http://www.gutenberg.org/ebooks/73078.opds 2024-11-08T19:05:00Z Laocoon : An essay upon the limits of painting and poetry. With remarks… Free eBooks since 1971. Project Gutenberg https://www.gutenberg.org webmaster@gutenberg.org https://www.gutenberg.org/gutenberg/favicon.ico 25 1 2024-11-08T19:05:00Z Laocoon : An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.

This edition had all images removed.

Uniform Title: Laokoon. English

Title: Laocoon : An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.

Original Publication: Boston: Roberts Brothers, 1873.

Note: Translation of: Laokoon.

Note: Reading ease score: 67.4 (8th & 9th grade). Neither easy nor difficult to read.

Credits: Richard Tonsing, Tim Lindell, and the Online Distributed Proofreading Team at https: //www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Summary: "Laocoon: An Essay upon the Limits of Painting and Poetry" by Gotthold Ephraim Lessing is a philosophical treatise that explores the relationship between visual art and poetry, likely written in the late 18th century. This work delves into how painting and poetry differ in their representation of beauty and effects on the audience's emotions. Lessing examines the ancient figure of Laocoon to illustrate his points, addressing themes of expression, beauty, and the limitations inherent in each art form." The opening of "Laocoon" lays the groundwork for Lessing’s critique of previous artistic interpretations, particularly regarding the expressions of suffering in works of art versus those in poetry. He introduces the idea that both painting and poetry create unique illusions of presence, yet they evoke feelings through different means; painting relies on visual representation while poetry operates through description and narrative. Citing examples of classical art and literature, he emphasizes the idea that beauty must predominate in visual art, even when depicting intense emotions like pain. Lessing sets the stage for a deeper analysis of artistic expression and its implications for understanding human experience, particularly through the application of the Laocoon myth as a central case study. (This is an automatically generated summary.)

Author: Lessing, Gotthold Ephraim, 1729-1781

Translator: Frothingham, Ellen, 1835-1902

EBook No.: 73078

Published: Feb 29, 2024

Downloads: 272

Language: English

Subject: Aesthetics -- Early works to 1800

Subject: Agesander. Laocoön group

LoCC: Fine Arts

Category: Text

Rights: Public domain in the USA.

urn:gutenberg:73078:2 2024-02-29T00:00:00+00:00 Public domain in the USA. Frothingham, Ellen Lessing, Gotthold Ephraim en 1
2024-11-08T19:05:00Z Laocoon : An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.

This edition has images.

Uniform Title: Laokoon. English

Title: Laocoon : An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.

Original Publication: Boston: Roberts Brothers, 1873.

Note: Translation of: Laokoon.

Note: Reading ease score: 67.4 (8th & 9th grade). Neither easy nor difficult to read.

Credits: Richard Tonsing, Tim Lindell, and the Online Distributed Proofreading Team at https: //www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Summary: "Laocoon: An Essay upon the Limits of Painting and Poetry" by Gotthold Ephraim Lessing is a philosophical treatise that explores the relationship between visual art and poetry, likely written in the late 18th century. This work delves into how painting and poetry differ in their representation of beauty and effects on the audience's emotions. Lessing examines the ancient figure of Laocoon to illustrate his points, addressing themes of expression, beauty, and the limitations inherent in each art form." The opening of "Laocoon" lays the groundwork for Lessing’s critique of previous artistic interpretations, particularly regarding the expressions of suffering in works of art versus those in poetry. He introduces the idea that both painting and poetry create unique illusions of presence, yet they evoke feelings through different means; painting relies on visual representation while poetry operates through description and narrative. Citing examples of classical art and literature, he emphasizes the idea that beauty must predominate in visual art, even when depicting intense emotions like pain. Lessing sets the stage for a deeper analysis of artistic expression and its implications for understanding human experience, particularly through the application of the Laocoon myth as a central case study. (This is an automatically generated summary.)

Author: Lessing, Gotthold Ephraim, 1729-1781

Translator: Frothingham, Ellen, 1835-1902

EBook No.: 73078

Published: Feb 29, 2024

Downloads: 272

Language: English

Subject: Aesthetics -- Early works to 1800

Subject: Agesander. Laocoön group

LoCC: Fine Arts

Category: Text

Rights: Public domain in the USA.

urn:gutenberg:73078:3 2024-02-29T00:00:00+00:00 Public domain in the USA. Frothingham, Ellen Lessing, Gotthold Ephraim en 1