The Project Gutenberg eBook of The Middle English Poem, Erthe Upon Erthe This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The Middle English Poem, Erthe Upon Erthe Editor: Hilda M. R. Murray Release date: September 20, 2010 [eBook #33768] Most recently updated: January 7, 2021 Language: English Credits: Produced by Louise Hope, Charlene Taylor, JackMcJiggins, David Garcia and the Online Distributed Proofreading Team at https://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK THE MIDDLE ENGLISH POEM, ERTHE UPON ERTHE *** Produced by Louise Hope, Charlene Taylor, JackMcJiggins, David Garcia and the Online Distributed Proofreading Team at https://www.pgdp.net [Transcriber's Note: This text is intended for users whose text readers cannot use the "real" (Unicode/UTF-8) version of the file. Characters that could not be fully displayed have been "unpacked" and shown in brackets: [Gh] [gh] (yogh: very common) [&] (Tironian ampersand) êîôû (long vowels, printed with macron; "true" circumflex does not occur) Other diacritics (rare) as shown as [~e] (e-tilde) and similar. Mid-word italics representing expanded abbreviations are shown in {braces}. Whole-word italics are shown conventionally with _lines_. Braces are also used with ^ (caret) for mid-word superscripting (rare); superscripts that continue to the end of the word use ^ alone. Boldface is shown with #marks#. Text in [[double brackets]] was added by the transcriber. Except for footnotes and the unpacked characters listed above, single brackets are in the original. The pointing-finger symbol is shown as -->. The combinations m~, n~ and d~ represent letters with a decorative curl. In the editorial material, some text formatting has been simplified or omitted to reduce visual clutter: --Footnotes were italicized, with emphatic words in Roman (non-italic) type; this has been "toggled" to plain type with italic emphasis. --Glossary entries were shown in #boldface#, as were all references to "#A# version" and "#B# version". --In the Glossary, page-and-line references in the form "15.33" gave the line number in smaller type. The author's father was James Murray of the Oxford English Dictionary.] Erthe upon Erthe EARLY ENGLISH TEXT SOCIETY Original Series, No. 141 1911 (reprinted 1964) Price 30_s._ [Illustration: BRITISH MUSEUM, MS. HARL. 2253. c. 1307. fol. 57 v. (_slightly reduced_)] Early English Text Society. Original Series. The Middle English Poem, ERTHE UPON ERTHE, Printed From Twenty-Four Manuscripts, Edited, with Introduction, Notes, and Glossary, by HILDA M. R. MURRAY _Published for_ THE EARLY ENGLISH TEXT SOCIETY _by the_ OXFORD UNIVERSITY PRESS LONDON NEW YORK TORONTO First Published 1911 Reprinted 1964 Original Series, No. 141 Reprinted Lithographically in Great Britain at the University Press, Oxford by Vivian Ridler Printer to the University To my Father QUEM QUAMVIS LONGISSIMO INTERVALLO SEQUI TAMEN CONOR. CONTENTS PAGE INTRODUCTION: The two Versions of the Poem 'Erthe upon Erthe' ix Descriptive List of MSS. of the Poem x The A Version xiv The B Version xvi The Cambridge Text xxv Origin and Growth of the Poem xxix Later Versions of the Poem xxxv Literary Interest xxxviii Editor's Note xli THE #A# VERSION: 1. MS. Harleian 2253 1 2. MS. Harleian 913 1 THE #B# VERSION: 1. William Billyng's MS 5 2. MS. Thornton 6 3. MS. Selden supra 53 7 4. MS. Egerton 1995 8 5. MS. Harleian 1671 9 6. MS. Brighton 10 7. The Stratford-on-Avon Inscription 11 8. MS. Rawlinson C. 307 12 9. MS. Harleian 4486 13 10. MS. Lambeth 853 14 11. MS. Laud Miscellaneous 23 16 12. MS. Cotton Titus A. xxvi 19 13. MS. Rawlinson Poetical 32 20 14. MS. Porkington 10 24 15. MS. Balliol 354 27 16. MS. Harleian 984 29 17. The Maitland MS. 30 18. John Reidpeth's MS. 31 THE CAMBRIDGE TEXT 32 NOTES AND ANALOGUES 35 APPENDIX: I. 'Erthe' Poem in Latin, French, and English (Record Office Roll, Ex^r. K. R. Proceedings, Bdle. 1, and MS. British Museum Additional 25478) 41 II. (B Version) additions: 19. MS. Trinity College Cambridge R. 3. 21 47 20. MS. Trinity College Cambridge B. 15. 39 48 GLOSSARY 50 INTRODUCTION THE TWO VERSIONS OF THE POEM 'ERTHE UPON ERTHE'. The Middle English poem of _Erthe upon Erthe_ is one which occurs fairly frequently in fifteenth-century MSS. and even later. It was a favourite theme for Commonplace Books, and was frequently inserted on the spare leaves at the beginning or end of a manuscript. From the many texts of the poem which have survived, and from the fact that portions of it continued to be inscribed on walls and tombstones up to the beginning of the nineteenth century, a wide popularity may be deduced. The extant versions, moreover, point to a knowledge of the poem throughout the greater part of England, as well as in the south of Scotland. The grimness of the motive, based on the words _Memento homo quod cinis es et in cinerem reverteris_, allies the text both with the earlier group of poems relating to _The Soul and the Body_, and with the more or less contemporary _Dance of Death_, but whereas the two latter groups can claim a popularity which extended over western Europe, _Erthe upon Erthe_ exists only in Middle English texts, and in one parallel Latin version.[1] It is, indeed, difficult to see how the play upon the word _earth_ on which the poem depends could have been reproduced with equal success in any language outside English, and the Latin version is distinctly inferior in this respect. There would seem, therefore, to be good reason for the assumption that _Erthe upon Erthe_ is of English origin, belonging to the same class of literature as the English versions of the _Soul and Body_ poems. The earliest texts of the poem known to be extant are found in MSS. Harleian 2253 and 913, both dated about the beginning of the fourteenth century. The two texts vary greatly in length--MS. Harl. 2253 consists of four lines as against seven six-lined stanzas in MS. Harl. 913--and the latter text has the parallel Latin rendering mentioned above, but they coincide so far as they go, and appear to represent a thirteenth or fourteenth-century type of the poem, which may be called the A version.[2] Another poem of the same kind, which differs considerably from the A version, but is, in all probability, closely connected with it in origin, is common in fifteenth-century MSS. I have traced eighteen texts of this version, dating from the fifteenth to the seventeenth century, all of which represent or are based upon the same common type, though individual transcribers appear to have expanded the theme according to their own taste. Such additions may easily be distinguished, since they seldom succeed in maintaining either the grim simplicity, or the fundamental play upon the word _earth_, which characterize the genuine portions of the poem. This common fifteenth-century type may be called the B version. Lastly, a single fifteenth-century MS. (Cambridge University Library, Ii, 4. 9) has preserved a text of the poem in which some attempt seems to have been made to combine the A with the B version. This text may be called the C version, or Cambridge text. In the following pages an attempt has been made to justify the premises in part laid down already, and to show that the A and B versions may be traced back to a common source, and that this source was not only confined to England, but was itself English. MSS. OF THE POEM 'ERTHE UPON ERTHE'. The following is a list of the manuscripts in which the poem occurs:-- MSS. of the A Version: 1. MS. Harl. 2253, fol. 57, v^o, dated c. 1307. Four lines inserted between a French poem on the Death of Simon de Montfort, and an English poem on the Execution of Simon Fraser. Printed by J. Ritson, _Ancient Songs and Ballads from the Reign of K. Henry II to the Revolution_, p. 13 (1790), by E. Flügel, _Anglia_, xxvi. 216 (1903), and by W. Heuser, _Die Kildare-Gedichte_ (_Bonner Beiträge zur Anglistik_, xiv. 179) (1904). (See the facsimile opposite the title-page.) 2. MS. Harl. 913, fol. 62, r^o (c. 1308-1330). Seven six-lined English stanzas alternating with seven of the same purport in Latin. Printed by T. Wright, _Reliquiae Antiquae_, ii. 216 (1841), by F. J. Furnivall, _Early Eng. Poems and Lives of Saints_, p. 150 (printed for the Philological Society, Berlin, 1862), and by W. Heuser, _ibid._, p. 180. MSS. of the B Version: 1. William Billyng's MS. (dated 1400-1430). Five four-lined stanzas, preceded by the figure of a naked body, rudely drawn, having a mattock in its right hand, and a spade at its feet. At the end of the poem is a prone figure of a skeleton accompanied by two draped figures.[3] Printed by W. Bateman, _Billyng's Five Wounds of Christ_, no. 3 (Manchester, 1814),[4] 'from a finely written and illuminated parchment roll, about two and three-quarter yards in length: it is without date, but by comparing it with other poetry, it appears to have been written early in the fifteenth century; the illuminations and ornaments with which it is decorated correspond to those of missals written about the reign of Henry V; the style may therefore fix its date between the years 1400 and 1430. The author[5] gives his name and mark at the bottom of the roll.' Reprinted from Bateman's text by J. Montgomery, _The Christian Poet_, edit. 1 and 2, p. 45 (1827), edit. 3, p. 58 (1828). 2. MS. Thornton (Lincoln Cath. Libr.), fol. 279 (c. 1440). Five stanzas[6] without mark of strophic division. Printed by G. G. Perry, _Religious Poems in Prose and Verse_, p. 95 (E.E.T.S., No. xxvi, 1867, reprinted 1889, p. 96), and by C. Horstmann, _Yorkshire Writers (Richard Rolle of Hampole)_, i. 373 (1895). 3. MS. Selden supra 53, fol. 159, v^o (c. 1450). Six stanzas (strophic division indicated in the first two), written in a different hand on the back of a spare leaf at the end of the MS.; stanza 5 of the usual B version omitted. Quoted by H. G. Fiedler, _Modern Language Review_ (April 1908), III. iii. 221. Not printed before. 4. MS. Egerton 1995, fol. 55, r^o (William Gregory's Commonplace Book, dated c. 1430-1450, cf. J. Gairdner, _Collections of a London Citizen_. Camden. Soc. 1876 n.s. xvii). Seven stanzas without strophic division. Not printed before. 5. MS. Harl. 1671, fol. 1*, r^o (fifteenth century). Seven stanzas written in the left-hand column on the fly-leaf at the beginning of the MS., which consists of a 'large Theological Treatise, imperfect at both ends, which seemeth to have been entituled "The Weye to Paradys"'.[7] The upper portion of the leaf contains a poem in praise of St. Herasmius. Not printed before. 6. MS. Brighton, fol. 90, v^o (fifteenth century). Seven stanzas. Printed by Fiedler, _M. L. R._ III. iii. 219, from the last leaf of a MS. formerly seen by him in possession of an antiquary at Brighton, and containing a Latin treatise on the seven Sacraments. 7. Stratford-on-Avon Inscription (after 1450). Seven stanzas, formerly on the west wall of the nave in the Chapel of the Trinity at Stratford-on-Avon, cf. R. B. Wheler, _Hist. and Antiq. of Stratford-on-Avon_, p. 98: 'against the west wall of the nave, upon the south side of the arch was painted the martyrdom of Thomas à Becket, whilst kneeling at the altar of St. Benedict in Canterbury Cathedral; below this was represented the figure of an angel (probably St. Michael) supporting a long scroll, upon which were written the following rude verses: Erth oute of erthe,' &c. 'Beneath were two men, holding another scroll over a body wrapt in a winding sheet, and covered with some emblems of mortality with these lines: Whosoo hym be thowghte,' &c. (v. Note on p. 36). These paintings were probably added in the reign of Henry VII, when the Chapel was restored by Sir Hugh Clopton (died 1496), who built New Place opposite the Chapel in 1483. They were discovered in 1804 beneath a coating of whitewash, and were copied and engraved, but have since been more than once re-coated with whitewash, and all trace of the poem has now disappeared. Facsimiles, etched and coloured by hand, exist in Thomas Fisher's _Series of Ancient Allegorical, Historical, and Legendary Paintings in fresco, discovered on the walls of the Chapel of the Trinity, belonging to the Gild of the Holy Cross, at Stratford-on-Avon, in Warwickshire, from drawings made at the time of their discovery_ (1807). Printed by R. B. Wheler, _ibid._ (1806), by Longfellow, _Outre-Mer_ (_Père-La-Chaise_, note on p. 67), 1851, and by W. P. Reeves, _Mod. Lang. Notes_, IX. iv. 203 (April 1894). 8. MS. Rawlinson C. 307, fol. 2, r^o (after 1458). Eight stanzas, of which three are peculiar to this MS., and are of a more distinctly Northern dialect than the remainder. The poem is the only English text in a MS. containing Latin prose and verse. Two Latin poems in the same hand as _Erthe upon Erthe_ refer to the death of Gilbert Pynchbeck at York in 1458, which would fix the date c. 1460, or later. The three independent stanzas were printed by Fiedler, _ibid._ p. 221. 9. [8]MS. Harl. 4486, fol. 146, r^o (fifteenth century). Eight stanzas added on the last leaf but one of a copy of _Le Livre de Sydrac_, immediately after the colophon. The last two leaves and the cover of the MS. contain various scribblings in fifteenth-century hands, chiefly of Latin aphorisms and rimes. Folio 147, v^o, contains the signature of Tho. Baker, who may possibly have transcribed the English poem. Not printed before. 10. MS. Lambeth 853, fol. 35 (c. 1430-1450). Twelve stanzas. Printed by F. J. Furnivall, _Hymns to the Virgin and Christ_, p. 88 (E.E.T.S. 1867, No. xxiv, reprinted 1895). 11. MS. Laud Misc. 23, fol. 111, v^o (before 1450). Twelve stanzas, varying very slightly from MS. Lambeth. Not printed before. 12. MS. Cotton Titus A xxvi, fol. 153, r^o (fifteenth century). Six four-lined stanzas, apparently the beginning of a transcript of MS. Lambeth. Not printed before. 13. MS. Rawlinson Poetic. 32, v^o (after 1450). Thirty-two stanzas, each of four short lines, corresponding to half the normal stanza; stanzas 17 to 30 are peculiar to this MS. The greater part printed by Fiedler, _ibid._ p. 222. 14. MS. Porkington 10, fol. 79, v^o (fifteenth century). Twelve six-lined stanzas, of which stanzas 7 to 11 are peculiar to this MS. Printed by Halliwell, _Early Eng. Misc. in Prose and Verse, selected from an inedited MS. of the 15th cent._, p. 39 (Warton Club, 1855), and by Fiedler, ibid. p. 225. 15. MS. Balliol 354, fol. 207, v^o (Richard Hill's Commonplace Book, dated before 1504). Sixteen stanzas, of which stanzas 6 to 14 introduce an independent digression on the Nine Worthies. Printed by Flügel, _Anglia_, xxvi. 94 (1903), and by Roman Dyboski, _Songs, Carols, and Other Misc. Poems_, p. 90 (E.E.T.S. 1907, extra ser. ci). 16. MS. Harl. 984, fol. 72, r^o (sixteenth century). The preceding leaf of the MS. has been torn out, leaving only two lines of what may be assumed to be verse 6, and the whole of verse 7, which occur with other fragments on the last leaf but one. 17. The Maitland MS. Pepysian Library, Magd. Coll. Cambr., MS. 2553, p. 338 (c. 1555-1585). Seven stanzas in the Lowland Scots dialect, with the ascription 'quod Marsar'. Thomas Pinkerton published portions of the MS. in his _Ancient Scottish Poems never before in print . . . from the MS. Collections of Sir Richard Maitland_ (London, 1786), but omitted _Eird upon Eird_. Not printed before. 18. The Reidpeth MS. Cambridge Univ. Libr. Ll. 5. 10, fol. 43, v^o, copied 1622-1623 'a me Joanne Reidpeth'. Seven stanzas, probably transcribed from the Maitland MS., but concluding 'quod Dumbar'. Not printed before. MS. of the C Version: The Cambridge Text. Cambr. Univ. Libr. Ii. 4. 9, fol. 67, r^o (fifteenth century). Eighty-two lines comprising twenty-two or twenty-three stanzas. The text is followed by a coloured picture of a young knight, standing on a hill with a skeleton below. A scroll proceeding from the knight has the words: _Festina tempus et memento finis_, while one proceeding from the skeleton runs: _In omni opere memorare nouissima et in eternum non peccabis_. Printed by Heuser, _Kildare-Gedichte_, p. 213. THE #A# VERSION. The A version exists in two forms, one a short popular stanza of four lines (MS. Harl. 2253), apparently of the nature of a riddle, the other a longer poem of seven English and seven Latin stanzas (MS. Harl. 913), each English verse being followed by its Latin equivalent. The metrical form of the Latin verses is one often used in Latin poems of the twelfth and thirteenth centuries, a six-lined stanza, rimed _aaaabb_, with the rhythm of the well-known _méum ést propósitúm_ | _ín tabérna móri._ The English verses are also in the form of a six-lined stanza _aaaabb_, but the first four lines have the same loose four-stress rhythm as the lines in MS. Harl. 2253, and the concluding couplet is on the principle of the septenarius. Both the English and the Latin lines rime at the caesura as well as at the end of the line, but this is less uniformly the rule in the English verses. There is close verbal connexion between the four lines in MS. Harl. 2253, and the opening lines of the longer poem, as will appear from a comparison of the two:-- _MS. Harl._ 2253. Erþe toc of erþe erþe wyþ woh erþe oþer erþe to þe erþe droh erþe leyde erþe in erþene þroh þo heuede erþe of erþe erþe ynoh _MS. Harl._ 913. whan erþ haþ erþ . iwonne wiþ wow þan erþ mai of erþ . nim hir inow erþ vp erþ . falliþ fol frow erþ toward erþ . delful him drow. of erþ þou were makid . _and_ mon þou art ilich in on erþ awaked . þe pore _and_ þe riche. The connexion between these two versions might be explained in two ways. The short version of MS. Harl. 2253 may be the beginning of a transcript of the longer poem in which the scribe broke off because his memory failed him, or because he was only acquainted with a popular version of the opening lines. On the other hand, the short version may be the older, and the more learned composer of the poem in MS. Harl. 913 may have been elaborating this and other such riddling stanzas current at the time. But any attempt to decide between these two possibilities must necessarily depend upon the conclusion formed as to the relation of the Latin stanzas in MS. Harl. 913 to their English equivalents, and this question will be more conveniently discussed in connexion with the general origin of the _Erthe upon Erthe_ poems. As regards the date of the two MSS., MS. Harl. 2253 is generally ascribed to the beginning of the fourteenth century, and the Kildare MS. (MS. Harl. 913) is dated c. 1308 by Crofton Croker, c. 1308 to 1330 by Heuser, while Paul Meyer is of opinion that it may belong to an earlier period still. The dialect of both poems is South Midland, probably of the western part of the district. MS. Harl. 2253, which is commonly associated with Leominster, has _heuede_ (4). MS. Harl. 913 has _lutil_, _schrud_, _muntid_, _heo_, _mon_, _lond_, and S. Midl. forms of verbs. We have therefore two types of the A version, standing in close verbal relation to each other, of much the same date and dialect, and representing in all probability the kind of _Erthe_ poem current at the end of the thirteenth century in the South-west Midland district. THE #B# VERSION. As will appear from the foregoing account of the MSS., the eighteen texts of the B version vary considerably in length, many of them introducing stanzas which do not recur elsewhere. A comparison of the number and arrangement of the stanzas in each text is given on the next page, the stanzas being numbered according to the order of their arrangement in the text to which they belong, and the corresponding stanzas in the various texts grouped under columns. MSS. Thornton, Selden, and Egerton have no mark of strophic division, but fall naturally into mono-rimed stanzas of four lines. All the remaining texts are arranged in four-lined stanzas with mono-rime,[9] with the exception of MS. Porkington, which represents an evident expansion of the original metrical scheme, an additional long line being attached to each stanza by means of a short bob-line, giving a six-lined stanza, _aaaabb_. In MS. Rawl. Poet. each long line is written as two short lines, so that the usual four-lined stanza appears in this text as two stanzas, each consisting of four half-lines. This arrangement is facilitated by the regular internal rime on the word _erthe_. The order of the fifteenth-century MSS. of the B version observed in the table corresponds to that in the foregoing list of MSS., and in the printed text, and is not always strictly chronological, it being more convenient for purposes of comparison to group the texts according to their length. It will be seen that the three late texts (MSS. Harl. 984, Maitland, and Reidpeth) revert to the normal seven-stanza type, and that this appears to have been the form of the poem known to the compiler of the Cambridge text, a comparison of which is added. [Transcriber's Note: The printed table has been rotated 90% for this plain-text version. The numerical key (1-18, Cam) and the lettered notes (A, B...) were also added by the transcriber.] 1. Wm. Billyng's Text 2. MS. Thornton 3. MS. Selden, supra 53 4. MS. Egerton 1995 5. MS. Harl. 1671 6. MS. Brighton 7. Stratford Inscription 8. MS. Rawl. C. 307 9. MS. Harl. 4486 10. MS. Lambeth 853 11. MS. Laud Misc. 23 12. MS. Cotton Titus A. xxvi 13. MS. Rawl. Poet. 14. MS. Porkington 10 15. MS. Balliol 354 16. MS. Harl. 984[10] 17. MS. Maitland 18. MS. Reidpeth Cam The Cambridge Text CS Common Stanzas IS Independent Stanzas Text| 1| 2| 3| 4| 5| 6| 7| 8| 9|10|11|12| 13 |14|15|16 |17|18| Cam ----+--+--+--+--+--+--+--+--+--+--+--+--+------+--+--+---+--+--+---- CS | 1 1 1 1 1 1 1 1 1 1 1 1 1.2. 1 1 (1) 1 1 1 | 2 2 2 2 2 2 2 2 2 2 2 2 3.4. 2 2 (2) 2 2 3.8. | 3 3 3 3 3 3 3 3 3 3 3 3 6.5. 3 3 (3) 3 3 2 | 4 4 5 4 4 4 4 4 4 4 4 4 7.8. 4 4 (4) 4 4 10 | 5 5 -- 5 5 5 5 5 5 8 8 -- 11.12. 5 5 (5) 5 5 9 |-- -- 4 6 6 6 6 -- 6 9 9 -- -- 6 15 6 6 6 11 |-- -- 6 7 7 7 7 -- 7 11 11 -- -- 12 16 7 7 7 -- | 8 12 12 -- 31.32. | 5 5 5 15.16. | 6 6 6 -- | 7 7 -- 9.10. | 10 10 -- 13.14. ----+--+--+--+--+--+--+--+--+--+--+--+--+------+--+--+--+---+--+--- IS | [A] [B] [C][D] [E] [A] stanzas 6. 7. 8. (3) [B] 17 to 30. (14) [C] 7 to 11 (5) [D] 6 to 14 (9) [E] 6. 7. 13. 18 resemble A Version. 4. 5. 12. 14 to 17. 19 to 22 independent (11) It will be seen from the table that eleven of these texts have seven stanzas in common, and that fifteen of them have five in common. Of the three remaining texts, MS. Harl. 984 has a missing leaf, but would clearly appear to belong to the seven-stanza type, raising the above numbers to twelve texts of seven stanzas, and sixteen of five. MS. Selden again obviously represents the usual seven-stanza type with the accidental omission of verse 5. MS. Titus has four of the customary five verses, breaks off to follow the arrangement of the Lambeth MS., and comes to an end after copying two of the additional verses in the Lambeth text before reaching the usual fifth verse. Assuming that it represents a transcription of the Lambeth text, MS. Titus might be classed with the five-stanza type, or possibly, like MS. Lambeth, with the seven-stanza type. It may therefore be assumed that all eighteen of the B texts have five stanzas in common, or are based upon such a common type, and that thirteen, or possibly fourteen of them, represent a common type with seven stanzas, six of which are further found in the Cambridge text. These common stanzas vary very little in the different MSS. as regards either the actual text or the order of lines and stanzas, and it seems probable that the normal B version consisted of seven stanzas, ending with a personal exhortation which has been omitted, or possibly not yet added, in five of the texts. In four MSS.--Lambeth, Laud, Rawl. P., and Harl. 4486--an interesting final stanza, containing a prayer, has been added. Three of these texts, MSS. Lamb., Laud, and Rawl. P., correspond in three other additional stanzas, which seems to point to some closer relationship between them, and two, or more strictly one and a half, of these additional stanzas are also found in MS. Titus, which appears to be a transcript of the Lambeth text. The scribe of MS. Titus followed the Lambeth text until he reached the middle of verse 6, when he apparently wearied of the task, and broke off with a new couplet of his own, entirely foreign in idea and metre to the _Erthe upon Erthe_ poems:-- Lewe thy syne & lyffe in right, And þan shalt thou lyffe in heuyn as a knyght. The text, as a whole, is badly written with many erasures, and points to a careless hand. The additional stanzas cited in the table as independent contain mere variations on the main theme, and it is highly probable that the more expanded texts are the later, and represent individual additions to a popular poem, since they generally fail to maintain the internal rime on the word _erthe_ which is an evident characteristic of the genuine verses. In the case of the five MSS. in question, MS. Harl. 4486 might be taken to represent the original type, and MSS. Lamb., Laud[11], and Titus an expansion of this, while the author of Rawl. P. was obviously acquainted with the Lambeth text, or its original, and added to it certain stanzas of his own, leaving out three of the verses in Lambeth to make room for these. Whether the eighth stanza which MSS. Harl. 4486, Lamb., Laud, and Rawl. P. have in common belongs to the original type of the B version, or was itself a later addition, can scarcely be determined, but as it seems to be confined to these four texts, the latter view is perhaps the more probable. It must, however, have been added early, as it occurs already in MSS. Lamb. and Laud before 1450, and preserves the principle of the internal rime on _erthe_. The relative dates of MSS. Lambeth and Rawl. P. as fixed by Furnivall and Madden (MS. Lamb. 1430-1450, R. P. after 1450) would bear out this theory of the relationship between these two texts, and it may further be noted that both have the same prefatory _De terra plasmasti me_, otherwise found only in MS. Harl. 1671, and that both exhibit the same tendency to employ a direct personal mode of address, and to lengthen out the original text by superfluous words. Cf. for example, MS. Harl. 4486, verse 5 (so MS. Laud, verse 8)-- Why erthe loueth erthe wonder me thynke, Or why that erthe for erthe swete wylle or swynke, &c. with MS. Lamb. verse 8-- Whi þat erþe _to myche_ loueþ erþe, wondir me þink, Or whi þat erþe for _superflue_ erþe _to sore_ sweete wole or swynk and MS. Rawl. P. verse 11-- Or whi that erthe for the erthe _Unresonably_ swete wol or swynke. The exact date of the text in MS. Titus is indeterminate, but, as stated above, it is evidently based on MS. Lambeth or its original, and might be ascribed to c. 1450 or later. The text in MS. Harl. 4486 has been added by some later owner of the MS. on the last leaves of a fifteenth-century transcript of _Le Livre de Sydrac_. The handwriting of _Erthe upon Erthe_ is also fifteenth century, but the exact date again cannot be determined. The text, however, is far simpler and nearer to the original than that of the other four MSS., and evidently represents an earlier type than these, though the actual transcript may be later. With the exception of these five MSS., it is not easy to group the eighteen texts of the B version on any system based upon the additional stanzas, since these fail to bear out any theory as to closer relationship between individual MSS., though the connexion of ideas is often close owing to the similarity of the theme. Thus the nine additional stanzas in MS. Balliol contain a digression upon the nine worthies with an interesting reference in verse 12 to the Dance of Powlis, i.e. the Dance of Death formerly depicted outside St. Paul's Cathedral (v. Notes, p. 36). It is in the Cambridge text alone that the additional stanzas supply an interesting connexion with the A version, which places this text, unfortunately corrupt and difficult to decipher, in an important position as a link between A and B. With regard to possible relationships dependent upon variations in the order or arrangement of the lines in the seven common stanzas, it may be pointed out that the first verse in MS. Egerton consists of three lines only, the usual second line being omitted, and that both MS. Harl. 1671 and MS. Porkington omit the same line, though each of these supplies a new and independent fourth line to fill the gap:-- (_MS. Egerton_ 1995) Erthe owte of þe erthe ys wounderly wrought, Erthe vppon erthe hathe sette hys thought How erthe a-pon erthe may be hy brought. (_MS. Harl._ 1671) Erthe apon erthe ys waxyne and wrought, And erthe apon erthe hathe ysette all hys thought How that erth apon erth hye myght be brought, _But how that erth scal to the erth thyngketh he noht_. (_MS. Porkington 10_) Erthe vppon erthe is woundyrely wrou[gh]te; Erthe vppon erthe has set al his þou[gh]te How erthe vppon erth to erthe schall be brou[gh]te; _There is none vppon erth has hit in þou[gh]te._ Take hede! Whoso þinkyse on his ende, ful welle schal he spede. It is obvious that these new lines are an afterthought, especially in the case of MS. Porkington, where the rime-word _þou[gh]te_ has to be repeated. Possibly these three texts depend upon a common original in which the usual second line _Erth hath gotyn vppon erth a dygnyte of noght_ was lacking, or MS. Egerton may have been the original of the other two. But MS. Harl. 1671 varies from the other two in the first line also, using a version which is otherwise confined to the Cambridge text-- Erthe apon erthe ys _waxyne and_ wrought-- and both it and MS. Porkington begin _erthe upon erthe_ like the later texts, as opposed to the more usual _erthe owte of erthe_, so that there is no clear evidence of a closer relationship between these three texts. In verse 4, again, an inversion of the customary order of the second or third lines is common to MSS. Rawl. C., Porkington, Maitland, Reidpeth, and the Stratford-on-Avon inscription, but the verse easily lends itself to transposition of the kind, and in MS. Rawl. C. the usual first line is also put third, so that the order of lines as compared with the normal arrangement becomes 2. 3. 1. 4. Beyond the self-evident fact that the Maitland and Reidpeth MSS. must be grouped together, no relationship of the MSS. can be deduced from this transposition, though it may point to a second popular version with inversion of lines 2 and 3. One of the most important differences of reading in the common stanzas occurs in the first line of the poem, where twelve of the eighteen MSS. read _erthe out of erthe_, while the remaining six, as well as the Cambridge text, have _erthe upon erthe_. Three of these six are definitely later transcripts: MS. Porkington is obviously a later modification of the original four-lined stanza, and MSS. Maitland and Reidpeth belong to the late sixteenth and early seventeenth centuries respectively; the beginning of MS. Harl. 984 is not preserved, and the remaining two texts, MSS. Selden and Harl. 1671, belong to c. 1450, while the Cambridge text, as will be shown later, cannot be regarded as original. Evidently _erthe owt of erthe_ was the original reading, but the version _erthe upon erthe_ was introduced early, and appears to have survived the other. A similar change occurs in the last line of verse 2, where MS. Harl. 1671 and the Stratford text substitute _erth upon erth_ for _out of_, _from_, _of_, of the other texts, and again in the third line of verse 4 (l. 2 in the texts mentioned above as transposing these lines) where the same two MSS. read _erth upon erth_ for the normal _erth unto_ (_into_, _to_) _erthe_; also in the fourth line of verse 7, where MSS. Harl. 4486, Lamb., Laud, Maitland, and Reidpeth read _upon_ for _owte of_. Now the last two lines of the first verse of the poem invariably use the phrase _erth upon erthe_, and it occurs repeatedly throughout the poem as a synonym for _man_: e.g. verse 2, line 1; 3, ll. 1, 3; 4, ll. 1, 2 (or 3); 5, l. 3; 6, ll. 1, 3; 7, l. 1. It was very natural that the common phrase, and the one best adapted to serve as a title to the poem, should tend to replace others, but it seems probable that wherever the substitution occurs it may be taken as due to a later tradition, and consequently as a proof of non-originality or comparative lateness in the text in which it is found. A similar change, and one to be explained in a similar way, is the introduction of _wonderly_ for _wyckydly_ in the first line of verse 7 on the analogy of the first line of the poem, which occurs in MSS. Harl. 1671 and Stratford, and also in the late MSS. Maitland and Reidpeth. Other variations of reading are less noteworthy. In the second line of verse 1, ten MSS., ranging from the early Thornton and Lambeth to the late Maitland and Reidpeth, read _dignite_, while the others vary between _nobley_ (MS. Brighton, cf. the Cambridge text), _nobul þyng_ (Billyng), _worschyp_ (Selden), and _an abbey_, perhaps an error for _nobley_ (Harl. 4486). The remaining three MSS. omit the line. In the fourth line of verse 2, the alliterative _piteous parting_ of MSS. Billyng, Egerton, Brighton, Harl. 4486, Lamb., Laud, Titus, and Rawl. P., is replaced by _hard parting_ not only in the Stratford text and in the later MSS. (Porkington, Balliol, Maitland, Reidpeth), but also in MSS. Thornton and Rawl. C., while other readings are _dolful_ (MS. Selden, cf. the Cambridge text) and _heuy_ (MS. Harl. 1671). It is difficult here to decide between _piteous_ and _hard_, but the preference should probably rest with the alliterative phrase. In the fourth line of verse 3, the alliterative _scharpe schowres_ is evidently the original reading, and it occurs in all texts except Stratford, Rawl. P., and Balliol. In the first line of verse 4, _erthe goeth upon erthe as moulde upon moulde_ occurs in thirteen texts, and two others (Stratford and Balliol, cf. also the Cambridge text) keep the rime _mould_ while altering the line. The other two readings found, _colde opon colde_ (Rawl. C.), and _golde appone golde_ (Thornton), are obviously non-original, particularly the latter, which repeats the rime-word _gold_ in two successive lines. Other variations and occasional transpositions of lines occur in individual MSS., but are unimportant. It will thus be seen that the popular traditional version of the poem tended to become modified, and even corrupt, already in the fifteenth century, and that such modifications are usually more apparent in the later texts. It is also evident that individual transcribers felt themselves at liberty to expand the traditional version, and that many tried their hand at such variations on the original theme, but the striking absence of proof of relationship outside the seven stanzas of the normal version, as well as the frequent unimportant variations found in the common stanzas, seems to point clearly to the conclusion that the original was a popular poem of seven, or possibly only five, stanzas, widely known over England, and that the more simple and naïve of the seventeen texts extant are also more genuine, and nearer to the original. Many of the texts are accompanied by a short prefatory or concluding verse in English or Latin. The English verse-- _When lyffe is most loued, and deth is moste hated, Then dethe draweth his drawght and makyth man full naked_ occurs as a preface in MSS. Harl. 4486 and 1671, Lambeth, Laud, Rawl. P., and Egerton, and as a conclusion in Billyng's text. The Latin _Memento homo quod cinis es et in cinerem reverteris_ occurs, in full or in part, in MSS. Harl. 4486, Egerton, Rawl. C., Lambeth, and Billyng, and _De terra plasmasti me_ in MSS. Harl. 1671, Lambeth, and Rawl. P. The two stanzas in rime royal on the _Procese of Dethe_ which immediately precede _Erthe upon Erthe_ in the Porkington MS. are transcribed as a separate poem, and if not separate, would rather belong to the preceding text, a translation of the Latin _Visio Philiberti_ in rime royal, than to _Erthe upon Erthe_. The latter poem often accompanies either a _Dance of Death_ or one of the numerous _Soul and Body_ dialogues, no doubt because of the similarity of the theme, but it is not necessary to regard these kindred poems as forming an essential part of each other. So in the Balliol MS., _Erthe upon Erthe_ is preceded by an eight-lined Latin stanza on the theme _vado mori_, which is probably part of a _Dance of Death_. Here again no basis for a grouping of the MSS. can be found. The two late texts--MSS. Maitland and Reidpeth--represent a Lowland Scots version of the poem, and are obviously copies of the same original. Probably the Reidpeth text is a transcription of the Maitland, but it contains some obvious misreadings of it, as in verse 3, line 3, _bowris_ (Maitl.), _towris_ (Reidpeth) repeating the rime-word; 5, l. 20, _within_ (Maitl.), _with_ (Reidpeth). The Maitland MS., compiled c. 1555-1585, adds the colophon _quod Marsar_. The later Reidpeth MS., 1622-1623, concludes with the words _quod Dumbar_. Mersar, or Marsar, is mentioned in Dunbar's _Lament for the Makaris_, and is usually identified with a William Mersar of the household of James IV, mentioned 1500 to 1503. In any case, if he were a contemporary of Dunbar, he could scarcely be assigned to a sufficiently early date to account for the widespread popularity of _Erthe upon Erthe_ all over England in 1450, and the fact that the two MSS. assign the poem to different authors, of whom Dunbar is manifestly impossible, and Mersar at least improbable, may be explained as an instance of that readiness of posterity to attach a known name to a work of unknown origin, of which other examples are not wanting. It is, however, of interest to find that the poem had made its way to Scotland by 1550 or thereabouts. As regards dialect, the majority of the MSS. of the B version show traces of Northern dialect, most of them preserving the Nth. plural in _-is_ in the rimes _touris_, _schowrys_, &c. In verse 3 also the majority of the texts have the Nth. _bigged_ or _biggid_, but six (MSS. Billyng, Egerton, Rawl. P., Porkington, Balliol, and the Stratford text) use the Midl. or Sth. _bilded_ or _billed_. In verse 4 the rime requires the form _wold_ rather than the common Nth. _wald_, and even the Maitland MS. retains _wold_ for the sake of the rime, whereas MS. Reidpeth substitutes _wald_, sacrificing the rime. MSS. Thornton and Rawl. C. show distinct Nth. features, such as the verb-endings _-is_ (pres. ind. 3 sg.), _-and_ (pres. part.), _-id_, _-it_, _-in_ (past part.), and MS. Rawl. C. has the Nth. _whate gates at þu gase_ riming with _fase_ (_foes_). But few of the MSS. represent pure dialect-forms, and an investigation of the dialect of the texts is of little assistance towards determining that of the original poem. Such evidence as exists points, on the whole, to the North Midland district, and a widespread popularity in the North, which led to the later knowledge of the poem across the Border, but the popularity was evidently not confined to the North, and Southern as well as Northern forms may be traced in both early and late transcripts. THE CAMBRIDGE TEXT. The Cambridge MS., as has been already stated, combines portions of both the A and the B version with several independent stanzas. At first sight it might appear to represent a transitional stage in the development of the B from the A type, but closer examination shows that this is not the case, and that the text is merely a later compilation from the two. The writer must have had some knowledge both of the longer A version represented by MS. Harl. 913, and of the common seven-stanza B type, and seems to have tried to combine his recollections in one poem, halting between the four-lined and six-lined stanza, repeating himself here and there, and adding certain new verses of his own. There is no grouping into stanzas in the MS., but a division is easily made by the rimes, and these give mono-rimed stanzas of four lines chiefly, with one of six lines, and some fragmentary ones of two or three. In one case a stanza has been broken up and the two couplets inserted at different points (ll. 9-10, 27-28). As has been shown in the table of MSS. of the B version, six verses of the B type may be traced, while four verses show distinct correspondence with A, and eleven are independent of either. A comparison of the similar lines follows:-- (_MS. Cambr._ Ii. 4. 9) ll. 1-4. Erthe vpon erthe is waxin & wrought, Erthe takys on erthe a nobylay of nought; Now erthe vpon erthe layes all his þought How erthe vpon erthe sattys all at noght. (_MS. Harl._ 4486.) B Version. 1 Erthe owte of erthe is wonderly wrowghte, Erthe of the erthe hathe gete an abbey[12] of nawte, Erthe apon erthe hath sett{e} al his thowghte How erthe apon erthe may be hye browte. ll. 9-10, 27-28. Erthe vpon erth wolde be a kyng, But howe erth xal to erth thynkyth he no thyng. When erthe says to erth: 'My rent þou me bryng,' Then has erth fro erthe a dolfull p{ar}tyng. 2 Erthe apon erthe be he a kyng{e}, Butt how erth schall{e} to erthe thynketh{e} he nothyng{e}. When erthe byddeth erthe his rent home bryng{e}, Then schall{e} erth{e} owte of erthe haue a pyteous[13] p{ar}tyng{e}. ll. 5-8. Erthe vpon erth has hallys & towr{is}; Erthe says to erth: 'This is alle owr{is}.' But q{ua}n erth vpon erth has byg{g}yd his bowr{is} Than xal erth for the erth haue scharpe schowr{is}. 3 Erthe apon erthe wynneth castell{es} & towres. Then seyth{e} erthe to erthe: 'These byth{e} all{e} owres.' When erthe apon erthe hath bygged{e} vp his bowres Then schall{e} erthe for the erthe suffre scharpe schowres. Cf. l. 66. If erth haue mys don, he getyth scharpe sho{u}rs. ll. 33-35. Erthe wrotys in erth as molys don in molde, Erthe vpon erth glydys as golde, As erthe leve in erthe eu{e}r mor{e} schulde. 4 Erthe gothe apon erthe as molde apon molde. So goeth erthe apon erthe all{e} gleteryng{e} in golde, Lyke as erthe into erthe neu{er} go scholde, And [gh]et schall{e} erthe into erthe rather then be wolde. ll. 29-32. How erthe louys erth wondyr me thynke, How erthe for erth wyll swete and swynke. When erth is in {e}rthe broght w{i}t{h}-in the brynke What as herth than of erthe but a fowle sty{n}ke. 5 Why erthe loueth{e} erthe wonder me thynke, Or why that erthe for erthe swete wyll{e} or swynke, Ffor whan erthe apon erthe is browte w{i}t{h}yn þe brynke, Then schall{e} erthe of the erthe haue a fowle stynke. ll. 36-37. Erthe vpon erth mynd eu{er} more þou make How erthe xal to erth when deth wyll hy{m} take. 6 Loo erthe apon erthe consyder{e} thow may How erthe co{m}myth to erthe naked all way. ll. 19-22. Erth vpon erthe gos in the weye, Prykys and prankys on a palfreye; When erth has gotyn erth alle that he maye, He schal haue but seven fote at his last daye. (_MS. Harl._ 913) A Version. v. 5, ll. 1, 2, 5, 6. Erþ is a palfrei to king a{nd} to quene, Erþ is ar la{n}g wei, þouw we lutil wene. Whan erþ haþ erþ wiþ st{r}einþ þus geten, Alast he haþ is leinþ miseislich i-meten. ll. 41-46, 23-26. Ffor erth gos in erth walkand in vede, And erthe rydys on erth on a fayr stede, When he was goty{n} in erth erth to his mede, Than is erth layde in erthe wormys to fede. Whylke are the wormys the flesch brede? God wote the wormys for to ryght rede. Than xal not be lyky{n}g vnto hy{m} Bu[t] an olde sely cloth to wynde erthe in, When erthe is in erth for wormys wyn, The rof of his hows xal ly on his chyn. v. 2. Erþ geþ on erþ wrikkend in weden, Erþ toward erþ wormes to feden; Erþ b{er}riþ to erþ al is lif deden; When erþ is i{n} erþe, heo muntid þi meden. When erþ is i{n} erþe, þe rof is on þe chynne; Þan schullen an hu{n}dred wormes wroten on þe skin. ll. 63-64. Erthe bygyth hallys & erth bygith towres, When erth is layd in erth, blayke is his bo{ur}s; v. 6, ll. 5-6. Erþ bilt castles, a{nd} erþe bilt toures; Whan erþ is on erþe, blak beþ þe boures. l. 38. Be war{e}, erth, for erthe, for sake of thi sowle. v. 6, l. 3. Erþ uppon erþ be þi soule hold. The additional verses in MS. Cambr. bear some slight resemblance to other additional lines found in MSS. of the B type, and this is interesting as showing that the writer worked on the same lines in expanding his text, and was perhaps acquainted with some of the longer B texts. On the other hand characteristic differences in the treatment of the theme would seem to support the view that these verses are really individual additions and not derived from any of the other texts. The lines in question are given below:-- _MS. Cambr._ ll. 71-82. God walkyd in erth as longe as he wolde, He had not in this erth but hong{er} & colde, And in this erth also his body was solde, Her{e} in this erth, whan þ{a}t he was xxx^ti [gh]er{e} olde. _MS. Rawl. C._ v. 8. Now he þ{a}t erthe opon erthe ordande to go Graunt þ{a}t erthe vpon erthe may govern hym so, Þat when erthe vnto erthe shall{e} be taken to, Þat þe saule of þis erthe suffre no wo. God lytyd in erth, blyssed be that stou{n}de! He sauyd hijs herth w{i}t{h} many a scharpe wounde, Ffor to sawe erth owght of hell grou{n}de, He deyd in erth vpon þe rode w{i}t{h} many a blody vou{n}de. And God ros ovght of the est this erth for to spede, And went into hell as was gret nede, And toke erth from sorowe þ{i}s erth for to spede, The ryght wey to heuen blys I{esus} Cryst vs lede! _MS. Rawl. P._ vv. 31, 32. Lord God that erthe tokist in erthe, And suffredist paynes ful stille, Late neuer erthe for the erthe In dedly synne ne spille. But that erthe in this erthe Be doynge euer thi wille, So that erthe for the erthe Stye up to thi holi hille. (Cf. Harl. 4486, v. 8; Lamb. v. 12; Laud v. 12). It is therefore evident that the Cambridge text shows knowledge of both the A and the B versions, but the text in its existing form must represent either a corrupt copy of the original with frequent dislocation of lines, or, what is perhaps more likely from the instances of repetition of the same words or ideas which occur, a clumsy compilation from the two made by some one who perhaps had B before him and remembered portions of A imperfectly. Such repetitions occur in verses 2 and 18, the latter repeating three of the rime-words of the former verse, as well as the phrase _scharpe schowris_; and again in verses 4 and 19, and in verses 6, 7, and 13. In any case the text must be regarded as later than the A and B versions, and not as forming a link between them. The dialect is Northern, but not uniformly so. ORIGIN AND GROWTH OF THE POEM. The question as to the source of the poem _Erthe upon Erthe_, and the relationship of the A and B versions to the original, and to each other, is a difficult one. The existence of a parallel Latin version in one of the oldest MSS. is clearly an important point to be taken into consideration in any attempt at an investigation of the origin of the poem, and it will be well before proceeding further to form some conclusion as to the relation in which the English and Latin stanzas in MS. Harl. 913 stand to each other. The correspondence of the two versions is not strictly verbal, but it is evident that either the English or the Latin stanzas represent a rather free rendering of the verses which accompany them. In favour of a Latin origin it may be pointed out that the metrical form of the Latin stanzas is one frequently employed in Latin poems of the time, that the subject is a favourite monastic theme, and that the manner of the poem is in keeping with contemporary Anglo-Latin compositions, such as the well-known _Cur mundus militat sub vana gloria_. The natural tendency would be to attribute a poem of the kind to Latin origin, especially if, as in this case, a Latin version were forthcoming. On the other hand, it may be pointed out that the Latin text is not known to exist in any other MS., and appears indeed to have no separate existence from the English stanzas which accompany it, whereas English texts of the poem without trace of a Latin rendering or original are very common.[14] The text was one frequently used in epitaphs, but no Latin epitaph of the kind is known to have existed, although Latin was commonly used in epitaphs at the time when the poem was most widely popular. Further, word-plays of the kind found here upon the word _erthe_ are certainly not common in Latin verse of the time, and the Latin text does not render the play as effectively as the English does, employing alternately the three terms _terra_, _vesta_, _humus_, in place of the English _erthe_, and failing to maintain these consistently. The play on the word _earth_, which is the most essential feature of the poem, could not have been given with the same effect as in English either in Latin or in any mediaeval language.[15] Thirdly, in support of an English origin it may be urged that close verbal connexion can be traced between the English text of both versions, but more especially of the earlier (A), and other poems dating from the twelfth to the fifteenth century, particularly the various Dialogues of _The Soul and the Body_:-- _MS. Harl._ 913, l. 17 (A). When erþ is in erþe, þe rof is on þe chynne. _MS. Cambr. Univ. Libr._ Ii. 4. 9, l. 25 (C) When erthe is in erth for wormys wyn, Þe rof of his hows xal ly on his chyn. Cf. _Dialogues of Soul and Body_, (_Worcester fragment_) 12th cent. 'nu þu havest neowe hus inne beþrungen, lowe beoþ helewes. Þin rof liþ on þine breoste, ful . . . colde is þe ibedded. (_Bodl. Fragm._) 12th cent. Þe rof bið ibyld þire broste ful neh. (_MS. Auchinleck_) 13th cent. Wiþ wormes is now ytaken þin in, Þi bour is bilt wel cold in clay, Þe rof _shal take to_[16] þi chin. (_MS. Harl._ 2253) 14th cent. When þe flor is at þy rug, Þe rof ys at þy neose. Cf. _Death_ 152 (13th cent.) in Morris, _O. E. Misc._, p. 168 (_Jesus MS._). Þi bur is sone ibuld Þat þu schalt wunyen inne, Þe rof _& þe virste_[17] Schal ligge on þine chynne. Nu þe schulen wurmes Wunyen wiþinne. _MS. Harl._ 913, l. 66 (A). Erþ bilt castles, & erþe bilt toures; Whan erþ is on erþe, blak beþ þe boures. _MS. Harl._ 4486 (B); _so other_ B _texts_. Erthe apon erthe wynneth{e} castelles & towres. Then seythe erthe to erthe: 'These byth{e} alle owres'. When erthe apon erthe hath byggede vp his bowres, Then schalle erthe for the erthe suffre scharpe schowres. _MS. Cambr._ 63 (C). Erthe bygyth hallys & erth bygith towres, When erþ is layd in erth, blayke is his bours; _ibid._ 5-8 Erthe vpon erthe has hallys & towris _&c._ Cf. _Soul & Body Dialogues_ (_MSS. Auchinleck, Digby, Vernon, Laud_). Whare be þine castels & þine tours, Þine chaumbres & þine hei[gh]e halle, . . . . . Wrecche, ful derk it is þi bour To morn þou schalt þerin falle. (_ibid._) Halles hei[gh]e & bours bri[gh]t Y hadde y bilt & mirþes mo. (_MS. Harl._ 2253). thi castles & thy toures. Cf. _Death_ 29. Ah seoþþen mony mon By-yet bures & halle, Forþi þe wrecche soule Schal into pyne falle. _MS. Harl._ 913. 42 (A). Be þou þre ni[gh]t in a þrou[gh], þi frendschip is ilor.[18] Cf. _Visio Philiberti_ (_MS. Porkington_). When þou art dede þi frenschype is aslepe. Cf. _Soul & Body_ (_MS. Auchinleck_). that alle þine frend beon fro þe fledde. Cf. _Death_ 97. Hwer beoð alle þine freond Þet fayre þe bi-hehte And fayre þe igretten Bi weyes and bi strete. Nu heo walleþ wrecche Alle þe forlete Nolde heo non herestonkes[19] Nu þe imete. _MS. Cambr._ l. 21 (C). When erth has gotyn erthe alle that he maye He schal haue but seven fote at his laste daye. Cf. _Soul & Body_ (_MSS. Auchinl._, _Digby_). Now schaltow haue at al þi siþe Bot seuen fet, vnneþe þat. The play upon the word _earth_ recurs in other English poems. Cf. _A Song on the Times_ (MS. Harl. 913), early fourteenth century-- [20]Whan erthe hath erthe i-gette And of erthe so hath i-nou[gh], When he is therin i-stekke, Wo is him that was in wou[gh]. where the idea and the two rime-words are the same as in _MS. Harl._ 2253-- Erþe toe of erþe erþe wyþ woh, Erþe oþer erþe to þe erþe droh, Erþe leyde erþe in erþene þroh, Þo heuede erþe of erþe erþe ynoh. It will be remembered that these two MSS. (Harl. 913 and 2253) are the two which preserve texts of the A version, and the opening lines of the _Song on the Times_ would appear to give further proof of a connexion between the two A texts. Further, in _MS. Lansdowne_ 762 (v. _Reliquiae Antiquae_ I. 260), under the heading _Terram terra tegat_, occur these lines:-- First to the erthe I bequethe his parte, My wretched careyn is but fowle claye, Like than to like, erthe in erthe to laye; Sith it is, according by it I wolle abide, As for the first parte of my wille, that erthe erthe hide. In this case the English words are evidently based upon the Latin phrase, but this does not disprove an English origin for the poem _Erthe upon Erthe_, since any verses of the kind must ultimately have been based on the idea that man is dust, and the idea itself must have been first presented and have become widely known through such Latin elegiac phrases as _Memento homo quod cinis es et in cinerem reverteris_, or _De terra plasmasti me_, both of which so frequently accompany _Erthe upon Erthe_, or as the above cited _Terram terra tegat_. The verse in _MS. Lansdowne_ might rather be considered as supplying further proof of the popular tendency to replace such phrases by English verses, expressing the same idea, but themselves English, not Latin in origin, and making the most of the possible word-play. Such word-plays were evidently popular between the thirteenth and fifteenth centuries. Cf. the well-known passage in _Piers Plowman_, c. xxi. 389. So lyf shal lyf lete ther lyf hath lyf anyented, So that lyf quyte lyf, the olde lawe hit asketh. _Ergo_, soule shal soule quyte and synne to synne wende. In view of this evidence, I am inclined to think that the Latin version in MS. Harl. 913 is the translation, and the English the original, and that the oldest form of _Erthe upon Erthe_ which has been preserved is that found in the four lines in MS. Harl. 2253:-- Erþe toc of erþe erþe wyþ woh &c. Short riddling stanzas of the kind, based upon the Latin phrases mentioned above, may have been popular in the thirteenth century, and this particular one was evidently known and used by the author of the _Song on the Times_.[21] The writer of the version preserved in MS. Harl. 913 seems to have been a more learned man, acquainted with poems like the Dialogues between _the Soul and the Body_, who elaborated the four lines of MS. Harl. 2253, and perhaps other verses of the same kind, into a poem of seven six-lined stanzas, the additional couplet often introducing a new idea precisely as in the case of the similarly expanded verse-form in MS. Porkington. Either this man or a later transcriber appears to have added the Latin rendering which accompanies the poem, and to have further exercised himself in varying the word-play. Heuser[22] points out that the mistakes in the MS. would support the view that the English text is a copy of an original in another dialect, and it is possible that the Latin version belongs to this MS. alone, since a second poem in the same MS. is accompanied by an unfinished translation into Latin. This theory as to the origin of the two texts of the A version receives further support from the fact that it also accounts most satisfactorily for the development and popularity of the B version. Apart from the play on the word _erthe_ and the similarity of the theme, there is only one point of close verbal connexion between the two versions. In MS. Harl. 913 (A) the sixth stanza runs as follows:-- Erþ gette on erþ gersom & gold, Erþ is þi moder, in erþ is þi mold. Erþ uppon erþ be þi soule hold; Er erþe go to erþe, bild þi long bold. Erþ bilt castles, and erþe bilt toures; Whan erþ is on erþe, blak beþ þe boures. In the B version, the rimes _gold_ : _mold_, _toures_ : _boures_, regularly recur in the third and fourth stanzas, and line 5 of the A text is preserved in slightly modified form in the first line of verse 3:-- (MS. Harl. 4486, vv. 3 and 4) Erthe apon erthe wynnethe castelles and towres. Then seythe erthe to erthe: 'These bythe alle owres.' When erthe apon erthe hath byggede vp his bowres, Then schalle erthe for the erthe suffre scharpe schowres. Erthe gothe apon erthe as molde apon molde. So goethe erthe apon erthe alle gleterynge in golde, Lyke as erthe unto erthe neuer go scholde, And [gh]et schalle erthe into erthe rather then he wolde. In the Cambridge text the rime-words _towres_ : _bours_ are introduced twice over, representing both the versions given above:-- (ll. 63, 64) Erthe bygyth hallys & erthe bygith towres, When erth is layd in erth, blayke is his bours; as in the _A_ version; (ll. 5, 7) Erthe vpon erth has hallys & towris . . . But quan erth vpon erth has bygyd his bowres, as in the B version. The two stanzas of the B version which contain these rime-words are the two which recur most frequently on tombstones and mural inscriptions, and it seems possible that they represent a second early form of the _Erthe_ poems. It is evident that the rime-words _gold_ : _mold_, _bowres_ : _towres_, depend upon an early tradition. Probably verses similar to the short stanza in MS. Harl. 2253, and containing these words, were in existence before the learned writer of the longer A text in MS. Harl. 913 introduced them in his poem, and, becoming widely known, formed the nucleus of the B version. Both the A and the B versions might therefore be held to depend upon popular stanzas of this kind, which gave rise about the end of the thirteenth century to the long poem of MS. Harl. 913, and during the fourteenth century to the original of the B version, a poem in seven four-lined stanzas. The earlier version is connected more particularly with the Southwest Midland district; the later seems to have originated rather in the North or North Midlands, but it soon became known all over England, and is found in the South of Scotland shortly after 1500. Only one fifteenth-century writer, the author of the Cambridge text, shows direct knowledge of the A text, but the B version was evidently widely known, and a favourite theme for additions and modifications. On tombstones and mural inscriptions it survived up to the nineteenth century. LATER VERSIONS OF THE POEM. As has been already pointed out, the Middle English texts of _Erthe upon Erthe_ occur for the most part in the Commonplace Books of the day, often on the spare leaves at the beginning or end of the MS., as if the collector or some later owner had been struck by the poem and anxious to preserve it. That this interest was not confined to the fifteenth century is shown by the occurrence of the text in the Maitland and Reidpeth MSS. A still later instance of it occurs in the Pillerton Hersey Registers, dating from 1559 onwards, where the following verse has been scribbled on the last leaf, probably by some seventeenth-century clerk (cf. C. C. Stopes, _Athenaeum_, Sept. 19, 1908):-- Earth upon earth bould house and bowrs, Earth upon earth sayes all is ours. Earth upon earth when all is wroght, Earth upon earth sayes all is for nought. Here the first two lines represent a corrupt type of the same lines in verse 3 of the B version, while the rimes _wroght_ : _nought_ recall verse 1. Another interesting trace of a late popular version is mentioned in the _Gentleman's Magazine_ for March, 1824, where a certain Mr. J. Lawrence tells how he was invited, during a visit to Beaumont Hall, Essex, to see the following inscription, written and decorated by a cow-boy on an attic wall:-- Earth goes upon the earth, glittering like gold; Earth goes to the earth sooner than 'twould; Earth built upon the earth castles and towres; Earth said to the earth, 'All shall be ours.' Here portions of verses 3 and 4 of the B version have been combined as in the epitaphs at Melrose and Clerkenwell cited below, pointing either to a corrupt popular version of the B text, or possibly to an earlier type[23] in which the rimes _gold_ : _mold_, &c. were immediately associated with the rimes _towres_ : _bowres_ as in A (MS. Harl. 913, v. 6). The former assumption is the more probable, since the verse appears to be directly based upon stanzas 3 and 4 of the usual B version. The majority of the later instances of the text occur on tombstones or memorial tablets. The poem was peculiarly adapted for this purpose, based as it was on the very words of the Burial Service. Indeed, the short verses from which it is here assumed to have originated might well be supposed to have been written in the first place as epitaphs, if evidence of the use of English epitaphs in the thirteenth century[24] were forthcoming. As has been already stated, the seven verses of the normal B version occurred in full among the mural paintings in the Chapel of the Holy Trinity at Stratford-on-Avon, belonging to the Guild of the Holy Cross, where they appear to have been used as a monumental inscription already in the latter part of the fifteenth century. A well-known late instance of the text is the inscription on a tombstone in the parish churchyard which surrounds Melrose Abbey, mentioned by Scott. The stone is headed as follows:-- Memento Mori. Here lyes James Ramsay, portioner of Melrose, who died July 15th, 1761. On the back is the following verse:-- The Earth goeth on the Earth Glistring like gold, The Earth goeth to the Earth Sooner than it wold; The Earth builds on the Earth Castles & Towers, The Earth says to the Earth: 'All shall be ours.' This was translated into German by Theodor Fontane (_Poems_, 4th edit., Berlin, 1892, p. 447). Cf. Fiedler, _Mod. Lang. Review_, April 1908. Other inscriptions are as follows:-- On an old brass, quoted by W. Williams, _Notes and Queries_, I. vii. 577, and thought by him to belong to the Church of St. Helen's, London[25]:-- 'Here lyeth y^e bodyes of James Pomley, y^e sonne of ould Dominick Pomley and Jane his wyfe: y^e said James deceased y^e 7th day of Januarie Anno Domini 1592 he beyng of y^e age of 88 years, & y^e sayd Jane deceased y^e -- day of -- D -- Earth goeth upõ Earth as moulde upõ moulde; Earth goeth upõ Earth all glittering as golde, As though earth to y^e earth never turne sholde; And yet shall earth to y^e earth sooner than he wolde. On a tomb at Edmonton of unknown date (possibly sixteenth century), mentioned by Weever (_Ancient Funerall Monuments_) in 1631, and by Pettigrew (_Chronicles of the Tombs_, p. 67) in 1857:-- Erth goyth upon erth as mold upon mold, Erth goyth upon erth al glisteryng in gold, As though erth to erth ner turne shold, And yet must erth to erth soner than he wolde. Formerly on a headstone in St. James's Churchyard, Clerkenwell, deciphered about 1812, but already lost in 1851, probably owing to the dismantling of the churchyard. (Cf. _Notes and Queries_, III. i. 389):-- Earth walks on Earth like glittering gold; Earth says to Earth 'We are but mold'. Earth builds on Earth castles & towers; Earth says to Earth, 'All shall be ours!' Formerly on a tombstone at St. Martin's, Ludgate, to Florens Caldwell esq. of London & Ann Mary Wilde, his wife (Pettigrew, p. 67)[26]:-- Earth goes to Earth, as mold to mold; Earth treads on Earth, glittering in gold: Earth as to Earth returne ne'er shoulde; Earth shall to Earth goe e'er he wolde. Earth upon Earth consyder may; Earth goes to Earth naked away. Earth though on Earth be stowt & gay Earth shall from Earth passe poore away. Be mercifull & charitable, Relieve the poor as thou art able. A shrowd to the grave Is all thou shalt have. This interesting monument has unfortunately disappeared. Doubtless there are many other traces of the poem to be found, but it appears to have been rarely used on tombstones after 1700,[27] and earlier monuments, unless specially preserved, are rarely decipherable at the present day. LITERARY INTEREST. _Erthe upon Erthe_ cannot be said to possess great literary value in itself. The interest of the poem lies chiefly in its evident popularity, and in the insight it gives into the kind of literature which became popular in the Middle Ages. It belongs essentially to the same class as the _Soul and Body_ Poems, and the _Dance of Death_. In the early days of its introduction into Western Europe, Christianity made great use in its appeal to the mass of the people of the fear of death and dread of the Judgement. The early monastic writers dwelt upon the idea of man's mortality and decay, and the transitoriness of human rank and pleasure. Hence the frequency with which such themes as the _Dance of Death_ were treated in literature and in art. Closely allied with this idea of the fleeting nature of earthly things, and to some extent a result of it, was the conception of the separation of man's bodily from his spiritual self which pervades all mediaeval post-Christian literature. In Old English times already, this sense of a sharp division between the two is embodied in No. xliv of the O.E. _Riddles_:-- [28]Ic wat indryhtne æþelum deorne [gh]iest in [gh]eardum, þæm se grimma ne mæg hunger sceððan ne se hata þurst, yldo ne adle [ne se enga deað], [gh]if him arlice esne þenað, se þe agan sceal [his [gh]eongorscipe] on þam siðfæte: hy gesunde æt ham findaþ witode him wiste [&] blisse, cnosles unrim, care, [gh]if se esne his blaforde hyreð yfle frean on fore, ne wile forht wesan broþer oþrum: him þæt bam sceðeð, þonne hy from bearme begen hweorfað anre magan ellorfuse moddor [&] sweostor. This sets forth the same conception of the duality in man as is represented in the O.E. _Speech of the Soul to the Body_, and in the whole group of _Soul and Body_ poems, and the idea recurs constantly in other monastic texts, cf. Morris, _O. E. Miscellany_, iii (_Sinners Beware_), p. 83:-- 326. þe feondes heom forþ ledeþ Boþe lychom and saule. 331-336. Þe saule seyþ to þe lychome, Accursed wurþe þi nome, Þin heaued and þin heorte. Þu vs hauest iwroht þes schome, And alle þene eche grome Vs schall euer smerte. _MS. Harl._ 2253, fol. 106, v^o, l. 7: þe fleysh stont a[gh]eyn þe gost. These two fundamental ideas of the transitoriness and hence worthlessness of man's earthly part, and the cleavage between it and his spiritual part, lie at the root of much of the mediaeval literature, and represent the two not incompatible extremes to which the monastic ideal of life, from its very one-sidedness, was capable of leading: on the one hand a certain morbid materialism, on the other an ascetic mysticism. Nor can it be denied that the mediaeval mind took a certain grim pleasure in dwelling upon the more grotesque aspect of these things. The O.E. poet found the same enjoyment in describing his '[Gh]ifer'-- [29]se wyrm, þe þa [gh]ea[gh]las beoð nædle scearpran: se genydeð to ærest eallra on þam eorðsciæfe, as the painters of the _Dance of Death_ in the drawing of their skeletons and emblems of mortality, or the Gothic carver in his gargoyles. Perhaps, too, some satisfaction in dwelling upon the hollowness of earthly joys, and the bitter fate of those who took their fill of them, was not lacking to a few of those who had turned their backs upon them. _Erthe upon Erthe_ is perhaps more especially concerned with the first of the two conceptions mentioned above, man's mortality, but, as has already been shown, a close connexion exists between it and the _Soul and Body_ poems, and though the idea of the duality in man is not mentioned, it is certainly present. The poem is more popular in form than either the _Dance of Death_ or the various _Soul and Body_ Dialogues, perhaps because of its purely English origin, and seems to represent a later and more popular product of the ideas which gave rise to the other two groups. Its short mono-rimed stanza, its jingling internal rime, and its half-riddling, half-punning character, appear to have especially commended it to popular favour, and it is significant that it became most widely-known in its simpler forms. EDITOR'S NOTE. In preparing the text of this edition, all the available MSS. have been consulted, the only two not examined being William Billyng's MS. and the Brighton MS., which were formerly in the possession of private owners, and have eluded all search for them. As exhaustive a search as was possible has been made for other texts of the poem, but it has often escaped cataloguing, and it is probable that other copies of the B version, at least, exist. The punctuation, inverted commas, and regular use of initial capitals in the text are the Editor's. The MSS. vary in their use of capitals, the same MS. being often inconsistent with itself, while the Cambridge text frequently employs them for unimportant words in the middle of the line, as p. 33, l. 45, Ar, &c. Capitals have been added in the case of all proper names. Letters and words which are obscure or illegible in the MS., or which appear to have been accidentally omitted, are enclosed in square brackets, and a hyphen has been inserted where the MS. separates a prefix or particle from the rest of the word. The MS. writings ff, þ, [gh], v for u and vice versa, have been retained in the text, and [ll], [th] expanded to ll{e}, th{e}, but it was not thought advisable to expand m~, n~, to m{e}, n{e}, nor other letters such as d, r, g, when written with a final flourish. Fifteenth-century scribes appear to have used such flourishes at the end of the word rather as a matter of habit than with any particular meaning, and the forms to which expansion of them would lead, such as _one_, _onne_ for _on_, are frequently most improbable. It was therefore thought better to ignore such flourishes, or to indicate the persistent use of them by a footnote. [Transcriber's Note: The mid-paragraph characters are "ll" and "th", each with a single stroke through both letters.] As the conclusions arrived at in the Introduction with regard to the relationship of the English and Latin versions in MS. Harl. 913, and the verbal connexion with the _Soul and Body_ Dialogues, agree, to some extent, with those indicated by Heuser, _Die Kildare-Gedichte_, pp. 176-80, it is only reasonable to state that the greater part of the work upon the subject had been done, and a projected article upon it written in reply to Professor Fiedler's in the _Modern Language Review_, before I had any knowledge of Heuser's text, and that my conclusions had been formed independently of his, though his have helped to strengthen and confirm them. Moreover I owe his work a very real debt, since I first learned from it of the existence of the Cambridge Text, which has been a most important link in the building up of the general theory as to the connexion between the different versions of the poem. In conclusion, it is a pleasure to express thanks for kind and courteous assistance to the authorities of the British Museum, the Public Record Office, the Bodleian, Cambridge University Library and Lincoln Cathedral Library; to the librarian of Lambeth Palace Library, to whom I am indebted for the collation of the Lambeth text; to the authorities of Magdalene College, Cambridge, for permission to copy and print the Maitland text; to Lord Harlech for the loan of the Porkington MS.; to Professor Fiedler for permission to use the Brighton text; to Professor Priebsch, who pointed out the text in MS. Harl. 4486; to Miss Helen Sandison, of Bryn Mawr College, U.S.A., for the discovery of the text in the Appendix and for two of the Analogues, and to Professor Skeat for valuable advice and suggestions. In particular this text owes much to my Father, Sir James Murray of the _Oxford Dictionary_, who has read the proofs, and in the midst of his own arduous work has always been ready with help and advice, to my friend Miss K. S. Block, Lecturer in English at the Royal Holloway College, and, above all, to Dr. Furnivall, in whom all scholars and students of English mourn to-day the loss of a great pioneer, and an ever-ready friend and adviser. OXFORD, _July_ 1910. Since this was sent to press two other copies of the B version have come to light at Cambridge, and have by kind permission been inserted on pp. 47, 48 as Appendix II:-- (B 19) MS. Trinity College R. 3. 21, fol. 33, v^o, a copy of the normal B version in seven stanzas. (B 20) MS. Trinity College B. 15. 39, fol. 170, which contains nine stanzas of the expanded text preserved in MSS. Lambeth and Laud, and appears to represent a distinct copy of the original of these two (see Introd. p. xix). [Footnote 1: A second Latin version of an _Erthe_ poem, together with the same poem in Anglo-French, and in Middle English, occurs on the back of a Roll in the Public Record Office, dating from the time of Edward II (Ex^r. K. R. Proceedings, Bdle. 1; old No. 845/21), and in a 19th cent. transcript of this in MS. Brit. Mus. Addit. 25478; it is given in the Appendix. Both the Latin and the French appear to be translations or paraphrases of the English, with an additional verse or two.] [Footnote 2: The English text in the Appendix consists of nine four-lined stanzas, and is distinct from either of the two current versions of the poem. It appears to have been suggested by the opening lines of A, and may be regarded as a single sub-type of A, not affecting the main line of argument of the Introduction. (See Appendix, p. 46.)] [Footnote 3: This is repeated on each page of Bateman's text, and is, perhaps, his own design.] [Footnote 4: See Bateman's Preface.] [Footnote 5: Probably not the author but the copier of the MS.: see Notes.] [Footnote 6: All the stanzas of the B version are four-lined except MS. Porkington.] [Footnote 7: v. Wanley's Catalogue.] [Footnote 8: My attention was called to this MS. by the kindness of Prof. Priebech.] [Footnote 9: MS. Laud Misc. is not written throughout in metrical lines, but the divisions of the stanzas, and, in most cases, of the lines, are clearly indicated.] [Footnote 10: The first leaf of this text has been torn out and the verses in brackets are only conjectural.] [Footnote 11: MS. Laud represents, in the main, the same version as MS. Lamb., but the variant readings preclude the idea of its being a copy of Lamb., unless the scribe deliberately tried to modify his original on the lines of Harl. 4486 and Rawl. P. The changes in the text (ll. 26, 27, 47: see Notes) show that it cannot be the original of Lamb. It appears to be a transcript from the same original made about the same date, or a little earlier than the Lambeth text.] [Footnote 12: Cf. MS. Brighton _nobley_.] [Footnote 13: Cf. MS. Selden _delful_.] [Footnote 14: The Latin and Anglo-French texts in the Appendix are evidently renderings of the English poem which accompanies them.] [Footnote 15: This is clearly seen in the Latin and French versions in the Appendix where the Latin text uses _terra in terra_, and the French _terre en terre_.] [Footnote 16: Vernon MS. _to resten on_, Digby, _shal rest right at_.] [Footnote 17: Cotton MS. _þe rof þe firste_.] [Footnote 18: Cf. Frendles ys þe dede (_Proverbs of Hendyng_, l. 288).] [Footnote 19: = heres þonkes, _of their own free will_.] [Footnote 20: Compare with this the text in the Appendix which begins: Whanne eorthe hath eorthe wiþ wrong igete-- and in the French version: Quant terre auera en terre large terre gayne.] [Footnote 21: See the Appendix, p. 46.] [Footnote 22: _Die Kildare-Gedichte_ (Bonn, 1904).] [Footnote 23: See p. xxxiv above.] [Footnote 24: The earliest known epitaphs in English date from the fourteenth century.] [Footnote 25: There is no record of this brass at the church of St. Helen's, Bishopsgate.] [Footnote 26: Dated 1590 by Ernest R. Suffling, _Epitaphia_ (1909), p. 382.] [Footnote 27: A late instance of its use is given by Ch. Box (_Elegies and Epitaphs_, Glouc. 1892) as found by him on the tomb of a bricklayer, who died in 1837, aged 90:-- Earth walks upon Earth like glittering gold, Earth says to Earth, 'We are but mould'; Earth builds upon Earth castles and towers, Earth says to Earth, 'All is ours'!] [Footnote 28: Printed from Grein-Wülcker, _Bibliothek der ags. Poesie_, iii. 212.--(I know of a most noble guest in the dwellings, hidden from men, whom fierce hunger cannot torment, nor burning thirst, nor age, nor sickness [nor close-pressing death], if the servant who shall [bear him company] in his course serves him honourably: they, prospering, shall find abundance and bliss, countless joys, allotted to them at home, but (they shall find) sorrow, if the servant obeys his lord and master ill upon their journey, and will not show him reverence, the one brother to the other: that shall afflict them both, when they two depart, hastening hence, from the bosom of their common kinswoman, mother and sister.)] [Footnote 29: Grein-Wülcker, iii. 105.--(The worm whose jaws are sharper than needles, who first of all the worms in the grave forces his way to him.)] THE MIDDLE ENGLISH POEM ERTHE UPON ERTHE. I. #A# VERSION. 1. MS. HARLEIAN 2253. c. 1307. [fol. 57, v^o.] Erþe toc of erþe erþe wyþ woh, Erþe oþer erþe to þe erþe droh, Erþe leyde erþe in erþene þroh, Þo heuede erþe of erþe erþe ynoh. 4 2. MS. HARLEIAN 913. c. 1308-1330. [fol. 62, r^o.] 1 [1]Whan erþ haþ erþ iwonne wiþ wow, Þan erþ mai of erþ nim hír inow. Erþ vp[2] erþ falliþ fol frow[3]; Erþ toward erþ delful hi{m} drow. 4 Of erþ þou wer{e} makid, a{nd} mon þou art ilich; In on erþ awaked þe pore a{nd} þe riche. T{er}ra{m} p{er} i{n}iuriam cu{m} t{er}ra lucratur, Tu{n}c de t{er}ra cepiam[4] t{er}ra sorciatur. 8 T{er}ra sup{er} aream subito frustratur; [fol. 62, v^o.] Se t{r}axit ad aridam t{er}raq{ue} tristatur. De t{er}ra plasmaris, es simil{is}[5] virroni, Vna t{er}ra paup{er}es ac dites s{un}t proni. 12 2 Erþ geþ on erþ wrikkend in weden, Erþ toward erþ wormes to feden; Erþ b{er}riþ[6] to erþ al is lif deden; When erþ is i{n} erþe, heo muntid[7] þi meden. 16 When erþ is i{n} erþe, þe rof is on þe chynne[8]; Þan schullen an hu{n}dred wormes wroten on þe skin. Vesta p{er}git uestibus s{upe}r ueste{m} vare, Artat{ur} & uermibus vesta pastu{m} dare; 20 Ac cu{m} gestis o{mn}ibus ad uesta{m} migrare; Cu{m} uesta sit scrobibus, q{u}is wlt[9] suspirare? Cu{m} sit uesta po{n}ita[10], doma ta{n}git mentu{m}; Tu{n}c i{n} cute ca{n}dida verru{n}t[11] u{er}mes centu{m}. 24 3 Erþ askiþ erþ, a{nd} erþ hir answerid, Whi erþ hatid erþ, a{nd} erþ erþ verrid. Erþ haþ erþ, a{nd} erþ erþ teriþ, Erþ geeþ on erþ, a{nd} erþ erþ berriþ. 28 Of erþ þow wer{e} bigun, on erþ þou schalt end; Al þ{a}t þou i{n} erþ wonne[12], to erþ schal hit wend. Hum{us} humu{m} repetit, & re{spo}nsu{m} datur, Humu{m} q{u}are n{e}gligit, & humo fruatur. 32 Hum{u}s humu{m} porrigit, sic & operatur, S{upe}r humu{m} p{er}agit, humo q{uod}[13] portatur. Humo sic i{n}ciperis, ac humo meabis; Q{uo}d humo q{ue}sieris, humo totu{m} dabis. 36 4 Erþ get hit[14] on erp maist{r}i a{nd} mi[gh]te; [fol. 63, r^o.] Al we beþ erþ, to erþ we beþ idi[gh]te; Erþ askeþ carayne of ki{n}g a{nd} of kni[gh]t; Whan erþ is i{n} erþ, so low[gh] he be li[gh]t. 40 Whan þi ri[gh]t a{nd} þi wow[gh] wendiþ þe bi-for, Be þou þre ni[gh]t i{n} a þrou[gh], þi f{r}endschip is i-lor. Terra ui{m}q{ue}[15] b{r}auivm t{er}ra collucratur; Tot{us} cet{us} hominvm de t{er}ra patratur[16]; 44 Ops cadau{er} militvm q{ue} regis sc{r}utatur; Cu{m} det{ur} i{n} tumulvm, mox t{er}ra voratur. Cu{m} ius & i{us}ticivm cora{m} te migrabu{n}t, Pauci p{er} t{r}inoctivm morte{m} deplorabu{n}t. 48 5 Erþ is a palfrei to king a{nd} to quene, Erþ is ar[17] la{ng} wei, þouw we lutil wene, Þ{a}t weriþ g{r}ouer a{nd} g{r}oy[18] a{nd} schrud so schene, Whan erþ makiþ is liuerei, he g{r}auiþ vs i{n} g{r}ene. 52 Whan erþ haþ erp wiþ st{r}einþ þus geten, Alast he haþ is leinþ miseislich i-meten. Dic uesta{m}[19] dext{r}arium regiq{ue} regine, It{er} lo{n}gu{m} marium, q{uod} e{st} sine fine, 56 I{n}dum{en}tu{m} uarium dans cedit se{n}tine[20], Q{ua}ndo[21] dat corrodium, noa t{r}adit ruine. Cu{m} p{er} fortitudinem tenet hanc luc{r}atam, Capit lo{n}gitudinem mis{er}e metatam. 60 6 Erþ gette on erþ gersom a{nd} gold, Erþ is þi moder, in erþ is þi mold. Erþ uppon erþ be þi soule hold; Er erþe go to erþe, bild þi long bold. 64 Erþ bilt[22] castles, a{nd} erþe bilt toures; [fol. 63, v^o.] Whan erþ is on erþe, blak beþ þe boures. Hum{us} q{ue}rit pl{ur}ima sup{er} humu{m} bona, Hum{us} e{st} mat{er} tua, i{n} q{u}a sumas dona[23]. 68 A{n}i{m}e sis famula s{upe}r humu{m} prona; Domu{m} d{e}i p{er}petra m{un}do cu{m} corona. Ops t{ur}res edificat ac castra de petra; Q{ua}n{do}[24] fatu{m} capiat, penora {sun}t tetra. 72 7 Þenk man i{n} lond[25] on þi last ende, Whar of þou co{m} a{nd} whoder schaltou wend. Make þe wel at on wiþ hi{m} þ{a}t is so hend, A{nd} dred þe of þe dome lest sin þe schend. 76 For he is[26] king of blis, a{nd} mon of moch{e} mede, Þ{a}t deliþ þe dai f{r}am ni[gh]t, a{nd} leniþ lif a{nd} dede. De fine nouissimo mauors mediteris, Huc q{u}o uen{er}is uico, dic q{u}o g{r}adieris. 80 Miti p{r}ude{n}tissimo co{n}cordare deris, Hesides iudic[i]o[27], ne noxa da{m}pneris. Q{uia} rex e{st} gl{or}ie, dans m{en}sura restat; Mutat nocte{m} de die, vita{m} morte{m} prestat. 84 Am{en}. [Footnote 1: Cf. Reliquiae Antiquae, _II. 216_; Furnivall, Early Eng. Poems and Lives of Saints, _p. 150_; Heuser, Kildare-Gedichte, _p. 180_.] [Footnote 2: read _upon_.] [Footnote 3: in margin _festi{n}e_.] [Footnote 4: MS. _cepiam_, so Reliq. Ant.; Furn., Heuser, _copiam_.] [Footnote 5: MS. _simil'_, Furn. _simile_.] [Footnote 6: MS. _b'riþ_, Furn., Reliq. Ant. _beriþ_, Heuser _berriþ_, cf. l. 28.] [Footnote 7: _muntiþ_, in margin _metit{ur}_.] [Footnote 8: MS. originally _schynne_, _s_ erased.] [Footnote 9: _vult_, cf. Furn.] [Footnote 10: MS. _põita_, Furn., Heuser _posita_.] [Footnote 11: in margin _t{r}ahu{nt}_.] [Footnote 12: in margin _luc{r}ataris_, Heuser _lucrabaris_.] [Footnote 13: MS. _humo [q-]_, Reliq. Ant., Furn. _humoque_, Heuser _humo quod_.] [[q with line through stem; exact form unclear]] [Footnote 14: ? _getith_, in margin _luc{ratur}_.] [Footnote 15: MS. _u[~i]q[gh]_, Reliq. Ant., Furn. _vincit_, Heuser _vimque_.] [Footnote 16: MS. _p^{a}rtratur_, Furn. _portratur_.] [Footnote 17: MS. _ar_, Heuser _a_.] [Footnote 18: Heuser _grey_ (lies _fou and grey_?).] [Footnote 19: Furn. _est tam_.] [Footnote 20: MS. _s[~e]tine_, Furn. _sentine_, Reliq. Ant. _sentinæ_, so _reginæ_, _ruinæ_.] [Footnote 21: MS. _Qñ_, Furn. _omne_.] [Footnote 22: in margin _bildiþ_.] [Footnote 23: Furn. H. _dorna_.] [Footnote 24: MS. _qñ_, Furn. _quin_ or _quando_.] [Footnote 25: Heuser ? _ilome_.] [Footnote 26: MS. _h^{e}is_.] [[inserted "e" over line]] [Footnote 27: MS. _iudico_: Reliq. Ant. _judicio_, Furn., Heuser _iudicio_.] II. #B# VERSION. 1. WILLIAM BILLYNG'S MS. c. 1400-1430 ?. 1 [1]Erth owte of erth is wondyrly wroght, Ffor erth hath geten of erth a nobul thyng of noght, Erthe uppon erthe hath set alle hys thoght How erthe uppon erthe may be hygh broght. 4 2 Erthe uppon erthe yet wolde be a kynge, But how erth shall to erth thynketh he nothyng; But when erth byddyth erth his dute hom bryng, Than shall erth fro erth have a peteus[2] partyng. 8 3 Erth wynnyth uppon erth both castellys and towris; Than sayth erth unto erth: 'This is alle owres'. But whan erth uppon erth hath byllyd all his bowrys, Thanne shalle erth for erth suffer sharpe showres. 12 4 Erth byldyth uppon erth as molde uppo{n} molde, And erth goth uppo{n} erth glyttryng alle gold, Lyke as erth unto erth neuer goe sholde; Ann justly tha[n][3] shalle erth go to erth rather þa{n}[4] he wolde. 16 5 Why man erth loveth erth wondyr me thynke, Or why that erth for erth swet wylle or swynke, Ffor whan erth uppon erth is broght w{i}t{h}i{n} þe[5] brynke, Than shal þe[6] erth of erth have a ryght fowle sty[n]ke[6]. 20 6 Memento[7] ho{mo} quod cinis es {e}t in cinere{m} reverteris. Ffac bene du{m} vivis, post morte[m][8] viv{er}e si vis. Wha{n} lyffe is most louyd and deth most hated, Than deth drawyth hys drawght and maketh ma{n} ful naked. 24 [Footnote 1: From Bateman's print (William Billyng, Five Wounds of Christ, Manchester, 1814).] [Footnote 2: Bateman _petrus_.] [Footnote 3: B. _tha_.] [Footnote 4: B. _yã_.] [Footnote 5: B. _w^{t}i y^e_.] [Footnote 6: B. _y^e_; _styke_.] [Footnote 7: B. _momento_.] [Footnote 8: B. _morte_.] 2. MS. THORNTON. c. 1440. [fol. 279.] Memento homo Quod Sinis Es Et in cenerem Reuerteris. 1 [1]Erthe owte of erthe es wondirly wroghte, Erthe hase getyn one erthe a dignyte of noghte, Erthe appon{e} erthe hase sett alle his thoghte How þat erthe appon{e} erthe may be heghe broghte. 4 2 Erthe appon{e} erthe wolde be a kynge, Bot howe þ{a}t erthe to erthe sail thynkis he no thynge. When erthe bredis erthe & his rentis[2] home brynge, Thane schalle[3] erthe of erthe hafe full harde partynge. 8 3 Erthe appon{e} erthe wynnys castells and towrrys. Thane saise[4] erthe vnto erthe: 'This es alle owrris'. When erthe appo{ne} erthe hase bigged vp his bourris, Than schalle erthe for erthe suffire scharpe scowrrys[5]. 12 4 Erthe gose appon{e} erthe as golde appone golde, He that gose appon{e} erthe gleterande as golde, Lyke als erthe neu{er} more[6] goo to erthe scholde, And [gh]itt schal erthe vnto erthe [gh]a rathere þan he wolde. 16 5 Now why þ{a}t erthe luffis erthe wondire me thynke, Or why þ{a}t erthe for erthe scholde oþ{er} swete or swynke, For when þ{a}t erthe appon{e} erthe es broghte w{i}t{h}in brynke, Thane schalle erthe of erthe hafe a foulle stynke. 20 Mors Soluit Omnia. [Footnote 1: Cf. G. G. Perry, Religious Poems in Prose and Verse (E.E.T.S. _No. xxvi. 1867, p. 95, 1889, p. 96_); C. Horstmann, Yorkshire Writers, _1. 373_.] [Footnote 2: repeated in MS. _rentys_.] [Footnote 3: Perry _sall_, MS., Horstmann _schalle_.] [Footnote 4: perh. _sase_, MS. indistinct, Perry _thus sase_.] [Footnote 5: perh. _stourrys_ as in Perry, but all other texts have _schowrys_.] [Footnote 6: MS. _more_, Perry _mare_.] 3. MS. SELDEN Supra 53. c. 1450. [fol. 159, v^o.] 1 [1]Erthe apon erthe ys wonderly wroth[2], Erthe apon erthe hath worschyp of nogth, Erthe apon erthe hath set[3] al hys thowth How erthe apon erth myth be hy browth. 4 2 Erthe apon erth wolde be a kyng{e}; How erth schal to þe erth thy[n]k[4] he no thyng{e}. Whan erth bydyth erth hys rent h[om]e[4] bryng{e}, Þan schal erth fro þe erth [haue][5] a delful partyng{e}[6]. 8 3 Erth apon erth wyn[nyth ca[7]]stellys {and} towrys; Þan seyth erth to þe erth: 'Þose beth al owrys'. Whan erth apon erth hath byggyt al hys bowrys[8], Þan schal erth for þe erth suffyr scharpe [s]chowrys[9]. 12 4 Lo erth apon erth consyder þ{o}u may Þ{a}t erth cometh owte of þ{e} erth nakyt alway. Þan how scholde erth apon erthe be prowt [or gay][10] Whan erth schal to þ{e} erth in so pore aray? 16 5 Erth goth on erth as molde doþe on molde, Erth goth on erth glydderande in golde, Lyk as erth to erth neuyre go scholde. [Gh]yt schal erth to þ{e} erth rathyr þan þey wolde. 20 6 I cowsayl erth apon erth þ{a}t wykytly hath wroht, Whyle erth ys apon erth to turne al hys tho[w]th[11]. Now pray we to God þ{a}t al erth wrowth, Þat erth owt of erth to blys myth be browth. 24 [Footnote 1: The poem is in a different hand on the last leaf of the MS., and the writing is much worn and stained, and in many cases barely legible. A few letters have been re-written in black ink by a later hand.] [Footnote 2: _wroht_, cf. _nogth_, _thowth_, _browth_, and similar cases of _th_ for _ht_ in v. 6.] [Footnote 3: MS. perhaps _iset_.] [Footnote 4: MS. obscure.] [Footnote 5: omitted in MS.] [Footnote 6: _partyn_ re-written in black ink, _ge_ of the original hand still clear.] [Footnote 7: MS. stained and illegible; portions of _nyth a_ seem to be visible.] [Footnote 8: _bow_ in original hand, _rys_ re-written in black ink.] [Footnote 9: The second hand has re-written _chowrys_ ignoring the _s_ which is no longer visible.] [Footnote 10: _o_ and _y_ re-written, the rest illegible.] [Footnote 11: _w_ no longer legible.] 4. MS. EGERTON 1995. c. 1430-1450. [fol. 55, r^o.] (William Gregory's Commonplace-Book.) Memento homo q{uod} cinis es et in cinerem reuerteris. Whenne lyfe ys moste louyde, and dethe ys moste hatyde, Dethe drawythe hys draught{e}, and makythe man nakyde. 1 Erthe owte of þe erthe ys wounderly wrought{e}, 4 Erthe vppon erthe hathe sette hys thought{e} Howe erthe a-pon erthe may be hy brought{e}[1]. 2 Erthe vppon erthe wolde be a kynge; Howe erthe shalle vnto erthe thynkythe he noo thynge. 8 Whenne erthe byddys erthe hys rentys home brynge, Thenne shalle erthe of the erthe haue a pytyus partynge. 3 Erthe a-pon erthe wynnys castellis and towrys; Thenne erthe saythe vnto[2] erthe: 'Thys ys alle owrys'. 12 Whenne erthe a-pon erthe hathe bylde vppe hys bourys, Thenne shalle erthe for the erthe suffer sharpe schowrys. 4 Erthe goythe a-pon erthe as molde a-pon molde; Erthe gothe a-pon erthe alle gleterynge in golde, 16 Lyke as erthe vnto erthe neuyr [go][3] scholde, And yet shalle erthe vnto erthe rathyr thenne he wolde. 5 Why erthe louythe erthe woundyr I thynke, Or why erthe for the erthe swete wylle or swynke, 20 Ffor whenne erthe a-pon erthe ys brought{e} w{i}t{h}yn brynke, Thenne shalle erthe of erthe haue a foule stynke. 6 Loo erthe a-pon erthe consyder þ{o}u may Howe erthe comythe to erthe nakyd alle day. 24 Why scholde erthe a-pon erthe goo stowte and gay, Syn erthe vnto erthe shalle pas in pore a-ray? 7 I consylle erthe a-pon erthe þ{a}t wyckydly hathe wrought{e}, Whyle erthe ys a-pon erthe to turne vppe hys thought{e}, 28 And pray to God a-pon erthe that alle the erthe hathe wrought{e}, [fol. 55, v^o.] That erthe owte of the erthe to blys may be brought. Amen. Caue si vis. [Footnote 1: The second line in omitted here and in No. 5, where a new line has been added.] [Footnote 2: MS. _vnt_.] [Footnote 3: Omitted in MS., but required by metre.] 5. MS. HARLEIAN 1671. 15th century. [fol. 1*, r^o.] 1 Erthe apon erthe ys waxyne and wrought{e}, And erthe apon erthe hathe ysette all{e} hys thought{e} Howe that erth{e} apon erth{e} hye myght be brought{e}, But how that erth{e} scal to the erth{e} thyngketh{e} he noht{e}. 4 2 Erthe apon erth{e} wolde be a kyng, Butte how that erth{e} schal to erth{e} thynketh he no thynge, Ffor when erth{e} byddyth{e} erth{e} hys rente home[1] brynge, Than hath{e} erth{e} apon erth{e} heuy partyng. 8 3 Eerthe apon erth{e} wynnyth castells and touris, And erth{e} sayth{e} to the erth{e}: 'Thys ys all{e} ourys'. Wanne erth{e} apon erth{e} syttyth{e} wyth-in hys bovrys, Ye[gh]t schall{e} erth{e}[2] for the erthe suffre scharpe schourys. 12 4 Erth{e} goyth{e} on erth{e} as mowlde apon{ne} mowlde, And erth{e} goyth on erth{e} gletterant as golde, Like as erth{e} apon erth{e} neuer dye schoulde. [Gh]yt schall erth{e} to the erth{e} rather than he wolde. 16 5 Why that erth{e} louyth erth{e} wond{er} me thynke, Or why that erth{e} apon erth{e} swete or swynke, Ffor whan{ne} erth{e} apon erth{e} ys brought wyth-in the brynke, Than ys erth{e} apon erth{e} botte a fowle stynke. 20 6 Erth{e} apon erth{e} knoweth{e} eche day Howe erth{e} cometh to the erth{e} naked all{e} waye. Why schulde erth{e} apon erth{e} go stowte or gay, Syth erth{e} apon erth{e} schal passe in pore aray? 24 7 I cowncell{e} erth{e} apon erth{e} that wonderly hath wrought{e} Whyles that erth{e} ys apon erth{e} to turne all hys thought{e}, And y pray to God apon erth{e} that all{e} erth{e} hath wrought{e}, That erth{e} out of erth{e} to blysse may be brought{e}. Amen. 28 [3]Whanne lyf ys moste louyd, And dethe ys most hatyd, Dethe drawyth hys drawghte And maketh a man ful naked. 32 De t{er}ra plasmasti me. [Footnote 1: MS. _hime_ crossed out, and _home_ written in same line.] [Footnote 2: MS. _erht{e}_.] [Footnote 3: written parallel with the poem in the right-hand column. A signature apparently follows, but is indecipherable.] 6. MS. BRIGHTON. 15th century. [fol. 90, v^o.] 1 [1]Erthe oute of erthe is wondyrly wroghte, Erthe vpon erthe gete nobley of noughte, Erthe vpon erthe has sete all his thovghte How erthe vpon erthe may be hye brovghte. 4 2 Erthe vpon erthe wolde be a kynge, How erthe sall to erthe thenkys he nothyng, For whan erthe byddes erthe his rent home brynge, Þan sall erthe from erthe haf petus p{ar}tynge. 8 3 Erthe vpon erthe wynnes castells and tours; Than says erthe vnto erthe: 'This is all ovres'. But whan erthe opon erthe has bigged his borowes, Than sall erthe for the erthe sofur sharpe shovres. 12 4 Erthe gothe vpon erthe os movlde opon movlde, Erthe gothe opon erthe glyd{er}yng os golde, Lyke as erthe to erthe neu{er} go shulde. [Gh]yte shall erthe to erthe rather þan he wolde. 16 5 Why þ{a}t erthe loues erthe wond{er} me thynkes, Vr why þ{a}t erthe vpon erthe swetys or swynkes, Ffor whan erthe opon erthe is brente w{i}t{h}in þe brynkes, Þan sall erthe of the erthe hafe a foule stynke. 20 6 Lo erthe vpon erthe consider þou may How erthe comes into þe erthe nakyd all way. Why sulde erthe vpon erthe go stovte or gay, Sethen erthe oute of erthe sall passe in por aray? 24 7 I concell erthe opon erthe þ{a}t wykkydly has wrouthe, The whyle þ{a}t erthe is vpon erthe to turn vp his thouthe, And praye to God vpon erthe þat all the erthe wrouhte, Þ{a}t erthe oute of erthe to blys may be browthe. 28 [Footnote 1: Printed, by kind permission, from H. G. Fiedler's text (Mod. Lang. Review, _III. iii. 219_).] 7. STRATFORD-ON-AVON INSCRIPTION. 15th century. (Formerly in the Chapel of the Trinity.) 1 Erthe oute of erth ys wondurly wroght, Erth hath gotyn vppon erth a dygnyte of noght, Erth ypon erth hath sett[1] all hys thowht How erth apon erth may be hey browght. 4 2 Erth vpon erth wold be a kyng, But how that erth gott to erth he thyngkys[2] nothyng. When erth byddys erth hys rentys whom bryng, Then schall erth apon erth haue a hard p{ar}tyng[3]. 8 3 Erth apon erth wy{n}nys castellys and towrys; Then seth erth vnto erth: 'Thys ys all owrys'. When erth apon erth hath bylde hye[4] bowrys, Then schall erth for erth suffur many hard schowrys. 12 4 Erth goth apon erth as man apon mowld, Lyke as erth apon erth neu{er}[5] goo schold. Erth goth apon erth as glisteryng gold, And yet schall erth vnto erth rather then he wold. 16 5 Why that erth loueth erth wondur me thynke, Or why that erth wold for erth other swett or swynke. When erth apon erth ys broght w{ith}yn the brynke, Then schall erth apon erth have a fowll stynke. 20 6 Lo erth on erth, consedur thow may How erth co{m}myth to erth nakyd all way. Why schall erth apon erth goo stowte or gay, Seth erth out of erth schall passe yn poor aray? 24 7 I counsill erth apone erth that ys wondurly wrogt, The w{h}yll[6] þ{a}t erth ys apon erthe to torne hys thowht, And pray to God vpon erth þ{a}t all erth wroght, That all crystyn soullys to þe[7] blis may be broght. 28 [Footnote 1: Fisher (Facsimile of inscription) _seth_; Reeves (Mod. Lang. Notes, ix. 4, 203) _sett_.] [Footnote 2: Reeves _thynkys_.] [Footnote 3: Fisher, Reeves _ptyng_.] [Footnote 4: Fisher _hye_, Reeves _hys_; cf. H. 4486 hath _bygged hy his bowres_.] [Footnote 5: Fisher _neuu_.] [Footnote 6: Fisher, Reeves _w^{h}yll_.] [Footnote 7: Fisher _y_ for _y^e_.] 8. MS. RAWLINSON C. 307. c. 1460. [fol. 2, r^o.] Memento homo quod cinis es et in cinerem reuerteris. 1 Erthe opon erthe hath set all{e} his thoght How that erthe opon erthe may be hy broght. Erthe oute of erthe is wonderly wroght, Erthe hase of erthe a dignytie of noght. 4 2 Erthe opon erthe wolde be a kyng, Bot how erthe shall{e} to erthe thynkis he nothyng. Ya bot when erthe byddis erthe his rentis hym bryng, Than shall{e} erthe hafe of erthe a full{e} harde p{ar}tyng. 8 3 Erthe opon erthe byggis castels and towres, Than sais erthe vnto erthe: 'All{e} þis is ours'. Ya bot when erthe opon erthe hath byggid vp his bowres, Than shall{e} erthe[1] for erthe suffre sharpe showres. 12 4 Erth{e} gose on erthe[1] glitterand as golde, Like as erthe[1] vnto erthe[1] neu{er} go shulde. Ya bot when erthe goeth on erthe as colde opon colde, Yit shall{e} erthe vnto erthe rather þan{ne} he wolde. 16 5 Whi that erthe luffis erthe wondre me thynke, Or whi þat erthe for erthe swete wyll{e} or swynke, Ffor when erthe[1] opon erthe is brought with-in brynke, Than shall{e} erthe hafe of erthe[1] a wonder foule stynke. 20 6 What may erthe say to erthe at beste tyme of all{e}? Noght bot þ{a}t erthe opon erthe shall{e} hafe a fall{e}. Bot when erthe oute of erthe[1] shall{e} com to the laste call{e}, Than sall{e} erthe be[2] full{e} ferde for þe sely sall{e}. 24 7 Beholde þ{o}u erthe opon erthe what worship þ{o}u hase, And thynk þ{o}u erthe opon erthe what maistres þ{o}u mase, And how erthe opon erthe what gatis at þ{o}u gase, And þ{o}u sall{e} fynde it forsuthe that þ{o}u haste many fase. 28 8 Now he þ{a}t erthe opon erthe ordande[3] to go Graunte þ{a}t erthe vpon erthe may govern hym so, Þat when erthe vnto erthe shall{e} be taken to, That þe saule of þis erthe suffre no wo. 32 [Footnote: Final _n_ is often written _n~_; so _m~_.] [Footnote 1: possibly MS. _ertha_; final _e_ in this MS. is often written very like _a_.] [Footnote 2: looks like _ba_.] [Footnote 3: looks like _ordanda_.] 9. MS. HARLEIAN 4486. 15th century. [fol. 146, r^o.] Memento homo q{uo}d cinis es & [in] cinerem reu{er}teris, Ffac b{e}n{e} du{m} viuis, post morte{m} viuere si vis. When[1] lyffe is most loued[1], & deth is moste hated, Then dethe[2] draweth{e} his drawght{e} & makyth{e} man full{e} naked. 4 1 Erthe owte of erthe is wonderly wrowght{e}, Erthe of the erthe hathe gete an abbey of nawte, Erthe apon erthe hath{e} sett all{e} his thowghte How erthe apon erthe may be hye browte. 8 2 Erthe apon erthe be he[3] a kyng{e}, Butt how erth{e} schall{e} to erthe thynketh{e} he nothyng{e}. [4]When erthe byddeth{e} erthe his rent home bryng{e}, Then schall{e} erthe owte of erthe haue a pyteous p{ar}tyng{e}. 12 3 Erthe apon erthe wynneth{e} castell{es} & towres. Then seyth{e} erthe to erthe: 'These byth{e} all{e} owres'. When erthe apon erthe hath bygged{e} vp his bowres, Then schall{e} erthe for the erthe suffre scharpe schowres. 16 4 Erthe gothe apon erthe as molde apon molde. So goeth{e} erthe apon erthe all{e} gleteryng{e} in golde, Lyke as erthe into erthe neu{er} go scholde, And [gh]et schalle erthe into erth{e} rather then he wolde. 20 5 Why erthe loueth{e} erthe wonder me thynke, Or why that erthe for erthe swete wyll{e} or swynke, Ffor whan erthe apon erthe is browte w{i}t{h}yn þe brynke, Then schall{e} erthe of the erthe haue a fowle stynke. 24 6 Loo, erthe apon erthe, consyder{e} thow may How erthe com{m}yth{e} to erthe naked all{e} way. Why scholde erthe apon erthe go stowte or gay, Whan erthe schall{e} passe owte of erthe in a pore aray? 28 [fol. 146, v^o.] 7 Therfor erthe apon erthe that wykedly hast wrought{e}, Whyle erthe is apon erthe torne agayne thy thowght{e}, And pray to God apon erthe that all{e} erthe hath wroughte That this erthe apon this erthe to blysse may be browte. 32 8 Now Lorde that madyst for erthe & sufferdyst paynes ylle, Lett neu{er} this erthe for this erthe i{n} myschyffe spylle, But that this erthe in this erthe be eu{er} worchyng{e} thy wylle, So that this erthe fro þ{is} erthe may stye vp to thy hylle. 36 Amen. [Footnote 1: Final _n_ is uniformly written _n~_ in this text excepting in the word _in_. Final _d_ is frequently written _[d+]_.] [Footnote 2, 3: _added above the line._] [Footnote 4: The first words in ll. 11, 14, 15 seem to have been freshened up.] 10. MS. LAMBETH 853. c. 1430-1450. [fol. 35.] Whanne liif is moost loued, and deeþ is moost hatid: Þanne dooþ deeþ drawe his draw[gh]t, & makiþ ma{n} ful nakid. De terra plasmasti me, _&c._ 1 Erþe out of erþe is wondirly wrou[gh]t, 4 Erþe of erþe haþ gete a dignyte of nou[gh]t, Erþe upo{n} erþe haþ sett al his þou[gh]t, How þat erþe upon erþe may be hi[gh] brou[gh]t. 2 Erþe upon erþe wold he be a king; 8 B{u}t how erþe schal to erþe þenkiþ he no [fol. 36] þing; Wha{n}ne þat erþe biddiþ erþe hise rentis hom bring, Þan schal erþe out of erþe haue a piteuous parting. 3 Erþe vpon erþe wy{n}neþ castels & touris, 12 Þan seiþ erþe to erþe: 'Now is þis al houris'. Wha{n}ne erþe upon erþe haþ biggid up hise boure[s], Þanne schal erþe upo{n} erþe suffir scharpe schouris. 4 Erþe gooth vpon erþe as molde upon molde, 16 So gooth erþe upon erþe al gliteringe in golde, Like as erþe vnto erþe neu{er}e go schulde, And [gh]it schal erþe vnto erthe raþ{er} þan he wolde. 5 O þ{o}u wrecchid erþe þat on erþe traueilist ny[gh]t and day, 20 To florische þe erþe, to peynte þe erþe wit{h} wantowne aray, [Gh]it schal þou erþe for al þi erþe, make þou it neu{er}e so queynte & gay, Out of þis erþe in-to þe erþe, þ{er}e to clinge as a clot of clay. [fol. 37.] 6 O wrecchid man whi art þ{o}u proud, þat art of þe erþe makid? 24 Hid{er} brou[gh]ttist þou no schroud, but poore come þou and nakid. Whanne þi soule is went out, & þi bodi in erþe rakid, Þan þi bodi þat was rank & undeuout, of alle men is bihatid. 7 Out of þis erþe cam to þis erþe þis wrecchid garnement; 28 To hide þis erþe, to happe þis erþe, to hi{m} was cloþinge lente; Now gooþ erþe upon erþe, ruli raggid and rent, Þ{er}fore schal erþe vndir þe erþe haue hidiose turment. 8 Whi þat erþe to myche loueþ erþe wondir me þink, 32 Or whi þat erþe for sup{er}flue erþe to sore sweete wole or swynk; Ffor wha{n}ne þat erþe upo{n} erþe is brou[gh]t w{i}t{h}i{n}ne þe brink, Þan schal erþe of þe erþe haue a rewful swynk. 9 Lo erþe upon erþe considere þou may, 36 How erþe comeþ i{n}to erþe nakid al way, [fol. 38.] Whi schulde erþe upon erþe go now so stoute or gay, Wha{n}ne erþe schal passe out of erþe in so poore aray? 10 Wolde God þ{er}fore þis erþe, while þat he is upon this erþe, Vpon þis wolde he{r}tili þinke, 40 & how þe erþe out of þe erþe schal haue his a[gh]en-risynge, And þis erþe for þis erþe schal [gh]eelde streite rekenyng; Schulde neu{er}e þan þis erþe for þis erþe mysplese heuene king. 11 Þerfore þou erþe upon erþe put so wickidli hast wrou[gh]t, 44 While þat þou erþe art upon erþe turne a[gh]en þi þou[gh]t, And praie to þat God upo{n} erþe þat al þe erþe haþ wrou[gh]t, Þat þou erþe upon erþe to blis may be brou[gh]t. 12 O þou Lord þat madist þis erþe for þis erþe & suffridist heere peynes ille, 48 Lete neu{er}e þis erþe for þis erþe myscheue ne spille, But þat þis erþe on þis [fol. 39] erþe be eu{er}e worchinge þi wille, So þ{a}t þis erþe from þis erþe may stie up to þin hi[gh] hille. Amen. Memento homo quod cinis es, et i{n} cinere{m} reu{er}teris, 52 Ffac bene dum viuis. post mortem viu{er}e si uis. Tangere qui gaudet. meretricem qualiter audet. Palmis pollutis. regem tractare salutis. Credo in deum patrem omnipotentem. 56 (_Here follows the Creed in English verse._) 11. MS. LAUD MISC. 23. Before 1450. [fol. 111, v^o.] Whan lyf is moost louyd & deeþ is moost hatyd: Thanne deeth drawyth his draut and makith man ful nakid. 1 Erthe out of erthe is wo{n}dirly wrou[gh]t, Erthe of the erthe hath gete a dignyte of nowth{e}, 4 Erthe vp-on e{r}the hath set al his thou[gh]t How that erthe vp-on erthe may be hy[gh] browth. 2 Erthe vp-on erthe wolde be a kyng; But how erthe shal to erthe thinkiþ he no thi{n}g; 8 Wha{n} that erthe biddeth erthe his rentys hoom bring, Thanne shal erthe out of the erthe haue a pet{ous} partyng. 3 Erthe vp-on erthe wynnyth castellis and towris[1], Tha{n}ne seith erthe to erthe: 'This is al owris.' 12 Whan erthe vp-on erthe hath biggid alle his bouris, Thanne shal erthe for erthe suffre sharp showris. 4 Erthe gooth up-on erthe as moolde vp-on moolde, So gooth erthe vp-on erthe al gleteryng in goolde, 16 Like as erthe vn-to erthe neu{er}e goo[2] shulde; Yit shal erthe vnto erþe[3] rather{e} than he wolde. 5 O thou wrecchid erthe, that on the erthe [fol. 112, r^o] traueylist ny[gh]t and day, To florissh{e} the erthe, to peynte the erthe wyth wantone a-ray; 20 [Gh]it shal thow erthe, for all{e} thyn erthe, make thow it neu{er} so queynt & gay, Out of the erthe in-to the erthe, ther to clynge as clot of clay. 6 O wrecchide man whi art thow p{r}ude, that art of erthe makid? Hidir broutyst thow no shroude, but por{e} cam thow & nakid. 24 Whan thi soule is went out, & thi body in erthe rakid, Tha{n}ne thi body that was rank and louyd of alle men, is hatyd. 7 Out of the erthe cam to this erthe his wantyng garneme{n}t; To hyde this erthe, to wrappe this erthe, to him was clothing lent; 28 Now gooth erthe up-on erthe, ruly raggid and rent, Therfor shal erthe vndir erthe haue hidous turme{n}t. 8 Whi that erthe louyth erthe wondir me thinke, Or whi that erthe for erthe swete wole or swinke; 32 Ffor whan that erthe up-on the erthe is brou[gh]t wyth-i{n}ne the brinke, Thanne shal erthe of the erthe haue a rewfull{e} stinke. [-->] 9 Lo erthe up-on erthe consider thow may, How erthe in-to the erthe comyth nakid al-way, 36 Whi shuld erthe vp-on erthe go stout [fol. 112, v^o] or gay, Wha{n} erthe shal passe out of erthe in a por{e} aray? 10 Wolde therfor{e} this erthe on this erthe, on this hertly thinke, How that erthe out of the erthe shal haue risynge, 40 And thus erthe for erthe[4] yeelde shal streyt rikenynge, Shulde neuer{e} erthe for erthe mysplese heuene kyng. 11 Thow erthe up-on erthe, that wickydly hast wrout, While that erthe is vp-on erthe, turne a-[gh]en thi thout, 44 And preye to God vp-on erthe, that alle the erthe hath wrou[gh]t, That erthe vp-on erthe to blisse may be brou[gh]t. 12 Lord God that erthe madist & for the erthe suffredist peynys ille, Lete neu{er}e þis erþe[5] for this erthe myscheue ne spille, 48 But that this erthe in this erthe be eu{er}e worching thi wille, So that erthe fro this erthe stye up on thyn hy[gh]e hille. Amen. p{ar} charite, God it graunte that it so be. [-->] [6]Tange{re} qui gaudes m{er}etricem qualit{er} audes[7]. 52 Palmis pollutis regem tractar{e} salutis. (_The poem _Whi is the wor[l]d belouyd that fals is and veyn_, follows immediately._) [Footnote 1: _towris_ added in margin by the same hand.] [Footnote 2: MS. _goo ne_; _ne_ crossed out, and marked _[n.][e.]_.] [[Expunctuated "ne" shown with under-dots]] [Footnote 3: _vnto erþe_ inserted in red above the line.] [Footnote 4: _for erthe_ repeated and crossed out in red.] [Footnote 5: _þis erþe_ added above the line, _erþe_ in red.] [Footnote 6: In left margin _de sac{er}dotib{us}_.] [Footnote 7: in right margin _h{oc} in decretis_.] 12. MS. COTTON TITUS A. xxvi. 15th century. [fol. 153, r^o.] 1 Erthe oute of erthe is wondirly wroght, Erthe of þe erthe hathe goten a dyngnyte of noght, Erthe vpon erthe hathe set all{e} hys thovght Houe erthe vpon erthe maye be hyghe broght. 4 2 Erthe vpon erthe wolde be a kyng; Bot how erthe shall{e} to erthe thynkethe he nothyng; Whan that erthe biddethe erthe hys rentis hom to bryng, Than shall{e} erthe oute of erthe haue a pytous p{ar}tyng. 8 3 Whan erthe vpon erthe wynythe casteles & tourys, Than says erthe to erthe: 'Þys is all{e} ourys'. And whan erthe vpon erthe hathe byggid hys bourys, Than shall{e} erthe vpon erthe suffer sharpe shoures. 12 4 Erthe gothe vpon erthe as molde vpon molde[1], So gothe erthe vpon erthe all{e} glytryng in golde, Lyke as erthe into erthe never goo sholde; And y{e}t shal[2] erthe in to erthe rathar then he wolde. 16 [fol. 153, v^o.] 5 O thou wreched erthe that on erthe trauayles nyght & daye To fflorysshe[3] and paynt þe erthe w{i}t{h} wanton araye; Y{e}t sshalle þou, erthe, for all{e} thy erthe, make þ{o}u it neu{er} so queynt or gaye, Oute of thys erthe in to erthe to klyng as clot in claye. 20 6 O wrechyd man, why[4] art þ{o}u[5] prowde that of erth art maked, And hyder thou broght no shrowde, bot pore com and nakyd? Lewe thy syne and lyffe in ryght, And than shalt thou lyffe in heuyn as a knyght. 24 [Footnote: Final _n_ is written _n~_ as a rule in this text, so _m~_.] [Footnote 1: MS. _moldee_.] [Footnote 2: MS. _shal do_ or _de_, the second word crossed out.] [Footnote 3: MS. _To fflorysshe þe erthe_, the last two words crossed out, cf. MS. Lambeth, _v. 5_, MS. Rawl. Poet., _v. 15_.] [Footnote 4: MS. _why at_, _at_ crossed out.] [Footnote 5: MS. _þ^t_.] 13. MS. RAWLINSON POETICAL 32. After 1450. [fol. 32, v^o.] A descripture alchimicall of erthe & the nature of man[1]. Whanne life is most louyd, And deth is most hatid, Deth drawith his drau[gh]te And makith a man nakid. 4 1 Erthe oute of erthe Is wonderly wrou[gh]te; Erthe hath of the erthe [Gh]etyn a dignite of noughte. 8 2 Erthe a-pon erthe Hath set alle his thoughte How erthe apon erthe May be hiere y-broughte. 12 3 Erthe a-pon erthe Wolde be made a kyng, How erthe schal to erthe Thynkyng no thyng. 16 4 Whanne erthe biddith erthe Than he his rente hom brynge, Thanne schal erthe for erthe Haue a petous partynge. 20 5 Whanne erthe apon erthe Hath billid al his bowris, Thanne schalle erthe for erthe Suffre ful harde schowris. 24 6 Erthe a-pon erthe [fol. 33, r^o.] Wynnyth castellis and towris. Thanne saithe erthe to erthe: 'This is alle owris'. 28 7 Erthe gothe apon erthe As molde a-pon molde, Erthe gothe apon erthe Gleteryng alle in golde, 32 8 As thouh erthe to erthe Neu{er} a-yen go schulde, But yit schal erthe to þ{e} erthe Rather thanne he wolde. 36 9 Oute of the erthe cam the erthe Wantynge his garnament, To hide the erthe, to lappe the erthe, To hym was clothing y-lent. 40 10 Now goth the erthe apon erthe Disgesily ragged and to-rent, Therfore schal erthe vnder erthe Suffer ful grete turment. 44 11 Whi that erþe loueþ erthe Wonder y may thinke, Or whi that erthe for the erthe Unresonably swete wol or swynke, 48 12 Ffor whanne erthe vnder erthe [fol. 33, v^o.] Is brou[gh]te withynne brynke, Thanne schal erthe of the erthe Haue an oribyll stynke. 52 13 Yif erthe wold of erthe Thus hartily haue thynkynge, And how erthe out of erthe Shal at last haue risynge, 56 14 Thanne schal erthe for erthe Yelde riht streite rekenynge, Thanne schuld [erthe] for erthe Neuer mys-plese heuene kynge. 60 15 Thow wrecchid erthe þ{a}t thus for erthe Trauelist nyht and day To florische the erthe, to paynte the erthe With thi wanton array, 64 16 Yit schalt thou erthe for alle thi erthe, Make thou neuer so gay, Ffor thi erthe in to erthe Clynge as clotte in clay. 68 17 Thinke now erthe how thou in erthe Goist euer in dethis[2] grace, And thanne thou erthe for the erthe Shalt neuer stryue ne race. 72 18 Bute for thou erthe with thi erthe [fol. 34, r^o.] Hauntist enuye and hate, Therefor schal erthe for erthe Be excludid from heuene gate. 76 19 Ffowle erthe whi louyst thou erthe That is thi dedly foo, And bildist on erthe As thou schuldist dwelle euer moo? 80 20 But thou erthe forsake the erthe, Or that thou hennys goo, Vnder erthe for lust of erthe Thou schalt haue sorow and woo. 84 21 Whiles erthe may in erthe To festis and to drynkis gon, Til the be made frome the erthe As bare as any bon. 88 22 Thanne if erthe comyth to erthe Makyng sorow and mone, Thanne saith erthe to the erthe, 'Thou were a felow, but now art thou none'. 92 23 Thus the erthe queytith the erthe That doith to him seruyse, Or tristyn on erthe, or plese the erthe In any maner wise. 96 24 Therfor thou erthe be ware of erthe [fol. 34, v^o.] And thou the wele auyse, Lest thou erthe p{er}ische for erthe By-fore the hihe iustyse. 100 25 Ffor the erthe was made of erthe At the first begynnynge, That erthe schuld labour the erthe In trowthe and sore swynkynge; 104 26 But now erthe lyueth in erthe With falshode and begilynge, Therfor schal erthe for erthe Be punsched in payne euerlastynge. 108 27 But erthe forsake the erthe And alle his falshede, And of the erthe restore the erthe Goodis that ben mys-gete, 112 28 Or that erthe be doluyn in erthe And vnder fote y-trede, Ffor synne of erthe, þ{a}t hath do in erthe, Fful sore he schalle be bete. 116 29 Drede thou erthe while thou in erthe Hast witte & resoune at thi wille, That, erthe, for loue of erthe, Thi soule thou nougth spille. 120 30 And thou erthe, repente the in erthe [fol. 35, r^o.] Of alle that thou hast don ille, And thanne schalt thou, erthe apon erthe, Goddis biddyngis fulfille. 124 31 Lord God that erthe tokist in erthe, And suffredist paynes ful stille, Late neuer erthe for the erthe In dedly synne ne spille, 128 32 But that erthe in this erthe Be doynge euer thi wille, So that erthe for the erthe Stye vp to thi holy hille. Amen. S. J. 132 [Footnote 1: Added in a later hand, probably 16th century.] [Footnote 2: MS. _deth is_.] 14. MS. PORKINGTON 10. 15th century. [fol. 79, v^o.] 1 [1]Erthe vppo{n} erth{e} is wo{u}ndyr{e}ly wro{u}[gh]te; Erthe vppo{n} erthe has set al his þou[gh]te[2] [fol. 80, r^o.] How erthe vppo{n} erth to erthe schall{e} be[3] brou[gh]te; Ther is no{n}e vppo{n} erth has hit in þou[gh]te.[4] 4 Take hede! Whoso þinkyse on[5] his end{e}, ful well{e} schal he sped{e}. 2 Erth vppo{n} erth wold{e} be a kynge; How erth schal to erthe he þink{is} no þinge. 8 Whe{n} erth byddyþ erth his rent who{m}e brynge, The{n} schal erth fro þe erth have a hard{e} parttynge, W{i}t{h} care; Ffor erth vppo{n} erþe wott{is} neu{er} we{r} þ{er}for to far{e}. 12 3 Erth vppo{n} erth wy{n}nis castyll{is} & tovris. The{n} sayþe erth to erth: 'Al þ{i}s is ourus'. Whe{n} erth vpp{on} erth has bylde al his bovres, The{n} schal erth fro þe erth soffyr{e} scharpe schorrys, 16 And{e} smarte. Ma{n}, amend{e} þe betyme, þi lyfe ys but a starte. 4 Erth gose on erth as mold{e} vpon{ne} molde, Lyke as erth to þe erth neu{er} a-gayne schold{e}; 20 Erth gose on erth glytteryng in gold{e}[6], [fol. 80, v^o.] [Gh]et shale erth to þe erth, raþ{er} þe{n} he wolde. Be owris! [Gh]efe þi alm{is} w{i}t{h} þi hand{e}. Trust to no secatovrs. 24 5 Why þ{a}t erth louis erþe merwel me þinke, [7]Or why erth vppo{n} erth wyl swet or swinke, [7]Ffor whe{n} erth vppo{n} erth is bro{u}þt to þe brynke, The{n} schal erth frov þe erth have a fovl stynke 28 To smele, Wars þe{n} þe caryo{n} þ{a}t lyis in þe fele. 6 Lo, erth vppo{n} erth, co{n}sayfe þ{i}s þ{o}u maye, That þ{o}u co{m}mys frome þe erth nakyd{e} alway[{e}]; 32 How schuld{e} erth vppo{n} erth soe[8] prod{e} or gaye, Sen[9] erth v{n}to erth schal pase i{n} symple araye, Unclad{e}? Cloth þe nakyd whyl þ{o}u may, for so Gode þe bade. 36 7 Erth vppo{n} erth, me þinky[gh] þe ful blynd{e}, That on erth ryches to set al[10] þi mynd{e}; In þe gospel wrytty{n}e exampul I fynde, The pore went to heyuy{n}, þe rych to hel I fynd{e}, 40 W{i}tt skyle: [fol. 81, r^o.] The co{m}mandment{is} of God{e} wold{e} he not fulfyle. 8 Erth vppo{n} erth, deyle duly thy goode To þe por{e} pepul þ{a}t favtt pe þi fovde, 44 Ffor þe loue of þi Lord{e}, þ{a}t rent was on þe roode, And{e} for þi loue on þe crose sched his[11] hart blode,-- Go rede!-- W{i}ttovte a{n}ny place to reste on his hede. 48 9 Erth vppo{n} erth, take tent to my steyuyne; Whyl þ{o}u leuyst, fulfyle þe w{er}kys of mercy vij. Loke þ{o}u lete, for oode ne for ewyne, Ffor þo by{n}e þe werk{is} þat helpyne vs to heyuy{n}e, 52 In haste. Tho ded{is} who so dose þar, hy{m}e neu{er} be agaste. 10 Erth vppo{n} erth, be þ{o}u neu{er} so gaye, Thow moue[12] wend{e} of þ{i}s world{e} an vnreydy waye; 56 Turne þe betyme, whyle þ{a}t þ{o}u maye, Leste it lede þe into hele, to logege þ{er} for[13] ay, In pyne; Ffor þ{er} is noþ{er} to gett bred{e}, ale, ne wyne. 60 11 Erth vppo{n} erth, God{e} [gh]eyf þe grace, [fol. 81, v^o.] Whyle þ{o}u leuuyst vppo{n} erth, to purway þe a place In heywy{n} to dweyll{e}, whyl þ{a}t þ{o}u hast space; That myrthe for to myse it w{er} a karful case. 64 Ffor whye? That myrth is w{i}t{h}owtty{n} end{e}, I tel þe securlye. 12 I co{n}cele erth vppo{n} erth þ{a}t wykyd{e}ly has wro[gh]te, Whyl erth is on erth, to torn all{e} his þov[gh]te, 68 And{e} pray to Gode vppo{n} erth, þ{a}t al mad{e} of nov[[gh]te][14], That erth owte of erth to blys may be bov[gh]te[15] W{i}tt my[gh]the[16], Thorow helpe Jh{e}su Cryst þ{a}t was our{e} lad{is} byrthe. 72 Do for þiself. [Footnote 1: Cf. Halliwell, Early Eng. Misc. in Prose and Verse, printed for the Warton Club, _1855, p. 39_, Fiedler, Mod. Lang. Review, _III. iii. 225_.] [Footnote 2, 4: MS. _þo[~u][gh]te_.] [Footnote 3: MS. _bo_.] [Footnote 5: MS. _oñ_, _on~_, throughout.] [Footnote 6: MS. _in [~i] gold{e}_.] [Footnote 7: These two lines are transposed in the MS.] [Footnote 8: MS. _soe_, Halliwell _soe_, Fiedler _goe_.] [Footnote 9: MS. _señ_.] [Footnote 10: H. _setal_.] [Footnote 11: H. F. _schedhis_.] [Footnote 12: MS. _mõu_.] [Footnote 13: MS. _þ^{r}for_, H. F. _therefor_.] [Footnote 14: MS. only _nov_ now legible.] [Footnote 15: MS. _bov[gh]te_, Halliwell _bou[gh]t_, Fiedler _brou[gh]t_.] [Footnote 16: MS. Halliwell _my[gh]the_, probably erroneous for _myrthe_.] 15. MS. BALLIOL 354. Before 1504. [fol. 207, v^o.] (Richard Hill's Commonplace-Book.) 1 Erth owt of erth is worldly wrowght, Erth hath gote{n} oppo{n} erth a dygnite of nowght, Erth vpon erth hath[1] set all his thowght, How þ{a}t erth vpon erth myght be hye browght. 4 2 Erth vpon erth wold be a kyng, But how þ{a}t erth shall to erth, he thy{n}kith no thyng; Whe{n} erth biddith erth his rent{es}[2] home bryng, The{n} shall erth for erth haue a hard p{ar}tyng. 8 3 Erth vpon erth wy{n}neth castl{les}[2] & towres, The{n} seyth erth vnto erth: 'Þis is all owres'; But whe{n} erth vpo{n} erth hath bildyd his bowres, Tha{n} shall erth for erth suffre hard showres. 12 4 Erth vpon erth hath welth vpon molde, Erth goth vpon erth glydryng all i{n} golde, Like as he vnto erth neu{er} torn shuld; & yet shal erth vnto erth son{er} tha{n} he wold. 16 5 Why þ{a}t erth loweth erth, wonder[3] I thynk; Or why þ{a}t erth will for erth swet or swynk; For wha{n} erth vpon erth is browght w{i}t{h}in þe brynk, Than shall erth for erth suffre a fowle stynk. 20 6 As erth vpon erth were þe worthyes ix, & as erth vpon erth i{n} honour dide shyne; But erthe liste not to know how þei shuld enclyn, & þ{er} crow{n}nys leyd i{n} erth, wha{n} deth hath made hys fyne. 24 7 As erth vpon erth, full{e} worthy was Josue, [fol. 208, r^o.] Dauyd þe worthy kyng, Judas Machabe; They were but erth vpon erth, no{n} of the{m} thre, And so fro{m} erth vnto erth þei loste þ{er} dignite. 28 8 Alisand{er} was but erth, þ{a}t all the world wan, & Ector vpon erth was hold a worthy ma{n}, & Julius Cesar þ{a}t þe empire first be-gan; & now, as erth w{i}t{h}in erth, þei lye pale & wan. 32 9 Arthur was but erth, for all his renown; No more was kyng Charlis, ne Godfrey of Bolown; But now erth hath t{o}rned þ{er} noblenes vpsodown; & thus erth goth to erth, by short co{n}clusion. 36 10 Who so rekyn also of Will{iam} Conquerowr{e}[4], Kyng Harry þe first, þ{a}t was of knyghthode flowr{e}[4]; Erth hath closed the{m} ful streytly i{n} his bowr{e}[4]; Loo, the ende of worthynes! here is no more socowr{e}[4]. 40 11 Now thei þ{a}t leve vpon erth, both yong & old, Thynk how ye shall to erth, be ye neu{er} so bold; Ye be vnsiker, wheþ{er} it be i{n} hete or cold, Like as yo{u}r brether[5] did beffore, as I haue told. 44 12 Now ye folk þ{a}t be here, ye may not long endure, But þ{a}t ye shall torn to erth, I do you ensure; & yf ye lyst of þe trewth to se a playn fugure, Go to seynt Powlis, & see þ{er} the portratowr{e}[4]. 48 13 All ys erth, & shall be erth, as it shew{i}t{h} ther, [6]Þ{er}-for, or dredfull deth w{i}t{h} his dart you dere, & for to torn i{n} to erth, no ma{n} shall it forbere, Wisely pu{r}vey you beffore, & þ{er}-of haue no fere. 52 14 Now, sith by deth we shal al pas, it is to vs c{er}teyn, For of þe erth we co{m} all, & to þe erth shall torn agayn; Þ{er}-for to strive of grucche it were but i{n} vayn, For all is erth, & shall be erth, no thyng more c{er}tayn. 56 15 Now erth vppon erth, co{n}sydre thow may, How erth co{m}meth to erth nakyd all way. Why shuld erth vpon erth go stowt or gay, Sith erth owt of erth shall passe in pore a-ray? 60 16 I co{n}saill you vpon erth þ{a}t wikkidly haue wrowght, Whill þ{a}t erth is on erth, torn vp yo{u}r thowght, & pray to God vppon erth, þ{a}t all þe erth hath wrowght, Þ{a}t erth owt of erth to blis may be browght. 64 Amen. [Footnote: Cf. Roman Dyboski, E.E.T.S. extra ser. ci _(1907), p. 90_.] [Footnote 1: D. erron. _hat[h]_.] [Footnote 2: D. reads _rentes_, _castlles_.] [Footnote 3: MS. _worder_.] [Footnote 4: D. reads _-owr_ throughout.] [Footnote 5: D. erron. _brother_.] [Footnote 6: Line 50 would be better placed after l. 51.] 16. MS. HARLEIAN 984. 16th century. [fol. 72, r^o.] 6 [1]How schuld{e} erthe vpon erthe be prud & gay Whe{n} erthe schal to erthe in so por{e} aray? 7 I consell erthe vpon erthe þ{a}t wikyd hade wro[gh]t, Whyle erthe ys apon erthe to tu{r}ne al his þo[gh]t, 4 And{e} p{r}ay to God þ{a}t al þe world wro[gh]t[2] Þ{a}t erthe out of erthe to blesse may be bro[gh]t. [Footnote 1: The previous leaf of the MS., which evidently contained the beginning of the poem, has been torn out.] [Footnote 2: MS. _wo[gh]t_.] 17. THE MAITLAND MS. (PEPYSIAN MS. 2553, p. 338.) c. 1555-1585. 1 [1]Eyrd vpone eird wondirfallie is wrocht, Eird hes gottin vpone eird ane dignite for nocht, Eird apone eird hes set all his thocht How þat[2] eird vpone eird till hicht may be brocht. 4 2 Eird apone eird wald fayne be a king, And how þat eird gois to eird thinkis he no thing. Quhone eird bydd{is} eird his rentis hame to bring, Than sall eird haue to eird herd depairting. 8 3 Eird apon eird wy{n}nis castellis and towris, Than sayis eird vntill eird: 'All þir ar owris'. Quhone eird apone eird hes biggit all his bowris, Than sall eird vpone eird suffir scharp schowris. 12 4 Eyrd apone eird and mold vpone mold, Lyke as eird vnto eird never go sold. Eird gois apone eird glitterand as gold, [Gh]it sall eird go to eird sonar nor he wold. 16 5 How þat eird luiffis eird grit wondir I think, Or quhy þat eird will for eird owþir swet or swynk. Quhone þat eird w{i}t{h}in eird is closit vndir bynk, Than sall eird w{i}t{h}in eird haue ane ewill stynk. 20 6 Lo eird vpone eird considdir þow may, How eird vnto[3] eird gois nakit away, Quhy sould eird apone eird go ow{er} proud or gay, Sen eird vntill eird sall wend in pure array? 24 7 I counsall eird vpone eird þat wondirlie is wrocht, Q{uhi}ll[4] eird is apone eird to turne all his thocht, And pray to God apone eird þat maid all of nocht, That eird vpone eird to blys may be brocht. 28 Q{uo}d marsar. [Footnote 1: Printed by kind permission of the authorities of Magdalene College, Cambridge.] [Footnote 2: MS. _yat_; _þ_ regularly written as _y_.] [Footnote 3: MS. _apone_ crossed out, _vnto_ written above.] [Footnote 4: MS. _q^ll_.] 18. JOHN REIDPETH'S MS. CAMBR. UNIV. LIBR. Ll. 5. 10. [fol. 43, v^o.] (Transcribed from the Maitland MS. 1622-3.) 1 Eird vpoun eird wonderfull is wrocht, Eird hes gottin vpoun eird ane dignitie for nocht, Eird vpoun eird hes sett all his thocht How þat[1] eird vpoun eird till hicht may be brocht. 4 2 Eird vpoun Eird wold fane be ane king, [fol. 44, r^o.] And how þat eird gois to eird thinkis he nothing. Quhen eird bidd{is} eird his rentis hame to bring, Than sall eird haue to eird herd depairting. 8 3 Eird vpoun Eird wins castell{is} and towris; Than sayis eird vnto eird: 'All now ar ouris'. Quhen eird vpoun eird hes biggit all his towris, Than sall eird vpoun eird suffer grit showris. 12 4 Eird vpoun eird and mold vpoun mold, Lyk as eird vnto eird neuer go sold, Eird gois vpoun eird glitterand as gold, [Gh]itt sall eird go to eird sonear nor he wald. 16 5 How þat eird luiffis eird grit wonder I think, Or quhy þat eird will for eird owther sweit or swink, Quhen þat eird w{i}t{h}in eird is closit vnder bink, Than sall eird w{i}t{h} eird haue ane evill stink. 20 6 Lo eird vpoun eird considder thow may How eird vnto eird gois nakit away, Quhy sould eird vpoun eird go o{u}r[2] proud or gay, Sen eird vntill eird sall wend in pure aray? 24 7 I counsall eird vpoun eird þat wondirlie is wrocht, Q{uhi}ll eird is vpoun eird to turne all his thocht, And pray to God vponn eird þat maid all of nocht, That eird vpoun eird to blis may be brocht. 28 Quod dumbar. [Footnote 1: MS. _yat_; _þ_ regularly written as _y_.] [Footnote 2: _over_, MS. _o^r_.] III. THE CAMBRIDGE TEXT. CAMBRIDGE UNIV. LIBR. Ii. 4. 9. 15th century. [fol. 67, r^o.] 1 Erthe vpon erth is waxi{n} and wrought, Erthe takys on erth a nobylay of nought; Now erthe vpon erthe layes all his þought How erthe vpon erthe sattys all at noght. 4 2 Erthe vpon erth has hallys & towr{is}[1]; Erthe says to erth: 'This is alle owr{is}'. But q{ua}n erth vpon erth has byg{g}yd his bowr{is}, Than xal erth for the erth haue scharpe schowr{is}. 8 3 Erthe vpon erth wolde be a kyng, But hove[2] erth xal to erth thynkyth he no thyng. 4 And of the same erthe mad God ma{n}, And sethe he made that erth & callyd it Ad{a}m, 12 For loue of erthe, the wych was woman, That erth in this erthe fyrst be-gan. 5 Erthe goos on erth & tyllys w{i}t{h} hys plowe, Erthe a-geyn erth holdys it full toght[3], 16 Erthe vpon [erth] stelis hym a slogh[4], Erthe on this erth thynkys he has neu{er} i-nowe[5]. 6 Erth vpon erthe gos in the weye, Prykys and prankys on a palfreye; 20 When erth has gotyn erth alle that he maye, He schal haue but seven fote at his last daye. 7 Than xal not be lyky{n}g vn-to hy{m} Bu[t][6] an olde sely cloth to wynde erthe in, 24 When erthe is in erth for wormys wyn, The rof of his hows xal ly on his chyn. [fol. 67, v^o.] 8 [7]When erthe says to erth: 'My rent þ{o}u me bryng', Then has erth fro erthe a dolfull p{ar}tyng. 28 9 How erthe louys erth wondyr me thynke, How erth for erth wyll swete and swynke. When erth is in erthe broght w{i}t{h}-in the brynke, What as herth than of erthe but a fowle sty{n}ke? 32 10 Erthe wrotys in erth as molys don in molde, Erthe vp-on erth glydys as golde, As erthe leve in erthe eu{er} mor{e} schulde. 11 Erthe vp-on erth mynd eu{er} mor{e} þ{o}u make 36 How erthe xal to erth when deth wyll hy{m} take. 12 Be war{e}, erth, for erthe, for sake of thi sowle, Erthe may of erth at þe last take a fowle, When erth is in erthe her{e} so long in his slogh. 40 13 Ffor erth gos in erth walkand in vede, And erthe rydys on erth on a fayr stede, When he was[8] goty{n} in erth erth to his mede, Than is erth layde in erthe wormys to fede. 44 Whylke ar the wormys the flesch brede? God wote the wormys for to ryght rede. 14 Erthe a-geyn erthe I holde it on-kynde, Erthe is as sone wroth as is the wynde, 48 Swyche fowle erth mekyl may we fynde, That wyl speke fayr{e} befor{e} vs & falsly be-hy{n}de. 15 When erth vp-on erth be-gy{n}nys to be wroth, [fol. 68, r^o.] Erth vpon erth swerys many a gret othe, 52 Erth berys p{r}ide in herte & i{n} cloth, When erth is layde i{n} erth þan xal it be loth. 16 Erthly coveytous makyth erth to be schent, Erth for this erth yeld{is} a gret rent, 56 If erth in thys erth levyd in good entent Than dar{e} erthe nevyr recke wher{e} that he went. 17 Erth vp-on erth is stronge as a mast, And erth wyth is erth fyghtys ful fast, 60 Ther{e} is non so stowte that in erth may hy{m} cast, And alle xal we be erth at the last. 18 Erthe bygyth hallys & erth bygith towres, When erth is layd in erth, blayke is his bo{ur}s; 64 If erth haue welth, he dwellyth in flowr{es}[9], And if erth haue mys don, he getyth scharpe sho{ur}s. 19 If erth wyste in erth q{ua}t that erth is, Ther wolde neu{er} erth in erth do a-mys. 68 God mad erth of erth, & namyd it for his, Adam of erth in erthly paradys. 20 God walkyd in erth as longe as he wolde, He had not in this erth but hong{er} & colde, 72 And in this erth also his body was solde, Her{e} in this erth, whan þ{a}t he was xxx^ti [gh]er{e} olde. 21 God lytyd in erth, blyssed be that stou{n}de! [fol. 68, v^o.] He sauyd hijs herth w{i}t{h} many a scharpe wou{n}de, 76 Ffor to sawe erth owght of hell grou{n}de, He deyd in erth vpon þe rode w{i}t{h} many a blody vou{n}de[10]. 22 And God ros ovght of the est[11] this erth for to spede, And went into hell as was gret nede, 80 And toke erth from sorowe þ{us}[12] erth for to spede, The ryght wey to heuen blys Iesus Cryst vs lede! fine. (_The rest of the page is occupied by a coloured picture of a knight and a skeleton with Latin mottoes, v. Introduction, p. xiv._) [Footnote 1: or _towr{es}_, _owr{es}_, &c.] [Footnote 2: MS. _hove_ for _howe_.] [Footnote 3: ? error for _togh_.] [Footnote 4: Heuser _flogh_, but MS. appears to be _slogh_ as in l. 40.] [Footnote 5: MS. _was neuer non_ crossed out, _has neu{er} I nowe_ written above.] [Footnote 6: MS. _bu_, the last letter of the word has been erased.] [Footnote 7: These two lines form the missing half of v. 3, and are perhaps inserted here with the idea of forming a six-lined stanza.] [Footnote 8: better _has_.] [Footnote 9: or _flowr{is}_.] [Footnote 10: _wounde_.] [Footnote 11: MS. clearly _est_, perh. error for _erth_.] [Footnote 12: MS. _y^9_ = _þus_, perh. for _þis_.] NOTES. #Page 1.# #MS. Harl. 2253.# These four lines were apparently regarded by Wanley, together with the preceding French strophe, as forming part of the poem on the Death of Simon de Montfort, and are not noted by him in the British Museum Catalogue. Böddeker also omitted them from his _Altenglische Dichtungen des MS. Harl. 2253_ (Berlin 1878). They were, however, already noted by Pinkerton in 1786, see _Ancient Scottish Poems never before in print . . . from the MS. Collections of Sir Richard Maitland_, ii, Note on p. 466: 'In the same (i.e. Harleian) library, No. 2253, is another of the same kind, beginning, Erthe toc of erthe erthe wyth wote. It is only one stanza; and another piece of one stanza preceding it, both are put by Mr. Wanley, in the Catalogue, as part of a French song on Sir Simon de Montfort, which they follow: but such mistakes frequently arise from the crowded manner of old MSS.' The facsimile opposite the title-page shows the lines as they occur in the MS. #Page 5.# #William Billyng's MS.# The 'finely written and illuminated parchment roll' described by William Bateman in his preface to Billyng's _Five Wounds of Christ_, of which forty copies were privately printed by him at Manchester in 1814, contained the following poems:-- 1. The Five Wounds of Christ (fifteen stanzas in rime royal). 2. At hygh none whan the belle dothe tylle (eighteen lines). 3. Erth owte of Erth (six stanzas). 4. Pes maketh plente (five lines). The whole is signed #Will[~m] Billyng#. It has been frequently suggested that Billyng was the author of these poems, but it is evident that he was not the author of _Erthe upon Erthe_, though his may be one of the earliest transcripts of the B version, and the lines _Pes maketh plente_ also occur elsewhere, cf. MS. Digby 230 (fifteenth century). He may have been the author of _The Five Wounds of Christ_, but it is more probable, considering the usual origin of other fifteenth-century collections of the kind, that he was merely the collector and transcriber of the texts. Cf. F. J. Furnivall, _Notes and Queries_, IV. iii. 103. It is possible that this may be the William Billyng who, in 1474, became rector of Toft Monks in Norfolk on the presentation of the Provost and Scholars of King's College, Cambridge, and who appears to have held the benefice until 1506 (see _Notes and Queries_, III. iv. 173; Blomefield, _Norfolk_, viii. 63).[1] The parchment roll was formerly preserved in Bateman's collection of antiquities at Lomberdale House, Derbyshire. This collection was broken up and sold after Bateman's death, the archaeological remains being purchased by the Sheffield Museum, and the books and MSS. sold at Messrs. Sotheby, Wilkinson, and Hodge's rooms in 1893, but all attempts to trace Billyng's MS. after the breaking up of the collection have been unsuccessful. A copy of the printed text is in the British Museum. Montgomery's reprint of the poem in 1827 was taken from Bateman's version, and differs from it only in some very slight corrections in spelling. It has been suggested that this reprint was the source of the _Earth upon Earth_ Epitaphs which occur, but these were current from the sixteenth century on, and, as has been already pointed out (see Introduction, pp. xxxvi ff.), the usual form of the Epitaph, even in the latest versions, differed from that of the actual poem. #Page 7.# #MS. Selden Supra 53.# This text omits verse 5, and inverts the normal order of verses 4 and 6 (see Table on p. xvii of Introduction). The text is written in a neat hand in the left-hand column on the back of a spare leaf (fol. 159) at the end of the MS., after Lydgate's _Dance of Macabre_. The right-hand column contains Latin scribblings, perhaps by the scribe who re-wrote small portions of _Erthe upon Erthe_ (see p. 7, footnotes). A few lines are scribbled in another hand upon the front side of the leaf, which is otherwise blank. The back of the leaf was evidently unprotected, and is much rubbed and worn. The space below Lydgate's last verse and colophon on fol. 158 v^o contains two odd stanzas in English in the same metre as Lydgate's poem, beginning 'Let se your hand my ladi, dam emperys', in a hand of the late fifteenth century, and a French stanza of four lines ('Qui met son cuer tout en Deu, Il a son cuer et si a Deu', &c.) in a French hand, perhaps as late as 1500. Both of these were quite possibly inserted in the MS. later than _Erthe upon Erthe_, the exact date of which is indeterminate, but it was probably copied in between 1450 and 1500. #Page 8.# #MS. Egerton 1995.# This MS. was evidently a Commonplace book. Its contents are described by Gairdner, _Collections of a London Citizen_ (Camden Society, 1876). The MS. is written throughout in fifteenth-century hand, and appears to be the work of one scribe. Gairdner thinks the whole collection may be ascribed to William Gregory of the Skinners' Company, who was Mayor of London in 1451, and who seems to have been the author of part, at least, of the Chronicle of London at the end of the MS. #Page 10.# #MS. Brighton.# Fiedler's account of this MS. is as follows:-- 'Noch eine andre Fassung des Gedichtes habe ich mir vor einigen Jahren aus einer Handschrift abgeschrieben, die damals im Besitze eines Antiquars in Brighton war, über deren weiteren Verbleib ich aber nichts ermitteln könnte. Es war eine Pergamenthandschrift, folio, von 90 Blättern. Sie enthielt eine lateinische Abhandlung über die sieben Sacramente "Oculi Sacerdotis", und auf der ursprünglich frei gebliebenen Rückseite des letzten Blattes war von einer Hand des fünfzehnten Jahrhunderts das englische Gedicht eingetragen.' (_Mod. Lang. Review_, III. iii. 219.) #Page 11.# #Stratford-on-Avon Inscription.# A full account of this inscription has been given in the Introduction, p. xii. The lines 'Whosoo hym be thowghte', there mentioned as being inscribed beneath _Erthe upon Erthe_, are given by Fisher as follows:-- Whosoo hym be thowght Inwardly and ofte How hard hyt ys to flett From bede to peyt From peyt to peyne that neu{er} Schall seys Certen He wold not doo no syn all þ{is} world to wynne. The same lines are found on other monumental inscriptions. Weever (_Ancient Funeral Monuments_, p. 425) mentions them as occurring in sixteenth-century inscriptions in Churches at Saffron Walden and Faversham respectively, and Rogers (_Monuments and Monumental Inscriptions in Scotland_, ii. 210) quotes them from a tombstone in the parish of Dun. The following version is from Bodl. MS. Tanner 407, fol. 36, v^o (sixteenth century):-- He that hath thoughte ful in-wardly and ofte how hard it is to flyt fro bedde on to pyt fro pytte on to pyne whiche neuyr schal haue fyne for alle thys world to wynne wold not do a synne. #Page 16.# #MS. Laud Misc. 23.# This is the only text which is not written in metrical lines. The MS. being small, it was not as a rule possible to fit one line of the poem into a single line of the page, and the run-on lines involved waste of space. The scribe wrote verse 1 in metrical lines, verses 2 and 3 as if in two long lines, and the remainder of the poem in paragraphs, each paragraph coinciding with a verse. Each new line or paragraph is indicated by a red capital, and the metrical lines are distinguished by pause-marks ([V.], ·, [V], |), and by touching up the first letter of the line in red. In vv. 6, 7, and 8, the scribe appears to have lost count of the lines, as the three verses are written in two paragraphs, and letters in the middle of a line are often marked in red. At the top of the first leaf a later hand has scribbled the words _haue made me_. A few other such scribbles occur elsewhere in the MS. [[The first and third "pause-marks" are root sign with and without under-dot.]] l. 26 (p. 17). _Thi body that was rank and louyd of alle men, is hatyd._ The reading is inferior to MS. Lambeth, l. 27: þan þi bodi þat was rank & undeuout of alle men is bihatid-- and the change led to the placing of the pause (indicated in the MS.) after men. l. 27. _Out of the erthe cam to this erthe his wantyng garnement._ This line seems to be a compromise between the readings of MSS. Lamb. and Rawl. P. (_MS. Lamb. 28_) Out of þis erþe cam to þis erþe þis wrecchid garnement. (_MS. Rawl. P. 37_) Oute of the erthe cam the erthe wantynge his garnament. But the rest of the verse follows Lamb, rather than Rawl. P., cf. _ruly, raggid and rent_, _hidous turment_, beside Rawl. P. _disgesily ragged and to-rent_, _ful grete turment_. l. 34 has the correct reading _stinke_, as in MSS. Harl. 4486 and Rawl. P.; Lamb. repeats _swynk_. l. 39 (p. 18). _Wolde therfore this erthe on this erthe on this hertly thinke_, is superior to the exaggeratedly long line in Lamb. 40, but both are inferior to MS. Rawl. P., ll. 53, 54, where the correct rime is preserved: thinkynge : risynge : rekenynge : kynge. l. 47. _Lord God that erthe madist & for the erthe suffredist peynys ille._ It is difficult to determine what was the original form of this line. The readings of the other texts which have the verse are as follows:-- (_Harl. 4486, 33_) Now Lorde that madyst for erthe & sufferdyst paynes ille. (_Lamb. 48_) O þou Lord that madist þis erþe for þis erþe & suffridist heere peynes ille. (_Rawl. P. 125-6_). Lord God that erthe tokist in erthe And suffredist paynes ful stille. Possibly MS. Laud has transposed the _and_, and the correct reading should be _that erthe madist for the erthe & suffredist paynes ille_, in which case Harl. 4486 has merely omitted the first _erthe_, while the other two texts have modified the older version. #Page 24.# #MS. Porkington 10.# _Erthe upon Erthe_ is preceded by the two following stanzas:-- Lo wordly folk{es} thou[gh] þ{is} p{ro}cese of dethe Be not swete, ne synke not i{n} your mynde. Whe{n} age co{m}myþ & schorteth is her brethe, And dethe co{m}myþ, he is not far behynde; The{n} her dyscressio{n} schal wel knov & fynde That to have mynd of deþ it is ful nesseserry, Ffor deth wyl co{m}e; dovtl{es} he wyl not long tarry. Of what estate [gh]e be, [gh]ovng or wold, That redyth vppon þ{is} dredful storrye, As in a myrrovr her [gh]e may be-holde The ferful ende of al your joy & glorie; Therfor þ{is} mat{er} redvs vs to yovr memory:-- [Gh]e þ{at} syttyþ nowe hye vppon þe whele, Thynke vppo{n} yovr end, & alle schal be we[le]. The MS. is in Lord Harlech's library at Brogyntyn (formerly Porkington) near Oswestry, Salop. #Page 28.# #MS. Balliol 354.# l. 48. _Go to seynt Poulis, & see þer the portratowre._ Cf. Stow, _Survey of London_, 1598: 'There was also one great cloister on the north side of this church (St. Paul's), environing a plot of ground, of old time called Pardon churchyard . . . About this cloister was artificially and richly painted the Dance of Machabray, or Dance of Death, commonly called the Dance of Paul's; the like whereof was painted about St. Innocent's cloister at Paris, in France. The metres or poesy of this dance were translated out of French into English by John Lidgate, monk of Bury, and with the picture of death leading all estates, painted about the cloister, at the special request and in the dispence of Jenken Carpenter, in the reign of Henry V.' _Ibid._ 'John Carpenter, townclerk of London, in the reign of Henry V, caused with great expense to be curiously painted upon board, about the north cloister of Paule's, a monument of Death leading all estates, with the speeches of Death, and answer of every state. This cloister was pulled down 1549.' Cf. Sir T. More, _Works_ (ed. 1557, folio), p. 77: 'We wer never so gretly moved by the beholding of the Daunce of Deth pictured in Paule's.' #Page 30.# #Maitland MS.# Omitted by Pinkerton from his printed text of the Maitland MS. as 'a silly jingling piece, shewing the vanity of man, who is but earth, building upon earth: priding himself in gold which is but earth', &c. Pinkerton also knew of 'several pieces of the same kind in MSS. of Old English poetry', see Note on MS. Harl. 2253, p. 36. He had strong views against the indiscriminate printing of old MSS., and was unwilling to sacrifice 'the character of a man of taste to that of an antiquary; as of all characters he should the least chuse that of an hoarder of ancient dirt'. #Page 32.# #MS. Cambridge# (Univ. Libr. I. 1. iv. 9). l. 17. The reading _slogh_ is supported by Professor Skeat. It is difficult to see what meaning could be attached to _flogh_, as in Heuser's text. #Page 33.# l. 48. _As wroth as the wynde_ was a favourite mediaeval proverb. Cf. _Sir Gawayne and the Grene Knight_, l. 319: he wex as wroth as wynde; _Piers Plowman_, C. iv. 486: As wroth as the wynd wex Mede ther-after; _Richard the Redeles_, iii. 153: thei woll be wroth as the wynde. ANALOGUES. It may be of interest to note here some other instances of the use of the theme _Earth upon Earth_, not immediately connected with the poem under discussion. An early instance of the phrase occurs in a Poem on the Death of Edward IV, written by Skelton probably soon after the event (9th April, 1483), beginning _Miseremini mei ye that ben my ffryndys_. Verse 2 runs as follows:-- I slepe now in molde, as it is naturall That erth vnto erth hath his reuerture: What ordeyned God to be terestyall, Without recours to the erth of nature? Who to lyue euer may himselfe assure? What is it to trust on mutabilyte, Sith that in this world nothing may indure? For now am I gone, that late was in prosperyte: To presume thervppon, it is but a vanyte, Not certayne, but as a chery fayre full of wo: Reygned not I of late in greate felycite? _Et, ecce, nunc in pulvere dormio!_ (_Poetical Works of Skelton_, ed. Dyce, I. i; London, 1843). The poem was inserted amongst the imprinted works of Lydgate, who could not have been alive in 1483, cf. MS. Harl. 4011, fol. 169, v^o, where it occurs among Lydgate's works. In John Taylor's _Trauels of Twelve-Pence_, 1630 folio (Spenser Soc. reprint, p. 82), this verse occurs:-- Far[2] though from _Earth_ man hath originall, And to the _Earth_, from whence he came doth fall, Though he be Earth, & can claime nought but earth, (As the fraile portion due vnto his birth) Yet many thousands that the earth doth breed, Haue no place (certain) where to lodge or feed. The following lines occur in a small volume called _The Compleat Bell-Man, being a Pattern for all sorts of People to take notice of the most remarkable Times and Dayes in the Year_, by H. Crouch (seventeenth century). The book contains thirty-nine verses, for Saint-Days and Anniversaries chiefly, a few being on more general subjects. The last verse, No. 39, _Upon the day of Doom_, runs as follows:-- When Earth of Earth shall turn to Earth That was but Earth even from its Birth, Then Earth from Earth shall rise again To endlesse joy, or endlesse pain, Let Earth then serve and please his Maker That Earth of Heaven may be pertaker. The following is an Epitaph on Roger Earth of Dinton, Wilts, died 1634 (see E. R. Suffling, _Epitaphia_, p. 81):-- From Earth wee came, to Earth wee must returne, Witness this EARTH that Lyes within this VRNE. Begott by EARTH: Borne also of Earth's WOMBE, 74 yeares lived EARTH, now Earth's his TOMBE. In Earth EARTH'S Body Lyes Vnder this STONE, But from this Earth to Heauen EARTH'S soule is gone. Another later epitaph is quoted by Suffling, p. 339, from Loughter, Glamorganshire, without name or date:-- O Earth! O Earth observe this well, That Earth to Earth must go to dwell, That Earth to Earth must close remain Till Earth for Earth shall come again. [Footnote 1: But this is not in agreement with Bateman's opinion as to the age of the original parchment roll (1400-1430), see Introduction, p. xi.] [Footnote 2: ? for.] APPENDIX I. The three following _Erthe_ poems, in Latin, French, and English respectively, were discovered too late for inclusion in the text. They represent renderings of the same poem in the three languages, and are preserved on the back of a Roll[1] in the Public Record Office, containing a copy of the Ordinances of the fifth year of Edward II (of which other copies exist in the British Museum, the Record Office, and the Treasury at Canterbury). The poems in question are written on the back of the Roll, towards the end, the Latin and French in parallel columns, and the English below, five verses under the Latin, and four under the French. They are preceded by a number of Latin recipes in another hand, and a few in French follow. The handwriting of the poems is smaller and neater than that of the Ordinances, or the Latin recipes, but was ascribed by Hunter[2] to the time of Edward II, and may perhaps be assigned to the fourteenth century. The French is fourteenth-century Anglo-French, and the texts probably belong to that century, though this copy of them may not have been made until after 1400. A nineteenth-century transcript of the poems exists in the British Museum, Addit. MS. 25478 (fol. 1-3), described in the Catalogue as containing 'Transcripts of miscellaneous English poetry, with a few Latin pieces, chiefly derived from MS. sources: xivth to xixth century'. The binding is marked 'Collectanea Hunteriana', and the MS. was acquired with various others of the Hunter collection in 1863. The handwriting varies, and these three poems are not in Hunter's own hand. The transcript is headed 'Copy of a Poem in Latin, French, and English, which is written in a hand of the reign of Edward II, on the dorse of a Roll which contains a copy of the ordinances of the fifth year of Edward II, which are printed in the Statutes of the Realm I. 157-168'. The text given below has been collated with this transcript, and variant readings in the latter given in the footnotes under the name Hunter (H.). The British Museum transcript was discovered by Miss Helen Sandison of Bryn Mawr, U.S.A., who kindly acquainted me with her discovery, and was of great assistance in the search for the original Roll, which was eventually found in a bundle awaiting rearrangement at the Record Office. A large stain on the original text has rendered a considerable portion of the Latin and a few words in the French almost illegible, and Hunter's transcript has left blanks at these points. Mr. S. C. Ratcliff, of the Record Office, has given me much kind and courteous assistance in deciphering the missing words, thanks to which I have been able to fill up all the gaps, except that in verse 8, l. 3 of the Latin. Hunter's text at this point runs as follows:-- 4. l. 4. Sic t'ra put^{e}dinis . . . t're venas. 6. l. 4. Terra t'rã faciat flere ieu . . . . . 7. De t'ra resurg'e t'ra deb . . . . . . . . Et quod t'ra meruit . . . . . . . . Hic dum terra vix'it . . . . . . . Ut in t'ra valeat . . . . . dere 8. Adu'sus t'rigenas . . . . terra stabit Et t'ra int'roga . . . . . . . . abit Terra finem cap . . . . . . . gabit Quod terra promiserat t'ra . . . urgabit. and in the French:-- 9. l. 2. Sayt cydaunt a la tere qe tere soit sauve . . . . . . . eyne de tere ou tere est benure. RECORD OFFICE ROLL (Ex^r. K. R. Parl. Proc., Bdle. 1). [Transcriber's Note: The following text was printed on two pairs of facing pages: pg. 42 Latin Text | French Text pg. 43 stz. 1-5 | stz. 1-5 ------------|------------ English Text| English Text stz. 1-3.2 | stz. 3.3-5 pg. 44 Latin Text | French Text pg. 45 stz. 6-11 | stz. 6-10 ------------|------------ English Text| English Text stz. 6-7 | stz. 8-9 For this e-text, the three versions have been combined into complete Latin, French and English poems. Parenthetical notations such as (in left column) are in the original. Footnote numbering reflects the original layout.] LATIN TEXT (in left column). [MS. Addit. 25478, fol. 2, r^o] 1 In terra cu{m} terra sit fraude p{er}quisita, Terra t{er}re v{er}mib{us} sic put{r}essit trita, Terra t{er}ra{m} deseret, erit et finita, Terra tu{n}c a terren[i]s[3] mox erit oblita. 4 2 Terra p{er} sup{er}bia{m} terram cum ascendit, Terra tu{n}c cupidine t{er}ram comp{re}hendit, Terra morti p{ro}ximans t{er}ra{m} dat et vendit, Ad t{er}ra{m} viuenciu{m} t{er}ra manus tendit. 8 3 Terra t{er}ra{m} speculans no{n} iustificari, Et ad t{er}re t{er}minu{m} t{er}ra{m} inclinari. Terra t{er}re s{er}uiens vult[4] refrigerari, Et t{er}ra t{er}ribilis in terra locari. 12 4 In t{er}ra q{u}id possidet t{er}ra nisi penas Q{u}ando t{er}ra respicit t{er}ra{m} lite plenas, Et t{er}ra{m} defic{er}e tanq{uam} t{er}re tenas, Sic t{er}ra put{r}edinis intrat[5] terre venas? 16 5 Terra no{n} co{n}siderat t{er}ra{m} firma mente, Atq{ue} t{er}ra labit{ur} in t{er}ra{m} repente, Terra{m} suo sang{u}ine t{er}ra redimente, Terra{m} potens eruit de t{er}ra dolente. 20 6 Terra q{u}ando respicit t{e}rra{m} t{er}minare, Terra t{er}ra{m} debuit sese castigare, Terra t{er}ra{m} valeat vt humiliare, Terra t{er}ra{m} faciat flere ieiunare[19]. 24 7 De t{er}ra resurg{er}e t{er}ra debet vere[19], Et quod t{er}ra meruit t{er}ra[19] possidere[19], Hic du{m} t{er}ra vix{er}it t{er}ra[19] valet[19] flere[19], Ut in t{er}ra valeat t{er}ra[19] post[19] gaudere[19]. 28 [MS. Addit. 25478, fol. 2, v^o] 8 Adu{er}sus t{er}rigenas q{u}ando[19] terra stabit, Et t{er}ra{m} int{er}rogans t{er}ra[19] tu{n}c[19] culpabit[19], Terra fine{m} cap[ia]t t{er}ra{m}[19] . . . gabit[20], Quod t{er}ra p{ro}mis{er}at t{er}ra tu{n}c[19] negabit[21]. 32 9 In t{er}ra q{u}i mortuus & in t{er}ra natus Ffuit[22], t{er}ram p{ro}tegat sic & t{er}re[23] gratus, Vt in t{er}ra quilibet de t{er}ra formatus, Terre ponat t{er}minu{m} t{er}re comendatus. 36 10 In t{er}ra cu{m} Ang{e}li t{er}ra{m} suscitabunt, In t{er}ra terribiles tube resonabunt, De t{er}ra t{er}rigene corpora leuabunt, Et ad t{er}re judice{m} terre tunc clamabunt. 40 11 O tu terre do{mi}ne! t{er}re miserere, Et t{er}ra respiciens terenos tuere, In t{er}ra deficim{us}, terra sumus vere, Nos in t{er}ra gl{or}ie t{er}ram fac videre. 44 FRENCH TEXT (in right column). [MS. Addit. 25478, fol. 1, r^o] 1 Q{u}ant t{er}re auera en[9] terre large terre gayne, & t{er}re s{er}ra en terre a la mort liuere, Puis ert tere en tere de v{er}myne mange, Dounc vendra tere en tere & toust ert oblie. 4 2 Q{u}ant tere sour t{er}re de orgoyl descline, & tere ils[10] [vers] tere par coueitise encline, Dounc tere ils[10] [vers] tere se treit a Ruyne, & tere a haute tere requeit medicine. 8 3 Q{u}ant tere ne peot de t{er}re la malueste sourueyndre, Par force deit tere de t{er}re te{m}ptaciouns esteyndre, Encontre la fiele tere sa tere deit refreyndre, Q{u}ant tere leue en tere face sa tere moyndre. 12 4 Quey ad tere de tere forq{u}e dolour & peygne Q{u}ant tere veyt en terre soun enemi demeygne, & tere coust en tere a la mort c{er}teyne[11], & tere pase en tere par frelete humeyne? 16 [MS. Addit. 25478, fol. 1, v^o] 5 O tu cheytiue tere de tere, remembrez Vo{us} estes pris de tere & tere deuendrez, Pensez[12] coment en tere & par tere pecchez, & tere fiust en tere tant fortment[13] rechatez. 20 6 Quant tere veyt q{ue} tere se treit a la mort, & tere nad en tere forq{ue} poure confort, Q{u}ant tere moert[25] en tere ni ad nul resort, Merueille est q{ue} tere de tere nad retort. 24 7 Q{u}ant tere[26] deit de tere leuer sodeynement, Tere vendra en tere p{u}r oy{e}r jugement, Dounc auera tere en tere dolour & t{u}rment, Si tere neit fet en tere bon amendement. 28 8 Angel{e}s vendrount en tere la tere resusciter, & dirrount a la tere de tere couent leuer, Deuant le Roy de tere en tere deuez aller[27], Q{u}e[28] soffri en tere p{u}r tere dolour amer. 32 9 Jesu, q{u}e p{u}r la tere en tere fiust ne, Soyt eydaunt[29] a la tere q{u}e tere soit sauue, & nos meyne[30] de tere ou tere est benure, Kar si sumes en tere par tere t{u}rmente[31]. 36 10 Dolour est en tere par tere & par mer, Ffaus est tere en tere & tere desir auer, Pluis ne voil en tere ore[32] de tere chaunter. Dieu deynt tere en tere de viuauns habiter. Amen. 40 ENGLISH TEXT (in left column, below Latin) [MS. Addit. 25478, fol. 3, r^o] 1 Whanne eorthe hath eorthe wiþ wrong igete, And eorthe in eorthe biginneþ to alete, And eorthe i{n} eorthe wiþ wormes is afrete, Thanne eorthe is on eorthe sone for[gh]ete. 4 2 Wanne eorthe ouer eorthe þorw p{r}ude styeþ, And eorthe toward eorthe þorw coueytise wryeþ, & eorthe into eorthe toward þe deþ hyeþ, Þanne eorthe a[gh]eyn eorthe toward heuene c{r}ieþ.[6] 8 3 Whan eorthe juynt eorthe so luþ{er}[7] to awelden, & eorthe on þ{a}t eorthe allewey[8] bi helden, & eorthe on eorthe sone bigynneþ for to elden, Hou may þat[14] eorthe on eorthe wo[14] belden? 12 4 What haueþ eorthe on eorthe bote pou[gh]t[15] and[15] wo, Whan eorthe iseoþ[16] eorthe his dedliche fo, & eorthe into eorthe so sone gynneþ guo, & eorthe iworthe to eorthe alle we sullen so? 16 5 Alas why naþ eorthe[17] in eorthe is þou[gh]t, Hou eorthe is on eorthe wiþ synnes of-sou[gh]t, & eorthe was in eorthe so mychfulliche ibou[gh]t, Þ{a}t eorthe þorw eorthe ne foelle[18] to nou[gh]t? 20 (in right column, below French) 6 Whan eorthe iseoþ eorthe to endinge drawe, & eorthe on eorthe wiþ deþ is islawe, & eorthe on eorthe wiþ wormes in ignawe, Þanne eorthe may eorthe hi{m} seluen iknawe. 24 [MS. Addit. 25478, fol. 3, v^o] 7 Wan eorthe ssal of eorthe netfulliche aryse, & eorthe on eorthe ihere þilke assise Þer eorthe ne may eorthe noþer[24] lere ne wise, Þanne eorthe sal on eorthe g{r}imliche agrise. 28 8 Þa{n}ne eorthe sal to eorthe holden gret cheste, & eorthe asken eorthe were is hiere byheste Þ{a}t eorthe byhet eorthe allewey to leste, Wanne eorthe t{ur}neþ to eorthe toward Helle feste. 32 9 Houre Lou{er}d þ{a}t on eorthe for eorthe was iboren, On eorthe of eorthe wiþ wounden to-toren, Wyte eorthe fro{m} eorthe þ{a}t ne be furloren, & b{r}inge eorthe to þ{a}t eorthe þer beþ his icoren. 36 Amen. It will be seen that the Latin and French versions do not correspond exactly with the English text, the French in particular being a mere paraphrase of it, but this was, no doubt, largely due to the exigencies of the rime. The French text has ten stanzas as against nine in the English poem, and the Latin has eleven, the additional stanzas being an expansion of the theme after the manner of Anglo-Latin poems of the kind. It is evident both from the variant attempts at expansion of the text in the Latin and French, and from the greater freshness and more skilful use of the play on the word _erthe_ of the English text, that the latter is the original, and this supports the view already expressed (Introd. p. xxxiii) as to the relation of the English and Latin versions in MS. Harl. 913. It is improbable, at least, that the _Erthe upon Erthe_ poems should all be derived from two Latin poems, the differences between which are too great to admit of a common original, but which were both translated into English verse, and became, in course of time, modified and popularized. On the other hand, the fact that one fourteenth-century poem of the kind had been supplied with a Latin rendering might easily account for an attempt at Latin and French translations in the case of a second, and there seems to be reason for believing that the author of the latter text was acquainted with the poem in MS. Harl. 913. As has been already noted in the Introduction (p. xxxii), the first line of the English version corresponds in idea with that of the text in MS. Harl. 913: Whan erþ haþ erþ iwanne wiþ wow. and in actual wording with that of the _Song on the Times_: When erthe hath erthe i-gette. Otherwise no verbal connexion can be traced with any of the texts of _Erthe upon Erthe_, though the phrase _eorthe on eorthe_ recurs four times, and there is, of necessity, some similarity of treatment and idea. Thus the remainder of verse 1 contains a reference to the destruction by worms, mentioned in MS. Harl. 913, v. 2, and in the Cambridge text, vv. 7 and 13, as well as to the proverb that the dead are soon forgotten, cf. MS. Harl. 913, v. 4 (Introd. p. xxxi); verse 5 exhorts man to think of death, as does v. 6 of the B Version; and the poem ends with a prayer, as do MSS. Harl. 4486, Lambeth, Laud, Titus, and Rawl. P., as well as Rawl. C., and the Cambridge text. But the wording, and, in the two latter cases, the treatment, is different, and the general similarity is less than might he expected from the triteness of the theme. Both the A and the B Version lay stress on the contrast between man's present earthly glory and his future mingling with the dust, whereas the text in the Appendix dwells on the inevitableness of death, the pains of death, and the future judgement (only mentioned here and in MS. Harl. 913). The poem appears to represent an individual treatment of the subject, suggested perhaps by the text in MS. Harl. 913, with its Latin rendering, and possibly also influenced by the _Song on the Times_ in the same MS. It may be regarded as being ultimately based, like MS. Harl. 913, on the short stanzas current at the beginning of the fourteenth century, and as furnishing additional evidence of the early popularity of the theme, a popularity which gave rise at first to individual poems like this and MS. Harl. 913, and later to the repetition and expansion of one common type as in the B Version. But, unlike MS. Harl. 913, this text stands apart from the more popular types of the poem, and has no connexion with either the B Version or the Cambridge text. It must therefore have been written before the short normal type of the B Version became current, and probably before it took shape as a poem of several stanzas, that is before 1400. The want of close connexion between it and the more usual types of the poem given above, makes the omission of it from the text the less to be regretted, since it represents a side-issue rather than a link in the development of the poem as here treated. [Footnote 1: Ex^r. K. R. Parl. Proceedings, Bdle. 1 (Old No. 645/21).] [Footnote 2: Joseph Hunter, the antiquary (1783-1861), Sub-Commissioner of the Public Records 1833, Assistant-Keeper of the Records 1838.] [Footnote 3: MS. _aterrens_ as one word.] [Footnote 4: MS. _wlt_.] [Footnote 5: this word is very obscure, and is omitted by Hunter; portions of _nt_ and the second _t_ can be seen.] [Footnote 6: H. _b^{i}reþ_.] [Footnote 7: H. _luþ_.] [Footnote 8: the MS. has a gap after _allewey_ with space for a word of five or six letters, but there is no erasure nor trace of any omission.] [Footnote 9: inserted above the line.] [Footnote 10: MS. has _ils_, surely a scribal error; the original had probably _u{er}s_ = _vers 'towards'_, with the MS. compendium for _er_, written over and confused with the second stroke of the _u_ so as to look like _il_.] [Footnote 11: H. _e'teyne_.] [Footnote 12: H. _peisez_.] [Footnote 13: H. _foilment_.] [Footnotes 14, 15: _in fresher ink above the line._] [Footnote 16: MS. _isoeþ_.] [Footnote 17: above the line.] [Footnote 18: MS. _foelle_; ? _falle_.] [Footnote 19: All words marked [19] are omitted in H.'s transcript, the MS. at this point being stained and obscure.] [Footnote 20: Professor Robinson Ellis suggests _obiu{r}gabit_ here, which would fit the space: there is room for 2-3 letters, and possibly a trace of an _r_ contraction.] [Footnote 21: H. _urgabit_.] [Footnote 22: obscure, H. _fuit_; MS. might be _ffinit_.] [Footnote 23: H. _t'roe_.] [Footnote 24: H. _neþer_.] [Footnote 25: H. _mo ert_.] [Footnote 26: inserted in margin; H. omits.] [Footnote 27: H. _aler_.] [Footnote 28: H. _le_.] [Footnote 29: H. _sayt cydaunt_.] [Footnote 30: H. _. . . . . . eyne_.] [Footnote 31: H. _t^{r}menti_.] [Footnote 32: H. _ou_.] APPENDIX II. #B# VERSION 19. MS. TRINITY COLLEGE CAMBRIDGE R. 3. 21. [fol. 33, v^o.] (This text represents the normal seven-stanza type of the B version, but without precise verbal agreement with any text printed above.) [Transcriber's Note: The initial "E" is printed in the middle of a large blank space, E.E.T.S. notation for a decorative capital.] 1 [E]rthe vppon erthe so wondyrly wrought, Erthe opon erthe hath gete a dignite of nought, Erthe opon erthe hath set all hys thought How erthe opon erthe may on hyght be brought. 4 2 Erthe opon erthe wold be a kyng; But how that erthe goth to erthe thynketh he nothyng. When erthe byddyth erthe hys rent home bryng, Than erthe from erthe hath full hard partyng. 8 3 Erthe opon erthe wynneth castelles and towres; Than seyth erthe to erthe: 'Thys ys all owres'. When erthe opon erthe hath bylde halles and bowres, Then shall erthe fro erthe suffre sharpe showres. 12 4 Erthe goth opon erthe as molde opon molde, Erthe goth opon erthe and glytereth as golde, Lyke as erthe to erthe neu{er} go sholde. And yet shall erthe to erthe rather then he wolde. 16 5 Why erthe loueth erthe wondyr I may thynke, Or why erthe for erthe wyll other swete or s[w]ynke, Ffor when erthe in-to erthe ys brought w{i}t{h}yn the brynke, Than shall erthe of erthe haue a foule stynke. 20 6 Lo erthe opon erthe consider{e} well thow may How erthe co{m}meth to erthe nakyd alway. Why shuld erthe than opon erthe go stout and gay Seth erthe in-to erthe shall passe in a pore aray? 24 7 I counsell erthe opon erthe that wykkyd hath wrought, Whyle erthe ys opon erthe to torne vp hys thought, And pray God opon erthe that all erthe hath wrought, That erthe out of erthe to blysse may be brought. Amen. 28 Memorare nouissima. #B# VERSION 20. MS. TRINITY COLLEGE CAMBRIDGE B. 15. 39. [fol. 170.] This text (in MS. not written in metrical lines) preserves 9 stanzas of the 12-stanza version in MSS. Lambeth and Laud, and appears to represent a distinct and perhaps older copy of the original of these two. The mistake in v. 8 precludes its being the original. De terra plasmasti me, _etc._ 1 [1]Erþe out of erþe is wondirli wrou[gh]t, Erþe of erþe haþ gete a dignite of nou[gh]t, Erþe vpon erþe haþ sett al his þou[gh]t, Howe þat erþe vpon erþe may be hi[gh] brou[gh]t. 4 2 Erþe vpon erþe wolde ben a king; But how erþe schal to erþe þenkiþ he no þing; Whanne þan erþe biddiþ erþe hise rentis hoom bring, Þanne schal erþe out of erþe haue a piteuous p{ar}tinge. 8 3 Erþe vpon erþe wy{n}neþ castels and tours, Þanne seiþ erþe to erþe: 'þis is all ouris.' Whanne erþe vpon[2] erþe [haþ biggid][3] up his bouris, Þan schal erþe for erþe for[4] suffre scharpe schouris. 12 4 Erþe gooþ upon erþe as molde upon moolde, So gooþ erþe upon erþe al glitiringe in golde, Lijk as erþe vnto erþe neu{er}e go scholde, And [gh]it schal erþe vnto erþe raþir þan he wolde. 16 5 O þou [fol. 170, v^o] wrecchid erþe þat in þe erþe trauellist ni[gh]t & day, To florische þe erþe, to peinte þe erþe wiþ wantowne aray, [Gh]it schalt þou erþe for al þi erþe, make þou it neu{er}e so queinte or gay, Out of þis erþe in-to þe erþe, þere to klinge as a clot of clay. 20 6 O wrecchid man whi art þou proud þat art of erþe makid? Hidir brou[gh]tist þou no schroud, but pore come þou and nakid. Whanne þi soule is went out & þi bodi in[5] erþe rakid, Þan bi [bodi][6] þat was rank & bilouid of al men is bihatid. 24 7 Out of þis erþe cam to þis erþe þis wantinge grarnement[7]; To hide þis erþe, to happe þis erþe, to him was cloþing lent; But now[8] gooþ erþe upon erþe, ruli raggid & rent, Þerfore schal erþe vndir þe erþe haue hidous turment. 28 8 Þ{er}fore þ{o}u erþe vpon erþe þat wikkidli hast wrou[gh]t, While þat erþe is upon erþe turne a[gh]en þi þou[gh]t, & pray to God vpon erthe þat [al þe erþe haþ][9] wrou[gh]t, Þat erþe vpon erþe to blis may be brou[gh]t. 32 9 Now Lord þat erþe madist for erþe & suffridist peines ille, Lete neu{er}e þis erþe for þis erþe mischeue ne spille, But þat þis erþe in þis erþe be euere worchinge þi wille, So that erþe fro þis erþe stie vp to þin hi[gh] hille. AMEN. 36 Memento homo quod cinis es. et in cinerem reuerteris. Ffac bene dum viuis. post mortem viu{er}e si vis. A man þat wilneþ for to p{ro}fite in þe wey of p{er}fecciou{n} & souvereinli to plese God. he muste studie bisili for to haue þese maters in his herte þat folewiþ here aftir. First biþenke þee [etc.] [Footnote 1: MS. erron. begins with a capital _D_.] [Footnote 2: Crossed out in MS.] [Footnote 3: Omitted in MS.] [Footnote 4: So in MS.] [Footnote 5: MS. _is_ erron. for _in_] [Footnote 6: Omitted in MS.] [Footnote 7: erron. for _garnement_] [Footnote 8: _erþe vpon erþe_ inserted after _now_ in MS. and crossed out.] [Footnote 9: MS. erroneously repeats, from l. 29, _þat vickidli hast wrou[gh]t_.] GLOSSARY. [Transcriber's Note: Entries shown in [[double brackets]] are from the author's Addenda, referring to the English text in Appendix I (pages 42-45). Yogh [gh] is alphabetized as g, thorn þ as th.] Abbey, _sb._ 13.6. _perh. erron. for_ nobley. [[Afrete, _pp._ devoured, eaten 42.3.]] Agaste, _a._ aghast 25.54. Agayn(e), ageyn, a[gh]en, ayen, _adv._ again 13.30, 15.45, 21.34, 24.20, 28.54; _prep._ against 38.47. A[gh]enrisynge, _sb._ resurrection 15.41. [[Agrise, _vb._ tremble, quake 44.28.]] Al, all, _a._ 28.49, 53. [[Alas, _int._ 43.17.]] Ale, _sb._ 25.60. [[Alete, _vb._ to let go, forsake 42.3.]] Almis, _sb._ alms 24.24. Also, _adv._ 28.37, 34.73. Alway(e), all(e) way(e), _adv._ always 7.14, 9.22, 10.22, 25.32, 29.58, &c. Amende, _vb. imp._ 24.18. Amys, _adv._ amiss 34.68. Answerid, _vb. 3 p. pr._ answereth 2.25. Apone, ap(p)one, _prep._, _var. of_ upon 6.3, 5, 9, 7.1, 2, 3, 9.1, 2, &c. Ar, 3.50. ? _erron. for_ a. Aray(e), array, _sb._ array 7.16, 8.26, 19.18, 21.64, 30.24, &c., &c. [[Aryse, _vb._ arise 44.25.]] Askeþ, askiþ, _vb. 3 p. pr._ 2.25, 39. [[Assise, _sb._ the Judgement 44.26.]] Auyse, _vb. imp._ bethink thyself, consider 22.98. Awaked, _vb. pr. pl._ awaken 1.6. Away, _adv._ 30.22, 31.22. [[Awelden, _vb._ wield, rule 42.9.]] Ay, _adv._ aye 25.58. Bare, _a._ 22.88. Be, _vb._ 5.4, 5, 6.4, 5, &c., &c. _imp._ 3.63, 22.97, 24.23; _subj._ 13.9, 14.35, &c _2 p. pr._ art 1.5, 15.24, 45, 19.21; _3 p. pr._ is, ys 2.16, 17, 40, 42, 3.49, 50, 7.1, &c., es 6.1, 10, 19; _pr. pl._ be, beth 2.38, 3.66, 7.10, 28.43, 45, bythe 13.14, byne 25.52, ar 30.10, 31.10, 33.45; _2 p. p._ were 1.5, 2.29, 22.92; _3 p. p._ was 15.29, 21.40, 23.101, &c. _p. pl._ were 27.21, 28.27. Before, beffore, byfore, _adv._ before 28.44, 52. _prep._ 22.100, 33.50. Begilynge, _sb._ beguiling 23.106. Begynnynge, _sb._ beginning 23.102. Begynnys, _vb. 3 p. pr._ begins 3.51; _3 p. p._ began 28.31, 32.14; _pp._ bigun 2.29. Beholde, _vb. imp._ behold 12.25. Behynde, _prep._ behind 33.50. [[Belden, _vb._ build up 43.12.]] Beriþ, berriþ, berys, _vb. 3 p. pr._ bears 2.15, 28, 33.53. Beste, _a._ best 12.21. Bete, _pp._ beaten 23.116. Betyme, _adv._ betimes 24.18, 25.57. Be ware, _vb. imp._ beware 22.97, 33.38. Biddethe, biddis, biddith, bydd-es, -eth, -is, -ys, -yth(e), bydyth, _vb. 3 p. pr._ bids 5.7, 7.7, 8.9, 9.7, 10.7, &c. _3 p. p._ bade 25.36. Biddyngis, _sb._ biddings 23.124. Bigged, biggid, -it, bygged(e), -id, -it, -yd, -yt, _pp._ built, 6.11, 7.11, 10.11, 12.11, 13.15, 14.14, 17.13, 19.11, 30.11, 31.11, 32.7; ON. byggja. Bihatid, _pp._ hated 15.27. [[Bi-holden, _vb._ keep, retain 42.10.]] Bild, _vb. imp._ build 3.64; _2 p. pr._ bildist 22.79; _3 p. pr._ bilt, 3.65, byldyth 5.13; _pp._ bildyd, billid, bylde, byllyd, 5.11, 8.13, 11.11, 20.22, 27.11. Bink, bynk, _sb._ bank 30.19, 31.19. L. Scots. Blak, blayke, _a._ black 3.66, 34.64. Blesse, _sb._, _var. of_ blis, bliss 29.6. Blis, blys, blysse, _sb._ bliss 4.77, 7.24, 8.30, 9.28, 10.28, &c. Blode, _sb._ blood 25.46. Blynde, _a._ blind 25.37. Blyssed, _pp._ blessed 34.75. Bodi, body, _sb._ 15.26, 27, 17.25, 26, 34.73. Bold, _sb._ dwelling 3.64. Bold, _a._ 28.42. Bon, _sb._ bone 22.88. Borowes, _sb. erron. for_ bowres, bowers 10.11. Both, _pron._ 28.41. Bour(e)s, bour(r)is, bourys, bowres, -is, -ys, _sb. pl._ bowers 3.66, 5.11, 6.11, 8.13, 9.11, 12.11, 14.14, 17.13, 27.11, &c. Bou[gh]te, _pp. erron. for_ bro[gh]t 26.70. Brede, _sb._ bread 25.60. Bredis, _vb. 3 p. pr._ breeds 6.7; (perh. erron. for _biddis_); _3 p. p._ brede 33.45. Brente, _pp._ burnt 10.19. Brether, _sb. pl._ brothers 28.44. Bring, bryng(e), _vb._ 5.7, 6.7, 7.7, 14.10, &c. _imp._ bryng 33.27; _2 p. p._ broght, brou[gh]ttist, broutyst 15.25, 17.24, 19.22; _pp._ brocht, bro(u)ght(e), broht, brou[gh]t(e), brouþt, browt(h)e, 5.4, 6.4, 7.4, 8.6, 9.3, 10.4, 28, 13.8, 14.7, 30.4, &c. Brink(e), brynk(e), _sb._ brink (of the grave) 5.19, 6.19, 15.34, 17.33, 27.19, &c. _pl._ brynkes 10.19. Byggis, bygith, -yth, _vb. 3 p. pr._ builds _v._ bigged 12.9, 34.63. [[Byheste, _sb._ promise 45.30.]] [[Byhet, _vb. 3 p. pr._ promises 45.31.]] Byrthe, _sb._ birth 26.72. Calle, _sb._ summons 12.23. Callyd, _vb. 3 p. p._ called, named 32.12. Carayne, caryon, _sb._ carrion 2.39, 24.30. Care, _sb._ care, anxiety 24.11. Case, _sb._ 26.64. Cast, _vb._ 34.61. Castles, castells, casteles, castels, castells, -es, -is, -ys, castylles, _sb. pl._ castles 3.65, 5.9, 6.9, 7.9, 8.11, 9.9, &c., &c. Certayn, certeyn, _a._ certain 28.53, 56. [[Cheste, _sb._ strife, dispute 45.29; OE. cêast, _older_ cêas, L. causa.]] Chyn, chynne, _sb._ chin 2.17, 32.26. Clay(e), _sb._ 15.23, 17.22, 19.20, 21.68. Clinge, clynge, klyng, _vb._ to shrink up, decay 15.23, 17.22, 19.20, 21.68. Cf. _E. E. Allit. P._ A. 856, oure corses in clottez clynge, _Hymns to Virgin and Christ_, p. 85, in coold clay now schal y clinge. Closed, closit, _pp._ enclosed, shut up 28.39, 30.19, 31.19. Clot, clotte, _sb._ clot of clay, a hardened lump of earth, 15.23, 17.22, 19.20, 21.68; _replaced by_ NE. clod. Cloth, _sb._ 32.24, 33.53. Cloth, _vb. imp._ clothe 25.36. Clothing(e), _sb._ 15.29, 17.28, 21.40. Cold(e), _sb._ 12.15, 28.43, 34.72. Com, _vb._ come 12.23; _2 p. pr._ commys 25.32; _3 p. pr._ comes, comeþ, commeth, comyth(e), commyth 7.14, 8.24, 9.22, 10.22, &c. _2 p. p._ cam 17.24, cem(e) 15.25, 19.22; _pl._ com 28.54. Commandmentis, _sb. pl._ commandments, 25.42. Concele, concell, consaill, consell, consylle, counsall, counsill, cowncelle, cowsayl, _vb. 1 p. pr._ counsel, advise 7.21, 8.27, 9.25, 10.25, 11.25, 26.67, 29.3, 61, 30.25, 31.25. Conclusion, _sb._ close, termination, 28.36. Consayfe, _vb._ conceive, grasp, understand 25.31. Consider(e), consedur, considder, considdir, consyder(e), consydre, _vb._ consider 7.13, 10.21, 11.21, 13.25, 15.36, 29.57, 30.21, 31.21. [[Coueytise, _sb._ covetousness 42.6.]] Coveytous, _sb._ covetousness 33.55, _Conf. of ending for_ covetise, OF. coveitise. Cf. _Paston Letters_, No. 582, II. 313, the unkyndnesse and covetuse that was shewed me. [[Crieþ, _vb. 3 p. pr._ cries 42.8.]] Crose, _sb._ cross 25.46. Crownnys, _sb. pl._ crowns 27.24. Crystyn, _a._ Christian 11.28. Dai, day(e), _sb._ day 4.78, 8.24, 15.20, 21.62, 32.22. Dare, _vb. subj._ need 34.58; ME. thar for tharf, OE. þearf; _from confusion with_ dare, OE. dearr. Dart, _sb._ 28.50. Dede, _sb._ deed 4.78; _pl._ deden, dedis 2.15, 25.54. [[Dedliche, _a._ deadly 43.14.]] Dedly, _a._ deadly, mortal 22.78, 23.128. Delful, dolfull, _a._ sorrowful, doleful 1.4, 7.8, 33.28; OF. doel, duel, deol, mod. F. deuil. Deliþ, _vb. 3 p. pr._ divides, separates 4.78. Depairting, _sb._ separation, parting 30.8, 31.8. Dere, _vb._ harm, injure 28.50; OE. derian. Deth(e), deeþ, _sb._ death 5.24, 8.3, 9.30, 31, 13.3, 4, 14.2, &c. _gen._ dethis 22.70. Deyle, _vb. imp._ distribute 25.43. Dignite, dignitie, dignyte, dignytie, dygnite, dygnyte, dyngnyte, _sb._ high estate or position, honour 6.2, 11.2, 12.4, 14.5, 16.4, 19.2, 20.8, 27.2, 30.2, 31.2. Disgesily, _adv._ strangely, extraordinarily 21.42; OF. desguisié, disguised. Do, _vb._ 34.68; _3 p. pr._ doþe, dooþ, doith, dose 7.17, 14.2, 22.94, 25.54; _pl._ don 33.33; _imp._ do 26.73; _pl. p._ did 28.44; _p. pr._ doynge 23.130; _pp._ do, don 23.115, 122, 34.66. Doluyn, _pp._ buried 23.113. Dome, _sb._ judgement 4.76. Draught, draut, drawght(e), draw[gh]t, _sb._ drawing of a bow, bowshot 5.24, 8.3, 9.31, 13.4, 14.2. Cf. R. Brunne _Chron. Wace_ (c. 1330) 862, al vnwylland þat draught he drow. Drawe, _vb._ draw 14.1; _3 p. pr._ drawethe, drawith, drawyth(e) 5.24, 8.3, 9.31, 13.4, 20.3; _3 p. p._ droh, drow 1.2, 4. Dred(e), _vb. imp._ dread 4.76, 23.117. Dredfull, _a._ dreadful, terrible 28.50. Drynkis, _sb. pl._ drinking feasts 22.86. Duly, _adv._ duly, rightly 25.43. Dute, _sb._ duty, dues 5.7. Dwelle, dweylle, _vb._ dwell 22.80, 26.63; _3 p. pr._ dwellyth 34.65. Dye, _vb._ die 9.15; _3 p. p._ deyd 34.78. Earth, eird, erth, erthe, herth, _sb._ earth 1.1, &c., &c. [[Elden, _vb._ to grow old 43.11.]] Empire, _sb._ 28.31. Enclyn, _vb._ incline, be disposed, desire 27.23. End, _vb._ 2.29. Ende, _sb._ end 4.73, 24.6, 26.66. [[Endinge, _sb._ 44.21.]] Endure, _vb._ 28.45. Ensure, _vb._ 28.46. Entent, _sb._ intent, purpose 34.57. Enuye, _sb._ envy 22.74. [[Eorthe, _sb._ earth 42.1, &c.]] Erþene, _a._ earthen 1.3. Erthly, _a._ earthly 33.55, 34.70. Est, _sb._ east, (_perh. erron. for_ erth) 34.79. Euer(e), _adv._ ever 14.35, 16.50, 18.49, 22.80, 23.130, 33.35, 36. Euerlastynge, _a._ everlasting 23.108. Evill, ewill, _a._ evil 30.20, 31.20. Ewyne, _sb._ even 25.51. For oode ne for ewyne, for odd nor even, on no account whatever. Cf. even and odd, all included, without exception. Exampul, _sb._ example 25.39. Excludid, _pp._ excluded 22.76. Falle, _sb._ 12.22. Falliþ, _vb. 3 p. pr._ falls, 1.3. Falshede, falshode, _sb._ falsehood 23.106, 110. Falsly, _adv._ falsely 33.50. Fane, fayne, _a._ fain 30.5, 31.5. Fare, _vb._ go 24.12. Fase, _sb. pl._ foes 12.28. Fast, _adv._ 34.60. Favtt, _vb. p. pl._ fought 25.44. Fayr, _a._ fair 33.42; _adv._ fayre 33.50. Fede, feden, _vb._ feed 2.14, 33.44. Fele, _sb._, _prob._ fell, moor 24.30; ON. fjallr. Felow, _sb._ fellow 22.92. Ferde, _pp._ afraid, terrified 12.24; OE. (for) f[-æ]red. Fere, _sb._ fear 28.52. Festis, _sb. pl._ feasts, 22.86. First, fyrst, _a. & adv._ 23.102, 28.31, 38, 32.14. Flesch, _sb._ flesh 33.45. Florische, florisshe, fflorysshe, _vb._ adorn, embellish 15.21, 17.20, 19.18, 21.63; OF. florir, floriss-. Flowre, _sb._ flower 28.38; _pl._ flowres 34.65. [[Foelle, _vb. subj._ ? fall 43.20.]] Folk, _sb._ 28.45. Foo, _sb._ foe 22.78; _pl._ fase 12.28. Forbere, _vb._ forbear 28.51. [[For[gh]ete, _pp._ forgotten 42.4.]] Forsake, _sb. subj._ 22.81, 23.109. Forsuthe, _int._ forsooth 12.28. Fote, _sb._ foot 23.114; _pl._ 32.22. Fovde _sb._ food 25.44. Foul(e), foulle, fovl, fowll(e), _a._ foul 5.20, 6.20, 8.22, 11.20, 22.77, 24.28, &c. Fowle, _sb._ evil, hurt 33.39. Cf. Sowdone of Babylone (c. 1400) 199, foule shall hem this day bifalle. _NE. sense of_ foul _as_ trip, collision, _not found in ME._ Frendschip, _sb._ friendship, 2.42. Frow, _adv._ (_glossed_ festine) swiftly, hastily 1.3; ON. frãr, swift. Fugure, _sb._ figure 28.47. Ful, full(e), _adv._ fully 5.24, 9.32, 13.4, &c. Fulfille, fulfyle, _vb._ fulfil 23.124, 25.42, 50. [[Furloren, _pp._ lost 46.35.]] Fyghtys, _vb. 3 p. pr._ fights, 34.60, _p. pl._ favtt 25.44. Fynd(e), _vb._ find 12.28, 33.49; _1 p. pr._ 25.39, 40. Fyne, _sb._ end 27.24. Ga, gase, _v._ go, goest 6.16, 12.27, &c. Garnament, garnement, _sb. early form of _ garment 15.28, 17.27, 21.38. Gate, _sb._ gate 22.76. Gatis, _sb. pl._ way 12.27. Gay(e), _a._ 8.25, 9.23, 19.19, &c. Gersom, _sb._ treasure, 3.61; OE. gersume. Gett, _vb._ get 25.60; _3 p. pr._ get hit (? _erron. for_ getith, _glossed_ lucratur) 2.37, getyth 34.66; _3 p. p._ gete, gette 3.61, 10.2; _pp._ gete(n), getyn, goten, gottin, gotyn 3.53, 5.2, 6.2, 11.2, 13.6, 19.2, 30.2, &c. Gleterande, gleteryng(e), gletterant, _p. pr._ glittering 6.14, 8.16, 9.14, 13.18, 17.16, 20.32; _v._ Gliteringe. Glisteryng, _p. pr._ sparkling, glittering 11.15; MLG. glistern. Gliteringe, glitterand, glyt(t)ryng, glytteryng, _p. pr._ glittering 5.14, 12.13, 14.17, 19.14, 24.21, 30.15, 31.15; ON. glitra, to shine. Glydderande, glyd(e)ryng, _p. pr._ _for_ glitterande, &c. 7.18, 10.14, 27.14; _v._ Gliteringe. Glydys, _vb. 3 p. pr. for_ glytys, glitters 33.34; ON. glita, to shine. Go(e), gon, goo, [gh]a, _vb._ go 5.15, 16, 6.15, 16, 7.19, 22.82, &c. _2 p. pr._ gase, goist 12.27, 22.70; _3 p. pr._ ge(e)th, goeth, gois, go(o)th(e), gos(e), goos, gott, goyth(e), 2.13, 28, 5.14, 6.13, 14, 8.16, 9.13, 14, 11.6, 12.13, 15, 14.16, 17, 30.6, 15, 22, 32.15, 19, &c. _3 p. subj._ go 3.64; _imp._ go 25.47. God, _sb. n. pr._ 7.23, 8.29, 9.27, &c. _gen._ Goddis 23.124. Gold(e), _sb._ 3.61, 5.14, 6.13, 14, &c. Good, _a._ 34.57. Goode, _sb._ property, 25.43; _pl._ goodis 23.112. Gospel, _sb._ 25.39. Govern, _vb._ 12.30. Grace, _sb._ 22.70, 26.61. Grauiþ, _vb. 3 p. pr._ buries, covers up, 8.52; OE. grafan. Grawnte, _vb. subj._ grant 12.30. Grene, _a._ green 3.52. Gret(e), grit, _a._ great 21.44, 30.17, 31.12, 17, 33.52, 56, 34.80. [[Grimliche, _adv._ terribly 44.28.]] Grouer, _sb._ a kind of fur, 3.51; OF. gros vair, _opposed to_ menu vair, minever. Grounde, _sb._ bottom, 34.77; cf. OE. helle grund. Groy, _sb._ grey fur, 3.51, _erron. for_ grey, _or perhaps contamination of_ ME. gra, gro (ON. grãr) _with_ grey (OE. gr[-æ]g). Cf. Berners _Froiss._ II. ccii. 622, furred with Myneuere and gray. Grucche, _sb._ grudge 28.55. To strive of grucche, to strive against as a grievance. [[Guo, _vb._ go 43.15.]] [[Gynneþ, _vb. 3 p. pr._ begins 43.15.]] Haf(e), _vb._ have 6.8, 20, 10.8, 20, 12.8, 20, 22. Hallys, _sb. pl._ halls 32.5, 34.63. Hame, _sb._ home 30.7, 31.7. Hande, _sb._ 24.24. Happe, _vb._ wrap 15.29. Hard(e), herd, _a._ hard 6.8, 11.8, 12, 30.8, 31.8, &c. Hart, herte, _sb._ heart 25.46, 33.53. Hartily, hertili, hertly, _adv._ heartily 15.40, 18.39, 21.54. Haste, _sb._ 25.53. Hate, _sb._ 22.74. Hate, _vb._ hate; _3 p. pr._ hatid 2.26; _pp._ hated, hatid, hatyd(e) 5.23, 8.2, 9.30, 13.3, 14.1, 16.2, 17.26, 20.2. Hauntist, _vb. 2 p. pr._ practisest habitually 22.74. Haue, have, haf(e), _vb._ have 5.8, 20, 6.8, 20, 8.10, 22, 10.8, 20, &c. _1 p. pr._ haue 28.44; _2 p. pr._ hase, hast(e), 12.25, 28, 13.29, &c. _3 p. pr._ has(e), hath(e) 1.1, 2.27, 5.2, 3, 12.1, 11, &c. hes 30.2, 11, 31.2, 11; _pr. pl._ haue 29.61; _imp._ haue 28.52; _3 p. subj._ haue 34.65; _3 p. p._ had(e), heuede 1.4, 29.3, 34.72. [[Haueþ, _vb. 3 p. pr._ has 43.13.]] Hede, _sb._ head 25.48. Hede, _sb._ heed 24.5. Heere, here, _adv._ 16.48, 28.40, 45. Heghe, hey, _v._ hi[gh] 6.4, 11.4. Hel(e), hell, _vb._ hell 25.40, 58, 34.77. [[Helle-feste, _sb._ Hell-fortress 45.32.]] Helpe, _sb._ 26.72. Helpyne, _vb. 3 pl. pr._ help 25.52. Hend, _a._ gracious 4.75. Hennys, _adv._ hence 22.82. Herd, herte, hertili, _v._ Hard, Hart, Hartily. Hete, _sb._ heat 28.43. Heuen(e), heuyn, heyuyn(e), heywyn, _sb._ heaven 15.43, 19.24, 25.40, 52, 26.63, 34.82, &c. Heuy, _a._ heavy 9.8. Hicht, _sb._ height 30.4, 31.4. Hide, hyde, _vb._ 15.29, 17.28, 21.39. Hider, hidir, hyder, _adv._ hither 15.25, 17.24, 19.22. Hidiose, hidous, _a._ hideous 15.31, 17.30. Hi[gh], hihe, heghe, hey, hy(e), hy[gh], hygh(e), _a. & adv._ high 5.4, 6.4, 7.4, 8.4, 9.3, 10.4, 11.4, 11, 12.2, 13.8, 14.7, 16.6, 51, 19.4, 22.100; hiere (higher) 20.12. Hille, hylle, _sb._ hill 14.36, 16.51, 18.50, 23.132. Hold, _vb. 3 p. pr._ holdys 32.16; _pp._ hold 28.30. Hold, _a._ faithful 3.63. Holy, _a._ holy 23.132. Hom(e), hoom, whom(e), _sb._ home 5.7, 6.7, 11.7, 16.9, 24.9, &c. _v._ hame. Honger, _sb._ hunger 34.72. Honour, _sb._ 27.22. Houe, hove, how(e) _conj._ how 5.4, 6, 6.4, 6, 7.4, 6, &c., &c. Hows, _sb._ house 32.26. Hundred, _num._ 2.18. [[Hyeþ, _vb. 3 p. pr._ hastens 42.7.]] [[Iboren, _pp._ born 45.33.]] [[Ibou[gh]t, _pp._ redeemed 43.19.]] [[Icoren, _pp. a._ chosen ones 45.35.]] Idi[gh]te, _pp._ placed, set 2.38. [[Igete, _pp._ got 42.1.]] [[Ignawe, _pp._ devoured 44.23.]] [[Ihere, _vb._ hear 44.26.]] [[Iknawe, _vb._ know 44.24.]] Ilich, alike 1.5. Ille, ylle, _a. & adv._ ill 14.33, 16.48, 18.47, 23.122. Ilor, _pp._ lost 2.42; _v._ Loste. Imeten, _pp._ measured 3.54. Inow(e), ynoh, enough 1.2, 4, 32.18. [[Iseoþ, _vb. 3 p. pr._ sees 43.14, 44.21.]] [[Islawe, _pp._ slain 44.22.]] Iustly, _adv._ justly 5.16. Iustyse, _sb._ justice, judge, 22.100. [[Iuynt, _vb. 3 p. pr._ joins 42.9.]] [[Iworthe, _vb._ become 43.16.]] Karful, _a._ grievous, sad, full of care, 26.64. King, kyng(e), _sb._ 2.39, 5.5, 7.5, 8.7, 9.5, &c. Klyng, _v._ clinge. Kni[gh]t, knyght, _sb._ knight 2.39, 19.24. Know, _vb._ 27.23; _3 p. pr._ knowethe 9.21. Kny[gh]thode, _sb._ 28.38. Labour, _vb._ 23.103. Ladis, _sb._ Lady's 26.72. Lang, long, _a._ 3.50, 64; _adv._ 28.45, 33.40. Lappe, _vb._ wrap 21.39. Last(e), _a._ 4.73, 12.23, 32.22; at þe last 33.39, 34.62. Late, lete, lett, _vb. imp._ let 14.34, 16.49, 18.48, 23.127, 25.51. Lay, _vb. 3 p. pr._ layes 32.3; _3 p. p._ leyd(e) 1.3, 27.24; _pp._ layd(e) 33.44, 54, 34.64. Lede, _vb. subj._ lead 25.58, 34.82. Leinþ, _sb._ length 3.54. Leniþ, _vb. 3 p. pr._ rewards 4.78. OE. lêanian. Lent(e), y-lent, _pp._ lent, granted 15.29, 17.28, 21.40; OE. l[-æ]nan. [[Lere, _vb._ teach 44.27.]] [[Leste, _vb._ last 45.31.]] Lest(e), _conj._ 4.76, 25.58. Leve, lyffe, _vb._ live 19.24, 28.41, 33.35; _2 p. pr._ leuyst, leuuyst 25.50, 26.62; _3 p. pr._ lyueth 23.105; _imp._ lyffe 19.23; _3 p. p._ levyd 34.57. Lewe, _vb. imp._ leave 19.29. Lif(e), liif, lyf(e), lyffe, _sb._ life 2.15, 5.23, 8.2, 9.29, 13.3, 14.1, 16.1, 20.1. Li[gh]t, lyt, _vb._ alight, descend; _3 p. p._ lytyd 34.75; _pp._ li[gh]t 2.40. Like, lyk(e), _conj._ like 5.15, 6.15, 7.19, 8.17, 9.15, &c. List, lyst, _vb._ desire 28.47; _3 p. p._ liste 27.23. Liuerei, _sb._ livery, 3.52. Logege, _vb._ lodge 25.58. Loke, _vb. imp._ look 25.51. Lond, _sb._ land 4.73. Lord(e), _nom. pr._ 14.33, 16.48, 18.47, 23.125, 25.45. Loste, _vb. p. pl._ lost 28.28.; _v._ Ilor. Loth, _a._ loth, unwilling 33.54. Loue, _sb._ love 23.119, 25.45, 32.13. Loue, love, _vb._ love; _2 p. pr._ louyst 22.77; _3 p. pr._ loues, -is, -ys, 9.17, 10.17, 24.25, 33.29; loueth, -yth, loveth, -yth(e), loweth 5.17, 8.19, 11.17, 17.31, 27.17; lu(i)ffis, 6.17, 12.17, 30.17, 31.17; _pp._ loued, louyd(e) 5.23, 8.2, 9.29, 13.3, &c. [[Louerd, _sb._ Lord 45.33.]] Low[gh], _adv._ low 2.40. Lust, _sb._ desire 22.83. [[Luþer, _a._ wicked 42.9.]] Lutil, _adv._ little 3.50. Ly, _vb._ lie 32.26; _3 p. pr._ lyis 24.30; _pl. pr._ lye 26.32. Lyffe, lyneth, _v._ Leve. Lykyng, _p. pr._ pleasing, desirable 32.23. Mai, may(e), _vb. pr. sg._ may 1.2, 5.4, 6.4, &c., &c. _pl._ 28.45; _2 p. pr._ moue 25.56; _3 p. p._ myght, myth 7.4, 24, 9.3, 27.4. Maistri, _sb._ mastery, lordship 2.37; _pl._ maistres 12.26. Make, _vb. subj._ 15.22, 19.19, 21.66, 33.36; _2 p. pr._ mase 12.26; _3 p. pr._ maketh, -ith, -yth(e) 5.24, 8.3, 9.32, 14.2, 16.2; _2 p. p._ madist, -yst 14.33, 16.48, 18.47; _3 p. p._ mad(e) 26.69, 32.11, 34.69; maid 30.27, 31.27; _p. pr._ makyng 22.90; _pp._ made 20.14, 22.87, 23.101, 27.24; maked, -id, 1.5, 15.24, 17.23, 19.21. Man, mon, _sb._ man 4.71, 77, 5.17, 24, &c. Maner, _sb._ 22.96; any maner wise, any kind of way. Many, _a._ 11.12, 12.28, 34.76. Mast, _sb._ 34.59. Mede, _sb._ meed, reward 4.77, 33.43; _pl._ meden 2.16. Mekyl, _a._ much 33.49; _v._ Moche, myche. Mercy, _sb._ 25.50. Merwel, _sb._ marvel 24.25. Mi[gh]te, _sb._ power, might 2.37. Miseislich, _adv._ uncomfortably 3.54. Moche, myche, _a._ much 4.77; _adv._ 15.32; _v._ Mekyl. Moder, _sb._ mother 3.62. Mold, _sb._ mould, pattern, 3.62; OFr. modle. Mold(e), moolde, moulde, mowld(e), _sb._ mould, earth 5.13, 7.17, 9.13, 10.13, 11.13, 17.15, &c. Molys, _sb. pl._ moles 33.33. Mone, _sb._ moan 22.90. More, _adv._ 6.15, 28.34, 33.35, 36; moo 22.80; _a._ 28.40. Most(e), moost, _adv._ 5.23, 8.2, 14.1, &c. Moue, _vb. 2 p. pr._ may 25.56; see Mai. Muntid, _vb. 3 p. pr._ 2.16 (_glossed_ metitur) measures, appoints; OE. myntan, to intend, propose, hint. [[Mychfulliche, _adv._ greatly, at so great cost 43.19.]] Mynd(e), _sb._ 25.38, 33.36. Myrth(e), _sb._ mirth, joy 26.64, 66. Myscheue, _vb. subj._ come to grief, meet with misfortune 16.49, 18.48; OF. meschever. Myschyffe, _sb._ misfortune, evil plight 14.34. Mysdon, misdone 34.66. Myse, _vb._ miss 26.64. Mysgete, _p._ misgotten 23.112. Mysplese, _vb._ displease 15.43, 17.42, 21.60. Naked, nakid, -it, -yd(e), -yt, _a._ naked 5.24, 7.14, 8.24, 15.37, 25.32, &c. Namyd, _vb. 3 p. p._ named 34.69. Nawte, _pr._, _v._ Nocht, noght. Nede, _sb._ need 34.80. [[Netfulliche, _adv._ of necessity 44.25.]] Neuer(e), neuyr(e), never, nevyr, _adv._ never 5.15, 7.19, 8.17, 15.22, 17.21, 19.15, 34.58, &c. Ni[gh]t, ny[gh]t, nyght, nyht, _sb._ night 4.78, 15.20, 17.19, 19.17, 21.62. Nim, _vb._ take 1.2, OE. niman. Noblenes, _sb._ high estate, nobility 28.35. Nobley, nobylay, _sb._ noble estate or condition 10.2, 32.2. Nobul, _a._ noble 5.2. Nocht, noght(e), nogth, noht, nou[gh]t, nought(e), nowght, nawte, _pr._ nought 5.2, 6.2, 7.2, 9.4, &c. Non(e), _pr._ none 22.92, 28.27, 34.61. Nor, _conj._ than 30.16, 31.16. Nother, _conj._ neither 25.60. Nothing(e), nothyng(e), _pr._ nothing 5.6, 9.6, 24.8, 31.6. Now(e), _adv._ 28.41, 31.10, 32.3. [[Of-sou[gh]t, _pp._ attacked 43.18.]] Old(e), _a._ old 28.41, 34.74. Onkynde, _a._ unkind, unnatural 33.47. Oode, _sb._ odd 25.51, for oode ne for ewyne, for odd nor even, on no account. Opon, _prep._ _var. of_ upon 12.1, 2, &c. Or, _adv._ before 23.113, 28.50; OE. [-æ]r. Ordande, _vb. 3 p. p._ ordained 12.29. Oribyll, _a._ horrible 21.52. Othe, _sb._ oath 33.52. Oþer, _a._ other 1.2. Other, owther, owþir, _conj._ either, or 6.18, 11.18, 30.18, 31.18. Our(e)s, ouris, -us, -ys, owres, -is, -ys, owrris, houris, _pron._ ours 5.10, 6.10, 7.10, 8.12, 9.10, &c, &c. Owris, ? ours 24.23. Pale, _a._ 28.32. Palfrei, palfreye, _sb._ palfrey 3.49, 32.20. Paradys, _sb._ Paradise 34.70. Parting, partyng(e), parttynge, _sb._ parting, leave-taking, 5.8, 6.8, 14.11, 24.10, &c. Pas(e), passe, _vb._ pass 8.26, 9.24, 10.24, 25.34, &c. Payne, _sb._ pain 23.108, _pl._ paynes, peynes, peynys 14.33, 16.48, 18.47, 23.126. Paynt(e), peynte, _vb._ paint 15.21, 17.20, 19.18, 21.63. Pepul, _sb._ people, 25.44. Perische, _vb. subj._ perish 22.99. Petous, petus, _a._ 10.8, 16.10, 20.20; _v._ Piteuous. Petrus, _a._ ? piteous 5.8. Piteuous, pyteous, pytous, pytyus, _a._ piteous 8.10, 13.12, 14.11, 19.8. Place, _sb._ 25.48, 26.62. Playn, _a._ plain 28.47. Plese, _vb._, please 22.95. Plowe, _sb._ plough 32.15. Poor(e), por(e), pure, _a._ poor 7.16, 10.24, 11.24, 15.25, 39, 30.24, &c. Pore, _sb._ the poor, 1.6. Portratowre, _sb._ portraiture 28.48. Praie, pray(e), preye, _vb._ 8.29, 10.27, &c., _imp._ 13.31, 15.46, 18.45, 29.63; _1 p. pr._ 9.27; _pr. pl._ 7.23. Prankys, _vb. 3 p. pr._ to show oneself off, strut, parade 32.20; MDu. pronken. Pride, _sb._ 33.53. Prode, proud, prowde, prowt, prude, _a._ proud 7.15, 15.24, 17.23, 19.21, 25.33. [[Prude, _sb._ pride 42.5.]] Prykys, _vb. 3 p. pr._ to spur one's horse 32.20. Punsched, _pp._ punished 23.108. Purvey, purway, _vb._ make provision 28.52; provide, furnish 26.62. Pyne, _sb._ pain 25.59. Quene, _sb._ queen 3.49. Queynt(e), _a._ ingenious, elaborate, fine 15.22, 17.21, 19.19. Queytith, _vb. 3 p. pr._ requiteth 22.93. Quhen, quhone, _adv._ 30.7, 11, 19, 31.7, 11, 19; _v._ Whan(ne), when(ne). Quhill, quhy, 30.23, 26, 31.23, 26; _v._ While, Whi. Race, _vb._ to tear away, snatch 22.72; OF. racher, -ier, _from_ arrachier. Ragged, raggid, _a._ 15.30, 17.29, 21.42. Rakid, _pp._ raked, covered, buried 15.26, 17.25; ON. raka to scrape, rake, cf. Ch. Monkes T. 143 in hoote coles he hath hym seluen raked. Rank, _a._ proud, haughty 15.27, 17.26. Rather(e), rathar, rathyr, _adv._ 5.16, 6.16, 7.20, &c. Recke, _vb._ reck, care, heed 34.58. Rede, _vb._ read 25.47; guide, direct 33.46. Rekenyng(e), rikenynge, _sb._ account 15.42, 18.41, 21.58. Rekyn, _vb. subj._ reckon, take count of 28.37. Renown, _sb._ 28.33. Rent, to-rent, _pp._ rent, torn 15.30, 17.29, 21.42, 25.45. Rent(e), _sb._ revenue, income, tribute 7.7, 9.7, 10.7, &c. _pl._ rentes, -is, -ys, 6.7, 8.9, 11.7, &c. Repente, _vb. imp._ 23.121. Resoune, _sb._ reason 23.118. Reste, _vb._ rest 25.48. Restore, _vb. imp._ 23.111. Rewful, rewfulle, _a._ rueful 15.35, 17.34. Riche, rych, _sb._ rich 1.6, 25.40. Right, _sb._ righteousness, good 2.41. Right, riht, ryght, _a._ 34.82; _adv._ 5.20, 21.58, 33.46. Risynge, _sb._ uprising, resurrection 18.40, 21.56. Rode, roode, _sb._ rood 25.45, 34.78. Rof, _sb._ roof 2.17, 32.26. Ros, _vb. 3 p. p._ rose 34.79. Ruli, ruly, _a. or adv._ rueful(ly) 15.30, 17.29; OE. hrêowlîe. Ryches, _sb. pl._ riches 25.38. Rydys, _vb. 3 p. pr._ rides 33.42. Sake, _sb._ 33.38. Salle, _sb._ hall, palace, court 12.24. Same, _a._ 32.11. Saule, _sb._ soul 12.32; _v._ Soule. Save, sawe, _vb._ save 34.77; _3 p. pr._ sauyd 34.76. Say, _vb._ 12.21; _3 p. pr._ sais(e), sase 6.10, 12.10; saith(e), sayth(e) 5.10, 8.12, 20.27, 22.91; sayis, says 10.10, 30.10, 31.10; seiþ, seyth, seth 7.10, 11.10, 14.13, &c. Schal, shall, _vb._ shall; _2 p. pr._ schalt, 2.29; _3 p. pr._ sal(e), sc(h)al, schall(e), shall(e) 5.8, 12, 6.8, 16, 7.6, 20, &c. _pl._ schullen 2.18; _2 p. p._ schuldist 22.80; _3 p. p._ scholde, schould(e), schuld(e), shuld, sold, sulde 6.15, 9.15, 23, 10.23, &c. Scharp(e), sharp(e), _a._ sharp 5.12, 6.12, 8.14, 17.14, 30.12, &c. Sched, _vb. 3 p. p._ shed 25.46. Schend, _vb. subj._ shame, disgrace 4.76; _pp._ schent 33.55. Schene, _a._ bright, beautiful 3.51. Schouris, -ys, schowres, -is, -ys, shour(e)s, showres, -is, _sb. pl._ 5.12, 7.12, 8.14, &c., &c. scowrrys 6.12, schorrys 24.16. Schroud, schrud, shroude, shrowde, _sb._ clothing 3.51, 15.25, 17.24, 19.22. Scowrrys, _sb. pl._ 6.12, showers; (_or perh._ stourrys, battles, tumults, OF. estor, estour). Secatours, _sb. pl._ executors 24.24, ME. _also_ secetour, sectour. Securlye, _adv._ certainly, surely, 26.66. [[Seluen, _pron._ self 44.24.]] Sely, _a._ blessed 12.24; simple 32.24. Sen, syn, _conj._ since 8.26, 25.34, 30.24. Seruyse, _sb._ service 22.94. Set, _vb. 3 p. pr._ sattys 32.4; _pp._ set(e), sett(e), ysette 5.3, 6.3, 7.3, &c. Seth(e), sethen, sith, syth, _conj._ since 9.24, 10.24, 11.24, 29.60, 32.12. Seven, _nu._ 32.22. Seynt Powlis, 28.48 St. Paul's. Shewith, _vb. 3 p. pr._ shews 28.49. Short, _a._ 28.36. Shyne, _vb._ shine 27.22. Sin, synne, _sb._ sin, 4.76, 23.115. Skin, _sb._ 2.18. Skyle, _sb._ reason 25.41. Slogh, _sb._ slough, skin, covering, 32.17, 33.40. Smarte, _sb._ smart, pain 24.17. Smele, _vb._ smell 24.29. Socowre, _sb._ succour 28.40. Soffyre, sofur, _vb._ 10.12, 24.16; _v._ Suffer. Solde, _pp._ sold 34.73. Sone, _adv._ soon 33.48; sonar, sone(a)r 27.16, 30.16, 31.16. Sore, _a._ sore, grievous 23.104; _adv._ 15.33, 23.116. Sorow(e), _sb._ sorrow 22.84, 34.81. Soule, sowle, _sb._ soul 3.63, 33.38; _v._ Saule. Space, _sb._ space of time, respite 26.63. Sped(e), _vb._ speed 24.6, 34.81. Spille, spylle, _vb._ perish, be destroyed 14.34, 16.49, 18.48, 23.128. Starte, _sb._ a sudden movement 24.18. Thi lyfe ys but a starte, but for a moment. Stede, _sb._ steed 33.42. Stelis, _vb. 3 p. pr._ steals 32.17. Steyuyne, _sb._ voice 25.49; OE. stefn. Stie, stye, _vb._ ascend, mount 14.36, 16.51, 18.50, 23.132; OE. stîgan. Stille, _adv._ silently 23.126. Stink, stynk(e), _sb._ stink 6.20, 8.22, 30.20, 31.20, &c. Stounde, _sb._ hour 34.75; OE. stund. Stourrys, _sb. pl._ conflicts 6.12; OF. estor, (_probably_ Scourrys; _v._ Schouris). Stoute, stowte, _a._ bold, proud 8.25, 9.23, 15.38, &c. cf. OF. estout. Streinþ, _sb._ force, violence 3.53. Streite, streyt, _a._ close, exact 15.42, 17.41, 21.58. Streytly, _adv._ closely 28.39. Strive, stryue, _vb._ 22.72, 28.55. Stronge, _a._ strong 34.59. [[Styeþ, _vb. 3 p. pr._ ascends, mounts up 42.5.]] Styke, _sb._ 5.20, _erron. for_ stynke. Suffer, -ir(e), -yr(e), suffre, soffyre, sofur, _vb._ suffer 5.12, 6.12, 7.12, 8.14, 9.12, 10.12, 11.12, 24.16, &c. _2 p. p._ sufferdyst, suffredist, suffridist 14.32, 16.48, 18.47, 23.126. [[Sullen, _vb. 1 pl. pr._ shall 43.16.]] Superflue, _a._ superfluous 15.33. Sweet(e), sweit, swet(e), swett, _vb._ sweat 5.18, 6.18, 11.18, 15.33, 21.48, 31.18, &c. _3 p. pr._ swetys 10.18. Swerys, _vb. 3 p. pr._ swears 33.52. Swink(e), swynk(e), _vb._ toil, labour, _ref. as for_ sweet(e) _supra_. _3 p. pr._ swynkes 10.18. Swynkynge, labour, exertion 23.104. Symple, _a._ simple 25.34. Syttythe, _vb. 3 p. pr._ sits 9.11. Take, _vb._ 33.37, 39; _imp._ 24.5, 25.49; _3 p. pr._ takys 32.2; _2 p. p._ tokist 23.125; _3 p. p._ toc, toke 1.1, 34.81; _pp._ taken 12.31. Tent, _sb._ heed, attention 25.49. Teriþ, _vb. 3 p. pr._ tears 2.27. Than(ne), then(ne), _adv._ then, 1.2, 2.18, 5.12, 11.8, &c., &c. That, _pron. and conj._ 2.30, 3.51, 6.17, &c. _pl._ þose 7.10. Thenk, think(e), thynk, _vb._ think 15.40, 17.39, 21.46; _imp._ 4.72, 12.26, 28.42; _1 p. pr._ 8.19, 27.17, 30.17, 31.17; methink(e), thynke, thynkes 5.17, 6.17, 9.17, 10.17, &c. _3 p. pr._ þenkiþ, thenkys 10.6, 14.9; thinkis, thynketh(e), -ith, -yth(e), -is, -ys(e), thyngkethe, thyngkys 5.6, 6.6, 8.8, 9.4, 11.6, 13.10, 16.8, 19.6, &c. _p. pr._ thynkyng 20.16. [[Þilke, _pron._ that same 44.26.]] This, thys, _pron._ 5.10, 6.10, &c. _pl._ these 13.14; þir 30.10. Thocht, thoght(e), thought(e), þou[gh]t(e), thouthe, thowght(e), thowht, thowth, _sb._ thought 5.3, 6.3, 7.3, 22, 8.5, 28, 9.2, 26, 10.3, 26, 11.3, 26, 12.1, &c., &c. Thynkynge, _sb._ thought, consideration, 21.54. Thorow, _prep._ through, 26.72. Þre, _nu._ three 2.42. Þroh, þrou[gh], _sb._ coffin, 1.3, 2.42; OE. þrûh. Thouh, þouw, _conj._ though 3.50, 21.33. Till, _prep._ to, 30.4, 31.4. Toght, _adv._ 32.16, _prob. erron. for_ togh, tough; _rimes_ plowe, slogh, inowe. Torn(e), turn(e), _vb._ turn 7.22, 8.28, 9.26, 10.26, 11.26, &c., &c. [[Totoren, _pp._ torn, rent 45.34.]] Tour(e)s, -is, -ys, towres, -is, -ys, towrrys, _sb._ towers 3.65, 5.9, 6.9, 7.9, 9.9, 10.9, &c., &c. Toward, _prep._ 2.14. Trauayles, traue(i)list, traueylist, _vb._ _2 p. pr._ labourest 15.20, 17.19, 19.17, 21.62. Trede, _vb._ tread; _pp._ ytrede 23.114. Trewth, trowthe, _sb._ truth 23.104, 28.47. Tristyn, _vb._ trust 22.95; _imp._ trust 24.24. Turment, _sb._ torment 15.31, 17.30, 21.44. Tyllys, _vb. 3 p. pr._ tills the ground, 32.15. Tyme, _sb._ time, 12.21. Unclade, _a._ 25.35. Undeuout, _a._ undevout, 15.27. Unresonably, _adv._ unreasonably, 21.48. Unreydy, _a._ unready 25.56. Unsiker, _a._ uncertain, 28.43. Upon, uppon, vp(p)on, vpoun, _prep._ 5.3, 4, 5, &c., 8.5, 7, &c. _v._ Apon, Opon, Ypon. Upsodown, _adv._ upside-down 28.35, _from_ up swa down. Vayn, in vayn, in vain 28.55. Vede, _sb._, _for_ weed--dress, apparel 33.41. Verrid, _vb. 3 p. pr._ warreth 2.26. Walk, _vb. 3 p. p._ walkyd 34.71; _p. pr._ walkand 33.41. Wan, _a._ 28.32. Wan, _vb._ 28.29; _v._ Win. [[Wan(ne), were, when, where 42.5, 44.25, 45.30, 32.]] Wanton, wantowne, _a._ 15.21, 17.20, 19.18, 21.64. Wantyng(e), _p. pr._ lacking 17.27, 21.38. Wars, _a._ worse 24.30. Waxin, -yne, _pp._ waxen, grown 9.1, 32.1. Waye, wei, wey(e), _sb._ way 3.50, 25.56, 32.19, 34.82. Weden, _sb. pl._ weeds, apparel 2.13. Wel(le), _adv._ well 4.75, 24.6. Welth, _sb._ wealth, 27.13, 34.65. Wend(e), _vb._ wend, go 2.30, 4.74, 25.56, 30.24, 31.24; _pr. pl._ wendiþ 2.41; _3 p. p._ went 34.58. Wene, _vb. 1 pl. pr._ think, expect, ween 3.50. Weriþ, _vb. pr. pl._ wear 3.51. Werkis, werkys, _sb. pl._ works 25.50, 52. Whan(ne), when(ne), quhen, quhene, _adv._ when 1.1, 2.17, 5.11, &c., &c. Whar-of, whereof 4.74. Whi, why, quhy, _conj._ 2.26, 5.17, 6.18, 8.19, &c. While, whill, quhill, whyl(e), whyles, _conj._ while 7.22, 8.28, 9.26, 13.30, &c. the whyle þat 10.26, 11.26. Whoder, _adv._ whither 4.74. Wickidli, wickydly, wikkidly, wikyd, wyckydly, wykedly, wy(k)kydly, wykydely, wykytly, _adv._ wickedly 7.21, 8.27, 10.25, 13.29, 15.44, 18.43, 26.67, 29.3, 61. Will, wyl, wyll(e), wol(e), _vb. 3 p. pr._ 5.18, 12.18, 13.22, 15.33, 17.32, 21.48, &c. _3 p. p. & p. pl._ wold(e) 5.5, 16, 6.5, 16, 7.5, 20, &c., &c. wald 30.5, 31.16. Wille, wylle, _sb._ will 14.35, 16.50, 18.49, 23.130. Win, _vb._ to win; _3 p. pr._ wins 31.9, wynneth(e), -yth(e), -es, -is, -ys, 5.9, 6.9, 7.9, 8.9, &c., &c. _2 p. p._ wonne 2.30; _3 p. p._ wan 28.29; _pp._ iwonne 1.1. Wise, _sb._ manner, fashion, guise, 22.96. [[Wise, _vb._ guide, direct 44.27.]] Wisely, _adv._ 28.52. Within, -inne, -yn, -ynne, _adv._ 5.19, &c., &c. Withowttyn, wittovte, _prep._ without 25.48, 26.66. Witte, _sb._ wit, intelligence 23.118. Wo, woo, _sb._ woe 12.32, 22.84. Woh, wow, _sb._ evil 1.1; _pl._ wow[gh] 2.41. OE. wôh, wô[gh]-, crooked, evil. Wol(e), 15.33, 17.32, 21.48; _v._ Will. Woman, _sb._ 32.13. Wonder, -ir(e), wondre, wondur, wondyr, woundyr, _sb._ wonder 5.17, 6.17, 8.19, 9.17, 10.17, &c., &c. Wonderfull, wondirfullie, _adv._ wonderfully 30.1, 31.1. Wonderly, wondirlie, -ly, wondurly, wondyrly, wounderly, woundyrely, _adv._ wondrously 5.1, 6.1, 7.1, 8.4, 10.1, 11.1, 12.3, 13.5, 14.4, 16.3, 19.1, 20.6, 24.1, 30.25, 31.25. Worching(e), -ynge, _p. pr._ working 14.35, 16.50, 18.49. World, _sb._ 28.29. Worldly, _adv._ 27.1, _perh. erron. for_ wonderly. Wormes, -ys, _sb. pl._ 2.14, 32.25, 33.44, 45, 46. Wor-schyp, -ship, _sb._ 7.2, 12.25. Worthy, _a._ 28.25, 30; _sb. pl._ worthyes 27.21. Worthynes, _sb._ worthiness, honour, 28.40. Wote, wottis, _vb. 3 p. pr._ knows 24.12, 33.46; _3 p. p._ wyste 34.67. Wounde, _sb._ wound 34.76, 78. Wrecchid(e), wreched, -yd, _a._ wretched 15.20, 24, 28, 17.19, 23, 19.17, 21. Wrikkend, _p. pr._ moving, walking 2.13; Dan. vrikke, Du. wrikken. Wrocht, wroght(e), wroht, wroth, wrought(e), wrou[gh]t(e), wrouhte, wrout(h)e, wrowght(e), _pp._ wrought, made 5.1, 6.1, 7.1, 23, 8.1, 27, 29, 9.1, 25, 27, &c., &c. [[Wrong, _sb._ 42.1.]] Wroten, _vb._ to root, turn up with the snout 2.18; _3 p. pr._ wrotys 33.33; OE. wrotian. Wroth, _a._ 33.48, 51; (7.1, spelling of wroht, _v._ Wrocht, wroght). [[Wryeþ, _vb. 3 p. pr._ turns, inclines 42.6.]] Wryttyne, written 25.39. Wyn, _sb._ joy, pleasure 32.25. Wynde, _sb._ wind 33.48. Wynde, _vb._ to wind 32.24. Wyne, _sb._ wine 25.60. Wyste, 34.67; _v._ Wote. [[Wyte, _vb. imp._ guard, keep 45.35.]] Ya, _int._ yea, verily 12.7, 11, 15. Yelde, yeelde, [gh]eelde, _vb._ yield, render, pay 15.42, 18.41, 21.58; _3 p. pr._ yeldis 33.56. Ye[gh]t, yet, [gh]et, yit, [gh]it(t), [gh]yt(e), _adv._ yet 6.16, 7.20, 8.18, 9.12, 16, &c. Yong, _a._ young, 28.41. Ypon, _prep._ var. of upon 11.3. [Gh]efe, [gh]eyf, _vb. imp._ give 24.24, 26.61. [Gh]ere, _sb. pl._ years 34.74. ADDENDA (from the text in the Appendix). [Transcriber's Note: This section has been retained for completeness. All entries have been added to the main Glossary.] Afrete, _pp._ devoured, eaten 42.3. Agrise, _vb._ tremble, quake 44.28. Alas, _int._ 43.17. Alete, _vb._ to let go, forsake 42.3. Aryse, _vb._ arise 44.25. Assise, _sb._ the Judgement 44.26. Awelden, _vb._ wield, rule 42.9. Belden, _vb._ build up 43.12. Bi-holden, _vb._ keep, retain 42.10. Byheste, _sb._ promise 45.30. Byhet, _vb. 3 p. pr._ promises 45.31. Cheste, _sb._ strife, dispute 45.29; OE. cêast, _older_ cêas, L. causa. Coueytise, _sb._ covetousness 42.6. Crieþ, _vb. 3 p. pr._ cries 42.8. Dedliche, _a._ deadly 43.14. Elden, _vb._ to grow old 43.11. Endinge, _sb._ 44.21. Eorthe, _sb._ earth 42.1, &c. Foelle, _vb. subj._ ? fall 43.20. For[gh]ete, _pp._ forgotten 42.4. Furloren, _pp._ lost 46.35. Grimliche, _adv._ terribly 44.28. Guo, _vb._ go 43.15. Gynneþ, _vb. 3 p. pr._ begins 43.15. Haueþ, _vb. 3 p. pr._ has 43.13. Helle-feste, _sb._ Hell-fortress 45.32. Hyeþ, _vb. 3 p. pr._ hastens 42.7. Iboren, _pp._ born 45.33. Ibou[gh]t, _pp._ redeemed 43.19. Icoren, _pp. a._ chosen ones 45.35. Igete, _pp._ got 42.1. Ignawe, _pp._ devoured 44.23. Ihere, _vb._ hear 44.26. Iknawe, _vb._ know 44.24. Iseoþ, _vb. 3 p. pr._ sees 43.14, 44.21. Islawe, _pp._ slain 44.22. Iuynt, _vb. 3 p. pr._ joins 42.9. Iworthe, _vb._ become 43.16. Lere, _vb._ teach 44.27. Leste, _vb._ last 45.31. Louerd, _sb._ Lord 45.33. Luþer, _a._ wicked 42.9. Mychfulliche, _adv._ greatly, at so great cost 43.19. Netfulliche, _adv._ of necessity 44.25. Of-sou[gh]t, _pp._ attacked 43.18. Prude, _sb._ pride 42.5. Seluen, _pron._ self 44.24. Styeþ, _vb. 3 p. pr._ ascends, mounts up 42.5. Sullen, _vb. 1 pl. pr._ shall 43.16. Þilke, _pron._ that same 44.26. Totoren, _pp._ torn, rent 45.34. Wan(ne), were, when, where 42.5, 44.25, 45.30, 32. Wise, _vb._ guide, direct 44.27. Wrong, _sb._ 42.1. Wryeþ, _vb. 3 p. pr._ turns, inclines 42.6. Wyte, _vb. imp._ guard, keep 45.35. * * * * * * * * * * * * * * _Errors and Inconsistencies_ (noted by transcriber) _All errors in the Notes and Glossary involve missing or incorrect punctuation. Inconsistent citations from the Reliquiae Antiquae (as "ii", large "II" or small "II") are unchanged._ [Illustration: ... fol. 57 ...] [_printed as shown: correct folio number is 59_] _Body Text_ II. [_. missing from header_] B.7. [Footnote 4: ... H. 4486 hath _bygged hy his bowres_] [_quoted text printed as italic (non-emphatic)_] B.11. / MS. LAUD MISC. 23. / [fol. 112, r^o] [2^o] III. THE CAMBRIDGE TEXT. [Footnote 4: ... but MS. appears to be ...] [MS appears] _Notes_ #MS. Laud Misc. 23.# l. 39 (p. 18). ... ll. 53, 54, where [54. where] RECORD OFFICE ROLL Pensez[12] coment en tere & par tere pecchez, [_footnote anchor invisible_] [MS. Addit. 25478, fol. 3, v^o] [25478 fol.] _Glossary_ Be / _2 p. pr._ art [art.] Bild, _vb. imp._ [_v. imp._] _2 p. pr._ bildist 22.79; [22 79]] Bring, bryng(e) ... 7.7, 14.10, &c. [7.7 14.10] Castles ... castles 3.65, 5.9, 6.9, 7.9 [7 9] Com / ... 7.14, 8.24, 9.22, 10.22, &c. [9 22] _2 p. p._ cam 17.24 [17 24] Concele ... 8.27, 9.25 [9 25] Falliþ, _vb. 3 p. pr._ falls, 1.3. [_vb 3 p. pr._] Fayr, _a._ fair 33.42; [33 42] Ferde, _pp._ afraid, terrified 12.24; OE. (for) f[-æ]red. [12.24.] Grace, _sb._ 22.70, 26.61. [22.70;] Hartily ... 15.40, 18.39, 21.54. [18 39] Heuen(e) ... 15.43, 19.24, 25.40 [25 40] Hold, _vb. 3 p. pr._ holdys 32.16; [_vb._; _3 p. pr._] Lay, _vb. 3 p. pr._ layes 32.3; [_vb._; _3 p. pr._] Lent(e) ... 21.40; OE. l[-æ]nan. [21.40.] Mold(e), moolde, moulde, mowld (e) [mowld e)] Ruli, ruly ... 15.30, 17.29; OE. hrêowlîe. [17.29,] Say / ... 6.10, 12.10; [12.10,] / sayis, says 10.10, 30.10, 31.10; [31.10,] Superflue, _a._ superfluous 15.33. [_a_] Þroh, þrou[gh], _sb._ coffin, 1.3, 2.42; OE. þrûh. [O.E.] Walk, _vb. 3 p. p._ walkyd 34.71; [_vb._; _3 p. p._] Wol(e), 15.33, 17.32, 21.48; [Wol(e) 15] Wroten ... O.E. wrotian. [O.E.] *** END OF THE PROJECT GUTENBERG EBOOK THE MIDDLE ENGLISH POEM, ERTHE UPON ERTHE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.