The Project Gutenberg eBook of The Betrothal, by Maurice Maeterlinck.

CHARACTERS

( arranged in the order of their entrance on the stage )

TYLTYL
THE FAIRY BÉRYLUNE
MILETTE (the Wood-cutter's Daughter)
BELLINE (the Butcher's Daughter)
ROSELLE (the Inn-keeper's Daughter)
AIMETTE (the Miller's Daughter)
JALLINE (the Beggar's Daughter)
ROSARELLE (the Mayor's Daughter)
JOY (the Veiled Girl, or the White Phantom)
DESTINY
THE MISER
LIGHT
SOME USUAL THOUGHTS
GRANNY TYL
GAFFER TYL
THE GREAT MENDICANT
THE GREAT PEASANT
THE RICH ANCESTOR
THE SICK ANCESTOR
THE DRUNKEN ANCESTOR
THE MURDERER ANCESTOR
THE GREAT ANCESTOR
OTHER ANCESTORS
SOME OF TYLTYL'S "ME'S"
VARIOUS CHILDREN IN THE ABODE OF THE CHILDREN
THE FIVE LITTLE ONES
THE SMALLEST OF THEM ALL
MUMMY TYL
MYTYL
DADDY TYL
THE NEIGHBOUR

ACT I

Scene 1 The Wood-cutter's Cottage .

ACT II

2 Outside the Door .

3 The Miser's Cave .

4 A Closet in the Fairy's Palace .

5 A Ballroom in the Fairy's Palace .

ACT III

6 Before the Curtain representing Rocks .

7 The Abode of the Ancestors .

ACT IV

8 Before the Curtain representing the Milky Way .

9 The Abode of the Children .

ACT V

10 Before the Curtain representing the Edge of a Forest .

11 The Awakening .

THE BETROTHAL; OR THE BLUE BIRD CHOOSES

ACT I

SCENE I

( Waking with a start .) Who's there? ( Another knock .) Wait till I put on my breeches. The door's bolted. I'll come and open it.

( Behind the door. ) Don't trouble, don't trouble!... It's only me!... How do you do? ( The door has opened of its own accord and THE FAIRY BÉRYLUNE enters under the guise of an old woman, as in the first scene of the Blue Bird. At the same time the room is filled with a strange brightness, which remains after the door is closed again .)

Don't you know me? Why, Tyltyl, it's hardly seven years since we said good-bye to each other!

( Bewildered and vainly searching his memory .) Yes, yes, I remember ... and I know what you mean....

Yes, but you don't quite grasp who I am and you don't remember anything at all. You haven't changed, I see: just the same careless, ungrateful, wool-gathering little fellow that you always were!... But you have grown taller and stronger, my lad, and quite handsome! If I were not a fairy, I should never have known you! Yes, really quite handsome!... But are you aware of it? It doesn't seem to have occurred to you!

We only had one tiny looking-glass in the house, about as big as your hand. Mytyl took it and keeps it in her room.

Yes, she sleeps next door, under the stairs, and I here, in the kitchen. Shall I wake her?

( Growing suddenly and unreasonably angry, as on her former visit .) There's no need to do anything of the sort!... I have nothing to do with her; her hour has not struck; and, when it does I shall be quite capable of finding her, without being shown the way as though I were blind!... In the meantime, I want nobody's advice....

That will do.... ( Recovering her temper as suddenly as she lost it .) By the way, how old are you?

( Growing angry again .) A fortnight after Epiphany!... What a way of reckoning!... And here am I without my almanack, having left it with Destiny last time I called on him, fifty years ago!... I don't know where I stand.... However, never mind: I'll make the calculation when we see him, for we shall have to get it exactly right.... And what have you been doing these seven years since we met?

That means you've been helping him cut down trees. I don't like that very much. You call that working, do you? Ah, well, men evidently can't live without destroying the last things of beauty that remain on the earth!... So let's talk of something else.... ( Mysteriously .) Can any one hear us?

( Growing angry once more .) It doesn't matter what you think, but whether you're sure. What I have to say is tremendously important ... and strictly private. Come here, quite close, so that I can whisper it.... Whom are you in love with?

( Still cross and quite forgetting the importance of speaking in a low voice .) Yes, yes! I'm not talking Greek, am I? I want to know if you're in love with any one.

Yes, certainly; I love everybody: my parents, my friends, my sister, my neighbours, all the people I know.

Now oblige me and don't play the fool.... You know perfectly well what I mean.... I'm asking whether there's any one girl among those you meet whom you love more than the rest.

( Angrier than ever .) What do you mean; you don't know? Who does know, if you don't? At your age a boy ought to think of nothing else: if he doesn't, he's a booby, a nincompoop and not worth bothering about!... There's nothing to blush at: it's when one's not in love that one should feel ashamed.... You and I are miles away just now from the falsehood of words: we are with the truth of our thoughts, which is a very different thing.... Come, among all the girls you've met....

That's no reason; it's not necessary to meet them by the dozen. Very often it's enough if you come across just one: when you've nobody else, you love that one and are not to be pitied.... But come, among those close by....

There are girls in the village, in the town, way back in the forest and in every house. You find them everywhere when your heart's awake.... Which is the prettiest?

You're not the baby one would think.... But tell me, between ourselves, do they love you too?

But these are things which it isn't necessary to know or to tell!... You see that at once when you're living in the truth. A look is enough; there's no mistaking it; and the words which people say merely hide the real ones which the heart has spoken.... But I'm in a hurry: would you like me to make them come here?

( Terrified .) Make them come here? They wouldn't want to! They hardly know me. They know I'm poor. They don't know where I live, especially those in the village: they never come this way.... It's an hour's walk from the church to the house; the roads are bad; it's dark....

Dear, dear, anything more? Don't let us talk about that. Remember, we've done with untruths. I've only to lift my finger and they'll come....

Well, that's enough; that's the truth; and one doesn't need anything more. You'll find that's the way people tell each other in the world where I'm going to take you, the world of real things. The rest doesn't matter.... They make no mistake. You'll see, once we are there, how well they know all that has to be known; for what we see is nothing: it is what we do not see that makes the world go round.... And now, watch me!... I'm taking the little green hat out of my bag again!... Do you remember it?

( Angrily .) Of course it's bigger! So's your head: they grew up together.... Always making those unnecessary remarks!...

But, you see, it isn't the diamond! This time we're not concerned with the souls of Bread, Sugar and other simple and unimportant things. We have to choose the great and only love of your life; for each man has only one. If he misses it, he wanders miserably over the face of the earth. The search goes on till he dies, with the great duty unfulfilled which he owes to all those who are within him. But he seldom has an idea of this. He walks along, his eyes shut; seizes some woman whom he chances to meet in the dark; and shows her to his friends as proudly as though the gates of Paradise were opening. He fancies himself alone in the world and imagines that in his own heart all things begin and end.... Which is absurd.... But no more of that! Is everything ready? Put on your hat and turn the sapphire; then they'll come in....

( Scared .) But I'm not dressed!... Wait, wait!... What shall I put on?... Oh, what luck!... There are my Sunday clothes on the chair: my breeches—they're almost new—and my clean shirt!... ( He dresses hurriedly .)

Come, come, have done! All this doesn't matter; they won't mind your clothes.... You're not going to meet a lot of silly children. You won't find them the same as they were in the other life, because this is the real one; and it's the truth in them that you'll see here.

( Very uneasy .) Will they all come in together? There are six of them, at least: I can't remember.... Suppose they started quarrelling and pulling one another's hair?

Haven't I told you again and again, we're no longer in the world below!... Can't you feel that the air is much purer and the light quite different?... We are now in a sphere in which men and women don't quarrel or wish one another harm. All of that was merely make-believe and doesn't exist deep down.... If some of them are unhappy because you hesitate in your choice, they will none the less hope on until the end; and they know very well that where there is love there must also be sorrow....

Upon my word, I don't know. Each of them will do what occurs to her: one will choose the window, another the roof, the wall, the cellar or the chimney ... one or two even will come in by the door; but those are the least interesting: they lack imagination.... However, we shall see when the time comes. We've talked enough; time presses; come, turn the sapphire....

( Trying to gain time, in order to conceal his terror .) Which way round am I to turn it?

The same as with the diamond, from right to left.... ( Looking at TYLTYL.) Goodness me, how pale you are!... What has come over you? Surely you're not afraid?...

You needn't be ashamed to admit it: this is a very serious moment; and, if men knew what happened, in this life and all the others, when they made a bad choice, they'd never dare to get married at all.... But what you're trying to do is to put off the dreadful moment; and I'm a goose to be listening to you.... Come, turn the sapphire!

Hullo, it's Milette!... ( To THE FAIRY.) This is Milette, my cousin, the daughter of Feltree, the wood-cutter.... We see each other sometimes in the forest.... ( To MILETTE.) So you loved me?... You never said so!...

Do people say such things in a life where everything is forbidden? Need they say them?... But I knew at once and from the first that you loved me; and so did I love you.... It was one evening when you went past with your father. You were carrying a bundle of laurel-twigs. You didn't know my name then and said, "Good evening," and looked into my eyes. I answered, "Good night," and cast my eyes down; but I had that look of yours in my heart; and, since then, without leaving home, I've been here very often; but you didn't seem to know....

No, no, it's I who every evening after sunset used to go to you. I was never at home. Mummy would ask, "What are you thinking of, Tyltyl?" And daddy answered, "He's up in the moon again!" I wasn't in the moon at all, I was with you; but you paid no attention: you were seeing to the fire, or the soup, or the rabbits; you were cutting chips or tying up bundles, as if no one had entered your cottage....

I tell you it was I who was always kissing you; I tell you it was you who were never there....

It's funny that we can never see things till we've learnt how to look for them.... But, now that we do know, now that we see, we can really kiss each other....

( Eagerly kissing MILETTE.) Yes, yes, let's kiss each other again and again till we have no kisses left!... Oh, how wonderful it is!... I never kissed anybody till now; and I'd no idea what it was like!... Oh, how wonderful, how wonderful!... I could kiss you for ever! I could spend my life kissing you!...

And I, I too!... I'd never kissed anybody either: I mean, I'd only kissed daddy and mummy; it's not the same thing at all.... But tell me, Tyltyl, is it true that you love me and only me?... Who is that coming in?

( Rushing up to TYLTYL and kissing him .) Here I am, Tyltyl darling, here I am!

( To THE FAIRY.) This is Belline, my cousin, the butcher's daughter.... ( To BELLINE.) What's the matter with you, Belline dear? You're wet through and quite out of breath!...

I should think I was!... It's a long way from the village to your place!... I didn't even wait to wash my hands.... I was helping daddy to cut up a calf; the moment your thoughts came, I dropped my knife and left everything so as to get here quicker.... I even believe that, while I was there, I cut my finger rather badly; but here it doesn't show.... Daddy hasn't the least idea what has happened; he must be furious. ( Catching sight of MILETTE.) How do you do, Milette?

( Enthusiastically, darting at TYLTYL.) Here I am, here I am! It's me!... Good evening, everybody; but first a kiss for Tyltyl!...

Hullo, you too, Roselle?... ( To THE FAIRY.) This is Roselle, the daughter of the landlord of the Golden Sun.... ( To ROSELLE.) Was there no one at the inn this evening, that you were able to come?

On the contrary, heaps of people! You can imagine, on Christmas Eve! There were men sitting and drinking on the counter and on all the window-sills. I dropped a tray with twelve glasses on it when you called me. Why, I've still got the tray under this arm and a bottle of the best brandy under the other. It gets in my way when I'm kissing you.... I left them shouting after me, down there, as though I had set the house on fire.... They must be wondering if I'm mad. But I don't care, I was so delighted that you were thinking of me. A sudden happiness came over me.... How are you, Tyltyl dear?... Kiss me again!... You're even handsomer than when I saw you last....

( Kissing her .) And you, dear Roselle, you are prettier than ever; and your cheeks are so soft and cool.... I never dared kiss you before.... When any one else did, I always said to myself, "How happy he must be!"

The others didn't matter.... But I knew well enough that you didn't dare.... I didn't dare either, though I was dying to kiss you.... Do you remember the first time you came to the inn, six weeks ago? It was on a Sunday morning, after High Mass; you didn't look at anybody; but suddenly, when I came near, your eyes grew so bright and opened so wide....

What were they doing, our eyes? What happened?... I know that, since that day, I think of nothing but you, I do no work, I'm always here; but you came very seldom....

( Turning round .) Who's there? You, Aimette?... ( To THE FAIRY.) This is Aimette, another cousin, the miller's daughter....

( A little shyly .) I came as I was, from the mill. I've not had time to brush myself.

That doesn't matter. Kiss me all the same. How fresh and rosy you are, underneath all that flour!...

One more!... ( To THE FAIRY.) This is Jalline, the little beggar-girl from the bridge by the Hermitage.

Excellent, excellent!... I'd better wake your father and tell him the house won't be big enough; then he can start building at once....

But it's not my fault. I didn't do it on purpose. One can't help loving them!... How are you, Jalline?... What have you done with your poor old father?

What, all alone in the dark! And he blind and a cripple! Isn't that very dangerous?...

JALLINE ( On the verge of tears .) Yes, I know it's wrong. It was very wrong of me, very. I won't do it again. But I couldn't help it, Tyltyl, really. When you called me, I couldn't stay where I was.

( Kissing her .) There, there, don't cry. I'll help you to bring him home.... Do you remember, I did that once before, one evening when I was crossing the bridge and gave you a halfpenny: it was all I had!

But where do they all come from? At your age too! I should never have believed it!...

But I didn't know.... ( To THE FAIRY.) Why, it's Rosarelle!... The mayor's daughter!... You know, from the great big farm-house, with the three round turrets, at the other end of the village!... What shall I do? She's so proud!...

Not a bit; she won't be any prouder than the others. Speak to her and you'll see.

Miss? What do you mean? That's not my name. My name's Rosarelle; and you know it.... There was a big dinner at my father's, for Christmas. Your thoughts came to fetch me while we were at dessert. I jumped up at once and upset a glass of champagne. They were alarmed and thought I was ill and began to fuss: it was as much as I could do to get away. Still, here I am and I'm going to kiss you.... Do you remember how we used to look at each other when you came to the yard with your bundles of wood?...

Oh, yes! You were so lovely, I couldn't take my eyes off you.... But you are lovelier than ever to-day.

That was the beginning; but I didn't quite realize it till the day you gave me the three little bullfinches which you found in the forest.

Two of the little things are dead; but the third is splendid.... I keep him in a gilt cage, by the window; and each time he sings....

Come, come, these little confidences are most interesting, but we've no time to lose. Everything must be settled to-night, for an opportunity like this comes only once to a man; and woe to him who lets it slip: he will never have another chance! But what we have to do now is to put our heads together and prepare for the great choice, which is to decide the happiness of two human beings first and of many others after that.

( Greatly perturbed .) Must I make my choice at once and can I only choose one?...

Why, no.... Nobody loves whom he wants to or does what he wants to in this world. You must first of all learn what is wanted by those on whom you depend.

Yes, yes, yes, you've had thousands who aren't born yet and who're waiting for the mother whom you're going to give them.

Why, of course; that's how things always happen.... But let's have no more talk: we have to make a few preparations for the great journey; it's going to be rather long and tiring.... And first we must get some money: I've none left at home; and my magic wand that brings it me is being repaired a few thousand miles down in the centre of the earth ... don't quite see where we're to get what we want: the expenses will be quite heavy.... ( To THE GIRLS.) Has any one of you a few thousand francs on her?

I've only sixpence halfpenny in my bowl, besides Tyltyl's halfpenny, which I can't part with.

No, that's a mistake; there are no misers. Thanks to the sapphire which reveals the heart and essence of things, you will see that he is no more of a miser than you or I and that he will give us whatever we ask. That's the first visit we shall have to pay.... Well, are you all ready? Which way shall we go out?

He's right, I had forgotten him. It's nobody, it's Destiny. I didn't foresee that the sapphire would make him visible also. He will have to come with us; we can't prevent him; he's entitled to. Give him your hand.

Yes, yes, but she has a great deal to do at the moment.... She wasn't free this evening.... We shall find her at my place, where we shall go straight from your visit to the miser.

How glad I shall be to see her again!... She was so nice, so sweet, so beautiful, so affectionate and kind!...

Here you are, sir.... ( Giving a cry .) Hi!... It's not a hand. It's a steel vice!...

It's nothing, you'll get used to it.... Come, is everything ready at last? Nothing more that we've forgotten? Then one, two, three and off we go!...

( Crossly .) Who's come to disturb us now? Shall we never get out of this hovel?

( Vainly ransacking his memory .) I?... I've forgotten nobody.... I've never seen her before.... I can't remember.... ( Going up to THE VEILED FORM.) Who are you? (THE VEILED FORM does not reply .)

It's no use asking her. She can't tell you, she can't come to life till you remember her.

Very well, very well, we shall see later, when everything is cleared up.... As she blocks the path, we must go out by the window.... Come, this way! We have taken our fate in our hands; and things have begun!...

Excuse me, excuse me! It's I who am Fate and it's I who begin and it's I who give orders.... I go first, for it is I who direct everything and I am the only master!...

ACT II

SCENE II

At home, in my palace; they'll wait there for you and will be quite safe.... Be quick and come back soon.

That's true; it's curious. But it's not our business to run after him; it's his own affair; he's by no means indispensable.

No, it's better that you should see him alone.... You're not frightened, are you?

It's very simple: when you're in there, you turn the sapphire; and he'll give you anything you want.

Do nothing of the sort! That would be giving him a hint; and he would become unmanageable.... But this also is quite simple. I will touch the big lock with my wand; the doors will slide back to right and left; and you will suddenly be on the other side, that is to say, right inside the cave, before he even suspects it. Once there, you can keep quiet in your corner for a moment and watch him playing with his gold, if that amuses you; and it will amuse you, for it's rather curious. Then, when you've had enough, turn the sapphire. Get over there, on the left, against the wall of the arch, so that you can slip into his den at once, without making a noise.... Look out! The door will disappear! And I'll take myself off this way!... ( She touches the great lock with her wand .)

SCENE III

To-day I shall count the contents of these three sacks all over again. I must have made a mistake in my last reckoning. There are three louis missing. Three louis are sixty francs, which make a considerable difference in a total of six hundred thousand francs. It's quite impossible to sleep with that anxiety on one's mind. Each of these three sacks ought to hold two hundred thousand francs, the first and second in louis of twenty francs and the third in ten-franc pieces. I shall empty them on the carpet first to see what a lovely heap they make.... ( He empties the contents of the first sack on the carpet .) How they sparkle, how they sparkle!... What a lot of them there are!... When you see the gold spreading itself out, it's impossible to believe that it all could go into one sack!... Let's have another.... This is the sack with the little ten-franc pieces.... ( He empties a second sack .) They are as lovely as the big ones.... They are younger, that's all, and there are more of them.... Now let's see what the third holds.... ( He empties the third sack. A few gold coins roll of the carpet. He throws himself flat on the floor to catch them .) Oh, no, oh, no, children!... This won't do!... You mustn't run away like that!... Nothing is allowed to leave this cave!... Trying to hide yourselves, are you? To go where, pray? Don't you know that there's no place like home?... Fancy running away like that from daddy! I should never have thought it of you! This way, children, this way, darlings. This way, my pretty ones! Back to the heap, back to the cradle, then you'll be happy!... ( He picks up a coin which has rolled farther than the rest .) Don't do it again, you: you're always making off; you're a little torment and you set a bad example. Beg my pardon, or I'll punish you. You shall be the first to be spent; I'll give you to a beggar, do you hear?... ( Kissing it .) No, no, I'm only pretending.... There, there, don't cry!... I was merely frightening you.... I love you all the same, but don't do it again!... Here, here, here, they're here, in front of me and all around me.... It will take me quite a fortnight to count them all and to weigh them in my scales.... What a lot of them, what a lot of them! And how pretty they are!... I know them every one, I could call them by their names.... They would need a hundred and twenty thousand different names; and each of those names stands for a treasure!... ( He rolls on the carpet amidst the gold .) I love to see them close!... Oh, what a cosy bed! And what a joy it is to be among one's daughters!... For they are my daughters: I brought them into the world; I have nurtured them, protected them from harm, fondled and pampered them; I know their history, the trouble they've given me, but all is forgotten: they love me, I love them and we shall never part again!... Oh, what a fine thing happiness is!... ( He fills his two hands with the gold, makes it trickle over his heart, on his forehead and in his heard and utters little sighs of pleasure which gradually swell into roars of delight. Suddenly, he shudders, starts and springs up, thinking that he has heard a sound .) What is it?... Who's there?... ( Reassuring himself .) No, no, it's nothing ... no one would dare.... ( He sees TYLTYL and gives a shout .) A thief!... A thief!... A thief!... You here!... You here!... ( With his hands clutching like claws, terrified and terrifying, he rushes upon TYLTYL, who jumps back and quickly turns the sapphire . THE MISER stops short. After an inward struggle which seems violent and lasts for some seconds, his hands drop to his sides, his face brightens and loses its hardness. He seems to wake from a bad dream and tries to wipe the memory of it from his forehead. He gazes with astonishment at the gold spread over the carpet, feels and pushes it with his foot, seems not to know what it is and then addresses TYLTYL in a very calm and gentle voice .)

You must have awakened me.... How did you get here?... What have you come for?...

I've come to ask you to lend me a little money.... I understand that I want some in order to discover my bride....

I shall be delighted to fill it for you; but I warn you that gold is very heavy and that you won't be able to carry it away.

( Pouring the gold by handfuls into the wallet .) Help me, will you?... We'll fill it to the brim and see how that does.... We can easily lighten it afterwards, if it's too heavy....

Oh, you're giving me too much, I don't want all that!... So you're not a miser, as they told me?

I? Not at all. Why should I be?... I have only a few weeks to live and am not in need of anything.... I hardly eat at all; and I drink nothing but water.

Why were you lying on your gold when I came in, kissing it and calling it by pet names? You seemed to worship it.

Oh, I don't know! It amuses me. When a man grows old, he has to amuse himself as best he can.... But it isn't I who do it. All that is only a sort of dream. I am thinking of something very different.... All men are like that at my age. They are not often where you see them; they are not often doing what they appear to do; and every one lives in one of those dreams which have nothing to do with the truth.... But this is not the moment to explain things to you.... There, your wallet it full. Can you lift it?

( Making an effort .) No, really, it is a bit too heavy.... Let's take some of it out....

Oh, look here, you're taking it all!... There won't be enough left.... I must put a little of it back....

No, but I don't know that I shall have a chance of coming back again.... Just help me lift the wallet on my shoulder....

One wouldn't think it in here.... Fancy, it's years since I've looked at the sky or the green trees!... But you can't breathe under the weight of your bag, you poor little man!... Come, kiss me good-bye: there's no knowing when we shall meet again.... Thanks for the pleasant time you have given me and especially for waking me up.... I shall make the most of my remaining days....

( Grasping his hand .) I was here all the time.... I never lose sight of you....

Yes, but, I say, don't walk so fast!... My bag's frightfully heavy.... It would be much kinder of you if you helped me to carry it a little, instead of making me rush along like this....

SCENE IV

I don't know; but I must say that it's not a nice place in which to keep young ladies waiting.

Yes, it looks like a lumber-room where they've stored all the odds and ends and litter of the house.

( Touching the various objects in disgust .) What's this? A distaff? Bless me, what for?... A pumpkin, a cake, an old bowl and goodness knows what else!... A tub full of dead eels! Gracious, how they smell!... It's all disgracefully kept.... And that lot of old fly-blown, spun-glass dresses!... My dear, how horrible!... What sort of place can this be? A potting-shed, a rag-and-bone shop, a pawn-broker's, or a thieves' kitchen? Whom can it belong to? A receiver of stolen goods? ( Touching the more bizarre dresses .) Or a Hottentot dressmaker?

( Eagerly and obsequiously .) Wait, miss, I'll do that.... ( She takes the moon-coloured dress and dusts the seat with it .) There, that's a little better; that's at least one corner nearly clean enough to sit on.

( Looking around through her lorgnette .) But what I want to know is where have we got to? My dear, have we fallen into a trap?

The company certainly is a little mixed. There's the miller's daughter, the girl from the inn, the wood-cutter....

Or rather, to be accurate, the wood-stealer.... There's even the little beggar-girl from the bridge by the Hermitage, to whom I refused a penny last Sunday.... My dear, you should have heard the insolent way in which she asked for it!...

And what's that white image standing in the corner, the one that never stirs, never speaks and follows us wherever we go?

She may have Jewish leprosy or Zanzibar plague or Bombay cholera.... I tell you, we must be careful: that's all very catching....

( Coming up to the bench timidly .) I should like to sit down too, I'm very tired....

Mind what you're about, miss!... There's dust enough as it is; I don't want flour into the bargain.

You would do better to tell your father to pay the three quarters' rent that's in arrear.

He'll pay his rent when your horrid old miser of a grandfather has seen to those repairs. We've been asking to have them done these last three years.

Of mine indeed? You can wait a long time before I set foot in your dirty dram-shop.

Yes, but that father of yours isn't so squeamish when he comes on Sundays and tipples till we have to put him out dead-drunk.

As for you, miss, who pretend to be so particular, you just go and ask your father, the mayor, who it was that nibbled the holes, which were not made by rats, in the town's cash-box.

( Springing to her feet, furiously .) Holes which were not made by rats! What do you mean?

Well, what would you do if I did say it again? You don't frighten me with your airs and graces.

What is it? What's the matter? What has happened? An accident? Are you hurt? What have you been doing?

( All speaking together .) It's she!... No, no, it was Rosarelle who began!... I tell you, it was she!... She insulted me!... She boxed my ears!... She dared to talk against my father!... She spoke ill of my mother!... She's lying, she's lying!... She nearly pulled my ear off!... She's driven a hairpin into my cheek!...

( In bewilderment .) I don't know, ma'am. I think they must have gone mad. They were so sweet when I left them. I should never have known them!... Look, look, they are quite different!... Rosarelle and Belline's eyes are blazing like furies', Aimette looks so spiteful and Roselle so brazen, Jalline hasn't washed herself and Milette's cheeks are as red as a turkey-cock's.... ( Bursting into tears and hiding his eyes with his arm, like a child crying .) I can't bear it! Oh, I can't bear it!

Yes, of course, it's your fault.... And, first, where have you come from? What have you done with your jacket and your green hat?

Why, ma'am, I was busy dressing; I was putting on the little pair of silk breeches and the jacket embroidered with pearls which you told me I was to wear when I went to see the Ancestors.... Then I heard screams, dropped everything, ran up and found them fighting, tearing out one another's hair and scratching one another's faces....

A pretty business!... That will teach you to run after them without your talisman, which reveals the truth.... I call it most incorrect and improper.... Don't you see that you are not seeing them now as they are?...

Why, as they are not, that is to say, as you ought never to see them.... It's all so wonderfully simple: anything that's ugly isn't true, never has been true and never will be.

When you see what you do see, you see nothing at all.... I've told you before, it's what you do not see that makes the world go round.... All this doesn't count; it's only a little foam on the surface of the ocean.... But run quickly and fetch the sapphire and we shall once more see deep down into their souls, the truth of their hearts and the well-spring of their life.... Wait, you needn't trouble: I see Light coming; she has brought you your hat.

( Throwing himself passionately into her arms .) Oh, Light, Light!... It's my dear Light!... Where were you?... What have you been doing ever since I saw you last?... I have missed you so much and looked for you so often!...

My dear little Tyltyl!... I have never lost sight of you.... I have guided you and counselled you and kissed you very often, without your knowing it.... But we will talk about all this later; to-day we have no time; I have only one night to give you and there is a great deal to be done.

But what's the matter with you?... What has happened to you? You look so much smaller!... You seem to be less tall and less broad.... You're not ill, are you?...

I? I never change, I am always the same; I am insuperable, insensible, invulnerable, immutable, inexorable, irresistible, invisible, inflexible and irrevocable!...

( Aside, to TYLTYL.) Be quiet, you will only vex him and he will get out of hand.... It is probably being so close to Light that has upset him; they never did agree.... ( Aloud .) Come, children, it's time.... Put on your hat, Tyltyl, and turn the sapphire; we shall see what happens: sometimes it works upon people's hearts, sometimes on their minds, sometimes on the objects around them and often on all three; one cannot tell before-hand....

They're themselves again, they're themselves again!... How lovely they are, how lovely they are!... Jalline, Milette my darling, Aimette, Belline darling, Rosarelle, Roselle!... They are all as they were before and I love every one of them!... Let us kiss again, again, again!... Oh, let us kiss for ever!...

( Kissing her .) She has only fainted.... Tell us what you feel.... You're not in pain, dear, are you?

No, no, it's not that.... What she wants is a drop of brandy.... I haven't my bottle.... And don't all crowd round her, she's suffocating. She wants air!...

( Supporting her head .) Have you some water there?... We ought to send for a doctor....

( Intervening .) Come, come, it's nothing.... I have practised medicine longer than men have and know a little more about it. Do not be uneasy; there is nothing to fear; I will undertake to cure her.... But we are wasting precious time, the night is passing and we shall get nothing done.... ( To THE GIRLS.) Come, dears, go and dress yourselves; your cloaks are waiting for you and everything is ready. Just follow Light; she will advise you.... We will meet in the great ballroom of the palace.... (THE GIRLS go out, preceded by LIGHT. To DESTINY.) You too, Destiny, follow Light; you want another costume. You can't go as you are. One must not be conspicuous, especially at this moment.... (DESTINY obeys, grudgingly .) I don't quite know how to dress the fellow. However, Light will think of something: she has more imagination than I.... Let's see to the little patient. She's better.... ( Helping her to rise .) There, there.... Sit down on this bench.... No?... You prefer to stand up?... As you please: in that case, lean against the column, for the walls will soon disappear.... Now that we are alone, Tyltyl, will you tell me at last, between ourselves, who that girl is?...

You must make an effort.... She can't live unless you remember who she is.... It's a great responsibility.

So much the worse for you. I can't understand it either.... Come, get dressed. Here's the little jacket which Light brought you.... And now, with one stroke of the wand, we will enter the ballroom and see what your little friends have made of themselves. ( She touches the panels of the closet, which disappear .)

SCENE V

( Observing DESTINY, draped in a long black cape, with a broad-brimmed Spanish sombrero on his head .) I say, there's Destiny!... She has dressed him like the villain in a play!... ( Clapping her hands .) Come, children, it is time to be starting.... All this doesn't count: the real work is about to begin....

ACT III

SCENE VI

( Out of breath, dropping on to a boulder .) They live a long way up, the Ancestors!... Aren't you tired?

( Bending over a crevice .) You're not like Destiny, who has almost given out.... He's still at the bottom of the last precipice, with my little friends.... He stumbles at every step and is limping badly.... They won't be here yet awhile; and I am very glad to have a moment alone with you, before they come, for I have a lot of things to ask you....

What do you think of these little friends of mine?... If you had to choose, which would you take?...

I like them all, but it is not for me to choose; no one but yourself can tell which one you love best.

Ah, that's not so easy!... You see, I love them all!... For instance, I love little Jalline, the beggar's daughter: she is so gentle and sweet, such a darling!...

Yes, she is very attractive: a pretty little creature, with a pure and simple mind....

But I also love the Mayor's daughter, Rosarelle.... She is really very beautiful, not a bit conceited and much better-educated than the others.... And then think of what she has done: she has left everything to go with me....

But I also love Roselle, the inn-keeper's daughter, who is a very pretty girl, so healthy and strong and frank and brave and cheerful and amusing: you can't think how kind and affectionate she is....

But I also love the wood-cutter's daughter, Milette.... She has such beautiful eyes and hair!... At first she seems a little awkward, a little shy; but it's quite different when you know her: she is really very playful and full of fun.... And then, have you noticed her mouth and her teeth?

But I also love Belline, the butcher's daughter.... To begin with, she's my cousin; and one always loves one's cousins. And then there's something about her dark beautiful eyes that frightens me rather. I adore that.... But she's not unkind, not at all.... Have you noticed her smile? One can never tell exactly what it means....

But I also love the miller's daughter, Aimette.... To begin with, she's also my cousin.... She keeps her eyes lowered under her long, curling eyelashes; she blushes when you look at her and weeps when you speak to her.... She looks a little silly; well, she's not that at all. She's quite different when you know her a bit.... She's very bright and very jolly and whispers such nice, sweet things to you that you at once want to kiss her....

There are neither better nor worse; each one is as good as the other; and all are good when they suffer or when they love.

The nuisance is that it seems you mustn't love more than one.... Tell me, though, is that true, or is it only one of the things people say to children just to keep them quiet?

No, it's true. When you love many, that merely shows that you haven't yet found the one whom you were to love.

But, after all, you, who know everything and see everything, must know better than I and can tell me what I ought to do.

No, dear, that is beyond me, beyond the range of my sight. It is for this very reason that we are going to consult those who do know; and they are near at hand, because it is in you that they live. We seem to be taking a great journey: that is an illusion; we are not going outside yourself and all our adventures are happening within you.... But I hear your little friends. Where is your green hat?

Put it on again quickly, so that there may be no more misunderstandings, and turn the sapphire.

So I did, I believe; I forgot.... But what do they want with me? They are pushing up against me and snapping at my feet.

They won't hurt you; they are merely your own thoughts, which you sometimes secretly think; now you have set them free and they are showing themselves for an instant as they are.

What!... Are my thoughts as ugly as that?... I should never have believed it!...

Don't take it so much to heart!... They are not as ugly as some, because you are still innocent and very young.... If you were to see those of other men!... Besides, you have beautiful ones; but they are more reluctant to show themselves.... However, I see the girls coming.... Turn the sapphire from right to left, so that we may get rid of these monsters, whom they must not see....

Good-evening, Tyltyl!... We've found you again!... We were so anxious about you!... We couldn't keep up with you.... Aren't you tired?... May we kiss you?... Destiny held us back.... I wanted to run.... He stood in the way.... Aren't you too hot?... Mind you don't catch cold.... Kiss me too!... And me too!... And me too!...

( Distributing kisses all round .) My sweethearts!... What darlings you are, and how happy I feel!... I hope I have not made you walk too fast?... You must forgive me; I am rather in a hurry.... Jalline dear, you haven't hurt your foot, have you?... And you, Rosarelle? You are not used to climbing rocks.... Aimette's hands are cold and Roselle has made herself much too hot....

Come, we will talk about all this later. We must now hasten to the Ancestors, who are waiting for us and would be very much annoyed if we arrived late....

( Who has grown smaller still and is now hardly taller than a man of average height. He seems very tired and sits huddled on a boulder .) Not a step farther!...

Light and I have nothing in common.... In any event, I alone am master and I order a halt....

By all means; there is no need to go any farther. We have arrived; we are here without taking another step, at the abode of the Ancestors....

SCENE VII

Tyltyl! Tyltyl!... Gracious, you again!... But this time it's not a surprise. We were expecting you; we were told three days ago.... All the same, though, we're so glad to see you that it's difficult to believe at first.... But how big and strong you've grown, dear! And so good-looking: I should never have known you!... Oh, dear, how nice it is to get a kiss like this now and again!...

Of course he hasn't; you know it's not her turn yet.... We know what you're here for, Tyltyl: it's not to see us! You needn't blush!... You young rascal, you scamp!... There, there, you're quite right; and the sooner you set about it the better.... So it's one of these girls they have to choose?

( Eyeing them like an expert .) Ho, ho!... And, my word, a very nice lot too! My compliments! I admire your taste.... ( Pointing to ROSELLE.) If I were you, I'd choose that one: she's the prettiest and the plumpest.

Hold your tongue; no one's asking your advice: you know you've no say in the matter. We're still too young; we've hardly begun to get cold and haven't had time yet to pick up things.... It takes so long; there's so much to learn!... But the others, especially the oldest, who now are the youngest: it's they who know everything....

Yes, it seems one gets younger as one grows older.... I'm beginning to notice it myself.

What do you think! All your ancestors since the world began! There'd be so many that we shouldn't know where to put them!... But we shall only see a few of them. A good many are travelling in other worlds; and, as a fact, some of the oldest are always away. But those who are on the spot choose in the name of all. They always agree; and it seems they very seldom make a mistake.... But here's one coming out of his house. You see the little man shutting up his shop?

It's your grandfather's grandfather; he was a grocer at Versailles in the reign of Louis the Fifteenth.

He has put on the things which he wore in his shop.... Here, as a rule, the weather is so mild, the air so warm and balmy, that we've no need to dress ourselves; but you wouldn't be able to see us if we had no clothes; and so, in your honour, we've put on those we used to wear on earth.... It'll be quite amusing: some of them date back ever so far.... Look, there they come, out of the houses they once lived in....

He did nothing wrong. He used to steal bread or other little things which one could eat, to keep his children from starving. He suffered a great deal; we think a lot of him....

That one is the richest.... It appears we were very rich at one time, but that didn't last.... However, it doesn't matter here: the only thing that counts, it seems, is what a man has done or thought.... For instance, you see those beggars over there, coming out of the church?

Well, it seems that several generations of us were beggars.... We succeeded one another, father and son, at the same church and in the same doorway. It was very good for us, they say. It taught us patience, resignation, endurance, temperance and the habit of never catching cold.... But do you see the oldest, the one who looks poorest of all?

Precisely.... Well, he's the Great Mendicant, the one whom we respect most, first because he has an iron constitution and next because he appears to have thought a very great deal in his corner under the porch.... They say it's he who did most to develop our brains.

But I don't see any women among them. Where are their wives? Weren't they married?

Of course they were; but there's nothing for us women to do to-day. The men choose the women and the women the men.... When Mytyl comes, it will be our turn.

( Dismayed .) I don't like this.... It's very tiresome that they should have been told....

An ugly lot, those three: the sick man, the drunkard and the murderer.... They've done us a deal of harm.

Of course, as in every family. Fortunately, none of the three has much influence over us. As you see, they are small and sickly; they shrink from century to century and are nothing like as healthy as the others.... But it won't do for them to meddle in your choice.... If the Great Peasant, the Great Mendicant and the Great Ancestor are there, all will go well: the others won't dare to breathe a word; if not, they will try to force their choice upon you and that will be a bad thing for you and for the future of the entire family.

He certainly isn't fat; but he has great influence. He is one of the mainstays of the family.

You must be quiet!... Don't treat him with disrespect!... It's a great favour that he's showing you; he doesn't often go out.... Of all our race he's the most important, the greatest, the most respected.... Everything's shaping well: it'll probably be he, the Great Peasant and the Great Mendicant who will put their heads together and choose your bride for you.

( Indignantly .) But I won't have that!... It doesn't concern them!... What do they know about it?... A peasant, a savage and a beggar: what next?

Hold your tongue, I say!... I tell you, they represent all that is best in you and in the whole family. If you obey them, if you submit to their influence, you will be happy and safe.... Mind now! They're coming....

Kiss me first. Don't be afraid. I look rather savage, but it is only a shape which I had to put on in order to make myself visible to you. I had no other handy.... But I am really quite clean and I don't smell bad.

No, but to judge by the grimace you made you weren't quite sure!... ( Sitting down on the middle bench .) I will sit down here; the Great Mendicant will take his seat on my right and the Great Peasant on my left. They don't smell either.... (THE GREAT MENDICANT and THE GREAT PEASANT take their seats; the other ANCESTORS stand behind him .) And I will take you on my knees.... I am glad to hold you in my arms for a moment.... We have known each other so long!

And yet we have always lived in each other; for you were already living in me when I was on earth; and now I live in you while you are still on that same earth, which we seem to have quitted.... But what do you think of this place of ours?... Let me have the pleasure of showing you over your home.

Certainly.... You are at home here.... And a very nice home it is.... Everything you see—this square, that prison, the church, those houses, we who live in them—all this is really only inside yourself.... People rarely see it, they don't even suspect it; but it's true.

I should never have thought there was so much room inside myself and that it was so large....

It's much larger really; there's a great deal that you don't see.... But that is not what interests us to-day; let us come straight to the point, to the great question that brings you here.... We are going to choose the woman whom you are to love....

How is it that I have not, like other men, the right to choose the woman I love?

But you have the right to choose and are here for the sole purpose of making that choice.

But I and the others are all you.... You are we, we are you; and it's all the same thing.

Not for me.... They keep on telling me to hold my tongue, that it's not my business, that it's no concern of mine.... Everybody's allowed to get a word in, except me.... I've had enough, I'm sick and tired of it!... Where do I come in? That's what I want to know!

You're simply acting as all men act when they think they are doing what they want to do.

But, after all, dash it, what business is it of yours? I can understand, in a way, that the children I may one day have should claim some right to select their mother; but the rest of you, over here, what difference can it make to you?

Don't you see that it's all the same? Those who have lived in you live in you just as much as those who are going to. There is no difference, it all connects and it's still the same family.

As you please, but I can't make it out.... And, if I refuse to obey, if I love just for myself, if I take a different girl from the one they want to force on me, what will they do then? What will happen?

Merely this, that the choice you will have made for yourself, without our approval, will not be a real choice; in other words, you will not love the woman whom you thought you loved. You will have made a mistake, you will be unhappy and, at the same time, you will make all of us unhappy, those who came before you as well as those who come after.

Where are your little friends?... Would you mind coming a little nearer, dear ladies?... ( Gazing with attention at THE SIX GIRLS, who come forward and stand in front of him .) Well, well, you have set us our task, but you have made it very difficult: how is one to select when all are equally beautiful?

It's strange, very strange. And yet we know that the one who will make us happy has arrived and is here among us. We generally recognize her at the first glance.

( Standing behind the bench, pointing to ROSARELLE.) Isn't it that one?... What's your name, my dear?

( Rising, in an authoritative tone .) Be silent ... and withdraw!... (With an imperious gesture .) Begone!... You know that you have lost the right to raise your voice in my presence!...

( Grouped behind the bench, clapping their hands .) Hear! Hear!... Well done!... It's what they deserve!... They have been wrong too often!... They have done too much harm!... They would be the ruin of the family!...

( Going to THE GREAT MENDICANT and clasping his knees .) Perhaps I'm the one.... I love him so!

( Going to THE GREAT PEASANT and clasping his knees .) If you want to know how much I love him, look at me and see.

( Going to THE GREAT ANCESTOR and clasping his knees .) Can't you see that I have loved him longer than the others? I have loved him since I first set eyes on him. I never dared say so; but I feel that I shall die if you choose another.

My poor children, it is very sad, but my hands are tied. You will perhaps cry for a few hours; but, if we chose one of you, she would spend her whole life crying, for I do not see among you the one for whom we are waiting.... Tyltyl!

I really don't know. She follows us all the time, squeezes in wherever we go, nobody knows her; and we can't get rid of her.

( To THE PHANTOM.) Come nearer, child, and let me lift the veil that covers your face.... ( He removes the veil. The statue's face appears, absolutely white, featureless and devoid of human expression .) She has no face.... ( To the other ANCESTORS standing around them .) Do you know her?

What are we to do? It must be she. But who is she? She is not dead, or we should know it.... Come, Tyltyl, make an effort, for everything depends on you. You must remember....

Listen, it is a serious matter. If we do not succeed in recognizing her, all your life, all your happiness on earth will be nothing more than a phantom like herself.... There is one last resource, one last hope, which is that the children who are to be born of you may discover who she is and that she is to be their mother. They see much farther and deeper than we. But there is no time to lose; for this waiting and this living in suspense are very dangerous for her. We must be quick therefore; we must not waste a moment ... go, my little Tyltyl. You have been very good and patient, very obedient and faithful to your race throughout this ordeal. Take this kiss and farewell.... You too, my dears, let me give you the parting kiss. Do not be too sad; another happiness awaits you. There is more than one kind on that poor misguided earth of yours. You have deserved every happiness that it can give.... Good-bye, my dear daughters; good-bye, good-bye, my son. And we will meet again whenever you wish: you know where to find us and we shall be waiting for you....

( Seizing TYLTYL'S hand .) This way, this way!... Thanks to me, it went off very well!... I said nothing about it; but it was I who foresaw everything and planned everything; and all that has been done was ordained by me....

ACT IV

SCENE VIII

Near to the stars and yet within yourself. Before you is the great veil of the Milky Way. Beyond it stretches the region in which your unborn children are waiting to show you the mother whom they have chosen.

Perhaps; and yet not quite the same thing. There it was the whole kingdom, with everybody's children; here it is only a province, in which are no children but yours.

As many children as you have ancestors, as innumerable and no less infinite. But, as with the Ancestors, we shall see only those who are nearest to you, especially the youngest and smallest.

Because they are nearest to their birth. As this approaches, they grow smaller and younger; so that the youngest, who are the first to be born, can hardly walk or stand.

There are children of all sizes, but I do not know that we shall see the biggest, that is to say, those who will be born hundreds or thousands of years hence.... There will not have been time to tell them; they do not keep close to the doors, like the very little ones, but wander far away waiting for their time to come.

Nothing is ever tiresome in infinity. Besides they have to learn here all that they will forget on earth.

Oh, but it is! Something always remains and helps to build up the deep happiness of life.

Well, so much the better for them! As for me, I shall soon know what I am to do. I hope we shall get through to-day, because, you see, I'd like to have things settled.... But where on earth can they be, those girls of mine and Destiny? ( Looking below him, on the right .) The poor little dears are up to their knees in the snow. This place is even higher and more difficult to get at than where the Ancestors lived.

( Looking down .) They are not very far away.... But you have taken off your hat again; that's a bad habit of yours. Put it on quickly, before they come, and be careful to make no mistake this time, for, if you do, the result may be very unpleasant.

( Distraught .) Hullo, hullo, what's all this? What does it mean? That sapphire really is becoming impossible!

How can I tell?... This is getting too much for me! Too mixed up, really.... I must have pressed it instead of turning it.

Why, no, there are a number of other personalities there, more or less like you and all the time trying to get the upper hand.

No, but really, what else is there inside me? I must be a sort of menagerie or Noah's ark! There's no end to it!

That's true: there would be no end if we had the time to go into it all.... But press the sapphire down now and all will be well.

My word! A good riddance!... Well, as you say, they may be the least bit like me, but some of them are very ugly. Particularly a big dark one, who kept on tripping me up and very nearly made me fall.

Of course, there are some of all kinds, as in every man. One must learn to choose the best and avoid the worst.... But here come your little friends.

( Amazed .) Hullo!... What's the matter with her?... She seems quite in a hurry to-day and moves like an angel.

I? Not at all: I am always the same, I am unchangeable.... But when you alone are responsible for everything, when you have to manage everything, direct everything and foresee everything and when nobody helps you ( casting an aggressive eye on LIGHT), you are entitled to a moment's rest.... I therefore order a halt. It is decided irrevocably: to-day we go no farther.

LIGHT Admirable! And so it shall be, for we have arrived; and with Destiny's permission, we shall find ourselves, without taking another step, among the children who are awaiting us....

SCENE IX

I know why it is. There are several doors; as you were all very tired, I chose the one that was nearest. They are probably waiting for us at the principal entrance.

The atmosphere will do that: here everything is known immediately and every event happens everywhere at the same moment.

It's a very fine place, this: splendid large rooms and a very high ceiling; lots of light and air....

Very well, then; that's all right. Please step in: you're very welcome. Won't you sit down while you wait?

Of course you are, eighty times over!... We are the first to arrive. The others are on their way.... ( To the other CHILDREN.) He doesn't seem to believe it!

Surely it's quite simple: you will be our grandpapa when we are your grandchildren.

Naturally, since you yourself exist.... I say, are those the grandmammas you're bringing us?

( Clapping his hands and dancing for joy .) Oh, how pretty they are!... ( Throwing himself into JALLINE'S arms .) I take this one, because she is so soft!...

( Throwing his arms round AIMETTE'S neck .) And I this one, because she is so sad!...

( Each taking one of THE GIRLS, kissing and fondling her and laughing and skipping with delight .) And I choose this one, because she smells so nice!... I choose this one!... I choose this one!...

( Intervening .) One moment, one moment, if you please.... This has nothing to do with us; our turn will come. You know that only the smallest have the right to choose who is to be their mother. All we have to do is to help them with our advice and to stop them if they make mistakes; but that's a thing which has never happened yet. They were quite some distance away, at the principal gate, but they won't be long now.

Of course you are!... I am very glad to see you for a minute, for we shall most nicely not have the pleasure of meeting on earth.... Well, I understand that your visit to the Ancestors was not much of a success.

Let's rather put it that they hadn't quite made up their minds. But how is it that you already know what happened there?

Why, of course we know everything that happens inside you; we're there ourselves. Besides, there's very little that separates us from the Ancestors: our interests are the same and our paths often meet.

Look out! Here are the little ones!... I see five coming.... There's only one missing, the littlest....

Six, you will have six, for the last little one isn't here yet.... I promise you, the world can do with them, after what people have been up to, down there!...

( Ordering him with a serious gesture to be silent .) Mamma first.... Where is she?

( Rushing forward, catching hold of one of the CHILDREN and kissing him .) But that's impossible!... Here, look at me?... Don't you see how much I'll love you?...

( Taking another CHILD on her knees .) And me? Won't you have me for your mamma?

( Catching hold of another CHILD.) And me? Don't you love me? You'll see how happy we shall be!... We shall have a lovely house full of toys and I shall give you everything you want....

( Taking THE YOUNGEST.) Look here, you seem to know more than the others.... Don't you recognize me?... Are you fond of sweets?...

( Struggling until she lets him go and crying without disguise .) Let me go! Let me go!

Here's a pretty business! He's crying!... And the other one as well!... But what do they want?... They're very hard to please....

No, no one has seen him since this morning.... It's strange, for he is always with his little sisters.

( Looking at the throng of CHILDREN filling the halls .) How many there are!

( Which has been following the progress of THE FIVE CHILDREN with his eyes .) They are stopping at the third door.

( Speaking for the first time and struggling to find her voice, which seems to come from far away and to stick in her throat .) Yes.

( Still dragging her by her dress towards a marble bench which stands between the columns in the foreground .) Come.... ( He makes her sit down, settles her on the bench, caresses her and kisses her .) Come ... it's you.... I knew it.... I'm kissing you.... Don't you know how to kiss yet? (THE PHANTOM shakes her head .) No?... Like this.... I'll teach you.... ( He kisses and caresses her slowly and deliberately .) You're no longer cold?

( Nestling against her .) You're better, aren't you?... Not sleepy any more?... How good it is, being together!... They're still looking for you, you know.... And it's I who found you!... I knew, I knew....

It's splendid, isn't it?... ( Nestling more closely .) Oh, such fun!... Do you like it too?

So am I, so am I!... Don't look: I'm going to cry a little, but it doesn't mean anything....

( Intoxicated with rapture .) You're kissing me!... Mummy!... Then it's true, then it's true, it is you!... Again, again!... No, not any more: I can't bear it!... Will they understand, will they be able to understand?

Don't cover your face: they wouldn't see it and they wouldn't believe me.... ( Drawing aside the veils .) Oh, mummy, how lovely you are!... ( Her hair spreads all over her shoulders .) Oh, mummy, your hair!... What lots of it!... There, that's much better, I can kiss you better so.... ( Listening .) Listen, they're coming back! They're here!

( Standing up on the bench, beside his MOTHER, showing her to the others and dancing with delight .) Here! Here!... She's here, she's here!... I found her!...

It's she!... It's she!... It's mummy!... Where was she?... Did you know her?... I should think so! I should think so!... You too? Yes, I too, I too!... You're taking up all the room!... You're kissing her all the time!... It's not fair, it's my turn!... She's my mummy too!... We looked for you so hard!... We waited for you so long!... She is lovely, isn't she?... She's the loveliest of them all!... There's no one like her!... Tell us, tell us!... What?... I love you! Do you love me?... Kiss, kiss, kiss, kiss!... What sweet things mummies are!... How delicious it is to kiss!... To think one didn't know!... All for us, all for us!... The only happiness!... You're everything in the world to us, we're everything in the world to you!... I dote on you!... I say, do you know me? I shall be the second.... And I the third.... And I the last!... Kiss me first, I shall have the longest to wait!... She's laughing!... She's happy too!... Answer us, speak to us!... Your arm, I want to feel your arm round my neck!... Mine too, mine too!... Don't go away, whatever you do!... We don't know where we are, we're mad with delight!... We can't wait any longer!...

( Taking THE MOTHER'S hand .) Where do you come from?... Who are you?... Where have I seen you before?... I can't remember....

Well, I'm in a nice mess!... What am I to do?... Is it my fault if I can't remember?...

Don't be afraid. They know what they are saying. You will find her again.... Let us go, quickly!... I am sure that she is waiting for you where you least expect her.

( Dreamily .) She really is beautiful!... I believe they are right.... I believe it's really she....

ACT V

SCENE X

My forest, my forest?... ( Looking around him .) Why, so it is!... I've seen those beeches before, somewhere.

Results?... Where?... When we started I was in love with six girls; now we've returned, I love only one; and she's just the one who hasn't come back with me.... But where are those six others and what are they doing? And Destiny too? He was looking very ill....

( Passing DESTINY to MILETTE.) Will you take him for a moment? He's not very big, but dreadfully heavy.

( Taking him from JALLINE'S arms .) Come to me, my little Tiny, come; there, don't cry....

( In a whining baby voice .) Me? I never cwy!... I'm alwayth the thame!... I'm unthakable, immovable, indefatigable, implacable and inegthowable!...

Yes, yes, Tiny, we know, you're a very good little boy.... (DESTINY falls asleep in her arms .) He's gone to sleep!

( Wrapping him in his cape, with a motherly gesture .) He's a dear, sweet, obedient little thing, but seems very tired.

Poor little Destiny!... He has no luck!... But we will see to him later.... What we have to do now, my children, is to bid one another good-bye ... and for the last time....

Why, yes; we can't spend our whole life travelling! Besides, you are near your homes, since you all of you dwell round the forest. We have learned what we sought and we know what we wanted to know, that man is granted only one love, while the others are merely unfortunate errors that bring sorrow to innumerable lives.... You were all of you about to choose wrongly; and you may rejoice, therefore, even now, when we have to part, that the mistake was discovered before it was too late.... And, more than this, the Fairy has charged me with glad tidings for you all: the one love you have each of you sought is waiting for you by your own fire-side, in your own home, or at least will be there very soon.... So do not linger, but hasten to meet it.... The hour grows late; soon the cocks will be crowing; the birds are beginning to wake. Let us bid one another good-bye, quickly, without regret, without sad thoughts or tears....

( Handing DESTINY to AIMETTE.) Just take him for a minute, while I kiss TYLTYL.... ( Kissing TYLTYL.) Good-bye, Tyltyl dear. I must go first. Dad gets up early and there would be awful trouble if he didn't find me in the house. Good-bye. Let me kiss you again.... Be nice to me when we meet: we're neighbours and shall have to spend all our lives in this forest.

( Kissing her affectionately .) Be nice to you, Milette? Of course I will! It's not your fault or mine: we both know that.

( Handing DESTINY to JALLINE.) Take hold of the little man for a second, will you? ( Kissing TYLTYL.) Good-bye, Tyltyl.... Don't let us forget each other.... I shall perhaps love somebody else; but I shall never love him as I loved you.

Come, come, you are wasting time.... We shall never have done if we go on like this.... If the cock crows before you return, your parents will know everything; and then they'll be angry.... Just give him a sisterly kiss: that's all that's necessary.... You're not going far; and you'll meet again many a time, in real life, and will like each other the better because of your truer knowledge....

But you must, dear Jalline. Not because it is fate, as men say, but because it is the will of those who know everything and who never die.... Good-bye, my little Jalline. You have been very sweet, very loving, very exquisite; and I thought that you would be chosen.... Don't cry, dear. Hand over poor little Destiny to me, I will take care of him; and give Tyltyl a long, long kiss....

( Hands DESTINY to LIGHT and gives TYLTYL a long kiss .) Good-bye, Tyltyl.

And, now that we are alone, let me kiss you too.... We shall meet once again to take another and a longer journey....

The last, the happiest and the most beautiful. But I am not allowed to speak of it yet.... Good-bye, Tyltyl. Remember, dear, that you are not alone in this world and that all that you see in it has neither beginning nor end. With this thought in your heart, letting it grow with your growth, you will always know, whatever may happen, the right thing to say, the right thing to hope for.... And you, Tiny, don't cry like that! Some day we shall begin to understand each other.

( Half-asleep, tearfully, lisping .) Me? I never cwy!... I order a thtop!... Forward! Forward! Forward!

SCENE XI

( Behind the door .) It's me!... Open the door quickly!... We're expecting a visitor....

Wait, wait, till I slip on my breeches.... ( Rising and seeing with amazement that he is dressed .) Hullo, I've gone to bed with my clothes on! How did I come to do that?...

Quick, quick!... Help me light the fire and tidy the room.... Go and wake up Mytyl.... They'll be here in a minute.

Of course, you don't know. Daddy Tyl met them yesterday, but you had gone to bed.... Do open the shutters, I can't see what I'm doing.... (TYLTYL opens the shutters and the daylight floods the room .) And call Mytyl, so that she can help me to get things straight.... What a mess!... And the dust! I can't let them see my house like this. ( Enter MYTYL.)

( To MYTYL.) The fire's beginning to burn up.... You make the coffee, while I start cleaning.... What's this? More cabbage leaves under the tap!

Well, I never! A nice thing!... It's a blessing that I came to look for myself!... Take the broom, Tyltyl, while I give a rub to the plates and put them away.

There aren't so many of 'em.... The one with the pretty little pink house, by the road-side, and a garden full of sunflowers and hollyhocks.

Five or six years, that's all. They went to the town to live with the girl's uncle. He was a widower, with no children of his own, and has died and left them all his money. They told Daddy Tyl they're coming back here for good, going into their nice little house again. It belonged to little Joy's uncle.

Yes, yes, you know: that's the little girl's name. They used to call her Jojo when she was small; but her name is Joy. Daddy Tyl met her last night, says that he could hardly believe his eyes, that she's taller than you and beautiful ... well, there! With hair like gold, real gold! That's worth thinking about.... So I want the house tidy and all of us to look decent and respectable.... You can never tell what may happen. We're of good stock too. Your grandfather's father was a pork-butcher.

( Sweeping the floor lustily .) Perhaps I had better put on my Sunday clothes?

No, you needn't; you're all right as you are. We'll just lay the white tablecloth.... Besides, there's no time now; here they come; I can hear them walking up the path.

Yes, it's Joy and I, Madame Tyl.... Good-morning, a Merry Christmas and good luck to everybody, as my poor husband used to say when he was alive. I'm glad to see you looking so well.... And these are the children? Don't tell me that this great, big, pretty girl is Mytyl? And can that be Tyltyl, that strapping young fellow who looks so smart?

Yes, yes, Madame Berlingot, they're the sort that keep on shooting up till you don't know where you are. Tyltyl hasn't grown as much as his sister; but he's stronger. There's not a sturdier lad in all the country-side.... But it's your young lady who's beautiful!... She looks the very picture of the blessed saints!... ( Observing TYLTYL, who stands wide-eyed and entranced .) Now then, Tyltyl, where are your manners? Don't you, know your little playmate? Be civil, say how-do-you-do, shake hands and give her a chair.

Why, yes; we've not done so badly either.... Two little cows and a calf.... Little cows are better than big ones; and they only eat half as much.... One of them, the red one, gives us twenty quarts of milk every day.

Yes, I ran it up myself, with Tyltyl to help.... ( Leading her towards the door on the left .) It's this way: we made a good job of it and it's quite worth seeing.

The little ones up there.... They were very clever. They knew you at once.... Were you so very unhappy?

I know, but I hated it.... And you were so pale, so dreadfully pale; and you never spoke.... How long had you loved me?

So have I, so have I, but I had forgotten.... Never mind: we're going to be tremendously happy, for they've settled it, you see; they want it.

I'm quite sure; there isn't a doubt.... Everybody wanted it, but especially the little ones, all six of them.

I know it's a great many; but we'll manage somehow. There's nothing to be afraid of.... What a dream, eh?

I saw you as you are now, just like that. But here, all the same, you are more real and more beautiful.... Oh, I must kiss you again!

( Catching them in the act .) Well, I never!... You're getting on, you two!... You're losing no time!

What did I say, when we were looking at the rabbits? These two are made for each other.... They were kissing away like anything!

Come, come, there's no great harm in it. We did as much, Mummy Tyl and I, when we were young, didn't we, old lady?

That's right enough.... He's very young too; but you won't find a better boy in the whole country-side.... He's a strong, healthy lad, with a civil tongue in his head, and he works like a nigger.... Think it over by all means, only, as this is a holiday, there's no harm in their kissing each other; and let's see them do it: it's good for one!... ( Seeing that TYLTYL and JOY do not move, he pushes them close together .) Well?... Look at them: they don't want to now!

( In a whisper, to JOY, as he kisses her .) It was better when we were by ourselves, wasn't it?

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