Title : Index of the Project Gutenberg Works of Nathaniel Hawthorne
Author : Nathaniel Hawthorne
Editor : David Widger
Release date
: April 14, 2019 [eBook #59280]
Most recently updated: February 25, 2021
Language : English
Credits : Produced by David Widger
CHAPTER | |
INTRODUCTORY NOTE | |
AUTHOR'S PREFACE | |
I. | THE OLD PYNCHEON FAMILY |
II. | THE LITTLE SHOP-WINDOW |
III. | THE FIRST CUSTOMER |
IV. | A DAY BEHIND THE COUNTER |
V. | MAY AND NOVEMBER |
VI. | MAULE'S WELL |
VII. | THE GUEST |
VIII. | THE PYNCHEON OF TO-DAY |
IX. | CLIFFORD AND PHOEBE |
X. | THE PYNCHEON GARDEN |
XI. | THE ARCHED WINDOW |
XII. | THE DAGUERREOTYPIST |
XIII. | ALICE PYNCHEON |
XIV. | PHOEBE'S GOOD-BYE |
XV. | THE SCOWL AND SMILE |
XVI. | CLIFFORD'S CHAMBER |
XVII. | THE FLIGHT OF TWO OWLS |
XVIII. | GOVERNOR PYNCHEON |
XIX. | ALICE'S POSIES |
XX. | THE FLOWER OF EDEN |
XXI. | THE DEPARTURE |
The Snow Image: A Childish Miracle |
The Great Stone Face |
Ethan Brand |
The Canterbury Pilgrims |
The Devil in Manuscript |
My Kinsman, Major Molineux |
INTRODUCTION |
THE GREAT STONE FACE |
THE AMBITIOUS GUEST |
THE GREAT CARBUNCLE |
SKETCHES FROM MEMORY |
I. | OLD MOODIE |
II. | BLITHEDALE |
III. | A KNOT OF DREAMERS |
IV. | THE SUPPER-TABLE |
V. | UNTIL BEDTIME |
VI. | COVERDALE'S SICK CHAMBER |
VII. | THE CONVALESCENT |
VIII. | A MODERN ARCADIA |
IX. | HOLLINGSWORTH, ZENOBIA, PRISCILLA |
X. | A VISITOR FROM TOWN |
XI. | THE WOOD-PATH |
XII. | COVERDALE'S HERMITAGE |
XIII. | ZENOBIA'S LEGEND |
XIV. | ELIOT'S PULPIT |
XV. | A CRISIS |
XVI. | LEAVE-TAKINGS |
XVII. | THE HOTEL |
XVIII. | THE BOARDING-HOUSE |
XIX. | ZENOBIA'S DRAWING-ROOM |
XX. | THEY VANISH |
XXI. | AN OLD ACQUAINTANCE |
XXII. | FAUNTLEROY |
XXIII. | A VILLAGE HALL |
XXIV. | THE MASQUERADERS |
XXV. | THE THREE TOGETHER |
XXVI. | ZENOBIA AND COVERDALE |
XXVII. | MIDNIGHT |
XXVIII. | BLITHEDALE PASTURE |
XXIX. | MILES COVERDALE'S CONFESSION |
CHAPTER I | MIRIAM, HILDA, KENYON, DONATELLO |
CHAPTER II | THE FAUN |
CHAPTER III | SUBTERRANEAN REMINISCENCES |
CHAPTER IV | THE SPECTRE OF THE CATACOMB |
CHAPTER V | MIRIAM'S STUDIO |
CHAPTER VI | THE VIRGIN'S SHRINE |
CHAPTER VII | BEATRICE |
CHAPTER VIII | THE SUBURBAN VILLA |
CHAPTER IX | THE FAUN AND NYMPH |
CHAPTER X | THE SYLVAN DANCE |
CHAPTER XI | FRAGMENTARY SENTENCES |
CHAPTER XII | A STROLL ON THE PINCIAN |
CHAPTER XIII | A SCULPTOR'S STUDIO |
CHAPTER XIV | CLEOPATRA |
CHAPTER XV | AN AESTHETIC COMPANY |
CHAPTER XVI | A MOONLIGHT RAMBLE |
CHAPTER XVII | MIRIAM'S TROUBLE |
CHAPTER XVIII | ON THE EDGE OF A PRECIPICE |
CHAPTER XIX | THE FAUN'S TRANSFORMATION |
CHAPTER XX | THE BURIAL CHANT |
CHAPTER XXI | THE DEAD CAPUCHIN |
CHAPTER XXII | THE MEDICI GARDENS |
CHAPTER XXIII | MIRIAM AND HILDA |
CHAPTER XXIV | THE TOWER AMONG THE APENNINES |
CHAPTER XXV | SUNSHINE |
CHAPTER XXVI | THE PEDIGREE OF MONTE BENI |
CHAPTER XXVII | MYTHS |
CHAPTER XXVIII | THE OWL TOWER |
CHAPTER XXIX | ON THE BATTLEMENTS |
CHAPTER XXX | DONATELLO'S BUST |
CHAPTER XXXI | THE MARBLE SALOON |
CHAPTER XXXII | SCENES BY THE WAY |
CHAPTER XXXIII | PICTURED WINDOWS |
CHAPTER XXXIV | MARKET-DAY IN PERUGIA |
CHAPTER XXXV | THE BRONZE PONTIFF'S BENEDICTION |
CHAPTER XXXVI | HILDA'S TOWER |
CHAPTER XXXVII | THE EMPTINESS OF PICTURE GALLERIES |
CHAPTER XXXVIII | ALTARS AND INCENSE |
CHAPTER XXXIX | THE WORLD'S CATHEDRAL |
CHAPTER XL | HILDA AND A FRIEND |
CHAPTER XLI | SNOWDROPS AND MAIDENLY DELIGHTS |
CHAPTER XLII | REMINISCENCES OF MIRIAM |
CHAPTER XLIII | THE EXTINCTION OF A LAMP |
CHAPTER XLIV | THE DESERTED SHRINE |
CHAPTER XLV | THE FLIGHT OF HILDA'S DOVES |
CHAPTER XLVI | A WALK ON THE CAMPAGNA |
CHAPTER XLVII | THE PEASANT AND CONTADINA |
CHAPTER XLVIII | A SCENE IN THE CORSO |
CHAPTER XLIX | A FROLIC OF THE CARNIVAL |
CHAPTER L | MIRIAM, HILDA, KENYON, DONATELLO |
PREFACE | |
THE LIFE AND GENIUS OF NATHANIEL HAWTHORNE | |
CHAPTER I. | SALEM AND THE HATHORNES: 1630-1800 |
CHAPTER II. | BOYHOOD OF HAWTHORNE: 1804-1821 |
CHAPTER III. | BOWDOIN COLLEGE: 1821-1825. |
CHAPTER IV. | LITTLE MISERY: 1825-1835 |
CHAPTER V. | EOS AND EROS: 1835-1839 |
CHAPTER VI. | PEGASUS AT THE CART: 1839-1841 |
CHAPTER VII. | HAWTHORNE AS A SOCIALIST: 1841-1842 |
CHAPTER VIII. | CONCORD AND THE OLD MANSE: 1842-1845 |
CHAPTER IX. | “MOSSES PROM AN OLD MANSE”: 1845 |
CHAPTER X. | FROM CONCORD TO LENOX: 1845-1849 |
CHAPTER XI. | PEGASUS IS FREE: 1850-1852 |
CHAPTER XII. | THE LIVERPOOL CONSULATE: 1852-1854 |
CHAPTER XIII. | HAWTHORNE IN ENGLAND: 1854-1858 |
CHAPTER XIV. | ITALY |
CHAPTER XV. | HAWTHORNE AS ART CRITIC: 1858 |
CHAPTER XVI. | “THE MARBLE FAUN”: 1859-1860 |
CHAPTER XVII. | HOMEWARD BOUND: 1860-1862 |
CHAPTER XVIII. | IMMORTALITY |
APPENDICES | |
APPENDIX A | |
APPENDIX B | |
APPENDIX C | |
INDEX |
OUR OLD HOME. |
CONSULAR EXPERIENCES. |
LEAMINGTON SPA. |
ABOUT WARWICK. |
RECOLLECTIONS OF A GIFTED WOMAN. |
LICHFIELD AND UTTOXETER. |
PILGRIMAGE TO OLD BOSTON. |
NEAR OXFORD. |
SOME OF THE HAUNTS OF BURNS. |
A LONDON SUBURB. |
UP THE THAMES. |
OUTSIDE GLIMPSES OF ENGLISH POVERTY. |
CIVIC BANQUETS. |
PAGE | |
Lord Nelson | Frontispiece. |
NEAR OXFORD | 281 |
Blenheim | 292 |
The Thames at Oxford from Folly Bridge | 318 |
Magdalen College, Oxford, from the Cherwell | 322 |
SOME OF THE HAUNTS OF BURNS | 325 |
Robert Burns | 334 |
Burns's Birthplace, Alloway Parish, near Ayr | 350 |
The Auld Brig o' Doon, Ayr | 354 |
Alloway Kirk | 356 |
A LONDON SUBURB | 359 |
A Country House | 364 |
The Houses of Parliament | 374 |
UP THE THAMES | 411 |
London Bridge | 412 |
Tower of London, showing Traitors' Gate | 428 |
St. Paul's Cathedral | 430 |
Poets' Corner, Westminster Abbey | 452 |
OUTSIDE GLIMPSES OF ENGLISH POVERTY | 470 |
An English Almshouse | 500 |
CIVIC BANQUETS | 527 |
|
|
|
|
CHIEFLY ABOUT WAR MATTERS. |
ALICE DOANE’S APPEAL. |
THE ANCESTRAL FOOTSTEP |
THE ANCESTRAL FOOTSTEP. |
I. The Inland Port. |
II. Rochester. |
III. A Night Scene. |
My Visit To Niagara |
The Antique Ring |
Graves And Goblins |
Mrs. Hutchinson |
Sir William Phips |
Sir William Pepperell |
Thomas Green Fessenden |
Jonathan Cilley |
BENJAMIN WEST. |
SIR ISAAC NEWTON. |
SAMUEL JOHNSON. |
OLIVER CROMWELL. |
BENJAMIN FRANKLIN. |
QUEEN CHRISTINA. |
Preface |
THE WHOLE HISTORY OF GRANDFATHER'S CHAIR |
Part I |
Chapter I |
Chapter II |
THE LADY ARBELLA |
Chapter III |
Chapter IV |
Chapter V |
Chapter VI |
THE PINE-TREE SHILLINGS |
Chapter VII |
Chapter VIII |
THE INDIAN BIBLE |
Chapter IX |
Chapter X |
THE SUNKEN TREASURE |
Chapter XI |
Part II |
Chapter I |
Chapter II |
Chapter III |
THE OLD-FASHIONED SCHOOL |
Chapter IV |
Chapter VI |
THE REJECTED BLESSING |
Chapter VII |
Chapter VIII |
THE PROVINCIAL MUSTER |
Chapter IX |
THE ACADIAN EXILES |
Chapter X |
Chapter XI |
Part III |
Chapter I |
Chapter II |
Chapter III |
THE HUTCHINSON MOB |
Chapter IV |
Chapter V |
THE BOSTON MASSACRE |
Chapter VI |
Chapter VII |
Chapter VIII |
Chapter IX |
THE TORY'S FAREWELL |
Chapter X |
Chapter XI |
GRANDFATHER'S DREAM |
Biographical Stories |
Chapter I |
Chapter II |
BENJAMIN WEST |
Chapter III |
SIR ISAAC NEWTON |
Chapter IV |
SAMUEL JOHNSON |
Chapter V |
SAMUEL JOHNSONâ?" continued. |
Chapter VI |
OLIVER CROMWELL |
Chapter VII |
BENJAMIN FRANKLIN |
Chapter VIII |
BENJAMIN FRANKLINâ?" continued |
Chapter IX |
QUEEN CHRISTINA |
PAGE | |
THE GORGON'S HEAD. | |
Tanglewood Porch. —Introductory to The Gorgon's Head | 1 |
The Gorgon's Head | 7 |
Tanglewood Porch. —After the Story | 39 |
THE GOLDEN TOUCH. | |
Shadow Brook. —Introductory to The Golden Touch | 42 |
The Golden Touch | 46 |
Shadow Brook. —After the Story | 69 |
THE PARADISE OF CHILDREN. | |
Tanglewood Play-Room. —Introductory to The Paradise of Children | 73 |
The Paradise of Children | 78 |
Tanglewood Play-Room. —After the Story | 100 |
THE THREE GOLDEN APPLES. | |
Tanglewood Fireside. —Introductory to The Three Golden Apples | 102 |
The Three Golden Apples | 109 |
Tanglewood Fireside. —After the Story | 136 |
THE MIRACULOUS PITCHER. | |
The Hill-Side. —Introductory to The Miraculous Pitcher | 140 |
The Miraculous Pitcher | 144 |
The Hill-Side. —After the Story | 170 |
THE CHIMÆRA. | |
Bald-Summit. —Introductory to The Chimæra | 172 |
The Chimæra | 176 |
Bald-Summit. —After the Story | 206 |
Half-Title | i |
Frontispiece—Bellerophon on Pegasus. | |
Title | iii |
Preface | v |
Tailpiece | vi |
Contents | vii |
List of Designs | ix |
Tailpiece | x |
Headpiece— Tanglewood Porch | 1 |
THE GORGON'S HEAD—Headpiece | 7 |
Perseus and the Graiæ | 22 |
Perseus armed by the Nymphs | 26 |
Perseus and the Gorgons | 32 |
Perseus showing the Gorgon's Head | 36 |
Tailpiece | 38 |
Headpiece— Tanglewood Porch , After the Story | 39 |
Tailpiece | 41 |
Headpiece— Shadow Brook | 42 |
THE GOLDEN TOUCH—Headpiece | 46 |
The Stranger appearing to Midas | 50 |
Midas' Daughter turned to Gold | 62 |
Midas with the Pitcher | 66 |
Tailpiece | 68 |
Headpiece— Shadow Brook , After the Story | 69 |
Tailpiece | 72 |
Headpiece— Tanglewood Play-Room | 73 |
Tailpiece | 77 |
THE PARADISE OF CHILDREN—Headpiece | 78 |
Pandora wonders at the Box | 80 |
Pandora desires to open the Box | 86 |
Pandora opens the Box | 92 |
Tailpiece | 96 -x- |
Headpiece— Tanglewood Play-Room , After the Story | 100 |
Headpiece— Tanglewood Fireside | 102 |
Tailpiece | 108 |
THE THREE GOLDEN APPLES—Headpiece | 109 |
Hercules and the Nymphs | 112 |
Hercules and the Old Man of the Sea | 120 |
Hercules and Atlas | 126 |
Tailpiece | 135 |
Headpiece— Tanglewood Fireside , After the Story | 136 |
Tailpiece | 139 |
Headpiece— The Hill-Side | 140 |
Tailpiece | 143 |
THE MIRACULOUS PITCHER—Headpiece | 144 |
Philemon and Baucis | 144 |
The Strangers in the Village | 148 |
The Strangers entertained | 158 |
Tailpiece | 169 |
Headpiece— The Hill-Side , After the Story | 170 |
Tailpiece | 171 |
Headpiece— Bald Summit | 172 |
Tailpiece | 175 |
THE CHIMÆRA—Headpiece | 176 |
Bellerophon at the Fountain | 180 |
Bellerophon slays the Chimæra | 200 |
Tailpiece | 205 |
Headpiece— Bald Summit , After the Story | 206 |
Tailpiece | 210 |
Preface |
A WONDER BOOK |
THE GORGON'S HEAD |
THE GOLDEN TOUCH |
THE PARADISE OF CHILDREN |
THE THREE GOLDEN APPLES |
THE MIRACULOUS PITCHER |
THE CHIMÆRA |
TANGLEWOOD TALES |
THE WAYSIDE |
THE MINOTAUR |
THE PYGMIES |
THE DRAGON'S TEETH |
CIRCE'S PALACE |
THE POMEGRANATE SEEDS |
THE GOLDEN FLEECE |
Jason and the Talking Oak |
Pandora |
Atlas |
Bellerophon by the Fountain of Pirene |
The Fountain of Pirene |
Cadmus Sowing the Dragon's Teeth |
Circe's Palace |
Proserpina |
Jason and his Teacher |
The Argonauts in Quest of the Golden Fleece |
The Minotaur |
The Pygmies |
The Dragon's Teeth |
Circe's Palace |
The Pomegranate Seeds |
The Golden Fleece |
Cadmus beheld a female figure, wonderfully beautiful |
He tugged and toiled amain |
She whipped up the snakes and ascended high over the city |
"Thou hast slain the monster", cried Ariadne, clasping her hands |
He concluded that his dear son had been eaten by the Minotaur |
This giant and these pygmies were all brethren |
The giant gave them his brotherly kindness |
They were constantly at war with the cranes |
"Alas! my dear children", answered poor Queen Telephassa |
"Sacred Oracle of Delphi, wither shall I go"? |
This pitiless reptile had killed his poor companions |
At a distance he beheld stately towers |
The voyagers examined the web of cloth |
"Wretch"! cried Circe |
They brought along with them a great many beautiful shells |
So she peeped into the entrance of the cave |
They arrived at the sunniest spot in the world |
"I shall not touch it I assure you", said she |
"What shall I do"? said he |
"I am the king's daughter" |
At the appointed hour he met the beautiful Medea |
"What is it"? asked Jason |
Page | ||
The Custom House.—Introductory | 1 | |
THE SCARLET LETTER. | ||
I. | The Prison-Door | 51 |
II. | The Market-Place | 54 |
III. | The Recognition | 68 |
IV. | The Interview | 80 |
V. | Hester at her Needle | 90 |
VI. | Pearl | 104 |
VII. | The Governor's Hall | 118 |
VIII. | The Elf-Child and the Minister | 129 |
IX. | The Leech | 142 |
X. | The Leech and his Patient | 155 |
XI. | The Interior of a Heart | 168 |
XII. | The Minister's Vigil | 177 |
XIII. | Another View of Hester | 193 |
[vi] XIV. | Hester and the Physician | 204 |
XV. | Hester and Pearl | 212 |
XVI. | A Forest Walk | 223 |
XVII. | The Pastor and his Parishioner | 231 |
XVIII. | A Flood of Sunshine | 245 |
XIX. | The Child at the Brook-side | 253 |
XX. | The Minister in a Maze | 264 |
XXI. | The New England Holiday | 277 |
XXII. | The Procession | 288 |
XXIII. | The Revelation of the Scarlet Letter | 302 |
XXIV. | Conclusion | 315 |
Page | |
The Custom-House | 1 |
The Prison Door | 49 |
Vignette,—Wild Rose | 51 |
The Gossips | 57 |
“ Standing on the Miserable Eminence ” | 65 |
“ She was led back to Prison ” | 78 |
“ The Eyes of the wrinkled Scholar glowed ” | 87 |
The Lonesome Dwelling | 93 |
Lonely Footsteps | 99 |
Vignette | 104 |
A touch of Pearl's baby-hand | 113 |
Vignette | 118 |
The Governor's Breastplate | 125 |
“ Look thou to it! I will not lose the child! ” | 135 |
The Minister and Leech | 148 |
[viii] The Leech and his Patient | 165 |
The Virgins of the Church | 172 |
“ They stood in the noon of that strange splendor ” | 185 |
Hester in the House of Mourning | 195 |
Mandrake | 211 |
“ He gathered herbs here and there ” | 213 |
Pearl on the Sea-Shore | 217 |
“ Wilt thou yet forgive me? ” | 237 |
A Gleam of Sunshine | 249 |
The Child at the Brook-Side | 257 |
Chillingworth,—“Smile with a sinister meaning ” | 287 |
New England Worthies | 289 |
“ Shall we not meet again? ” | 311 |
Hester's Return | 320 |
Act I |
Scene
I
Scene II Scene III |
Act II |
Scene
I
Scene II Scene III |
Act III |
Scene
I
Scene II Scene III |
Act IV |
Scene
I
Scene II |
PAGE | |
Editor's Introduction | V |
Dr. Heidegger's Experiment | 1 |
The Birthmark | 21 |
Ethan Brand | 53 |
Wakefield | 83 |
Drowne's Wooden Image | 101 |
The Ambitious Guest | 125 |
The Great Stone Face | 141 |
The Gray Champion | 177 |