The Project Gutenberg eBook of This Way to the Egress This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: This Way to the Egress Author: Andrew Fetler Release date: February 6, 2020 [eBook #61332] Language: English Credits: Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK THIS WAY TO THE EGRESS *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net THIS WAY TO THE EGRESS BY ANDREW FETLER He heard children's voices, but there couldn't be any children--not in that terrible place! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "In the middle of the night," the man said to the landlady over a soft-boiled egg and a slice of toast. "Right under my window." He leaned forward. "You know how children talk to themselves?" "Was it the same voice you heard the first two nights?" Mrs. Tilton asked. "I'm not sure now about the first night. Might have been another voice that first night." "And now it was a child?" "Yes." Mrs. Tilton rose to get the coffee. "Are you quite sure?" "You don't think I'm imagining?" "We have no children," she said. "A neighbor's, no doubt." "There isn't a child in the whole village, Mr. Coat." "That's what puzzles me. Don't you think we ought to report it?" "I'll get your coffee," she said, and went into the kitchen. "I didn't actually _see_ the child," he called to her. "But I'm sure I heard the voice." The woman brought the cup of coffee; she had poured it in the kitchen. The first two mornings, he remembered, she had set the coffee pot on the table. "Aren't you having any?" he asked. "I had mine, thank you. Will you want anything else?" He could see past her into the kitchen--the corner of a large wood-burning stove and a row of brass pots. The floor was flagstoned and a hand pump stood over a sink. "Do you really grow your own strawberries?" he asked. "Yes. Would you like some?" "Very much." Mrs. Tilton went to get the berries. She had forgotten to serve cream with the coffee. The coffee had a bitter taste and a faint smell of iodine. But he was not used to natural coffee. And without cream. He took another sip and slowly stretched his stiff legs. In the window he saw lilac bushes in bloom. "Picked this morning," Mrs. Tilton said, setting a bowl of strawberries before him. "Oh, thank you." He sniffed at the berries. "They smell of earth," he said, smiling at her. "You might like a walk after breakfast," Mrs. Tilton suggested. "Then you can have a restful nap at noon." "Good idea," he said. "Excuse me, but the coffee seems bitter." Mrs. Tilton looked at the old man as if she did not understand. "I'm afraid I'm a nuisance," he apologized, "but I take cream with my coffee." "I'm sorry, I forgot." She brought a small cream pitcher. * * * * * The old man turned the pitcher in his hand. It was lopsided and made of inferior clay "Do you make your own pottery, too?" "Such as it is." "Charming." He set down the pitcher and leaned back with a sigh. "You know, I pretended I did not want a rest, but I could hardly wait to see the country again." "You weren't born in the city?" "I was born in a village no larger than this. Of course it's all gone now, swallowed up by the city. But in those days it was an hour's heliride from the city. I remember a thing or two." Mrs. Tilton watched him drink the coffee. "Not many people left who remember those days," he said. "For instance, did you know that unadjustables--they called them criminals then--were actually electrocuted? Strapped down to a horrible chair--" "Don't you want the strawberries, Mr. Coat?" He looked down at the strawberries in the bowl. "Just imagine--" but he forgot what he had wanted to say. The woman went into the kitchen. He had just finished drinking the coffee when he heard the child's voice in the lane outside the window. The same voice. He crossed to the window and looked out. The lane was empty. "Mrs. Tilton!" He heard no answer. He went into the kitchen. The door to the garden stood open. He saw her working in a vegetable patch. "Pst ... pst!" She looked up. "Did you see the child?" he called. "It must have turned into the garden." Mrs. Tilton straightened herself, holding her back with both hands. "The child?" "The voice, I just heard it again." "I'll be with you in a moment, Mr. Coat." He looked round the kitchen--the antique flagstones, the brass pots, the stove, the hand pump. There was only one anachronism: on the wall by the door, stuck behind a cluster of radishes, was a World Union Telegram. Out in the vegetable patch, he saw Mrs. Tilton was looking about for something. On an impulse he took down the telegram, and read: RECOAT IF VOICES PERSIST TO THIRD MORNING PROCEED EUTHANASIA SUGGEST USING COFFEE FORMULA TWO ADVISE OFFICE OF CHIEF PSYCH WMA He stuck the telegram behind the radishes and looked out the door. Mrs. Tilton was coming with a basket on her arm. "You heard the child again, Mr. Coat?" "Perhaps ... I was mistaken." "Strange, I saw nobody." She put the basket on the kitchen table; it was filled with peas. "Did you have enough coffee?" He nodded. "Aren't you feeling well?" "I ... am fine. Yes." The executioner looked as if she could not make up her mind about him. Then she smiled. She brought out a wooden bowl, and sat down at the table to shell the peas. "Why don't you take your walk now? You'll enjoy our little market place." "Yes." Such a nice day, he thought, shuffling to the window. Spring. * * * * * He had enjoyed the market yesterday until he had noticed that there were no children about. No children at all. Only adult primitives and a few well-trained functionaries like Mrs. Tilton. In the sky in the window he saw a rocket cutting a thin line as it left the atmosphere. "I'll have your bed ready for your noon nap," she said. He turned from the window. "Noon?" "You'll want a nice restful nap then." He had imagined the poisoned coffee would work faster. His heart beating, he said, "Those are peas, aren't they?" She nodded. Her hands were busy shelling. "I hung your cane on the coat rack," she said. "If you don't mind, Mrs. Tilton, I'd rather not go out today. I'd very much like to try shelling peas for you." "Why, of course. Pull up that chair, why don't you?" Sitting down, he reached his trembling hands into the basket and came up with a handful of the green wonders. Mrs. Tilton moved the basket nearer him. "After a while I'll go up to my room," he promised. "I feel a little tired already." "Certainly." He split a shell and slid his thumb under the peas. They rolled into his hand. He counted nine. He dropped them in the bowl, then put one in his mouth and chewed. It had a sweet taste. "Thank you, Mrs. Tilton." "Not at all, Mr. Coat." *** END OF THE PROJECT GUTENBERG EBOOK THIS WAY TO THE EGRESS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. 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