Project Gutenberg
2013-04-29
Public domain in the USA.
94
Boyle, Roger, Earl of Orrery
1621
1679
Orrery, Roger Boyle, Earl of
Boyle, Roger, Baron Broghill
Broghill, Lord (Roger Boyle)
Broghill, Roger Boyle, Baron
Ingelo, Nathaniel
1683
Ingelo, Nathanael
Ingelo, N. (Nathaniel)
Mackenzie, George
1636
1691
Mackenzie, Sir George
Mackenzeus, Georgius
Mackenzie, Georgius
Davies, Charles Maurice
1828
1910
Davies, C. Maurice (Charles Maurice)
Davies, Maurice
53003793
Prefaces to Four Seventeenth-Century Romances
Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)
Reading ease score: 54.0 (10th to 12th grade). Somewhat difficult to read.
Produced by Chris Curnow, Joseph Cooper and the Online
Distributed Proofreading Team at http://www.pgdp.net.
"Prefaces to Four Seventeenth-Century Romances by Boyle, Ingelo, and Mackenzie" is a collection of literary prefaces written during the late 17th century. This book focuses on the introspective discourse surrounding the genre of romances, presenting insights from four prominent authors: Roger Boyle, Sir George Mackenzie, Nathaniel Ingelo, and Robert Boyle. The central theme revolves around the evolving nature of romance literature, the interplay of truth and fiction, and the authors' pursuits of literary merit in a transitioning literary landscape. The book includes prefaces to four specific romances: Boyle's "Parthenissa", Mackenzie's "Aretina", Ingelo's "Bentivolio and Urania", and Boyle's "Theodora and Didymus". Each author wrestles with the conventions and criticisms of romance narratives prevalent during their time, addressing the accusations of frivolity and moral laxity often associated with the genre. For instance, Boyle reflects on blending truth within fictional narratives, while Mackenzie argues for a serious purpose in romance writing. Ingelo critiques the use of romances for mere entertainment rather than moral instruction, indicating a desire to elevate the genre's status. Lastly, Robert Boyle discusses the emotional and ethical dimensions encapsulated within stories of martyrdom. Collectively, these prefaces illuminate the changing values of literature and the authors’ aspirations for romance as a medium of moral and intellectual engagement. (This is an automatically generated summary.)
en
Prefaces
English fiction -- Early modern, 1500-1700
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