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Title : Phil May: Sketches from "Punch."

Author : Phil May

Author of introduction, etc. : Owen Seaman

Release date : March 7, 2021 [eBook #64738]

Language : English

Credits : Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK PHIL MAY: SKETCHES FROM "PUNCH." ***

Contents.

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Phil May

Sketches from
“P U N C H.”

P h i l   M a y
Sketches from
“PUNCH.”




LONDON:
“Punch” Office, 10, Bouverie Street, E.C.


Bradbury, Agnew & Co., Ltd.,
Printers,
London and Tonbridge.

Phil May.

Born, April 22, 1864. Died, August 5, 1903.

If the death of Phil May is a loss that the world of art may not soon retrieve, to his wide circle of friends it is an irreparable hurt. He had a nature made to love; so great a charm of gentleness and unaffected modesty went with his splendid gifts. The hard times of early life, that helped him in his art, as they helped another Filippo, to “learn the look of things,” left their trace, too, in the almost reckless generosity he showed for the needs of others. Less careful for himself, he suffered as a man must suffer who has a heart too quickly responsive to the claims of good fellowship always to distinguish in others between friendship and mere camaraderie . Among his colleagues at the Table he inspired a personal affection not less frank and sincere than their admiration, never even faintly tinged with envy, for the genius from which they caught a reflected pride. Their only jealousy was of the happy possessor of the latest of those delightfully spontaneous sketches which he used to make on the backs of the Punch Dinner menus. These gifts are treasured still more dearly now, along with many unrecorded memories that linger about his vacant place.

Owen Seaman.

From Punch ,” August 12th, 1903 .

Contents

PAGE. From “Punch.”
“And she ought to know!” 2 October 14th, 1893.
Self-Criticism 3 April 4th, 1896.
The Finishing Touch 4 August 18th, 1894.
Q. E. D. 5 September 1st, 1894.
The Plunger 6 December 15th, 1894.
An Important ’Junction 7 September 22nd, 1894.
Wasted Efforts 8 May 25th, 1895.
A Sunday Dinner 9 July 27th, 1895.
Blasé 10 July 7th, 1894.
Much Ado 11 September 14th, 1895.
A Soft Answer 12 February 23rd, 1895.
Not what he meant 13 X’mas Number, 1894.
Pickings from Picardy 14 September 7th, 1895.
Botany; or, a Day in the Country 15 April 6th, 1895.
A Model 16 December 14th, 1895.
A Lecture in Store 17 February 16th, 1895.
A Sketch from Life 18 September 21st, 1895.
A Gourmand 19 June 1st, 1895.
So that doesn’t count 20 July 13th, 1895.
A Special Pleader 21 April 20th, 1895.
A Natural Query 22 March 21st, 1896.
Inappropriate 23 January 25th, 1896.
A Sketch near Piccadilly 24 October 10th, 1896.
A Threat misplaced 25 April 11th, 1896.
Obvious 26 July 25th, 1896.
An Awkward Admission 27 July 11th, 1896.
A Homely Test 28 July 24th, 1897.
At a Literary and Artistic Banquet 29 May 8th, 1897.
Notes of Travel 30 October 23rd, 1897.
Sending-in-Day at the R.A. 31 April 10th, 1897.
From Dottyville 32 August 21st, 1897.
Another from Dottyville 33 July 2nd, 1898.
Jam satis 34 March 14th, 1900.
Petticoat Lane 35 Almanack, 1898.
Feline Impressions 36 May 21st, 1898.
An Awakening 37 May 7th, 1898.
Poor Letter H 38 February 26th, 1898.
Disadvantages of Performing
at a Country House in
the Wasp Season
39 January 29th, 1898.
Art in Whitechapel 40 May 1st, 1897.
The National Sporting Club, London 41 Almanack, 1898.
Flippancy 42 September 3rd, 1898.
A Rejoinder 43 April 2nd, 1898.
An Injured Innocent 44 June 18th, 1898.
Notes from Mr. Punch’s Foreign
Sketch-book
45 December 3rd, 1898.
Critics from the Quartier Latin 46 January 25th, 1899.
’Arry in ’Olland 47 September 6th, 1899.
Mistrust 48 November 8th, 1899.
An Unexpected Reply 49 March 8th, 1899.
“The Grey Mare” 50 February 15th, 1899.
At a Garden Party 51 August 9th, 1899.
The Very Latest Discovery 52 March 29th, 1899.
Christmas comes but once a year 53 December 27th, 1899.
Malapropos 54 June 7th, 1899.
Overheard at a Country Fair 55 September 27th, 1899.
Convincing 56 September 13th, 1899.
Overheard on the Steps
of the Army and Navy Stores
57 April 19th, 1899.
Eureka! 58 January 10th, 1900.
A Soliloquy 59 January 3rd, 1900.
A Breezy Customer 60 September 5th, 1900.
A Misunderstanding 61 November 21st, 1900.
Graphic 62 March 7th, 1900.
Hard Lines 63 June 6th, 1900.
From Erin’s Isle 64 April 25th, 1900.
Mafeking Night 65 May 30th, 1900.
Another way of putting it 66 December 4th, 1901.
An Artless Query 67 December 25th, 1901.
Not a Water Drinker 68 January 23rd, 1901.
A Connoisseur 69 January 9th, 1901.
On the Village Green 70 September 18th, 1901.
“An Englishman’s House,” &c. 71 October 23rd, 1901.
Self-satisfied 72 February 27th, 1901.
Another Mr. Weller 73 February 13th, 1901.
Another from Ireland 74 September 4th, 1901.
Vanitas 75 November 27th, 1901.
Brothers in Art 76 February 26th, 1902.
The New Play 77 November 19th, 1902.
Quite Another Thing 78 December 10th, 1902.
A Big Order 79 March 19th, 1902.
Indirect Oration 80 April 9th, 1902.
Beginning Early 81 February 12th, 1902.
Candid 82 March 26th, 1902.
A Different View 83 April 23rd, 1902.
Paradoxical 84 August 20th, 1902.
Dottyville again 85 February 19th, 1902.
Awkward 86 January 29th, 1902.
An Unpopular Idol 87 December 24th, 1902.
An Empty Embrace 88 September 17th, 1902.
Overheard outside
a famous Restaurant
89 February 5th, 1902.
Unexpected Effect 90 November 12th, 1902.
Reckoning him up 91 January 8th, 1902.
Shakespeare Illustrated
( Hamlet , Act III., Sc. 1)
92 May 6th, 1903.
Shakespeare Illustrated
( Hamlet , Act I., Sc. 5)
93 October 1st, 1902.
Decisive 94 May 27th, 1903.
Amenities of the Profession 95 May 13th, 1903.
Brown’s Country House—No. 1 96 January 14th, 1903.
Brown’s Country House—No. 2 97 January 21st, 1903.
The New Act again! 98 February 18th, 1903.
!!!! 99 April 8th, 1903.
Ready for the Fray 100 January 7th, 1903.
An Echo from Broadway 101 January 28th, 1903.
Smart 102 February 25th, 1903.
Quite of her Opinion 103 July 8th, 1903.
The Genial Season 104 December 22nd, 1894.
So likely! 105 March 30th, 1895.
A Euphemism 106 October 12th, 1895.
Rather Difficult for him 107 November 14th, 1900.
The Ruling Passion 108 August 7th, 1901.
Tit for Tat 109 April 15th, 1903.
All the Difference 110 November 6th, 1901.
Strong Language 111 July 29th, 1903.
Shakespeare Illustrated
( King John , Act III., Sc. 4)
112 July 22nd, 1903.

Sketches by Phil May

From “PUNCH.”

{2} [Image unavailable.]

AND SHE OUGHT TO KNOW!

That’s supposed to be a Portograph of Lady Solsbury But, bless yer, it ain’t like her a bit in Private!

[ First contribution to “Punch.“

{3} [Image unavailable.]

SELF-CRITICISM.

First Genius to Second Genius. Why on Earth do you do your Hair in that absurd Fashion, Smith?”

{4} {4} [Image unavailable.]

THE FINISHING-TOUCH.

Arf a pound er Margarine, please; an’ Mother says will yer put the Cow on it, ’cos she’s got Company!”

{5} [Image unavailable.]

Q. E. D.

What’s up wi’ Sal? ” “ Ain’t yer ’erd? She’s Married agin!

{6} [Image unavailable.]

THE PLUNGER.

First Boy (much interested in the game of Buttons). ’As ’e lost?

Second Ditto. Yes; ’e lost all them Buttons what ’e won off Tommy Crowther yesterday, an’ then ’e cut all the Buttons off ’is Clothes, and ’e ’s lost them too!”

{7} [Image unavailable.]

AN IMPORTANT ’JUNCTION.

You mind your Fader gets my Boots reddy by Four o’clock, ’cos I’m goin’ to a Party”

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WASTED EFFORTS.

New Assistant (after hair-cutting, to Jones, who has been away for a couple of weeks). Your ’Air is very thin be’ind, Sir. Try Singeing! Jones (after a pause). Yes, I think I will.

N. A. (after singeing). Shampoo, Sir? Good for the ’Air, Sir. Jones. Thank you. Yes.

N. A. Your Moustaches curled? Jones. Please.

N. A. May I give you a Friction? Jones. Thank you.

N. A. Will you try some of our—

Manager (who has just sighted his man, in Stage whisper). You Idiot! He ’s a Subscriber!!”

{9} [Image unavailable.]

A SUNDAY DINNER.

Father of Family (who has accidentally shot the leg of a Fowl under the table). Mind t’Dog doesn’t get it!

Young Hopeful (triumphantly). All right, Feyther! I’ve gotten me Foot on it!”

{10} [Image unavailable.]

BLASÉ.

Kitty (reading a fairy tale). Once upon a time there was a Frog——’

Mabel (interrupting). I bet it’s a Princess! Go on!”

{11} [Image unavailable.]

MUCH ADO.

Mamma-a-a! Boo-hoo! We’s crying! Tum up ’tairs an’ see what’s de matter wiv us!”

{12} [Image unavailable.]

”A SOFT ANSWER,” &c.

Importunate Street Urchin (for the tenth time). Gi’ us a Copper, Sir! Gi’ us a Copper!

Testy Individual (losing patience). Oh, go to “—( substitutes a milder form )—“ BLAZES!

Street Urchin. Sure thin an’ I would in this bastly could weather, if I was only certain o’ comin’ back again!

[ Individual’s testiness overcome and Urchin rewarded.

{13} [Image unavailable.]

NOT WHAT HE MEANT.

Superior ’Arry. Cabbie! To the—aw—the Prince of Wales’s.

Cabbie. Marlbro’ ’Ouse, my Lord?

{14} [Image unavailable.]

PICKINGS FROM PICARDY.

After the Procession. A Solo by Grand-père.

{15} [Image unavailable.]

BOTANY; OR, A DAY IN THE COUNTRY.

Say, Billee, shall we gaver Mushrooms?

Yus. I’m a Beggar to Climb!”

{16} [Image unavailable.]

A MODEL.

Little Guttersnipe (who is getting quite used to posing). Will yer want me ter tike my Bun down?”

{17} [Image unavailable.]

A LECTURE IN STORE.

Are you comin’ ’ome?

I’ll do ellythik you like in reasol, M’ria —( hic )— Bur I won’t come ’ome.”

{18} [Image unavailable.]

A SKETCH FROM LIFE.

Chorus (slow music). We’re a rare old—fair old—rickety, rackety Crew!”

{19} [Image unavailable.]

A GOURMAND.

Youngster (who has just had a Penny given to him). ’Ow much is them Grapes, Mister?

Shopkeeper (amused). They are Four Shillings and Sixpence a Pound, my Lad.

Youngster. Well, then, give us a ’A’porth o’ Carrots . I’m a Demon for Fruit !”

{20} [Image unavailable.]

SO THAT DOESN’T COUNT.

Are you sure they’re quite Fresh?

Wot a Question to arst! Can’t yer see they’re Alive?

Yes; but you ’re Alive , you know!”

{21} [Image unavailable.]

A SPECIAL PLEADER.

First Boy. Give us a Bite of your Apple, Bob.

Second Boy. Shan’t.

First Boy. What for?

Second Boy. Cos yer axed me!

( After a pause. )

Small Boy. Gi’ me a Bite, Bob. I never axed yer!”

{22} [Image unavailable.]

A NATURAL QUERY.

What Bait are yer usin’, Billie?

Cheese.

What are yer tryin’ ter catch—Mice?”

{23} [Image unavailable.]

INAPPROPRIATE.

Street Serio (singing). Er—yew will think hov me and Love me has in dies hov long ago-o-o!”

{24} [Image unavailable.]

A SKETCH NEAR PICCADILLY.

{25} [Image unavailable.]

A THREAT MISPLACED.

Oi tell yez Oi will not clane out me Cell. Oi’d lave the Jail furrst!”

{26} [Image unavailable.]

OBVIOUS.

Gentlemen, I am ready to admit that his Career in the Past has not been free from Blemish——”

{27} [Image unavailable.]

AN AWKWARD ADMISSION.

Enthusiastic Briton (to seedy American, who has been running down all our National Monuments). But even if our Houses of Parliament ‘aren’t in it,’ as you say, with the Masonic Temple of Chicago, surely, Sir, you will admit the Thames Embankment, for instance——”

Seedy American. Waal, guess I don’t think so durned much of your Thames Embankment, neither. It rained all the blarmed time the night I slep on it.”

{28} [Image unavailable.]

A HOMELY TEST.

Ethel (reading from book of familiar sayings). ‘A Man at Forty is either a Fool or a Physician.’ That’s rather funny, Kate. Daddy is more than Forty, and he’s certainly not a Physician!”

{29} [Image unavailable.]

AT A LITERARY AND ARTISTIC BANQUET.

Waiter (to Colleague). Well, they may ’ave the Intellec’, Fred, but we certainly ’as the Good Looks!”

{30} [Image unavailable.]

NOTES OF TRAVEL.

Foreign Husband (whose Wife is going to remain longer). Gif me Two Dickets. Von for Me to come back, and von for my Vife not to come back!”

{31} [Image unavailable.]

SENDING-IN-DAY AT THE R. A.

But it is impossible for you to see the President. What do you want to see him for?

I want to show him exactly where i want my Picture hung.”

{32} [Image unavailable.]

FROM DOTTYVILLE.

Lunatic (suddenly popping his head over wall). What are you doing there? Brown. Fishing.

Lunatic. Caught anything? Brown. No.

Lunatic. How long have you been there? Brown. Six hours.

Lunatic. Come inside!

{33} [Image unavailable.]

ANOTHER FROM DOTTYVILLE.

Harmless Lunatic (who is occasionally allowed out with a pop-gun). Oh, I say, do you know how to catch a Rabbit?

Nervous Stranger. No , I don’t.

Harmless Lunatic. Well, you just get behind the Hedge and make a noise like a Turnip!”

{34} [Image unavailable.]

JAM SATIS.

Commissionaire. Would you like a Four-wheeler or a ’Ansom, Sir?

Convivial Party (indistinctly). Ver’ mush oblige—but—reely don’t think I could take ’ny more!”

{35} [Image unavailable.]

PETTICOAT LANE.

{36} [Image unavailable.]

FELINE IMPRESSIONS.

Chemist (to battered female, who is covered with scratches). The Cat, I suppose?

Battered Female. No. Another Lydy!”

{37} [Image unavailable.]

AN AWAKENING.

I say, ’Arry, don’t we look Frights?”

{38} [Image unavailable.]

POOR LETTER H.

Tenor (singing). Oh, ’appy, ’appy, ’appy be thy Dreams——”

Professor. Stop, stop! Why don’t you sound the H?

Tenor. It don’t go no ’igher than G!”

{39} [Image unavailable.]

DISADVANTAGES OF PERFORMING AT A COUNTRY HOUSE IN THE WASP SEASON.

( Just in the most important passage, too. )

{40} [Image unavailable.]

ART IN WHITECHAPEL.

Well, that’s what I calls a himpossible Persition to get yerself into!”

{41} [Image unavailable.]

THE NATIONAL SPORTING CLUB, LONDON.

{42} [Image unavailable.]

FLIPPANCY.

Serious Old Party. Eh, but this is a wicked World!

Flippant Individual. You are right, Mrs. Mumble. For my part, I shall be quite satisfied if I get out of it alive!”

{43} [Image unavailable.]

A REJOINDER.

Arry (whose “Old Dutch” has been shopping, and has kept him waiting a considerable time). Wot d’yer mean, keepin’ me standin’ abaat ’ere like a bloomin’ Fool?

Arriet. I can’t ’elp the Way yer stand, ’Arry!”

{44} [Image unavailable.]

AN INJURED INNOCENT.

Minister’s Wife. Tommy Crowther, you haven’t washed your Face to-day!

Tommy Crowther. ’Tain’t Sunday !

{45} [Image unavailable.]

NOTES FROM MR. PUNCH’S FOREIGN SKETCH-BOOK.

Feeding the Pigeons at St. Mark’s Square, Venice.

{46} [Image unavailable.]

CRITICS FROM THE QUARTIER LATIN.

First Student. Quant à moi, je reconnais surtout la manque merveilleuse d’expression qui dénote un vrai maître!”

{47} [Image unavailable.]

’ARRY IN ’OLLAND.

’Arry. I say, Bill, ain’t he a rum-lookin’ Cove?”

{48} [Image unavailable.]

MISTRUST.

Gran’pa Macpherson. How many does Two and Two make, Donald?

Donald. Six.

Gran’pa. What are ye talking about? Two and Two make Four.

Donald. Yes, I know; but I thought you’d ’beat me down’ a bit!”

{49} [Image unavailable.]

AN UNEXPECTED REPLY.

Father O’Flynn. And now, Pat Murphy, in this season of Lent, what is it ye’ll do by way of Penance?

Pat Murphy. Sure, then, I’ll—I’ll come an’ hear your Riverance prayche!”

{50} [Image unavailable.]

THE GREY MARE.

Scrumble. Been to see the Old Masters?

Stippleton (who has married money). No. Fact is “—( sotto voce )—” I’ve got quite enough on my hands with the old Missus!”

{51} [Image unavailable.]

AT A GARDEN PARTY

Lady Vere de Vere (to distinguished foreigner). You must excuse me. I know it’s awfully silly of me. I know your Name so well, but I can’t remember your Face!”

{52} [Image unavailable.]

THE VERY LATEST DISCOVERY.

Amateur Astronomical Student (returning home, after attending scientific Bachelor Dinner, where “the reported discovery of a new Satellite of Saturn” has been warmly discussed). Where am I? Letsh shee —( considering )— Earth’s got one Moon. Mars’s got five Moo—Jup’tush nine—I shee two Moons. Then— Where am I?”

{53} [Image unavailable.]

CHRISTMAS COMES BUT ONCE A YEAR.

Cabby (to Gent who has been dining out). ’Ere y’are, Sir. This is your ’ouse—get out—be careful, Sir—’ere’s the step.

Gent. Yesh! Thash allri, but wersh my Feet ?”

{54} [Image unavailable.]

MALAPROPOS.

Mrs. Snobson (who is doing a little slumming for the first time and wishes to appear affable, but is at a loss to know how to commence conversation). Town very Empty!

{55} [Image unavailable.]

OVERHEARD AT A COUNTRY FAIR.

’Ere y’are! All the Jolly Fun! Lidies’ Tormentors two a Penny!”

{56} [Image unavailable.]

CONVINCING.

{57} [Image unavailable.]

OVERHEARD ON THE STEPS OF THE ARMY AND NAVY STORES.

Commissionaire. Uniforms? Top Floor, Sir!”

{58} [Image unavailable.]

EUREKA!

Portrait of a Calculating Gentleman (not at all a bad-looking Chap) who has solved the Problem as to whether we are in the Nineteenth or Twentieth Century.

{59} [Image unavailable.]

A SOLILOQUY.

Tragedian. Cheap! Ha, Ha! Why in my time they threw them at us!”

{60} [Image unavailable.]

A BREEZY CUSTOMER.

Shave, or Hair Cut, Sir?

Corns , you Fool!”

{61} [Image unavailable.]

A MISUNDERSTANDING.

Old Maid. Is this a Smoking Compartment, young man?

Obliging Passenger. No, Mum. ’Igher up!”

{62} [Image unavailable.]

GRAPHIC.

Yer know, them Boers ’as bin storin’ Guns and Hambition for years!”

{63} [Image unavailable.]

HARD LINES.

Just my luck! This sort of thing always happens just when i’m invited to a Party!”

{64} [Image unavailable.]

FROM ERIN’S ISLE.

Sure, Terence, if yez go to the Front, kape at the Back, or ye’ll be kilt. Oi know ut!

Faith, an’ isn’t that the way oi get my livin’?”

{65} [Image unavailable.]

MAFEKING NIGHT.

( Or rather 3 A.M. the following morning .)

Voice (from above). Good gracious, William! Why don’t you come to Bed?

William (huskily). My dear Maria, you know it’s been the rule of my life to go to Bed shober—and I can’t posh’bly come to Bed yet!”

{66} [Image unavailable.]

ANOTHER WAY OF PUTTING IT.

Little Effie (not at all inclined to go to sleep—to Nurse who is about to switch off the electric light). Oh, please, Nanna, don’t turn on the dark !”

{67} [Image unavailable.]

AN ARTLESS QUERY.

Mamma. To-morrow’s Christmas Day, Effie dear, and you will go to Church for the first time. ” ( Encouragingly. ) “ There will be beautiful music——”

Effie. Oh, Mummy dear, may I dance ?”

{68} [Image unavailable.]

NOT A WATER DRINKER.

Talkative Old Lady (drinking a glass of Milk, to enthusiastic Teetotaler, who is doing ditto). Yes, Sir, since they’re begun poisoning the Beer, we must drink something , mustn’t we?”

{69} [Image unavailable.]

A CONNOISSEUR.

Old Lady (giving a very diminutive nip of Whisky to her Gardener). There, Dennis, that Whisky is twenty years old!

Dennis. Is it that , Marm? Sure ’tis mighty small for its age!

{70} [Image unavailable.]

ON THE VILLAGE GREEN.

Amateur Bowler (to Umpire). Here, I say! I can’t see the Wicket. How can I bowl him?

Umpire . “ Fire away! If you ’it ’im in front , it’s ‘Leg before.’ If you ’it ’im behind , it’s a ‘Wide’!”

{71} [Image unavailable.]

”AN ENGLISHMAN’S HOUSE,” &c.

Maid (looking over wall, to newly-married couple just returned from their honeymoon). Oh, please ’m, that Dog was sent here yesterday as a Wedding Present; and none of us can’t go near him. You’ll have to come in by the back way!”

{72} [Image unavailable.]

SELF-SATISFIED.

Little Griggs (to caricaturist). By Jove, old feller, I wish you’d been with me this morning; you’d have seen such a funny looking chap!”

{73} [Image unavailable.]

ANOTHER MR. WELLER.

Club Attendant (to stout party, who is struggling into overcoat). Allow me, Sir.

Stout Party. No, don’t trouble! This is the only exercise i ever take!”

{74} [Image unavailable.]

ANOTHER FROM IRELAND.

Mrs. O’Brady. Shure oi want to bank twinty pounds. Can I draw it out quick if I want it?

Postmaster. Indade, Mrs. O’Brady, you can draw it out to-morrow if you give me a wake’s notice!”

{75} [Image unavailable.]

VANITAS.

Pantomime Child (to admiring friend). Yus, and there’s another hadvantage in bein’ a hactress. You get yer fortygraphs took for noffink!”

{76} [Image unavailable.]

BROTHERS IN ART.

New Arrival. What should I charge for teaching ze Pianoforte?

Old Stager. Oh, I don’t know.

N. A. Vell, tell me vot you charge.

O. S. I charge five guineas a lesson.

N. A. Himmel! how many Pupils have you got?

O. S. Oh, I have no Pupils!”

{77} [Image unavailable.]

THE NEW PLAY.

Low Comedian. Have you seen the Notice?

Tragedian. No; is it a good one?

Low Comedian. It’s a Fortnight’s .”

{78} [Image unavailable.]

QUITE ANOTHER THING.

Conversationalist. Do you play Ping-Pong?

Actor. No. I play Hamlet !”

{79} [Image unavailable.]

A BIG ORDER.

Stout Party (to waitress). Put me on a Pancake, please!”

{80} [Image unavailable.]

INDIRECT ORATION.

Oh, if you please, Mum, there’s no meat for dinner. The Butcher as been and gone and never come this morning!”

{81} [Image unavailable.]

BEGINNING EARLY.

That new Boy’s a bad Boy, Teacher. He smokes!

No, I don’t smoke now , Teacher. I used to!”

{82} [Image unavailable.]

CANDID.

Loafer. Any chance of a job o’ work ere, mister?

Foreman. No. We’re not wanting any more hands now.

Loafer. Well, the little bit o’ work I ’d do wouldn’t make no difference!”

{83} [Image unavailable.]

A DIFFERENT VIEW.

First Workman. Why don’t yer buy yer own matches, stead of always cadgin’ mine?

Second Workman. You’re uncommon mean with yer matches. I’ll just take a few “—( helps himself to two-thirds )—” AND BE HINDERPENDENT OF YER!”

{84} [Image unavailable.]

PARADOXICAL.

Manager of “Freak” Show. Have I got a vacancy for a Giant. Why, you don’t look five feet!

Candidate. Yes, that’s just it. I’m the smallest Giant on record!”

{85} [Image unavailable.]

DOTTYVILLE AGAIN.

Dotty One (to gorgeous visitor, mysteriously). Excuse me, but have you such a thing as a bit of Toast about you?

Gorgeous Visitor. Great Scott! No! Why should I carry Toast about with me? And, besides, what do you want it for?

Dotty One (more mysteriously). I’m a poached egg , and I’m tired. I want to sit down!”

{86} [Image unavailable.]

AWKWARD.

Bull-dogs do get so attached to people!

{87} [Image unavailable.]

AN UNPOPULAR IDOL!

How Billy and his Sunday-schoolmates intend to wreak their vengeance, if only a snow-storm be propitious on the Embankment some Sunday afternoon about christmas-time.

{88} [Image unavailable.]

AN EMPTY EMBRACE.

Ere y’are! Humberella rings, two a penny!”

{89} [Image unavailable.]

OVERHEARD OUTSIDE A FAMOUS RESTAURANT.

Hullo, Gus! What are you waiting about here for?

I’m waiting till the Banks close. I want to cash a cheque!”

{90} [Image unavailable.]

UNEXPECTED EFFECT.

Snooks (who fancies himself very much). What’s she crying for?

Arabella. It’s all right, Sir. She was frightened. When she saw you she thought it was a Man !”

{91} [Image unavailable.]

RECKONING HIM UP.

Old Lady (describing a cycling accident). ’E elped me hup, an’ brushed the dust off on me, an’ put five shillin’ in my ’and, an’ so I says, ‘Well, Sir, I’m sure you’re hactin’ like a gentleman,’ I says, ‘though I don’t suppose you are one,’ I says.”

{92} [Image unavailable.]

SHAKSPEARE ILLUSTRATED.

The Glass of Fashion and the Mould of Form.

Hamlet , Act III., Sc. 1.

{93} [Image unavailable.]

SHAKSPEARE ILLUSTRATED.

Oh, my prophetic soul! My Uncle! Hamlet , Act I., Sc. 5.

{94} [Image unavailable.]

DECISIVE.

Impecunious One (halting abruptly). I beg pardon, Sir .”

The Accosted (moving off abruptly). Granted. Don’t beg anything else!”

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AMENITIES OF THE PROFESSION.

Rising Young Dramatist. Saw your Wife in front last night. What did she think of my new Comedy?

Brother Playwright. Oh, I think she liked it. She told me she had a good laugh.

R. Y. D. Ah—er—when was that?

B. P. During the Entr’acte . One of the Attendants dropped an Ice down her Neighbour’s neck.”

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BROWN’S COUNTRY HOUSE.—No. 1.

Brown (who takes a friend home to see his new purchase, and strikes a light to show it). Confound it, the beastly thing’s stopped!”

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BROWN’S COUNTRY HOUSE—No. 2.

Visitor. What on earth do you want with a Tortoise?

Mrs. Brown. Well, when Fred had that frightful Accident with his new Motor-Car, he sold it, and bought the Tortoise. Says it soothes his Nerves!”

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THE NEW ACT AGAIN!

Careful Publican (to Chimney-sweep). Ere, I can’t serve you ! Go and wash yerself. I can’t see yer Face! ’Ow am I to know as yer not on the Black List?”

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!!!!

Estate Agent (to Labourer’s Son). Here, my Boy, where can I find your Father?

Boy. In the Pig-stye, Sir. You’ll know him by ’is brown ’at!”

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READY FOR THE FRAY.

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AN ECHO FROM BROADWAY.

Old Lady. Yes—Madam ’as bin a dear good soul to us Poor People this Cold Weather. If it ’adn’t ’ave bin for ’er, some of us old ones would ’ave bin nipped in the Bud!”

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SMART.

Jones. Do you Drink between Meals?

Smith. No. I eat between Drinks.

Jones. Which did you do last?

Smith. Drink.

Jones. Then we’d better go and have a Sandwich at once!”

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QUITE OF HER OPINION.

Gushing Young Woman (to famous Actor). Oh, do you know, Mr. Starleigh, I’m simply mad to go on the Stage!

Famous Actor. Yes, I should think you would be, my dear young Lady!”

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THE GENIAL SEASON.

Hungry-looking Acquaintance (with eye to invitation). So glad to see you enjoying yourself!

Fat Chap (evidently doing well). Wrong again, Old Man. I’m enjoying my Dinner!”

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SO LIKELY!

Scene Bar of a Railway Refreshment Room.

Barmaid. Tea, Sir?

Mr. Boozy. Tea!!! ME!!!!”

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A EUPHEMISM.

Coster (to acquaintance, who has been away for some months). Wot are yer bin doin’ all this time?

Bill Robbins (who has been “doing time”). Oh, I’ve bin Wheelin’ a bit, Ole Man—Wheelin’ a bit!”

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RATHER DIFFICULT FOR HIM.

Jones. I am never at a loss in conversation.

His Fair Hostess. But surely, Mr. Jones, there must be some subjects you don’t understand. What do you do then?

Jones. Oh, then —I say nothing, and look intelligent.”

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THE RULING PASSION.

Genial Doctor (after laughing heartily at a joke of his patient’s). Ha! ha! ha! There’s not much the matter with you ! Though I do believe that if you were on your death-bed you’d make a joke!

Irrepressible Patient. Why, of course I should. It would be my last chance!”

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TIT FOR TAT.

Eccentric Old Gent (whose pet aversion is a dirty child). Go away, you Dirty Girl, and wash your Face!

Indignant Youngster. You go ’ome, you Dirty Old Man, and do yer ’air!”

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ALL THE DIFFERENCE.

Oi be eighty-foive, Zur.

Dear me! You don’t look it. And how old is your Wife?

Oh, she be eighty-foive too. But she’ve looked it fer the last fowrty year!”

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STRONG LANGUAGE.

It is necessary in some parts of Ireland for carmen to have their names legibly written on the tailboard of the car.

Inspector. What’s the meanin’ of this, Pat? Your name’s o-bliterated.

Pat. Ye lie—it’s O’Brien!”

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SHAKSPEARE ILLUSTRATED.

Tedious as a twice-told tale, Vexing the dull ear of a drowsy man.

King John , Act III., Sc. 4.

SHAKSPEARE ILLUSTRATED.

Tedious as a twice-told tale, Vexing the dull ear of a drowsy man.

King John , Act III., Sc. 4.