http://www.gutenberg.org/ebooks/73668.opds 2024-11-10T07:59:02Z Music after the great war, and other studies by Carl Van Vechten Free eBooks since 1971. Project Gutenberg https://www.gutenberg.org webmaster@gutenberg.org https://www.gutenberg.org/gutenberg/favicon.ico 25 1 2024-11-10T07:59:02Z Music after the great war, and other studies

This edition had all images removed.

LoC No.: 16000640

Title: Music after the great war, and other studies

Original Publication: New York: G. Schirmer, 1915.

Note: Reading ease score: 65.9 (8th & 9th grade). Neither easy nor difficult to read.

Contents: Music after the great war -- Music for museums? -- The secret of the Russian ballet -- Igor Strawinsky: a new composer -- Massenet and women -- Stage decoration as a fine art -- Adolphe Appia and Gordon Craig.

Credits: Tim Lindell, David E. Brown, and the Online Distributed Proofreading Team at https: //www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Summary: "Music After the Great War" by Carl Van Vechten is a collection of essays written in the early 20th century. This work explores the evolution of music in the aftermath of World War I, reflecting on various composers and styles, along with the cultural implications of these musical developments. The essays address prominent figures in music history and critique the future directions that art music may take following the war. At the start of the collection, Van Vechten discusses the transformative impact of the Great War on the world of art and music, arguing that traditional forms have become outdated and predicting a shift towards more primitive and disharmonic musical expressions. He provides insights into the thoughts of contemporary figures, like Leo Stein, and critiques the decline of German music while advocating for the potential of Russian and other new compositions. Van Vechten anticipates a post-war musical landscape that reflects the intensity of collective suffering and a movement away from established norms, highlighting composers like Igor Stravinsky as leading figures in this coming musical renaissance. (This is an automatically generated summary.)

Author: Van Vechten, Carl, 1880-1964

EBook No.: 73668

Published: May 21, 2024

Downloads: 71

Language: English

Subject: Music -- 20th century -- History and criticism

Subject: Theaters -- Stage-setting and scenery

Subject: Massenet, Jules, 1842-1912

Subject: Stravinsky, Igor, 1882-1971

Subject: Ballet

LoCC: Music: Literature of music

Category: Text

Rights: Public domain in the USA.

urn:gutenberg:73668:2 2024-05-21T00:00:00+00:00 Public domain in the USA. Van Vechten, Carl en urn:lccn:16000640 1
2024-11-10T07:59:02Z Music after the great war, and other studies

This edition has images.

LoC No.: 16000640

Title: Music after the great war, and other studies

Original Publication: New York: G. Schirmer, 1915.

Note: Reading ease score: 65.9 (8th & 9th grade). Neither easy nor difficult to read.

Contents: Music after the great war -- Music for museums? -- The secret of the Russian ballet -- Igor Strawinsky: a new composer -- Massenet and women -- Stage decoration as a fine art -- Adolphe Appia and Gordon Craig.

Credits: Tim Lindell, David E. Brown, and the Online Distributed Proofreading Team at https: //www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Summary: "Music After the Great War" by Carl Van Vechten is a collection of essays written in the early 20th century. This work explores the evolution of music in the aftermath of World War I, reflecting on various composers and styles, along with the cultural implications of these musical developments. The essays address prominent figures in music history and critique the future directions that art music may take following the war. At the start of the collection, Van Vechten discusses the transformative impact of the Great War on the world of art and music, arguing that traditional forms have become outdated and predicting a shift towards more primitive and disharmonic musical expressions. He provides insights into the thoughts of contemporary figures, like Leo Stein, and critiques the decline of German music while advocating for the potential of Russian and other new compositions. Van Vechten anticipates a post-war musical landscape that reflects the intensity of collective suffering and a movement away from established norms, highlighting composers like Igor Stravinsky as leading figures in this coming musical renaissance. (This is an automatically generated summary.)

Author: Van Vechten, Carl, 1880-1964

EBook No.: 73668

Published: May 21, 2024

Downloads: 71

Language: English

Subject: Music -- 20th century -- History and criticism

Subject: Theaters -- Stage-setting and scenery

Subject: Massenet, Jules, 1842-1912

Subject: Stravinsky, Igor, 1882-1971

Subject: Ballet

LoCC: Music: Literature of music

Category: Text

Rights: Public domain in the USA.

urn:gutenberg:73668:3 2024-05-21T00:00:00+00:00 Public domain in the USA. Van Vechten, Carl en urn:lccn:16000640 1