
measure responsible for his misfortune. Apart from that, the case
interests me from a purely professional point of view. There are several
strange features connected with the case. Sometimes, in spite of
Howard's confession, I don't believe he committed that crime."

Alicia changed color and, shifting uneasily on her chair, scrutinized
the lawyer's face. What was behind that calm, inscrutable mask? What
theory had he formed? One newspaper had suggested suicide. She might
herself come forward and declare that Robert Underwood had threatened to
take his own life, but how could she face the scandal which such a
course would involve? She would have to admit visiting Underwood's rooms
at midnight alone. That surely would ruin her in the eyes not only of
her husband, but of the whole world. If this sacrifice of her good name
were necessary to save an innocent man's life, perhaps she might summon
up enough courage to make it. But, after all, she was by no means sure
herself that Underwood had committed suicide. Howard had confessed, so
why should she jeopardize her good name uselessly?

"No," repeated the judge, shaking his head, "there's something strange
in the whole affair. I don't believe Howard had any hand in it."

"But he confessed!" exclaimed Alicia.

The judge shook his head.

"That's nothing," he said. "There have been many instances of untrue
confessions. A famous affair of the kind was the Boorn case in Vermont.
Two brothers confessed having killed their brother-in-law and described
how they destroyed the body, yet some time afterward the murdered man
turned up alive and well. The object of the confession, of course, was
to turn the verdict from murder to manslaughter, the circumstantial
evidence against them having been so strong. In the days of witchcraft
the unfortunate women accused of being witches were often urged by
relatives to confess as being the only way of escape open to them. Ann
Foster, at Salem, in 1692, confessed that she was a witch. She said the
devil appeared to her in the shape of a bird, and that she attended a
meeting of witches at Salem village. She was not insane, but the horror
of the accusation brought against her had been too much for a weak mind.
Howard's confession may possibly be due to some such influence."

"I hope for his poor father's sake," said Alicia, "that you may be right
and that he may be proved innocent, but everything is overwhelmingly
against him. I think you are the only one in New York to express such a
doubt."

"Don't forget his wife," remarked the judge dryly.

"No," she replied. "I really feel sorry for the girl myself. Will you
give her some money if I----"

The lawyer shook his head.

"She won't take it. I tried it. She wants me to defend her husband--I
tried to bribe her to go to some other lawyer, but it wouldn't work."

"Well, something ought to be done to stop her annoying us!" exclaimed
Alicia indignantly. "Mr. Jeffries suffers terribly. I can hear him
pacing up and down the library till three or four in the morning. Poor
man, he suffers so keenly and he won't let any one sympathize with him.
He won't let me mention his son's name. I feel we ought to do something.
Try and persuade him to let me see this girl and--you are his friend as
well as his legal adviser."

Judge Brewster bowed.

"Your husband is a very old friend, Mrs. Jeffries. I can't disregard his
wishes entirely----"

There was a knock at the door of the private office.

"Come in," called the judge.

The door opened and the head clerk entered, ushering in Howard Jeffries,
Sr. The banker, still aristocratic and dignified, but looking tired and
care-worn, advanced into the room and shook hands with the judge, who
greeted him with a cordial smile. There was no response on the banker's
face. Querulously he demanded:

"Brewster, what's that woman doing out there again? It's not the first
time I've met her in this office."

Alicia looked up eagerly. "Is she out there now?" she cried.

"What right has she to come here? What's her object?" went on the banker
irritatedly.

The lawyer shrugged his shoulders.

"The same old thing," he replied. "She wants me to take her case."

The banker frowned.

"Didn't you tell her it was impossible?"

"That makes no difference," laughed the judge. "She comes just the same.
I've sent her away a dozen times. What am I to do if she insists on
coming? We can't have her arrested. She doesn't break the furniture or
beat the office boy. She simply sits and waits."

"Have you told her that I object to her coming here?" demanded the
banker haughtily.

"I have," replied the judge calmly, "but she has overruled your
objection." With a covert smile he added, "You know we can't use force."

Mr. Jeffries shrugged his shoulders impatiently.

"You can certainly use moral force," he said.

"What do you mean by moral force?" demanded the lawyer.

Mr. Jeffries threw up his hands as if utterly disgusted with the whole
business. Almost angrily he answered:

"Moral force is moral force. I mean persuasion, of course. Good God, why
can't people understand these things as I do?"

The judge said nothing, but turned to examine some papers on his desk.
He hardly liked the inference that he could not see things as plainly as
other people, but what was the use of getting irritated? He couldn't
afford to quarrel with one of his best clients.

Alicia looked at her husband anxiously. Laying her hand on his arm, she
said soothingly:

"Perhaps if I were to see her----"

Mr. Jeffries turned angrily.

"How can you think of such a thing? I can't permit my wife to come in
contact with a woman of that character."

Judge Brewster, who was listening in spite of the fact that he was
seemingly engrossed in his papers, pursed his lips.

"Oh, come," he said with a forced laugh, "she's not as bad as all that!"

"I'm sure she isn't," said Alicia emphatically. "She must be amenable to
reason."

The banker's wife was not altogether bad. Excessive vanity and ambition
had steeled her heart and stifled impulses that were naturally good, but
otherwise she was not wholly devoid of feeling. She was really sorry for
this poor little woman who was fighting so bravely to save her husband.
No doubt she had inveigled Howard into marrying her, but
she--Alicia--had no right to sit in judgment on her for that. If the
girl had been ambitious to marry above her, in what way was she more
guilty than she herself had been in marrying a man she did not love,
simply for his wealth and social position? Besides, Alicia was herself
sorely troubled. Her conscience told her that a word from her might set
the whole matter right. She might be able to prove that Underwood
committed suicide. She knew she was a coward and worse than a coward
because she dare not speak that word. The more she saw her husband's
anger the less courage she had to do it. In any case, she argued to
herself, Howard had confessed. If he shot Underwood there was no
suicide, so why should she incriminate herself needlessly? But there was
no reason why she should not show some sympathy for the poor girl who,
after all, was only doing what any good wife should do. Aloud she
repeated:

"I'll see the girl and talk to her. She must listen to reason."

"Reason!" exploded the banker angrily. "How can you expect reason from a
woman who hounds us, dogs our footsteps, tries to compel us to--take her
up?"

Judge Brewster, who had apparently paid no attention to the banker's
remarks, now turned around. Hesitatingly he said:

"I think you do her an injustice, Jeffries. She comes every day in the
hope that your feelings toward your son have changed. She wishes to give
color to the belief that his father's lawyers are championing his
cause. She was honest enough to tell me so. You know her movements are
closely watched by the newspapers and she takes good care to let the
reporters think that she comes here to discuss with me the details of
her husband's defense."

The banker shifted impatiently on his chair. Contemptuously he said:

"The newspapers which I read don't give her the slightest attention. If
they did I should refuse to read them." With growing irritation he went
on:

"It's no use talking about her any more. What are we going to do about
this latest scandal? This woman is going on the stage to be exhibited
all over the country and she proposes to use the family name."

"There is nothing to prevent her," said the lawyer dryly.

The banker jumped to his feet and exclaimed angrily:

"There must be! Good God, Brewster, surely you can obtain an injunction
restraining her from using the family name! You must do something. What
do you advise?"

"I advise patience," replied the judge calmly.

But Mr. Jeffries had no patience. He was a man who was not accustomed to
have his wishes thwarted. He did not understand why there should be the
slightest difficulty in carrying out his instructions.

"Any one can advise patience!" he exclaimed hotly, "but that's not doing
anything." Banging the desk angrily with his fist, he shouted: "I want
something done!"

Judge Brewster looked up at his client with surprise. The judge never
lost his temper. Even in the most acrimonious wrangles in the courtroom
he was always the suave, polished gentleman. There was a shade of
reproach in his tone as he replied:

"Come, come, don't lose your temper! I'll do what I can, but there is
nothing to be done in the way you suggest. The most I can do is to
remain loyal to you, although--to be quite candid--I confess it goes
against the grain to keep my hands off this case. As I told your wife,
there are certain features about it which interest me keenly. I feel
that you are wrong to----"

"No, Brewster!" interrupted Mr. Jeffries explosively. "I'm right! I'm
right! You know it, but you won't admit it."

The lawyer shrugged his shoulders and turned to his desk again.
Laconically, he said:

"Well, I won't argue the matter with you. You refuse to be advised by me
and----"

The banker looked up impatiently.

"What is your advice?"

The lawyer, without looking up from his papers, said quietly:

"You know what my feelings in the matter are."

"And you know what mine are!" exclaimed the banker hotly. "I refuse to
be engulfed in this wave of hysterical sympathy with criminals. I will
not be stamped with the same hall mark as the man who takes the life of
his fellow being--though the man be my own son. I will not set the seal
of approval on crime by defending it."

The lawyer bowed and said calmly:

"Then, sir, you must expect exactly what is happening. This girl,
whatever she may be, is devoted to your son. She is his wife. She'll go
to any extreme to help him--even to selling her name for money to pay
for his defense."

The banker threw up his hands with impatience.

"It's a matter of principle with me. Her devotion is not the question."
With a mocking laugh he went on: "Sentimentality doesn't appeal to me.
The whole thing is distasteful and hideous to me. My instructions to you
are to prevent her using the family name on the stage, to buy her off on
her own terms, to get rid of her at any price."

"Except the price she asks," interposed the lawyer dryly. Shaking his
head, he went on:

"You'll find that a wife's devotion is a very strong motive power,
Jeffries. It will move irresistibly forward in spite of all the barriers
you and I can erect to stay its progress. That may sound like a
platitude, but it's a fact nevertheless."

Alicia, who had been listening with varied emotions to the conversation,
now interrupted timidly:

"Perhaps Judge Brewster is right, dear. After all, the girl is working
to save your son. Public opinion may think it unnatural----"

The banker turned on his wife. Sternly he said:

"Alicia, I cannot permit you to interfere. That young man is a
self-confessed murderer and therefore no son of mine. I've done with him
long ago. I cannot be moved by maudlin sentimentality. Please let that
be final." Turning to the lawyer, he said coldly:

"So, in the matter of this stage business, you can take no steps to
restrain her?"

The lawyer shook his head.

"No, there is nothing I can do." Quickly he added: "Of course, you don't
doubt my loyalty to you?"

Mr. Jeffries shook his head.

"No, no, Brewster."

The lawyer laughed as he said:

"Right or wrong, you know--'my country'--that is, my client--''tis of
thee.'" Turning to Alicia, he added laughingly: "That's the painful part
of a lawyer's profession, Mrs. Jeffries. The client's weakness is the
lawyer's strength. When men hate each other and rob each other we
lawyers don't pacify them. We dare not, because that is our profession.
We encourage them. We pit them against each other for profit. If we
didn't they'd go to some lawyer who would."

Alicia gave a feeble smile.

"Yes," she replied; "I'm afraid we all love to be advised to do what we
want to do."

Mr. Jeffries made an impatient gesture of dissent. Scoffingly he
remarked:

"That may apply to the great generality of people, but not to me."

Judge Brewster looked skeptical, but made no further comment. The banker
rose and Alicia followed suit. As he moved toward the door, he turned
and said:

"Drop in and see me this evening, Brewster. Mrs. Jeffries will be
delighted if you will dine with us."

Alicia smiled graciously. "Do come, judge; we shall be all alone."

The lawyer bent low over her hand as he said good-by. Mr. Jeffries had
already reached the door, when he turned again and said:

"Are you sure a very liberal offer wouldn't induce her to drop the
name?"

The lawyer shook his head doubtfully.

"Well, see what you can do," cried the banker. To his wife he said: "Are
you coming, Alicia?"

"Just a moment, dear," she replied. "I want to say a word to the
judge."

"All right," replied the banker. "I'll be outside." He opened the door,
and as he did so he turned to the lawyer:

"If there are any new developments let me know at once."

He left the office and Alicia breathed a sigh of relief. She did not
love her husband, but she feared him. He was not only twenty years her
senior, but his cold, aristocratic manner intimidated her. Her first
impulse had been to tell him everything, but she dare not. His manner
discouraged her. He would begin to ask questions, questions which she
could not answer without seriously incriminating herself. But her
conscience would not allow her to stand entirely aloof from the tragedy
in which her husband's scapegrace son was involved. She felt a strange,
unaccountable desire to meet this girl Howard had married. In a quick
undertone to the lawyer, she said:

"I must see that woman, judge. I think I can persuade her to change her
course of action. In any case I must see her, I must----" Looking at him
questioningly, she said: "You don't think it inadvisable, do you?"

The judge smiled grimly.

"I think I'd better see her first," he said. "Suppose you come back a
little later. It's more than probable that she'll be here this
afternoon. I'll see her and arrange for an interview."

There was a knock at the door, and Alicia started guiltily, thinking her
husband might have overheard their conversation. The head clerk entered
and whispered something to the judge, after which he retired. The lawyer
turned to Alicia with a smile.

"It's just as I thought," he said pleasantly, "she's out there now.
You'd better go and leave her to me."

The door opened again unceremoniously, and Mr. Jeffries put in his head:

"Aren't you coming, Alicia?" he demanded impatiently. In a lower voice
to the lawyer, he added: "Say, Brewster, that woman is outside in your
office. Now is your opportunity to come to some arrangement with her."

Again Mrs. Jeffries held out her hand.

"Good-by, judge; you're so kind! It needs a lot of patience to be a
lawyer, doesn't it?"

Judge Brewster laughed, and added in an undertone:

"Come back by and by."

The door closed, and the lawyer went back to his desk. For a few moments
he sat still plunged in deep thought. Suddenly, he touched a bell. The
head clerk entered.

"Show Mrs. Howard Jeffries, Jr., in."

The clerk looked surprised. Strict orders hitherto had been to show the
unwelcome visitor out. He believed that he had not heard aright.

"Did you say Mrs. Jeffries, Jr., judge?"

"I said Mrs. Jeffries, Jr.," replied the lawyer grimly.

"Very well, judge," said the clerk, as he left the room.

Presently there was a timid knock at the door.

"Come in!" called out the lawyer.




CHAPTER XV.


Annie entered the presence of the famous lawyer pale and ill at ease.
This sudden summons to Judge Brewster's private office was so unexpected
that it came like a shock. For days she had haunted the premises,
sitting in the outer office for hours at a time exposed to the stare and
covert smiles of thoughtless clerks and office boys. Her requests for an
interview had been met with curt refusals. They either said the judge
was out of town or else that he was too busy to be seen. At last,
evidently acting upon orders, they flatly refused to even send in her
name, and she had about abandoned hope when, all at once, a clerk
approached her, and addressing her more politely than usual, said that
the judge would see her in a few minutes.

Her heart gave a great throb. Almost speechless from surprise, she
stammered a faint thanks and braced herself for the interview on which
so much depended. For the first time since the terrible affair had
happened, there was a faint glimmer of hope ahead. If only she could
rush over to the Tombs and tell Howard the joyful news so he might keep
up his courage! It was eight days now since Howard's arrest, and the
trial would take place in six weeks. There was still time to prepare a
strong defense if the judge would only consent to take the case. She was
more sure than ever that a clever lawyer would have no difficulty in
convincing a jury that Howard's alleged "confession" was untrue and
improperly obtained.

In the intervals of waiting to see the lawyer, she had consulted every
one she knew, and among others she had talked with Dr. Bernstein, the
noted psychologist, whom she had seen once at Yale. He received her
kindly and listened attentively to her story. When she had finished he
had evinced the greatest interest. He told her that he happened to be
the physician called in on the night of the tragedy, and at that time he
had grave doubts as to it being a case of murder. He believed it was
suicide, and he had told Captain Clinton so, but the police captain had
made up his mind, and that was the end of it. Howard's "confession," he
went on, really meant nothing. If called to the stand he could show the
jury that a hypnotic subject can be made to "confess" to anything. In
the interest of truth, justice, and science, he said, he would gladly
come to her aid.

All this she would tell Judge Brewster. It would be of great help to
him, no doubt. Suddenly, a cold shiver ran through her. How did she know
he would take the case? Perhaps this summons to his office was only to
tell her once more that he would have nothing to do with her and her
husband. She wondered why he had decided so suddenly to see her and,
like a flash, an idea came to her. She had seen Mr. Jeffries, Sr., enter
the inner sanctum and, instinctively, she felt that she had something to
do with his visit. The banker had come out accompanied by a richly
dressed woman whom she guessed to be his wife.

She looked with much interest at Howard's stepmother. She had heard so
much about her that it seemed to her that she knew her personally. As
Alicia swept proudly by, the eyes of the two women met, and Annie was
surprised to see in the banker's wife's face, instead of the cold,
haughty stare she expected, a wistful, longing look, as if she would
like to stop and talk with her, but dare not. In another instant she was
gone, and, obeying a clerk, who beckoned her to follow him, she entered
Judge Brewster's office.

The lawyer looked up as she came in, but did not move from his seat.
Gruffly he said:

"How long do you intend to keep up this system of--warfare? How long are
you going to continue forcing your way into this office?"

"I didn't force my way in," she said quietly. "I didn't expect to come
in. The clerk said you wanted to see me."

The lawyer frowned and scrutinized her closely. After a pause, he said:

"I want to tell you for the fiftieth time I can do nothing for you."

"Fifty?" she echoed. "Fifty did you say? Really, it doesn't seem that
much."

Judge Brewster looked at her quickly to see if she was laughing at him.
Almost peevishly, he said:

"For the last time, I repeat I can do nothing for you."

[Illustration: "I CAN DO NOTHING FOR YOU," SAID THE JUDGE.]

"Not the last time, judge," she replied, shaking her head. "I shall come
again to-morrow."

The lawyer swung around in his chair with indignation.

"You will----?"

Annie nodded.

"Yes, sir," she said quietly.

"You're determined to force your way in here?" exclaimed the lawyer.

"Yes, sir."

The judge banged the desk with his fist.

"But I won't allow it! I have something to say, you know! I can't permit
this to go on. I represent my client, Mr. Howard Jeffries, Sr., and he
won't consent to my taking up your husband's case."

There was a shade of sarcasm in Annie's voice as she asked calmly:

"Can't you do it without his consent?"

The lawyer looked at her grimly.

"I can," he blurted out, "but--I won't."

Her eyes flashed as she replied quickly.

"Well, you ought to----"

The lawyer looked up in amazement.

"What do you mean?" he demanded.

"It's your duty to do it," she said quietly. "Your duty to his son, to
me, and to Mr. Jeffries himself. Why, he's so eaten up with his family
pride and false principles that he can't see the difference between
right and wrong. You're his lawyer. It's your duty to put him right.
It's downright wicked of you to refuse--you're hurting him. Why, when I
was hunting around for a lawyer one of them actually refused to take up
the case because he said old Brewster must think Howard was guilty or
he'd have taken it up himself. You and his father are putting the whole
world against him, and you know it."

The judge was staggered. No one in his recollection had ever dared to
speak to him like that. He was so astonished that he forgot to resent
it, and he hid his confusion by taking out his handkerchief and mopping
his forehead.

"I do know it," he admitted.

"Then why do you do it?" she snapped.

The lawyer hesitated, and then he said:

"I--that's not the question."

Annie leaped quickly forward, and she replied:

"It's my question--and as you say, I've asked it fifty times."

The lawyer sat back in his chair and looked at her for a moment without
speaking. He surveyed her critically from head to foot, and then, as if
satisfied with his examination, said:

"You're going on the stage?"

She nodded.

"I've had a very big offer."

The judge leaned forward, and in a low voice, so that no one in the
outer office might hear, he said:

"Well, I'll give you twice as much if you refuse the engagement."

She laughed ironically.

"You mean that my father-in-law will give it," she said lightly. Then
she went on:

"You know it's no use your asking me to concede anything unless you
agree to defend Howard."

The lawyer shook his head.

"I can't--it's impossible."

"Then neither can I," she exclaimed defiantly.

Judge Brewster could not refrain from smiling. This young woman had
actually inveigled him into an argument. Almost mockingly, he said:

"So you're determined to have me."

"Yes," she said simply.

"But I don't argue criminal cases."

"That's just it," she exclaimed eagerly; "my husband is not a criminal.
He is innocent. I don't want a lawyer who is always defending criminals.
I want one who defends a man because he isn't a criminal."

Judge Brewster waved his hand contemptuously.

"Go and see some other lawyer--there are plenty of 'em."

She leaned eagerly forward. Her face was flushed from excitement, her
eyes flashed.

"There's only one Judge Brewster," she exclaimed. "He's the greatest
lawyer in the world, and he's going to help us. He is going to save
Howard's life."

The judge shifted uneasily on his chair. He didn't like this forceful,
persistent young woman. Almost fretfully, he said:

"You always say that. Upon my word, I shall begin to believe it soon."

"I shall say it again," she exclaimed, "and again every time I see
you."

The lawyer turned round. There was a comic look of despair in his face
which would have amused his visitor had her errand not been so serious.

"How often do you intend that shall be?"

"Every day," she replied calmly. "I shall say it and think it
until--until it comes true."

Judge Brewster tried to feel angry, although inwardly he had hard work
to keep from smiling. With pretended indignation, he said:

"You mean that you intend to keep at me until I give way--through sheer
exhaustion?"

She nodded.

"That's it exactly," she said.

The lawyer gasped.

"Well, I must say you--you--you're very brave."

Annie shook her head.

"No, I'm not," she said earnestly. "I'm an awful coward, but I'm
fighting for him. Howard Jeffries lifted me up when I was way down in
the world. He gave me his name. He gave me all he had, to make me a
better woman, and I'm grateful. Why, even a dog has gratitude, even a
dog will lick the hand that feeds him. Why should I hesitate to express
my gratitude? That's all I'm doing--just paying him back a bit of the
debt I owe him, and I'm going to move Heaven and earth to bring his
father around to my way of thinking. I've got you already----"

The judge bounded to his feet. Could his ears have heard aright?

"Got me already?" he exclaimed. "What do you mean by that?"

Annie returned his angry look with the utmost calm. She was playing her
cards well, and she knew it. She had hit the old man in a sensitive
place. Quietly, she went on:

"You'd say 'yes' in a minute if it wasn't for Mr. Jeffries."

"Oh, you think so, do you?" he gasped.

"I'm sure of it," she replied confidently. Boldly she went on: "You're
afraid of him."

Judge Brewster laughed heartily.

"Afraid of him?" he echoed.

"It isn't so funny," she went on. "You're afraid of opposing him. I'm
not surprised. I'm afraid of him myself."

The lawyer looked at her in an amused kind of way.

"Then why do you oppose him in everything?" he demanded.

Annie laughed as she replied:

"That's the only way I can get his attention. Why, when he met me out
there to-day he actually looked at me. For the first time in his life he
recognized that he has a daughter-in-law. He looked at me--and I'm not
sure, but I think he wanted to bow to me. He's kind of beginning to sit
up and take notice."

Judge Brewster frowned. He did not like the insinuation that he was
afraid to do the right thing because it might interfere with his
emoluments. Yet, secretly, he had to admit to himself that she had
almost guessed right. Now he came to think of it, he had taken this
stand in the matter because he knew that any other course would
displease his wealthy client. After all, was he doing right? Was he
acting in conformance with his professional oath? Was he not letting his
material interests interfere with his duty? He was silent for several
minutes, and then, in an absent-minded kind of way, he turned to his
visitor.

"So you think I'm afraid of him, do you?"

"I'm sure of it," she said quickly. "You liked my husband, and you'd
just love to rush in and fight for him. His father thinks he is guilty
and, well--you don't like to disobey him. It's very natural. He's an
influential man, a personal friend of the President and all that. You
know on which side your bread is buttered, and--oh, it's very
natural--you're looking out for your own interests----"

Judge Brewster interrupted her impatiently.

"Circumstances are against Howard. Your father judges him guilty from
his own confession. It's the conclusion I'm compelled to come to myself.
Now, how do you propose to change that conclusion?"

"You don't have to change it," she said quietly, "You don't believe
Howard guilty."

"I don't?" exclaimed the lawyer.

"No, at the bottom of your heart. You knew Howard when he was a boy, and
you know he is as incapable of that crime as you are."

Judge Brewster lapsed into silence, and there followed a perfect quiet,
broken only by the suppressed chatter of the clerks and clicking of the
typewriters in the outer office. Annie watched him closely, wondering
what was passing in his mind, fearing in her heart that she might have
prejudiced him against her husband only the more. Suddenly he turned on
her.

"Mrs. Jeffries, how do you know that your husband did not kill Robert
Underwood?"

"I know it," she said confidently.

"Yes," persisted the judge, "but how do you know it?"

Annie looked steadily at him, and then she said solemnly:

"I know there's a God, but I can't tell you how I know it. I just know
it, that's all! Howard didn't do it. I know he didn't."

The lawyer smiled.

"That's a very fair sample of feminine logic."

"Well, it's all I have," she retorted, with a toss of her head. "And
it's a mighty comfort, too, because when you know a thing you know it
and it makes you happy."

Judge Brewster laughed outright.

"Feminine deduction!" he cried. "Think a thing, believe it, and then you
know it!" Looking up at her, he asked:

"Haven't you any relatives to whom you can go?"

She shook her head.

"No," she said sadly. "My father died in--Sing Sing--and the rest are
not worth----"

"Yes, yes, I know," replied the judge hastily. "I got your family
history from Mr. Jeffries after your marriage. It is filed away among
the family archives."

She smiled sadly.

"It's a wonder you don't burn 'em up--my folks were not a very brilliant
lot." Earnestly she went on: "But my father was all right, judge. Blood
was thicker than water with him. He'd never have gone back on me in the
way Howard's father has on him."

The lawyer looked at her fixedly without speaking. Their eyes met, and
the silence continued until it became embarrassing. Judge Brewster shook
his head.

"It's too bad. I'm sorry for you, really, I----"

Annie laughed, and he asked:

"Why do you laugh?"

"What's the use of crying?" she said. "Ha! Ha! It's almost a joke.
You're sorry, my father-in-law is sorry, and I suppose my mother-in-law
is shedding tears for me, too. You're all sorry and you're all wearing
crape for us, but why can't some of you _do_ something?"

The lawyer said nothing. He still stared at her in a strange,
absent-minded kind of way, until finally she lost patience. Boldly she
said:

"Well, you sent for me. What do you want to see me about, judge?"

"I want to tell you that you mustn't come here again," he answered.

"Anything else?" she exclaimed.

The judge began to fuss with the papers on his desk, as he usually did
when embarrassed for words.

"Of course," he stammered, "you will be amply compensated."

"Of course," she cried. Rising from her chair, she shrugged her
shoulders, and said:

"Oh, well, this is not my lucky day. They wouldn't let me into the
prison to see Howard to-day. Captain Clinton doesn't like me. He has
always tried to prevent my seeing Howard, but I'll see him to-morrow,
captain or no captain. He can make up his mind to that!"

The lawyer looked up at her.

"Poor girl--you are having a hard time, aren't you?"

"Things have been better," she replied, with a tremor in her voice.
"Howard and I were very happy when we first----" A sob choked her
utterance, and she forced a laugh, saying: "Here, I must keep off that
subject----"

"Why do you laugh?" demanded the lawyer.

Already hysterical, Annie had great difficulty in keeping back her
tears.

"Well, if I don't laugh," she sobbed, "I'll cry; and as I don't want to
cry--why--I just laugh. It's got to be one or the other--see----?"

He said nothing, and she continued:

"Well, I guess I'll go home--home--that's the worst part of
it--home----"

She stopped short, she could go no further. Her bosom was heaving, the
hot tears were rolling down her cheeks. The old lawyer turned away his
head so that she might not see the suspicious redness in his eyes.
Moving toward the door, she turned around.

"Well, you have your own troubles, judge. I'll go now, but I'll come
again to-morrow. Perhaps you'll have better news for me."

The lawyer waved her back to her seat with a commanding gesture she
could not resist. There was determination around his mouth; in his face
was an expression she had not seen there before.

"Sit down again for a moment," he said sharply. "I want to ask you a
question. How do you account for Howard's confessing to the shooting?"

"I don't account for it," she replied, as she resumed her seat. "He says
he didn't confess. I don't believe he did."

"But three witnesses----"

"Who are the witnesses?" she interrupted contemptuously. "Policemen!"

"That makes no difference," he said. "He made a confession and
signed----"

Annie leaned forward. What did this questioning mean? Was the judge
becoming interested after all? Her heart gave a leap as she answered
eagerly:

"He confessed against his will. I mean--he didn't know what he was doing
at the time. I've had a talk with the physician who was called in--Dr.
Bernstein. He says that Captain Clinton is a hypnotist, that he can
compel people to say what he wants them to say. Well, Howard is--what
they call a subject--they told him he did it till he believed he did."

She looked narrowly at the lawyer to see what effect her words were
having, but to her great disappointment the judge was apparently paying
not the slightest attention. He was gazing out of the window and
drumming his fingers absent-mindedly on the desk. Utterly discouraged,
she again rose.

"Oh, well, what's the use----?"

The judge quickly put out his hand and partly pushed her back in the
chair.

"Don't go," he said. Then he added:

"Who told you he was a hypnotic subject?"

Her hopes revived once more. Quickly she said:

"Dr. Bernstein. Besides, Howard told me so himself. A friend of his at
college used to make him cut all sorts of capers."

"A friend at college, eh? Do you remember his name?"

"Howard knows it."

"Um!" ejaculated the lawyer. He took up a pad and wrote a memorandum on
it. Then aloud he said: "I'd like to have a little talk with Dr.
Bernstein. I think I'll ask him to come and see me. Let me see. His
address is----"

"342 Madison Avenue," she exclaimed eagerly.

The lawyer jotted the address down, and then he looked up.

"So you think I'm afraid of Mr. Jeffries, do you?"

She smiled.

"Oh, no, not really afraid," she answered, "but just--scared. I didn't
mean----"

Judge Brewster was enjoying the situation hugely. He had quite made up
his mind what to do, but he liked to quiz this bold young woman who had
not been afraid to show him where his duty lay. Striving to keep a
serious face, he said:

"Oh, yes, you did, and I want you to understand I'm not afraid of any
man. As to allowing my personal interests to interfere with my duty----"

Annie took alarm. She was really afraid she had offended him.

"Oh, I didn't say that, did I?" she exclaimed timidly.

Judge Brewster forced his face into a frown.

"You said I knew on which side my bread was buttered!"

"Did I?" she exclaimed in consternation.

"You say a great many things, Mrs. Jeffries," said the lawyer solemnly.
"Of course, I realize how deeply you feel, and I make excuses for you.
But I'm not afraid. Please understand that----"

He rapped the table with his eyeglasses as if he were very much offended
indeed.

"Of course not," she said apologetically. "If you were you wouldn't even
see me--let alone talk to me--and--and----" Pointing to the piece of
paper he held in his hand, she added: "And----"

"And what?" demanded the judge, amused.

Half hysterical, now laughing, now crying, she went on:

"And--and take the names and addresses of witnesses for the
defense--and--think out how you're going to defend Howard--and--and all
that----"

The lawyer looked at her and laughed.

"So you think I'm going to help Howard?" he said. "You take too much for
granted."

"You're not afraid to help him," she said. "I know that--you just said
so."

Judge Brewster raised his fist and brought it down on the desk with a
bang which raised in a cloud the accumulated dust of weeks. His face set
and determined, he said:

"You're quite right! I'm going to take your case!"

Annie felt herself giving way. It was more than she could stand. For
victory to be hers when only a moment before defeat seemed certain was
too much for her nerves. All she could gasp was:

"Oh, judge!"

The lawyer adjusted his eyeglasses, blew his nose with suspicious
energy, and took up a pen.

"Now don't pretend to be surprised--you knew I would. And please don't
thank me. I hate to be thanked for doing what I want to do. If I didn't
want to do it, I wouldn't----"

Through her tears she murmured:

"I'd like to say 'thank you'."

"Well, please don't," he snapped.

But she persisted. Tenderly, she said:

"May I say you're the dearest, kindest----"

Judge Brewster shook his head.

"No--no--nothing of the kind."

"Most gracious--noble-hearted--courageous," she went on.

The judge struck the table another formidable blow.

"Mrs. Jeffries!" he exclaimed.

She turned away her head to hide her feelings.

"Oh, how I'd like to have a good cry," she murmured. "If Howard only
knew!"

Judge Brewster touched an electric button, and his head clerk entered.

"Mr. Jones," said the lawyer quickly, "get a stenographic report of the
case of the People against Howard Jeffries, Junior; get the coroner's
inquest, the grand jury indictment, and get a copy of the Jeffries
confession--get everything--right away!"

The clerk looked inquiringly, first at Annie and then at his employer.
Then respectfully he asked:

"Do we, sir?"

"We do," said the lawyer laconically.




CHAPTER XVI.


"Now, my dear young woman," said Judge Brewster, when the astonished
head clerk had withdrawn, "if we are going to set your husband free we
must get to work, and you must help me."

His visitor looked up eagerly.

"I'll do anything in my power," she said quickly. "What can I do?"

"Well--first of all," said the lawyer with some hesitation, "I want you
to see a certain lady and to be exceedingly nice to her."

"Lady?" echoed Annie surprised. "What lady?"

"Mrs. Howard Jeffries, Senior," he replied slowly.

"Howard's stepmother!" she ejaculated.

A clerk entered and handed his employer a card. The lawyer nodded and
said in an undertone:

"Show her in." Turning round again, he went on: "Yes--Howard's
stepmother. She's out there now. She wants to see you. She wishes to be
of service to you. Now, you must conciliate her. She may be of great use
to us."

Annie's face expressed considerable doubt.

"Perhaps so," she said, "but the door was slammed in my face when I
called to see her."

"That's nothing," answered the judge. "She probably knows nothing about
it. In any case, please remember that she is my client----"

She bowed her head and murmured obediently:

"I'll remember."

The door of the office opened and Alicia entered. She stopped short on
seeing who was there, and an awkward pause followed. Judge Brewster
introduced them.

"Mrs. Jeffries, may I present Mrs. Howard, Junior?"

Alicia bowed stiffly and somewhat haughtily. Annie remained
self-possessed and on the defensive. Addressing the banker's wife, the
lawyer said:

"I told Mrs. Howard that you wished to speak to her." After a pause he
added: "I think, perhaps, I'll leave you together. Excuse me."

He left the office and there was another embarrassing silence. Annie
waited for Mrs. Jeffries to begin. Her attitude suggested that she
expected something unpleasant and was fully prepared for it. At last
Alicia broke the silence:

"You may think it strange that I have asked for this interview," she
began, "but you know, Annie----" Interrupting herself, she asked: "You
don't mind my calling you Annie, do you?"

The young woman smiled.

"I don't see why I should. It's my name and we're relatives--by
marriage." There was an ironical ring in her voice as she went on:
"Relatives! It seems funny, doesn't it, but we don't pick and choose our
relatives. We must take them as they come."

Alicia made an effort to appear conciliatory.

"As we are--what we are--let's try to make the best of it."

"Make the best of it?" echoed Annie. "God knows I'm willing, but I've
had mighty little encouragement, Mrs. Jeffries. When I called to see you
the other day, to beg you to use your influence with Mr. Jeffries, 'not
at home' was handed to me by the liveried footman and the door was
slammed in my face. Ten minutes later you walked out to your carriage
and were driven away."

"I knew nothing of this--believe me," murmured Alicia apologetically.

"It's what I got just the same," said the other dryly. Quickly she went
on: "But I'm not complaining, understand--I'm not complaining. Only I
did think that at such a time one woman might have held out a helping
hand to another."

Alicia held up her hand protestingly.

"How could I?" she exclaimed. "Now, be reasonable. You are held
responsible for Howard's present position."

"Yes--by the police," retorted Annie grimly, "and by a couple of yellow
journals. I didn't think you'd believe all the gossip and scandal that's
been printed about me. I didn't believe what was said about you."

Alicia started and changed color.

"What do you mean?" she exclaimed haughtily. "What was said about me?"

"Well, it has been said that you married old Jeffries for his money and
his social position."

"'Old Jeffries!'" protested Alicia indignantly, "Have you no respect
for your husband's father?"

"Not a particle," answered the other coolly, "and I never will have till
he acts like a father. I only had one interview with him and it finished
him with me for all time. He ain't a father--he's a fish."

"A fish!" exclaimed Alicia, scandalized at such _lèse majesté_.

Annie went on recklessly:

"Yes--a cold-blooded----"

"But surely," interrupted Alicia, "you respect his position--his----"

"No, m'm; I respect a man because he behaves like a man, not because he
lives in a marble palace on Riverside Drive."

Alicia looked pained. This girl was certainly impossible.

"But surely," she said, "you realized that when you married Howard
you--you made a mistake--to say the least?"

"Yes, that part of it has been made pretty plain. It was a mistake--his
mistake--my mistake. But now it's done and it can't be undone. I don't
see why you can't take it as it is and--and----"

She stopped short and Alicia completed the sentence for her:

"--and welcome you into our family----"

"Welcome me? No, ma'am. I'm not welcome and nothing you or your set
could say would ever make me believe that I was welcome. All I ask is
that Howard's father do his duty by his son."

"I do not think--pardon my saying so," interrupted Alicia stiffly, "that
you are quite in a position to judge of what constitutes Mr. Jeffries'
duty to his son."

"Perhaps not. I only know what I would do--what my father would have
done--what any one would do if they had a spark of humanity in them. But
they do say that after three generations of society life red blood turns
into blue."

Alicia turned to look out of the window. Her face still averted she
said:

"What is there to do? Howard has acknowledged his guilt--any sacrifices
we may make will be thrown away."

Annie eyed her companion with contempt. Her voice quivering with
indignation, she burst out:

"What is there to do! Try and save him, of course. Must we sit and do
nothing because things look black? Ah! I wasn't brought up that way. No,
ma'am, I'm going to make a fight!"

"It's useless," murmured Alicia, shaking her head.

"Judge Brewster doesn't think so," replied the other calmly.

The banker's wife gave a start of surprise. Quickly she demanded:

"You mean that Judge Brewster has encouraged you to--to----"

"He's done more than encourage me--God bless him!--he's going to take up
the case."

Alicia was so thunderstruck that for a moment she could find no answer.

"What!" she exclaimed, "without consulting Mr. Jeffries?"

She put her handkerchief to her face to conceal her agitation. Could it
be possible that the judge was going to act, after all, in defiance of
her husband's wishes? If that were true, what would become of her?
Concealment would be no longer possible. Discovery of her clandestine
visit to Underwood's apartment that fatal night must come. Howard might
still be the murderer, Underwood might not have committed suicide, but
her visit to his rooms at midnight would become known. Judge Brewster
was not the man to be deterred by difficulties once he took up a case.
He would see the importance of finding the mysterious woman who went
secretly to Underwood's rooms that night of the tragedy.

"He consulted only his own feelings," went on Annie. "He believes in
Howard, and he's going to defend him."

Alicia looked at her anxiously as if trying to read what might be in her
mind. Indifferently she went on:

"The papers say there was a quarrel about you, that you and Mr.
Underwood were too friendly. They implied that Howard was jealous. Is
this true?"

"It's all talk," cried Annie indignantly--"nothing but scandal--lies!
There's not a word of truth in it. Howard never had a jealous thought of
me--and as for me--why--I've always worshiped the ground he walked on.
Didn't he sacrifice everything for my sake? Didn't he quarrel with his
father for me? Didn't he marry me? Didn't he try to educate and make a
lady of me? My God!--do you suppose I'd give a man like that cause for
jealousy? What do the newspapers care? They print cruel statements that
cut into a woman's heart, without giving it a thought, without knowing
or caring whether it's true or not, as long as it interests and amuses
their readers. You--you don't really believe I'm the cause of his
misfortunes, do you?"

Alicia shook her head as she answered kindly:

"No, I don't. Believe me, I don't. You were right when you said that at
such a time as this one woman should stand by another. I'm going to
stand by you. Let me be your friend, let me help you." Extending her
hand, she said: "Will you?"

Annie grasped the proffered hand. It was the first that had been held
out to her in her present trouble. A lump rose in her throat. Much
affected, she said:

"It's the first kind word that----" She stopped and looked closely for a
moment at Alicia. Then she went on:

"It's the queerest thing, Mrs. Jeffries, but it keeps coming into my
mind. Howard told me that while he was at Underwood's that dreadful
night he thought he heard your voice. It must have been a dream, of
course, yet he thought he was sure of it. Your voice--that's queer,
isn't it? Why--what's the matter?"

Alicia had grown deathly pale and staggered against a chair. Annie ran
to her aid, thinking she was ill.

"It's nothing--nothing!" stammered Alicia, recovering herself.

Fearing she had said something to hurt her feelings, Annie said
sympathetically:

"I haven't said anything--anything out of the way--have I? If I have I'm
sorry--awfully sorry. I'm afraid--I--I've been very rude and you've been
so kind!"

"No, no!" interrupted Alicia quickly. "You've said nothing--done
nothing--you've had a great deal to bear--a great deal to bear. I
understand that perfectly." Taking her companion's hand in hers, she
went on, "Tell me, what do they say about the woman who went to see
Robert Underwood the night of the tragedy?"

"The police can't find her--we don't know who she is." Confidently she
went on: "But Judge Brewster will find her. We have a dozen detectives
searching for her. Captain Clinton accused me of being the woman--you
know he doesn't like me."

The banker's wife was far too busy thinking of the number of detectives
employed to find the missing witness to pay attention to the concluding
sentence. Anxiously she demanded:

"Supposing the woman is found, what can she prove? What difference will
it make?"

"All the difference in the world," replied Annie. "She is a most
important witness." Firmly she went on: "She must be found. If she
didn't shoot Robert Underwood, she knows who did."

"But how can she know?" argued Alicia. "Howard confessed that he did it
himself. If he had not confessed it would be different."

"He did not confess," replied the other calmly. "Mrs. Jeffries--he never
confessed. If he did, he didn't know what he was saying."

Alicia was rapidly losing her self-possession.

"Did he tell you that?" she gasped.

Annie nodded.

"Yes. Dr. Bernstein says the police forced it out of his tired brain. I
made Howard go over every second of his life that night from the time he
left me to the moment he was arrested. There wasn't a harsh word between
them." She stopped short and looked with alarm at Alicia, who had turned
ashen white. "Why, what's the matter? You're pale as death--you----"

Alicia could contain herself no longer. Her nerves were on the point of
giving way. She felt that if she could not confide her secret to some
one she must go mad. Pacing the floor, she cried:

"What am I to do? What am I to do? I believed Howard guilty. Why
shouldn't I? I had no reason to doubt his own confession! Every one
believed it--his own father included. Why should I doubt it. But I see
it all now! Underwood must have shot himself as he said he would!"

Annie started. What did Mrs. Jeffries mean? Did she realize the
tremendous significance of the words she was uttering?

"As he said he would?" she repeated slowly.

"Yes," said Alicia weakly.

Annie bounded forward and grasped her companion's arm. Her face flushed,
almost unable to speak from suppressed emotion, she cried:

"Ah! I begin to understand. You knew Robert Underwood? Howard knows your
voice--he heard you--talking to him----Oh, Mrs. Jeffries! Are you the
woman who visited his apartment that night?"

The banker's wife bowed her head and collapsed on a chair.

"Yes," she murmured in a low tone.

Annie looked at her in amazement.

"Why didn't you come forward at once?" she cried. "Think of the pain
which you might have spared us!"

Alicia covered her face with her handkerchief. She was crying now.

"The disgrace--the disgrace!" she moaned.

"Disgrace!" echoed Annie, stupefied. Indignantly, she went on:
"Disgrace--to you? But what of me and Howard?"

Alicia looked up.

"Can't you realize what it means to be associated with such a crime?"
she wailed.

"Disgrace!" cried Annie contemptuously. "What is disgrace when a human
life is at stake?"

"It seemed so useless," moaned Alicia--"a useless sacrifice in the face
of Howard's confession. Of course--if I'd known--if I'd suspected what
you tell me--I'd have come forward and told everything--no matter at
what cost." Tearfully she added: "Surely you realize the position it
puts me in?"

A new light shone in Annie's eyes. What was this woman's misery to her?
Her duty was to the poor fellow who was counting the hours until she
could set him free. His stepmother deserved no mercy. Utterly selfish,
devoid of a spark of humanity, she would have left them both to perish
in order to protect herself from shame and ridicule. Her face was set
and determined as she said calmly:

"It must be done now."

"Yes," murmured Alicia in a low tone that sounded like a sob, "it must
be done now! Oh, if I'd only done it before--if I'd only told Mr.
Jeffries the whole truth! You speak of Howard's sufferings. If he didn't
do it, he has at least the consciousness of his own innocence, but
I--the constant fear of being found out is worse than any hell the
imagination can conjure up. I dreaded it--I dread it now--it means
disgrace--social ostracism--my husband must know--the whole world will
know."

Annie was not listening. Still bewildered, she gazed with the utmost
astonishment at her companion. To think that this mysterious woman they
had been seeking was Howard's stepmother.

"So you're the missing witness we've all been hunting for!" she said; "I
can't believe it even now. How did it happen?"

Alicia explained in short, broken sentences:

"He and I were once engaged. I broke it off when I found him out. After
I married Mr. Jeffries I met Underwood again. Foolishly, I allowed the
old intimacy to be renewed. He took advantage and preyed on my friends.
I forbade him my house. He wrote me a letter in which he threatened to
kill himself. I was afraid he meant it--I wanted to prevent him. I went
to his rooms that night. I--didn't tell Mr. Jeffries. When the truth is
known and I acknowledge that I visited this man--can you see what it
means?--what a fuss there'll be? Everybody will put the worst
construction on it----"

"Trust them for that!" said Annie grimly. She was sorry for the woman's
distress, yet, being only human, she felt a certain sense of
satisfaction in seeing her suffer a little of what she had been made to
suffer.

"They'll say that I--God knows what they'll say!" went on Alicia
distractedly. "My husband will be dragged through the mire of another
public scandal--his social prestige will--oh, I dare not think of it--I
know--I know--my duty is to that unfortunate boy. I mustn't think of
myself."

"Have you the letter that Mr. Underwood wrote you?" demanded her
companion.

"Yes--I've never been able to destroy it. I don't know why I kept it,
but thank God I have it!" Moaning, she went on:

"The disgrace!--the disgrace!--it's ruin!--degradation! It's the end of
everything!--the end of everything!"

Annie regarded with contempt this poor, weak, wailing creature who
lacked the moral courage to do what was merely right. Yet her voice was
not unkind as she said:

"I don't want to disgrace you--or ruin you. But what am I to do--tell
me, what am I to do?"

"I don't know," moaned her companion helplessly.

"Howard must be saved."

"Yes."

"Will you tell Judge Brewster or shall I?"

"Judge Brewster! Why should he know?" cried Alicia, startled. More
composedly and as if resigned to the inevitable, she went on: "Yes, I
suppose he must know sooner or later, but, I----"

She broke down again and burst into tears. Annie watched her in silence.

"It's tough--isn't it?" she said sympathetically.

"Yes," sobbed Alicia through her tears, "it's--it's tough!" Rising, she
dried her eyes and said hastily: "Don't say anything now. Give me a few
hours. Then I can think what is best to be done."

Annie was about to reply when the office door suddenly opened and Judge
Brewster entered. Addressing Alicia, he said:

"Pardon me, Mrs. Jeffries, I hope I haven't kept you waiting." Noticing
her agitation and traces of tears, he looked surprised. He made no
comment but turned to Annie:

"I have been talking to Dr. Bernstein over the 'phone."

Annie approached him softly and said in a whisper:

"I've told Mrs. Jeffries that you have undertaken Howard's defense."

Judge Brewster smiled at his wealthy client, almost apologetically,
Annie thought. Then addressing her, he said:

"Yes, I've been quite busy since I saw you. I have put three of the best
detectives we have on the trail of the woman who visited Underwood that
night. I don't think the police have been trying very hard to find her.
They're satisfied with Howard's confession. But we want her and we'll
get her----"

"Oh!" gasped Alicia.

The judge was proceeding to tell of other steps he had taken when the
door opened and the head clerk entered, followed by Mr. Jeffries.

"I told Mr. Jeffries that Mrs. Jeffries was here," said the clerk.

"You might have told him that there were two Mrs. Jeffries here,"
laughed the judge.

The clerk retired and the banker, completely ignoring the presence of
his daughter-in-law, turned to his wife and said:

"I regret, my dear, that you should be subjected to these family
annoyances."

Judge Brewster came forward and cleared his throat as if preliminary to
something important he had to say. Addressing the banker, he said
boldly:

"Mr. Jeffries, I have decided to undertake Howard's defense."

His aristocratic client was taken completely by surprise. For a moment
he could say nothing, but simply stared at the lawyer as if unable to
believe his ears. With an effort, he at last exclaimed:

"Indeed!--then you will please consider our business relations to have
ceased from this moment."

The lawyer bowed.

"As you please," he said suavely.

The banker turned to his wife.

"Alicia--come."

He offered his arm and turned toward the door. Alicia, in distress,
looked back at Annie, who nodded reassuringly to her. Judge Brewster
rose and, going to the door, opened it. The banker bowed stiffly and
said:

"Pray don't trouble. Good morning, sir."

"Good morning, Mr. Jeffries," replied the judge.

As Alicia followed her husband out, she turned and whispered to Annie:

"Come and see me at my home."

When she had disappeared the judge came back into the room and sat down
at his desk.

"Well, that's done!" he exclaimed with a sigh of relief. Rummaging for a
moment among his papers, he looked up and said with an encouraging
smile:

"Now, if you please, we will go over that evidence--bit by bit."




CHAPTER XVII.


The news that Judge Brewster would appear for the defendant at the
approaching trial of Howard Jeffries went through the town like
wildfire, and caused an immediate revival in the public interest, which
was beginning to slacken for want of hourly stimulation. Rumor said that
there had been a complete reconciliation in the Jeffries family, that
the banker was now convinced of his son's innocence and was determined
to spend a fortune, if necessary, to save him. This and other reports of
similar nature were all untrue, but the judge let them pass without
contradiction. They were harmless, he chuckled, and if anything, helped
Howard's cause.

Meantime, he himself had not been idle. When once he made up his mind to
do a thing he was not content with half measures. Night and day he
worked on the case, preparing evidence, seeing witnesses and experts,
until he had gradually built up a bulwark of defense which the police
would find difficult to tear down. Yet he was not wholly reassured as to
the outcome until Annie, the day following the interview in his office,
informed him breathlessly that she had found the mysterious woman. The
judge was duly elated; now it was plain sailing, indeed! There had
always been the possibility that Howard's confession to the police was
true, that he had really killed Underwood. But now they had found the
one important witness, the mysterious woman who was in the apartment a
few minutes before the shooting and who was in possession of a letter in
which Underwood declared his intention of shooting himself, doubt was no
longer possible. Acquittal was a foregone conclusion. So pleased was the
judge at Annie's find that he did not insist on knowing the woman's
name. He saw that Annie preferred, for some reason, not to give it--even
to her legal adviser--and he let her have her way, exacting only that
the woman should be produced the instant he needed her. The young woman
readily assented. Of course, there remained the "confession," but that
had been obtained unfairly, illegally, fraudulently. The next important
step was to arrange a meeting at the judge's house at which Dr.
Bernstein, the hypnotic expert, would be present and to which should be
invited both Captain Clinton and Howard's father. In front of all these
witnesses the judge would accuse the police captain of brow-beating his
prisoner into making an untrue confession. Perhaps the captain could be
argued into admitting the possibility of a mistake having been made. If,
further, he could be convinced of the existence of documentary evidence
showing that Underwood really committed suicide he might be willing to
recede from his position in order to protect himself. At any rate it was
worth trying. The judge insisted, also, that to this meeting the
mysterious woman witness should also come, to be produced at such a
moment as the lawyer might consider opportune. Annie merely demanded a
few hours' time so she could make the appointment and soon reappeared
with a solemn promise that the woman would attend the meeting and come
forward at whatever moment called upon.

Three evenings later there was an impressive gathering at Judge
Brewster's residence. In the handsomely appointed library on the second
floor were seated Dr. Bernstein, Mr. Jeffries and the judge. Each was
absorbed in his own thoughts. Dr. Bernstein was puffing at a big black
cigar; the banker stared vacantly into space. The judge, at his desk,
examined some legal papers. Not a word was spoken. They seemed to be
waiting for a fourth man who had not yet arrived. Presently Judge
Brewster looked up and said:

"Gentlemen, I expect Captain Clinton in a few minutes, and the matter
will be placed before you."

Mr. Jeffries frowned. It was greatly against his will that he had been
dragged to this conference. Peevishly, he said:

"I've no wish to be present at the meeting. You know that and yet you
sent for me."

Judge Brewster looked up at him quickly and said quietly yet decisively:

"Mr. Jeffries, it is absolutely necessary that you be present when I
tell Captain Clinton that he has either willfully or ignorantly forced
your son to confess to having committed a crime of which I am persuaded
he is absolutely innocent."

The banker shrugged his shoulders.

"If I can be of service, of course, I--I am only too glad--but what can
I say--what can I do?"

"Nothing," replied the Judge curtly. "But the moral effect of your
presence is invaluable." More amiably he went on: "Believe me, Jeffries,
I wouldn't have taken this step unless I was absolutely sure of my
position. I have been informed that Underwood committed suicide, and
to-night evidence confirming this statement is to be placed in my hands.
The woman who paid him that mysterious visit just before his death has
promised to come here and tell us what she knows. Now, if Captain
Clinton can be got to admit the possibility of his being mistaken it
means that your son will be free in a few days."

"Who has given you this information?" demanded the banker skeptically.

"Howard's wife," answered the judge quietly. The banker started and the
lawyer went on: "She knows who the woman is, and has promised to bring
her here to-night with documentary proof of Underwood's suicide."

"You are depending on her?" he sneered.

"Why not?" demanded the judge. "She has more at stake than any of us.
She has worked day and night on this case. It was she who aroused Dr.
Bernstein's interest and persuaded him to collect the evidence against
Captain Clinton."

The banker frowned.

"She is the cause of the whole miserable business," he growled.

The door opened and the butler, entering, handed his master a card.

"Ah!" ejaculated the judge. "Here's our man! Show him up."

When the servant had disappeared Mr. Jeffries turned to his host. With a
show of irritation he said:

"I think you put too much faith in that woman, but you'll find
out--you'll find out."

Judge Brewster smiled.

"That's our object, isn't it, Mr. Jeffries--to find out?" he said
sarcastically.

"What's the name of this mysterious witness?" exclaimed the banker
testily. "If the police haven't been able to find her why should
Howard's wife be able to do so? There was a report that she herself
was----" He paused and added, "Did she tell you who it was?"

"No," said the judge dryly, "she will tell us to-night."

The banker bounded in his seat.

"You'll see," he cried. "Another flash in the pan. I don't like being
mixed up in this matter--it's a disagreeable--most disagreeable."

Dr. Bernstein puffed a thick cloud of smoke into the air and said
quietly:

"Yes, sir; it is disagreeable--but--unfortunately it is life."

Suddenly the door opened and Captain Clinton appeared, followed by his
_fidus Achates_, Detective Sergeant Maloney. Both men were in plain
clothes. The captain's manner was condescendingly polite, the attitude
of a man so sure of his own position that he had little respect for the
opinion of any one else. With an effort at amiability he began:

"Got your message, judge--came as soon as I could. Excuse my bringing
the sergeant with me. Sit over there, Maloney." Half apologetically, he
added: "He keeps his eyes open and his mouth shut, so he won't
interfere. How do, doctor?"

Maloney took a position at the far end of the room, while Dr. Bernstein
introduced the captain to Mr. Jeffries.

"Yes, I know the gentleman. How do, sir?"

The banker nodded stiffly. He did not relish having to hobnob in this
way with such a vulgarian as a grafting police captain. Captain Clinton
turned to Judge Brewster.

"Now, judge, explode your bomb! But I warn you I've made up my mind."

"I've made up my mind, too," retorted the judge, "so at least we start
even."

"Yes," growled the other.

"As I stated in my letter, captain," went on the judge coolly, "I don't
want to use your own methods in this matter. I don't want to spread
reports about you, or accuse you in the papers. That's why I asked you
to come over and discuss the matter informally with me. I want to give
you a chance to change your attitude."

"Don't want any chance," growled the policeman.

"You mean," said the judge, peering at his _vis à vis_ over his
spectacles, "that you _don't want_ to change your attitude."

Captain Clinton settled himself more firmly in his chair, as if getting
ready for hostilities. Defiantly he replied:

"That's about what I mean, I suppose."

"In other words," went on Judge Brewster calmly, "you have found
this--this boy guilty and you refuse to consider evidence which may tend
to prove otherwise."

"'Tain't my business to consider evidence," snapped the chief. "That's
up to the prosecuting attorney."

"It will be," replied the lawyer sharply, "but at present it's up to
you."

"Me?" exclaimed the other in genuine surprise.

"Yes," went on Judge Brewster calmly, "you were instrumental in
obtaining a confession from him. I'm raising a question as to the truth
of that confession."

Captain Clinton showed signs of impatience. Shrugging his massive
shoulders deprecatingly, said:

"Are we going over all that? What's the use? A confession is a
confession and that settles it. I suppose the doctor has been working
his pet theory off on you and it's beginning to sprout."

"Yes," retorted the judge quickly, "it's beginning to sprout, captain!"

There was a sudden interruption caused by the entrance of the butler,
who approached his master and whispered something to him. Aloud the
judge said:

"Ask her to wait till we are ready."

The servant retired and Captain Clinton turned to the judge. With mock
deference, he said:

"Say, Mr. Brewster, you're a great constitutional lawyer--the greatest
in this country--and I take off my hat to you, but I don't think
criminal law is in your line."

Judge Brewster pursed his lips and his eyes flashed as he retorted
quickly:

"I don't think it's constitutional to take a man's mind away from him
and substitute your own, Captain Clinton."

"What do you mean?" demanded the chief.

"I mean that instead of bringing out of this man his own true thoughts
of innocence, you have forced into his consciousness your own false
thoughts of his guilt."

The judge spoke slowly and deliberately, making each word tell. The
police bully squirmed uneasily on his chair.

"I don't follow you, judge. Better stick to international law. This
police court work is beneath you."

"Perhaps it is," replied the lawyer quickly without losing his temper.
Then he asked: "Captain, will you answer a few questions?"

"It all depends," replied the other insolently.

"If you don't," cried the judge sharply, "I'll ask them through the
medium of your own weapon--the press. Only my press will not consist of
the one or two yellow journals you inspire, but the independent,
dignified press of the United States."

The captain reddened.

"I don't like the insinuation, judge."

"I don't insinuate, Captain Clinton," went on the lawyer severely, "I
accuse you of giving an untruthful version of this matter to two
sensational newspapers in this city. These scurrilous sheets have tried
this young man in their columns and found him guilty, thus prejudicing
the whole community against him before he comes to trial. In no other
country in the civilized world would this be tolerated, except in a
country overburdened with freedom."

Captain Clinton laughed boisterously.

"The early bird catches the worm," he grinned. "They asked me for
information and got it."

Judge Brewster went on:

"You have so prejudiced the community against him that there is scarcely
a man who doesn't believe him guilty. If this matter ever comes to trial
how can we pick an unprejudiced jury? Added to this foul injustice you
have branded this young man's wife with every stigma that can be put on
womanhood. You have hinted that she is the mysterious female who visited
Underwood on the night of the shooting and openly suggested that she is
the cause of the crime."

"Well, it's just possible," said the policeman with effrontery.

Judge Brewster was fast losing his temper. The man's insolent demeanor
was intolerable. Half rising from his chair and pointing his finger at
him, he continued:

"You have besmirched her character with stories of scandal. You have
linked her name with that of Underwood. The whole country rings with
falsities about her. In my opinion, Captain Clinton, your direct object
is to destroy the value of any evidence she may give in her husband's
favor."

The chief looked aggrieved.

"Why, I haven't said a word." Turning to his sergeant, he asked, "Have
I, Maloney?"

"But these sensation-mongers have!" cried the judge angrily. "You are
the only source from whom they could obtain the information."

"But what do I gain?" demanded the captain with affected innocence.

"Advertisement--promotion," replied the judge sternly. "These same
papers speak of you as the greatest living chief--the greatest public
official--oh, you know the political value of that sort of thing as well
as I do."

The captain shrugged his shoulders.

"I can't help what they say about me," he growled.

"They might add that you are also the richest," added the judge quickly,
"but I won't go into that."

Again Captain Clinton reddened and shifted restlessly on his chair. He
did not relish the trend of the conversation.

"I don't like all this, Judge Brewster--'tain't fair--I ain't on trial."

Judge Brewster picked up some papers from his desk and read from one of
them.

"Captain, in the case of the People against Creedon--after plying the
defendant with questions for six hours, you obtained a confession from
him?"

"Yes, he told me he set the place on fire."

"Exactly--but it afterward developed that he was never near the place."

"Well, he told me."

"Yes. He told you, but it turned out that he was mistaken."

"Yes," admitted the captain reluctantly.

The judge took another document, and read:

"In the case of the People against Bentley."

"That was Bentley's own fault--I didn't ask him," interrupted the
captain. "He owned up himself." Turning to the sergeant, he said, "You
were there, Maloney."

"But you believed him guilty," interposed Judge Brewster quickly.

"Yes."

"You thought him guilty and after a five-hour session you impressed this
thought on his mind and he--he confessed."

"I didn't impress anything--I just simply----"

"You just simply convinced him that he was guilty--though as it turned
out he was in prison at the time he was supposed to have committed the
burglary----"

"It wasn't burglary," corrected the captain sullenly.

Judge Brewster again consulted the papers in his hand.

"You're quite right, captain--my mistake--it was homicide, but--it was
an untrue confession."

"Yes."

"It was the same thing in the Callahan case," went on the judge, picking
up another document. "In the case of the People against
Tuthill--and--Cosgrove--Tuthill confessed and died in prison, and
Cosgrove afterward acknowledged that he and not Tuthill was the guilty
man."

"Well," growled the captain, "mistakes sometimes happen."

Judge Brewster stopped and laid down his eyeglasses.

"Ah, that is precisely the point of view we take in this matter! Now,
captain, in the present case, on the night of the confession did you
show young Mr. Jeffries the pistol with which he was supposed to have
shot Robert Underwood?"

Captain Clinton screwed up his eyes as if thinking hard. Then, turning
to his sergeant, he said:

"Yes. I think I did. Didn't I, Maloney?"

"Your word is sufficient," said the judge quickly. "Did you hold it up?"

"Think I did."

"Do you know if there was a light shining on it?" asked the judge
quickly.

At this point, Dr. Bernstein, who had been an attentive listener, bent
eagerly forward. Much depended on Captain Clinton's answer--perhaps a
man's life.

"Don't know--might have been," replied the chief carelessly.

Judge Brewster turned to Dr. Bernstein.

"Were there electric lights on the wall?"

"Yes."

"What difference does that make?" demanded the policeman.

"Quite a little," replied the judge quietly. "The barrel of the revolver
was bright--shining steel. From the moment that Howard Jeffries' eyes
rested on the shining steel barrel of that revolver he was no longer a
conscious personality. As he himself said to his wife, 'They said I did
it--and I knew I didn't, but after I looked at that shining pistol I
don't know what I said or did--everything became a blur and a blank.'
Now, I may tell you, captain, that this condition fits in every detail
the clinical experiences of nerve specialists and the medical
experiences of the psychologists. After five hours' constant
cross-questioning while in a semi-dazed condition, you impressed on him
your own ideas--you suggested to him what he should say--you extracted
from him not the thoughts that were in his own consciousness, but those
that were in yours. Is that the scientific fact, doctor?"

"Yes," replied Dr. Bernstein, "the optical captivation of Howard
Jeffries' attention makes the whole case complete and clear to the
physician."

Captain Clinton laughed loudly.

"Optical captivation is good!" Turning to his sergeant he asked, "What
do you think of it, Maloney?"

Sergeant Maloney chuckled.

"It's a new one, eh?"

"No, captain--it's a very old one," interrupted the lawyer sternly, "but
it's new to us. We're barely on the threshold of the discovery. It
certainly explains these other cases, doesn't it?"

"I don't know that it does," objected the captain, shaking his head. "I
don't acknowledge----"

Judge Brewster sat down. Looking the policeman squarely in the face, he
said slowly and deliberately:

"Captain Clinton, whether you acknowledge it or not, I can prove that
you obtained these confessions by means of hypnotic suggestion, and that
is a greater crime against society than any the State punishes or pays
you to prevent."

The captain laughed and shrugged his shoulders. Indifferently he said:

"I guess the boys up at Albany can deal with that question."

"The boys up at Albany," retorted the lawyer, "know as little about the
laws of psychology as you do. This will be dealt with at Washington!"

The captain yawned.

"I didn't come here to hear about that--you were going to produce the
woman who called on Underwood the night of the murder--that was what I
came here for--not to hear my methods criticised--where is she?"

"One thing at a time," replied the judge. "First, I wanted to show you
that we know Howard Jeffries' confession is untrue. Now we'll take up
the other question." Striking a bell on his desk, he added: "This woman
can prove that Robert Underwood committed suicide."

"She can, eh?" exclaimed the captain sarcastically. "Maybe she did it
herself. Some one did it, that's sure!"

The library door opened and the butler entered.

"Yes, some one did it!" retorted the judge; "we agree there!" To the
servant he said: "Ask Mrs. Jeffries, Jr., to come here."

The servant left the room and the captain turned to the judge with a
laugh:

"Is she the one? Ha! ha!--that's easy----"

The judge nodded.

"She has promised to produce the missing witness to-night."

"She has, eh?" exclaimed the captain.

Rising quickly from his chair, he crossed the room and talked in an
undertone with his sergeant. This new turn in the case seemed to
interest him. Meantime Mr. Jeffries, who had followed every phase of the
questioning with close attention, left his seat and went over to Judge
Brewster.

"Is it possible," he exclaimed, "is it possible that Underwood shot
himself? I never dreamed of doubting Howard's confession!" More
cordially he went on: "Brewster, if this is true, I owe you a debt of
gratitude--you've done splendid work--I--I'm afraid I've been just a
trifle obstinate."

"Just a trifle," said the judge dryly.

Sergeant Maloney took his hat.

"Hurry up!" said the captain, "you can telephone from the corner drug
store."

"All right, Cap'."

Dr. Bernstein also rose to depart.

"I must go, Mr. Brewster; I have an appointment at the hospital."

The judge grasped his hand warmly.

"Thank you, doctor!" he exclaimed, "I don't know what I should have done
without you."

"Thank you, sir!" chimed in the banker, "I am greatly indebted to you."

"Don't mention it," replied the psychologist almost ironically.

He went out and the banker impatiently took out his watch.

"It's getting late!" he exclaimed; "where is this girl. I have no faith
in her promises!"

As he spoke the library door opened and Annie appeared.




CHAPTER XVIII.


As Annie entered the room and caught sight of Mr. Jeffries, she
instinctively drew back. Just at that moment the banker was, perhaps,
the one man in the world whom she was most anxious to avoid. Captain
Clinton no longer had any terror for her. Now that the missing witness
had been found and the precious "suicide letter" was as good as in their
possession there was nothing more to fear. It was only a question of
time when Howard would be set free. But it was not in this girl's nature
to be concerned only with herself. If she possessed a single womanly
virtue, it was supreme unselfishness. There was some one beside herself
to take into consideration--a poor, vacillating, weak, miserable woman
who wished to do what was right and had agreed to do so, but who, in the
privacy of her own apartments, had gone down on her knees and begged
Annie to protect her from the consequences of her own folly. Her husband
must not know. Annie had promised that if there was any way possible
the knowledge of that clandestine midnight visit to Underwood's rooms
should be kept from him. Yet there stood the banker! She was afraid that
if they began questioning her in his presence she might be betrayed into
saying something that would instantly arouse his suspicions.

Judge Brewster went quickly forward as she came in and led her to a
chair. Captain Clinton and Mr. Jeffries eyed her in stolid silence.
Looking around in a nervous kind of way, Annie said quietly to the
judge:

"May I speak to you alone, judge?"

"Certainly," replied the lawyer.

He was about to draw her aside when Captain Clinton interfered.

"One moment!" he said gruffly, "if this is all open and above board, as
you say it is, judge--I'd like to ask the young lady a few questions."

"Certainly, by all means," said the judge quickly.

The captain turned and confronted Annie. Addressing her in his customary
aggressive manner, he said:

"You promised Judge Brewster that you'd produce the woman who called at
Underwood's apartment the night of the shooting?" Annie made no reply,
but looked at the lawyer. The captain grinned as he added: "The witness
wants instructions, judge."

"You can be perfectly frank, Mrs. Jeffries," said the lawyer
reassuringly. "We have no desire to conceal anything from Captain
Clinton."

Annie bowed.

"Yes," she said slowly; "I promised Judge Brewster that she would come
here to-night."

"Did she promise you to come?" growled the captain.

"Yes."

"Well, where is she?" he demanded.

"She hasn't come yet," she replied, "but she will, I'm sure--I know she
will."

"How did you come to find her?" demanded the captain suspiciously.

Annie hesitated a moment and glanced at Mr. Jeffries. Then she said
hesitatingly:

"That I--I cannot say--now."

Captain Clinton's massive bulldog jaw closed with an ominous click.

"Decline to answer, eh? What's her name?"

She remained silent.

"What's her name?" he repeated impatiently.

"I cannot tell you," she said firmly.

"Do you know it?" he bellowed.

"Yes," she answered quietly.

"Know it, but can't say, eh? Hum!"

He folded his arms and glared at her. Mr. Jeffries now interfered.
Addressing Annie angrily, he said:

"But you must speak! Do you realize that my son's life is at stake?"

"Yes, I do," she replied quickly. "I'm glad to see that you are
beginning to realize it, too. But I can't tell you yet----"

The judge turned to the police captain.

"I may tell you, captain, that even I myself have not succeeded in
learning the name of this mysterious personage." Addressing Annie, he
said: "I think you had better tell us. I see no advantage in concealing
it any further."

Annie shook her head.

"Not yet," she murmured; "she will tell you herself when she comes."

"Ha! I thought as much!" exclaimed the banker incredulously.

The captain rose and drew himself up to his full height, a favorite
trick of his when about to assert his authority.

"Well, when she does come!" he exclaimed, "I think you may as well
understand she will be taken to headquarters and held as a witness."

[Illustration: "WHEN THIS MYSTERIOUS WITNESS DOES COME I SHALL PLACE HER
UNDER ARREST."]

"You'll arrest her!" cried the lawyer.

"That's what I said, judge. She a material witness--the most important
one the State has. I don't intend that she shall get away----"

"Arrest her! Oh, judge, don't let him do that!" exclaimed Annie in
dismay.

Judge Brewster grew red in the face. Wrathfully he said:

"She is coming to my house of her own free will. She has trusted to my
honor----"

"Yes--yes!" cried Annie. "She trusts to your honor, judge."

Captain Clinton grinned.

"Honor cuts mighty little ice in this matter. There's no use talking. I
shall place her under arrest."

"I will not permit such a disgraceful proceeding!" cried the lawyer.

"With all due respect, judge," retorted the policeman impudently, "you
won't be consulted. You have declared yourself counsel for the man who
has been indicted for murder--I didn't ask you to take me into your
confidence--you invited me here, treated me to a lecture on psychology,
for which I thank you very much, but I don't feel that I need any
further instruction. If this woman ever does get here, the moment she
leaves the house Maloney has instructions to arrest her, but I guess we
needn't worry. She has probably forgotten her appointment. Some people
are very careless in that respect." Moving toward the door, he added:
"Well, if it's all the same to you, I'll wait downstairs. Good night."

He went out, his hat impudently tilted back on his head, a sneer on his
lips. The banker turned to the judge.

"I told you how it would be," he said scornfully. "A flash in the pan!"

The lawyer looked askance at Annie.

"You are sure she will come?" he asked.

"Yes, I am sure!" With concern she added: "But the disgrace of arrest!
It will kill her! Oh, judge, don't let them arrest her!"

"Tell me who she is!" commanded the lawyer sternly.

It was the first time he had spoken to her harshly and Annie, to her
dismay, thought she detected a note of doubt in his voice. Looking
toward the banker, she replied:

"I can't tell you just now--she'll be here soon----"

"Tell me now--I insist," said the lawyer with growing impatience.

"Please--please don't ask me!" she pleaded.

Mr. Jeffries made an angry gesture.

"As I told you, Brewster, her whole story is a fabrication trumped up
for some purpose--God knows what object she has in deceiving us! I only
know that I warned you what you always may expect from people of her
class."

The judge said nothing for a moment. Then quietly he whispered to the
banker:

"Go into my study for a few moments, will you, Jeffries?"

The banker made a gesture, as if utterly disgusted with the whole
business.

"I am going home," he said testily. "I've had a most painful
evening--most painful. Let me know the result of your investigation as
soon as possible. Good night. Don't disturb me to-night, Brewster.
To-morrow will do."

He left the room in high dudgeon, banging the door behind him. Annie
burst into a laugh.

"Don't disturb him!" she mimicked. "He's going to get all that's coming
to him."

Shocked at her levity, the lawyer turned on her severely.

"Do you want me to lose all faith in you?" he asked sternly.

"No, indeed," she answered contritely.

"Then tell me," he demanded, "why do you conceal this woman's name from
me?"

"Because I don't want to be the one to expose her. She shall tell you
herself."

"That's all very well," he replied, "but meantime you are directing
suspicion against yourself. Your father-in-law believes you are the
woman; so does Captain Clinton."

"The captain suspects everybody," she laughed. "It's his business to
suspect. As long as you don't believe that I visited Underwood that
night----"

The judge shook his head as if puzzled.

"Candidly, I don't know what to think." Seriously, he added: "I want to
think the very best of you, Annie, but you won't let me."

She hesitated a moment and then, quickly, she said:

"I suppose I'd better tell you and have done with it--but I don't like
to----"

At that moment a servant entered and handed the lawyer a card.

"The lady wants to see you at once, sir."

"To see me," asked the lawyer in surprise: "are you sure she hasn't come
for Mr. Jeffries?"

"No, sir; she asked for you."

Annie sprang forward.

"Is it Mrs. Jeffries?" she asked.

"Yes," he replied.

"Let me see her, judge," she exclaimed eagerly; "I'll tell her who it is
and she can tell you--she's a woman--and I'd rather. Let me speak to
her, please!"

Addressing the servant, the lawyer said:

"Ask Mrs. Jeffries to come up." Turning to his client, he went on:

"I see no objection to your speaking to Mrs. Jeffries. After all, she is
your husband's stepmother. But I am free to confess that I don't
understand you. I am more than disappointed in your failure to keep your
word. You promised definitely that you would bring the witness here
to-night. On the strength of that promise I made statements to Captain
Clinton which I have not been able to substantiate. The whole story
looks like an invention on your part."

She held out her hands entreatingly.

"It's not an invention! Really, judge! Just a little while longer!
You've been so kind, so patient!"

There was a trace of anger in the lawyer's voice as he went on:

"I believed you implicitly. You were so positive this woman would come
forward."

"She will--she will. Give me only a few minutes more!" she cried.

The lawyer looked at her as if puzzled.

"A few minutes?" he said. Again he looked at her and then shook his
head resignedly. "Well, it's certainly infectious!" he exclaimed. "I
believe you again."

The door opened and Alicia appeared. The lawyer advanced politely to
greet her.

"Good evening, Mrs. Jeffries."

Alicia shook hands with him, at the same time looking inquiringly at
Annie, who, by a quick gesture, told her that the judge knew nothing of
her secret. The lawyer went on:

"Mrs. Jeffries, Jr., wishes to speak to you. I said I thought there'd be
no objection if you don't mind. May she?"

"Yes," murmured Alicia.

"Your husband was here," said the judge.

"My husband!" she cried, startled. Again she glanced inquiringly at
Annie and tried to force a smile.

"Yes," said the lawyer; "he'll be glad to know you're here. I'll tell
him." Turning to Annie, he said: "When you're ready, please send
and----"

"Very well, judge."

The lawyer went out and Alicia turned round breathlessly.

"My husband was here?" she exclaimed.

"Yes."

"You've told Mr. Brewster nothing?"

Annie shook her head.

"I couldn't!" she said. "I tried to, but I couldn't. It seems so hard,
doesn't it?" Alicia laughed bitterly and Annie went on: "I was afraid
you weren't coming!"

"The train was late!" exclaimed Alicia evasively, "I went up to Stamford
to say good-by to my mother."

"To say good-by?" echoed her companion in surprise.

"Yes," said the other tearfully. "I have said good-by to her--I have
said good-by to everybody--to everything--to myself--I must give them
all up--I must give myself up."

"Oh, it isn't as bad as that, surely?"

Alicia shook her head sadly.

"Yes," she said; "I've reckoned it all up. It's a total loss. Nothing
will be saved--husband, home, position, good name--all will go. You'll
see. I shall be torn into little bits of shreds. They won't leave
anything unsaid. But it's not that I care for so much. It's the
injustice of it all. The injustice of the power of evil. This man
Underwood never did a good action in all his life. And now even after he
is dead he has the power to go on destroying--destroying--destroying!"

"That's true," said Annie; "he was no good."

The banker's wife drew from her bosom the letter Underwood wrote her
before he killed himself.

"When he sent me this letter," she went on, "I tried to think myself
into his condition of mind, so that I could decide whether he intended
to keep his word and kill himself or not. I tried to reason out just how
he felt and how he thought. Now I know. It's hopeless, dull, sodden
desperation. I haven't even the ambition to defend myself from Mr.
Jeffries."

Annie shrugged her shoulders.

"I wouldn't lose any sleep on his account," she said with a laugh. More
seriously she added: "Surely he won't believe----"

"He may not believe anything himself," said Alicia. "It's what other
people are thinking that will make him suffer. If the circumstances were
only a little less disgraceful--a suicide's last letter to the woman he
loved. They'll say I drove him to it. They won't think of his miserable,
dishonest career. They'll only think of my share in his death----"

Annie shook her head sympathetically.

"Yes," she said; "it's tough! The worst of it is they are going to
arrest you."

Alicia turned ashen pale.

"Arrest me!" she cried.

"That's what Captain Clinton says," replied the other gravely. "He was
here--he is here now--with two men, waiting for you." Apologetically she
went on: "It wasn't my fault, Mrs. Jeffries--I didn't mean to. What
could I do? When I told Judge Brewster, he sent for Captain Clinton. The
police are afraid you'll run away or something----"

"And my husband!" gasped Alicia; "he doesn't know, does he?"

"No, I didn't tell them. I said you'd tell them yourself, but they won't
trust you when they know who you are. Let's tell the judge--he may think
of a plan. Suppose you go away until----" Puzzled herself to find a way
out of the dilemma, Annie paced the floor nervously. "Oh, this is
awful!" she exclaimed. "What are we to do??"

She looked toward Alicia, as if expecting some suggestion from her, but
her companion was too much overwhelmed to take any initiative.

"It does stun one, doesn't it?" went on Annie. "You can't think when it
comes all of a sudden like this. It's just the way I felt the morning
they showed me Howard's confession."

"Prison! Prison!" wailed Alicia.

Annie tried to console her.

"Not for long," she said soothingly; "you can get bail. It's only a
matter of favor--Judge Brewster would get you out right away."

"Get me out!" cried Alicia distractedly. "My God! I can't go to prison!
I can't! That's too much. I've done nothing! Look--read this!" Handing
over Underwood's letter, she went on: "You can see for yourself. The
wretch frightened me into such a state of mind that I hardly knew what I
was doing--I went to his rooms to save him. That's the truth, I swear to
God! But do you suppose anybody will believe me on oath?
They'll--they'll----"

Almost hysterical, she no longer knew what she was saying or doing. She
collapsed utterly, and sinking down in a chair, gave way to a
passionate fit of sobbing. Annie tried to quiet her:

"Hush!" she said gently, "don't go on like that. Be brave. Perhaps it
won't be so bad as you think." She unfolded the letter Alicia had given
her and carefully read it through. When she had finished her face lit up
with joy. Enthusiastically she cried:

"This is great for Howard! What a blessing you didn't destroy it! What a
wretch, what a hound to write you like that! Poor soul, of course, you
went and begged him not to do it! I'd have gone myself, but I think I'd
have broken an umbrella over his head or something----Gee! these kind of
fellows breed trouble, don't they? Alive or dead, they breed trouble!
What can we do?"

Alicia rose. Her tears had disappeared. There was a look of fixed
resolve in her eyes.

"Howard must be cleared," she said, "and I must face it--alone!"

"You'll be alone all right," said Annie thoughtfully. "Mr. Jeffries will
do as much for you as he did for his son."

Noticing that her companion seemed hurt by her frankness, she changed
the topic.

"Honest to God!" she exclaimed, good-naturedly, "I'm
broken-hearted--I'll do anything to save you from this--this public
disgrace. I know what it means--I've had my dose of it. But this thing
has got to come out, hasn't it?"

The banker's wife wearily nodded assent.

"Yes, I realize that," she said, "but the disgrace of arrest--I can't
stand it, Annie! I can't go to prison even if it's only for a minute."
Holding out a trembling hand, she went on: "Give me back the letter.
I'll leave New York to-night--I'll go to Europe--I'll send it to Judge
Brewster from Paris." Looking anxiously into her companion's face, she
pleaded: "You'll trust me to do that, won't you? Give it to me,
please--you can trust me."

Her hand was still extended, but Annie ignored it.

"No--no," she said, shaking her head, "I can't give it to you--how can
I? Don't you understand what the letter means to me?"

"Have pity!" cried the banker's wife, almost beside herself. "You can
tell them when I'm out of the country. Don't ask me to make this
sacrifice now--don't ask me--don't!"

Annie was beginning to lose patience. The woman's selfishness angered
her. With irritation, she said:

"You've lost your nerve, and you don't know what you're saying. Howard's
life comes before you--me--or anybody. You know that!"

"Yes--yes," cried Alicia desperately, "I know that. I'm only asking you
to wait. I--I ought to have left this morning--that's what I should have
done--gone at once. Now it's too late, unless you help me----"

"I'll help you all I can," replied the other doggedly, "but I've
promised Judge Brewster to clear up this matter to-night."

Suddenly there was a commotion at the door. Captain Clinton entered,
followed by Detective Sergeant Maloney. Alicia shrank back in alarm.

"I thought Judge Brewster was here," said the captain, glancing
suspiciously round the room.

"I'll send for him," said Annie, touching a bell.

"Well, where's your mysterious witness?" demanded the captain
sarcastically.

He looked curiously at Alicia.

"This is Mrs. Howard Jeffries, Senior," said Annie, "my husband's
stepmother."

The captain made a deferential salute. Bully as he was, he knew how to
be courteous when it suited his purpose. He had heard enough of the
wealthy banker's aristocratic wife to treat her with respect.

"Beg pardon, m'm; I wanted to tell the judge I was going."

The servant entered.

"Tell Judge Brewster that Captain Clinton is going," said Annie.

Alicia, meantime, was once more on the verge of collapse. The long
threatened _exposé_ was now at hand. In another moment the judge and
perhaps her husband would come in, and Annie would hand them the letter
which exculpated her husband. There was a moment of terrible suspense.
Annie stood aloof, her eyes fixed on the floor. Suddenly, without
uttering a word, she drew Underwood's letter from her bosom, and quickly
approaching Alicia, placed it unnoticed in her hand. The banker's wife
flushed and then turned pale. She understood. Annie would spare her. Her
lips parted to protest. Even she was taken back by such an exhibition of
unselfishness as this. She began to stammer thanks.

"No, no," whispered Annie quickly, "don't thank me; keep it."

Captain Clinton turned round with a jeer. Insolently, he said to Annie:

"You might as well own up--you've played a trick on us all."

"No, Captain Clinton," she replied with quiet dignity; "I told you the
simple truth. Naturally you don't believe it."

"The simple truth may do for Judge Brewster," grinned the policeman,
"but it won't do for me. I never expected this mysterious witness, who
was going to prove that Underwood committed suicide, to make an
appearance, did I, Maloney. Why not? Because, begging your pardon for
doubting your word, there's no such person."

"Begging your pardon for disputing your word, captain," she retorted,
mimicking him, "there _is_ such a person."

"Then where is she?" he demanded angrily. Annie made no answer, but
looked for advice to Judge Brewster, who at that instant entered the
room. The captain glared at her viciously, and unable to longer contain
his wrath, he bellowed:

"I'll tell you where she is! She's right here in this room!" Pointing
his finger at Annie in theatrical fashion, he went on furiously: "Annie
Jeffries, you're the woman who visited Underwood the night of his death!
I don't hesitate to say so. I've said so all along, haven't I, Maloney?"

"Yes, you told the newspapers so," retorted Annie dryly.

Taking no notice of her remark, the captain blustered:

"I've got your record, young woman! I know all about you and your folks.
You knew the two men when they were at college. You knew Underwood
before you made the acquaintance of young Jeffries. It was Underwood who
introduced you to your husband. It was Underwood who aroused your
husband's jealousy. You went to his rooms that night. Your husband
followed you there, and the shooting took place!" Turning to Judge
Brewster, he added, with a sarcastic grin: "False confession, eh?
Hypnotism, eh? I guess it's international and constitutional law for
yours after this."

"You don't say so?" exclaimed Annie, irritated at the man's intolerable
insolence.

Judge Brewster held up a restraining hand.

"Please say nothing," he said with dignity.

"No, I guess I'll let him talk. Go on, captain," she said with a smile,
as if thoroughly enjoying the situation.

Alicia came forward, her face pale, but on it a look of determination,
as if she had quite made up her mind as to what course to pursue. In her
hand was Underwood's letter. Addressing Annie, she said with emotion:

"The truth must come out sooner or later."

Seeing what she was about to do, Annie quickly put out her hand to stop
her. She expected the banker's wife to do her duty, she had insisted
that she must, but now she was ready to do it, she realized what it was
costing her. Her position, her future happiness were at stake. It was
too great a sacrifice. Perhaps there was some other way.

"No, no, not yet," she whispered.

But Alicia brushed her aside and, thrusting the letter into the hand of
the astonished police captain, she said:

"Yes, now! Read that, captain!"

Captain Clinton slowly unfolded the letter. Alicia collapsed in a chair.
Annie stood by helpless, but trying to collect her wits. The judge
watched the scene with amazement, not understanding. The captain read
from the letter:

"'Dear Mrs. Jeffries" He stopped, and glancing at the signature,
exclaimed, "Robert Underwood!" Looking significantly at Annie, he
exclaimed: "'Dear Mrs. Jeffries!' Is that conclusive enough? What did I
tell you?" Continuing to peruse the letter, he read on: "'Shall be found
dead to-morrow--suicide----'" He stopped short and frowned. "What's
this? Why, this is a barefaced forgery!"

Judge Brewster quickly snatched the letter from his hand and, glancing
over it quickly, said:

"Permit me. This belongs to my client."

Captain Clinton's prognathous jaw snapped to with a click, and he
squared his massive shoulders, as he usually did when preparing for
hostilities:

"Now, Mrs. Jeffries," he said sharply, "I'll trouble you to go with me
to headquarters."

Annie and Alicia both stood up. Judge Brewster quickly objected.

"Mrs. Jeffries will not go with you," he said quietly. "She has made no
attempt to leave the State."

"She's wanted at police headquarters," said the captain doggedly.

"She'll be there to-morrow morning."

"She'll be there to-night."

He looked steadily at the judge, and the latter calmly returned his
stare. There followed an awkward pause, and then the captain turned on
his heel to depart.

"The moment she attempts to leave the house," he growled, "I shall
arrest her. Good night, judge."

"Good night, captain!" cried Annie mockingly.

"I'll see you later," he muttered. "Come on, Maloney."

The door banged to. They were alone.

"What a sweet disposition!" laughed Annie.

Judge Brewster looked sternly at her. Holding up the letter, he said:

"What is the meaning of this? You are not the woman to whom this letter
is addressed?"

"No," stammered Annie, "that is----"

The judge interrupted her. Sternly he asked:

"Is it your intention to go on the witness stand and commit perjury?"

"I don't know. I never thought of that," she faltered.

The judge turned to Alicia.

"Are you going to allow her to do so, Mrs. Jeffries?"

"No, no," cried Alicia quickly, "I never thought of such a thing."

"Then I repeat--is it your intention to perjure yourself?" Annie was
silent, and he went on: "I assume it is, but let me ask you: Do you
expect me, as your counsel, to become _participes criminis_ to this
tissue of lies? Am I expected to build up a false structure for you to
swear to? Am I?"

"I don't know; I haven't thought of it," replied Annie. "If it can be
done, why not? I'm glad you suggested it."

"_I_ suggest it?" exclaimed the lawyer, scandalized.

"Yes," cried Annie with growing exaltation; "it never occurred to me
till you spoke. Everybody says I'm the woman who called on Robert
Underwood that night. Well, that's all right. Let them continue to think
so. What difference does it make so long as Howard is set free?" Going
toward the door, she said: "Good night, Mrs. Jeffries!"

The judge tried to bar her way.

"Don't go," he said; "Captain Clinton's men are waiting outside."

"That doesn't matter!" she cried.

"But you must not go!" exclaimed the lawyer in a tone of command. "I
won't allow it. They'll arrest you! Mrs. Jeffries, you'll please remain
here."

But Annie was already at the door.

"I wouldn't keep Captain Clinton waiting for the world," she cried.
"Good night, Judge Brewster, and God bless you!"

The door slammed, and she was gone.




CHAPTER XIX.


The Jeffries case suddenly entered into an entirely new phase, and once
more was deemed of sufficient public interest to warrant column after
column of spicy comment in the newspapers. The town awoke one morning to
learn that the long-sought-for witness, the mysterious woman on whose
testimony everything hinged, had not only been found, but proved to be
the prisoner's own wife, who had been so active in his defense. This
announcement was stupefying enough to over-shadow all other news of the
day, and satisfied the most jaded palate for sensationalism.

The first question asked on all sides was: Why had not the wife come
forward before? The reason, as glibly explained by an evening journal of
somewhat yellow proclivities, was logical enough. The telling of her
midnight visit to a single man's rooms involved a shameful admission
which any woman might well hesitate to make unless forced to it as a
last extremity. Confronted, however, with the alternative of either
seeing her husband suffer for a crime of which he was innocent or making
public acknowledgment of her own frailty, she had chosen the latter
course. Naturally, it meant divorce from the banker's son, and
undoubtedly this was the solution most wished for by the family. The
whole unsavory affair conveyed a good lesson to reckless young men of
wealth to avoid entangling themselves in undesirable matrimonial
adventures. But it was no less certain, went on this journalistic
mentor, that this wife, unfaithful as she had proved herself to be, had
really rendered her husband a signal service in his present scrape. The
letter she had produced, written to her by Underwood the day before his
death, in which he stated his determination to kill himself, was, of
course, a complete vindication for the man awaiting trial. His
liberation now depended only on how quickly the ponderous machinery of
the law could take cognizance of this new and most important evidence.

The new turn of affairs was naturally most distasteful to the police. If
there was one thing more than another which angered Captain Clinton it
was to take the trouble to build up a case only to have it suddenly
demolished. He scoffed at the "suicide letter," safely committed to
Judge Brewster's custody, and openly branded it as a forgery concocted
by an immoral woman for the purpose of defeating the ends of justice. He
kept Annie a prisoner and defied the counsel for the defence to do their
worst. Judge Brewster, who loved the fray, accepted the challenge. He
acted promptly. He secured Annie's release on _habeas corpus_
proceedings and, his civil suit against the city having already begun in
the courts, he suddenly called Captain Clinton to the stand and gave him
a grilling which more than atoned for any which the police tyrant had
previously made his victims suffer. In the limelight of a sensational
trial, in which public servants were charged with abusing positions of
trust, he showed Captain Clinton up as a bully and a grafter, a
bribe-taker, working hand and glove with dishonest politicians, not
hesitating even to divide loot with thieves and dive-keepers in his
greed for wealth. He proved him to be a consummate liar, a man who would
stop at nothing to gain his own ends. What jury would take the word of
such a man as this? Yet this was the man who still insisted that Howard
Jeffries was guilty of the shooting of Robert Underwood!

But public opinion was too intelligent to be hoodwinked for any length
of time by a brutal and ignorant policeman. There was a clamor for the
prisoner's release. The evidence was such that further delay was
inexcusable. The district attorney, thus urged, took an active interest
in the case, and after going over the new evidence with Judge Brewster,
went before the court and made formal application for the dismissal of
the complaint. A few days later Howard Jeffries left the Tombs amid the
cheers of a crowd assembled outside. At his side walked his wife, now
smiling through tears of joy.

It was a glad home-coming to the little flat in Harlem. To Howard, after
spending so long a time in the narrow prison quarters, it seemed like
paradise, and Annie walked on air, so delighted was she to have him with
her again. Yet there were still anxieties to cloud their happiness. The
close confinement, with its attendant worry, had seriously undermined
Howard's health. He was pale and attenuated, and so weak that he had
several fainting spells. Much alarmed, Annie summoned Dr. Bernstein,
who administered a tonic. There was nothing to cause anxiety, he said
reassuringly. It was a natural reaction after what her husband had
undergone. But it was worry as much as anything else. Howard worried
about his father, with whom he was only partially reconciled; he worried
about his future, which was as precarious as ever, and most of all he
worried about his wife. He was not ignorant of the circumstances which
had brought about his release, and while liberty was sweet to him, it
had been a terrible shock when he first heard that she was the woman who
had visited Underwood's rooms. He refused to believe her sworn evidence.
How was it possible? Why should she go to Underwood's rooms knowing he
was there? It was preposterous. Still the small voice rang in his
ears--perhaps she's untrue! It haunted him till one day he asked
point-blank for an explanation. Then she told that she had perjured
herself. She was not the woman. Who she really was she could not say. He
must be satisfied for the present with the assurance that it was not his
wife. With that he was content. What did he care for the opinion of
others? He knew--that was enough! In their conversation on the subject
Annie did not even mention Alicia's name. Why should she?

Weeks passed, and Howard's health did not improve. He had tried to find
a position, but without success, yet every day brought its obligations
which had to be met. One morning Annie was bustling about their tiny
dining room preparing the table for their frugal luncheon. She had just
placed the rolls and butter on the table, and arranged the chairs, when
there came a ring at the front doorbell. Early visitors were not so
unfrequent as to cause surprise, so, without waiting to remove her
apron, she went to the door and opened it. Dr. Bernstein entered.

"Good morning, Mrs. Jeffries," he said cheerily. Putting down his
medical bag, he asked: "How is our patient this morning?"

"All right, doctor. He had a splendid night's rest. I'll call him."

"Never mind, I want to talk to you." Seriously, he went on: "Mrs.
Jeffries, your husband needs a change of scene. He's worrying. That
fainting spell the other day was only a symptom. I'm afraid he'll break
down unless----"

"Unless what?" she demanded anxiously.

He hesitated for a moment, as if unwilling to give utterance to words he
knew must inflict pain. Then quickly he continued:

"Your husband is under a great mental strain. His inability to support
you, his banishment from his proper sphere in the social world is mental
torture to him. He feels his position keenly. There is nothing else to
occupy his mind but thoughts of his utter and complete failure in life.
I was talking to his father last night, and----"

"And what?" she demanded, drawing herself up. She suspected what was
coming, and nerved herself to meet it.

"Now, don't regard me as an enemy," said the doctor in a conciliatory
tone. "Mr. Jeffries inquired after his son. Believe me, he's very
anxious. He knows he did the boy a great injustice, and he wants to make
up for it."

"Oh, he does?" she exclaimed sarcastically.

Dr. Bernstein hesitated for a moment before replying. Then he said
lightly:

"Suppose Howard goes abroad for a few months with his father and
mother?"

"Is that the proposition?" she demanded.

The doctor nodded.

"I believe Mr. Jeffries has already spoken about it to his son," he
said.

Annie choked back a sob and, crossing the room to conceal her emotion,
stood with her back turned, looking out of the window. Her voice was
trembling as she said:

"He wants to separate us, I know. He'd give half his fortune to do it.
Perhaps he's not altogether wrong. Things do look pretty black for me,
don't they? Everybody believes that my going to see Underwood that night
had something to do with his suicide and led to my husband being falsely
accused. The police built up a fine romance about Mr. Underwood and
me--and the newspapers! Every other day a reporter comes and asks us
when the divorce is going to take place--and who is going to institute
the proceedings, Howard or me. If everybody would only mind their own
business and let us alone he might forget. Oh, I don't mean you, doctor.
You're my friend. You made short work of Captain Clinton and his
'confession.' I mean people--outsiders--strangers--who don't know us,
and don't care whether we're alive or dead; those are the people I
mean. They buy a one-cent paper and they think it gives them the right
to pry into every detail of our lives." She paused for a moment, and
then went, on: "So you think Howard is worrying? I think so, too. At
first I thought it was because of the letter Mr. Underwood wrote me, but
I guess it's what you say. His old friends won't have anything to do
with him and--he's lonely. Well, I'll talk it over with him----"

"Yes--talk it over with him."

"Did you promise his father you'd ask me?" she demanded.

"No--not exactly," he replied hesitatingly.

Annie looked at him frankly.

"Howard's a pretty good fellow to stand by me in the face of all that's
being said about my character, isn't he, doctor? And I'm not going to
stand in his light, even if it doesn't exactly make me the happiest
woman in the world, but don't let it trickle into your mind that I'm
doing it for his father's sake."

At that moment Howard entered from the inner room. He was surprised to
see Dr. Bernstein.

"How do you feel to-day?" asked the doctor.

"First rate! Oh, I'm all right. You see, I'm just going to eat a bite.
Won't you join us?"

He sat down at the table and picked up the newspaper, while Annie busied
herself with carrying in the dishes.

"No, thank you," laughed the doctor. "It's too early for me. I've only
just had breakfast. I dropped in to see how you were." Taking up his
bag, he said: "Good-by! Don't get up. I can let myself out."

But Annie had already opened the door for him, and smiled a farewell.
When she returned to her seat at the head of the table, and began to
pour out the coffee, Howard said:

"He's a pretty decent fellow, isn't he?"

"Yes," she replied absent-mindedly, as she passed a cup of coffee.

"He made a monkey of Captain Clinton all right," went on Howard. "What
did he come for?"

"To see you--of course," she replied.

"Oh, I'm all right now," he replied. Looking anxiously at his wife
across the table, he said: "You're the one that needs tuning up. I heard
you crying last night. You thought I was asleep, but I wasn't. I didn't
say anything because--well--I felt kind of blue myself."

Annie sighed and leaned her head on her hand. Wearily she said:

"I was thinking over all what we've been through together, and what
they're saying about us----"

Howard threw down his newspaper impatiently.

"Let them say what they like. Why should we care as long as we're
happy?"

His wife smiled sadly.

"Are we happy?" she asked gently.

"Of course we are," replied Howard.

She looked up and smiled. It was good to hear him say so, but did he
mean it? Was she doing right to stand in the way of his career? Would he
not be happier if she left him? He was too loyal to suggest it, but
perhaps in his heart he desired it. Looking at him tenderly, she went
on:

"I don't question your affection for me, Howard. I believe you love me,
but I'm afraid that, sooner or later, you'll ask yourself the question
all your friends are asking now, the question everybody seems to be
asking."

"What question?" demanded Howard.

"Yesterday the bell rang and a gentleman said he wanted to see you. I
told him you were out, and he said I'd do just as well. He handed me a
card. On it was the name of the newspaper he represented."

"Well?"

"He asked me if it were true that proceedings for a divorce were about
to be instituted. If so, when? And could I give him any information on
the subject? I asked him who wanted the information, and he said the
readers of his paper--the people--I believe he said over a million of
them. Just think, Howard! Over a million people, not counting your
father, your friends and relations, all waiting to know why you don't
get rid of me, why you don't believe me to be as bad as they think I
am----"

Howard raised his hand for her to desist.

"Annie--please!" he pleaded.

"That's the fact, isn't it?" she laughed.

"No."

His wife's head dropped on the table. She was crying now.

"I've made a hard fight, Howard," she sobbed, "but I'm going to give up.
I'm through--I'm through!"

Howard took hold of her hand and carried it to his lips.

"Annie, old girl," he said with some feeling, "I may be weak, I may be
blind, but nobody on top of God's green earth can tell me that you're
not the squarest, straightest little woman that ever lived! I don't care
a damn what one million or eighty million think. Supposing you had
received letters from Underwood, supposing you had gone to his rooms to
beg him not to kill himself--what of it? It would be for a good motive,
wouldn't it? Let them talk all the bad of you they want. I don't believe
a word of it--you know I don't."

She looked up and smiled through her tears.

"You're so good, dear," she exclaimed. "Yes, I know you believe in me."
She stopped and continued sadly: "But you're only a boy, you know. What
of the future, the years to come?" Howard's face became serious, and she
went on: "You see you've thought about it, too, and you're trying to
hide it from me. But you can't. Your father wants you to go abroad with
the family."

"Well?"

He waited and looked at her curiously as if wondering what her answer
would be. He waited some time, and then slowly she said:

"I think--you had better go!"

"You don't mean that!" he exclaimed, in genuine surprise.

She shook her head affirmatively.

"Yes, I do," she said; "your father wants you to take your position in
the world, the position you are entitled to, the position your
association with me prevents you from taking----"

Howard drummed his fingers on the tablecloth and looked out of the
window. It seemed to her that his voice no longer had the same candid
ring as he replied:

"Yes, father has spoken to me about it. He wants to be friends, and
I----" He paused awkwardly, and then added: "I admit I've--I've promised
to consider it, but----"

Annie finished his sentence for him:

"You're going to accept his offer, Howard. You owe it to yourself, to
your family, and to----" She laughed as she added: "I was going to say
to a million anxious readers."

Howard looked at her curiously. He did not know if she were jesting or
in earnest. Almost impatiently he exclaimed:

"Why do you talk in this way against your own interests? You know I'd
like to be friendly with my family, and all that. But it wouldn't be
fair to you."

"I'm not talking against myself, Howard. I want you to be happy, and
you're not happy. You can't be happy under these conditions. Now be
honest with me--can you?"

"Can you?" he demanded.

"No," she answered frankly, "not unless you are." Slowly, she went on:
"Whatever happiness I've had in life I owe to you, and God knows you've
had nothing but trouble from me. I did wrong to marry you, and I'm
willing to pay the penalty. I've evened matters up with your family; now
let me try and square up with you."

"Evened up matters with my family?" he exclaimed in surprise. "What do
you mean?"

With a smile she replied ambiguously:

"Oh, that's a little private matter of my own!" He stared at her, unable
to comprehend, and she went on gravely: "Howard, you must do what's best
for yourself. I'll pack your things. You can go when you please----"

He stared gloomily out of the window without replying. After all, he
thought to himself, it was perhaps for the best. Shackled as he was now,
he would never be able to accomplish anything. If they separated, his
father would take him at once into his business. Life would begin for
him all over again. It would be better for her, too. Of course, he would
never forget her. He would provide for her comfort. His father would
help him arrange for that. Lighting a cigarette, he said carelessly:

"Well--perhaps you're right. Maybe a little trip through Europe won't do
me any harm."

"Of course not," she said simply.

Busy with an obstinate match, he did not hear the sigh that accompanied
her words or see the look of agony that crossed her face.

"But what are you going to do?" he inquired after a silence.

With an effort, she controlled her voice. Not for all the world would
she betray the fact that her heart was breaking. With affected
indifference, she replied:

"Oh, I shall be all right. I shall go and live somewhere in the country
for a few months. I'm tired of the city."

"So am I," he rejoined, with a gesture of disgust. "But I hate like the
deuce to leave you alone."

"That's nothing," she said hastily. "A trip abroad is just what you
need." Looking up at him, she added: "Your face has brightened up
already!"

He stared at her, unable to understand.

"I wish you could go with me."

She smiled.

"Your father's society doesn't make quite such an appeal to me as it
does to you." Carelessly, she added: "Where are you going--Paris or
London?"

He sent a thick cloud of smoke curling to the ceiling. A European trip
was something he had long looked forward to.

"London--Vienna--Paris," he replied gayly. With a laugh, he went on:
"No, I think I'll cut out Paris. I'm a married man. I mustn't forget
that!"

Annie looked up at him quickly.

"You've forgotten it already," she said quietly. There was reproach in
her voice as she continued: "Ah, Howard, you're such a boy! A little
pleasure trip and the past is forgotten!"

A look of perplexity came over his face. Being only a man, he did not
grasp quickly the finer shades of her meaning. With some irritation, he
demanded:

"Didn't you say you wanted me to go and forget?"

She nodded.

"Yes, I do, Howard. You've made me happy. I want you to be happy."

He looked puzzled.

"You say you love me?" he said, "and yet you're happy because I'm going
away. I don't follow that line of reasoning."

"It isn't reason," she said with a smile, "it's what I feel. I guess a
man wants to have what he loves and a woman is satisfied to love just
what she wants. Anyway, I'm glad. I'm glad you're going. Go and tell
your father."

Taking his hat, he said:

"I'll telephone him."

"Yes, that's right," she replied.

"Where's my cane?" he asked, looking round the room.

She found it for him, and as he opened the door, she said:

"Don't be long, will you?"

He laughed.

"I'll come right back. By George!" he exclaimed, "I feel quite excited
at the prospect of this trip!" Regarding her fondly, he went on: "It's
awfully good of you, old girl, to let me go. I don't think there are
many women like you."

Annie averted her head.

"Now, don't spoil me," she said, lifting the tray as if about to go into
the kitchen.

"Wait till I kiss you good-by," he said effusively.

Taking the tray from her, he placed it on the table, and folding her in
his arms, he pressed his lips to hers.

"Good-by," he murmured; "I won't be long."

As soon as he disappeared she gave way completely, and sinking into a
chair, leaned her head on the table and sobbed as if her heart would
break. This, then, was the end! He would go away and soon forget her.
She would never see him again! But what was the use of crying? It was
the way of the world. She couldn't blame him. He loved her--she was sure
of that. But the call of his family and friends was too strong to
resist. Alternately laughing and crying hysterically, she picked up the
tray, and carrying it into the kitchen began washing the dishes.
Suddenly there was a ring at the bell. Hastily putting on a clean apron,
she opened the door. Judge Brewster stood smiling on the threshold.
Annie uttered a cry of pleasure. Greeting the old lawyer affectionately,
she invited him in. As he entered, he looked questioningly at her red
eyes, but made no remark.

"I'm delighted to see you, judge," she stammered.

As he took a seat in the little parlor, he said:

"Your husband passed me on the stairs and didn't know me."

"The passage is so dark!" she explained apologetically.

He looked at her for a moment without speaking, and for a moment there
was an awkward pause. Then he said:

"When does Howard leave you?"

Annie started in surprise.

"How do you know that?" she exclaimed.

"We lawyers know everything," he smiled. Gravely he went on: "His
father's attorneys have asked me for all the evidence I have. They want
to use it against you. The idea is that he shall go abroad with his
father, and that proceedings will be begun during his absence."

"Howard knows nothing about it," said Annie confidently.

"Are you sure?" demanded the lawyer skeptically.

"Quite sure," she answered positively.

"But he is going away?" persisted the judge.

"Yes, I want him to go--I am sending him away," she replied.

The lawyer was silent. He sat and looked at her as if trying to read her
thoughts. Then quietly he said:

"Do you know they intend to make Robert Underwood the ground for the
application for divorce, and to use your own perjured testimony as a
weapon against you? You see what a lie leads to. There's no end to it,
and you are compelled to go on lying to support the original lie, and
that's precisely what I won't permit."

Annie nodded acquiescence.

"I knew you were going to scold me," she smiled.

"Scold you?" he said kindly. "No--it's myself I'm scolding. You did what
you thought was right, and I allowed you to do what I knew was wrong."

"You made two miserable women happy," she said quietly.

The lawyer tried to suppress a smile.

"I try to excuse myself on that ground," he said, "but it won't work. I
violated my oath as a lawyer, my integrity as a man, my honor, my
self-respect, all upset, all gone. I've been a very unpleasant companion
for myself lately." Rising impatiently, he strode up and down the room.
Then turning on her, he said angrily: "But I'll have no more lies.
That's what brings me here this morning. The first move they make
against you and I'll tell the whole truth!"

Annie gazed pensively out of the window without making reply.

"Did you hear?" he said, raising his voice. "I shall let the world know
that you sacrificed yourself for that woman."

She turned and shook her head.

"No, judge," she said, "I do not wish it. If they do succeed in
influencing Howard to bring a suit against me I shall not defend it."

Judge Brewster was not a patient man, and if there was anything that
angered him it was rank injustice. He had no patience with this young
woman who allowed herself to be trampled on in this outrageous way. Yet
he could not be angry with her. She had qualities which compelled his
admiration and respect, and not the least of these was her willingness
to shield others at her own expense.

"Perhaps not," he retorted, "but I will. It's unjust, it's unrighteous,
it's impossible!"

"But you don't understand," she said gently; "I am to blame."

"You're too ready to blame yourself," he said testily.

Annie went up to him and laid her hand affectionately on his shoulder.
With tears in her eyes, she said:

"Let me tell you something, judge. His father was right when he said I
took advantage of him. I did. I saw that he was sentimental and
self-willed, and all that. I started out to attract him. I was tired of
the life I was living, the hard work, the loneliness, and all the rest
of it, and I made up my mind to catch him if I could. I didn't think it
was wrong then, but I do now. Besides," she went on, "I'm older than he
is--five years older. He thinks I'm three years younger, and that he's
protecting me from the world. I took advantage of his ignorance of
life."

Judge Brewster shrugged his shoulders impatiently.

"If boys of twenty-five are not men they never will be." Looking down at
her kindly, he went on: "'Pon my word! if I was twenty-five, I'd let
this divorce go through and marry you myself."

"Oh, judge!"

That's all she could say, but there was gratitude in the girl's eyes.
These were the first kind words any one had yet spoken to her. It was
nice to know that some one saw some good in her. She was trying to think
of something to say, when suddenly there was the click of a key being
inserted in a Yale lock. The front door opened, and Howard appeared.

"Well, judge!" he exclaimed, "this is a surprise!"

The lawyer looked at him gravely.

"How do you do, young man?" he said. Quizzingly he added: "You look very
pleased with yourself!"

"This is the first opportunity I've had to thank you for your kindness,"
said Howard cordially.

"You can thank your wife, my boy, not me!" Changing the topic, he said:
"So you're going abroad, eh?"

"Yes, did Annie tell you? It's only for a few months."

The lawyer frowned. Tapping the floor impatiently with his cane, he
said:

"Why are you going away?"

Taken aback at the question, Howard stammered:

"Because--because----"

"Because I want him to go," interrupted Annie quickly.

The lawyer shook his head, and looking steadily at Howard, he said
sternly:

"I'll tell you, Howard, my boy. You're going to escape from the
scandalmongers and the gossiping busy-bodies. Forgive me for speaking
plainly, but you're going away because your wife's conduct is a topic of
conversation among your friends----"

Howard interrupted him.

"You're mistaken, judge; I don't care a hang what people say----"

"Then why do you leave her here to fight the battle alone?" demanded the
judge angrily.

Annie advanced, and raised her hand deprecatingly. Howard looked at her
as if now for the first time he realized the truth.

"To fight the battle alone?" he echoed.

"Yes," said the judge, "you are giving the world a weapon with which to
strike at your wife!"

Howard was silent. The lawyer's words had struck home. Slowly he said:

"I never thought of that. You're right! I wanted to get away from it
all. Father offered me the chance and Annie told me to go----"

Annie turned to the judge.

"Please, judge," she said, "don't say any more." Addressing her husband,
she went on: "He didn't mean what he said, Howard."

Howard hung his head.

"He's quite right, Annie," he said shamefacedly. "I never should have
consented to go; I was wrong."

Judge Brewster advanced and patted him kindly on the back.

"Good boy!" he said. "Now, Mrs. Jeffries, I'll tell your husband the
truth."

"No!" she cried.

"Then I'll tell him without your permission," he retorted. Turning to
the young man, he went on: "Howard, your wife is an angel! She's too
good a woman for this world. She has not hesitated to sacrifice her good
name, her happiness to shield another woman. And that woman--the woman
who called at Underwood's room that night--was Mrs. Jeffries, your
stepmother!"

Howard started back in amazement.

"It's true, then, I did recognize her voice!" he cried.

Turning to his wife, he said: "Oh, Annie, why didn't you tell me? You
saved my stepmother from disgrace, you spared my father! Oh, that was
noble of you!" In a low tone he whispered: "Don't send me away from
you, Annie! Let me stay and prove that I'm worthy of you!"

To the young wife it all seemed like a dream, almost too good to be
real. The dark, troubled days were ended. A long life, bright with its
promise of happiness, was before them.

"But what of the future, Howard?" she demanded gently.

Judge Brewster answered the question.

"I've thought of that," he said. "Howard, will you come into my office
and study law? You can show your father what you can do with a good wife
to second your efforts."

Howard grasped his outstretched hand.

"Thanks, judge, I accept," he replied heartily.

Turning to his wife, he took her in his arms. Her head fell on his
shoulder. Looking up at him shyly and smiling through her tears, she
murmured softly:

"I am happy now--at last!"

THE END.




BOOKS ON NATURE STUDY BY CHARLES G. D. ROBERTS

Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

THE KINDRED OF THE WILD. A Book of Animal Life.

With illustrations by Charles Livingston Bull.

     Appeals alike to the young and to the merely youthful-hearted.
     Close observation. Graphic description. We get a sense of the great
     wild and its denizens. Out of the common. Vigorous and full of
     character. The book is one to be enjoyed; all the more because it
     smacks of the forest instead of the museum. John Burroughs says:
     "The volume is in many ways the most brilliant collection of Animal
     Stories that has appeared. It reaches a high order of literary
     merit."

THE HEART OF THE ANCIENT WOOD. Illustrated.

     This book strikes a new note in literature. It is a realistic
     romance of the folk of the forest--a romance of the alliance of
     peace between a pioneer's daughter in the depths of the ancient
     wood and the wild beasts who felt her spell and became her friends.
     It is not fanciful, with talking beasts; nor is it merely an
     exquisite idyl of the beasts themselves. It is an actual romance,
     in which the animal characters play their parts as naturally as do
     the human. The atmosphere of the book is enchanting. The reader
     feels the undulating, whimpering music of the forest, the power of
     the shady silences, the dignity of the beasts who live closest to
     the heart of the wood.

THE WATCHERS OF THE TRAILS. A companion volume to the "Kindred of the
Wild." With 48 full page plates and decorations from drawings by Charles
Livingston Bull.

     These stories are exquisite in their refinement, and yet robust in
     their appreciation of some of the rougher phases of woodcraft.
     "This is a book full of delight. An additional charm lies in Mr.
     Bull's faithful and graphic illustrations, which in fashion all
     their own tell the story of the wild life, illuminating and
     supplementing the pen pictures of the authors."--_Literary Digest._

RED FOX. The Story of His Adventurous Career in the Ringwaak Wilds, and
His Triumphs over the Enemies of His Kind. With 50 illustrations,
including frontispiece in color and cover design by Charles Livingston
Bull.

     A brilliant chapter in natural history. Infinitely more wholesome
     reading than the average tale of sport, since it gives a glimpse of
     the hunt from the point of view of the hunted. "True in substance
     but fascinating as fiction. It will interest old and young,
     city-bound and free-footed, those who know animals and those who do
     not."--_Chicago Record-Herald._




FAMOUS COPYRIGHT BOOKS IN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time, library size,
printed on excellent paper--most of them finely illustrated. Full and
handsomely bound in cloth. Price, 75 cents a volume, postpaid.

NEDRA, by George Barr McCutcheon, with color frontispiece, and other
illustrations by Harrison Fisher.

The story of an elopement of a young couple from Chicago, who decide to
go to London, travelling as brother and sister. Their difficulties
commence in New York and become greatly exaggerated when they are
shipwrecked in mid-ocean. The hero finds himself stranded on the island
of Nedra with another girl, whom he has rescued by mistake. The story
gives an account of their finding some of the other passengers, and the
circumstances which resulted from the strange mix-up.

POWER LOT, by Sarah P. McLean Greene. Illustrated.

The story of the reformation of a man and his restoration to
self-respect through the power of honest labor, the exercise of honest
independence, and the aid of clean, healthy, out-of-door life and
surroundings. The characters take hold of the heart and win sympathy.
The dear old story has never been more lovingly and artistically told.

MY MAMIE ROSE. The History of My Regeneration, by Owen Kildare.
Illustrated.

This _autobiography_ is a powerful book of love and sociology. Reads
like the strangest fiction. Is the strongest truth and deals with the
story of a man's redemption through a woman's love and devotion.

JOHN BURT, by Frederick Upham Adams, with illustrations.

John Burt, a New England lad, goes West to seek his fortune and finds it
in gold mining. He becomes one of the financial factors and pitilessly
crushes his enemies. The story of the Stock Exchange manipulations was
never more vividly and engrossingly told. A love story runs through the
book, and is handled with infinite skill.

THE HEART LINE, by Gelett Burgess, with halftone illustrations by Lester
Ralph, and inlay cover in colors.

A great dramatic story of the city that was. A story of Bohemian life in
San Francisco, before the disaster, presented with mirror-like accuracy.
Compressed into it are all the sparkle, all the gayety, all the wild,
whirling life of the glad, mad, bad, and most delightful city of the
Golden Gate.

CAROLINA LEE. By Lillian Bell. With frontispiece by Dora Wheeler Keith.

Carolina Lee is the Uncle Tom's Cabin of Christian Science. Its keynote
is "Divine Love" in the understanding of the knowledge of all good
things which may be obtainable. When the tale is told, the sick healed,
wrong changed to right, poverty of purse and spirit turned into riches,
lovers made worthy of each other and happily united, including Carolina
Lee and her affinity, it is borne upon the reader that he has been
giving rapid attention to a free lecture on Christian Science; that the
working out of each character is an argument for "Faith;" and that the
theory is persuasively attractive.

A Christian Science novel that will bring delight to the heart of every
believer in that faith. It is a well told story, entertaining, and
cleverly mingles art, humor and sentiment.

HILMA, by William Tillinghast Eldridge, with illustrations by Harrison
Fisher and Martin Justice, and inlay cover.

It is a rattling good tale, written with charm, and full of remarkable
happenings, dangerous doings, strange events, jealous intrigues and
sweet love making. The reader's interest is not permitted to lag, but is
taken up and carried on from incident to incident with ingenuity and
contagious enthusiasm. The story gives us the _Graustark_ and _The
Prisoner of Zenda_ thrill, but the tale is treated with freshness,
ingenuity, and enthusiasm, and the climax is both unique and satisfying.
It will hold the fiction lover close to every page.

THE MYSTERY OF THE FOUR FINGERS, by Fred M. White, with halftone
illustrations by Will Grefe.

A fabulously rich gold mine in Mexico is known by the picturesque and
mysterious name of _The Four Fingers_. It originally belonged to an
Aztec tribe, and its location is known to one surviving descendant--a
man possessing wonderful occult power. Should any person unlawfully
discover its whereabouts, four of his fingers are mysteriously removed,
and one by one returned to him. The appearance of the final fourth
betokens his swift and violent death.

Surprises, strange and startling, are concealed in every chapter of this
completely engrossing detective story. The horrible fascination of the
tragedy holds one in rapt attention to the end. And through it runs the
thread of a curious love story.

THE CATTLE BARON'S DAUGHTER. A Novel. By Harold Bindloss. With
illustrations by David Ericson.

A story of the fight for the cattle-ranges of the West. Intense interest
is aroused by its pictures of life in the cattle country at that
critical moment of transition when the great tracts of land used for
grazing were taken up by the incoming homesteaders, with the inevitable
result of fierce contest, of passionate emotion on both sides, and of
final triumph of the inevitable tendency of the times.

WINSTON OF THE PRAIRIE. With illustrations in color by W. Herbert
Dunton.

A man of upright character, young and clean, but badly worsted in the
battle of life, consents as a desperate resort to impersonate for a
period a man of his own age--scoundrelly in character but of an
aristocratic and moneyed family. The better man finds himself barred
from resuming his old name. How, coming into the other man's
possessions, he wins the respect of all men, and the love of a
fastidious, delicately nurtured girl, is the thread upon which the story
hangs. It is one of the best novels of the West that has appeared for
years.

THAT MAINWARING AFFAIR. By A. Maynard Barbour. With illustrations by E.
Plaisted Abbott.

A novel with a most intricate and carefully unraveled plot. A naturally
probable and excellently developed story and the reader will follow the
fortunes of each character with unabating interest * * * the interest is
keen at the close of the first chapter and increases to the end.

AT THE TIME APPOINTED. With a frontispiece in colors by J. H. Marchand.

The fortunes of a young mining engineer who through an accident loses
his memory and identity. In his new character and under his new name,
the hero lives a new life of struggle and adventure. The volume will be
found highly entertaining by those who appreciate a thoroughly good
story.

THE CIRCULAR STAIRCASE, By Mary Roberts Reinhart With illustrations by
Lester Ralph.

In an extended notice the _New York Sun_ says: "To readers who care for
a really good detective story 'The Circular Staircase' can be
recommended without reservation." The _Philadelphia Record_ declares that
"The Circular Staircase" deserves the laurels for thrills, for weirdness
and things unexplained and inexplicable.

THE RED YEAR, By Louis Tracy

"Mr. Tracy gives by far the most realistic and impressive pictures of
the horrors and heroisms of the Indian Mutiny that has been available in
any book of the kind * * * There has not been in modern times in the
history of any land scenes so fearful, so picturesque, so dramatic, and
Mr. Tracy draws them as with the pencil of a Verestschagin of the pen of
a Sienkiewics."

ARMS AND THE WOMAN, By Harold MacGrath With inlay cover in colors by
Harrison Fisher.

The story is a blending of the romance and adventure of the middle ages
with nineteenth century men and women; and they are creations of flesh
and blood, and not mere pictures of past centuries. The story is about
Jack Winthrop, a newspaper man. Mr. MacGrath's finest bit of character
drawing is seen in Hillars, the broken down newspaper man, and Jack's
chum.

LOVE IS THE SUM OF IT ALL, By Geo. Cary Eggleston With illustrations by
Hermann Heyer.

In this "plantation romance" Mr. Eggleston has resumed the manner and
method that made his "Dorothy South" one of the most famous books of its
time.

There are three tender love stories embodied in it, and two unusually
interesting heroines, utterly unlike each other, but each possessed of a
peculiar fascination which wins and holds the reader's sympathy. A
pleasing vein of gentle humor runs through the work, but the "sum of it
all" is an intensely sympathetic love story.

HEARTS AND THE CROSS, By Harold Morton Cramer With illustrations by
Harold Matthews Brett.

The hero is an unconventional preacher who follows the line of the Man
of Galilee, associating with the lowly, and working for them in the ways
that may best serve them. He is not recognized at his real value except
by the one woman who saw clearly. Their love story is one of the
refreshing things in recent fiction.

SIX-CYLINDER COURTSHIP, By Edw. Salisbury Field

With a color frontispiece by Harrison Fisher, and illustrations by
Clarence F. Underwood, decorated pages and end sheets. Harrison Fisher
head in colors on cover. Boxed.

A story of cleverness. It is a jolly good romance of love at first sight
that will be read with undoubted pleasure. Automobiling figures in the
story which is told with light, bright touches, while a happy gift of
humor permeates it all.

"The book is full of interesting folks. The patois of the garage is used
with full comic and realistic effect, and effervescently, culminating in
the usual happy finish."--_St. Louis Mirror._

AT THE FOOT OF THE RAINBOW, By Gene Stratton-Porter Author of "FRECKLES"

With illustrations in color by Oliver Kemp, decorations by Ralph
Fletcher Seymour and inlay cover in colors.

The story is one of devoted friendship, and tender self-sacrificing
love; the friendship that gives freely without return, and the love that
seeks first the happiness of the object. The novel is brimful of the
most beautiful word painting of nature and its pathos and tender
sentiment will endear it to all.

JUDITH OF THE CUMBERLANDS, By Alice MacGowan

With illustrations in colors, and inlay cover by George Wright.

No one can fail to enjoy this moving tale with its lovely and ardent
heroine, its frank, fearless hero, its glowing love passages, and its
variety of characters, captivating or engaging humorous or saturnine,
villains, rascals, and men of good will. A tale strong and interesting
in plot, faithful and vivid as a picture of wild mountain life, and in
its characterization full of warmth and glow.

A MILLION A MINUTE, By Hudson Douglas.

With illustrations by Will Grefe.

Has the catchiest of titles, and it is a ripping good tale from Chapter
I to Finis--no weighty problems to be solved, but just a fine running
story, full of exciting incidents, that never seemed strained or
improbable. It is a dainty love yarn involving three men and a girl.
There is not a dull or trite situation in the book.

CONJUROR'S HOUSE, By Stewart Edward White Dramatized under the title of
"THE CALL OF THE NORTH."

Illustrated from Photographs of Scenes from the Play.

_Conjuror's House_ is a Hudson Bay trading port where the Fur Trading
Company tolerated no rivalry. Trespassers were sentenced to "La Longue
Traverse"--which meant official death. How Ned Trent entered the
territory, took _la longue traverse_, and the journey down the river of
life with the factor's only daughter is admirably told. It is a warm,
vivid, and dramatic story, and depicts the tenderness and mystery of a
woman's heart.

ARIZONA NIGHTS, By Stewart Edward White.

With illustrations by N. C. Wyeth, and beautiful inlay cover.

A series of spirited tales emphasizing some phase of the life of the
ranch, plains and desert, and all, taken together, forming a single
sharply-cut picture of life in the far Southwest. All the tonic of the
West is in this masterpiece of Stewart Edward White.

THE MYSTERY, By Stewart Edward White and Samuel Hopkins Adams

With illustrations by Will Crawford.

For breathless interest, concentrated excitement and extraordinarily
good story telling on all counts, no more completely satisfying romance
has appeared for years. It has been voted the best story of its kind
since _Treasure Island_.

LIGHT-FINGERED GENTRY. By David Graham Phillips

With illustrations.

Mr. Phillips has chosen the inside workings of the great insurance
companies as his field of battle; the salons of the great Fifth Avenue
mansions as the antechambers of his field of intrigue: and the two
things which every natural, big man desires, love and success, as the
goal of his leading character. The book is full of practical philosophy,
which makes it worth careful reading.

THE SECOND GENERATION, By David Graham Phillips

With illustrations by Fletcher C. Ramson, and inlay cover.

"It is a story that proves how, in some cases, the greatest harm a rich
man may do his children, is to leave them his money. A strong, wholsome
story of contemporary American life--thoughtful, well-conceived and
admirably written; forceful, sincere, and true; and intensely
interesting."--_Boston Herald._

NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin With illustrations by
F. C. Yohn

Additional episodes in the girlhood of the delightful little heroine at
Riverboro which were not included in the story of "Rebecca of Sunnybrook
Farm," and they are as characteristic and delightful as any part of that
famous story. Rebecca is as distinct a creation in the second volume as
in the first.

THE SILVER BUTTERFLY, By Mrs. Wilson Woodrow

With illustrations in colors by Howard Chandler Christy.

A story of love and mystery, full of color, charm, and vivacity, dealing
with a South American mine, rich beyond dreams, and of a New York
maiden, beyond dreams beautiful--both known as the Silver Butterfly.
Well named is _The Silver Butterfly_! There could not be a better symbol
of the darting swiftness, the eager love plot, the elusive mystery and
the flashing wit.

BEATRIX OF CLARE, By John Reed Scott

With illustrations by Clarence F. Underwood.

A spirited and irresistibly attractive historical romance of the
fifteenth century, boldly conceived and skilfully carried out. In the
hero and heroine Mr. Scott has created a pair whose mingled emotions and
alternating hopes and fears will find a welcome in many lovers of the
present hour. Beatrix is a fascinating daughter of Eve.

A LITTLE BROTHER OF THE RICH, By Joseph Medill Patterson

Frontispiece by Hazel Martyn Trudeau, and illustrations by Walter Dean
Goldbeck.

Tells the story of the idle rich, and is a vivid and truthful picture of
society and stage life written by one who is himself a conspicuous
member of the Western millionaire class. Full of grim satire, caustic
wit and flashing epigrams. "Is sensational to a degree in its theme,
daring in its treatment, lashing society as it was never scourged
before."--_New York Sun._

MEREDITH NICHOLSON'S FASCINATING ROMANCES

Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

THE HOUSE OF A THOUSAND CANDLES. With a frontispiece in colors by Howard
Chandler Christy.

A novel of romance and adventure, of love and valor, of mystery and
hidden treasure. The hero is required to spend a whole year in the
isolated house, which according to his grandfather's will shall then
become his. If the terms of the will be violated the house goes to a
young woman whom the will, furthermore, forbids him to marry. Nobody can
guess the secret, and the whole plot moves along with an exciting zip.

THE PORT OF MISSING MEN. With illustrations by Clarence F. Underwood.

There is romance of love, mystery, plot, and fighting, and a breathless
dash and go about the telling which makes one quite forget about the
improbabilities of the story; and it all ends in the old-fashioned
healthy American way. Shirley is a sweet, courageous heroine whose
shining eyes lure from page to page.

ROSALIND AT REDGATE. Illustrated by Arthur I. Keller.

The author of "The House of a Thousand Candles" has here given us a
bouyant romance brimming with lively humor and optimism; with mystery
that breeds adventure and ends in love and happiness. A most
entertaining and delightful book.

THE MAIN CHANCE. With illustrations by Harrison Fisher.

A "traction deal" in a Western city is the pivot about which the action
of this clever story revolves. But it is in the character-drawing of the
principals that the author's strength lies. Exciting incidents develop
their inherent strength and weakness, and if virtue wins in the end, it
is quite in keeping with its carefully-planned antecedents. The N. Y.
_Sun_ says: "We commend it for its workmanship--for its smoothness, its
sensible fancies, and for its general charm."

ZELDA DAMERON. With portraits of the characters by John Cecil Clay.

"A picture of the new West, at once startlingly and attractively true. *
* * The heroine is a strange, sweet mixture of pride, wilfulness and
lovable courage. The characters are superbly drawn; the atmosphere is
convincing. There is about it a sweetness, a wholesomeness and a
sturdiness that commends it to earnest, kindly and wholesome
people."--_Boston Transcript._




BRILLIANT AND SPIRITED NOVELS AGNES AND EGERTON CASTLE

Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

THE PRIDE OF JENNICO. Being a Memoir of Captain Basil Jennico.

"What separates it from most books of its class is its distinction of
manner, its unusual grace of diction, its delicacy of touch, and the
fervent charm of its love passages. It is a very attractive piece of
romantic fiction relying for its effect upon character rather than
incident, and upon vivid dramatic presentation."--_The Dial._ "A
stirring, brilliant and dashing story."--_The Outlook._

THE SECRET ORCHARD. Illustrated by Charles D. Williams.

The "Secret Orchard" is set in the midst of the ultra modern society.
The scene is in Paris, but most of the characters are English speaking.
The story was dramatized in London, and in it the Kendalls scored a
great theatrical success.

"Artfully contrived and full of romantic charm * * * it possesses
ingenuity of incident, a figurative designation of the unhallowed scenes
in which unlicensed love accomplishes and wrecks faith and
happiness."--_Athenaeum._

YOUNG APRIL. With illustrations by A. B. Wenzell.

"It is everything that a good romance should be, and it carries about it
an air of distinction both rare and delightful."--_Chicago Tribune._
"With regret one turns to the last page of this delightful novel, so
delicate in its romance, so brilliant in its episodes, so sparkling in
its art, and so exquisite in its diction."--_Worcester Spy._

FLOWER O' THE ORANGE. With frontispiece.

We have learned to expect from these fertile authors novels graceful in
form, brisk in movement, and romantic in conception. This Carries the
reader back to the days of the bewigged and beruffled gallants of the
seventeenth century and tells him of feats of arms and adventures in
love as thrilling and picturesque, yet delicate, as the utmost seeker of
romance may ask.

MY MERRY ROCKHURST. Illustrated by Arthur E. Becher.

"In the eight stories of a courtier of King Charles Second, which are
here gathered together, the Castles are at their best, reviving all the
fragrant charm of those books, like _The Pride of Jennico_, in which
they first showed an instinct, amounting to genius, for sunny romances.
The book is absorbing * * * and is as spontaneous in feeling as it is
artistic in execution."--_New York Tribune._




THE MASTERLY AND REALISTIC NOVELS OF FRANK NORRIS

Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

THE OCTOPUS. A Story of California

Mr. Norris conceived the ambitious idea of writing a trilogy of novels
which, taken together, shall symbolize American life as a whole, with
all its hopes and aspirations and its tendencies, throughout the length
and breadth of the continent. And for the central symbol he has taken
wheat, as being quite literally the ultimate source of American power
and prosperity. _The Octopus_ is a story of wheat raising and railroad
greed in California. It immediately made a place for itself.

It is full of enthusiasm and poetry and conscious strength. One cannot
read it without a responsive thrill of sympathy for the earnestness, the
breadth of purpose, the verbal power of the man.

THE PIT. A Story of Chicago.

This powerful novel is the fictitious narrative of a deal in the Chicago
wheat pit and holds the reader from the beginning. In a masterly way the
author has grasped the essential spirit of the great city by the lakes.
The social existence, the gambling in stocks and produce, the
characteristic life in Chicago, form a background for an exceedingly
vigorous and human tale of modern life and love.

A MAN'S WOMAN.

A story which has for a heroine a girl decidedly out of the ordinary run
of fiction. It is most dramatic, containing some tremendous pictures of
the daring of the men who are trying to reach the Pole * * * but it is
at the same time essentially a _woman's_ book, and the story works
itself out in the solution of a difficulty that is continually presented
in real life--the wife's attitude in relation to her husband when both
have well-defined careers.

McTEAGUE. A Story of San Francisco.

"Since Bret Harte and the Forty-niner no one has written of California
life with the vigor and accuracy of Mr. Norris. His 'McTeague' settled
his right to a place in American literature; and he has now presented a
third novel, 'Blix,' which is in some respects the finest and likely to
be the most popular of the three."--_Washington Times._

BLIX.

"Frank Norris has written in 'Blix' just what such a woman's name would
imply--a story of a frank, fearless girl comrade to all men who are true
and honest because she is true and honest. How she saved the man she
fishes and picnics with in a spirit of outdoor platonic friendship,
makes a pleasant story, and a perfect contrast to the author's
'McTeague.' A splendid and successful story."--_Washington Times._




NEW EDITIONS OF THE MOST POPULAR NOVELS Of HALLIE ERMINIE RIVES

Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

SATAN SANDERSON. With halftone illustrations by A. B. Wenzell, and inlay
cover in colors.

From the heroic figures of the American Revolution and the romantic
personage of Byron's day, Miss Rives has turned to the here and now. And
in the present she finds for her immense and brilliant talent a tale as
dramatic and enthralling as any of the storied past. The career of the
Rev. Harry Sanderson, known as "Satan" in his college days, who sowed
the wind to reap the whirlwind and won at last through strangest penance
the prize of love, seizes the reader in the strait grip of its feverish
interest. Miss Rives has outdone herself in the invention of a love
story that rings with lyric feeling and touches every fiber of the heart
with strength and beauty.

THE CASTAWAY. With illustrations in colors by Howard Chandler Christy.

The book takes its title from a saying of Lord Byron's: "Three great men
ruined in one year--a king, a cad, and a castaway." The king was
Napoleon. The cad was Beau Brummel. And the castaway, crowned with
genius, smutched with slander, illumined by fame--was Lord Byron
himself! This is the romance of his loves--the strange marriage and
still stranger separation, the riotous passions, the final ennobling
affection--from the day when he awoke to find himself the most famous
man in England, till, a self-exiled castaway, he played out his splendid
death-scene in the struggle for Greek freedom.

"Suffused with the rosy light of romance."--_New York Times._

HEARTS COURAGEOUS. With illustrations by A. B. Wenzell.

"Hearts Courageous" is made of new material, a picturesque yet delicate
style, good plot and very dramatic situations. The best in the book are
the defense of George Washington by the Marquis; the duel between the
English officer and the Marquis; and Patrick Henry flinging the brand of
war into the assembly of the burgesses of Virginia. Williamsburgh,
Virginia, the country round about, and the life led in that locality
just before the Revolution, form an attractive setting for the action of
the story.


THE RECKONING. By Robert W. Chambers. With illustrations by Henry Hutt.

Mr. Chambers has surpassed himself in telling the tale of the love of
Carus Renault and Lady Elsin Grey in this historical novel of the last
days of the Revolutionary War. Never was there daintier heroine or more
daring hero. Never did the honor of a great-hearted gentleman triumph to
such an extent over the man. Never were there daintier love passages in
the midst of war. It is a book to make the pulses throb and the heart
beat high.





*** END OF THE PROJECT GUTENBERG EBOOK THE THIRD DEGREE: A NARRATIVE OF METROPOLITAN LIFE ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.