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Title: Hans Andersen's Fairy Tales. Second Series

Author: H. C. Andersen

Editor: J. H. Stickney

Illustrator: Edna F. Hart

Release date: May 28, 2010 [eBook #32572]

Language: English

Credits: Produced by Sharon Joiner, Emmy and the Online Distributed
        Proofreading Team at http://www.pgdp.net (This file was
        produced from images generously made available by The
        Internet Archive/American Libraries.)


*** START OF THE PROJECT GUTENBERG EBOOK HANS ANDERSEN'S FAIRY TALES. SECOND SERIES ***




Produced by Sharon Joiner, Emmy and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive/American Libraries.)












Hans Andersen's Fairy Tales

Second Series


_Edited by_ J. H. Stickney


Illustrated by Edna F. Hart

          Ginn and Company
          Boston--New York--Chicago--London




          COPYRIGHT, 1915, BY GINN AND COMPANY

          ALL RIGHTS RESERVED

          315.2

          The Athenæum Press

          GINN AND COMPANY · PROPRIETORS
          · BOSTON · U.S.A.




PREFACE


THE present volume is the second of the selected stories from Hans
Andersen. Together the books include what, out of a larger number, are
the best for children's use. The story-telling activity of this
inimitable genius covered a period of more than forty years. Besides
these shorter juvenile tales, there are a few which deserve to survive.
"The Ice Maiden" is a standard, if not a classic, and "The Sandhills of
Jutland" was pronounced by Ruskin the most perfect story that he knew.

It adds a charm to the little stories of these two volumes to know that
the genial author traveled widely for a man of his time and everywhere
was urged to tell the tales himself. This he did with equal charm in the
kitchens of the humble and in the courts and palaces of nobles.

As was said in the preface to the first volume, wherever there are
children to read, the stories of Hans Christian Andersen will be read
and loved.




CONTENTS


                                                  PAGE
          THE FLAX                                   3
          THE DAISY                                 12
          THE PEA BLOSSOM                           21
          THE STORKS                                29
          THE WILD SWANS                            39
          THE LAST DREAM OF THE OLD OAK             71
          THE PORTUGUESE DUCK                       84
          THE SNOW MAN                              96
          THE FARMYARD COCK AND THE WEATHERCOCK    107
          THE RED SHOES                            112
          THE LITTLE MERMAID                       124
          BUCKWHEAT                                170
          WHAT HAPPENED TO THE THISTLE             174
          THE PEN AND THE INKSTAND                 183
          THE TEAPOT                               188
          SOUP FROM A SAUSAGE SKEWER               192
          WHAT THE GOODMAN DOES IS ALWAYS RIGHT    220
          THE OLD STREET LAMP                      232
          THE SHEPHERDESS AND THE CHIMNEY SWEEP    246
          THE DROP OF WATER                        256
          THE SWINEHERD                            260
          THE METAL PIG                            269
          THE FLYING TRUNK                         290
          THE BUTTERFLY                            303
          THE GOBLIN AND THE HUCKSTER              309
          EVERYTHING IN ITS RIGHT PLACE            317
          THE REAL PRINCESS                        333
          THE EMPEROR'S NEW CLOTHES                336
          GREAT CLAUS AND LITTLE CLAUS             345
          NOTES                                    367




HANS ANDERSEN'S FAIRY TALES

[Illustration: They wanted to seen the paper burn....]




[Illustration]




HANS ANDERSEN'S FAIRY TALES




THE FLAX


THE flax was in full bloom; it had pretty little blue flowers, as
delicate as the wings of a moth. The sun shone on it and the showers
watered it; and this was as good for the flax as it is for little
children to be washed and then kissed by their mothers. They look much
prettier for it, and so did the flax.

"People say that I look exceedingly well," said the flax, "and that I am
so fine and long that I shall make a beautiful piece of linen. How
fortunate I am! It makes me so happy to know that something can be made
of me. How the sunshine cheers me, and how sweet and refreshing is the
rain! My happiness overpowers me; no one in the world can feel happier
than I."

"Ah, yes, no doubt," said the fern, "but you do not know the world yet
as well as I do, for my sticks are knotty"; and then it sang quite
mournfully:

          "Snip, snap, snurre,
           Basse lurre.
           The song is ended."

"No, it is not ended," said the flax. "To-morrow the sun will shine or
the rain descend. I feel that I am growing. I feel that I am in full
blossom. I am the happiest of all creatures, for I may some day come to
something."

Well, one day some people came, who took hold of the flax and pulled it
up by the roots, which was very painful. Then it was laid in water, as
if it were to be drowned, and after that placed near a fire, as if it
were to be roasted. All this was very shocking.

"We cannot expect to be happy always," said the flax. "By experiencing
evil as well as good we become wise." And certainly there was plenty of
evil in store for the flax. It was steeped, and roasted, and broken,
and combed; indeed, it scarcely knew what was done to it. At last it was
put on the spinning wheel. "Whir, whir," went the wheel, so quickly that
the flax could not collect its thoughts.

"Well, I have been very happy," it thought in the midst of its pain,
"and must be contented with the past." And contented it remained, till
it was put on the loom and became a beautiful piece of white linen. All
the flax, even to the last stalk, was used in making this one piece.

"Well, this is quite wonderful," said the flax. "I could not have
believed that I should be so favored by fortune. The fern was not wrong
when it sang,

          'Snip, snap, snurre,
          Basse lurre.'

But the song is not ended yet, I am sure; it is only just beginning. How
wonderful it is that, after all I have suffered, I am made something of
at last! I am the luckiest person in the world--so strong and fine. And
how white and long I am! This is far better than being a mere plant and
bearing flowers. Then I had no attention, nor any water unless it
rained; now I am watched and cared for. Every morning the maid turns me
over, and I have a shower bath from the watering-pot every evening. Yes,
and the clergyman's wife noticed me and said I was the best piece of
linen in the whole parish. I cannot be happier than I am now."

After some time the linen was taken into the house, and there cut with
the scissors and torn into pieces and then pricked with needles. This
certainly was not pleasant, but at last it was made into twelve garments
of the kind that everybody wears. "See now, then," said the flax, "I
have become something of importance. This was my destiny; it is quite a
blessing. Now I shall be of some use in the world, as every one ought to
be; it is the only way to be happy. I am now divided into twelve pieces,
and yet the whole dozen is all one and the same. It is most
extraordinary good fortune."

Years passed away, and at last the linen was so worn it could scarcely
hold together. "It must end very soon," said the pieces to each other.
"We would gladly have held together a little longer, but it is useless
to expect impossibilities." And at length they fell into rags and
tatters and thought it was all over with them, for they were torn to
shreds and steeped in water and made into a pulp and dried, and they
knew not what besides, till all at once they found themselves beautiful
white paper. "Well, now, this is a surprise--a glorious surprise too,"
said the paper. "Now I am finer than ever, and who can tell what fine
things I may have written upon me? This is wonderful luck!" And so it
was, for the most beautiful stories and poetry were written upon it, and
only once was there a blot, which was remarkable good fortune. Then
people heard the stories and poetry read, and it made them wiser and
better; for all that was written had a good and sensible meaning, and a
great blessing was contained in it.

"I never imagined anything like this when I was only a little blue
flower growing in the fields," said the paper. "How could I know that I
should ever be the means of bringing knowledge and joy to men? I cannot
understand it myself, and yet it is really so. Heaven knows that I have
done nothing myself but what I was obliged to do with my weak powers for
my own preservation; and yet I have been promoted from one joy and honor
to another. Each time I think that the song is ended, and then something
higher and better begins for me. I suppose now I shall be sent out to
journey about the world, so that people may read me. It cannot be
otherwise, for I have more splendid thoughts written upon me than I had
pretty flowers in olden times. I am happier than ever."

But the paper did not go on its travels. It was sent to the printer, and
all the words written upon it were set up in type to make a book,--or
rather many hundreds of books,--for many more persons could derive
pleasure and profit from a printed book than from the written paper; and
if the paper had been sent about the world, it would have been worn out
before it had half finished its journey.

"Yes, this is certainly the wisest plan," said the written paper; "I
really did not think of this. I shall remain at home and be held in
honor like some old grandfather, as I really am to all these new books.
They will do some good. I could not have wandered about as they can, yet
he who wrote all this has looked at me as every word flowed from his pen
upon my surface. I am the most honored of all."

Then the paper was tied in a bundle with other papers and thrown into a
tub that stood in the washhouse.

"After work, it is well to rest," said the paper, "and a very good
opportunity to collect one's thoughts. Now I am able, for the first
time, to learn what is in me; and to know one's self is true progress.
What will be done with me now, I wonder? No doubt I shall still go
forward. I have always progressed hitherto, I know quite well."

Now it happened one day that all the paper in the tub was taken out and
laid on the hearth to be burned. People said it could not be sold at the
shop, to wrap up butter and sugar, because it had been written upon. The
children in the house stood round the hearth to watch the blaze, for
paper always flamed up so prettily, and afterwards, among the ashes,
there were so many red sparks to be seen running one after the other,
here and there, as quick as the wind. They called it seeing the children
come out of school, and the last spark, they said, was the schoolmaster.
They would often think the last spark had come, and one would cry,
"There goes the schoolmaster," but the next moment another spark would
appear, bright and beautiful. How they wanted to know where all the
sparks went to! Perhaps they will find out some day.

The whole bundle of paper had been placed on the fire and was soon
burning. "Ugh!" cried the paper as it burst into a bright flame; "ugh!"
It was certainly not very pleasant to be burned. But when the whole was
wrapped in flames, the sparks mounted up into the air, higher than the
flax had ever been able to raise its little blue flowers, and they
glistened as the white linen never could have glistened. All the written
letters became quite red in a moment, and all the words and thoughts
turned to fire.

"Now I am mounting straight up to the sun," said a voice in the flames;
and it was as if a thousand voices echoed the words as the flames
darted up through the chimney and went out at the top. Then a number of
tiny beings, as many as the flowers on the flax had been, and invisible
to mortal eyes, floated above the children. They were even lighter and
more delicate than the blue flowers from which they were born; and as
the flames died out and nothing remained of the paper but black ashes,
these little beings danced upon it, and wherever they touched it, bright
red sparks appeared.

"The children are all out of school, and the schoolmaster was the last
of all," said the children. It was good fun, and they sang over the dead
ashes:

          "Snip, snap, snurre,
           Basse lurre.
           The song is ended."

But the little invisible beings said, "The song is never ended; the most
beautiful is yet to come."

But the children could neither hear nor understand this; nor should
they, for children must not know everything.




[Illustration]




THE DAISY


NOW listen. Out in the country, close by the roadside, stood a pleasant
house; you have seen one like it, no doubt, very often. In front lay a
little fenced-in garden, full of blooming flowers. Near the hedge, in
the soft green grass, grew a little daisy. The sun shone as brightly and
warmly upon her as upon the large and beautiful garden flowers, so the
daisy grew from hour to hour. Every morning she unfolded her little
white petals, like shining rays round the little golden sun in the
center of the flower. She never seemed to think that she was unseen down
in the grass or that she was only a poor, insignificant flower. She felt
too happy to care for that. Merrily she turned toward the warm sun,
looked up to the blue sky, and listened to the lark singing high in the
air.

One day the little flower was as joyful as if it had been a great
holiday, although it was only Monday. All the children were at school,
and while they sat on their benches learning their lessons, she, on her
little stem, learned also from the warm sun and from everything around
her how good God is, and it made her happy to hear the lark expressing
in his song her own glad feelings. The daisy admired the happy bird who
could warble so sweetly and fly so high, and she was not at all
sorrowful because she could not do the same.

"I can see and hear," thought she; "the sun shines upon me, and the wind
kisses me; what else do I need to make me happy?"

Within the garden grew a number of aristocratic flowers; the less scent
they had the more they flaunted. The peonies considered it a grand thing
to be so large, and puffed themselves out to be larger than the roses.
The tulips knew that they were marked with beautiful colors, and held
themselves bolt upright so that they might be seen more plainly.

They did not notice the little daisy outside, but she looked at them
and thought: "How rich and beautiful they are! No wonder the pretty bird
flies down to visit them. How glad I am that I grow so near them, that I
may admire their beauty!"

Just at this moment the lark flew down, crying "Tweet," but he did not
go to the tall peonies and tulips; he hopped into the grass near the
lowly daisy. She trembled for joy and hardly knew what to think. The
little bird hopped round the daisy, singing, "Oh, what sweet, soft
grass, and what a lovely little flower, with gold in its heart and
silver on its dress!" For the yellow center in the daisy looked like
gold, and the leaves around were glittering white, like silver.

How happy the little daisy felt, no one can describe. The bird kissed
her with his beak, sang to her, and then flew up again into the blue air
above. It was at least a quarter of an hour before the daisy could
recover herself. Half ashamed, yet happy in herself, she glanced at the
other flowers; they must have seen the honor she had received, and would
understand her delight and pleasure.

But the tulips looked prouder than ever; indeed, they were evidently
quite vexed about it. The peonies were disgusted, and could they have
spoken, the poor little daisy would no doubt have received a good
scolding. She could see they were all out of temper, and it made her
very sorry.

At this moment there came into the garden a girl with a large,
glittering knife in her hand. She went straight to the tulips and cut
off several of them.

"O dear," sighed the daisy, "how shocking! It is all over with them
now." The girl carried the tulips away, and the daisy felt very glad to
grow outside in the grass and to be only a poor little flower. When the
sun set, she folded up her leaves and went to sleep. She dreamed the
whole night long of the warm sun and the pretty little bird.

The next morning, when she joyfully stretched out her white leaves once
more to the warm air and the light, she recognized the voice of the
bird, but his song sounded mournful and sad.

Alas! he had good reason to be sad: he had been caught and made a
prisoner in a cage that hung close by the open window. He sang of the
happy time when he could fly in the air, joyous and free; of the young
green corn in the fields, from which he would spring higher and higher
to sing his glorious song--but now he was a prisoner in a cage.

The little daisy wished very much to help him. But what could she do? In
her anxiety she forgot all the beautiful things around her, the warm
sunshine, and her own pretty, shining, white leaves. Alas! she could
think of nothing but the captive bird and her own inability to help him.

Two boys came out of the garden; one of them carried a sharp knife in
his hand, like the one with which the girl had cut the tulips. They went
straight to the little daisy, who could not think what they were going
to do.

"We can cut out a nice piece of turf for the lark here," said one of the
boys; and he began to cut a square piece round the daisy, so that she
stood just in the center.

[Illustration: So the daisy remained, and was put with the turf in the
lark's cage.]

"Pull up the flower," said the other boy; and the daisy trembled with
fear, for to pluck her up would destroy her life and she wished so
much to live and to be taken to the captive lark in his cage.

"No, let it stay where it is," said the boy, "it looks so pretty." So
the daisy remained, and was put with the turf in the lark's cage. The
poor bird was complaining loudly about his lost freedom, beating his
wings against the iron bars of his prison. The little daisy could make
no sign and utter no word to console him, as she would gladly have done.
The whole morning passed in this manner.

"There is no water here," said the captive lark; "they have all gone out
and have forgotten to give me a drop to drink. My throat is hot and dry;
I feel as if I had fire and ice within me, and the air is so heavy.
Alas! I must die. I must bid farewell to the warm sunshine, the fresh
green, and all the beautiful things which God has created." And then he
thrust his beak into the cool turf to refresh himself a little with the
fresh grass, and, as he did so, his eye fell upon the daisy. The bird
nodded to her and kissed her with his beak and said: "You also will
wither here, you poor little flower! They have given you to me, with
the little patch of green grass on which you grow, in exchange for the
whole world which was mine out there. Each little blade of grass is to
me as a great tree, and each of your white leaves a flower. Alas! you
only show me how much I have lost."

"Oh, if I could only comfort him!" thought the daisy, but she could not
move a leaf. The perfume from her leaves was stronger than is usual in
these flowers, and the bird noticed it, and though he was fainting with
thirst, and in his pain pulled up the green blades of grass, he did not
touch the flower.

The evening came, and yet no one had come to bring the bird a drop of
water. Then he stretched out his pretty wings and shook convulsively; he
could only sing "Tweet, tweet," in a weak, mournful tone. His little
head bent down toward the flower; the bird's heart was broken with want
and pining. Then the flower could not fold her leaves as she had done
the evening before when she went to sleep, but, sick and sorrowful,
drooped toward the earth.

Not till morning did the boys come, and when they found the bird dead,
they wept many and bitter tears. They dug a pretty grave for him and
adorned it with leaves of flowers. The bird's lifeless body was placed
in a smart red box and was buried with great honor.

Poor bird! while he was alive and could sing, they forgot him and
allowed him to sit in his cage and suffer want, but now that he was
dead, they mourned for him with many tears and buried him in royal
state.

But the turf with the daisy on it was thrown out into the dusty road. No
one thought of the little flower that had felt more for the poor bird
than had any one else and that would have been so glad to help and
comfort him if she had been able.




[Illustration]




THE PEA BLOSSOM


THERE were once five peas in one shell; they were green, and the shell
was green, and so they believed that the whole world must be green also,
which was a very natural conclusion.

The shell grew, and the peas grew; and as they grew they arranged
themselves all in a row. The sun shone without and warmed the shell, and
the rain made it clear and transparent; it looked mild and agreeable in
broad daylight and dark at night, just as it should. And the peas, as
they sat there, grew bigger and bigger, and more thoughtful as they
mused, for they felt there must be something for them to do.

"Are we to sit here forever?" asked one. "Shall we not become hard,
waiting here so long? It seems to me there must be something outside; I
feel sure of it."

Weeks passed by; the peas became yellow, and the shell became yellow.

"All the world is turning yellow, I suppose," said they--and perhaps
they were right.

Suddenly they felt a pull at the shell. It was torn off and held in
human hands; then it was slipped into the pocket of a jacket, together
with other full pods.

"Now we shall soon be let out," said one, and that was just what they
all wanted.

"I should like to know which of us will travel farthest," said the
smallest of the five; "and we shall soon see."

"What is to happen will happen," said the largest pea.

"Crack!" went the shell, and the five peas rolled out into the bright
sunshine. There they lay in a child's hand. A little boy was holding
them tightly. He said they were fine peas for his pea-shooter, and
immediately he put one in and shot it out.

"Now I am flying out into the wide world," said the pea. "Catch me if
you can." And he was gone in a moment.

"I intend to fly straight to the sun," said the second. "That is a shell
that will suit me exactly, for it lets itself be seen." And away he
went.

"We will go to sleep wherever we find ourselves," said the next two; "we
shall still be rolling onwards." And they did fall to the floor and roll
about, but they got into the pea-shooter for all that. "We will go
farthest of any," said they.

"What is to happen will happen," exclaimed the last one, as he was shot
out of the pea-shooter. Up he flew against an old board under a garret
window and fell into a little crevice which was almost filled with moss
and soft earth. The moss closed itself about him, and there he lay--a
captive indeed, but not unnoticed by God.

"What is to happen will happen," said he to himself.

Within the little garret lived a poor woman, who went out to clean
stoves, chop wood into small pieces, and do other hard work, for she was
both strong and industrious. Yet she remained always poor, and at home
in the garret lay her only daughter, not quite grown up and very
delicate and weak. For a whole year she had kept her bed, and it seemed
as if she could neither die nor get well.

"She is going to her little sister," said the woman. "I had only the two
children, and it was not an easy thing to support them; but the good God
provided for one of them by taking her home to himself. The other was
left to me, but I suppose they are not to be separated, and my sick girl
will soon go to her sister in heaven."

All day long the sick girl lay quietly and patiently, while her mother
went out to earn money.

Spring came, and early one morning the sun shone through the little
window and threw his rays mildly and pleasantly over the floor of the
room. Just as the mother was going to her work, the sick girl fixed her
gaze on the lowest pane of the window. "Mother," she exclaimed, "what
can that little green thing be that peeps in at the window? It is moving
in the wind."

The mother stepped to the window and half opened it. "Oh!" she said,
"there is actually a little pea that has taken root and is putting out
its green leaves. How could it have got into this crack? Well, now, here
is a little garden for you to amuse yourself with." So the bed of the
sick girl was drawn nearer to the window, that she might see the budding
plant; and the mother went forth to her work.

"Mother, I believe I shall get well," said the sick child in the
evening. "The sun has shone in here so bright and warm to-day, and the
little pea is growing so fast, that I feel better, too, and think I
shall get up and go out into the warm sunshine again."

"God grant it!" said the mother, but she did not believe it would be so.
She took a little stick and propped up the green plant which had given
her daughter such pleasure, so that it might not be broken by the winds.
She tied the piece of string to the window-sill and to the upper part of
the frame, so that the pea tendrils might have something to twine round.
And the plant shot up so fast that one could almost see it grow from day
to day.

"A flower is really coming," said the mother one morning. At last she
was beginning to let herself hope that her little sick daughter might
indeed recover. She remembered that for some time the child had spoken
more cheerfully, and that during the last few days she had raised
herself in bed in the morning to look with sparkling eyes at her little
garden which contained but a single pea plant.

A week later the invalid sat up by the open window a whole hour, feeling
quite happy in the warm sunshine, while outside grew the little plant,
and on it a pink pea blossom in full bloom. The little maiden bent down
and gently kissed the delicate leaves. This day was like a festival to
her.

"Our heavenly Father himself has planted that pea and made it grow and
flourish, to bring joy to you and hope to me, my blessed child," said
the happy mother, and she smiled at the flower as if it had been an
angel from God.

[Illustration: On it a pink pea blossom ... in full bloom.]

But what became of the other peas? Why, the one who flew out into the
wide world and said, "Catch me if you can," fell into a gutter on the
roof of a house and ended his travels in the crop of a pigeon. The two
lazy ones were carried quite as far and were of some use, for they also
were eaten by pigeons; but the fourth, who wanted to reach the sun,
fell into a sink and lay there in the dirty water for days and weeks,
till he had swelled to a great size.

"I am getting beautifully fat," said the pea; "I expect I shall burst at
last; no pea could do more than that, I think. I am the most remarkable
of all the five that were in the shell." And the sink agreed with the
pea.

But the young girl, with sparkling eyes and the rosy hue of health upon
her cheeks, stood at the open garret window and, folding her thin hands
over the pea blossom, thanked God for what He had done.




[Illustration]




THE STORKS


ON the last house in the village there lay a stork's nest. The mother
stork sat in it with her four little ones, who were stretching out their
heads with their pointed black bills that had not yet turned red. At a
little distance, on the top of the roof, stood the father stork, bolt
upright and as stiff as could be. That he might not appear quite idle
while standing sentry, he had drawn one leg up under him, as is the
manner of storks. One might have taken him to be carved in marble, so
still did he stand.

"It must look very grand for my wife to have a sentinel to guard her
nest," he thought. "They can't know that I am her husband and will, of
course, conclude that I am commanded to stand here by her nest. It looks
aristocratic!"

Below, in the street, a crowd of children were playing. When they
chanced to catch sight of the storks, one of the boldest of the boys
began to sing the old song about the stork. The others soon joined him,
but each sang the words that he happened to have heard. This is one of
the ways:

          "Stork, stork, fly away;
           Stand not on one leg to-day.
           Thy dear wife sits in the nest,
           To lull the little ones to rest.

          "There's a halter for one,
           There's a stake for another,
           For the third there's a gun,
           And a spit for his brother!"

"Only listen," said the young storks, "to what the boys are singing. Do
you hear them say we're to be hanged and shot?"

"Don't listen to what they say; if you don't mind, it won't hurt you,"
said the mother.

But the boys went on singing, and pointed mockingly at the sentinel
stork. Only one boy, whom they called Peter, said it was a shame to make
game of animals, and he would not join in the singing at all.

The mother stork tried to comfort her young ones. "Don't mind them," she
said; "see how quiet your father stands on one leg there."

"But we are afraid," said the little ones, drawing back their beaks into
the nest.

The children assembled again on the next day, and no sooner did they see
the storks than they again began their song:

          "The first will be hanged,
           The second be hit."

"Tell us, are we to be hanged and burned?" asked the young storks.

"No, no; certainly not," replied the mother. "You are to learn to fly,
and then we shall pay a visit to the frogs. They will bow to us in the
water and sing 'Croak! croak!' and we shall eat them up, and that will
be a great treat."

"And then what?" questioned the young storks.

"Oh, then all the storks in the land will assemble, and the autumn
sports will begin; only then one must be able to fly well, for that is
very important. Whoever does not fly as he should will be pierced to
death by the general's beak, so mind that you learn well, when the drill
begins."

"Yes, but then, after that, we shall be killed, as the boys say. Hark!
they are singing it again."

"Attend to me and not to them," said the mother stork. "After the great
review we shall fly away to warm countries, far from here, over hills
and forests. To Egypt we shall fly, where are the three-cornered houses
of stone, one point of which reaches to the clouds; they are called
pyramids and are older than a stork can imagine. In that same land there
is a river which overflows its banks and turns the whole country into
mire. We shall go into the mire and eat frogs."

"Oh! oh!" exclaimed all the youngsters.

"Yes, it is indeed a delightful place. We need do nothing all day long
but eat; and while we are feasting there so comfortably, in this country
there is not a green leaf left on the trees. It is so cold here that the
very clouds freeze in lumps or fall down in little white rags." It was
hail and snow that she meant, but she did not know how to say it better.

"And will the naughty boys freeze in lumps?" asked the young storks.

"No, they will not freeze in lumps, but they will come near it, and they
will sit moping and cowering in gloomy rooms while you are flying about
in foreign lands, amid bright flowers and warm sunshine."

Some time passed, and the nestlings had grown so large and strong that
they could stand upright in the nest and look all about them. Every day
the father stork came with delicious frogs, nice little snakes, and
other such dainties that storks delight in. How funny it was to see the
clever feats he performed to amuse them! He would lay his head right
round upon his tail; and sometimes he would clatter with his beak, as if
it were a little rattle; or he would tell them stories, all relating to
swamps and fens.

"Come, children," said the mother stork one day, "now you must learn to
fly." And all the four young storks had to go out on the ridge of the
roof. How they did totter and stagger about! They tried to balance
themselves with their wings, but came very near falling to the ground.

"Look at me!" said the mother. "This is the way to hold your head. And
thus you must place your feet. Left! right! left! right! that's what
will help you on in the world."

Then she flew a little way, and the young ones took a clumsy little
leap. Bump! plump! down they fell, for their bodies were still too heavy
for them.

"I will not fly," said one of the young storks, as he crept back to the
nest. "I don't care about going to warm countries."

"Do you want to stay here and freeze when the winter comes? Will you
wait till the boys come to hang, to burn, or to roast you? Well, then,
I'll call them."

"Oh, no!" cried the timid stork, hopping back to the roof with the rest.

By the third day they actually began to fly a little. Then they had no
doubt that they could soar or hover in the air, upborne by their wings.
And this they attempted to do, but down they fell, flapping their wings
as fast as they could.

Again the boys came to the street, singing their song, "Storks, storks,
fly home and rest."

"Shall we fly down and peck them?" asked the young ones.

"No, leave them alone. Attend to me; that's far more important.
One--two--three! now we fly round to the right. One--two--three! now to
the left, round the chimney. There! that was very good. That last flap
with your wings and the kick with your feet were so graceful and proper
that to-morrow you shall fly with me to the marsh. Several of the nicest
stork families will be there with their children. Let me see that mine
are the best bred of all. Carry your heads high and mind you strut about
proudly, for that looks well and helps to make one respected."

"But shall we not take revenge upon the naughty boys?" asked the young
storks.

"No, no; let them scream away, as much as they please. You are to fly up
to the clouds and away to the land of the pyramids, while they are
freezing and can neither see a green leaf nor taste a sweet apple."

"But we will revenge ourselves," they whispered one to another. And then
the training began again.

Among all the children down in the street the one that seemed most bent
upon singing the song that made game of the storks was the boy who had
begun it, and he was a little fellow hardly more than six years old. The
young storks, to be sure, thought he was at least a hundred, for he was
much bigger than their parents, and, besides, what did they know about
the ages of either children or grown men? Their whole vengeance was to
be aimed at this one boy. It was always he who began the song and
persisted in mocking them. The young storks were very angry, and as they
grew larger they also grew less patient under insult, and their mother
was at last obliged to promise them that they might be revenged--but not
until the day of their departure.

"We must first see how you carry yourselves at the great review. If you
do so badly that the general runs his beak through you, then the boys
will be in the right--at least in one way. We must wait and see!"

"Yes, you shall see!" cried all the young storks; and they took the
greatest pains, practicing every day, until they flew so evenly and so
lightly that it was a pleasure to see them.

The autumn now set in; all the storks began to assemble, in order to
start for the warm countries and leave winter behind them. And such
exercises as there were! Young fledglings were set to fly over forests
and villages, to see if they were equal to the long journey that was
before them. So well did our young storks acquit themselves, that, as a
proof of the satisfaction they had given, the mark they got was,
"Remarkably well," with a present of a frog and a snake, which they lost
no time in eating.

"Now," said they, "we will be revenged."

"Yes, certainly," said their mother; "and I have thought of a way that
will surely be the fairest. I know a pond where all the little human
children lie till the stork comes to take them to their parents. There
lie the pretty little babies, dreaming more sweetly than they ever dream
afterwards. All the parents are wishing for one of these little ones,
and the children all want a sister or a brother. Now we'll fly to the
pond and bring back a baby for every child who did not sing the naughty
song that made game of the storks."

"But the very naughty boy who was the first to begin the song," cried
the young storks, "what shall we do with him?"

"There is a little dead child in the pond--one that has dreamed itself
to death. We will bring that for him. Then he will cry because we have
brought a little dead brother to him.

"But that good boy,--you have not forgotten him!--the one who said it
was a shame to mock at the animals; for him we will bring both a brother
and a sister. And because his name is Peter, all of you shall be called
Peter, too."

All was done as the mother had said; the storks were named Peter, and so
they are called to this day.




[Illustration]




THE WILD SWANS


FAR away, in the land to which the swallows fly when it is winter, dwelt
a king who had eleven sons, and one daughter, named Eliza.

The eleven brothers were princes, and each went to school with a star on
his breast and a sword by his side. They wrote with diamond pencils on
golden slates and learned their lessons so quickly and read so easily
that every one knew they were princes. Their sister Eliza sat on a
little stool of plate-glass and had a book full of pictures, which had
cost as much as half a kingdom.

Happy, indeed, were these children; but they were not long to remain so,
for their father, the king, married a queen who did not love the
children, and who proved to be a wicked sorceress.

The queen began to show her unkindness the very first day. While the
great festivities were taking place in the palace, the children played
at receiving company; but the queen, instead of sending them the cakes
and apples that were left from the feast, as was customary, gave them
some sand in a teacup and told them to pretend it was something good.
The next week she sent the little Eliza into the country to a peasant
and his wife. Then she told the king so many untrue things about the
young princes that he gave himself no more trouble about them.

"Go out into the world and look after yourselves," said the queen. "Fly
like great birds without a voice." But she could not make it so bad for
them as she would have liked, for they were turned into eleven beautiful
wild swans.

With a strange cry, they flew through the windows of the palace, over
the park, to the forest beyond. It was yet early morning when they
passed the peasant's cottage where their sister lay asleep in her room.
They hovered over the roof, twisting their long necks and flapping their
wings, but no one heard them or saw them, so they at last flew away,
high up in the clouds, and over the wide world they sped till they came
to a thick, dark wood, which stretched far away to the seashore.

Poor little Eliza was alone in the peasant's room playing with a green
leaf, for she had no other playthings. She pierced a hole in the leaf,
and when she looked through it at the sun she seemed to see her
brothers' clear eyes, and when the warm sun shone on her cheeks she
thought of all the kisses they had given her.

One day passed just like another. Sometimes the winds rustled through
the leaves of the rosebush and whispered to the roses, "Who can be more
beautiful than you?" And the roses would shake their heads and say,
"Eliza is." And when the old woman sat at the cottage door on Sunday and
read her hymn book, the wind would flutter the leaves and say to the
book, "Who can be more pious than you?" And then the hymn book would
answer, "Eliza." And the roses and the hymn book told the truth.

When she was fifteen she returned home, but because she was so beautiful
the witch-queen became full of spite and hatred toward her. Willingly
would she have turned her into a swan like her brothers, but she did not
dare to do so for fear of the king.

Early one morning the queen went into the bathroom; it was built of
marble and had soft cushions trimmed with the most beautiful tapestry.
She took three toads with her, and kissed them, saying to the first,
"When Eliza comes to bathe seat yourself upon her head, that she may
become as stupid as you are." To the second toad she said, "Place
yourself on her forehead, that she may become as ugly as you are, and
that her friends may not know her." "Rest on her heart," she whispered
to the third; "then she will have evil inclinations and suffer because
of them." So she put the toads into the clear water, which at once
turned green. She next called Eliza and helped her undress and get into
the bath.

As Eliza dipped her head under the water one of the toads sat on her
hair, a second on her forehead, and a third on her breast. But she did
not seem to notice them, and when she rose from the water there were
three red poppies floating upon it. Had not the creatures been venomous
or had they not been kissed by the witch, they would have become red
roses. At all events they became flowers, because they had rested on
Eliza's head and on her heart. She was too good and too innocent for
sorcery to have any power over her.

When the wicked queen saw this, she rubbed Eliza's face with walnut
juice, so that she was quite brown; then she tangled her beautiful hair
and smeared it with disgusting ointment until it was quite impossible to
recognize her.

The king was shocked, and declared she was not his daughter. No one but
the watchdog and the swallows knew her, and they were only poor animals
and could say nothing. Then poor Eliza wept and thought of her eleven
brothers who were far away. Sorrowfully she stole from the palace and
walked the whole day over fields and moors, till she came to the great
forest. She knew not in what direction to go, but she was so unhappy and
longed so for her brothers, who, like herself, had been driven out into
the world, that she was determined to seek them.

She had been in the wood only a short time when night came on and she
quite lost the path; so she laid herself down on the soft moss, offered
up her evening prayer, and leaned her head against the stump of a tree.
All nature was silent, and the soft, mild air fanned her forehead. The
light of hundreds of glowworms shone amidst the grass and the moss like
green fire, and if she touched a twig with her hand, ever so lightly,
the brilliant insects fell down around her like shooting stars.

All night long she dreamed of her brothers. She thought they were all
children again, playing together. She saw them writing with their
diamond pencils on golden slates, while she looked at the beautiful
picture book which had cost half a kingdom. They were not writing lines
and letters, as they used to do, but descriptions of the noble deeds
they had performed and of all that they had discovered and seen. In the
picture book, too, everything was living. The birds sang, and the people
came out of the book and spoke to Eliza and her brothers; but as the
leaves were turned over they darted back again to their places, that all
might be in order.

When she awoke, the sun was high in the heavens. She could not see it,
for the lofty trees spread their branches thickly overhead, but its
gleams here and there shone through the leaves like a gauzy golden mist.
There was a sweet fragrance from the fresh verdure, and the birds came
near and almost perched on her shoulders. She heard water rippling from
a number of springs, all flowing into a lake with golden sands. Bushes
grew thickly round the lake, and at one spot, where an opening had been
made by a deer, Eliza went down to the water.

The lake was so clear that had not the wind rustled the branches of the
trees and the bushes so that they moved, they would have seemed painted
in the depths of the lake; for every leaf, whether in the shade or in
the sunshine, was reflected in the water.

When Eliza saw her own face she was quite terrified at finding it so
brown and ugly, but after she had wet her little hand and rubbed her
eyes and forehead, the white skin gleamed forth once more; and when she
had undressed and dipped herself in the fresh water, a more beautiful
king's daughter could not have been found anywhere in the wide world.

As soon as she had dressed herself again and braided her long hair, she
went to the bubbling spring and drank some water out of the hollow of
her hand. Then she wandered far into the forest, not knowing whither she
went. She thought of her brothers and of her father and mother and felt
sure that God would not forsake her. It is God who makes the wild apples
grow in the wood to satisfy the hungry, and He now showed her one of
these trees, which was so loaded with fruit that the boughs bent beneath
the weight. Here she ate her noonday meal, and then placing props under
the boughs, she went into the gloomiest depths of the forest.

It was so still that she could hear the sound of her own footsteps, as
well as the rustling of every withered leaf which she crushed under her
feet. Not a bird was to be seen, not a sunbeam could penetrate the
large, dark boughs of the trees. The lofty trunks stood so close
together that when she looked before her it seemed as if she were
enclosed within trelliswork. Here was such solitude as she had never
known before!

The night was very dark. Not a glowworm was glittering in the moss.
Sorrowfully Eliza laid herself down to sleep. After a while it seemed to
her as if the branches of the trees parted over her head and the mild
eyes of angels looked down upon her from heaven.

In the morning, when she awoke, she knew not whether this had really
been so or whether she had dreamed it. She continued her wandering, but
she had not gone far when she met an old woman who had berries in her
basket and who gave her a few to eat. Eliza asked her if she had not
seen eleven princes riding through the forest.

"No," replied the old woman, "but I saw yesterday eleven swans with gold
crowns on their heads, swimming in the river close by." Then she led
Eliza a little distance to a sloping bank, at the foot of which ran a
little river. The trees on its banks stretched their long leafy branches
across the water toward each other, and where they did not meet
naturally the roots had torn themselves away from the ground, so that
the branches might mingle their foliage as they hung over the water.

Eliza bade the old woman farewell and walked by the flowing river till
she reached the shore of the open sea. And there, before her eyes, lay
the glorious ocean, but not a sail appeared on its surface; not even a
boat could be seen. How was she to go farther? She noticed how the
countless pebbles on the shore had been smoothed and rounded by the
action of the water. Glass, iron, stones, everything that lay there
mingled together, had been shaped by the same power until they were as
smooth as her own delicate hand.

"The water rolls on without weariness," she said, "till all that is hard
becomes smooth; so will I be unwearied in my task. Thanks for your
lesson, bright rolling waves; my heart tells me you will one day lead me
to my dear brothers."

[Illustration: Eliza asked her if she had not seen eleven princes riding
through the forest....]

On the foam-covered seaweeds lay eleven white swan feathers, which she
gathered and carried with her. Drops of water lay upon them; whether
they were dewdrops or tears no one could say. It was lonely on the
seashore, but she did not know it, for the ever-moving sea showed more
changes in a few hours than the most varying lake could produce in a
whole year. When a black, heavy cloud arose, it was as if the sea
said, "I can look dark and angry too"; and then the wind blew, and the
waves turned to white foam as they rolled. When the wind slept and the
clouds glowed with the red sunset, the sea looked like a rose leaf.
Sometimes it became green and sometimes white. But, however quietly it
lay, the waves were always restless on the shore and rose and fell like
the breast of a sleeping child.

When the sun was about to set, Eliza saw eleven white swans, with golden
crowns on their heads, flying toward the land, one behind the other,
like a long white ribbon. She went down the slope from the shore and hid
herself behind the bushes. The swans alighted quite close to her,
flapping their great white wings. As soon as the sun had disappeared
under the water, the feathers of the swans fell off and eleven beautiful
princes, Eliza's brothers, stood near her.

She uttered a loud cry, for, although they were very much changed, she
knew them immediately. She sprang into their arms and called them each
by name. Very happy the princes were to see their little sister again;
they knew her, although she had grown so tall and beautiful. They
laughed and wept and told each other how cruelly they had been treated
by their stepmother.

"We brothers," said the eldest, "fly about as wild swans while the sun
is in the sky, but as soon as it sinks behind the hills we recover our
human shape. Therefore we must always be near a resting place before
sunset; for if we were flying toward the clouds when we recovered our
human form, we should sink deep into the sea.

"We do not dwell here, but in a land just as fair that lies far across
the ocean; the way is long, and there is no island upon which we can
pass the night--nothing but a little rock rising out of the sea, upon
which, even crowded together, we can scarcely stand with safety. If the
sea is rough, the foam dashes over us; yet we thank God for this rock.
We have passed whole nights upon it, or we should never have reached our
beloved fatherland, for our flight across the sea occupies two of the
longest days in the year.

"We have permission to visit our home once every year and to remain
eleven days. Then we fly across the forest to look once more at the
palace where our father dwells and where we were born, and at the church
beneath whose shade our mother lies buried. The very trees and bushes
here seem related to us. The wild horses leap over the plains as we have
seen them in our childhood. The charcoal burners sing the old songs to
which we have danced as children. This is our fatherland, to which we
are drawn by loving ties; and here we have found you, our dear little
sister. Two days longer we can remain here, and then we must fly away to
a beautiful land which is not our home. How can we take you with us? We
have neither ship nor boat."

"How can I break this spell?" asked the sister. And they talked about it
nearly the whole night, slumbering only a few hours.

Eliza was awakened by the rustling of the wings of swans soaring above
her. Her brothers were again changed to swans. They flew in circles,
wider and wider, till they were far away; but one of them, the youngest,
remained behind and laid his head in his sister's lap, while she stroked
his wings. They remained together the whole day.

Towards evening the rest came back, and as the sun went down they
resumed their natural forms. "To-morrow," said one, "we shall fly away,
not to return again till a whole year has passed. But we cannot leave
you here. Have you courage to go with us? My arm is strong enough to
carry you through the wood, and will not all our wings be strong enough
to bear you over the sea?"

"Yes, take me with you," said Eliza. They spent the whole night in
weaving a large, strong net of the pliant willow and rushes. On this
Eliza laid herself down to sleep, and when the sun rose and her brothers
again became wild swans, they took up the net with their beaks, and flew
up to the clouds with their dear sister, who still slept. When the
sunbeams fell on her face, one of the swans soared over her head so that
his broad wings might shade her.

They were far from the land when Eliza awoke. She thought she must still
be dreaming, it seemed so strange to feel herself being carried high in
the air over the sea. By her side lay a branch full of beautiful ripe
berries and a bundle of sweet-tasting roots; the youngest of her
brothers had gathered them and placed them there. She smiled her thanks
to him; she knew it was the same one that was hovering over her to shade
her with his wings. They were now so high that a large ship beneath them
looked like a white sea gull skimming the waves. A great cloud floating
behind them appeared like a vast mountain, and upon it Eliza saw her own
shadow and those of the eleven swans, like gigantic flying things.
Altogether it formed a more beautiful picture than she had ever before
seen; but as the sun rose higher and the clouds were left behind, the
picture vanished.

Onward the whole day they flew through the air like winged arrows, yet
more slowly than usual, for they had their sister to carry. The weather
grew threatening, and Eliza watched the sinking sun with great anxiety,
for the little rock in the ocean was not yet in sight. It seemed to her
as if the swans were exerting themselves to the utmost. Alas! she was
the cause of their not advancing more quickly. When the sun set they
would change to men, fall into the sea, and be drowned.

Then she offered a prayer from her inmost heart, but still no rock
appeared. Dark clouds came nearer, the gusts of wind told of the coming
storm, while from a thick, heavy mass of clouds the lightning burst
forth, flash after flash. The sun had reached the edge of the sea, when
the swans darted down so swiftly that Eliza's heart trembled; she
believed they were falling, but they again soared onward.

Presently, and by this time the sun was half hidden by the waves, she
caught sight of the rock just below them. It did not look larger than a
seal's head thrust out of the water. The sun sank so rapidly that at the
moment their feet touched the rock it shone only like a star, and at
last disappeared like the dying spark in a piece of burnt paper. Her
brothers stood close around her with arms linked together, for there was
not the smallest space to spare. The sea dashed against the rock and
covered them with spray. The heavens were lighted up with continual
flashes, and thunder rolled from the clouds. But the sister and brothers
stood holding each other's hands, and singing hymns.

In the early dawn the air became calm and still, and at sunrise the
swans flew away from the rock, bearing their sister with them. The sea
was still rough, and from their great height the white foam on the
dark-green waves looked like millions of swans swimming on the water. As
the sun rose higher, Eliza saw before her, floating in the air, a range
of mountains with shining masses of ice on their summits. In the center
rose a castle that seemed a mile long, with rows of columns rising one
above another, while around it palm trees waved and flowers as large as
mill wheels bloomed. She asked if this was the land to which they were
hastening. The swans shook their heads, for what she beheld were the
beautiful, ever-changing cloud-palaces of the Fata Morgana, into which
no mortal can enter.

Eliza was still gazing at the scene, when mountains, forests, and
castles melted away, and twenty stately churches rose in their stead,
with high towers and pointed Gothic windows. She even fancied she could
hear the tones of the organ, but it was the music of the murmuring sea.
As they drew nearer to the churches, these too were changed and became
a fleet of ships, which seemed to be sailing beneath her; but when she
looked again she saw only a sea mist gliding over the ocean.

One scene melted into another, until at last she saw the real land to
which they were bound, with its blue mountains, its cedar forests, and
its cities and palaces. Long before the sun went down she was sitting on
a rock in front of a large cave, the floor of which was overgrown with
delicate green creeping plants, like an embroidered carpet.

"Now we shall expect to hear what you dream of to-night," said the
youngest brother, as he showed his sister her bedroom.

"Heaven grant that I may dream how to release you!" she replied. And
this thought took such hold upon her mind that she prayed earnestly to
God for help, and even in her sleep she continued to pray. Then it
seemed to her that she was flying high in the air toward the cloudy
palace of the Fata Morgana, and that a fairy came out to meet her,
radiant and beautiful, yet much like the old woman who had given her
berries in the wood, and who had told her of the swans with golden
crowns on their heads.

"Your brothers can be released," said she, "if you only have courage and
perseverance. Water is softer than your own delicate hands, and yet it
polishes and shapes stones. But it feels no pain such as your fingers
will feel; it has no soul and cannot suffer such agony and torment as
you will have to endure. Do you see the stinging nettle which I hold in
my hand? Quantities of the same sort grow round the cave in which you
sleep, but only these, and those that grow on the graves of a
churchyard, will be of any use to you. These you must gather, even while
they burn blisters on your hands. Break them to pieces with your hands
and feet, and they will become flax, from which you must spin and weave
eleven coats with long sleeves; if these are then thrown over the eleven
swans, the spell will be broken. But remember well, that from the moment
you commence your task until it is finished, even though it occupy years
of your life, you must not speak. The first word you utter will pierce
the hearts of your brothers like a deadly dagger. Their lives hang upon
your tongue. Remember all that I have told you."

And as she finished speaking, she touched Eliza's hand lightly with the
nettle, and a pain as of burning fire awoke her.

It was broad daylight, and near her lay a nettle like the one she had
seen in her dream. She fell on her knees and offered thanks to God. Then
she went forth from the cave to begin work with her delicate hands. She
groped in amongst the ugly nettles, which burned great blisters on her
hands and arms, but she determined to bear the pain gladly if she could
only release her dear brothers. So she bruised the nettles with her bare
feet and spun the flax.

At sunset her brothers returned, and were much frightened when she did
not speak. They believed her to be under the spell of some new sorcery,
but when they saw her hands they understood what she was doing in their
behalf. The youngest brother wept, and where his tears touched her the
pain ceased and the burning blisters vanished. Eliza kept to her work
all night, for she could not rest till she had released her brothers.
During the whole of the following day, while her brothers were absent,
she sat in solitude, but never before had the time flown so quickly.

One coat was already finished and she had begun the second, when she
heard a huntsman's horn and was struck with fear. As the sound came
nearer and nearer, she also heard dogs barking, and fled with terror
into the cave. She hastily bound together the nettles she had gathered,
and sat upon them. In a moment there came bounding toward her out of the
ravine a great dog, and then another and another; they ran back and
forth barking furiously, until in a few minutes all the huntsmen stood
before the cave. The handsomest of them was the king of the country,
who, when he saw the beautiful maiden, advanced toward her, saying, "How
did you come here, my sweet child?"

Eliza shook her head. She dared not speak, for it would cost her
brothers their deliverance and their lives. And she hid her hands under
her apron, so that the king might not see how she was suffering.

"Come with me," he said; "here you cannot remain. If you are as good as
you are beautiful, I will dress you in silk and velvet, I will place a
golden crown on your head, and you shall rule and make your home in my
richest castle." Then he lifted her onto his horse. She wept and wrung
her hands, but the king said: "I wish only your happiness. A time will
come when you will thank me for this."

He galloped away over the mountains, holding her before him on his
horse, and the hunters followed behind them. As the sun went down they
approached a fair, royal city, with churches and cupolas. On arriving at
the castle, the king led her into marble halls, where large fountains
played and where the walls and the ceilings were covered with rich
paintings. But she had no eyes for all these glorious sights; she could
only mourn and weep. Patiently she allowed the women to array her in
royal robes, to weave pearls in her hair, and to draw soft gloves over
her blistered fingers. As she stood arrayed in her rich dress, she
looked so dazzlingly beautiful that the court bowed low in her
presence.

Then the king declared his intention of making her his bride, but the
archbishop shook his head and whispered that the fair young maiden was
only a witch, who had blinded the king's eyes and ensnared his heart.
The king would not listen to him, however, and ordered the music to
sound, the daintiest dishes to be served, and the loveliest maidens to
dance before them.

Afterwards he led her through fragrant gardens and lofty halls, but not
a smile appeared on her lips or sparkled in her eyes. She looked the
very picture of grief. Then the king opened the door of a little chamber
in which she was to sleep. It was adorned with rich green tapestry and
resembled the cave in which he had found her. On the floor lay the
bundle of flax which she had spun from the nettles, and under the
ceiling hung the coat she had made. These things had been brought away
from the cave as curiosities, by one of the huntsmen.

"Here you can dream yourself back again in the old home in the cave,"
said the king; "here is the work with which you employed yourself. It
will amuse you now, in the midst of all this splendor, to think of that
time."

When Eliza saw all these things which lay so near her heart, a smile
played around her mouth, and the crimson blood rushed to her cheeks. The
thought of her brothers and their release made her so joyful that she
kissed the king's hand. Then he pressed her to his heart.

Very soon the joyous church bells announced the marriage feast; the
beautiful dumb girl of the woods was to be made queen of the country. A
single word would cost her brothers their lives, but she loved the kind,
handsome king, who did everything to make her happy, more and more each
day; she loved him with her whole heart, and her eyes beamed with the
love she dared not speak. Oh! if she could only confide in him and tell
him of her grief. But dumb she must remain till her task was finished.

Therefore at night she crept away into her little chamber which had been
decked out to look like the cave and quickly wove one coat after
another. But when she began the seventh, she found she had no more flax.
She knew that the nettles she wanted to use grew in the churchyard and
that she must pluck them herself. How should she get out there? "Oh,
what is the pain in my fingers to the torment which my heart endures?"
thought she. "I must venture; I shall not be denied help from heaven."

Then with a trembling heart, as if she were about to perform a wicked
deed, Eliza crept into the garden in the broad moonlight, and passed
through the narrow walks and the deserted streets till she reached the
churchyard. She prayed silently, gathered the burning nettles, and
carried them home with her to the castle.

One person only had seen her, and that was the archbishop--he was awake
while others slept. Now he felt sure that his suspicions were correct;
all was not right with the queen; she was a witch and had bewitched the
king and all the people. Secretly he told the king what he had seen and
what he feared, and as the hard words came from his tongue, the carved
images of the saints shook their heads as if they would say, "It is not
so; Eliza is innocent."

But the archbishop interpreted it in another way; he believed that they
witnessed against her and were shaking their heads at her wickedness.
Two tears rolled down the king's cheeks. He went home with doubt in his
heart, and at night pretended to sleep. But no real sleep came to his
eyes, for every night he saw Eliza get up and disappear from her
chamber. Day by day his brow became darker, and Eliza saw it, and
although she did not understand the reason, it alarmed her and made her
heart tremble for her brothers. Her hot tears glittered like pearls on
the regal velvet and diamonds, while all who saw her were wishing they
could be queen.

In the meantime she had almost finished her task; only one of her
brothers' coats was wanting, but she had no flax left and not a single
nettle. Once more only, and for the last time, must she venture to the
churchyard and pluck a few handfuls. She went, and the king and the
archbishop followed her. The king turned away his head and said, "The
people must condemn her." Quickly she was condemned to suffer death by
fire.

Away from the gorgeous regal halls she was led to a dark, dreary cell,
where the wind whistled through the iron bars. Instead of the velvet and
silk dresses, they gave her the ten coats which she had woven, to cover
her, and the bundle of nettles for a pillow. But they could have given
her nothing that would have pleased her more. She continued her task
with joy and prayed for help, while the street boys sang jeering songs
about her and not a soul comforted her with a kind word.

Toward evening she heard at the grating the flutter of a swan's wing; it
was her youngest brother. He had found his sister, and she sobbed for
joy, although she knew that probably this was the last night she had to
live. Still, she had hope, for her task was almost finished and her
brothers were come.

Then the archbishop arrived, to be with her during her last hours as he
had promised the king. She shook her head and begged him, by looks and
gestures, not to stay; for in this night she knew she must finish her
task, otherwise all her pain and tears and sleepless nights would have
been suffered in vain. The archbishop withdrew, uttering bitter words
against her, but she knew that she was innocent and diligently continued
her work.

Little mice ran about the floor, dragging the nettles to her feet, to
help as much as they could; and a thrush, sitting outside the grating of
the window, sang to her the whole night long as sweetly as possible, to
keep up her spirits.

It was still twilight, and at least an hour before sunrise, when the
eleven brothers stood at the castle gate and demanded to be brought
before the king. They were told it could not be; it was yet night; the
king slept and could not be disturbed. They threatened, they entreated,
until the guard appeared, and even the king himself, inquiring what all
the noise meant. At this moment the sun rose, and the eleven brothers
were seen no more, but eleven wild swans flew away over the castle.

Now all the people came streaming forth from the gates of the city to
see the witch burned. An old horse drew the cart on which she sat. They
had dressed her in a garment of coarse sackcloth. Her lovely hair hung
loose on her shoulders, her cheeks were deadly pale, her lips moved
silently while her fingers still worked at the green flax. Even on the
way to death she would not give up her task. The ten finished coats lay
at her feet; she was working hard at the eleventh, while the mob jeered
her and said: "See the witch; how she mutters! She has no hymn book in
her hand; she sits there with her ugly sorcery. Let us tear it into a
thousand pieces."

They pressed toward her, and doubtless would have destroyed the coats
had not, at that moment, eleven wild swans flown over her and alighted
on the cart. They flapped their large wings, and the crowd drew back in
alarm.

"It is a sign from Heaven that she is innocent," whispered many of them;
but they did not venture to say it aloud.

As the executioner seized her by the hand to lift her out of the cart,
she hastily threw the eleven coats over the eleven swans, and they
immediately became eleven handsome princes; but the youngest had a
swan's wing instead of an arm, for she had not been able to finish the
last sleeve of the coat.

"Now I may speak," she exclaimed. "I am innocent."

[Illustration: Even on the way to death she would not give up her
task.]

Then the people, who saw what had happened, bowed to her as before a
saint; but she sank unconscious in her brothers' arms, overcome with
suspense, anguish, and pain.

"Yes, she is innocent," said the eldest brother, and related all that
had taken place. While he spoke, there rose in the air a fragrance as
from millions of roses. Every piece of fagot in the pile made to burn
her had taken root, and threw out branches until the whole appeared like
a thick hedge, large and high, covered with roses; while above all
bloomed a white, shining flower that glittered like a star. This flower
the king plucked, and when he placed it in Eliza's bosom she awoke from
her swoon with peace and happiness in her heart. Then all the church
bells rang of themselves, and the birds came in great flocks. And a
marriage procession, such as no king had ever before seen, returned to
the castle.




[Illustration]




THE LAST DREAM OF THE OLD OAK


IN THE forest, high up on the steep shore and not far from the open
seacoast, stood a very old oak tree. It was just three hundred and
sixty-five years old, but that long time was to the tree as the same
number of days might be to us. We wake by day and sleep by night, and
then we have our dreams. It is different with the tree; it is obliged to
keep awake through three seasons of the year and does not get any sleep
till winter comes. Winter is its time for rest--its night after the long
day of spring, summer, and autumn.

During many a warm summer, the Ephemeras, which are flies that exist for
only a day, had fluttered about the old oak, enjoyed life, and felt
happy. And if, for a moment, one of the tiny creatures rested on the
large, fresh leaves, the tree would always say: "Poor little creature!
your whole life consists of but a single day. How very short! It must be
quite melancholy."

"Melancholy! what do you mean?" the little creature would always reply.
"Why do you say that? Everything around me is so wonderfully bright and
warm and beautiful that it makes me joyous."

"But only for one day, and then it is all over."

"Over!" repeated the fly; "what is the meaning of 'all over'? Are you
'all over' too?"

"No, I shall very likely live for thousands of your days, and my day is
whole seasons long; indeed, it is so long that you could never reckon it
up."

"No? then I don't understand you. You may have thousands of my days, but
I have thousands of moments in which I can be merry and happy. Does all
the beauty of the world cease when you die?"

"No," replied the tree; "it will certainly last much longer, infinitely
longer than I can think of."

"Well, then," said the little fly, "we have the same time to live, only
we reckon differently." And the little creature danced and floated in
the air, rejoicing in its delicate wings of gauze and velvet, rejoicing
in the balmy breezes laden with the fragrance from the clover fields and
wild roses, elder blossoms and honeysuckle, and from the garden hedges
of wild thyme, primroses, and mint. The perfume of all these was so
strong that it almost intoxicated the little fly. The long and beautiful
day had been so full of joy and sweet delights, that, when the sun sank,
the fly felt tired of all its happiness and enjoyment. Its wings could
sustain it no longer, and gently and slowly it glided down to the soft,
waving blades of grass, nodded its little head as well as it could, and
slept peacefully and sweetly. The fly was dead.

"Poor little Ephemera!" said the oak; "what a short life!" And so on
every summer day the dance was repeated, the same questions were asked
and the same answers given, and there was the same peaceful falling
asleep at sunset. This continued through many generations of Ephemeras,
and all of them felt merry and happy.

The oak remained awake through the morning of spring, the noon of
summer, and the evening of autumn; its time of rest, its night, drew
near--its winter was coming. Here fell a leaf and there fell a leaf.
Already the storms were singing: "Good night, good night. We will rock
you and lull you. Go to sleep, go to sleep. We will sing you to sleep,
and shake you to sleep, and it will do your old twigs good; they will
even crackle with pleasure. Sleep sweetly, sleep sweetly, it is your
three hundred and sixty-fifth night. You are still very young in the
world. Sleep sweetly; the clouds will drop snow upon you, which will be
your coverlid, warm and sheltering to your feet. Sweet sleep to you, and
pleasant dreams."

And there stood the oak, stripped of all its leaves, left to rest during
the whole of a long winter, and to dream many dreams of events that had
happened, just as men dream.

The great tree had once been small; indeed, in its cradle it had been an
acorn. According to human reckoning, it was now in the fourth century of
its existence. It was the largest and best tree in the forest. Its
summit towered above all the other trees and could be seen far out at
sea, so that it served as a landmark to the sailors. It had no idea how
many eyes looked eagerly for it. In its topmost branches the wood pigeon
built her nest, and the cuckoo sang his well-known song, the familiar
notes echoing among the boughs; and in autumn, when the leaves looked
like beaten copper plates, the birds of passage came and rested on the
branches before beginning their flight across the sea.

But now that it was winter, the tree stood leafless, so that every one
could see how crooked and bent were the branches that sprang forth from
the trunk. Crows and rooks came by turns and sat on them, and talked of
the hard times that were beginning, and how difficult it was in winter
to obtain a living.

It was just at the holy Christmas time that the tree dreamed a dream.
The tree had doubtless a feeling that the festive time had arrived, and
in its dream fancied it heard the bells of the churches ringing. And yet
it seemed to be a beautiful summer's day, mild and warm. The tree's
mighty summit was crowned with spreading, fresh green foliage; the
sunbeams played among its leaves and branches, and the air was full of
fragrance from herb and blossom; painted butterflies chased each other;
the summer flies danced around it as if the world had been created
merely that they might dance and be merry. All that had happened to the
tree during all the years of its life seemed to pass before it as if in
a festive pageant.

It saw the knights of olden times and noble ladies ride through the wood
on their gallant steeds, with plumes waving in their hats and with
falcons on their wrists, while the hunting horn sounded and the dogs
barked. It saw hostile warriors, in colored dress and glittering armor,
with spear and halberd, pitching their tents and again taking them down;
the watchfires blazed, and men sang and slept under the hospitable
shelter of the tree. It saw lovers meet in quiet happiness near it in
the moonshine, and carve the initials of their names in the
grayish-green bark of its trunk.

[Illustration: It saw lovers meet in quiet happiness near it in the
moonshine....]

Once, but long years had passed since then, guitars and Æolian harps had
been hung on its boughs by merry travelers; now they seemed to hang
there again, and their marvelous notes sounded again. The wood pigeons
cooed as if to express the feelings of the tree, and the cuckoo called
out to tell it how many summer days it had yet to live.

Then it appeared to it that new life was thrilling through every fiber
of root and stem and leaf, rising even to its highest branches. The tree
felt itself stretching and spreading out, while through the root beneath
the earth ran the warm vigor of life. As it grew higher and still higher
and its strength increased, the topmost boughs became broader and
fuller; and in proportion to its growth its self-satisfaction increased,
and there came a joyous longing to grow higher and higher--to reach even
to the warm, bright sun itself.

Already had its topmost branches pierced the clouds, which floated
beneath them like troops of birds of passage or large white swans; every
leaf seemed gifted with sight, as if it possessed eyes to see. The stars
became visible in broad daylight, large and sparkling, like clear and
gentle eyes. They brought to the tree's memory the light that it had
seen in the eyes of a child and in the eyes of lovers who had once met
beneath the branches of the old oak.

These were wonderful and happy moments for the old oak, full of peace
and joy; and yet amidst all this happiness, the tree felt a yearning
desire that all the other trees, bushes, herbs, and flowers beneath it
might also be able to rise higher, to see all this splendor and
experience the same happiness. The grand, majestic oak could not be
quite happy in its enjoyment until all the rest, both great and small,
could share it. And this feeling of yearning trembled through every
branch, through every leaf, as warmly and fervently as through a human
heart.

The summit of the tree waved to and fro and bent downwards, as if in its
silent longing it sought something. Then there came to it the fragrance
of thyme and the more powerful scent of honeysuckle and violets, and the
tree fancied it heard the note of the cuckoo.

At length its longing was satisfied. Up through the clouds came the
green summits of the forest trees, and the oak watched them rising
higher and higher. Bush and herb shot upward, and some even tore
themselves up by the roots to rise more quickly. The quickest of all was
the birch tree. Like a lightning flash the slender stem shot upwards in
a zigzag line, the branches spreading round it like green gauze and
banners. Every native of the wood, even to the brown and feathery
rushes, grew with the rest, while the birds ascended with the melody of
song. On a blade of grass that fluttered in the air like a long green
ribbon sat a grasshopper cleaning its wings with its legs. May beetles
hummed, bees murmured, birds sang--each in its own way; the air was
filled with the sounds of song and gladness.

"But where is the little blue flower that grows by the water, and the
purple bellflower, and the daisy?" asked the oak. "I want them all."

"Here we are; here we are," came the reply in words and in song.

"But the beautiful thyme of last summer, where is that? And where are
the lilies of the valley which last year covered the earth with their
bloom, and the wild apple tree with its fragrant blossoms, and all the
glory of the wood, which has flourished year after year? And where is
even what may have but just been born?"

"We are here; we are here," sounded voices high up in the air, as if
they had flown there beforehand.

"Why, this is beautiful, too beautiful to be believed," cried the oak in
a joyful tone. "I have them all here, both great and small; not one has
been forgotten. Can such happiness be imagined? It seems almost
impossible."

"In heaven with the Eternal God it can be imagined, for all things are
possible," sounded the reply through the air.

And the old tree, as it still grew upwards and onwards, felt that its
roots were loosening themselves from the earth.

"It is right so; it is best," said the tree. "No fetters hold me now. I
can fly up to the very highest point in light and glory. And all I love
are with me, both small and great. All--all are here."

Such was the dream of the old oak at the holy Christmas time. And while
it dreamed, a mighty storm came rushing over land and sea. The sea
rolled in great billows toward the shore. A cracking and crushing was
heard in the tree. Its roots were torn from the ground, just at the
moment when in its dream it was being loosened from the earth. It fell;
its three hundred and sixty-five years were ended like the single day of
the Ephemera.

On the morning of Christmas Day, when the sun rose, the storm had
ceased. From all the churches sounded the festive bells, and from every
hearth, even of the smallest hut, rose the smoke into the blue sky, like
the smoke from the festive thank-offerings on the Druids' altars. The
sea gradually became calm, and on board a great ship that had withstood
the tempest during the night, all the flags were displayed as a token of
joy and festivity.

"The tree is down! the old oak--our landmark on the coast!" exclaimed
the sailors. "It must have fallen in the storm of last night. Who can
replace it? Alas! no one." This was the old tree's funeral oration,
brief but well said.

There it lay stretched on the snow-covered shore, and over it sounded
the notes of a song from the ship--a song of Christmas joy, of the
redemption of the soul of man, and of eternal life through Christ.

          Sing aloud on this happy morn,
          All is fulfilled, for Christ is born;
          With songs of joy let us loudly sing,
          "Hallelujahs to Christ our King."

Thus sounded the Christmas carol, and every one on board the ship felt
his thoughts elevated through the song and the prayer, even as the old
tree had felt lifted up in its last beautiful dream on that Christmas
morn.




[Illustration]




THE PORTUGUESE DUCK


A DUCK once arrived from Portugal. There were some who said she came
from Spain, but that is almost the same thing. At all events, she was
called the Portuguese duck, and she laid eggs, was killed and cooked,
and that was the end of her.

The ducklings which crept forth from her eggs were also called
Portuguese ducks, and about that there may be some question. But of all
the family only one remained in the duck yard, which may be called a
farmyard, since the chickens were admitted to it and the cock strutted
about in a very hostile manner.

"He annoys me with his loud crowing," said the Portuguese duck, "but
still, he's a handsome bird, there's no denying that, even if he is not
a duck. He ought to moderate his voice, like those little birds who are
singing in the lime trees over there in our neighbor's garden--but that
is an art only acquired in polite society. How sweetly they sing there;
it is quite a pleasure to listen to them! I call it Portuguese singing.
If I only had such a little singing bird, I'd be as kind and good to him
as a mother, for it's in my Portuguese nature."

While she was speaking, one of the little singing birds came tumbling
head over heels from the roof into the yard. The cat was after him, but
he had escaped from her with a broken wing and so came fluttering into
the yard. "That's just like the cat; she's a villain," said the
Portuguese duck. "I remember her ways when I had children of my own. How
can such a creature be allowed to live and wander about upon the roofs?
I don't think they allow such things in Portugal."

She pitied the little singing bird, and so did all the other ducks, who
were not Portuguese.

"Poor little creature!" they said, one after another, as they came up.
"We can't sing, certainly; but we have a sounding board, or something of
the kind, within us, though we don't talk about it."

"But I can talk," said the Portuguese duck. "I'll do something for the
little fellow; it's my duty." So she stepped into the watering trough
and beat her wings upon the water so strongly that the little bird was
nearly drowned. But the duck meant it kindly. "That is a good deed," she
said; "I hope the others will take example from it."

"Tweet, tweet!" said the little bird. One of his wings was broken and he
found it difficult to shake himself, but he quite understood that the
bath was meant kindly, so he said, "You are very kind-hearted, madam."
But he did not wish for a second bath.

"I have never thought about my heart," replied the Portuguese duck; "but
I know that I love all my fellow creatures, except the cat, and nobody
can expect me to love her, for she ate up two of my ducklings. But pray
make yourself at home; it is easy to make oneself comfortable. I myself
am from a foreign country, as you may see by my bearing and my feathery
dress. My husband is a native of these parts; he's not of my race, but I
am not proud on that account. If any one here can understand you, I may
say positively that I am that person."

"She's quite full of _portulak_," said a little common duck, who was
witty. All the common ducks considered the word "portulak" a good joke,
for it sounded like "Portugal." They nudged each other and said, "Quack!
that was witty!"

Then the other ducks began to notice the newcomer. "The Portuguese has
certainly a great flow of language," they said to the little bird. "For
our part, we don't care to fill our beaks with such long words, but we
sympathize with you quite as much. If we don't do anything else, we can
walk about with you everywhere; that is the best we can do."

"You have a lovely voice," said one of the eldest ducks; "it must be a
great satisfaction to you to be able to give as much pleasure as you do.
I am certainly no judge of your singing, so I keep my beak shut, which
is better than talking nonsense as others do."

"Don't plague him so," interrupted the Portuguese duck; "he requires
rest and nursing. My little singing bird, do you wish me to prepare
another bath for you?"

"Oh, no! no! pray let me be dry," implored the little bird.

"The water cure is the only remedy for me when I am not well," said the
Portuguese. "Amusement, too, is very beneficial. The fowls from the
neighborhood will soon be here to pay you a visit. There are two
Cochin-Chinese among them; they wear feathers on their legs and are well
educated. They have been brought from a great distance, and consequently
I treat them with greater respect than I do the others."

Then the fowls arrived, and the cock was polite enough to keep from
being rude. "You are a real songster," he said, "and you do as much with
your little voice as it is possible to do; but more noise and shrillness
is necessary if one wishes others to know who he is."

The two Chinese were quite enchanted with the appearance of the singing
bird. His feathers had been much ruffled by his bath, so that he seemed
to them quite like a tiny Chinese fowl. "He's charming," they said to
each other, and began a conversation with him in whispers, using the
most aristocratic Chinese dialect.

"We are of the same race as yourself," they said. "The ducks, even the
Portuguese, are all aquatic birds, as you must have noticed. You do not
know us yet--very few, even of the fowls, know us or give themselves the
trouble to make our acquaintance, though we were born to occupy a higher
position in society than most of them. But that does not disturb us; we
quietly go our way among them. Their ideas are certainly not ours, for
we look at the bright side of things and only speak of what is good,
although that is sometimes difficult to find where none exists. Except
ourselves and the cock, there is not one in the yard who can be called
talented or polite. It cannot be said even of the ducks, and we warn
you, little bird, not to trust that one yonder, with the short tail
feathers, for she is cunning. Then the curiously marked one, with the
crooked stripes on her wings, is a mischief-maker and never lets any one
have the last word, though she is always in the wrong. The fat duck
yonder speaks evil of every one, and that is against our principles; if
we have nothing good to tell, we close our beaks. The Portuguese is the
only one who has had any education and with whom we can associate, but
she is passionate and talks too much about Portugal."

"I wonder what those two Chinese are whispering about," whispered one
duck to another. "They are always doing it, and it annoys me. We never
speak to them."

Now the drake came up, and he thought the little singing bird was a
sparrow. "Well, I don't understand the difference," he said; "it appears
to me all the same. He's only a plaything, and if people will have
playthings, why let them, I say."

"Don't take any notice of what he says," whispered the Portuguese; "he
is very well in matters of business, and with him business is first. Now
I shall lie down and have a little rest. It is a duty we owe to
ourselves, so that we shall be nice and fat when we come to be embalmed
with sage and onions and apples."

So she laid herself down in the sun and winked with one eye. She had a
very comfortable place and felt so at ease that she fell asleep. The
little singing bird busied himself for some time with his broken wing,
and at last he too lay down, quite close to his protectress. The sun
shone warm and bright, and he found it a very good place. But the fowls
of the neighborhood were all awake, and, to tell the truth, they had
paid a visit to the duck yard solely to find food for themselves. The
Chinese were the first to leave, and the other fowls soon followed them.

The witty little duck said of the Portuguese that "the old lady" was
getting to be quite a "doting ducky." All the other ducks laughed at
this. "'Doting ducky,'" they whispered; "oh, that's too witty!" Then
they repeated the joke about "portulak" and declared it was most
amusing. After that they all lay down to have a nap.

They had been lying asleep for quite a while, when suddenly something
was thrown into the yard for them to eat. It came down with such a bang
that the whole company started up and clapped their wings. The
Portuguese awoke, too, and rushed over to the other side of the yard. In
doing this she trod upon the little singing bird.

"Tweet," he cried; "you trod very hard upon me, madam."

"Well, then, why do you lie in my way?" she retorted. "You must not be
so touchy. I have nerves of my own, but I do not cry 'Tweet.'"

"Don't be angry," said the little bird; "the 'Tweet' slipped out of my
beak before I knew it."

The Portuguese did not listen to him, but began eating as fast as she
could, and made a good meal. When she had finished she lay down again,
and the little bird, who wished to be amiable, began to sing:

             "Chirp and twitter,
              The dewdrops glitter,
          In the hours of sunny spring;
              I'll sing my best,
              Till I go to rest,
          With my head behind my wing."

"Now I want rest after my dinner," said the Portuguese. "You must
conform to the rules of the place while you are here. I want to sleep
now."

The little bird was quite taken aback, for he meant it kindly. When
madam awoke afterwards, there he stood before her with a little corn he
had found, and laid it at her feet; but as she had not slept well, she
was naturally in a bad temper. "Give that to a chicken," she said, "and
don't be always standing in my way."

"Why are you angry with me?" replied the little singing bird; "what have
I done?"

"Done!" repeated the Portuguese duck; "your mode of expressing yourself
is not very polite. I must call your attention to that fact."

"There was sunshine here yesterday," said the little bird, "but to-day
it is cloudy and the air is heavy."

"You know very little about the weather, I fancy," she retorted; "the
day is not over yet. Don't stand there looking so stupid."

"But you are looking at me just as the wicked eyes looked when I fell
into the yard yesterday."

"Impertinent creature!" exclaimed the Portuguese duck. "Would you
compare me with the cat--that beast of prey? There's not a drop of
malicious blood in me. I've taken your part, and now I'll teach you
better manners." So saying, she made a bite at the little singing-bird's
head, and he fell to the ground dead. "Now whatever is the meaning of
this?" she said. "Could he not bear even such a little peck as I gave
him? Then, certainly, he was not made for this world. I've been like a
mother to him, I know that, for I've a good heart."

Then the cock from the neighboring yard stuck his head in and crowed
with steam-engine power.

"You'll kill me with your crowing," she cried. "It's all your fault.
He's lost his life, and I'm very near losing mine."

"There's not much of him lying there," observed the cock.

"Speak of him with respect," said the Portuguese duck, "for he had
manners and education, and he could sing. He was affectionate and
gentle, and those are as rare qualities in animals as in those who call
themselves human beings."

Then all the ducks came crowding round the little dead bird. Ducks have
strong passions, whether they feel envy or pity. There was nothing to
envy here, so they all showed a great deal of pity. So also did the two
Chinese. "We shall never again have such a singing bird among us; he was
almost a Chinese," they whispered, and then they wept with such a noisy,
clucking sound that all the other fowls clucked too. But the ducks went
about with redder eyes afterwards. "We have hearts of our own," they
said; "nobody can deny that."

"Hearts!" repeated the Portuguese. "Indeed you have--almost as tender as
the ducks in Portugal."

"Let us think of getting something to satisfy our hunger," said the
drake; "that's the most important business. If one of our toys is
broken, why, we have plenty more."




[Illustration]




THE SNOW MAN


"IT IS so delightfully cold that it makes my whole body crackle," said
the Snow Man. "This is just the kind of wind to blow life into one. How
that great red thing up there is staring at me!" He meant the sun, which
was just setting. "It shall not make me wink. I shall manage to keep the
pieces."

He had two triangular pieces of tile in his head instead of eyes, and
his mouth, being made of an old broken rake, was therefore furnished
with teeth. He had been brought into existence amid the joyous shouts of
boys, the jingling of sleigh bells, and the slashing of whips.

The sun went down, and the full moon rose, large, round, and clear,
shining in the deep blue.

"There it comes again, from the other side," said the Snow Man, who
supposed the sun was showing itself once more. "Ah, I have cured it of
staring. Now it may hang up there and shine, so that I may see myself.
If I only knew how to manage to move away from this place--I should so
like to move! If I could, I would slide along yonder on the ice, as I
have seen the boys do; but I don't understand how. I don't even know how
to run."

"Away, away!" barked the old yard dog. He was quite hoarse and could not
pronounce "Bow-wow" properly. He had once been an indoor dog and lain by
the fire, and he had been hoarse ever since. "The sun will make you run
some day. I saw it, last winter, make your predecessor run, and his
predecessor before him. Away, away! They all have to go."

"I don't understand you, comrade," said the Snow Man. "Is that thing up
yonder to teach me to run? I saw it running itself, a little while ago,
and now it has come creeping up from the other side."

"You know nothing at all," replied the yard dog. "But then, you've only
lately been patched up. What you see yonder is the moon, and what you
saw before was the sun. It will come again to-morrow and most likely
teach you to run down into the ditch by the well, for I think the
weather is going to change. I can feel such pricks and stabs in my left
leg that I am sure there is going to be a change."

"I don't understand him," said the Snow Man to himself, "but I have a
feeling that he is talking of something very disagreeable. The thing
that stared so hard just now, which he calls the sun, is not my friend;
I can feel that too."

"Away, away!" barked the yard dog, and then he turned round three times
and crept into his kennel to sleep.

There really was a change in the weather. Toward morning a thick fog
covered the whole country and a keen wind arose, so that the cold seemed
to freeze one's bones. But when the sun rose, a splendid sight was to be
seen. Trees and bushes were covered with hoarfrost and looked like a
forest of white coral, while on every twig glittered frozen dewdrops.
The many delicate forms, concealed in summer by luxuriant foliage, were
now clearly defined and looked like glittering lacework. A white
radiance glistened from every twig. The birches, waving in the wind,
looked as full of life as in summer and as wondrously beautiful. Where
the sun shone, everything glittered and sparkled as if diamond dust had
been strewn about; and the snowy carpet of the earth seemed covered with
diamonds from which gleamed countless lights, whiter even than the snow
itself.

"This is really beautiful," said a girl who had come into the garden
with a young friend; and they both stood still near the Snow Man,
contemplating the glittering scene. "Summer cannot show a more beautiful
sight," she exclaimed, while her eyes sparkled.

"And we can't have such a fellow as this in the summer-time," replied
the young man, pointing to the Snow Man. "He is capital."

The girl laughed and nodded at the Snow Man, then tripped away over the
snow with her friend. The snow creaked and crackled beneath her feet, as
if she had been treading on starch.

"Who are those two?" asked the Snow Man of the yard dog. "You have been
here longer than I; do you know them?"

"Of course I know them," replied the yard dog; "the girl has stroked my
back many times, and the young man has often given me a bone of meat. I
never bite those two."

"But what are they?" asked the Snow Man.

"They are lovers," he replied. "They will go and live in the same
kennel, by and by, and gnaw at the same bone. Away, away!"

"Are they the same kind of beings as you and I?" asked the Snow Man.

"Well, they belong to the master," retorted the yard dog. "Certainly
people know very little who were only born yesterday. I can see that in
you. I have age and experience. I know every one here in the house, and
I know there was once a time when I did not lie out here in the cold,
fastened to a chain. Away, away!"

"The cold is delightful," said the Snow Man. "But do tell me, tell me;
only you must not clank your chain so, for it jars within me when you do
that."

"Away, away!" barked the yard dog. "I'll tell you: they said I was a
pretty little fellow, once; then I used to lie in a velvet-covered
chair, up at the master's house, and sit in the mistress's lap; they
used to kiss my nose, and wipe my paws with an embroidered handkerchief,
and I was called 'Ami, dear Ami, sweet Ami.' But after a while I grew
too big for them, and they sent me away to the housekeeper's room; so I
came to live on the lower story. You can look into the room from where
you stand, and see where I was once master--for I was, indeed, master to
the housekeeper. It was a much smaller room than those upstairs, but I
was more comfortable, for I was not continually being taken hold of and
pulled about by the children, as I had been. I received quite as good
food and even better. I had my own cushion, and there was a stove--it is
the finest thing in the world at this season of the year. I used to go
under the stove and lie down. Ah, I still dream of that stove. Away,
away!"

"Does a stove look beautiful?" asked the Snow Man. "Is it at all like
me?"

"It is just the opposite of you," said the dog. "It's as black as a crow
and has a long neck and a brass knob; it eats firewood, and that makes
fire spurt out of its mouth. One has to keep on one side or under it, to
be comfortable. You can see it through the window from where you stand."

Then the Snow Man looked, and saw a bright polished thing with a brass
knob, and fire gleaming from the lower part of it. The sight of this
gave the Snow Man a strange sensation; it was very odd, he knew not what
it meant, and he could not account for it. But there are people who are
not men of snow who understand what the feeling is. "And why did you
leave her?" asked the Snow Man, for it seemed to him that the stove must
be of the female sex. "How could you give up such a comfortable place?"

"I was obliged to," replied the yard dog. "They turned me out of doors
and chained me up here. I had bitten the youngest of my master's sons in
the leg, because he kicked away the bone I was gnawing. 'Bone for bone,'
I thought. But they were very angry, and since that time I have been
fastened to a chain and have lost my voice. Don't you hear how hoarse I
am? Away, away! I can't talk like other dogs any more. Away, away! That
was the end of it all."

But the Snow Man was no longer listening. He was looking into the
housekeeper's room on the lower story, where the stove, which was about
the same size as the Snow Man himself, stood on its four iron legs.
"What a strange crackling I feel within me," he said. "Shall I ever get
in there? It is an innocent wish, and innocent wishes are sure to be
fulfilled. I must go in there and lean against her, even if I have to
break the window."

"You must never go in there," said the yard dog, "for if you approach
the stove, you will melt away, away."

"I might as well go," said the Snow Man, "for I think I am breaking up
as it is."

During the whole day the Snow Man stood looking in through the window,
and in the twilight hour the room became still more inviting, for from
the stove came a gentle glow, not like the sun or the moon; it was only
the kind of radiance that can come from a stove when it has been well
fed. When the door of the stove was opened, the flames darted out of its
mouth,--as is customary with all stoves,--and the light of the flames
fell with a ruddy gleam directly on the face and breast of the Snow Man.
"I can endure it no longer," said he. "How beautiful it looks when it
stretches out its tongue!"

The night was long, but it did not appear so to the Snow Man, who stood
there enjoying his own reflections and crackling with the cold. In the
morning the window-panes of the housekeeper's room were covered with
ice. They were the most beautiful ice flowers any Snow Man could desire,
but they concealed the stove. These window-panes would not thaw, and he
could see nothing of the stove, which he pictured to himself as if it
had been a beautiful human being. The snow crackled and the wind
whistled around him; it was just the kind of frosty weather a Snow Man
ought to enjoy thoroughly. But he did not enjoy it. How, indeed, could
he enjoy anything when he was so stove-sick?

"That is a terrible disease for a Snow Man to have," said the yard dog.
"I have suffered from it myself, but I got over it. Away, away!" he
barked, and then added, "The weather is going to change."

The weather did change. It began to thaw, and as the warmth increased,
the Snow Man decreased. He said nothing and made no complaint, which is
a sure sign.

One morning he broke and sank down altogether; and behold! where he had
stood, something that looked like a broomstick remained sticking up in
the ground. It was the pole round which the boys had built him.

"Ah, now I understand why he had such a great longing for the stove,"
said the yard dog. "Why, there's the shovel that is used for cleaning
out the stove, fastened to the pole. The Snow Man had a stove scraper in
his body; that was what moved him so. But it is all over now. Away,
away!"

And soon the winter passed. "Away, away!" barked the hoarse yard dog,
but the girls in the house sang:

          "Come from your fragrant home, green thyme;
             Stretch your soft branches, willow tree;
           The months are bringing the sweet spring-time,
             When the lark in the sky sings joyfully.
           Come, gentle sun, while the cuckoo sings,
             And I'll mock his note in my wanderings."

And nobody thought any more of the Snow Man.




[Illustration]




THE FARMYARD COCK AND THE WEATHERCOCK


THERE were once two cocks; one of them stood on a dunghill, the other on
the roof. Both were conceited, but the question is, Which of the two was
the more useful?

A wooden partition divided the poultry yard from another yard, in which
lay a heap of manure sheltering a cucumber bed. In this bed grew a large
cucumber, which was fully aware that it was a plant that should be
reared in a hotbed.

"It is the privilege of birth," said the Cucumber to itself. "All cannot
be born cucumbers; there must be other kinds as well. The fowls, the
ducks, and the cattle in the next yard are all different creatures, and
there is the yard cock--I can look up to him when he is on the wooden
partition. He is certainly of much greater importance than the
weathercock, who is so highly placed, and who can't even creak, much
less crow--besides, he has neither hens nor chickens, and thinks only of
himself, and perspires verdigris. But the yard cock is something like a
cock. His gait is like a dance, and his crowing is music, and wherever
he goes it is instantly known. What a trumpeter he is! If he would only
come in here! Even if he were to eat me up, stalk and all, it would be a
pleasant death." So said the Cucumber.

During the night the weather became very bad; hens, chickens, and even
the cock himself sought shelter. The wind blew down with a crash the
partition between the two yards, and the tiles came tumbling from the
roof, but the weathercock stood firm. He did not even turn round; in
fact, he could not, although he was fresh and newly cast. He had been
born full grown and did not at all resemble the birds, such as the
sparrows and swallows, that fly beneath the vault of heaven. He despised
them and looked upon them as little twittering birds that were made only
to sing. The pigeons, he admitted, were large and shone in the sun like
mother-of-pearl. They somewhat resembled weathercocks, but were fat and
stupid and thought only of stuffing themselves with food. "Besides,"
said the weathercock, "they are very tiresome things to converse with."

The birds of passage often paid a visit to the weathercock and told him
tales of foreign lands, of large flocks passing through the air, and of
encounters with robbers and birds of prey. These were very interesting
when heard for the first time, but the weathercock knew the birds always
repeated themselves, and that made it tedious to listen.

"They are tedious, and so is every one else," said he; "there is no one
fit to associate with. One and all of them are wearisome and stupid. The
whole world is worth nothing--it is made up of stupidity."

The weathercock was what is called "lofty," and that quality alone would
have made him interesting in the eyes of the Cucumber, had she known it.
But she had eyes only for the yard cock, who had actually made his
appearance in her yard; for the violence of the storm had passed, but
the wind had blown down the wooden palings.

"What do you think of that for crowing?" asked the yard cock of his hens
and chickens. It was rather rough, and wanted elegance, but they did not
say so, as they stepped upon the dunghill while the cock strutted about
as if he had been a knight. "Garden plant," he cried to the Cucumber.
She heard the words with deep feeling, for they showed that he
understood who she was, and she forgot that he was pecking at her and
eating her up--a happy death!

Then the hens came running up, and the chickens followed, for where one
runs the rest run also. They clucked and chirped and looked at the cock
and were proud that they belonged to him. "Cock-a-doodle-doo!" crowed
he; "the chickens in the poultry yard will grow to be large fowls if I
make my voice heard in the world."

And the hens and chickens clucked and chirped, and the cock told them a
great piece of news. "A cock can lay an egg," he said. "And what do you
think is in that egg? In that egg lies a basilisk. No one can endure the
sight of a basilisk. Men know my power, and now you know what I am
capable of, also, and what a renowned bird I am." And with this the
yard cock flapped his wings, erected his comb, and crowed again, till
all the hens and chickens trembled; but they were proud that one of
their race should be of such renown in the world. They clucked and they
chirped so that the weathercock heard it; he had heard it all, but had
not stirred.

"It's all stupid stuff," said a voice within the weathercock. "The yard
cock does not lay eggs any more than I do, and I am too lazy. I could
lay a wind egg if I liked, but the world is not worth a wind egg. And
now I don't intend to sit here any longer."

With that, the weathercock broke off and fell into the yard. He did not
kill the yard cock, although the hens said he intended to do so.

And what does the moral say? "Better to crow than to be vainglorious and
break down at last."




[Illustration]




THE RED SHOES


THERE was once a pretty, delicate little girl, who was so poor that she
had to go barefoot in summer and wear coarse wooden shoes in winter,
which made her little instep quite red.

In the center of the village there lived an old shoemaker's wife. One
day this good woman made, as well as she could, a little pair of shoes
out of some strips of old red cloth. The shoes were clumsy enough, to be
sure, but they fitted the little girl tolerably well, and anyway the
woman's intention was kind. The little girl's name was Karen.

On the very day that Karen received the shoes, her mother was to be
buried. They were not at all suitable for mourning, but she had no
others, so she put them on her little bare feet and followed the poor
plain coffin to its last resting place.

Just at that time a large, old-fashioned carriage happened to pass by,
and the old lady who sat in it saw the little girl and pitied her.

"Give me the little girl," she said to the clergyman, "and I will take
care of her."

Karen supposed that all this happened because of the red shoes, but the
old lady thought them frightful and ordered them to be burned. Karen was
then dressed in neat, well-fitting clothes and taught to read and sew.
People told her she was pretty, but the mirror said, "You are much more
than pretty--you are beautiful."

It happened not long afterwards that the queen and her little daughter,
the princess, traveled through the land. All the people, Karen among the
rest, flocked toward the palace and crowded around it, while the little
princess, dressed in white, stood at the window for every one to see.
She wore neither a train nor a golden crown, but on her feet were
beautiful red morocco shoes, which, it must be admitted, were prettier
than those the shoemaker's wife had given to little Karen. Surely
nothing in the world could be compared to those red shoes.

Now that Karen was old enough to be confirmed, she of course had to have
a new frock and new shoes. The rich shoemaker in the town took the
measure of her little feet in his own house, in a room where stood great
glass cases filled with all sorts of fine shoes and elegant, shining
boots. It was a pretty sight, but the old lady could not see well and
naturally did not take so much pleasure in it as Karen. Among the shoes
were a pair of red ones, just like those worn by the little princess.
Oh, how gay they were! The shoemaker said they had been made for the
child of a count, but had not fitted well.

"Are they of polished leather, that they shine so?" asked the old lady.

"Yes, indeed, they do shine," replied Karen. And since they fitted her,
they were bought. But the old lady had no idea that they were red, or
she would never in the world have allowed Karen to go to confirmation in
them, as she now did. Every one, of course, looked at Karen's shoes;
and when she walked up the nave to the chancel it seemed to her that
even the antique figures on the monuments, the portraits of clergymen
and their wives, with their stiff ruffs and long black robes, were
fixing their eyes on her red shoes. Even when the bishop laid his hand
upon her head and spoke of her covenant with God and how she must now
begin to be a full-grown Christian, and when the organ pealed forth
solemnly and the children's fresh, sweet voices joined with those of the
choir--still Karen thought of nothing but her shoes.

In the afternoon, when the old lady heard every one speak of the red
shoes, she said it was very shocking and improper and that, in the
future, when Karen went to church it must always be in black shoes, even
if they were old.

The next Sunday was Karen's first Communion day. She looked at her black
shoes, and then at her red ones, then again at the black and at the
red--and the red ones were put on.

The sun shone very brightly, and Karen and the old lady walked to church
through the cornfields, for the road was very dusty.

At the door of the church stood an old soldier, who leaned upon a crutch
and had a marvelously long beard that was not white but red. He bowed
almost to the ground and asked the old lady if he might dust her shoes.
Karen, in her turn, put out her little foot.

"Oh, look, what smart little dancing pumps!" said the old soldier. "Mind
you do not let them slip off when you dance," and he passed his hands
over them. The old lady gave the soldier a half-penny and went with
Karen into the church.

As before, every one saw Karen's red shoes, and all the carved figures
too bent their gaze upon them. When Karen knelt at the chancel she
thought only of the shoes; they floated before her eyes, and she forgot
to say her prayer or sing her psalm.

At last all the people left the church, and the old lady got into her
carriage. As Karen lifted her foot to step in, the old soldier said,
"See what pretty dancing shoes!" And Karen, in spite of herself, made a
few dancing steps. When she had once begun, her feet went on of
themselves; it was as though the shoes had received power over her. She
danced round the church corner,--she could not help it,--and the
coachman had to run behind and catch her to put her into the carriage.
Still her feet went on dancing, so, that she trod upon the good lady's
toes. It was not until the shoes were taken from her feet that she had
rest.

The shoes were put away in a closet, but Karen could not resist going to
look at them every now and then.

Soon after this the old lady lay ill in bed, and it was said that she
could not recover. She had to be nursed and waited on, and this, of
course, was no one's duty so much as it was Karen's, as Karen herself
well knew. But there happened to be a great ball in the town, and Karen
was invited. She looked at the old lady, who was very ill, and she
looked at the red shoes. She put them on, for she thought there could
not be any sin in that, and of course there was not--but she went next
to the ball and began to dance.

Strange to say, when she wanted to move to the right the shoes bore her
to the left; and when she wished to dance up the room the shoes
persisted in going down the room. Down the stairs they carried her at
last, into the street, and out through the town gate. On and on she
danced, for dance she must, straight out into the gloomy wood. Up among
the trees something glistened. She thought it was the round, red moon,
for she saw a face; but no, it was the old soldier with the red beard,
who sat and nodded, saying, "See what pretty dancing shoes!"

She was dreadfully frightened and tried to throw away the red shoes, but
they clung fast and she could not unclasp them. They seemed to have
grown fast to her feet. So dance she must, and dance she did, over field
and meadow, in rain and in sunshine, by night and by day--and by night
it was by far more dreadful.

She danced out into the open churchyard, but the dead there did not
dance; they were at rest and had much better things to do. She would
have liked to sit down on the poor man's grave, where the bitter tansy
grew, but for her there was no rest.

[Illustration: She danced past the open church door....]

She danced past the open church door, and there she saw an angel in long
white robes and with wings that reached from his shoulders to the
earth. His look was stern and grave, and in his hand he held a broad,
glittering sword.

"Thou shalt dance," he said, "in thy red shoes, till thou art pale and
cold, and till thy body is wasted like a skeleton. Thou shalt dance from
door to door, and wherever proud, haughty children dwell thou shalt
knock, that, hearing thee, they may take warning. Dance thou
shalt--dance on!"

"Mercy!" cried Karen; but she did not hear the answer of the angel, for
the shoes carried her past the door and on into the fields.

One morning she danced past a well-known door. Within was the sound of a
psalm, and presently a coffin strewn with flowers was borne out. She
knew that her friend, the old lady, was dead, and in her heart she felt
that she was abandoned by all on earth and condemned by God's angel in
heaven.

Still on she danced--for she could not stop--through thorns and briers,
while her feet bled. Finally, she danced to a lonely little house where
she knew that the executioner dwelt, and she tapped at the window,
saying, "Come out, come out! I cannot come in, for I must dance."

The man said, "Do you know who I am and what I do?"

"Yes," said Karen; "but do not strike off my head, for then I could not
live to repent of my sin. Strike off my feet, that I may be rid of my
red shoes."

Then she confessed her sin, and the executioner struck off the red
shoes, which danced away over the fields and into the deep wood. To
Karen it seemed that the feet had gone with the shoes, for she had
almost lost the power of walking.

"Now I have suffered enough for the red shoes," she said; "I will go to
the church, that people may see me." But no sooner had she hobbled to
the church door than the shoes danced before her and frightened her
back.

All that week she endured the keenest sorrow and shed many bitter tears.
When Sunday came, she said: "I am sure I must have suffered and striven
enough by this time. I am quite as good, I dare say, as many who are
holding their heads high in the church." So she took courage and went
again. But before she reached the churchyard gate the red shoes were
dancing there, and she turned back again in terror, more deeply
sorrowful than ever for her sin.

She then went to the pastor's house and begged as a favor to be taken
into the family's service, promising to be diligent and faithful. She
did not want wages, she said, only a home with good people. The
clergyman's wife pitied her and granted her request, and she proved
industrious and very thoughtful.

Earnestly she listened when at evening the preacher read aloud the Holy
Scriptures. All the children came to love her, but when they spoke of
beauty and finery, she would shake her head and turn away.

On Sunday, when they all went to church, they asked her if she would not
go, too, but she looked sad and bade them go without her. Then she went
to her own little room, and as she sat with the psalm book in her hand,
reading its pages with a gentle, pious mind, the wind brought to her the
notes of the organ. She raised her tearful eyes and said, "O God, do
thou help me!"

Then the sun shone brightly, and before her stood the white angel that
she had seen at the church door. He no longer bore the glittering
sword, but in his hand was a beautiful branch of roses. He touched the
ceiling with it, and the ceiling rose, and at each place where the
branch touched it there shone a star. He touched the walls, and they
widened so that Karen could see the organ that was being played at the
church. She saw, too, the old pictures and statues on the walls, and the
congregation sitting in the seats and singing psalms, for the church
itself had come to the poor girl in her narrow room, or she in her
chamber had come to it. She sat in the seat with the rest of the
clergyman's household, and when the psalm was ended, they nodded and
said, "Thou didst well to come, Karen!"

"This is mercy," said she. "It is the grace of God."

The organ pealed, and the chorus of children's voices mingled sweetly
with it. The bright sunshine shed its warm light, through the windows,
over the pew in which Karen sat. Her heart was so filled with sunshine,
peace, and joy that it broke, and her soul was borne by a sunbeam up to
God, where there was nobody to ask about the red shoes.




[Illustration]




THE LITTLE MERMAID


FAR out in the ocean, where the water is as blue as the prettiest
cornflower and as clear as crystal, it is very, very deep; so deep,
indeed, that no cable could sound it, and many church steeples, piled
one upon another, would not reach from the ground beneath to the surface
of the water above. There dwell the Sea King and his subjects.

We must not imagine that there is nothing at the bottom of the sea but
bare yellow sand. No, indeed, for on this sand grow the strangest
flowers and plants, the leaves and stems of which are so pliant that the
slightest agitation of the water causes them to stir as if they had
life. Fishes, both large and small, glide between the branches as birds
fly among the trees here upon land.

In the deepest spot of all stands the castle of the Sea King. Its walls
are built of coral, and the long Gothic windows are of the clearest
amber. The roof is formed of shells that open and close as the water
flows over them. Their appearance is very beautiful, for in each lies a
glittering pearl which would be fit for the diadem of a queen.

The Sea King had been a widower for many years, and his aged mother kept
house for him. She was a very sensible woman, but exceedingly proud of
her high birth, and on that account wore twelve oysters on her tail,
while others of high rank were only allowed to wear six.

She was, however, deserving of very great praise, especially for her
care of the little sea princesses, her six granddaughters. They were
beautiful children, but the youngest was the prettiest of them all. Her
skin was as clear and delicate as a rose leaf, and her eyes as blue as
the deepest sea; but, like all the others, she had no feet and her body
ended in a fish's tail. All day long they played in the great halls of
the castle or among the living flowers that grew out of the walls. The
large amber windows were open, and the fish swam in, just as the
swallows fly into our houses when we open the windows; only the fishes
swam up to the princesses, ate out of their hands, and allowed
themselves to be stroked.

Outside the castle there was a beautiful garden, in which grew
bright-red and dark-blue flowers, and blossoms like flames of fire; the
fruit glittered like gold, and the leaves and stems waved to and fro
continually. The earth itself was the finest sand, but blue as the flame
of burning sulphur. Over everything lay a peculiar blue radiance, as if
the blue sky were everywhere, above and below, instead of the dark
depths of the sea. In calm weather the sun could be seen, looking like a
reddish-purple flower with light streaming from the calyx.

Each of the young princesses had a little plot of ground in the garden,
where she might dig and plant as she pleased. One arranged her flower
bed in the form of a whale; another preferred to make hers like the
figure of a little mermaid; while the youngest child made hers round,
like the sun, and in it grew flowers as red as his rays at sunset.

She was a strange child, quiet and thoughtful. While her sisters showed
delight at the wonderful things which they obtained from the wrecks of
vessels, she cared only for her pretty flowers, red like the sun, and a
beautiful marble statue. It was the representation of a handsome boy,
carved out of pure white stone, which had fallen to the bottom of the
sea from a wreck.

She planted by the statue a rose-colored weeping willow. It grew rapidly
and soon hung its fresh branches over the statue, almost down to the
blue sands. The shadows had the color of violet and waved to and fro
like the branches, so that it seemed as if the crown of the tree and the
root were at play, trying to kiss each other.

Nothing gave her so much pleasure as to hear about the world above the
sea. She made her old grandmother tell her all she knew of the ships and
of the towns, the people and the animals. To her it seemed most
wonderful and beautiful to hear that the flowers of the land had
fragrance, while those below the sea had none; that the trees of the
forest were green; and that the fishes among the trees could sing so
sweetly that it was a pleasure to listen to them. Her grandmother
called the birds fishes, or the little mermaid would not have understood
what was meant, for she had never seen birds.

"When you have reached your fifteenth year," said the grandmother, "you
will have permission to rise up out of the sea and sit on the rocks in
the moonlight, while the great ships go sailing by. Then you will see
both forests and towns."

In the following year, one of the sisters would be fifteen, but as each
was a year younger than the other, the youngest would have to wait five
years before her turn came to rise up from the bottom of the ocean to
see the earth as we do. However, each promised to tell the others what
she saw on her first visit and what she thought was most beautiful.
Their grandmother could not tell them enough--there were so many things
about which they wanted to know.

None of them longed so much for her turn to come as the youngest--she
who had the longest time to wait and who was so quiet and thoughtful.
Many nights she stood by the open window, looking up through the dark
blue water and watching the fish as they splashed about with their fins
and tails. She could see the moon and stars shining faintly, but through
the water they looked larger than they do to our eyes. When something
like a black cloud passed between her and them, she knew that it was
either a whale swimming over her head, or a ship full of human beings
who never imagined that a pretty little mermaid was standing beneath
them, holding out her white hands towards the keel of their ship.

At length the eldest was fifteen and was allowed to rise to the surface
of the ocean.

When she returned she had hundreds of things to talk about. But the
finest thing, she said, was to lie on a sand bank in the quiet moonlit
sea, near the shore, gazing at the lights of the near-by town, that
twinkled like hundreds of stars, and listening to the sounds of music,
the noise of carriages, the voices of human beings, and the merry
pealing of the bells in the church steeples. Because she could not go
near all these wonderful things, she longed for them all the more.

Oh, how eagerly did the youngest sister listen to all these
descriptions! And afterwards, when she stood at the open window looking
up through the dark-blue water, she thought of the great city, with all
its bustle and noise, and even fancied she could hear the sound of the
church bells down in the depths of the sea.

In another year the second sister received permission to rise to the
surface of the water and to swim about where she pleased. She rose just
as the sun was setting, and this, she said, was the most beautiful sight
of all. The whole sky looked like gold, and violet and rose-colored
clouds, which she could not describe, drifted across it. And more
swiftly than the clouds, flew a large flock of wild swans toward the
setting sun, like a long white veil across the sea. She also swam
towards the sun, but it sank into the waves, and the rosy tints faded
from the clouds and from the sea.

The third sister's turn followed, and she was the boldest of them all,
for she swam up a broad river that emptied into the sea. On the banks
she saw green hills covered with beautiful vines, and palaces and
castles peeping out from amid the proud trees of the forest. She heard
birds singing and felt the rays of the sun so strongly that she was
obliged often to dive under the water to cool her burning face. In a
narrow creek she found a large group of little human children, almost
naked, sporting about in the water. She wanted to play with them, but
they fled in a great fright; and then a little black animal--it was a
dog, but she did not know it, for she had never seen one before--came to
the water and barked at her so furiously that she became frightened and
rushed back to the open sea. But she said she should never forget the
beautiful forest, the green hills, and the pretty children who could
swim in the water although they had no tails.

The fourth sister was more timid. She remained in the midst of the sea,
but said it was quite as beautiful there as nearer the land. She could
see many miles around her, and the sky above looked like a bell of
glass. She had seen the ships, but at such a great distance that they
looked like sea gulls. The dolphins sported in the waves, and the great
whales spouted water from their nostrils till it seemed as if a hundred
fountains were playing in every direction.

The fifth sister's birthday occurred in the winter, so when her turn
came she saw what the others had not seen the first time they went up.
The sea looked quite green, and large icebergs were floating about, each
like a pearl, she said, but larger and loftier than the churches built
by men. They were of the most singular shapes and glittered like
diamonds. She had seated herself on one of the largest and let the wind
play with her long hair. She noticed that all the ships sailed past very
rapidly, steering as far away as they could, as if they were afraid of
the iceberg. Towards evening, as the sun went down, dark clouds covered
the sky, the thunder rolled, and the flashes of lightning glowed red on
the icebergs as they were tossed about by the heaving sea. On all the
ships the sails were reefed with fear and trembling, while she sat on
the floating iceberg, calmly watching the lightning as it darted its
forked flashes into the sea.

Each of the sisters, when first she had permission to rise to the
surface, was delighted with the new and beautiful sights. Now that they
were grown-up girls and could go when they pleased, they had become
quite indifferent about it. They soon wished themselves back again, and
after a month had passed they said it was much more beautiful down below
and pleasanter to be at home.

Yet often, in the evening hours, the five sisters would twine their arms
about each other and rise to the surface together. Their voices were
more charming than that of any human being, and before the approach of a
storm, when they feared that a ship might be lost, they swam before the
vessel, singing enchanting songs of the delights to be found in the
depths of the sea and begging the voyagers not to fear if they sank to
the bottom. But the sailors could not understand the song and thought it
was the sighing of the storm. These things were never beautiful to them,
for if the ship sank, the men were drowned and their dead bodies alone
reached the palace of the Sea King.

When the sisters rose, arm in arm, through the water, their youngest
sister would stand quite alone, looking after them, ready to cry--only,
since mermaids have no tears, she suffered more acutely.

"Oh, were I but fifteen years old!" said she. "I know that I shall love
the world up there, and all the people who live in it."

At last she reached her fifteenth year.

"Well, now you are grown up," said the old dowager, her grandmother.
"Come, and let me adorn you like your sisters." And she placed in her
hair a wreath of white lilies, of which every flower leaf was half a
pearl. Then the old lady ordered eight great oysters to attach
themselves to the tail of the princess to show her high rank.

"But they hurt me so," said the little mermaid.

"Yes, I know; pride must suffer pain," replied the old lady.

Oh, how gladly she would have shaken off all this grandeur and laid
aside the heavy wreath! The red flowers in her own garden would have
suited her much better. But she could not change herself, so she said
farewell and rose as lightly as a bubble to the surface of the water.

The sun had just set when she raised her head above the waves. The
clouds were tinted with crimson and gold, and through the glimmering
twilight beamed the evening star in all its beauty. The sea was calm,
and the air mild and fresh. A large ship with three masts lay becalmed
on the water; only one sail was set, for not a breeze stirred, and the
sailors sat idle on deck or amidst the rigging. There was music and song
on board, and as darkness came on, a hundred colored lanterns were
lighted, as if the flags of all nations waved in the air.

The little mermaid swam close to the cabin windows, and now and then, as
the waves lifted her up, she could look in through glass window-panes
and see a number of gayly dressed people.

Among them, and the most beautiful of all, was a young prince with
large, black eyes. He was sixteen years of age, and his birthday was
being celebrated with great display. The sailors were dancing on deck,
and when the prince came out of the cabin, more than a hundred rockets
rose in the air, making it as bright as day. The little mermaid was so
startled that she dived under water, and when she again stretched out
her head, it looked as if all the stars of heaven were falling around
her.

She had never seen such fireworks before. Great suns spurted fire about,
splendid fireflies flew into the blue air, and everything was reflected
in the clear, calm sea beneath. The ship itself was so brightly
illuminated that all the people, and even the smallest rope, could be
distinctly seen. How handsome the young prince looked, as he pressed the
hands of all his guests and smiled at them, while the music resounded
through the clear night air!

It was very late, yet the little mermaid could not take her eyes from
the ship or from the beautiful prince. The colored lanterns had been
extinguished, no more rockets rose in the air, and the cannon had ceased
firing; but the sea became restless, and a moaning, grumbling sound
could be heard beneath the waves. Still the little mermaid remained by
the cabin window, rocking up and down on the water, so that she could
look within. After a while the sails were quickly set, and the ship went
on her way. But soon the waves rose higher, heavy clouds darkened the
sky, and lightning appeared in the distance. A dreadful storm was
approaching. Once more the sails were furled, and the great ship
pursued her flying course over the raging sea. The waves rose mountain
high, as if they would overtop the mast, but the ship dived like a swan
between them, then rose again on their lofty, foaming crests. To the
little mermaid this was pleasant sport; but not so to the sailors. At
length the ship groaned and creaked; the thick planks gave way under the
lashing of the sea, as the waves broke over the deck; the mainmast
snapped asunder like a reed, and as the ship lay over on her side, the
water rushed in.

The little mermaid now perceived that the crew were in danger; even she
was obliged to be careful, to avoid the beams and planks of the wreck
which lay scattered on the water. At one moment it was pitch dark so
that she could not see a single object, but when a flash of lightning
came it revealed the whole scene; she could see every one who had been
on board except the prince. When the ship parted, she had seen him sink
into the deep waves, and she was glad, for she thought he would now be
with her. Then she remembered that human beings could not live in the
water, so that when he got down to her father's palace he would
certainly be quite dead.

No, he must not die! So she swam about among the beams and planks which
strewed the surface of the sea, forgetting that they could crush her to
pieces. Diving deep under the dark waters, rising and falling with the
waves, she at length managed to reach the young prince, who was fast
losing the power to swim in that stormy sea. His limbs were failing him,
his beautiful eyes were closed, and he would have died had not the
little mermaid come to his assistance. She held his head above the water
and let the waves carry them where they would.

In the morning the storm had ceased, but of the ship not a single
fragment could be seen. The sun came up red and shining out of the
water, and its beams brought back the hue of health to the prince's
cheeks, but his eyes remained closed. The mermaid kissed his high,
smooth forehead and stroked back his wet hair. He seemed to her like the
marble statue in her little garden, so she kissed him again and wished
that he might live.

Presently they came in sight of land, and she saw lofty blue mountains
on which the white snow rested as if a flock of swans were lying upon
them. Beautiful green forests were near the shore, and close by stood a
large building, whether a church or a convent she could not tell. Orange
and citron trees grew in the garden, and before the door stood lofty
palms. The sea here formed a little bay, in which the water lay quiet
and still, but very deep. She swam with the handsome prince to the
beach, which was covered with fine white sand, and there she laid him in
the warm sunshine, taking care to raise his head higher than his body.
Then bells sounded in the large white building, and some young girls
came into the garden. The little mermaid swam out farther from the shore
and hid herself among some high rocks that rose out of the water.
Covering her head and neck with the foam of the sea, she watched there
to see what would become of the poor prince.

It was not long before she saw a young girl approach the spot where the
prince lay. She seemed frightened at first, but only for a moment; then
she brought a number of people, and the mermaid saw that the prince came
to life again and smiled upon those who stood about him. But to her he
sent no smile; he knew not that she had saved him. This made her very
sorrowful, and when he was led away into the great building, she dived
down into the water and returned to her father's castle.

She had always been silent and thoughtful, and now she was more so than
ever. Her sisters asked her what she had seen during her first visit to
the surface of the water, but she could tell them nothing. Many an
evening and morning did she rise to the place where she had left the
prince. She saw the fruits in the garden ripen and watched them
gathered; she watched the snow on the mountain tops melt away; but never
did she see the prince, and therefore she always returned home more
sorrowful than before.

It was her only comfort to sit in her own little garden and fling her
arm around the beautiful marble statue, which was like the prince. She
gave up tending her flowers, and they grew in wild confusion over the
paths, twining their long leaves and stems round the branches of the
trees so that the whole place became dark and gloomy.

At length she could bear it no longer and told one of her sisters all
about it. Then the others heard the secret, and very soon it became
known to several mermaids, one of whom had an intimate friend who
happened to know about the prince. She had also seen the festival on
board ship, and she told them where the prince came from and where his
palace stood.

"Come, little sister," said the other princesses. Then they entwined
their arms and rose together to the surface of the water, near the spot
where they knew the prince's palace stood. It was built of
bright-yellow, shining stone and had long flights of marble steps, one
of which reached quite down to the sea. Splendid gilded cupolas rose
over the roof, and between the pillars that surrounded the whole
building stood lifelike statues of marble. Through the clear crystal of
the lofty windows could be seen noble rooms, with costly silk curtains
and hangings of tapestry and walls covered with beautiful paintings. In
the center of the largest salon a fountain threw its sparkling jets
high up into the glass cupola of the ceiling, through which the sun
shone in upon the water and upon the beautiful plants that grew in the
basin of the fountain.

Now that the little mermaid knew where the prince lived, she spent many
an evening and many a night on the water near the palace. She would swim
much nearer the shore than any of the others had ventured, and once she
went up the narrow channel under the marble balcony, which threw a broad
shadow on the water. Here she sat and watched the young prince, who
thought himself alone in the bright moonlight.

She often saw him evenings, sailing in a beautiful boat on which music
sounded and flags waved. She peeped out from among the green rushes, and
if the wind caught her long silvery-white veil, those who saw it
believed it to be a swan, spreading out its wings.

Many a night, too, when the fishermen set their nets by the light of
their torches, she heard them relate many good things about the young
prince. And this made her glad that she had saved his life when he was
tossed about half dead on the waves. She remembered how his head had
rested on her bosom and how heartily she had kissed him, but he knew
nothing of all this and could not even dream of her.

She grew more and more to like human beings and wished more and more to
be able to wander about with those whose world seemed to be so much
larger than her own. They could fly over the sea in ships and mount the
high hills which were far above the clouds; and the lands they
possessed, their woods and their fields, stretched far away beyond the
reach of her sight. There was so much that she wished to know! but her
sisters were unable to answer all her questions. She then went to her
old grandmother, who knew all about the upper world, which she rightly
called "the lands above the sea."

"If human beings are not drowned," asked the little mermaid, "can they
live forever? Do they never die, as we do here in the sea?"

"Yes," replied the old lady, "they must also die, and their term of life
is even shorter than ours. We sometimes live for three hundred years,
but when we cease to exist here, we become only foam on the surface of
the water and have not even a grave among those we love. We have not
immortal souls, we shall never live again; like the green seaweed when
once it has been cut off, we can never flourish more. Human beings, on
the contrary, have souls which live forever, even after the body has
been turned to dust. They rise up through the clear, pure air, beyond
the glittering stars. As we rise out of the water and behold all the
land of the earth, so do they rise to unknown and glorious regions which
we shall never see."

"Why have not we immortal souls?" asked the little mermaid, mournfully.
"I would gladly give all the hundreds of years that I have to live, to
be a human being only for one day and to have the hope of knowing the
happiness of that glorious world above the stars."

"You must not think that," said the old woman. "We believe that we are
much happier and much better off than human beings."

"So I shall die," said the little mermaid, "and as the foam of the sea I
shall be driven about, never again to hear the music of the waves or to
see the pretty flowers or the red sun? Is there anything I can do to win
an immortal soul?"

"No," said the old woman; "unless a man should love you so much that you
were more to him than his father or his mother, and if all his thoughts
and all his love were fixed upon you, and the priest placed his right
hand in yours, and he promised to be true to you here and
hereafter--then his soul would glide into your body, and you would
obtain a share in the future happiness of mankind. He would give to you
a soul and retain his own as well; but this can never happen. Your
fish's tail, which among us is considered so beautiful, on earth is
thought to be quite ugly. They do not know any better, and they think it
necessary, in order to be handsome, to have two stout props, which they
call legs."

Then the little mermaid sighed and looked sorrowfully at her fish's
tail. "Let us be happy," said the old lady, "and dart and spring about
during the three hundred years that we have to live, which is really
quite long enough. After that we can rest ourselves all the better. This
evening we are going to have a court ball."

It was one of those splendid sights which we can never see on earth. The
walls and the ceiling of the large ballroom were of thick but
transparent crystal. Many hundreds of colossal shells,--some of a deep
red, others of a grass green,--with blue fire in them, stood in rows on
each side. These lighted up the whole salon, and shone through the walls
so that the sea was also illuminated. Innumerable fishes, great and
small, swam past the crystal walls; on some of them the scales glowed
with a purple brilliance, and on others shone like silver and gold.
Through the halls flowed a broad stream, and in it danced the mermen and
the mermaids to the music of their own sweet singing.

No one on earth has such lovely voices as they, but the little mermaid
sang more sweetly than all. The whole court applauded her with hands and
tails, and for a moment her heart felt quite gay, for she knew she had
the sweetest voice either on earth or in the sea. But soon she thought
again of the world above her; she could not forget the charming prince,
nor her sorrow that she had not an immortal soul like his. She crept
away silently out of her father's palace, and while everything within
was gladness and song, she sat in her own little garden, sorrowful and
alone. Then she heard the bugle sounding through the water and thought:
"He is certainly sailing above, he in whom my wishes center and in whose
hands I should like to place the happiness of my life. I will venture
all for him and to win an immortal soul. While my sisters are dancing in
my father's palace I will go to the sea witch, of whom I have always
been so much afraid; she can give me counsel and help."

Then the little mermaid went out from her garden and took the road to
the foaming whirlpools, behind which the sorceress lived. She had never
been that way before. Neither flowers nor grass grew there; nothing but
bare, gray, sandy ground stretched out to the whirlpool, where the
water, like foaming mill wheels, seized everything that came within its
reach and cast it into the fathomless deep. Through the midst of these
crushing whirlpools the little mermaid was obliged to pass before she
could reach the dominions of the sea witch. Then, for a long distance,
the road lay across a stretch of warm, bubbling mire, called by the
witch her turf moor.

Beyond this was the witch's house, which stood in the center of a
strange forest, where all the trees and flowers were polypi, half
animals and half plants. They looked like serpents with a hundred heads,
growing out of the ground. The branches were long, slimy arms, with
fingers like flexible worms, moving limb after limb from the root to the
top. All that could be reached in the sea they seized upon and held
fast, so that it never escaped from their clutches.

The little mermaid was so alarmed at what she saw that she stood still
and her heart beat with fear. She came very near turning back, but she
thought of the prince and of the human soul for which she longed, and
her courage returned. She fastened her long, flowing hair round her
head, so that the polypi should not lay hold of it. She crossed her
hands on her bosom, and then darted forward as a fish shoots through the
water, between the supple arms and fingers of the ugly polypi, which
were stretched out on each side of her. She saw that they all held in
their grasp something they had seized with their numerous little arms,
which were as strong as iron bands. Tightly grasped in their clinging
arms were white skeletons of human beings who had perished at sea and
had sunk down into the deep waters; skeletons of land animals; and oars,
rudders, and chests, of ships. There was even a little mermaid whom they
had caught and strangled, and this seemed the most shocking of all to
the little princess.

She now came to a space of marshy ground in the wood, where large, fat
water snakes were rolling in the mire and showing their ugly,
drab-colored bodies. In the midst of this spot stood a house, built of
the bones of shipwrecked human beings. There sat the sea witch, allowing
a toad to eat from her mouth just as people sometimes feed a canary with
pieces of sugar. She called the ugly water snakes her little chickens
and allowed them to crawl all over her bosom.

"I know what you want," said the sea witch. "It is very stupid of you,
but you shall have your way, though it will bring you to sorrow, my
pretty princess. You want to get rid of your fish's tail and to have two
supports instead, like human beings on earth, so that the young prince
may fall in love with you and so that you may have an immortal soul."
And then the witch laughed so loud and so disgustingly that the toad and
the snakes fell to the ground and lay there wriggling.

"You are but just in time," said the witch, "for after sunrise to-morrow
I should not be able to help you till the end of another year. I will
prepare a draft for you, with which you must swim to land to-morrow
before sunrise; seat yourself there and drink it. Your tail will then
disappear, and shrink up into what men call legs.

"You will feel great pain, as if a sword were passing through you. But
all who see you will say that you are the prettiest little human being
they ever saw. You will still have the same floating gracefulness of
movement, and no dancer will ever tread so lightly. Every step you take,
however, will be as if you were treading upon sharp knives and as if the
blood must flow. If you will bear all this, I will help you."

"Yes, I will," said the little princess in a trembling voice, as she
thought of the prince and the immortal soul.

"But think again," said the witch, "for when once your shape has become
like a human being, you can no more be a mermaid. You will never return
through the water to your sisters or to your father's palace again. And
if you do not win the love of the prince, so that he is willing to
forget his father and mother for your sake and to love you with his
whole soul and allow the priest to join your hands that you may be man
and wife, then you will never have an immortal soul. The first morning
after he marries another, your heart will break and you will become foam
on the crest of the waves."

"I will do it," said the little mermaid, and she became pale as death.

"But I must be paid, also," said the witch, "and it is not a trifle that
I ask. You have the sweetest voice of any who dwell here in the depths
of the sea, and you believe that you will be able to charm the prince
with it. But this voice you must give to me. The best thing you possess
will I have as the price of my costly draft, which must be mixed with my
own blood so that it may be as sharp as a two-edged sword."

"But if you take away my voice," said the little mermaid, "what is left
for me?"

"Your beautiful form, your graceful walk, and your expressive eyes.
Surely with these you can enchain a man's heart. Well, have you lost
your courage? Put out your little tongue, that I may cut it off as my
payment; then you shall have the powerful draft."

"It shall be," said the little mermaid.

Then the witch placed her caldron on the fire, to prepare the magic
draft.

"Cleanliness is a good thing," said she, scouring the vessel with snakes
which she had tied together in a large knot. Then she pricked herself in
the breast and let the black blood drop into the caldron. The steam that
rose twisted itself into such horrible shapes that no one could look at
them without fear. Every moment the witch threw a new ingredient into
the vessel, and when it began to boil, the sound was like the weeping of
a crocodile. When at last the magic draft was ready, it looked like the
clearest water.

"There it is for you," said the witch. Then she cut off the mermaid's
tongue, so that she would never again speak or sing. "If the polypi
should seize you as you return through the wood," said the witch, "throw
over them a few drops of the potion, and their fingers will be torn into
a thousand pieces." But the little mermaid had no occasion to do this,
for the polypi sprang back in terror when they caught sight of the
glittering draft, which shone in her hand like a twinkling star.

So she passed quickly through the wood and the marsh and between the
rushing whirlpools. She saw that in her father's palace the torches in
the ballroom were extinguished and that all within were asleep. But she
did not venture to go in to them, for now that she was dumb and going to
leave them forever she felt as if her heart would break. She stole into
the garden, took a flower from the flower bed of each of her sisters,
kissed her hand towards the palace a thousand times, and then rose up
through the dark-blue waters.

The sun had not risen when she came in sight of the prince's palace and
approached the beautiful marble steps, but the moon shone clear and
bright. Then the little mermaid drank the magic draft, and it seemed as
if a two-edged sword went through her delicate body. She fell into a
swoon and lay like one dead. When the sun rose and shone over the sea,
she recovered and felt a sharp pain, but before her stood the handsome
young prince.

He fixed his coal-black eyes upon her so earnestly that she cast down
her own and then became aware that her fish's tail was gone and that she
had as pretty a pair of white legs and tiny feet as any little maiden
could have. But she had no clothes, so she wrapped herself in her long,
thick hair. The prince asked her who she was and whence she came. She
looked at him mildly and sorrowfully with her deep blue eyes, but could
not speak. He took her by the hand and led her to the palace.

[Illustration: Before her stood the handsome young prince....]

Every step she took was as the witch had said it would be; she felt as
if she were treading upon the points of needles or sharp knives. She
bore it willingly, however, and moved at the prince's side as lightly as
a bubble, so that he and all who saw her wondered at her graceful,
swaying movements. She was very soon arrayed in costly robes of silk and
muslin and was the most beautiful creature in the palace; but she was
dumb and could neither speak nor sing.

Beautiful female slaves, dressed in silk and gold, stepped forward and
sang before the prince and his royal parents. One sang better than all
the others, and the prince clapped his hands and smiled at her. This was
a great sorrow to the little mermaid, for she knew how much more sweetly
she herself once could sing, and she thought, "Oh, if he could only know
that I have given away my voice forever, to be with him!"

The slaves next performed some pretty fairy-like dances, to the sound of
beautiful music. Then the little mermaid raised her lovely white arms,
stood on the tips of her toes, glided over the floor, and danced as no
one yet had been able to dance. At each moment her beauty was more
revealed, and her expressive eyes appealed more directly to the heart
than the songs of the slaves. Every one was enchanted, especially the
prince, who called her his little foundling. She danced again quite
readily, to please him, though each time her foot touched the floor it
seemed as if she trod on sharp knives.

The prince said she should remain with him always, and she was given
permission to sleep at his door, on a velvet cushion. He had a page's
dress made for her, that she might accompany him on horseback. They rode
together through the sweet-scented woods, where the green boughs touched
their shoulders, and the little birds sang among the fresh leaves. She
climbed with him to the tops of high mountains, and although her tender
feet bled so that even her steps were marked, she only smiled, and
followed him till they could see the clouds beneath them like a flock of
birds flying to distant lands. While at the prince's palace, and when
all the household were asleep, she would go and sit on the broad marble
steps, for it eased her burning feet to bathe them in the cold sea
water. It was then that she thought of all those below in the deep.

Once during the night her sisters came up arm in arm, singing
sorrowfully as they floated on the water. She beckoned to them, and they
recognized her and told her how she had grieved them; after that, they
came to the same place every night. Once she saw in the distance her
old grandmother, who had not been to the surface of the sea for many
years, and the old Sea King, her father, with his crown on his head.
They stretched out their hands towards her, but did not venture so near
the land as her sisters had.

As the days passed she loved the prince more dearly, and he loved her as
one would love a little child. The thought never came to him to make her
his wife. Yet unless he married her, she could not receive an immortal
soul, and on the morning after his marriage with another, she would
dissolve into the foam of the sea.

"Do you not love me the best of them all?" the eyes of the little
mermaid seemed to say when he took her in his arms and kissed her fair
forehead.

"Yes, you are dear to me," said the prince, "for you have the best heart
and you are the most devoted to me. You are like a young maiden whom I
once saw, but whom I shall never meet again. I was in a ship that was
wrecked, and the waves cast me ashore near a holy temple where several
young maidens performed the service. The youngest of them found me on
the shore and saved my life. I saw her but twice, and she is the only
one in the world whom I could love. But you are like her, and you have
almost driven her image from my mind. She belongs to the holy temple,
and good fortune has sent you to me in her stead. We will never part.

"Ah, he knows not that it was I who saved his life," thought the little
mermaid. "I carried him over the sea to the wood where the temple
stands; I sat beneath the foam and watched till the human beings came to
help him. I saw the pretty maiden that he loves better than he loves
me." The mermaid sighed deeply, but she could not weep. "He says the
maiden belongs to the holy temple, therefore she will never return to
the world--they will meet no more. I am by his side and see him every
day. I will take care of him, and love him, and give up my life for his
sake."

Very soon it was said that the prince was to marry and that the
beautiful daughter of a neighboring king would be his wife, for a fine
ship was being fitted out. Although the prince gave out that he
intended merely to pay a visit to the king, it was generally supposed
that he went to court the princess. A great company were to go with him.
The little mermaid smiled and shook her head. She knew the prince's
thoughts better than any of the others.

"I must travel," he had said to her; "I must see this beautiful
princess. My parents desire it, but they will not oblige me to bring her
home as my bride. I cannot love her, because she is not like the
beautiful maiden in the temple, whom you resemble. If I were forced to
choose a bride, I would choose you, my dumb foundling, with those
expressive eyes." Then he kissed her rosy mouth, played with her long,
waving hair, and laid his head on her heart, while she dreamed of human
happiness and an immortal soul.

"You are not afraid of the sea, my dumb child, are you?" he said, as
they stood on the deck of the noble ship which was to carry them to the
country of the neighboring king. Then he told her of storm and of calm,
of strange fishes in the deep beneath them, and of what the divers had
seen there. She smiled at his descriptions, for she knew better than
any one what wonders were at the bottom of the sea.

In the moonlight night, when all on board were asleep except the man at
the helm, she sat on deck, gazing down through the clear water. She
thought she could distinguish her father's castle, and upon it her aged
grandmother, with the silver crown on her head, looking through the
rushing tide at the keel of the vessel. Then her sisters came up on the
waves and gazed at her mournfully, wringing their white hands. She
beckoned to them, and smiled, and wanted to tell them how happy and well
off she was. But the cabin boy approached, and when her sisters dived
down, he thought what he saw was only the foam of the sea.

The next morning the ship sailed into the harbor of a beautiful town
belonging to the king whom the prince was going to visit. The church
bells were ringing, and from the high towers sounded a flourish of
trumpets. Soldiers, with flying colors and glittering bayonets, lined
the roads through which they passed. Every day was a festival, balls and
entertainments following one another. But the princess had not yet
appeared. People said that she had been brought up and educated in a
religious house, where she was learning every royal virtue.

At last she came. Then the little mermaid, who was anxious to see
whether she was really beautiful, was obliged to admit that she had
never seen a more perfect vision of beauty. Her skin was delicately
fair, and beneath her long, dark eyelashes her laughing blue eyes shone
with truth and purity.

"It was you," said the prince, "who saved my life when I lay as if dead
on the beach," and he folded his blushing bride in his arms.

"Oh, I am too happy!" said he to the little mermaid; "my fondest hopes
are now fulfilled. You will rejoice at my happiness, for your devotion
to me is great and sincere."

The little mermaid kissed his hand and felt as if her heart were already
broken. His wedding morning would bring death to her, and she would
change into the foam of the sea.

All the church bells rang, and the heralds rode through the town
proclaiming the betrothal. Perfumed oil was burned in costly silver
lamps on every altar. The priests waved the censers, while the bride and
the bridegroom joined their hands and received the blessing of the
bishop. The little mermaid, dressed in silk and gold, held up the
bride's train; but her ears heard nothing of the festive music, and her
eyes saw not the holy ceremony. She thought of the night of death which
was coming to her, and of all she had lost in the world.

On the same evening the bride and bridegroom went on board the ship.
Cannons were roaring, flags waving, and in the center of the ship a
costly tent of purple and gold had been erected. It contained elegant
sleeping couches for the bridal pair during the night. The ship, under a
favorable wind, with swelling sails, glided away smoothly and lightly
over the calm sea.

When it grew dark, a number of colored lamps were lighted and the
sailors danced merrily on the deck. The little mermaid could not help
thinking of her first rising out of the sea, when she had seen similar
joyful festivities, so she too joined in the dance, poised herself in
the air as a swallow when he pursues his prey, and all present cheered
her wonderingly. She had never danced so gracefully before. Her tender
feet felt as if cut with sharp knives, but she cared not for the pain; a
sharper pang had pierced her heart.

She knew this was the last evening she should ever see the prince for
whom she had forsaken her kindred and her home. She had given up her
beautiful voice and suffered unheard-of pain daily for him, while he
knew nothing of it. This was the last evening that she should breathe
the same air with him or gaze on the starry sky and the deep sea. An
eternal night, without a thought or a dream, awaited her. She had no
soul, and now could never win one.

All was joy and gaiety on the ship until long after midnight. She smiled
and danced with the rest, while the thought of death was in her heart.
The prince kissed his beautiful bride and she played with his raven hair
till they went arm in arm to rest in the sumptuous tent. Then all became
still on board the ship, and only the pilot, who stood at the helm, was
awake. The little mermaid leaned her white arms on the edge of the
vessel and looked towards the east for the first blush of morning--for
that first ray of the dawn which was to be her death. She saw her
sisters rising out of the flood. They were as pale as she, but their
beautiful hair no longer waved in the wind; it had been cut off.

"We have given our hair to the witch," said they, "to obtain help for
you, that you may not die to-night. She has given us a knife; see, it is
very sharp. Before the sun rises you must plunge it into the heart of
the prince. When the warm blood falls upon your feet they will grow
together again into a fish's tail, and you will once more be a mermaid
and can return to us to live out your three hundred years before you are
changed into the salt sea foam. Haste, then; either he or you must die
before sunrise. Our old grandmother mourns so for you that her white
hair is falling, as ours fell under the witch's scissors. Kill the
prince, and come back. Hasten! Do you not see the first red streaks in
the sky? In a few minutes the sun will rise, and you must die."

Then they sighed deeply and mournfully, and sank beneath the waves.

The little mermaid drew back the crimson curtain of the tent and beheld
the fair bride, whose head was resting on the prince's breast. She bent
down and kissed his noble brow, then looked at the sky, on which the
rosy dawn grew brighter and brighter. She glanced at the sharp knife and
again fixed her eyes on the prince, who whispered the name of his bride
in his dreams.

_She_ was in his thoughts, and the knife trembled in the hand of the
little mermaid--but she flung it far from her into the waves. The water
turned red where it fell, and the drops that spurted up looked like
blood. She cast one more lingering, half-fainting glance at the prince,
then threw herself from the ship into the sea and felt her body
dissolving into foam.

The sun rose above the waves, and his warm rays fell on the cold foam of
the little mermaid, who did not feel as if she were dying. She saw the
bright sun, and hundreds of transparent, beautiful creatures floating
around her--she could see through them the white sails of the ships and
the red clouds in the sky. Their speech was melodious, but could not be
heard by mortal ears--just as their bodies could not be seen by mortal
eyes. The little mermaid perceived that she had a body like theirs and
that she continued to rise higher and higher out of the foam. "Where am
I?" asked she, and her voice sounded ethereal, like the voices of those
who were with her. No earthly music could imitate it.

"Among the daughters of the air," answered one of them. "A mermaid has
not an immortal soul, nor can she obtain one unless she wins the love of
a human being. On the will of another hangs her eternal destiny. But the
daughters of the air, although they do not possess an immortal soul,
can, by their good deeds, procure one for themselves. We fly to warm
countries and cool the sultry air that destroys mankind with the
pestilence. We carry the perfume of the flowers to spread health and
restoration.

"After we have striven for three hundred years to do all the good in our
power, we receive an immortal soul and take part in the happiness of
mankind. You, poor little mermaid, have tried with your whole heart to
do as we are doing. You have suffered and endured, and raised yourself
to the spirit world by your good deeds, and now, by striving for three
hundred years in the same way, you may obtain an immortal soul."

The little mermaid lifted her glorified eyes toward the sun and, for the
first time, felt them filling with tears.

On the ship in which she had left the prince there were life and noise,
and she saw him and his beautiful bride searching for her. Sorrowfully
they gazed at the pearly foam, as if they knew she had thrown herself
into the waves. Unseen she kissed the forehead of the bride and fanned
the prince, and then mounted with the other children of the air to a
rosy cloud that floated above.

"After three hundred years, thus shall we float into the kingdom of
heaven," said she. "And we may even get there sooner," whispered one of
her companions. "Unseen we can enter the houses of men where there are
children, and for every day on which we find a good child that is the
joy of his parents and deserves their love, our time of probation is
shortened. The child does not know, when we fly through the room, that
we smile with joy at his good conduct--for we can count one year less of
our three hundred years. But when we see a naughty or a wicked child we
shed tears of sorrow, and for every tear a day is added to our time of
trial."




[Illustration]




BUCKWHEAT


IF YOU should chance, after a tempest, to cross a field where buckwheat
is growing, you may observe that it looks black and singed, as if a
flame of fire had passed over it. And should you ask the reason, a
farmer will tell you, "The lightning did that."

But how is it that the lightning did it?

I will tell you what the sparrow told me, and the sparrow heard it from
an aged willow which stood--and still stands for that matter--close to
the field of buckwheat.

This willow is tall and venerable, though old and crippled. Its trunk is
split clear through the middle, and grass and blackberry tendrils creep
out through the cleft. The tree bends forward, and its branches droop
like long, green hair.

In the fields around the willow grew rye, wheat, and oats--beautiful
oats that, when ripe, looked like little yellow canary birds sitting on
a branch. The harvest had been blessed, and the fuller the ears of grain
the lower they bowed their heads in reverent humility.

There was also a field of buckwheat lying just in front of the old
willow. The buckwheat did not bow its head, like the rest of the grain,
but stood erect in stiff-necked pride.

"I am quite as rich as the oats," it said; "and, moreover, I am much
more sightly. My flowers are as pretty as apple blossoms. It is a treat
to look at me and my companions. Old willow, do you know anything more
beautiful than we?"

The willow nodded his head, as much as to say, "Indeed I do!" But the
buckwheat was so puffed with pride that it only said: "The stupid tree!
He is so old that grass is growing out of his body."

Now there came on a dreadful storm, and the flowers of the field folded
their leaves or bent their heads as it passed over them. The buckwheat
flower alone stood erect in all its pride.

"Bow your heads, as we do," called the flowers.

"There is no need for me to do that," answered the buckwheat.

"Bow your head as we do," said the grain. "The angel of storms comes
flying hither. He has wings that reach from the clouds to the earth; he
will smite you before you have time to beg for mercy."

"But I do not choose to bow down," said the buckwheat.

"Close your flowers and fold your leaves," said the old willow. "Do not
look at the lightning when the cloud breaks. Even human beings dare not
do that, for in the midst of the lightning one may look straight into
God's heaven. The sight strikes human beings blind, so dazzling is it.
What would not happen to us, mere plants of the field, who are so much
humbler, if we should dare do so?"

"So much humbler! Indeed! If there is a chance, I shall look right into
God's heaven." And in its pride and haughtiness it did so. The flashes
of lightning were so awful that it seemed as if the whole world were in
flames.

When the tempest was over, both the grain and the flowers, greatly
refreshed by the rain, again stood erect in the pure, quiet air. But the
buckwheat had been burned as black as a cinder by the lightning and
stood in the field like a dead, useless weed.

The old willow waved his branches to and fro in the wind, and large
drops of water fell from his green leaves, as if he were shedding tears.
The sparrows asked: "Why are you weeping when all around seems blest? Do
you not smell the sweet perfume of flowers and bushes? The sun shines,
and the clouds have passed from the sky. Why do you weep, old tree?"

Then the willow told them of the buckwheat's stubborn pride and of the
punishment which followed.

I, who tell this tale, heard it from the sparrows. They told it to me
one evening when I had asked them for a story.




[Illustration]




WHAT HAPPENED TO THE THISTLE


AROUND a lordly old mansion was a beautiful, well-kept garden, full of
all kinds of rare trees and flowers. Guests always expressed their
delight and admiration at the sight of its wonders. The people from far
and near used to come on Sundays and holidays and ask permission to see
it. Even whole schools made excursions for the sole purpose of seeing
its beauties.

Near the fence that separated the garden from the meadow stood an
immense thistle. It was an uncommonly large and fine thistle, with
several branches spreading out just above the root, and altogether was
so strong and full as to make it well worthy of the name "thistle bush."

No one ever noticed it, save the old donkey that pulled the milk cart
for the dairymaids. He stood grazing in the meadow hard by and stretched
his old neck to reach the thistle, saying: "You are beautiful! I should
like to eat you!" But the tether was too short to allow him to reach the
thistle, so he did not eat it.

There were guests at the Hall, fine, aristocratic relatives from town,
and among them a young lady who had come from a long distance--all the
way from Scotland. She was of old and noble family and rich in gold and
lands--a bride well worth the winning, thought more than one young man
to himself; yes, and their mothers thought so, too!

The young people amused themselves on the lawn, playing croquet and
flitting about among the flowers, each young girl gathering a flower to
put in the buttonhole of some one of the gentlemen.

The young Scotch lady looked about for a flower, but none of them seemed
to please her, until, happening to glance over the fence, she espied the
fine, large thistle bush, full of bluish-red, sturdy-looking flowers.
She smiled as she saw it, and begged the son of the house to get one of
them for her.

"That is Scotland's flower," she said; "it grows and blossoms in our
coat of arms. Get that one yonder for me, please."

And he gathered the finest of the thistle flowers, though he pricked his
fingers as much in doing so as if it had been growing on a wild
rosebush.

She took the flower and put it in his buttonhole, which made him feel
greatly honored. Each of the other young men would gladly have given up
his graceful garden flower if he might have worn the one given by the
delicate hands of the Scotch girl. As keenly as the son of the house
felt the honor conferred upon him, the thistle felt even more highly
honored. It seemed to feel dew and sunshine going through it.

"It seems I am of more consequence than I thought," it said to itself.
"I ought by rights to stand inside and not outside the fence. One gets
strangely placed in this world, but now I have at least one of my
flowers over the fence--and not only there, but in a buttonhole!"

To each one of its buds as it opened, the thistle bush told this great
event. And not many days had passed before it heard--not from the people
who passed, nor yet from the twittering of little birds, but from the
air, which gives out, far and wide, the sounds that it has treasured up
from the shadiest walks of the beautiful garden and from the most
secluded rooms at the Hall, where doors and windows are left open--that
the young man who received the thistle flower from the hands of the
Scottish maiden had received her heart and hand as well.

"That is my doing!" said the thistle, thinking of the flower she had
given to the buttonhole. And every new flower that came was told of this
wonderful event.

"Surely I shall now be taken and planted in the garden," thought the
thistle. "Perhaps I shall be put into a flowerpot, for that is by far
the most honorable position." It thought of this so long that it ended
by saying to itself with the firm conviction of truth, "I shall be
planted in a flowerpot!"

It promised every little bud that came that it also should be placed in
a pot and perhaps have a place in a buttonhole--that being the highest
position one could aspire to. But none of them got into a flowerpot, and
still less into a gentleman's buttonhole.

They lived on light and air, and drank sunshine in the day and dew at
night. They received visits from bee and hornet, who came to look for
the honey in the flower, and who took the honey and left the flower.

"The good-for-nothing fellows," said the thistle bush. "I would pierce
them if I could!"

The flowers drooped and faded, but new ones always came.

"You come as if you had been sent," said the thistle bush to them. "I am
expecting every moment to be taken over the fence."

A couple of harmless daisies and a huge, thin plant of canary grass
listened to this with the deepest respect, believing all they heard. The
old donkey, that had to pull the milk cart, cast longing looks toward
the blooming thistle and tried to reach it, but his tether was too
short. And the thistle bush thought and thought, so much and so long,
of the Scotch thistle--to whom it believed itself related--that at last
it fancied it had come from Scotland and that its parents had grown into
the Scottish arms.

It was a great thought, but a great thistle may well have great
thoughts.

"Sometimes one is of noble race even if one does not know it," said the
nettle growing close by--it had a kind of presentiment that it might be
turned into muslin, if properly treated.

The summer passed, and the autumn passed; the leaves fell from the
trees; the flowers came with stronger colors and less perfume; the
gardener's lad sang on the other side of the fence:

          "Up the hill and down the hill,
           That's the way of the world still."

The young pine trees in the wood began to feel a longing for Christmas,
though Christmas was still a long way off.

"Here I am still," said the thistle. "It seems that I am quite
forgotten, and yet it was I who made the match. They were engaged, and
now they are married--the wedding was a week ago. I do not make a
single step forward, for I cannot."

Some weeks passed. The thistle had its last, solitary flower, which was
large and full and growing down near the root. The wind blew coldly over
it, the color faded, and all its glory disappeared, leaving only the cup
of the flower, now grown to be as large as the flower of an artichoke
and glistening like a silvered sunflower.

The young couple, who were now man and wife, came along the garden path,
and as they passed near the fence, the bride, glancing over it, said,
"Why, there stands the large thistle! it has no flowers now."

"Yes, there is still the ghost of the last one," said her husband,
pointing to the silvery remains of the last flower--a flower in itself.

"How beautiful it is!" she said. "We must have one carved in the frame
of our picture."

And once more the young man had to get over the fence, to break off the
silvery cup of the thistle flower. It pricked his fingers for his pains,
because he had called it a ghost. And then it was brought into the
garden, and to the Hall, and into the drawing room. There stood a large
picture--the portraits of the two, and in the bridegroom's buttonhole
was painted a thistle. They talked of it and of the flower cup they had
brought in with them--the last silver-shimmering thistle flower, that
was to be reproduced in the carving of the frame.

The air took all their words and scattered them about, far and wide.

"What strange things happen to one!" said the thistle bush. "My
first-born went to live in a buttonhole, my last-born in a frame! I
wonder what is to become of me."

The old donkey, standing by the roadside, cast loving glances at the
thistle and said, "Come to me, my sweetheart, for I cannot go to you; my
tether is too short!"

But the thistle bush made no answer. It grew more and more thoughtful,
and it thought as far ahead as Christmas, till its budding thoughts
opened into flower.

"When one's children are safely housed, a mother is quite content to
stay beyond the fence."

"That is true," said the sunshine; "and you will be well placed, never
fear."

"In a flowerpot or in a frame?" asked the thistle.

"In a story," answered the sunshine. And here is the story!




[Illustration]




THE PEN AND THE INKSTAND


IN A POET'S room, where his inkstand stood on the table, the remark was
once made: "It is wonderful what can be brought out of an inkstand. What
will come next? It is indeed wonderful."

"Yes, certainly," said the inkstand to the pen and to the other articles
that stood on the table; "that's what I always say. It is wonderful and
extraordinary what a number of things come out of me. It's quite
incredible, and I really never know what is coming next when that man
dips his pen into me. One drop out of me is enough for half a page of
paper--and what cannot half a page contain?

"From me all the works of the poet are produced--all those imaginary
characters whom people fancy they have known or met, and all the deep
feeling, the humor, and the vivid pictures of nature. I myself don't
understand how it is, for I am not acquainted with nature, but it is
certainly in me. From me have gone forth to the world those wonderful
descriptions of charming maidens, and of brave knights on prancing
steeds; of the halt and the blind--and I know not what more, for I
assure you I never think of these things."

"There you are right," said the pen, "for you don't think at all. If you
did, you would see that you can only provide the means. You give the
fluid, that I may place upon the paper what dwells in me and what I wish
to bring to light. It is the pen that writes. No man doubts that; and
indeed most people understand as much about poetry as an old inkstand."

"You have had very little experience," replied the inkstand. "You have
hardly been in service a week and are already half worn out. Do you
imagine you are a poet? You are only a servant, and before you came I
had many like you, some of the goose family and others of English
manufacture. I know a quill pen as well as I know a steel one. I have
had both sorts in my service, and I shall have many more as long as _he_
comes--the man who performs the mechanical part--and writes down what he
obtains from me. I should like to know what will be the next thing he
gets out of me."

"Inkpot!" retorted the pen, contemptuously.

Late in the evening the poet returned home from a concert, where he had
been quite enchanted by the admirable performance of a famous violin
player.

The player had produced from his instrument a richness of tone that
sometimes sounded like tinkling water drops or rolling pearls, sometimes
like the birds twittering in chorus, and then again, rising and swelling
like the wind through the fir trees. The poet felt as if his own heart
were weeping, but in tones of melody, like the sound of a woman's voice.
These sounds seemed to come not only from the strings but from every
part of the instrument. It was a wonderful performance and a difficult
piece, and yet the bow seemed to glide across the strings so easily
that one would think any one could do it. The violin and the bow seemed
independent of their master who guided them. It was as if soul and
spirit had been breathed into the instrument. And the audience forgot
the performer in the beautiful sounds he produced.

Not so the poet; he remembered him and wrote down his thoughts on the
subject: "How foolish it would be for the violin and the bow to boast of
their performance, and yet we men often commit that folly. The poet, the
artist, the man of science in his laboratory, the general--we all do it,
and yet we are only the instruments which the Almighty uses. To Him
alone the honor is due. We have nothing in ourselves of which we should
be proud." Yes, this is what the poet wrote. He wrote it in the form of
a parable and called it "The Master and the Instruments."

"That is what you get, madam," said the pen to the inkstand when the two
were alone again. "Did you hear him read aloud what I had written down?"

"Yes, what I gave you to write," retorted the inkstand. "That was a cut
at you, because of your conceit. To think that you could not understand
that you were being quizzed! I gave you a cut from within me. Surely I
must know my own satire."

"Ink pitcher!" cried the pen.

"Writing stick!" retorted the inkstand. And each of them felt satisfied
that he had given a good answer. It is pleasing to be convinced that you
have settled a matter by your reply; it is something to make you sleep
well. And they both slept well over it.

But the poet did not sleep. Thoughts rose within him, like the tones of
the violin, falling like pearls or rushing like the strong wind through
the forest. He understood his own heart in these thoughts; they were as
a ray from the mind of the Great Master of all minds.

"To Him be all the honor."




[Illustration]




THE TEAPOT


THERE was once a proud teapot; it was proud of being porcelain, proud of
its long spout, proud of its broad handle. It had something before and
behind,--the spout before and the handle behind,--and that was what it
talked about. But it did not talk of its lid, which was cracked and
riveted; these were defects, and one does not talk of one's defects, for
there are plenty of others to do that. The cups, the cream pot, and the
sugar bowl, the whole tea service, would think much oftener of the lid's
imperfections--and talk about them--than of the sound handle and the
remarkable spout. The teapot knew it.

"I know you," it said within itself. "I know, too, my imperfection, and
I am well aware that in that very thing is seen my humility, my
modesty. Imperfections we all have, but we also have compensations. The
cups have a handle, the sugar bowl a lid; I have both, and one thing
besides, in front, which they can never have. I have a spout, and that
makes me the queen of the tea table. I spread abroad a blessing on
thirsting mankind, for in me the Chinese leaves are brewed in the
boiling, tasteless water."

All this said the teapot in its fresh young life. It stood on the table
that was spread for tea; it was lifted by a very delicate hand, but the
delicate hand was awkward. The teapot fell, the spout snapped off, and
the handle snapped off. The lid was no worse to speak of; the worst had
been spoken of that.

The teapot lay in a swoon on the floor, while the boiling water ran out
of it. It was a horrid shame, but the worst was that everybody jeered at
it; they jeered at the teapot and not at the awkward hand.

"I never shall forget that experience," said the teapot, when it
afterward talked of its life. "I was called an invalid, and placed in a
corner, and the next day was given to a woman who begged for victuals.
I fell into poverty, and stood dumb both outside and in. But then, just
as I was, began my better life. One can be one thing and still become
quite another.

"Earth was placed in me. For a teapot, this is the same as being buried,
but in the earth was placed a flower bulb. Who placed it there, who gave
it, I know not; but given it was, and it became a compensation for the
Chinese leaves and the boiling water, a compensation for the broken
handle and spout.

"And the bulb lay in the earth, the bulb lay in me; it became my heart,
my living heart, such as I had never before possessed. There was life in
me, power and might. The heart pulsed, and the bulb put forth sprouts;
it was the springing up of thoughts and feelings which burst forth into
flower.

"I saw it, I bore it, I forgot myself in its delight. Blessed is it to
forget oneself in another. The flower gave me no thanks; it did not
think of me. It was admired and praised, and I was glad at that. How
happy it must have been! One day I heard some one say that the flower
deserved a better pot. I was thumped hard on my back, which was a great
affliction, and the flower was put into a better pot. I was thrown out
into the yard, where I lie as an old potsherd. But I have the memory,
and that I can never lose."




[Illustration]




SOUP FROM A SAUSAGE SKEWER


"WE HAD such an excellent dinner yesterday," said an old lady-mouse to
another who had not been present at the feast. "I sat number twenty-one
below the mouse-king, which was not a bad place. Shall I tell you what
we had? Everything was excellent--moldy bread, tallow candle, and
sausage.

"Then, when we had finished that course, the same came on all over
again; it was as good as two feasts. We were very sociable, and there
was as much joking and fun as if we had been all of one family circle.
Nothing was left but the sausage skewers, and this formed a subject of
conversation till at last some one used the expression, 'Soup from
sausage sticks'; or, as the people in the neighboring country call it,
'Soup from a sausage skewer.'

"Every one had heard the expression, but no one had ever tasted the
soup, much less prepared it. A capital toast was drunk to the inventor
of the soup, and some one said he ought to be made a relieving officer
to the poor. Was not that witty?

"Then the old mouse-king rose and promised that the young lady-mouse who
should learn how best to prepare this much-admired and savory soup
should be his queen, and a year and a day should be allowed for the
purpose."

"That was not at all a bad proposal," said the other mouse; "but how is
the soup made?"

"Ah, that is more than I can tell you. All the young lady-mice were
asking the same question. They wish very much to be the queen, but they
do not want to take the trouble to go out into the world to learn how to
make soup, which it is absolutely necessary to do first.

"It is not every one who would care to leave her family or her happy
corner by the fireside at home, even to be made queen. It is not always
easy in foreign lands to find bacon and cheese rind every day, and,
after all, it is not pleasant to endure hunger and perhaps be eaten
alive by the cat."

Probably some such thoughts as these discouraged the majority from going
out into the world to collect the required information. Only four mice
gave notice that they were ready to set out on the journey.

They were young and sprightly, but poor. Each of them wished to visit
one of the four divisions of the world, to see which of them would be
most favored by fortune. Each took a sausage skewer as a traveler's
staff and to remind her of the object of her journey.

They left home early in May, and none of them returned till the first of
May in the following year, and then only three of them. Nothing was seen
or heard of the fourth, although the day of decision was close at hand.
"Ah, yes, there is always some trouble mingled with the greatest
pleasure," said the mouse-king. But he gave orders that all the mice
within a circle of many miles should be invited at once.

They were to assemble in the kitchen, and the three travelers were to
stand in a row before them, and a sausage skewer covered with crape was
to stand in the place of the missing mouse. No one dared express an
opinion until the king spoke and desired one of them to proceed with her
story. And now we shall hear what she said.


WHAT THE FIRST LITTLE MOUSE SAW AND HEARD ON HER TRAVELS

"When I first went out into the world," said the little mouse, "I
fancied, as so many of my age do, that I already knew everything--but it
was not so. It takes years to acquire great knowledge.

"I went at once to sea, in a ship bound for the north. I had been told
that the ship's cook must know how to prepare every dish at sea, and it
is easy enough to do that with plenty of sides of bacon, and large tubs
of salt meat and musty flour. There I found plenty of delicate food but
no opportunity to learn how to make soup from a sausage skewer.

"We sailed on for many days and nights; the ship rocked fearfully, and
we did not escape without a wetting. As soon as we arrived at the port
to which the ship was bound, I left it and went on shore at a place far
towards the north. It is a wonderful thing to leave your own little
corner at home, to hide yourself in a ship where there are sure to be
some nice snug corners for shelter, then suddenly to find yourself
thousands of miles away in a foreign land.

"I saw large, pathless forests of pine and birch trees, which smelt so
strong that I sneezed and thought of sausage. There were great lakes
also, which looked as black as ink at a distance but were quite clear
when I came close to them. Large swans were floating upon them, and I
thought at first they were only foam, they lay so still; but when I saw
them walk and fly, I knew directly what they were. They belonged to the
goose species. One could see that by their walk, for no one can
successfully disguise his family descent.

"I kept with my own kind and associated with the forest and field mice,
who, however, knew very little--especially about what I wanted to know
and what had actually made me travel abroad.

"The idea that soup could be made from a sausage skewer was so startling
to them that it was repeated from one to another through the whole
forest. They declared that the problem would never be solved--that the
thing was an impossibility. How little I thought that in this place, on
the very first night, I should be initiated into the manner of its
preparation!

"It was the height of summer, which the mice told me was the reason that
the forest smelt so strong, and that the herbs were so fragrant, and
that the lakes with the white, swimming swans were so dark and yet so
clear.

"On the margin of the wood, near several houses, a pole as large as the
mainmast of a ship had been erected, and from the summit hung wreaths of
flowers and fluttering ribbons. It was the Maypole. Lads and lasses
danced round it and tried to outdo the violins of the musicians with
their singing. They were as gay as ever at sunset and in the moonlight,
but I took no part in the merrymaking. What has a little mouse to do
with a Maypole dance? I sat in the soft moss and held my sausage skewer
tight. The moon shone particularly bright on one spot where stood a
tree covered with very fine moss. I may almost venture to say that it
was as fine and soft as the fur of the mouse-king, but it was green,
which is a color very agreeable to the eye.

"All at once I saw the most charming little people marching towards me.
They did not reach higher than my knee, although they looked like human
beings but were better proportioned. They called themselves elves, and
wore clothes that were very delicate and fine, for they were made of the
leaves of flowers, trimmed with the wings of flies and gnats. The effect
was by no means bad.

"They seemed to be seeking something--I knew not what, till at last one
of them espied me. They came towards me, and the foremost pointed to my
sausage skewer, saying: 'There, that is just what we want. See, it is
pointed at the top; is it not capital?' The longer he looked at my
pilgrim's staff the more delighted he became.

"'I will lend it to you,' said I, 'but not to keep.'

"'Oh, no, we won't keep it!' they all cried. Then they seized the
skewer, which I gave up to them, and dancing with it to the tree
covered with delicate moss, set it up in the middle of the green. They
wanted a Maypole, and the one they now had seemed made especially for
them. This they decorated so beautifully that it was quite dazzling to
look at. Little spiders spun golden threads around it, and it was hung
with fluttering veils and flags, as delicately white as snow glittering
in the moonlight. Then they took colors from the butterfly's wing,
sprinkling them over the white drapery until it gleamed as if covered
with flowers and diamonds, and I could no longer recognize my sausage
skewer. Such a Maypole as this has never been seen in all the world.

"Then came a great company of real elves. Nothing could be finer than
their clothes. They invited me to be present at the feast, but I was to
keep at a certain distance because I was too large for them. Then began
music that sounded like a thousand glass bells, and was so full and
strong that I thought it must be the song of the swans. I fancied also
that I heard the voices of the cuckoo and the blackbird, and it seemed
at last as if the whole forest sent forth glorious melodies--the voices
of children, the tinkling of bells, and the songs of the birds. And all
this wonderful melody came from the elfin Maypole. My sausage peg was a
complete peal of bells. I could scarcely believe that so much could have
been produced from it, till I remembered into what hands it had fallen.
I was so much affected that I wept tears such as a little mouse can
weep, but they were tears of joy.

"The night was far too short for me; there are no long nights there in
summer, as we often have in this part of the world. When the morning
dawned and the gentle breeze rippled the glassy mirror of the forest
lake, all the delicate veils and flags fluttered away into thin air. The
waving garlands of the spider's web, the hanging bridges and galleries,
or whatever else they may be called, vanished away as if they had never
been. Six elves brought me back my sausage skewer and at the same time
asked me to make any request, which they would grant if it lay in their
power. So I begged them, if they could, to tell me how to make soup from
a sausage skewer.

"'How do we make it?' asked the chief of the elves, with a smile. 'Why,
you have just seen us. You scarcely knew your sausage skewer again, I am
sure.'

"'They think themselves very wise,' thought I to myself. Then I told
them all about it, and why I had traveled so far, and also what promise
had been made at home to the one who should discover the method of
preparing this soup.

"'What good will it do the mouse-king or our whole mighty kingdom,' I
asked, 'for me to have seen all these beautiful things? I cannot shake
the sausage peg and say, "Look, here is the skewer, and now the soup
will come." That would only produce a dish to be served when people were
keeping a fast.'

"Then the elf dipped his finger into the cup of a violet and said,
'Look, I will anoint your pilgrim's staff, so that when you return to
your home and enter the king's castle, you have only to touch the king
with your staff and violets will spring forth, even in the coldest
winter time. I think I have given you something worth carrying home, and
a little more than something.'"

Before the little mouse explained what this something more was, she
stretched her staff toward the king, and as it touched him the most
beautiful bunch of violets sprang forth and filled the place with their
perfume. The smell was so powerful that the mouse-king ordered the mice
who stood nearest the chimney to thrust their tails into the fire that
there might be a smell of burning, for the perfume of the violets was
overpowering and not the sort of scent that every one liked.

"But what was the something more, of which you spoke just now?" asked
the mouse-king.

"Why," answered the little mouse, "I think it is what they call
'effect.'" Thereupon she turned the staff round, and behold, not a
single flower was to be seen on it! She now held only the naked skewer,
and lifted it up as a conductor lifts his baton at a concert.

"Violets, the elf told me," continued the mouse, "are for the sight, the
smell, and the touch; so we have only to produce the effect of hearing
and tasting." Then, as the little mouse beat time with her staff, there
came sounds of music; not such music as was heard in the forest, at the
elfin feast, but such as is often heard in the kitchen--the sounds of
boiling and roasting. It came quite suddenly, like wind rushing through
the chimneys, and it seemed as if every pot and kettle were boiling
over.

The fire shovel clattered down on the brass fender, and then, quite as
suddenly, all was still,--nothing could be heard but the light, vapory
song of the teakettle, which was quite wonderful to hear, for no one
could rightly distinguish whether the kettle was just beginning to boil
or just going to stop. And the little pot steamed, and the great pot
simmered, but without any regard for each other; indeed, there seemed no
sense in the pots at all. As the little mouse waved her baton still more
wildly, the pots foamed and threw up bubbles and boiled over, while
again the wind roared and whistled through the chimney, and at last
there was such a terrible hubbub that the little mouse let her stick
fall.

"That is a strange sort of soup," said the mouse-king. "Shall we not now
hear about the preparation?"

"That is all," answered the little mouse, with a bow.

"That all!" said the mouse-king; "then we shall be glad to hear what
information the next may have to give us."


WHAT THE SECOND MOUSE HAD TO TELL

"I was born in the library, at a castle," said the second mouse. "Very
few members of our family ever had the good fortune to get into the
dining room, much less into the storeroom. To-day and while on my
journey are the only times I have ever seen a kitchen. We were often
obliged to suffer hunger in the library, but we gained a great deal of
knowledge. The rumor reached us of the royal prize offered to those who
should be able to make soup from a sausage skewer.

"Then my old grandmother sought out a manuscript,--which she herself
could not read, to be sure, but she had heard it read,--and in it were
written these words, 'Those who are poets can make soup of sausage
skewers.' She asked me if I was a poet. I told her I felt myself quite
innocent of any such pretensions. Then she said I must go out and make
myself a poet. I asked again what I should be required to do, for it
seemed to me quite as difficult as to find out how to make soup of a
sausage skewer. My grandmother had heard a great deal of reading in her
day, and she told me that three principal qualifications were
necessary--understanding, imagination, and feeling. 'If you can manage
to acquire these three, you will be a poet, and the sausage-skewer soup
will seem quite simple to you.'

"So I went forth into the world and turned my steps toward the west,
that I might become a poet. Understanding is the most important matter
of all. I was sure of that, for the other two qualifications are not
thought much of; so I went first to seek understanding. Where was I to
find it?

"'Go to the ant and learn wisdom,' said the great Jewish king. I learned
this from living in a library. So I went straight on till I came to the
first great ant hill. There I set myself to watch, that I might become
wise. The ants are a very respectable people; they are wisdom itself.
All they do is like the working of a sum in arithmetic, which comes
right. 'To work, and to lay eggs,' say they, 'and to provide for
posterity, is to live out your time properly.' This they truly do. They
are divided into clean and dirty ants, and their rank is indicated by a
number. The ant-queen is number ONE. Her opinion is the only correct one
on everything, and she seems to have in her the wisdom of the whole
world. This was just what I wished to acquire. She said a great deal
that was no doubt very clever--yet it sounded like nonsense to me. She
said the ant hill was the loftiest thing in the world, although close to
the mound stood a tall tree which no one could deny was loftier, much
loftier. Yet she made no mention of the tree.

"One evening an ant lost herself on this tree. She had crept up the
stem, not nearly to the top but higher than any ant had ever ventured,
and when at last she returned home she said that she had found something
in her travels much higher than the ant hill. The rest of the ants
considered this an insult to the whole community, and condemned her to
wear a muzzle and live in perpetual solitude.

"A short time afterwards another ant got on the tree and made the same
journey and the same discovery. But she spoke of it cautiously and
indefinitely, and as she was one of the superior ants and very much
respected, they believed her. And when she died they erected an
egg-shell as a monument to her memory, for they cultivated a great
respect for science.

"I saw," said the little mouse, "that the ants were always running to
and fro with their burdens on their backs. Once I saw one of them, who
had dropped her load, try very hard to raise it again, but she did not
succeed. Two others came up and tried with all their strength to help
her, till they nearly dropped their own burdens. Then they were obliged
to stop a moment, for every one must think of himself first. The
ant-queen remarked that their conduct that day showed that they
possessed kind hearts and good understanding. 'These two qualities,' she
continued, 'place us ants in the highest degree above all other
reasonable beings. Understanding must therefore stand out prominently
among us, and my wisdom is greatest.' So saying, she raised herself on
her two hind legs, that no one else might be mistaken for her. I could
not, therefore, have made a mistake, so I ate her up. We are to go to
the ants to learn wisdom, and I had secured the queen.

"I now turned and went nearer to the lofty tree already mentioned, which
was an oak. It had a tall trunk, with a wide-spreading top, and was very
old. I knew that a living being dwelt here, a dryad, as she is called,
who is born with the tree and dies with it. I had heard this in the
library, and here was just such a tree and in it an oak maiden. She
uttered a terrible scream when she caught sight of me so near to her.
Like women, she was very much afraid of mice, and she had more real
cause for fear than they have, for I might have gnawed through the tree
on which her life depended.

"I spoke to her in a friendly manner and begged her to take courage. At
last she took me up in her delicate hand, and I told her what had
brought me out into the world. She told me that perhaps on that very
evening she would be able to obtain for me one of the two treasures for
which I was seeking. She told me that Phantæsus, the genius of the
imagination, was her very dear friend; that he was as beautiful as the
god of love; that he rested many an hour with her under the leafy boughs
of the tree, which then rustled and waved more than ever. He called her
his dryad, she said, and the tree his tree, for the grand old oak with
its gnarled trunk was just to his taste. The root, which spread deep
into the earth, and the top, which rose high in the fresh air, knew the
value of the drifting snow, the keen wind, and the warm sunshine, as it
ought to be known. 'Yes,' continued the dryad, 'the birds sing up above
in the branches and talk to each other about the beautiful fields they
have visited in foreign lands. On one of the withered boughs a stork has
built his nest--it is beautifully arranged, and, besides, it is pleasant
to hear a little about the land of the pyramids. All this pleases
Phantæsus, but it is not enough for him. I am obliged to relate to him
of my life in the woods and to go back to my childhood, when I was
little and the tree so small and delicate that a stinging nettle could
overshadow it, and I have to tell everything that has happened since
then until now, when the tree is so large and strong. Sit you down now
under the green bindwood and pay attention. When Phantæsus comes I will
find an opportunity to lay hold of his wing and to pull out one of the
little feathers. That feather you shall have. A better was never given
to any poet, and it will be quite enough for you.'

"And when Phantæsus came the feather was plucked," said the little
mouse, "and I seized and put it in water and kept it there till it was
quite soft. It was very heavy and indigestible, but I managed to nibble
it up at last. It is not so easy to nibble oneself into a poet, there
are so many things to get through. Now, however, I had two of them,
understanding and imagination, and through these I knew that the third
was to be found in the library.

"A great man has said and written that there are novels whose sole and
only use appears to be to attempt to relieve mankind of overflowing
tears--a kind of sponge, in fact, for sucking up feelings and emotions.
I remembered a few of these books. They had always appeared tempting to
the appetite, for they had been much read and were so greasy that they
must have absorbed no end of emotions in themselves.

"I retraced my steps to the library and literally devoured a whole
novel--that is, properly speaking, the interior, or soft part of it. The
crust, or binding, I left. When I had digested not only this, but a
second, I felt a stirring within me. I then ate a small piece of a third
romance and felt myself a poet. I said it to myself and told others the
same. I had headache and backache and I cannot tell what aches besides.
I thought over all the stories that may be said to be connected with
sausage pegs; and all that has ever been written about skewers, and
sticks, and staves, and splinters came to my thoughts--the ant-queen
must have had a wonderfully clear understanding. I remembered the man
who placed in his mouth a white stick, by which he could make himself
and the stick invisible. I thought of sticks as hobbyhorses, staves of
music or rime, of breaking a stick over a man's back, and of Heaven
knows how many more phrases of the same sort, relating to sticks,
staves, and skewers. All my thoughts ran on skewers, sticks of wood, and
staves. As I am at last a poet and have worked terribly hard to make
myself one, I can of course make poetry on anything. I shall therefore
be able to wait upon you every day in the week with a poetical history
of a skewer. And that is my soup."

"In that case," said the mouse-king, "we will hear what the third mouse
has to say."

"Squeak, squeak," cried a little mouse at the kitchen door. It was the
fourth, and not the third, of the four who were contending for the
prize, the one whom the rest supposed to be dead. She shot in like an
arrow and overturned the sausage peg that had been covered with crape.
She had been running day and night, for although she had traveled in a
baggage train, by railway, yet she had arrived almost too late. She
pressed forward, looking very much ruffled.

She had lost her sausage skewer but not her voice, and she began to
speak at once, as if they waited only for her and would hear her
only--as if nothing else in the world were of the least consequence.
She spoke out so clearly and plainly, and she had come in so suddenly,
that no one had time to stop her or to say a word while she was
speaking. This is what she said.


WHAT THE FOURTH MOUSE, WHO SPOKE BEFORE THE THIRD, HAD TO TELL

"I started off at once to the largest town," said she, "but the name of
it has escaped me. I have a very bad memory for names. I was carried
from the railway, with some goods on which duties had not been paid, to
the jail, and on arriving I made my escape, running into the house of
the keeper. He was speaking of his prisoners, especially of one who had
uttered thoughtless words. These words had given rise to other words,
and at length they were written down and registered. 'The whole affair
is like making soup of sausage skewers,' said he, 'but the soup may cost
him his neck.'

"Now this raised in me an interest for the prisoner," continued the
little mouse, "and I watched my opportunity and slipped into his
apartment, for there is a mousehole to be found behind every closed
door.

"The prisoner, who had a great beard and large, sparkling eyes, looked
pale. There was a lamp burning, but the walls were so black that they
only looked the blacker for it. The prisoner scratched pictures and
verses with white chalk on the black walls, but I did not read the
verses. I think he found his confinement wearisome, so that I was a
welcome guest. He enticed me with bread crumbs, with whistling, and with
gentle words, and seemed so friendly towards me that by degrees I gained
confidence in him and we became friends. He divided his bread and water
with me and gave me cheese and sausage, and I began to love him.
Altogether, I must own that it was a very pleasant intimacy. He let me
run about on his hand, on his arm, into his sleeve, and even into his
beard. He called me his little friend, and I forgot for what I had come
out into the world; forgot my sausage skewer, which I had laid in a
crack in the floor, where it is still lying. I wished to stay with him
always, for I knew that if I went away, the poor prisoner would have no
one to be his friend, which is a sad thing.

"I stayed, but he did not. He spoke to me so mournfully for the last
time, gave me double as much bread and cheese as usual, and kissed his
hand to me. Then he went away and never came back. I know nothing more
of his history.

"The jailer took possession of me now. He said something about soup from
a sausage skewer, but I could not trust him. He took me in his hand,
certainly, but it was to place me in a cage like a treadmill. Oh, how
dreadful it was! I had to run round and round without getting any
farther, and only to make everybody laugh.

"The jailer's granddaughter was a charming little thing. She had merry
eyes, curly hair like the brightest gold, and such a smiling mouth.

"'You poor little mouse,' said she one day, as she peeped into my cage,
'I will set you free.' She then drew forth the iron fastening, and I
sprang out on the window-sill, and from thence to the roof. Free! free!
that was all I could think of, and not of the object of my journey.

"It grew dark, and as night was coming on I found a lodging in an old
tower, where dwelt a watchman and an owl. I had no confidence in either
of them, least of all in the owl, which is like a cat and has a great
failing, for she eats mice. One may, however, be mistaken sometimes, and
I was now, for this was a respectable and well-educated old owl, who
knew more than the watchman and even as much as I did myself. The young
owls made a great fuss about everything, but the only rough words she
would say to them were, 'You had better go and try to make some soup
from sausage skewers.' She was very indulgent and loving to her own
children. Her conduct gave me such confidence in her that from the crack
where I sat I called out 'Squeak.'

"This confidence pleased her so much that she assured me she would take
me under her own protection and that not a creature should do me harm.
The fact was, she wickedly meant to keep me in reserve for her own
eating in the winter, when food would be scarce. Yet she was a very
clever lady-owl. She explained to me that the watchman could only hoot
with the horn that hung loose at his side and that he was so terribly
proud of it that he imagined himself an owl in the tower, wanted to do
great things, but only succeeded in small--soup from a sausage skewer.

"Then I begged the owl to give me the recipe for this soup. 'Soup from a
sausage skewer,' said she, 'is only a proverb amongst mankind and may be
understood in many ways. Each believes his own way the best, and, after
all, the proverb signifies nothing.' 'Nothing!' I exclaimed. I was quite
struck. Truth is not always agreeable, but truth is above everything
else, as the old owl said. I thought over all this and saw quite plainly
that if truth was really so far above everything else, it must be much
more valuable than soup from a sausage skewer. So I hastened to get
away, that I might be in time and bring what was highest and best and
above everything--namely, the truth.

"The mice are enlightened people, and the mouse-king is above them all.
He is therefore capable of making me queen for the sake of truth."

"Your truth is a falsehood," said the mouse who had not yet spoken. "I
can prepare the soup, and I mean to do so."


HOW IT WAS PREPARED

"I did not travel," said the third mouse, "I stayed in this country;
that was the right way. One gains nothing by traveling. Everything can
be acquired here quite as easily, so I stayed at home. I have not
obtained what I know from supernatural beings; I have neither swallowed
it nor learned it from conversing with owls. I have gained it all from
my own reflections and thoughts. Will you now set the kettle on the
fire--so? Now pour the water in, quite full up to the brim; place it on
the fire; make up a good blaze; keep it burning, that the water may
boil, for it must boil over and over. There, now I throw in the skewer.
Will the mouse-king be pleased now to dip his tail into the boiling
water and stir it round with the tail? The longer the king stirs it the
stronger the soup will become. Nothing more is necessary, only to stir
it."

"Can no one else do this?" asked the king.

"No," said the mouse; "only in the tail of the mouse-king is this power
contained."

And the water boiled and bubbled, as the mouse-king stood close beside
the kettle. It seemed rather a dangerous performance, but he turned
round and put out his tail, as mice do in a dairy when they wish to skim
the cream from a pan of milk with their tails and afterwards lick it
off. But the mouse-king's tail had only just touched the hot steam when
he sprang away from the chimney in a great hurry, exclaiming:

"Oh, certainly, by all means, you must be my queen. We will let the soup
question rest till our golden wedding, fifty years hence, so that the
poor in my kingdom who are then to have plenty of food will have
something to look forward to for a long time, with great joy."

And very soon the wedding took place. Many of the mice, however, as they
were returning home, said that the soup could not be properly called
"soup from a sausage skewer," but "soup from a mouse's tail." They
acknowledged that some of the stories were very well told, but thought
that the whole might have been managed differently.




[Illustration]




WHAT THE GOODMAN DOES IS ALWAYS RIGHT


I WILL tell you a story that was told to me when I was a little boy.
Every time I think of this story it seems to me more and more charming;
for it is with stories as it is with many people--they become better as
they grow older.

I have no doubt that you have been in the country and seen a very old
farmhouse, with thatched roof, and mosses and small plants growing wild
upon it. There is a stork's nest on the ridge of the gable, for we
cannot do without the stork. The walls of the house are sloping, and the
windows are low, and only one of the latter is made to open. The baking
oven sticks out of the wall like a great knob. An elder tree hangs over
the palings, and beneath its branches, at the foot of the paling, is a
pool of water in which a few ducks are sporting. There is a yard dog,
too, that barks at all comers.

Just such a farmhouse as this stood in a country lane, and in it dwelt
an old couple, a peasant and his wife. Small as their possessions were,
they had one thing they could not do without, and that was a horse,
which contrived to live upon the grass found by the side of the
highroad. The old peasant rode into the town upon this horse, and his
neighbors often borrowed it of him and paid for the loan of it by
rendering some service to the old couple. Yet after a time the old
people thought it would be as well to sell the horse or exchange it for
something which might be more useful to them. But what should this
_something_ be?

"You will know best, old man," said the wife. "It is fair day to-day; so
ride into town and get rid of the horse for money or make a good
exchange. Whichever you do will please me; so ride to the fair."

She fastened his neckerchief for him, for she could do that better than
he could and she could also tie it very prettily in a double bow. She
also smoothed his hat round and round with the palm of her hand and gave
him a kiss. Then he rode away upon the horse that was to be sold, or
bartered for something else. Yes, the goodman knew what he was about.
The sun shone with great heat, and not a cloud was to be seen in the
sky. The road was very dusty, for many people, all going to the fair,
were driving, riding, or walking upon it. There was no shelter anywhere
from the hot sun. Among the crowd a man came trudging along, driving a
cow to the fair. The cow was as beautiful a creature as any cow could
be.

"She gives good milk, I am certain," said the peasant to himself. "That
would be a very good exchange: the cow for the horse. Halloo there! you
with the cow," he said. "I tell you what, I dare say a horse is of more
value than a cow; but I don't care for that. A cow will be more useful
to me, so if you like we'll exchange."

"To be sure I will," said the man.

[Illustration: And then our peasant ... continued his way.]

Accordingly the exchange was made. When the matter was settled the
peasant might have turned back, for he had done the business he came
to do. But having made up his mind to go to the fair, he determined to
do so, if only to have a look at it. So on he went to the town with his
cow. Leading the animal, he strode on sturdily, and, after a short time,
overtook a man who was driving a sheep. It was a good fat sheep, with a
fine fleece on its back.

"I should like to have that fellow," said the peasant to himself. "There
is plenty of grass for him by our palings, and in the winter we could
keep him in the room with us. Perhaps it would be more profitable to
have a sheep than a cow. Shall I exchange?"

The man with the sheep was quite ready, and the bargain was quickly
made. And then our peasant continued his way on the highroad with his
sheep. Soon after this, he overtook another man, who had come into the
road from a field, and was carrying a large goose under his arm.

"What a heavy creature you have there!" said the peasant. "It has plenty
of feathers and plenty of fat, and would look well tied to a string, or
paddling in the water at our place. That would be very useful to my old
woman; she could make all sorts of profit out of it. How often she has
said, 'If we only had a goose!' Now here is an opportunity, and, if
possible, I will get it for her. Shall we exchange? I will give you my
sheep for your goose, and thanks into the bargain."

The other had not the least objection, and accordingly the exchange was
made, and our peasant became possessor of the goose. By this time he had
arrived very near the town. The crowd on the highroad had been gradually
increasing, and there was quite a rush of men and cattle. The cattle
walked on the path and by the palings, and at the turnpike gate they
even walked into the toll keeper's potato field, where one fowl was
strutting about with a string tied to its leg, lest it should take
fright at the crowd and run away and get lost. The tail feathers of this
fowl were very short, and it winked with both its eyes, and looked very
cunning as it said, "Cluck, cluck." What were the thoughts of the fowl
as it said this I cannot tell you, but as soon as our good man saw it,
he thought, "Why, that's the finest fowl I ever saw in my life; it's
finer than our parson's brood hen, upon my word. I should like to have
that fowl. Fowls can always pick up a few grains that lie about, and
almost keep themselves. I think it would be a good exchange if I could
get it for my goose. Shall we exchange?" he asked the toll keeper.

"Exchange?" repeated the man. "Well, it would not be a bad thing."

So they made an exchange; the toll keeper at the turnpike gate kept the
goose, and the peasant carried off the fowl. Now he really had done a
great deal of business on his way to the fair, and he was hot and tired.
He wanted something to eat, and a glass of ale to refresh himself; so he
turned his steps to an inn. He was just about to enter, when the ostler
came out, and they met at the door. The ostler was carrying a sack.
"What have you in that sack?" asked the peasant.

"Rotten apples," answered the ostler; "a whole sackful of them. They
will do to feed the pigs with."

"Why, that will be terrible waste," the peasant replied. "I should like
to take them home to my old woman. Last year the old apple tree by the
grassplot bore only one apple, and we kept it in the cupboard till it
was quite withered and rotten. It was property, my old woman said. Here
she would see a great deal of property--a whole sackful. I should like
to show them to her."

"What will you give me for the sackful?" asked the ostler.

"What will I give? Well, I will give you my fowl in exchange."

So he gave up the fowl and received the apples, which he carried into
the inn parlor. He leaned the sack carefully against the stove, and then
went to the table. But the stove was hot, and he had not thought of
that. Many guests were present--horse-dealers, cattle-drovers, and two
Englishmen. The Englishmen were so rich that their pockets bulged and
seemed ready to burst; and they could bet too, as you shall hear.
Hiss--s--s, hiss--s--s. What could that be by the stove? The apples were
beginning to roast. "What is that?" asked one.

"Why, do you know--" said our peasant, and then he told them the whole
story of the horse, which he had exchanged for a cow, and all the rest
of it, down to the apples.

"Well, your old woman will give it to you when you get home," said one
of the Englishmen. "Won't there be a noise?"

"What! Give me what?" said the peasant. "Why, she will kiss me, and say,
'What the goodman does is always right.'"

"Let us lay a wager on it," said the Englishman. "We'll wager you a ton
of coined gold, a hundred pounds to the hundredweight."

"No, a bushel will be enough," replied the peasant. "I can only set a
bushel of apples against it, and I'll throw myself and my old woman into
the bargain. That will pile up the measure, I fancy."

"Done! taken!" and so the bet was made.

Then the landlord's coach came to the door, and the two Englishmen and
the peasant got in, and away they drove. Soon they had stopped at the
peasant's hut. "Good evening, old woman."

"Good evening, old man."

"I've made the exchange."

"Ah, well, you understand what you're about," said the woman. Then she
embraced him, and paid no attention to the strangers, nor did she notice
the sack.

"I got a cow in exchange for the horse."

"Oh, how delightful!" said she. "Now we shall have plenty of milk, and
butter, and cheese on the table. That was a capital exchange."

"Yes, but I changed the cow for a sheep."

"Ah, better still!" cried the wife. "You always think of everything; we
have just enough pasture for a sheep. Ewe's milk and cheese, woolen
jackets and stockings! The cow could not give all these, and her hairs
only fall off. How you think of everything!"

"But I changed away the sheep for a goose."

"Then we shall have roast goose to eat this year. You dear old man, you
are always thinking of something to please me. This is delightful. We
can let the goose walk about with a string tied to her leg, so that she
will get fatter still before we roast her."

"But I gave away the goose for a fowl."

"A fowl! Well, that was a good exchange," replied the woman. "The fowl
will lay eggs and hatch them, and we shall have chickens. We shall soon
have a poultry yard. Oh, this is just what I was wishing for!"

"Yes, but I exchanged the fowl for a sack of shriveled apples."

"What! I must really give you a kiss for that!" exclaimed the wife. "My
dear, good husband, now I'll tell you something. Do you know, almost as
soon as you left me this morning, I began thinking of what I could give
you nice for supper this evening, and then I thought of fried eggs and
bacon, with sweet herbs. I had eggs and bacon but lacked the herbs, so I
went over to the schoolmaster's. I knew they had plenty of herbs, but
the schoolmistress is very mean, although she can smile so sweetly. I
begged her to lend me a handful of herbs. 'Lend!' she exclaimed, 'I have
nothing to lend. I could not even lend you a shriveled apple, my dear
woman.' But now I can lend her ten, or a whole sackful, for which I'm
very glad. It makes me laugh to think of it." Then she gave him a hearty
kiss.

"Well, I like all this," said both the Englishmen; "always going down
the hill and yet always merry. It's worth the money to see it." So they
paid a hundredweight of gold to the peasant who, whatever he did, was
not scolded but kissed.

Yes, it always pays best when the wife sees and maintains that her
husband knows best and that whatever he does is right.

This is a story which I heard when I was a child. And now you have heard
it, too, and know that "What the goodman does is always right."




[Illustration]




THE OLD STREET LAMP


DID you ever hear the story of the old street lamp? It is not remarkably
interesting, but for once you may as well listen to it.

It was a most respectable old lamp, which had seen many, many years of
service and now was to retire with a pension. It was this very evening
at its post for the last time, giving light to the street. Its feelings
were something like those of an old dancer at the theater who is dancing
for the last time and knows that on the morrow she will be in her
garret, alone and forgotten.

The lamp had very great anxiety about the next day, for it knew that it
had to appear for the first time at the town hall to be inspected by the
mayor and the council, who were to decide whether it was fit for
further service; whether it was good enough to be used to light the
inhabitants of one of the suburbs, or in the country, at some factory.
If the lamp could not be used for one of these purposes, it would be
sent at once to an iron foundry to be melted down. In this latter case
it might be turned into anything, and it wondered very much whether it
would then be able to remember that it had once been a street lamp. This
troubled it exceedingly.

Whatever might happen, it seemed certain that the lamp would be
separated from the watchman and his wife, whose family it looked upon as
its own. The lamp had first been hung up on the very evening that the
watchman, then a robust young man, had entered upon the duties of his
office. Ah, well! it was a very long time since one became a lamp and
the other a watchman. His wife had some little pride in those days; she
condescended to glance at the lamp only when she passed by in the
evening--never in the daytime. But in later years, when all of them--the
watchman, the wife, and the lamp--had grown old, she had attended to it,
cleaning it and keeping it supplied with oil. The old people were
thoroughly honest; they had never cheated the lamp of a single drop of
the oil provided for it.

This was the lamp's last night in the street, and to-morrow it must go
to the town hall--two very dark things to think of. No wonder it did not
burn brightly. How many persons it had lighted on their way, and how
much it had seen! As much, very likely, as the mayor and corporation
themselves! None of these thoughts were uttered aloud, however, for the
lamp was good and honorable and would not willingly do harm to any one,
especially to those in authority. As one thing after another was
recalled to its mind, the light would flash up with sudden brightness.
At such moments the lamp had a conviction that it would be remembered.

"There was a handsome young man, once," thought the lamp; "it is
certainly a long while ago, but I remember that he had a little note,
written on pink paper with a gold edge. The writing was elegant,
evidently a lady's. Twice he read it through, and kissed it, and then
looked up at me with eyes that said quite plainly, 'I am the happiest
of men!' Only he and I know what was written on this, his first letter
from his lady-love. Ah, yes, and there was another pair of eyes that I
remember; it is really wonderful how the thoughts jump from one thing to
another! A funeral passed through the street. A young and beautiful
woman lay on a bier decked with garlands of flowers, and attended by
torches which quite overpowered my light. All along the street stood the
people from the houses, in crowds, ready to join the procession. But
when the torches had passed from before me and I could look around, I
saw one person standing alone, leaning against my post and weeping.
Never shall I forget the sorrowful eyes that looked up at me."

These and similar reflections occupied the old street lamp on this the
last time that its light would shine. The sentry, when he is relieved
from his post, knows, at least, who will be his successor, and may
whisper a few words to him. But the lamp did not know its successor, or
it might have given him a few hints respecting rain or mist and might
have informed him how far the moon's rays would reach, and from which
side the wind generally blew, and so on.

On the bridge over the canal stood three persons who wished to recommend
themselves to the lamp, for they thought it could give the office to
whomsoever it chose. The first was a herring's head, which could emit
light in the darkness. He remarked that it would be a great saving of
oil if they placed him on the lamp-post. Number two was a piece of
rotten wood, which also shines in the dark. He considered himself
descended from an old stem, once the pride of the forest. The third was
a glowworm, and how he found his way there the lamp could not imagine;
yet there he was, and could really give light as well as the others. But
the rotten wood and the herring's head declared most solemnly, by all
they held sacred, that the glowworm only gave light at certain times and
must not be allowed to compete with them. The old lamp assured them that
not one of them could give sufficient light to fill the position of a
street lamp, but they would believe nothing that it said. When they
discovered that it had not the power of naming its successor, they said
they were very glad to hear it, for the lamp was too old and worn out to
make a proper choice.

At this moment the wind came rushing round the corner of the street and
through the air-holes of the old lamp. "What is this I hear?" it asked.
"Are you going away to-morrow? Is this evening the last time we shall
meet? Then I must present you with a farewell gift. I will blow into
your brain, so that in future not only shall you be able to remember all
that you have seen or heard in the past, but your light within shall be
so bright that you will be able to understand all that is said or done
in your presence."

"Oh, that is really a very, very great gift," said the old lamp. "I
thank you most heartily. I only hope I shall not be melted down."

"That is not likely to happen yet," said the wind. "I will also blow a
memory into you, so that, should you receive other similar presents,
your old age will pass very pleasantly."

"That is, if I am not melted down," said the lamp. "But should I, in
that case, still retain my memory?"

"Do be reasonable, old lamp," said the wind, puffing away.

At this moment the moon burst forth from the clouds. "What will you give
the old lamp?" asked the wind.

"I can give nothing," she replied. "I am on the wane, and no lamps have
ever given me light, while I have frequently shone upon them." With
these words the moon hid herself again behind the clouds, that she might
be saved from further importunities. Just then a drop fell upon the lamp
from the roof of the house, but the drop explained that it was a gift
from those gray clouds and perhaps the best of all gifts. "I shall
penetrate you so thoroughly," it said, "that you will have the power of
becoming rusty, and, if you wish it, can crumble into dust in one
night."

But this seemed to the lamp a very shabby present, and the wind thought
so, too. "Does no one give any more? Will no one give any more?" shouted
the breath of the wind, as loud as it could. Then a bright, falling star
came down, leaving a broad, luminous streak behind it.

"What was that?" cried the herring's head. "Did not a star fall? I
really believe it went into the lamp. Certainly, when such high-born
personages try for the office we may as well go home."

And so they did, all three, while the old lamp threw a wonderfully
strong light all around.

"This is a glorious gift," it said. "The bright stars have always been a
joy to me and have always shone more brilliantly than I ever could
shine, though I have tried with my whole might. Now they have noticed
me, a poor old lamp, and have sent me a gift that will enable me to see
clearly everything that I remember, as if it still stood before me, and
to let it be seen by all those who love me. And herein lies the truest
happiness, for pleasures which we cannot share with others are only half
enjoyed."

"That sentiment does you honor," said the wind; "but for this purpose
wax lights will be necessary. If these are not lighted in you, your
peculiar faculties will not benefit others in the least. The stars have
not thought of this. They suppose that you and every other light must be
a wax taper. But I must go down now." So it laid itself to rest.

"Wax tapers, indeed!" said the lamp; "I have never yet had these, nor is
it likely I ever shall. If I could only be sure of not being melted
down!"

The next day--well, perhaps we had better pass over the next day. The
evening had come, and the lamp was resting in a grandfather's chair; and
guess where! Why, at the old watchman's house. He had begged as a favor
that the mayor and corporation would allow him to keep the street lamp
in consideration of his long and faithful service, as he had himself
hung it up and lighted it on the day he first commenced his duties, four
and twenty years ago. He looked upon it almost as his own child. He had
no children, so the lamp was given to him.

There lay the lamp in the great armchair near the warm stove. It seemed
almost to have grown larger, for it appeared quite to fill the chair.
The old people sat at their supper, casting friendly glances at it, and
would willingly have admitted it to a place at the table. It is quite
true that they dwelt in a cellar two yards below ground, and had to
cross a stone passage to get to their room. But within, it was warm and
comfortable, and strips of list had been nailed round the door. The bed
and the little window had curtains, and everything looked clean and
neat. On the window seat stood two curious flowerpots, which a sailor
named Christian had brought from the East or West Indies. They were of
clay, and in the form of two elephants with open backs; they were filled
with earth, and through the open space flowers bloomed. In one grew some
very fine chives or leeks; this was the kitchen garden. The other, which
contained a beautiful geranium, they called their flower garden. On the
wall hung a large colored print, representing the Congress of Vienna and
all the kings and emperors. A clock with heavy weights hung on the wall
and went "tick, tick," steadily enough; yet it was always rather too
fast, which, however, the old people said was better than being too
slow. They were now eating their supper, while the old street lamp, as
we have heard, lay in the grandfather's armchair near the stove.

It seemed to the lamp as if the whole world had turned round. But after
a while the old watchman looked at the lamp and spoke of what they had
both gone through together--in rain and in fog, during the short, bright
nights of summer or in the long winter nights, through the drifting
snowstorms when he longed to be at home in the cellar. Then the lamp
felt that all was well again. It saw everything that had happened quite
clearly, as if the events were passing before it. Surely the wind had
given it an excellent gift!

The old people were very active and industrious; they were never idle
for even a single hour. On Sunday afternoons they would bring out some
books, generally a book of travels which they greatly liked. The old man
would read aloud about Africa, with its great forests and the wild
elephants, while his wife would listen attentively, stealing a glance
now and then at the clay elephants which served as flowerpots. "I can
almost imagine I am seeing it all," she said.

Ah! how the lamp wished for a wax taper to be lighted in it, for then
the old woman would have seen the smallest detail as clearly as it did
itself; the lofty trees, with their thickly entwined branches, the
naked negroes on horseback, and whole herds of elephants treading down
bamboo thickets with their broad, heavy feet.

"What is the use of all my capabilities," sighed the old lamp, "when I
cannot obtain any wax lights? They have only oil and tallow here, and
these will not do." One day a great heap of wax-candle ends found their
way into the cellar. The larger pieces were burned, and the smaller ones
the old woman kept for waxing her thread. So there were now candles
enough, but it never occurred to any one to put a little piece in the
lamp.

"Here I am now, with my rare powers," thought the lamp. "I have
faculties within me, but I cannot share them. They do not know that I
could cover these white walls with beautiful tapestry, or change them
into noble forests or, indeed, to anything else they might wish."

The lamp, however, was always kept clean and shining in a corner, where
it attracted all eyes. Strangers looked upon it as lumber, but the old
people did not care for that; they loved it. One day--it was the
watchman's birthday--the old woman approached the lamp, smiling to
herself, and said, "I will have an illumination to-day, in honor of my
old man." The lamp rattled in its metal frame, for it thought, "Now at
last I shall have a light within me." But, after all, no wax light was
placed in the lamp--only oil, as usual.

The lamp burned through the whole evening and began to perceive too
clearly that the gift of the stars would remain a hidden treasure all
its life. Then it had a dream; for to one with its faculties, dreaming
was not difficult. It dreamed that the old people were dead and that it
had been taken to the iron foundry to be melted down. This caused the
lamp quite as much anxiety as on the day when it had been called upon to
appear before the mayor and the council at the town hall. But though it
had been endowed with the power of falling into decay from rust when it
pleased, it did not make use of this power. It was therefore put into
the melting furnace and changed into as elegant an iron candlestick as
you could wish to see--one intended to hold a wax taper. The candlestick
was in the form of an angel holding a nosegay, in the center of which
the wax taper was to be placed. It was to stand on a green writing table
in a very pleasant room, where there were many books scattered about and
splendid paintings on the walls.

The owner of the room was a poet and a man of intellect. Everything he
thought or wrote was pictured around him. Nature showed herself to him
sometimes in the dark forests, sometimes in cheerful meadows where the
storks were strutting about, or on the deck of a ship sailing across the
foaming sea, with the clear, blue sky above, or at night in the
glittering stars.

"What powers I possess!" said the lamp, awaking from its dream. "I could
almost wish to be melted down; but no, that must not be while the old
people live. They love me for myself alone; they keep me bright and
supply me with oil. I am as well off as the picture of the Congress, in
which they take so much pleasure." And from that time it felt at rest in
itself, and not more so than such an honorable old lamp really deserved
to be.




[Illustration]




THE SHEPHERDESS AND THE CHIMNEY SWEEP


HAVE you ever seen an old wooden cabinet, quite worn black with age, and
ornamented with all sorts of carved figures and flourishes?

Just such a one stood in a certain parlor. It was a legacy from the
great-grandmother, and was covered from top to bottom with carved roses
and tulips. The most curious flourishes were on it, too; and between
them peered forth little stags' heads, with their zigzag antlers. On the
door panel had been carved the entire figure of a man, a most ridiculous
man to look at, for he grinned--you could not call it smiling or
laughing--in the drollest way. Moreover, he had crooked legs, little
horns upon his forehead, and a long beard.

The children used to call him the "crooked-legged
field-marshal-major-general-corporal-sergeant," which was a long, hard
name to pronounce. Very few there are, whether in wood or in stone, who
could get such a title. Surely to have cut him out in wood was no
trifling task. However, there he was. His eyes were always fixed upon
the table below, and toward the mirror, for upon this table stood a
charming little porcelain shepherdess, her mantle gathered gracefully
about her and fastened with a red rose. Her shoes and hat were gilded,
and her hand held a shepherd's crook; she was very lovely. Close by her
stood a little chimney sweep, also of porcelain. He was as clean and
neat as any other figure. Indeed, he might as well have been made a
prince as a sweep, since he was only make-believe; for though everywhere
else he was as black as a coal, his round, bright face was as fresh and
rosy as a girl's. This was certainly a mistake--it ought to have been
black.

There he stood so prettily, with his ladder in his hand, quite close to
the shepherdess. From the first he had been placed there, and he always
remained on the same spot; for they had promised to be true to each
other. They suited each other exactly--they were both young, both of the
same kind of porcelain, and both equally fragile.

Close to them stood another figure three times as large as themselves.
It was an old Chinaman, a mandarin, who could nod his head. He was of
porcelain, too, and he said he was the grandfather of the shepherdess; but
this he could not prove. He insisted that he had authority over her, and
so when the crooked-legged field-marshal-major-general-corporal-sergeant
made proposals to the little shepherdess, he nodded his head, in token
of his consent.

"You will have a husband," said the old mandarin to her, "a husband who,
I verily believe, is of mahogany wood. You will be the wife of a
field-marshal-major-general-corporal-sergeant, of a man who has a whole
cabinet full of silver plate, besides a store of no one knows what in
the secret drawers."

"I will never go into that dismal cabinet," declared the little
shepherdess. "I have heard it said that there are eleven porcelain
ladies already imprisoned there."

"Then," rejoined the mandarin, "you will be the twelfth, and you will be
in good company. This very night, when the old cabinet creaks, we shall
keep the wedding, as surely as I am a Chinese mandarin." And upon this
he nodded his head and fell asleep.

But the little shepherdess wept, and turned to the beloved of her heart,
the porcelain chimney sweep.

"I believe I must ask you," she said, "to go out with me into the wide
world, for here it is not possible for us to stay."

"I will do in everything as you wish," replied the little chimney sweep.
"Let us go at once. I am sure I can support you by my trade."

"If we were only down from the table," said she. "I shall not feel safe
till we are far away out in the wide world and free."

The little chimney sweep comforted her, and showed her how to set her
little foot on the carved edges, and on the gilded foliage twining round
the leg of the table, till at last they both reached the floor. But,
turning for a last look at the old cabinet, they saw that everything was
in commotion. All the carved stags stretched their heads farther out
than before, raised their antlers, and moved their throats, while the
crooked-legged field-marshal-major-general-corporal-sergeant sprang up
and shouted to the old Chinese mandarin, "Look! they are eloping! they
are eloping!"

They were not a little frightened at this, and jumped quickly into an
open drawer in the window seat.

Here lay three or four packs of cards that were not quite complete, and
a little doll's theater, which had been set up as nicely as could be. A
play was going on, and all the queens sat in the front row, and fanned
themselves with the flowers which they held in their hands, while behind
them stood the knaves, each with two heads, one above and one below, as
playing cards have. The play was about two persons who were not allowed
to marry, and the shepherdess cried, for it seemed so like her own
story.

"I cannot bear this!" she said. "Let us leave the drawer."

But when she had again reached the floor she looked up at the table and
saw that the old Chinese mandarin was awake, and that he was rocking
his whole body to and fro with rage.

"The old mandarin is coming!" cried she, and down she fell on her
porcelain knees, so frightened was she.

"I have thought of a plan," said the chimney sweep. "Suppose we creep
into the jar of perfumes, the potpourri vase which stands in the corner.
There we can rest upon roses and lavender, and throw salt in his eyes if
he comes near."

"That will not do at all," she said. "Besides, I know that the old
mandarin and the potpourri vase were once betrothed; and no doubt some
slight friendship still exists between them. No, there is no help for
it; we must wander forth together into the wide world."

"Have you really the courage to go out into the wide world with me?"
asked the chimney sweep. "Have you considered how large it is, and that
if we go, we can never come back?"

"I have," replied she.

And the chimney sweep looked earnestly at her and said, "My way lies
through the chimney. Have you really the courage to go with me through
the stove, and creep through the flues and the tunnel? Well do I know
the way! we shall come out by the chimney, and then I shall know how to
manage. We shall mount so high that they can never reach us, and at the
top there is an opening that leads out into the wide world."

And he led her to the door of the stove.

"Oh, how black it looks!" she said. Still she went on with him, through
the stove, the flues, and the tunnel, where it was as dark as pitch.

"Now we are in the chimney," said he; "and see what a lovely star shines
above us."

There actually was a star in the sky, that was shining right down upon
them, as if to show them the way. Now they climbed and crept--a
frightful way it was, so steep and high! But he went first to guide, and
to smooth the way as much as he could. He showed her the best places on
which to set her little china foot, till at last they came to the edge
of the chimney and sat down to rest, for they were very tired, as may
well be supposed.

The sky and all its stars were above them, and below lay all the roofs
of the town. They saw all around them the great, wide world. It was not
like what the poor little shepherdess had fancied it, and she leaned her
little head upon her chimney sweep's shoulder and wept so bitterly that
the gilding was washed from her golden sash.

"This is too much," said she; "it is more than I can bear. The world is
too large! I wish I were safe back again upon the little table under the
mirror. I shall never be happy till I am there once more. I have
followed you out into the wide world. Surely, if you really love me, you
will follow me back."

The chimney sweep tried to reason with her. He reminded her of the old
mandarin, and the crooked-legged field-marshal-major-general-corporal-sergeant,
but she wept so bitterly, and kissed her little chimney sweep so fondly,
that he could not do otherwise than as she wished, foolish as it was.

So they climbed down the chimney, though with the greatest difficulty,
crept through the flues, and into the stove, where they paused to listen
behind the door, to discover what might be going on in the room.

All was quiet, and they peeped out. Alas! there on the floor lay the old
mandarin. He had fallen from the table in his attempt to follow the
runaways, and had broken into three pieces. His whole back had come off
in a single piece, and his head had rolled into a corner. The
crooked-legged field-marshal-major-general-corporal-sergeant stood where
he had always stood, reflecting upon what had happened.

"This is shocking!" said the little shepherdess. "My old grandfather is
broken in pieces, and we are the cause of it," and she wrung her little
hands.

"He can be riveted," said the chimney sweep; "he can certainly be
riveted. Do not grieve so! If they cement his back and put a rivet
through his neck, he will be just as good as new, and will be able to
say as many disagreeable things to us as ever."

"Do you really think so?" asked she. Then they climbed again up to the
place where they had stood before.

"How far we have been," observed the chimney sweep, "and since we have
got no farther than this, we might have saved ourselves all the
trouble."

"I wish grandfather were mended," said the shepherdess; "I wonder if it
will cost very much."

Mended he was. The family had his back cemented and his neck riveted, so
that he was as good as new, only he could not nod.

"You have become proud since you were broken to shivers," observed the
crooked-legged field-marshal-major-general-corporal-sergeant, "but I
must say, for my part, I don't see much to be proud of. Am I to have
her, or am I not? Just answer me that."

The chimney sweep and the shepherdess looked most piteously at the old
mandarin. They were so afraid that he would nod his head. But he could
not, and it would have been beneath his dignity to have confessed to
having a rivet in his neck. So the young porcelain people always
remained together, and they blessed the grandfather's rivet and loved
each other till they were broken in pieces.




[Illustration]




THE DROP OF WATER


YOU know, surely, what the microscope is--that wonderful little glass
which makes everything appear a hundred times larger than it really is.

If you look through a microscope at a single drop of ditch water, you
will see a thousand odd-looking creatures, such as you never could
imagine dwelled in water. They do not look unlike a whole plateful of
shrimps, all jumping and crowding upon each other. So fierce are these
little creatures that they will tear off each other's arms and legs
without the least mercy, and yet after their fashion they look merry and
happy.

Now there was once an old man, whom his neighbors called Cribbley
Crabbley--a curious name, to be sure, which meant something like
"creep-and-crawl." He always liked to make the most of everything, and
when he could not manage it in the ordinary way, he tried magic.

One day he sat looking through his microscope at a drop of water that
had been brought from a neighboring ditch. What a scene of scrambling
and swarming it was, to be sure! All the thousands of little imps in the
water jumped and sprang about, devouring each other, or tearing each
other to bits.

"Upon my word this is really shocking. There must surely be some way to
make them live in peace and quiet, so that each attends only to his own
concerns." And he thought and thought, but still could not hit upon any
plan, so he must needs have recourse to conjuring.

"I must give them color so that they may be seen more plainly," said he.
Accordingly he poured something that looked like a drop of red wine--but
which in reality was witch's blood--upon the drop of water. Immediately
all the strange little creatures became red all over, and looked for all
the world like a whole town full of naked red Indians.

"Why, what have you here?" asked another old magician, who had no name
at all, which made him even more remarkable than Cribbley Crabbley.

"If you can find out what it is," replied Cribbley Crabbley, "I will
give it you; but I warn you you'll not do so easily."

The conjurer without a name looked through the microscope, and it seemed
to him that the scene before him was a whole town, in which the people
ran about naked in the wildest way. It was quite shocking! Still more
horrible was it to see how they kicked and cuffed, struggled and fought,
pecked, bit, tore, and swallowed, each his neighbor. Those that were
under wanted to be at the top, while those that chanced to be at the top
must needs thrust themselves underneath.

"And now look, his leg is longer than mine, so off with it!" one seemed
to be saying. Another had a little lump behind his ear,--an innocent
little lump enough,--but it seemed to pain him, and therefore the others
seemed determined that it should pain him more. So they hacked at it,
and dragged the poor thing about, and at last ate him up, all on account
of the little lump. One only of the creatures was quiet, a modest
little maid, who sat by herself evidently wishing for nothing but peace
and quietness. The others would not have it so, however. They soon
pulled the little damsel forward, cuffed and tore her, and then ate her
up.

"This is uncommonly droll and amusing!" said the nameless magician.

"Yes. But what do you think it is?" asked Cribbley Crabbley. "Can you
make it out?"

"It is easy enough to guess, to be sure," was the reply of the nameless
magician; "easy enough. It is either Paris or Copenhagen, or some other
great city; I don't know which, for they are all alike. It is some great
city, of course."

"It is a drop of ditch-water," said Cribbley Crabbley.




[Illustration]




THE SWINEHERD


THERE was once a poor prince who had a kingdom, but it was a very small
one. Still it was quite large enough to admit of his marrying, and he
wished to marry.

It was certainly rather bold of him to say, as he did, to the emperor's
daughter, "Will you have me?" But he was renowned far and wide, and
there were a hundred princesses who would have answered, "Yes," and,
"Thank you kindly." We shall see what this princess said. Listen!

It happened that where the prince's father lay buried there grew a rose
tree, a most beautiful rose tree, which blossomed only once in five
years, and even then bore only one flower. Ah, but that was a rose! It
smelled so sweet that all cares and sorrows were forgotten by those who
inhaled its fragrance!

Moreover, the prince had a nightingale that could sing in such a manner
that it seemed as if all sweet melodies dwelt in her little throat. Now
the princess was to have the rose and the nightingale; and they were
accordingly put into large silver caskets and sent to her.

The emperor had them brought into a large hall, where the princess and
the ladies of the court were playing at "Visiting." When she saw the
caskets with the presents, the princess clapped her hands for joy.

"Ah, if it should be a little pussy cat," exclaimed she. Instead, the
rose tree, with its beautiful rose, came to view.

"Oh, how prettily it is made!" said all the court ladies.

"It is more than pretty," said the emperor; "it is charming."

The princess touched it and was ready to cry. "Fie, papa," said she, "it
is not made at all. It is natural!"

"Fie," said all the court ladies; "it is natural!"

"Let us see what the other casket contains before we get into bad
humor," proposed the emperor. So the nightingale came forth, and sang so
delightfully that at first no one could say anything ill-humored of her.

"_Superbe! charmant!_" exclaimed the ladies, for they all used to
chatter French, and each worse than her neighbor.

"How much the bird reminds me of the musical box that belonged to our
blessed empress!" remarked an old knight. "Oh! yes, these are the same
tunes, the same execution."

"Yes, yes!" said the emperor, and at the remembrance he wept like a
child.

"I still hope it is not a real bird," said the princess.

"Yes, it is a real bird," said those who had brought it.

"Well, then, let the bird fly," returned the princess. And she
positively refused to see the prince.

However, he was not to be discouraged. He stained his face brown and
black, pulled his cap over his ears, and knocked at the door of the
castle.

"Good day to my lord the emperor," said he. "Can I have employment here
at the palace?"

"Why, yes," said the emperor. "It just occurs to me that I want some one
to take care of the pigs, there are so many of them."

So the prince came to be the imperial swineherd.

He had a miserable little room, close by the pigsty, and here he was
obliged to stay; and he sat the whole day long and worked. By evening he
had made a pretty little saucepan. Little bells were hung all around it;
and when the pot was boiling, the bells tinkled in the most charming
manner, and played the old melody,

          "Ach, du lieber Augustin,
           Alles ist weg, weg, weg."

But what was still more curious, whoever held his finger in the smoke of
this saucepan, at once smelled all the dishes that were cooking on every
hearth of the city. This, you see, was something quite different from
the rose.

Now the princess happened to walk that way with her court ladies, and
when she heard the tune she stood quite still and seemed pleased, for
she could play "Dearest Augustine." It was the only piece she knew, and
she played it with one finger.

"Why, that is the piece that I play on the piano!" said the princess.
"That swineherd must certainly have been well educated. Go in and ask
him the price of the instrument."

So one of the court ladies had to go in, but she drew on wooden slippers
first.

"What will you take for the saucepan?" inquired the lady.

"I must have ten kisses from the princess," said the swineherd.

"Heaven preserve us!" exclaimed the maid of honor.

"I cannot sell it for less," answered the swineherd.

"Well, what does he say?" asked the princess.

"I cannot tell you, really," replied the lady. "It is too dreadful."

"Then you may whisper it." So the lady whispered it.

"He is an impudent fellow," said the princess, and she walked on. But
when she had gone a little way, the bells again tinkled prettily,

          "Ah! thou dearest Augustine,
           All is gone, gone, gone."

"Stay!" said the princess. "Ask him if he will have ten kisses from the
ladies of my court."

"No, thank you!" answered the swineherd. "Ten kisses from the princess,
or I keep the saucepan myself."

"How tiresome! That must not be either!" said the princess; "but do you
all stand before me, that no one may see us."

The court ladies placed themselves in front of her, and spread out their
dresses. So the swineherd got ten kisses, and the princess got the
saucepan.

That was delightful! The saucepan was kept boiling all the evening and
the whole of the following day. They knew perfectly well what was
cooking on every hearth in the city, from the chamberlain's to the
cobbler's. The court ladies danced and clapped their hands.

"We know who has soup, and who has pancakes for dinner to-day; who has
cutlets, and who has eggs. How interesting!"

"Yes, but keep my secret, for I am an emperor's daughter."

The prince--that is, the swineherd, for no one knew that he was other
than an ill-favored swineherd--let not a day pass without working at
something. At last he constructed a rattle, which, when it was swung
round and round, played all the waltzes and jig tunes which have been
heard since the creation of the world.

"Ah, that is _superbe_!" said the princess, when she passed by. "I have
never heard prettier compositions. Go in and ask him the price of the
instrument. But mind, he shall have no more kisses."

"He will have a hundred kisses from the princess," said the lady who had
been to ask.

"He is not in his right senses," said the princess, and walked on. But
when she had gone a little way she stopped again. "One must encourage
art," said she; "I am the emperor's daughter. Tell him he shall, as on
yesterday, have ten kisses from me, and may take the rest from the
ladies of the court."

"Oh, but we should not like that at all," said the ladies.

"What are you muttering?" asked the princess. "If I can kiss him, surely
you can! Remember I give you food and wages."

"A hundred kisses from the princess," said he, "or else let every one
keep his own."

"Stand round," said she, and all the ladies stood round as before.

"What can be the reason for such a crowd close by the pigsty?" asked the
emperor, who happened just then to step out on the balcony. He rubbed
his eyes and put on his spectacles.

"They are the ladies of the court. I must go and see what they are
about." So he pulled up his slippers at the heel, for he had trodden
them down.

As soon as he had got into the courtyard he moved very softly, and the
ladies were so much engrossed with counting the kisses that they did not
perceive the emperor. He rose on his tiptoes.

"What is all this?" said he, when he saw what was going on, and he boxed
the princess's ear with his slipper, just as the swineherd was taking
the eighty-sixth kiss.

"Be off with you! March out!" cried the emperor, for he was very angry.
Both princess and swineherd were thrust out of the city, and the
princess stood and wept, while the swineherd scolded, and the rain
poured down.

"Alas, unhappy creature that I am!" said the princess. "If I had but
married the handsome young prince! Ah, how unfortunate I am!"

The swineherd went behind a tree, washed the black and brown from his
face, threw off his dirty clothing, and stepped forth in his princely
robes. He looked so noble that the princess could not help bowing before
him.

"I have come to despise thee," said he. "Thou wouldst not have an
honorable prince! Thou couldst not prize the rose and the nightingale,
but thou wast ready to kiss the swineherd for the sake of a trumpery
plaything. Thou art rightly served."

He then went back to his own little kingdom, where he shut the door of
his palace before her very eyes. Now she might well sing,

          "Ah! thou dearest Augustine,
           All is gone, gone, gone."




[Illustration]




THE METAL PIG


IN THE city of Florence, not far from the Piazza del Granduca, runs a
little cross street called Porta Rosa. In this street, just in front of
the market place where vegetables are sold, stands a pig, made of brass
and curiously formed. The color has been changed by age to dark green,
but clear, fresh water pours from the snout, which shines as if it had
been polished--and so indeed it has, for hundreds of poor people and
children seize it in their hands as they place their mouths close to the
mouth of the animal to drink. It is quite a picture to see a half-naked
boy clasping the well-formed creature by the head as he presses his rosy
lips against its jaws. Every one who visits Florence can very quickly
find the place; he has only to ask the first beggar he meets for the
Metal Pig, and he will be told where it is.

It was late on a winter evening. The mountains were covered with snow,
but the moon shone brightly, and moonlight in Italy is as good as the
light of gray winter's day in the north. Indeed, it is better, for the
clear air seems to raise us above the earth; while in the north a cold,
gray, leaden sky appears to press us down to earth, even as the cold,
damp earth shall one day press on us in the grave.

In the garden of the grand duke's palace, under the roof of one of the
wings, where a thousand roses bloom in winter, a little ragged boy had
been sitting the whole day long. The boy might serve as a type of Italy:
lovely and smiling, and yet suffering. He was hungry and thirsty, but no
one gave him anything; and when it became dark and they were about to
close the gardens, the porter turned him out. A long time he stood
musing on the bridge which crosses the Arno and looking at the
glittering stars that were reflected in the water which flowed between
him and the wonderful marble bridge Delia Trinità. He then walked away
towards the Metal Pig, half knelt down, clasped it with his arms, and,
putting his mouth to the shining snout, drank deep draughts of the fresh
water. Close by lay a few salad leaves and two chestnuts, which were to
serve for his supper. No one was in the street but himself. It belonged
only to him. He boldly seated himself on the pig's back, leaned forward
so that his curly head could rest on the head of the animal, and, before
he was aware, fell asleep.

It was midnight. The Metal Pig raised himself gently, and the boy heard
him say quite distinctly, "Hold tight, little boy, for I am going to
run"; and away he started for a most wonderful ride. First they arrived
at the Piazza del Granduca, and the metal horse which bears the duke's
statue neighed aloud. The painted coats of arms on the old council house
shone like transparent pictures, and Michelangelo's "David" swung his
sling. It was as if everything had life. The metallic groups of figures,
among which were "Perseus" and "The Rape of the Sabines," looked like
living persons, and cries of terror sounded from them all across the
noble square. By the Palazzo degli Uffizi, in the arcade where the
nobility assembled for the carnival, the Metal Pig stopped. "Hold fast,"
said the animal, "hold fast, for I am going upstairs."

The little boy said not a word. He was half pleased and half afraid.
They entered a long gallery, where the boy had been before. The walls
were resplendent with paintings, and here and there stood statues and
busts, all in a clear light as if it were day. The grandest sight
appeared when the door of a side room opened. The little boy could
remember what beautiful things he had seen there, but to-night
everything shone in its brightest colors. Here stood the figure of a
beautiful woman, as radiantly beautiful as nature and the art of one of
the great masters could make her. Her graceful limbs appeared to move;
dolphins sprang at her feet, and immortality shone from her eyes. The
world called her the "Venus de' Medici." By her side were statues of
stone, in which the spirit of life breathed; figures of men, one of whom
whetted his sword and was named "The Grinder"; fighting gladiators, for
whom the sword had been sharpened, and who strove for the goddess of
beauty. The boy was dazzled by so much glitter, for the walls were
gleaming with bright colors. Life and movement were in everything.

As they passed from hall to hall, beauty showed itself in whatever they
saw; and, as the Metal Pig went step by step from one picture to
another, the little boy could see it all plainly. One glory eclipsed
another; yet there was one picture that fixed itself on the little boy's
memory more especially, because of the happy children it represented;
for these the little boy had seen in daylight. Many pass this picture
with indifference, and yet it contains a treasure of poetic feeling. It
represents Christ descending into Hades. It is not those who are lost
that one sees, but the heathen of olden times.

The Florentine, Angiolo Bronzino, painted this picture. Most beautiful
is the expression on the faces of two children who appear to have full
confidence that they shall reach heaven at last. They are embracing each
other, and one little one stretches out his hand towards another who
stands below them, and points to himself as if he were saying, "I am
going to heaven." The older people stand as if uncertain yet hopeful,
and bow in humble adoration to the Lord Jesus. On this picture the boy's
eyes rested longer than on any other, and the Metal Pig stood still
before it. A low sigh was heard. Did it come from the picture or from
the animal? The boy raised his hands toward the smiling children, and
then the pig ran off with him through the open vestibule.

"Thank you, thank you, you beautiful animal," said the little boy,
caressing the Metal Pig as it ran down the steps.

"Thanks to yourself also," replied the Metal Pig. "I have helped you and
you have helped me, for it is only when I have an innocent child on my
back that I receive the power to run. Yes, as you see, I can even
venture under the rays of the lamp in front of the picture of the
Madonna, but I must not enter the church. Still, from without, and while
you are upon my back, I may look in through the open door. Do not get
down yet, for if you do, then I shall be lifeless, as you have seen me
in the daytime in the Porta Rosa."

"I will stay with you, my dear creature," said the little boy. So they
went on at a rapid pace through the streets of Florence, till they came
to the square before the church of Santa Croce. The folding doors flew
open, and lights streamed from the altar, through the church, into the
deserted square. A wonderful blaze of light streamed from one of the
monuments in the left aisle, and a thousand moving stars formed a kind
of glory round it. Even the coat of arms on the tombstone shone, and a
red ladder on a blue field gleamed like fire. It was the grave of
Galileo. The monument is unadorned, but the red ladder is an emblem of
art--signifying that the way to glory leads up a shining ladder, on
which the great prophets rise to heaven like Elijah of old. In the right
aisle of the church every statue on the richly carved sarcophagi seemed
endowed with life. Here stood Michelangelo; there Dante, with the laurel
wreath around his brow; Alfieri and Machiavelli; for here, side by side,
rest the great men, the pride of Italy.

The church itself is very beautiful, even more beautiful than the marble
cathedral at Florence, though not so large. It seemed as if the carved
vestments stirred, and as if the marble figures which they covered
raised their heads higher to gaze upon the brightly colored, glowing
altar, where the white-robed boys swung the golden censers amid music
and song; and the strong fragrance of incense filled the church and
streamed forth into the square. The boy stretched out his hands toward
the light, and at the same moment the Metal Pig started again, so
rapidly that he was obliged to cling tightly to him. The wind whistled
in his ears. He heard the church door creak on its hinges as it closed,
and it seemed to him as if he had lost his senses; then a cold shudder
passed over him, and he awoke.

It was morning. The Metal Pig stood in its old place on the Porta Rosa,
and the boy found that he had nearly slipped off its back. Fear and
trembling came upon him as he thought of his mother. She had sent him
out the day before to get some money, but he had not been able to get
any, and now he was hungry and thirsty. Once more he clasped the neck of
his metal steed, kissed its nose, and nodded farewell to it. Then he
wandered away into one of the narrowest streets, where there was
scarcely room for a loaded donkey to pass. A great iron-bound door stood
ajar; and, passing through, he climbed a brick staircase with dirty
walls, and a rope for balustrade, till he came to an open gallery hung
with rags. From here a flight of steps led down to a court, where from a
fountain water was drawn up by iron rollers to the different stories of
the house. Many water buckets hung side by side. Sometimes the roller
and the bucket danced in the air, splashing the water all over the
court. Another broken-down staircase led from the gallery, and two
Russian sailors running down it almost upset the poor boy. They were
coming from their nightly carousal. A woman, not very young, with an
unpleasant face and a quantity of black hair, followed them. "What have
you brought home?" she asked when she saw the boy.

"Don't be angry," he pleaded. "I received nothing, I have nothing at
all"; and he seized his mother's dress and would have kissed it. Then
they went into a little room. I need not describe it, but only say that
there stood in it an earthen pot with handles, made for holding fire,
which in Italy is called a _marito_. This pot she took in her lap,
warmed her fingers, and pushed the boy with her elbow.

"Certainly you must have some money," she said. The boy began to cry,
and then she struck him till he cried aloud.

"Be quiet, or I'll break your screaming head." She swung about the fire
pot which she held in her hand, while the boy crouched to the earth and
screamed. Then a neighbor came in, who also had a _marito_ under her
arm. "Felicita," she said, "what are you doing to the child?"

"The child is mine," she answered; "I can murder him if I like, and you
too, Giannina."

Then again she swung the fire pot about. The other woman lifted hers up
to defend herself, and the two pots clashed so violently that they were
dashed to pieces and fire and ashes flew about the room.

The boy rushed out at the sight, sped across the courtyard, and fled
from the house. The poor child ran till he was quite out of breath. At
last he stopped at the church the doors of which were opened to him the
night before, and went in. Here everything was bright, and the boy knelt
down by the first tomb on his right hand, the grave of Michelangelo, and
sobbed as if his heart would break. People came and went; the service
went on, but no one noticed the boy except an elderly citizen, who stood
still and looked at him for a moment and then went away like the rest.
Hunger and thirst overpowered the child, and he became quite faint and
ill. At last he crept into a corner behind the marble monuments and went
to sleep. Towards evening he was awakened by a pull at his sleeve. He
started up, and the same old citizen stood before him.

"Are you ill? Where do you live? Have you been here all day?" were some
of the questions asked by the old man. After hearing his answers, the
old man took him to a small house in a back street close by. They
entered a glovemaker's shop, where a woman sat sewing busily. A little
white poodle, so closely shaved that his pink skin could plainly be
seen, frisked about the room and gamboled over the boy.

"Innocent souls are soon intimate," said the woman, as she caressed both
the boy and the dog.

These good people gave the child food and drink, and said he should stay
with them all night, and that the next day the old man, who was called
Giuseppe, would go and speak to his mother. A simple little bed was
prepared for him, but to him who had so often slept on the hard stones
it was a royal couch, and he slept sweetly and dreamed of the splendid
pictures, and of the Metal Pig. Giuseppe went out the next morning, and
the poor child was not glad to see him go, for he knew that the old man
had gone to his mother, and that perhaps he would have to return. He
wept at the thought, and then played with the lively little dog and
kissed it, while the old woman looked kindly at him to encourage him.

What news did Giuseppe bring back? At first the boy could not find out,
for the old man talked to his wife, and she nodded and stroked the boy's
cheek. Then she said, "He is a good lad, he shall stay with us. He may
become a clever glovemaker, like you. Look what delicate fingers he has.
Madonna intended him for a glovemaker."

So the boy stayed with them, and the woman herself taught him to sew. He
ate well, and slept well, and became very merry. But at last he began to
tease Bellissima, as the little dog was called. This made the woman
angry, and she scolded him and threatened him, which made him unhappy,
and he went and sat in his own room, full of sad thoughts. This chamber
looked out upon the street, in which hung skins to dry, and there were
thick iron bars across his window. That night he lay awake, thinking of
the Metal Pig. Indeed, it was always in his thoughts. Suddenly he
fancied he heard feet outside going pitapat. He sprang out of bed and
went to the window. Could it be the Metal Pig? But there was nothing to
be seen. Whatever he had heard had passed already.

"Go help the gentleman to carry his box of colors," said the woman the
next morning when their neighbor, the artist, passed by, carrying a
paint box and a large roll of canvas. The boy instantly took the box and
followed the painter. They walked on till they reached the picture
gallery, and mounted the same staircase up which he had ridden that
night on the Metal Pig. He remembered all the pictures and statues,
especially the marble Venus, and again he looked at the Madonna with the
Saviour and St. John. They stopped before the picture by Il Bronzino, in
which Christ is represented as standing in the lower world, with the
children smiling before him in the sweet expectation of entering heaven.
The poor boy smiled, too, for here was his heaven.

"You may go home now," said the painter, while the boy stood watching
him till he had set up his easel.

"May I see you paint?" asked the boy. "May I see you put the picture on
this white canvas?"

"I am not going to paint," replied the artist, bringing out a piece of
chalk. His hand moved quickly, and his eye measured the great picture,
and though nothing appeared but a faint line, the figure of the Saviour
was as clearly visible as in the colored picture.

"Why don't you go?" said the painter. Then the boy wandered home
silently, and seated himself on the table, and learned to sew gloves.
But all day long his thoughts were in the picture gallery, and so he
pricked his fingers and was awkward. But he did not tease Bellissima.
When evening came, and the house door stood open, he slipped out. It was
a bright, beautiful, starlight evening, but rather cold. Away he went
through the already deserted streets, and soon came to the Metal Pig. He
stooped down and kissed its shining nose, and then seated himself on its
back.

"You happy creature," he said; "how I have longed for you! We must take
a ride to-night."

But the Metal Pig lay motionless, while the fresh stream gushed forth
from its mouth. The little boy still sat astride its back, when he felt
something pulling at his clothes. He looked down, and there was
Bellissima, little smooth-shaven Bellissima, barking as if she would
have said, "Here I am, too. Why are you sitting there?"

A fiery dragon could not have frightened the little boy so much as did
the little dog in this place. Bellissima in the street and not dressed!
as the old lady called it. What would be the end of this? The dog never
went out in winter, unless she was attired in a little lambskin coat,
which had been made for her. It was fastened round the little dog's neck
and body with red ribbons, and decorated with rosettes and little bells.
The dog looked almost like a little kid when she was allowed to go out
in winter and trot after her mistress. Now, here she was in the cold,
and not dressed. Oh, how would it end? All his fancies were quickly put
to flight; yet he kissed the Metal Pig once more, and then took
Bellissima in his arms. The poor little thing trembled so with cold that
the boy ran homeward as fast as he could.

"What are you running away with there?" asked two of the police whom he
met, and at whom the dog barked. "Where have you stolen that pretty
dog?" they asked, and took it away from him.

"Oh, I have not stolen it. Do give it back to me," cried the boy,
despairingly.

"If you have not stolen it, you may say at home that they can send to
the watch-house for the dog." Then they told him where the watch-house
was, and went away with Bellissima.

Here was trouble indeed. The boy did not know whether he had better
jump into the Arno or go home and confess everything. They would
certainly kill him, he thought.

"Well, I would gladly be killed," he reasoned; "for then I should die
and go to heaven." And so he went home, almost hoping for death.

The door was locked, and he could not reach the knocker. No one was in
the street, so he took up a stone and with it made a tremendous noise at
the door.

"Who is there?" asked somebody from within.

"It is I," said he. "Bellissima is gone. Open the door, and then kill
me."

Then, indeed, there was a great panic, for madam was so very fond of
Bellissima. She immediately looked at the wall where the dog's dress
usually hung; and there was the little lambskin.

"Bellissima in the watch-house!" she cried. "You bad boy! How did you
entice her out? Poor little delicate thing, with those rough policemen!
And she'll be frozen with cold."

Giuseppe went off at once, while his wife lamented and the boy wept.
Several of the neighbors came in, and among them the painter. He took
the boy between his knees and questioned him. Soon he heard the whole
story, told in broken sentences, and also about the Metal Pig and the
wonderful ride to the picture gallery, which was certainly rather
incomprehensible. The painter, however, consoled the little fellow, and
tried to soften the woman's anger, but she would not be pacified till
her husband returned from the police with Bellissima. Then there was
great rejoicing, and the painter caressed the boy and gave him a number
of pictures.

Oh, what beautiful pictures those were--figures with funny heads! And,
best of all, the Metal Pig was there, too. Nothing could be more
delightful! By means of a few strokes it was made to appear on the
paper; and even the house that stood behind it had been sketched. Oh, if
he could only draw and paint! He who could do this could conjure all the
world before him. The first leisure moment during the next day the boy
got a pencil, and on the back of one of the other drawings he attempted
to copy the drawing of the Metal Pig, and he succeeded. Certainly it was
rather crooked, rather up and down, one leg thick, and another thin.
Still it was like the copy, and he was overjoyed at what he had done.
The pencil would not go quite as it ought, he had found, but the next
day he tried again. A second pig was drawn by the side of the first, and
this looked a hundred times better. The third attempt was so good that
everybody could see what it was meant to represent.

And now the glovemaking went on but slowly. The orders given by the
shops in the town were not finished quickly; for the Metal Pig had
taught the boy that all objects may be drawn upon paper, and Florence is
a picture book in itself for any one who chooses to turn over its pages.
On the Piazza della Trinità stands a slender pillar, and upon it is the
goddess of justice blindfolded, with her scales in her hand. She was
soon represented on paper, and it was the glovemaker's boy who placed
her there. His collection of pictures increased, but as yet they were
only copies of lifeless objects, when one day Bellissima came gamboling
before him. "Stand still," cried he, "and I will draw you beautifully,
to put in my collection."

Bellissima would not stand still, so she must be bound fast in one
position. He tied her head and tail, but she barked and jumped and so
pulled and tightened the string that she was nearly strangled. And just
then her mistress walked in.

"You wicked boy! The poor little creature!" was all she could utter.

She pushed the boy from her, thrust him away with her foot, called him a
most ungrateful, good-for-nothing, wicked boy, and forbade him to enter
her house again. Then she wept, and kissed her little half-strangled
Bellissima. At this moment the painter entered the room--and here is the
turning point of the story.

In the year 1834 there was an exhibition in the Academy of Arts at
Florence. Two pictures, placed side by side, attracted many people. The
smaller of the two represented a little boy sitting at a table drawing.
Before him was a little white poodle, curiously shaven, but as the
animal would not stand still, its head and tail had been fastened with a
string, to keep it in one position. The truthfulness and life in this
picture interested every one. The painter was said to be a young
Florentine, who had been found in the streets when a child by an old
glovemaker, who had brought him up. The boy had taught himself to draw.
It was also said that a young artist, now famous, had discovered this
talent in the child just as he was about to be sent away for having tied
up madam's favorite little dog to use as a model.

The glovemaker's boy had become a really great painter, as the picture
proved; but the larger picture by its side was a still greater proof of
his talent. It represented a handsome boy asleep, clothed in rags and
leaning against the Metal Pig, in the street of the Porta Rosa. All the
spectators knew the spot well. The child's arms were round the neck of
the Pig, and he was in a deep sleep. The lamp before the picture of the
Madonna threw a strong light on the pale, delicate face of the child. It
was a beautiful picture. A large gilt frame surrounded it, and on one
corner of the frame a laurel wreath had been hung. But a black band,
twined unseen among the green leaves, and a streamer of crape hung down
from it; for within the last few days the young artist had--died.




[Illustration]




THE FLYING TRUNK


THERE was once a merchant who was so rich that he could have paved a
whole street with gold, and would even then have had enough left for a
small alley. He did not do so; he knew the value of money better than to
use it in this way. So clever was he that every shilling he put out
brought him a crown, and so it continued as long as he lived.

His son inherited his wealth, and lived a merry life with it. He went to
a masquerade every night, made kites out of five-pound notes, and threw
pieces of gold into the sea instead of stones, making ducks and drakes
of them.

In this manner he soon lost all his money. At last he had nothing left
but a pair of slippers, an old dressing gown, and four shillings. And
now all his companions deserted him. They would not walk with him in
the streets, but one of them, who was very good-natured, sent him an old
trunk with this message, "Pack up!"

"Yes," he said, "it is all very well to say 'pack up.'" But he had
nothing left to pack, therefore he seated himself in the trunk.

It was a very wonderful trunk, for no sooner did any one press on the
lock than the trunk could fly. He shut the lid and pressed the lock,
when away flew the trunk up the chimney, with him in it, right up into
the clouds. Whenever the bottom of the trunk cracked he was in a great
fright, for if the trunk had fallen to pieces, he would have turned a
tremendous somersault over the trees. However, he arrived safely in
Turkey. He hid the trunk in a wood under some dry leaves and then went
into the town. This he could do very well, for among the Turks people
always go about in dressing gowns and slippers, just as he was.

He happened to meet a nurse with a little child. "I say, you Turkish
nurse," cried he, "what castle is that near the town, with the windows
placed so high?"

"The Sultan's daughter lives there," she replied. "It has been
prophesied that she will be very unhappy about a lover, and therefore no
one is allowed to visit her unless the king and queen are present."

"Thank you," said the merchant's son. So he went back to the wood,
seated himself in his trunk, flew up to the roof of the castle, and
crept through the window into the room where the princess lay asleep on
the sofa. She awoke and was very much frightened, but he told her he was
a Turkish angel who had come down through the air to see her. This
pleased her very much. He sat down by her side and talked to her,
telling her that her eyes were like beautiful dark lakes, in which the
thoughts swam about like little mermaids; and that her forehead was a
snowy mountain which contained splendid halls full of pictures. He
related to her the story about the stork, who brings the beautiful
children from the rivers. These stories delighted the princess, and when
he asked her if she would marry him, she consented immediately.

[Illustration: "Will you tell us a story?" said the queen....]

"But you must come on Saturday," she said, "for then my parents will
take tea with me. They will be very proud when they find that I am
going to marry a Turkish angel. But you must think of some very pretty
stories to tell them, for they like to hear stories better than
anything. My mother prefers one that is deep and moral, but my father
likes something funny, to make him laugh."

"Very well," he replied, "I shall bring you no other marriage portion
than a story"; and so they parted. But the princess gave him a sword
studded with gold coins, and these he could make useful.

He flew away to the town and bought a new dressing gown, and afterwards
returned to the wood, where he composed a story so as to be ready by
Saturday; and that was no easy matter. It was ready, however, when he
went to see the princess on Saturday. The king and queen and the whole
court were at tea with the princess, and he was received with great
politeness.

"Will you tell us a story?" said the queen; "one that is instructive and
full of learning."

"Yes, but with something in it to laugh at," said the king.

"Certainly," he replied, and commenced at once, asking them to listen
attentively.

"There was once a bundle of matches that were exceedingly proud of their
high descent. Their genealogical tree--that is, a great pine tree from
which they had been cut--was at one time a large old tree in the wood.
The matches now lay between a tinder box and an old iron saucepan and
were talking about their youthful days. 'Ah! then we grew on the green
boughs,' said they, 'and every morning and evening we were fed with
diamond drops of dew. Whenever the sun shone we felt his warm rays, and
the little birds would relate stories to us in their songs. We knew that
we were rich, for the other trees only wore their green dresses in
summer, while our family were able to array themselves in green, summer
and winter. But the woodcutter came like a great disaster, and our
family fell under the ax. The head of the house obtained a situation as
mainmast in a very fine ship and can sail round the world whenever he
will. Other branches of the family were taken to different places, and
our own office now is to kindle a light for common people. This is how
such highborn people as we came to be in a kitchen.'

"'Mine has been a very different fate,' said the iron pot, which stood
by the matches. 'From my first entrance into the world I have been used
to cooking and scouring. I am the first in this house when anything
solid or useful is required. My only pleasure is to be made clean and
shining after dinner and to sit in my place and have a little sensible
conversation with my neighbors. All of us excepting the water bucket,
which is sometimes taken into the courtyard, live here together within
these four walls. We get our news from the market basket, but it
sometimes tells us very unpleasant things about the people and the
government. Yes, and one day an old pot was so alarmed that it fell down
and was broken in pieces.'

"'You are talking too much,' said the tinder box; and the steel struck
against the flint till some sparks flew out, crying, 'We want a merry
evening, don't we?'

"'Yes, of course,' said the matches. 'Let us talk about those who are
the highest born.'

"'No, I don't like to be always talking of what we are,' remarked the
saucepan. 'Let us think of some other amusement; I will begin. We will
tell something that has happened to ourselves; that will be very easy,
and interesting as well. On the Baltic Sea, near the Danish shore--'

"'What a pretty commencement!' said the plates. 'We shall all like that
story, I am sure.'

"'Yes. Well, in my youth I lived in a quiet family where the furniture
was polished, the floors scoured, and clean curtains put up, every
fortnight.'

"'What an interesting way you have of relating a story,' said the carpet
broom. 'It is easy to perceive that you have been a great deal in
society, something so pure runs through what you say.'

"'That is quite true,' said the water bucket; and it made a spring with
joy and splashed some water on the floor.

"Then the saucepan went on with its story, and the end was as good as
the beginning.

"The plates rattled with pleasure, and the carpet broom brought some
green parsley out of the dust hole and crowned the saucepan. It knew
this would vex the others, but it thought, 'If I crown him to-day, he
will crown me to-morrow.'

"'Now let us have a dance,' said the fire tongs. Then how they danced
and stuck one leg in the air! The chair cushion in the corner burst with
laughter at the sight.

"'Shall I be crowned now?' asked the fire tongs. So the broom found
another wreath for the tongs.

"'They are only common people after all,' thought the matches. The tea
urn was now asked to sing, but she said she had a cold and could not
sing unless she felt boiling heat within. They all thought this was
affectation; they also considered it affectation that she did not wish
to sing except in the parlor, when on the table with the grand people.

"In the window sat an old quill pen, with which the maid generally
wrote. There was nothing remarkable about the pen, except that it had
been dipped too deeply in the ink; but it was proud of that.

"'If the tea urn won't sing,' said the pen, 'she needn't. There's a
nightingale in a cage outside, that can sing. She has not been taught
much, certainly, but we need not say anything this evening about that.'

"'I think it highly improper,' said the teakettle, who was kitchen
singer and half brother to the tea urn, 'that a rich foreign bird should
be listened to here. Is it patriotic? Let the market basket decide what
is right.'

"'I certainly am vexed,' said the basket, 'inwardly vexed, more than any
one can imagine. Are we spending the evening properly? Would it not be
more sensible to put the house in order? If each were in his own place,
I would lead a game. This would be quite another thing.'

"'Let us act a play,' said they all. At the same moment the door opened
and the maid came in. Then not one stirred; they remained quite still,
although there was not a single pot among them that had not a high
opinion of himself and of what he could do if he chose.

"'Yes, if we had chosen,' each of them thought, 'we might have spent a
very pleasant evening.'

"The maid took the matches and lighted them, and dear me, how they
spluttered and blazed up!

"'Now then,' they thought, 'every one will see that we are the first.
How we shine! What a light we give!' But even while they spoke their
lights went out."

"What a capital story!" said the queen. "I feel as if I were really in
the kitchen and could see the matches. Yes, you shall marry our
daughter."

"Certainly," said the king, "thou shalt have our daughter." The king
said "thou" to him because he was going to be one of the family. The
wedding day was fixed, and on the evening before, the whole city was
illuminated. Cakes and sweetmeats were thrown among the people. The
street boys stood on tiptoe and shouted "Hurrah," and whistled between
their fingers. Altogether it was a very splendid affair.

"I will give them another treat," said the merchant's son. So he went
and bought rockets and crackers and every kind of fireworks that could
be thought of, packed them in his trunk, and flew up with it into the
air. What a whizzing and popping they made as they went off! The Turks,
when they saw the sight, jumped so high that their slippers flew about
their ears. It was easy to believe after this that the princess was
really going to marry a Turkish angel.

As soon as the merchant's son had come down to the wood after the
fireworks, he thought, "I will go back into the town now and hear what
they think of the entertainment." It was very natural that he should
wish to know. And what strange things people did say, to be sure! Every
one whom he questioned had a different tale to tell, though they all
thought it very beautiful.

"I saw the Turkish angel myself," said one. "He had eyes like glittering
stars and a head like foaming water."

"He flew in a mantle of fire," said another, "and lovely little cherubs
peeped out from the folds."

He heard many more fine things about himself and that the next day he
was to be married. After this he went back to the forest to rest himself
in his trunk. It had disappeared! A spark from the fireworks which
remained had set it on fire. It was burned to ashes. So the merchant's
son could not fly any more, nor go to meet his bride. She stood all day
on the roof, waiting for him, and most likely she is waiting there
still, while he wanders through the world telling fairy tales--but none
of them so amusing as the one he related about the matches.




[Illustration]




THE BUTTERFLY


THERE was once a butterfly who wished for a bride; and, as may be
supposed, he wanted to choose a very pretty one from among the flowers.
He glanced with a very critical eye at all the flower beds and found
that the flowers were seated quietly and demurely on their stalks, just
as maidens should sit. But there was a great number of them, and it
appeared as if making his choice would become very wearisome. The
butterfly did not like to take too much trouble, so he flew off on a
visit to the daisies.

The French call this flower Marguerite and say that it can prophesy.
Lovers pluck off the leaves, and as they pluck each leaf they ask a
question about their sweethearts, thus: "Does he or she love me? Dearly?
Distractedly? Very much? A little? Not at all?" and so on. Each one
speaks these words in his own language.

The butterfly came, also, to Marguerite to inquire, but he did not pluck
off her leaves; he pressed a kiss on each of them, for he thought there
was always more to be done by kindness.

"Darling Marguerite daisy," he said to her, "you are the wisest woman of
them all. Pray tell me which of the flowers I shall choose for my wife.
Which will be my bride? When I know, I will fly directly to her and
propose."

But Marguerite did not answer him. She was offended that he should call
her a woman when she was only a girl; there is a great difference. He
asked her a second time, and then a third, but she remained dumb,
answering him not at all. Then he would wait no longer, but flew away to
commence his wooing at once. It was in the early spring, when the crocus
and the snowdrop were in full bloom.

"They are very pretty," thought the butterfly; "charming little lasses,
but they are rather stiff and formal."

Then, as young lads often do, he looked out for the older girls. He next
flew to the anemones, but these were rather sour to his taste. The
violet was a little too sentimental; the lime blossoms were too
small--and, besides, there was such a large family of them. The apple
blossoms, though they looked like roses, bloomed to-day, but might fall
off to-morrow with the first wind that blew; and he thought a marriage
with one of them might last too short a time. The pea blossom pleased
him most of all. She was white and red, graceful and slender, and
belonged to those domestic maidens who have a pretty appearance, yet can
be useful in the kitchen. He was just about to make her an offer when,
close by her, he saw a pod, with a withered flower hanging at the end.

"Who is that?" he asked.

"That is my sister," replied the pea blossom.

"Oh, indeed! and you will be like her some day," said he. And at once he
flew away, for he felt quite shocked.

A honeysuckle hung forth from the hedge, in full bloom; but there were
so many girls like her, with long faces and sallow complexions! No, he
did not like her. But which one did he like?

Spring went by, and summer drew toward its close. Autumn came, but he
had not decided. The flowers now appeared in their most gorgeous robes,
but all in vain--they had not the fresh, fragrant air of youth. The
heart asks for fragrance even when it is no longer young, and there is
very little of that to be found in the dahlias or the dry
chrysanthemums. Therefore the butterfly turned to the mint on the
ground. This plant, you know, has no blossom, but is sweetness all over;
it is full of fragrance from head to foot, with the scent of a flower in
every leaf.

"I will take her," said the butterfly; and he made her an offer. But the
mint stood silent and stiff as she listened to him. At last she said:

"I can give you friendship if you like, nothing more. I am old, and you
are old, but we may live for each other just the same. As to marrying,
however, no! that would appear ridiculous at our age."

And so it happened that the butterfly got no wife at all. He had been
too long choosing, which is always a bad plan, and became what is called
an old bachelor.

It was late in the autumn, with rainy and cloudy weather. The cold wind
blew over the bowed backs of the willows, so that they creaked again. It
was not the weather for flying about in summer clothes, but fortunately
the butterfly was not out in it. By a happy chance he had got a shelter.
It was in a room heated by a stove and as warm as summer. He could live
here, he said, well enough.

"But it is not enough merely to exist," said he. "I need freedom,
sunshine, and a little flower for a companion."

So he flew against the window-pane and was seen and admired by those in
the room, who caught him and stuck him on a pin in a box of curiosities.
They could not do more for him.

"Now I am perched on a stalk like the flowers," said the butterfly. "It
is not very pleasant, certainly. I imagine it is something like being
married, for here I am stuck fast." And with this thought he consoled
himself a little.

"That seems very poor consolation," said one of the plants in the room,
that grew in a pot.

"Ah," thought the butterfly, "one can't very well trust these plants in
pots; they have had too much to do with human beings."




[Illustration]




THE GOBLIN AND THE HUCKSTER


THERE was once a regular student, who lived in a garret and had no
possessions. And there was also a regular huckster, to whom the house
belonged, and who occupied the ground floor. A goblin lived with the
huckster because at Christmas he always had a large dishful of jam, with
a great piece of butter in the middle. The huckster could afford this,
and therefore the goblin remained with him--which was very shrewd of the
goblin.

One evening the student came into the shop through the back door to buy
candles and cheese for himself; he had no one to send, and therefore he
came himself. He obtained what he wished, and then the huckster and his
wife nodded good evening to him. The huckster's wife was a woman who
could do more than merely nod, for she usually had plenty to say for
herself. The student nodded also, as he turned to leave, then suddenly
stopped and began reading the piece of paper in which the cheese was
wrapped. It was a leaf torn out of an old book; a book that ought not to
have been torn up, for it was full of poetry.

"Yonder lies some more of the same sort," said the huckster. "I gave an
old woman a few coffee berries for it; you shall have the rest for
sixpence if you will."

"Indeed I will," said the student. "Give me the book instead of the
cheese; I can eat my bread and butter without cheese. It would be a sin
to tear up a book like this. You are a clever man and a practical man,
but you understand no more about poetry than that cask yonder."

This was a very rude speech, especially against the cask, but the
huckster and the student both laughed, for it was only said in fun. The
goblin, however, felt very angry that any man should venture to say such
things to a huckster who was a householder and sold the best butter. As
soon as it was night, the shop closed, and every one in bed except the
student, the goblin stepped softly into the bedroom where the huckster's
wife slept, and took away her tongue, which of course she did not then
want. Whatever object in the room he placed this tongue upon,
immediately received voice and speech and was able to express its
thoughts and feelings as readily as the lady herself could do. It could
only be used by one object at a time, which was a good thing, as a
number speaking at once would have caused great confusion. The goblin
laid the tongue upon the cask, in which lay a quantity of old
newspapers.

"Is it really true," he asked, "that you do not know what poetry is?"

"Of course I know," replied the cask. "Poetry is something that always
stands in the corner of a newspaper and is sometimes cut out. And I may
venture to affirm that I have more of it in me than the student has,
even if I am only a poor tub of the huckster's."

Then the goblin placed the tongue on the coffee mill, and how it did go,
to be sure! Then he put it on the butter-tub, and the cash-box, and
they all expressed the same opinion as the waste-paper tub. A majority
must always be respected.

"Now I shall go and tell the student," said the goblin. With these words
he went quietly up the back stairs to the garret, where the student
lived. The student's candle was burning still, and the goblin peeped
through the keyhole and saw that he was reading in the torn book which
he had bought out of the shop. But how light the room was! From the book
shot forth a ray of light which grew broad and full like the stem of a
tree, from which bright rays spread upward and over the student's head.
Each leaf was fresh, and each flower was like a beautiful female
head--some with dark and sparkling eyes and others with eyes that were
wonderfully blue and clear. The fruit gleamed like stars, and the room
was filled with sounds of beautiful music. The little goblin had never
imagined, much less seen or heard of, any sight so glorious as this. He
stood still on tiptoe, peeping in, till the light went out. The student
no doubt had blown out his candle and gone to bed, but the little
goblin remained standing there, listening to the music which still
sounded, soft and beautiful--a sweet cradle song for the student who had
lain down to rest.

"This is a wonderful place," said the goblin; "I never expected such a
thing. I should like to stay here with the student." Then the little man
thought it over, for he was a sensible sprite. At last he sighed, "But
the student has no jam!" So he went downstairs again to the huckster's
shop, and it was a good thing he got back when he did, for the cask had
almost worn out the lady's tongue. He had given a description of all
that he contained on one side, and was just about to turn himself over
to the other side to describe what was there, when the goblin entered
and restored the tongue to the lady. From that time forward, the whole
shop, from the cash-box down to the pine-wood logs, formed their
opinions from that of the cask. They all had such confidence in him and
treated him with so much respect that when, in the evening, the huckster
read the criticisms on theatricals and art, they fancied it must all
come from the cask.

After what he had seen, the goblin could no longer sit and listen
quietly to the wisdom and understanding downstairs. As soon as the
evening light glimmered in the garret, he took courage, for it seemed to
him that the rays of light were strong cables, drawing him up and
obliging him to go and peep through the keyhole. While there, a feeling
of vastness came over him, such as we experience by the ever-moving sea
when the storm breaks forth, and it brought tears into his eyes. He did
not himself know why he wept, yet a kind of pleasant feeling mingled
with his tears. "How wonderfully glorious it would be to sit with the
student under such a tree!" But that was out of the question; he must be
content to look through the keyhole and be thankful for even that.

There he stood on the cold landing, with the autumn wind blowing down
upon him through the trapdoor. It was very cold, but the little creature
did not really feel it till the light in the garret went out and the
tones of music died away. Then how he shivered and crept downstairs
again to his warm corner, where he felt at home and comfortable! And
when Christmas came again and brought the dish of jam and the great
lump of butter, he liked the huckster best of all.

Soon after, the goblin was waked in the middle of the night by a
terrible noise and knocking against the window shutters and the house
doors and by the sound of the watchman's horn. A great fire had broken
out, and the whole street seemed full of flames. Was it in their house
or a neighbor's? No one could tell, for terror had seized upon all. The
huckster's wife was so bewildered that she took her gold earrings out of
her ears and put them in her pocket, that she might save something at
least. The huckster ran to get his business papers, and the servant
resolved to save her black silk mantle, which she had managed to buy.
All wished to keep the best things they had. The goblin had the same
wish, for with one spring he was upstairs in the student's room. He
found him standing by the open window and looking quite calmly at the
fire, which was raging in the house of a neighbor opposite.

The goblin caught up the wonderful book, which lay on the table, and
popped it into his red cap, which he held tightly with both hands. The
greatest treasure in the house was saved, and he ran away with it to the
roof and seated himself on the chimney. The flames of the burning house
opposite illuminated him as he sat with both hands pressed tightly over
his cap, in which the treasure lay. It was then that he understood what
feelings were really strongest in his heart and knew exactly which way
they tended. Yet, when the fire was extinguished and the goblin again
began to reflect, he hesitated, and said at last, "I must divide myself
between the two; I cannot quite give up the huckster, because of the
jam."

This is a representation of human nature. We are like the goblin; we all
go to visit the huckster, "because of the jam."




[Illustration]




EVERYTHING IN ITS RIGHT PLACE


MORE than a hundred years ago, behind the wood and by a deep lake, stood
an old baronial mansion. Round it lay a deep moat, in which grew reeds
and rushes, and close by the bridge, near the entrance gate, stood an
old willow that bent itself over the moat.

From a narrow lane one day sounded the clang of horns and the trampling
of horses. The little girl who kept the geese hastened to drive them
away from the bridge before the hunting party came galloping up to it.
They came, however, with such haste that the girl was obliged to climb
up and seat herself on the parapet of the bridge, lest they should ride
over her. She was scarcely more than a child, with a pretty, delicate
figure, a gentle expression of face, and two bright blue eyes--all of
which the baron took no note of; but as he galloped past, he reversed
the whip held in his hand, and in rough play gave the little
goose-watcher such a push with the butt end that she fell backward into
the ditch.

"Everything in its right place," cried he. "Into the puddle with you!"
and then he laughed aloud at what he called his own wit, and the rest
joined with him. The whole party shouted and screamed, and the dogs
barked loudly.

Fortunately for herself, the poor girl in falling caught hold of one of
the overhanging branches of the willow tree, by which she was able to
keep herself from falling into the muddy pool. As soon as the baron,
with his company and his dogs, had disappeared through the castle gate,
she tried to raise herself by her own exertions; but the bough broke off
at the top, and she would have fallen backwards among the reeds if a
strong hand had not at that moment seized her from above. It was the
hand of a peddler, who, at a short distance, had witnessed the whole
affair and hastened up to give assistance.

"Everything in its right place," he said, imitating the noble baron, as
he drew the little maiden up on dry ground. He would have restored the
bough to the place from which it had been broken off, but "everything in
its right place" is not always so easy to arrange, so he stuck the bough
in the soft earth. "Grow and prosper as much as you can," said he, "till
you produce a good flute for some of them over there. With the
permission of the noble baron and his family, I should like them to hear
my challenge."

So he betook himself to the castle, but not into the noble hall; he was
too humble for that. He went to the servants' apartments, and the men
and maids examined and turned over his stock of goods, while from above,
where the company were at table, came sounds of screaming and shouting
which they called singing--and indeed they did their best. Loud
laughter, mingled with the howling of dogs, sounded through the open
windows. All were feasting and carousing. Wine and strong ale foamed in
the jugs and glasses; even the dogs ate and drank with their masters.
The peddler was sent for, but only to make fun for them. The wine had
mounted to their heads, and the sense had flown out. They poured wine
into a stocking for him to drink with them--quickly, of course--and this
was considered a rare jest and occasioned fresh bursts of laughter. At
cards, whole farms, with their stock of peasants and cattle, were staked
on a card and lost.

"Everything in its right place," said the peddler, when he at last
escaped from what he called the Sodom and Gomorrah up there. "The open
highroad is my right place; that house did not suit me at all." As he
stepped along, he saw the little maiden keeping watch over the geese,
and she nodded to him in a friendly way.

Days and weeks passed, and it soon became evident that the willow branch
which had been stuck in the ground by the peddler, near to the castle
moat, had taken root, for it remained fresh and green and put forth new
twigs.

The little girl saw that the branch must have taken root, and she was
quite joyful about it. "This tree," she said, "must be my tree now."

The tree certainly flourished, but at the castle, what with feasting and
gambling, everything went to ruin; for these two things are like
rollers, upon which no man can possibly stand securely. Six years had
not passed away before the noble baron wandered out of the castle gate a
poor man, and the mansion was bought by a rich dealer. This dealer was
no other than the man of whom he had made fun and for whom he had poured
wine into a stocking to drink. But honesty and industry are like
favorable winds to a ship, and they had brought the peddler to be master
of the baron's estates. From that hour no more card playing was
permitted there.

The new proprietor took to himself a wife, and who should it be but the
little goose-watcher, who had always remained faithful and good, and who
looked as beautiful and fine in her new clothes as if she had been a
highly born lady. It would be too long a story in these busy times to
explain how all this came about, but it really did happen, and the most
important part is to come.

It was pleasant to live in the old court now. The mistress herself
managed the housekeeping within, and the master superintended the
estate. Their home overflowed with blessings, for where rectitude leads
the way, prosperity is sure to follow. The old house was cleaned and
painted, the moat dried up, and fruit trees planted in it. The floors of
the house were polished as smoothly as a draftboard, and everything
looked bright and cheerful.

During the long winter evenings the lady of the house sat with her
maidens at the spinning wheel in the great hall. Her husband, in his old
age, had been made a magistrate. Every Sunday evening he read the Bible
with his family, for children had come to him and were all instructed in
the best manner, although they were not all equally clever--as is the
case in all families. In the meantime, the willow branch at the castle
gate had grown into a splendid tree and stood free and unrestrained.

"That is our genealogical tree," said the old people, "and the tree must
therefore be honored and esteemed, even by those who are not very wise."

A hundred years passed away, and the place presented a much-changed
aspect. The lake had been converted into moorland, and the old baronial
castle had almost disappeared. A pool of water, the deep moat, and the
ruins of some of the walls were all that remained. Close by grew a
magnificent willow tree, with overhanging branches--the same
genealogical tree of former times. Here it still stood, showing to what
beauty a willow can attain when left to itself. To be sure, the trunk
was split through, from the root to the top, and the storm had slightly
bent it; but it stood firm through all, and from every crevice and
opening into which earth had been carried by the wind, shot forth
blossoms and flowers. Near the top, where the large boughs parted, the
wild raspberry twined its branches and looked like a hanging garden.
Even the little mistletoe had here struck root, and flourished, graceful
and delicate, among the branches of the willow, which were reflected in
the dark waters beneath it. Sometimes the wind from the sea scattered
the willow leaves. A path led through the field, close by the tree.

On the top of a hill, near the forest, with a splendid prospect before
it, stood the new baronial hall, with panes of such transparent glass in
the windows that there appeared to be none. The grand flight of steps
leading to the entrance looked like a bower of roses and broad-leaved
plants. The lawn was as fresh and green as if each separate blade of
grass were cleaned morning and evening. In the hall hung costly
pictures. The chairs and sofas were of silk and velvet and looked almost
as if they could move of themselves. There were tables with white marble
tops, and books bound in velvet and gold. Here, indeed, resided wealthy
people, people of rank--the new baron and his family.

Each article was made to harmonize with the other furnishings. The
family motto still was, "Everything in its right place." Therefore the
pictures which were once the honor and glory of the old house now hung
in the passage leading to the servants' hall. They were considered mere
lumber; especially two old portraits, one of a man in a wig and a
rose-colored coat, the other of a lady with frizzed and powdered hair,
holding a rose in her hand, each surrounded by a wreath of willow
leaves. Both the pictures had many holes in them, for the little barons
always set up the two old people as targets for their bows and arrows;
and yet these were pictures of the magistrate and his lady, from whom
the present family were descended. "But they did not properly belong to
our family," said one of the little barons; "he was a peddler, and she
kept the geese. They were not like papa and mamma." So the pictures,
being old, were considered worthless; and the motto being "Each in its
right place," the great-grandfather and the great-grandmother of the
family were sent into the passage leading to the servants' hall.

The son of the clergyman of the place was tutor at the great house. One
day he was out walking with his pupils--the little barons--and their
eldest sister, who had just been confirmed. They took the path through
the fields, which led past the old willow tree. While they walked, the
young lady made a wreath of hedge blossoms and wild flowers, "each in
its right place," and the wreath was, as a whole, very pretty. At the
same time she heard every word uttered by the son of the clergyman. She
liked very much to hear him talk of the wonders of nature and of the
great men and women of history. She had a healthy mind, with nobility
of thought and feeling, and a heart full of love for all God's creation.

The walking party halted at the old willow tree; the youngest of the
barons wanted a branch from it to make a flute, as he had already made
them from other willows. The tutor broke off a branch. "Oh, don't do
that," exclaimed the young baroness; but it was already done. "I am so
sorry," she continued; "that is our famous old tree, and I love it very
much. They laugh at me for it at home, but I don't mind. There is a
story told about that tree."

Then she told him what we already know: about the old castle, and about
the peddler and the girl with the geese, who had met at this spot for
the first time and were the ancestors of the noble family to which the
young baroness belonged. "The good old folks would not be ennobled,"
said she. "Their motto was 'Everything in its right place,' and they
thought it would not be right for them to purchase a title with money.
My grandfather, the first baron, was their son. He was a very learned
man, known and appreciated by princes and princesses, and was present at
all the festivals at court. At home, they all love him best, but I
scarcely know why. There seems to me something in the first old pair
that draws my heart towards them. How sociable, how patriarchal, it must
have been in the old house, where the mistress sat at the spinning wheel
with her maids while her husband read aloud to them from the Bible!"

"They must have been charming, sensible people," said the tutor, and
then the conversation turned upon nobles and commoners. It was almost as
if the tutor did not belong to an inferior class, he spoke so wisely
upon the purpose and intention of nobility.

"It is certainly good fortune to belong to a family that has
distinguished itself in the world, and to inherit the energy which spurs
us on to progress in everything noble and useful. It is pleasant to bear
a family name that is like a card of admission to the highest circles.
True nobility is always great and honorable. It is a coin which has
received the impression of its own value. It is a mistake of the present
day, into which many poets have fallen, to affirm that all who are
noble by birth must therefore be wicked or foolish, and that the lower
we descend in society the oftener we find great and shining characters.
I feel that this is quite false. In all classes can be found men and
women possessing kindly and beautiful traits.

"My mother told me of one, and I could tell you of many more. She was
once on a visit to a nobleman's house in the town; my grandmother, I
believe, had been brought up in the family. One day, when my mother and
the nobleman happened to be alone, an old woman came limping into the
court on crutches. She was accustomed to come every Sunday and always
carried away a gift with her. 'Ah, there is the poor old woman,' said
the nobleman; 'what pain it is for her to walk!' And before my mother
understood what he said, he had left the room and run downstairs to the
old woman. Though seventy years old himself, the old nobleman carried to
the woman the gift she had come to receive, to spare her the pain of
walking any farther. This is only a trifling circumstance, but, like the
two mites given by the widow in the Bible, it wakes an echo in the
heart.

"These are subjects of which poets should write and sing, for they
soften and unite mankind into one brotherhood. But when a mere sprig of
humanity, because it has noble ancestors of good blood, rears up and
prances like an Arabian horse in the street or speaks contemptuously of
common people, then it is nobility in danger of decay--a mere pretense,
like the mask which Thespis invented. People are glad to see such
persons turned into objects of satire."

This was the tutor's speech--certainly rather a long one, but he had
been busily engaged in cutting the flute while he talked.

There was a large party at the Hall that evening. The grand salon was
crowded with guests--some from the neighborhood, some from the capital.
There was a bevy of ladies richly dressed with, and without, taste; a
group of the clergy from the adjoining parishes, in a corner together,
as grave as though met for a funeral. A funeral party it certainly was
not, however; it was meant for a party of pleasure, but the pleasure was
yet to come. Music and song filled the rooms, first one of the party
volunteering, then another. The little baron brought out his flute, but
neither he nor his father, who tried it after him, could make anything
of it. It was pronounced a failure.

"But you are a performer, too, surely," said a witty gentleman,
addressing the tutor. "You are of course a flute player as well as a
flute maker. You are a universal genius, I hear, and genius is quite the
rage nowadays--nothing like genius. Come now; I am sure you will be so
good as to enchant us by playing on this little instrument." He handed
it over, announcing in a loud voice that the tutor was going to favor
the company with a solo on the flute.

It was easy to see that these people wanted to make fun of him, and he
refused to play. But they pressed him so long and so urgently that at
last, in very weariness, he took the flute and raised it to his lips.

It was a strange flute! A sound issued from it, loud, shrill, and
vibrating, like that sent forth by a steam engine--nay, far louder. It
thrilled through the house, through garden and woodland, miles out into
the country; and with the sound came also a strong, rushing wind, its
stormy breath clearly uttering the words, "Everything in its right
place!"

Forthwith the baron, the master of the Hall, was caught up by the wind,
carried out at the window, and was shut up in the porter's lodge in a
trice. The porter himself was borne up, not into the drawing room--no,
for that he was not fit--but into the servants' hall, where the proud
lackeys in their silk stockings shook with horror to see so low a person
sit at table with them.

But in the grand salon the young baroness was wafted to the seat of
honor, where she was worthy to sit, and the tutor's place was by her
side. There they sat together, for all the world like bride and
bridegroom. An old count, descended from one of the noblest houses in
the land, retained his seat, not so much as a breath of air disturbing
him, for the flute was strictly just. The witty young gentleman, who had
been the occasion of all this tumult, was whirled out headforemost to
join geese and ganders in the poultry yard.

Half a mile out in the country the flute wrought wonders. The family of
a rich merchant, who drove with four horses, were all precipitated from
the carriage window. Two farmers, who had of late grown too wealthy to
know their nearest relations, were puffed into a ditch. It was a
dangerous flute. Luckily, at the first sound it uttered, it burst and
was then put safely away in the tutor's pocket. "Everything in its right
place!"

Next day no more was said about the adventure than as if it had never
happened. The affair was hushed up, and all things were the same as
before, except that the two old portraits of the peddler and the goose
girl continued to hang on the walls of the salon, whither the wind had
blown them. Here some connoisseur chanced to see them, and because he
pronounced them to be painted by a master hand, they were cleaned and
restored and ever after held in honor. Their value had not been known
before.

"Everything in its right place!" So shall it be, all in good time, never
fear. Not in this world, perhaps. That would be expecting rather too
much.




[Illustration]




THE REAL PRINCESS


THERE was once a prince who wanted to marry a princess. But she must be
a real princess, mind you. So he traveled all round the world, seeking
such a one, but everywhere something was in the way. Not that there was
any lack of princesses, but he could not seem to make out whether they
were real princesses; there was always something not quite satisfactory.
Therefore, home he came again, quite out of spirits, for he wished so
much to marry a real princess.

One evening a terrible storm came on. It thundered and lightened, and
the rain poured down; indeed, it was quite fearful. In the midst of it
there came a knock at the town gate, and the old king went out to open
it.

It was a princess who stood outside. But O dear, what a state she was in
from the rain and bad weather! The water dropped from her hair and
clothes, it ran in at the tips of her shoes and out at the heels; yet
she insisted she was a real princess.

"Very well," thought the old queen; "that we shall presently see." She
said nothing, but went into the bedchamber and took off all the bedding,
then laid a pea on the sacking of the bedstead. Having done this, she
took twenty mattresses and laid them upon the pea and placed twenty
eider-down beds on top of the mattresses.

The princess lay upon this bed all the night. In the morning she was
asked how she had slept.

"Oh, most miserably!" she said. "I scarcely closed my eyes the whole
night through. I cannot think what there could have been in the bed. I
lay upon something so hard that I am quite black and blue all over. It
is dreadful!"

It was now quite evident that she was a real princess, since through
twenty mattresses and twenty eider-down beds she had felt the pea. None
but a real princess could have such delicate feeling.

So the prince took her for his wife, for he knew that in her he had
found a true princess. And the pea was preserved in the cabinet of
curiosities, where it is still to be seen unless some one has stolen it.

And this, mind you, is a real story.




[Illustration]




THE EMPEROR'S NEW CLOTHES


MANY years ago there was an emperor who was so fond of new clothes that
he spent all his money on them. He did not give himself any concern
about his army; he cared nothing about the theater or for driving about
in the woods, except for the sake of showing himself off in new clothes.
He had a costume for every hour in the day, and just as they say of a
king or emperor, "He is in his council chamber," they said of him, "The
emperor is in his dressing room."

Life was merry and gay in the town where the emperor lived, and numbers
of strangers came to it every day. Among them there came one day two
rascals, who gave themselves out as weavers and said that they knew how
to weave the most exquisite stuff imaginable. Not only were the colors
and patterns uncommonly beautiful, but the clothes that were made of the
stuff had the peculiar property of becoming invisible to every person
who was unfit for the office he held or who was exceptionally stupid.

"Those must be valuable clothes," thought the emperor. "By wearing them
I should be able to discover which of the men in my empire are not fit
for their posts. I should distinguish wise men from fools. Yes, I must
order some of the stuff to be woven for me directly." And he paid the
swindlers a handsome sum of money in advance, as they required.

As for them, they put up two looms and pretended to be weaving, though
there was nothing whatever on their shuttles. They called for a quantity
of the finest silks and of the purest gold thread, all of which went
into their own bags, while they worked at their empty looms till late
into the night.

"I should like to know how those weavers are getting on with the stuff,"
thought the emperor. But he felt a little queer when he reflected that
those who were stupid or unfit for their office would not be able to see
the material. He believed, indeed, that he had nothing to fear for
himself, but still he thought it better to send some one else first, to
see how the work was coming on. All the people in the town had heard of
the peculiar property of the stuff, and every one was curious to see how
stupid his neighbor might be.

"I will send my faithful old prime minister to the weavers," thought the
emperor. "He will be best capable of judging of this stuff, for he is a
man of sense and nobody is more fit for his office than he."

So the worthy old minister went into the room where the two swindlers
sat working the empty looms. "Heaven save us!" thought the old man,
opening his eyes wide. "Why, I can't see anything at all!" But he took
care not to say so aloud.

Both the rogues begged him to step a little nearer and asked him if he
did not think the patterns very pretty and the coloring fine. They
pointed to the empty loom as they did so, and the poor old minister
kept staring as hard as he could--but without being able to see anything
on it, for of course there was nothing there to see.

"Heaven save us!" thought the old man. "Is it possible that I am a fool?
I have never thought it, and nobody must know it. Is it true that I am
not fit for my office? It will never do for me to say that I cannot see
the stuffs."

"Well, sir, do you say nothing about the cloth?" asked the one who was
pretending to go on with his work.

"Oh, it is most elegant, most beautiful!" said the dazed old man, as he
peered again through his spectacles. "What a fine pattern, and what fine
colors! I will certainly tell the emperor how pleased I am with the
stuff."

"We are glad of that," said both the weavers; and then they named the
colors and pointed out the special features of the pattern. To all of
this the minister paid great attention, so that he might be able to
repeat it to the emperor when he went back to him.

And now the cheats called for more money, more silk, and more gold
thread, to be able to proceed with the weaving, but they put it all
into their own pockets, and not a thread went into the stuff, though
they went on as before, weaving at the empty looms.

After a little time the emperor sent another honest statesman to see how
the weaving was progressing, and if the stuff would soon be ready. The
same thing happened with him as with the minister. He gazed and gazed,
but as there was nothing but empty looms, he could see nothing else.

"Is not this an exquisite piece of stuff?" asked the weavers, pointing
to one of the looms and explaining the beautiful pattern and the colors
which were not there to be seen.

"I am not stupid, I know I am not!" thought the man, "so it must be that
I am not fit for my good office. It is very strange, but I must not let
it be noticed." So he praised the cloth he did not see and assured the
weavers of his delight in the lovely colors and the exquisite pattern.
"It is perfectly charming," he reported to the emperor.

Everybody in the town was talking of the splendid cloth. The emperor
thought he should like to see it himself while it was still on the
loom. With a company of carefully selected men, among whom were the two
worthy officials who had been there before, he went to visit the crafty
impostors, who were working as hard as ever at the empty looms.

"Is it not magnificent?" said both the honest statesmen. "See, your
Majesty, what splendid colors, and what a pattern!" And they pointed to
the looms, for they believed that others, no doubt, could see what they
did not.

"What!" thought the emperor. "I see nothing at all. This is terrible! Am
I a fool? Am I not fit to be emperor? Why nothing more dreadful could
happen to me!"

"Oh, it is very pretty! it has my highest approval," the emperor said
aloud. He nodded with satisfaction as he gazed at the empty looms, for
he would not betray that he could see nothing.

His whole suite gazed and gazed, each seeing no more than the others;
but, like the emperor, they all exclaimed, "Oh, it is beautiful!" They
even suggested to the emperor that he wear the splendid new clothes for
the first time on the occasion of a great procession which was soon to
take place.

"Splendid! Gorgeous! Magnificent!" went from mouth to mouth. All were
equally delighted with the weavers' workmanship. The emperor gave each
of the impostors an order of knighthood to be worn in their buttonholes,
and the title Gentleman Weaver of the Imperial Court.

Before the day on which the procession was to take place, the weavers
sat up the whole night, burning sixteen candles, so that people might
see how anxious they were to get the emperor's new clothes ready. They
pretended to take the stuff from the loom, they cut it out in the air
with huge scissors, and they stitched away with needles which had no
thread in them. At last they said, "Now the clothes are finished."

The emperor came to them himself with his grandest courtiers, and each
of the rogues lifted his arm as if he held something, saying, "See! here
are the trousers! here is the coat! here is the cloak," and so on. "It
is as light as a spider's web. One would almost feel as if one had
nothing on, but that is the beauty of it!"

"Yes," said all the courtiers, but they saw nothing, for there was
nothing to see.

"Will your Majesty be graciously pleased to take off your clothes so
that we may put on the new clothes here, before the great mirror?"

The emperor took off his clothes, and the rogues pretended to put on
first one garment and then another of the new ones they had pretended to
make. They pretended to fasten something round his waist and to tie on
something. This they said was the train, and the emperor turned round
and round before the mirror.

"How well his Majesty looks in the new clothes! How becoming they are!"
cried all the courtiers in turn. "That is a splendid costume!"

"The canopy that is to be carried over your Majesty in the procession is
waiting outside," said the master of ceremonies.

"Well, I am ready," replied the emperor. "Don't the clothes look well?"
and he turned round and round again before the mirror, to appear as if
he were admiring his new costume.

The chamberlains, who were to carry the train, stooped and put their
hands near the floor as if they were lifting it; then they pretended to
be holding something in the air. They would not let it be noticed that
they could see and feel nothing.

So the emperor went along in the procession, under the splendid canopy,
and every one in the streets said: "How beautiful the emperor's new
clothes are! What a splendid train! And how well they fit!"

No one wanted to let it appear that he could see nothing, for that would
prove him not fit for his post. None of the emperor's clothes had been
so great a success before.

"But he has nothing on!" said a little child.

"Just listen to the innocent," said its father; and one person whispered
to another what the child had said. "He has nothing on; a child says he
has nothing on!"

"But he has nothing on," cried all the people. The emperor was startled
by this, for he had a suspicion that they were right. But he thought, "I
must face this out to the end and go on with the procession." So he held
himself more stiffly than ever, and the chamberlains held up the train
that was not there at all.




[Illustration]




GREAT CLAUS AND LITTLE CLAUS


IN A VILLAGE there once lived two men of the same name. Both of them
were called Claus. But because one of them owned four horses while the
other had but one, people called the one who had the four horses Big, or
Great, Claus and the one who owned but a single horse Little Claus. Now
I shall tell you what happened to each of them, for this is a true
story.

All the days of the week Little Claus was obliged to plow for Great
Claus and to lend him his one horse; then once a week, on Sunday, Great
Claus helped Little Claus with his four horses, but always on a holiday.

"Hurrah!" How Little Claus would crack his whip over the five, for they
were as good as his own on that one day.

The sun shone brightly, and the church bells rang merrily as the people
passed by. The people were dressed in their best, with their prayer
books under their arms, for they were going to church to hear the
clergyman preach. They looked at Little Claus plowing with five horses,
and he was so proud and merry that he cracked his whip and cried,
"Gee-up, my fine horses."

"You mustn't say that," said Great Claus, "for only one of them is
yours."

But Little Claus soon forgot what it was that he ought not to say, and
when any one went by he would call out, "Gee-up, my fine horses."

"I must really beg you not to say that again," said Great Claus as he
passed; "for if you do, I shall hit your horse on the head so that he
will drop down dead on the spot, and then it will be all over with him."

"I will certainly not say it again, I promise you," said Little Claus.
But as soon as any one came by, nodding good day to him, he was so
pleased, and felt so grand at having five horses plowing his field, that
again he cried out, "Gee-up, all my horses."

"I'll gee-up your horses for you," said Great Claus, and he caught up
the tethering mallet and struck Little Claus's one horse on the head, so
that it fell down dead.

"Oh, now I haven't any horse at all!" cried Little Claus, and he began
to weep. But after a while he flayed the horse and hung up the skin to
dry in the wind.

Then he put the dried skin into a bag, and hanging it over his shoulder,
went off to the next town to sell it. He had a very long way to go and
was obliged to pass through a great, gloomy wood. A dreadful storm came
up. He lost his way, and before he found it again, evening was drawing
on. It was too late to get to the town, and too late to get home before
nightfall.

Near the road stood a large farmhouse. The shutters outside the windows
were closed, but lights shone through the crevices and at the top. "They
might let me stay here for the night," thought Little Claus. So he went
up to the door and knocked. The door was opened by the farmer's wife,
but when he explained what it was that he wanted, she told him to go
away; her husband, she said, was not at home, and she could not let any
strangers in.

"Then I shall have to lie out here," said Little Claus to himself, as
the farmer's wife shut the door in his face.

Close to the farmhouse stood a tall haystack, and between it and the
house was a small shed with a thatched roof. "I can lie up there," said
Little Claus, when he saw the roof. "It will make a capital bed, but I
hope the stork won't fly down and bite my legs." A stork was just then
standing near his nest on the house roof.

So Little Claus climbed onto the roof of the shed and proceeded to make
himself comfortable. As he turned round to settle himself, he discovered
that the wooden shutters did not reach to the tops of the windows. He
could look over them straight into the room, in which a large table was
laid with wine, roast meat, and a fine, great fish. The farmer's wife
and the sexton were sitting at the table all by themselves, and she was
pouring out wine for him, while his fork was in the fish, which he
seemed to like the best.

"If I could only get some too," thought Little Claus, and as he
stretched his neck toward the window he spied a large, beautiful cake.
Goodness! what a glorious feast they had before them.

At that moment some one came riding down the road towards the farm. It
was the farmer himself, returning. He was a good man enough, but he had
one very singular prejudice--he could not bear the sight of a sexton,
and if he came on one he fell into a terrible rage. This was the reason
that the sexton had gone to visit the farmer's wife during his absence
from home and that the good wife had put before him the best she had.

When they heard the farmer they were frightened, and the woman begged
the sexton to creep into a large empty chest which stood in a corner. He
did so with all haste, for he well knew how the farmer felt toward a
sexton. The woman hid the wine and all the good things in the oven, for
if her husband were to see them, he would certainly ask why they had
been provided.

"O dear!" sighed Little Claus, on the shed roof, as he saw the good
things disappear.

"Is any one up there?" asked the farmer, looking up where Little Claus
was. "What are you doing up there? You had better come with me into the
house."

Then Little Claus told him how he had lost his way, and asked if he
might have shelter for the night.

"Certainly," replied the farmer; "but the first thing is to have
something to eat."

The wife received them both in a friendly way, and laid the table,
bringing to it a large bowl of porridge. The farmer was hungry and ate
with a good appetite. But Little Claus could not help thinking of the
capital roast meat, fish, and cake, which he knew were hidden in the
oven.

He had put his sack with the hide in it under the table by his feet,
for, we must remember, he was on his way to the town to sell it. He did
not relish the porridge, so he trod on the sack and made the dried skin
squeak quite loudly.

"Hush!" said Little Claus to his bag, at the same time treading upon it
again, to make it squeak much louder than before.

"Hollo! what's that you've got in your bag?" asked the farmer.

"Oh, it's a magician," said Little Claus, "and he says we needn't eat
the porridge, for he has charmed the oven full of roast meat, fish, and
cake."

"What?" cried the farmer, and he opened the oven with all speed and saw
all the nice things the woman had hidden, but which he believed the
magician had conjured up for their special benefit.

The farmer's wife did not say a word, but set the food before them; and
they both made a hearty meal of the fish, the meat, and the cake. Little
Claus now trod again upon his sack and made the skin squeak.

"What does he say now?" inquired the farmer.

"He says," promptly answered Little Claus, "that he has conjured up
three bottles of wine, which are standing in the corner near the stove."
So the woman was obliged to bring the wine which she had hidden, and the
farmer and Little Claus became right merry. Would not the farmer like to
have such a conjurer as Little Claus carried about in his sack?

"Can he conjure up the Evil One?" inquired the farmer. "I shouldn't mind
seeing him now, when I'm in such a merry mood."

"Yes," said Little Claus, "he will do anything that I please"; and he
trod on the bag till it squeaked. "You hear him answer, 'Yes, only the
Evil One is so ugly that you had better not see him.'"

"Oh, I'm not afraid. What will he look like?"

"Well, he will show himself to you in the image of a sexton."

"Nay, that's bad indeed. You must know that I can't abide a sexton.
However, it doesn't matter, for I know he's a demon, and I shan't mind
so much. Now my courage is up! Only he mustn't come too close."

"I'll ask him about it," said Little Claus, putting his ear down as he
trod close to the bag.

"What does he say?"

"He says you can go along and open the chest in the corner, and there
you'll see him cowering in the dark. But hold the lid tight, so that he
doesn't get out."

"Will you help me to hold the lid," asked the farmer, going along to the
chest in which his wife had hidden the sexton, who was shivering with
fright.

The farmer opened the lid a wee little way and peeped in. "Ha!" he
cried, springing backward. "I saw him, and he looks exactly like our
sexton. It was a shocking sight!"

They must needs drink after this, and there they sat till far into the
night.

"You must sell me your conjurer," said the farmer. "Ask anything you
like for him. Nay, I'll give you a bushel of money for him."

"No, I can't do that," said Little Claus. "You must remember how much
benefit I can get from such a conjurer."

"Oh, but I should so like to have him!" said the farmer, and he went on
begging for him.

"Well," said Little Claus at last, "since you have been so kind as to
give me a night's shelter, I won't say nay. You must give me a bushel of
money, only I must have it full to the brim."

"You shall have it," said the farmer; "but you must take that chest away
with you. I won't have it in the house an hour longer. You could never
know that he might not still be inside."

So Little Claus gave his sack with the dried hide of the horse in it and
received a full bushel of money in return, and the measure was full to
the brim. The farmer also gave him a large wheelbarrow, with which to
take away the chest and the bushel of money.

"Good-by," said Little Claus, and off he went with his money and the
chest with the sexton in it.

On the other side of the forest was a wide, deep river, whose current
was so strong that it was almost impossible to swim against it. A large,
new bridge had just been built over it, and when they came to the middle
of the bridge Little Claus said in a voice loud enough to be heard by
the sexton: "What shall I do with this stupid old chest? It might be
full of paving stones, it is so heavy. I am tired of wheeling it. I'll
just throw it into the river. If it floats down to my home, well and
good; if not, I don't care. It will be no great matter." And he took
hold of the chest and lifted it a little, as if he were going to throw
it into the river.

"No, no! let be!" shouted the sexton. "Let me get out."

"Ho!" said Little Claus, pretending to be frightened. "Why, he is still
inside. Then I must heave it into the river to drown him."

"Oh, no, no, no!" shouted the sexton; "I'll give you a whole bushelful
of money if you'll let me out."

"Oh, that's another matter," said Little Claus, opening the chest. He
pushed the empty chest into the river and then went home with the sexton
to get his bushelful of money. He had already had one from the farmer,
you know, so now his wheelbarrow was quite full of money.

"I got a pretty fair price for that horse, I must admit," said he to
himself, when he got home and turned the money out of the wheelbarrow
into a heap in the middle of the floor. "What a rage Great Claus will be
in when he discovers how rich I am become through my one horse. But I
won't tell him just how it happened." So he sent a boy to Great Claus to
borrow a bushel measure.

"What can he want with it?" thought Great Claus, and he rubbed some
tallow on the bottom so that some part of whatever was measured might
stick to it. And so it did, for when the measure came back, three new
silver threepenny bits were sticking to it.

"What's this!" said Great Claus, and he ran off at once to Little Claus.
"Where on earth did you get all this money?" he asked.

"Oh, that's for my horse's skin. I sold it yesterday morning."

"That was well paid for, indeed," said Great Claus. He ran home, took an
ax, and hit all his four horses on the head; then he flayed them and
carried their skins off to the town.

"Hides! hides! who'll buy my hides?" he cried through the streets.

All the shoemakers and tanners in the town came running up and asked him
how much he wanted for his hides.

"A bushel of money for each," said Great Claus.

"Are you mad?" they all said. "Do you think we have money by the
bushel?"

"Skins! skins! who'll buy them?" he shouted again, and the shoemakers
took up their straps, and the tanners their leather aprons, and began to
beat Great Claus.

"Hides! hides!" they called after him. "Yes, we'll hide you and tan you.
Out of the town with him," they shouted. And Great Claus made the best
haste he could to get out of the town, for he had never yet been
thrashed as he was being thrashed now.

"Little Claus shall pay for this," he said, when he got home. "I'll kill
him for it."

Little Claus's old grandmother had just died in his house. She had often
been harsh and unkind to him, but now that she was dead he felt quite
grieved. He took the dead woman and laid her in his warm bed to see if
she would not come to life again. He himself intended to sit in a corner
all night. He had slept that way before.

As he sat there in the night, the door opened and in came Great Claus
with his ax. He knew where Little Claus's bed stood, and he went
straight to it and hit the dead grandmother a blow on the forehead,
thinking it was Little Claus.

"Just see if you'll make a fool of me again," said he, and then he went
home.

"What a bad, wicked man he is!" said Little Claus. "He was going to kill
me. What a good thing that poor grandmother was dead already! He would
have taken her life."

He now dressed his grandmother in her best Sunday clothes, borrowed a
horse of his neighbor, harnessed it to a cart, and set his grandmother
on the back seat, so that she could not fall when the cart moved. Then
he started off through the woods. When the sun rose, he was just outside
a big inn, and he drew up his horse and went in to get something to eat.

The landlord was a very rich man and a very good man, but he was
hot-tempered, as if he were made of pepper and snuff. "Good morning!"
said he to Little Claus; "you have your best clothes on very early this
morning."

"Yes," said Little Claus, "I'm going to town with my old grandmother.
She's sitting out there in the cart; I can't get her to come in. Won't
you take her out a glass of beer? You'll have to shout at her, she's
very hard of hearing."

"Yes, that I'll do," said the host, and he poured a glass and went out
with it to the dead grandmother, who had been placed upright in the
cart.

"Here is a glass of beer your son has sent," said the landlord but she
sat quite still and said not a word.

"Don't you hear?" cried he as loud as he could. "Here is a glass of beer
from your son."

But the dead woman replied not a word, and at last he became quite angry
and threw the beer in her face--and at that moment she fell backwards
out of the cart, for she was only set upright and not bound fast.

"Now!" shouted Little Claus, as he rushed out of the inn and seized the
landlord by the neck, "you have killed my grandmother! Just look at the
big hole in her forehead!"

"Oh! what a misfortune!" cried the man, "and all because of my quick
temper. Good Little Claus, I will pay you a bushel of money, and I will
have your poor grandmother buried as if she were my own, if only you
will say nothing about it. Otherwise I shall have my head cut off--and
that is so dreadful."

So Little Claus again received a whole bushel of money, and the landlord
buried the old grandmother as if she had been his own.

When Little Claus got home again with all his money, he immediately sent
his boy to Great Claus to ask to borrow his bushel measure.

"What!" said Great Claus, "is he not dead? I must go and see about this
myself." So he took the measure over to Little Claus himself.

"I say, where did you get all that money?" asked he, his eyes big and
round with amazement at what he saw.

"It was grandmother you killed instead of me," said Little Claus. "I
have sold her and got a bushel of money for her."

"That's being well paid, indeed," said Great Claus, and he hurried home,
took an ax and killed his own old grandmother.

He then put her in a carriage and drove off to the town where the
apothecary lived, and asked him if he would buy a dead person.

"Who is it and where did you get him?" asked the apothecary.

"It is my grandmother, and I have killed her so as to sell her for a
bushel of money."

"Heaven preserve us!" cried the apothecary. "You talk like a madman.
Pray don't say such things, you may lose your head." And he told him
earnestly what a horribly wicked thing he had done, and that he deserved
punishment. Great Claus was so frightened that he rushed out of the
shop, jumped into his cart, whipped up his horse, and galloped home
through the wood. The apothecary and all the people who saw him thought
he was mad, and so they let him drive away.

"You shall be paid for this!" said Great Claus, when he got out on the
highroad. "You shall be paid for this, Little Claus!"

Directly after he got home, Great Claus took the biggest sack he could
find and went over to Little Claus.

"You have deceived me again," he said. "First I killed my horses, and
then my old grandmother. That is all your fault; but you shall never
have the chance to trick me again." And he seized Little Claus around
the body and thrust him into the sack; then he threw the sack over his
back, calling out to Little Claus, "Now I'm going to the river to drown
you."

It was a long way that he had to travel before he came to the river, and
Little Claus was not light to carry. The road came close to the church,
and the people within were singing beautifully. Great Claus put down his
sack, with Little Claus in it, at the church door. He thought it would
be a very good thing to go in and hear a psalm before he went further,
for Little Claus could not get out. So he went in.

"O dear! O dear!" moaned Little Claus in the sack, and he turned and
twisted, but found it impossible to loosen the cord. Then there came by
an old drover with snow-white hair and a great staff in his hand. He was
driving a whole herd of cows and oxen before him, and they jostled
against the sack in which Little Claus was confined, so that it was
upset.

"O dear," again sighed Little Claus, "I'm so young to be going directly
to the kingdom of heaven!"

"And I, poor fellow," said the drover, "am so old already, and cannot
get there yet."

"Open the sack," cried Little Claus, "and creep into it in my place, and
you'll be there directly."

"With all my heart," said the drover, and he untied the sack for Little
Claus, who crept out at once. "You must look out for the cattle now,"
said the old man, as he crept in. Then Little Claus tied it up and went
his way, driving the cows and the oxen.

In a little while Great Claus came out of the church. He took the sack
upon his shoulders and thought as he did so that it had certainly grown
lighter since he had put it down, for the old cattle-drover was not more
than half as heavy as Little Claus.

"How light he is to carry now! That must be because I have heard a psalm
in the church."

He went on to the river, which was both deep and broad, threw the sack
containing the old drover into the water, and called after him, thinking
it was Little Claus, "Now lie there! You won't trick me again!"

He turned to go home, but when he came to the place where there was a
crossroad he met Little Claus driving his cattle.

"What's this?" cried he. "Haven't I drowned you?"

"Yes," said Little Claus, "you threw me into the river, half an hour
ago."

"But where did you get all those fine cattle?" asked Great Claus.

"These beasts are sea cattle," said Little Claus, "and I thank you
heartily for drowning me, for now I'm at the top of the tree. I'm a very
rich man, I can tell you. But I was frightened when you threw me into
the water huddled up in the sack. I sank to the bottom immediately, but
I did not hurt myself, for the grass is beautifully soft down there. I
fell upon it, and the sack was opened, and the most beautiful maiden in
snow-white garments and a green wreath upon her hair took me by the
hand, and said to me, 'Have you come, Little Claus? Here are cattle for
you, and a mile further up the road there is another herd!'

"Then I saw that she meant the river and that it was the highway for the
sea folk. Down at the bottom of it they walk directly from the sea,
straight into the land where the river ends. Lovely flowers and
beautiful fresh grass were there. The fishes which swam there glided
about me like birds in the air. How nice the people were, and what fine
herds of cattle there were, pasturing on the mounds and about the
ditches!"

"But why did you come up so quickly then?" asked Great Claus. "I
shouldn't have done that if it was so fine down there."

"Why, that was just my cunning. You know, I told you that the mermaid
said there was a whole herd of cattle for me a mile further up the
stream. Well, you see, I know how the river bends this way and that, and
how long a distance it would have been to go that way. If you can come
up on the land and take the short cuts, driving across fields and down
to the river again, you save almost half a mile and get the cattle much
sooner."

"Oh, you are a fortunate man!" cried Great Claus. "Do you think I could
get some sea cattle if I were to go down to the bottom of the river?"

"I'm sure you would," said Little Claus. "But I cannot carry you. If you
will walk to the river and creep into a sack yourself, I will help you
into the water with a great deal of pleasure."

"Thanks!" said Great Claus. "But if I do not find sea cattle there, I
shall beat you soundly, you may be sure."

"Oh! do not be so hard on me."

And so they went together to the river. When the cows and oxen saw the
water, they ran to it as fast as they could. "See how they hurry!" cried
Little Claus. "They want to get back to the bottom again."

"Yes, but help me first or I'll thrash you," said Great Claus. He then
crept into a big sack, which had been lying across the back of one of
the cows. "Put a big stone in or I'm afraid I shan't sink."

"Oh, that'll be all right," said Little Claus, but he put a big stone
into the sack and gave it a push. Plump! and there lay Great Claus in
the river. He sank at once to the bottom.

"I'm afraid he won't find the cattle," said Little Claus. Then he drove
homeward with his herd.




NOTES


THE STORKS

          PAGE 29. On account of the ravages it makes among
          noxious animals, the stork is a privileged bird
          wherever it makes its home. In cities it is
          sometimes trained to act as scavenger. In Denmark,
          Holland, and Germany it is always a welcome guest.
          Boxes are placed upon roofs in the hope that nests
          may be made in them, for it is considered a sign
          of good fortune to have a stork's nest on one's
          roof.

          The stork is noted for its great affection for its
          young and especially for the care it is said to
          give to its parents in their old age. It has no
          song, and is in no sense a bird to love, though it
          may become quite tame.

          PAGE 37. The nurses in that country tell the
          children that the stork brings the little new
          babies.


THE WILD SWANS

          PAGE 56. _Fata Morgana_ (fä´ta môr gä´nä): a
          singular appearance, or phenomenon, similar to the
          mirage of the desert; images of objects distorted
          or multiplied into fanciful shapes. This
          phenomenon was so called because it was looked
          upon as the work of a fata, or fairy, called
          Morgana. The phenomenon has been remarked chiefly
          at the Strait of Messina, between Italy and
          Calabria.


WHAT THE GOODMAN DOES IS ALWAYS RIGHT

          PAGE 220. _in the country_: here means in Denmark.


THE SWINEHERD


          PAGE 263.    "Ah! thou dearest Augustine,
                                  All is gone, gone, gone."


THE METAL PIG

          PAGE 269. _piazza_ (pe ät´s[.a]): in Italy, a
          square, or open space, surrounded by buildings.

          PAGE 271. _Palazzo degli Uffizi_ (pä lät´s[=o]
          d[=a]l´y[=e] öf f[=e]t´se): one of the chief art
          galleries of the world. _Palazzo_ is the Italian
          word for "palace."

          PAGE 272. _Medici_ (m[)e]d´[+e] ch[=e]): the name
          of a Florentine family.

          PAGE 275. _Galileo_ is called the Father of Modern
          Science. He made a number of most important
          scientific discoveries. To him is attributed the
          saying in regard to the earth, when under trial
          for the supposed heresy of believing in its
          motion, "_It moves_, nevertheless."

          _Dante_ was the greatest of Italian poets.

          _Alfieri_ and _Machiavelli_ were authors.

          Opposite the grave of Galileo is the tomb of
          _Michelangelo_, on which stand his bust and three
          figures, representing sculpture, painting, and
          architecture. Close by is a monument to Dante,
          whose body is buried at Ravenna. On this monument
          Italy is represented as pointing to the colossal
          statue of Dante, while Poetry mourns his loss. A
          few steps farther on is Alfieri's monument, which
          is adorned with laurel, the lyre, and dramatic
          masks; Italy weeps over his grave. Machiavelli is
          the last in this group of celebrated men.


EVERYTHING IN ITS RIGHT PLACE

          PAGE 329. _Thespis_: a dramatic writer of the
          sixth century. He is called the Father of the
          Greek Drama.

       *       *       *       *       *

Transcriber's Notes:

Diactritical symbols are rendered thus:

          [)x]  breve above
          [=x]  macron above
          [.x]  dot above
          [+x]  tack above

Obvious punctuation errors repaired.

Page 26, "sushine" changed to "sunshine" (warm sunshine, while)







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