Title : The legend of the blemished king, and other poems
Author : James Henry Cousins
Illustrator : Louis H. Victory
Release date
: August 16, 2019 [eBook #60108]
Most recently updated: January 24, 2021
Language : English
Credits
: Produced by Chuck Greif, MWS, Bryan Ness and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)
THE LEGEND
OF THE
BLEMISHED KING
AND OTHER POEMS.
A FEW COPIES REMAINING.
The Little Library—Vol. I.
IDYLLS
By LAURA JEAN DOUGLAS.
MODERATOR says:—“Some of the most exquisite prose we have read for many a day.”
IRISH NEWS (Belfast) says:—“In the ten ‘Idylls’ which Miss Douglas contributes, we have a group of the sweetest prose poetry possible.... A gallery of lovely pictures.... A thing of beauty and a joy for ever.... The turn-out of the book is equal to anything of the same kind produced in London.”
MRS. ALICE A. PITMAN , author of “ TALES FROM LONDON LIFE ,” says:—“The pictures are beautifully conceived, and elegantly portrayed.”
IRISH FIGARO says:—“I am grateful to all who essay in a sincere spirit the difficult task of making Dublin a book-producing place. In ‘The Little Library,’ author, editor, publisher, and draughtsman have combined in an honest endeavour to attain that desirable end. The writer of ‘Idylls’ gives us ten short prose-poems, of which I take the liberty to give the first in its entirety as a specimen. It is entitled, ‘A Rose Garden.’... This is a beautiful picture.”
JAMES H. COUSINS says:—“Beautiful prose fancies.”
IRISH DAILY INDEPENDENT says:—“The book is beautifully produced, and a credit to Dublin.”
SCOTTISH SOCIETY says:—“The weirdly-covered little book with the strange frontispiece which comes to us under the title of ‘Idylls,’ will be read with great enjoyment by all whose sense of literary quality is sufficiently educated to appreciate the extreme delicacy of word-painting in water-colours, if it may be so expressed.... In every sense of the word, they are perfect representations of the idyll in its purest form,... impossible to criticise, and difficult properly to praise. {7} ”
THE LITTLE LIBRARY.—VOL. 2.
EDITED BY M. J. KEATS.
BY
JAMES H. COUSINS.
WITH COVER DRAWN BY LOUIS H. VICTORY.
Dublin
:
BERNARD DOYLE, FRANKLIN PRINTING WORKS,
9 Upper Ormond Quay
.
——
1897.
AND
TO THE COMPANION OF MY WANDERINGS
AMONG MOST
OF THE SCENES HEREIN MENTIONED,
WHOSE PRESENCE
GILDED THE SUN THAT SHINES UPON,
AND PAINTED THE FLOWERS THAT BEDECK
THE
“FAIR HILLS OF HOLY IRELAND.”
Wordsworth, writing a sonnet, having for its subject the sonnet-form, said:—
and all those who have essayed the task of composing in this particular form will admit that Wordsworth’s definition—“scanty plot of ground”—characterises the sonnet’s limitations precisely.
As will be observed in the following pages, Mr. Cousins not only excels as a sonneteer; but in “The Legend of the Blemished King” he performs the remarkable feat of producing a poem of classical character, containing forty-eight stanzas, cast perfectly in the no less difficult mould known as the Spenserian stanza—eight heroic lines, followed by an Alexandrine, rhyming thus:—1, 3; 2, 4, 5, 7; 6, 8, 9.
The subject, however more than the technique, is remarkable. It will have an especial attraction for all who are interested in the ancient literature of Ireland; and, indeed it should be of universal interest, because of the fact that this story of Fergus bears a strong resemblance to the Scriptural narrative of Eden and the Fall of Man. It is a kind of allegory common to all ancient races, containing in its heart an unobtruded moral, wrapped in dramatic incident and decorated with charming pictures of land and sea.
It is, in short, what Fiona M’Leod would call a “legendary morality.”
The other poems are equally admirable; and, indeed, however considered, I think that this book should prove a valuable addition to the best literary products of Ireland.
[ Note :—I am indebted to “The Ecclesiastical History of Down and Connor,” by Rev. James O’Laverty, for the story of the “Blemished King.” Believing it to be comparatively unknown, and desiring, as far as lay in my power, to spread a knowledge of the interesting stories and legends which abound in Irish History and Literature, I translated it into verse. I learn, however, that a poem on the same subject has been written by the late Sir Samuel Ferguson, under the title of “Fergus Wry-mouth.” I can only plead justification for running the inevitable gauntlet of comparison between a giant and a pigmy, on the ground that I had already committed myself to the publication of the present version of the legend before I became aware of the fact mentioned. I have not read the poem by Sir Samuel Ferguson, and I shall not do so until after this volume is in print; but I have written Lady Ferguson on the matter, and she very kindly refuses to see any possible objection to the publication of my rendering of the story, seeing that it contains almost as many stanzas as there are lines in Sir Samuel’s.
The Loch of Rory ( ), the centre around which the following story moves, is Dundrum Bay. That bay is still remarkable for its roar, which has been frequently referred to by ancient writers. Even a modern poet (S. K. Cowan, in “Sung by Six”) has written of the bay, “where deep seas moan.” Other evidences point to the identity of Rory and Dundrum, in opposition to the conjectures of some that the present Belfast Lough was the scene of the incidents contained in the “Legend of the Blemished King.”— The Author. ]
To J. A. Gregg.
——
[ Note. —Saint Mahee ( ) was born about 420 A.D. , founded the Abbey of Endrim ( —the single ridge), on the beautiful island bearing that name, about 450, and died in the year 496 or 497. For several centuries the Abbey, in which education and religion were combined, occupied a prominent position, and turned out a number of subsequent founders of similar institutions. Between 974 and 1178 history is silent in regard to it, but it is certain that, from its position on Cuan ( —a lough, now Strangford), which was infested by Danish marauders, it came in for a large share of their devastating attentions. From the date of its affiliation with an English educational establishment, 1178, it seems to have fallen on evil days, and in 1450 it is simply noted as a Parish Church in the charge of the Bishop of Down.
The Island of Endrim—or, as it is now called, in memory of its Patron Saint, Mahee—is situated most picturesquely on Strangford Lough, about seven miles from Comber, Co. Down, and is approachable on foot or car by a modern causeway-road, which crosses an intervening island. On the shoreward end of the island may be seen many remnants of the stone buildings which superseded the original wooden structures. These remnants include the stump of a round tower; traces of extensive foundations once laid bare by the late Bishop Reeves, but now almost entirely hidden from view; the site of the harbour where anchored “ships from Britain;” evidences of a hallowed God’s-acre, and a fairly complete castle of a later period. The circuit of the island can be made on foot leisurely in a couple of hours, and the walk affords a view of the extensive waters of the once Dane-infested lough, the distant hoary walls of Greyabbey, the haunts of Saint Patrick, the reputed scene of the death {52} of Ollav Fola ( , the lawgiver of Erin), and the martial deeds of De Courcey.
Ballydrain, about half-way between Comber and Mahee Island, is so-called from , a townland, and , a blackthorn tree; and the reader will observe the connection between this place and the Island of Mahee. No trace of a church has yet been discovered at Ballydrain.
The idea contained in the Legend has been variously rendered by several eminent authors. The incident in which it is here embodied may, however, be fairly claimed as the oldest version—the original, in fact.— The Author. ]
(A Ballad of Armenia.)
(To remind him that the Genius of Ireland, nigh twenty centuries ago, taught the dull ears of the world the subtleties and charms of the rhyme of which he is now acknowledged master.)
In the beginning the Heaven and the Earth were wedded together, and then was the golden age of joy and beauty. But something occurred which destroyed the union, and the Heaven and the Earth were parted amid the tears of Nature, which men call the dew. — Legend Of South Sea Islands.
FOOTNOTE: