The Project Gutenberg eBook of The Black Monk, and Other Stories
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Black Monk, and Other Stories

Author: Anton Pavlovich Chekhov

Translator: R. E. C. Long

Release date: August 8, 2017 [eBook #55307]

Language: English

Credits: Produced by Marc D'Hooghe at Free Literature (online soon
        in an extended version,also linking to free sources for
        education worldwide ... MOOC's, educational materials,...)
        Images generously made available by the Internet Archive.)


*** START OF THE PROJECT GUTENBERG EBOOK THE BLACK MONK, AND OTHER STORIES ***




Produced by Marc D'Hooghe at Free Literature (online soon
in an extended version,also linking to free sources for
education worldwide ... MOOC's, educational materials,...)
Images generously made available by the Internet Archive.)





THE

BLACK MONK

AND OTHER STORIES

By

Anton Tchekhoff

Translated from the Russian by

R. E. C. Long

NEW YORK

FREDERICK A. STOKES COMPANY

1915




PREFACE


Anton Tchekhoff, the writer of the stories and sketches here
translated, although hardly known in this country, and but little
better known on the western continent of Europe, has during the last
fifteen years been regarded as the most talented of the younger
generation of Russian writers. Even the remarkable popularity attained
during the last few years by Maxim Gorky has not eclipsed his fame,
though it has probably done much to prevent the recognition of his
talents abroad. Tchekhoff's stories lack the striking incidents and
lurid colouring of the younger writer's, and thus, while they appeal
more strongly to the cultivated Russian, they are devoid of the more
obvious qualities that attract the translator and the public which
read translations. Though they have gone into numberless editions in
Russia, they are almost unknown abroad, being, in fact, represented
only by a few scattered translations and small volumes published in
France and Germany, and by a few critical articles in the reviews of
those countries. In England, Tchekhoff is only a name to most of those
interested in Eastern literature, and not even a name to the general
public.

Anton Pavlovitch Tchekhoff was born in 1860, spent his infancy in South
Russia, and was educated in the Medical Faculty of Moscow University.
Although a doctor by profession, and actually practising for some years
as a municipal medical officer, he began his literary career as a story
writer before completing his professional education, contributing, when
a student, sketches to the weekly comic journals, and _feuilletons_ to
the St. Petersburg newspapers. Tchekhoff's early stories turn largely
upon domestic misunderstandings; they are brief, avowedly humorous, and
even farcical. They attracted early attention by their irresponsible
gaiety, seldom untinged with a certain bitterness. _The Steppe_, a
panorama of travel through the great plains of South Russia, published
serially in the now extinct _Sieverni Viestnik_, was the first of his
productions of sustained merit. It was followed by a series of stories
and sketches and one volume of dramas, which have, in the opinion
of Russian critics, established the writer on a level with the best
native fiction writers, and on a much higher level than any of his
contemporaries.

Tchekhoff in his manner of thought is essentially a Russian; as an
artist essentially Western, having perhaps only one thing in common
with the writers of his own country. Russian novelists, with few
exceptions--Turgenieff, a man of Western training and sympathies,
was one--have commonly lacked the instinct of coherency, the lack of
which in fiction is redeemed only by genius. The novels of Dostoyeffsky
and Tolstoy are notoriously defective in this respect. Tchekhoff and
Gorky suffer from the same deficiency. Unlike Gorky, Tchekhoff has
never essayed the long novel; and even his longer short stories, one
of which is included in this volume, are redeemed from failure chiefly
by their humour and close observation of Russian life. With this
exception, Tchekhoff has little in common with other Russian writers.
He is more objective, less diffuse, less inspiring, and less human. His
compatriots, Count Tolstoy among them, compare him with Maupassant His
method of treatment presents many parallels; he has the same brevity,
the same remorselessness, the same insistence upon the significantly
little.

But in his teaching, if teaching it can be called, Tchekhoff is
thoroughly Russian. A French critic[1] has lately reviewed his
stories in a chapter called _L'impuissance de vivre_, and this
phrase summarises admirably what Tchekhoff has to say. The political
condition of modern Russia involves the repression of all intellect
and initiative, or, at best, their diversion into unproductive
official channels; hence, the distaste for life and intellectual
stagnation which, represented here in "Ward No. 6," run through all
Tchekhoff's longer stories, and particularly through his dramas, most
of which end in disillusion and suicide. Russian life presents itself
to Tchekhoff as the unprofitable struggle of the exceptional few
against the trivial and insignificant many. His pages are peopled with
psychopaths, degenerates of genius and virtue, who succumb in feeble
revolt against the baseness and banality of life, and are quite unfit
to combat the healthy, rude, but unintelligent forces around them.
Kovrin, Likharyóff, and Doctor Andréi Yéfimitch, three heroes in this
collection, are characteristic of Tchekhoff's outlook. All aspiring
men, he says, are predestined martyrs; only the base achieve immunity
from ruin: and as martyrdom is the exception, not the rule, it results
that Tchekhoff's ordinary men, and the secondary characters in most
of his stories, are insignificant and mean. The life depicted is in
itself uninteresting; its colour is grey, its keynote tedium, its only
humour the humour of the satirist, not of the sympathiser, and its only
tragedy, failure. Tchekhoff is essentially an objective writer, and
this gives him an undue detachment from the life which he describes;
he never points a moral, delays over an explanation, or shrinks from
the incompleteness which, truthful to life, is often unsatisfactory
in art. But his attitude towards life is not the less unmistakable
because never openly expressed; pessimism, inspired by fatalism and
denial of the will, but tempered by humour and apathy, is its note.
That note appears perhaps less in this volume than it would in a more
representative collection of Tchekhoff's writings. But in choosing
these stories from among more than a hundred, I have been guided not
merely by what was best, but also by what seemed most likely to be
understood by a public unfamiliar with Russian manners and Russian
thought.

The stories "The Black Monk," "In Exile," "Rothschild's Fiddle," "A
Father," and "At the Manor," have been translated from the volume
_Poviesti i Razskazni_, St. Petersburg, 1898; "A Family Council," from
_Razskazni_, 12th edition, St. Petersburg, 1898; "Ward No. 6," from
_Palata No. Shestoi_, 6th edition, St. Petersburg, 1898; "On the Way,"
"At Home," "Two Tragedies," and "An Event," from _V Sumerkakh_, 13th
edition, St. Petersburg, 1899; and "Sleepyhead," from _Khmuriye Liudi_,
8th edition, St. Petersburg, 1898. "In Exile" was published in the
_Fortnightly Review_ in September, 1903, and is reprinted here with the
Editor's permission.

R. E. C. L.


[Footnote 1: Ivan Strannik. _La Pensée Russe Contemporaine_. Paris,
Librairie Armand Colin, 1903.]



    CONTENTS

    The Black Monk
    On the Way
    A Family Council
    At Home
    In Exile
    Rothschild's Fiddle
    A Father
    we Tragedies
    Sleepyhead
    At the Manor
    An Event
    Ward No. 6



THE BLACK MONK


Andrei Vasilyevitch Kovrin, Magister, had worn himself out, and
unsettled his nerves. He made no effort to undergo regular treatment;
but only incidentally, over a bottle of wine, spoke to his friend the
doctor; and his friend the doctor advised him to spend all the spring
and summer in the country. And in the nick of time came a long letter
from Tánya Pesótsky, asking him to come and stay with her father at
Borisovka. He decided to go.

But first (it was in April) he travelled to his own estate, to his
native Kovrinka, and spent three weeks in solitude; and only when the
fine weather came drove across the country to his former guardian and
second parent, Pesótsky, the celebrated Russian horti-culturist. From
Kovrinka to Borisovka, the home of the Pesótskys, was a distance of
some seventy versts, and in the easy, springed calêche the drive along
the roads, soft in springtime, promised real enjoyment.

The house at Borisovka was, large, faced with a colonnade, and adorned
with figures of lions with the plaster falling off. At the door stood
a servant in livery. The old park, gloomy and severe, laid out in
English fashion, stretched for nearly a verst from the house down to
the river, and ended there in a steep clay bank covered with pines
whose bare roots resembled shaggy paws. Below sparkled a deserted
stream; overhead the snipe circled about with melancholy cries--all, in
short, seemed to invite a visitor to sit down and write a ballad. But
the gardens and orchards, which together with the seed-plots occupied
some eighty acres, inspired very different feelings. Even in the worst
of weather they were bright and joy-inspiring. Such wonderful roses,
lilies, camelias, such tulips, such a host of flowering plants of every
possible kind and colour, from staring white to sooty black,--such a
wealth of blossoms Kovrin had never seen before. The spring was only
beginning, and the greatest rareties were hidden under glass; but
already enough bloomed in the alleys and beds to make up an empire of
delicate shades. And most charming of all was it in the early hours of
morning, when dewdrops glistened on every petal and leaf.

In childhood the decorative part of the garden, called contemptuously
by Pesótsky "the rubbish," had produced on Kovrin a fabulous
impression. What miracles of art, what studied monstrosities, what
monkeries of nature! Espaliers of fruit trees, a pear tree shaped like
a pyramidal poplar, globular oaks and lindens, apple-tree houses,
arches, monograms, candelabra--even the date 1862 in plum trees, to
commemorate the year in which Pesótsky first engaged in the art of
gardening. There were stately, symmetrical trees, with trunks erect
as those of palms, which after examination proved to be gooseberry or
currant trees. But what most of all enlivened the garden and gave it
its joyous tone was the constant movement of Pesótsky's gardeners.
From early morning to late at night, by the trees, by the bushes, in
the alleys, and on the beds swarmed men as busy as ants, with barrows,
spades, and watering-pots.

Kovrin arrived at Borisovka at nine o'clock. He found Tánya and her
father in great alarm. The clear starlight night foretold frost, and
the head gardener, Ivan Karlitch, had gone to town, so that there was
no one who could be relied upon. At supper they spoke only of the
impending frost; and it was decided that Tánya should not go to bed at
all, but should inspect the gardens at one o'clock and see if all were
in order, while Yegor Semiónovitch should rise at three o'clock, or
even earlier.

Kovrin sat with Tánya all the evening, and after midnight accompanied
her to the garden. The air already smelt strongly of burning. In the
great orchard, called "the commercial," which every year brought Yegor
Semiónovitch thousands of roubles profit, there already crept along
the ground the thick, black, sour smoke which was to clothe the young
leaves and save the plants. The trees were marshalled like chessmen in
straight rows--like ranks of soldiers; and this pedantic regularity,
together with the uniformity of height, made the garden seem monotonous
and even tiresome. Kovrin and Tánya walked up and down the alleys,
and watched the fires of dung, straw, and litter; but seldom met the
workmen, who wandered in the smoke like shadows. Only the cherry and
plum trees and a few apple trees were in blossom, but the whole garden
was shrouded in smoke, and it was only when they reached the seed-plots
that Kovrin was able to breathe.

"I remember when I was a child sneezing from the smoke," he said,
shrugging his shoulders, "but to this day I cannot understand how smoke
saves plants from the frost."

"Smoke is a good substitute when there are no clouds," answered Tánya.

"But what do you want the clouds for?"

"In dull and cloudy weather we have no morning frosts."

"Is that so?" said Kovrin.

He laughed and took Tánya by the hand. Her broad, very serious, chilled
face; her thick, black eyebrows; the stiff collar on her jacket which
prevented her from moving her head freely; her dress tucked up out of
the dew; and her whole figure, erect and slight, pleased him.

"Heavens! how she has grown!" he said to himself. "When I was here
last time, five years ago, you were quite a child. You were thin,
long-legged, and untidy, and wore a short dress, and I used to tease
you. What a change in five years!"

"Yes, five years!" sighed Tánya. "A lot of things have happened since
then. Tell me, Andrei, honestly," she said, looking merrily into his
face, "do you feel that you have got out of touch with us? But why do
I ask? You are a man, you live your own interesting life, you.... Some
estrangement is natural. But whether that is so or not, Andrusha, I
want you now to look on us as your own. We have a right to that."

"I do, already, Tánya."

"Your word of honour?"

"My word of honour."

"You were surprised that we had so many of your photographs. But surely
you know how my father adores you, worships you. You are a scholar, and
not an ordinary man; you have built up a brilliant career, and he is
firmly convinced that you turned out a success because he educated you.
I do not interfere with his delusion. Let him believe it!"

Already dawn. The sky paled, and the foliage and clouds of smoke began
to show themselves more clearly. The nightingale sang, and from the
fields came the cry of quails.

"It is time for bed!" said Tánya. "It is cold too." She took Kovrin
by the hand. "Thanks, Andrusha, for coming. We are cursed with most
uninteresting acquaintances, and not many even of them. With us it is
always garden, garden, garden, and nothing else. Trunks, timbers," she
laughed, "pippins, rennets, budding, pruning, grafting.... All our
life goes into the garden, we never even dream of anything but apples
and pears. Of course this is all very good and useful, but sometimes I
cannot help wishing for change. I remember when you used to come and
pay us visits, and when you came home for the holidays, how the whole
house grew fresher and brighter, as if someone had taken the covers off
the furniture; I was then a very little girl, but I understood...."

Tánya spoke for a time, and spoke with feeling. Then suddenly it came
into Kovrin's head that during the summer he might become attached to
this little, weak, talkative being, that he might get carried away,
fall in love--in their position what was more probable and natural?
The thought pleased him, amused him, and as he bent down to the kind,
troubled face, he hummed to himself Pushkin's couplet:

    "Oniégin; I will not conceal
    That I love Tatyana madly."

By the time they reached the house Yegor Semiónovitch had risen.
Kovrin felt no desire to sleep; he entered into conversation with
the old man, and returned with him to the garden. Yegor Semiónovitch
was tall, broad-shouldered, and fat. He suffered from shortness of
breath, yet walked so quickly that it was difficult to keep up with
him. His expression was always troubled and hurried, and he seemed to
be thinking that if he were a single second late everything would be
destroyed.

"There, brother, is a mystery for you!" he began, stopping to recover
breath. "On the surface of the ground, as you see, there is frost, but
raise the thermometer a couple of yards on your stick, and it is quite
warm.... Why is that?"

"I confess I don't know," said Kovrin, laughing.

"No!... You can't know everything.... The biggest brain cannot
comprehend everything. You are still engaged with your philosophy?"

"Yes, ... I am studying psychology, and philosophy generally."

"And it doesn't bore you?"

"On the contrary, I couldn't live without it."

"Well, God grant ..." began Yegor Semiónovitch, smoothing his big
whiskers thoughtfully. "Well, God grant ... I am very glad for your
sake, brother, very glad...."

Suddenly he began to listen, and making a terrible face, ran off the
path and soon vanished among the trees in a cloud of smoke.

"Who tethered this horse to the tree?" rang out a despairing voice.
"Which of you thieves and murderers dared to tether this horse to the
apple tree? My God, my God! Ruined, ruined, spoiled, destroyed! The
garden is ruined, the garden is destroyed! My God!"

When he returned to Kovrin his face bore an expression of injury and
impotence.

"What on earth can you do with these accursed people?" he asked in a
whining voice, wringing his hands. "Stepka brought a manure cart here
last night and tethered the horse to an apple tree ... tied the reins,
the idiot, so tight, that the bark is rubbed off in three places. What
can you do with men like this? I speak to him and he blinks his eyes
and looks stupid. He ought to be hanged!"

When at last he calmed down, he embraced Kovrin and kissed him on the
cheek.

"Well, God grant ... God grant!..." he stammered. "I am very, very glad
that you have come. I cannot say how glad. Thanks!"

Then, with the same anxious face, and walking with the same quick step,
he went round the whole garden, showing his former ward the orangery,
the hothouses, the sheds, and two beehives which he described as the
miracle of the century.

As they walked about, the sun rose, lighting up the garden. It grew
hot. When he thought of the long, bright day before him, Kovrin
remembered that it was but the beginning of May, and that he had before
him a whole summer of long, bright, and happy days; and suddenly
through him pulsed the joyous, youthful feeling which he had felt when
as a child he played in this same garden. And in turn, he embraced the
old man and kissed him tenderly. Touched by remembrances, the pair went
into the house and drank tea out of the old china cups, with cream and
rich biscuits; and these trifles again reminded Kovrin of his childhood
and youth. The splendid present and the awakening memories of the past
mingled, and a feeling of intense happiness filled his heart.

He waited until Tánya awoke, and having drunk coffee with her, walked
through the garden, and then went to his room and began to work. He
read attentively, making notes; and only lifted his eyes from his books
when he felt that he must look out of the window or at the fresh roses,
still wet with dew, which stood in vases on his table. It seemed to
hint that every little vein in his body trembled and pulsated with joy.



II


But in the country Kovrin continued to live the same nervous and
untranquil life as he had lived in town. He read much, wrote much,
studied Italian; and when he went for walks, thought all the time of
returning to work. He slept so little that he astonished the household;
if by chance he slept in the daytime for half an hour, he could not
sleep all the following night. Yet after these sleepless nights he felt
active and gay.

He talked much, drank wine, and smoked expensive cigars. Often, nearly
every day, young girls from the neighbouring country-houses drove over
to Borisovka, played the piano with Tánya, and sang. Sometimes the
visitor was a young man, also a neighbour, who played the violin well.
Kovrin listened eagerly to their music and singing, but was exhausted
by it, so exhausted sometimes that his eyes closed involuntarily, and
his head drooped on his shoulder.

One evening after tea he sat upon the balcony, reading. In the
drawing-room Tánya--a soprano, one of her friends--a contralto,
and the young violinist studied the well-known serenade of Braga.
Kovrin listened to the words, but though they were Russian, could not
understand their meaning. At last, laying down his book and listening
attentively, he understood. A girl with a disordered imagination heard
by night in a garden some mysterious sounds, sounds so beautiful and
strange that she was forced to recognise their harmony and holiness,
which to us mortals are incomprehensible, and therefore flew back to
heaven. Kovrin's eyelids drooped. He rose, and in exhaustion walked
up and down the drawing-room, and then up and down the hall. When the
music ceased, he took Tánya by the hand and went out with her to the
balcony.

"All day--since early morning," he began, "my head has been taken up
with a strange legend. I cannot remember whether I read it, or where I
heard it, but the legend is very remarkable and not very coherent. I
may begin by saying that it is not very clear. A thousand years ago a
monk, robed in black, wandered in the wilderness--somewhere in Syria or
Arabia ... Some miles away the fishermen saw another black monk moving
slowly over the surface of the lake. The second monk was a mirage. Now
put out of your mind all the laws of optics, which legend, of course,
does not recognise, and listen. From the first mirage was produced
another mirage, from the second a third, so that the image of the
Black Monk is eternally reflected from one stratum of the atmosphere
to another. At one time it was seen in Africa, then in Spain, then
in India, then in the Far North. At last it issued from the limits
of the earth's atmosphere, but never came across conditions which
would cause it to disappear. Maybe it is seen to-day in Mars or in the
constellation of the Southern Cross. Now the whole point, the very
essence of the legend, lies in the prediction that exactly a thousand
years after the monk went into the wilderness, the mirage will again
be cast into the atmosphere of the earth and show itself to the world
of men. This term of a thousand years, it appears, is now expiring....
According to the legend we must expect the Black Monk to-day or
to-morrow."

"It is a strange story," said Tánya, whom the legend did not please.

"But the most astonishing thing," laughed Kovrin, "is that I cannot
remember how this legend came into my head. Did I read it? Did I hear
it? Or can it be that I dreamed of the Black Monk? I cannot remember.
But the legend interests me. All day long I thought of nothing else."

Releasing Tánya, who returned to her visitors, he went out of the
house, and walked lost in thought beside the flower-beds. Already the
sun was setting. The freshly watered flowers exhaled a damp, irritating
smell. In the house the music had again begun, and from the distance
the violin produced the effect of a human voice. Straining his memory
in an attempt to recall where he had heard the legend, Kovrin walked
slowly across the park, and then, not noticing where he went, to the
river-bank.

By the path which ran down among the uncovered roots to the water's
edge Kovrin descended, frightening the snipe, and disturbing two ducks.
On the dark pine trees glowed the rays of the setting sun, but on
the surface of the river darkness had already fallen. Kovrin crossed
the stream. Before him now lay a broad field covered with young rye.
Neither human dwelling nor human soul was visible in the distance;
and it seemed that the path must lead to the unexplored, enigmatical
region in the west where the sun had already set--where still, vast and
majestic, flamed the afterglow.

"How open it is--how peaceful and free!" thought Kovrin, walking
along the path. "It seems as if all the world is looking at me from a
hiding-place and waiting for me to comprehend it."

A wave passed over the rye, and the light evening breeze blew softly
on his uncovered head. Yet a minute more and the breeze blew again,
this time more strongly, the rye rustled, and from behind came the
dull murmur of the pines. Kovrin stopped in amazement On the horizon,
like a cyclone or waterspout, a great, black pillar rose up from earth
to heaven. Its outlines were undefined; but from the first it might
be seen that it was not standing still, but moving with inconceivable
speed towards Kovrin; and the nearer it came the smaller and smaller
it grew. Involuntarily Kovrin rushed aside and made a path for it. A
monk in black clothing, with grey hair and black eyebrows, crossing
his hands upon his chest, was borne past. His bare feet were above the
ground. Having swept some twenty yards past Kovrin, he looked at him,
nodded his head, and smiled kindly and at the same time slyly. His face
was pale and thin. When he had passed by Kovrin he again began to grow,
flew across the river, struck inaudibly against the clay bank and pine
trees, and, passing through them, vanished like smoke.

"You see," stammered Kovrin, "after all, the legend was true!"

Making no attempt to explain this strange phenomenon; satisfied with
the fact that he had so closely and so plainly seen not only the black
clothing but even the face and eyes of the monk; agitated agreeably, he
returned home.

In the park and in the garden visitors were walking quietly; in the
house the music continued. So he alone had seen the Black Monk. He
felt a strong desire to tell what he had seen to Tánya and Yegor
Semiónovitch, but feared that they would regard it as a hallucination,
and decided to keep his counsel. He laughed loudly, sang, danced a
mazurka, and felt in the best of spirits; and the guests and Tánya
noticed upon his face a peculiar expression of ecstasy and inspiration,
and found him very interesting.



III


When supper was over and the visitors had gone, he went to his own
room, and lay on the sofa. He wished to think of the monk. But in a few
minutes Tánya entered.

"There, Andrusha, you can read father's articles ..." she said. "They
are splendid articles. He writes very well."

"Magnificent!" said Yegor Semiónovitch, coming in after her, with a
forced smile. "Don't listen to her, please!... Or read them only if you
want to go to sleep--they are a splendid soporific."

"In my opinion they are magnificent," said Tánya, deeply convinced.
"Read them, Andrusha, and persuade father to write more often. He could
write a whole treatise on gardening."

Yegor Semiónovitch laughed, blushed, and stammered out the conventional
phrases used by abashed authors. At last he gave in.

"If you must read them, read first these papers of Gauche's, and the
Russian articles," he stammered, picking out the papers with trembling
hands. "Otherwise you won't understand them. Before you read my replies
you must know what I am replying to. But it won't interest you ...
stupid. And it's time for bed."

Tánya went out. Yegor Semiónovitch sat on the end of the sofa and
sighed loudly.

"Akh, brother mine ..." he began after a long silence. As you see, my
dear Magister, I write articles, and exhibit at shows, and get medals
sometimes. ... Pesótsky, they say, has apples as big as your head....
Pesótsky has made a fortune out of his gardens.... In one word:

"'Rich and glorious is Kotchubéi.'"

"But I should like to ask you what is going to be the end of all this?
The gardens--there is no question of that--are splendid, they are
models.... Not gardens at all, in short, but a whole institution of
high political importance, and a step towards a new era in Russian
agriculture and Russian industry.... But for what purpose? What
ultimate object?"

"That question is easily answered."

"I do not mean in that sense. What I want to know is what will happen
with the garden when I die? As things are, it would not last without
me a single month. The secret does not lie in the fact that the garden
is big and the workers many, but in the fact that I love the work--you
understand? I love it, perhaps, more than I love myself. Just look at
me! I work from morning to night. I do everything with my own hands.
All grafting, all pruning, all planting--everything is done by me.
When I am helped I feel jealous, and get irritated to the point of
rudeness. The whole secret is in love, in a sharp master's eye, in a
master's hands, and in the feeling when I drive over to a friend and
sit down for half an hour, that I have left my heart behind me and am
not myself--all the time I am in dread that something has happened to
the garden. Now suppose I die to-morrow, who will replace all this? Who
will do the work? The head gardeners? The workmen? Why the whole burden
of my present worries is that my greatest enemy is not the hare or the
beetle or the frost, but the hands of the stranger."

"But Tánya?" said Kovrin, laughing. "Surely she is not more dangerous
than a hare?... She loves and understands the work."

"Yes, Tánya loves it and understands it. If after my death the garden
should fall to her as mistress, then I could wish for nothing better.
But suppose--which God forbid--she should marry!" Yegor Semiónovitch
whispered and look at Kovrin with frightened eyes. "That's the whole
crux. She might marry, there would be children, and there would be no
time to attend to the garden. That is bad enough. But what I fear most
of all is that she may marry some spendthrift who is always in want of
money, who will lease the garden to tradesmen, and the whole thing will
go to the devil in the first year. In a business like this a woman, is
the scourge of God."

Yegor Semiónovitch sighed and was silent for a few minutes.

"Perhaps you may call it egoism. But I do not want Tánya to marry. I am
afraid! You've seen that fop who comes along with a fiddle and makes a
noise. I know Tánya would never marry him, yet I cannot bear the sight
of him.... In short, brother, I am a character ... and I know it."

Yegor Semiónovitch rose and walked excitedly up and down the room. It
was plain that he had something very serious to say, but could not
bring himself to the point.

"I love you too sincerely not to talk to you frankly," he said,
thrusting his hands into his pockets. "In all delicate questions I
say what I think, and dislike mystification. I tell you plainly,
therefore, that you are the only man whom I should not be afraid of
Tánya marrying. You are a clever man, you have a heart, and you would
not see my life's work ruined. And what is more, I love you as my own
son ... and am proud of you. So if you and Tánya were to end ... in a
sort of romance ... I should be very glad and very happy. I tell you
this straight to your face, without shame, as becomes an honest man."

Kovrin smiled. Yegor Semiónovitch opened the door, and was leaving the
room, but stopped suddenly on the threshold.

"And if you and Tánya had a son, I could make a horti-culturist out of
him," he added. "But that is an idle fancy. Good night!"

Left alone, Kovrin settled himself comfortably, and took up his host's
articles. The first was entitled "Intermediate Culture," the second "A
Few Words in Reply to the Remarks of Mr. Z. about the Treatment of the
Soil of a New Garden," the third "More about Grafting." The others were
similar in scope. But all breathed restlessness and sickly irritation.
Even a paper with the peaceful title of "Russian Apple Trees" exhaled
irritability. Yegor Semiónovitch began with the words "Audi alteram
partem," and ended it with "Sapienti sat"; and between these learned
quotations flowed a whole torrent of acid words directed against "the
learned ignorance of our patent horticulturists who observe nature from
their academic chairs," and against M. Gauche, "whose fame is founded
on the admiration of the profane and dilletanti" And finally Kovrin
came across an uncalled-for and quite insincere expression of regret
that it is no longer legal to flog peasants who are caught stealing
fruit and injuring trees.

"His is good work, wholesome and fascinating," thought Kovrin, "yet in
these pamphlets we have nothing but bad temper and war to the knife.
I suppose it is the same everywhere; in all careers men of ideas are
nervous, and victims of this kind of exalted sensitiveness. I suppose
it must be so."

He thought of Tánya, so delighted with her father's articles, and
then of Yegor Semiónovitch. Tánya, small, pale, and slight, with her
collar-bone showing, with her widely-opened, her dark and clever
eyes, which it seemed were always searching for something. And Yegor
Semiónovitch with his little, hurried steps. He thought again of Tánya,
fond of talking, fond of argument, and always accompanying even the
most insignificant phrases with mimicry and gesticulation. Nervous--she
must be nervous in the highest degree. Again Kovrin began to read,
but he understood nothing, and threw down his books. The agreeable
emotion with which he had danced the mazurka and listened to the music
still held possession of him, and aroused a multitude of thoughts.
It flashed upon him that if this strange, unnatural monk had been
seen by him alone, he must be ill, ill to the point of suffering from
hallucinations. The thought frightened him, but not for long.

He sat on the sofa, and held his head in his hands, curbing the
inexplicable joy which filled his whole being; and then walked up and
down the room for a minute, and returned to his work. But the thoughts
which he read in books no longer satisfied him. He longed for something
vast, infinite, astonishing. Towards morning he undressed and went
unwillingly to bed; he felt that he had better rest. When at last he
heard Yegor Semiónovitch going to his work in the garden, he rang, and
ordered the servant to bring him some wine. He drank several glasses;
his consciousness became dim, and he slept.



IV


Yegor Semiónovitch and Tánya often quarrelled and said disagreeable
things to one another. This morning they had both been irritated, and
Tánya burst out crying and went to her room, coming down neither to
dinner nor to tea At first Yegor Semiónovitch marched about, solemn and
dignified, as if wishing to give everyone to understand that for him
justice and order were the supreme interests of life. But he was unable
to keep this up for long; his spirits fell, and he wandered about the
park and sighed, "Akh, my God!" At dinner he ate nothing, and at last,
tortured by his conscience, he knocked softly at the closed door, and
called timidly:

"Tánya! Tánya!"

Through the door came a Weak voice, tearful but determined:

"Leave me alone!... I implore you."

The misery of father and daughter reacted on the whole household,
even on the labourers in the garden. Kovrin, as usual, was immersed
in his own interesting work, but at last even he felt tired and
uncomfortable. He determined to interfere, and disperse the cloud
before evening. He knocked at Tánya's door, and was admitted.

"Come, come! What a shame!" he began jokingly; and then looked with
surprise at her tear-stained and afflicted face covered with red spots.
"Is it so serious, then? Well, well!"

"But if you knew how he tortured me!" she said, and a flood of
tears gushed out of her big eyes. "He tormented me!" she continued,
wringing her hands. "I never said a word to him.... I only said there
was no need to keep unnecessary labourers, if ... if we can get day
workmen.... You know the men have done nothing for the whole week. I
... I only said this, and he roared at me, and said a lot of things ...
most offensive ... deeply insulting. And all for nothing."

"Never mind!" said Kovrin, straightening her hair. "You have had your
scoldings and your cryings, and that is surely enough. You can't keep
up this for ever ... it is not right ... all the more since you know he
loves you infinitely."

"He has ruined my whole life," sobbed Tánya. "I never hear anything but
insults and affronts. He regards me as superfluous in his own house.
Let him! He will have cause! I shall leave here to-morrow, and study
for a position as telegraphist.... Let him!"

"Come, come. Stop crying, Tánya. It does you no good.... You are both
irritable and impulsive, and both in the wrong. Come, and I will make
peace!"

Kovrin spoke gently and persuasively, but Tánya continued to cry,
twitching her shoulders and wringing her hands as if she had been
overtaken by a real misfortune. Kovrin felt all the sorrier owing to
the smallness of the cause of her sorrow. What a trifle it took to make
this little creature unhappy for a whole day, or, as she had expressed
it, for a whole life! And as he consoled Tánya, it occurred to him
that except this girl and her father there was not one in the world
who loved him as a kinsman; and had it not been for them, he, left
fatherless and motherless in early childhood, must have lived his whole
life without feeling one sincere caress, or tasting ever that simple,
unreasoning love which we feel only for those akin to us by blood. And
he felt that his tired, strained nerves, like magnets, responded to the
nerves of this crying, shuddering girl. He felt, too, that he could
never love a healthy, rosy-cheeked woman; but pale, weak, unhappy Tánya
appealed to him.

He felt pleasure in looking at her hair and her shoulders; and he
pressed her hand, and wiped away her tears.... At last she ceased
crying. But she still continued to complain of her father, and of her
insufferable life at home, imploring Kovrin to try to realise her
position. Then by degrees she began to smile, and to sigh that God had
cursed her with such a wicked temper; and in the end laughed aloud,
called herself a fool, and ran out of the room. A little later Kovrin
went into the garden. Yegor Semiónovitch and Tánya, as if nothing had
happened, We were walking side by side up the alley, eating rye-bread
and salt, we both were very hungry.


V


Pleased with his success as peacemaker, Kovrin went into the park. As
he sat on a bench and mused, he heal'd the rattle of a carnage and a
woman's laugh--visitors evidently again. Shadows fell in the garden,
the sound of a violin, the music of a woman's voice reached him almost
inaudibly; and this reminded him of the Black Monk. Whither, to what
country, to what planet, had that optical absurdity flown? Hardly had
he called to mind the legend and painted in imagination the black
apparition in the rye-field when from behind the pine trees opposite
to him, walked inaudibly--without the faintest rustling--a man of
middle height. His grey head was uncovered, he was dressed in black,
and barefooted like a beggar. On his pallid, corpse-like face stood out
sharply a number of black spots. Nodding his head politely the stranger
or beggar walked noiselessly to the bench and sat down, and Kovrin
recognised the Black Monk. For a minute they looked at one another,
Kovrin with astonishment, but the monk kindly and, as before, with a
sly expression on his face.

"But you are a mirage," said Kovrin. "Why are you here, and why do you
sit in one place? That is not in accordance with the legend."

"It is all the same," replied the monk softly, turning his face towards
Kovrin. "The legend, the mirage, I--all are products of your own
excited imagination. I am a phantom."

"That is to say you don't exist?" asked Kovrin. "Think as you like,"
replied the monk, smiling faintly. "I exist in your imagination, and as
your imagination is a part of Nature, I must exist also in Nature."

"You have a clever, a distinguished face--it seems to me as if in
reality you had lived more than a thousand years," said Kovrin. "I did
not know that my imagination was capable of creating such a phenomenon.
Why do you look at me with such rapture? Are you pleased with me?"

"Yes. For you are one of the few who can justly be named the elected
of God. You serve eternal truth. Your thoughts, your intentions, your
astonishing science, all your life bear the stamp of divinity, a
heavenly impress; they are dedicated to the rational and the beautiful,
and that is, to the Eternal."

"You say, to eternal truth. Then can eternal truth be accessible and
necessary to men if there is no eternal life?"

"There is eternal life," said the monk.

"You believe in the immortality of men."

"Of course. For you, men, there awaits a great and a beautiful future.
And the more the world has of men like you the nearer will this future
be brought. Without you, ministers to the highest principles, living
freely and consciously, humanity would be nothing; developing in the
natural order it must wait the end of its earthly history. But you,
by some thousands of years, hasten it into the kingdom of eternal
truth--and in this is your high service. You embody in yourself the
blessing of God which rested upon the people."

"And what is the object of eternal life?" asked Kovrin.

"The same as all life--enjoyment. True enjoyment is in knowledge,
and eternal life presents innumerable, inexhaustible fountains of
knowledge; it is in this sense it was said: 'In My Father's house are
many mansions....'"

"You cannot conceive what a joy it is to me to listen to you," said
Kovrin, rubbing his hands with delight.

"I am glad."

"Yet I know that when you leave me I shall be tormented by doubt as
to your reality. You are a phantom, a hallucination. But that means
that I am psychically diseased, that I am not in a normal state?"
"What if you are? That need not worry you. You are ill because you
have overstrained your powers, because you have borne your health in
sacrifice to one idea, and the time is near when you will sacrifice not
merely it but your life also. What more could you desire? It is what
all gifted and noble natures aspire to."

"But if I am psychically diseased, how can I trust myself?"

"And how do you know that the men of genius whom all the world trusts
have not also seen visions? Genius, they tell you now, is akin to
insanity. Believe me, the healthy and the normal are but ordinary
men--the herd. Fears as to a nervous age, over-exhaustion and
degeneration can trouble seriously only those whose aims in life lie in
the present--that is the herd."

"The Romans had as their ideal: _mens sana in corpore sano._"

"All that the Greeks and Romans said is not true. Exaltations,
aspirations, excitements, ecstacies--all those things which distinguish
poets, prophets, martyrs to ideas from ordinary men are incompatible
with the animal life, that is, with physical health. I repeat, if you
wish to be healthy and normal go with the herd."

"How strange that you should repeat what I myself have so often
thought!" said Kovrin. "It seems as if you had watched me and listened
to my secret thoughts. But do not talk about me. What do you imply by
the words: eternal truth?"

The monk made no answer. Kovrin looked at him, but could not make out
his face. His features clouded and melted away; his head and arms
disappeared; his body faded into the bench and into the twilight, and
vanished utterly.

"The hallucination has gone," said Kovrin, laughing. "It is a pity."

He returned to the house lively and happy. What the Black Monk had said
to him flattered, not his self-love, but his soul, his whole being. To
be the elected, to minister to eternal truth, to stand in the ranks of
those who hasten by thousands of years the making mankind worthy of
the kingdom of Christ, to deliver humanity from thousands of years of
struggle, sin, and suffering, to give to one idea everything, youth,
strength, health, to die for the general welfare--what an exalted, what
a glorious ideal! And when through his memory flowed his past life, a
life pure and chaste and full of labour, when he remembered what he had
learnt and what he had taught, he concluded that in the words of the
monk there was no exaggeration. Through the park, to meet him, came
Tánya. She was wearing a different dress from that in which he had last
seen her.

"You here?" she cried. "We were looking for you, looking.... But
what has happened?" she asked in surprise, looking into his glowing,
enraptured face, and into his eyes, now full of tears. "How strange you
are, Andrusha!"

"I am satisfied, Tánya," said Kovrin, laying his hand upon her
shoulder. "I am more than satisfied; I am happy! Tánya, dear Tánya, you
are inexpressibly dear to me. Tánya, I am so glad!"

He kissed both her hands warmly, and continued: "I have just lived
through the brightest, most wonderful, most unearthly moments.... But
I cannot tell you all, for you would call me mad, or refuse to believe
me.... Let me speak of you! Tánya, I love you, and have long loved
you. To have you near me, to meet you ten times a day, has become a
necessity for me. I do not know how I shall live without you when I go
home."

"No!" laughed Tánya. "You will forget us all in two days. We are little
people, and you are a great man."

"Let us talk seriously," said he. "I will take you with me, Tánya! Yes?
You will come? You will be mine?"

Tánya cried "What?" and tried to laugh again. But the laugh did not
come, and, instead, red spots stood out on her cheeks. She breathed
quickly, and walked on rapidly into the park.

"I did not think ... I never thought of this ... never thought," she
said, pressing her hands together as if in despair.

But Kovrin hastened after her, and, with the same glowing, enraptured
face, continued to speak.

"I wish for a love which will take possession of me altogether, and
this love only you, Tánya, can give me. I am happy! How happy!"

She was overcome, bent, withered up, and seemed suddenly to have aged
ten years. But Kovrin found her beautiful, and loudly expressed his
ecstacy: "How lovely she is!"



VI


When he learned from Kovrin that not only had a romance resulted, but
that a wedding was to follow, Yegor Semiónovitch walked from corner
to corner, and tried to conceal his agitation. His hands shook, his
neck seemed swollen and purple; he ordered the horses to be put into
his racing droschky, and drove away. Tánya, seeing how he whipped the
horses and how he pushed his cap down over his ears, understood his
mood, locked herself into her room, and cried all day.

In the orangery the peaches and plums were already ripe. The packing
and despatch to Moscow of such a delicate load required much
attention, trouble, and bustle. Owing to the heat of the summer
every tree had to be watered; the process was costly in time and
working-power; and many caterpillars appeared, which the workmen, and
even Yegor Semiónovitch and Tánya, crushed with their fingers, to
the great disgust of Kovrin. The autumn orders for fruit and trees
had to be attended to, and a vast correspondence carried on. And at
the very busiest time, when it seemed no one had a free moment, work
began in the fields and deprived the garden of half its workers. Yegor
Semiónovitch, very sunburnt, very irritated, and very worried, galloped
about, now to the garden, now to the fields; and all the time shouted
that they were tearing him to bits, and that he would put a bullet
through his brain.

On top of all came the bustle over Tánya's trousseau, to which the
Pesótskys attributed infinite significance. With the eternal snipping
of scissors, rattle of sewing-machines, smell of flat-irons, and the
caprices of the nervous and touchy dressmaker, the whole house seemed
to spin round. And, to make matters worse, visitors arrived every day,
and these visitors had to be amused, fed, and lodged for the night.
Yet work and worry passed unnoticed in a mist of joy. Tánya felt as if
love and happiness had suddenly burst upon her, although ever since her
fourteenth year she had been certain that Kovrin would marry nobody
but herself. She was eternally in a state of astonishment, doubt,
and disbelief in herself. At one moment she was seized by such great
joy that she felt she must fly away to the clouds and pray to God;
but a moment later she remembered that when August came she would
have to leave the home of her childhood and forsake her father; and
she was frightened by the thought--God knows whence it came--that she
was trivial, insignificant, and unworthy of a great man like Kovrin.
When such thoughts came she would run up to her room, lock herself in,
and cry bitterly for hours. But when visitors were present, it broke
in upon her that Kovrin was a singularly handsome man, that all the
women loved him and envied her; and in these moments her heart was as
full of rapture and pride as if she had conquered the whole world.
When he dared to smile on any other woman she trembled with jealousy,
went to her room, and again--tears. These new feelings possessed her
altogether; she helped her father mechanically, noticing neither pears
nor caterpillars, nor workmen, nor how swiftly time was passing by.

Yegor Semiónovitch was in much the same state of mind. He still worked
from morning to night, Hew about the gardens, and lost his temper;
but all the while he was wrapped in a magic reverie. In his sturdy
body contended two men, one the real Yegor Semiónovitch, who, when he
listened to the gardener, Ivan Karlovitch's report of some mistake or
disorder, went mad with excitement, and tore his hair; and the other
the unreal Yegor Semiónovitch--a half-intoxicated old man, who broke
off an important conversation in the middle of a word, seized the
gardener by the shoulder, and stammered:

"You may say what you like, but blood is thicker than water. His
mother was an astonishing, a most noble, a most brilliant woman. It
was a pleasure to see her good, pure, open, angel face. She painted
beautifully, wrote poetry, spoke five foreign languages, and sang....
Poor thing, Heaven rest her soul, she died of consumption!"

The unreal Yegor Semiónovitch sighed, and after a moment's silence
continued:

"When he was a boy growing up to manhood in my house he had just such
an angel face, open and good. His looks, his movements, his words were
as gentle and graceful as his mother's. And his intellect It is not
for nothing he has the degree of Magister. But you just wait, Ivan
Karlovitch; you'll see what he'll be in ten years' time. Why, he'll be
out of sight!" But here the real Yegor Semiónovitch remembered himself,
seized his head and roared:

"Devils! Frost-bitten! Ruined, destroyed! The garden is ruined; the
garden is destroyed!" Kovrin worked with all his former ardour, and
hardly noticed the bustle about him. Love only poured oil on the
flames. After every meeting with Tánya, he returned to his rooms in
rapture and happiness, and set to work with his books and manuscripts
with the same passion with which he had kissed her and sworn his love.
What the Black Monk had told him of his election by God, of eternal
truth, and of the glorious future of humanity, gave to all his work a
peculiar, unusual significance. Once or twice every week, either in
the park or in the house, he met the monk, and talked with him for
hours; but this did not frighten, but on the contrary delighted him,
for he was now assured that such apparitions visit only the elect and
exceptional who dedicate themselves to the ministry of ideas.

Assumption passed unobserved. Then came the wedding, celebrated by the
determined wish of Yegor Semiónovitch with what was called _éclat_,
that is, with meaningless festivities which lasted for two days. Three
thousand roubles were consumed in food and drink; but what with the
vile music, the noisy toasts, the fussing servants, the clamour, and
the closeness of the atmosphere, no one appreciated the expensive wines
or the astonishing _hors d'oeuvres_ specially ordered from Moscow.



VII


One of the long winter nights. Kovrin lay in bed, reading a French
novel. Poor Tánya, whose head every evening ached as the result of the
unaccustomed life in town, had long been sleeping, muttering incoherent
phrases in her dreams.

The dock struck three. Kovrin put out the candle and lay down, lay
for a long time with dosed eyes unable to sleep owing to the heat of
the room and Tánya's continued muttering. At half-past four he again
lighted the candle. The Black Monk was sitting in a chair beside his
bed.

"Good night!" said the monk, and then, after a moment's silence, asked,
"What are you thinking of now?"

"Of glory," answered Kovrin. "In a French novel which I have just been
reading, the hero is a young man who does foolish things, and dies from
a passion for glory. To me this passion is inconceivable."

"Because you are too clever. You look indifferently on fame as a toy
which cannot interest you."

"That is true."

"Celebrity has no attractions for you. What flattery, joy, or
instruction can a man draw from the knowledge that his name will be
graven on a monument, when time will efface the inscription sooner or
later? Yes, happily there are too many of you for brief human memory
to remember all your names."

"Of course," said Kovrin. "And why remember them?... But let us talk of
something else. Of happiness, for instance. What is this happiness?"

When the clock struck five he was sitting on the bed with his feet
trailing on the carpet and his head turned to the monk, and saying:

"In ancient times a man became frightened at his happiness, so great it
was, and to placate the gods laid before them in sacrifice his beloved
ring. You have heard? Now I, like Polycrates, am a little frightened
at my own happiness. From morning to night I experience only joy--joy
absorbs me and stifles all other feelings. I do not know the meaning of
grief affliction, or weariness. I speak seriously, I am beginning to
doubt."

"Why?" asked the monk in an astonished tone. "Then you think joy is
a supernatural feeling? You think it is not the normal condition
of things? No! The higher a man has climbed in mental and moral
development the freer he is, the greater satisfaction he draws from
life. Socrates, Diogenes, Marcus Aurelius knew joy and not sorrow. And
the apostle said, 'rejoice exceedingly.' Rejoice and be happy!"

"And suddenly the gods will be angered," said Kovrin jokingly. "But it
would hardly be to my taste if they were to steal my happiness and
force me to shiver and starve."

Tánya awoke, and looked at her husband with amazement and terror. He
spoke, he turned to the chair, he gesticulated, and laughed; his eyes
glittered and his laughter sounded strange.

"Andrusha, whom are you speaking to?" she asked, seizing the hand which
he had stretched out to the monk. "Andrusha, who is it?"

"Who?" answered Kovrin. "Why, the monk!... He is sitting there." He
pointed to the Black Monk.

"There is no one there,... no one, Andrusha; you are ill."

Tánya embraced her husband, and, pressing against him as if to defend
him against the apparition, covered his eyes with her hand.

"You are ill," she sobbed, trembling all over. "Forgive me, darling,
but for a long time I have fancied you were unnerved in some way....
You are ill, ... psychically, Andrusha."

The shudder communicated itself to him. He looked once more at the
chair, now empty, and suddenly felt weakness in his arms and legs. He
began to dress. "It is nothing, Tánya, nothing, ..." he stammered, and
still shuddered. "But I am a little unwell.... It is time to recognise
it."

"I have noticed it for a long time, and father noticed it," she said,
trying to restrain her sobs. "You have been speaking so funnily to
yourself, and smiling so strangely, ... and you do not sleep. O, my
God, my God, save us!" she cried in terror. "But do not be afraid,
Andrusha, do not fear, ... for God's sake do not be afraid...."

She also dressed.... It was only as he looked at her that Kovrin
understood the danger of his position, and realised the meaning of the
Black Monk and of their conversations. It became plain to him that he
was mad.

Both, themselves not knowing why, dressed and went into the hall;
she first, he after her. There they found Yegor Semiónovitch in his
dressing-gown. He was staying with them, and had been awakened by
Tánya's sobs.

"Do not be afraid, Andrusha," said Tánya, trembling as if in fever. "Do
not be afraid ... father, this will pass off ... it will pass off."

Kovrin was so agitated that he could hardly speak. But he tried
to treat the matter as a joke. He turned to his father-in-law and
attempted to say: "Congratulate me ... it seems I have gone out of my
mind." But his lips only moved, and he smiled bitterly.

At nine o'clock they put on his overcoat and a fur cloak, wrapped him
up in a shawl, and drove him to the doctor's. He began a course of
treatment.



VIII


Again summer. By the doctor's orders Kovrin returned to the country.
He had recovered his health, and no longer saw the Black Monk. It only
remained for him to recruit his physical strength. He lived with his
father-in-law, drank much milk, worked only two hours a day, never
touched wine, and gave up smoking.

On the evening of the 19th June, before Elijah's day, a vesper service
was held in the house. When the priest took the censor from the sexton,
and the vast hall began to smell like a church, Kovrin felt tired. He
went into the garden. Taking no notice of the gorgeous blossoms around
him he walked up and down, sat for a while on a bench, and then walked
through the park. He descended the sloping bank to the margin of the
river, and stood still, looking questioningly at the water. The great
pines, with their shaggy roots, which a year before had seen him so
young, so joyous, so active, no longer whispered, but stood silent
and motionless, as if not recognising him.... And, indeed, with his
short-dipped hair, his feeble walk, and his changed face, so heavy and
pale and changed since last year, he would hardly have been recognised
anywhere.

He crossed the stream. In the field, last year covered with rye, lay
rows of reaped oats. The sun had set, and on the horizon flamed a
broad, red afterglow, fore-telling stormy weather. All was quiet; and,
gazing towards the point at which a year before he had first seen the
Black Monk, Kovrin stood twenty minutes watching the crimson fade. When
he returned to the house, tired and unsatisfied, Yegor Semiónovitch and
Tánya were sitting on the steps of the terrace, drinking tea. They were
talking together, and, seeing Kovrin, stopped. But Kovrin knew by their
faces that they had been speaking of him.

"It is time for you to have your milk," said Tánya to her husband.

"No, not yet," he answered, sitting down on the lowest step. "You drink
it. I do not want it." Tánya timidly exchanged glances with her father,
and said in a guilty voice:

"You know very well that the milk does you good."

"Yes, any amount of good," laughed Kovrin. "I congratulate you, I have
gained a pound in weight since last Friday." He pressed his hands to
his head and said in a pained voice: "Why ... why have you cured me?
Bromide mixtures, idleness, warm baths, watching in trivial terror
over every mouthful, every step ... all this in the end will drive me
to idiocy. I had gone out of my mind ... I had the mania of greatness.
... But for all that I was bright, active, and even happy.... I was
interesting and original. Now I have become rational and solid, just
like the rest of the world. I am a mediocrity, and it is tiresome for
me to live.... Oh, how cruelly... how cruelly you have treated me! I
had hallucinations ... but what harm did that cause to anyone? I ask
you what harm?"

"God only knows what you mean!" sighed Yegor Semiónovitch. "It is
stupid even to listen to you."

"Then you need not listen."

The presence of others, especially of Yegor Semiónovitch, now irritated
Kovrin; he answered his father-in-law drily, coldly, even rudely,
and could not look on him without contempt and hatred. And Yegor
Semiónovitch felt confused, and coughed guiltily, although he could not
see how he was in the wrong. Unable to understand the cause of such a
sudden reversal of their former hearty relations, Tánya leaned against
her father, and looked with alarm into his eyes. It was becoming plain
to her that their relations every day grew worse and worse, that her
father had aged greatly, and that her husband had become irritable,
capricious, excitable, and uninteresting. She no longer laughed and
sang, she ate nothing, and whole nights never slept, but lived under
the weight of some impending terror, torturing herself so much that
she lay insensible from dinner-time till evening. When the service was
being held, it had seemed to her that her father was crying; and now as
she sat on the terrace she made an effort not to think of it.

"How happy were Buddha and Mahomet and Shakespeare that their
kind-hearted kinsmen and doctors did not cure them of ecstacy and
inspiration!" said Kovrin. "If Mahomet had taken potassium bromide
for his nerves, worked only two hours a day, and drunk milk, that
astonishing man would have left as little behind him as his dog.
Doctors and kind-hearted relatives only do their best to make humanity
stupid, and the time will come when mediocrity will be considered
genius, and humanity will perish. If you only had some idea," concluded
Kovrin peevishly, "if you only had some idea how grateful I am!" He
felt strong irritation, and to prevent himself saying too much, rose
and went into the house. It was a windless night, and into the window
was borne the smell of tobacco plants and jalap. Through the windows of
the great dark hall, on the floor and on the piano, fell the moonrays.
Kovrin recalled the raptures of the summer before, when the air, as
now, was full of the smell of jalap and the moonrays poured through the
window.... To awaken the mood of last year he went to his room, lighted
a strong cigar, and ordered the servant to bring him wine. But now the
cigar was bitter and distasteful, and the wine had lost its flavour
of the year before. How much it means to get out of practice! From a
single cigar, and two sips of wine, his head went round, and he was
obliged to take bromide of potassium.

Before going to bed Tánya said to him:

"Listen. Father worships you, but you are annoyed with him about
something, and that is killing him. Look at his face; he is growing
old, not by days but by hours! I implore you, Andrusha, for the love of
Christ, for the sake of your own dead father, for the sake of my peace
of mind--be kind to him again!"

"I cannot, and I do not want to."

"But why?" Tánya trembled all over. "Explain to me why!"

"Because I do not like him; that is all," answered Kovrin carelessly,
shrugging his shoulders. "But better not talk of that; he is your
father."

"I cannot, cannot understand," said Tánya. She pressed her hands to
her forehead and fixed her eyes on one point. "Something terrible,
something incomprehensible is going on in this house. You, Ahdrusha,
have changed; you are no longer yourself.... You--a clever, an
exceptional man--get irritated over trifles. ... You are annoyed by
such little things that at any other time you yourself would have
refused to believe it. No ... do not be angry, do not be angry," she
continued, kissing his hands, and frightened by her own words. "You are
clever, good, and noble. You will be just to father. He is so good."

"He is not good, but merely good-humoured. These vaudeville uncles--of
your father's type--with well-fed, easy-going faces, are characters in
their way, and once used to amuse me, whether in novels, in comedies,
or in life. But they are now hateful to me. They are egoists to the
marrow of their bones.... Most disgusting of all is their satiety, and
this stomachic, purely bovine--or swinish--optimism."

Tánya sat on the bed, and laid her head on a pillow. "This is torture!"
she said; and from her voice it was plain that she was utterly weary
and found it hard to speak. "Since last winter not a moment of rest.
... It is terrible, my God! I suffer ..."

"Yes, of course! I am Herod, and you and your papa the massacred
infants. Of course!"

His face seemed to Tánya ugly and disagreeable. The expression of
hatred and contempt did not suit it. She even observed that something
was lacking in his face; ever since his hair had been cut off, it
seemed changed. She felt an almost irresistible desire to say something
insulting, but restrained herself in time, and overcome with terror,
went out of the bedroom.



IX


Kovrin received an independent chair. His inaugural address was fixed
for the 2nd of December, and a notice to that effect was posted in
the corridors of the University. But when the day came a telegram was
received by the University authorities that he could not fulfil the
engagement, owing to illness.

Blood came from his throat. He spat it up, and twice in one month it
flowed in streams. He felt terribly weak, and fell into a somnolent
condition. But this illness did not frighten him, for he knew that his
dead mother had lived with the same complaint more than ten years. His
doctors, too, declared that there was no danger, and advised him merely
not to worry, to lead a regular life, and to talk less.

In January the lecture was postponed for the same reason, and in
February it was too late to begin the course. It was postponed till the
following year.

He no longer lived with Tánya, but with another woman, older than
himself, who looked after him as if he were a child. His temper
was calm and obedient; he submitted willingly, and when Varvara
Nikolaievna--that was her name--made arrangements for taking him to the
Crimea, he consented to go, although he felt that from the change no
good would come.

They reached Sevastopol late one evening, and stopped there to rest,
intending to drive to Yalta on the following day. Both were tired by
the journey. Varvara Nikolaievna drank tea, and went to bed. But Kovrin
remained up. An hour before leaving home for the railway station he had
received a letter from Tánya, which he had not read; and the thought
of this letter caused him unpleasant agitation. In the depths of his
heart he knew that his marriage with Tánya had been a mistake. He was
glad that he was finally parted from her; but the remembrance of this
woman, who towards the last had seemed to turn into a walking, living
mummy, in which all had died except the great, clever eyes, awakened in
him only pity and vexation against himself. The writing on the envelope
reminded him that two years before he had been guilty of cruelty and
injustice, and that he had avenged on people in no way guilty his
spiritual vacuity, his solitude, his disenchantment with life.... He
remembered how he had once torn into fragments his dissertation and
all the articles written by him since the time of his illness, and
thrown them out of the window, how the fragments flew in the wind and
rested on the trees and flowers; in every page he had seen strange and
baseless pretensions, frivolous irritation, and a mania for greatness.
And all this had produced upon him an impression that he had written a
description of his own faults. Yet when the last copybook had been tom
up and thrown out of the window, he felt bitterness and vexation, and
went to his wife and spoke to her cruelly. Heavens, how he had ruined
her life! He remembered how once, wishing to cause her pain, he had
told her that her father had played in their romance an unusual role,
and had even asked him to marry her; and Yegor Semiónovitch, happening
to overhear him, had rushed into the room, so dumb with consternation
that he could not utter a word, but only stamped his feet on one spot
and bellowed strangely as if his tongue had been cut out. And Tánya,
looking at her father, cried out in a heartrending voice, and fell
insensible on the floor. It was hideous.

The memory of all this returned to him at the sight of the well-known
handwriting. He went out on to the balcony. It was warm and calm, and
a salt smell came to him from the sea. The moonlight, and the lights
around, were imaged on the surface of the wonderful bay--a surface
of a hue impossible to name. It was a tender and soft combination of
dark blue and green; in parts the water resembled copperas, and in
parts, instead of water, liquid moonlight filled the bay. And all these
combined in a harmony of hues which exhaled tranquillity and exaltation.

In the lower story of the inn, underneath the balcony, the windows were
evidently open, for women's voices and laughter could plainly be heard.
There must be an entertainment.

Kovrin made an effort over himself, unsealed the letter, and, returning
to his room, began to read:

"My father has just died. For this I am indebted to you, for it was you
who killed him. Our garden is being ruined; it is managed by strangers;
what my poor father so dreaded is taking place. For this also I am
indebted to you. I hate you with all my soul, and wish that you may
perish soon! Oh, how I suffer I My heart bums with an intolerable
pain!... May you be accursed! I took you for an exceptional man, for a
genius; I loved you, and you proved a madman...."

Kovrin could read no more; he tore up the letter and threw the pieces
away.... He was overtaken by restlessness--almost by terror.... On the
other side of the screen, slept Varvara Nikolaievna; he could hear her
breathing. From the story beneath came the women's voices and laughter,
but he felt that in the whole hotel there was not one living soul
except himself. The fact that wretched, overwhelmed Tánya had cursed
him in her letter, and wished him ill, caused him pain; and he looked
fearfully at the door as if fearing to see again that unknown power
which in two years had brought about so much ruin in his own life and
in the lives of all who were dearest to him.

By experience he knew that when the nerves give way the best refuge
lies in work. He used to sit at the table and concentrate his mind
upon some definite thought. He took from his red portfolio a copybook
containing the conspect of a small work of compilation which he
intended to carry out during his stay in the Crimea, if he became tired
of inactivity.... He sat at the table, and worked on this conspect, and
it seemed to him that he was regaining his former peaceful, resigned,
impersonal mood. His conspect led him to speculation on the vanity of
the world. He thought of the great price which life demands for the
most trivial and ordinary benefits which it gives to men. To reach
a chair of philosophy under forty years of age; to be an ordinary
professor; to expound commonplace thoughts--and those thoughts the
thoughts of others--in feeble, tiresome, heavy language; in one
word, to attain the position of a learned mediocrity, he had studied
fifteen years, worked day and night, passed through a severe psychical
disease, survived an unsuccessful marriage--been guilty of many follies
and injustices which it was torture to remember. Kovrin now clearly
realised that he was a mediocrity, and he was willingly reconciled to
it, for he knew that every man must be satisfied with what he is.

The conspect calmed him, but the tom letter lay upon the floor and
hindered the concentration of his thoughts. He rose, picked up the
fragments, and threw them out of the window. But a light wind blew from
the sea, and the papers fluttered back on to the window sill. Again he
was overtaken by restlessness akin to terror, and it seemed to him that
in the whole hotel except himself there was not one living soul.... He
went on to the balcony. The bay, as if alive, stared up at him from its
multitude of light-and dark-blue eyes, its eyes of turquoise and fire,
and beckoned him. It was warm and stifling; how delightful, he thought,
to bathe!

Suddenly beneath the balcony a violin was played, and two women's
voices sang. All this was known to him. The song which they sang told
of a young girl, diseased in imagination, who heard by night in a
garden mysterious sounds, and found in them a harmony and a holiness
incomprehensible to us mortals. ... Kovrin held his breath, his heart
ceased to beat, and the magical, ecstatic rapture which he had long
forgotten trembled in his heart again.

A high, black pillar, like a cyclone or waterspout, appeared on the
opposite coast. It swept with incredible swiftness across the bay
towards the hotel; it became smaller and smaller, and Kovrin stepped
aside to make room for it.... The monk, with uncovered grey head, with
black eyebrows, barefooted, folding his arms upon his chest, swept past
him, and stopped in the middle of the room.

"Why did you not believe me?" he asked in a tone of reproach, looking
caressingly at Kovrin. "If you had believed me when I said you were a
genius, these last two years would not have been passed so sadly and so
barrenly."

Kovrin again believed that he was the elected of God and a genius; he
vividly remembered all his former conversation with the Black Monk,
and wished to reply. But the blood flowed from his throat on to his
chest, and he, not knowing what to do, moved his hands about his chest
till his cuffs were red with the blood. He wished to call Varvara
Nikolaievna, who slept behind the screen, and making an effort to do
so, cried: "Tánya!"

He fell on the floor, and raising his hands, again cried:

"Tánya!"

He cried to Tánya, cried to the great garden with the miraculous
flowers, cried to the park, to the pines with their shaggy roots, to
the rye-field, cried to his marvellous science, to his youth, his
daring, his joy, cried to the life which had been so beautiful. He saw
on the floor before him a great pool of blood, and from weakness could
not utter a single word. But an inexpressible, infinite joy filled his
whole being. Beneath the balcony the serenade was being played, and the
Black Monk whispered to him that he was a genius, and died only because
his feeble, mortal body had lost its balance, and could no longer serve
as the covering of genius.

When Varvara Nikolaievna awoke, and came from behind her screen, Kovrin
was dead. But on his face was frozen an immovable smile of happiness.



ON THE WAY


In the room which the innkeeper, the Cossack Semión Tchistoplui,
called "The Traveller,"--meaning thereby, "reserved exclusively
for travellers,"--at a big, unpainted table, sat a tall and
broad-shouldered man of about forty years of age. With his elbows on
the table and his head lasting on his hands, he slept. A fragment of
a tallow candle, stuck in a pomade jar, illumined his fair hair, his
thick, broad nose, his sunburnt cheeks, and the beetling brows that
hung over his closed eyes.... Taken one by one, all his features--his
nose, his cheeks, his eyebrows--were as rude and heavy as the furniture
in "The Traveller" taken together they produced an effect of singular
harmony and beauty. Such, indeed, is often the character of the Russian
face; the bigger, the sharper the individual features, the softer and
more benevolent the whole. The sleeper was dressed as one of good
class, in a threadbare jacket bound with new wide braid, a plush
waistcoat, and loose black trousers, vanishing in big boots.

On a bench which stretched the whole way round the room slept a girl
some eight years of age. She lay upon a foxskin overcoat, and wore a
brown dress and long black stockings. Her face was pale, her hair fair,
her shoulders narrow, her body slight and frail; but her nose ended in
just such an ugly lump as the man's. She slept soundly, and did not
seem to feel that the crescent comb which had fallen from her hair was
cutting into her cheek.

"The Traveller" had a holiday air. The atmosphere smelt of newly-washed
floors; there were no rags on the line which stretched diagonally
across the room; and in the ikon corner, casting a red reflection upon
the image of St. George the Victory-Bringer, burned a lamp. With a
severe and cautious gradation from the divine to the earthly, there
stretched from each side of the image row of gaudily-painted pictures.
In the dim light thrown from the lamp and candle-end these pictures
seemed to form a continuous belt covered with black patches; but when
the tiled stove, wishing to sing in accord with the weather, drew in
the blast with a howl, and the logs, as if angered, burst into ruddy
flames and roared with rage, rosy patches quivered along the walls; and
above the head of the sleeping man might be seen first the faces of
seraphim, then the Shah Nasr Edin, and finally a greasy, sunburnt boy,
with staring eyes, whispering something into the ear of a girl with a
singularly blunt and indifferent face.

The storm howled outside. Something wild and angry, but deeply
miserable, whirled round the inn with the fury of a beast, and strove
to burst its way in. It banged against the doors, it beat on the
windows and roof, it tore the walls, it threatened, it implored, it
quieted down, and then with the joyous howl of triumphant treachery it
rushed up the stove pipe; but here the logs burst into flame, and the
fire, like a chained hound, rose up in rage to meet its enemy. There
was a sobbing, a hissing, and an angry roar. In all this might be
distinguished both irritated weariness and unsatisfied hate, and the
angered impotence of one accustomed to victory.

Enchanted by the wild, inhuman music, "The Traveller" seemed numbed
into immobility for ever. But the door creaked on its hinges, and into
the inn came the potboy in a new calico shirt He walked with a limp,
twitched his sleepy eyes, snuffed the candle with his fingers, and went
out The bells of the village church of Rogatchi, three hundred yards
away, began to strike twelve. It was midnight The storm played with
the sounds as with snowflakes, it chased them to infinite distances,
it cut some short and stretched some into long undulating notes; and
it smothered others altogether in the universal tumult But suddenly a
chime resounded so loudly through the room that it might have been rung
under the window. The girl on the foxskin overcoat started and raised
hex head. For a moment she gazed vacantly at the black window, then
turned her eyes upon Nasr Edin, on whose face the firelight gleamed,
and finally looked at the sleeping man.

"Papa!" she cried.

But her father did not move. The girl peevishly twitched her eyebrows,
and lay down again with her legs bent under her. A loud yawn sounded
outside the door. Again the hinges squeaked, and indistinct voices were
heard. Someone entered, shook the snow from his coat, and stamped his
feet heavily.

"Who is it?" drawled a female voice.

"Mademoiselle Ilováisky," answered a bass.

Again the door creaked. The storm tore into the cabin and howled.
Someone, no doubt the limping boy, went to the door of "The Traveller,"
coughed respectfully, and raised the latch.

"Come in, please," said the female voice. "It is all quite clean,
honey!"

The door flew open. On the threshold appeared a bearded muzhik, dressed
in a coachman's caftan, covered with snow from head to foot. He stooped
under the weight of a heavy portmanteau. Behind him entered a little
female figure, not half his height, faceless and handless, rolled into
a shapeless bundle, and covered also with snow. Both coachman and
bundle smelt of damp. The candle-flame trembled.

"What nonsense!" cried the bundle angrily. "Of course we can go on!
It is only twelve versts more, chiefly wood. There is no fear of our
losing the way."

"Lose our way or not, it's all the same ... the horses won't go an inch
farther," answered the coachman. "Lord bless you, miss.... As if I had
done it on purpose!"

"Heaven knows where you've landed me!..."

"Hush! there's someone asleep. You may go!"

The coachman shook the caked snow from his shoulders, set down the
portmanteau, snuffled, and went out And the little girl, watching, saw
two tiny hands creeping out of the middle of the bundle, stretching
upward, and undoing the network of shawls, handkerchiefs, and scarfs.
First on the floor fell a heavy shawl, then a hood, and after it a
white knitted muffler. Having freed its head, the bundle removed its
cloak, and shrivelled suddenly into half its former size. Now it
appeared in a long, grey ulster, with immense buttons and yawning
pockets. From one pocket it drew a paper parcel. From the other came
a bunch of keys, which the bundle put down so incautiously that the
sleeping man started and opened his eyes. For a moment he looked around
him vacantly, as if not realising where he was, then shook his head,
walked to the corner of the room, and sat down. The bundle took off its
ulster, again reduced itself by half, drew off its shoes, and also sat
down.

It no longer resembled a bundle. It was a woman, a tiny, fragile
brunette of some twenty years of age, thin as a serpent, with a long
pale face, and curly hair. Her nose was long and sharp, her chin long
and sharp, her eyelashes long; and thanks to a general sharpness the
expression of her face was stinging. Dressed in a tight-fitting black
gown, with lace on the neck and sleeves, with sharp elbows and long,
rosy fingers, she called to mind portraits of English ladies of the
middle of the century. The serious, self-centred expression of her face
served only to increase the resemblance.

The brunette looked around the room, glanced sidelong at the man and
girl, and, shrugging her shoulders, went over and sat at the window.
The dark windows trembled in the damp west wind. Outside great flakes
of snow, flashing white, darted against the glass, clung to it for a
second, and were whirled away by the storm. The wild music grew louder.

There was a long silence. At last the little girl rose suddenly, and,
angrily ringing out every word, exclaimed:

"Lord! Lord! How unhappy I am! The most miserable being in the world!"

The man rose, and with a guilty air, ill-suited to his gigantic stature
and long beard, went to the bench.

"You're not sleeping, dearie? What do you want?" He spoke in the voice
of a man who is excusing himself.

"I don't want anything! My shoulder hurts! You are a wicked man,
father, and God will punish you. Wait! You'll see how he'll punish you!"

"I know it's painful, darling ... but what can I do?" He spoke in
the tone employed by husbands when they make excuses to their angry
wives. "If your shoulder hurts it is the long journey that is guilty.
To-morrow it will be over, then we shall rest, and the pain will stop...."


"To-morrow! To-morrow!... Every day you say to-morrow! We shall go on
for another twenty days!"

"Listen, friend, I give you my word of honour that this is the last
day. I never tell you untruths. If the storm delayed us, that is not my
fault."

"I can bear it no longer! I cannot! I cannot!"

Sasha pulled in her leg sharply, and filled the room with a
disagreeable whining cry. Her father waved his arm, and looked
absent-mindedly at the brunette. The brunette shrugged her shoulders,
and walked irresolutely towards Sasha.

"Tell me, dear," she said, "why are you crying? It is very nasty to
have a sore shoulder ... but what can be done?"

"The fact is, mademoiselle," said the man apologetically, "we have had
no sleep for two nights, and drove here in a villainous cart. No wonder
she is ill and unhappy. A drunken driver ... the luggage stolen ...
all the time in a snowstorm ... but what's the good of crying?... I,
too, am tired out with sleeping in a sitting position, so tired that I
feel almost drunk. Listen, Sasha ... even as they are things are bad
enough ... yet you must cry!"

He turned his head away, waved his arm, and sat down.

"Of course, you mustn't cry!" said the brunette. "Only babies cry. If
you are ill, dearie, you must undress and go to sleep.... Come, let me
undress you!"

With the girl undressed and comforted, silence again took possession of
the room. The brunette sat at the window, and looked questioningly at
the wall, the ikon, and the stove. Apparently things around seemed very
strange to her, the room, the girl with her fat nose and boy's short
nightgown, and the girl's father. That strange man sat in the corner,
looking vacantly about him like a drunken man, and nibbing his face
with his hands. He kept silence, blinked his eyes; and judging from
his guilty figure no one would expect that he would be the first to
break the silence. Yet it was he who began. He smoothed his trousers,
coughed, laughed, and said:

"A comedy, I swear to God!.. I look around, and can't believe my eyes.
Why did destiny bring us to this accursed inn P What did she mean to
express by it? But life sometimes makes such a salto mortale, that you
look and can't believe your eyes. Are you going far, miss?"

"Not very far," answered the brunette. "I was going from home, about
twenty versts away, to a farm of ours where my father and brother are
staying. I am Mademoiselle Ilováisky, and the farm is Ilováisk. It is
twelve versts from this. What disagreeable weather!"

"It could hardly be worse."

The lame pot-boy entered the room, and stuck a fresh candle end in the
pomade jar.

"Get the samovar!" said the man.

"Nobody drinks tea at this hour," grinned the boy. "It is a sin before
Mass."

"Don't you mind ... it is not you that'll burn in hell, but we...."

While they drank their tea the conversation continued. Mdlle. Ilováisky
learned that the stranger's name was Grigóri Petróvitch Likharyóff,
that he was a brother of Likharyóff, the Marshal of the Nobility in
the neighbouring district, that he had himself once been a landed
proprietor, but had gone through everything. And in turn Likharyóff
learned that his companion was Márya Mikháilovna Ilováisky, that her
father had a large estate, and that all the management fell upon her
shoulders, as both father and brother were improvident, looked at life
through their fingers, and thought of little but greyhounds....

"My father and brother are quite alone on the farm," said Mdlle.
Ilováisky, moving her fingers (she had a habit in conversation of
moving her fingers before her stinging face, and after every phrase,
licking her lips with a pointed tongue); "they are the mast helpless
creatures on the face of the earth, and can't lift a finger to help
themselves. My father is muddle-headed, and my brother every evening
tired off his feet. Imagine!... who is to get them food after the
Fast? Mother is dead, and our servants cannot lay a cloth without my
supervision. They will be without proper food, while I spend all night
here. It is very funny!"

Mdlle. Ilováisky shrugged her shoulders, sipped her tea, and said:

"There are certain holidays which have a peculiar smell. Easter,
Trinity, and Christinas each has its own smell. Even atheists love
these holidays. My brother, for instance, says there is no God, but at
Easter he is the first to run off to the morning service." Likharyóff
lifted his eyes, turned them on his companion and laughed.

"They say that there is no God," continued Mdlle. Ilováisky, also
laughing, "but why then, be so good as to tell me, do all celebrated
writers, scholars, and clever men generally, believe at the close of
their lives?"

"The man who in youth has not learnt to believe does not believe in old
age, be he a thousand times a writer."

Judged by his cough, Likharyóff had a bass voice, but now either from
fear of speaking too loud, or from a needless bashfulness, he spoke in
a tenor. After a moment's silence, he sighed and continued:

"This is how I understand it. Faith is a quality of the soul. It is the
same as talent ... it is congenital. As far as I can judge from my own
case, from those whom I have met in life, from all that I see around
me, this congenital faith is inherent in all Russians to an astonishing
degree.... May I have another cup? ... Russian life presents itself
as a continuous series of faiths and infatuations, but unbelief or
negation it has not--if I may so express it--even smelt. That a Russian
does not believe in God is merely a way of saying that he believes in
something else."

Likharyóff took from Mdlle. Ilováisky another cup of tea, gulped down
half of it at once, and continued: "Let me tell you about myself. In my
soul Nature planted exceptional capacity for belief. Half my life have
I lived an atheist and a Nihilist, yet never was there a single moment
when I did not believe. Natural gifts display themselves generally in
early childhood, and my capacity for faith showed itself at a time when
I could walk upright underneath the table. My mother used to make us
children eat a lot, and when she gave us our meals, she had a habit of
saying, 'Eat, children; there's nothing on earth like soup!' I believed
this; I ate soup ten times a day, swallowed it like a shark to the
point of vomiting and disgust. My nurse used to tell me fairy tales,
and I believed in ghosts, in fairies, in wood-demons, in every kind
of monster. I remember well! I used to steal corrosive sublimate from
father's room, sprinkle it on gingerbread, and leave it in the attic,
so that the ghosts might eat it and die. But when I learned to read
and to understand what I read, my beliefs got beyond description. I
even ran away to America, I joined a gang of robbers, I tried to enter
a monastery, I hired boys to torture me for Christ's sake. When I ran
away to America I did not go alone, but took with me just such another
fool, and I was glad when we froze nearly to death, and when I was
flogged. When I ran away to join the robbers, I returned every time
with a broken skin. Most untranquil childhood! But when I was sent to
school, and learned that the earth goes round the sun, and that white
light so far from being white is composed of seven primary colours,
my head went round entirely. At home everything seemed hideous, my
mother, in the name of Elijah, denying lightning conductors, my father
indifferent to the truths I preached. My new enlightenment inspired
me! Like a madman I rushed about the house; I preached my truths to
the stable boys, I was driven to despair by ignorance, I flamed with
hatred against all who saw in white light only white.... But this is
nonsense.... Serious, so to speak, manly infatuations began with me
only at college.... Have you completed a university course?"

"At Novotcherkask--in the Don Institute."

"But that is not a university course. You can hardly know what this
science is. All sciences, whatever they may be, have only one and the
same passport, without which they are meaningless--an aspiration to
truth! Every one of them--even your wretched pharmacology--has its end,
not in profit, not in convenience and advantage to life, but in truth.
It is astonishing! When you begin the study of any science you are
captivated from the first. I tell you, there is nothing more seductive
and gracious, nothing so seizes and overwhelms the human soul, as the
beginning of a science. In the first five or six lectures you are
exalted by the very brightest hopes--you seem already the master of
eternal truth.... Well, I gave myself to science passionately, as to
a woman loved. I was its slave, and, except it, would recognise no
other sun. Day and night, night and day, without unbending my back, I
studied. I learnt off formulas by heart; I ruined myself on books; I
wept when I saw with my own eyes others exploiting science for personal
aims. ... But I got over my infatuation soon. The fact is, every
science has a beginning, but it has no end--it is like a recurring
decimal. Zoology discovered thirty-five thousand species of insects;
chemistry counts sixty elementary substances. If, as time goes by,
you add to these figures ten ciphers, you will be just as far from
the end as now, for all contemporary scientific research consists in
the multiplication of figures.... This I began to understand when I
myself discovered the thirty-five-thousand-and-first species, and
gained no satisfaction. But I had no disillusion to outlive, for a
new faith immediately appeared. I thrust myself into Nihilism with
its proclamations, its hideous deeds, its tricks of all sorts. I went
down to the people; I served as factory-hand; I greased the axles
of railway carriages; I turned myself into a bargee. It was while
thus wandering all over the face of Russia that I first saw Russian
life. I became an impassioned admirer of that life. I loved the
Russian people to distraction; I loved and trusted in its God, in its
language, in its creations.... And so on eternally.... In my time I
have been a Slavophile, and bored Aksakoff with my letters; and an
Ukrainophile, and an archaeologist, and a collector of specimens of
popular creative art ... I have been earned away by ideas, by men, by
events, by places.... I have been carried away unceasingly.... Five
years ago I embodied as the negation of property; my latest faith was
non-resistance to evil."

Sasha sighed gustily and moved. Likharyóff rose and went over to her.

"Will you have some tea, darling?" he asked tenderly

"Drink it yourself!" answered Sasha.

"You have lived a varied life," said Márya Mikháilovna. "You have
something to remember."

"Yes, yes; it is all very genial when you sit at the tea-table and
gossip with a good companion; but you do not ask me what has all this
gaiety cast me. With what have I paid for the diversity of my life? You
must remember, in the first place, that I did not believe like a German
Doctor of Philosophy. I did not live as a hermit, but my every faith
bent me as a bow, and tore my body to pieces. Judge for yourself! Once
I was as rich as my brother: now I am a beggar. Into this whirlpool of
infatuation I cast my own estate, the property of my wife, the money
of many others. I am forty-two to-day, with old age staring me in the
face, and I am homeless as a dog that has lost his master by night.
In my whole life I have never known repose. My soul was in constant
torment; I suffered even from my hopes.... I have worn myself out
with heavy unregulated work; I have suffered deprivation; five times
I have been in prison. I have wandered through Archangel and Tobolsk
... the very memory sickens me. I lived, but in the vortex never felt
the process of life. Will you believe it, I never noticed how my wife
loved me--when my children were born. What more can I tell you? To all
who loved me I brought misfortune.... My mother has mourned for me now
fifteen years, and my own brothers, who through me have been made to
blush, who have been made to bend their backs, whose hearts have been
sickened, whose money has been wasted, have grown at last to hate me
like poison."

Likharyóff rose and again sat down.

"If I were only unhappy I should be thankful to God," he continued,
looking at Mdlle. Ilováisky. "But my personal unhappiness fades away
when I remember how often in my infatuations I was ridiculous, far
from the truth, unjust, cruel, dangerous! How often with my whole soul
have I hated and despised those whom I ought to have loved, and loved
those whom I ought to have hated! To-day, I believe; I fall down on
my face and worship: to-morrow, like a coward, I flee from the gods
and friends of yesterday, and silently swallow some scoundrel! God
alone knows how many times I have wept with shame for my infatuations!
Never in my life have I consciously lied or committed a wrong, yet my
conscience is unclean! I cannot even boast that my hands are unstained
with blood, for before my own eyes my wife faded to death--worn out
by my improvidence. My own wife!... Listen; there are now in fashion
two opposing opinions of woman. One class measures her skull to prove
that she is lower than man, to determine her defects, to justify their
own animality. The other would employ all their strength in lifting
woman to their own level--that is to say, force her to learn by heart
thirty-five thousand species of insects, to talk and write the same
nonsense as they themselves talk and write." Likharyóff's face darkened.

"But I tell you that woman always was and always will be the slave of
man!" he said in a bass voice, thumping his fist upon the table. "She
is wax--tender, plastic wax--from which man can mould what he will.
Lord in heaven! Yet out of some trumpery infatuation for manhood she
cuts her hair, forsakes her family, dies in a foreign land.... Of all
the ideas to which she sacrifices herself not one is feminine!...
Devoted, unthinking slave! Skulls I have never measured; but this I say
from bitter, grievous experience: The proudest, the most independent
women--once I had succeeded in communicating to them my inspiration,
came after me, unreasoning, asking no questions, obeying my every
wish. Of a nun I made a Nihilist, who, as I afterwards learned, killed
a gendarme. My wife never forsook me in all my wanderings, and like
a weathercock changed her faith as I changed my infatuations." With
excitement Likharyóff jumped up, and walked up and down the room.

"Noble, exalted slavery!" he exclaimed, gesticulating. "In this, in
this alone, is hidden the true significance of woman's life.... Out of
all the vile nonsense which accumulated in my head during my relations
with women, one thing, as water from a filter, has come out pure, and
that is neither ideas, nor philosophy, nor clever phrases, but this
extraordinary submissiveness to fate, this uncommon benevolence, this
all-merciful kindness."

Likharyóff clenched his fists, concentrated his eyes upon a single
point, and, as if tasting every word, filtered through his clenched
teeth:

"This magnanimous endurance, faith to the grave, the poetry of the
heart. It is in this ... yes, it is in this that the meaning of life is
found, in this unmurmuring martyrdom, in the tears that soften stone,
in the infinite all-forgiving love, which sweeps into the chaos of life
in lightness and warmth...."

Márya Mikháilovna rose slowly, took a step towards Likharyóff, and set
her eyes piercingly upon his face. By the tears which sparkled on his
eyelashes, by the trembling, passionate voice, by the flushed cheeks,
she saw at a glance that women were not the accidental theme of his
conversation. No, they were the object of his new infatuation, or, as
he had put it, of his new belief. For the first time in her life she
saw before her a man in the ecstacy of a burning, prophetic faith.
Gesticulating--rolling his eyes, he seemed insane and ecstatical;
but in the fire of his eyes, in the torrent of his words, in all the
movements of his gigantic body, she saw only such beauty, that, herself
not knowing what she did, she stood silently before him as if rooted
to the ground, and looked with rapture into his face.

"Take my mother, for example!" he said, with an imploring look,
stretching out his arms to her. "I poisoned her life, I disgraced in
her eyes the race of Likharyóff, I brought her only such evil as is
brought by the bitterest foe, and ... what? My brothers give her odd
kopecks for wafers and collections, and she, violating her religious
feeling, hoards up those kopecks, and sends them secretly to me! Such
deeds as this educate and ennoble the soul more than all your theories,
subtle phrases, thirty-five thousand species!... But I might give you
a thousand instances! Take your own case! Outside storm and darkness,
yet through storm and darkness and cold, you drive, fearless, to your
father and brother, that their holidays may be warmed by your caresses,
although they, it may well be, have forgotten your existence. But wait!
The day will come when you will learn to love a man, and you will go
after him to the North Pole.... You would go!"

"Yes ... if I loved him."

"You see!" rejoiced Likharyóff, stamping his feet. "Oh, God, how happy
I am to have met you here! ... Such has always been my good fortune
... everywhere I meet with kind acquaintances. Not a day passes that
I do not meet some man for whom I would give my own soul! In this
world there are many more good people than evil! Already you and I have
spoken frankly and out of the heart, as if we had known one another a
thousand years. It is possible for a man to live his own life, to keep
silent for ten years, to be reticent with his own wife and friends,
and then some day suddenly he meets a cadet in a railway carriage, and
reveals to him his whole soul. ... You ... I have the honour to see you
for the first time, but I have confessed myself as I never did before.
Why?"

Likharyóff rubbed his hands and smiled gaily. Then he walked up and
down the room and talked again of women. The church bell chimed for the
morning service.

"Heavens!" wept Sasha. "He won't let me sleep with his talk!"

"_Akh_, yes!" stammered Likharyóff. "Forgive me, darling. Sleep,
sleep.... In addition to her, I have two boys," he whispered. "They
live with their uncle, but she cannot bear to be a day without her
father.... Suffers, grumbles, but sticks to me as a fly to honey. ...
But I have been talking nonsense, mademoiselle, and have prevented you
also from sleeping. Shall I make your bed?"

Without waiting for an answer, he shook out the wet cloak, and
stretched it on the bench with the fur on top, picked up the scattered
mufflers and shawls, and rolled the ulster into a pillow--all this
silently, with an expression of servile adoration, as though he were
dealing not with women's rags, but with fragments of holy vessels.
His whole figure seemed-to express guilt and confusion, as if in
the presence of such a tiny being he were ashamed of his height and
strength....

When Mdlle. Ilováisky had lain down he extinguished the candle, and sat
on a stool near the stove....

"Yes," he whispered, smoking a thick cigarette, and puffing the smoke
into the stove. "Nature has set in every Russian an enquiring mind, a
tendency to speculation, and extraordinary capacity for belief; but all
these are broken into dust against our improvidence, indolence, and
fantastic triviality...."

Márya Mikháilovna looked in astonishment into the darkness, but she
could see only the red spot on the ikon, and the quivering glare from
the stove on Likharyóff's face. The darkness, the clang of the church
bells, the roar of the storm, the limping boy, peevish Sasha and
unhappy Likharyóff--all these mingled, fused in one great impression,
and the whole of God's world seemed to her fantastic, full of mystery
and magical forces. The words of Likharyóff resounded in her ears, and
human life seemed to her a lovely, poetical fairy-tale, to which there
was no end.

The great impression grew and grew, until it absorbed all consciousness
and was transformed into a sweet sleep. Mdlle. Ilováisky slept. But in
sleep she continued to see the lamp, and the thick nose with the red
light dancing upon it. She was awakened by a cry.

"Papa, dear," tenderly implored a child's voice. "Let us go back to
uncle's! There is a Christmas tree. Stepa and Kolya are there!"

"What can I do, darling?" reasoned a soft, male bass. "Try and
understand me...."

And to the child's crying was added the man's. The cry of this double
misery breaking through the howl of the storm, touched upon the ears
of the girl with such soft, human music, that she could not withstand
the emotion, and wept also. And she listened as the great black shadow
walked across the room, lifted up the fallen shawl and wrapped it round
her feet.

Awakened again by a strange roar, she sprang up and looked around her.
Through the windows, covered half-way up in snow, gleamed the blue
dawn. The room itself was full of a grey twilight, through which she
could see the stove, the sleeping girl, and Nasr Edin. The lamp and
stove had both gone out. Through the wide-opened door of the room could
be seen the public hall of the inn with its tables and benches. A man
with a blunt, gipsy face and staring eyes stood in the middle of the
room in a pool of melted snow, and held up a stick with a red star on
the top. Around him was a throng of boys, immovable as statues, and
covered with snow. The light of the star, piercing though its red paper
covering, flushed their wet faces. The crowd roared in discord, and out
of their roar Mdlle. Ilováisky understood only one quatrain:--

    "Hey, boy, bold and fearless,
    Take a knife sharp and shiny.
    Come, kill and kill the Jew,
    The sorrowing son ..."


At the counter stood Likharyóff, looking with emotion at the singers,
and tramping his feet in time. Seeing Márya Mikháilovna he smiled
broadly, and entered the room. She also smiled.

"Congratulations!" he said. "I see you have slept well."

Mdlle. Ilováisky looked at him silently, and continued to smile.

After last night's conversation he seemed to her no monger tall and
broad-shouldered, but a little man. A big steamer seems small to those
who have crossed the ocean.

"It is time for me to go," she said. "I must get ready. Tell me, where
are you going to?"

"I? First to Klinushka station, thence to Siergievo, and from Sergievo
a drive of forty versts to the coalmines of a certain General
Shashkovsky. My brothers have got me a place as manager.... I will dig
coal."

"Allow me ... I know these mines. Shashkovsky is my uncle. But ... why
are you going there?" asked Márya Mikháilovna in surprise.

"As manager. I am to manage the mines."

"I don't understand." She shrugged her shoulders. "You say you are
going to these mines. Do you know what that means? Do you know that it
is all bare steppe, that there is not a soul near ... that the tedium
is such that you could not live there a single day? The coal is bad,
nobody buys it, and my uncle is a maniac, a despot, a bankrupt.... He
will not even pay your salary."

"It is the same," said Likharyóff indifferently. "Even for the mines,
thanks!"

Mdlle. Ilováisky again shrugged her shoulders, and walked up and down
the room in agitation. "I cannot understand, I cannot understand,"
she said, moving her fingers before her face. "This is inconceivable
... it is madness. Surely you must realise that this ... it is worse
than exile. It is a grave for a living man. Akh, heavens!" she said
passionately, approaching Likharyóff and moving her fingers before his
smiling face. Her upper lip trembled, and her stinging face grew pale.
"Imagine it, a bare steppe ... and solitude. Not a soul to say a word
to ... and you ... infatuated with women! Mines and women!"

Mdlle. Ilováisky seemed ashamed of her warmth, and, turning away from
Likharyóff, went over to the window.

"No ... no ... you cannot go there!" she said, rubbing her finger down
the window-pane. Not only through her head, but through her whole
body ran a feeling that here behind her stood an unhappy, forsaken,
perishing man. But he, as if unconscious of his misery, as if he had
not wept the night before, looked at her and smiled good-humouredly. It
would have been better if he had continued to cry. For a few minutes
in agitation she walked up and down the room, and then stopped in the
corner and began to think. Likharyóff said something, but she did not
hear him. Turning her back to him, she took a credit note from her
purse, smoothed it in her hand, and then, looking at him, blushed and
thrust it into her pocket.

Outside the inn resounded the coachman's voice. Silently, with a
severe, concentrated expression, Mdlle. Ilováisky began to put on her
wraps. Likharyóff rolled her up in them, and chattered gaily. But every
word caused her intolerable pain. It is not pleasant to listen to the
jests of the wretched or dying.

When the transformation of a living woman into a formless bundle was
complete, Mdlle. Ilováisky, looked for the last time around "The
Traveller," stood silent a moment, and then went out slowly. Likharyóff
escorted her.

Outside, God alone knows why, the storm still raged. Great clouds
of big, soft snowflakes restlessly whirled over the ground, finding
no abiding place. Horses, sledge, trees, the bull tethered to the
post--all were white, and seemed made of down.

"Well, God bless you!" stammered Likharyóff, as he helped Márya
Mikháilovna into the sledge. "Don't think ill of me!"

Mdlle. Ilováisky said nothing. When the sledge started and began to
circle round a great snowdrift, she looked at Likharyóff as if she
wished to say something. Likharyóff ran up to the sledge, but she said
not a word, and only gazed at him through her long eyelashes to which
the snowflakes already clung.

Whether it be that his sensitive mind read this glance aright, or
whether, as it may have been, that his imagination led him astray, it
suddenly struck him that but a little more and this girl would have
forgiven him his age, his failures, his misfortunes, and followed him,
neither questioning nor reasoning, to the ends of the earth. For a long
time he stood as if rooted to the spot, and gazed at the track left
by the sledge-runners. The snowflakes settled swiftly on his hair,
his beard, his shoulders. But soon the traces of the sledge-runners
vanished, and he, covered with snow, began to resemble a white boulder,
his eyes all the time continuing to search for something through the
clouds of snow.




A FAMILY COUNCIL


To prevent the skeleton in the Uskoff family cup-board escaping into
the street, the most rigorous measures were taken. One half of the
servants was packed off to the theatre and circus, and the other
half sat imprisoned in the kitchen. Orders were given to admit no
one. The wife of the culprit's uncle, her sister, and the governess,
although initiated into the mystery, pretended that they knew nothing
whatever about it; they sat silently in the dining-room, and dared
not show their faces in the drawing-room or hall. Sasha Uskoff, aged
twenty-five, the cause of all this upheaval, arrived some time ago; and
on the advice of kind-hearted Ivan Markovitch, his maternal uncle, sat
demurely in the corridor outside the study door, and prepared himself
for sincere, open-hearted confession. On the other side of the door the
family council was being held. The discussion ran on a ticklish and
very disagreeable subject. The facts of the matter were as follows.
Sasha Uskoff had discounted at a bankers a forged bill of exchange,
the term of which expired three days before; and now his two paternal
uncles, and Ivan Markovitch, an uncle on his mother's side, were
discussing the solemn problem: should the money be paid and the family
honour saved, or should they wash their hands of the whole matter, and
leave the law to take its course?

To people unconcerned and uninterested such questions seem very
trivial, but for those with whom the solution lies they are
extraordinarily complex. The three uncles had already had their say,
yet the matter had not advanced a step.

"Heavens!" cried the Colonel, a paternal uncle, in a voice betraying
both weariness and irritation. "Heavens! who said that family honour
was a prejudice? I never said anything of the kind. I only wanted to
save you from looking at the matter from a false standpoint--to point
out how easily you may make an irremediable mistake. Yet you don't seem
to understand me! I suppose I am speaking Russian, not Chinese!"

"My dear fellow, we understand you perfectly," interposed Ivan
Markovitch soothingly.

"Then why do you say that I deny family honour? I repeat what I have
said! Fam--ily hon--our falsely under--stood is a pre--ju--dice!
Falsely under--stood, mind you! That is my point of view. From any
conviction whatever, to screen and leave unpunished a rascal, no matter
who he is, is both contrary to law and unworthy of an honourable man.
It is not the saving of the family honour, but civic cowardice. Take
the Army, for example! The honour of the Army is dearer to a soldier
than any other honour. But we do not screen our guilty members ... we
judge them! Do you imagine that the honour of the Army suffers thereby?
On the contrary!"

The other paternal uncle, an official of the Crown Council, a
rheumatic, taciturn, and not very intelligent man, held his peace all
the time, or spoke only of the fact that if the matter came into court
the name of the Uskoffs would appear in the newspapers; in his opinion,
therefore, to avoid publicity it would be better to hush up the matter
while there was still time. But with the exception of this reference to
the newspapers, he gave no reason for his opinion.

But kind-hearted Ivan Markovitch, the maternal uncle, spoke fluently
and softly with a tremula in his voice. He began with the argument that
youth has its claims and its peculiar temptations. Which of us was not
once young, and which of us did not sometimes go a step too far? Even
leaving aside ordinary mortals, did not history teach that the greatest
minds in youth were not always able to avoid infatuations and mistakes.
Take for instance the biographies of great writers. What one of them
did not gamble and drink, and draw upon himself the condemnation of
all right-minded men? While on the one hand we remembered that Sasha's
errors had overstepped the boundary into crime, on the other we
must take into account that Sasha hardly received any education; he
was expelled from the gymnasium when in the fifth form; he lost his
parents in early childhood, and thus at the most susceptible age was
deprived of control and all beneficent influences. He was a nervous
boy, easily excited, without any naturally strong moral convictions,
and he had been spoiled by happiness. Even if he were guilty, still he
deserved the sympathy and concern of all sympathetic souls. Punished,
of course, he must be; but then, had he not already been punished by
his conscience, and the tortures which he must now be feeling as he
awaited the decision of his relatives. The comparison with the Army
which the Colonel had made was very flattering, and did great honour to
his generous mind; the appeal to social feelings showed the nobility of
his heart. But it must not be forgotten that the member of society in
every individual was closely bound up with the Christian.

"And how should we violate our social duty," asked Ivan Markovitch,
"if instead of punishing a guilty boy we stretch out to him the hand
of mercy?" Then Ivan Markovitch reverted to the question of the family
honour. He himself had not the honour to belong to the distinguished
family of Uskoff, but he knew very well that that illustrious race
dated its origin from the thirteenth century, and he could not forget
for a moment that his beloved, unforgotten sister was the wife of
a scion of the race. In one word--the Uskoff family was dear to him
for many reasons, and he could not for a moment entertain the thought
that for a paltry fifteen hundred roubles a shadow should be cast for
ever upon the ancestral tree. And if all the arguments already adduced
were insufficiently convincing then he, in conclusion, asked his
brothers-in-law to explain the problem: What is a crime? A crime was
an immoral action, having its impulse in an evil will. So most people
thought. But could we affirm that the human will was free to decide?
To this important question science could give no conclusive answer.
Metaphysicians maintained various divergent theories. For instance, the
new school of Lombroso refused to recognise free-will, and held that
every crime was the product of purely anatomical peculiarities in the
individual.

"Ivan Markovitch!" interrupted the Colonel imploringly. "Do, for
Heaven's sake, talk sense. We are speaking seriously about a serious
matter ... and you, about Lombroso! You are a clever man, but think for
a moment--how can all this rattle-box rhetoric help us to decide the
question?"

Sasha Uskoff sat outside the door and listened. He felt neither fear
nor shame nor tedium--only weariness and spiritual vacuity. He felt
that it did not matter a kopeck whether he was forgiven or not; he had
come here to await his sentence and to offer a frank explanation, only
because he was begged to do so by kindly Ivan Markovitch. He was not
afraid of the future. It was all the same to him, here in the corridor,
in prison, or in Siberia.

"Siberia is only Siberia--the devil take it!"

Life has wearied Sasha, and has become insufferably tedious. He is
inextricably in debt, he has not a kopeck in his pocket, his relatives
have become odious to him; with his friends and with women he must
part sooner or later, for they are already beginning to look at him
contemptuously as a parasite. The future is dark.

Sasha, in fact, is indifferent, and only one thing affects him. That
is, that through the door he can hear himself being spoken of as a
scoundrel and a criminal. All the time he is itching to jump up, burst
into the room, and, in answer to the detestable metallic voice of the
Colonel, to cry:

"You are a liar!"

A criminal--it is a horrid word. It is applied as a rule to murderers,
thieves, robbers, and people incorrigibly wicked and morally hopeless.
But Sasha is far from this.... True, he is up to his neck in debts,
and never attempts to pay them. But then indebtedness is not a crime,
and there are very few men who are not in debt. The Colonel and Ivan
Markovitch are both in debt.

"What on earth am I guilty of?" asked Sasha. He had obtained money
by presenting a forged bill. But this was done by every young man he
knew. Khandrikoff and Von Burst, for instance, whenever they wanted
money, discounted bills with forged acceptance of their parents and
friends, and when their own money came in met them. Sasha did exactly
the same thing, and only failed to meet his bill owing to Khandrikoff's
failure to lend the money which he had promised. It was not he, but
circumstance which was at fault. ... It was true that imitating another
man's signature was considered wrong, but that did not make it a crime
but merely an ugly formality, a manoeuvre constantly adopted which
injured nobody; and Sasha when he forged the Colonel's name had no
intention of causing loss to anyone.

"It is absurd to pretend that I have been guilty of a crime," thought
Sasha. "I have not the character of men who commit crimes. On the
contrary, I am easy-going and sensitive ... when I have money I help
the poor...."

While Sasha reasoned thus, the discussion continued on the other side
of the door.

"But, gentlemen, this is only the beginning!" cried the Colonel.
"Suppose, for the sake of argument, that we let him off and pay the
money! He will go on still in the same way and continue to lead his
unprincipled life. He will indulge in dissipation, run into debt, go
to our tailors and order clothes in our names. What guarantee have we
that this scandal will be the last? As far as I am concerned, I tell
you frankly that I do not believe in his reformation for one moment."

The official of the Crown Council muttered something in reply. Then
Ivan Markovitch began to speak softly and fluently. The Colonel
impatiently shifted his chair, and smothered Ivan Markovitch's argument
with his detestable, metallic voice. At last the door opened, and
out of the study came Ivan Markovitch with red spots on his meagre,
clean-shaven face. "Come!" he said, taking Sasha by the arm. "Come in
and make an open-hearted confession. Without pride, like a good boy ...
humbly and from the heart."

Sasha went into the study. The official of the Crown Council continued
to sit, but the Colonel, hands in pockets, and with one knee resting
on his chair, stood before the table. The room was full of smoke
and stiflingly hot. Sasha did not look at either the Colonel or his
brother, but suddenly feeling ashamed and hurt, glanced anxiously at
Ivan Markovitch and muttered:

"I will pay ... I will give...."

"May I ask you on what you relied when you obtained the money on this
bill?" rang out the metallic voice.

"I ... Khandrikoff promised to lend me the money in time."

Sasha said nothing more. He went out of the study and again sat on the
chair outside the door. He would have gone away at once had he not been
stifled with hatred and with a desire to tear the Colonel to pieces
or at least to insult him to his face. But at this moment in the dim
twilight around the dining-room door appeared a woman's figure. It was
the Colonel's wife. She beckoned Sasha, and, wringing her hands, said
with tears in her voice:

"Alexandre, I know that you do not love me, but ... listen for a
moment! My poor boy, how can this have happened P It is awful, awful!
For Heaven's sake beg their forgiveness ... justify yourself, implore
them!"

Sasha looked at her twitching shoulders, and at the big tears which
flowed down her cheeks; he heard behind him the dull, nervous voices of
his exhausted uncles, and shrugged his shoulders. He had never expected
that his aristocratic relatives would raise such a storm over a paltry
fifteen hundred roubles. And he could understand neither the tears nor
the trembling voices.

An hour later he heard indications that the Colonel was gaining the
day. The other uncles were being won over to his determination to leave
the matter to the law.

"It is decided!" said the Colonel stiffly. "Basta!" But having decided
thus, the three uncles, even the inexorable Colonel, perceptibly lost
heart.

"Heavens!" sighed Ivan Markovitch. "My poor sister!"

And he began in a soft voice to announce his conviction that his
sister, Sasha's mother, was invisibly present in the room. He felt in
his heart that this unhappy, sainted woman was weeping, anguishing,
interceding for her boy. For the sake of her repose in the other
world it would have been better to spare Sasha. Sasha heard someone
whimpering. It was Ivan Markovitch. He wept and muttered something
inaudible through the door. The Colonel rose and walked from corner to
corner. The discussion began anew....

The clock in the drawing-room struck two. The council was over at last.
The Colonel, to avoid meeting a man who had caused him so much shame,
left the room through the antechamber. Ivan Markovitch came into the
corridor. He was plainly agitated, but rubbed his hands cheerfully. His
tear-stained eyes glanced happily around him, and his mouth was twisted
into a smile.

"It is all right, my boy!" he said to Sasha. "Heaven be praised! You
may go home, child, and sleep quietly. We have decided to pay the
money, but only on the condition that you repent sincerely, and agree
to come with me to the country to-morrow, and set to work."

A minute afterwards, Ivan Markovitch and Sasha, having put on their
overcoats and hats, went downstairs together. Uncle Ivan muttered
something edifying. But Sasha didn't listen; he felt only that
something heavy and painful had fallen from his shoulders. He was
forgiven--he was free! Joy like a breeze burst into his breast and
wrapped his heart with refreshing coolness. He wished to breathe, to
move, to live. And looking at the street lamps and at the black sky he
remembered that to-day at "The Bear," Von Burst would celebrate his
name-day. A new joy seized his soul.

"I will go!" he decided.

But suddenly he remembered that he had not a kopeck, and that his
friends already despised him for his penuriousness. He must get money
at all cost. "Uncle, lend me a hundred roubles!" he said to Ivan
Markovitch.

Ivan Markovitch looked at him in amazement, and staggered back against
a lamp-post.

"Lend me a hundred roubles!" cried Sasha, impatiently shifting from
foot to foot, and beginning to lose his temper. "Uncle, I beg of you
... lend me a hundred roubles!"

His face trembled with excitement, and he nearly rushed at his uncle.

"You won't give them?" he cried, seeing that his uncle was too
dumfounded to understand. "Listen, if you refuse to lend them, I'll
inform on myself to-morrow. I'll refuse to let you pay the money. I'll
forge another to-morrow!"

Thunderstruck, terror-stricken, Ivan Markovitch muttered something
incoherent, took from his pocket a hundred-rouble note, and handed it
silently to Sasha. And Sasha took it and hurriedly walked away. And
sitting in a droschky, Sasha grew cool again, and felt his heart expand
with renewed joy. The claims of youth of which kind-hearted uncle Ivan
had spoken at the council-table had inspired and taken possession of
him again. He painted in imagination the coming feast, and in his mind,
among visions of bottles, women, and boon companions, twinkled a little
thought:

"Now I begin to see that I was in the wrong."




AT HOME


"They sent over from Grigorievitch's for some book, but I said that
you were not at home. The postman has brought the newspapers and
two letters. And, Yevgéniï Petróvitch, I really must ask you to do
something in regard to Serózha. I caught him smoking the day before
yesterday, and again to-day. When I began to scold him, in his usual
way he put his hands over his ears, and shouted so us to drown my
voice."

Yevgéniï Petróvitch Buikovsky, Procurer of the District Court, who had
only just returned from the Session House and was taking off his gloves
in his study, looked for a moment at the complaining governess and
laughed:

"Serózha smoking!" He shrugged his shoulders. "I can imagine that
whipper-snapper with a cigarette! How old is he?"

"Seven. Of course you may not take it seriously, but at his age smoking
is a bad and injurious habit, and bad habits should be rooted out in
their beginning."

"Very true. But where does he get the tobacco?"

"On your table."

"On my table! Ask him to come here."

When the governess left the room, Buikovsky sat in his armchair in
front of his desk, shut his eyes, and began to think. He pictured
in imagination his Serózha with a gigantic cigarette a yard long,
surrounded by clouds of tobacco smoke. The caricature made him laugh
in spite of himself; but at the same time the serious, worried
face of his governess reminded him of a time, now long passed by,
a half-forgotten time, when smoking in the schoolroom or nursery
inspired in teachers and parents a strange and not quite comprehensible
horror. No other word but horror would describe it. The culprits
were mercilessly flogged, expelled from school, their lives marred,
and this, although not one of the schoolmasters or parents could say
what precisely constitutes the danger and guilt of smoking. Even very
intelligent men did not hesitate to fight a vice which they did not
understand. Yevgéniï Petróvitch remembered the director of his own
school, a benevolent and highly educated old man, who was struck with
such terror when he caught a boy with a cigarette that he became pale,
immediately convoked an extraordinary council of masters, and condemned
the offender to expulsion. Such indeed appears to be the law of life;
the more intangible the evil the more fiercely and mercilessly is it
combated.

The Procurer remembered two or three cases of expulsion, and recalling
the subsequent lives of the victims, he could not but conclude that
such punishment was often a much greater evil than the vice itself....
But the animal organism is gifted with capacity to adapt itself
rapidly, to accustom itself to changes, to different atmospheres,
otherwise every man would feel that his rational actions were based
upon an irrational foundation, and that there was little reasoned
truth and conviction even in such responsibilities--responsibilities
terrible in their results--as those of the schoolmaster, and lawyer,
the writer....

And such thoughts, light and inconsequential, which enter only a tired
and resting brain, wandered about in Yevgéniï Petróvitch's head; they
spring no one knows where or why, vanish soon, and, it would seem,
wander only on the outskirts of the brain without penetrating far. For
men who are obliged for whole hours, even for whole days, to think
official thoughts all in the same direction, such free, domestic
speculations are an agreeable comfort.

It was nine o'clock. Overhead from the second story came the footfalls
of someone walking from corner to corner; and still higher, on the
third story, someone was playing scales. The footsteps of the man who,
judging by his walk, was thinking tensely or suffering from toothache,
and the monotonous scales in the evening stillness, combined to create
a drowsy atmosphere favourable to idle thoughts. From the nursery came
the voices of Serózha and his governess.

"Papa has come?" cried the boy, "Papa has co-o-me! Papa! papa!"

"_Votre père vous appelle, allez vite,_" cried the governess, piping
like a frightened bird.... "Do you hear?"

"What shall I say to him?" thought Yevgéniï Petróvitch.

And before he had decided what to say, in came his son Serózha, a boy
of seven years old. He was one of those little boys whose sex can be
distinguished only by their clothes--weakly, pale-faced, delicate....
Everything about him seemed tender and soft; his movements, his curly
hair, his looks, his velvet jacket.

"Good evening, papa," he began in a soft voice, climbing on his
father's knee, and kissing his neck. "You wanted me?"

"Wait a minute, wait a minute, Sergéï Yevgénitch," answered the
Procuror, pushing him off. "Before I allow you to kiss me I want to
talk to you, and to talk seriously.... I am very angry with you, and do
not love you any more ... understand that, brother; I do not love you,
and you are not my son.... No!"

Serózha looked earnestly at his father, turned his eyes on to the
chair, and shrugged his shoulders.

"What have I done?" he asked in doubt, twitching his eyes. "I have not
been in your study all day and touched nothing."

"Natálya Semiónovna has just been complaining to me that she caught
you smoking.... Is it true? Do you smoke?"

"Yes, I smoked once, father.... It is true."

"There, you see, you tell lies also," said the Procurer, frowning, and
trying at the same time to smother a smile. "Natálya Semiónovna saw
you smoking twice. That is to say, you are found out in three acts of
misconduct--you smoke, you take another person's tobacco, and you lie.
Three faults!"

"Akh, yes," remembered Serózha, with smiling eyes. "It is true. I
smoked twice--to-day and once before."

"That is to say you smoked not once but twice. I am very, very
displeased with you! You used to be a good boy, but now I see you are
spoiled and have become naughty."

Yevgéniï Petróvitch straightened Serózha's collar, and thought: "What
else shall I say to him?"

"It is very bad," he continued. "I did not expect this from you. In
the first place you have no right to go to another person's table and
take tobacco which does not belong to you. A man has a right to enjoy
only his own property, and if he takes another's then he is a wicked
man." (This is not the way to go about it, thought the Procuror.) "For
instance, Natálya Semiónovna has a boxful of dresses. That is her box,
and we have not, that is neither you nor I have, any right to touch
it, as it is not ours.... Isn't that plain? You have your horses and
pictures ... I do not take them. Perhaps I have often felt that I
wanted to take them ... but they are yours, not mine!"

"Please, father, take them if you like," said Serózha, raising his
eyebrows. "Always take anything of mine, father. This yellow dog which
is on your table is mine, but I don't mind...."

"You don't understand me," said Buikovsky. "The dog you gave me, it
is now mine, and I can do with it what I like; but the tobacco I did
not give to you. The tobacco is mine." (How can I make him understand?
thought the Procurer. Not in this way). "If I feel that I want to smoke
someone else's tobacco I first of all ask for permission...."

And idly joining phrase to phrase, and imitating the language of
children, Buikovsky began to explain what is meant by property. Serózha
looked at his chest, and listened attentively (he loved to talk to
his father in the evenings), then set his elbows on the table edge
and began to concentrate his short-sighted eyes upon the papers and
inkstand. His glance wandered around the table, and paused on a bottle
of gum-arabic. "Papa, what is gum made of?" he asked, suddenly lifting
the bottle to his eyes.

Buikovsky took the bottle, put it back on the table, and continued:

"In the second place, you smoke.... That is very bad! If I smoke,
then ... it does not follow that everyone may. I smoke, and know ...
that it is not clever, and I scold myself, and do not love myself on
account of it ... (I am a nice teacher, thought the Procurer.) Tobacco
seriously injures the health, and people who smoke die sooner than
they ought to. It is particularly injurious to little boys like you.
You have a weak chest, you have not yet got strong, and in weak people
tobacco smoke produces consumption and other complaints. Uncle Ignatius
died of consumption. If he had not smoked perhaps he would have been
alive to-day."

Serózha looked thoughtfully at the lamp, touched the shade with his
fingers, and sighed. "Uncle Ignatius played splendidly on the fiddle!"
he said. "His fiddle is now at Grigorievitch's."

Serózha again set his elbows on the table and lost himself in thought.
On his pale face was the expression of one who is listening intently
or following the course of his own thoughts; sorrow and something like
fright showed themselves in his big, staring eyes. Probably he was
thinking of death, which had so lately carried away his mother and
Uncle Ignatius. Death is a tiling which carries away mothers and uncles
and leaves on the earth only children and fiddles. Dead people live in
the sky somewhere, near the stars, and thence look down upon the earth.
How do they bear the separation?

"What shall I say to him?" asked the Procuror. "He is not listening.
Apparently he thinks there is nothing serious either in his faults or
in my arguments. How can I explain it to him?"

The Procurer rose and walked up and down the room.

"In my time these questions were decided very simply," he thought.
"Every boy caught smoking was flogged. The cowards and babies,
therefore, gave up smoking, but the brave and cunning bore their
floggings, carried the tobacco in their boots and smoked in the stable.
When they were caught in the stable and again flogged, they smoked on
the river-bank ... and so on until they were grown up. My own mother
in order to keep me from smoking used to give me money and sweets.
Nowadays all these methods are regarded as petty or immoral. Taking
logic as his standpoint, the modern teacher tries to inspire in the
child good principles not out of fear, not out of wish for distinction
or reward, but consciously."

While he walked and talked, Serózha climbed on the chair next the table
and began to draw. To prevent the destruction of business papers and
the splashing of ink, his father had provided a packet of paper, cut
especially for him, and a blue pencil. "To-day the cook was chopping
cabbage and cut her finger," he said, meantime sketching a house and
twitching his eyebrows. "She cried so loud that we were all frightened
and ran into the kitchen. Such a stupid! Natálya Semiónovna ordered her
to bathe her finger in cold water, but she sucked it.... How could she
put her dirty finger in her mouth! Papa, that is bad manners!"

He further told how during dinner-time an organ-grinder came into the
yard with a little girl who sang and danced to his music.

"He has his own current of thoughts," thought the Procuror. "In his
head he has a world of his own, and he knows better than anyone else
what is serious and what is not. To gain his attention and conscience
it is no use imitating his language ... what is wanted is to understand
and reason also in his manner. He would understand me perfectly if I
really disliked tobacco, if I were angry, or cried.... For that reason
mothers are irreplaceable in bringing up children, for they alone can
feel and cry and laugh like children.... With logic and morals nothing
can be done. What shall I say to him?"

And Yevgéniï Petróvitch found it strange and absurd that he, an
experienced jurist, half his life struggling with all kinds of
interruptions, prejudices, and punishments, was absolutely at a loss
for something to say to his son.

"Listen, give me your word of honour that you will not smoke!" he said.

"Word of honour!" drawled Serózha, pressing hard on his pencil and
bending down to the sketch. "Word of honour!"

"But has he any idea what 'word of honour' means?" Buikovsky asked
himself. "No, I am a bad teacher! If a schoolmaster or any of our
lawyers were to see me now, he would call me a rag, and suspect me of
super-subtlety.... But in school and in court all these stupid problems
are decided much more simply than at home when you are dealing with
those whom you love. Love is exacting and complicates the business.
If this boy were not my son, but a pupil or a prisoner at the bar, I
should not be such a coward and scatterbrains...."

Yevgéniï Petróvitch sat at the table and took up one of Serózha's
sketches. It depicted a house with a crooked roof, and smoke which,
like lightning, zigzagged from the chimney to the edge of the paper;
beside the house stood a soldier with dots for eyes, and a bayonet
shaped like the figure four.

"A man cannot be taller than a house," said the Procuror. "Look! the
roof of your house only goes up to the soldier's shoulder."

Serózha climbed on his father's knee, and wriggled for a long time
before he felt comfortable. "No, papa," he said, looking at the
drawing. "If you drew the soldier smaller you wouldn't be able to see
his eyes."

Was it necessary to argue? From daily observation the Procuror had
become convinced that children, like savages, have their own artistic
outlook, and their own requirements, inaccessible to the understanding
of adults. Under close observation Serózha to an adult seemed abnormal.
He found it possible and reasonable to draw men taller than houses,
and to express with the pencil not only objects but also his own
sentiments. Thus, the sound of an orchestra he drew as a round, smoky
spot; whistling as a spiral thread.... According to his ideas, sounds
were closely allied with forms and colour, and when painting letters he
always coloured L yellow, M red, A black, and so on. Throwing away his
sketch, Serózha again wriggled, settled himself more comfortably, and
occupied himself with his father's beard. First he carefully smoothed
it down, then divided it in two, and arranged it to look like whiskers.

"Now you are like Iván Stepánovitch," he muttered; "but wait, in a
minute you will be like ... like the porter. Papa, why do porters stand
in doorways? Is it to keep out robbers?"

The Procurer felt on his face the child's breath, touched with his
cheek the child's hair. In his heart rose a sudden feeling of warmth
and softness, a softness that made it seem that not only his hands but
all his soul lay upon the velvet of Serózha's coat. He looked into the
great, dark eyes of his child, and it seemed to him that out of their
big pupils looked at him his mother, and his wife, and all whom he had
ever loved.

"What is the good of thrashing him?" he asked. "Punishment is ...
and why turn myself into a schoolmaster?... Formerly men were simple;
they thought less, and solved problems bravely.... Now, we think too
much; logic has eaten us up.... The more cultivated a man, the more he
thinks, the more he surrenders himself to subtleties, the less firm is
his will, the greater his timidity in the face of affairs. And, indeed,
if you look into it, what a lot of courage and faith in one's self does
it need to teach a child, to judge a criminal, to write a big book...."

The clock struck ten.

"Now, child, time for bed," said the Procuror. "Say good night, and go."

"No, papa," frowned Serózha. "I may stay a little longer. Talk to me
about something. Tell me a story."

"I will, only after the story you must go straight to bed."

Yevgéniï Petróvitch sometimes spent his free evenings telling Serózha
stories. Like most men of affairs he could not repeat by heart a single
verse or remember a single fairy tale; and every time was obliged to
improvise. As a rule he began with the jingle, "Once upon a time, and a
very good time it was," and followed this up with all kinds of innocent
nonsense, at the beginning having not the slightest idea of what would
be the middle and the end. Scenery, characters, situations all came at
hazard, and fable and moral flowed out by themselves without regard to
the teller's will Serózha dearly loved these improvisations, and the
Procuror noticed that the simpler and less pretentious the plots, the
more they affected the child.

"Listen," he began, raising his eyes to the ceiling. "Once upon a time,
and a very good time it was, there lived an old, a very, very old
tsar, with a long grey beard, and ... this kind of moustaches. Well!
He lived in a glass palace which shone and sparkled in the sun like a
big lump of clean ice.... The palace ... brother mine ... the palace
stood in a great garden where, you know, grew oranges ... pears, cherry
trees .,. and blossomed tulips, roses, water lilies ... and birds
of different colours sang.... Yes.... On the trees hung glass bells
which, when the breeze blew, sounded so musically that it was a joy to
listen. Glass gives out a softer and more tender sound than metal. ...
Well? Where was I? In the garden were fountains. ... You remember you
saw a fountain in the country, at Aunt Sonia's. Just the same kind of
fountains stood in the king's garden, only they were much bigger, and
the jets of water rose as high as the tops of the tallest poplars."

Yevgéniï Petróvitch thought for a moment and continued:

"The old tsar had an only son, the heir to his throne--a little boy
about your size. He was a good boy. He was never peevish, went to bed
early, never touched anything on the table ... and in all ways was a
model. But he had one fault--he smoked."

Serózha listened intently, and without blinking looked straight in his
father's eyes. The Procuror continued, and thought: "What next?" He
hesitated for a moment, and ended his story thus:

"From too much smoking, the tsarevitch got ill with consumption, and
died ... when he was twenty years old. His sick and feeble old father
was left without any help. There was no one to govern the kingdom
and defend the palace. His enemies came and killed the old man, and
destroyed the palace, and now in the garden are neither cherry trees
nor birds nor bells.... So it was, brother."

The end of the plot seemed to Yevgéniï Petróvitch naive and ridiculous.
But on Serózha the whole story produced a strong impression. Again his
eyes took on an expression of sorrow and something like fright; he
looked thoughtfully at the dark window, shuddered, and said in a weak
voice:

"I will not smoke any more."

"They will tell me that this parable acted by means of beauty and
artistic form," he speculated. "That may be so, but that is no
consolation.... That does not make it an honest method.... Why is it
morals and truth cannot be presented in a raw form, but only with
mixtures, always sugared and gilded like a pill. This is not normal....
It is falsification, deception ... a trick."

And he thought of those assessors who find it absolutely necessary to
make a "speech of the public which understands history only through
epics and historical novels; and of himself drawing a philosophy of
life not from sermons and laws, but from fables, romances, poetry....

"Medicine must be sweetened, truth made beautiful. ... And this good
fortune man has taken advantage of from the time of Adam.... And after
all maybe it is natural thus, and cannot be otherwise ... there are in
nature many useful and expedient deceits and illusions...."

He sat down to his work, but idle, domestic thoughts long wandered in
his brain. From the third story no longer came the sound of the scales.
But the occupant of the second story long continued to walk up and
down....




IN EXILE


Old Semión, nicknamed Wiseacre, and a young Tartar, whom nobody knew
by name, sat by the bonfire at the side of the river. The other three
ferrymen lay in the hut. Semión, an old man of sixty, gaunt and
toothless, but broad-shouldered and healthy in appearance, was drunk;
he would have been asleep long ago if it had not been for the flagon
in his pocket, and his fear that his companions in the hut might ask
him for vodka. The Tartar was ill and tired; and sat there, wrapped
up in his rags, holding forth on the glories of life in Simbirsk, and
boasting of the handsome and clever wife he had left behind him. He was
about twenty-five years old, but now in the light of the camp fire his
pale face, with its melancholy and sickly expression, seemed the face
of a lad.

"Yes, you can hardly call it paradise," said Wiseacre. "You can take it
all in at a glance--water, bare banks, and clay about you, and nothing
more. Holy Week is over, but there is still ice floating down the
river, and this very morning snow."

"Misery, misery!" moaned the Tartar, looking round him in terror.

Ten paces below them lay the river, dark and cold, grumbling, it
seemed, at itself, as it clove a path through the steep clay banks,
and bore itself swiftly to the sea. Up against the bank lay one of the
great barges which the ferrymen call _karbases_. On the opposite side,
far away, rising and falling, and mingling with one another, crept
little serpents of fire. It was the burning of last year's grass. And
behind the serpents of fire darkness again. From the river came the
noise of little ice floes crashing against the barge. Darkness only,
and cold!

The Tartar looked at the sky. There were as many stars there as in
his own country, just the same blackness above him. But something was
lacking. At home in Simbirsk government there were no such stars and no
such heaven.

"Misery, misery!" he repeated.

"You'll get used to it," said Wiseacre, grinning. "You're young and
foolish now--your mother's milk is still wet on your lips, only youth
and folly could make you imagine there's no one more miserable than
you. But the time'll come when you'll say, 'God grant every one such
a life as this!' Look at me, for instance. In a week's time the water
will have fallen, we'll launch the small boat, you'll be off to Siberia
to amuse yourselves, and I'll remain here and row from one side to
another. Twenty years now I've been ferrying. Day and night! Salmon and
pike beneath the water and I above it! And God be thanked! I don't want
for anything! God grant everyone such a life!"

The Tartar thrust some brushwood into the fire, lay closer to it, and
said:

"My father is ill. When he dies my mother and wife are coming. They
promised me."

"What do you want with a mother and wife?" asked Wiseacre, "put that
out of your head, it's all nonsense, brother! It's the devil's doing
to make you think such thoughts. Don't listen to him, accursed! If
he begins about women, answer him back, 'Don't want them.' If he
comes about freedom, answer him back, 'Don't want it.' You don't want
anything. Neither father, nor mother, nor wife, nor freedom, nor house,
nor home. You don't want anything, d----n them!"

Wiseacre took a drink from his flask and continued: "I, brother, am no
simple mujik, but a sexton's son, and when I lived in freedom in Kursk
wore a frockcoat, yet now I have brought myself to such a point that
I can sleep naked on the earth and eat grass. And God grant everyone
such a life! I don't want anything, and I don't fear anyone, and I know
there is no one richer and freer than I in the world. The first day I
came here from Russia I persisted,41 don't want anything.' The devil
took me on also about wife, and home, and freedom, but I answered
him back 'I don't want anything.' I tired him out, and now, as you
see, I live well, and don't complain. If any one bates an inch to the
devil, or listens to him even once, he's lost--there's no salvation for
him--he sinks in the bog to the crown of his head, and never gets out.

"Don't think it's only our brother, the stupid mujik, that gets lost.
The well-born and educated lose themselves also. Fifteen years ago they
sent a gentleman here from Russia. He wouldn't share something with
his brothers, and did something dishonest with a will. Belonged, they
said, to a prince's or a baron's family--maybe he was an official, who
can tell? Well, anyway he came, and the first thing he did was to buy
himself a house and land in Mukhortinsk. 'I want,' he says, 'to live by
my work, by the sweat of my brow, because,' he says, 'I am no longer a
gentleman, but a convict.' 'Well,' I said, 'may God help him, he can do
nothing better.' He was a young man, fussy, and fond of talking; mowed
his own grass, caught fish, and rode on horseback sixty versts a day.
That was the cause of the misfortune. From the first year he used to
ride to Guirino, to the post office. He would stand with me in the boat
and sigh: 'Akh, Semión, how long they are sending me money from home.'
'You don't want it, Vassili Sergeyitch,' I answered,' what good is
money to you? Give up the old ways, forget them as if they never were,
as if you had dreamt them, and begin to live anew. Pay no attention,'
I said, 'to the devil, he'll bring you nothing but ill. At present, you
want only money, but in a little time you'll want something more. If
you want to be happy, don't wish for anything at all. Yes.... Already,'
I used to say to him, 'fortune has done you and me a bad turn--there's
no good begging charity from her, and bowing down to her--you must
despise and laugh at her. Then she'll begin to laugh herself.' So I
used to talk to him.

"Well, two years after he came, he drove down to the ferry in good
spirits. He was rubbing his hands and laughing. 'I am going to
Guirino,' he says, 'to meet my wife. She has taken pity on me, and is
coming. She is a good wife.' He was out of breath from joy.

"The next day he came back with his wife. She was a young woman, a
good-looking one, in a hat, with a little girl in her arms. And my
Vassili Sergeyitch bustles about her, feasts his eyes on her, and
praises her up to the skies, 'Yes, brother Semión, even in Siberia
people live.' 'Well,' I thought, 'he won't always think so.' From that
time out, every week, he rode to Guirino to inquire whether money had
been sent to him from Russia. Money he wanted without end. 'For my
sake,' he used to say, 'she is burying her youth and beauty in Siberia,
and sharing my miserable life. For this reason I must procure her every
enjoyment.' And to make things gayer for her, he makes acquaintance
with officials and all kinds of people. All this company, of course,
had to be fed and kept in drink, a piano must be got, and a shaggy
dog for the sofa--in one word, extravagance, luxury.... She didn't
live with him long. How could she? Mud, water, cold, neither vegetable
nor fruit, bears and drunkards around her, and she a woman from
Petersburg, petted and spoiled.... Of course, she got sick of it....
Yes, and a husband, too, no longer a man, but a convict.... Well,
after three years, I remember, on Assumption Eve, I heard shouting
from the opposite bank. When I rowed across I saw the lady all wrapped
up, and with her a young man, one of the officials. A troika! I rowed
them across, they got into the troika and drove off. Towards morning,
Vassili Sergeyitch drives up in hot haste. 'Did my wife go by,' he
asked, 'with a man in spectacles?' 'Yes,' I said, 'seek the wind in
the field.' He drove after them, and chased them for five days. When I
ferried him back, he threw himself into the bottom of the boat, beat
his head against the planks, and howled. I laughed and reminded him,
'even in Siberia people live!' But that only made him worse.

"After this he tried to regain his freedom. His wife had gone back to
Russia, and he thought only of seeing her, and getting her to return
to him. Every day he galloped off to one place or another, one day to
the post office, the next to town to see the authorities. He sent in
petitions asking for pardon and permission to return to Russia--on
telegrams alone, he used to say, he spent two hundred roubles. He sold
his land and mortgaged his house to a Jew. He got grey-haired and bent,
and his face turned yellow like a consumptive's. He could not speak
without tears coming into his eyes. Eight years he spent sending in
petitions. Then he came to life again; he had got a new consolation.
The daughter, you see, was growing up. He doted on her. And to tell the
truth, she wasn't bad-looking--pretty, black-browed, and high-spirited.
Every Sunday he rode with her to the church at Guirino. They would
stand side by side in the boat, she laughing, and he never lifting his
eyes from her. 'Yes,' he said, 'Semión, even in Siberia people live,
and are happy. See what a daughter I've got! you might go a thousand
versts and never see another like her.' The daughter, as I said, was
really good-looking. 'But wait a little,' I used to say to myself,
'the girl is young, the blood flows in her veins, she wants to live;
and what is life here?' Anyway, brother, she began to grieve. Pined
and declined, dwindled away, got ill, and now can't stand on her
legs. Consumption! There's your Siberian happiness! That's the way
people live in Siberia!... And my Vassili Sergeyitch spends his time
driving about to doctors and bringing them home. Once let him hear
there's a doctor or a magic curer within two or three hundred versts,
and after him he must go.... It's terrible to think of the amount of
money he spends, he might as well drink it.... She'll die all the
same, nothing'll save her, and then he'll be altogether lost. Whether
he hangs himself from grief or runs off to Russia it's all the same.
If he runs away they'll catch him, then we'll have a trial and penal
servitude, and the rest of it...."

"It was very well for him," said the Tartar, shuddering with the cold.

"What was well?"

"Wife and daughter.... Whatever he suffers, whatever punishment he'll
have, at any rate he saw them.... You say you don't want anything.
But to have nothing is bad. His wife lived with him three years, God
granted him that. To have nothing is bad, but three years is good. You
don't understand."

Trembling with cold, finding only with painful difficulty the proper
Russian words, the Tartar began to beg that God might save him from
dying in a strange land, and being buried in the cold earth. If his
wife were to come to him, even for one day, even for one hour, for such
happiness he would consent to undergo the most frightful tortures, and
thank God for them. Better one day's happiness than nothing!

And he again told the story of how he had left at home a handsome and
clever wife. Then, putting both his hands to his head, he began to cry,
and to assure Semión that he was guilty of nothing, and was suffering
unjustly. His two brothers and his uncle had stolen a peasant's horses,
and beaten the old man half to death. But society had treated him
unfairly, and sent the three brothers to Siberia, while the uncle, a
rich man, remained at home.

"You'll get used to it!" said Semión.

The Tartar said nothing, and only turned his wet eyes on the fire; his
face expressed doubt and alarm, as if he did not yet understand why he
lay there in darkness and in cold among strangers, and not at Simbirsk.
Wiseacre lay beside the fire, laughed silently at something, and hummed
a tune.

"What happiness can she have with her father?" he began after a few
minutes' silence. "He loves her, and finds her a consolation, that's
true But you can't put your finger in his eyes; he's a cross old man, a
stern old man. And with young girls you don't want sternness. What they
want is caresses, and ha! ha! ha! and ho! ho! ho!--perfume and pomade.
Yes ... Akh, business, business!" He sighed, lifting himself clumsily.
"Vodka all gone--means it's time to go to bed. Well, I'm off, brother."

The Tartar added some more brushwood to the fire, lay down again, and
began to think of his native village and of his wife; if his wife would
only come for a week, for a day, let her go back if she liked! Better a
few days, even a day, than nothing! But if his wife kept her promise
and came, what would he feed her with? Where would she live?

"How can you live without anything to eat?" he asked aloud.

For working day and night at an oar they paid him only ten kopecks a
day. True, passengers sometimes gave money for tea and vodka, but the
others shared this among themselves, gave nothing to the Tartar, and
only laughed at him. From poverty he was hungry, cold, and frightened.
His whole body ached and trembled. If he went into the hut there would
be nothing for him to cover himself with. Here, too, he had nothing to
cover himself with, but he might keep up the fire.

In a week the waters would have fallen, and the ferrymen, with the
exception of Semión, would no longer be wanted. The Tartar must begin
his tramp from village to village asking for bread and work. His wife
was only seventeen years old; she was pretty, modest, and spoiled. How
could she tramp with uncovered face through the villages and ask for
bread? It was too horrible to think of.

When next the Tartar looked up it was dawn. The barge, the willows, and
the ripples stood out plainly. You might turn round and see the clayey
slope, with its brown thatched hut at the bottom, and above it the huts
of the village. In the village the cocks already crowed.

The clayey slope, the barge, the river, the strange wicked people,
hunger, cold, sickness--in reality there was none of this at all. It
was only a dream, thought the Tartar. He felt that he was sleeping, and
heard himself snore. Of course, he was at home in Simbirsk, he had only
to call his wife by name and she would call bock; in the next room lay
his old mother.... What terrible things are dreams!... Where do they
come from?... The Tartar smiled and opened his eyes. What river was
this? The Volga?

It began to snow.

"Ahoy!" came a voice from the other side, "boatman!"

The Tartar shook himself, and went to awaken his companions. Dragging
on their sheepskin coats on the way, swearing in voices hoarse from
sleep, the ferrymen appeared on the bank. After sleep, the river, with
its piercing breeze, evidently seemed to them a nightmare. They tumbled
lazily into the boat. The Tartar and three ferrymen took up the long,
wide-bladed oars which looked in the darkness like the claws of a crab.
Semión threw himself on his stomach across the helm. On the opposite
bank the shouting continued, and twice revolver shots were heal'd. The
stranger evidently thought that the ferrymen were asleep or had gone
into the village to the kabak.

"You'll get across in time," said Wiseacre in the tone of a man who is
convinced that in this world there is no need for hurry. "It's all the
same in the end; you'll gain nothing by making a noise."

The heavy, awkward barge parted from the bank, cleaving a path through
the willows, and only the slow movement of the willows backward showed
that it was moving at all. The ferrymen slowly raised their oars in
time. Wiseacre lay on his stomach across the helm, and, describing
a bow in the air, swung slowly from one side to the other. In the
dim light it seemed as if the men were sitting on some long-clawed
antediluvian animal, floating with it into the cold desolate land that
is sometimes seen in nightmares.

The willows soon were passed and the open water reached. On the other
bank the creak and measured dipping of the oars were already audible,
and cries of "Quicker, quicker!" came back across the water. Ten
minutes more and the barge struck heavily against the landing-stage.

"It keeps on falling, it keeps on falling," grumbled Semión, rubbing
the snow from his face. "Where it all comes from God only knows!"

On the bank stood a frail old man of low stature in a short foxskin
coat and white lambskin cap. He stood immovable at some distance from
the horses; his face had a gloomy concentrated expression, as if he
were trying to remember something, and were angry with his disobedient
memory. When Semión approached him, and, smiling, took off his cap, he
began:

"I am going in great haste to Anastasevki. My daughter is worse. In
Anastasevka, I am told, a new doctor has been appointed."

The ferrymen dragged the cart on to the barge, and started back.
The man, whom Semión called Vassili Sergeyitch, stood all the time
immovable, tightly compressing his thick fingers, and when the driver
asked for permission to smoke in his presence, answered nothing, as if
he had not heard. Semión, lying on his stomach across the helm, looked
at him maliciously, and said:

"Even in Siberia people live! Even in Siberia!" Wiseacre's face bore
a triumphant expression, as if he had demonstrated something, and
rejoiced that things had justified his prediction. The miserable,
helpless expression of the man in the foxskin coat evidently only
increased his delight.

"It's muddy travelling at this time, Vassili Sergeyitch," he said, as
they harnessed the horses on the river bank. "You might have waited
another week or two till it got drier. For the matter of that, you
might just as well not go at all.... If there was any sense in going it
would be another matter, but you yourself know that you might go on for
ever and nothing would come of it.... Well?"

Vassili Sergeyitch silently handed the men some money, climbed into the
cart, and drove off.

"After that doctor again," said Semión, shuddering from the cold.
"Yes, look for a real doctor--chase the wind in the field, seize the
devil by the tail, damn him. Akh, what characters these people are!
Lord forgive me, a sinner!"

The Tartar walked up to Semión, and looked at him with hatred and
repulsion. Then, trembling, and mixing Tartar words with his broken
Russian, he said:

"He is a good man, a good man, and you are bad. You are bad. He is a
good soul, a great one, but you are a beast.... He is living, but you
are dead.... God made men that they might have joys and sorrows, but
you ask for nothing.... You are a stone,--earth! A stone wants nothing,
and you want nothing. ... You are a stone, and God has no love for you.
But him He loves!"

All laughed; the Tartar alone frowned disgustedly, shook his hand,
and, pulling his rags more closely round him, walked back to the fire.
Semión and the ferrymen returned to the hut.

"Cold!" said one ferryman in a hoarse voice, stretching himself on the
straw with which the floor was covered.

"Yes, it's not warm," said another. "A galley-slave's life!"

All lay down. The door opened before the wind, and snowflakes whirled
through the hut. But no one rose to shut it, all were too cold and
lazy.

"I, for one, am all right," said Semión. "God grant everyone such a
life."

"You, it is known, were born a galley-slave--the devil himself wouldn't
take you."

From the yard came strange sounds like the whining of a dog.

"What's that? Who's there?"

"It's the Tartar crying."

"Well ... what a character!"

"He'll get used to it," said Semión, and went off to sleep.

Soon all the others followed his example. But the door remained
unshut.




ROTHSCHILD'S FIDDLE


He town was small--no better than a village--and it was inhabited
almost entirely by old people who died so seldom that it was positively
painful. In the hospital, and even in the prison, coffins were required
very seldom. In one word, business was bad. If Yacob Ivanof had been
coffin-maker in the government town, he would probably have owned his
own house, and called himself Yakob Matvieitch; but, as it was, he was
known only by the name of Yakob, with the street nickname given for
some obscure reason of "Bronza"; and lived as poorly as a simple muzhik
in a little, ancient cabin with only one room; and in this room lived
he, Marfa, the stove, a double bed, the coffins, a joiner's bench, and
all the domestic utensils.

Yet Yakob made admirable coffins, durable and good. For muzhiks and
petty tradespeople he made them all of one size, taking himself as
model; and this method never failed him, for though he was seventy
years of age, there was not a taller or stouter man in the town, not
even in the prison. For women and for men of good birth he made his
coffins to measure, using for this purpose an iron yardwand. Orders
for children's coffins he accepted very unwillingly, made them without
measurement, as if in contempt, and every time when paid for his work
exclaimed:

"Thanks. But I confess I don't care much for wasting time on trifles."

In addition to coffin-making Yakob drew a small income from his
skill with the fiddle. At weddings in the town there usually played
a Jewish orchestra, the conductor of which was the tinsmith Moses
Hitch Shakhkes, who kept more than half the takings for himself. As
Yakob played very well upon the fiddle, being particularly skilful
with Russian songs, Shakhkes sometimes employed him in the orchestra,
paying him fifty kopecks a day, exclusive of gifts from the guests.
When Bronza sat in the orchestra he perspired and his face grew purple;
it was always hot, the smell of garlic was suffocating; the fiddle
whined, at his right ear snored the double-bass, at his left wept the
flute, played by a lanky, red-haired Jew with a whole network of red
and blue veins upon his face, who bore the same surname as the famous
millionaire Rothschild. And even the merriest tunes this accursed Jew
managed to play sadly. Without any tangible cause Yakob had become
slowly penetrated with hatred and contempt for Jews, and especially for
Rothschild; he began with irritation, then swore at him, and once even
was about to hit him; but Rothschild flared up, and, looking at him
furiously, said:

"If it were not that I respect you for your talents, I should send you
flying out of the window."

Then he began to cry. So Bronza was employed in the orchestra very
seldom, and only in cases of extreme need when one of the Jews was
absent.

Yakob had never been in a good humour. He was always overwhelmed by the
sense of the losses which he suffered. For instance, on Sundays and
saints' days it was a sin to work, Monday was a tiresome day--and so
on; so that in one way or another, there were about two hundred days
in the year when he was compelled to sit with his hands idle. That
was one loss! If anyone in the town got married without music, or if
Shakhkes did not employ Yakob, that was another loss. The Inspector
of Police was ill for two years, and Yakob waited with impatience for
his death, yet in the end the Inspector transferred himself to the
government town for the purpose of treatment, where he got worse and
died. There was another loss, a loss at the very least of ten roubles,
as the Inspector's coffin would have been an expensive one lined with
brocade. Regrets for his losses generally overtook Yakob at night; he
lay in bed with the fiddle beside him, and, with his head full of such
speculations, would take the bow, the fiddle giving out through the
darkness a melancholy sound which made Yakob feel better.

On the sixth of May last year Marfa was suddenly taken ill. She
breathed heavily, drank much water and staggered. Yet next morning she
lighted the stove, and even went for water. Towards evening she lay
down. All day Yakob had played on the fiddle, and when it grew dark he
took the book in which every day he inscribed his losses, and from want
of something better to do, began to add them up. The total amounted to
more than a thousand roubles. The thought of such losses so horrified
him that he threw the book on the floor and stamped his feet. Then he
took up the book, snapped his fingers, and sighed heavily. His face was
purple, and wet with perspiration. He reflected that if this thousand
roubles had been lodged in the bank the interest per annum would have
amounted to at least forty roubles. That meant that the forty roubles
were also a loss. In one word, whenever you turn, everywhere you meet
with loss, and profits none.

"Yakob," cried Marfa unexpectedly, "I am dying."

He glanced at his wife. Her face was red from fever and unusually clear
and joyful; and Bronza, who was accustomed to see her pale, timid, and
unhappy-looking, felt confused. It seemed as if she were indeed dying,
and were happy in the knowledge that she was leaving for ever the
cabin, the coffins, and Yakob. And now she looked at the ceiling and
twitched her lips, as if she had seen Death her deliverer, and were
whispering with him.

Morning came; through the window might be seen the rising of the sun.
Looking at his old wife, Yakob somehow remembered that all his life he
had never treated her kindly, never caressed her, never pitied her,
never thought of buying her a kerchief for her head, never carried away
from the weddings a piece of tasty food, but only roared at her, abused
her for his losses, and rushed at her with shut fists. True, he had
never beaten her, but he had often frightened her out of her life and
left her rooted to the ground with terror. Yes, and he had forbidden
her to drink tea, as the losses without that were great enough; so she
drank always hot water. And now, beginning to understand why she had
such a strange, enraptured face, he felt uncomfortable.

When the sun had risen high he borrowed a cart from a neighbour, and
brought Marfa to the hospital. There were not many patients there, and
he had to wait only three hours. To his joy he was received not by the
doctor but by the feldscher, Maxim Nikolaitch, an old man of whom it
was said that, although he was drunken and quarrelsome, he knew more
than the doctor.

"May your health be good!" said Yakob, leading the old woman into the
dispensary. "Forgive me, Maxim Nikolaitch, for troubling you with my
empty affairs. But there, you can see for yourself my object is ill.
The companion of my life, as they say, excuse the expression...."

Contracting his grey brows and smoothing his whiskers, the feldscher
began to examine the old woman, who sat on the tabouret, bent, skinny,
sharp-nosed, and with open mouth so that she resembled a bird that is
about to drink.

"So ..." said the feldscher slowly, and then sighed. "Influenza and may
be a bit of a fever. There is typhus now in the town ... What can I do?
She is an old woman, glory be to God.... How old?"

"Sixty-nine years, Maxim Nikolaitch."

"An old woman. It's high time for her."

"Of course! Your remark is very just," said Yakob, smiling out of
politeness. "And I am sincerely grateful for your kindness; but allow
me to make one remark; every insect is fond of life."

The feldscher replied in a tone which implied that upon him alone
depended her life or death. "I will tell you what you'll do, friend;
put on her head a cold compress, and give her these powders twice a
day. And good-bye to you."

By the expression of the feldscher's face, Yacob saw that it was a bad
business, and that no powders would make it any better; it was quite
plain to him that Marfa was beyond repair, and would assuredly die, if
not to-day then to-morrow. He touched the feldscher on the arm, blinked
his eyes, and said in a whisper: "Yes, Maxim Nikolaitch, but you will
let her blood."

"I have no time, no time, friend. Take your old woman, and God be with
you!"

"Do me this one kindness!" implored Yakob. "You yourself know that if
she merely had her stomach out of order, or some internal organ wrong,
then powders and mixtures would cure; but she has caught cold. In cases
of cold the first tiling is to bleed the patient."

But the feldscher had already called for the next patient, and into the
dispensary came a peasant woman with a little boy.

"Be off!" he said to Yakob, with a frown.

"At least try the effect of leeches. I will pray God eternally for you."

The feldscher lost his temper, and roared: "Not another word."

Yakob also lost his temper, and grew purple in the face; but he said
nothing more and took Marfa under his arm and led her out of the
room. As soon as he had got her into the cart, he looked angrily and
contemptuously at the hospital and said:

"What an artist! He will let the blood of a rich man, but for a poor
man grudges even a leech. Herod!"

When they arrived home, and entered the cabin, Marfa stood for a moment
holding on to the stove. She was afraid that if she were to lie down
Yakob would begin to complain about his losses, and abuse her for lying
in bed and doing no work. And Yakob looked at her with tedium in his
soul and remembered that to-morrow was John the Baptist, and the day
after Nikolai the Miracle-worker, and then came Sunday, and after that
Monday--another idle day. For four days no work could be done, and
Marfa would be sure to die on one of these days. Her coffin must be
made to-day. He took the iron yardwand, went up to the old woman and
took her measure. After that she lay down, and Yakob crossed himself,
and began to make a coffin.

When the work was finished, Bronza put on his spectacles and wrote in
his book of losses:

"Marfa Ivanova's coffin--2 roubles, 40 kopecks."

And he sighed. All the time Marfa had lain silently with her eyes
closed. Towards evening, when it was growing dark, she called her
husband:

"Rememberest, Yakob?" she said, looking at him joyfully. "Rememberest,
fifty years ago God gave us a baby with yellow hair. Thou and I then
sat every day-by the river ... under the willow ... and sang songs."
And laughing bitterly she added: "The child died."

"That is all imagination," said Yakob.

Later on came the priest, administered to Marfa the Sacrament and
extreme unction. Marfa began to mutter something incomprehensible, and
towards morning, died.

The old-women neighbours washed her, wrapped her in her winding sheet,
and laid her out. To avoid having to pay the deacon's fee, Yakob
himself read the psalms; and escaped a fee also at the graveyard,
as the watchman there was his godfather. Four peasants carried the
coffin free, out of respect for the deceased. After the coffin walked
a procession of old women, beggars, and two cripples. The peasants on
the road crossed themselves piously. And Yakob was very satisfied that
everything passed off in honour, order, and cheapness, without offence
to anyone. When saying good-bye for the last time to Marfa, he tapped
the coffin with his fingers, and thought "An excellent piece of work."

But while he was returning from the graveyard he was overcome with
extreme weariness. He felt unwell, he breathed feverishly and heavily,
he could hardly stand on his feet. His brain was full of unaccustomed
thoughts. He remembered again that he had never taken pity on Marfa and
never caressed her. The fifty-two years during which they had lived in
the same cabin stretched back to eternity, yet in the whole of that
eternity he had never thought of her, never paid any attention to her,
but treated her as if she were a cat or a dog. Yet every day she had
lighted the stove, boiled and baked, fetched water, chopped wood, slept
with him on the same bed; and when he returned drunk from weddings, she
had taken his fiddle respectfully, and hung it on the wall, and put him
to bed--all this silently with a timid, worried expression on her face.
And now he felt that he could take pity on her, and would like to buy
her a present, but it was too late....

Towards Yakob smiling and bowing came Rothschild. "I was looking for
you, uncle," he said. "Moses Ilitch sends his compliments, and asks you
to come across to him at once."

Yakob felt inclined to cry.

"Begone!" he shouted, and continued his path.

"You can't mean that," cried Rothschild in alarm, running after him.
"Moses Hitch will take offence! He wants you at once."

The way in which the Jew puffed and blinked, and the multitude of
his red freckles awoke in Yakob disgust. He felt disgust, too, for
his green frock-coat, with its black patches, and his whole fragile,
delicate figure.

"What do you mean by coming after me, garlic?" he shouted. "Keep off!"

The Jew also grew angry, and cried:

"If you don't take care to be a little politer I will send you flying
over the fence."

"Out of my sight!" roared Yakob, rushing on him with clenched fists.
"Out of my sight, abortion, or I will beat the soul out of your cursed
body! I have no peace with Jews."

Rothschild was frozen with terror; he squatted down and waved his arms
above his head, as if warding off blows, and then jumped up and ran
for his life. While running he hopped, and flourished his hands; and
the twitching of his long, fleshless spine could plainly be seen. The
boys in the street were delighted with the incident, and rushed after
him, crying, "Jew! Jew!" The dogs pursued him with loud barks. Someone
laughed, then someone whistled, and the dogs barked louder and louder.
Then, it must have been, a dog bit Rothschild, for there rang out a
sickly, despairing cry.

Yakob walked past the common, and then along the outskirts of the town;
and the street boys cried, "Bronza! Bronza!" With a piping note snipe
flew around him, and ducks quacked. The sun baked everything, and from
the water came scintillations so bright that it was painful to look at.
Yakob walked along the path by the side of the river, and watched a
stout, red-cheeked lady come out of the bathing-place. Not far from the
bathing-place sat a group of boys catching crabs with meat; and seeing
him they cried maliciously, "Bronza! Bronza!" And at this moment before
him rose a thick old willow with an immense hollow in it, and on it a
raven's nest.... And suddenly in Yakob's mind awoke the memory of the
child with the yellow hair of whom Marfa had spoken.... Yes, it was the
same willow, green, silent, sad.... How it had aged, poor thing!

He sat underneath it, and began to remember. On the other bank, where
was now a flooded meadow, there then stood a great birch forest, and
farther away, where the now bare hill glimmered on the horizon, was an
old pine wood. Up and down the river went barges. But now everything
was flat and smooth; on the opposite bank stood only a single birch,
young and shapely, like a girl; and on the river were only ducks and
geese where once had floated barges. It seemed that since those days
even the geese had become smaller. Yakob closed his eyes, and in
imagination saw flying towards him an immense flock of white geese.

He began to wonder how it was that in the last forty or fifty years
of his life he had never been near the river, or if he had, had
never noticed it. Yet it was a respectable river, and by no means
contemptible; it would have been possible to fish in it, and the fish
might have been sold to tradesmen, officials, and the attendant at
the railway station buffet, and the money could have been lodged
in the bank; he might have used it for rowing from country-house to
country-house and playing on the fiddle, and everyone would have paid
him money; he might even have tried to act as bargee--it would have
been better than making coffins; he might have kept geese, killed them
and sent them to Moscow in the winter-time--from the feathers alone
he would have made as much as ten roubles a year. But he had yawned
away his life, and done nothing. What losses! Akh, what losses! and if
he hod done all together--caught fish, played on the fiddle, acted as
bargee, and kept geese--what a sum he would have amassed! But he had
never even dreamed of this; life had passed without profits, without
any satisfaction; everything had passed away unnoticed; before him
nothing remained. But look backward--nothing but losses, such losses
that to think of them it makes the blood run cold. And why cannot a man
live without these losses? Why had the birch wood and the pine forest
both been cut down? Why is the common pasture unused? Why do people
do exactly what they ought not to do? Why did he all his life scream,
roar, clench his fists, insult his wife? For what imaginable purpose
did he frighten and insult the Jew? Why, indeed, do people prevent one
another living in peace? All these are also losses! Terrible losses! If
it were not for hatred and malice people would draw from one another
incalculable profits.

Evening and night, twinkled in Yakob's brain the willow, the fish, the
dead geese, Marfa with her profile like that of a bird about to drink,
the pale, pitiable face of Rothschild, and an army of snouts thrusting
themselves out of the darkness and muttering about losses. He shifted
from side to side, and five times in the night rose from his bed and
played on the fiddle.

In the morning he rose with an effort and went to the hospital.
The same Maxim Nikolaitch ordered him to bind his head with a cold
compress, and gave him powders; and by the expression of his face and
by his tone Yakob saw that it was a bad business, and that no powders
would make it any better. But upon his way home he reflected that
from death at least there would be one profit; it would no longer be
necessary to eat, to drink, to pay taxes, or to injure others; and as
a man lies in his grave not one year, but hundreds and thousands of
years, the profit was enormous. The life of man was, in short, a loss,
and only his death a profit. Yet this consideration, though entirely
just, was offensive and bitter; for why in this world is it so ordered
that life, which is given to a man only once, passes by without profit?

He did not regret dying, but as soon as he arrived home and saw his
fiddle, his heart fell, and he felt sorry. The fiddle could not be
taken to the grave; it must remain an orphan, and the same thing would
happen with it as had happened with the birch wood and the pineforest.
Everything in this world decayed, and would decay! Yakob went to the
door of the hut and sat upon the thresholdstone, pressing his fiddle
to his shoulder. Still thinking of life, full of decay and full of
losses, he began to play, and as the tune poured out plaintively
and touchingly, the tears flowed down his cheeks. And the harder he
thought, the sadder was the song of the fiddle.

The latch creaked twice, and in the wicket door appeared Rothschild.
The first half of the yard he crossed boldly, but seeing Yakob, he
stopped short, shrivelled up, and apparently from fright began to make
signs as if he wished to tell the time with his fingers.

"Come on, don't be afraid," said Yakob kindly, beckoning him. "Come!"

With a look of distrust and terror Rothschild drew near and stopped
about two yards away. "Don't beat me, Yakob, it is not my fault!" he
said, with a bow. "Moses Hitch has sent me again. 'Don't be afraid!'
he said, 'go to Yakob again and tell him that without him we cannot
possibly get on.' The wedding is on Wednesday. Shapovaloff's daughter
is marrying a wealthy man.... It will be a first-class wedding," added
the Jew, blinking one eye.

"I cannot go," answered Yakob, breathing heavily. "I am ill, brother."

And again he took his bow, and the tears burst from his eyes and fell
upon the fiddle. Rothschild listened attentively, standing by his side
with arms folded upon his chest. The distrustful, terrified expression
upon his face little by little changed into a look of suffering
and grief, he rolled his eyes as if in an ecstacy of torment, and
ejaculated "Wachchch!" And the tears slowly rolled down his cheeks and
made little black patches on his green frock-coat.

All day long Yakob lay in bed and worried. With evening came the
priest, and, confessing him, asked whether he had any particular sin
which he would like to confess; and Yakob exerted his fading memory,
and remembering Marfa's unhappy face, and the Jew's despairing cry when
he was bitten by the dog, said in a hardly audible voice:

"Give the fiddle to Rothschild."

And now in the town everyone asks: Where did Rothschild get such an
excellent fiddle? Did he buy it or steal it ... or did he get it in
pledge? Long ago he abandoned his flute, and now plays on the fiddle
only. From beneath his bow issue the same mournful sounds as formerly
came from the flute; but when he tries to repeat the tune that Yakob
played when he sat on the threshold stone, the fiddle emits sounds so
passionately sad and full of grief that the listeners weep; and he
himself rolls his eyes and ejaculates "Wachchch!" ... But this new song
so pleases everyone in the town that wealthy traders and officials
never fail to engage Rothschild for their social gatherings, and even
force him to play it as many as ten times.




A FATHER


"I don't deny it; I have had a drop too much. ... Forgive me; the fact
is I happened to pass by the public, and, all owing to the heat, I
drank a couple of bottles. It's hot, brother!"

Old Musátoff took a rag from his pocket, and wiped the sweat from his
clean-shaven, dissipated face.

"I have come to you, Bórenka, angel mine, just for a minute," he
continued, looking at his son, "on very important business. Forgive
me if I am in the way. Tell me, my soul ... do you happen to have ten
roubles to spare till Tuesday? You understand me ... yesterday I ought
to have paid for the rooms, but the money question ... you understand.
Not a kopeck!"

Young Musátoff went out silently, and behind the door began a whispered
consultation with his housekeeper and the colleagues in the Civil
Service with whom he shared the villa. In a minute he returned, and
silently handed his father a ten-rouble note. The old gentleman took it
carelessly, and without looking at it thrust it into his pocket, and
said:

"_Merci!_ And how is the world using you? We haven't met for ages."

"Yes, it is a long time--since All Saints' Day."

"Five times I did my best to get over to you, but never could get
time. First one matter, then another ... simply ruination. But, Boris,
I may confess it, I am not telling the truth.... I lie.... I always
lie. Don't believe me, Bórenka. I promised to let you have the ten
roubles back on Tuesday; don't believe that either! Don't believe a
single word I say! I have no business matters at all, simply idleness,
drink, and shame to show myself in the street in this get-up. But you,
Bórenka, will forgive me. Three times I sent the girl for money, and
wrote you piteous letters. For the money, thanks! But don't believe the
letters.... I lied. It hurts me to plunder you in this way, angel mine;
I know that you can hardly make both ends meet, and live--so to say--on
locusts. But with impudence like mine you can do nothing. A rascal who
only shows his face when he wants money!... Forgive me, Bórenka, I tell
you the plain truth, because I cannot look with indifference upon your
angel face...."

A minute passed in silence. The old man sighed deeply, and began:

"Let us make the supposition, brother, that you were to treat me to a
glass of beer."

Without a word, Boris again went out and whispered outside the door.
The beer was brought in. At the sight of the bottle Musátoff enlivened,
and suddenly changed his tone.

"The other day I was at the races," he began, making frightened faces.
"There were three of us, and together we put in the totalisator a
three-rouble note on Shustri.[1] And good luck to Shustri! With the
risk of one rouble we each got back thirty-two. It is a noble sport.
The old woman always pitches into me about the races, but I go. I love
it!"

[Footnote 1: Rapid.]

Boris, a young fair-haired man, with a sad, apathetic face, walked from
corner to corner, and listened silently. When Musátoff interrupted his
story in order to cough, he went up to him and said:

"The other day, papa, I bought myself a new pair of boots, but they
turned out too small. I wish you would take them off my hands. I will
let you have them cheap!"

"I shall be charmed!" said the old man, with a grimace. "Only for the
same price--without any reduction."

"Very well.... We will regard that as a loan also."

Boris stretched his arm under the bed, and pulled out the new boots.
Old Musátoff removed his own awkward brown shoes--plainly someone
else's--and tried the new boots on.

"Like a shot!" he exclaimed. "Your hand on it. ... I'll take them.
On Tuesday, when I get my pension, I'll send the money.... But I may
as well confess, I lie." He resumed his former piteous tone. "About
the races I lied, and about the pension I lie. You are deceiving me,
Bórenka.... I see very well through your magnanimous pretext. I can see
through you! The boots are too small for you because your heart is too
large! Akh, Borya, Borya, I understand it ... and I feel it!"

"You have gone to your new rooms?" asked Boris, with the object of
changing the subject. "Yes, brother, into the new rooms.... Every
month we shift. With a character like the old woman's we cannot stay
anywhere."

"I have been at the old rooms. But now I want to ask you to come to
the country. In your state of health it will do you good to be in the
fresh air." Musátoff waved his hand. "The old woman wouldn't let me
go, and myself I don't care to. A hundred times you have tried to drag
me out of the pit.... I have tried to drag myself ... but the devil an
improvement! Give it up! In the pit I'll die as I have lived. At this
moment I sit in front of you and look at your angel face ... yet I am
being dragged down into the pit. It's destiny, brother! You can't get
flies from a dunghill to a rose bush. No. ... Well, I'm off ... it's
getting dark."

"If you wait a minute, well go together. I have business in town
myself."

Musátoff and his son put on their coats, and went out. By the time they
had found a droschky it was quite dark, and the windows were lighted up.

"I know I'm ruining you, Bórenka," stammered the father. "My poor, poor
children! What an affliction to be cursed with such a father! Bórenka,
angel mine, I cannot lie when I see your face. Forgive me!... To what
a pass, my God, has impudence brought me! This very minute I have
taken your money, and shamed you with my drunken face; your brothers
also I spunge on and put to shame. If you had seen me yesterday!
I won't hide anything, Bórenka. Yesterday our neighbours--all the
rascality, in short--came in to see the old woman. I drank with them,
and actually abused you behind your back, and complained that you
had neglected me. I tried, you understand, to get the drunken old
women to pity me, and played the part of an unhappy father. That's my
besetting sin; when I want to hide my faults, I heap them on the heads
of my innocent children.... But I cannot lie to you, Bórenka, or hide
things. I came to you in pride, but when I had felt your kindness and
all-mercifulness, my tongue clove to the roof of my mouth, and all my
conscience turned upside down."

"Yes, father, but let us talk about something else."

"Mother of God, what children I have!" continued the old man, paying
no attention to his son, "What a glory the Lord has sent me! Such
children should be sent not to me, a good-for-nothing, but to a real
man with a soul and a heart. I am not worthy of it!"

Musátoff took off his cap and crossed himself piously thrice.

"Glory be to Thee, O God!" he sighed, looking around as if seeking an
ikon. "Astonishing, priceless children! Three sons I have, and all of
them the same! Sober, serious, diligent--and what intellects! Cabman,
what intellects! Gregory alone has as much brains as ten ordinary men.
French ... and German ... he speaks both ... and you never get tired
of listening. Children, children mine, I cannot believe that you are
mine at all! I don't believe it! You, Bórenka, are a very martyr! I am
ruining you ... before long I shall have mined you. You give me money
without end, although you know very well that not a kopeck goes on
necessaries. Only the other day I sent you a piteous letter about my
illness.... But I lied; the money was wanted to buy rum. Yet you gave
it to me sooner than offend your old father with a refusal. All this I
know ... and feel ... Grisha also is a martyr. On Thursday, angel mine,
I went to his office, drunk, dirty, ragged ... smelling of vodka like a
cellar. I went straight up to him and began in my usual vulgar slang,
although he was with the other clerks, the head of the department--and
petitioners all around! Disgraced him for his whole life!.. Yet he
never got the least confused, only a little pale; he smiled, and got
up from his desk as if nothing were wrong--even introduced me to his
colleagues. And he brought me the whole way home, without a word of
reproach! I spunge on him even worse than on you!

"Then take your brother, Sasha! There's another martyr! Married to a
colonel's daughter, moving in a circle of aristocrats, with a dot ...
and everything else.... He, at any rate, you would think would have
nothing to do with me. Well, brother, what does he do? When he gets
married the very first thing after the wedding he comes to me with his
young wife, and pays me the first visit ... to my lair, to the lair ...
I swear to God!"

The old man began to sob, but soon laughed again.

"At the very moment, as the fates would have it, when we were eating
scraped radishes and kvas, and frying fish, with a stench in the room
enough to stink out the devil. I was lying drunk as usual, and the old
woman jumps up and greets them with a face the colour of beefsteak ...
in one word, a scandal. But Sasha bore it all."

"Yes, our Sasha is a good man," said Boris.

"Incomparable! You are all of you gold, both you and Grisha, and Sasha
and Sonia. I torture, pester, disgrace, and spunge on you, yet in my
whole life I have never heard a word of reproach, or seen a single
sidelong look. If you had a decent father it would be different, but
... You have never had anything from me but evil. I am a wicked,
dissolute man.... Now, thank God, I have quieted down, and have no
character left in me, but formerly, when you were little children, I
had a character and no mistake. Whatever I said or did seemed to me
gospel! I remember! I used to come back late from the club, drunk and
irritated, and begin to abuse your poor mother about the household
expenses. I would keep on at her all night, and imagine that she was in
the wrong; in the morning you would get up and go to school, but all
the time I would keep on showing her that I had a character. Heaven
rest her soul, how I tortured the poor martyr! And when you came back
from school and found me asleep you weren't allowed your dinner until I
got up. And after dinner the same music! Primps you remember. May God
forbid that anyone else should be cursed with such a father! He sent
you to me as a blessing. A blessing! Continue in this way, children, to
the end. Honour thy father that thy days may be long in the land! For
your goodness Heaven will reward you with long life! Cabman, stop!"

Musátoff alighted and ran into a beerhouse. After a delay of half an
hour he returned, grunted tipsily, and took his seat.

"And where is Sonia now?" he asked. "Still at the boarding-school?"

"No, she finished last May. She lives now with Sasha's aunt."

"What?" exclaimed the old man. "Left school? And a glorious girl, God
bless her--went with her brothers. _Akh_, Bórenka, no mother, no one to
console her! Tell me, Bórenka, does she know ... does she know that I
am alive? Eh?"

Boris did not answer. Five minutes passed in deep silence. The old man
sobbed, wiped his face with a rag, and said:

"I love her, Bórenka! She was the only daughter, and in old age there
is no consolation like a daughter. If I could only see her for a
moment. Tell me, Bórenka, may I?"

"Of course, whenever you like."

"And she won't object?"

"Of course not; she herself went to look for you."

"I swear to God! There is a nest of angels! Cabman, eh? Arrange it,
Bórenka, angel! Of course she is a young lady now, _délicatesse ...
consommé,_ and all that sort of thing in the noble style. So I can't
see her in this get-up. But all this, Bórenka, we can arrange. For
three days I won't taste a drop--that'll bring my accursed drunken
snout into shape. Then I will go to your place and put on a suit of
your clothes, and get a shave and have my hair cut. Then you will
drive over and take me with you? Is it agreed?"

"All right."

"Cabman, stop!"

The old man jumped out of the carriage and ran into another beershop.
Before they reached his lodgings he visited two more; and every time
his son waited silently and patiently. When, having dismissed the
cabman, they crossed the broad, muddy yard to the rooms of the "old
woman," Musátoff looked contused and guilty, grunted timidly, and
smacked his lips.

"Bórenka," he began, in an imploring voice, "if the old woman says
anything of that kind to you--you understand--don't pay any attention
to her. And be polite to her. She is very ignorant and impertinent, but
not a bad sort at bottom. She has a good, warm heart."

They crossed the yard and entered a dark hall. The door squeaked, the
kitchen smelt, the samovar smoked, and shrill voices were heard....
While they passed through the kitchen Boris noticed only the black
smoke, a rope with washing spread out, and the chimney of a samovar,
through the chinks of which burst golden sparks.

"This is my cell," said Musátoff, bowing his head, and showing his son
into a little, low-ceilinged room, filled with atmosphere unbearable
from proximity to the kitchen. At a table sat three women, helping
one another to food. Seeing the guest, they looked at one another and
stopped eating.

"Well, did you get it?" asked one, apparently "the old woman," roughly.

"Got it, got it," stammered the old man. "Now, Boris, do us the honour!
Sit down! With us, brother--young man--everything is simple.... We live
in a simple way."

Musátoff fussed about without any visible reason. He was ashamed before
his son, and at the same time apparently wished to bear himself before
the women as a man of importance and a forsaken, unhappy father.

"Yes, brother mine--young man--we live simply, without show-off," he
stammered. "We are plain folk, young man.... We are not like you ... we
do, not trouble to throw dust in other people's eyes. No!... A drop of
vodka, eh?"

One of the women, ashamed of drinking before a stranger, sighed and
said:

"I must have another glass after these mushrooms. After mushrooms,
whether you like it or not, you have to drink.... Ivan Gerasiuitch, ask
him ... perhaps he'll have a drink."

"Drink, young man!" said Musátoff, without looking at his son. "Wines
and liqueurs we don't keep, brother, we live plainly."

"I'm afraid our arrangements don't suit him," sighed the old woman.

"Leave him alone, leave him alone, he'll drink all right."

To avoid giving offence to his father, Boris took a glass, and drained
it in silence. When the samovar was brought in he, silently and with a
melancholy air--again to please his father--drank two cups of atrocious
tea. And without a word he listened while the "old woman" lamented
the fact that in this world you will sometimes find cruel and godless
children who forsake their parents in their old age.

"I know what you are thinking," said the drunken old man, falling
into his customary state of excitement. "You are thinking that I have
fallen in the world, that I have dirtied myself, that I am an object of
pity! But in my mind this simple life is far more natural than yours,
young man. I do not need for anything ... and I have no intention of
humiliating myself ... I can stand a lot ... but tolerance is at an end
when a brat of a boy looks at me with pity."

When he had drunk his tea, he cleaned a herring, and squeezed onion
on it with such vigour that tears of emotion sprang into his eyes.
He spoke again of the totalisator, of his winnings, and of a hat of
Panama straw for which he had paid sixteen roubles the day before. He
lied with the same appetite with which he had drunk and devoured the
herring. His son sat silently for more than an hour, and then rose to
take leave.

"I wouldn't think of detaining you," said Musátoff stiffly. "I ask
your pardon, young man, for not living in the way to which you are
accustomed."

He bristled up, sniffed with dignity, and winked to the women.

"Good-bye, young man!" he said, escorting his son into the hall.
"_Attendez!_"

But in the hall, where it was quite dark, he suddenly pressed his face
to his son's arm, and sobbed. "If I could only see Sóniushka!" he
whispered. "Arrange it, Bórenka, angel mine! I will have a shave, and
put on one of your suits ... and make a severe face. I won't open my
mouth while she's present I won't say a word. I swear to God!"

He glanced timidly at the door, from behind which came the shrill
voices of the women, smothered his sobs, and said in a loud voice:

"Well, good-bye, young man! _Attendez!_"




TWO TRAGEDIES


At ten o'clock on a dark September evening six-year-old Andrei, the
only son of Dr. Kiríloff, a Zemstvo physician, died from diphtheria.
The doctor's wife had just thrown herself upon her knees at the bedside
of her dead child, and was giving way to the first ecstacy of despair,
when the hall-door bell rang loudly. Owing to the danger of infection
all the servants had been sent out of the house that morning; and
Kiríloff, in his shirtsleeves, with unbuttoned waistcoat, with sweating
face, and hands burned with carbolic acid, opened the door himself. The
hall was dark, and the stranger who entered it was hardly visible. All
that Kiríloff could distinguish was that he was of middle height, that
he wore a white muffler, and had a big, extraordinarily pale face--a
face so pale that at first it seemed to illumine the darkness of the
hall.

"Is the doctor at home?" he asked quickly.

"I am the doctor," answered Kiríloff, "What do you want?"

"Ah, it is you. I am glad!" said the stranger. He stretched out through
the darkness for the doctor's hand, found it, and pressed it tightly.
"I am very ... very glad. We are acquaintances. My name is Abógin....
I had the pleasure of meeting you last summer at Gnutcheffs. I am very
glad that you are in.... For the love of Christ do not refuse to come
with me at once.... My wife is dangerously ill.... I have brought a
trap."

From Abógin's voice and movements it was plain that he was greatly
agitated. Like a man frightened by a fire or by a mad dog, he could
not contain his breath. He spoke rapidly in a trembling voice, and
something inexpressibly sincere and childishly imploring sounded in
his speech. But, like all men frightened and thunderstruck, he spoke
in short abrupt phrases, and used many superfluous and inconsequential
words.

"I was afraid I should not find you at home," he continued. "While I
was driving here I was in a state of torture.... Dress and come at
once, for the love of God ... It happened thus. Paptchinski--Alexander
Semionevitch--whom you know, had driven over.... We talked for awhile
... then we had tea; suddenly my wife screamed, laid her hand upon
her heart, and fell against the back of the chair. We put her on the
bed.... I bathed her forehead with ammonia, and sprinkled her with
water ... she lies like a corpse.... It is aneurism.... Come.... Her
father died from aneurism...."

Kiríloff listened and said nothing. It seemed he had forgotten his own
language. But when Abógin repeated what he had said about Paptchinski
and about his wife's father, the doctor shook his head, and said
apathetically, drawling every word:

"Excuse me, I cannot go.... Five minutes ago ... my child died."

"Is it possible?" cried Abógin, taking a step hack. "Good God, at what
an unlucky time I have come! An amazingly unhappy day ... amazing! What
a coincidence ... as if on purpose."

Abógin put his hand upon the door-handle, and inclined his head as if
in doubt. He was plainly undecided as to what to do; whether to go, or
again to ask the doctor to come.

"Listen to me," he said passionately, seizing Kiríloff by the arm; "I
thoroughly understand your position. God is my witness that I feel
shame in trying to distract your attention at such a moment, but ...
what can I do? Judge yourself--whom can I apply to? Except you, there
is no doctor in the neighbourhood. Come! For the love of God! It is not
for myself I ask.... It is not I who am ill."

A silence followed. Kiríloff turned his back to Abógin, for a moment
stood still, and went slowly from the anteroom into the hall.
Judging by his uncertain, mechanical gait, by the care with which he
straightened the shade upon the unlit lamp, and looked into a thick
book which lay upon the table--in this moment he had no intentions,
no wishes, thought of nothing; and probably had even forgotten that
in the anteroom a stranger was waiting. The twilight and silence of
the hall apparently intensified his stupor. Walking from the hall into
his study, he raised his right leg high, and sought with his hands the
doorpost. All his figure showed a strange uncertainty, as if he were in
another's house, or for the first time in life were intoxicated, and
were surrendering himself questioningly to the new sensation. Along the
wall of the study and across the bookshelves ran a long zone of light.
Together with a heavy, close smell of carbolic and ether, this light
came from a slightly opened door which led from the study into the
bedroom. The doctor threw himself into an armchair before the table. A
minute he looked drowsily at the illumined books, and then rose, and
went into the bedroom.

In the bedroom reigned the silence of the grave. All, to the smallest
trifle, spoke eloquently of a struggle just lived through, of
exhaustion, and of final rest. A candle standing on the stool among
phials, boxes, and jars, and a large lamp upon the dressing-table
lighted the room. On the bed beside the window lay a boy with open eyes
and an expression of surprise upon his face. He did not move, but his
eyes, it seemed, every second grew darker and darker, and vanished into
his skull. With her hands upon his body, and her face hidden in the
folds of the bedclothes, knelt the mother. Like the child, she made no
movement; life showed itself alone in the bend of her back and in the
position of her hands. She pressed against the bed with all her being,
with force and eagerness, us if she feared to destroy the tranquil and
convenient pose which she had found for her weary body. Counterpane,
dressings, jars, pools on the floor, brashes and spoons scattered here
and there, the white bottle of lime-water, the very air, heavy and
stifling--all were dead and seemed immersed in rest.

The doctor stopped near his wife, thrust his hands into his trouser
pockets, and turning his head, bent his gaze upon his son. His face
expressed indifference; only by the drops upon his beard could it be
seen that he had just been crying.

The repellent terror which we conceive when we speak of death was
absent from the room. The general stupefaction, the mother's pose, the
father's indifferent face, exhaled something attractive and touching;
exhaled that subtle, intangible beauty of human sorrow which cannot
be analysed or described, and which music alone can express. Beauty
breathed even in the grim tranquillity of the mourners. Kiríloff and
his wife were silent; they did not weep, as if in addition to the
weight of their sorrow they were conscious also of the poetry of
their position. It seemed that they were thinking how in its time
their youth had passed, how now with this child had passed even their
right to have children at all. The doctor was forty-four years old,
already grey, with the face of an old man; his faded and sickly wife,
thirty-five. Andreï was not only their only son, but also their last.

In contrast with his wife, Kiríloff belonged to those natures which in
time of spiritual pain feel a need for movement. After standing five
minutes beside his wife, he, again lifting high his right leg, went
from the bedroom into a little room half taken up by a long, broad
sofa, and thence into the kitchen. After wandering about the stove and
the cook's bed he bowed his head and went through a little door back to
the anteroom. Here again he saw the white muffler and the pale face.

"At last!" sighed Abógin, taking hold of the door-handle. "Come,
please!"

The doctor shuddered, looked at him, and remembered.

"Listen to me; have I not already told you I cannot come?" he said,
waking up. "How extraordinary!"

"Doctor, I am not made of stone.... I thoroughly understand your
position.... I sympathise with you!" said Abógin, with an imploring
voice, laying one hand upon his muffler. "But I am not asking this
for myself.... My wife is dying! If you had heard her cry, if you
had seen her face, then you would understand my persistence! My God!
and I thought that you had gone to get ready! Dr. Kiríloff, time is
precious. Come, I implore you!"

"I cannot go," said Kiríloff with a pause between each word. Then he
returned to the hall.

Abógin went after him, and seized him by the arm.

"You are overcome by your sorrow--that I understand. But remember ...
I am not asking you to come and cure a toothache ... not as an adviser
... but to save a human life," he continued, in the voice of a beggar.
"A human life should be supreme over every personal sorrow.... I beg of
you manliness, an exploit!... In the name of humanity!"

"Humanity is a stick with two ends," said Kiríloff with irritation.
"In the name of the same humanity I beg of you not to drag me away. How
strange this seems! Here I am hardly standing on my legs, yet you worry
me with your humanity! At the present moment I am good for nothing....
I will not go on any consideration! And for whom should I leave my
wife? No.... No."

Kiríloff waved his hands and staggered back.

"Do not ... do not ask me," he continued in a frightened voice. "Excuse
me.... By the Thirteenth Volume of the Code I am bound to go, and you
have the right to drag me by the arm.... If you will have it, drag
me ... but I am useless.... Even for conversation I am not in a fit
state.... Excuse me."

"It is useless, doctor, for you to speak to me in that tone," said
Abógin, again taking Kiríloff's arm. "The devil take your Thirteenth
Volume!... To do violence to your will I have no right. If you will,
come; if you don't, then God be with you; but it is not to your will
that I appeal, but to your heart!... A young woman is at the point of
death! This moment your own son has died, and who if not you should
understand my terror?"

Abógin's voice trembled with agitation; in tremble and in tone was
something more persuasive than in the words. He was certainly sincere;
but it was remarkable that no matter how well chosen his phrases, they
seemed to come from him stilted, soulless, inappropriately ornate, to
such an extent that they seemed an insult to the atmosphere of the
doctor's house and to his own dying wife. He felt this himself, and
therefore, fearing to be misunderstood, he tried with all his force to
make his voice sound soft and tender, so as to win if not with words
at least by sincerity of tone. In general, phrases, however beautiful
and profound, act only on those who are indifferent, and seldom satisfy
the happy or unhappy; it is for this reason that the most touching
expression of joy or sorrow is always silence; sweethearts understand
one another best when they are silent; and a burning passionate eulogy
spoken above a grave touches only the strangers present, and seems to
widow and child inexpressive and cold.

Kiríloff stood still and said nothing. When Abógin used some more
phrases about the high vocation of a physician, self-sacrifice, and so
on, the doctor asked gloomily:

"Is it far?"

"Something between thirteen and fourteen versts. I have excellent
horses. I give you my word of honour to bring you there and back in an
hour. In a single hour!"

The last words aided on the doctor more powerfully than the references
to humanity and the vocation of a doctor. He thought for a moment and
said, with a sigh:

"All right.... I will go."

With a rapid, steady gait he went into his study, and after a moment's
delay returned with a long overcoat. Moving nervously beside him,
shuffling his feet, and overjoyed, Abógin helped him into his coat.
Together they left the house.

It was dark outside, but not so dark as in the anteroom. In the
darkness was clearly defined the outline of the tall, stooping doctor,
with his long, narrow beard and eagle nose. As for Abógin, in addition
to his pale face the doctor could now distinguish a big head, and a
little student's cap barely covering the crown. The white muffler
gleamed only in front; behind, it was hidden under long hair.

"Believe me, I appreciate your generosity," he muttered, seating the
doctor in the calêche. "We will get there in no time. Listen, Luka, old
man, drive as hard as you can! Quick!"

The coachman drove rapidly. First they flew past a row of ugly
buildings, with a great open yard; everywhere around it was dark, but
from a window a bright light glimmered through the palisade, and three
windows in the upper story of the great block seemed paler than the
air. After that they drove through intense darkness. There was a smell
of mushroom dampness, and a lisping of trees; ravens awakened by the
noise of the calêche stirred in the foliage, and raised a frightened,
complaining cry, as if they knew that Kiríloff's son was dead, and
that Abógin's wife was dying. They flashed past single trees, past a
coppice; a pond, crossed with great black shadows, scintillated--and
the calêche rolled across a level plain. The cry of the ravens was
heard indistinctly far behind, and then ceased entirely.

For nearly the whole way Abógin and Kiríloff were silent. Only once,
Abógin sighed and exclaimed:

"A frightful business! A man never so loves those who are near to him
as when he is in danger of losing them."

And when the calêche slowly crossed the river, Kiríloff started
suddenly as if he were frightened by the plash of the water, and moved.

"Listen! Let me go for a moment," he said wearily. "I will come again.
I must send a feldscher to my wife. She is alone!"

Abógin did not answer. The calêche, swaying and banging over the
stones, crossed a sandy bank, and rolled onward. Kiríloff, wrapped
in weariness, looked around him. Behind, in the scanty starlight,
gleamed the road; and the willows by the river bank vanished in the
darkness. To the right stretched a plain, flat and interminable as
heaven; and far in the distance, no doubt on some sodden marsh, gleamed
will-of-the-wisps. On the left, running parallel to the road, stretched
a hillock, shaggy with a small shrubbery, and over the hill hung
immovably a great half-moon, rosy, half muffled in the mist and fringed
with light clouds, which, it seemed, watched it on every side, that it
might not escape.

On all sides Nature exhaled something hopeless and sickly; the earth,
like a fallen woman sitting in her dark chamber and trying to forget
the past, seemed tormented with remembrances of spring and summer, and
waited in apathy the inevitable winter. Everywhere the world seemed
a dark, unfathomable deep, an icy pit from which there was no escape
either for Kiríloff or for Abógin or for the red half-moon....

The nearer to its goal whirled the calêche, the more impatient seemed
Abógin. He shifted, jumped up, and looked over the coachman's shoulder.
And when at last the carriage stopped before steps handsomely covered
with striped drugget, he looked up at the lighted windows of the second
story, and panted audibly.

"If anything happens ... I will never survive it," he said, entering
the hall with Kiríloff, and rubbing his hands in agitation. But after
listening a moment, he added, "There is no confusion ... things must be
going well."

In the hall were neither voices nor footsteps, and the whole house,
notwithstanding its brilliant lights, seemed asleep. Only now, for the
first time, the doctor and Abógin, after their sojourn in darkness,
could see one another plainly. Kiríloff was tall, round-shouldered, and
ugly, and was carelessly dressed. His thick, almost negro, lips, his
eagle nose, and his withered, indifferent glance, expressed something
cutting, unkindly, and rude. His uncombed hair, his sunken temples, the
premature grey in the long, narrow beard, through which appeared his
chin, the pale grey of his skin, and his careless, angular manners, all
reflected a career of need endured, of misfortune, of weariness with
life and with men. Judging by his dry figure, no one would ever believe
that this man had a wife, and that he had wept over his child.

Abógin was a contrast. He was a thick-set, solid blond, with a big
head, with heavy but soft features; and he was dressed elegantly and
fashionably. From his carriage, from his closely-buttoned frock-coat,
from his mane of hair, and from his face, flowed something noble and
leonine; he walked with his head erect and his chest expanded, he spoke
in an agreeable baritone, and the way in which he took off his muffler
and smoothed his hair breathed a delicate, feminine elegance. Even
his pallor, and the childish terror with which, while taking off his
coat, he looked up the staircase, did not detract from his dignity,
or diminish the satiety, health, and aplomb which his whole figure
breathed.

"There is no one about ... I can hear nothing," he said, going
upstairs. "There is no confusion.... God is merciful!"

He led the doctor through the hall into a great drawing-room, with a
black piano, and lustres in white covers. From this they went into a
small, cosy, and well-furnished dining-room, full of a pleasant, rosy
twilight.

"Wait a moment," said Abógin, "I shall be back immediately. I will look
around and tell them you are here...."

Kiríloff remained alone. The luxury of the room, the pleasant twilight,
and even his presence in the unknown house of a stranger, which had the
character of an adventure, apparently did not affect him. He lay back
in the armchair and examined his hands, burnt with carbolic acid. Only
faintly could he see the bright red lamp shade and a violoncello case.
But looking at the other side of the room, where ticked a clock, he
noticed a stuffed wolf, as solid and sated as Abógin himself.

Not a sound.... Then in a distant room someone loudly ejaculated "Ah!";
a glass door, probably the door of a wardrobe, closed ... and again
all was silent. After waiting a moment Kiríloff ceased to examine his
hands, and raised his eyes upon the door through which Abógin had gone.

On the threshold stood Abógin. But it was not the Abógin who had
left the room. The expression of satiety, the delicate elegance had
vanished; his face, his figure, his pose were contorted by a repulsive
expression not quite of terror, not quite of physical pain. His nose,
his lips, his moustaches, all his features twitched; it seemed they
wished to tear themselves off his face; and his eyes were transfigured
as if from torture.

Abógin walked heavily into the middle of the room, bent himself in two,
groaned, and shook his fists. "Deceived!" he shouted, with a strong
hissing accentuation of the second syllable. "Cheated! Gone! Got ill,
and sent for a doctor, only to fly with that buffoon Paptchinski! My
God!"

Abógin walked heavily up to the doctor, stretched up to his face his
white, soft fists, and, shaking them, continued in a howl:

"Gone! Deceived! But why this extra lie? My God! My God! But why this
filthy swindler's trick, this devilish reptile play? What have I ever
done? Gone!"

The tears burst from his eyes. He turned on one foot and walked up and
down the room. And now in his short coat, in the narrow, fashionable
trousers, which made his legs seem too thin for his body, with his
great head and mane, he still more closely resembled a lion. On the
doctor's indifferent face appeared curiosity. He rose and looked at
Abógin.

"Be so good as to tell me ... where is the patient?"

"Patient! Patient!" cried Abógin, with a laugh, a sob, and a shaking
of his fists. "This is no sick woman, but a woman accursed! Meanness,
baseness, lower than Satan himself could have conceived! Sent for a
doctor, to fly with him--to fly with that buffoon, that clown, that
Alphonse. Oh, God, better a thousand times that she had died! I cannot
bear it.... I cannot bear it!"

The doctor drew himself up. His eyes blinked and filled with team, his
narrow beard moved to the right and to the left in accord with the
movement of his jaws.

"Be so good as to inform me what is the meaning of this?" he asked,
looking around him in curiosity. "My child lies dead, my wife in
despair is left alone in a great house. I myself can hardly stand on
my feet, for three nights I have not slept, and what is this? am
brought here to play in some trivial comedy, to take the part of a
property-man.... I don't understand it!"

Abógin opened one of his fists, flung upon the floor a crumpled paper,
and trod on it as upon an insect which he wished to crush.

"And I never saw it! I never understood!" he said through his clenched
teeth, shaking one of his fists beside his face, with an expression as
if someone had trod upon a corn. "I never noticed that he rode here
every day, never noticed that to-day he came in a carriage! Why in a
carriage? And I never noticed! Fool!"

"I don't understand ... I really don't understand," stammered Kiríloff.
"What is the meaning of this? This is practical joking at the expense
of another ... it is mocking at human suffering. It is impossible. ...
I have never heard of such a thing!"

With the dull astonishment depicted on his face of a man who is only
beginning to understand that he has been badly insulted, the doctor
shrugged his shoulders, and not knowing what to say, threw himself in
exhaustion into the chair.

"Got tired of me, loved another! Well, God be with them! But why
this deception, why this base, this traitorous trick?" cried Abógin
in a whining voice. "Why? For what? What have I done to her? Listen,
doctor," he said passionately, coming nearer to Kiríloff. "You are
the involuntary witness of my misfortune, and I will not conceal from
you the truth. I swear to you that I loved that woman, that I loved
her to adoration, that I was her slave. For her I gave up everything;
I quarrelled with my parents, I threw up my career and my music,
I forgave her what I could not have forgiven in my own mother or
sister.... I have never said an unkind word to her.... I gave her no
cause! But why this lie? I do not ask for love, but why this shameless
deception P If a woman doesn't love, then let her say so openly,
honestly, all the more since she knew my views on that subject...."

With tears in his eyes, and with his body trembling all over, Abógin
sincerely poured forth to the doctor his whole soul. He spoke
passionately, with both hands pressed to his heart, he revealed
family secrets without a moment's hesitation; and, it seemed, was
even relieved when these secrets escaped him. Had he spoken thus for
an hour, for two hours, and poured out his soul, he would certainly
have felt better. Who knows whether the doctor might not have listened
to him, sympathised with him as a friend, and, even without protest,
become reconciled to his own unhappiness.... But it happened otherwise.
While Abógin spoke, the insulted doctor changed. The indifference and
surprise on his face gave way little by little to an expression of
bitter offence, indignation, and wrath. His features became sharper,
harder, and more disagreeable. And finally when Abógin held before
his eyes the photograph of a young woman with a face handsome but dry
and inexpressive as a nun's, and asked him could he, looking at this
photograph, imagine that she was capable of telling a lie, the doctor
suddenly leaped up, averted his eyes, and said, rudely ringing out
every word:

"What do you mean by talking to me like this? I don't want to hear you!
I will not listen!" He shouted and banged his fist upon the table.
"What have I to do with your stupid secrets, devil take them! You dare
to communicate to me these base trifles! Do you not see that I have
already been insulted enough? Am I a lackey who will bear insults
without retaliation?"

Abógin staggered backwards, and looked at Kiríloff in amazement.

"Why did you bring me here?" continued the doctor, shaking his
beard.... "If you marry filth, then storm with your filth, and play
your melodramas; but what affair is that of mine? What have I to do
with your romances? Leave me alone! Display your well-born meanness,
show off your humane ideas, (the doctor pointed to the violoncello
case) play on your double basses and trombones, get as fat as a capon,
but do not dare to mock the personality of another! If you cannot
respect it, then rid it of your detestable attention!"

Abógin reddened. "What does all this mean?" he asked.

"It means this: that it is base and infamous to play practical jokes
on other men. I am a doctor; you regard doctors and all other working
men who do not smell of scent and prostitution as your lackeys and your
servants. But reflect, reflect--no one has I given you the right to
make a property man of a suffering human being!"

"You dare to speak this to me?" said Abógin; and his face again
twitched, this time plainly from anger.

"Yes ... and you, knowing of the misery in my home, have dared to drag
me here to witness this insanity," cried the doctor, again banging
his fist upon the table. "Who gave you the right to mock at human
misfortune?"

"You are out of your mind," said Abógin. "You are not generous. I also
am deeply unhappy, and...."

"Unhappy!" cried Kiríloff, with a contemptuous laugh. "Do not touch
that word; it ill becomes you. Oafs who have no money to meet their
bills also call themselves unfortunate. Geese that are stuffed with too
much fat are also unhappy. Insignificant curs!"

"You forget yourself, you forget yourself!" screamed Abógin. "For
words like those ... people are horsewhipped. Do you hear me?"

He suddenly thrust his hand into his side pocket, took out a
pocket-book, and taking two bank-notes, flung them on the table.

"There you have the money for your visit!" he said, dilating his
nostrils. "You are paid!"

"Do not dare to offer money to me," cried Kiríloff, sweeping the notes
on to the floor. "For insults money is not the payment."

The two men stood face to face, and in their anger flung insults at one
another. It is certain that never in their lives had they uttered so
many unjust, inhuman, and ridiculous words. In each was fully expressed
the egoism of the unfortunate. And men who are unfortunate, egoistical,
angry, unjust, and heartless are even less than stupid men capable of
understanding one another. For misfortune does not unite, but severs;
and those who should be bound by community of sorrow are much more
unjust and heartless than the happy and contented.

"Be so good as to send me home!" cried the doctor at last.

Abógin rang sharply. Receiving no answer he rang again, and angrily
flung the bell upon the floor; it fell heavily on the carpet and
emitted a plaintive and ominous sound.... A footman appeared.

"Where have you been hiding yourself? May Satan take you!" roared
Abógin, rushing at him with clenched fists. "Where have you been? Go,
tell them at once to give this gentleman the calêche, and get the
carriage ready for me!... Stop!" he cried, when the servant turned to
go. "To-morrow let none of you traitors remain in this house! The whole
pack of you! I will get others! Curs!"

Awaiting their carriages, Abógin and Kiríloff were silent. The first
had already regained his expression of satiety and his delicate
elegance. He walked up and down the room, shook his head gracefully,
and apparently thought something out. His anger had not yet evaporated,
but he tried to look as if he did not notice his enemy.... The doctor
stood, with one hand on the edge of the table, and looked at Abógin
with deep, somewhat cynical and ugly contempt--with the eyes of sorrow
and misfortune when they see before them satiety and elegance.

When, after a short delay, the doctor took his seat in the calêche,
his eyes retained their contemptuous look. It was dark, much darker
than an hour before. The red half-moon had fallen below the hill,
and the clouds that had guarded it lay in black spots among the
stars. A carriage with red lamps rattled along the road, and overtook
Kiríloff. It was Abógin, driving away to protest ... and make a fool of
himself....

And all the way home Kiríloff thought, not of his wife or of dead
Andreï, but of Abógin and of the people who lived in the house which
he had just left. His thoughts were unjust, heartless, inhuman. He
condemned Abógin and his wife, and Paptchinski, and all that class of
persons who live in a rosy twilight and smell of perfumes; all the way
he hated and despised them to the point of torture; and his mind was
full of unshakeable convictions as to the worthlessness of such people.

Time will pass; the sorrow of Kiríloff will pass away also, but this
conviction--unjust, unworthy of a human heart--will never pass away,
and will remain with the doctor to the day of his death.




SLEEPYHEAD


Night. Nursemaid Varka, aged thirteen, rocks the cradle where baby
lies, and murmurs almost inaudibly:

    "Bayú, bayúshki, bayú!
    Nurse will sing a song to you!..."

In front of the ikon burns a green lamp; across the room from wall to
wall stretches a cord on which hang baby-clothes and a great pair of
black trousers. On the ceiling above the lamp shines a great green
spot, and the baby-clothes and trousers cast long shadows on the stove,
on the cradle, on Varka.... When the lamp flickers, the spot and
shadows move as if from a draught. It is stifling. There is a smell of
soup and boots.

The child cries. It has long been hoarse and weak from crying, but
still it cries, and who can say when it will be comforted P And Varka
wants to sleep. Her eyelids droop, her head hangs, her neck pains
her.... She can hardly move her eyelids or her lips, and it seems to
her that her face is sapless and petrified, and that her head has
shrivelled up to the size of a pinhead.

"_Bayú, bayúshki, bayú!_" she murmurs, "Nurse is making pap for you...."

In the stove chirrups a cricket. In the next room behind that door
snore Varka's master and the journeyman Athanasius. The cradle creaks
plaintively, Varka murmurs--and the two sounds mingle soothingly in a
lullaby sweet to the ears of those who lie in bed. But now the music is
only irritating and oppressive, for it inclines to sleep, and sleep is
impossible. If Varka, which God forbid, were to go to sleep, her master
and mistress would beat her.

The lamp flickers. The green spot and the shadows move about, they pass
into the half-open, motionless eyes of Varka, and in her half-awakened
brain blend in misty images. She sees dark clouds chasing one another
across the sky and crying like the child. And then a wind blows; the
clouds vanish; and Varka sees a wide road covered with liquid mud;
along the road stretch waggons, men with satchels on their backs crawl
along, and shadows move backwards and forwards; on either side through
the chilly, thick mist are visible hills. And suddenly the men with the
satchels, and the shadows collapse in the liquid mud. "Why is this?"
asks Varka. "To sleep, to sleep!" comes the answer. And they sleep
soundly, sleep sweetly; and on the telegraph wires perch crows, and
cry like the child, and try to awaken them.

"_Bayú, bayúshki, bayú._ Nurse will sing a song to you," murmurs Varka;
and now she sees herself in a dark and stifling cabin.

On the floor lies her dead father, Yéfim Stépanoff. She cannot see him,
but she hears him rolling from side to side, and groaning. In his own
words he "has had a rupture." The pain is so intense that he cannot
utter a single word, and only inhales air and emits through his lips a
drumming sound.

"Bu, bu, bu, bu, bu...."

Mother Pelageya has run to the manor-house to tell the squire that
Yéfim is dying. She has been gone a long time ... will she ever return?
Varka lies on the stove, and listens to her father's "Bu, bu, bu, bu.'"
And then someone drives up to the cabin door. It is the doctor, sent
from the manor-house where he is staying as a guest. The doctor comes
into the hut; in the darkness he is invisible, but Varka can hear him
coughing and hear the creaking of the door.

"Bring a light!" he says.

"Bu, bu, bu," answers Yéfim.

Pelageya runs to the stove and searches for a jar of matches. A minute
passes in silence. The doctor dives into his pockets and lights a
match himself. "Immediately, batiushka, immediately!" cries Pelageya,
running out of the cabin. In a minute she returns with a candle end.

Yéfim's cheeks are flushed, his eyes sparkle, and his look is piercing,
as if he could see through the doctor and the cabin wall.

"Well, what's the matter with you?" asks the doctor, bending over him.
"Ah! You have been like this long?"

"What's the matter? The time has come, your honour, to die.... I shall
not live any longer...."

"Nonsense.... We'll soon cure you!"

"As you will, your honour. Thank you humbly ... only we understand....
If we must die, we must die...."

Half an hour the doctor spends with Yéfim; then he rises and says:

"I can do nothing.... You must go to the hospital; there they will
operate on you. You must go at once ... without fail! It is late, and
they will all be asleep at the hospital ... but never mind, I will give
you a note.... Do you hear?"

"_Batiushka_, how can he go to the hospital?" asks Pelageya. "We have
no horse."

"Never mind, I will speak to the squire, he will lend you one."

The doctor leaves, the light goes out, and again Varka hears: "Bu, bu,
bu." In half an hour someone drives up to the cabin.... This is the
cart for Yéfim to go to hospital in.... Yéfim gets ready and goes....

And now comes a clear and fine morning. Pelageya is not at home; she
has gone to the hospital to find out how Yéfim is.... There is a child
crying, and Varka hears someone singing with her own voice:

"_Bayú, bayúshki, bayú_, Nurse will sing a song to you...."

Pelageya returns, she crosses herself and whispers: "Last night he was
better, towards morning he gave his soul to God.... Heavenly kingdom,
eternal rest! ... They say we brought him too late.... We should have
done it sooner...."

Varka goes into the wood, and cries, and suddenly someone slaps her on
the nape of the neck with such force that her forehead bangs against
a birch tree. She lifts her head, and sees before her her master, the
shoemaker.

"What are you doing, scabby?" he asks. "The child is crying and you are
asleep."

He gives her a slap on the ear; and she shakes her head, rocks the
cradle, and murmurs her lullaby. The green spot, the shadows from the
trousers and the baby-clothes, tremble, wink at her, and soon again
possess her brain. Again she sees a road covered with liquid mud. Men
with satchels on their backs, and shadows lie down and sleep soundly.
When she looks at them Varka passionately desires to sleep; she would
lie down with joy; but mother Pelageya comes along and hurries her.
They are going into town to seek situations.

"Give me a kopeck for the love of Christ," says her mother to everyone
she meets. "Show the pity of God, merciful gentleman!"

"Give me here the child," cries a well-known voice. "Give me the
child," repeats the same voice, but this time angrily and sharply. "You
are asleep, beast!"

Varka jumps up, and looking around her remembers where she is; there
is neither road, nor Pelageya, nor people, but only, standing in the
middle of the room, her mistress who has come to feed the child. While
the stout, broad-shouldered woman feeds and soothes the baby, Varka
stands still, looks at her, and waits till she has finished.

And outside the window the air grows blue, the shadows fade and the
green spot on the ceiling pales. It will soon be morning.

"Take it," says her mistress buttoning her nightdress. "It is crying.
The evil eye is upon it!"

Varka takes the child, lays it in the cradle, and again begins rocking.
The shadows and the green spot fade away, and there is nothing now
to set her brain going. But, as before, she wants to sleep, wants
passionately to sleep. Varka lays her head on the edge of the cradle
and rocks it with her whole body so as to drive away sleep; but her
eyelids droop again, and her head is heavy.

"Varka, light the stove!" rings the voice of her master from behind the
door.

That is to say: it is at last time to get up and begin the day's
work. Varka leaves the cradle, and runs to the shed for wood. She is
delighted. When she runs or walks she does not feel the want of sleep
as badly as when she is sitting down. She brings in wood, lights the
stove, and feels how her petrified face is waking up, and how her
thoughts are clearing.

"Varka, get ready the samovar!" cries her mistress.

Varka cuts splinters of wood, and has hardly lighted them and laid them
in the samovar when another order conies:

"Varka, clean your master's goloshes!"

Varka sits on the floor, cleans the goloshes, and thinks how delightful
it would be to thrust her head into the big, deep golosh, and slumber
in it awhile. ... And suddenly the golosh grows, swells, and fills the
whole room. Varka drops the brush, but immediately shakes her head,
distends her eyes, and tries to look at things as if they had not grown
and did not move in her eyes.

"Varka, wash the steps outside ... the customers will be scandalised!"

Varka cleans the steps, tidies the room, and then lights another stove
and runs into the shop. There is much work to be done, and not a moment
free.

But nothing is so tiresome as to stand at the kitchen-table and peel
potatoes. Varka's head falls on the table, the potatoes glimmer in her
eyes, the knife drops from her hand, and around her bustles her stout,
angry mistress with sleeves tucked up, and talks so loudly that her
voice rings in Varka's ears. It is torture, too, to wait at table, to
wash up, and to sew. There are moments when she wishes, notwithstanding
everything around her, to throw herself on the floor and sleep.

The day passes. And watching how the windows darken, Varka presses her
petrified temples, and smiles, herself not knowing why. The darkness
caresses her drooping eyelids, and promises a sound sleep soon. But
towards evening the bootmaker's rooms are full of visitors.

"Varka, prepare the samovar!" cries her mistress.

It is a small samovar, and before the guests are tired of drinking tea,
it has to be filled and heated five times. After tea Varka stands a
whole hour on one spot, looks at the guests, and waits for orders.

"Varka, run and buy three bottles of beer!"

Varka jumps from her place, and tries to run as quickly as possible so
as to drive away sleep.

"Varka, go for vodka! Varka, where is the corkscrew? Varka, clean the
herrings!"

At last the guests are gone; the fires are extinguished; master and
mistress go to bed.

"Varka, rock the cradle!" echoes the last order. In the stove chirrups
a cricket; the green spot on the ceiling, and the shadows from the
trousers and baby-clothes again twinkle before Varka's half-opened
eyes, they wink at her, and obscure her brain.

"_Bayú, bayúshki, bayú_," she murmurs, "Nurse will sing a song to
you...."

But the child cries and wearies itself with crying. Varka sees again
the muddy road, the men with satchels, Pelageya, and father Yéfim. She
remembers, she recognises them all, but in her semi-slumber she cannot
understand the force which binds her, hand and foot, and crushes her,
and ruins her life. She looks around her, and seeks that force that she
may rid herself of it. But she cannot find it. And at last, tortured,
she strains all her strength and sight; she looks upward at the winking
green spot, and as she hears the cry of the baby, she finds the enemy
who is crushing her heart.

The enemy is the child.

Varka laughs. She is astonished. How was it that never before could she
understand such a simple thing? The green spot, the shadows, and the
cricket, it seems, all smile and are surprised at it.

An idea takes possession of Varka. She rises from the stool, and,
smiling broadly with unwinking eyes, walks up and down the room. She
is delighted and touched by the thought that she will soon be delivered
from the child who has bound her, hand and foot. To kill the child, and
then to sleep, sleep, sleep....

And smiling and blinking and threatening the green spot with her
fingers, Varka steals to the cradle and bends over the child.... And
having smothered the child she drops on the floor, and, laughing with
joy at the thought that she can sleep, in a moment sleeps as soundly as
the dead child.




AT THE MANOR


Pavel Ilitch Rashevitch marched up and down the room, stepping softly
on the Little Russian parquet, and casting a long shadow on the walls
and ceiling; and his visitor, Monsieur Meyer, Examining Magistrate, sat
on a Turkish divan, with one leg bent under him, smoked, and listened.
It was eleven o'clock, and from the next room came the sound of
preparations for supper.

"I don't dispute it for a moment!" said Rashevitch. "From the point of
view of fraternity, equality, and all that sort of thing the swineherd
Mitka is as good a man as Goethe or Frederick the Great. But look
at it from the point of view of science; have the courage to look
actuality straight in the face, and you cannot possibly deny that the
white bone[1] is not a prejudice, not a silly woman's invention. The
white bone, my friend, has a natural-historical justification, and to
deny it, in my mind, is as absurd as to deny the antlers of a stag.
Look at it as a question of fact! You are a jurist, and never studied
anything except the humanities, so you may well deceive yourself with
illusions as to equality, fraternity, and that sort of thing. But, on
my side, I am an incorrigible Darwinian, and for me such words as race,
aristocracy, noble blood are no empty sounds."

Rashevitch was aroused, and spoke with feeling. His eyes glittered, his
pince-nez jumped off his nose, he twitched his shoulders nervously,
and at the word "Darwinian" glanced defiantly at the mirror, and with
his two hands divided his grey beard. He wore a short, well-worn
jacket, and narrow trousers; but the rapidity of his movements and
the smartness of the short jacket did not suit him at all, and his
big, longhaired, handsome head, which reminded one of a bishop or a
venerable poet, seemed to be set on the body of a tall, thin, and
affected youth. When he opened his legs widely, his long shadow
resembled a pair of scissors.

As a rule he loved the sound of his own voice; and it always seemed
to him that he was saying something new and original. In the presence
of Meyer he felt an unusual elevation of spirits and flow of thought.
He liked the magistrate, who enlivened him by his youthful ways, his
health, his fine manners, his solidity, and, even more, by the kindly
relations which he had established with the family. Speaking generally,
Rashevitch was not a favourite with his acquaintances. They avoided
him, and he knew it. They declared that he had driven his wife into
the grave with his perpetual talk, and called him, almost to his face,
a beast and a toad. Meyer alone, being an unprejudiced new-corner,
visited him often and willingly, and had even been heard to say that
Rashevitch and his daughters were the only persons in the district
with whom he felt at home. And Rashevitch reciprocated his esteem--all
the more sincerely because Meyer was a young man, and an excellent
match for his elder daughter, Zhenya. And now, enjoying his thoughts
and the sound of his own voice, and looking with satisfaction at the
stout, well-groomed, respectable figure of his visitor, Rashevitch
reflected how he would settle Zhenya for life as the wife of a good
man, and, in addition, transfer all the work of managing the estate to
his son-in-law's shoulders. It was not particularly agreeable work.
The interest had not been paid into the bank for more than two terms,
and the various arrears and penalties amounted to over twenty thousand
roubles.

"There can hardly be a shadow of doubt," continued Rashevitch, becoming
more and more possessed by his subject, "that if some Richard the
Lion-hearted or Frederick Barbarossa, for instance, a man courageous
and magnanimous, has a son, his good qualities will be inherited by
the son, together with his bumps; and if this courage and magnanimity
are fostered in the son by education and exercise, and he marries a
princess also courageous and magnanimous, then these qualities will be
transmitted to the grandson, and so on, until they become peculiarities
of the species, and descend organically, so to speak, in flesh and
blood. Thanks to severe sexual selection, thanks to the fact that noble
families instinctively preserve themselves from base alliances, and
that young people of position do not marry the devil knows whom, their
high spiritual qualities have reproduced themselves from generation
to generation, they have been perpetuated, and in the course of ages
have become even more perfect and loftier. For all that is good in
humanity we are indebted to Nature, to the regular, natural-historical,
expedient course of things, strenuously in the course of centuries
separating the white bone from the black. Yes, my friend! It is not
the potboy's child, the cookmaid's brat who has given us literature,
science, art, justice, the ideas of honour and of duty.... For all
these, humanity is indebted exclusively to the white bone; and in
this sense, from the point of view of natural history, worthless
Sobakevitch,[2] merely because he is a white bone, is a million times
higher and more useful than the best tradesman, let him endow fifty
museums! You may say what you like, but if I refuse to give my hand to
the potboy's or the cookmaid's son, by that refusal I preserve from
stain the best that is on the earth, and subserve one of the highest
destinies of mother Nature, leading us to perfection...."

Rashevitch stood still, and smoothed down his beard with both hands.
His scissors-like shadow stood still also.

"Take our dear Mother Russia!" he continued, thrusting his hands into
his pockets, and balancing himself alternately on toes and heels.
"Who are our best people? Take our first-class artists, authors,
composers.... Who are they? All these, my dear sir, are representatives
of the white bone. Pushkin, Gogol, Lermontoff, Turgenieff, Tolstoy....
Were these cook-maids' children?"

"Gontcharoff was a tradesman," said Meyer.

"What does that prove? The exception, my friend, proves the rule. And
as to the genius of Gontcharoff there can be two opinions. But let us
leave names and return to facts. Tell me how you can reply, sir, to
the eloquent fact that when the potboy climbs to a higher place than
he was born in--when he reaches eminence in literature, in science,
in local government, in law--what have you to say to the fact that
Nature herself intervenes on behalf of the most sacred human rights,
and declares war against him? As a matter of fact, hardly has the
potboy succeeded in stepping into other people's shoes when he begins
to languish, wither, go out of his mind, and degenerate; and nowhere
will you meet so many dwarfs, psychical cripples, consumptives, and
starvelings as among these gentry. They die away like flies in autumn.
And it is a good thing. If it were not for this salutary degeneration,
not one stone of our civilisation would remain upon another--the potboy
would destroy it all.... Be so good as to tell me, please, what this
invasion has given us up to the present time? What has the potboy
brought with him?"

Rashevitch made a mysterious, frightened face, and continued:

"Never before did our science and literature find themselves at such
a low ebb as now. The present generation, sir, has neither ideas nor
ideals, and all its activity is restricted to an attempt to tear the
last shirt off someone else's back. All your present-day men who give
themselves out as progressive and incorruptible may be bought for a
silver rouble; and modern intelligent society is distinguished by only
one thing, that is, that if you mix in it you must keep your hand on
your pocket, else it will steal your purse." Rashevitch blinked and
smiled. "Steal your purse!" he repeated, with a happy laugh. "And
morals? What morals have we?" Rashevitch glanced at the door. "You can
no longer be surprised if your wife robs you and abandons you--that is
a mere trifle. At the present day, my friend, every twelve-year-old
girl looks out for a lover; and all these amateur theatricals and
literary evenings are invented only for the purpose of catching rich
parvenus as sweethearts. Mothers sell their daughters, husbands are
asked openly at what price they will sell their wives, and you may even
trade, my friend,..."

Up to this Meyer had said nothing, and sat motionless. Now he rose from
the sofa, and looked at the clock.

"Excuse me, Pavel Ilitch," he said, "but it's time for me to go."

But Rashevitch, who had not finished, took him by the arm, set him down
forcibly upon the sofa, and swore he should not leave the house without
supper. Meyer again sat motionless and listened; but soon began to look
at Rashevitch with an expression of doubt and alarm, as if he were
only just beginning to understand his character. When at last the maid
entered, saying that the young ladies had sent her to say that supper
was ready, he sighed faintly, and went out of the study first.

In the dining-room, already at table, sat Rashevitch's daughters,
Zhenya and Iraida, respectively aged twenty-four and twenty-two. They
were of equal stature, and both black-eyed and very pale. Zhenya had
her hair down, but Iraida's was twisted into a high top-knot. Before
eating anything each drank a glass of spirits, with an expression meant
to imply that they were drinking accidentally, and for the first time
in their lives. After this they looked confused, and tittered.

"Don't be silly, girls!" said Rashevitch.

Zhenya and Iraida spoke French to one another and Russian to their
father and the visitor.... Interrupting one another, and mixing French
and Russian, they began to remark that just at this time of the year,
that is in August, they used to leave home for the Institute. How jolly
that was! But now there was no place to go to for a change, and they
lived at the manor-house winter and summer. How tiresome!

"Don't be silly, girls!" repeated Rashevitch.

"In short, that is exactly how things stand," he said, looking
affectionately at the magistrate. "We, in the goodness and simplicity
of our hearts, and from fear of being suspected of retrograde
tendencies, fraternise--excuse the expression--with all kinds of human
trash, and preach equality and fraternity with upstarts and _nouveaux
riches_! Yet if we paused to reflect for a single minute we should see
how criminal is our kindness. For all that our ancestors attained to in
the course of centuries will be derided and destroyed in a single day
by these modern Huns."

After supper all went into the drawing-room. Zhenya and Iraida lighted
the piano candles and got ready their music.... But their parent
continued to hold forth, and there was no knowing when he would end.
Bored and irritated, they looked at their egoist father, for whom, they
concluded, the satisfaction of chattering and showing off his brains,
was dearer than the future happiness of his daughters. Here was Meyer,
the only young man who frequented the house--for the sake, they knew,
of tender feminine society--yet the unwearying old man kept possession
of him, and never let him escape for a moment.

"Just as western chivalry repelled the onslaught of the Mongols, so
must we, before it is too late, combine and strike together at the
enemy." Rashevitch spoke apostolically, and lifted his right hand
on high. "Let me appear before the potboy no longer as plain Pavel
Ilitch, but as a strong and menacing Richard the Lion-Heart! Fling your
scruples behind you--enough! Let us swear a sacred compact that when
the potboy approaches we will fling him words of contempt straight
in the face! Hands off! Back to your pots! Straight in the face!"
In ecstacy, Rashevitch thrust out a bent forefinger, and repeated:
"Straight in the face! In the face! In the face!"

Meyer averted his eyes. "I cannot tolerate this any longer!" he said.

"And may I ask why?" asked Rashevitch, scenting the beginnings of a
prolonged and interesting argument.

"Because I myself am the son of an artisan." And having so spoken,
Meyer reddened, his neck seemed to swell, and tears sparkled in his
eyes..

"My father was a plain working man," he said in an abrupt, broken
voice. "But I can see nothing bad in that."

Rashevitch was thunderstruck. In his confusion he looked as if he had
been detected in a serious crime; he looked at Meyer with a dumfounded
face, and said not a word. Zhenya and Iraida blushed, and bent over
their music. They were thoroughly ashamed of their tactless father. A
minute passed in silence, and the situation was becoming unbearable
when suddenly a sickly, strained voice--it seemed utterly mal à
propos--stammered forth the words:

"Yes, I am a tradesman's son, and I am proud of it." And Meyer,
awkwardly stumbling over the furniture, said good-bye, and walked
quickly into the hall, although the trap had not been ordered.

"You will have a dark drive," stammered Rashevitch, going after him.
"The moon rises late to-night." They stood on the steps in the darkness
and waited for the horses. It was cold.

"Did you see the falling star?" asked Meyer, buttoning his overcoat.

"In August falling stars are very plentiful."

When at last the trap drove round to the door, Rashevitch looked
attentively at the heavens, and said, with a sigh:

"A phenomenon worthy of the pen of Flammarion...."

Having parted from his guest, he walked up and down the garden, and
tried to persuade himself that such a stupid misunderstanding had not
really taken place. He was angry, and ashamed of himself. In the
first place, he knew that it was extremely tactless and incautious to
raise this accursed conversation about the white bone without knowing
anything of the origin of his guest. He told himself, with perfect
justice, that for him there was no excuse, for he had had a lesson
before, having once in a railway carriage set about abusing Germans to
fellow-passengers who, it turned out, were themselves Germans.... And
in the second place he was convinced that Meyer would come no more.
These intellectuels who have sprung from the people are sensitive,
vain, obstinate, and revengeful.

"It is a bad business ... bad ... bad!" he muttered, spitting; he felt
awkward and disgusted, as if he had just eaten soap. "It is a bad
business!"

Through the open window he could see into the drawing-room where
Zhenya with her hair down, pale and frightened, spoke excitedly to her
sister.... Iraida walked from corner to corner, apparently lost in
thought; and then began to speak, also excitedly and with an indignant
face. Then both spoke together. Rashevitch could not distinguish a
word, but he knew too well the subject of their conversation. Zhenya
was grumbling that her father with his eternal chattering drove every
decent man from the house, and had to-day robbed them of their last
acquaintance, it might have been husband; and now the poor young man
could not find a place in the whole district wherein to rest his soul.
And Iraida, if judged correctly from the despairing way in which she
raised her arms, lamented bitterly their wearisome life at home and
their ruined youth.

Going up to his bedroom, Rashevitch sat on the bed and undressed
himself slowly. He felt that he was a persecuted man, and was tormented
by the same feeling as though he had eaten soap. He was thoroughly
ashamed of himself. When he had undressed he gazed sadly at his long,
veined, old-man's legs, and remembered that in the country round he
was nicknamed "the toad," and that never a conversation passed without
making him ashamed of himself. By some extraordinary fatality every
discussion ended badly. He began softly, kindly, with good intentions,
and called himself genially an "old student," an "idealist," a "Don
Quixote." But gradually, and unnoticed by himself, he passed on to
abuse and calumny, and, what is more surprising, delivered himself
of sincere criticisms of science, art, and morals, although it was
twenty years since he had read a book, been farther than the government
town, or had any channel for learning what was going on in the world
around him. Even when he sat down to write a congratulatory letter he
invariably ended by abusing something or somebody. And as he reflected
upon this, it seemed all the more strange, since he knew himself in
reality to be a sensitive, lachrymose old man. It seemed almost as if
he were possessed by an unclean spirit which filled him against his
will with hatred and grumbling.

"A bad business!" he sighed, getting into bed. "A bad business!"

His daughters also could not sleep. Laughter and lamentation resounded
through the house. Zhenya was in hysterics. Shortly afterwards Iraida
also began to cry. More than once the barefooted housemaid ran up and
down the corridor.

"What a scandal!" muttered Rashevitch, sighing, and turning uneasily
from side to side. "A bad business!"

He slept, but nightmare gave him no peace. He thought that he was
standing in the middle of the room, naked, and tall as a giraffe,
thrusting out his forefinger, and saying:

"In the face! In the face! In the face!"

He awoke in terror, and the first thing he remembered was, that last
evening a serious misunderstanding had occurred, and that Meyer would
never visit him again. He remembered then that the interest had to
be lodged in the bonk, that he must find husbands for his daughters,
and that he must eat and drink. He remembered sickness, old age, and
unpleasantness; that winter would soon be upon him, and that there was
no wood....

At nine o'clock he dressed slowly, then drank some tea and ate two
large slices of bread and butter.... His daughters did not come down
to breakfast, they did not wish to see his face; and this offended
him. For a time he lay upon the study sofa, and then sat at his
writing-table and began to write a letter to his daughters. His hand
trembled and his eyes itched. He wrote that he was now old, that nobody
wanted him, and that nobody loved him; so he begged his children to
forget him, and when he died, to bury him in a plain, deal coffin,
without ceremony, or to send his body to Kharkoff for dissection in
the Anatomical Theatre. He felt that every line breathed malice and
affectation ... but he could not stop himself, and wrote on and on and
on....

"The toad!" rang a voice from the next room; it was the voice of his
elder daughter, an indignant, hissing voice. "The toad!"

"The toad!" repeated the younger in echo. "The toad!"

[Footnote 1: Blue blood.]

[Footnote 2: Sobakevitch, a stupid, coarse country gentleman, is one of
the heroes of Gogol's celebrated novel _Dead Souls_.]




AN EVENT


Morning. Through the frosty lacework which covered the window-panes
a host of bright sun-rays burst into the nursery. Vanya, a boy of
six, with a nose like a button, and his sister Nina, aged four,
curly-headed, chubby, and small for her age, awoke, and glared angrily
at one another through the bars of their cots.

"Fie!" cried nurse. "For shame, children! All the good people have
finished breakfast, and you can't keep your eyes open...."

The sun-rays played merrily on the carpet, on the walls, on nurse's
skirt, and begged the children to play with them. But the children took
no notice. They had awakened on the wrong side of their beds. Nina
pouted, made a wry face, and drawled:

"Te-ea! Nurse, te-ea!"

Vanya frowned, and looked about for an opportunity to pick a quarrel
and roar. He had just blinked his eyes and opened his mouth, when out
of the diningroom rang mother's voice:

"Don't forget to give the cat milk; she has got kittens."

Vanya and Nina lengthened their faces and looked questioningly at one
another. Then both screamed, jumped out of bed, and, making the air
ring with deafening yells, ran barefooted in their nightdresses into
the kitchen.

"The cat's got kittens! The cat's got kittens!" they screamed.

In the kitchen under a bench stood a small box, a box which Stepan used
for coke when he lighted the stove. Out of this box gazed the cat.
Her grey face expressed extreme exhaustion, her green eyes with their
little black pupils looked languishing and sentimental. ... From her
face it was plain that to complete her happiness only one thing was
lacking, and that was the presence of the father of her children, to
whom she had given herself heart and soul. She attempted to mew, and
opened her mouth wide, but only succeeded in making a hissing sound....
The kittens squealed.

The children squatted on the ground in front of the box, and, without
moving, but holding their breath, looked at the cat.... They were
astonished and thunderstruck, and did not hear the grumbling of the
pursuing nurse. In the eyes of both shone sincere felicity.

In the up-bringing of children, domestic animals play an unnoticed
but unquestionably beneficent part. Which of us cannot remember strong
but magnanimous dogs, lazy lapdogs, birds who died in captivity,
dull-witted but haughty turkey-cocks, kindly old-lady-cats who forgave
us when we stood on their tails for a joke and caused them intense
pain? It might even be argued that the patience, faithfulness,
all-forgivingness and sincerity of our domestic animals act on the
childish brain much more powerfully than the long lectures of dry and
pale Earl Earlovitch, or the obscure explanations of the governess
who tries to prove to children that water is composed of hydrogen and
oxygen.

"What duckies!" cried Nina, overflowing with gay laughter. "They're
exactly like mice!"

"One, two, three!" counted Vanya. "Three kittens. That is one for me,
one for you, and one for somebody else."

"Murrrrm ... murrrrm," purred the mother, flattered by so much
attention. "Murrrrm!"

When they had looked for a while at the kittens, the children took them
from under the cat and began to smooth them down, and afterwards, not
satisfied with this, laid them in the skirts of their nightdresses and
ran from one room to another.

"Mamma, the cat's got kittens!" they cried. Mother sat in the
dining-room, talking to a stranger. When she saw her children unwashed,
undressed, with their nightdresses on high, she got red, and looked at
them severely.

"Drop your nightdresses, shameless!" she said. "Run away at once, or
you'll be punished."

But the children paid no attention either to their mother's threats
or to the presence of the stranger. They put the kittens down on the
carpet and raised a deafening howl. Beside them walked the old cat, and
mewed imploringly. When in a few minutes the children were dragged off
to the nursery to dress, say their prayers, and have their breakfast,
they were full of a passionate wish to escape from these prosaic duties
and return to the kitchen.

Ordinary occupations and games were quite forgotten. From the moment
of their appearance in the world the kittens obscured everything, and
took their place as the living novelty and heart-swelling of the day.
If you had offered Vanya or Nina a bushel of sweets for each kitten,
or a thousand threepenny-bits, they would have rejected the offer
without a moment's hesitation. Till dinner-time, in spite of the warm
protests of nurse and the cook, they sat in the kitchen and played with
the kittens. Their faces were serious, concentrated, and expressive of
anxiety. They had to provide not only for the present condition, but
also for the future of the kittens. So they decided that one kitten
would remain at home with the old cat, so as to console its mother,
that the other would be sent to the country-house, and that the third
would live in the cellar and eat the rats.

"But why can't they see?" asked Nina. "They have blind eyes, like
beggars."

The question troubled Vanya. He did his best to open one of the
kitten's eyes, for a long time puffed and snuffled, but the operation
was fruitless. And another circumstance worried the children
extremely--the kittens obstinately refused the proffered meat and milk.
Everything that was laid before their little snouts was eaten up by
their grey mother.

"Let's build houses for the kittens," proposed Vanya. "We will make
them live in different houses, and the cat will pay them visits...."
In three cornel's of the kitchen they set up old hat-boxes. But the
separation of the family seemed premature; the old cat, preserving on
her face her former plaintive and sentimental expression, paid visits
to all the boxes and took her children home again.

"The cat is their mother," said Vanya, "but who is their father?"

"Yes, who is their father?" repeated Nina.

"They can't live without a father."

For a long time Vanya and Nina discussed the problem, who should be
father of the kittens. In the end their choice fell on a big dark-red
horse whose tail had been tom off. He had been cast away in the
store-room under the staircase, together with the remnants of other
toys that had outlived their generation. They took the horse from the
store-room and stood it beside the box.

"Look out!" they warned him. "Stand there and see that they behave
themselves."

All this was said and done in a serious manner, and with an expression
of solicitude. Outside the box and the kittens, Vanya and Nina would
recognise no other world. Their happiness had no bounds. But they were
destined to endure moments of unutterable torture. Just before dinner
Vanya sat in his father's study, and looked thoughtfully at the table.
Near the lamp, across a packet of stamped paper, crawled a kitten.
Vanya watched its movements attentively, and occasionally poked it in
the snout with a pencil.... Suddenly, as if springing out of the floor,
appeared his father.

"What is this?" cried an angry voice.

"It is ... it is a kitten, papa."

"I'll teach you to bring your kittens here, wretched child! Look what
you've done! Ruined a whole package of paper!"

To Vanya's astonishment, his father did not share his sympathy with
kittens, and, instead of going into raptures and rejoicing, pulled
Vanya's ear, and cried:

"Stepan, take away this abomination!"

At dinner the scandal was repeated.... During the second course the
diners suddenly heard a faint squeal. They began to search for the
cause, and found a kitten under Nina's pinafore.

"Ninka! Go out of the room!" said her father angrily. "The kittens
must be thrown into the sink this minute! I won't tolerate these
abominations in the house!"

Vanya and Nina were terror-stricken. Death in the sink, apart from its
cruelty, threatened to deprive the cat and the wooden horse of their
children, to desolate the box, to destroy all their plans for the
future--that beautiful future when one kitten would console its old
mother, the second live in the country, and the third catch rats in the
cellar.... They began to cry, and implored mercy for the kittens. Their
father consented to spare them, but only on the condition that the
children should not dare to go into the kitchen or touch the kittens
again.

After dinner, Vanya and Nina wandered from one room to another and
languished. The prohibition on going to the kitchen drove them to
despair. They refused sweets; and were naughty, and rude to their
mother. In the evening when Uncle Petrusha came they took him aside and
complained of their father for threatening to throw the kittens into
the sink.

"Uncle Petrusha," they implored, "tell mamma to put the kittens in the
nursery.... Do!"

"Well ... all right!" said their uncle, tearing himself away. "Agreed!"

Uncle Petrusha seldom came alone. Along with him came Nero, a big
black dog, of Danish origin, with hanging ears and a tail as hard as a
stick. Nero was silent, morose, and altogether taken up with his own
dignity. To the children he paid not the slightest attention; and, when
he marched past them, knocked his tail against them as if they were
chairs. Vanya and Nina detested him from the bottom of their hearts.
But on this occasion practical considerations gained the upper hand
over mere sentiment.

"Do you know what, Nina?" said Vanya, opening wide his eyes. "Let us
make Nero the father instead of the horse! The horse is dead, but
Nero's alive." The whole evening they waited impatiently for their
father to sit down to his game of _vint_, when they might take Nero
to the kitchen without being observed.... At last father sat down to
his cards, mother bustled around the samovar, and did not see the
children.... The happy moment had come!

"Come!" whispered Vanya to his sister.

But at that very moment Stepan came into the room, and said with a grin:

"I beg your pardon, ma'am. Nero has eaten the kittens."

Nina and Vanya turned pale, and looked with horror at Stepan.

"Yes, ma'am ..." grinned the servant. "He went straight to the box and
gobbled them up."

The children expected everyone in the house to rise in alarm and fly
at the guilty Nero. But their parents sat calmly in their chairs, and
only expressed surprise at the appetite of the big dog. Father and
mother laughed.... Nero marched up to the table, flourished his tail,
and licked himself complacently. ... Only the cat seemed disturbed; she
stretched out her tail, and walked about the room looking suspiciously
at everyone and mewing plaintively.

"Now, children, time for bed! Ten o'clock!" cried mother.

And Vanya and Nina were put to bed, where they wept over the injured
cat, whose life had been desolated by cruel, nasty, unpunished Nero.




WARD No. 6


At the side of the hospital yard stands a large wing, nearly surrounded
by a forest of burdocks, nettles, and wild hemp. The roof is red,
the chimney is on the point of tumbling, the steps are rotten and
overgrown with grass, and of the plaster only traces remain. The
front gazes at the hospital, the back looks into the fields, from
which it is separated only by a grey, spiked fence. The spikes with
their sharp points sticking upwards, the fence, the wing itself, have
that melancholy, God-forsaken air which is seen only in hospitals and
prisons.

If you are not afraid of being stung by nettles, come along the narrow
path, and see what is going on inside. Open the hall-door and enter
the hall. Here, against the walls and around the stove, are heaped
whole mountains of rubbish. Mattresses, old tattered dressing-gowns,
trousers, blue-striped shills, worn-out footgear, all good-for-nothing,
lie in tangled and crushed heaps, rot, and exhale a suffocating smell.

On the top of this rubbish heap, pipe eternally in mouth, lies the
watchman Nikita, an old soldier. His face is coarse and drink-sodden,
his hanging eye-brows give him the appearance of a sheep-dog, he is
small and sinewy, but his carriage is impressive and his fists are
strong. He belongs to that class of simple, expeditious, positive, and
dull persons, who above all things in the world worship order, and find
in this a justification of their existence. He beats his charges in the
face, in the chest, in the back, in short, wherever his fists chance to
strike; and he is convinced that without this beating there would be no
order in the universe.

After you pass through Nikita's hall, you enter the large, roomy
dormitory which takes up the rest of the wing. In this room the walls
are painted a dirty blue, the ceiling is black with soot like the
ceiling of a chimneyless hut; it is plain that in winter the stove
smokes, and the air is suffocating. The windows are disfigured with
iron bars, the floor is damp and splintered, there is a smell of sour
cabbage, a smell of unsnuffed wicks, a smell of bugs and ammonia. And
at the moment of entry all these smells produce upon you the impression
that you have entered a cage of wild beasts.

Around the room stand beds, screwed to the floor. Sitting or lying on
them, dressed in blue dressing-gowns, and wearing nightcaps after the
manner of our forefathers, are men. It is the lunatic asylum, and
these arc the lunatics.

There are only five patients. One is of noble birth, the others arc
men of lower origin. The nearest to the door, a tall, thin man of the
petty trading class, looks fixedly at one point. He has a red moustache
and tear-stained eyes, and supports his head on one hand. In the books
of the asylum his complaint is described as hypochondria; in reality,
he is suffering from progressive paralysis. Day and night he mourns,
shakes his head, sighs, and smiles bitterly. In conversation he seldom
joins, and usually refuses to answer questions. He eats and drinks
mechanically. Judged by his emaciation, his flushed cheeks, and his
painful, hacking cough, he is wasting away from consumption.

Beside him is a little, active old man with a pointed beard, and the
black, fuzzy hair of a negro. He spends all day in walking from window
to window, or sitting on his bed, with legs doubled underneath him
as if he were a Turk. He is as tireless as a bullfinch, and all day
chirrups, titters, and sings in a low voice His childish gaiety and
lively character are shown also at night, when he rises to "pray to
God," that is, to beat his breast with his clenched fists, and pick at
the doors. This is Moséika, a Jew and an idiot. He went out of his mind
twenty years ago when his cap factory was destroyed by fire.

Of all the captives in Word No. 6, he alone has permission to leave
the asylum, and he is even allowed to wander about the yard and the
streets. This privilege, which he has enjoyed for many years, was
probably accorded to him as the oldest inmate of the asylum, and as
a quiet, harmless fool, the jester of the town, who may be seen in
the streets surrounded by dogs and little boys. Wrapped in his old
dressing-gown, with a ridiculous nightcap and slippers, sometimes
barefooted, and generally without his trousers, he walks the streets,
stopping at doorways and entering small shops to beg for kopecks.
Sometimes he is given _kvas_, sometimes bread, sometimes a kopeck, so
that he returns to the ward wealthy and sated. But all that he brings
home is taken by Nikita for his own particular benefit. The old soldier
does this roughly and angrily, turning out the Jew's pockets, calling
God to witness that he will never allow him outside the asylum again,
and swearing that to him disorder is the most detestable thing in the
world.

Moséika loves to make himself useful to others. He fetches water
for his companions, tucks them in when they go to bed, promises to
bring each a kopeck when he next returns from the town, and to make
them new caps. He feeds with a spoon his paralytic neighbour on the
left; and all this he does, not out of sympathy for others or for
considerations of humanity, but from a love of imitation, and in a sort
of involuntary subjection to his neighbour on the right, Iván Gromof.

Ivan Dmítritch Gromof is a man of thirty-three years of age. He is
a noble by birth, and has been an usher in the law courts, and a
government secretary; but now he suffers from the mania of persecution.
He lies upon his bed twisted into a lump resembling a roll of bread, or
marches from corner to corner for the sake of motion. He is always in
a state of excitement and agitation; and seems strained by some dull,
indefinable expectation. It needs but the slightest rustle in the hall,
the slightest noise in the yard, to make him raise his head and listen
intently. Is it for him they arc coming? Are they searching for him?
And his face immediately takes on an expression of restlessness and
repulsion.

There is something attractive about his broad, high cheek-boned face,
which reflects, as a mirror, the tortured wrestlings and eternal terror
of his mind. His grimaces arc strange and sickly; but the delicate
lines engraven on his face by sincere suffering express reason and
intelligence, and his eyes bum with a healthy and passionate glow.
There is something attractive also in his character, in his politeness,
his attentiveness, and in the singular delicacy of his bearing towards
everyone except Nikita. If his neighbour drops a spoon or a button
he jumps immediately out of bed and picks it up. When he wakes he
invariably says, "Good morning!" to his companions; and every evening
on going to bed wishes them "good night!"

But madness shows itself in other things besides his grimaces and
continual mental tension. In the evening he wraps himself in his
dressing-gown, and, trembling all over, and chattering his teeth, he
walks from corner to corner, and in between the beds. He seems to be
in a state of fever. From his sudden stoppages and strange looks at
his fellow-prisoners it is plain that he has something very serious
to say; but, no doubt, remembering that they will neither listen
nor understand, he says nothing, shakes his head impatiently, and
continues his walk. But at last the desire to speak conquers all other
considerations, and he gives way, and speaks passionately. His words
are incoherent, gusty, and delirious; he cannot always be understood;
but the sound of his voice expresses some exceptional goodness.
In every word you hear the madman and the man. He speaks of human
baseness, of violence trampling over truth, of the beautiful life on
earth that is to come, and of the barred windows which remind him every
moment of the folly and cruelty of the strong. And he hums medleys of
old but for gotten songs.



II


Fifteen years before, in his own house, in the best street in the town,
lived an official named Gromof--a solid and prosperous man. Gromof had
two sons, Sergéi and Iván. Sergéi, when a student in the fourth class,
was seized with consumption and died; and his death was the first of a
screes of misfortunes which overtook the Gromofs. A week after Sergéi's
death his old father was tried for forgery and misappropriation of
public moneys, and soon afterwards died of typhus in the prison
infirmary. His house and all his belongings were sold by auction, and
Iván Dmítritch and his mother remained without a penny.

When his father was alive, Iván Dmítritch studied at St. Petersburg
University, received an allowance of sixty or seventy roubles a month,
and had no idea of the meaning of poverty. Now he had to change his
whole life. From early morning till late at night he gave cheap lessons
to students and copied documents, yet starved, for all his earnings
went to support his mother. The life was impossible, and Iván Dmítritch
ruined his health and spirits, threw up his university studies, and
returned home. Through interest he obtained an appointment as usher in
the district school; but he was disliked by his colleagues, failed to
get on with the pupils, and gave up the post. His mother died. For
six months he lived without resources, eating black bread and drinking
water, until at last he obtained an appointment as Usher of the Court.
This duty he fulfilled until he was discharged owing to illness.

Never, even in his student days, had he had the appearance of a
strong man. He was pale, thin, and sensitive to cold; he ate little
and slept foully. A single glass of wine made him giddy and sent him
into hysterics. His disposition impelled him to seek companionship,
but thanks to his irritable and suspicious character he never became
intimate with anyone, and had no friends. Of his fellow-citizens he
always spoke with contempt, condemning as disgusting and repulsive
their gross ignorance and torpid, animal life. He spoke in a tenor
voice, loudly and passionately, and always seemed to be in a sincere
state of indignation, excitement, or rapture. However he began a
conversation, it ended always in one way--in a lament that the town was
stifling and tiresome, that its people had no high interests, but led
a dull, unmeaning life, varied only by violence, coarse debauchery and
hypocrisy; that scoundrels were fed and clothed while honest men ate
crusts; that the town was crying out for schools, honest newspapers,
a theatre, public lectures, an union of intellectual forces; and that
the time had come for the townspeople to awaken to, and be shocked at,
the state of affairs. In his judgments of men he laid on his colours
thickly, using only white and black, and recognising no gradations;
for him humanity was divided into two sections, honest men and
rogues--there was nothing between. Of woman and woman's love he spoke
passionately and with rapture. But he had never been in love.

In the town, notwithstanding his nervous character and censorious
temper, he was loved, and called caressingly "Vanya." His innate
delicacy, his attentiveness, his neatness, his moral purity, his worn
coat, his sickly appearance, the misfortunes of his family, inspired
in all feelings of warmth and compassion. Besides, he was educated
and well-read; in the opinion of the townsmen he knew everything; and
occupied among them the place of a walking reference-book. He read
much. He would sit for hours at the club, pluck nervously at his beard,
and turn over the pages of books and magazines--by his face it might be
seen that he was not reading but devouring. Yet reading was apparently
merely one of his nervous habits, for with equal avidity he read
everything that fell into his hands, even old newspapers and calendars.
At home he always read, lying down.



III


One autumn morning, Iván Dmítritch, with the collar of his coat turned
up, trudged through the mud to the house of a certain tradesman to
receive money due on a writ of execution. As always in the morning, he
was in a gloomy mood. Passing through a lane, he met two convicts in
chains and with them four warders armed with rifles. Iván Dmítritch
had often met convicts before, and they had awakened in him a feeling
of sympathy and confusion. But this meeting produced upon him an
unusual impression. It suddenly occurred to him that he too might
be shackled and driven through the mud to prison. Having finished
his work, he was returning home when he met a police-inspector, an
acquaintance, who greeted him and walked with him a few yards down
the street. This seemed to him for some reason suspicions. At home
visions of convicts and of soldiers armed with rifles haunted him all
day, and an inexplicable spiritual dread prevented him from reading
or concentrating his mind. In the evening he sat without a fire, and
lay awake all night thinking how he also might be arrested, manacled,
and flung into prison. He knew that he had committed no crime, and was
quite confident that he would never commit murder, arson, or robbery;
but then, he remembered, how easy it was to commit a crime by accident
or involuntarily, and how common were convictions on false evidence
and owing to judicial errors! And in the present state of human affairs
how probable, how little to be wondered at, were judicial errors!
Men who witness the sufferings of others only from a professional
standpoint; for instance, judges, policemen, doctors, became hardened
to such a degree that even if they wished otherwise they could not
resist the habit of treating accused persons formally; they got to
resemble those peasants who kill sheep and calves in their back-yards
without even noticing the blood. In view of the soulless relationship
to human personality which everywhere obtains, all that a judge thinks
of is the observance of certain formalities, and then all is over, and
an innocent man perhaps deprived of his civil rights or sent to the
galleys. Who indeed would expect justice or intercession in this dirty,
sleepy little town, two hundred versts from the nearest rail-way? And
indeed was it not ridiculous to expect, justice when society regards
every form of violence as rational, expedient, and necessary; and when
an act of common mercy such as the acquittal of an accused man calls
forth an explosion of unsatisfied vindictiveness!

Next morning Iván Dmítritch awoke in terror with drops of cold sweat
on his forehead. He felt convinced that he might be arrested at
any moment. That the evening's gloomy thoughts had haunted him so
persistently, he concluded, must mean that there was some ground for
his apprehensions. Could such thoughts come into his head without cause?

A policeman walked slowly past the window; that must mean something.
Two men in plain clothes stopped outside the gate, and stood without
saying a word. Why were they silent?

For a time, Iván Dmítritch spent his days and nights in torture. Every
man who passed the window or entered the yard was a spy or detective.
Every day at twelve o'clock the Chief Constable drove through the
street on his way from his suburban house to the Department of
Police, and every day it seemed to Iván Dmítritch that the Constable
was driving with unaccustomed haste, and that there was a peculiar
expression on his face; he was going, in short, to announce that a
great criminal had appeared in the town. Iván Dmítritch shuddered
at every sound, trembled at every knock at the yard-gate, and was
in torment when any strange man visited his landlady. When he met a
gendarme in the street, he smiled, whistled, and tried to assume an
indifferent air. For whole nights, expecting arrest, he never closed
his eyes, but snored carefully so that his landlady might think he
was asleep; for if a man did not sleep at night it meant that he was
tormented by the gnawings of conscience, and that might be taken as a
clue. Reality and healthy reasoning convinced him that his fears were
absurd and psychopathic, and that, regarded from a broad standpoint,
there was nothing very terrible in arrest and imprisonment for a man
whose conscience was clean. But the more consistently and logically he
reasoned the stronger grew his spiritual torture; his efforts reminded
him of the efforts of a pioneer to hack a path through virgin forest,
the harder he worked with the hatchet the thicker and stronger became
the undergrowth. So in the end, seeing that his efforts were useless,
he ceased to struggle, and gave himself up to terror and despair.

He avoided others and became more and more solitary in his habits.
His duties had always been detestable, now they became intolerable.
He imagined that someone would hide money in his pockets and then
denounce him for taking bribes, that he would make mistakes in official
documents which were equivalent to forgery, or that he would lose the
money entrusted to him. Never was his mind so supple and ingenious as
when he was engaged in inventing various reasons for fearing for his
freedom and honour. On the other hand, his interest in the outside
world decreased correspondingly, he lost his passion for books, and his
memory daily betrayed him.

Next spring when the snow had melted, the semi-decomposed corpses of an
old woman and a boy, marked with indications of violence, were found
in a ravine beside the graveyard. The townspeople talked of nothing
but the discovery and the problem: who were the unknown murderers? In
order to avert suspicion, Iván Dmítritch walked about the streets and
smiled; and when he met his acquaintances, first grew pale and then
blushed, and declared vehemently that there was no more detestable
crime than the killing of the weak and defenceless. But this pretence
soon exhausted him, and after consideration he decided that the best
thing he could do was to hide in his landlady's cellar. In the cellar
therefore, chilled to the bone, he remained all day, all next night,
and yet another day, after which, waiting until it was dark, he crept
secretly back to his room. Till daylight he stood motionless in the
middle of the room, and listened. At sunrise a number of artisans rang
at the gate. Iván Dmítritch knew very well that they had come to put
up a new stove in the kitchen; but his terror suggested that they were
constables in disguise. He crept quietly out of his room, and overcome
by panic, without cap or coat, fled down the street. Behind him ran
barking dogs, a woman called after him, in his ears the wind whistled,
and it seemed to him that the scattered violences of the whole world
had united and were chasing him through the town.

He was captured and brought home. His landlady sent for a doctor.
Doctor Andréi Yéfimitch Rágin, of whom we shall hear again, prescribed
cold compresses for his head, ordered him to take drops of bay rum, and
went away saying that he would come no more, as it was not right to
prevent people going out of their minds. So, as there were no means
of treating him at home, Iván Dmítritch was sent to hospital, and put
into the ward for sick men. He did not sleep at night, was unruly, and
disturbed his neighbours, so that soon, by arrangement with Doctor
Andréi Yéfimitch, he was transferred to Ward No. 6. Before a year had
passed, the townspeople had quite forgotten Iván Dmítritch; and his
books, piled up in a sledge by his landlady and covered with a curtain,
were torn to pieces by children.



IV


Iván Dmítritch's neighbour on the left, I have already said, was the
Jew Moséika; his neighbour on the right was a fat, almost globular
muzhik with a dull, meaningless face. This torpid, gluttonous, and
uncleanly animal had long lost all capacity for thought and feeling. He
exhaled a sharp, suffocating smell. When Nikita was obliged to attend
on him he used to beat him terribly, beat him with all his strength and
without regard for his own fists; and it was not this violence which
was so frightful--the terror of that was mitigated by custom--but the
fact that the stupefied animal made no answer to the blows either by
sound or movement or even by expression in his eyes, but merely rocked
from side to side like a heavy cask.

The fifth and last occupant of Ward No. 6 was a townsman who had served
once as a sorter in the Post Office. He was a little, thin, fair-headed
man, with a kindly, but somewhat cunning face. Judged by his clever,
tranquil eyes, which looked out on the world frankly and merrily, he
was the possessor of some valuable and pleasant secret. Under his
pillow and mattress he had something hidden which he refused to show to
anyone, not out of fear of losing it, but out of shame. Occasionally he
walked to the window, and turning his back upon his fellow-prisoners,
held something to his breast, and looked earnestly at it; but if anyone
approached he became confused and hid it away. But it was not hard to
guess his secret.

"Congratulate me!" he used to say to Iván Dmítritch. "I have been
decorated with the Stanislas of the second degree with a star. As
a rule the second degree with a star is given only to foreigners,
but for some reason they have made an exception in my case." And
then, shrugging his shoulders as if in doubt, he would add: "That is
something you never expected, you must admit."

"I understand nothing about it," answered Iván Dmítritch, gloomily.

"Do you know what I shall get sooner or later?" continued the
ex-sorter, winking slyly. "I shall certainly receive the Swedish Pole
Star. An order of that kind is worth trying for. A white cross and a
black ribbon. It is very handsome."

In no other place in the world, probably, is life so monotonous as
in the wing. In the morning the patients, with the exception of the
paralytic and the fat muzhik, wash themselves in a great bucket which
is placed in the hall, and dry themselves in the skirts of their
dressing-gowns. After this they drink tea out of tin mugs brought by
Nikita from the hospital. At midday they dine on _shtchi_ made with
sour cabbage, and porridge, and in the evening they sup on the porridge
left over from dinner. Between meals they lie down, sleep, look out of
the windows, and walk from corner to corner.

And so on every day. Even the ex-sorter talks always of the same
decorations.

Fresh faces are seldom seen in Ward No. 6. Years ago the doctor gave
orders that no fresh patients should be admitted, and in this world
people rarely visit lunatic asylums for pleasure.

But once every two months comes Semión Lazaritch the barber.
With Nikita's assistance, he cuts the patients hair; and on the
consternation of the victims every time they see his drunken, grinning
face, there is no need to dwell.

With this exception no one ever enters the ward. From day to day the
patients are condemned to see only Nikita. But at last a strange rumour
obtained circulation in the hospital. It was rumoured the doctor had
begun to pay visits to Ward No. 6.



V


It was indeed a strange rumour!

Doctor Andréi Yéfimitch Rágin was a remarkable man in his way. In early
youth, so they said, he was very pious, and intended to make a career
in the Church. But when in the year 1863 he finished his studies in
the gymnasium and prepared to enter the Ecclesiastical Academy, his
father, a surgeon and a doctor of medicine, poured ridicule on these
intentions, and declared categorically that if Andréi became a priest
he would disown him for ever. Whether this story is true or not it is
impossible to say, but it is certain that Andréi Yéfimitch more than
once admitted that he had never felt any vocation for medicine or,
indeed, for specialised sciences at all.

Certain it is, also, that he never became a priest, but completed a
course of study in the medical faculty of his university. He showed
no particular trace of godliness, and at the beginning of his medical
career was as little like a priest as at the end.

In appearance he was as heavy and rudely built as a peasant. His
bearded face, his straight hair, and his strong, awkward build recalled
some innkeeper on a main road--incontinent and stubborn. He was tall
and broad-shouldered, and had enormous feet, and hands with which, it
seemed, he could easily crush the life out of a man's body. Yet his
walk was noiseless, cautious, and insinuating; and when he met anyone
in a narrow passage he was always the first to step aside, and to
say--not as might be expected in a bass voice--in a soft, piping tenor:
"Excuse me!"

On his neck Andréi Yéfimitch had a small tumour which forbade his
wearing starched collars; he always wore a soft linen or print shirt.
Indeed, in no respect did he dress like a doctor; he wore the same suit
for ten years, and when he did buy new clothing--at a Jew's store--it
always looked as worn and crumpled as his old clothes. In one and
the same frock-coat he received his patients, dined, and attended
entertainments; and this not from penuriousness but from a genuine
contempt for appearances.

When Andréi Yéfimitch first came to the town to take up his duties
as physician to the hospital, that "charitable institution" was in a
state of inconceivable disorder. In the wards, in the corridors, and
even in the open air of the yard it was impossible to breathe owing
to the stench. The male attendants, the nurses and their children,
slept in the dormitories together with the patients. It was complained
that the hospital was becoming uninhabitable owing to the invasion of
beetles, bugs, and mice. In the surgical department there were only
two scalpels, nowhere was there a thermometer, and the baths were
used for storing potatoes in. The superintendent, the housekeeper,
and the feldscher robbed the sick, and of the former doctor, Andréi
Yéfimitch's predecessor, it was said that he sold the hospital spirits
secretly, and kept up a whole harem recruited from among the nurses and
female patients. In the town these scandals were well-known and even
exaggerated; but the townspeople were indifferent, and even excused
the abuses on the ground that the patients were all either petty
tradespeople or peasants who lived at home among conditions so much
worse that they had no right to complain; such gentry, they added, must
not expect to be fed on grouse! Others argued that as no small town had
sufficient resources to support a good hospital without subsidies from
the Zemstvo, they might thank God they had a bad one; and the Zemstvo
refused to open a hospital in the town on the ground that there was
already one.

When he inspected the hospital for the first time Andréi Yéfimitch
saw at once that the whole institution was hopelessly bad, and in the
highest degree dangerous to the health of the inmates. He concluded
that the best thing to do was to discharge the patients and to close
the hospital. But he knew that to effect this his wish alone was not
enough; and he reasoned that if the physical and moral uncleanliness
were driven from one place it would merely be transplanted to another;
it was necessary, in fact, to wait until it cleaned itself out. To
these considerations he added that if people opened a hospital and
tolerated its abuses they must have need of it; and, no doubt, such
abominations were necessary, and in the course of time would evolve
something useful, as good soil results from manuring. And, indeed, on
this earth there is nothing good that has not had evil germs in its
beginnings.

Having taken up his duties, therefore, Andréi Yéfimitch looked upon the
abuses with apparent indifference. He merely asked the servants and
nurses not to sleep in the wards, and bought two cases of instruments;
but he allowed the superintendent, the housekeeper, and the feldscher
to remain in their positions.

Andréi Yéfimitch was passionately enamoured of intellect and honesty,
but he had neither the character nor the confidence in his own powers
necessary to establish around himself an intelligent and honest life.
To command, to prohibit, to insist, he had never learned; It seemed
almost that he had sworn an oath never to raise his voice or to use
the imperative mood. ... Even to use the words "give" or "bring"
was difficult for him. When he felt hungry, he coughed irresolutely
and said to his cook, "Suppose I were to have a cup of tea," or "I
was thinking about dining." To tell the superintendent that he must
cease his robberies, to dismiss him, or to abolish altogether his
parasitical office he had not the strength. "When he was deceived or
flattered, or handed accounts for signature which he knew to have been
falsified, he would redden all over and feel guilty, yet sign the
accounts; and when the patients complained that they were hungry or had
been ill-treated by the nurses, he merely got confused, and stammered
guiltily:

"Very well, very well, I will investigate the matter. ... No doubt
there is some misunderstanding...."

At first Andréi Yéfimitch worked very zealously. He attended to
patients from morning until dinner-time, performed operations, and
even occupied himself with obstetrics. He gained a reputation for
exceptional skill in the treatment of women and children. But he soon
began visibly to weary of the monotony and uselessness of his work.
One day he would receive thirty patients, the next day the number had
grown to thirty-five, the next day to forty, and so on from day to day,
from year to year. Yet the death-rate in the town did not decrease, and
the number of patients never grew less. To give any real assistance
to forty patients in the few hours between morning and dinner-time
was physically impossible; in other words, he became an involuntary
deceiver. The twelve thousand persons received every year, he reasoned,
were therefore twelve thousand dupes. To place the serious cases in
the wards and treat them according to the rules of medical science was
impossible, because there were no rules and no science; whereas if
he left philosophy and followed the regulations pedantically as other
doctors did, he would still be in difficulty, for in the first place
were needed cleanliness and fresh air, and not filth; wholesome food,
and not _shtchi_ made of stinking sour cabbage; and honest assistants,
not thieves.

And, indeed, why hinder people dying, if death is the normal and lawful
end of us all? What does it matter whether some tradesman or petty
official lives, or does not live, an extra five years? We pretend to
see the object of medical science in its mitigation of suffering, but
we cannot but ask ourselves the question: Why should suffering be
mitigated? In the first place, we are told that suffering leads men
to perfection; and in the second, it is plain that if men were really
able to alleviate their sufferings with pills and potions, they would
abandon that religion and philosophy in which until now they had found
not only consolation, but even happiness. Pushkin suffered agonising
torment before his death; Heine lay for years in a state of paralysis.
Why, then, interfere with the sufferings of some mere Andréi Yéfimitch
or Matrena Savishin, whose lives are meaningless, and would be as
vacuous as the life of the amoeba if it were not for suffering?

Defeated by such arguments, Andréi Yéfimitch dropped his hands upon his
knees, and ceased his daily attendances at the hospital.



VI


His life passed thus. At eight in the morning he rose and took his
breakfast. After that he either sat in his study and read, or visited
the hospital. In the hospital in a narrow, dark corridor waited the
out-patients. With heavy boots clattering on the brick floor, servants
and nurses ran past them; emaciated patients in dressing-gowns
staggered by; and vessels of filth, and corpses were carried out. And
among them children cried and draughts blew. Andréi Yéfimitch knew
well that to the fevered, the consumptive, and the impressionable such
surroundings were torment; but what could he do? In the reception-room
he was met by the feldscher, Sergéi Sergéyitch, a little fat man,
with a beardless, well-washed, puffy face, and easy manners. Sergéi
Sergéyitch always wore clothes which resembled a senator's more than a
surgeon's; in the town he had a large practice, and believed that he
knew more than the doctor, who had no practice at all. In the corner
of the room hung a case of ikons with a heavy lamp in front; on the
walls were portraits of bishops, a view of Sviatogorsk Monastery, and
garlands of withered corn-flowers. Sergéi Sergéyitch was religious, and
the images had been placed in the room at his expense; every Sunday
by his command one of the patients read the acathistus, and when the
reading was concluded, Sergéi Sergéyitch went around the wards with a
censer and sprinkled them piously.

There were many patients and little time. The examination was therefore
limited to a few short questions, and to the distribution of such
simple remedies as castor-oil and ointments. Andréi Yéfimitch sat with
his head resting on his hands, lost in thought, and asked questions
mechanically; and Sérgei Sergéyitch sat beside him, and sometimes
interjected a word.

"We become ill and suffer deprivation," he would sometimes say, "only
because we pray too little to God."

In these hours Andréi Yéfimitch performed no operations; he had got out
of practice, and the sight of blood affected him unpleasantly. When he
had to open a child's mouth, to examine its throat for instance, if
the child cried and defended itself with its hands, the doctor's head
went round and tears came into his eyes. He made haste to prescribe
a remedy, and motioned to the mother to take it away as quickly as
possible.

He quickly wearied of the timidity of the patients, of their shiftless
ways, of the proximity of the pompous Sérgei Sergéyitch, of the
portraits on the walls, and of his own questions--questions which he
had asked without change for more than twenty years.

And he would sometimes leave the hospital after having examined five
or six patients, the remainder in his absence being treated by the
feldscher.

With the pleasant reflection that thank God he had no private practice
and no one to interfere with him, Andréi Yéfimitch on returning home
would sit at his study-table and begin to read. He read much, and
always with pleasure. Half his salary went on the purchase of books,
and of the six rooms in his flat three were crowded with books and old
newspapers. Above all things he loved history and philosophy; but of
medical publications he subscribed only to The Doctor, which he always
began to read at the end. Every day he read uninterruptedly for several
hours, and it never wearied him. He read, not quickly and eagerly as
Iván Dmítritch had read, but slowly, often stopping at passages which
pleased him or which he did not understand. Beside his books stood a
decanter of vodka, and a salted cucumber or soaked apple; and every
half-hour he poured himself out a glass of vodka, and drank it without
lifting his eyes from his book, and then--again without lifting his
eyes--took the cucumber and bit a piece off.

At three o'clock he would walk cautiously to the kitchen door, cough,
and say:

"Dáryushka, I was thinking of dining...."

After a bad and ill-served dinner, Andréi Yéfimitch walked about his
rooms, with his arms crossed on his chest, and thought. Sometimes the
kitchen door creaked, and the red, sleepy face of Dáryushka appeared.

"Andréi Yéfimitch, is it time for your beer?" she would ask
solicitously.

"No, not yet," he would answer. "I'll wait a little longer...."

In the evening came the postmaster, Mikhail Averyanitch, the only man
in the town whose society did not weary Andréi Yéfimitch. Mikhail
Averyanitch had once been a rich country gentleman and had served in
a cavalry regiment, but having ruined himself he took a position in
the Post Office to save himself from beggary in his old age. He hod
a brisk, wholesome appearance, magnificent grey whiskers, well-bred
manners, and a loud but pleasant voice. When visitors at the Post
Office protested, refused to agree with him, or began to argue, Mikhail
Averyanitch became purple, shook all over, and roared at the top of
his voice: "Silence!" so that the Post Office had the reputation of a
place of terror. Mikhail Averyanitch was fond of Andréi Yéfimitch and
respected his attainments and the nobility of his heart. But the other
townspeople he treated haughtily as inferiors.

"Well, here I am!" he would begin. "How are you, my dear?... But
perhaps I bore you? Eh?"

"On the contrary. I am delighted," answered the doctor. "I am always
glad to see you."

The friends would sit on the study sofa and smoke for a time silently.

"Dáryushka, suppose I were to have a little beer...." said Andréi
Yéfimitch.

The first bottle was drunk in silence. The doctor was lost in thought,
while Mikhail Averyanitch had the gay and active expression of a man
who has something very interesting to relate. The conversation was
always begun by the doctor.

"What a pity!" he would say, slowly and quietly, looking away from
his friend--he never looked anyone in the face. "What a pity, my
dear Mikhail Averyanitch, what a pity it is that there is not a soul
in this town who cares to engage in an intellectual or interesting
conversation! It is a great deprivation for us. Even the so-called
intelligent classes never rise above commonplaces; the level of their
development, I assure you, is no higher than that of the lower order."

"Entirely true. I agree with you."

"As you yourself know very well," continued the doctor, pausing
intermittently, "as you know, everything in this world is insignificant
and uninteresting except the higher phenomena of the human intellect.
Intellect creates a sharp distinction between the animal and the
man, it reminds the latter of his divinity, and to a certain extent
compensates him for the immortality which he has not. As the result of
this, intellect serves as the only fountain of enjoyment. When we say
we see and hear around us no evidence of intellect, we mean thereby
that we are deprived of true happiness. True, we have our books, but
that is a very different thing from living converse and communication.
If I may use a not very apt simile, books are the accompaniment, but
conversation is the singing.'"

"That is entirely true."

A silence followed. From the kitchen came Dáryushka, and, with her head
resting on her hands and an expression of stupid vexation on her face,
stood at the door and listened.

"Akh!" sighed Mikhail Averyanitch, "why seek intellect among the men
of the present day?" And he began to relate how in the old days life
was wholesome, gay, and interesting, how the intellect of Russia was
really enlightened, and how high a place was given to the ideas of
honour and friendship. Money was lent without I. O. U.'s, and it was
regarded as shameful not to stretch out the hand of aid to a needy
friend. What marches there were, what adventures, what fights, what
companions-in-arms, what women! The Caucasus, what a marvellous
country! And the wife of the commander of his battalion--what a strange
woman!--who put on an officer's uniform and drove into the mountains at
night without an escort. They said she had a romance with a prince in
one of the villages.

"Heavenly mother! Lord preserve us!" sighed Dáryushka.

"And how we drank! How we used to eat! What desperate Liberals we were!"

Andréi Yéfimitch listened, but heard nothing; he was thinking of
something else and drinking his beer.

"I often dream of clever people and have imaginary conversations with
them," he said, suddenly, interrupting Mikhail Averyanitch. "My father
gave me a splendid education, but, under the influence of the ideas
current in the sixties, forced me to become a doctor. It seems to me
that if I had disobeyed him I might now be living in the very centre
of the intellectual movement--probably a member of some faculty. Of
course intellect itself is not eternal but transitory--but you already
know why I worship it so. Life is a vexatious snare. When a reflecting
man attains manhood and ripe consciousness, he cannot but feel himself
in a trap from which there is no escape.... By an accident, without
consulting his own will, he is called from non-existence into life....
Why? He wishes to know the aim and significance of his existence; he is
answered with silence or absurdities; he knocks but it is not opened
to him; and death itself comes against his will. And so, as prisoners
united by common misfortune are relieved when they meet, men inclined
to analysis and generalisation do not notice the snare in which they
live when they spend their days in the exchange of free ideas. In this
sense intellect is an irreplaceable enjoyment."

"Entirely true!"

And still with his face averted from his companion, Andréi Yéfimitch,
in a soft voice, with constant pauses, continues to speak of clever men
and of the joy of communion with them, and Mikhail Averyanitch listens
attentively and says: "It is entirely true."

"Then you do not believe in the immortality of the soul?" asks the
postmaster.

"No, my dear Mikhail Averyanitch. I do not believe, and I have no
reason for believing."

"I admit that I also doubt it. Still I have a feeling that I can never
die. 'Come,' I say to myself, 'Come, old man, it's time for you to
die.' But in my heart a voice answers: 'Don't believe it, you will
never die.'"

At nine o'clock Mikhail Averyanitch takes leave. As he puts on his
overcoat in the hall, he says with a sigh:

"Yes, what a desert fate has planted us in! And what is worst of all,
we shall have to die here. _Akh!_"



VII


When he has parted from his friend, Andréi Yéfimitch sits at his table
and again begins to read. The stillness of evening, the stillness of
night is unbroken by a single sound; time, it seems, stands still and
perishes, and the doctor perishes also, till it seems that nothing
exists but a book and a green lamp-shade. Then the rude, peasant face
of the doctor, as he thinks of the achievements of the human intellect,
becomes gradually illumined by a smile of emotion and rapture. Oh, why
is man not immortal? he asks. For what end exist brain-centres and
convolutions, to what end vision, speech, consciousness, genius, if all
are condemned to pass into the earth, to grow cold with it, and for
countless millions of years, without aim or object, to be borne with it
around the sun? In order that the human frame may decay and be whirled
around the sun, is it necessary to drag man with his high, his divine
mind, out of non-existence, as if in mockery, and to turn him again
into earth?

Immortality of matter! What cowardice to console ourselves with this
fictitious immortality! Unconscious processes working themselves out in
Nature--processes lower even than folly, for in folly there is at least
consciousness and volition, while in these processes there is neither!
Yet they say to men, "Be at rest, thy substance, rotting in the earth,
will give life to other organisms "--in other words, thou wilt be more
foolish than folly! Only the coward, who has more fear of death than
sense of dignity, can console himself with the knowledge that his body
in the course of time will live again in grass, in stones, in the toad.
To seek immortality in the indestructibility of matter is, indeed, as
strange as to prophesy a brilliant future for the case when the costly
violin is broken and worthless.

When the clock strikes, Andréi Yéfimitch leans back in his chair, shuts
his eyes, and thinks. Under the influence of the lofty thoughts which
he has just been reading, he throws a glance over the present and the
past. The past is repellent, better not think of it! And the present is
but as the past. He knows that in this very moment, while his thoughts
are sweeping round the sun with the cooling earth, in the hospital
building in a line with his lodgings, lie men tortured by pain and
tormented by uncleanliness; one cannot sleep owing to the insects, and
howls in his pain; another is catching erysipelas, and groaning at the
tightness of his bandages; others are playing cards with the nurses,
and drinking vodka. In this very year no less than twelve thousand
persons were duped; the whole work of the hospital, as twenty years
before, is based on robbery, scandal, intrigue, nepotism, and gross
charlatanry; altogether, the hospital is an immoral institution, and a
source of danger to the health of its inmates. And Andréi Yéfimitch
knows that inside the iron bars of Ward No. 6, Nikita beats the
patients with his fists, and that, outside, Moséika wanders about the
streets begging for kopecks.

Yet he knows very well that in the last twenty-five years a fabulous
revolution has taken place in the doctor's art. When he studied at the
university it had seemed to him that medicine would soon be overtaken
by the lot of alchemy and metaphysics, but now the records of its feats
which he reads at night touch him, astonish him, and even send him
into raptures. What a revolution! what unexpected brilliance! Thanks
to antiseptics, operations are every day performed which the great
Pigorof regarded as impossible. Ordinary Zemstvo doctors perform such
operations as the resection of the knee articulations, of a hundred
operations on the stomach only one results in death, and the stone is
now such a trifle that it has ceased to be written about. Complaints
which were once only alleviated are now entirely cured. And hypnotism,
the theory of heredity, the discoveries of Pasteur and Koch, statistics
of hygiene, even Russian Zemstvo medicine! Psychiatry, with its
classification of diseases, its methods of diagnosis, its method of
cure--what a transformation of the methods of the past! No longer arc
lunatics drenched with cold water and confined in strait waistcoats;
they are treated as human beings, and even--as Andréi Yéfimitch read
in the newspapers--have their own special dramatic entertainments
and dances. Andréi Yéfimitch is well aware that in the modern world
such an abomination as Ward No. 6 is possible only in a town situated
two hundred versts from a railway, where the Mayor and Councillors
are half-educated tradesmen, who regard a doctor as a priest to whom
everything must be entrusted without criticism, even though he were to
dose his patients with molten tin. In any other town the public and the
Press would long ago have tom this little Bastille to pieces.

"But in the end?" asks Andréi Yéfimitch, opening his eyes. "What is the
difference? In spite of antiseptics and Koch and Pasteur, the essence
of the matter has no way changed. Disease and death still exist.
Lunatics are amused with dances and theatricals, but they are still
kept prisoners.... In other words, all these tilings are vanity and
folly, and between the best hospital in Vienna and the hospital here
there is in reality no difference at all."

But vexation and a feeling akin to envy forbid indifference. It all
arises out of weariness. Andréi Yéfimitch's head falls upon his book,
he rests his head comfortably on his hands and thinks:

"I am engaged in a bad work, and I receive a salary from the men whom
I deceive. I am not an honest man.... But then by myself I am nothing;
I am only part of a necessary social evil; all the officials in the
district are bod, and draw their salaries without doing their work....
In other words, it is not I who am guilty of dishonesty, but Time....
If I were born two hundred years hence I should be a different man."

When the clock strikes three, he puts out his lamp and goes up to his
bedroom. But he has no wish to sleep.



VIII


Two years ago, in a fit of liberality, the Zemstvo determined to
appropriate three hundred roubles a year to the increase of the
personnel of the hospital, until such time as they should open one of
their own. They sent, therefore, as assistant to Andréi Yéfimitch,
the district physician Yevgéniï Feódoritch Khobótoff. Khobótoff was
a very young man, under thirty, bill and dark, with small eyes and
high cheek-bones; evidently of Asiatic origin. He arrived in the town
without a kopeck, with a small portmanteau as his only luggage, and was
accompanied by a young, unattractive woman, whom he called his cook.
This woman's child completed the party. Khobótoff wore a peaked cap and
high boots, and--in winter--a short fur coat. He was soon on intimate
terms with the feldscher, Sergéi Sergéyitch, and with the bursar, but
the rest of the officials he avoided and denounced as aristocrats.
He possessed only one book, "Prescriptions of the Vienna Hospital in
1881," and when he visited the hospital he always brought it with him.
He did not care for cards, and in the evenings spent his time playing
billiards at the club.

Khobótoff visited the hospital twice a week, inspected the wards,
and received out-patients. The strange absence of antiseptics,
cupping-glasses, and other necessaries seemed to trouble him, but he
made no attempt to introduce a new order, fearing to offend Andréi
Yéfimitch, whom he regarded as all old rogue, suspected of having
large means, and secretly envied. He would willingly have occupied his
position.



IX


One spring evening towards the end of March, when the snow had
disappeared and starlings sang in the hospital garden, the doctor was
standing at his gate saying good-bye to his friend the postmaster. At
that moment the Jew Moséika, returning with his booty, entered the
yard. He was capless, wore a pair of goloshes on his stockingless feet,
and held in his hand a small bag of coins.

"Give me a kopeck?" he said to the doctor, shuddering from the cold and
grinning.

Andréi Yéfimitch, who could refuse no one, gave him a ten-kopeck piece.

"How wrong this is!" he thought, as he looked at the Jew's bare legs
and thin ankles. "Wet, I suppose?" And impelled by a feeling of pity
and squeamishness he entered the wing after Moséika, looking all the
time now at the Jew's bald head, now at his ankles. When the doctor
entered, Nikita jumped off his rubbish-heap and stretched himself.

"Good evening, Nikita!" said the doctor softly. "Suppose you give this
man a pair of boots ... that is ... he might catch cold."

"Yes, your Honour. I will ask the superintendent."

"Please. Ask him in my name. Say that I spoke about it."

The door of the ward was open. Iván Dmítritch, who was lying on his
bed, and listening with alarm to the unknown voice, suddenly recognised
the doctor. He shook with anger, jumped oft his bed, and with a
flushed, malicious face, and staring eyeballs, ran into the middle of
the room.

"It is the doctor!" he cried, with a loud laugh. "At last! Lord,
I congratulate you, the doctor honours us with a visit! Accursed
monster!" he squealed, and in an ecstacy of rage never before seen in
the hospital, stamped his feet. "Kill this monster! No, killing is not
enough for him! Drown him in the closet!"

Andréi Yéfimitch heard him. He looked into the ward and asked mildly:

"For what?"

"For what!" screamed Iván Dmítritch, approaching with a threatening
face, and convulsively clutching his dressing-gown. "For what! Thief!"
He spoke in a tone of disgust, and twisted his lips as if about to spit.

"Charlatan! Hangman!"

"Be quiet!" said Andréi Yéfimitch, smiling guiltily. "I assure you I
have never stolen anything.... I see that you are angry with me. Be
calm, I implore you, if you can, and tell me why you want to kill me."

"For keeping me here."

"I do that because you are ill."

"Yes! Ill! But surely tens, hundreds, thousands of madmen live
unmolested merely because you in your ignorance cannot distinguish them
from the sane. You, the feldscher, the superintendent, all the rascals
employed in the hospital are immeasurably lower in morals than the
worst of us; why, then, are we here instead of you? Where is the logic?"

"It is not a question of morality or logic. It depends on
circumstances. The man who is put here, here he stays, and the man who
is not here lives in freedom, that is all For the fact that I am a
doctor and you a lunatic neither morals nor logic is responsible, but
only empty circumstance."

"This nonsense I do not understand!" answered Iván Dmitri tch, sitting
down on his bed.

Moséika, whom Nikita was afraid to search in the doctor's presence,
spread out on his bed his booty--pieces of bread, papers, and bones;
and trembling with the cold, talked Yiddish in a sing-song voice.
Apparently he imagined that he was opening a shop.

"Release me!" said Iván Dmítritch. His voice trembled.

"I cannot."

"Why not?"

"Because it is not in my power. Judge for yourself! What good would it
do you if I released you? Suppose I do! The townspeople or the police
will capture you and send you back."

"Yes, that is true, it is true ..." said Iván Dmítritch, rubbing his
forehead. "It is terrible! But what can I do? What?"

His voice, his intelligent, youthful face pleased Andréi Yéfimitch.
He wished to caress him and quiet him. He sat beside him on the bed,
thought for a moment, and said:

"You ask what is to be done. The best thing in your position would be
to run away. But unfortunately that is useless. You would be captured.
When society resolves to protect itself from criminals, lunatics,
and inconvenient people, it is irresistible. One thing alone remains
to you, to console yourself with the thought that your stay here is
necessary."

"It is necessary to no one."

"Once prisons and asylums exist, someone must inhabit them. If it is
not you it will be I, if not I then someone else. But wait! In the far
future there will be neither prisons nor madhouses, nor barred windows,
nor dressing-gowns.... Such a time will come sooner or later."

Iván Dmítritch smiled contemptuously.

"You are laughing at me," he said, winking. "Such gentry as you and
your assistant Nikita have no business with the future. But you may
be assured, sir, that better times are in store for us. What if I do
express myself vulgarly--laugh at me!--but the dawn of a new life
will shine, and truth will triumph ... and it will be on our side the
holiday will be. I shall not see it, but our posterity shall.... I
congratulate them with my whole soul, and rejoice--rejoice for them!
Forward! God help you, friends!"

Iván Dmítritch's eyes glittered; he rose, stretched out his eyes to the
window, and said in an agitated voice:

"For these barred windows I bless you. Hail to the truth! I rejoice!"

"I see no cause for rejoicing," said Andréi Yéfimitch, whom Iván
Dmítritch's movements, though they seemed theatrical, pleased.
"Prisons and asylums will no longer be, and justice, as you put it,
will triumph. But the essence of things will never change, the laws of
Nature will remain the same. Men will be diseased, grow old, and die,
just as now. However glorious the dawn which enlightens your life, in
the end of ends you will be nailed down in a coffin and flung into a
pit."

"But immortality?"

"Nonsense!"

"You do not believe, but I believe. Dostoyeffsky or Voltaire or someone
said that if there were no God men would have invented one. And I am
deeply convinced that if there were no immortality it would sooner or
later have been invented by the great human intellect."

"You speak well," said Andréi Yéfimitch, smiling with pleasure. "It is
well that you believe. With such faith as yours you would live happily
though entombed in a wall. May I asked where you were educated?"

"I was at college, but never graduated."

"You are a thoughtful and penetrating man. You would find tranquillity
in any environment. The free and profound thought which aspires to
the comprehension of life; and high contempt for the vanity of the
world--these are two blessings higher than which no man can know. And
these you will enjoy though you live behind a dozen barred windows.
Diogenes lived in a tub, yet he was happier than all the kings of the
earth."

"Your Diogenes was a blockhead!" cried Iván Dmítritch gloomily. "What
do you tell me about Diogenes and the understanding of life?" He spoke
angrily, and sprang up. "I love life, love it passionately. I have the
mania of persecution, a ceaseless, tormenting terror, but there are
moments when I am seized by the thirst of life, and in those moments I
fear to go out of my mind. I long to live ... terribly!"

He walked up and down the ward in agitation, and continued in a lower
voice:

"When I meditate I am visited by visions. Men come to me, I hear voices
and music, and it seems to me that I am walking through woods, on the
shores of the sea; and I long passionately for the vanities and worries
of life.... Tell me! What is the news?"

"You ask about the town, or generally?"

"First tell me about the town, and then generally?"

"What is there? The town is tiresome to the point of torment. There is
no one to talk to, no one to listen to. There are no new people. But
lately we got a new doctor, Khobótoff, a young man."

"He has been here. A fool?"

"Yes, an uneducated man. It is strange, do you know. If you judge
by metropolitan life there is no intellectual stagnation in Russia,
but genuine activity; in other words, there are real men. But for
some reason or other they always send such fellows here. It is an
unfortunate town.'"

"An unfortunate town," sighed Iván Dmítritch. "And what news is there
generally? What have you in the newspapers and reviews?"

In the ward it was already dark. The doctor rose, and told his patient
what was being written in Russia and abroad, and what were the current
tendencies of the world. Iván Dmítritch listened attentively, and
asked questions. But suddenly, as if he had just remembered something
terrible, he seized his head and threw himself on the bed, with his
back turned to the doctor.

"What is the matter?" asked Andréi Yéfimitch. "You will not hear
another word from me," said Iván Dmítritch rudely. "Go away!"

"Why?"

"I tell you, go away! Go to the devil!"

Andréi Yéfimitch shrugged his shoulders, sighed, and left the ward. As
he passed through the hall, he said: "Suppose you were to clear some of
this away; Nikita.... The smell is frightful."

"Yes, your Honour!"

"What a delightful young man!" thought Andréi Yéfimitch, as he walked
home. "He is the first man worth talking to whom I have met all the
time I have lived in this town. He can reason and interests himself
only with what is essential."

As he read in his study, as he went to bed, all the time, he thought of
Iván Dmítritch. When he awoke next morning, he remembered that he had
made the acquaintance of a clever and interesting man. And he decided
to pay him another visit at the first opportunity.



X


Iván Dmítritch lay in the same position as on the day before, holding
his head in his hands, his legs being doubled up underneath him.

"Good morning, my friend," said Andréi Yéfimitch. "You are not asleep?"

"In the first place I am not your friend," said Iván Dmítritch, keeping
his face turned towards the pillow, "and in the second, you are
troubling yourself in vain; you will not get from me a single word."
"That is strange," said Andréi Yéfimitch. "Yesterday we were speaking
as friends, but suddenly you took offence and stopped short.... Perhaps
I spoke awkwardly, or expressed opinions differing widely from your
own."

"You won't catch me!" said Iván Dmítritch, rising from the bed and
looking at the doctor ironically and suspiciously. "You may go and spy
and cross-examine somewhere else; here there is nothing for you to do.
I know very well why you came yesterday.

"That is a strange idea," laughed the doctor. "But why do you assume
that I am spying?"

"I assume it.... Whether spy or doctor it is all the same."

"Yes, but ... excuse me...." The doctor sat on a stool beside the bed,
and shook his head reproachfully. "Even suppose you are right, suppose
I am following your words only in order to betray you to the police,
what would happen? They would arrest you and try you. But then, in the
dock or in prison would you be worse off than here? In exile or penal
servitude you would not suffer any more than now.... What, then, do you
fear?"

Apparently these words affected Iván Dmítritch. He sat down quietly.

It was five o'clock, the hour when Andréi Yéfimitch usually walked up
and down his room and Dáryushka asked him whether it was time for his
beer. The weather was calm and clear.

"After dinner I went out for a walk, and you see where I've come," said
the doctor. "It is almost spring."

"What month is it?" asked Iván Dmítritch. "March?"

"Yes, we are at the end of March."

"Is it very muddy?"

"Not very. The paths in the garden are clear."

"How glorious it would be to drive somewhere outside the town!" said
Iván Dmítritch, rubbing his red eyes as if he were sleepy, "and then
to return to a warm comfortable study ... and to be cured of headache
by a decent doctor.... For years past I have not lived like a human
being.... Things are abominable here,--intolerable, disgusting!"

After last evening's excitement he was tired and weak, and he spoke
unwillingly. His fingers twitched, and from his face it was plain that
his head ached badly.

"Between a warm, comfortable study and this ward there is no
difference," said Andréi Yéfimitch. "The rest and tranquillity of a man
are not outside but within him."

"What do you mean by that?"

"Ordinary men find good and evil outside, that is, in their carriages
and comfortable rooms; but the thinking man finds them within himself."

"Go and preach that philosophy in Greece, where it is warm and smells
of oranges--it doesn't suit this climate. With whom was it I spoke of
Diogenes? With you?"

"Yes, yesterday with me."

"Diogenes had no need of a study and a warm house, he was comfortable
without them.... Lie in a tub and eat oranges and olives! Set him down
in Russia--not in December, but even in May. He would freeze even in
May with the cold."

"No. Cold, like every other feeling, may be disregarded. As Marcus
Aurelius said, pain is the living conception of pain; make an effort
of the will to change this conception, cease to complain, and the
pain disappears. The wise man, the man of thought and penetration, is
distinguished by his contempt for suffering; he is always content and
he is surprised by nothing."

"That means that I am an idiot because I suffer, because I am
discontented, and marvel at the baseness of men."

"Your discontent is in vain. Think more, and you will realise how
trifling are all the things which now excite you.... Try to understand
life--in this is true beatitude."

"Understand!" frowned Iván Dmítritch. "External, internal.... Excuse
me, but I cannot understand you. I know only one thing," he continued,
rising and looking angrily at the doctor. "I know only that God created
me of warm blood and nerves; yes! and organic tissue, if it be capable
of life, must respond to irritation. And I respond to it! Pain I
answer with tears and cries, baseness with indignation, meanness with
repulsion. In my mind, that is right, and it is that which is called
life. The lower the organism the less susceptible is it, and the more
feebly it responds to irritation; the higher it is the more sensitively
it responds. How is it you do not know that? A doctor--yet you do not
know such truisms! If you would despise suffering, be always contented,
and marvel at nothing, you must lower yourself to the condition of
that...." Iván Dmítritch pointed to the fat, greasy muzhik, "or inure
yourself to suffering until you lose all susceptibility--in other
words, cease to live. Excuse me, but I am not a wise man and not
a philosopher," continued Iván Dmítritch irritably, "and I do not
understand these things. I am not in a condition to reason."

"But you reason admirably."

"The Stoics whom you travesty were remarkable men, but their teaching
died two thousand years ago, and since then it has not advanced, nor
will it advance, an inch, for it is not a practical or a living creed.
It was successful only with a minority who spent their lives in study
and trifled with gospels of all sorts; the majority never understood
it.... A creed which teaches indifference to wealth, indifference
to the conveniences of life, and contempt for suffering, is quite
incomprehensible to the great majority who never knew either wealth
or the conveniences of life, and to whom contempt for suffering would
mean contempt for their own lives, which are made up of feelings of
hunger, cold, loss, insult, and a Hamlet-like terror of death. All life
lies in these feelings, and life may be hated or wearied of, but never
despised. Yes, I repeat it, the teaching of the Stoics can never have a
future; from the beginning of time, life has consisted in sensibility
to pain and response to irritation.[1] Iván Dmítritch suddenly lost
the thread of his thoughts, ceased speaking, and nibbed his forehead
irritably.

"I had something important to say, but have gone off the track," he
continued. "What was I saying? Yes, this is it. One of these Stoics
sold himself into slavery to redeem a friend. Now what does that mean
but that even a Stoic responded to irritation, for to perform such a
magnanimous deed as the min of one's self for the sake of a friend
demands a disturbed and sympathetic heart I have forgotten here in
prison all that I learnt, otherwise I should have oilier illustrations.
But think of Christ! Christ rebelled against actuality by weeping, by
smiling, by grieving, by anger, even by weariness. Not with a smile did
He go forth to meet suffering, nor did He despise death, but prayed in
the garden of Gethsemane that this cup might pass from Him."[2]

Iván Dmítritch laughed and sat down.

"Suppose that contentment and tranquillity are not outside but within a
man," he continued. "Suppose that we must despise suffering and marvel
at nothing. But you do not say on what foundation you base this theory.
You are a wise man? A philosopher?"

"I am not a philosopher, but everyone must preach this because it is
rational."

"But I wish to know why in this matter of understanding life, despising
suffering, and the rest of it, you consider yourself competent to
judge? Have you ever suffered? What is your idea of suffering? Were you
ever flogged when you were a child?"

"No, my parents were averse to corporal punishment."

"But my father flogged me cruelly. He was a stern hemorrhoidal official
with a long nose and a yellow neck. But what of you? In your whole
life no one has ever laid a finger on you, and you are as healthy as
a bull. You grew up under your father's wing, studied at his expense,
and then dropped at once into a fat sinecure. More than twenty years
you have lived in free lodgings, with free fire and free lights, with
servants, with the right to work how, and as much as, you like, or to
do nothing. By character you were an idle and a feeble man, and you
strove to build up your life so as to avoid trouble. You left your
work to feldschers and other scoundrels, and sat at home in warmth and
quiet, heaped up money, read books, and enjoyed your own reflections
about all kinds of exalted nonsense, and"--Iván Dmítritch looked at the
doctor's nose--"drank beer. In one word, you have not seen life, you
know nothing about it, and of realities you have only a theoretical
knowledge. Yes, you despise suffering and marvel at nothing for very
good reasons; because your theory of the vanity of things, external and
internal happiness, contempt for life, for suffering and for death,
and so on--this is the philosophy best suited to a Russian lie-abed.
You see, for instance, a muzhik beating his wife. Why interfere? let
him beat her! It is all the same, both will be dead sooner, or later,
and then, does not the wife-beater injure himself and not his victim?
To get drunk is stupid and wrong, but the man who drinks dies, and the
woman who drinks dies also! A woman comes to you with a toothache.
Well, what of that? Pain is the conception of pain, without sickness
you cannot live, all must die, and therefore take yourself off, my
good woman, and don't interfere with my thoughts and my vodka! A young
man comes to you for advice: what should he do, how ought he to live?
Before answering, most men would think, but your answer is always
ready: Aspire to understand life and to real goodness! And what is
this fantastic real goodness? No answer! We are imprisoned behind iron
bars, we rot and we are tortured, but this, in reality, is reasonable
and beautiful because between this ward and a comfortable warm study
there is no real difference! A convenient philosophy; your conscience
is clean, and you feel yourself to be a wise man. No, sir, this is
not philosophy, not breadth of view, but idleness, charlatanism,
somnolent folly.... Yes," repeated Iván Dmítritch angrily. "You despise
suffering, but squeeze your finger in the door and you will howl for
your life!"

"But suppose I do not howl," said Andréi Yéfimitch, smiling indulgently.

"What! Well, if you had a stroke of paralysis, or if some impudent
fellow, taking advantage of his position in the world, insulted you'
publicly, and you had no redress--then you would know what it meant to
tell others to understand life and aspire to real good."

"This is original," said Andréi Yéfimitch, beaming with satisfaction
and rubbing his hands. "I am delighted with your love of
generalisation; and the character which you have just drawn is simply
brilliant. I confess that conversation with you gives me great
pleasure. Rut now, as I have heard you out, will you listen to me...."



XI


This conversation, which lasted for an hour longer, apparently made
a great impression on Andréi Yéfimitch. He took to visiting the ward
every day. He went there in the morning, and again after dinner, and
often darkness found him in conversation with Iván Dmítritch. At first
Iván Dmítritch was shy with him, suspected him of some evil intention,
and openly expressed his suspicions. But at last he got used to him;
and his rude bearing softened into indulgent irony.

A report soon spread through the hospital that Doctor Andréi Yéfimitch
paid daily visits to Ward No. 6. Neither the feldscher, nor Nikita, nor
the nurses could understand his object; why he spent whole hours in the
ward, what he was talking about, or why he did not write prescriptions.
His conduct appeared strange to everyone. Mikhail Averyanitch sometimes
failed to find him at home, and Dáryushka was very alarmed, for the
doctor no longer drank his beer at the usual hour, and sometimes even
came home late for dinner.

One day--it was at the end of June--Doctor Khobótoff went to Andréi
Yéfimitch's house to sec him on a business matter. Not finding him at
home, he looked for him in the yard, where he was told that the old
doctor was in the asylum. Khobótoff entered the hall of the ward, and
standing there listened to the following conversation:

"We will never agree, and you will never succeed in converting me
to your faith," said Iván Dmítritch irritably. "You are altogether
ignorant of realities, you have never suffered, but only, like a leech,
fed on the sufferings of others. But I have suffered without cease from
the day of my birth until now. Therefore I tell you frankly I consider
myself much higher than you, and more competent in all respects. It is
not for you to teach me."

"I certainly have no wish to convert you to my faith," said Andréi
Yéfimitch softly, and evidently with regret that he was misunderstood.
"That is not the question, my friend. Suffering and joy are
transitory--leave them, God be with them! The essence of the matter
is that you and I recognise in one another men of thought, and this
makes us solid however different our views. If you knew, my friend,
how I am weary of the general idiocy around me, the lack of talent,
the dullness--if you knew the joy with which I speak to you! You are a
clever man, and it is a pleasure to be with you."

Khobótoff opened the door and looked into the room. Iván Dmítritch with
a nightcap on his head and Doctor Andréi Yéfimitch sat side by side on
the bed. The lunatic shuddered, made strange faces, and convulsively
clutched his dressing-gown; and the doctor sat motionless, inclining
his head, and his face was red and helpless and sad. Khobótoff shrugged
his shoulders, laughed, and looked at Nikita. Nikita also shrugged his
shoulders.

Next day Khobótoff again came to the wing, this time together with the
feldscher. They stood in the hall and listened:

"Our grandfather, it seems, is quite gone," said Khobótoff going out of
the wing.

"Lord, have mercy upon us--sinners!" sighed the pompous Sergéi
Sergéyitch, going round the pools in order to keep his shiny boots
clear of the mud. "I confess, my dear Yevgéniï Feódoritch, I have long
expected this."



XII


After this incident, Andréi Yéfimitch began to notice that he was
surrounded by a strange atmosphere of mystery.... The servants, the
nurses, and the patients whom he met looked questioningly at one
another, and whispered among themselves. When he met little Masha, the
superintendent's daughter, in the hospital garden, and smilingly went
over to her, as usual, to stroke her hair, for some inexplicable reason
she ran away. When the postmaster, Mikhail Averyanitch, sat listening
to him he no longer said: "Entirely true!" but got red in the face and
stammered, "Yes, yes ... yes ..." and sometimes, looking at his friend
thoughtfully and sorrowfully, advised him to give up vodka and beer.
But when doing this, as became a man of delicacy, he did not speak
openly, but dropped gentle hints, telling stories, now of a certain
battalion commander, an excellent man, now of the regimental chaplain,
a first-rate little fellow, who drank a good deal and was taken ill,
yet having given up drink got quite well. Twice or thrice Andréi
Yéfimitch was visited by his colleague Khobótoff, who also asked him to
give up spirits, and, without giving him any reason, advised him to try
bromide of potassium.

In August Andréi Yéfimitch received a letter from the Mayor asking
him to come and see him on very important business. On arriving at
the Town Hall at the appointed time he found awaiting him the head of
the recruiting department, the superintendent of the district school,
a member of the Town Council, Khobótoff, and a stout, fair-haired
man, who was introduced as a doctor. This doctor, who bore an
unpronounceable Polish name, lived on a stud-farm some thirty versts
away, and was passing through the town on his way home.

"Here is a communication about your department," said the Town
Councillor, turning to Andréi Yéfimitch. "You see, Yevgéniï Feódoritch
says that there is no room for the dispensing room in the main
building, and that it must be transferred to one of the wings. That, of
course, is easy, it can be transferred any day, but the chief thing is
that the wing is in want of repair."

"Yes, we can hardly get on without that," answered Andréi Yéfimitch
after a moment's thought. "But if the corner wing is to be fitted up as
a dispensary you will have to spend at least five hundred roubles on
it. It is unproductive expenditure."

For a few minutes all were silent.

"I had the honour to announce to you, ten years ago," continued
Andréi Yéfimitch in a soft voice, "that this hospital, under present
conditions, is a luxury altogether beyond the means of the town. It
was built in the forties, when the means for its support: were greater.
The town wastes too much money on unnecessary buildings and sinecure
offices. I think that with the money we spend we could keep up two
model hospitals; that is, of course, with a different order of things."

"Well, then, let us reform the present order," said the Town Councillor.

"I have already had the honour to advise you to transfer the medical
department to the Zemstvo."

"Yes, and hand over to the Zemstvo funds which it will pocket," laughed
the fair-haired doctor.

"That is just what happens," said the Town Councillor, laughing also.

Andréi Yéfimitch looked feebly at the fair-haired doctor, and said:

"We must be just in our judgments."

Again all were silent. Tea was brought in. The chief of the recruiting
department, apparently in a state of confusion, touched Andréi
Yéfimitch's hand across the table, and said:

"You have quite forgotten us, doctor. But then you were always a monk;
you don't play cards, and you don't care for women. We bore you, I'm
afraid." And all agreed that it was tiresome for any decent man to
live in such a town. Neither theatres, nor concerts, and at the last
dub-dance about twenty women present and only two men. Young men no
longer danced, but crowded round the supper-table or played cards
together. And Andréi Yéfimitch, in a slow and soft voice, without
looking at those around him, began to lament that the citizens wasted
their vital energy, their intellects, and their feelings over cards and
scandal, and neither cared nor knew how to pass the time in interesting
conversation, in reading, or in taking advantage of the pleasures
which intellect alone yields. Intellect is the only interesting and
distinguished thing in the world; all the rest is petty and base.
Khobótoff listened attentively to his colleague, and suddenly asked:

"Andréi Yéfimitch, what is the day of the month?"

Having received an answer, he and the fair-haired doctor, both in the
tone of examiners convinced of their own incapacity, asked Andréi
Yéfimitch a number of other questions: what was the day of the week,
how many days were there in the year, and was it true that in Ward No.
6 there was a remarkable prophet?

In answer to this last question Andréi Yéfimitch got red in the face,
and said:

"Yes, he is insane.... But he is a most interesting young man."

No other questions were asked.

As Andréi Yéfimitch put on his coat, the chief of the recruiting
department put his hand on his shoulder and said, with a sigh:

"For us--old men--it is time to take a rest."

As he left the Town Hall, Andréi Yéfimitch understood that he had been
before a commission appointed to test his mental sanity. He remembered
the questions put to him, reddened, and for the first time in his life
felt pity for the medical art.

"My God!" he thought. "These men have only just been studying
psychiatry and passing examinations! Where does their monstrous
ignorance come from? They have no ideas about psychiatry." For the
first time in his life he felt insulted and angry.

Towards evening Mikhail Averyanitch came to see him. Without a word of
greeting, the postmaster went up to him, took him by both hands, and
said in an agitated voice:

"My dear friend, my dear friend, let me see that you believe in my
sincere affection for you. Regard me as your friend!" And preventing
Andréi Yéfimitch saying a word, he continued in extreme agitation:
"You know that I love you for the culture and nobility of your mind.
Listen to me, like a good man! The rules of their profession compel
the doctors to hide the truth from you, but I, in soldier style, will
tell it to you flatly. You are unwell! Excuse me, old friend, but that
is the plain truth, and it has been noticed by everyone around you.
Only this moment Doctor Yevgéniï Feódoritch said that for the benefit
of your health you needed rest and recreation. It is entirely true! And
things fit in admirably. In a few days I will take my leave, and go oft
for change of air. Trove to me that you are my friend, and come with
me. Come!"

"I feel very well," said Andréi Yéfimitch, after a moment's thought;
"and I cannot go. Allow me to prove my friendship in some other way."

To go away without any good reason, without his books, without
Dáryushka, without beer--suddenly to destroy the order of life observed
for twenty years--when he first thought of it, the project seemed
wild and fantastic. But he remembered the talk in the Town Hall, and
the torments which he had suffered on the w ay home; and the idea of
leaving for a short time a town where stupid men considered him mad,
delighted him.

"But where do you intend to go?" he asked.

"To Moscow, to Petersburg, to Warsaw.... In Warsaw I spent some of the
happiest days of my life. An astonishing city! Come!"



XIII


A week after this conversation, Andréi Yéfimitch received a formal
proposal to take a rest, that is, to retire from his post, and he
received the proposal with indifference. Still a week later, he and
Mikhail Averyanitch were sitting in the post tarantass and driving to
the railway station. The weather was cool and clear, the sky blue and
transparent. The two hundred versts were traversed in two days and
two nights. When they stopped at the post-houses and were given dirty
glasses for tea, or were delayed over the horses, Mikhail Averyanitch
grew purple, shook all over, and roared "Silence! Don't argue!"...
And as they sat in the tarantass he talked incessantly of his travels
in the Caucasus and in Poland. What adventures he had, what meetings!
He spoke in a loud voice, and all the time made such astonished eyes
that it might have been thought he was lying. As he told his stories
he breathed in the doctor's face and laughed in his ear. All this
incommoded the doctor and hindered his thinking and concentrating his
mind.

For reasons of economy they travelled third-class, in a non-smoking
carriage. Half of the passengers were clean. Mikhail Averyanitch
struck up acquaintance with all, and as he shifted from seat to seat,
announced in a loud voice that it was a mistake to travel on these
tormenting railways. Nothing but rascals around! What a different thing
to ride on horseback; in a single day you cover a hundred versts, and
at the end feel wholesome and fresh. Yes, and we had been cursed with
famines as the result of the draining of the Pinsky marshes! Everywhere
nothing but disorder! Mikhail Averyanitch lost his temper, spoke
loudly, and allowed no one else to say a word. His incessant chatter,
broken only by loud laughter and expressive gesticulations, bored
Andréi Yéfimitch.

"Which of us is the more mad?" he asked himself. "I who do my best
not to disturb my fellow-travellers, or this egoist who thinks he is
cleverer and more interesting than anyone else, and gives no one a
moment's rest?"

In Moscow, Mikhail Averyanitch donned his military tunic without
shoulder-straps, and trousers with red piping. Out of doors he wore an
army forage-cap and cloak, and was saluted by the soldiers. To Andréi
Yéfimitch he began to seem a man who had lost all the good points
of the upper classes and retained only the bad. He loved people to
dance attendance on him even when it was quite unnecessary. Matches
lay before him on the table and he saw them, yet he roared to the
waiter to hand them to him; he marched about in his underclothing
before the chambermaid; he addressed the waitresses--even the elderly
ones--indiscriminately as "thou," and when he was irritated called them
blockheads and fools. This, thought Andréi Yéfimitch, is no doubt
gentlemanly, but it is detestable.

First of all, Mikhail Averyanitch brought his friend to the
Iverskaya.[1] He prayed piously, bowed to the ground, shed teal's, and
when he had finished, sighed deeply and said:

"Even an unbeliever feels himself at peace after he has prayed. Kiss
the image, dear!"

Andréi Yéfimitch got red in the face and kissed the image; and Mikhail
Averyanitch puffed out his lips, shook his head, prayed in a whisper;
and again into his eyes came tears. After this they visited the Kremlin
and inspected the Tsar-Cannon and the Tsar-Bell, touched them with
their fingers, admired the view across the Moscow River, and spent some
time in the Temple of the Saviour and afterwards in the Rumiantseff
Museum.

They dined at Testoffs.[2] Mikhail Averyanitch stroked his whiskers,
gazed long at the menu, and said to the waiter in the tone of a gourmet
who feels at home in restaurants:

"Well see what you'll feed us with to-day, angel!"


[Footnote 1: A celebrated ikon kept in a small chapel near the Moscow
Town Hall. It is supposed to possess miraculous healing virtues.]

[Footnote 2: A Moscow restaurant noted for genuine Russian cookery.]



XIV


The doctor walked and drank and ate and inspected, but his feelings
remained unchanged; he was vexed with Mikhail Averyanitch. He longed to
get a rest from his companion, to escape from him, but the postmaster
considered it his duty not to let him out of his sight, and to see
that he tasted every possible form of recreation. For two days Andréi
Yéfimitch endured it, but on the third declared that he was unwell,
and would remain all day at home. Mikhail Averyanitch said that in
that case he also would remain at home. And indeed, he added, a rest
was necessary, otherwise they would have no strength left. Andréi
Yéfimitch lay on the sofa with his face to the wall, and with clenched
teeth listened to his friend, who assured him that France would sooner
or later inevitably destroy Germany, that in Moscow there are a great
many swindlers, and that you cannot judge of the merits of a horse by
its appearance. The doctor's heart throbbed, his ears hummed, but from
motives of delicacy he could not ask his friend to leave him alone or
be silent. But happily Mikhail Averyanitch grew tired of sitting in the
room, and after dinner went for a walk.

Left alone, Andréi Yéfimitch surrendered himself to the feeling of
rest. How delightful it was to lie motionless on the sofa and know
that he was alone in the room! Without solitude true happiness was
impossible. The fallen angel was faithless to God probably only because
he longed for solitude, which angels knew not. Andréi Yéfimitch wished
to reflect upon what he had seen and heard in the last few days. But he
could not drive Mikhail Averyanitch out of his mind.

"But then he obtained leave and came with me purely out of friendship
and generosity," he thought with vexation. "Yet there is nothing more
detestable than his maternal care. He is good and generous and a gay
companion--but tiresome! Intolerably tiresome! He is one of those men
who say only clever things, yet you cannot help feeling that they are
stupid at bottom."

Next day Andréi Yéfimitch said he was still ill, and remained in his
loom. He lay with his face to the back of the sofa, was bored when he
was listening to conversation, and happy only when he was left alone.
He was angry with himself for leaving home, he was angry with Mikhail
Averyanitch, who every day became more garrulous and free-making; to
concentrate his thoughts on a serious, elevated plane he failed utterly.

"I am now being tested by the realities of which Iván Dmítritch spoke,"
he thought, angered at his own pettiness. "But this is nothing.... I
will go home, and things will be as before."

In St. Petersburg the incidents of Moscow were repeated; whole days he
never left his room, but lay on the sofa, and rose only when he wanted
to drink beer.

All the time, Mikhail Averyanitch was in a great hurry to get to Warsaw.

"My dear friend, why must I go there?" asked Andréi Yéfimitch
imploringly. "Go yourself, and let me go home. I beg you!"

"Not for a million!" protested Mikhail Averyanitch. "It is an
astonishing city! In Warsaw I spent the happiest days of my life."

Andréi Yéfimitch had not the character to persist, and with a twinge
of pain accompanied his friend to Warsaw. When he got there he stayed
all day in the hotel, lay on the sofa, and was angry with himself, and
with the waiters who stubbornly refused to understand Russian. Mikhail
Averyanitch, healthy, gay, and active as ever, drove from morning to
night about the city and sought out his old acquaintances. Several
nights he stayed out altogether. After one of these nights, spent it
is uncertain where, he returned early in the morning, dishevelled and
excited. For a long time he walked up and down the room, and at last
stopped and exclaimed:

"Honour before everything!"

Again he walked up and down the room, seized his head in his hands, and
declaimed tragically:

"Yes! Honour before everything! Cursed be the hour when it entered my
head to come near this Babylon!... My dear friend," he turned to Andréi
Yéfimitch, "I have lost heavily at cards. Lend me five hundred roubles!"

Andréi Yéfimitch counted the money, and gave it silently to his
friend. Mikhail Averyanitch, purple from shame and indignation, cursed
incoherently and needlessly, put on his cap, and went out. After two
hours' absence he returned, threw himself into an armchair, sighed
loudly, and said:

"Honour is saved! Let us go away, my friend! Not another minute will I
rest in this accursed city! They are all scoundrels!... Austrian spies!"

When the travellers returned it was the beginning of November, and
the streets were covered with snow. Doctor Khobótoff occupied Andréi
Yéfimitch's position at the hospital, but lived at his own rooms,
waiting until Andréi Yéfimitch returned and gave up the official
quarters. The ugly woman whom he called his cook already lived in one
of the wings.

Fresh scandals in connection with the hospital were being circulated
in the town. It was said that the ugly woman had quarrelled with the
superintendent, who had gone down before her on his knees and begged
forgiveness. On the day of his return Andréi Yéfimitch had to look for
new lodgings.

"My friend," began the postmaster timidly, "forgive the indelicate
question, what money have you got?"

Andréi Yéfimitch silently counted his money, and said:

"Eighty-six roubles."

"You don't understand me," said Mikhail Averyanitch in confusion. "I
ask what means have you--generally?"

"I have told you already--eighty-six roubles.... Beyond that I have
nothing."

Mikhail Averyanitch was well aware that the doctor was an honest and
straightforward man. But he believed that he had at least twenty
thousand roubles in capital. Now learning that his friend was a beggar
and had nothing to live on, he began to cry, and embraced him.



XV


Andréi Yéfimitch migrated to the three-windowed house of Madame Byelof,
a woman belonging to the petty trading class. In this house were only
three rooms and a kitchen. Of these rooms two, with windows opening on
the street, were occupied by the doctor, while in the third and in the
kitchen lived Dáryushka, the landlady, and three children. Occasionally
the number was added to by a drunken workman, Madame Byeloff's lover, who
made scenes at night and terrified Dáryushka and the children. When he
came, sat in the kitchen, and demanded vodka, the others were crowded
out, and the doctor in compassion took the crying children to his own
room, and put them to sleep on the floor. This always gave him great
satisfaction.

As before, he rose at eight o'clock, took his breakfast, and sat down
and read his old books and reviews. For new books he had no money. But
whether it was because the books were old or because the surroundings
were changed, reading no longer interested him, and even tired him. So
to pass the time he compiled a detailed catalogue of his books, and
pasted labels on the backs; and this mechanical work seemed to him
much more interesting than reading. The more monotonous and trifling
the occupation the more it calmed his mind, he thought of nothing, and
time passed quickly. Even to sit in the kitchen and peel potatoes with
Dáryushka or to pick the dirt out of buckwheat meal interested him.
On Saturdays and Sundays he went to church. Standing at the wall, he
blinked his eyes, listened to the singing, and thought of his father,
his mother, the university, religion; he felt calm and melancholy, and
when leaving the church, regretted that the service had not lasted
longer.

Twice he visited the hospital for the purpose of seeing Iván Dmítritch.
But on both occasions Gromof was unusually angry and excited; he asked
to be left in peace, declared that he had long ago wearied of empty
chatter, and that he would regard solitary confinement as a deliverance
from these accursed, base people. Was it possible they would refuse
him that? When Andréi Yéfimitch took leave of him and wished him good
night, he snapped and said:

"Take yourself to the devil!"

And Andréi Yéfimitch felt undecided as to whether he should go a third
time or not. But he wished to go.

In the old times Andréi Yéfimitch had been in the habit of spending the
time after dinner in walking about his rooms and thinking. But now from
dinner to tea-time he lay on the sofa with his face to the wall and
surrendered himself to trivial thoughts, which he found himself unable
to conquer. He considered himself injured by the fact that after twenty
years' service he had been given neither a pension nor a grant. True he
had not done his duties honestly, but then were not pensions given to
all old servants indiscriminately, without regard to their honesty or
otherwise? Modern ideas did not regard rank, orders, and pensions as
the reward of moral perfection or capacity, and why must he alone be
the exception? He was absolutely penniless. He was ashamed to pass the
shop where he dealt or to meet the proprietor. For beer alone he was in
debt thirty-two roubles. He was in debt also to his landlady. Dáryushka
secretly sold old clothing and books, and lied to the landlady,
declaring that her master was about to come in to a lot of money.

Andréi Yéfimitch was angry with himself for having wasted on his
journey the thousand roubles which he had saved. What could he not do
with a thousand roubles now? He was annoyed, also, because others would
not leave him alone. Khobótoff considered it his duty to pay periodical
visits to his sick colleague; and everything about him was repulsive to
Andréi Yéfimitch--his sated face, his condescending bad manners, the
word "colleague," and the high boots. But the greatest annoyance of all
was that he considered it his duty to cure Andréi Yéfimitch, and even
imagined he was curing him. On every occasion he brought a phial of
bromide of potassium and a rhubarb pill.

Mikhail Averyanitch also considered it his duty to visit his sick
friend and amuse him. He entered the room with affected freeness,
laughed unnaturally, and assured Andréi Yéfimitch that to-day he
looked splendid, and that, glory be to God! he was getting all right.
From this alone it might be concluded that he regarded the case as
hopeless. He had not yet paid off the Warsaw debt, and being ashamed of
himself and constrained, he laughed all the louder, and told ridiculous
anecdotes. His stories now seemed endless, and were a source of torment
both to Andréi Yéfimitch and to himself.

When the postmaster was present, Andréi Yéfimitch usually lay on the
sofa, his face turned to the wall, with clenched teeth, listening. It
seemed to him that a crust was forming about his heart, and after;
every visit he felt the crust becoming thicker, and; threatening
to extend to his throat. To exorcise these trivial afflictions he
reflected that he, and Khobótoff, and Mikhail Averyanitch would, sooner
or later, perish, leaving behind themselves not a trace. When a million
years had passed by, a spirit flying through space would see only a
frozen globe and naked stones. All--culture and morals--everything
would pass away; even the burdock would not grow. Why, then, should
he trouble himself with feelings of shame on account of a shopkeeper,
of insignificant Khobótoff, of the terrible friendship of Mikhail
Averyanitch. It was all folly and vanity.

But such reasoning did not console him. He had hardly succeeded in
painting a vivid picture of the frozen globe after a million yearn of
decay, when from behind a naked rock appeared Khobótoff in his top
boots, and beside him stood Mikhail Averyanitch, with an affected
laugh, and a shamefaced whisper on his lips: "And the Warsaw debt, old
man, I will repay in a few days ... without fail!"



XVI


Mikhail Averyanitch arrived after dinner one evening when Andréi
Yéfimitch was lying on the sofa. At the same time came Khobótoff with
his bromide of potassium. Andréi Yéfimitch rose slowly, sat down again,
and supported himself by resting his hands upon the sofa edge.

"To-day, my dear," began Mikhail Averyanitch, "to-day your complexion
is much healthier than yesterday. You are a hero! I swear to God, a
hero!"

"It's time, indeed it's time for you to recover, colleague," said
Khobótoff, yawning. "You must be tired of the delay yourself."

"Never mind, we'll soon be all right," said Mikhail Averyanitch gaily.
"Why, we'll live for another hundred years! Eh?"

"Perhaps not a hundred, but a safe twenty," said Khobótoff consolingly.
"Don't worry, colleague, don't worry!"

"We'll let them see!" laughed Mikhail Averyanitch, slapping his friend
on the knee. "We'll show how the trick is done! Next summer, with
God's will, we'll fly away to the Caucasus, and gallop all over the
country--trot, trot, trot! And when we come back from the Caucasus
we'll dance at your wedding!"

Mikhail Averyanitch winked slyly. "We'll marry you, my friend, we'll
find the bride!"

Andréi Yéfimitch felt that the crust had risen to his throat. His heart
beat painfully.

"This is absurd," he said, rising suddenly and going over to the
window. "Is it possible you don't understand that you are talking
nonsense?"

He wished to speak to his visitors softly and politely, but could not
restrain himself, and, against his own will, clenched his fists, and
raised them threateningly above his head.

"Leave me!" he cried, in a voice which was not his own. His face was
purple and he trembled all over. "Begone! Both of you! Go!"

Mikhail Averyanitch and Khobótoff rose, and looked at him, at first in
astonishment, then in tenor. "Begone both of you!" continued Andréi
Yéfimitch. "Stupid idiots! Fools! I want neither your friendship nor
your medicines, idiots! This is base, it is abominable!"

Khobótoff and the postmaster exchanged confused glances, staggered to
the door, and went into the hall. Andréi Yéfimitch seized the phial of
bromide of potassium, and flung it after them, breaking it upon the
threshold.

"Take yourselves to the devil!" he cried, running after them into the
hall. "To the devil!"

After his visitors had gone he lay on the sofa, trembling as if in
fever, and repeated--

"Stupid idiots! Dull fools!"

When he calmed down, the first thought that entered his head was that
poor Mikhail Averyanitch must now be terribly ashamed and wretched, and
that the scene that had passed was something very terrible. Nothing of
the kind had ever happened before. What had become of his intellect
and tact? Where were now his understanding of the world and his
philosophical indifference?

All night the doctor was kept awake by feelings of shame and vexation.
At nine o'clock next morning, he went to the post office and apologised
to the postmaster.

"Do not refer to what happened!" said the postmaster, with a sigh.
Touched by Andréi Yéfimitch's conduct, he pressed his hands warmly. "No
man should trouble over such trifles.... Lubiakin!" he roared so loudly
that the clerks and visitors trembled. "Bring a chair!... And you
just wait!" he cried to a peasant woman, who held a registered letter
through the grating. "Don't you see that I am engaged? ... We will
forget all that," he continued tenderly, turning to Andréi Yéfimitch.
"Sit down, my old friend!"

He stroked his eyebrows silently for a minute, and continued:

"It never entered my head to take offence. Illness is a very strange
thing, I understand that. Yesterday your fit frightened both the doctor
and myself, and we talked of you for a long time. My dear friend, why
will you not pay more attention to your complaint? Do you think you
can go on living in this way? Forgive the plain speaking of a friend."
He dropped his voice to a whisper. "But you live among hopeless
surroundings--closeness, uncleanliness, no one to look after you,
nothing to take for your ailment.... My dear friend, both I and the
doctor implore you with all our hearts--listen to our advice--go into
the hospital. There you will get wholesome food, care and treatment.
Yevgéniï Feódoritch--although, between ourselves, de mauvais ton--is a
capable man, and you can fully rely upon him. He gave me his word that
he would take care of you."

Andréi Yéfimitch was touched by the sincere concern of his friend, and
the tears that trickled down the postmaster's cheeks.

"My dear friend, don't believe them!" he whispered, laying his hand
upon his heart. "It is all a delusion. My complaint lies merely in
this, that in twenty years I found in this town only one intelligent
man, and he was a lunatic. I suffer from no disease whatever; my
misfortune is that I have fallen into a magic circle from which there
is no escape. It is all the same to me--I am ready for anything."

"Then you will go into the hospital?"

"It is all the same--even into the pit."

"Give me your word, friend, that you will obey Yevgéniï Feódoritch in
everything."

"I give you my word. But I repeat that I have fallen into a magic
circle. Everything now, even the sincere concern of my friends, tends
only to the same thing--to my destruction. I am perishing, and I have
the courage to acknowledge it."

"Nonsense, you will get all right!"

"What is the use of talking like that?" said Andréi Yéfimitch
irritably. "There are very few men who at the close of their lives do
not experience what I am experiencing now. When people tell you that
you have disease of the kidneys or a dilated heart, and set about to
cure you; when they tell you that you are a madman or a criminal--in
one word, when they begin to turn their attention on to you--you may
recognise that you are in a magic circle from which there is no escape.
You may try to escape, but that makes things worse. Give in, for no
human efforts will save you. So it seems to me."

All this time, people were gathering at the grating. Andréi Yéfimitch
disliked interrupting the postmaster's work, and took his leave.
Mikhail Averyanitch once more made him give his word of honour, and
escorted him to the door.

The same day towards evening Khobótoff, in his short fur coat and high
boots, arrived unexpectedly, and, as if nothing had happened the day
before, said: "I have come to you on a matter of business, colleague, I
want you to come with me to a consultation. Eh?"

Thinking that Khobótoff wanted to amuse him with a walk, or give him
some opportunity of earning money, Andréi Yéfimitch dressed, and went
with him into the street. He was glad of the chance to redeem his
rudeness of the day before, thankful for the apparent reconciliation,
and grateful to Khobótoff for not hinting at the incident. From this
uncultured man who would have expected such delicacy?

"And where is your patient?" asked Andréi Yéfimitch.

"At the hospital. For a long time past I have wanted you to see him....
A most interesting case."

They entered the hospital yard, and passing through the main building,
went to the wing where the lunatics were confined. When they entered
the hall, Nikita as usual jumped up and stretched himself.

"One of them has such strange complications in the lungs," whispered
Khobótoff as he entered the ward with Andréi Yéfimitch. "But wait here.
I shall be back immediately. I must get my stethoscope."

And he left the room.



XVII


It was already twilight. Iván Dmítritch lay on his bed with his face
buried in the pillow; the paralytic sat motionless, and wept softly and
twitched his lips; the fat muzhik and the ex-sorter slept. It was very
quiet.

Andréi Yéfimitch sat on Iván Dmítritch's bed and listened. Half an hour
passed by, but Khobótoff did not come. Instead of Khobótoff came Nikita
carrying in his arm a dressing-gown, some linen, and a pair of slippers.

"Please to put on these, your Honour," he said calmly. "There is your
bed, this way, please," he added, pointing at a vacant bed, evidently
only just set up. "And don't take on; with God's will you will soon be
well!"

Andréi Yéfimitch understood. Without a Word he walked over to the bed
indicated by Nikita and sat upon it. Then, seeing that Nikita was
waiting, he stripped himself and felt ashamed. He put on the hospital
clothing; the flannels were too small, the shirt was too long, and the
dressing-gown smelt of smoked fish.

"You will soon be all right, God grant it!" repeated Nikita.

He took up Andréi Yéfimitch's clothes, went out, and locked the door.

"It is all the same," thought Andréi Yéfimitch, shamefacedly gathering
the dressing-gown around him, and feeling like a convict in his new
garments. "It is all the same. In dress clothes, in uniform ... or in
this dressing-gown."

But his watch? And the memorandum book in his side pocket? And the
cigarettes? Where had Nikita taken his clothes? To the day of his death
he would never again wear trousers, a waistcoat, or boots. It was
strange and incredible at first. Andréi Yéfimitch was firmly convinced
that there was no difference whatever between Madame Byelof's house
and Ward No. 6, and that all in this world is folly and vanity; but he
could not prevent his hands trembling, and his feet were cold. He was
hurt, too, by the thought that Iván Dmítritch would rise and see him in
the dressing-gown. He rose, walked up and down the room, and again sat
down.

He remained sitting for half an hour, weary to the point of grief.
Would it be possible to live here a day, a week, even years, as these
others had done? He must sit down, and walk about and again sit down;
and then he might look out of the window, and again walk from end to
end of the room. And afterwards? Just to sit all day still as an idol,
and think! No, it was impossible.

Andréi Yéfimitch lay down on his bed, but almost immediately rose,
rubbed with his cuff the cold sweat from his forehead, and felt that
his whole face smelt of dried fish. He walked up and down the ward.

"This is some misunderstanding...." he said, opening his arms. "It only
needs an explanation, it is a misunderstanding...."

At this moment Iván Dmítritch awoke. He sat up in bed, rested his head
on his hands, and spat. Then he looked idly at the doctor, apparently
at first understanding nothing. But soon his sleepy face grew
contemptuous and malicious.

"So they have brought you here, my friend," he began in a voice hoarse
from sleep. He blinked one eye. "I am very glad! You drank other men's
blood, and now they will drink yours! Admirable!"

"It is some misunderstanding ..." began Andréi Yéfimitch, frightened by
the lunatic's words. He shrugged his shoulders and repeated. "It is a
misunderstanding of some kind."

Iván Dmítritch again spat, and lay down on his bed.

"Accursed life!" he growled. "But what is most bitter, most abominable
of all, is that this life ends not with rewards for suffering, not with
apotheoses as in operas, but in death; men come and drag the corpse by
its arms and legs into the cellar. Brrrrrr!... Well, never mind!... For
all that we have suffered in this, in the other world we will be repaid
with a holiday! From the other world I shall return hither as a shadow,
and terrify these monsters!... I will turn their heads grey!"

Moséika entered the ward, and seeing the doctor, stretched out his
hand, and said:

"Give me a kopeck!"



XVIII


Andréi Yéfimitch went across to the window, and looked out into the
fields. It was getting dark, and on the horizon rose a cold, livid
moon. Near the hospital railings, a hundred fathoms away, not more,
rose a lofty, white building, surrounded by a stone wall. It was the
prison.

"That is actuality," thought Andréi Yéfimitch, and he felt terrified.

Everything was terrible: the moon, the prison, the spikes in the fence,
and the blaze in the distant bone-mill. Andréi Yéfimitch turned away
from the window, and saw before him a man with glittering stars and
orders upon his breast. The man smiled and winked cunningly. And this,
too, seemed terrible.

He tried to assure himself that in the moon and in the prison there
was nothing peculiar at all, that even sane men wear orders, and that
the best of things in their turn rot and turn into dust. But despair
suddenly seized him, he took hold of the grating with both hands, and
jerked it with all his strength. But the bars stood firm.

That it might be less terrible, he went to Iván Dmítritch's bed, and
sat upon it.

"I have lost my spirits, friend," he said, stammering, trembling, and
rubbing the cold sweat from his face. "My spirits have fallen."

"But why don't you philosophise?" asked Iván Dmítritch ironically.

"My God, my God!... Yes, yes!... Once you said that in Russia there
is no philosophy; but all philosophise, even triflers. But the
philosophising of triflers does no harm to anyone," said Andréi
Yéfimitch as if he wanted to cry. "By why, my dear friend, why this
malicious laughter? Why should not triflers philosophise if they are
not satisfied? For a clever, cultivated, proud, freedom-loving man,
built in the image of God, there is no course left but to come as
doctor to a dirty, stupid town, and lead a life of jars, leeches, and
gallipots. Charlatanry, narrowness, baseness! Oh, my God!"

"You chatter nonsense! If you didn't want to be a doctor, why weren't
you a minister of state?"

"I could not. We are weak, my friend. I was indifferent to things, I
reasoned actively and wholesomely, but it needed but the first touch
of actuality to make me lose heart, and surrender.... We are weak; we
are worthless!... And you also, my friend. You are able, you are noble,
with your mother's milk you drank in draughts of happiness, yet hardly
had you entered upon life when you wearied of it.... We are weak, weak!"

In addition to terror and the feeling of insult, Andréi Yéfimitch had
been tortured by sonic importunate craving ever since the approach of
evening. Finally he came to the conclusion that he wanted to smoke and
drink beer.

"I am going out, my friend," he said. "I will tell them to bring
lights.... I cannot in this way.... I am not in a state...."

He went to the door and opened it, but immediately Nikita jumped up and
barred the way.

"Where are you going to? You can't, you can't!" he cried. "It's time
for bed!"

"But only for a minute.... I want to go into the yard.... I want to
have a walk in the yard," said Andréi Yéfimitch.

"You can't. I have orders against it.... You know yourself."

Nikita banged the door and set his back against it. "But if I go out
what harm will it do?" asked Andréi Yéfimitch. "I don't understand!
Nikita, I must go out!" he cried in a trembling voice. "I must go!"

"Don't create disorder; it is not right!" said Nikita in an edifying
tone.

"The devil knows what is the meaning of this!" suddenly screamed Iván
Dmítritch, jumping from his bed. "What right has he to refuse to let
us go? How dare they keep us here? The law allows no man to be deprived
of freedom without a trial! This is violence ... tyranny!"

"Of course it is tyranny," said Andréi Yéfimitch, encouraging Gromof.
"I must go! I have to go out! He has no right! Let me out, I tell you!"

"Do you hear, stupid dog!" screamed Ivrin Dmítritch, thumping the door
with his fists. "Open, or I will smash the door! Blood-sucker!"

"Open!" cried Andréi Yéfimitch, trembling all over: "I demand it!"

"Talk away!" answered Nikita through the door. "Talk away!"

"Go, then, for Yevgéniï Feódoritch! Say that I ask him to come ... For
a minute!"

"To-morrow he will come all right."

"They will never let us go!" cried Iván Dmítritch. "We will all die
here! Oh, God, is it possible that in the other world there is no hell,
that these villains will be forgiven? Where is there justice? Open,
scoundrel, I am choking!" Gromof cried out in a hoarse voice, and
flung himself against the door. "I will dash my brains out! Assassins!"

Nikita flung open the door, and with both hands and his knees roughly
pushed Andréi Yéfimitch back into the room, and struck him with his
clenched fist full in the face. It seemed to Andréi Yéfimitch that
a great salt wave had suddenly dashed upon his head and flung him
upon his bed; in his mouth was a taste of salt, and the blood seemed
to burst from his gums. As if trying to swim away from the wave, he
flourished his arms and seized the bedstead. But at this moment Nikita
struck him again and again in the back. Iván Dmítritch screamed loudly.
He also had evidently been beaten.

Then all was quiet Liquid moonlight poured through between the iron
bars, and on the floor lay a network shadow. All were terrified. Andréi
Yéfimitch lay on the bed and held his breath in terror, awaiting
another blow.

It seemed as if someone had taken a sickle, thrust it into his chest
and turned it around. In his agony he bit his pillow and ground
his teeth, and suddenly into his head amid the chaos flashed the
intolerable thought that such misery had been borne year after
year by these helpless men who now lay in the moonlight like black
shadows about him. In twenty years he had never known of it, and
never wanted to know. He did not know, he had no idea of their
wretchedness, therefore he was not guilty; but conscience, as rude and
unaccommodating as Nikita's fists, sent an icy thrill through him from
head to foot. He jumped from his bed and tried to scream with all his
might, to fly from the ward and kill Nikita, and Khobótoff, and the
superintendent, and the feldscher, and himself. But not a sound came
from his throat, his feet rebelled against him, he panted, he tore his
gown and shirt, and fell insensible on the bed.



XIX


Next morning his head ached, his cars hummed, and he was weak. The
memory of his weakness of the day before made him feel ashamed.
Yesterday he had shown a petty spirit, he had feared even the moon, and
honestly expressed feelings and thoughts which he had never suspected
could exist in himself. For instance, the thought about the discontent
of philosophic triflers. But now he was quite indifferent.

He neither ate nor drank, but lay motionless and silent.

"It is all the same to me," he thought when he was questioned. "I shall
not answer.... It is all the same...."

After dinner Mikhail Averyanitch brought him a quarter of a pound of
tea and a pound of marmalade. Dáryushka also came, and for a whole
hour stood beside the bed with a dull expression of uncomprehending
affliction. Doctor Khobótoff also paid him a visit. He brought a phial
of bromide of potassium, and ordered Nikita to fumigate the ward.

Towards evening Andréi Yéfimitch died from an apoplectic stroke. At
first he felt chill, and sickness; something loathsome like rotting
sour cabbage or bad eggs seemed to permeate his whole body even to his
fingers, to extend from his stomach to his head, and to flow in his
eyes and ears. A green film appeared before his eyes. Andréi Yéfimitch
realised that his hour had come; and remembered that Iván Dmítritch,
Mikhail Averyanitch, and millions of others believed in immortality.
But immortality he did not desire, and thought of it only for a moment.
A herd of antelopes, extraordinarily beautiful and graceful, of which
he had been reading the day before, rushed past him; then a woman
stretched out to him a hand holding a registered letter.... Mikhail
Averyanitch said something. Then all vanished and Andréi Yéfimitch died.

The servants came in, took him by the shoulders and legs, and carried
him to the chapel. There he lay on a table with open eyes, and at night
the moon shone down upon him. In the morning came Sergéi Sergéyitch,
piously prayed before a crucifix, and closed the eyes of his former
chief. Next day Andréi Yéfim itch was buried. Only Mikhail Averyanitch
and Dáryushka were present at the funeral.







*** END OF THE PROJECT GUTENBERG EBOOK THE BLACK MONK, AND OTHER STORIES ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.