A travers chants: études musicales, adorations, boutades et critiques by Berlioz

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Author Berlioz, Hector, 1803-1869
Title A travers chants: études musicales, adorations, boutades et critiques
Note Reading ease score: 61.2 (8th & 9th grade). Neither easy nor difficult to read.
Credits Produced by Chuck Greif and the Online Distributed
Proofreading Team at http: //www.pgdp.net (This file was
produced from images available by the Bibliothèque nationale
de France (BnF/Gallica) at http: //gallica.bnf.fr)
Summary "A travers chants: études musicales, adorations, boutades et critiques" by Hector Berlioz is a collection of musical studies and critiques written in the mid-19th century. This work delves into various aspects of music, exploring both its emotional impacts and theoretical foundations, while also providing critiques of contemporary musical practices and compositions. Berlioz, a prominent figure in the romantic era of music, discusses the complexities of musical expression, the relationship between inspiration and study, and the transformative power of music on the listener. The opening of the collection sets the tone for Berlioz’s profound reflections on music as an art form. He begins by defining music as a unique combination of sentiment and science, arguing that true musicians must balance both innate talent and rigorous study. He critiques those who produce music without a full understanding of its principles, emphasizing that genuine musicianship goes beyond satisfying the ear to evoke deep emotional resonance. Through this philosophical lens, Berlioz lays the groundwork for discussions on melody, harmony, rhythm, and expression, offering insights that invite readers to consider their own perceptions and experiences with music. (This is an automatically generated summary.)
Language French
LoC Class ML: Music: Literature of music
Subject Music -- History and criticism
Category Text
EBook-No. 37534
Release Date
Copyright Status Public domain in the USA.
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