The Cruise of the Violetta, by Arthur Colton

I N the Fall of the year when Krakatoa blew its head off in the East Indies, and sent its dust around the world, I fell sick of a fever in the city of Portate, which is on the west coast of South America. Portate had the latest brand of municipal enterprise and the oldest brand of fever. But they call any kind of sickness a fever there, to save trouble, and bury the alien with as little trouble as possible. I started for home, and came as far as Nassau, which is a town in the Bahamas. There, a wasted and dismal shape, I somehow fell into the hands of one Dr. Ulswater, who tended and medicined by back into the world of sunlight and other interesting objects.

Nassau runs up the side of a bluff and overlooks a blue and dimpled harbour. Dr. Ulswater at last began to take me with him, to lie on the rocks and watch him search in the harbour shoals for small cuttlefish. He used a three-pronged spear to stir them out of their lairs, and a long knife to put into their vital points with skilful surgery. They waved and slapped their wild blistered arms around his neck and shoulders, while he poked placidly into their vitality. So, being entertained and happy, I recovered from yellow fever.

By that time my handsome name, given by parents who recognised my merits, “Christopher Kirby,” had come down handily in Dr. Ulswater's usage to “Kit,” and we loved each other as two men can who are to each other a perpetual entertainment.

Dr. Ulswater was a large, bushy man in the prime of a varied life. Born an American, he had studied in German universities, practised medicine in Italy, and afterward in Ceylon. One of his hobbies was South-American archaeology. He owned a silver mine in Nevada, and kept a sort of residence in New York at this time, and was collecting specimens for a New England museum. So that he was what you might call a distributed man, for he had been in most countries of the globe; yet he was not a “globe-trotter,” but rather a floater,—in a manner resembling sea-weed, that drifts from place to place, but, wherever it drifts or clings, is tranquil and accommodating. He seemed to me suitable to the tropics and their seas,—large, easy, and warm of body; his learning like the sea, mysterious and bottomless; his mind luxuriously fertile, but somewhat ungoverned. His idioms were mixed, his conversations opalescent; his criticism of himself was that he had not personality enough.

“No, my dear,” he said, wrapping a dead cuttlefish up neatly in its own arms, “I am like a cuttlefish whose vital point is loose. You are an ignorant person, with prepossessions beyond belief, and absurd deferences for clothing and cleanliness; but you have personality and entertaining virtues. Therefore I will let you smoke two cigars to-night instead of one, and to-morrow maybe three, for your sickness is becoming an hypocrisy.” Then we went over the rocks to our boat and the sulky sleepy negro boatman, the doctor with his flabby bundled cuttlefish, and I with a basket full of coral and conch-shells. The boatman rowed us out over a sea garden with submerged coral grottos; pink and white coral, branching and the “brain” coral, sea-fans and purple sea-feathers, coral shrubs, coral in shelving masses; also sponges, and green hanging moss, and yellow, emerald, and scarlet fish, silver, satin, ringed, fringed, spotted;—all deep beneath in their liquid, deluding atmosphere,—a cold vision, outlandish, brilliant, and grotesque, over which we floated and looked down.

“Hypocrisy, pretence, illusion!” went on Dr. Ulswater. “Yet we attach to these words a meaning of praise or condemnation which begs the question. The personality is all, the point of view. To observe an alcyonoid polyp through thirty feet of water, an ineffable vision! or under a microscope which pronounces the ineffable vision hypocrisy, pretence, illusion!—in which is there more truth? Is not my hypocrisy an intimate truth of me? Hanged if I know! There is a new yacht in the harbour. We will go to it.”

It was a handsome sea-going vessel. Its brasses glistened in the afternoon sunlight. Violetta was its gilt-lettered name. Sailors were busy forward, and a striped awning was over the after-deck. As we drew near, a woman stood up under the awning and came over to the rail; she had some knitting in her hands. I asked if we might come aboard, and the doctor grumbled at me in disgust,—something about “frizzle-brained women.”

“Of course you can,” she said, decisively. “Wait till they bring the steps,” and she disappeared.

We went aboard, leaving the negro in his boat, and under the striped awning made the acquaintance of Mrs. Mink and a stout, blond-bearded sailing-master, Captain Jansen.

CHAPTER II—MRS. MINK

M RS. MINK was a pleasant looking woman, though somewhat thin, and with sharp gray eyes. She wore a plain, neat black dress, such as a self-respecting woman might wear to church in some small inland city. A large flowered rug covered the deck, a round mahogany table in the middle of it. There were a hammock and a number of upholstered chairs, each with a doily on the back of it. A work-basket stood on the table, brimming with sewing materials. A white crocheted shawl hung on the back of a chair, a red paper lampshade over the electric bulb.

The scene wakened sleeping associations of mine. Just such a shawl my maiden aunts wore in Connecticut, just such doilies were on their rocking chairs, just such flowered carpets were in their parlours. They dressed like Mrs. Mink too, but, to the best of my recollection, were not so agreeable to look at.

That weird glistening sea garden of coral and purple feathers and improbable fish was fresh in my mind, with Dr. Ulswater's talk, both undomestic, paradoxical, and showing coloured objects slumberously afloat in a transparent and deluding element. The wide blue harbour; the steep white town buried in tropical foliage; the big spruce yacht, too; the yellow-bearded Swede Jansen, and the crew in flat caps and jumpers—all these belonged to the world as I had known it of later years. With the line of the awning came the abrupt change; there ruled the flowered carpet, the centre table, the doilies, the provincial feminine touch, the tradition and influence of a million parlours and “sitting rooms” of the States. One missed the wall paper, and mantelpiece, the insipid and carefully framed print, and the black stove; but Mrs. Mink seemed to have made herself at home, so far as she was able, and the effect was homelike.

All this while Mrs. Mink looked critical, and Dr. Ulswater was introducing himself and me, and presently I became aware that Mrs. Mink was telling Dr. Ulswater her story.

It appeared that she came from the small city of Potterville, Ohio, whose aspect might be inferred and pictured—a half-dozen brick business blocks, a railway station, a dozen churches, dusty streets, board sidewalks, maples for shade trees—mainly young and not too healthy—clapboarded frame houses with narrow piazzas, a thin, monotonous current of social talk, a limited and local existence.

Until the year before, the fortunes of Mrs. Mink had hardly led her beyond the borders of the State, nor away from Potterville for more than a few days.

Mr. Mink, a silent, plodding man—as I gathered—a banker, counted a well-to-do citizen, but not suspected of unusual wealth, had died the year before, of a natural and normal sickness. There must have been a secretive element in him, something now forever unexplained. He had sat at his desk in his bank. Away from the bank he had never alluded to business. He had not liked any habits to be altered. No one in Potterville, not even the bank cashier, certainly not Mrs. Mink, suspected that Potterville harboured a millionaire. But when Mrs. Mink found herself a widow of extensive and varied wealth, she set herself to consider the situation. So far the story was partly inferential. Mrs. Mink spoke with some reserve.

When the size of her income was explained to her by her lawyer, who was also her neighbour, she cried, in some alarm, “What shall I do?”

He said: “Get a steam yacht. Go into high society, and found a college. Spend it on the heathen. Make your name immortal in Potterville.”

“But,” said Mrs. Mink, narratively, “I thought those were too many different things. But when I was little I often wished I could see the equator, and now I rather wanted to see the heathen, and the idols that have pictures in Sunday-school quarterlies. The more I thought of parrots and monkeys and bananas and Foreign Missions, the more I knew what I ought to do first. Because I knew more about Foreign Missions than about colleges, and I thought tropical countries would be nicer than high society.”

“Admirable!” cried Dr. Ulswater, suddenly. “What logic! For subtle inference and accurate reasoning, look at that!”

“But I felt sure that it would be better to be comfortable while I was examining the missions, so I went to the lawyer, and he sent me to some people who made ships. After that everything was plain.”

“The ship-dealer was very kind,” said Mrs. Mink, reflecting. “He got the Violetta and Captain Jansen. It has been quite pleasant so far. But——” She hesitated.

“But you haven't yet seen what you seek for,” said Dr. Ulswater. “You have taken but a step into the imperium of the tropics. You have far to go. I have been on the road these twenty years. Imprimis, I will show you the model upon which the heathen idol is constructed.”

He brought up the cuttlefish from the boat and unbundled it. Mrs. Mink thought it was somewhat uglier than any pictures of heathen idols.

“The faith of the savage is based upon fear in the midst of wonder,” said Dr. Ulswater. “This is an incarnate terror and obscure nightmare seen moving through ineffable sea gardens. Behold the seed of religions. You are wise, madam, in desiring to see and to hear, to know the miracle of the world. Everywhere two miracles confront each other, the visible world and the soul of man beholding it, but custom and usage are blinding; that is to say, the more you get used to a thing, the more you don't see it.”

“The soul of the heathen,” continued Dr. Ulswater, musing, “and that of the missionary are both remarkable.” Mrs. Mink looked suspicious; but he continued, musing: “There is, at this moment, an insurrection in Haiti, a bad-tempered mountain blowing up in Peru, and ten thousand miles from there a large brown idol, that I know well, sitting in the woods in Ceylon, with green jade eyes and silver finger-nails. And they're all turned over once a day.”

Something about Mrs. Mink, self-contained, quiet, and decisive, looking at him with shrewd, unbewildered eyes, seemed to rouse him to conversation; or else he had an object in being entertaining. Captain Jansen and two or three blue-capped sailors were near, and stood at the corner of the cabin listening, while he talked on, talked immensely, talked gloriously, talked like the power of Niagara, until the tide ran out and the sun set, and Mrs. Mink said, “Now you'll stay to tea,” so decisively that we stayed to tea.

In the cabin were green curtains and pink lamp-shade, wall paper and framed prints, a radiator, biscuits, cake, preserves, a red-haired Irish servant-girl named Norah, and Mrs. Mink at home. She was thoughtful.

“I? No. I do what I like. Why?” Dr. Ulswater's innocence of manner was perhaps too elaborate. “My curly-haired young friend must not go back to his job for some weeks in South America, for he is not yet a grizzly-bear. He is languid, like a jelly-fish.”

“Well, I shouldn't dare ask any one away from business. But I have some spare rooms, and I would be pleased if you and Mr. Kirby would visit me. It would be a great help, if you aren't too busy.”

When we came to go, the sulky negro and his boat had disappeared. Captain Jansen offered to take us ashore. Dr. Ulswater bundled up his cuttlefish. Mrs. Mink said, “He's dreadfully untidy.”

“Admirable!” cried Dr. Ulswater again. “It's a select word, a creative description! He's a regular litter. His very vital point is loose.”

“What personality!” muttered Dr. Ulswater. “What point of view! Untidy! The very word! She buys a steam yacht, furnishes it in the style of Potterville, Ohio, and starts off to examine Foreign Missions. Why, sure! That's easy!”

Captain Jansen chuckled: “I see men try sheet her more'n once, but they don't. She have a head.”

“Untidy!” muttered Dr. Ulswater. “Untidy!”—as if he foreboded trouble in that word.

CHAPTER III—AND THE TWENTY PATRIOTS

W E left Nassau the following morning. On the third day we passed the Inaguas and sighted Tortuga. They were days rich with the tropical outpourings of Dr. Ulswater, into whose warm Gulf Stream of conversation Mrs. Mink now and then dropped cool comments and punctuations that excited his luxuriant praise. What Mrs. Mink thought of Dr. Ulswater was not so clear.

The green cliffs of Haiti overhung a white surf, and the lapping mouths of half-submerged caves below; above was the tangle of the forest, great pendant leaves, sweeping and coiling creepers. It was the hot morning of the fourth day. There was a thin, shining mist about, and Dr. Ulswater quoted:

“Vaporous amethyst!” he murmured, sentimentally. “Gaseous spirit of jewel! Ah, Mrs. Mink! Lyric poetry, is it not a religion?”

“You see a distinction. You are right. You would say, in the worship of beauty the ethical element is too subsidiary. You would point out the lack of rigidity and purpose.”

Mrs. Mink did not commit herself. We watched the smoke of a steamer coming toward us from the east.

The steamer, a dilapidated side-wheeler, drew nearer, and a small cannon was plainly to be seen in the prow, but the only men in sight were a negro at the wheel and another walking the bridge. As they came within hailing, the cannon went off suddenly, the ball boomed overhead, and struck, spat! against the cliff, and on the deck a crowd of negroes sprang up and fell to dancing, howling, waving their guns. Mrs. Mink said, “For goodness' sake!” while Dr. Ulswater and I went to join Captain Jansen.

Three boat-loads of negroes were coming to board us. In the prow of the first was one tall and thin, with a gold-laced regimental coat, a tasselled sword, a wide-brimmed straw hat, and the dignity of a commodore. They drew under the side, and Dr. Ulswater and this Commodore talked Haitian French.

Then they scrambled aboard, marched aft in an orderly manner, squatted on the deck against the rail at the edge of the flowered carpet. Most of them grinned sociably and chattered to each other. The crew of the Violetta remained forward discussing them. Dr. Ulswater, the Commodore, Captain Jansen, and I sat down under the awning in the upholstered chairs, together with Mrs. Mink. Dr. Ulswater explained, cheerfully:

“He says he's an insurrection. He admits that we're not the enemy, but says he's got to have the Violetta in order to triumph over the tyrant of Haiti. When he has triumphed we will be rewarded,—meaning he'll be in a position to pay damages. He thinks our consciences will reward us, too. He thinks that's a strong point,—maybe stronger than the other. He has only that one war-ship, and he needs another in order to attack the navies of the tyrant. If you ask whether he's innocent or clever, why, I give it up, but I guess he's superlatively one of them. He appears to be calm.”

“Do you mean he wants me to give him the Violetta? ” asked Mrs. Mink, sharply.

“Something resembling that, and it's not so unnatural,”—Dr. Ulswater waved his hand balmily,—“you know, from his point of view——”

“But—well—I gather his innocence is such that he might get up and take it.”

“Yes, but I gather he's a sort of patriotic pirate,—piratical so far that it might not do to irritate him.”

“My experience in this neighbourhood,” said the doctor, “has been that patriotic leaders, who are down on the tyrant, are generally looking for his job. But now, as they appear to be some two or three to one of us, and armed, and, technically speaking, to have the drop on us,—why, there's a West-Indian proverb to the effect that 'A spider and a fly don't bargain,' but I would suggest something diplomatic, something perhaps a little yielding. Something of that kind.”

The Commodore all this while sat stiffly upright, with one hand on the hilt of his tasselled sword and no expression on his face, glaring away from us across the sea. It seemed to me that his bearing couldn't be natural to a being with human weaknesses, and that it went beyond the real requirements of his uniform. I judged he had gotten it off an equestrian statue.

Dr. Ulswater began to talk with him again. Of the military, on the edge of the flowered carpet, some looked genial, some murderous—most of them genially murderous. Captain Jansen pulled his beard and looked meekly at Mrs. Mink, and Mrs. Mink examined the Commodore critically.

“He says,” resumed Dr. Ulswater, “that it's a military crisis, and he must have another war-ship or go under. When he has conquered the ships of the tyrant, he will reward us. His remarks, like his manner, are a bit monotonous, but I gather he's nearly, what you might call, on his last legs. He rather intends to put us all ashore.”

“Ask them if they don't want some coffee. Ask how many are left in the other ship. They can have some too.”

Dr. Ulswater reported that they did; that there were five on the war-ship; that the Commodore was gratified to find madam accepted the necessity amiably.

The crew and all of us hurried under Mrs. Mink's orders. She collected cups and glasses. She called for three kettles of boiling water to the cabin, and closed the door. There were six of us, including Captain Jansen and the Irish girl, Norah.

“A——

“ Listen! These two kettles will hold about thirty cups. Don't give them too much. See that they all drink it at the same time. Send a pot to the other ship. When they're all asleep, put them ashore. Now don't tell me you can't, or you haven't anything to do it with, because you must! I won't stand it! The idea of giving up the Violetta to be shot at! How do I know what would happen to it? This pot we'll keep for ourselves, and pour into the blue cups. Hush! Don't talk to me! Ask them to drink a health or something to something or other, so they'll go to sleep together. Give up the Violetta! That silly, conceited thing sitting up there like a barber's pole and asking me that!”

Dr. Ulswater gazed at her with speechless admiration, took the two kettles, and disappeared in the passageway toward his cabin.

“Captain Jansen, you'll take this gray pot to the other ship, and only one man with you, so they won't suspect; as soon as they're asleep you better tie them up and come back. Put the trays on the table, Mr. Kirby, and the cups and things on the trays. Keep the blue cups together. Do you know if they like sugar?”

“Now take the gray pot, Captain Jansen. We won't serve here till you get there. Norah, pour them fuller. Dr. Ulswater, you must go out and explain. Tell them it will be ready in a few moments.”

The Commodore sat as before, holding his sword-hilt. The military sat between the rail and the edge of the carpet. Dr. Ulswater made a speech, which appeared to please them. Captain Jansen and one of the crew rowed away in the boat, the captain nursing the gray pot and the tea tray on his knee.

“I hope it will make that barber's pole sick. There! Captain Jansen has gone up, Dr. Ulswater! Tell them about taking it all together. Tell them to wait till we're ready. Mr. Kirby, you're spilling. Take care of the blue cups, and let the men pass the other trays. You two go to the right, you two to the left, you to the other end. Now we're ready.”

Norah was pallid. The twenty patriots took their cups in hand and waited with wide, grinning mouths. Dr. Ulswater lifted his coffee-cup.

“Encore!” thundered the doctor. “La Révolution! Videz toutes! Bottoms up.”

“Goodness!” cried Mrs. Mink. “How they look!” and ran into the cabin, followed by Norah, shrieking.

Under the spell of Dr. Ulswater's powerful drops the twenty negroes stared, grunted, fell back, twitching, kicking, astonished, breathing in snorts. Glass and china crashed on the deck. One of them staggered up with a yell and dropped again. One rolled half across the flowered carpet. The Commodore struggled for an instant with his tasselled sword, and subsided, muttering. The long rows of limp and ragged men, of black faces and open mouths, were ghastly and still. A gun was discharged on the war-ship.

Dr. Ulswater turned about, beaming at me. “A remarkable opiate, that, Kit! I always said so,” and pulled out his notebook, and made notes, aloud: “On two of the subjects evidently painful in action—ten to twenty seconds—per man three grains—muscular contractions, followed by total relaxation and coma—in case observed dissolved in solution of coffee—Remarkable!”

Captain Jansen, with his man, came back and reported that his cases had been disorderly. One of them had discharged his gun and fallen down the gangway.

We carried them, one by one, to the boats and tugged back and forth across a hot and heaving stretch of water, till they were all landed. Some of them were stirring and made a noise.

When the last boat-load was gone, Dr. Ulswater and I came back under the awning. Norah was washing dishes in the cabin, Mrs. Mink sweeping the deck with a broom. The guns lay along the scuppers. She stopped, and lifted a troubled face to Dr. Ulswater.

Dr. Ulswater seemed subdued: “It will make them sick at the stomach. A—a moral lesson.”

“I should think as much!” she said, sweeping vigorously. “That impudent barber! Did he want to be President?”

She hesitated again: “Do you think the revolution ought to succeed, if their government is very bad? Or would it be better to stop it?”

Dr. Ulswater gasped again, but recovered himself, and brought his mind back to gravity and consideration: “My observation has been that, though tropical governments are sometimes objectionable, these frequent violences seldom improve them, and create distress. I think it is generally more benevolent to back the existing state of things.”

“Oh! Then I think Captain Jansen had better tie something to the other ship, so that we can pull it after us and give it to the other people. Anyway,” she ended, sharply, “I'm sure that conceited thing would make a bad President.”

It was high noon when we steered away for Cape Haitien, towing the war-ship. On shore two or three revolutionists were climbing a gully in the cliffs. Others were sousing their heads in the surf. More of them seemed to be still sick or drowsy. Mrs. Mink went to take a nap. Dr. Ulswater and I leaned against the rail. Captain Jansen edged toward us.

“My, my!” he said. He rubbed his beard a moment, shook his head thoughtfully, and went forward.

“Kit,” he said, solemnly, “this is a discovery. Personality to burn. Captured by desperate insurrectionists, she demands knock-out drops. She puts them to sleep with a coffee-pot, and bundles them ashore. And why not? She balances the issue of a people, tows off a war-ship, and squelches revolution. Why not? And yet, what a phenomenon of intrepid reason! What a woman!”

CHAPTER IV—THE TROPIC AND THE TEMPERATE

W HEN a chicken drinks,” said Dr. Ulswater, “he lifts his head and thanks God, but when a man drinks he doesn't say anything. That is a West-Indian proverb.”

“Well,” he went on, “I should say it was, with the chicken, possibly, so to speak, a somewhat mechanical ritual.”

We were nearing the end of our cruise. I never wanted less to go back to Portate, but my health was too boisterously good to be denied. It was toward the end of November. In the land of steadfast people, the frost would be on the grass, the wind in the yellow corn-shocks, the good folk gathering to their annual feast of gratitude, far from these lazy seas. Old women with white hair and knitting, old men walking with canes, pink-cheeked girls and big-handed men, children storming the banisters—they would all be there.

“What will you do on Thanksgiving day?” I asked, thinking of the cool cornfields and familiar faces, of farm-yards and houses where chickens used to drink in prayerful attitudes, where men also thanked God when they drank, or ate.

“She is considering me. It amounts to the same thing. Her decision, I should say, would determine my attitude on the question of gratitude.”

“I have requested her to consider me matrimonially,” he said. “I fear she is considering me in the light of Foreign Missions.

“I have presented to Mrs. Mink,” he continued, “as bearing on the point, one of the clearest analogical arguments you ever saw. It is as follows: The business of the tropic and temperate zones is to entertain and supplement each other. They trade experiences—as they trade crude rubber for sewing machines—to the profit of both parties. Put them together and there arises in the mind of each a sense of romantic surprise. Providence has supplied the need of man for permanent astonishment by a trifling gradation of heat, so that when either shall feel the need for something miraculous and incongruous, it has only to find the other. I have pointed out to Mrs. Mink that her sailing in the tropics was only falling in with this arrangement of Providence, and she was pleased to hear it. Going about on loose seas in lazy climates sometimes had seemed to her a lax and disorderly kind of conduct, and having it attached that way to Providence made her feel better. I said to Mrs. Mink: 'It's a doctrine of the present age that the tropics are best administered and managed, for the good of all, by the temperate zone. Civilisation is now tending to that end. Now, you, Mrs. Mink, are a temperate zone. I am a tropical one. You have administrative ability. I am a heterogeneous person, untidy, overflowing, and hankering to be administered. You are the one, I am the other. Hence our mutual functions, destinies, relations to each other, have been arranged and foreordained by Providence. Quod erat demonstrandum .' That was my argument to Mrs. Mink.”

“Mrs. Mink,” he said, “is reflective but unconvinced. The extent to which she is unconvinced is alarming. I can't deny it.”

I left them the day after Thanksgiving, at San Juan in Porto Rico, and went back to Portate. Singular town, Portate. Singular man, Dr. Ulswater. Singular planet around which the Violetta was setting out with its critical, exploring prow.

It was some two months after, when I received Dr. Ulswater's first letter. Altogether he sent me four letters. Letters! rather manuscripts, documents, written in his own mellow and tumultuous style. They made that wandering hearth and home of the Violetta a vivid enough picture to my mind. I followed its course from sea to sea, from island to island, wishing myself aboard her. Here follow the documents.

CHAPTER V—FIRST DOCUMENT. DR. ULSWATER'S NARRATIVE: FIRST ADVENTURE

From the way in which Mrs. Mink collected you and me, it was clear that she had a knack, a genius, nay, even let us say, a tendency toward collecting people. In point of fact, no sooner were you gone than she collected a Professor of Logic.

His name was Simpson, Professor Simpson. It was at San Juan. Why did she collect him? Now you speak of it, I reckon it was for a sort of a breakwater to me. Gracious heavens! It wasn't for want of logic. Never! But it is just possible that she found me, at the time,—I suspected it—that she found me rather—shall I say?—overflowing, rather a deluge.

Professor Simpson was a man whose presence I should ordinarily have welcomed for the educational value of his company, but I didn't welcome him. He was small in person, dry of face, categorical in manner, testy in temper, Presbyterian in religion, pedantic in language, undoubtedly learned. But did he understand his function to be merely a breakwater to me? He did not. Let that pass for the present. Mrs. Mink collected him at San Juan, and we steamed away to Martinique. Here, one day, on or about the tenth of December, we lay in the roadstead of St. Pierre.

We were intending to go on that day, but about two-thirds of the Violetta's crew were in St. Pierre on shore leave. Captain Jansen came aboard some time after noon, and finding the men had not returned, became excited, took all the boats, and the remainder of the crew, even down to the cook, to help him collect delinquent mariners the faster, and went ashore again. We four were left on the Violetta : Mrs. Mink, Norah, Professor Simpson, and I.

The weather was calm to the point of deadness. Mont Pelée, that smouldering volcano, that suppressed Titan, was asleep. Not a cloud in the sky, not a ripple in the bay. Jansen appeared to be having trouble, for an hour passed, and the missing crew had not returned.

Between you and me, as man and man, the delinquent mariners were in the lockup, but Mrs. Mink does not know that, as yet. You can't rivet a nail in a boiled potato, nor temperance in the tempestuous seaman, but Mrs. Mink doesn't know that, as yet.

We were just commenting upon a dark, small, condensed looking cloud which had appeared above the shoulder of Mont Pelée, questioning whether it was an exhalation of the volcano, Pelée in eruption. Was Mont Pelée about to overwhelm St. Pierre, a Vesuvius to Pompeii? Was I, like the elder Pliny, to perish, a suffocated naturalist, a philosopher in cinder?

But it grew with enormous rapidity. It seemed to have an uncommon knack of taking in nourishment, a terrifying appetite. I saw a house on the mountain side rise up and vanish, swallowed at a gulp. Professor Simpson got out his note-book and took notes. He described the cloud in his notebook as “bulbous, or bulging in form, in colour a bluish black, and unfolding centrifugally toward the edges.”

“In my opinion,” he said, “we are ourselves in some personal danger. I believe this is what is commonly called a tornado. Do you differ from me, Dr. Uls-water?”

I said: “Not there, professor, though it's late in the year for West-Indian hurricanes. The most pointed opinion I've got is that this deck is going to be a wet place in a minute.”

We'd hardly got to the cabin before the roar was audible, and grew till we could not hear ourselves. One minute more and the Violetta gave a jerk that threw us on the floor, Norah on Professor Simpson and Mrs. Mink on Norah. Between them they obscured him, on the whole, very well. I got up and looked through the port-hole, and saw only spray and splashing water. The ship was engaged in a sort of circular high-kicking dance, something between a waltz and a cancan. The professor remained obscure. Neither Mrs. Mink nor Norah saw their way clearly to getting off him, and for myself,—seeing that he kicked but vaguely, harmlessly,—I thought Mrs. Mink and Norah might as well suit themselves about it.

At the end of four minutes, perhaps five or ten, the tumult had subsided to a strong wind and heavy sea. I went on deck, and discovered that the Violetta had been torn loose from her anchor, and was drifting rapidly. The mist, however, was too thick to see far in any direction. By the point from which the tornado had come, I judged that we had been driven out of the roadstead and were moving perhaps west, or northwest, on the open sea. A broken spar hung from the short rigging and beat against the mast, and the deck was awash with water. I went back to the cabin, and mentioned my inferences. Mrs. Mink jumped up and said:

“But, my dear Mrs. Mink,” said the professor, rising, “surely a situation that is in esse , in actual existence, cannot be described as 'impossible.' It is, as you mean to imply, however, most distressing.”

The professor reflected. On reflection, he said he thought it needed reflection. I thought we might as well remain where we were. He objected that, being in motion with the ship, it was not in our power to remain where we were, but, as regards our relations to the ship, I was perhaps right.

The mist was turning to rain, the violence of the waves gradually subsiding, and the wind growing more moderate. Norah and I went to the galley. She cooked and I carried. After supper it was dark. A pitch-black and rainy night came down on the troubled sea. The professor and I agreed to watch alternately. He went to bed and I lay down on the cabin sofa. I listened to the creak and thump of the loose spar, the murmur of the rain, the splash of waves against the Violetta 's sides. I reflected that our situation was perhaps more unusual than perilous; that we were likely to be seen by somebody if the weather cleared; that after all the sea is in reality a less eventful element than the land; that a philosophic mind is better than a feather bed; that with reasonable good luck and a philosophic mind I might have the credit of a nightlong watch over Mrs. Mink's slumbers, along with the benefit of a night's rest. So reflecting, I went to sleep.

CHAPTER VI—SECOND ADVENTURE

W HEN I awoke the sun was shining in at the port-holes, and the ship appeared to be quiet, but slanting. It was the slant that had rolled me off the sofa and awakened me. Hence it must have just happened. I went up the companionway, and saw—the boundless blue expanse of dimpled sea? Not at all! Nothing of the kind! On the contrary, a towering green wall of forest trees almost overhung the ship.

Talk not to me of the ruthless chain of causes whereby all things are bound, of nature's dismal obedience to law! As a scientist, I admit it with reservation—as a man, with tears. But what I really like about things is their fresh and genial inconsequence. Among all worlds, give me one compact of improbability. Among all women, give me one of invincible good sense.

The Violetta lay something over fifty feet from a high wooded bank. The tide was out, but the shelve of the bottom must be steep, for her list to landward was not very great. We were on the eastern side of a semicircular bay, which opened toward the south. It was still early morning. No wind stirred, and the ripples flowed gently among the stones beneath the high banks. Bright-coloured birds flitted between the tall stems of the palm trees. A place so calm, so halcyon, so appropriate to the purposes of my suit! In fact,—Bless my soul!—nothing could be better.

She looked as if she thought I had omnipotently arranged the climax. I passed the question on to the professor.

“Tentatively,” he said, “I should conjecture it was an outlying island somewhat to the north or east of Martinique.”

“Well, I think it's a nice island, anyway. But there aren't any boats. How are we going to get on it?”

“Precisely!” said the professor. “A problem! I would suggest, perhaps, a bridge of—of palm trees, felled—” he kindled with light inflammable ideas—“felled in such a manner as to fall forward upon the ship, thus, being fastened, to form a secure connection with the shore.”

There was a pause. A green and scarlet parrot was swearing at us from where he swung on a vine above the bank. I leaned on the rail and listened to the parrot and considered his point of view.

“Professor,” I said at last; “this is a world of compensations. There's compensation in your not understanding the dialect of that parrot. His clothes are handsome, but his language is bad. You are religious and ascetic, and he's a worldling. I'm a worldling, too, but I can swim, and I see compensations.”

After breakfast I swam ashore with an axe, climbed the bank, selected four tall slender palms that leaned in the direction of the Violetta 's after-deck, and hacked them down. Two of them fell on the Violetta and damaged her rail, but stuck where they fell. The professor roped the ends to a capstan, and crossed that sagging bridge, respectably calm, dragging after him the long end of the rope, which we fastened to a tree. The Violetta was moored.

What a woman! Practical, foreseeing, sagacious, she will walk the tight-rope of any catastrophe. In fact, she brought a hammock and a cushion with her. Norah's method of crossing somewhat resembled shinning a pole. ON recollection, I should say that she yelled.

When Professor Simpson and I set out to explore the island, Norah was throwing stones at the green and red parrot, and Mrs. Mink lay in the hammock, not understanding that parrot's dialect, which I didn't understand altogether myself, but it appeared to me he was blistering the foliage with it.

The island was some three to five miles around by the coast, and no other land was in sight from it, barring a slight bump on the southeastern horizon which might be another small island, or might be Mont Pelée. It appeared we had been blown some distance during the night. There were no inhabitants at the time, or we found none, though there were two groups of sorry huts not far from the beach, and frequent paths through the woods, showing occasional occupancy.

We came back by the northern shore of the bay, and saw that the Violetta was safe. We stood some moments in silence. The wind had risen again and now blew hard from the west, so that the Violetta was protected on a lee shore, though where we stood the waves rolled in tumultuously. Professor Simpson broke the silence. He suddenly planted himself before me, his hands on his hips, and frowned.

Now, a frown that is directed upward has the law of gravitation against it. Professor Simpson's shortness incommoded him in that respect.

“It is not my habit, Dr. Ulswater,” he began, “to brook impertinent opposition or light-minded interference. In, therefore, announcing my intention to invite Mrs. Mink to the alliance of marriage, I consider that no more need be said. I wish to be relieved of this undignified rivalry, and to avail myself of this situation to fulfil my purpose in peace. I demand that your too noticeable attentions shall cease. Your attitude toward Mrs. Mink is offensive to me. I repeat, sir, they must cease.”

“But,” I said, feebly; “look here. I've already been at Mrs. Mink on that subject myself. I was thinking it was a good time to work up to it again.”

“I object to your giving Mrs. Mink that annoyance. Her preference for me is perfectly plain. You are without personal attractions.”

“But, professor! On the other hand, ought not the fact of your being a contemptible little dried-up molecule, with the temper of a mosquito and the humour of a codfish ball, oughtn't that—now really, oughtn't that fact to be given some weight in the discussion? I appeal to you, professor?”

He clenched his fists. It was a critical and perilous moment. Did he or did he not intend an attack on my diaphragm? Should I or should I not be presently seated on top of him like a bolster on a crab?

There is a Haitian proverb which says, “It's when the wind blows that you see the skin of a hen.”

Professor Simpson drew a long breath, and suddenly laid himself flat on the ground, extended his arms and legs and closed his eyes.

“I was somewhat heated,” he murmured. “To allay any mental strain, such as vexation or anger, extend the body, relax the muscles, and endeavour to abstract the mind from surroundings. The effect is invariable. Let me recommend it to you. There!” he said, after a moment, getting to his feet. “I am quite calm. And now, clearly, Dr. Ulswater, clearly, we must submit it to Mrs. Mink. I suggest, then, that we ask her for a half-hour's interview each. Subsequently, she will announce her decision, and thus we will conclude our dispute.”

Norah was in the hammock, but Mrs. Mink had gone aboard again, and stood by the rail looking toward us. The yacht lay on a lee shore, and there the water was fairly calm; but the force of the wind, in spite of the protection of the trees, was such now as to put some strain on the rope which stretched taut to the bank.

“In half an hour, then,” said Professor Simpson, “you will be at liberty to interrupt me.”

He was over the bridge while I was figuring on the discrepancy,—the something not quite predestined,—in his having the first shot,—that is to say, the first opportunity,—of presenting his case to Mrs. Mink. I was going to propose we should flip a coin for it. He was a wonder, a wonder! I called out to Mrs. Mink, asking for an interview in half an hour. She looked surprised. I went back among the trees, and wished I were a Presbyterian, and watched, during that long half-hour, the minutes slowly passing on the cold unfeeling face of my watch. I allowed the full time and went back.

Professor Simpson was still arguing. I concluded, comfortably, that his argument had not, as yet, convinced Mrs. Mink. They stood by the rail, near the straining rope that fastened the yacht to the bank.

“I have not concluded! Mrs. Mink! A few moments more! No, no! I refuse to be interrupted.”

Mrs. Mink said nothing. Her expression of face was the expression of an interested spectator. It seemed to say: “Which of you is going to do something?” I went toward the bridge. He wrung his hands. His excitement became intense.

“It is critical, sir, critical! Your conduct is inconsiderate, offensive! I insist!”

He rose again. An axe was aloft in both his hands. He rushed at the rope. He struck! The miserable little pirate! He chopped the rope, the infinitesimal assassin!

The yacht keeled over, under pressure of the gale, and Mrs. Mink and Professor Simpson disappeared. Probably they slid to the other side. The bridge was dragged after the yacht. I was nearly on it, and all but pitched from the bank into the water. Norah sat up and yelled. The green parrot climbed down and swore. The Violetta regained her level and drifted rapidly away.

I picked up the axe that had been used to fell the palm trees, and ran along the shore. It was an action not suited to my physique. I had to stop and take breath.

“However,” I reflected, “he's done for himself. Mrs. Mink won't stand for it. Or—or, will she?”

At the same time I did not like a rival so fertile in expedients, nor the fact that he and Mrs. Mink were both Presbyterians.

The yacht was not driving in the direction of the open sea, but across the bay, nearly toward the spot where Professor Simpson and I had had our first altercation.

CHAPTER VII—THIRD ADVENTURE

W HEN I reached the place, the prow of the Violetta had already run aground, and the stern had swung about, dragging the attached tree trunks after it, so that the yacht lay in something like its former position, parallel to the shore, but further off, the shelve being here more gradual. Moreover, she was now on a windward shore, the waves of considerable height and force, and, being balanced, so to speak, on her keel, she oscillated, descending now on this side toward the shore, now on that side away from me, through an arc of some forty degrees. The situation I beheld with mingled emotions, both soothed and lacerated, soothed on account of Professor Simpson's condign punishment, lacerated on account of Mrs. Mink. Their cries were heard above the tumult. They clung to the landward rail, which went up and down like a teeter, or a ducking stool, regular as a pendulum, terrific, but distressing.

“For goodness' sake, doctor, do something!” cried Mrs. Mink; and Professor Simpson shrieked: “Can you not assist? I entreat! I adjure! Do not——”

The two tree trunks attached to the stern had been driven about, so that the butts rested on the bottom, in the midst of the surf. Being dragged back and forth by the motion of the yacht, and at the same time tossed by the surf, the result was a somewhat complicated motion. To get through the surf was no great difficulty, for two hundred and odd pounds of determination. But to draw the butts together, to climb them beyond reach of the surf, to maintain the uneasy position so gained, astride those two insane, rotatory, and indecorous poles,—wabbled, danced, dandled, jerked about in the air by that eccentric and careening-viaduct, whose leaps, halts, and rebounds resembled the kicking of a restive mule or a series of railroad collisions—this was achievement, this was a goal and effort worthy of a man!

I succeeded. Clinging to the logs with hands and knees, I looked up. Mrs. Mink and the professor hung over the shattered rail above me. I shouted:

“Walk it! No!” I roared. “Creep it, madam! Shin it! Roll it! Come anyway, and don't fall off.”

Admirable woman! For self-possession, spirit, and sense, where is her equal? She mounted, clung, approached. I clasped her, slid back to the edge of the surf, lifted her, rushed, waded, forced my way to land. She was wet. I was winded. I admit both. Stretched on the ground I felt particularly indifferent to any accident, to anything whatever, that might happen to Professor Simpson. Suddenly I was aware of him. Cast up by an ebullient wave, he sprawled on the shore and sprang to his feet, crying,

“I am delighted,” he said, shaking himself, “my dear Rebecca, to see you in such composure.”

“Of course, you were going to propose to me next. Fiddlesticks! You've done that before? What made you let him come first? You shouldn't let people run over you.”

“Mrs. Mink speaks in jest. It would be unprecedented, impossible.” We paused.

“I see you like men of strenuous action, Mrs. Mink,” I said. “Would it, do you think? would it insinuate me somewhat into your favour if I were to take this axe and strenuously chop Professor Simpson's head in two symmetrical but characteristic parts?”

“Not feasible, you think? Perhaps not. Suppose, then, I were to cut a switch and apply it to Professor Simpson's attenuated legs. Could you candidily recommend that, Mrs. Mink?”

“Professor,” I said, taking out my waterproof match-safe and extracting several matches, “you will take these matches and see that Mrs. Mink is comfortable. Our rescuers will find us in time, no doubt. Until then you will respect my privacy. I seek no revenge and offer no congratulations. I don't inquire into your standards of integrity. I don't see, unless your system of ethics is fundamentally unsound, how you can reconcile to morality this reward of victorious evil. But I leave it to your casuistry.”

It seemed to me this was a poisoned arrow well planted. I had set him a problem likely to irritate his exact mind. I picked up the axe and walked up the shore in the opposite direction.

The afternoon was growing late. I kindled a fire to dry my clothes, felled a banana tree, and ate bananas. Across the bay I could make out the smoke of the other camp fire. The Violetta still swayed back and forth, but not so violently, on her keel. The wind still blew, but the air was warm. I sat by the fire and took inventory of things in general.

CHAPTER VIII—PROFESSOR SIMPSON AGAIN

After all, marriage would disturb my pursuits. A man with a liquid and non-resistant name like “Ulswater,” with a fleshy and floating physique, with a mind as full of refuse as a sargasso sea, and whiskers resembling sargasso,—when he proposes to ally himself in marriage to a woman like Mrs. Mink, whose rational instincts—as a capable and neat housekeeper—would be to trim his whiskers and rearrange his nature, to tidy up his mind and sweep it, hang antimacassars over its chairs, polish its andirons, fling the cuspidor out of the window, and can the tropical fruitage of his character into jellies and jams in glass jars with screw tops and rubber bands,—when such a man has in mind such an alliance, if fate prevents, if an agile Presbyterian professor is one too many for him, what should he do but remark, “ Aequam memento rebus in arduis servare mentem ,” that is, “In trouble take it easy,” and then immediately proceed to swear himself black in the face, and wish for a green and red parrot to take up the job after him?

Precisely. Also I dried my clothes and whistled. Time passed on, and it was perhaps six o'clock. Suddenly, as I looked up, Professor Simpson stood before me, alone.

“I am compelled to do so,” he said. “Mrs. Mink objects to the present arrangement; whether on the score of propriety, or because she regards my protection as inadequate, I cannot say, I refuse to discuss. It is a matter, in either case, humiliating to myself. She demands the return of Dr. Uls-water.”

“I am sorry for Mrs. Mink's feelings,” I said, “but I seem to see a lack of consideration for mine.”

“I have stated Mrs. Mink's attitude without commenting upon it,” he went on. “As regards my own, there is much more to be said. I cannot conceal from myself that the terms you have applied to my late ill-regulated conduct would, if properly qualified and defined, in the main be just. I am, further, upon Mrs. Mink's own declaration, forced to believe that her consent not for the present to decline my suit, but to consider it, perhaps favourably, was entirely due to that very action which my conscience compels me to deplore. She was attracted by that very deviation from rectitude into which I was tempted and fell. She states that she was about to decline my proposal absolutely, finally, when my action revealed to her my character, as she says, in a new light. Not to my position in the scientific world, my well-earned repute, not to my worthier qualities of mind and heart, not to her conviction of these claims, can her capitulation—if such it was—be attributed. You will understand my distress at this admission made by Mrs. Mink. I fear to infer, and yet I must infer, a want of seriousness, of strict conscience, on the part of Mrs. Mink. I showed her my distress, I intimated my fear, I begged her to allay it, to consider, to recollect the facts more carefully. She became angry and asked if I repented cutting the rope. I defined my position. She interrupted, refused to listen, and said that my proposal was now declined. I endeavoured to reason, to supplement argument by argument. She prevented me; she commanded me to go and insist on Dr. Ulswater's return. Such has been my recent painful conversation with Mrs. Mink, concluding with the command which has caused this intrusion upon you.”

“Don't apologise,” I said, gaily, getting up. “You repent and withdraw, I forgive and forget.”

“I have admitted repentance but not withdrawal,” he said, angrily, “and I refuse your impertinent forgiveness.”

“Come along, professor,” I said. “Refuse and admit what you like till the crack of doom. I've got business on hand.”

As we drew near, we saw Mrs. Mink, with Norah, standing on the high bank and looking seaward. She saw us, cried out, pointed, and waved her handkerchief. A small steam vessel was entering the bay. It was Captain Jansen and the crew looking for us and for the vagrant Violetta .

CHAPTER IX—CONCLUSION OF DR. ULSWATER'S FIRST MANUSCRIPT

T HE Violetta was towed out into deep water. Captain Jansen used some badly broken English on the condition of his starboard rail. Not but that he had expected more damage than he found, but damaging a ship by chopping a tree down upon her, hurt him in a sensitive point of seamanship.

There seemed to be no leakage, for all that war-dance with the elements, and mad teetering on a windward shore. Still he preferred to pass the night in the bay—the weather being uncertain—and tow the Violetta on the morrow to St. Pierre for repairs.

It was evening, and I stood watching the moon rise peacefully and look down on the gleaming but troubled waters of the little bay. Placid and poetic she went up among her attendant stars. The wooded shore lay about us dark and mysterious.

“Let me,” I said to myself, “recapitulate. Presbyterianism is insufficient. Scientific celebrity is insufficient. The precise conscience and balance of rectitude are to the lover as a wire twitchup to the hungry rabbit. Action, sharp decision, the habit, so to speak, of getting there, these are what appeal to Mrs. Mink.”

Now, along those lines Professor Simpson was no slouch of a rival. In point of character he was hard as nails; in decision and action he was energetic and exact. Yet he had failed. He had speared himself, as it were, on the angle of an impractical conscience. But where did I come in? I, who in point of character was a semiliquid jelly fish, an invertebrate protozoan, whose nature was to float on the heaving and uncertain sea of humour, bathed in the moonlight of poetry, devouring the chance drift of knowledge, sucking philosophy out of rock; whose centre of personality was loose; whose mind was as untidy as a cuttlefish; how could I appeal to Mrs. Mink? On the evidence so far, I had but one strong point, namely a practical conscience, a conscience which, having always treated me with a great deal of—shall I say, with a great deal of tact?—was a conscience that——

When doubtful in whist, play trumps. When doubtful in any other situation, ask Mrs. Mink. Her counsel is always trumps.

“Mrs. Mink,” I said, as she came and stood beside me at the rail, “I am in doubt.”

“The question is this: If a disorderly cuttlefish has proposed marriage to one of those small neat birds who yet have the knack of making themselves at home in a wilderness of waves, and by sailors are called 'Mother Carey's chickens'; if so far as the cuttlefish can see he has only succeeded in producing in Mother Carey's chicken a state of unconvinced reflection; if he knows his structure to be floppy and his nature sloppy, what, in fact, do you think he should do?”

“Should I imitate Professor Simpson to the summit of Presbyterianism, or a green parrot to the bottom of reprobation? Should I——”

“You mustn't talk that way!” she said, sharply. “Of course Catholics may be good men, but, still, I shouldn't like it in French.”

There you are, satisfactory, inclusive, concise! I ask: “How shall I attain my soul's desire?” She answers: “Be married in Trinidad.”

We left Professor Simpson at St. Pierre. He was intending to climb Mont Pelée and extract knowledge from its oracular mouth. If that solemn, grim, stony, and sometimes irascible sphinx of a volcano started in to talk to him, it's possible that the volcano had the last of the argument. Perhaps not. I haven't heard. He was a very persistent logician. Maybe he meant to cast himself forlornly into the crater. The idea is luminous, romantic. But I think, on the whole, that he did nothing of the kind.

Mrs. Mink says she would never have accepted him, and was merely vexed to see him outwit me, which it must be admitted he did. But my feelings are like those of a man who has succeeded by a narrow margin.

We lie now in harbour at Trinidad, whose green hills rise sumptuously out of the blue of the Caribbean. The future promises all happiness and varied interests; among which interests, I suspect, will be the coming Mrs. Ulswater's masterly reorganisation of me. Do I flatter myself, or does she, as it almost seems, look forward to that task with real enthusiasm? Wonderful woman!

P. S. The argument from analogy was the sound one—the tropics, the temperate zone, and the intentions of Providence. Convince her of your imperative need of her, and you have made the imperative appeal. So far I see.

CHAPTER X—SECOND DOCUMENT. DR. ULSWATER'S NARRATIVE CONTINUES: SUSANNAH

F OREVER shall my voice bear testimony to Mrs. Ulswater. She has gathered the races about her knee. The races didn't all stay there, but it's just as well they didn't. She has faced the hoary wisdom of the East, and subdued it. At the present writing Wisdom still acts as if he felt subdued.

Mrs. Ulswater was impatient to reach the far eastern mission field. She wished to see in action the process by which people, whose souls were naturally darkened by the opaqueness of their skins, become enlightened. This opinion as to the origin of idolatry I drew from Mrs. Ulswater with some difficulty. She held the theory, indeed, dimly, subconsciously. It was new to me. It is a theory worth examining for its latent mysticism. To what does it logically lead? If intelligence tends to increase with the transparency of the fleshly integument, wouldn't I be cleverer if not so fat? C'est un grand peut-être . But I'm getting thinner. Bismillah!

I have in my life pursued many ideals. I have hitched my wagon to certain stars. Some of the blanked things were comets, and some of them went out as unregretted as a bad cigar. Now I cling henceforward to this domestic light and floating fireside of the Violetta . No man has so entire a footing in the universe as he whose stockings are darned by a woman with a logical mind. I am not myself a vertebrate. Mrs. Ulswater is my complement. I am complete. I am satisfied. I am at rest.

My family has increased. It now consists of Mrs. Ulswater, an orphan girl, and an orphan pundit. But I go too fast.

On the 13th of last April, we put in at the island of Clementina, which lies to the north of Mozambique Channel.

“Now,” said I to Mrs. Ulswater, “I am complete. I am satisfied. I am at rest. But why Clementina?”

I was presented with and referred to a pamphlet or periodical, in fact, a quarterly. It appeared to be devoted to the reports of missionary labours. It is a branch of literature never by me thoroughly investigated. Mrs. Ulswater has a remarkable series of these pamphlets, covering more than ten years. A veritable find!

Now, in this number of the periodical in question, about two years old, was an illustrated article by one Mr. Tupper, a missionary, describing an orphan-asylum in the island of Clementina, and ah! so feelingly, with such pleasant details of the names and prospects of individual orphans, that I quickly shared the interest of Mrs. Ulswater. We wished to make the acquaintance of the following orphans, to wit, the orphan named “Susannah,” the orphan named “Thaddeus,” and the orphan named “James,” and the orphans “Caleb,” “Zillah,” “Stephen,” and “Naomi,” these apparently being the seven beneficiaries of the establishment.

“Susannah,” wrote Mr. Tupper, “is characterised by great vigour of mind, and by astuteness, if not perhaps by invariable serenity. She is the daughter of the late Rev. Mr. Romney of Georgia, U. S. A., my predecessor at this mission, who with his devoted wife died of an epidemic fever some eight years ago. Upon my arrival I found the orphans in a state most distressingly uncivilised. There are perils in this remote corner of the world, but hunger and cold are not among them. Little shelter is necessary, and food is to be had for the taking. Physically, a child can grow up and thrive almost unregarded.”

Clementina looked like a comfortable island. We recognised the port, and the high green hill, which the illustrations pictured as the site of the mission.

The Violetta was anchored not far from the shore. Mrs. Ulswater and I were landed on the white beach under the hill. We climbed the hill. “On the very crest,” in the words of Mr. Tupper's description, stood “a cluster of bamboo cottages hidden in foliage.” The Asylum!

The cottages were empty! Nay, ruined, decadent, most of the roofs fallen! Eight decrepit bamboo structures in a row! The traces of a lawn, now faded into wilderness! Oh, neglect and desolation! What had we here? An orphaned orphanage! Most ridiculous of asylums!

A hen fled yelling across the open. In the wake of, in pursuit of, this hen, there rapidly wriggled out of the thicket seven scratched, and scarcely to be called clothed, individuals. My impression was immediate.

They were. They sprang up in line. They bowed. They shouted with remarkable unison:

all except for one orphan, from whose rounded mouth detonated the statement, “I'm a pilgrim, I'm a stranger,” whose globular face was slapped with incredible rapidity by the girl who stood next him, at the head of the line, and who sang on imperiously, though the rest of the chorus broke down:

She had lank limbs, and the unmistakable features of an Aryan. I should have described her offhand as a “personage.”

James stood at the other end of the line. He was the smallest, Susannah the tallest, and Thaddeus the fattest of the orphans. “Caleb?”

But alas! it was a run-down, abandoned asylum. Mr. Tupper, that talented descriptive author, had died some six months before, of the fever that seemed to be resident, or sporadic, in the island.

I discovered, at Port Clementina, a sort of governor or prefect, who seemed to be officially resident, and by nature sporadic, incidental. He was the calmest official in the Indian Ocean. There were vast vacant spaces in his mind. He did not know there were any orphans now at the asylum. He had understood there wasn't any asylum left. In any case, why not? In every conceivable case, why not? He had supposed they had all grown up, or disappeared, or fallen off something, or died of the fever, or snakes, or been adopted by natives, or something. Why not? In point of fact, now he came to think of it, he had not supposed anything about it whatever. Were they indeed still running around up there? Name of God! How amusing!

The population of Clementina is of extremely mixed blood. That Susannah was of Caucasian extraction—age fifteen or so; that Thaddeus also was of some northern ancestry, by his light hair, high cheek-bones, and slightly piggy eyes; that James was a diminutive Malayan—as I judged—age perhaps eight; and the rest miscellaneous African, Arab, French, and what not—all this argues a curious history for the island; which history I had no time to investigate, on account of Mrs. Ulswater's indignation.

Under the force of this indignation the orphans were swept swiftly aboard the Violetta . The hen, above mentioned, also came along with the current. The name of the hen is “Georgiana Tupper.” Mrs. Ulswater accomplished it in this way. She made an alliance with Susannah. The orphans were promptly aboard, Again, good! There they were.

The following morning they weren't. We found only Susannah still with us and Georgiana Tupper. The rest were gone, vanished forever. Captain Jansen approached us, and touched his cap.

“Yes'm. They yump; I hear 'em go yump, one, two, dree, four, six, un I get out dey boat, un dose gone swim ashore, un her don' yump. I don' know.”

We were unable to find the miscellaneous again. Apparently they hid, preferring the incidental or sporadic life of Clementina. With this diminished orphanage, we set over the Indian Ocean, seeking another asylum for Susannah.

CHAPTER XI—RAM NAD

I T was at Colombo in Ceylon that we met with Ram Nad. I asked for him in the market place, and found him. He was sitting on a cobblestone, and leaning over his basket, asleep.

My acquaintance with Ram Nad began many years ago. Somewhere in my indefinite and unmapped past, I once lived on the island of Ceylon, and knew Ram Nad. He was by faith a Buddhist, by nature a painstaking liar, by profession a medical practitioner, or quasi-physician,—not of the allopathic school, nor of the homeopathic, but of the heteropathic and absurd. But he practised sleight-of-hand tricks and mesmerism in a manner that roused my profound respect. We exchanged informations, and I had a great affection for him in those days.

Even then he looked like a mixture of Abraham and an early Christian martyr, with some resemblance to a sheep.

I took him aboard the Violetta in order to get his advice respecting the orphan-asylums of his native land.

Ram Nad already knew himself to be more vertebrate and sagacious than I, but he did not know Mrs. Ulswater.

The harbour at Colombo is no harbour, but an open roadstead, though quiet at that time.

The hymnal says so, but I don't agree with it. Three-quarters of Ceylon is an abomination of swamp, sand, and jungle, with a most pestilential and vile climate; whereas the normal Cingalese person is the mildest, most peaceful and pious agriculturist that's to be found.

Ram Nad wore a blue head cloth. The rest of his clothes were meant to be white, like his beard. He squatted behind his basket. Mrs. Ulswater rocked in her rocking-chair, knitting, looking at Ram Nad as if she did not make out how to begin benefiting him. She examined Ram Nad, who in turn examined Susannah, who in turn was, at that moment, playing jackstraws.

Ram Nad said there were no orphan-asylums in Ceylon that he could truly recommend, which sounded conscientious.

He continued: But for himself, he said, he was a lonely man; desolate and empty was his house of the beautiful gardens; he was desirous of children in his old age. The excellent Mrs. Ulswater—might her benevolence be rewarded! the learned Dr. Ulswater—might his folly and ignorance have been by time corrected!—he hoped these all would understand his immaculate motives. For what said the Great Teacher? “Let parents train their children, and their memories be honoured by the same: let the husband give his wife kindness, together with suitable ornaments and clothes, and let her be a thrifty housekeeper; finally, let the pupils give attention, and the teacher instruct them in knowledge.” The girl, he said, pleased him; therefore it was possible that he might in righteous charity adopt her, instruct her. By a singular accident he had but yesterday taken a solemn vow to adopt a child to his old age; many had been witness to this vow.

Mrs. Ulswater looked thoughtful. She rather wanted Susannah brought up Presbyterian. “He quotes Scripture very well,” she whispered to me. “It sounds queer, but maybe it's his clothes.” But she seemed disturbed, and looked away at Susannah, who played jackstraws.

I reflected vaguely about Ram Nad, on the different kinds of guile he was equal to, and how if he went off with Susannah, the Indian Ocean would seem less entertaining. Mrs. Ulswater appeared worried.

Ram Nad waived the point, or appeared to. He said he would, if we liked, display some marvels for our instruction, while further considering. Then he opened a few common tricks.

He took Mrs. Ulswater's sewing, threw it over the rail into the sea, picked it out of the inner folds of his turban, and returned it. Then he thrust Mrs. Ulswater's knitting needles down my throat and drew them one by one from the pit of my diaphragm. It seemed so, sufficiently so. In fact, it made me feel unwell. He induced Susannah to enter his enormous conical basket, covered her and stirred inside with his hand, with a violent circular motion, as one beats eggs with a spoon—took off the cover, disclosed the interior, and shook it bottom up. No Susannah there!

He covered it, stirred again—eggs and spoons—turned it over, lifted it again. There sat Susannah on the deck, safe but indignant.

“You punched me!” she cried, and then turned distracted to clutch at the small of her back. Mrs. Ulswater came to her help, and unbuttoning her frock took out the jackstraws. They seemed to have been dropped down her neck. Susannah was furious.

Ram Nad next seated himself opposite her, and fell to crooning and spooning with both hands—two spoons, infinite eggs.

Mrs. Ulswater said, “Well, I never!” Even I may possibly have ejaculated, “Ha!”

The eyes of Susannah became fixed, her form rigid. Ram Nad stroked his beard, Susannah the front of her frock. He sighed, she sighed. “Roll!” She rolled; she kept on rolling; she rolled across the deck and brought up in the scuppers, where she struggled to continue rolling. “Roll back!” She rolled back. “Sit up!” She sat up. He fell to crooning and waving—reversed spoons and a reaching after dispersed eggs. Susannah blinked, relapsed, awoke.

Remarkable maid, Susannah, strenuous, decided. She dashed at Ram Nad. She snatched off his head cloth. She flung it in his face. She fled to Mrs. Ulswater and wept loudly in her arms.

“Nevertheless, I am not displeased,” he said, picking up his head cloth. “I will take her to my house of beautiful gardens.”

“Indeed you won't!” cried Mrs. Ulswater. “You ought to be ashamed of yourself.”

Ram Nad bowed his head, pulled his beard, and covered himself with meekness. I suggested to Mrs. Ulswater that there was a Cingalese point of view.

“Surely,” Ram Nad, ineffably mild. “We say no more, excellent Mrs. Ulswater. Other orphans are elsewhere to be found and the vow accomplished. But now, if permitted, I go, and return soon with gifts of fruit plucked in the gardens of my house, that our happiness may be complete as the meeting of long-parted friends, pleasant as to the bee is the honey of the flower.”

It was all gammon about his house. He had no property except his trick outfit in a basket, his moderate but amusing clothes, and a lien on a cobblestone in the market. Mrs. Ulswater observed him quietly. I didn't make out what she thought of his handsome remarks.

He was rowed ashore in the gig, and came back later in a misshaped Cingalese canoe, kilted fore and aft, with two coolies for rowers, who promptly departed. He fished pomegranates and pineapples out of his basket, and was very pleasant. He begged to be allowed to sleep on a deck rug beneath our palatial awning. He said it was the custom of the country. So it was, granted a rug and awning were handy. He talked a number of kinds of gammon, and he knew I knew it was gammon. But, then, I allowed that a Cingalese of his age and acquirements had a right to be mythological in his statements.

Oh, Ram Nad, friend of my earlier days! I'm free to admit your standards of virtuous conduct were ever in some respects obscure, not to say too much for me.

CHAPTER XII—RAM NAD CONTINUED

M Y family at midnight lay asleep in their staterooms. The Indian moon shone on the Violetta , which lay lifting slowly with the swell. The watchman sat forward. Ram Nad, with his chief garment wrapped about his head, was stretched on a rug on the lee side and just above the portholes of the stateroom occupied by Susannah.

I was awakened by Mrs. Ulswater's suddenly pulling my arm. It was near three o'clock in the morning.

“Listen!” she whispered. “Now, wait!” To my bewildered sense became now audible the sound of soft, regular steps in the outer cabin and on the cabin stairs leading to the deck. I arose softly.

I saw Susannah in her long night garment, of Mrs. Ulswater's making, stiffly mounting the stairs with a military step! and beyond her, on the moonlit deck, whom but Ram Nad, white-bearded, blue-turbaned, white-garmented, beckoning, retreating! I was about to advance, when at that moment Mrs. Ulswater shrieked loudly in my ear, and Ram Nad, running forward, sharply shut and bolted the cabin door. An instant's silence followed, then shouts and swift feet running aft. I rushed to the port-hole. Past it and past my face went a swiftly falling and fluttering body, which splashed in the sea. Was it Ram Nad? Was it Susannah? Mrs. Ulswater was beating the door with her hands and crying: “Catch that man, Captain Jansen! Catch that man!” Distressing moment! Norah came from her room and mingled her voice in the tumult. But there we were, locked in.

The cabin door was opened. Captain Jansen's comfortable bearded face appeared, “Yes, 'm. But he yump for das boat. He gone ofer.”

We all emerged on the warm night, on the moonlit deck. The women had donned their shawls. This was the situation.

Ram Nad's misshaped and kilted canoe was held fast, and one end lifted from the water by a grappling-iron, at which a sailor was tugging with a rope over the rail. The two black heads of his rowers were just above the water at some distance, moving hastily shoreward, their wakes shining in the moonlight. Ram Nad was nowhere in sight. Susannah stood on deck, the watchman forward sat stiff and motionless—both of them rigid, frozen, mesmerised, wrapped up in his or her inner consciousness like a ball of yarn.

“There!” said Mrs. Ulswater. “He didn't get Susannah. Doctor, we must go away from this place. I don't like it.”

“We can weigh anchor,” I said, “surely, now as well as any time. But, my dear, as to these ossified unfortunates, I don't quite see. I'm no Ph. D. Mahatma, nor yet a brindle cat, hell-broth witch. It's mortifying, but that's my limit. I'm not on to Ram Nad's spoon motion, nor yet his lullaby. Hadn't we better wait and find another magician that knows how to untwist the charm? Because Ram Nad appears to be drowned, and these two, according to my notion, are, as you might say, tied up particularly tight.”

Mrs. Ulswater tried to wake Susannah, but could not. She was indignant. She thought that I treated the subject too lightly, in language I ought to be ashamed of, that there was nothing funny about it. Maybe not. I gave it up. I thought the situation was not without a certain sepulchral but natural gayety.

“Ashamed” I take to be a vertebrate condition. I never could fetch it. It's left out of me. I've got no centre of personality, no angles to my circumference on which to hitch a conviction of sin, never could seem to get hold of that kind of embarrassment. Calling myself a series of conventionally derogatory and ineffective names is the nearest I can come to remorse. But speaking impersonally, no doubt Mrs. Ulswater was right.

We ran to the rail. There Ram Nad sat in his kilted canoe, wringing the water from his garments.

He seemed unwilling, but Captain Jansen dropped a rope ladder, and the sailor jerked on the grapnel, rendering his position untenable. He yielded and came, wearing an expression of injured meekness. He yielded to Mrs. Ulswater's command. He spooned and crooned Susannah and the watchman into normal condition, and retired hastily to some distance, holding on to his head cloth, avoiding Susannah.

Mrs. Ulswater now reduced matters to order. The indignant Susannah was persuaded to bed. Ram Nad was put under guard. Mrs. Ulswater and Norah retired.

The anchor was raised. The Violetta got under steam. We glided away into the Indian Ocean. I remained on deck reflecting, inhaling the soft breath of the dawn, gazing at the fair palace of the night,—how marvellously roofed and lit, how floored with sparkling mosaic,—considering two things which equally excited my admiration, namely, the constitution of this world and Mrs. Ulswater.

As far as I could gather from Ram Nad, he had first gotten into conversation with the watch, and mesmerised that: Norwegian, after which he had hung himself down from the rail and mesmerised Susannah through the port-hole. A subtle performance! He did not dare enter the cabin, having a nervous fear of Mrs. Ulswater. Mrs. Ulswater's emphatic cry had roused the crew. He had plunged over, and, rising, clutched the edge of the boat; which being grappled and the coolies fled, he had submitted, first to concealment, then to capture. Now,—he continued,—were his excellent intentions frustrated, his purposes to instruct the damsel, who had intelligence and temperament suitable,—excepting that she was a female of a tiger and not respectful of elderly men,—to instruct her in wisdom, according to the Precept, to the end that people might behold him performing wonders, and his riches increase. But how then? The righteous man endeavours. But if frustrated, let him be content. Yet he could but wonder for what reason he was now being carried away, recklessly, from his native land.

I didn't see, either, why we were carrying off Ram Nad, but it seemed to have points of interest. I didn't see any real objection to it. I suggested:

“You don't think that you ought to be skinned or drowned? Why not? It depends on Mrs. Ulswater's opinion. But see here, Ram Nad, if you ever try to mesmerise Susannah again, or anybody aboard, I'll see to the skinning privately. I'll insert Mrs. Ulswater's knitting needles into your digestion, Susannah shall stuff your mouth full of jackstraws and head cloth, and Mrs. Uls-water shall make a Presbyterian of your mangled remains. You hear me!”

CHAPTER XIII—CONCLUSION OF DR. ULSWATER'S SECOND MANUSCRIPT

P EACEFULLY we journey then over this balmy sea. My enlarged family is at peace, excepting Susannah. The meekness, the surprised interest of Ram Nad in us, in our purposes and his own situation, are irresistible, except to Susannah. Mrs. Ulswater seems to regard him as a sort of second orphan. Susannah resents this idea.

We approach the Malay Peninsula. Ram Nad sits cross-legged on a rug, teaching Susannah the Pali alphabet. I read the English poets to Mrs. Ulswater, who sews garments for Susannah. So does Susannah, sometimes, with vicious jabs.

“My dear, he knows everything that I don't. Therefore he knows infinitely more than I do.”

“Why shouldn't we bring up Susannah among us, instead of looking for an orphanage any more?”

“Why shouldn't we have a mission of our own on the Violetta , instead of hunting for other people's missions?”

“A sort of floating mission,” I continue. “Fascinating, unique conception! That is, if pursued moderately. The orphans are a success, so far, including—with some reservations—Ram Nad. But I wouldn't invest too heavily, too rapidly, in orphans. I would take, in fact, some pains to get hold of preferred stock.”

She agrees thoughtfully: “Of course, the Violetta won't hold a great many. I should want nice ones. That's what you mean.”

“Precisely. For instance, Ram Nad is more interesting, perhaps, than those whom Susannah so forcibly described as inwardly composed of 'mush and dassent.'”

“I have sometimes wondered,” I remark to Mrs. Ulswater, “just what our idea was in kidnapping Ram Nad—if it was quite accidental, or if we were not, on that occasion—shall we say?—in collusion with accident.”

“Why”—Mrs. Ulswater returns to her sewing—“of course! I thought he wanted to steal Susannah. He wasn't a bit good at pretending. Goodness, no! But I didn't know how he was going to do it, so I asked Captain Jansen to stay awake below. But it would have been dreadful if Ram Nad had drowned. I just let him try, because, of course, I thought, after behaving so, he couldn't say much if we carried him off.”

“It was the pictures in the big Bible,” Mrs. Ulswater replies. “All the old men there look like him. I thought it would be nice to have him.”

Such is our situation. Here I float on Elysian seas. (My next article, on the Scaphopodae, will astonish the scientific world. My collection of Cephalopterae is now unique. I have proved three mistakes in Schmidt's classification of the Coelenterates.)

P. S.—Ram Nad begs to remain with us. He is inwardly composed of guile and gammon. Still, like Susannah, he is in a way a personage.

But suppose Mrs. Ulswater learns Oriental mesmerism of Ram Nad, and supplements—quite unnecessarily—by this means, her government of me. I should protest: “No, Mrs. Ulswater! Not while I know myself master of this household!”

CHAPTER XIV—DR. ULSWATER'S NARRATIVE CONTINUES: THE ISLAND OF LUA

There are, without doubt, many methods of selecting the beneficiaries of a mission, asylum, home for curables or incurables, or similar foundation. Mrs. Ulswater's favourite method seems to be what one of the new orphans calls “a coopdeetat,” but she denies any such preference. She says “It happens so.” That may be, and yet I have a feeling—a marital weakness perhaps—that she has a sort of pull, a secret understanding, so to speak, with circumstances. With the bait foresight, and the rod discretion, she catches the trout accident.

Mrs. Ulswater, who first established over me a kind of Monroe Doctrine, forbidding to other powers the annexation of any territorial portion of me, followed it up by a species of suzerainty controlling foreign relations; which having developed into something resembling the German Empire,—that is, nominally an alliance, practically a solid entity of control,—therein I rest, on the whole, patriotic and pleased.

A month ago my family consisted of Mrs. Ulswater, Norah the maid, Susannah the orphan, Georgiana the hen,—both from the island of Clementina,—and Ram Nad, a Cingalese pundit and fakeer, whom Mrs. Ulswater had collected cavalierly—I admit, cavalierly,—who, after the learning of his race, practised medicine, hypnotism, and sleight of hand; whose medical ideas were ridiculous, his magic good, his status as an orphan an acceptable probability; whose chief property was his wicker basket, shaped like a truncated cone, with a flat cover on top, his vade-mecum, his universal container.

All things he put into it, and there they disappeared. Many things he took out of it. He was a bully magician, and looked something like a prophet and something like a lamb.

Mrs. Ulswater was originally interested in foreign missions. Out of this interest she developed a mission of her own. Her purpose was to employ the Violetta as a migratory orphan asylum, or mobile base of operations, from which to scatter regenerative ideas; to sail about picking up casual orphans perhaps, introducing neatness, good habits, and practical housekeeping to the Pacific Ocean, rearranging haply its populations and politics; a sort of slumming on the high seas, an oceanic College Settlement. A stupendous idea! The Pacific Ocean was much in need of Mrs. Ulswater. It is a loose, untidy ocean, a “Bohemian” ocean with its far scattered islands, lunging seas, and idle solitudes.

“Brooms,” Mrs. Ulswater said, speaking of the islanders, “brooms, soap, and taking pains, are what they need.”

An ominous phrase, “taking pains”! Is it a fact that not enough pains are thrust upon us in the normal course of events, that we must acquire “pains”?

I stumped Mrs. Ulswater with that question. Hadn't mankind enough pains without taking pains? She said:

“The Kanakas haven't,” and then reflected. “People,” she said, “never got civilised by having a good time.”

CHAPTER XV—SADLER

T he festival of Christmas was approaching. Susannah was greatly excited over the preparations. Mrs. Ulswater was making mince pies. Ram Nad—whose opinion of himself is that he is an astral and unworldly soul, while Mrs. Ulswater's is that he differs from all heathen described in the missionary quarterlies, and my own is that he is as full of gammon as an eggshell is full of egg—Ram Nad was taking no interest in mince pies. For myself, in the tropics, I would as soon have eaten a pound of bent whalebone, or a swarm of congealed bees, as a mince pie, whose inward action upon me would, I was sure, be similar to that of resilient whalebone or thawed-out bees; and therefore, although interested in mince pies, I yet regarded the subject with a certain,—shall I say?—anxiety. It was under these circumstances that we sighted, approached, and at length took anchorage at the island of Lua.

It was not an unknown Pacific Island, nor yet well-known. The date of its discovery, its size, inhabitants and products will not be found stated in a school geography, but a good chart will show its location. Whether or not there were any white men there I did not know, but thought it likely. There is a considerable and curious drifting white population in the South Pacific. The Caucasian is ubiquitous. There is a restless germ in his blood, unknown to the Oriental and mysterious to himself.

A numerous village of wattled huts stretched along the white beach of the bay where we came to anchor. I have been not a little here and there in the South Pacific in my time, but never before on the island of Lua. Its blue and lilac mountains in panorama,—white threads of falling water on their steeps,—its nearer hills, palmy and green and like moss in the softening distance, the smooth lacquered water in the bay, the beach, the little brown huts with domed roofs of leafy thatch, truly all seemed at peace. A few people came down to the beach to observe us, and presently a boat put out,—not one of the native outriggers, but a dumpy little ship's dinghy. With the aid of a glass I made out that the occupants were two white men.

Of the two men, who now came aboard the Violetta , the foremost was a tall, bony, swing-shouldered powerful man, with a melancholy countenance, dangling gray moustache, whitish hair, lean throat, remarkably large hands, and a husky voice, who carried a banjo swung by a cord around his neck; the other was plainly a Hibernian, stoop-shouldered, his hair and whiskers forming a circular, complete, and resplendent aureole around his face, at the centre of which aurora a short black tobacco pipe was firmly inserted.

“How do?” said the bony stranger, mournfully, and then casting his eyes down on the Violetta 's deck, he stopped and gazed.

On the flowered carpet under the neat awning sat Mrs. Ulswater as usual with her workbasket beside her, her knitting in her hand; there were the rocking chairs with their doilies, some geranium pots along the scuppers, and some lashed to the awning supports; there sat that venerable Cingalese, Ram Nad, with his magic-basket beside him; Susannah held Georgians Tupper in her lap.

“I don't seem to get my vest around your combination,” said the bony one, observing this domestic scene. “Is it waxworks, or pirates?” He looked worried about it. “My name's Sadler,” he continued, “and this yere conflagration behind me is named Irish or Jimmie Hagan, just as you like. We'd be pleased to know you.”

This sounded ingratiating, though his countenance was melancholy. Presently he sat in one of the doilied rocking chairs, with his feet tucked away behind him, and he seemed easy-going in his talk, and candid as to his history.

He had been a sailor once, as it seemed, on a smuggling or filibustering ship along South American coasts, and after that had lived in the city of Portate, South America, and from there he had gotten himself banished on account of his interest in romantic politics, and gone to California, and made money in some kind of Oriental trade; but lately he had been in Burmah professionally, that is to say, his profession there had been that of a sort of high priest, a species of abbot of a kind of monastery; and after that in Sumatra. But a month or more since he had dropped on Lua. The island had interested him by its romantic politics. He had resolved to “take a hand in that seducing game, which it looked real sporty,” he said, “and I judged the showdown was coming soon, but it hasn't yet, and it's been rolling up the blankedest jackpot you ever saw.”

“May I,” I said, “venture to suggest that your terms are perhaps a trifle technical, or—shall I say?—a trifle remote. Let me explain to Mrs. Ulswater that by a 'showdown' is intended merely the decision of a given issue; that a 'jackpot,' as such, may be defined as an accumulation of undecided issues.”

“Why,” said Sadler, “you see, doctor, it's this way. Your ideas about technical language and mine don't jibe with each other, and I'll bet my last week's shirt to yours of the week before, Mrs. Ulswater's idea ain't agreeable with either of us on which point my own opinion was similar to his, and I regretfully let pass that interesting wager.

Sadler then described the politics of Lua, in a voice slow, husky, and bereaved.

“Some years ago,” he said, “a friend of mine, who was a white man named Craney, was king of Lua, for he bought out the different candidates, or pooled the interests, or something, and mounted the throne himself. Anyhow, he was killed in a ruction. It occurred to me to come around this way, which happened about a month back, to ask Craney for the job of Prime Minister, but I found he was dead, and the place seemed to me then on the edge of another dynastic war. There was a young chap named Kolosama, who was the son of the king who succeeded Craney, and there was an old chap named Ogelomano, who claimed the throne by right of superior wisdom, with some other complicated rights, and relations, by which it appeared he ought to have been king before. Awful names, ain't they? Well, this yere royalty appeared to be partly hereditary, partly elective, and mostly revolutionary, which is all very well, but hard feeling inside of families is vicious. That's my opinion. Kolo had the largest backing, but Ogel had the superior wisdom, as appeared from this: namely, he immejitly laid himself out to get the support of the newly arrived combination of military genius, statecraft, and diplomacy—that's me. Arguing with a scrupulous conscience, then, I comes to this conclusion; I says: 'The first requirement for a happy kingdom is a forehanded king; the next is a superior Prime Minister; which it's clear from the behaviour of this party that he knows what's what, and it's clear from the behaviour of the other party that he ain't got no real penetration at all; nor he ain't onto the points of royalty, or he'd know that a kingdom without a Prime Minister is as unhappy as a cat with no dog to chase her, which anybody but a fool knows; and consequently this yere Kolosama is unfit to rule this balmy isle, and this yere Ogel is a promising monarch. That's my opinion.' I stated that argument to Ogel, and he agreed that was a tart argument all right, and I was a Prime Minister sent by the gods. Then Ogel and Irish and I, we went over till we come to the palace, which is built of bamboo and all on the ground floor, but else-wise is a commojous mansion, and chuck full of Craney's furnishings; and we discharged artillery from the front door, to let folks know we was on the throne. Then Kolosama collected his party, and went off to the other side of the island, and declared war. Then we called him, on the chance it was a bluff. So it was, and so was ours. Neither of us showed down. That's how it is. Me and Irish with Ogel's warriors, and Kolosama with his warriors, have been prancing forth over these picturesque mountains like we intended to be real vicious, and dodging back till the island's near distracted. We've got the wisdom and foresight, and we got all Craney's firearms by the coopdee-tat, but Kolo appears to have a majority of the foolish population with him just now, and there you are. There's your jackpot, which me and Kolo are playing for. I haven't got the hand to open it, or to do anything but jockey for position, for Kolo's got most of the warriors. I don't know what's the matter with him, unless his warriors don't like gunpowder. Maybe his hand's weaker than it looks, but I'd bet something if I held it, this jackpot would be opened.”

“Fat and sulky,” he said; “but I've seen worse. I've seen homelier looking men too, somewhere, but I've forgotten where that was. Maybe it was in a nightmare. For that matter Kolo's all right enough too. I guess the island would be happy with either, were t'other dear charmer away.”

Sadler stopped and rubbed his chin gloomily, and said: “Nice outfit of yours. Waxwork pirates, maybe?”

“Floating orphan asylum,” said Sadler, “sort of perambulating benevolence, and steam-propulsion mission house, to teach temperateness to the tropics. Why, that's all right. A chap that wants to pad his soul with good deeds, and go to sleep on his benevolence like a downy bed, why, he's got a good proposition. I've done it myself, and it worked, more or less. But I always got restless.”

He began thrumming distressful and complaining chords on his banjo, looked off to sea with a dreamy expression, until presently he raised a tune that never should have existed, and sang to it in a voice like that of a walrus with a cold:

“Doctor,” he said, huskily; “it's this way. You've come to the right shop with those goods. Yere's your chance for benevolence. If you'd steam around to the other side of Lua, and find Kolo, which I could spot his location for you pretty near; and if you'd ladle him out some of that there benevolence, and tell him you were his long-lost aunt that was thinking of giving him some toy firearms, maybe he'd come aboard. I shouldn't wonder. But if he brought any warriors with him, you'd better make him send them ashore to wash their faces, which they'll need it all right. Then if you happened to get up steam and sail away with him, and took him to the States, and give him a college education, and sent me the bill, why, I'd send a draft on San Francisco for any amount in reason. Why, see yere, doctor, that scheme is neat surely, and benevolent to hatch eggs, ain't it? Yere you leave the island of Lua with its politics smooth as milk, and a forehanded king whose policy is guided by an unequalled Prime Minister, in the direction of single matrimony and a vegetarian diet. Consider that strategy! Regard it! Look at it all around! Remark the moral purpose! Catch onto its simplicity of design! Why, it's a wonder!” I looked at Mrs. Ulswater, who had said nothing during the above, but sat there sewing, and sometimes glancing up at Sadler. Now she laid down her sewing and said: “Are you sure the island would be better off if one of the kings were taken away?”

“Of course it would look so. But then, is Kolosama a nice person? We don't like to take orphans without knowing about them.”

“I'll tell you on the square, ma'am,” said Sadler, “Kolo ain't bright, or he'd have called me before now. He's slow. He's plodding. Moreover he's self-willed and opinionated. He don't take to prime ministers, or official advice. He needs discipline, and he needs encouragement. And yet I'd call him a promising kid, and a hopeful orphan. He'd be a credit to you. Yes'm. No doubt of it.”

Mrs. Ulswater took up her knitting and said, “I should like to see the older king first.”

“If you'll come up to the palace to-morrow,” said Sadler, “the old man'd be pleased to see you. You've no notion how he'd like Kolo to have a foreign education.”

He gathered up his large frame, murmured, “Piratical waxworks!” and departed, together with Irish, who silently smoked his short black pipe.

CHAPTER XVI—AT THE PALACE

I T seemed to me that a Prime Minister who composed poetry impromptu and played the banjo, was a species never yet examined and classified by me. But as to Kolosama's entry into my family circle, it seemed to me the selection of orphans should be made only on strong recommendations.

The next morning Mrs. Ulswater, Susannah, and I started. A well-trodden path led through the forest, and at the end of a few miles came out into a pleasant valley, where lay a scattered village of huts for the most part small, fragile, and consisting generally of a woven roof, posts to support it, and an occasional mat between posts. The palace was easily distinguished, standing in a grove on a hill, a long one-storied bamboo house, surrounded by piazzas. Evidently it had been built by a white man. In some odd way it suggested the States.

Sadler met us in the village, and brought us to his own dwelling, which stood at the foot of the palace hill. I judged it had been furnished from the palace with properties of King Craney. It included five bamboo huts adjoining each other.

A Kanaka servant, who stood by the door of one of them, shrieked and vanished. That hut seemed to be the kitchen. A cat of faded and depressed appearance replaced the Kanaka in the doorway.

“Dolores is her name,” said Sadler, looking dreamily at the cat, “which she likes to sleep on pies. She's got a heart sorrow, sort of indigestion of the spirit, same as me. Some of it comes from dissipation, some of it on account of sleeping in the oven on pies, which has varieties of climate pretty stiff, so she's got a seared and wasted look, as you might say. Besides,” he added after a moment's thought, “she ain't got no dog to chase her.”

“Goodness!” said Mrs. Ulswater, looking into the kitchen. “Isn't it awful!”

She was down on Sadler's housekeeping to an extent you'd hardly believe. Still, it must be admitted that the weeds growing over the floor made his kitchen look like a pasture lot, and that the kitchen windows were somewhat untidy on account of the Kanaka cook throwing slops at them from a distance. There was coffee in a china vase, and tobacco in the teapot. There was a hen laying an egg in the soup tureen, which fitted her very neatly and snugly.

“Sure!” said Sadler. “It ain't good for her here. She gets bad habits living along of me. Any cat would that lived along of me.”

We went up to the palace. It was furnished profusely with the kind of things that seem stuffy in the tropics, for the lamented royalty called Craney seemed to have had a taste for plush-covered chairs, red-flowered carpets, portières with fringes and tassels, glass-bangled lamps, and gilded clocks. For the clocks King Ogel seemed to share King Craney's weakness. I counted fourteen clocks in the audience room, all going but three. The king sat on a plush sofa among his clocks, fanning himself. The largest and gildedest clock stood on the floor in front of him.

He was an elderly man, stout and unwieldy, of morose expression, his complexion inferior, and his grizzled hair stuck full of chicken bones. He wore a pink shirt without a collar, a shell necklace, and a kind of skirt that seemed to have been formerly a lace window curtain. Sadler introduced us. The king grunted, “How do,” and we sat down on the plush chairs and discussed Sadler's scheme. Sadler expatiated on the highly moral qualities in it, the peace that would fall on the distracted island, when Kolo was thus removed strategically and for his own best welfare. The king looked pleased. His pleasure seemed to arouse his hospitality, and his hospitality was startling. He rose, shouted, and stamped. From far piazzas came scuttling, came running, brown men and women bearing baskets and platters; in the baskets was fruit, in the platters fish cooked most messily, and other articles of diet indescribable, which I had no curiosity to taste. But I thought Mrs. Ulswater seemed favourably impressed with the king.

Over the king's face passed an expression of unutterable delight. His heavy cheeks wrinkled into smiles. He thumped his chest and chuckled. He turned from clock to clock, keeping his eye in particular on the great gilt clock at his feet, from whose ornate front no sound as yet was come.

Suddenly as a crash of thunder the king passed from chuckling happiness to anger, violent and uncontrolled. He clambered to his feet. He stamped. He swore in the language of beach combers and decayed mariners, inexcusable, abominable. He shook his fists at Sadler.

“My clock don' go!” he shrieked. “Arrr! She don' go!” and snatching up a fruit basket, he fell, in utter and abandoned rage, beating, kicking, yelling, swearing, scattering fruit, upon the frightened and frizzle-haired henchmen and henchwomen, who fled with tumult and wailing, from room to room, from piazza to far piazza, and beyond into the forest, where the noise of pursuit died distantly away.

“Is that a king!” she said indignantly, and started for the piazza followed by myself, by Susannah with the cat, and by Sadler in deprecation. “He ought to be spanked! That's what he ought,” said Mrs. Ulswater.

“You're right, ma'am,” said Sadler. “Ain't a doubt it would be a good thing, and I was thinking, when you spoke, as how, when Kolo was gone and things was settled, I'd just get that introduced quiet like into the regular court ceremonial, putting it under the heading of 'Official Care of the King's Person,' which I was thinking, ma'am, as how it was my recollection a strap got there better'n a shingle. Yes'm.”

“Well,” she said, “if you'll catch that king and bring him down to tea this evening, we'll think it over by that time. Goodness! How do you know Kolo is any better?” And we returned to the Violetta .

CHAPTER XVII—MRS. ULSWATER TAKES ACTION

S ADLER came down late in the afternoon, and with him little Irish and King Ogel. If Mrs. Ulswater was expecting a contrite king, she was disappointed. He strutted across the deck in front of a bodyguard of three huge warriors, whose garb and outfit were more ferocious than ornamental, more ornamental than decorous, and more ornamental in intention than in result. He was unashamed. His misbehaviour had left no traces on his complacence. He was impertinently vain of that terrific bodyguard. I noticed Mrs. Ulswater's expression become suddenly set and determined. I knew the king's complacence irritated her, his unrepented misbehaviour roused her instinct for discipline. Something was going to happen. I looked at the warriors. I wished it might not be something that would cause the introduction into my anxious digestive organism of those shovel-headed spears, unpleasant objects, nay, surely indigestible. I hoped for the best. I was calm but expectant.

“Doctor,” said Mrs. Ulswater, “when kings are invited to tea, don't people have entertainments for them?”

“Invariably! Music and dancing!” I exclaimed, delighted, relieved at the turn Mrs. Ulswater's intentions seemed to be taking. “Daughters of Herodias—hem—I mean to say you are quite right. No barbaric potentate can swallow his victuals without some agreeable distraction.”

“Of course we haven't any of those things,” she said, and looked thoughtfully at Ram Nad, who was squatted near on the flowered carpet, “but if Ram Nad should hypnotise the king's men, don't you think it would amuse him?”

Venerable and unappalled, he drew near, sat down in front of the guards, and began his monotonous chant and circuitous gesturing before their stolid faces, whose stationary expressions and complexions variegated with tattoo were unmoved by Ram Nad's odd behaviour. Slowly those copper-skinned and impassive spearmen in ornamental outfit keeled over and lay stretched and rigid, mute symbols of barbarism, promiscuously prostrate, frozen ferocities, motionless images of war. A whirl of Ram Nad's hand, and they rolled, tumbled, turning promiscuity into chaos, across the deck, and brought up in the scuppers among the geranium pots. There lay shields and spears, sprawling legs and tattooed faces, grotesque and horrific, among the brown earthenware pots, the round velvety leaves and small red petals of that plant so familiar in the cleanly windows of our native land.

He wanted the bodyguard tumbled down the companionway, but Mrs. Ulswater wouldn't allow it. The king turned sulky. Language rumbled in his throat preparing to be shrieked.

“Fiddlesticks!” said Mrs. Ulswater; “As if I'd let those things into my parlour! Have them tumbled down the gangway if you want to.”

The king brightened up. Infatuated man, he did not see—he had no inkling of—the danger that lurked in Mrs. Ulswater's set mouth and determined expression. I could have warned him, but refrained. Clearly she was right about the incongruity of fully armed and half-naked warriors precipitated down stairs into parlours. One feels the impropriety of it.

While Ram Nad, at the king's boisterous order, was extricating the warriors from the geranium pots, and while Mrs. Ulswater went forward and was talking with Captain Jansen, I was thinking it impossible that she meant to allow the bodyguard to be sent helplessly overboard, inhumanely, to the great peril of drowning. I was about to intervene, when I saw Mrs. Ulswater return, followed, to my surprise, by Captain Jansen and the crew.

Judge of my astonishment, when Captain Jansen and our muscular crew fell upon Sadler, Hagan, and King Ogel, and jerking each backward, proceeded to tie them hands and feet.

“Murther!” said Hagan. “Murther,” he repeated more mildly, and then, “Hand up that poipe.”

Susannah cried, “Goody!” and rushed about. She was distracted by all that wealth of curious phenomena, and the scattered arrangement of objects of interest.

“Pirates!” shouted Sadler. After one huge lunge he subsided, and laughed. He thundered with husky merriment and unseasonable mirth.

The humiliated and outraged monarch began eloquently, but Captain Jansen clapped his hand over and corked up the royal anathema. They carried King Ogel forward. My impression is that Captain Jansen used a strap, varied, perhaps, at intervals, by a board, to impress upon him Mrs. Ulswater's opinion. We heard of him, for the time being, no more.

“Tie up those Kanakas!” said Mrs. Ulswater. “Now, Ram Nad, wake them up. Now, they must be taken ashore. Captain Jansen, you must get up steam. Untie Mr. Sadler and Mr. Hagan. There!”

She sat down, rocked nervously, and took up her knitting again. Sadler's laughter had ceased. We both looked at her. We wondered and waited.

“Well!” she said at last defiantly,—as the sound of oarlocks told of the boats drawing away shoreward, loaded with disentranced but well-roped, disarmed, bewildered warriors,—“I don't know what you think, but I think Ogel would have been a dreadful king, and from what Mr. Sadler said, I think Kolo will do better. Besides, it's easier to carry off the one that's handy, instead of running after the other, isn't it? Of course it is.” She added a moment later, “Of course, Mr. Sadler, you needn't come away unless you like, but you said you didn't get on with the other king, and I thought it would please Dr. Ulswater. I know he enjoys your company.”

“I ain't been dished up so green and tasty, like a salad,” he said, “since me and Moses and Pharaoh used to play draw poker, and Moses kept special providences up his sleeve, nor I ain't had such a good time since the last time I was licked for stealing horehound candy; which my recollection, ma'am, is in favour of straps rather'n shingles. It's all right. Lua's too small for me. You can't stretch nights without kicking other families out of bed, which makes reverberating scandals. If you sit down, you squash the judiciary; if you get up, you shake the throne. This civil war's no good. Why,

Mrs. Ulswater went below. Her nerves were perhaps a trifle upset. Not so Susannah. But Susannah was young. She sniffed the battle of life. She thrilled to the keynote of action. She fell upon Jimmie Hagan with eager inquiry as to his precise feelings throughout the late excitement. Sadler and myself stood watching the landing of the spearmen.

“Me? No! I'll have to get even with you sometime or be restless. I ain't up to abducting Mrs. Ulswater nor Susannah, but I'll lay for you, doctor. You'd better put Jimmie on the crew. He's a good seaman. I'll be a guest, or a passenger, or an orphan, anything you like. Why, look yere, doctor. Mrs. Ulswater's been and took me out of temptation to stamp on my fellowman, and I'm grateful. She's given me a chance at innocence. Why, my fellowman's always lying around in my way, and I keep stepping on him, and kicking holes in his garments when he has any, and bumps on him where he hasn't, and then I goes off to eat sackcloth and ashes, and wear bread and water. That's mostly the monotonous way of it. But the point that gets me is this: I recommend an orphan, and she thinks that'll do for a king; I recommend a king, and she has him spanked for an orphan. Now, if a candidate for a throne ought to qualify that way, maybe he ought; but I never heard of it before, which is why you see me dished for a salad.”

The knock-out drops which Ram Nad kept in the ends of his fingers, on the whole, had worked better than mine, and Mrs. Uls-water's logic had been, as ever, penetrative, precise, practical.

The preparations for celebrating Christmas were resumed. My anxieties returned. I confided them to Sadler. I said:

“It is my fixed opinion, that for revelry and sorrow, for a taste of Eden's rapturous but snaky joys, a mince pie in the tropics lays over most things.”

“Why, look yere, doctor,” he said. “That there king's got a tempestuous liver that can't be downed, and he likes pies. The king 'll eat it, sure, he'll eat it.”

CHAPTER XVIII—CONCLUSION OF DR. ULSWATER'S THIRD MANUSCIPT

A LYRICAL poem composed by Sadler, and by him sung inharmoniously to a banjo:—

is not what you would call amethystine or ethereal; but poetry, of a kind, we have come to expect of him. But when Susannah brought me a ballad, composed by herself, on the foregoing events, it produced in my mind—and I speak moderately—a state of exhausting confusion. I copy this ballad. It is entitled “The Kings of Lua.”

CHAPTER XIX—DR. ULSWATER'S NARRATIVE CONTINUES: THE MYSTERY OF GEORGIANA AND DELORES

I N respect to incisive logic, decision, and force, I have sometimes thought that Susannah resembles Mrs. Ulswater. The characters of both, in contact with my temperament, produce a harmony, thrilling but agreeable. But then my temperament is a kettle drum. I have sometimes thought that on a temperament more lute-like, the impact of Susannah might produce—shall I say?—surprise. On the temperament of Sadler,—melancholy and yet buoyant, intricate and yet simple,—the impact of Susannah seems to produce sometimes extraordinary jubilation, sometimes a condition quite the reverse. He calls her “a melojous circus,” a phrase implying jubilation.

He is a man of moods, a contrast to the consistent placidity of Ram Nad, the Occident to the Orient. Are they then supersignificant types of that new world and that old? One of them turns to life's mystery a bold but troubled face, and covers with a jocular and careless manner a soul unreconciled. The toil and restless wandering of individuals, the surging migration of races, the incessant change called progress, are all but the symptoms of his feverish discomfort, his cosmic ill adjustment? And the other, the Ram Nads, the old-world type, meek, timid, tricky, placid, has it found at least, out of its age-long thoughts, how to make its truckling peace with the mystery? C'est un grand peut-être. Meanwhile the education of Susannah is the principal enterprise of Mrs. Ulswater, Sadler, and me, to say nothing of Ram Nad.

It was my habit to read aloud from the poets, the divine Shelley, the noble Tennyson, the golden Keats. Susannah's opinion of these poets was, on the whole, scornful.

They appeared to her tortuous and deceitful. Their language was, she thought, “mussy.” She did not believe they stated the facts.

Hence, if any one had asked me sometime ago whether I thought it possible or likely that Susannah would bud, bloom, burst loose and explode into song, I should have said: “No! Impossible! Susannah has all the materials of strident criticism, but none of poesy.”

Nevertheless here lies her “Ballad of the Kings of Lua.” Here lies moreover her tragic and profound “Ballad of Georgiana and Dolores.” What can be said of them? First, this; that I take the immediate cause of Susannah's explosion to have been Sadler. He has the lyric habit. He composes as a rooster crows, whenever it occurs to him. He is apt to state his mind in that form. The lyric habit is infectious; youth is imitative; hence arise schools of poetry; hence Susannah's explosion. But Susannah's gift is for the narrative, the reflective. She has not the lyric cry. Hers rather are the forceful expression and the just remark.

We left King Ogel at Sydney. He was pensioned by Sadler. He will probably pass his remaining years in intemperate leisure. Mrs. Ulswater did not think there was any prospect of working his reformation. He was not a desirable orphan. My opinion was that Susannah was occupation enough for an orphanage.

Of Georgiana Tupper, that reserved, that exclusive hen from the island of Clementina, and of Dolores, that stricken cat from Lua, I am about to speak.

It was the 13th of February. We were steaming eastward somewhat to the south of the Loyalty Islands. The weather had been oppressive, the night turned threatening, and by morning it was blowing a gale. I went on deck to watch the watery phenomena. The sea was tumultuous and black, the clouds overhead hung low and rainy, and the intense wind trailed streamers of cloud across the sea.

Suddenly, as I stood there, a tall black column of water rose directly ahead of the Violetta .

She swerved aside in answer to her helm, narrowly escaped disaster; and that contorted and insurgent object, that careening maelstrom, and insensate Charybdis, that water spout, went whirling by on the port side.

But now, behold! the sea all about was columned with water spouts, mushroom-shaped, their summits lost in eddying gloom—infuriate smoke-stacks, roaring volcanoes waltzing on end—perpendicular and intoxicated whales, bowelless of compassion, active and voracious—gyrating black funnels of wind and water, full of exuberant malice, full of demons of the nethermost deep striving to climb the pendant and embattled heavens. Between the shattered sea and low curtaining clouds, rumbled about us that tremendous warfare. Now and again a spout would fall, broken like a pipe stem near its base, and another heave up, grip the vapourish canopy above it, and come racing over that chaotic ocean; through the midst of which forest of fluid insanity and monstrous fungi of the sea—even as through some vast cavern columned with maniac stalagmites and abandoned pillars of wet combustion—we fled.

How long this condition of affairs lasted, I could not say. How we escaped, Heaven and Captain Jansen may know. The seas now and again swept the deck.

When we found ourselves at last with no water spouts anywhere near, and the upper and lower world reasonably disconnected, Sadler and I went below, where we found Mrs. Ulswater nervous, Susannah excited, Ram Nad calm as a browsing cow. We discussed the experience. By night the weather was fairly calm. Not till then did we find that Dolores and Georgiana Tupper were missing.

In the forecastle, it had been supposed that they were aft; in the cabin, that they were forward. They were nowhere. The minutest search was in vain. From one end of the yacht to the other we went—from deck to keel. None could remember having noticed them, except Ram Nad, who stated that he had seen them on deck before the tumult arose. No doubt remained then. They were gone. What could be said? What interpretation could be put upon it? What other than this? that in endeavouring to pass, during the storm, from the forecastle to the cabin, or vice versa, they had been blown or swept overboard.

But why both? How, in particular, Dolores? Georgiana was but a hen; a hen can be swept or blown; her anchorage is weak, her sail area apt to enlarge with the wind; whereas Dolores was a cat, carrying four to five anchors to each foot, and a sail area small under all circumstances. What force then could have torn loose her desperate grapple? unless it were—a pathetic possibility here—that, seeing Georgiana, the companion and support of her bereaved existence, thus blown away, she had rushed devotedly to her rescue; or—a still more affecting thought—that, simply resolved not to outlive Georgiana but to perish with her, she had cast herself after Georgiana upon the weltering deep.

When this last idea occurred to me, I sought Susannah and turned it over to her. The first effect was unfortunate. Tearful, at the time, she burst out weeping. Mrs. Ulswater said I ought to be ashamed. Sadler, with mournful sarcasm, did not see why a man, because he was full of ideas, had to slop over like a tub of soapsuds—surely a mixed metaphor, a confused figure of speech.

Another idea occurred to me. It was that Susannah had the entire sympathies of the Violetta in tow.

CHAPTER XX—THE BALLAD OF GEORGIANA AND DELORES

THE BALLAD

FOOTNOTES BY JAMES ULSWATER.

First Stanza: As the Ancient Mariner began his marvellous tale, “There was a ship,” so Susannah begins, “There was a cat”—boldly, ruggedly, a leap in médias res . The first stanza is a condensed and yet accurate analysis of Dolores, ending with a striking bit of realism.

Second Stanza: A wild burst of grief subsiding sadly into tender reminiscence. Note how the proportions of black and yellow on the tail of Dolores are delicately discriminated, the “black” being, in point of fact, predominant.

Third Stanza: We are introduced to Georgiana. Here arises a difficulty. What was there in the condition of being “a hen” to warrant the exclamation, “Oh, Shame!” Surely none! I interpret the passage thus: the exclamation “Oh, Shame!” is simply the poetess' passion bursting through, as it were, the reserve of the narrative, and in this way it prophetically forecasts the fatal issue. It is not, I think, a reflection or invective against hens, as such.

Fourth Stanza: Observe how just and truthful are the details, how Georgiana's right to a certain pride of manner, which indeed was hers, is critically based upon the brightness of her eyes, upon the approximate completeness of her toes. And yet it is honourably admitted that there was a deficiency of tail feathers.

Fifth Stanza: As the ballads of folklore are ever distinguished by a certain abruptness of climax, so here Susannah. Note the present tense, used only in this stanza. In the last line, how remarkable in effect is the passionate interjection which follows the simple statement of Georgiana's catastrophe!

Sixth Stanza: Last line, “slithered”—a difficult word, and yet effective! The whole line is masterly.

Seventh Stanza: The last line is clearly a Shelleyan reminiscence, a trace of my readings aloud of that poet. And yet, if Susannah had plagiarised, it was at least, boldly, frankly.

Eighth and Last Stanza: Note the contrast between the defiant and denunciatory address to the “whales and sharks,” and the pleading gentleness of that petition to the “little fish,” that they receive with comfort and affection those sad and houseless visitants, who had perished not ignobly, not unworthily.

CHAPTER XXI—SUSANNAH AND RAM NAD

T HE deck of the Violetta had resumed its ordinary domestic look. True, no Dolores lay on the carpet, no Georgiana pecked and scratched in the scuppers. At some distance apart on his rug, his basket behind him, in deep abstraction, sat Ram Nad.

Ram Nad had absent-mindedness down to a science. He could roll up his eyeballs and go off like a bullet. When not abstracted he usually played jackstraws. What recondite connection there was between him and jackstraws I never made out, but I suspected it was the delicate sleight of hand required, and the practice it gave him, which fastened him to that Occidental game. Certainly I would back him against any jackstraw player—But there never was such a jackstraw player before. The laws of physics were nothing to him. Gravitation in jackstraws he ignored.

Sadler, Susannah, and I were in conversation under the awning, but Mrs. Ulswater sat a long time silent.

“Doctor,” she said at last, “do you think Ram Nad could have Georgiana and Dolores in his basket?”

“Why suppose so?” I said. “Is there evidence? Have you a subtle instinct? Does he look a shade more virtuous than usual? If he does, it would go to prove he has been accumulating sin. But does he? He looks to be precisely as usual. Why suppose they didn't go overboard? Why not adopt my theory and Susannah's of Dolores' pathetic departure?”

“But if Ram Nad churned them into his basket the way he does with things, after what I've told him, it's flat disobedience, and I won't stand it from a heathen. Georgiana never would go on deck when the wind blew, and they were both in the cabin the night before the water spouts. Of course if I accused him of it, and it wasn't so, he'd be perfectly crushing. He'd be crushing if it was true, for that matter. But somehow I don't see how it could have happened, and I won't have Ram Nad getting the best of me. I wish you'd see if you can find out.”

Now if anything suits my temperament and talent, it is wily diplomacy, and the worming out of another man by devious ways the carefully guarded secret of his soul. I took a camp stool and sat down before Ram Nad. He was abstracted behind the whites of his rolled-up eyes. I said with subtle suavity:

Ram Nad came out of infinity, and answered with welcoming gesture: “Imbecile, why do you trouble me?”

“Where,” I said, “are Georgiana and Dolores, you depraved and disgusting pundit?”

But this limpid flow of pure reason was not, it seemed to me, really headed for Ram Nad's soul secret. I skilfully shifted the attack.

“Why, in this way you might have an idea, illustrious. As I understand your theory of everything, it's this: The entire universe, you say, is only a general idea which has the misfortune to be particularised in spots. Normally, it's just an abstract conception, but parts of the conception have somehow blundered into a curious condition called concreteness. A very distressing condition, very. Bless my soul! Concreteness is an awful catastrophe.”

“Now then, if any person then, such as Georgiana or Dolores, either tragically, or peacefully, or in any manner whatever, becomes dead, you say of them, simply: They have returned to generality; they are no more separately existent; they are rid of the burden of identity; they have, so to speak, disappeared in that airy original mixture again. Such would be your description of the case.”

“You possess some misunderstood fragments of truth, O brother,” said Ram Nad.

“Very good. But see here! When you churn things in that remarkable basket of yours, and they are gone, and I ask: 'Where are they?' you invariably say: 'They have become general ideas.' When I ask why I can't see or touch them, you answer, 'General ideas are not visible or tangible, but are of the mind purely.' Sometimes, at this point, I have perhaps ejaculated, 'Gammon!' I apologise. Sometimes, on the other hand, you have exclaimed, 'Imbecile!' I forgive. The question is this: What's the difference between being generalised in a basket, and being generalised by drowning? Are they not the same? Or do you follow my argument, illustrious?”

“This is a worthy inquiry, O brother. It may be your mind is at last becoming capable of thought? But how shall I answer. Is there a difference? Should I not answer that there is none?”

“There can't be, Ram Nad, there can't be!” I exclaimed. “Reason proves it. Then, see here! Why can't you, then, restore Georgiana and Dolores? It's all the same, for reason proves it.”

If there did, as I fancied, for an instant pass over Ram Nad's patriarchal face, into his meditative eyes, an expression, if not of cunning, at least of a certain pleasant humanity, it vanished quickly.

“The difference is this: if the cat and hen of inquiry had been generalised here by me, I could so restore them; but because they are drowned, I am not able. Therefore the question is answered.”

“I see. That was the point. I thought maybe you could—a pardonable mistake—your talents are so extraordinary. I thought you might be a resurrectionist on the side. You'll excuse me, I'm sure.”

Ram Nad withdrew again behind the whites of his eyes, and I returned to the awning, reflecting. Ram Nad had lacked hypnotic subjects since Mrs. Ulswater put her foot down on his fixing any human inhabitant of the Violetta that way.

But it struck me I'd never known a man with so fine an outfit for casuistry as Ram Nad, such a liquid and euphuistic term for slaughter and theft, such philosophic refinement in the practical process. Thus: you generalise your neighbour's watch. It becomes an abstract idea, and belongs to the original nebulous unity of pure conception. You go around the corner and concentrate your mind on the idea till it's particular again. You get about the same watch. Maybe not. Pretty similar. It seemed so to me.

“I pass,” I said to Mrs. Ulswater. “Who plays next? Ram Nad's got 'em, that's my penetrative opinion; but he can bluff like a fire engine.”

“I'm going to give him a piece of my mind,” said Mrs. Ulswater, indignantly.

“Why, my dear,” I said, “I don't believe it would fetch them. I believe Ram Nad could put even a piece of your mind into his basket, and churn it to a harmless generality. I do indeed. Your play, Sadler.”

“Ha! King Ogel! Hum! Why didn't we induce Ram Nad to generalise that king? Mightn't it have had a sort of—shall I say?—a refining effect, a deodourising effect? Well, maybe not. Spanking was, in his case, I should say, bracing, suggestive; as applied to a king, I admit its point. But, now, as applied to a patriarch, I should draw the line, I really should. Your turn, Susannah.”

Susannah sprang up and started across the deck toward Ram Nad. We watched her in silence, in expectation. She stood before him a moment conversing, then dragged the conical basket around in front of him, and of her own accord climbed into it. This was interesting. We all three arose and drew near them, while Ram Nad covered the opening with a corner of his loose garments, and fell to that familiar procedure resembling the motion by which, with fork or spoon, the energetic housewife blends and fuses the delicately organised egg into a yellow somewhat, an inorganic mess.

Wherein Ram Nad's skill or secret consisted, its scientific theory, I did not—I do not now—profess or expect to know. I call him an A1 magician, and pass the deal. Did it consist in hypnotic deception of the observer? I incline to that idea, on account of the element of gammon therein. Was it some unusual sleight of hand? Was it a knowledge and control of some occult but natural law? I have at times leaned to that hypothesis, only to return again either to gammon or the pleasant repose of a gaseous doubt. He appeared to be able on request, with any object not too large to go into his absorbent basket, there to dissolve the said object into nothing. You could look into the basket. You could feel with the hand. You could search Ram Nad's clothes, or comb his beard. You would come to the end of ultimate wisdom, and conclude to pass the deal. Then, on request, he would reproduce the object.

“You're sure she isn't taking any harm?” said Mrs. Ulswater, peering into the mysteriously empty basket. “What on earth did you do with her? Well, she's not there. Fetch her out.”

Ram Nad covered the opening, churned a bit, and then rolled up the whites of his eyes and concentrated his mind.

“Show not knowledge to a woman,” said Ram Nad, politely, “but indulgence.”

By the sacred Bo Tree, by the antiseptic waters of Benares, what is the wisdom of the East against the logic of Susannah?

“Susannah!” I cried. Sadler and I clasped hands and danced, glorious and flamboyant, in the circular manner of a “ring-round-rosy.”

For there on the deck, smiling quaintly, sat Susannah! There, clasped, one in each of her arms, were Georgiana and Dolores!

Ram Nad rose silently. Martyred meekness was the foundation of his facial expression. Dignity and charity were its fringes and decorations. He went forward among the sailors.

Calm was restored. Susannah explained. She had thought that, if Ram Nad had put Georgiana and Dolores in some sort of place, and if he did the same thing to her, perhaps she would be in the same place, and why shouldn't she find them? Such was Susannah's logic, simple, yet transcendental. Questioned on the matter of being churned, she said that she began to feel very comfortable and soft, and then something like custard, and then like custard that was all around everywhere; that is, she was both custard herself and contained in custard; and so, reaching out in the custard of which she consisted, she caught hold of Georgiana and Dolores. So far Susannah. Such is all the evidence bearing on this singular event.

“Susannah,” I said, “I like your analysis. Do you happen to feel anything in the nature of a ballad beginning to—to root around inside you? Because—here is the point. This ballad, as it stands, of Georgiana and Dolores, you see——”

CHAPTER XXII—CONCLUSION OF DR. ULSWATER'S LAST MANUSCIPT

F OR four reasons we purpose now to move, by summery stages and many an ocean isle, to Portate, whither these, my written words, will perhaps not long precede us.

The four reasons: First; the poet Sadler claims to have been once banished by executive edict from the city of Portate, and has a notion he would like to examine his condition of exile, so to speak, at close range; to poke once more a certain irascible Jefe Municipal, or Mayor, doubtless of your acquaintance, in the midriff of his temper. Second; Mrs. Ulswater seems to have a singular hankering affection for one who, she says, “was the nicest boy there is,”—a distinct opinion in a confusion of tenses.

Third; the poet Susannah. Now what the bearing may be, in Mrs. Ulswater's mind, of Portate on Susannah, is not so clear to me. But to me this is clear, that Susannah is in a way outgrowing the capacity of islands. She is in need, I admit, of a continental connection. Fourth; I have some researches to make in South-American archaeology.

Ah, Susannah! What is there about this frank maidenhood that a mist sometimes gathers in Mrs. Ulswater's lucid eyes in looking at her. Susannah's nature is not, as yet, I should say, compact of softest sentiment. Passionate in affection, sudden in resolve, terrific in action, given to valour and wrath, why about her should the emotions of this vessel all dance in a species of harmonious jig? Why should this concussive and rebounding person rouse in my own glutinous nature a phosphorescent glow, as of a jelly fish, and cause my languid tentacles of emotion to flutter about like a flag in the wind? Why lies the melancholy Sadler tonight on the small of his back in a deck chair, his knees hooked over the rail, his feet pendant above the sea, and, in a foggy voice, to an abominable tune and the twankle of an exasperating banjo, sing:

I do not, indeed, apprehend Sadler to be directly addressing Susannah, as such, in these terms and with that inharmonious vocalisation; but I apprehend the impact of Susannah upon Sadler to arouse in him something other than jubilation, something within the sunless caverns of his memory, certain uneasy glimmerings of an old romance. And I ask, why? To the eye of pure reason, Susannah contains as much of the vapour of moonlit sentiment as a coal scuttle. The eye of pure reason, after any continuous examination of Susannah, feels as if it had been in a prize fight, and emerged therefrom a blackened optic and out of business for the time. And yet there arises—hark! again, above the low breath of the sea wind, rises that melancholy song:

CHAPTER XXIII—I RESUME THE NARRATIVE. THE PORTATE ULTIMATUM

T HE city of Portate, on the west coast of South America, when I knew it, had already a distinct flavour of enterprise. Two Northern companies had much to do with its affairs. One of them, The Union Electric, had the trolleys and the street lighting; the other had been longer on the ground, was called The Transport Company, and owned the inland railroad and the principal line of steamers in the harbour. I had charge of The Union Electric plant. Both were large companies operating in numerous South-American cities.

There is a river called the Jiron, which runs down from the mountains, and makes a green strip through a desert land, and so on through Portate to the sea. Even from the sea you can make out the white caps of the Andes; but in the heats of Portate, you decline to believe that the white is snow.

Portate is the seaport of the country. There is a telegraph line running inland to the capital. The monkeys do gymnastics on the wires, and the natives steal sections of it to tie their roofs on with, on the theory that the thing is plain foolishness, and the enterprise of fools is the profit of the wise. Then you go around and lam the native and take the wire, but he stays by his own opinion, and the Government wants to know what you mean by allowing official messages to be interrupted; for, they say, monkeys and roofs are not in the contract, and call it improper frivolity to mention them: “Why tie on roofs with official messages? Why improperly submit important business to the gymnastics of creatures without intelligence?”—till you come out of it by swearing yourself blood relation to all the monkeys on the Jiron, which seems as satisfactory as anything, being put down to the inherited madness of the Northerner. There are several varieties of monkeys on the Jiron.

In the city of Portate there are wharves, which float off to sea in freshets, and have to be pursued and brought back in disgrace. The trolley line goes from the wharves to the Plaza, and then visiting about town. The telephones and electric lights are the pride of the enlightened, but the unenlightened think they are run by connection with that pit of the sinful about which Padre Rafael is an authority.

“For, observe! It is not as wood that it burns. Madré de Dios , no! It is the wrath of the devil on the end of a stick.”

The Union Electric had the contract for the whole outfit of the lights and trolleys, and sent me down to handle it. I had good nerve then. I thought electricity was king, and that a man could do anything he set out to do. He can, but my nerve is not so good now.

Now The Union Electric Company's contract was to furnish the city of Portate so many arc lights, at so much a month per light, with monthly payments, but there was more politics in it than I was used to. It took me some time to see that if the Mayor bought a set of gilt furniture on the 28th, and the paymaster a span of horses on the 29th, it wasn't reasonable to bring them a city lighting bill on the 30th. But they thought it unreasonable, and after awhile I came near thinking so too. I had to get five signatures to each bill, and the signatures took turns going off into the country between the 30th and the 15th. After that they generally came with protests in parentheses, that arc No. 53 had been observed by respected gentlemen to sputter improperly, and that arc No. 5, on a certain night, had refused to burn, in contempt of authority,—which was because a native had heaved a stone into it, out of religious scruples. They were always in arrears.

They liked it that way. They said it was delay in tax-collecting. It was very warm. Did the Senor suffer from the heat? Alas! the tax collector was too fat. It had been represented to his Excellency that tax collectors should be thinner. They were thirty thousand dollars behind. It seemed to me that the city of Portate was too happy. It didn't have troubles enough.

He was a puffy old man, of about the fatness of the tax collector, but smaller, and wore a white moustache and imperial in such a way that it seemed to be his symbol of authority.

“Is it possible!” he cried, holding up his hands. “But we do pay you too much. How does the city owe you so much if it is not too much?”

“My friend,” he said, “is it not in your country also that the corporation oppresses the people?”

“The Union Electric,” I said, “doesn't do business for love of humanity, and it didn't send me down here for my health.”

“Alas! No?” sighed the Mayor, wiping his forehead. “The corporations are without souls, pitiless. I read it in a newspaper, that also of the United States. But if the Senor's health is delicate, a trip to the hills—-”

“It is a festival night. The municipal band will play in the Plaza. The people will dance. Portate is a city of pleasure, a second Paris. And you, Senor, will honour us, on the balcony of the magistrates.”

“Thirty thousand dollars by Wednesday night, or I shut off the lights. With great regret, your Excellency——”

“Nevertheless, you will observe the festival. A delight, Senor, a panorama!”

I went over and tried to impress the paymaster, but he wouldn't be impressed either. He said arc No. 38 was shining persistently into the upper-story windows of the house of a municipal councillor, against his honour and privacy. He said the son of the municipal councillor was to marry his, the paymaster's daughter, and The Union Electric Company oughtn't to disturb such alliances. I went down to the plant as fast as possible, feeling in the mind to see people that were reasonable and steady, like the six dynamos.

Chepa was my foreman's name, and a good man he was—a half-breed of fifty years perhaps, with gray hair about his ears. I told him I was going to shut off the lights if they didn't pay up, and Chepa's hair stood on end. He said I was a distinguished gentleman, and would be shot for an anarchist together with himself.

I told him he wouldn't need any more heroism than came natural. I only wanted him to switch off, and throw the machines out of gear at nine o'clock Wednesday night, and then disappear for a day or two.

That was Saturday if my memory is right, the third of May. It came on Wednesday without any more interviews. The day was hot, and I didn't see that the tax collector was getting thinner with extra labour of collecting taxes. But the preparations for the festival were going on, so innocent and peaceful it would break your heart to see, with ridiculous strips of coloured cloth around the wax-palms on the Plaza; for a wax-palm grows a hundred and fifty feet high, and looks like a high-born lady; and red and white stripes around the foot of her, like a barber's pole, aren't becoming. I sent up a man with the bill in the afternoon, and he came back saying the Mayor was so busy with his uniform that he wouldn't look at him. I gave orders to shut off the switch at nine o'clock. About eight in the evening I disguised myself with a cloak and a villainous slouch hat, and left my house, which was a mile out of the city, though handy to the plant. The cook had run off to the Plaza, and I plugged up the telephone, so it was a house that couldn't be conversed with. Then I walked into town.

The Mayor's uniform and several other uniforms were on the balcony of magistrates, the Mayor making a speech to the effect that it was a municipality without parallel, a second Paris, which civilisation regarded universally, and exclaimed, “Behold Portate!” There was Padre Rafael, standing directly under an electric light, and it was curious to see him with that kind of saint's glory around him, and smiling like a plaster cast of Benevolence. Whoop-bang! went the brass band, with the bass drum miscellaneous, and the cornets audacious, and the trombones independent, but aiming, you might say, at a similar tune. And all the Plaza fell to dancing and conversing, with the fountain in the middle sprinkling recklessly, and the wax-palms done up in red and white bunting, and the electric light shining uncannily, with their bills unpaid.

“Come up, Padre Rafael!” shouts the Mayor presently, catching sight of his reverence, “to the balcony of the magistrates. It is a glorious occasion.” He puffed out his chest so anybody could admire that liked.

The Plaza was black as a hat, only for a few lights in the windows, and quite silent for a moment. I lit out when the howls began. It seemed to me they'd sound better from a distance. There were people running and shouting along the pitch-black streets. But getting into the outskirts of the city, I found there were a few stars shining, and came home without trouble. I sat down on a bench in the garden and waited. It was a hundred yards or more from the house. It was very peaceful, with all manner of tropical scents floating around. Shutting down the lights of Portate didn't seem to bother the rest of South America.

By and by a carriage drove up, and there was a deal of banging at the doors, and tramping around the house. I thought it was an under-official that threw a rock through the window, not a real dignitary. Later there was another carriage, more banging and tramping.

I went to bed after that. I don't know how long they tried to telephone from the City Hall—the telephone didn't say.

CHAPTER XXIV—THE ARREST

W HEN I awoke in the morning, the sunlight was shining brightly through the shutters, and I lay awhile getting things straightened out in my mind, wondering what the authorities would do next, and sorting my own cards. Then I noticed a murmuring all about, not like a conversation of a few people, but like the voices of a crowd at some distance. I took a cautious peek. Oh, my native country! The yard was full of soldiers of the City Guard in their pink uniforms, all squatting on the ground very dejectedly.

“Hi!” I thought. “There's no hurry about getting dressed. The cook must have stayed shy, or they'd have got me.”

I never saw that cook again. I've heard that he came on the soldiers about three o'clock in the morning, camping in the front yard. Their orders were to stay there till I came home. The cook went off into the country to avoid politics.

“Speaking of the cook now,” I said to myself, “they'll arrest me without breakfast. They'll march me into town afoot, like a malefactor. It won't do for the dignity of The Union Electric.”

With that I wrapped myself and the telephone in double blankets, took out the plug, and cautiously rang up a livery-stable.

Then I prospected in the kitchen on tiptoe, and collected a spirit-lamp and such matters, got dressed, and breakfasted behind the shutters with a calmness that was a bit artificial. The City Guard wasn't breakfasting. By the calamitous features of the elderly officer sitting on my horse-block, they didn't expect to. El Capitano Lugo was his name, and a very friendly man, after breakfast.

I sat smoking behind the shutters, and waited for the carriage, which came along leisurely about nine. The soldiery destroyed the picket-fence getting into the road all together.

“Eh!” he said. “But I know nothing, Senor Capitano, nothing! Carriage to Senor Kirby, North Road. A telephone.”

With that they were all crowded close about the carriage, talking in low tones, but excited. It was about ghosts, as the captain told me after, and there ran a theory among them that I had been a spirit for the last twelve hours, turning off lights and sending telephones to avenge the atrocity of my murder.

But it got no farther than a theory, because of the opening of the door, and me coming out on the porch in duck trousers, polka-dot tie, and a calm that was artificial.

“Ah!” shouted the captain, making for me, over the wrecks of the picket-fence. I said:

And off we went bowling toward the city, with the guard plodding far behind in pink uniforms, and very dejected. Captain Lugo himself would answer nothing when I tried to show him that pink uniforms were in bad taste for a city guard.

But, oh, the extravagance of language at the City Hall, and the Mayor with his beautiful temper in ruins!

“Intolerable! The contempt of dignity, the mockery of constituted power! By whose orders were the lights turned off?”

“ Â la carcel! ” he shouted, with his official moustache standing up at the ends. “He has despised the city. Take him to jail, hastily.”

“You'd better look out,” I said. “It's an international complication. The United States will be capturing Portate with an extension of the Monroe Doctrine,” I said, fishing wildly for an argument.

“ A la cârcel! ” said he, and four pink uniforms hustled me and my duck trousers out into the street and around the corner to the jail.

Now that was an unpleasing place to be in. I charged up fifty dollars for the experience, to The Union Electric Company, who said it was a good joke and paid it, eventually; but it wasn't a joke.

The jail was an expanse of deal-wall on the street, except at one place where there was an architectural doorway. And within there was a large patio or courtyard, a low adobe building surrounding it, with rows of open cells, and a sort of cemented veranda in front. That was the Portate City Jail entire. There were guards at the door. They shoved you in, and you did what you chose. There were groups of dirty peons lolling about, others playing some game with pebbles and fragments of cement, two women who had been officially interrupted while pounding each other's heads, a donkey, some cats, and a sad-eyed pig, all arrested for vagrancy.

I sent a guard up to the hotel for a chair, and sat down haughtily in the corner of the veranda behind the gateway and farthest from the sun. The groups of peons gathered around me. Their manners were naturally good, but they couldn't avoid the romantic fascination of me. I sent another guard with a telegram to the United States Minister and a message for the resident Consul. I gave the guard a dollar to buy tobacco and cigarette papers, and compromised with the friendly peons. We agreed on a circle twenty feet away, which was near enough for conversation, and far enough for a draught between. There was a wall of them, all supplied with cigarettes, and me the centre of observation. We discussed the government of Portate, and there was no one in the City Jail but thought it needed reform.

By and by the Consul came, and he was so interested and pleased with the situation that he wasn't up to the duties of his office, as I told him. He said the Mayor was in luck, on account of the extreme heat up-country at the capital.

“My guess at the Mayor is: he's figuring to keep you in jail over night for the sake of his dignity, and cover you with documentary apologies in the morning,” said the Consul. “And I've been telegraphing the Minister, and can't get him; for he's gone hunting up the cool of the mountains with the President of the Republic, the Minister of the Interior, and some other official parties. I say, why did you pick out a festival and presidential excursion day? You bold, bad man! said he, sticking his hands in his pockets and laughing at me.

“Can't help it,” said the Consul, grinning. “I've done all I could. He'll get into trouble likely. What can I do, if he wants to run his risk and stand by his luck?”

“Pleasant dreams!” he said. “It 'll be a hot night;” and with that he went off grinning.

The afternoon wore away slowly. I began to think the Mayor might have me down after all, and wondered if Chepa would run the plant that night with a detachment of pink soldiery over him. I sent a guard after some lunch. No one else came except my lawyer, who brought some newspapers, and said the Mayor was blushing all over with happiness and conceit. He said there were crowds in the Plaza, and sure enough you could hear the mutter and shuffle of them, for the Plaza was but a few blocks away. It seemed to me they were making more noise than before, and when the lawyer was gone, and the afternoon was late, it seemed to have grown to a kind of dull roaring, with shouts and howls intermixed. The peons in the patio were stirring about, too, and jabbering. The dusk was coming on faintly.

CHAPTER XXV—MRS. ULSWATER'S INSURRECTION

T HERE was a clatter and tramp of feet in the street outside. The door of the patio flew open with a bang.

“Take your dirty hands off me!” Bang, went the door again, and there in the patio stood a little squat Irishman with red hair and stubby black clay pipe in his mouth.

“What's the matter?” I called to him, for his hair was rumpled and his coat torn, with rough handling. He ran to me, and the crowd, the simple-hearted criminality of Portate, gathered around us.

“Hoosh!” he said. “It's an insurrection, sor. I'm arristed for distributin' insidjus proclamations in backwoods Casthilian, an' the guards has taken me last copy, tellin' how The Mayor has Tyrannously Arristed the Electric Lights! Release Misther Kirby or Down wid the Mayor! Shall Portate be Darkened? Citizens, Rise!' Oh, hivens, me entherprise and adventures!”

“Yes, sor. Me name's Hagan, but Sadler's gone away from me, an' I have the trimbles in me bones.”

“Well, sor, me an' Sadler an' the docther, we got ashore as soon as we could. 'Twas in the early evenin', an' thim two went off somewhere for somewhat; and me, I went down Bolivar Street to an old haunt of me mimories, to see what was there. An' who should come out of the caffy but Chepa. Sure, he's your foreman now, but onct he was me frind an' dispised acquaintance in this city of sinfulness many a year ago. 'Red hair!' says he wid a shriek. 'Auburrn!' says I, 'ye grizzly Dago.' An' wid that we ombraced. 'Och, Jimmie!' he says, 'you're the man I'm wantin',' he says. 'Where's Sadler?' 'I dunno,' I says, 'not just now. He's around the town.' 'Tis happy he'll be then this night,' he says, 'for society an' politics,' he says, 'an' populations an' powers 'll be playin' discordant chunes,' he says. 'Come on,' he says, 'an' help me ungear thim dynamos.' Wid that we started for the plant, an' me not knowin' at all the divilmint that was goin', an' we come to the plant, and Chepa set the dynamos buzzin' like bees, an' thin sat down an' explained his language wid information. 'At nine o'clock,' he says, 'I shut 'em off and disables the machinery,' an' he did. Then we come back through the town by the back streets. There was wicked rage in the heart of Portate. She wint to bed in the dark, and had bad dreams. But we come down to the docks an' hired a boat out to the Violetta , and we told the missus and the young la-ady about it. After awhile comes out the boys in the gig wid a letther from the docther sayin' him an' Sadler was gone up counthry on a night thrain in pursuit of South-American archylogy. 'Kit,' says the missus, readin' it out to the young la-ady, 'Kit seems to have this city in a barrel, an' he's plugged the shpigot, an' where in the barrel he is I dunno,' he says, 'for we've been to the electric plant and we've banged on the doorway of his house, an' nothin' happened, an' Portate is tumultuous and dark. Wherefore,' he says, 'I argue he ain't expectin' company to-night, an' me an' Sadler is goin' up counthry afther archylogy,' he says, 'to be back to-morry.' 'Goodness!' says the missis, an' she an' the young la-ady went down for the night, an' me an' Chepa passed it cool an' balmy. This mornin' the missis sent us ashore for news. But oh, the sights of the ragin' city! Oh, the throuble an' combustion of it! A crowd of men grabs us at the corner. 'Gintlemen,' says Chepa, 'respected sehores, 'tis the wickedness of the Jefe,' he says, 'a-spindin' on gilt furniture the hard-earned taxes of the people, collected by the tax collector,' he says, 'wid the shweat of his fatness. For Sehor Kirby,' he says, 'to the great sorrow of himself, havin' run out of electricity, is unable to buy more on account of the avarice and theft of the beast of a thief of a Jefe,' he says, and they thought so too. By and by comes the news of yourself arristed and put in jail. 'Jimmie,' says Chepa, 'it will not do.' I says 'It will not.' An' we broke away an' went back to the Violetta . An very interested they were, sor, the missis an' the young la-ady, askin' questions, an' then a-studyin' an' a-lookin' at ache other. 'Well,' says the missis, 'I wish Doctor Ulswater hadn't gone, but it's the Jefe's fault an' not Mr. Kirby's, an' I think you were quite right, Mr. Chepa,' she says, 'to tell the people so. But of coorse you could only tell a few,' she says, 'an' I suppose most of thim think it's Mr. Kirby's to blame, an' I think we ought to stop that,' she says, 'so I think we'd bet-ther have a lot of bills printed to explain.'—'Hooroar!' says the young la-ady, jumpin' up and wavin' herself in the atmosphere. 'I'll write it!' An' wid that she grabs Chepa an' plumps down wid him on the carpet, an' what wid thim two composin' inflaminous proclamations, an' me a shmokin' me poipe wid terror in me bosim an' me face smeared over wid insidjous calm, an' the missis a lookin' off at Portate, wid her knittin' in her hand and statesmanship an' revolution in her eye, 'twas a ould-shtyle Fenian meetin', sor, an' down wid the landlords! 'It's hot,' says Chepa, manin' the proclamation. 'There's no foreign governmint to rescue Chepa wid diplomacy. They'll hang me,' he says, 'an' 'tis no matther. Behold me, senora! I am game.' 'You must stay here,' says the missis. 'Jimmie will have the bills printed and posted.' 'Oh, senora!' says Chepa, lookin' hurt. 'Of coorse you're not afraid,' she says—an' I wished she knew that I was—'but it'd be bad for you to be arristed,' she says, 'an' besides there's another reason.' It lies in the nature of things, sor, to do what the missis says. There's no help for it. I came into Portate alone, wid myself, an' gold in me trousers pocket which I changes to the barbarious paper money of the counthry an' scuttles off to a printer. 'Set it up!' I says, showin' barbarious money. 'Print it!' An' he did so, wid the fear of consequences an' the lust of avarice. But, sor, ye should have seen the amazin' innocence an' wrath of the populace, a-jumpin' all over the Plaza, a-howlin', a-wavin' proclamations an' blackguardin' the Mayor for arristin' the lights. Prisintly comes a line of soldiers wrigglin' through the crowd, an' one of 'em raps me over the head with the butt of his gun, out of the mistherable shpite of him, an' they takes me red-handed in the disthribution of proclamations, an' up we goes, up the steps of the City Hall, before the public was onto the insult to its liberties. An' oh, the terrible language of the Mayor, a-kickin' over chairs in the corridor! 'To prisin,' says he, tearin' his hair tremendjous. 'Ye'll be shot in the mornin',' says he. Then they took me out the back alley, an' down here sudden, bein' punched in the back wid the butt ends of the rifles of a misfit soldiery, an' thim's the facts.”

CHAPTER XXVI—THE TRUCE

S O spoke Jimmie Hagan. We sat looking at each other, and smoking silently for a moment. I got up and shooed the motley collection of human things around us back to a pleasanter distance, and sat down again to think. But still I didn't see altogether what Mrs. Ulswater thought she was going to do with her insurrection. It was a good idea of hers to keep Chepa aboard the Violetta . But a mob is like dynamite, and a person ought to have a considerable idea before he takes it on himself to explode one. A Portate mob is a maniac that cuts throats in the name of the saints, and forgets what started him, and he scatters destruction in all directions. For a man said to be without sand, I thought Hagan had done pretty well.

“Sor,” he said, “it's this way. I knew the Mayor long ago, an' Sadler knew him well, an' I know the Mayor's the same man wid the tempestchus bowels of him, for he's a nice man when he's cheerful, but he's not a wise man when there's trouble comin'. Well, sor, Sadler nor the docther ain't here, an' what one of them doesn't know the other does. An' some men was born to order and others to take orders, an' I dunno. But, if the Kid was here things'd be doin'. Well, sor, the docther is filled up wid handy knowledge more'n a bushel of pertaties wid perta-ties, but when it comes to makin' up his mind, it's the missis does it. The Violetta carries more contagious brains than's native in South America, an' you're askin' what the missis had in mind, an' I dunno. But Chepa says there's only two men in Por-tate can start them disabled machines for to-night's lightin', to say nothin' there's not a trolley runnin' in the city this day. An' where's those two men? One of 'em's here. The other's on the Violetta , but the Mayor don't know where he is. Well, sor, what can he do? It's not for me to say, but there's the populace shlingin' stones at the City Hall this blissid minute in persuasion of the Mayor's wickedness. An' who persuaded 'em of the Mayor's wickedness? Trolleys they don't so much care for, but there'll be lights or shootin', an' the Mayor'd needn't be foolish, an if ye ask me, I'll say it's the missis has got the soople intilligence, an' no throuble at all. Hark to 'em now!”

The roar of the crowd had grown to be tremendous, and they were probably throwing stones. What, indeed, could the Mayor do? The peons about us were chattering in excited groups, and the guards at the gate were distinctly uneasy. If the mob came there, I could make a fair guess what the guards would do.

There was a sudden clatter in the streets, of hoofs and wheels on bad pavement. Again the great wooden door flew open with a bang. Entered the paymaster, another agitated official, and an officer in pink and white, who bowed and smiled at me affectionately.

“Impossible, senor. His Excellency is determined. With you, senor, he requests a friendly interview.”

It was not fifty feet to the open door. His Excellency seemed to have lost flesh with the excitement and anguish of his mind.

“Oh, senor!” he cried with enthusiasm. “It is the will of the people that we be reconciled. Enough. We are reconciled.”

The Mayor shivered. Then he gathered up his dignity with the gracefulness of a lady picking up her skirts, and finished the game like a fallen but romantic potentate. “Enough,” he said. “I yield.”

We drove to the Plaza, Jimmie Hagan on the carriage-springs behind, the Mayor and I standing on the seat and holding hands for the public to see the unlimited affection we had; the paymaster and the officer in pink and white on the seat facing, waving their hats with unnatural joy, and the other official on the seat with the driver.

But what a sight was the Plaza! What a howling mass of faces, open mouths, hands gesticulating, all fading and dimly seen at a few hundred feet from the carriage, for the night was falling fast.

“Excellency,” I said, “you owe me thirty thousand dollars. We'll stop at the bank.”

“Excellency,” I said, “I don't care one little bit at all whether it's out of the city's deposit, or your private account, or whether there's any difference between them. But there won't be a light till every dollar is paid. Moreover, this mob is nervous. Moreover, here's the bank.”

We got down, and left the pink and white officer in the carriage with the two other officials. The Mayor stalked grimly ahead of me into the bank, and the thirty thousand was paid.

I made the plant in a carriage in ten minutes. Three scared furnace tenders were there, in charge of a company of pink soldiers. Among them they had two dynamos more or less mutilated trying to switch them on with a pick-axe. At last I got things running, turned on the main switch, and saw the nearby streets leap into brightness.

When Hagan and I came back through the town about eight o'clock, the band was playing in the Plaza, the people rejoicing among the palm trees, which were done up in bunting, and the Mayor was making a speech from the balcony of magistrates to the effect that Portate was a centre of civilisation, a second Paris.

It occurred to me that I was carrying thirty thousand dollars in my pocket, and wasn't a steel vault. The lights were going anyway for to-night, and maybe some public functionary's private bandit might be looking for me. I ought to have deposited before going to the plant, or perhaps—but there was the Violetta , which would be safer still.

We dodged the Plaza, and went down to the docks. Not a boatman was about. I untied a row boat, and we rowed out, looking for the Violetta . It was easy to distinguish her, clean and white, glimmering with bright port-holes. As we drew near we could see the polished brasses shining under the stars. The cool sea wind on the bay and the soft lapping of waves against the boat were pleasant to feel and hear, after the heat and noise of Portate. The sight of the Violetta , neat and compact, made me homesick for the temperate zone and my own people of the North, gray-eyed level-headed people, steady and reasonable. I felt like a carrier pigeon come home.

CHAPTER XXVII—ON BOARD THE VIOLETTA

C APTAIN JANSEN met us at the gangway. There were some changes in the look of the Violetta 's deck since last I had seen it, a year and a half before, in the West Indies. The awning was new. Those geranium pots were gone, which used to stand along the scuppers, and be carried down every night and whenever the weather threatened. The world had been too much for them. The same doilies were on the same rocking chairs. There was the brown mahogany parlour table. But among objects that recalled home conventions, something that breathed eastward, a tropic touch here and there, had been admitted. A huge Burmese tapestry swung from one side of the awning, and the breeze bayed it in, its green embroidered serpents writhing lazily above an honest but uninspiring sofa from Grand Rapids. Yellow Chinese mats from Singapore were on the deck in place of the former flowered carpet.

Mrs. Ulswater sat in her familiar rocking chair, small, thin, quiet, and slightly precise; and on one of the mats, with her back against Mrs. Ulswater's chair, sat a girl in a white dress, with dark hair, with very definite eyebrows and a tilted, provocative nose. In front of her, on another mat, sat Chepa smoking a cigarette. At some distance off, a motionless figure in dingy white crouched in the shadow of the cabin, whom I took to be Ram Nad engaged in abstraction. These were the occupants of the after-deck.

“Kit!” cried Mrs. Ulswater, dropping her knitting. Susannah sprang up and cried: “Did we beat the Mayor?”

I told them about the insurrection, Jimmie Hagan's arrest, and the Mayor's surrender, and how I wanted Dr. Ulswater to take charge of The Union Electric's cash.

“I'm ever so much obliged for your insurrection, Mrs. Ulswater. As to the Mayor—well, you've been around the world yourself since I saw you, and got acquainted with the Gentile. What do you think of him?”

“The alien, the uncanny human who isn't like us. His 'best is like his worst,' isn't it? in our eyes, because both his best and his worst are different from ours.”

“When it began, I didn't know what I wanted, but I thought I should know it when I saw it. And that was the way it turned out. I found out what it was, when I found it. The doctor and Susannah are most of it.”

“Not exactly. It's partly finding things to do, and doing them as they come along.” After a pause she said, as if changing the subject:

“Why, that's the question. The Mayor has his virtues, but he doesn't like insurrections or paying bills. If Providence didn't afflict him with one or the other of those now and then, he might be a philosopher; but now you speak of it, I shouldn't say he was a good loser. It's one of the characteristics of the tropics, to carry grudges long and far.”

“Not in the way of business,” I said, still thinking of my troubles. “It's Portate that introduces poetry into business. If I propose to the Mayor to put in five hundred new lights, he proposes a procession. If I tell him I'm going to repaint some of the trolley cars, he announces it that night to the populace from the balcony of magistrates, and the populace comes and asks me for a free ride, and The Union Electric's employés claim it's a holiday. You see, Miss Romney——”

“Oh! Well, Susannah—You see, Susannah, Portate furnishes all the poetry The Union Electric Company will stand. They can't afford to let me decorate the situation too. That's why I have some doubts about the ultimatum and the insurrection. They were rather decorative, weren't they?”

She got up and walked away across the deck, in the manner of one conducting powerful operations with the muses. She came to where the dingy heap of eastern wisdom sat against the cabin wall.

“Ram Nad!” we heard her say, with a stamp of the foot, “you go this minute and get your shawl!”

“He catches cold easily,” Mrs. Ulswater explained. “I told him not to sit out evenings without his shawl.”

Chepa and Hagan had gone forward sometime before. Susannah paced the deck apart with folded arms, making poetry about me. Mrs. Ulswater sat in her rocking chair, knitting, listening, talking.

I was thinking that she would have been a dangerous woman, with all that will and reserve, if she had not happened to be honest and kind. She could not help but foresee and devise. I wondered if she were plotting and planning at the moment, and for whose benefit. Likely it was for mine. I wondered if the Mayor were plotting and planning for my distress or destruction at the same moment. Likely he was. I didn't much care. Mrs. Ulswater had rearranged the tropics here and there, but they had not rearranged her. It was about eleven o'clock. Susannah was extraordinarily pretty. As the subject of a ballad by Susannah, of a plot by Mrs. Ulswater, and another plot by the Mayor, supposing all these things were going on, I seemed to be in the centre of things.

At that moment the sound of oarlocks startled us. We rose and went to the rail. A boat drew near on the dark water. On the surface of the water the lights of the distant city made long broken reflections. The boat drew up at the foot of the gangway, and Dr. Ulswater mounted, followed by a large powerful man, gray-haired, with a long dangling moustache and lean throat, carrying on his broad shoulders a large oblong box. Behind them came up one of the boatman, carrying a trunk. Susannah cried:

“Jansen,” said Dr. Ulswater, “get up steam. We leave as soon as you're ready.” A moment later we were seated under the awning; Mrs. Ulswater in her rocking chair knitting and nowise excited; Susannah, her hands clasped about her knees, back against the rocker, eagerly absorbing all things; the doctor, the grizzled Sadler and I, each negotiating one of the doctor's cigars. Chepa, with his cigarette, and Hagan, with his black clay pipe and extravagant hair, squatted together on the deck.

CHAPTER XXVIII—HANNAH ATKINS

W E sought you at your house, Kit,” said Dr. Ulswater; “we sought you also at the establishment where you generate that mystical fluid which now travels meekly, invisibly, its slender wires, and now spits like a red-hot cat. You electrical engineers have your fingers on the pulse of the universe. I admire in you the representatives of the age.

“The condition of affairs in Portate was most mixed and unclassified. No light anywhere, except here and there a smoky lantern, and such sulphurous beams as the eye of imagination might detect, or conceive, gleaming from the bosoms of some thousands of furious citizens. We reached the railway station with the feeling of having been miraculously rescued. The town, however, was quieting down. Most of the citizens had gone home to plot your assassination. Your ultimatum seemed to be everywhere known. Evidently you were not meaning to be found that night by friend or foe, and therefore Sadler and I went our way in the interests of archæology.

“There is a national museum at the capital of this country, which contains an extraordinary collection of Inca relics, but is as disorderly as Portate emotions. Thither we went by the slowest train the ingenuity of man ever invented, getting what sleep we could, through the night, upon car seats of mistaken construction, each one of which was a populous commonwealth of bugs.

“Arrived at our destination in the morning, I found my way to the Museum, and presently was buried from the world, lost to the present. It must have been near noon when Sadler came and found me surrounded by pottery, weapons, tools, and the swathed bundles of the mummied dead.

“'Bless my soul, it's to-morrow! This thing's got to stop! I'll be older than an Inca!'

“'You're a swaddled infant,' he said. I thought Mrs. Ulswater said it was to-morrow. I've got a present for you.'

“Birthdays, indeed! What had I to do with birthdays, who was reborn into eternity on the day I married Mrs. Ulswater! I had no use for them. I wished some one would make me a present of the treasures of that mixed-up and ruinous museum, and rescue them for archaeology. Carvings! Do you happen to know that the Inca signs of the Zodiac are practically identical with the Egyptian, that, moreover, they probably antedate them, that——”

“I can prove it to any man with eyes,” shouted Dr. Ulswater, thumping his knee.

“Which I holds myself,” said Sadler, gloomily, “that any man, with eyes, can see as them signs of the Zodiac all comes from the jim-jams, and the first man that made 'em was the first man that had drunk not wisely but too often.”

“Fiddlesticks!” said Mrs. Ulswater. “What was the present, and what about it?”

Dr. Ulswater wanted to stop there and discuss the origins of the signs of the Zodiac, and the orderly narrative was getting into a bad condition, but Sadler took it up.

“Well, it was this way, ma'am,” he said. “I left the doctor at the Museum. Them mummies didn't look to me respectable, but maybe they are, only as you told me to look after the doctor, I didn't know as I'd ought to leave him in that there dissipated society. But I went off down the street, and by and by I see a man I knew, named Sanchez Beteta. He used to be a graceless young one, son of a poverty-stricken caballero who lived on Valencia Street in Portate. Beteta was walking stately and soft, and he had on patent-leather shoes that was pointed like pins, and he had a cane that was an airy vision, and a buttonhole bouquet, and fixings, and side whiskers, and clothes that was beautiful to make a bad egg remember its young dreams, and he come along like his garments was angels' wings. I says to myself: 'I want to be like that'; and I pokes him in the chest sudden and solid, and I says, sort of ingratiating:

“'Where'd you steal them clothes?' I says in West Coast Spanish. He looked me over with a haughty eye. Then he says:

“'If you're a ghost,' he says, 'I wished you'd fade away. How and why do you exist, aged one?' and I says:

“Then we went and got them vanities, and paraded in glory on the fashionable highway that's called 'The Paseo,' and he told me the origin of his clothes. They came from his being in the Government, a sort of Subcommissioner of National Monuments and Memorials, and from that position's having some pickings of drumsticks while his superiors was busy with other parts of the chicken. I told him how I'd come there, and how electricity had played it dark on Portate, and how Dr. Ulswater was at the Museum sorting out knowledge and wishing he had an Inca mummy for home consumption. Beteta knew about Portate. It was in the morning paper that's called 'El Patria.' Then he took to thinking.

“'Would the learned senor,' he says, 'pay a price for a royal mummy? He is, you say, of great wealth.'

“'Which,' I says, 'is a fraud. It's made of mashed paper and it ain't got no pedigree.'

“'Not at all,' he says, 'not at all! I scorn you. Could I, who am but an amateur, deceive one learned as your friend? It was in this way, simply. Some years ago an ancient tomb was opened and found to contain mummies of the family of the Inca, Huayna Capac. Of him you know nothing at all, but your friend does, and without doubt he knows that most of that family died during, or after, the Conquest. Without doubt he knows of the tomb I speak of and its discovery. It was described in the publications of science. Now the Museum is in my Department of Monuments and Memorials, and somewhat under my charge, because of my great interest in my country's antiquities. Also because of this interest I was allowed to acquire one of these relics for my private collection. But alas! I am unfortunate! Integrity and poverty go together. It rends my heart. I fear I had better dispose of my treasure. You will ask, “Why not to the Museum?” Again, alas! Evil tongues would whisper. I, an official of the Department, sell to the Department! My own conscience, too delicate, would shrink. But you are hardened, of an evil mind, a cynic. You don't understand the scruples.'

“'Sure,' I says, 'I do. Remorse and me are bosom friends. Come see the doctor.'

“'At present,' he says, 'I have an important engagement. Bring him to my house at three this afternoon. Number 20, Street of the Museum.'

“I went after the doctor then, and asked him would he have a birthday present, and what was the market price of royal mummies of the family of Hannah Atkins. 'Who?' says he, and I tried it again. 'Oh!' he says, 'Huayna Capac!'

“'The same,' I says. He stated a likely price, which stumped me some, for Beteta had only asked about a third of that for his mummy, and I didn't see Beteta's game. I judged he must be an ignorant amateur on mummies.

“We went to lunch, and about three o'clock we come round to Beteta's house. It stood side up to the side of the Museum, with a little paved court, or patio, between. You had to go into the patio to get into Beteta's house, and there was a small door in the Museum that opened on the patio too. Beteta let us in and showed his mummy in a box on a table, and it was that roped and done up in coloured cloth you could tell it from any sort of bundle, only there was a copper placard on it, which appeared to be antique.

“'It has been in the Museum for some days past,' says Beteta, 'because of comparisons I desired to make with the other plates.'

“'I regret that an important engagement now hurries me,' says Beteta. 'My house is yours, but if you go back to Portate to-day, the train leaves in two hours.'

“'So regrettable! But, without doubt,' says Beteta, 'you will return. My house is yours. For me, but an amateur, to make acquaintance of a learned archaeologist, how grateful! You find here materials for packing. My house is yours. Adios, senores. The public servant is not master of his time. Adios, senores. My house is yours.'

“'Why,' says the doctor, putting on his glasses again and looking wise, I think you and your intimate friend belong to the genus gammon, species humbug; but his mummy is all right.'

“'If it's a sure Hannah Atkins, that's what I'm asking,' I says. 'I guess Beteta ain't even an amateur on mummies, and he's skeered of conversation with you. I guess you're right there.'

“We packed Hannah Atkins, and toward five o'clock I shouldered the box. Some populace saw us come from the patio and followed us to the station, wondering what a caballero, with a cane and a buttonhole bouquet, and a box four foot long on his shoulder, and a amiable large party in a white vest behind him, was doing with that there combination of circumstances. So we caught the train and started for Portate. There was another man I used to know on the train. He was a Scotch engineer in the employ of The Transport Company and named Jamison.”

CHAPTER XXIX—MR. JAMISON

“He did,” said Sadler. “His conversation was meaty. I'm makin' a dramatic pause.”

“Then I'll expand your imagination, Susannah,” said Dr. Ulswater. “Huayna Capac was the great Inca who died in 1527, the year Pizarro landed. Three of his sons contended for the throne, Huascar, Atahualpa and Manco, but how many other children he left is nowhere stated, to my knowledge. The marital system of the royal house, however, being such as it was, it is probable they were numerous. The mummies discovered some four years ago were five in number, each with a copper plate sewn to the cerements, and inscribed, ostensibly by one Padre Geronimo Valdez. Each of the inscriptions states that the enclosed person was a daughter of Huayna Capac, who had been baptised and buried by himself, Padre Geronimo. The date given on this plate is 1543. We have yonder then, in all probability, all that remains of a daughter of the Incas.”

Dr. Ulswater continued the narrative. “Mr. Jamison was a Scotch person, with dusty eyebrows and considerate eyes, his speech compact of caution and a burr. Sadler told him of our acquisition and inquired about the man Beteta.

“'Because,' I added, 'if the gentleman is no amateur of mummies, why should he have a mummy in his possession? And if he hadn't any,—if, in fact, he stole it from the Museum,—why should he risk so much for the no great sum the mummy is worth, in fact, for the yet smaller sum which he received? It seems more probable that in some way it must have been his.'

“'For that absurdly small compensation?' “'I hae doots about the size of it.'

“'I hae doots ye'll find some pink military at Portate that'll maybe explain.'

“'I hae doots,' said Jamison, 'he may have an understanding with his Department.'

“'Why,' I said, 'you grow in mystery, Mr. Jamison. You cover the land with darkness. If the sum he received was too small to explain him by himself, it is surely too small to explain an arrangement implying a distribution. Ha!' I exclaimed. Let me consider.'

“'Right you are, doctor,' said Sadler. 'You have the idea now. He wan't anywhere round when we left.'

“Certainly, on consideration it seemed to me, that if we were accused of ourselves extracting her whom Sadler insists on calling Hannah Atkins—feloniously from the Museum, we would have some difficulty in proving the culprit to have been Beteta.

“'Beteta,' said Jamison, slowly, after a pause, 'has some sma' penetration. Without knowing much about archaeology, he might consider that a gentleman with a steam yacht is maybe a man of some substance, that might pay a bit more for immunity than for a mummy. For the interests of the Museum, he might consider it proper to attract a strategic contribution from a foreigner. I hae doots the appropriations for the Department of Public Monuments and Memorials don't support its offeecials to their satisfaction. He might arrange the circumstances so that the circumstances would be suffeecient. He might so put it to persons who might be suffeeciently authoritative to make it suffeeciently safe. They might send an authoritative despatch to the Mayor of Portate. I have a bit of information the facts are no so far from that supposition. No that I'd care to be an authority for the statement.'

“'It may be so,' said Jamison, 'but he has some sma' penetration. It's my recollection too that our friend Sadler was in no verra good odour with the authorities when he left some years ago. Folk said he ran away a wee bit surrepteetiously, or maybe he'd deny that.'

“'Oo! Is it so? But I hae doots Kirby has troubles of his own. I hae doots it would be better to keep the two troubles apart.'

“'Well,' said Sadler, 'it's this way, doctor. Seeing I got you into it, I guess it's mine to get you out,' and he left the car. I asked who was Dorcas.

“'Oo—he's superintendent of The Transport Company,' said Jamison, 'but I doot if Sadler will be able to find him the night. His house is outside of Portate a bit. We pass it on the railroad.'

“He paused and looked thoughtfully through the window. The night was falling. A desolate country indeed, a sandy and rocky desert, is this coastland, for the most part. I was reflecting that, if Sadler had a plan, I might as well take what comfort was passing, whatever meat of conversation on several subjects this shrewd Scotchman might afford. I started on the subject of South-American archaeology, but Jamison did not respond. His mind seemed to be elsewhere. At last he said:

“'Ye'll maybe make a reasonable compromise, if Dorcas is with you, and I hae no great doots but he will be, for he was friendly with Sadler once. And leaving that, I'll no deny I'm going down to Portate myself on a soommons from Dorcas, but it's no aboot you and your mummy. It's to take charge of The Union Electric's plant. Whereby, as you're a man, I see, of no sma' penetration yourself, doctor, ye'll be seeing it's likely Kirby's no expected to be in a poseetion to run the plant to-morrow night.' “'It seems to follow, Mr. Jamison,' I said, 'that the Mayor means to arrest him tomorrow.'

“I hae some information he did so this morning, but I opine the Mayor will be letting him out this night to run the plant, or Portate will be dark again.'

“'On account,' I questioned, 'of there being no train that would get you to Por-tate before ten?'

“'It's a wild thing, Mr. Jamison,' I continued, after some thought, 'a frivolous intelligence, a restless and turbulent member. Its mad quest after information is always making me trouble. It wants to know now how you and the Superintendent of The Transport Company happen to be so willing, not to say eager, to get into collusion with these corrupt and debt-dodging municipal thieves in Portate, and thereby to spoil Kirby's most enlivening and pleasant stratagem for collecting a just debt. It wants to know whether Kirby's being in jail is any personal gratification to either of you gentlemen.'

“'No personal, doctor. Kirby is a good man. Oo—a wee bit hasty and cocksure, but he's only a lad. But your penetration is doing well. I'm thinking it might better go on.'

“'On your suggestion, it will,' I assented. 'The Transport Company and The Union Electric are rivals presumably. Presumably, then, the former has no objection to winning favour with the authorities at the expense of the latter. Waiving the question of fairness or morality——'

“'Waiving them entirely,' I said, 'The Transport Company seems to be in line with prosperity at the present moment.'

“'Engineers and conductors are easy on this road,' he said. 'One dollar apiece. We'll pull up where the road crosses to Dorcas' place, and disappoint that there pink military.'

“'Verra good,' said Jamison, nodding kindly. 'I'll go with ye, and I'm thinking we'll be there in a few moments now.' Presently the train slowed down and stopped. Sadler shouldered Hannah Atkins, and we got out. The train went on its way. The glimmer of the not distant city showed that the electric plant was working. To the left some distance stood a large house among trees, and to it a road ran from the railway crossing. It stood near the bank of the river, a yellow, stuccoed house with a patio. A man who met us at the door exclaimed:

“'What, Jamison! What, what! Why, why! Sadler! Come in, come in. What's that box? How d'ye do? Have a cigar! Have a drink. Good Lord!'

CHAPTER XXX—MR. DORCAS

H E was short, thickset man with a stubby chin whisker, an incessant energy, and an amazingly choppy manner of speech.

“'Just so; just so,' he said when he had heard our circumstances and needs. 'Drive you around myself. Do it myself.'

“Shortly thereafter he was driving us with two small ferocious horses through the starlit night, over tumultuous roads, circling the city, in order that—without passing through it, or meeting its expectant pink militia or gend'armerie—we might get to some point on the bay where a boat could be obtained to the Violetta .

“'I see, I see,' he said. 'You'll have to get away. Get away. Before daybreak. Beteta. Know him well. Damn rascal. Right, Jamison! Right. Clever old boy, Jamison. Old boy. I was up City Hall. City Hall. Five o'clock. Saw Mayor. Saw despatch. No names though. Said Museum was robbed. Description. No names. How should I know? Too early, though. Beteta ought to have waited. Seven o'clock. Time enough. Damn fool. Make no great difference. Maybe not. Humph! Good enough case. Got you short. Eh? Few thousands. Blackmail. Wouldn't do. Eh? Keep the mummy? Lord, yes. Your game. Whoa! Here's Kirby's house. See if he's here.'

“Singular conversationalist, Mr. Dorcas. His discourse resembled the precipitous flow and fall of successive bricks. He pulled up before that house of the picket fence, visited by Sadler and myself the night before. But all was dark, not a window lit, no one within.

“We could see, however, the low buildings, tall stacks, and shining windows of the electric plant some distance away. Jamison departed for the plant, saying he would tell Kirby we were there, if Kirby were at the plant. Dorcas fastened his horses to the picket fence. We sat on the edge of the porch and held council.

“'Kirby in bad hole,' said Dorcas. 'Mayor crazy. No lights. Snuffed out the city. Cool, but risky. These boys, Lord! What nerve they have! Don' know. Might have worked, maybe. But that riot. Bad. Irish. Jimmie Hagan. Red hair. Proclamations. Hot. Printed too. Hagan had 'em. Mayor's tenderest corns stepped on. Insurrection. Sedition. Mob. File of soldiers. Dead wall. Bang! Dead Irish. Next, Kirby took the riot. Clubbed the Mayor with it. What! Collusion with rebellion. Humph! Got his bill. Yes. But the Mayor's got him. Never forgive. Never!'

“'Irish!' said Sadler. 'Proclamations nothing! Irish never got up an insurrection.'

“'He must have run into Chepa,' said Sadler. 'Chepa used to have sand, and he's Kirby's foreman, now, ain't he? We heard so. Him and Irish used to be with each other like a man and his pug dog, and each of 'em thought the other was the pug dog. That's a proper international relation, ain't it? Wrath of God!' says Sadler. 'Look here! Chepa never did this by his lonesome.'

“'Citizens, rise! The Mayor tyrant has arrested the electric lights! The Mayor, betrayer of the people, has put in jail Kirby, friend of the people! The Mayor thief has stolen the people's taxes to buy gilt furniture! The Mayor pig eats the people's taxes! Therefore is he fat and shaped like an egg which within is bad. Kirby, friend of the people, is desolate because he cannot buy more electricity, because the Mayor sneak will give him no money which the people gave him! Release Kirby or Down with the Mayor! Shall Portate be darkened forever? Citizens, are you slaves? Citizens, be not deceived! Citizens, rise!'

“'Peppery, ain't it!' said Dorcas. 'Red hot. Who did it! Don' know. Kirby, maybe. Don' know! Done for himself now. Sure.'

“Jamison came up deliberately. He said there were some men tending the furnaces and dynamos who thought either Kirby or Chepa would be back before midnight. Senor Kirby had said he was going to visit a foreign vessel in the harbour. They knew no more.

“'Why, there!' I said; 'He's on the Violetta already. But undoubtedly there will arise a point of duty, of responsibility. But you are a responsible man, Mr. Dorcas. You may be playing a game of your own, but my impression is it will be, on the whole, a decent game. I'm willing to be convinced it is, however it may look not over friendly. At any rate, Kirby knows you, if I do not.'

“'Knows me!' Dorcas said. 'Knows me! You're right. Point's this: He's done for himself. Persona non grata . Poison to the Mayor. Spoiled the Mayor's face. I'll see to property. Cable Union Electric. Send another man. Tell 'em he did well. All considered. Overdid it some, maybe. Bad hole. No good here now. Cats and dogs. Fines. Thirty thousand up the spout again. Damages. Anything. Queer country. Got to play it, you know. Same as a trout. Better clear out.'

“I said, 'But in that case what are we doing here? He'll want to come here to pack up, and as we leave before daybreak, he'll have no time to spare.'

“'Better not. Things happening now. City Hall. Pretty likely. Military here most any time. Despatches to Beteta. Despatches from Beteta. Gunboat after your boat. Don't know. Point's this: Whose a burglar? I am. Pack up for him. Why not?'

“Sadler said, i don't know Kirby, but I'll take the liberty of busting his window, if that's all. Looks to me as if one had been busted here already.'

“He put his hand through the broken window pane and unfastened the window, and we entered, leaving Dorcas with his horses.

“Our selections from your apparel and other properties, Kit, I trust you'll find to have been judicious.

“Dorcas drove us to the north side of the bay and routed out the men who rowed us here. They are, I believe, employés of The Transport Company. Dorcas refused to come with us.

“'Better not,' he said. 'Point's this: tell the Mayor I haven't seen him. No collusion. Mayor's friend. You tell Kirby. Write me letter. I'll wait here. Send it back. Power of attorney. Take charge. Responsible. I say so. Tell him. Goodbye, gentlemen. Glad to've known you. Good-bye.'

“Having arrived then,” concluded Dr. Ulswater, “it remains to inquire if we've done well. If not, the boatmen are waiting, but if we have——” Here Dr. Ulswater leaned forward, and put his hand on my knee.

“My dear boy, I believe I speak for Mrs. Ulswater too. We've been the round of the world, missing you.”

As I thought it over, it seemed to me plain that Dorcas was right. He and Jamison were very decent sort of men. If Dorcas took the responsibility, the property would be safer with him than with me, supposing I was in jail. Could I serve The Union Electric better, under the circumstances, than by running away, as a sort of scapegoat, carrying off The Union Electric's ill-odour with the Mayor, along with the thirty thousand? The Company ought to be satisfied. I didn't like running away. I longed for another crack at the Mayor. I looked at Mrs. Ulswater, at the doctor, at Susannah.

I supposed Dorcas was right about the ultimatum too, if the doctor had reported his jerky hints correctly. He had lived in the country almost as long as I was old, and was clever and wise. I had felt proud of that ultimatum. It was new and bold and spectacular. But Dorcas had put his finger on the flaw in it, the injury to the Mayor's prestige, by which nothing was gained and much was lost. He might have pardoned being held up, if it could have been done behind the door, though I didn't see how it could have been done. He might even have pardoned the ultimatum, but there were Chepa's proclamation, whose blasting rhetoric was Susannah's—Susannah's genius and Chepa's idiom—and Mrs. Ulswater's insurrection in general, and my taking advantage of it—why, Dorcas was right there, at least. The Mayor had a whip-hand now, for the Government would back him up now with a case for international argument. The riot was bad business. It looked as if Mrs. Ulswater were not so infallible as the doctor thought. I wasn't altogether a success either. The Union Electric might or might not think me all right, but Dorcas was right, and The Transport Company had won a point over us by having elderly wisdom to manage its affairs in Portate, instead of a young one whose nerve was longer than his head. Anyhow, the milk was spilt.

“I'll write to Dorcas,” I said, getting up. “I seem to have run through my usefulness.” While I was writing in the cabin I could hear the chain and wheel where the crew was hauling in anchor. The hands of the cabin clock pointed to one o'clock.

Had Mrs. Ulswater contracted a habit of coups-d'état? Certainly her riot didn't look like workings of infallible good sense.

CHAPTER XXXI—SUSANNAH—END OF THE VOYAGE OF THE VIOLETA

I F Mrs. Ulswater, then, had planned her riot in order to make my position in Portate untenable—as a sort of explosion of blasting powder to loosen me from South America, it seemed reckless. It was not like her to make a mess of a man's business in order to please only a notion of hers to have him in her floating asylum. She had had, as I remembered her, a curious awe of business. It was implanted in her, I supposed, by Mr. Mink of Ohio. One would say offhand, of course, that she had meant, by these incendiary proclamations, merely to frighten the Mayor into releasing me, and had not seen beyond that. Of course, that might be the case.

But when I asked her just what was the extent of her plan, she seemed reserved, and wanted to talk of settling somewhere in the States again. She thought Portate a past issue. She wouldn't say whether or not her conscience was clear about the riot, but she didn't seem to be troubled. She was figuring about what kind of place would interest Dr. Ulswater to live in.

We were to go first to San Francisco, where the doctor meant to ship Hannah Atkins to the Eastern museum for which he collected. She asked my advice about a place to settle in. Doctor Ulswater was fond of unsettled travelling and might be hard to satisfy. She didn't find my advice of much use. I judge there were too many rolling waves of moonlit imagination in it. Something seemed to be lacking, but she wouldn't say what the flaw was. I suspected she wasn't precisely stating the nature of her aim and purpose. She began to consult Sadler instead of me, and I took to running down Hannah Atkins to Dr. Ulswater, so as to induce his eloquence, calling her obsolete and stolid, or criticising the way she'd been laid out rather hunched up; and he would pour out South-American archaeology till everybody took a new interest in life. All you had to do to start him, like a spring flood in a thirsty land, was to begin something like this:

“Of course,” you'd say, “I'm not real well acquainted with mummies, and I'll take your word Hannah's a good specimen of her kind, only I'd call her laying out pretty economic and bunchy; and of course she's not in it with an Egyptian mummy for a minute, but we won't quarrel about that, though on the outside she's pretty much like a bag of meal, and when opened up, the difference is all in favour of the bag of meal; but that isn't the point—-” and so on. Give him an opening, and he'd shed knowledge like rain off a roof, till you felt glad to be alive.

Or else I would go off with Susannah and help her write her poem on me. That poetry was so candid that it got away from me. It soared off on the wings of truth, and dealt too much with pure facts. My nose not being straight, it stated the fact, not brutally, but simply. Any weakness I had, and there was a rhyme for it, down it went, and if there wasn't a rhyme, she just planted it in the beginning of the line instead of at the end. Technical difficulties never balked her of that. There were one thousand, two hundred and fourteen lines before we got to California. I wouldn't take a fortune for that poem. It was more than a photograph. It fitted me like the skin of a snake. But that's not its main value.

But I was new at literary criticism or I wouldn't have made that mistake. It went on:

Then the poem went through with the circumstances of the Portate Ultimatum, the Hannah Atkins plot, and the sequel of those complications.

Now, from that point on, it went along something like a diary. It recorded daily incidents, reflections, comments, the shades and modifications of Susannah's opinion of me. It was minute, microscopic, and detailed. It went into unsuspected corners, and hauled things out, and delivered judgments on them. If the book of the Recording Angel is put together on that model, it's surely a good model. Perhaps the first sight of the record and analysis will make a man squirm. But I wouldn't ask for a better Recording Angel than Susannah, or a judge on the whole more just. But that is not the main value of the poem to me. It began to strike me in a new light when I discovered that Susannah had my sins on her conscience.

This was a kind of light to stand in, not only searching, but one that manufactures repentance faster than a man can dispose of the goods.

Two things began to dawn on me: first, that, although, as the subject of Susannah's poem it was natural I should be all around in it, on the other hand, looking at the poem as a diary, I was more ubiquitous than seemed reasonable: second, that the diary was getting on my nerves. In fact, passing time was becoming a sort of running commentary on Susannah. It dawned upon me that Susannah and I had fallen into the habit of occupying each other's horizons. Then said to myself, “I'm in for it. It's the way the world is made.” This was toward the end of June. The Violetta was in sight of the California coast, and the blue mountains of the Coast Range were a fringe along the eastern skyline by day.

One night I sat with Sadler, looking across the water toward where our native land lay in the darkness, he twankling on his banjo and I thinking of the condition of being a running commentary with an occupied horizon. By and by he began to mutter and grumble into a sort of tune whose joints didn't fit. On the whole, as a tune, it was an offence to music, and didn't agree with my idea of what is morally right. But it surely suited him. He began to sing to it, and the words didn't suit me either.

“Of course,” I said at last, “I might be mistaken, for though you're some stiff maybe with ancientness, still you've got weight and experience, and accident and foreordination ought to be allowed for.”

“Sure they ought. You're right, sonny. That there's a good balance of facts.”

“Allowing for all that then, still I'd like to remark that if you kiss Susannah again, I'll knock the head off you myself.”

“Is them sentiments genuine?” he asked, “Which I wish to inquire if they're the offspring of wrath.”

“Well,” he said, “it's this way. Scrapping is roses and raptures to me, but the facts don't allow it. The facts of that poem ain't in my experience but yours, which is why I'm weeping to the moon.”

“They ain't! Well, why ain't they?” Then he swore in a slow, plaintive manner.

He went off leaving me reflecting about all the things a man misses. Then I thought about the way things are linked together, one thing happening because of another.

For if the King of Lua hadn't roused Mrs. Ulswater's wrath so that she had to carry him off, she wouldn't have carried off Sadler too; and if Sadler hadn't been a poet, probably Susannah wouldn't have been either; and if Susannah hadn't begun a poem on me, it wouldn't have turned into a semipublic diary; and if I hadn't seen her diary, and seen it grow from day to day, I wouldn't have got into that tumultuous condition. Susannah saw through me, as if I were a window pane, but the window, through which I saw into Susannah's secrecy, was her diary.

At last I got up and went down into the cabin. Susannah was not there, but the doctor was reading to Mrs. Ulswater.

“Mrs. Ulswater,” I said, “is Susannah too young to be kissed; that is, by me?”

“As to the date of your suspicions,” he said, “you are an authority, but as to the date of the success of Mrs. Ulswater's plan, you are in error, in error. Mrs. Ulswater's plans begin to succeed when she begins to make them. The beginning of the end is coincident with the beginning of the beginning. She has an arrangement with destiny. She i——”

“Not at all! Not at all!” he cried. “I'll bet Hannah Atkins to a fresh infant that Mrs. Ulswater laid the lines of your future a year and a half ago, and started for a predestined Island of Clementina, and collected a foreordinate orphan whom she had spotted from the description of the late Mr. Tupper. 'Susannah,' she said to herself, 'will do for Kit. We'll go to Clementina.' Pundits, prime ministers, and reigning monarchs she picked up by way—populations rioted as she found convenient—mere incidental details to a further end. Through helplessly remonstrant oceans, through a universe undisciplined and disorderly, she pursued the judicious tenor of her way. Here and there she altered the trend of history. It was nothing. Missions! Not at all. Her purpose was to make a match. The feminine mind——”

CHAPTER XXXII—ZIONVILLE

I N San Francisco Dr. Ulswater set about despatching Hannah Atkins eastward, and I got into communication with The Union Electric Company. Sadler disappeared. He went with Dr. Ulswater to see Hannah Atkins despatched, and then disappeared on business of his own.

Dr. Ulswater wired east: “Goods shipped by S. P. as per letter to follow.” Two days later he received a telegram from the East: “What's the trouble with your shipment?” He wired back: “Don't know of any trouble,” and received this mystic and portentous reply: “Held up at Zionville.”

Zionville! Where and what was Zionville? Dr. Ulswater and I were to find out. How shall one answer the question: “What is Zionville?” We may begin in this way:

A stranger visiting Zionville to-day, if he is one with eyes to see understanding, will notice that the distinction of the place, in some singular and subtle way, seems to come together and concentrate on its cemetery, a noble enclosure with an imposing arched gateway. He will wonder how and why.

If he takes my advice, he will inquire first for Babbitt's Hotel. He will find there a long veranda with thin green pillars, many cane-backed chairs, and many occupants of the chairs. Of these occupants let him inquire for William C. Jones. It may well be that one of the occupants will be William C. Jones. Let him fall into casual conversation with William C. Jones. He will find him full of local patriotism, elderly, cross-eyed, a lawyer by profession, a man of harsh voice, and manner of speech as indirect as his left eye; of a bleak and barren face, heavy, morose, shaped like a Bartlett pear, with light eyelashes and no eyebrows; a man of statesmanlike carriage, with care up on his forehead. Let the stranger, pointing to the cemetery's tallest monument, at last inquire:

“What's that monument for?” Maybe, if he should speak of it as “that pillar of distress,” or some such equivocal term as might suggest a doubt whether he liked its architecture, it might be a good plan. Then William C. Jones will fasten on either side of his questioner a glassy diagonal stare, and speak something to this general effect, inquiring:

—Whether you are a sarcastic and facetious party, or one that has misspent his youth and means to die sudden and ignorant; and if so, whether you are inclined to ribaldry, and don't know a real serious subject from a can of spoiled beans; or are merely a sort of Hottentot party, disguised in a different and on the whole inferior kind of homeliness, with features not well assorted, morals depraved, and intellect omitted; and if so, whether on that account you ought to be excused for illiteracy respecting that world-renowned monument, or were not well brought up, and possibly intend better than you talk.——

Under the guidance of William C. Jones let the stranger go about, listen, and observe. He will hear that originally Zionville was the offspring of a gold mine. He will see that at present she lies in the midst of orchards and vineyards. Superficially, she is a small and happy city lying between the flat plain of the Sacramento and the lower foothills of the Sierras. In reality she is a personage. No origins account for Zionville, and no appearances define her.

Dr. Ulswater is fond of drawing fine distinctions between what he calls “the phenomenal and noumenal Zionville,” between “the objective and the subjective Zionville,” between Zionville as she appears to the senses and “Zionville as such.” This is all more or less beyond me, but I'd go so far as to admit that “Zionville as such” is a personage without parallel in the solar system, without example in the Milky Way. How shall I describe her? She is romantic, and incurably young. She is nonchalant, and yet interested. She is open, unashamed, and yet impenetrable.

When Dr. Ulswater and I first saw her, she appeared to consist of some hundreds of ramshackle houses thrown down anywhere, a few handsome residences on the hillsides, a couple of brick blocks, a high school, a jail, three churches, Babbitt s Hotel, and an outlying Chinatown. There were no sidewalks then to speak of, except on Main Street. There were some gas lamps, but nothing electric, and nothing that looked like a cemetery. Westward lay the plain, eastward the wooded hills and lonely canyons. Nothing spoke outwardly of Zionville s aspirations, her hopes and dreams. And yet she stood there in a crisis of her history.

It is well established now that there are three great dates in Zionville history, of which the first marks the discovery of the Eureka Gold Mine, and the second the Reformation. Opinion agrees that before the Reformation she was already a personage, but admits that her morals were seedy; that morals was not a subject to which she gave any great attention.

The history of the reform movement is a volume by itself. The subject of morals once called to her attention, she went at it with her characteristic ardour and efficiency. Anything labelled “Morality” she was ready to try. She set her mind on higher things. She became conscious of her destiny. A new era dawned. She discarded her old name. The name “Zionville” dates only from the Reformation. Her former name is expunged from her records. No public-spirited citizen ever mentions it now.

Dr. Ulswater and I stepped, then, from the train, and looked about us, and saw a drowsy, shiftless looking town, loafing, sprawling at the feet of the hills. We cared nothing for Zionville. We were looking for Hannah Atkins. We wanted to know what brigand of the Sierras was low-down enough to hold up a lady of her age, discretion, decent poverty, and illustrious descent. We asked the station master if he had any news about him concerning such and such goods, so and so labelled.

He was a small man with pale eyes. No sooner had Dr. Ulswater spoken than his pale eyes glowed with purpose. There was a sudden and mysterious light in them. It was the reflection of the torch of Zionville. It was our first glimpse of Zionville's pure flame.

He sprang up. He ran past us without speaking, out through the open door, and sped up the dusty street. We stood alone in the silent, empty station. The doctor walked to the door, adjusted his glasses, and gazed after. I followed.

“Doctor,” I said, “Hannah's got into trouble. Maybe she stopped off for breakfast and didn't pay her bills.”

He was beyond the reach of jibes, listening, gazing at the phenomena before him. We both looked. We saw Zionville waking up, shaking her mane, pealing her eagle eye, girding her loins and unlimbering herself. First one figure, then another appeared in the hot sunny street; then groups, throngs, gathered and martialled. The dust rose so thickly as to hide them, but the distant murmur grew, and now we heard the thump of drums, the clash of cymbals, the piping of fifes. The brown dust cloud came rolling down the street toward the station; through it we soon discerned the approaching procession, men and women and a fringe of clamouring children.

“Mad!” said Dr. Ulswater. “Why, it's a palpably insane community! What do you conjecture they're after?” I said:

The dusty procession was upon us. We were seized and thrust into the middle of it. The tumult, the shouting, and the noise of semi-musical instruments was so great that if anybody attempted to explain or answer questions, I didn't make it out. I noticed that the confusion was really superficial. Nobody seemed to be in command, every one seemed to have a hand in what was going on—whatever it was—and some common understood purpose seemed to guide it all. It was an organised miscellany. Up the the street we went through the dust, drums, cymbals, fifes, and flags before and after. We turned at last, crowding up the alley where a large hall used to stand behind Gregson's grocery. Whoever in Zionville was not in that hall was looking in through the windows.

CHAPTER XXXIII—WILLIAM C. JONES AND LOUISA

A T the upper end of the hall was a low platform, on the left side of which sat twelve men on benches. At the right end of the platform stood that familiar oblong box that contained the last tabernacle of Hannah Atkins. The covers were off. There were signs about her of considerable investigation. A table stood in the centre of the platform and behind it sat a very small man, with a long silky black beard and very delicate features.

Gentlest and suavest of men! He was called “Louisa,” this magistrate. For if he had, hanging disconsolately in the rear of his history, the family name of “Bumper,” it was nothing to the point. The sure taste and discretion of Zionville always refused it.

At that time he was Justice of the Peace, and Coroner, and some other things, and in after days Mayor of Zionville. His voice was sweet, tender, soothing, a sort of a tenor warble; his manners were beautiful, and language flowed from him like molasses from a spigot.

In front of the platform stood a man of features reminding one of the Sahara Desert. This was William C. Jones, the Public Prosecutor.

Dr. Ulswater was in a condition of wrath. With him a condition of wrath implied a condition of eloquence. We being hauled up before that soft and subtle child, Louisa, with Louisa, W. C. Jones, and all Zionville wanting to know all about Hannah Atkins all at once,—being, in fact, for the first time face to face with Zionville, that unique phenomenon,—any kind of behaviour on our part would be likely enough; but on account of haste, and on account of some punches in the back due to the ardour of the occasion, Dr. Ulswater had emotions in his head that kept discharging his hand upwards from his head in a series of explosions, and he started in to give his opinion of Zionville, and let off opinions in volleys and artillery playing wonderful. But Louisa flowed over him like molasses over a hot griddle cake:

“Later, sir, later, we shall be happy to discuss with you the foibles of our society, but what we are interested in now is how this party, in this here truncated coffin, came to be travelling through Zionville in this here noncommittal manner; also, as to what may be the names, titles, pretensions, antecedents, residences, of yourself and friend; also of the noncommittal party aforesaid; also what may be your connection with that party. These, sir, are the points on which Zionville desires to be informed. But perhaps this other gentleman can give us some succinct statement, some short cut to the information this community is after.”

I gave Louisa our names, and told him the party he referred to was a foreign lady that went by the name of “Hannah Atkins,” at least lately she been so called though I had reason to believe it was an alias, or a corruption of her title and pretension.

“I thank you, sir,” said Louisa, sweetly. “We progress, and your statements reasonably agree with the information we already have. And now possibly Dr. Ulswater will entertain us with some still eloquent but more pertinent remarks, some exhilarating but not too gruesome anecdotes, illustrating the immediate causes of this lady's decease.”

The doctor took a new start. He made some flourishing archaeological statements about the Incas and the antiseptic qualities of the Andean climate, and then he sailed off on the high seas of South-American lore and his own enthusiasm over Hannah Atkins. But he was still somewhat flustered and confused. There was a growing tumult round about. I judged Zionville didn't follow him. Louisa said it wouldn't do, and William C. Jones rose up gloomy and bleak, and his forefinger started arguing up and down like a walking beam. He wanted to know:

—Whether them hideous words, unaccounted for by any civilised alphabet, was the names of Mrs. Atkins' ancestors, or of the last heathen jurymen that had tried him (Dr. Ulswater) for some previous harrowing crime; and if so, whether remarks made in the Choctaw language on insurance statistics, such as his (Dr. Ulswater's) remarks appeared to him (the speaker) to be, were not likely to impress an intelligent jury as intended to mislead and deceive; and if so, whether he (Dr. Ulswater) didn't mean,—before justice was summarily executed upon him by the aroused public spirit of Zionville,—to brush his hair and procure a set of whiskers less weedy and revolting; and if so, whether he meant to depose that this here deceased party came by her death naturally or not; and if so, whether he hadn't no better account to give of his possession of the same than incoherent statements, which plainly was meant to evade inquiry with irrelevant excursions into doubtful tradition——

“Doctor,” said Louisa, “I grieve to have misled you. I intended to make plain the desire of the jury for information, not on the subject of this lady's remote ancestry, but as to how she came by her death, and why she was travelling around, not as an authenticated corpse, but as an inorganic freight, addressed to some more or less mythological institution, some abstract idea on the other side of the continent. Do I now make myself clear, sir? Do I understand you to depose her death to have been violent or natural?”

“The defendant, gentlemen, deposes that he don't know. The defendant, in fact, declines to testify on the point.”

“She's a mummy!” shouted the doctor. “A mummy! What's the matter with this maniac of a town? If you don't know what a mummy is, I'm telling you. I know all about her that anybody knows,” and he went on to tell what he knew, but William C. Jones bore him down, inquiring with the voice of calamity:

—Whether them figures he (Dr. Ulswater) was giving was the dimensions of the city of Cuzco, or the age of Mrs. Atkins' parents at the time of her death, or the geography of the Andes, or the story of Mrs. Atkins' young romance; and if so, whether he (Dr. Ulswater) was acquainted with her in youth; and if so, whether she was as yellow at that time or affected since by a fever of that colour; and if so, inasmuch as his (Dr. Ulswater's) statements seemed to imply that he was no relative but only an admirer of Mrs. Atkins, whether his (Dr. Ulswater's) manifestly false and absurd statement that she was upwards of four hundred years old and her complexion complicated with considerable paint, wasn't an unchivalrous statement, that throwed doubts on the genuineness of his (Dr. Ulswater's) boasted admiration; and if so, and there was any museum in Connecticut unscrupulous enough for such barbarous inhumanity, and Mrs. Atkins and Dr. Ulswater ever arrived there—in defeat of justice—whether they was intended to be exhibited in the same show case; and if so, whether the promiscuous and opprobrious language he (Dr. Ulswater) was at present using was by him thought calculated to benefit his case——

“Doctor,” said Louisa, “Zionville is pleased to know you. Under other circumstances your evanescent humour would delight us beyond measure. But it is the opinion of the Court you ought to be informed that this is a moral town. Yes, sir. Not insanity but morality is what's hit us. It's the moralest town this side the Divide. We've got that reputation with the sweat of our virtues. There was a time when anybody found in possession of a corpse might be asked what he was going to do with it, or he might not, according to idle curiosity or intelligent interest. But times are changed. We make a point now of asking where he got it; which is, of course, a sacrifice of perfect courtesy to exacting morals. We admit it. But, sir, you have projected this here casket loaded with moral dynamite—if I may so state it—into this here moral community, and yet you claim not to know 'What the blazes'—if I quote correctly— she died of. The Court deprecates this distrustful attitude. The Court regards such reserve as suspicious, incriminating. In response to pertinent and proper questions you indulge some humorous statements regarding—if I caught the word—“mummies,” some jocular reference to the venerable appearance of the deceased—as the Court supposes. The Court has already inferred deceased was an Injun, and therefore don't care about the rest of her ancestry. You admit, sir, you know all about her, that you are in complete possession of the facts so far as known to any one. And yet, omitting the one pertinent fact, namely the cause and circumstances of her death, you deliver an uncalled-for lecture on Injun customs. The Court deprecates this learned frivolity. The Court penetrates your foolish subterfuge. The Court proposes to inform you of the evidence in its possession bearing on this case.”

“The following letter,” he said, “was received day before yesterday, addressed 'To The Magistrates of Zionville.'

“'On the 14th, probably on the afternoon east-bound freight, there will enter Zionville and endeavour to pass through a suspicious looking box addressed to some institution in Connecticut that may or may not exist. The undersigned is not informed. But the undersigned is well informed that the consignor of said box passes under the name of James Ulswater.” Now, if on examination of that there box, the Magistrates of Zionville is of the opinion that this yere “James Ulswater” is a party that oughtn't to be at large, the undersigned ain't going to dispute that opinion, undersigned being of the opinion the contents of said box is, or was once, a respectable middle-aged woman, with some Injun blood in her, and named Hannah Atkins, as to occasions of whose death it ain't for him to say. Only he don't take no stock in “James Ulswater's” remarks on the subject. They don't inspire no respect in his bosom. As to how “James Ulswater” came into possession of Mrs. Atkins' remains, the undersigned believes James Ulswater has something up his sleeve that he dassent tell. To what end then is “James Ulswater” shipping Mrs. Atkins, without sign of mourning or mortuary symbol, but with stealth, concealment and disrespect, over the innocent track and guileless freight agencies of the S. P. R. R.?

“'A Former Citizen of Zionville who Believes in her Destiny and Honours her Morals.'”

“Gentlemen,” said Louisa, “do the suspicions of our fellow citizen appear to you justified?”

“Then the Court directs the sheriff to remove the elderly party calling himself 'Ulswater,' and his presumable accomplice, the younger party with the particular necktie and advantageous trousers, calling himself 'Kirby,' and that the sheriff hold these parties for further action. The Court is adjourned.”

CHAPTER XXXIV—AMBASSADORS FROM ZIONVILLE

I T seemed to me I was getting into the habit of incarceration. I passed from jail to jail. It was becoming monotonous.

But this was a creditable jail, built in the fervour of the Reformation, with a considerable veranda in front facing on Main Street. In the fervour of the Reformation it had been, as you might say, a centre of interest in Zionville. So many citizens got enclosed there during that period for one reason or another connected with their not understanding the tendency of events, that this jail always had a peculiar social standing. It was not like the jails of other communities. It bore no necessary social stigma. If a citizen was deposited there, it made all the difference, and depended on the amount of repentance his case was supposed to call for, whether he was put in a front or a rear cell. Because in a front-windowed cell he could see Main Street, and maybe talk with friends in the street, or join in the conversation on the veranda. In this way the Judge and the condemned of the preceding afternoon might often be arguing in the evening through a barred window about politics or religion. Hence it always made a man vexed and low in mind to be put in a rear cell, where he couldn't see Main Street.

Doctor Ulswater and I were put in a cell over the veranda, and through the barred window we could see the length of Main Street, which ran from the railway station, at one end of the town, to nothing in particular, as yet, at the other end. Main Street now runs from the railway to the cemetery, but at that time it ran off into generalities.

Main Street at that moment was full of a crowd which acted as if it all belonged to one family. I could see Louisa standing on a dry-goods box and talking confidentially to the family. There was a general session of Zionville on Main Street. I judged we were the subject of conversation, along with Hannah Atkins. William C. Jones and two other statesmen were walking around arm in arm. The whole place was buzzing like a beehive.

Then I noticed that Dr. Ulswater was not saying anything. He was looking over my shoulder through the bars silently, and all anger was gone from his face.

“Kit,” he said, mildly, “this is a town of great interest to archaeology.”

“Seems to me it'd be of more interest to Mrs. Ulswater's orphan asylum. It's too fresh. It's the most youthful-minded place I ever saw. I don't see any archaeology in it.”

“Precisely,” he said. “The youthfulness of Zionville struck me too, and that not so much because of her crude appearance as because of her buoyancy. I said to myself, 'Clearly we are home again. This is no Latin mob of Portate, no explosion of firecrackers, no furious inefficiency. This is gunpowder in a gun. Here is the organising instinct, the jocular humour, together with the deadly arrival. We are in the States.' But yet I was not satisfied with that, and those considerations are not what's hoisting me now. Cast your eyes back over the late events. Look from this window on that people in their market place, their forum, their agora. Recollect how Zionville got herself together. What unity? What esprit de corps? You recognise it? Ha! No! It's Greek, sir, Greek! It's the civic clan, the municipal State. So looked the Athenians, so they acted in their market place. We have arrived not only in the States, but in Zionville. Now, what is Zionville? A piece of antiquity! Archaeology in flesh and blood! Pompeii be hanged. This is better than Pompeii. This is a reversion, an atavism!”

I said: “You'd better not deal out suspicious sounding names like those within hearing of Zionville. She's high-bred and nervous. If you mean she's a town with a character, I agree. She has more character than a bucking bronco.”

“Mysterious and extraordinary town,” he muttered. “Ha! You're right. 'Character' is the word. Personality! Personality fascinates me. I haven't the article myself. I'm a nebulous gas. Hence I thirst for, I cling to, personality. Most mysterious, most interesting town!”

“I don't deny the interest, doctor,” I said, “but it seems to me it's sort of concentrated around the question whether or not that crowd is going to take a notion to lynch us. It looks like a crowd that takes notions. Would an Athenian populace be likely to act that way?”

It seemed to me Zionville had some game going on, but I didn't make out what the game was. It seemed to me a lynching would be little short of frivolous. But then the Athenians had acted frivolous about Socrates. Zionville was surely an unexpected place. But the crowd in Main Street didn't act like an angry crowd. It acted interested.

At this moment the door of our cell opened and Louisa and William C. Jones walked in. They sat down on a bench without speaking, and there they sat and seemed to be embarrassed, and William C. Jones' left eye was searching sideways for the cosine of x, and he began to question:

—Whether coming in a spirit of conciliation or to speak last words of warning or entreaty; and if so—

“The very word, sir,” said Louisa, looking pleased. “Ambassadors from Zionville.” And William C. Jones began again to indicate his doubts:

—Whether a certain document received by Magistrates was intended to further public interests, or private ends, or mixed in motive; and if so, whether Dr. Ulswater's account of deceased party in question might be accepted by Magistrates and apologies tendered, according to attitude he (Dr. Uls-water) might hereafter assume; and if so, whether he (Dr. Ulswater) would rather the deceased party in question should be confiscated as incidental to judicial proceedings whose results, although likely to be fatal to him (Dr. Ulswater) and his accomplice, Zionville could no more than vainly regret, public interest being of first importance; and if so, whether Dr. Ulswater would consent to deliver over Mrs. Atkins peaceably, for a consideration, to the necessities of Zionville, and thereby win an honourable place in her (Zionville's) history; and if so, whether he would state his mind on that point without incommoding the subject with the conquest of Peru, or the natural history of South America, and thereby would accommodate the Magistrates; and if so, or whether it would be necessary to return to the Court house in order to hasten proceedings to the end that he (Dr. Ulswater) and his accomplice might be hung before the shades of evening softly descended, in the interests of justice and the destinies of Zionville; and if so, whether he would accept or decline the said proposition,—

“Doctor,” said Louisa, sliding in like syrup. “Allow me to state briefly a few pertinent facts. Zionville is a moral town. It's the moralest town you ever saw. But, sir, we see the necessity of getting this atmospheric morality embodied in substantial institutions. We have already a high school with an Eastern college graduate at the head. We have three churches provided with clergymen, not one of whom dares show himself on the street without a choke collar. And, sir, we have a cemetery; that is, so far as a fence around it, and an excellent grave, well excavated, goes toward providing such an institution; which, however, public opinion is unanimous it don't go far enough. For there was once a time in Zionville when there'd have been no particular difficulty on this point, but those days are passed. In those days, when anybody was dead,—as might happen perhaps by perforation, and airiness in vital parts,—and if he was worth while, we used to ship him to Sacramento to get a ceremony ready made; and if he wasn't worth while, we didn't take much notice where he was planted; and therefore there wasn't any cemetery that anybody could find if he wanted one. Such were our customs and traditions in those days. But Zionville reformed. She took up with sackcloth. She sat down to mourn, and she rose up reformed. 'Morals,' she says, 'shall be my watchword. Morals,' she says, 'that's me.' Sir, since then there ain't anybody died in Zionville whatsoever, none whatever at all. But sometime ago there was a man named Jim Tweedy, who got indented with a chimney falling on him, to that extent he looked not only dead but disreputable, and you couldn't have told him from any other miscellaneous débris. And one of our esteemed citizens, named Pete Chapel, he got officious and jubilant, and went off by himself, and dug a sepulchre on some land that belonged to him out the end of Main Street. But was Jim Tweedy dead? Doctor, he was not! But he played off he was for forty-eight hours, and then he came to, and looks around the corners of himself, and says, 'Blamed if I ain't all triangles!' but he wouldn't have a thing to do with that location Pete Chapel had fixed up for him particular. He rejected it with indignation. Indeed, he was perhaps not justly to be blamed, though he's never had the standing in the community he had before, on account of our feeling he was a man that couldn't be relied on when public interest was concerned, besides looking discreditable on account of indentations in his surface; nor it couldn't be denied that Pete Chapel's position was uneasy too, seeing it was allowed as up to him to provide something for the situation. So he put up Tweedy's grave for a raffle, and it fetched a good price, over the value of the land about it, on account of public spirit in the town. After that it changed hands considerable, the price fluctuating according to rumours of indispositions, or strangers in town looking warlike. It went up and down till it got to be a sort of thermometer of Zionville's condition of depression, or confidence in its destiny. At last it fell into the hands of William C. Jones, here present, who donated it to Zionville, and Zionville put a fence around the property and denominated the same a Cemetery. Such and so far is the history of this institution. But, sir, we feel that our Cemetery has not as yet attained its proper standing in our community by formally entering upon its career of public usefulness. Our morality forbids the thought of too direct action to that end. It has been suggested that time would remedy this want. True. But meanwhile Zionville sees its progress stayed, its development halted. Now, sir, Zionville discerns in Mrs. Atkins an extraordinary fitness for this purpose. William C. Jones and I have consulted. We discern a rare opportunity, a crisis in Zionville's history. We have consulted with our fellow citizens, and they have took to the idea like a nigger to a watermelon. Our determination is inflexible. A monument has been ordered from Sacramento. The ceremonies are arranged whereby to plant Mrs. Atkins, whereby to inaugurate our Cemetery conformable to the spirit of our citizens. The San Francisco press has been notified to send representatives. All is prepared. Name your price, sir. It's yours. Name your conditions. They're granted. The antecedents of Mrs. Atkins are the most essential elements in her value, and we hope to see them, in your own eloquent language, indelibly engraven on the monument.”

“Why, bless my soul!” said Dr. Ulswater. “What good would a Peruvian mummy do you? Why don't you bury a buffalo and call it a bishop? What's the idea?”

“Very good,” said Louisa. “Ain't a cemetery a museum? Alas, sir! a collection of various mortality?”

“Whether it shall be possible,” began William C. Jones, “to avoid compassing your decease through obstinacy and public interests, being the object of this interview; and if so——”

“Your honour,” said Dr. Ulswater with a grand gesture. Nobody could beat him for elegance when he was in trim—“Your honour,” he said, interrupting W. C. and addressing Louisa, “I beg the privilege of donating Hannah Atkins to Zionville, and to the service of her fame. To the interests of archaeology Zionville is more than a legion of mummies.”

Louisa ran to the window, thrust his hat through the bars and waved it, and we heard Zionville break forth in one simultaneous pean.

But when Dr. Ulswater and I came out of the jail and joined the rejoicing, when—as the subject and centre of rejoicing—we came down opposite Babbitt's Hotel, there we saw, on the veranda of it, Sadler six feet two, and engaged in sinister meditation against a green pillar. Then I knew he had written the Letter to the Magistrates.

He came down from the veranda to join the rejoicing, and when I claimed to see into his insidious villainy, he looked depressed; but Dr. Ulswater was surprised and delighted.

“By hookey!” he said,—For since his marriage to Mrs. Ulswater he had come to swear always by innocuous things, and he was hard put to it sometimes for satisfaction; hence sometimes his objurgations were familiar, and sometimes recondite.—“By hookey!” he said, “Sadler, I knew there was something Zionville reminded me of. It was you!”

“I belonged to her,” said Sadler, sadly, walking along with us—“before she reformed. She wollered in her nakedness then, and we both found out that sin was monotonous. Since then we've each took a shy at the spiritual life and found it was sportier'n the other. But still I don't know if her Sunday School clothes will fit me. But, doctor,” he concluded, “if it suits you and Mrs. Ulswater to sojourn and abide here, I'll try on them clothes.”

CHAPTER XXXV—THE END

I N the history of Zionville the dates of the Discovery of the Eureka Mine, of the Reformation, and of the Burial of Hannah Atkins, are like 1492 and 1776 in the history of this country. Whether those foreseeing statesmen, William C. Jones and Louisa, had reasoned the whole thing out or not, is now the question. For Sadler claimed that the statesmanship was all his, and that Louisa and W. C. were trying to jump his claim. He and Louisa and W. C. Jones used to sit on the veranda of Babbitt's, and argue which of them ought to be pensioned, and have a bronze statue, and brass band to play for him at meals. Sadler's argument was that he came down on the heels of his Letter to the Magistrates, with the whole menu cooked in his own mind. He saw to it himself that Hannah stopped over. Louisa and W. C. Jones argued that the menu developed in the cooking, that is, under discussion, to say nothing of the delicate handling which lay to their credit. Moreover, they argued that Sadler had mostly in mind the private need that lay in his nature to get even with the Ulswaters for shanghaiing him off Lua. That was one of W. C. Jones' strong arguments against him, whereby there fell a shadow of suspicion on his (Sadler's) purity of motive. He had wanted to draw Dr. Ulswater to, and get him interested in Zionville, where he, Sadler, had lived when he was younger, and before he went over to Asia, and got the gray ashes of Asia on his head. He had a sentiment for Zionville, as have all who breathe her air.

“I used to sit,” he said once, “in that there monastery in Rangoon, in Burmah, with a yeller robe on, and I'd contemplate the same idea for hours and days, same as Ram Nad is doing out there in the dust, which I don't see why Ram Nad can't do his meditating somewhere else besides up against that hitching post to employ one able-bodied man on detail to see nobody's horse don't step on him—Here, Bobby Lee! You call your dog off the prophet, or I'll come around and spank the fattest side of your trousers!—Well, by and by, what with turning that idea over and over, it'd get smooth and round like a billiard ball, and by and by I'd get into a condition where I'd begin to see things running round the ball, like the colours on a soap bubble, and them visions got mixed up with the daylight. But about once in three times when I'd got a vision pinned down so I could make it give its name, it was nothing but Main Street from the station to Babbitt's Hotel. That was the peculiar thing in the cultivation of my soul's garden. I guess their wasn't another garden like it in Burmah. When I started after Nirvana, about once in three I fetched up at Babbitt's.”

“Which,” said W. C. Jones, “is a proper sentiment, but it don't prove you was onto Hannah.”

I don't know either just why Ram Nad liked to meditate against the hitching post in front of Babbitt's. He got into the habit of it when the Ulswaters, and all theirs, lived at Babbitt's. It was before they built the big stone house on the hill, from whose porch one could see thirty miles to where the Violetta lay at anchor in the river. Ram Nad never got over the habit of the hitching post. He'd sit there placidly in the dust, with somebody's pony jingling a chain bit over his head, and somebody's dog investigating the conical basket, whose perils no dog could ever understand. Zionville was more than used to Ram Nad. He was one of the assets of the town. He could squat down where he liked, provided it was conspicuous and handy for pointing out to tourists. He was part of Zionville's fame—he and his basket and his dingy long beard, dingy cotton clothes, and brown bony ankles—a sort of public institution. He ate and slept at Babbitt's, or at the Ulswaters', or anywhere he chose. As I recollect, in his later years, he wore a Navajo blanket that Sadler gave him, of a fiery red that burnt a hole in the atmosphere. I recollect the Chinamen from Chinatown that used to drop around and consult him at the hitching post, but what about I don't know. He appeared to be an institution with them too, a sort of high priest or spiritual adviser.

So lived Ram Nad in Zionville. So he died in Zionville by a unanimous agreement with himself. He left off breathing one afternoon, in the sunlight, by his hitching post, calm and harmonious, in a Navajo blanket.

But I was speaking of the burial of Hannah Atkins, and what person, in truth, ought to have a bronze statue in front of the City Hall, with a laurel wreath on his head, and one finger pointing toward Hannah's monument.

Of course, any man, of any likely town in the West, advertises his town. It's the subject of his daily conversation and his nightly dreams, for it's not merely a casual coincidence of people, but an enterprise that every inhabitant has stock in. So far Zionville wasn't peculiar. But no other town would have grasped and gathered in the possibilities of Hannah Atkins. The question is, Whose genius first foresaw those possibilities?

It is some years past now. And yet a tourist on the Overland train now and then still drops off and asks to see where Hannah Atkins was buried. But Oh! that great day of the Burial! Reporters came up from San Francisco to attend, and Dr. Ulswater's oration was a monument in itself. And Oh! the great days that followed! Zionville became celebrated, suddenly and superbly, renowned. Fame jumped upon her. It proclaimed her the healthiest town on earth, not to say the most singular. There was a time—a short time, we admit—when nearly every newspaper in the land had its item about Zionville. It was enough. Dr. Uls-water, William C. Jones, Louisa, Sadler, Ram Nad, all, especially Hannah Atkins, had a period of limelight fame. Europe and America spoke of Zionville. The world stopped its business a moment and gave her a cheer.

The thing was done. Zionville was as well known as Uneeda Biscuit, and launched on her career of increase. Her boom was started.

As phrases from the Declaration of '76 have entered into the national language, so phrases from Dr. Ulswater's great speech are embedded in Zionville usage. “Centripetal point of envious resort,” were words to be remembered and repeated. “Here we lay,” said Dr. Ulswater, “the cornerstone of our fame,” and Zionville roared simultaneously! “He means Hannah!”

“Born in purple of an extinct American dynasty,” said Dr. Ulswater, “she, whom we here deposit, is henceforth become the symbol around which the affections of this democratic community are gathered, the cynosure of our pride, the nucleus of our respectful regrets.”

The statesmen of Zionville, then, saw and grasped their opportunity,—Zionville's peculiar gifts, her imaginative reach and supple unity of action being with them. They demonstrated this fact, this principle, in the floating of a municipal enterprise, namely, the automatic action of the newspaper paragraph.

Now, no one questions the talents, no one grudges the praise, of Sadler, of William C. Jones, of Louisa. They foresaw an automatic paragraph in Hannah Atkins. They developed and put that automatic paragraph in action. But the question is: What seminal mind first bore this seed? Where lay that creative spark of genius, of forecasting insight and prophetic statemanship? Who first conceived the idea?

Susannah and I have long been married. We still occupy each other's horizon. In the same way Dr. Ulswater is apt to see Mrs. Ulswater on the horizon. She is perhaps a superstition of his.

And yet, whenever I hear the Burial debated, and the idea of it traced through William C. Jones, Louisa, and Sadler, I seem to see, talking with Sadler in the evening on the deck of the Violetta , a small, thin, quiet woman, knitting, sewing. Sadler himself does not remember what she said. Probably her words were few. He remembers that it was there certain things took shape in his mind. He remembers describing Zionville to her, and how his sentiments got lively while he did so, and that Mrs. Ulswater was interested, and little by little he saw it all, clear as a map, before him. Was Mrs. Uls-water's then the seminal mind? If you ask her, she says “Fiddlesticks!” If you ask Dr. Ulswater, he says, “Not one imaginable, remote doubt of it!”

I say nothing. Only I see Mrs. Ulswater on the deck of the Violetta , knitting, sewing.

Even so she sits to-day, knitting, or sewing, on the porch of the stone house on the hillside. Below lies the city of Zionville, busy, booming, with its trolley line and electric lights, which I put in for The Union Electric. On the further hillside stands the Sanatarium; built and managed by the Uls-waters. Mrs. Ulswater sits in her rocking chair, caring nothing for bronze statues, little known of newspaper paragraphs, knitting the welfare of her fellow men, sewing, embroidering their destinies, mending their misfortunes. Forward and back goes the restless thrusting thimble; the fine needle glitters, is gone, and reappears.

So Athens lay below the Acropolis, where stood the bronze statue of presiding Pallas, leaning on her spear. It was an idle weapon. The main business of Pallas was to take in glory. Looked at in one way, it was a foolish business. In Zionville Mrs. Uls-water turns all that over to Hannah Atkins, to any one who can stand it. Mrs. Ulswater is a deity from Ohio, and does not care for the parti-coloured bubble of glory.

THE END

*** END OF THE PROJECT GUTENBERG EBOOK THE CRUISE OF THE VIOLETTA ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate .

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org .

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of The Cruise of The Violetta

THE CRUISE OF THE VIOLETTA

By Arthur Colton

New York

Henry Holt And Company

1906

Original