The Project Gutenberg eBook of The little white gate This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The little white gate Author: Florence Hoatson Illustrator: Margaret Tarrant Release date: July 29, 2022 [eBook #68642] Language: English Original publication: United Kingdom: George G. Harrap & Co. Ltd Credits: Al Haines *** START OF THE PROJECT GUTENBERG EBOOK THE LITTLE WHITE GATE *** THE LITTLE WHITE GATE _By_ FLORENCE HOATSON _Illustrated by_ MARGARET W. TARRANT GEORGE G. HARRAP & CO. LTD LONDON CALCUTTA SYDNEY _To_ MY FATHER _First published_ 1925 _by_ GEORGE G. HARRAP & Co. LTD. 39-41 _Parker Street, Kingsway, London, W.C._2 _Printed in Great Britain by_ R. & R. CLARK, LIMITED, Edinburgh Acknowledgment The author's best thanks are due to the Editor of _The Schoolmistress_ for permission to include many verses which have appeared in that journal; also to the Editor and Proprietors of _Punch_ for courteously allowing the inclusion of "Hyde Park"; and to the Editor of the _Daily News_ for permission to reprint "Christmas Eve." [Illustration: HE WALKS ACROSS TRAFALGAR SQUARE, BECAUSE HE KNOWS THE PIGEONS THERE] Contents I. _Field and Garden_ (_All the Year Round_) The First Lamb The First Shoot The Bulb House God's Pictures Yellow Grey Girl Buttercup Gold The Green Bank of England A Day A Summer Picture Leap Year Songs of the Pine-wood A Poppy Song The Bird Bath Autumn Who? The Friend of Santa Claus Christmas Eve II. _Fairies_ Hyde Park Moss Little Moth Fairies in the Cupboard Fairy Frilly The Snail and the Fairy When Fairies have a Picnic Fairy Gramophone A Wish III. _Home_ Granny Blossoms Aunty's Album Aunt Matilda Aunt Matilda Again When Mummy has a Headache To Mummy Naughty The Little Drawer Mother and the Dark Influenza The Little Boy Next Door A Little Boy's Thoughts Two Dolls Tibby The Thin Cat Pussy Language Estella Dreams IV. _Stories_ The Pixies on the Moor Jerry The Toys in the Cupboard The Pencil's Story New Year Brother Francis The Little Red Lamp _The Little White Gate_ _A gate is made for shutting, and that is always right, But only when it's black, and brown, NEVER when it's white, Never when it's white, dears, and very tiny too; It always must be open for the fairies to slip through!_ _They choose a little white gate became it's clean and neat, They sit upon the topmost bar and swing their fairy feet; And if you say you love them they'll make a fairy din, And open wide the little gate and simply pull you in!_ I _FIELD AND GARDEN_ (_All the Year Round_) _The First Lamb_ Take a bit of woolly stuff, Kiss it till it's warm enough, Roll it up with play and fun, That's a lamb--a little one! _The First Shoot_ He peeped up through the winter snow, His little hands together--so, I almost think I heard his prayer; He did not know that I was there. _The Bulb House_ The little bulb house is a house of brown, Its doors are locked and its blinds are down Winds may whistle and winds may creep, The little brown house is a house of sleep. But when the sun gives a golden knock The blinds go up and the doors unlock. The sleepy tenant will softly stir, And throw off the garment that covers her. And she will put on her dress with care, A Hyacinth lady, tall and fair. All this magic in scent and blue You may buy in the shop for a copper or two! _God's Pictures_ God keeps His pictures in the big Outside, And some are narrow ones and some are wide. I like His picture of the field the best, With grass, and sky that meets it, and the rest Of very lovely things I cannot name-- The hawthorn hedge around it is the frame. _Yellow_ Of all the colours God has made I love the pretty yellow shade-- The colour of canaries' wings, Of baby ducks, and fluffy things; I think He must have spilt the sun Upon the darlings, every one! Grey Girl A little Grey Girl in a little Grey Cloak Came over the hill by the lane-- She carried a bundle which suddenly broke. "Oh, dear," cried the Girl in the little Grey Cloak, "I am losing my beautiful rain!" _Buttercup Gold_ There are rich little boys in the big, wide world, And rich little girls, I'm told. But the poorest child is the richest child If he gathers Buttercup gold. God puts it out in the grassy fields For anyone passing there. Come, gather the Buttercup gold with me, There's more than enough to spare! _The Green Bank of England_ Have you seen the gold in the Green Bank of England? Wonderful, beautiful, lovely to behold-- Aconite and coltsfoot, buttercup and daffodil, Crocus and celandine, and dandelion bold! Have you found the gold in the Green Bank of England? You may go and take it--none of it is sold. Gorse, broom, and ragwort, bedstraw and cowslip, Kingcup and pansy, and silver-weed gold. Yours is the gold in the Green Bank of England, Yours for the asking--treasury untold; Potentilla, primrose, yellow vetch, and trefoil, Pimpernel and hawkweed, and pussy-willow gold. [Illustration: YOURS IS THE GOLD IN THE GREEN BANK OF ENGLAND] _A Day_ Morning came to Baby, her feet all wet with dew, Her hair was yellow sunshine, her eyes were skyey blue, And she said, "Wake up, my darling, I have brought a day for you." _Summer Picture_ Some red, red earth and a hawthorn hedge, And a dear little round front door; A nibble, nibble, along the edge, And one little nibble more. A whispering rustle in yellow wheat, The clink of a milking-pail, And a sudden scamper of furry feet, And the bob of a little white tail. _Leap Year_ Froggie hopped the other day Very, very high; Mrs Frog said, "Well, I never, Didn't know you were so clever, Tell the reason why!" Froggie gave another hop, Winked his little eye-- "As the year is Leap Year, Mother, I can really do no other-- That's the reason why!" _Songs of the Pine-wood_ There was a little seaside breeze who loved to dance and play; He'd rush along the yellow sands and fly across the bay; And when the frothy billows began to sway and roll, He'd find the highest seaweed rock and rest his little soul. But other breezes came along, ten thousand and a score; They pushed and jostled all the day upon the sea and shore; And little breeze got weary of rough and noisy play, Said he, "I'll find another home--it's time I went away." He spread his wings of silver light and flew across the foam, And in a wood of scented pines he found his little home. So, if you stop and listen, you'll hear the little breeze As he sings his sweet sea-music in the branches of the trees. _A Poppy Song_ When the sun comes peeping Baby Poppy wakes herself, Twists herself and shakes herself, Throws aside her greeny bonnet With the silver down upon it, Says good-bye to sleeping When the sun comes peeping. When the bees come wooing Lady Poppy crowns herself, Nods her head and gowns herself In the prettiest of dresses, Scarlet crinkled frillinesses, Knows what she is doing When the bees come wooing. When the wind comes calling Mother Poppy shakes herself, Brown and crinkled makes herself, Opens little windows wide, Drops her babies down outside, Sees them softly falling When the wind comes calling. _The Bird Bath_ There is a bird bath on our grass, I wait to watch it as I pass, And see the little sparrow things Stand on the edge with flapping wings. They give each eye a merry wink And stoop to take a little drink, And then, before I'm fairly gone, They bath with all their clothing on! _Autumn_ Yellow the bracken, Golden the sheaves, Rosy the apples, Crimson the leaves; Mist on the hillside, Clouds grey and white. Autumn, good morning! Summer, good night! _Who?_ Who will feed the dicky-birds on the garden wall? Winter-time is very big--they are very small! Who will feed the dicky-birds on the frozen trees? Every little twitter means, "Feed us, if you please!" Who will feed the dicky-birds in the frost and snow? See them on the chimney-pot, cuddled in a row! Who will feed the dicky-birds till the days of spring? Think of what they do for you and the songs they sing! _I will feed the dicky-birds, and when Spring-time comes, Every little song will mean,_ "_Thank you for the crumbs!_" _The Friend of Santa Claus_ She is the friend of Santa Claus, You never hear her step, because In velvet shoes she likes to creep To put the boys and girls to sleep. They like to stay awake and try To see the dear old man come by, But little Sleep, who is so wise, Puts velvet fingers on their eyes. She steals across a thousand floors, This faithful friend of Santa Claus; So even if you stay awake She'll leave you sleeping for his sake! _Christmas Eve_ "Tick-tock," said the Nursery Clock, "Please remember that little sock; Nannie, mend the hole in the toe, The goodies will tumble out, you know. Tick-tock, tick-tock," Said the clickity-clackity Nursery Clock. "Hush, hush," said Santa Claus, As he peeped inside the bedroom doors, "I am looking around for a little sock, Do you know where it is, please, Mr Clock?" "Tick-tock, tick-tock, It hangs over there," said the Nursery Clock. "Tick-tock," said the Nursery Clock, And pointed straight at the little sock. Oh, yes, he did, for don't you see, A clock has hands like you and me.... "Tick-tock, tick-tock, I am always _right_," said the Nursery Clock. II _FAIRIES_ _Hyde Park_ The fairies live in Hyde Park--the London ones, I mean; They love to see the blue sky and feel a bit of green; They look out for the children, and beckon as they pass, And fix up fairy notices, "Please keep ON the grass." The fairies live in Hyde Park because they love to hide; They tell the roar of London Town to keep itself outside, For there are all the furry things, the birds and woolly lambs, And little new-born fairy-folk asleep inside their prams. The fairies live in Hyde Park, and in the month of March A little girl comes riding underneath the Marble Arch; She goes by way of Hyde Park, the fairies say she can-- A busy little Wendy girl, to stay with Peter Pan. _Moss_ Very wee and low, Creeping, as you know, Up and then across, Is the little moss. Fairy fronds of green, Spreading out are seen, Very soft and neat, Fit for fairy feet. If you see it there, Will you please take care? Always step across When you see the moss. _Little Moth_ He didn't know a lamp could burn, Poor dainty little thing, So back again he did return, And burnt his tiny wing! A fairy heard him crying there, So like a loving elf She found she had a wing to spare, The kind she wore herself. She fixed it on--her dainty wing-- With bits of softest cloth; Now half of him's a fairy thing, The other half is _moth_! _Fairies in the Cupboard_ I _know_ they're in our cupboard; Shall I tell you why? I hear them laughing, talking, As I am passing by. A teeny-weeny rustle, The way that dry leaves go-- Oh, yes, they're in our cupboard, 'Cos I _know_! I _know_ they're in our cupboard-- One night I heard a chink, I guess they like our china, It's rather thin and pink! It's very smooth and shiny, For a tiny fairy toe-- Oh, yes, they're in our cupboard, 'Cos I _know_! And once when I was peeping, And it was rather late, I saw a ring of fairies Upon the biggest plate! And there, upon the teapot, I saw a _perfect row_-- Oh, yes, they're in our cupboard, 'Cos I _know_! I _know_ they're in our cupboard, I've _heard_ them in the jug; They scramble on the saucers, And hide inside my mug. Their babies _love_ the egg-cups-- They stand inside them--so! Oh, yes, they're in our cupboard, 'Cos I _know_! _Fairy Frilly_ Fairy Frilly for half an hour Went to sleep in a poppy flower-- Went to sleep in her little green frock, And the time of the ball was ten o'clock. Quarter to ten and five to ten Ticked from the dandelion clock again, But Fairy Frilly was deaf to all, _And ten was the time of the fairy ball!_ Little West Wind came by that way, And he pulled off the petal where Frilly lay, Pulled it off with the fairy on it, And blew with a great big breath upon it. Off sailed the petal, Frilly and all-- And _that's_ how she managed to get to the ball. [Illustration: HE BLEW WITH A GREAT BIG BREATH UPON IT] _The Snail and the Fairy_ A fairy went a walk one day And found that she had lost her way. "Oh, dear," she cried, "what shall I do, I promised I'd be in by two!" Now Brother Snail was passing by; He heard the little fairy cry; He stopped awhile and then turned back, And made for her a silver track! So if _you_ take a walk to-day, Don't tread the silver tracks away. Remember, as you walk along, To nervous fairies they belong! _When Fairies have a Picnic_ When fairies have a picnic they always tidy up; It would be a disgraceful thing to leave a broken cup. They roll up bits of paper, and hide the orange-skin, And find a most convenient hole to put the rubbish in! When fairies have a picnic they see the fire is out, For fear that Brother Wind may come and scatter it about. They leave a pile of brushwood, as that is nice and dry, For other picnic people who are certain to pass by! When fairies have a picnic they never break the trees, They smooth the grass and daisy-buds as gently as you please, And packing up their baskets they softly steal away, And leave the place all beautiful for some one else to play! _Fairy Gramophone_ When you're still and quite alone Hear the fairy gramophone, Now a march for fairy feet, Now a lullaby so sweet; Overture from fairy play, Melody of little fay. Sit upon this mossy stone-- Play on, fairy gramophone! Sweet the fairy records are, Sun, and moon, and twinkling star, Winds that call and streams that rush, Song of Tit, and Brother Thrush, Call of little furry things, Rustle of a hundred wings-- Hear the fairy gramophone When you're still and quite alone! _A Wish_ I wished a wish the other night as hard as hard could be, That just a fairy would peep in and come and talk to me. I cuddled tightly in my bed, the clothes up round my chin, And kept my eyes awake to watch the fairy coming in. I counted patterns on the wall and pictures just the same, To help to while the time away until the fairy came. The little clock went tick-a-tock, the wind sang round the house, I heard a step upon the floor as soft as any mouse. I watched the door so carefully--I didn't want to miss, But it was only _Mother dear_ who came to have a kiss. I told my daddy the next day how silly I had been; He said, "Your wish came _more_ than true---_you saw the fairy Queen!_" III _HOME_ _Granny_ When Granny comes to stop with us she always loves to play; She talks to every single doll and knows just what to say. You haven't got to tell her why and lots of things explain, She's been a little girl like me and wants to be again! She knows Eliza's got a cough and only has one lung, She knows Matilda's very bad and says, "Put out your tongue." She always has a penny for the sweetshop in the lane, She's been a little girl like me and wants to be again! She knows a lot of lovely songs and every nursery rime, She always knows that three o'clock is such a hungry time; She lets me hold all by myself the 'brella in the rain-- I'm glad she's been a little girl and wants to be again! _Blossoms_ Little baby blossoms Swinging in the trees, Laughing at the daisies, Kissing all the bees. Little baby blossoms Are very sweet and small, But Mother's little blossom Is sweeter than them all! Little baby blossoms, Dress in white and pink, Holding cups of honey For the bees to drink; But Mother's little blossom Has eyes, and nose, and chin, With the sweetest little dimple To tuck the kisses in! Every baby blossom Swinging gaily there Grows into an apple, Or perhaps a pear; But Mother's little blossom, Deny it if you can, Will wear a coat and trousers, And grow into a man! _Aunty's Album_ When Aunty says that I may look Inside her precious album-book I have to sit upon a chair And take it on my lap _with care_! There's Uncle John Josiah Brown (He has a frame all blue and brown); He wears a tie all long and wide, And whiskers growing on each side! There's Great-Aunt Henrietta too (_Her_ frame is pink and green and blue), Her curls hang down beneath her cap, And you should see her satin lap! There's Grandpapa, with snow-white hair, And Grandmamma upon a chair; There are three cousins, if you please, With hands put stiffly on their knees. There's Mummy in the queerest hat, And Daddy looking very fat; There's Aunty Bess and Uncle Jim-- It's really very good of him! But quite the queerest thing I see Is somebody they say is _me_! A horrid little stuck-up girl, With hair done up in one big curl! Says Aunty softly in my ear, "_Be careful of the album, dear._" And then she puts it right away, Until I come another day. _Aunt Matilda_ When Aunt Matilda's in the house I have to walk just like a mouse. I dare not make a noise, you see, Because her eye just looks at me. And if I want to leave my crust I eat it 'cos I feel I must. She has a Sunday-morning look, And reads a fat, improving book. And once, when she was rather ill, She said she'd put me in her _will_! I ran away, I didn't care, For fear that she _should put me there_! But when I told my daddy, he Just laughed and laughed and laughed at me! _Aunt Matilda Again_ When Aunt Matilda stays with us We have to be so neat and clean, And Father makes a dreadful fuss, Till after Aunty's been. We never have to make a noise, It's so unladylike, you see, For girls to act like great rough boys. (I'm sure that's meant for me!) We go to bed at seven P.M., That is the hour that Aunties keep When they are young! (I pity them-- However _did_ they sleep!) We have to be so very good-- At meal-times never once be late, And eat up every scrap of food Upon the dinner-plate. On Sundays we must always wear Our dresses with clean 'tuckers' in; I really don't know how I bear The pricking on my chin! But Father dear forgets to frown, And Mother looks quite young again, When Aunty gets the _Bradshaw_ down, And finds a morning train. _When Mummy has a Headache_ When Mummy has a headache I help her all I can; I put scent on a hankie, And fan her with a fan. I play with little Jackie (He's very nearly three), And then I lay the table, And make the toast for tea. When Mummy has a headache, I kiss her on her hair, And tell her not to worry, 'Cause I am ready there. And Mummy's head gets better-- And once I heard her say, A darling little fairy Had sent it _quite_ away! _To Mummy_ I shall never leave you, Mummy, Even when I'm tall. I'll build a darling little house Beside our garden wall. And you'll never see me grown-up, You'll only see me small. I'll never leave you, Mummy, Because you'd miss me so, But Daddy says it's awkward (And Daddy ought to know), And so I've _quite_ decided _I don't intend to grow!_ _Naughty_ I ain't a-goin' to wash myself, nor brush and comb my hair, I call it just a waste of time, for dust is everywhere; I get myself as black as black a hundred times a day, So what's the good o' washing, anyway? I ain't a-going to bed at all; the best time for a lark Is when the inside is lit up and outside all is dark; And if you go to bed at night you get up when it's day, So what's the good o' goin', anyway? _The Little Drawer_ Mother has a little drawer Which she will unlock for me, When I'm very, very good, With a tiny key! In it are the nicest things, Little socks and baby's shoes; Just the ones I like the best Mother lets me choose. There are tiny pinafores, And a faded frock, I see. Mother says the little frock Once belonged to me. There's a tiny hat as well, Made of lace with crumpled strings; And the teeny-weeny bibs Are such darling things! Lavender is here and there In the cosy little drawer; And I beg to look again, Just a little more! "Why does Mother keep them all?" But she only strokes my hand: When I'm big as Mother dear I shall understand! _Mother and the Dark_ When Mother tucks me up in bed and kisses me good-night I often wish she'd leave the lamp a weeny bit alight, For whispers seem to float about and little shadows creep, And though I try so very hard I cannot go to sleep! The pillow gets into a lump and sticks into my head, The bedclothes go and twist themselves and tumble off the bed; There was a biscuit that I ate (I saved it from my tea), And every tiny little crumb seems sticking into me! I see the Dark come riding by--he looks so big and tall, And when I think I am asleep I'm not asleep at all; And so I pull the bedclothes up and tuck them round my chin To stop the little bits of Dark from trying to get in. But somehow all the horrid clothes seem slipping off from me, The silly counterpane is where the blanket ought to be; I pull and pull like anything to get them round my feet, But all that I can find is just a little bit of sheet! But somebody is at the door, for I can see her peep, And somebody is whispering, "Is little Boy asleep?" And Mother comes and tucks me up and drives the Dark away, For Dark and mothers can't agree, whatever you may say! _Influenza_ My daddy had an aching head And looked so ill that Mother said, "Don't make a noise, for Dad's in bed, _In bed with Influenza_." I crept up like a mouse would creep, In case dear Daddy was asleep, And round the door I tried to peep _To look at Influenza!_ I only saw dear Daddy's head Upon the pillow on the bed. He was alone ... yet Mother said _He was with Influenza!_ _The Little Boy Next Door_ There is a little boy next door, He often peeps at me When Nursie takes me for a walk Before I have my tea. And when I take my dollies out He watches more and more-- I wonder why he doesn't play-- The little boy next door! His eyes are very big and brown, His hair is soft and bright; But I am sure he's ill, because His face is thin and white. He never walks a single step, Although I'm sure he's four-- His nursie always carries him-- The little boy next door! Sometimes he waves his hand to me And beckons me--like this: And I just climb up on my chair And blow him back a kiss. He loves to watch the sunbeams dance, Or great big raindrops pour; And every tiny birdie knows The little boy next door! But yesterday--I can't forget-- I stood up in my chair To beckon to the little boy; But, oh! he wasn't there. And Nursie said he'd gone away-- She wouldn't tell me more-- I wonder if he thinks of me-- The little boy next door! _A Little Boy's Thoughts_ I'm tired of being tidy, And having to "take care"; I wish I hadn't collars, I wish I hadn't hair. I'd rather be a tiger, An elephant, or bear, A Hottentot or Zulu, Or lion in his lair. I'd rather have an island, Away just anywhere, Than go on being tidy-- So there! I'm tired of being tidy, And having clothes to wear; They always lose their buttons, Or split themselves and tear. I'd rather be an eagle And soar up in the air; I'd rather be a leopard With yellow eyes that stare; I'd rather be a cowboy (If I could only dare!) Than go on being tidy-- So there! _Two Dolls_ I have two little dollies, they both belong to me, And though they both are dollies they're different as can be. About my little dollies I'll tell you all I can, One's called Belinda Bella and one Eliza Ann. Belinda's hair is golden, her eyes a lovely blue, Her dress is soft and frilly, and tied with ribbon too, She has a pretty bonnet, and shoes and gloves and fan, For she's Belinda Bella and not Eliza Ann. Eliza's hair is browny, one eye has gone away, She has a flannel nighty and wears it all the day, Her face is scratched and battered, just like our wat'ring-can; She's not Belinda Bella, but just Eliza Ann. I know Belinda Bella is beautiful to see, And when I go out walking Belinda comes with me; But when in bed I cuddle as closely as I can I do not have Belinda, but dear Eliza Ann. I do not mind the scratches upon Eliza's face, I'd rather have her nighty than yards of frilly lace. Just come and I will whisper as softly as I can-- I _like_ Belinda Bella, but I LOVE Eliza Ann! _Tibby_ Four black legs and four white paws, Pinky pads and curving claws, Making marks on people's doors, That's Tibby. Little shirt-front, snowy-white, Two green eyes so round and bright, Velvet body strong and light, That's Tibby. Pinky tongue that washes fur, Every part except his purr, Sometimes much too bored to stir, That's Tibby. Walking so he won't be heard, Hiding 'neath the ferns preferred, Watching for a dicky-bird, Oh, Tibby! Stretching on the kitchen mat, Long and lovely, sleek and fat, Quite a yard of pussy-cat, My Tibby! Take what pretty things you see-- Take the cake I've made for tea-- Take my doll, but leave to me My Tibby! _The Thin Cat_ He walked upon our garden wall, He hadn't got a home at all, The thin cat, the thin cat, The little homeless thin cat! I don't believe he ever purr'd, He never knew a loving word, The thin cat, the thin cat, The little homeless thin cat! But Mother said, "Go, bring him in, I cannot bear to see him thin," The thin cat, the thin cat, The little homeless thin cat! So now he purrs upon the mat, His coat is soft--he's warm and fat, The fat cat, the fat cat, The little cared-for fat cat! _Pussy Language_ Only one word has Tabby, Only one word has she, For breakfast and dinner and supper, And in between dinner and tea. "_Me-ow_" stands for milk and for pudding, "_Me-ow_" stands for fish and for meat, "_Me-ow_" as she waits on the carpet, And pats with her two little feet. "_Me-ow_" for the mouse in the cupboard, "_Me-ow_" for the sparrow outside, "_Me-ow_" for the bed warm and cosy, And everything comfy beside. Only one word has Tabby, Think, little children, of that. You'd never be bothered with grammar If you were a nice little cat! _Estella_ Estella is as good as gold-- She always does as she is told-- Her pinafore is always clean, Her shoes the shiniest I've seen. Her nose is straight, so is her hair, She's not untidy anywhere, And if she knocks against me, she Bows low and whispers, "Pardon me." Her lessons they are always done Before she has her play and fun; And everything is put away-- Estella says it's part of play. She hates to play and make a noise: She says that we are girls, not boys. She will not even ride a bike-- You see, it's so unladylike. And when she comes to Sunday tea She never eats as much as me; She says it is an ugly sight To see a vulgar appetite. Estella says, "I want to grow As noble as Mamma, you know," And Mother says to me, "My dear, I'm glad to have Estella here." The very thought gives me a fright, It is a nightmare in the night. However can I go and tell her _I simply hate and loathe Estella?_ _Dreams_ In Nursery Land when lights are low, And shadows hurry to and fro, The Dream Man comes when day is done And gives a dream to every one! One dream will make you float in air Instead of climbing up the stair, Another gives you spreading wings Instead of legs and other things! And one will make you seem so small You cannot feel yourself at all, Another, you may walk a mile By stepping only once a while! Another makes you, oh, so high, You very nearly touch the sky; You turn and give a monster jump, And wake in time to miss the bump! IV _STORIES_ _The Pixies on the Moor_ Come, my little darling, and shut the oaken door, This is the time when Pixie-folk are peeking on the moor; They're very naughty Pixie-folk, and up to awful tricks, So shut the door, my darling, for the clock is striking six. They steal the milk from Cushy-cow, they suck the bantam's eggs, They harry all the mother sheep, and run them off their legs; They sip the cream from out the pans, and leave it thin and poor, So 'ware the naughty Pixie-folk that peek upon the moor. They sit upon the handle when Nanette is at the churn, And, lo, when she has worked for hours the butter will not 'turn'; And once when she was in the field they came along to stare, They pulled her apron-strings undone, and left her standing there. They steal the new-born lambs, they do, and lure the foals away, They play their tricks in mowing-fields, and trample new-mown hay; They worry girls on market-day, as cheeky as can be, And once they mixed a pound of rice in Aunt Eliza's tea. And once there was a traveller upon the lonesome wild, He left his horse because he heard the crying of a child; He found he was mistaken, and then, alack-a-day, He saw the Pixies on his horse a-galloping away. And once there was a naughty girl who stole her mother's jam, She said she didn't do it, and she blamed it on to Sam; The Pixie-folk were passing, on their journey to the South, They tied her hands behind her back and plastered up her mouth. And once again a cruel boy was breaking up a nest, He turned the baby robins out and wouldn't let them rest; The Pixies came and chased him far, and left him in a bog, They splashed the mud upon his face and wrapped him in a fog. So when I come to think of it, the Pixies aren't all bad, And if they punish naughty folk, why, then I'm very glad, But I am still afraid of them and all their funny tricks, So shut the door, my darling, for the clock is striking six. _Jerry_ _The True Story of a Little Boy who Ran Away_ Jerry was sick of school and play, So Jerry determined to run away; He made a pack from an ancient sack, And fastened it on to his strong young back. A frying-pan and a kettle of tin, A boot-box to keep his rations in. Sing ho! for adventure, bold and merry, There's none so brave in the world as Jerry. Jerry's face was a great big smile When he found himself at the second mile; But he couldn't hurry the way he ought, For the road was long and Jerry was short. And the awkward pack was loose and slack, And bobbed and rattled across his back; Sing ho! for adventure, bold and merry, There's none so brave in the world as Jerry. The dust of the road was upon his face When Jerry came to his camping-place; A bush of gorse and a hawthorn-tree, A glimpse of the far-off restless sea, A broken boulder, and there, oh, joy! A cave the size of a little boy. Sing ho! for adventure, bold and merry, There's none so brave in the world as Jerry. The cave was found to be dark and damp, So Jerry arranged for an outside camp; He lit a fire and made him tea, And drank it under the hawthorn-tree. True it was queer and made him choke (One part water and three parts smoke). Sing ho! for adventure, bold and merry, There's none so brave in the world as Jerry. The day drew in as the night came by, And thousands of stars shone in the sky. "Squeak" went the bat and "Hoot" the owl, And a farmhouse dog gave a long-drawn howl. Jerry sat up and shivered and shook, And peeped in the cave with a terrified look. Sing ho! for adventure, bold and merry, But there's none so scared in the world as Jerry. What cared Jerry for camping-grounds When night was giving her awful sounds? What cared Jerry for kettle and pan? Jerry took to his heels and ran, Swift as an arrow from the bow, Swift as a runner of long ago. Sing ho! for adventure, bold and merry, There's none so scared in the world as Jerry. In at the little well-worn gate, Just as the clock was striking eight. Jerry who ran away, it's plain, Was Jerry who ran right home again! And Mother, who knew a thing or two, Knew how to keep a secret true. Sing ho! for adventure, bold and merry, There's none so glad in the world as Jerry. _The Toys in the Cupboard_ The toys in the cupboard were terribly angry, The toys in the cupboard were mad as could be, For Patty had jumbled them roughly together, And left them from breakfast till afternoon tea. Said Doll, "It's disgraceful, I shall not endure it, I've lain on the engine along with the top." Said Duck, "It's prepost'rous, I'll send a complaint in, I lay on the ball and the rubber went pop." Said Horse, "Here's a pickle, I sat on Eliza, Her face is all scratched and her eye is pushed in." Said Lamb, "Here's a muddle, my tail's in the tea-pot, I can't get it out, and it pricks like a pin." Said Cow, "It is shocking, my horn's in the trumpet, And Sambo is squashed underneath me, I know." Said Book, "I am lying all twisted and crumpled, A drum is on top and the ink-pot below." When Patty came in she was terribly frightened, The cupboard was moving about, she was sure, She heard angry voices, "_It's perfectly awful, It's simply disgraceful--I cannot endure._" She straightened the cupboard, put toys in their places, She brushed out the Doll's hair, and smoothed down the Horse, She took the soft tail of the Lamb from the teapot, And tenderly cared for the others, of course. The toys in the cupboard were pleased and contented, No longer they grumbled, no longer they wept, For Patty had learned a most wonderful lesson, And now the toy cupboard is splendidly kept. _The Pencil's Story_ I am a little pencil, and my name is H and B, I lie upon the mantelpiece for every one to see; I'm handled forty times a day, it is a weary life, And when my wits are rather dull I'm sharpened with a knife! I scrawl when Tommy has me, and I draw all sorts of things, From submarines and aeroplanes to cabbages and kings; I write a lovely letter when Miss Phyllis is about, And if by chance I make mistakes Miss Phyllis rubs them out. And if I slip and tumble down I'm certain to be missed, For Mother wants me badly when she does the washing-list, And Father makes me keep the score when he begins to play-- I'm just a little pencil, but I have a busy day. I really never am allowed to grow up as I ought, I'm getting shorter every day (it's awful to be short), And when the knife begins on me I ache in every joint, I put it in that way because you're sure to see the point. I'm very glad I'm useful, though my speech is always dark, But every time they handle me I always make my mark! But sorrow seems to follow me in spite of many a friend, For when I'm meditating I am bitten at the end. I am a little pencil, and my name is H and B, I lie upon the mantelpiece for every one to see; I'm getting shorter every day, and every day I'm older, And when my last few hours have come they'll _put me in a holder!_ _New Year_ The Old Year sat in his armchair warm, And his eyes were fixed on the floor, When suddenly out of the winter storm Came a little tap-tap at the door. The wind went tearing around and about All with a terrible din; The blind blew in as the lamp blew out, And the little New Year walked in. He lit the lamp and he closed the door As the Old Year slipped away, Then he opened his treasure upon the floor And took out _another day_! _Brother Francis_ He walks the streets of London Town, A little Brother dressed in brown. Up Ludgate Hill he goes and calls The pigeons flying round St Paul's. He walks across Trafalgar Square, Because he knows the pigeons there. And sitting 'neath the Temple trees The starlings flutter to his knees. His sandall'd feet tread softly on The garden-ways of Kensington, And furry brethren understand The pressure of his gentle hand. Our little Brother--gentle--free-- _Benedice ... Domine!_[1] [1] This means "Bless, O Lord." *** END OF THE PROJECT GUTENBERG EBOOK THE LITTLE WHITE GATE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.