The Project Gutenberg eBook of Dopo il veglione o viceversa This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Dopo il veglione o viceversa Author: Roberto Bracco Release date: November 5, 2011 [eBook #37936] Language: Italian Credits: Produced by Carlo Traverso, Claudio Paganelli, Barbara Magni, and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK DOPO IL VEGLIONE O VICEVERSA *** Produced by Carlo Traverso, Claudio Paganelli, Barbara Magni, and the Online Distributed Proofreading Team at http://www.pgdp.net. This file was produced from images generously made available by The Internet Archive. ROBERTO BRACCO TEATRO VOLUME PRIMO NON FARE AD ALTRI... — LUI LEI LUI — UN’AVVENTURA DI VIAGGIO — UNA DONNA — LE DISILLUSE — *DOPO IL VEGLIONE* 2ª EDIZIONE. REMO SANDRON — Editore Libraio della Real Casa MILANO-PALERMO-NAPOLI PROPRIETÀ LETTERARIA _I diritti di riproduzione e di traduzione sono riservati per tutti i paesi, non escluso il Regno di Svezia e quello di Norvegia._ È assolutamente proibito di rappresentare questi lavori senza il consenso scritto dell’Autore _(Art. 14 del Testo Unico 17 Settembre 1882)_. Published in Palermo, 10th. June Privilege of Copyright in the United States reserved under the Act approved March 3rd. 1905, by Roberto Bracco and Remo Sandron. Off. Tip. Sandron — 126 — I — 290312. ―――― DOPO IL VEGLIONE o VICEVERSA (Scherzo comico per _cafè-chantant_, musicato dal Maestro _Umberto Mazzone_, scritto apposta per _Nicola Maldagea_ e _Amelia Faraone_, eseguito per la prima volta al _Salone Margherita_ di _Napoli_, nel 1893). [pg!354] [pg!355] PERSONAGGI: _Lui_ e _Lei_. La scena rappresenta un elegante salottino intimo con un paravento. [pg!356] [pg!357] SCENA UNICA. _Lui_ e _Lei_ entrano. _Lei è vestita da uomo. Lui, «viceversa», è vestito da donna. E tutti e due portano il domino e la maschera._ _Lui si burla di Lei, e Lei si burla di Lui._ _Dal cappuccio di Lei scappano i riccioli della parrucca maschile; da quello di Lui scappano i riccioli della parrucca femminile._ _Sicchè, Lui è convinto che Lei sia un uomo: Lei è convinta che Lui sia una donna._ _Lei si avanza conducendo Lui, graziosamente, per mano._ _Lei_ _(imitando una voce maschile)_ Siam giunti, mascherina.... Vi prego, favorite: la casa è un po’ piccina: è casa da _garçon_. Non è degna di voi, lo so, ma compatite.... [pg!358] chè, in fin dei conti, poi, in due ci si sta ben. _Lui_ _(imitando una voce femminile)_ Perchè vi confondete? Non sono una regina... Tutt’altro! Mi potete trattare _sans façon_. Io faccio, lo confesso, o un po’ la ballerina o... quel che faccio adesso: ecco, nè più nè men. _Lei_ _(tra sè)_ Mi par che se la beva: mi tratta da merlotto! Non sa qual figlia... d’Eva le si nasconde in me! _Lui_ _(tra sè)_ Ch’io sia davvero donna convinto è il giovinotto. Non sa sotto la gonna che pezzo d’uomo c’è. _Lui_ e _Lei_ _(insieme — ognuno per conto suo)_ Oh! Sesso, mio nemico! Perchè non sei diverso? [pg!359] Dice quel motto antico: «ciò che si lascia è perso.» _(Poi Lei, accennando a Lui, e Lui, accennando a Lei:)_ E che farà quando per forza comparirà da questa scorza l’imprevedibile che dentro sta? Si morderà le dieci dita e imparerà che nella vita rompe le scatole la realtà. _Lei_ Toglietevi la maschera, scopritevi il visino. Dagli occhi l’indovino: dev’essere divino! _Lui_ Datemi il buon esempio, gentil giovanottino. È troppo sibillino cotesto mascherino. _Lei_ _(con seduzione)_ Almen fate ch’io guardi un sol piedino vostro. [pg!360] _Lui_ _(con timidità pudica)_ No, no, no, no!... Più tardi.... Più tardi ve lo mostro. _Lei_ Avete, tale e quale, l’aria d’una novizia! _Lui_ Ma pure, in generale, è sempre l’uom che inizia! _Lei_ E allora, o dolce incognita, sta ben: vi servirò. _(Voltando le spalle e preparandosi a togliersi la maschera — tra sè:)_ Ho quasi quasi scrupolo di aver tardato un po’. _Lui_ Sbrigatevi! Sbrigatevi! _Lei_ Frenate l’ansietà. _Lui_ _(fingendo un accento di ansia infrenabile)_ Non posso.... Il cor mi palpita.... [pg!361] _Lei_ _(buttando via il mascherino e sbottonando il domino, appare vestita da uomo, in frak e cravatta bianca: ma le forme del corpo ed il viso rivelano la perfetta muliebrità.)_ Son donna: eccomi qua! _Lui_ _(tra sè)_ Oh che fortuna! _(a lei)_ Donna? _Lei_ Ma sì! Donna! Donnissima! _Lui_ _(tra sè, tripudiante)_ Non sa sotto la gonna che pezzo d’uomo c’è! _(a lei)_ Ne siete ben sicura? _Lei_ O bella!... Sicurissima! [pg!362] _Lui_ _(fra sè:)_ Graziosa è l’avventura! _(a lei, ostentando incredulità)_ Donna!?... _Lei_ Credete a me. _Lui_ _(tra sè:)_ In questa trappola che lei parò, lei stessa capita, e uscir non può. L’ora propizia attender vo’ ed in questi abiti resto perciò. Funger da femmina non vorrei più, ma... è triste l’epoca: l’uomo... sta giù. _Lei_ _(tra sè:)_ Si agita! Brontola! Ci spera ancor? _(Indicando con un dito il proprio viso)_ [pg!363] Han forse gli uomini il mio color?... Se dall’equivoco non vengo fuor, lei non rinunzia al sogno d’or. _(accennando al frak e ai calzoni)_ Queste visibili maschie virtù, per non più illuderla, butterò giù. _(Corre in gran fretta dietro il paravento.)_ _Lui_ E dite: m’è concesso saper che fate, adesso? _Lei_ _(senza mostrarsi)_ Io voglio del mio sesso riprendere possesso. _Lui_ Sì, presto, presto, presto! _Lei_ Mi svesto... _Lui_ _(fa un movimento di contentezza.)_ [pg!364] _Lei_ ... e mi rivesto. _Lui_ Se vengo, vi molesto? _Lei_ _(energicamente)_ Restate lì. _Lui_ _(rassegnato)_ Ci resto. _(Lui, or drizzandosi sulla punta dei piedi, ora guardando tra le connessure del paravento, ora salendo sopra una seggiola, assiste alla toletta di Lei, e si frega le mani, ammira, si entusiasma, s’inebria. Intanto, Lei, svestendosi, getta di qua dal paravento il parrucchino, il frak, il panciotto, la camicia, i calzoni, che Lui raccoglie, osserva, esamina.)_ _Lei_ _(comparisce in abito molto femminile)_ Sono pronta, amica mia. _Lui_ Santi numi, com’è bella! [pg!365] _Lei_ E vi par che un uomo io sia? _Lui_ Non è faccia d’uomo quella! _Lei_ _(pavoneggiandosi, con le mani nei fianchi)_ Osservate il corpicino.... _Lui_ Oh! lo vedo ch’è un gioiello. _Lei_ Osservatemi il piedino.... _Lui_ Oh! non è piè d’uomo, quello! _Lei_ Perdonate, dunque, cara, questo scherzo: è carnevale.... _Lui_ _(dimenticando di dover sembrar donna)_ Vi perdonerò se avara non sarete voi con me.... [pg!366] _Lei_ Che volete? Non comprendo. _Lui_ Un bacino.... Non fa male! _Lei_ _(stringendosi nelle spalle)_ Ve lo do. _(per cortesia lo bacia, in fretta, sul mento.)_ _Lui_ Io ve lo rendo. _(la bacia sulla guancia.)_ _Lei_ Non c’è sugo.... _Lui_ Sì che c’è! _(e tenta di abbracciarla.)_ _Lei_ Ma, signora! Che vi piglia? _Lui_ _(impappinandosi, cerca di giustificarsi)_ Mi sembrate... una mia zia... [pg!367] _Lei_ In che cosa mi somiglia?! _Lui_ _(abbracciandola forte)_ Una vera simmetria! _Lei_ Basta!... basta!... Non stringete.... _Lui_ Non la vedo da tanti anni!... _Lei_ Ma, in sostanza, voi... chi siete? _Lui_ _(confuso)_ Io?... Non sono... nei miei panni!... _(Corre, alla sua volta, dietro il paravento, portando seco gli abiti d’uomo che Lei indossava.)_ _Lei_ E dite: m’è concesso saper che fate, adesso? [pg!368] _Lui_ Io voglio del mio sesso riprendere possesso. _Lei_ _(meravigliata)_ E che vuol dire questo?! _Lui_ Mi svesto... e mi rivesto... _Lei_ Se vengo, vi molesto? _Lui_ _(con entusiasmo)_ Venite pur.... _Lei_ _(diffidente)_ No!... Resto. _(Ricomincia la mimica. Lei, come ha fatto Lui, punta dalla curiosità, cerca di vedere quel che avviene dietro il paravento; ed osserva, inquieta, la roba che Lui, svestendosi, le fa piovere addosso, cioè il domino, il mascherino, la parrucca, le imbottiture con cui aveva improvvisate le forme di donna._ [pg!369] _Finalmente, vengono giù la gonna e la sottana. Lei, sempre più curiosa, sale sopra la seggiola, vede... e dà un grido quasi di spavento. Quindi scende precipitosamente, e, indignata, aspetta.)_ _Lui_ _(comparisce, pavoneggiandosi, vestito degli abiti maschili di Lei, che gli vanno male; e, poichè Lei ha un gesto d’ira e di sdegno, le si ginocchia ai piedi.)_ _Lei_ Voi, dunque, siete un uomo?! Se non uscite subito, chiamo la polizia! _Lui_ _(umilmente)_ Sì... forse sono un uomo; ma vi prego di credere ... che non è colpa mia. _(A poco a poco, Lei s’intenerisce e gli apre le braccia.)_ _Lei_ Sarai mio prigioniero insino al far del giorno. Del mondo, ch’è ciarliero, non me ne importa un corno.... [pg!370] Nella prigione oscura io ti giudicherò, ma non aver paura: per te clemenza avrò! _Lui_ Sarò tuo prigioniero insino al far del giorno. Del mondo, ch’è ciarliero, non me ne importa un corno. Io non avrò paura, e a te mi affiderò in questa mia cattura, senza dir mai di no. _Lei_ _e_ _Lui_ _(insieme)_ Non so chi sei, che fai, ma già ti voglio ben e so che m’amerai.... fino a domani almen. Tra poco, o belle o brutte, in quella oscurità, ci sveleremo tutte le generalità. Ahimè, soltanto al buio non si nasconde niente. Può il buio, immantinente, scoprir... la verità. _(Qui, cala la tela, tardi ma in tempo.)_ *** END OF THE PROJECT GUTENBERG EBOOK DOPO IL VEGLIONE O VICEVERSA *** Updated editions will replace the previous one—the old editions will be renamed. 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