Project Gutenberg
2011-10-14
Public domain in the USA.
116
Sedgwick, Ellery
1872
1960
Baker, Katharine
1876
1919
Baker, Katharine Pontius
Bergengren, Ralph
1871
1947
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
1865
1929
Comer, Cornelia Atwood Pratt
Pratt, Cornelia Atwood
Eaton, Walter Prichard
1878
1957
Gerould, Katharine Fullerton
1879
1944
Gerould, Katherine Fullerton
Humphrey, Zephine
1874
1956
Keeler, Lucy Elliot
1864
1930
Martin, Edward Sandford
1856
1939
Martin, E. S. (Edward Sandford)
Martin, Edward Sanford
Montague, Margaret Prescott
1878
1955
Montague, Margaret Preston
Nicholson, Meredith
1866
1947
Repplier, Agnes
1855
1950
Schauffler, Robert Haven
1879
1964
Sharp, Dallas Lore
1870
1929
Sherwood, Margaret Pollock
1864
1955
Hastings, Elizabeth
Strunsky, Simeon
1879
1948
Wister, Owen
1860
1938
Atlantic Classics
Fiddlers errant, by R.H. Schauffler -- Turtle eggs for Agassiz, by D.L. Sharp -- A father to his freshman son, by E.S. Martin -- Intensive living, by Cornelia A.P. Comer -- Reminiscence with postscript, by O. Wister -- The other side, by Margaret Sherwood -- On authors, by Margaret P. Montague -- The provincial American, by M. Nicholson -- Our Lady Poverty, by Agnes Repplier -- Entertaining the candidate, by Katharine Baker -- The street, by S. Strunsky -- Fashions in men, by Katherine F. Gerould -- A confession in prose, by W.P. Eaton -- In the chair, by R. Bergengren -- The passing of indoors, by Zephine Humphrey -- The contented heart, by Lucy E. Keeler.
Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images available at The Internet Archive)
"Atlantic Classics" by Ellery Sedgwick et al. is a collection of essays published in the early 20th century. This anthology compiles notable works that have appeared in the Atlantic magazine, showcasing the diverse voices and themes explored by its contributors. The essays span a variety of subjects, touching upon personal experiences, cultural observations, and reflections on wider societal issues, all aimed at offering readers enduring insights. The opening of the work introduces the preface, indicating the editor's intent to create a lasting collection of essays that resonated with Atlantic readers. It highlights the appeal of the selected pieces and the desire from both the audience and educators for a more permanent form of these works. The initial essay, "Fiddlers Errant" by Robert Haven Schauffler, begins to explore the rich tapestry of musical adventures encountered through the lens of playing the cello, setting the tone for a book filled with personal narratives that blend humor, reflection, and life lessons. The editor's thoughtful curation aims to preserve the essence of the magazine while offering a taste of the literary richness within. (This is an automatically generated summary.)
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American essays
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