Our trip to Blunderland

The nursery has its share of my day, in such fashion that little people may not think big people created to stop fun and to be a throttle-valve on animal spirits. But there are romps and romps, some being beyond an adipose six-foot-two. Hence this story. Perhaps it will prove acceptable at cooling times in other nurseries, as it was in ours.

It may be thought that in introducing a certain little lady ALICEnce has been taken. But royal personages are public property. Will he that crowned queen Alice deign to accept the two little pages devoted to her as proof that it is held an honour to follow in the train of Carrollus Primus? Forbid it that this one should lose his head, or be facile , except in conjunction with princeps . Long live Carrollus Le Wis! for if he failed us, who could be got in lieu is a question. Never was there one greater at the feat of putting things on a child’s footing, and to have but half his understanding of how to do it is the sole ambition of one

little boys (whose names you must not know—so, choosing something like them, they shall [2] be called Norval, Jaques, and Ranulf) had been reading all about Alice, and the strange, funny things she saw and did when fast asleep.

“I wonder,” said Jaques, “if I could ever get to sleep like her, so as to walk through looking-glasses, and that sort of thing, without breaking them or coming up against the wall!”

“Oh,” said Ranulf, “wouldn’t it be nice if we could! Only the funniest thing is how she got through the wall. I don’t see how being asleep would help her to do that.”

Norval, the eldest, broke in—“Oh, you big stupid! she didn’t go through it; she only thought she did.”

“Well, then,” said Jaques, “I want to think it too. Last night when I was in bed I tried to go to sleep, and to get through the wall; but when I fell asleep I forgot all about it, and dreamed that I was sick, and that the doctor gave me a big glass of something horrid.”

“Ah, but,” said Norval, “that was because you tried. Alice didn’t try, you know. She [3] knew nothing about being asleep till she woke up.”

“Well, I didn’t know I was asleep till I woke up, either,” answered Jaques.

Ranulf looked very wise, although he was the smallest, and said, “Perhaps if Alice was here, she would tell us how to do it.”

“Of course I would,” said a sweet voice behind them; and, turning round, who should they see but little Alice herself, looking exactly as she does on page 35, where she is getting her thimble from the Dodo?

“Oh, how awfully jolly!” cried Norval; “will you help us?” He was very much surprised, not at seeing Alice, but at not being surprised.

“Indeed I will,” said she, “although I don’t know, you know, whether boys can manage it.”

Ranulf was just going to say, saucily, “A great deal better than girls, I should think,” when Norval, who was older, and knew better how to behave, checked him, and said—

“But, Alice, dear, surely if it’s done by going to sleep, boys can do that as well as girls.”

“Well, so they can,” said she; “but then, you see, everybody who goes to sleep doesn’t get to Wonderland.”

“Oh, but perhaps,” said Jaques, “if you will go to sleep too, you will come with us, and show us the way.”

“Ah! I can’t do that to-day,” said Alice, looking very grave; “for, you see, when I came to you I was just going to give Dollys their dinner—such a nice dinner! cake and currants; and it would be cruel to leave them looking at it till I came back.”

Now Norval suddenly remembered that he knew some boys whose uncle was a Director at the Aquarium, and who, when he could not go with them and pass them in himself, gave them a written order; so, turning to Alice, he said—

“Oh, but if you would give us a pass, it might help us.” And sitting down at the writing-table, he wrote in stiff letters, imitating the papers he [5] had seen, and laying the pass before her, said, “Now, write ‘Alice’ there ever so big, and put a grand whirly stroke under it.”

Norval threw himself down on a sofa; Jaques and Ranulf coiled themselves up on the rug.

Norval could not resist the temptation to keep one eye half open, that he might see what Alice did. But she, noticing this, held up her little forefinger, and said, “Come, come, that won’t [6] do.” Thus rebuked, Norval shut his other eye.

All was still for a little, then Jaques half uncoiled himself and looked at Ranulf.

Down they all flopped again, and then Alice, to help them, said, “Hushaby baby, on the tree-top!”

“That’s talking nonsense, not going to sleep,” said she. “I see it’s no use; Alice’s way won’t do with wild rogues like you, and I really must go back to Dollys.”

“What are we to do?” said Norval; “we can’t fall asleep. Don’t you think we could get to the funny places you went to without going to sleep?”

“Will you do what I tell you?” asked Alice, holding up her little forefinger in a dignified kind of way.

Jaques had some misgivings about compromising his position as a small lord of the creation by agreeing to do what a little girl told him; but his anxiety to see some wonders prevailed, and they all said that they would obey.

“Shut your eyes, then, and don’t open them till I tell you, and perhaps something will happen.”

Norval rolled down from the sofa to the side of his brothers. Then all squeezed up their eyes quite tight, and although they heard a curious rumbling noise, did not open them.

“That’s right,” said Alice; “you would have spoiled everything if you had peeped. Boys who don’t do what they are told spoil everything, and themselves besides. Now you may look!”

They had squeezed their eyes so tight that it took ever so long to get them unfastened. Jaques got his open first, and saw that little Alice was gone.

Just as he was going to say, “What a shame, when I squeezed so hard!” Norval and Ranulf got their eyes open, and before Jaques could speak, they gave a wild shout, “Hurrah! hurrah! hurrah!” Jaques’ head had been looking the wrong way, but when he turned round he saw what the others had seen—

only they were rather different from other bicycles, as, in place of the small hind-wheels, there were funny little fellows, made up of a head and three legs; and as they stood on one foot, with the other two in the air, and their noses thrust [10] through the end of the bar, they looked very comical. Still more funny was it when the boys went forward to look closer, and the little three-legged men made them a bow, which they did by touching their caps with one leg, bobbing forward on another, and back again. The wheels and treddles were made of gold, the seats were lined with crimson velvet, and the little men had blue tights and silver caps and shoes; so everything looked very smart. The boys could not understand how the bicycles stood upright without anything to hold the wheels, and began talking about them, wondering whether they could move of themselves. They had scarcely spoken of this, when, as if to show off their powers, the little men began to turn round on their three legs, and move slowly about the room. They steered their way among the furniture most cleverly, and at last as each stopped beside one of the boys they all touched their caps, and bobbed from one leg to another, as before.

The moment they were seated, the three little men gave a shrill whistle, as a railway engine does before it starts, and off they went at a tremendous pace. The boys had barely time to think how hard the drawing-room wall would be, when the whole party went straight through it as if it had been, like circus hoops, filled in with paper. Norval went across the library and out at the window, but papa did not seem to notice him; he only got up and closed the sash, as if he had felt a draught. Jaques passed through the butler’s pantry, but the butler only scratched his ear, as if something had tickled him. Ranulf shot at a slant through the nursery, clutching a penny trumpet off the table as he passed, but nurse [12] only gave a shiver, and said, “Deary me, I do feel so queasy queer!”

They were going so fast, that Norval, looking round the moment they were outside the house, saw papa’s head, not bigger than a black pin’s, looking out of a window, that seemed smaller than a halfpenny stamp; and Jaques caught sight of Oscar, the house dog, who looked like a comma with its tail wagging. Besides, they kept mounting up in the air as well as going on, so that the fields looked no bigger than the squares of a chess-board, and the trees between them, in their autumn tints, like rows of brass nails on a green-baize door. Before they could count fifty, the world itself, when they looked back, was like one of those funny worsted balls that show a number of different colours. The little men were spinning so fast that their silver caps, blue hose, and bright shoes ran into circles, till they looked like silver wheels with a blue enamel ring on them.

“I think we would be if we had time,” said Norval (who was the thinking one of the three), “only we are going so fast that there’s no time to be frightened.”

“Perhaps it’s because we’re asleep like Alice, after all,” said Ranulf, looking very wise.

“Oh no; because you see when people are asleep they are still, and we are going so fast that it would be sure to wake us,” replied Jaques.

“Oh yes,” said Ranulf; “because we can go still faster; and if we can go still faster, why can’t we go still fast?”

“Oh yes, to be sure,” said Jaques; “and besides, of course, a man can be fast and still at the same time, for if he is made fast with rope he must be still.”

“And we are going fast still,” said Norval, as the bicycles flew on; “but I don’t see yet how we can be still and fast both.”

The three seemed likely to get into a regular muddle about this, when their attention was suddenly called off by Jaques catching sight of something that looked first like a new threepenny-piece, and in another second like a big shining tin plate.

“What’s that?” said Jaques. While he was saying this, it had grown as big as a drum.

“Perhaps it’s a giant’s dish,” said Ranulf. It was now as big as a circus.

“It’s getting too big for that,” said Jaques. By this time it was as large as a race-course, and in another second it was too great to be like anything.

Norval, who had been thinking, was just going to say, “Perhaps it’s the moon,” when the Man in the Moon put his head out at one side, and looking as grumpy as possible, called out—“Hi, you rascals! what do you want here?” He had evidently been wakened out of a nap by the whirr of the bicycles, for he wore a big red [15] nightcap, and had got only one eye open.

“We aren’t rascals,” said Jaques; “if you say that, we’ll tell papa.”

Ranulf broke in—“I think you’ve got up too soon this morning. By the bye, did you ever find the way to Norwich?”

The Man in the Moon got quite red with rage at this, opened his other eye, and aimed a blow at Ranulf with a big stick.

“Ha!” said Jaques, “that’s one of the sticks you gathered on Sunday, you villain!”

As his arm made the blow, it came nearer the boys; and the stick, which had looked only like a porridge-stick, got as big as Nelson’s Monument. Ranulf would have been knocked to pieces, but the little man at the back of the bicycle gave a sudden dart to one side; the Man in the Moon overbalanced himself, and if his wife had not caught him by the legs he would have tumbled off the moon altogether. In struggling to get on again his red nightcap fell off, and a breeze of wind carrying it away, left it sticking on one of the moon’s horns.

They were now getting so near the moon that they began to wonder how they were to pass it.

“Not at all,” said Norval; “you know the cow jumped over the moon, so it can’t be very difficult after all.”

The bicycles began to move a little slower, and the boys thought they were going to stop, but it turned out that the little men were only gathering themselves together, like good hunters, for the spring; for in a moment they gave a whistle, as a train does when it goes into a tunnel, and the bicycles bounding up, went right over the top of the moon, the boys keeping their seats in a way that it would be well if some Members of Parliament could imitate.

As they passed, the Man in the Moon, who had come up after his nightcap, shouted, “Don’t you come here again!” and picked up a stone as big as four hayricks to throw after them. But before he could do so, his wife, who had come behind him, and who had a nose as big as [18] a ship’s long-boat, eyes like paddle-boxes, and a mouth like the entrance of a harbour, seized him by the arm, boxed his ears, and said in a voice loud enough to be heard hundreds of miles off—

“Old villain! ’ld villain! villain! ’illain! ’lain! ’lan! ln!” cried the echoes in the stars.

The Man in the Moon dropped the big stone on his own toes, and muttering, “Petticoat government again!” pulled his nightcap over his ears, shrugged his shoulders, and went home meekly to breakfast.

“I wonder if we’re going the same way the cow went!” said Ranulf; “if we are, perhaps we may get a drink of milk—I’m so thirsty.”

“Faugh!” said Norval; “what would papa say if he heard of our eating cow-beef in Fairyland? and as for milk, if she runs as fast as we do, she must be run dry long ago.”

The pace was now greater than ever, so that the stars flew past them like sparks from a smith’s anvil. They had been going through darkness for some time, when they perceived a dim light in front; and soon they saw that it was a grey cloud, into which the bicycles plunged, moving more slowly, till they came to a walk. While they were in the cloud, the boys felt that they had come to ground; and in a minute or two they passed through it, and found themselves in a very bleak, cold-looking place—no grass, no trees, no flowers, nothing but stones and sand, and an old woman walking in front of them, thick fog enveloping all round. Ranulf was almost going to cry, it looked so dreary; but Norval told him to remember that papa often said, “Whatever happens, don’t cry, but be brave boys; things are always made worse by crying.” So he gave three big gulps and was all right. But they began to think in themselves that if they had known Fairyland was like this, they would have preferred to stay at home. They had little time to reflect, [20] however, for the old woman tripped her foot against a stone and fell down on her nose, which was very long. The boys jumped at once to the ground, forgetting [21] all about Fairyland, and rushed to the old woman to help her up.

“Verily muchly,” said she, in a squeaky voice, that sounded like the noise which a piece of paper stuck over a comb makes.

It was so funny that they all felt inclined to have a laugh; but they kept it down, and helped the old lady up. Her nose was so long that their handkerchiefs were too small to tie it up, so they fastened them together and bandaged it as well as they could. They were going back to the bicycles, when she said—

Norval said, “We wanted to get on to the nice part of Fairyland, but if you would like us to stay till you feel better, we will.”

“Yes, of course we will,” said Jaques; “won’t we, Ranny?” And Ranulf gave a big nod.

Then the old lady, patting Ranulf on the head, replied, “You want to get to the nice part of [22] Fairyland? So you shall, for those who are kind are sure to get what is nice and pleasant at the proper time.” While speaking, she seemed to get enveloped in a kind of mist, through which the boys could only trace her figure dimly. To their great surprise, the fog that was all round and above them began to weave into lines; and these plaited themselves together quickly, till they formed a vast trellised dome. Then light began to break through, and the dark bars became transparent gold. Lovely plants rose from the top of the dome, twining themselves in and out all the way down. Each had hundreds of buds, which, as they reached the ground, burst into leaves and flowers in dense profusion—here a thread of blue, here of red, here of white, which, mingling with the golden trellis, produced a charming effect. The ground, which had been rough and stony, smoothed itself into stripes of silver sand. The stones became precious ones of all colours, and ranged themselves along the stripes of silver, making beautiful, shining walks. In the plots [23] between the walks, the most lovely grass appeared, soft and delicate, like velvet; and from each there rose a crystal fountain, playing waters of different bright colours; while all around richly laden fruit-trees sprang up, with many splendid-coloured birds on the branches, which began to fly in all directions, whistling and singing most sweetly. All this time the mist remained round the old woman, only turning to a beautiful rose colour. When the fountains and trees were rising, the boys gazed in wonder and delight. Ranulf proposed to pluck some fruit and eat it, but Norval said they must not do that without leave. Presently the rose-coloured mist began to get thin, and, clearing away, they saw a beautiful form appearing—a regular real fairy, standing perfectly still in the middle of the canopy, shining so bright that though everything else was beautiful, she was the loveliest of all, as she stood in the midst of a bouquet of flowers formed of glittering jewels. For there was a bright shining in her face that outshone all else—a something so [24] beaming, so winning, so unlike anything to be seen in the world of every day, that you must just try to think of what cannot be thought of, before you will get any idea of it. Her robe was dazzling white, and the swan-like neck and rounded arms vied in delicate beauty with the strings of gorgeous pearls that formed the only sleeves of her shining dress. The slender waist was circled by a band of glittering precious stones, and her skirt, falling to the knee, was one blaze of silver light, the fringe at the edge sparkling with brilliants. A tiara of diamonds crowned her head, and lovely golden hair hung below her waist.

Jaques’ mouth and eyes opened wide, and Ranulf showed two large dimples in his cheeks as these wonders came to view. Norval was the first to remember what he was about, and said, “Come along, boys; we must go and shake hands, you know, and say, How do you do?” So they all went forward. As they came near, a lovely smile broke over the fairy’s face, and she held out her hand, saying, “I am so glad to [25] see you, dear boys; and still more to see that you know how to behave like little gentlemen.” Her voice was clear as a silver bell, and her hand very curious to touch, but so nice. She went on, as she stooped down and smoothed Ranulf’s hair, “You will see every day the advantage of being good and brave. Do you know what would have happened if you had not helped me, when I was the old woman?”

“Oh, but you couldn’t be the old woman,” said Ranulf, looking up admiringly in her face.

“Indeed I was, dear,” said she; “I just wanted to see whether you were unselfish, kind boys, so made myself very ugly and ridiculous. But do you know what would have happened if you had not picked me up?”

“My servants would have whirled you back faster than you came, and dropped you on the rug again.”

“What servants do you mean, please?” said Jaques; “we didn’t see any.”

“I will show you,” said the fairy, giving a light bound to the ground, and walking across towards the bicycles, which were modestly standing at one side of the bower. She had shoes of transparent glass, with buckles of lovely sapphire; but what astonished the boys most was, that the glass was not stiff, but obeyed the movement of her beautiful feet, so that her motion was splendid, the foot curving gracefully down as she stepped, reminding the boys of one of the large stately-moving birds they had seen at the Zoological Gardens. They gazed at her in amazement, as she smoothly glided; and she, observing their surprise, said, smiling—

“So you admire my shoes. I get them from the same man who supplied my sister fairy with those she gave to Cinderella. He’s the very best maker in Fairyland.”

As she came near the bicycles, the little men made their bow as they had done to the boys, and then raising themselves off the ground, whisked round two or three times in the air, [27] as if in great delight. The fairy tapped each of them with her wand, and at once they became handsome pages, older and bigger than Norval, dressed in dark-blue doublets and velvet caps, with pretty ruffs round their necks that looked transparent like glass; and, with their light-blue tights and silver shoes, they were very smart. Each stood leaning on the great gold wheel, which was all that remained of the bicycles.

“Oh,” said Jaques, “we didn’t know they were real; we half thought they were only funny machines like men,”—and turning to the other boys, added, “Must not we say ‘Thank you’ to them for all their trouble?”

“Of course,” said Norval; and each went up to his own page, and said, “Thank you very much.”

“That’s right,” said the fairy; and the pages smiled and made a bow—just an ordinary bow, not whirling round as they had done before, for, of course, pages cannot turn over of themselves.

“And now you must be hungry, dears, after your long journey,” said the fairy, giving a graceful [28] wave of her hand towards the three pages. In an instant they were down on one knee with the golden wheels supported on their heads, like three lovely Dresden-china art tables, while their caps, which they tossed on the ground, grew and shaped themselves into silver stools. And how it came about the boys never could make out, but there was a neat little dinner laid out on the top of each wheel; and still more curious, each boy had his own favourite dish, only nicer to look at and better to taste than they had ever had it before. While they feasted, low strains of music sounded sweetly through the air, and a chorus of many voices, clear as the crystal brook, but gentle as its murmur, sang [1] —

When the boys had dined, which they did with exceptional ease, as their knives and forks did not require to be handled, but performed their work neatly and deftly of themselves; and when the table-napkins had unfolded themselves, and touched their lips with deliciously scented water, the last strains of the song died away; and the fairy, who had herself sung the final verse in tones most winning, so that the boys had crept close to her, nestling under the caress of her arms, stooped down and kissed them tenderly.

“And now,” said she, “I know you want some fun, and quite right too. Those who go steadily in the right road are well entitled to a little diversion, and can enjoy it better than the boys who choose crooked paths. Now, where would you like to go?”

“Oh,” said Norval, “we have a pass from Alice to let us into Wonderland.”

“Ah! Alice; I have heard of her, or rather I’ve heard her. She was the little girl that grew so big, was she not?”

“Well, when she got big, her voice got big too, and it was heard all over Fairyland.”

“Oh yes, dear, of course there are; we have Elfland, and Bogieland, and Spriteland, and Wonderland, and Blunderland, and many others. But let me see your pass.”

“Why,” said the fairy, “this is not for Wonderland; it’s for Blunderland.”

And so it was, beyond all doubt, as may be seen by looking at this copy, faithfully and literally taken from the original writing:—

“Oh, how stupid!” said Norval. “When I was writing it I said to myself, I will try not to make any blunder in spelling; and I must have written Blunder from thinking of it. What are we to do?”

“Never mind,” said the fairy; “there is plenty of good fun to be got in Blunderland, and you may just as well go there as anywhere else. So now good-bye, and I hope you will enjoy yourselves.”

Once more the lovely hand was waved—this time the arm in its graceful curve taking in every part of the palace of gold and flowers—when instantly a thousand fairies stood in one vast circle around, and gracefully bent low before their [34] queen. Then with a bound each took her place opposite one of the trellises of the bower, standing with the right foot pointed, and waited for the signal to begin the dance.

The queen, with many a graceful turn, circled round the glittering ring of dazzling fairy brightness, waving one hand outwards to this fairy and the other inwards to that; and though there were a thousand of them, and she thus, in soft floating dance, went round all, yet it seemed to be done almost in the time that the eye could follow her; then with a bound she once more stood in the centre of the great bouquet, and having slowly drooped in a deep long curtsey, acknowledging the reverence of her subjects, sprang to her full height on tiptoe, and threw her hand above her head, holding a rose that she had worn at her breast, which burst out into the form of a star, scintillating with light of most dazzling brilliancy. This was the signal,—and in a moment, ching, ching, ching, ringa, ringa, ring, went the million little silver bells upon the skirts of the fairies, as [35] they floated in graceful measure hand in hand. Then each laying hold on one of the supports of the dome, they raised it up, and danced round, carrying the canopy with all its myriads of flowers with them, faster and ever faster, till the eye could scarce follow the ever-shifting shades of dazzling colour,—the light from the queen’s hand, varying ever and anon, changing the whole scene from dazzling brightness to crimson glow, from green gold of sunset to soft purple of fading twilight.

The boys stood gazing in mute wonder and delight at the graceful motion of the queen and her fairies, having never seen any dancing but at a ball at home, where people rushed about, elbows meeting ribs, and strips of tulle and tarlatan torn and scattered about; or at a spectacle, where a pantomime fairy seemed trying to jerk off her shoes.

Presently the rapid thrilling ching-a-ring of the bells—through whose chiming a melody not to be described, but wonderful in its sweetness, [36] caught the ear—became slower, the fairies to whom the queen had waved her hand outwards turned round, facing those to whom she had waved inwards; and out and in they glided, ever faster and faster, the trellis-work of the canopy unplaiting as they went, till the last crossing being undone, the fairies ranged themselves on opposite sides, the bars making one long, brilliant, golden-arched bower, the end of which seemed small in the far distance. Then the queen, with a merry smile that had something half-roguish in it, kissed her hand once more to the boys, saying—

and before they had time to think what was going to happen, the bouquet shaped itself into a magnificent chariot, the three golden wheels set themselves one in front and one at each side, the pages sprang up behind, and gliding like a flash down the golden bower, the chariot was lost to view.

sounded from an approaching train, the station bell rang close to their ears, and a gruff voice above them shouted, “Train for Whackbury, Flogland, Dunbrown, Sillybilly, and Blundertown.” Not that it sounded like this, for it was spoken precisely as on all railways at home, and sounded just

But that matters as little on fairy railroads as elsewhere. When the boys looked up they saw that the voice came from a policeman, about as tall as a three-storey house, and no thicker than a Maypole, standing with his arms sticking straight out, and who had an extra eye to safety, blazing red, both in front and at the back of his head. Just as they looked up, one arm [38] flopped down to a slant, and an eye winked funnily from red to green, so that he was a caution to look at. The train now appeared dashing out of the tunnel (golden and bright no longer), going so fast that the boys thought [39] it must pass the station, and were horrified when they saw the porters busily throwing down a quantity of black things like two-foot-long tadpoles on to the rails, and then, a little further on, a big, round, black ball.

“Well, them’s stops. We goes about as fast as thought, so we checks and pulls our trains up the same way as they do trains of thought, with commas and colons.”

And sure enough the train, after crashing through the commas, came to a stand just as two funny little buffers, whose heads stuck out in front of the engine, seemed on the point of being black-balled by the full stop. It is true that the commas seemed not to be placed with any care, but just dropped down on the lines anyhow; still in this the system varied in no way from the mode in which commas are scattered about the lines of other great works as well as railways. In fact it seems to be the rule, that commas come as they like; and if they come upside down they [40] can bring any amount of material to one work from another—a new proof that one of the greatest powers of the age is commars.

As the train came to a standstill, the policeman’s eye winked suddenly back from green to red, and his arm flew up again, while he shouted—

by which he meant, “Change for Crowtown, Cheepcackle, Gobbleboro’, and Quackland.”

The boys’ attention was called to the engine, by the station-master coming up in a rage to the driver, and stamping his foot on the ground, shouting, “Here’s the ninth day this week that you have come in punctually, when you know that it is against the rules. You must have a blowing up.”

“All right, sir,” said the driver, meekly; and mounting the engine, he quietly took his seat upon the safety-valve.

The boys, who had bought a little steam-engine [41] with the savings of pocket-money carefully hoarded for many months, knew something of the danger of this proceeding from the printed directions sent with their engine, and Norval cried out, “Oh, don’t do that, or there will be a burst!”

“All right, little un,” said the driver, “it’ll get me hup in the world.”

As he spoke he was shot into the air as high as the tall policeman’s head, and the boys shut their eyes in horror, thinking he must be killed. But on opening them again, to their surprise they saw him at his post, quietly buttering a piece of bread with wheel-grease, and taking a drink out of the engine’s oil-can.

“Yes, ’urt in my feelin’s. It’s wery ’ard hafter getting so ’igh to have to come down to this agin; but we must take things has they comes or goes, [42] has the man said when ’is ’ead flew hoff on bein’ axed to do so.”

The engine did not appear to be more damaged than the driver by the explosion, and on looking at it, the boys were surprised to see that its boiler was shaped like a porridge-pot, with an immense porridge-stick stirring it by steam. There was a tender behind, which kept the engine up; for, as the driver said, in answer to one of the boys, “We keeps ’im coaled to keep ’im ot. My hengine begins to ’eat up when ’ee’s swallered two tons. In fact it’s with this coal ’ere that ’is bile is riz.” [2]

The driver, who had just taken another pull at the oil-can, so long and full that the fireman had to beg him to leave some for the wheels, replied, “Don’t ye ax souperfluous questions.” But the fireman, picking up a big spoon like a warming-pan, plunged it into the pot, and held it down to Ranulf, saying, “There, you’ll find that ’ere souperfine stuff.”

“It ain’t ’are soup at all,” said the driver; “what are yer talkin’ about?”

“That’s just as well,” said Norval, “because one can’t live on air, of course.”

“I dunno that,” said the driver; “jugged ’are’s wery good stuff for dinner.”

“Oh, but,” said Jaques, gravely, “if we got nothing but a jug of air for dinner we would be just full of wind.”

He thought to himself, just as he said this, that perhaps this was the right thing for a driver of a [44] puff-puff, as they called railway-engines in the nursery, but he did not like to say so.

After Ranulf had tasted the soup, Norval and Jaques had some, just as the porter came along the train calling out, “All tickets for soup ready, please; tickets reade-e-e-e. All tickets for soup ready, please.”

“Oh,” said Norval, “we’ve just had it too, and first-class fare it was; at least it was fair fare.”

“All right,” said the porter; “but any boy who travels without his fare, or his ticket for soup, will be breeched for breach of the company’s pie-laws, remember that.”

He tried to look very fierce as he said this; but as his body looked like a barrel, with three big X’s upon it, and his head was a large pewter-pot, the boys could not help laughing, which [45] Norval excused by saying, “I beg your pardon, but you do look so dumpy.”

“In coorse I does,” said he. “Porters no good that bean’t stout, you know.”

“If you’re doubling stout,” said Norval, “that’s as stout as can be, isn’t it?”

“No, it ain’t. I’m more than that already. Don’t you know treble X when you see him?”

“Oh yes, I know now,” said Jaques. “I’ve heard papa say that X is an unknown quantity; and you’re three times him, are you?”

The porter was off by this time at the door of a carriage, looking at tickets, so he gave no answer; and the boys’ attention was called off by the passengers that were changing for Crowtown, Cheepcackle, Gobbleboro’, and Quackland coming along the platform to cross the line. First came Sir T. Urkey, of Gobbleboro’ Hall, in a white hat, a red handkerchief sticking out from below it, a brown coat, and tight leggings. Next followed Mr Shanty Cleary, his wife Henny, and half-a-dozen little cheeps of the old block following. Mr Shanty Cleary’s head presented a most combical appearance, and all the young Clearys of the male gender took after their father in this respect. Last came M. U. S. [47] Covy Drayck, Esq., the tails of whose coat curled up in a very funny way, and who carried his head very high, as if the whole country belonged to him, although he was rather bandy-legged and very flat-footed. He seemed altogether inclined to play the swell; and as they passed the boys, bobbed his head to one of the Miss Clearys, and said, “Oh you little duck!”

“Duck yourself,” said Mrs Cleary, with a most indignant sweep of her head; “my daughter’s no duck, Mr Imperence.” Mr Shanty Cleary himself stepped forward, with his head as high as he could; and looking as cocky as possible, was just opening his mouth to say something severe, when Sir T. Urkey turned back and said, “What’s the matter?”

“Come, Drayck, don’t be a goose,” said Sir T., “and behave yourself. You’re no chicken now, you know.”

“Who asked you to interfere?” said the other, throwing back his neck as far as it would go, and waddling up to Sir T. in a most defiant manner.

Sir T. got purple in the face, and swelled out under his brown coat with rage, his red handkerchief slipping loose, and a long end of it hanging over his nose, nearly to his waist. He rushed at Mr Drayck, with his coat-flaps trailing on the ground, and tried to speak, but nothing came out except a gub-gubba-gubble-gubble-gubble. Mrs Cleary, seeing there would be a fight, screamed out, “Police! police!” as loud as she could. The tall policeman gave a horrible wink, showing the white of his eye, at which signal two other constables seized the ill-behaved Mr Drayck by the neck, and began to drag him to the engine.

“There,” said he, “you can commit breach of the peas in there if you like; they won’t split on you, for they’re all split already.”

“Take your seats,” shouted the guard (who had a whistle instead of a nose, and a big turnip fastened to his belt to tell the time by), as he ran up to the boys, “and mind you don’t get in right side first.”

The boys went along the platform to look for a carriage. The first they came to had a crown of a hat nailed on its side, and below in large letters—

Looking in they saw a king in a long robe, standing before a number of square holes (over each of which there was a letter of the alphabet), with an armful of letters, which he was cramming into the different holes. The H’s seemed to be very troublesome, for they were constantly getting dropped, and those that he managed to force into their place the boys saw slyly slipping out, and gliding into the holes of the vowels, so that, struggle as he might, he could not get them right. Once he caught an H with a corner of an I, just as it was trying to get in beside the O’s.

“Oh ho!” said he, “is that what you’re after?” seizing him firmly. But the H was determined, if he could not be where he ought not, that he would be dropped; and as the king held on tightly to him, over they both rolled together, the king tripping on his long robes, and coming down in a most undignified position. The H’s [51] that were on the ground could do nothing, but those that had got in beside the vowels shouted with laughter.

Those that had got in beside the I’s laughed in a Hi key. The H’s that were in the U pigeon-hole alone remained silent, as they could only have called out Heu, which, as it means alas! they were not in the Humour to use.

The king made no attempt to rise, and looked as if he was much the worse of the drop he had had, and in great need of a Pick-me-up; so Norval put his foot on the step to get in and help him, but the king, observing his intention, waved his hand and said majestically—

It was evident, however, that he was in great distress, for he called out “Oh!” several times, [52] only the boys could not understand why he put other letters before it, so that it sounded like, “g. p. oh! g. p. oh! g. p. oh!”

“Get out of the way,” said a voice behind them; and a gorgeous officer, but who, strangely enough, wore canvas bags, and the orders on whose breast were money-orders, stepped in beside the Royal Male.

“That’s General Pustoffus; we calls him G. P. O. for short; it’s him as looks after the Royal Male. He’s a queer sorter chap he is, the Royal Male. He takes up ’is ’ole time a pullin’ letters out of bags, and shoving ’em into ’oles; and when’s he’s tired o’ that, he takes them out of ’oles and shoves ’em into bags. And, besides that, there’s never a letter he gets that he doesn’t give the Queen’s ’ead a bang.”

“Ay, it be a shame,” said the guard. “If you or me was to lick our wife we’d get six months; but this ’ere Royal Male, he doesn’t mind ’er ’ead [53] gettin’ licked and stuck fast in a corner, and ’ee’s always a stamping on it, and making her face all black. And I’m sure a patienter lady never was, for though her ’ead’s being bumped all day, she never says a word. He don’t hold the Queen’s ’ead worth more nor a penny to a hounce, he don’t. But come on, or the train will be hoff.”

The next was the smoking-carriage, and the smoke was pushing out so hard at the door, that the moment the handle was turned it flew open, so that it took the united efforts of the guard and porter to get it shut again, the cloud coming out as thick as gutta percha. Norval looked through the window, and saw a pig puffing away at an enormous cigar.

“I’d ha’ thought,” said the guard, “that amount of smoking would ha’ cured him already.”

The pig, hearing the talk, opened the window and handed out a slice of himself on a plate, saying, as he did so, “There, you see yourselves I am not half cured yet, so don’t bother me any more. What can’t be cured must be endured.” He gave such [55] a puff of smoke as he said this, that Ranulf sneezed a loud “H-a-a-a-m.”

“So I do mean to bake on,” said the pig, “in the smoke here, and when I am ham I’ll let you know; so don’t take it for grunted till I tell you.”

“Why can’t he talk correct, and say ‘When I ham ’am’?” said the guard, as, the pig closed the window.

The next carriage was empty; and no wonder—for it was the sleeping-carriage, and was snoring so loud that even the wooden sleepers below wouldn’t stay quiet, and were anything but chary of their raillery. When Jaques looked in it only spoke in its sleep, and said, “Are we far from Wakefield yet?”

They all laughed at this; and unfortunately the guard, in laughing, let his whistle-nose go off.

This made the driver start the train; just as the pig opened the window of the smoking-carriage again, and handed out another slice, saying, “A rasher individual than this pig would have made his eggsit as a cure at once, but you see I’m no’ [3] a ham yet; steady’s the word for a perfect cure.”

This long speech gave time for a tremendous cloud of smoke to escape, so that the train got out of the station under cover of it, before the guard or the porter knew that it was off.

“Yes, there’s a go, and here’s a stay,” said the guard. “We must get on somehow. What shall we do?”

“Ax old Sammy Fore, ’ee’s your man,” said the porter, pointing to the signal policeman.

“’Ee? ’ee’s the very man for movin’ people on, [57] yer knows; ’ee’l be hable to run yer in to the train yet.”

“Then you won’t this time,” said he. “Don’t you know that I’m a fixed signal? If I were to leave here, I shouldn’t be found when I was wanted.”

“Just like other policemen,” said the guard, “so that wouldn’t make no difference. Come, don’t be a fool; take us on.”

“Couldn’t we go by special train?” said Norval, who was by way of being very knowing about railways.

“Special train be blowed!” said the guard; “let’s go by special constable. We’ll soon hovertake the train by p’liceman Xpress.”

“If you sticks so hard, you’ll grow to the spot,” said the guard, sulkily.

The policeman seemed determined not to help them, when the guard at last said, in desperation, “If anything happens to that ’ere train, it’ll be a pretty kettle of fish, for there’s a Cooke’s excursion in it.”

“Cooks and fish!” shouted the policeman; “why didn’t you say so before? If there’s cooks in the train, I’m your man. Come on; cooks without followers is no good; let’s after ’em at once.”

So saying, he whipped up Jaques and Ranulf under one arm, and Norval under the other, and bidding the guard hold on by his coat-tails, started off after the train. His long legs went over the ground at a tremendous pace, and as they flew by, the people in the houses rushed out to behold the sight of a policeman running, for they are generally slow enough, as everybody [59] knows. One old ploughman scratched his head as they sped past, and muttered, “A’ve offen ’eard as how p’licemen’s never in an ’urry, but that un goes like an ’urricane, he do.”

“Yes,” said another old man, “police rates are as slow as they’re heavy generally.”

When they had gone several miles in as many seconds, the policeman caught sight of the train, and rushed on faster than ever. But suddenly he gave a terrible yell of pain; and no wonder—for he had bumped his shin against a bridge crossing the line, which he had not noticed, as he was watching the train. He staggered, blundered on a few strides of 300 yards each, and at last fell heavily forward, and his head went bang through the van of the train, which had come to a standstill, driving it all the way to the next station, which was about half a mile off. When the policeman fell, the little fellows ran great risk of coming to smash; but at the back of the train there happened to be two obliging buffers, who, as the shock of the fall made the policeman’s [60] arms fly up, caught the boys, and with the aid of one or two back springs, brought them safely to the ground.

“Thou’st roon thyself in this time, lad,” said the guard; “it be looky for oi that I warn’t in the van, or there ’ud a been two brakes in it instead of one.”

The policeman vouchsafed no reply, but gathered himself up with a most dignified air. One of his red eyes looked rather the worse for his tumble; but being a glass one, it did not matter much, as it could be easily replaced. He stuck his arms straight out once more, and said, majestically, “Move on, there!”

The guard being anxious to get to the train, needed no further urging, but set off with the boys for the station. After a little, he got so out of breath that his nose was beginning to whistle again, and he had to hold it for the rest of the way, lest it should cause the train to start off without them once more.

The boys, going forward to get into a carriage, [61] found the people all jammed up by large pieces of pasteboard, like the advertising placards carried by two men in the streets, which turned out to be tickets. They could not be got out at the doors without a great deal of bending and squeezing and struggling, which tore and broke them; and as the officials insisted on carefully pasting up each ticket as it was got out, the collecting promised to be a very long affair.

“Why are the tickets so big?” said Jaques to the station-master, who had used up a paste-pot as large as a drum. They had a paste-pump in the station that was kept constantly going, like a battery.

“Well, you see, my little man,” said he, “people were always losing the small tickets, so we thought they would take care of big ones; and we have not had any mistakes since.”

“Well, ye-e-e-ss. We generally take about three hours and a half to get things square,—I mean the tickets, for they makes a sad hash of [62] them getting them out; but then things is square when we’ve done, you see, and that’s the great point.”

Norval, who was beginning mathematics, wondered how a point could be great, and how a square could be a point; but he did not like to trouble the station-master, as he was so busy with the tickets, which, when they were all mended and collected, made a pile that blocked up half of the station.

A number of Sillybilly people came to the station to get into the train for Blundertown. It was already so full that the boys were obliged to squeeze themselves up in corners, till Ranulf called out, “Oh, I can’t bre-e-eathe!” and Norval had to take him on his knee. When the Sillybilly people came up, the guard ran along the train, calling out, “Plenty of room! plenty of room! Every one sit on his own knee, and there’s plenty of room!”

The passengers got very angry at this, and shouted out all sorts of cross replies to the guard.

Those who tried to do it always found that they got on somebody else’s knee instead of on their own, which, as it turned out, came to much the same thing, as the moment anybody rose to [64] try to sit down on his own knee, a Sillybillier popped down on his seat.

There was no need for hurry, as the train was only 22 hours and 49 minutes behind time; so, after everybody had with great difficulty got in, and they were packed so tight that the sides of the carriages were bulging out, the station-bell rang for 19 minutes, to show that the train was going to start. Then the guard unscrewed his whistle-nose, wiped it carefully with his pocket-handkerchief, and screwed it on again. It so happened that he fastened it with the wrong end out; and when he blew, he only whistled into himself, so that the driver could not hear; and he had to get the station-master to give him a slap on the back with one of the big tickets, to make the whistling that had stuck in him come out. The train then started, but as there was a bridge just beyond the station, and the carriages were so swelled, it had to be stopped again till the porters had roped the carriages like trunks, to press the sides in and let them pass.

The process made things so tight, that several persons called out, “Oh dear!” At this the porters only laughed, and said, “Dear? it’s the cheapest thing you get in twenty-four hours—you get it for nothing.”

The train having at last got fairly started, a big fat man, with a jolly broad face, who seemed to get happier and happier the closer the squeeze became, said in a wheezy voice—

“Move! that’s a good one,” said a voice from a corner. “Proposing to move is all very well, but how will you get it done in a squash like this?”

Everybody looked towards Norval, but in the crowd they could see nothing but a broad, flat, smiling face.

Tightly as they were squeezed, they notwithstanding made a tremendous push back from the man beside Norval, till the ropes round the carriage creaked again. Sure enough, there he was—a chair beyond all doubt, looking as inviting as possible.

“He’s just what we want for a Free-and-Easy,” said one, “for he’s an easy-chair!”

“All right,” said he; “but remember, if I agree to act, I won’t be sat upon by anybody else; everybody must support the chair.”

“All right; we will, we will!” was heard from every side; and those next him whipped him up on their shoulders—from which elevation he grinned a great broad smile.

Everything seemed likely to go right, when a grumpy individual, whom the crush to clear the chair had flattened up against the side of the carriage, till he looked like half of himself, said in slow tones, as if he had only breath for a letter at a time—

“I b-eg-g to mo-o-ve a cou-nt-er mo-shn.” Such sighs went from him as he spoke, that it was no wonder he was much reduced in bulk. His words were received with jeers of derision on all sides.

“Counter-motion!” said one; “how can you get a movement out of shop-fixtures?”

“I wa-s a cou-nt-er-jum-per onc-ce, bu-t I a-ad-mit I’m a fi-xt-ure n-ow; bu-t th-at’s be-cau-se th-is is a pa-ack-d meet-t-ing.”

Nobody felt able to deny that the meeting was packed, so there was a dead silence. The chairman, however, with admirable tact, took up his adversary on his own ground, and said—

“Th-ere w-ill be ro-om to tu-rn the-n; I w-ish yo-u wo-uld do it no-w, fo-r I fe-el tu-rn-ing di-zzy.”

“Turning dizzy! really now, you must be a clever party if you can do that,” said one.

“You had better withdraw your motion,” said the chairman, blandly; “everybody seems against you.”

“Ev-er-y-bo-dy-’s pr-ess-ing a-gai-nst me, if th-at’s wh-at y-ou mea-n.”

“Well, then, we’ll admit that you do it under [69] pressure,” said the chairman, cheerily; “we will press you a little more if you wish, but I should think it was a case of jam satis .”

“ Sic, sic ; I fee-l ve-ry so-so,” said the grumpy man; “go-t a s-ing-ing in my ea-rs.”

“It’s more than we have,” said the chairman; “but for you we would have had it long ago—you’ve kept all the harmony from us; but now for a song. Who’ll sing?”

Nobody seemed to like to be first, and there was silence for a minute, when, to the astonishment of everybody, himself included, Ranulf’s little voice was heard saying, “I will.”

There was great cheering, and cries, “Bravo, [72] little un!” when Ranulf finished, and the chairman said—

“The fairy gave you very good advice, so never forget it. Beware of bad surroundings. Life’s like a railway journey—a great deal depends upon your company not being too fast, and your having a good carriage, and good couplings. If you maintain a manly upright carriage, and don’t couple yourselves by bad ties, keeping truth and modesty for your safety—chains, you’ll get on well enough; but if your life carriage gets shaky, and your connections loose, and you get bad buffers about you, you will be apt to come to grief.”

The boys listened attentively as the chairman spoke, and it is to be hoped that neither they, nor any other boys who read this, will forget what he said.

In the meantime, the people seemed not to be able to get Ranulf’s tune out of their heads, and began to find their own words to carry it on. From one corner came—

This seemed to drive a man who had been sitting quiet almost frantic with excitement, and off he went—

When the noise was at its height, Norval said to the chairman, “It seems to get greater nonsense at every verse.”

“To she bure it does,” said he; “you are etting ginto Blunderland, and hings don’t thappen there as dey tho in pother laces.”

“Yes, indeed,” said an old gentleman; “look out at the floor and you will hear with your own toes what cruel of a place this is.”

Neither he nor the chairman could help speaking thus, being in Blunderland; but Norval guessed that the old gentleman meant he was to look and see what kind of a place the train had got into, so turned and gazed out at the window. The first thing he saw was a man riding with his face to the horse’s tail, [76] holding the reins like the tiller-ropes of a boat, which was rather difficult, as he had top-boots on his hands. A little further on came an old man who had a string tied to his leg, the other end of which was held by a pig in a poke-bonnet and a stylish shawl. Next he saw a very old man with short trousers and a pinafore, a satchel over his shoulders, and a slate hanging at his side, at whom a boy not older than himself, in a green coat with brass buttons, and a white hat, carrying a gold-headed cane, was looking through an eye-glass. Jaques had joined Norval, and suddenly called out, “What are they doing in that field?”

“Flint-soup would be hard fare, I think,” said Jaques; “and besides, how can soup grow?”

Poor Jaques was quite dumbfoundered. He was sure there was some nonsense about it, but he couldn’t make it out. However, there was no time for more discussion, as the train began to move very strangely, going along with a series of jumps that shook everybody.

“Treasant plavelling now,” said the chairman, smiling sweetly, as the train gave a bump that nearly shook his head off.

“Blunderingshire lines are all thade mat way,” said the chairman; “it’s a strittle lange at first, but it will get used to you.”

“Accident!” said the old gentleman, “what an [78] absurd idea to get into anybody’s backbone! That would be just the same as common pailways.”

At this point the train went crash through the end of the station—which was all filled in with glass down to the ground—sending the pieces flying in every direction. Nobody seemed to care the least for this; and as the boys looked surprised, the chairman said, “We don’t go in for class with gare here as they do on French lines. What’s the use of glass being so seasily mashed if you don’t break it?”

“It’s a gery vood arrangement, because it pets leople know there’s a train coming,” said one gentleman.

“Yes, and she’s an ice arrangement, for she bakes the station warm,” said the old gentleman; “fills him with shivers, you know.”

The boys were getting completely puzzled, but there was no time for explanation, as the train [79] stopped almost immediately, and everybody made a rush to get out. You never saw anything so funny as the station was. The big advertisements on the sides were either upside down or had their fronts to the wall. Only a few boards were hung right, and these were as follows:—

The great clock, instead of using his hands to show the hours, kept putting them to his nose at everybody that looked at him, and the big station-bell stuck out his tongue most impudently. The mess that took place on the platform was extraordinary—one point which Blunderland railroads have in common with common ones. The porters were tremendously busy picking their teeth and discussing the affairs of the nation, and smiled blandly to those who asked them to do anything. When at last they did move, their proceedings were of the strangest. One took hold of a lady [81] and dragged her along the platform, singing out, “Whose baggage is this?” Another seized two fashionable young ladies, put them on his truck, and accosting an old dowager, asked, “Are these your traps, mum?” A third picked up two children by the legs, swung them over his shoulder, and asked their father, “Shall I put the small things inside the cab, sir?” The boys, seeing what a mess things were in, ran off to get out of the station as fast as they could, for they heard the station-master say that he thought they were [82] lost luggage, and had better be locked up. They made first for a large placard marked “ The way out ,” with a hand pointing on it, but found that it led into a stone wall.

“Everything seems to go by contrary here,” said Norval; “let us take the direction that seems least likely.” So seeing a placard marked “No passage this way,” they went straight down the archway opposite it, and found themselves outside [83] the station at once, and in a broad roadway. The foot-pavement was in the middle of the street, and the road on either side of it next the houses, which would have been very inconvenient had it not been that, as in Blundertown things are quite different from other towns, the roadway was beautifully clean. On the opposite side of the street from the station there was a building which, from its grand proportions and ornamental style, the boys thought must be a palace. As they stood looking at it, a black board, such as they had often seen used at school for writing sums on, made its appearance at the door and gravely walked down the steps. The board had two arms, one hand grasping a pointer, and the other a piece of chalk and a towel. It came forward, walking very clumsily with its wooden feet, and the whole appearance was so ridiculous that the boys could not help laughing. The board seemed to see this somehow, raised his piece of chalk and wrote on himself,

The boys confessed they did not. The board raised the hand with the towel and wiped himself, and then wrote,

pointing to the words with a grand sweep of the stick, as much as to say, “What do you think [85] of that?” They were not at all overawed by this great announcement, and the ridiculous flourish of the pointer made them look at one another and laugh again. At this the board looked blacker than ever, and angrily wiping himself wrote,

“Oh, all right!” said Jaques; and they all made a low mock bow, shaking with laughter. When they raised their heads after bowing, they saw that the board was wiped again, and that it wrote,

“Well, then, we won’t any more,” said Norval; and they all kept down their laughter as well as they could.

“That is kind,” wrote the board. “We too often have splits in our School Boards; but as you have stopped, I feel sound again.”

Board. —“You mean what? Finish your sentence. Boards are generally thought extravagant, and not mean.”

Jaques. —“But I did not intend to say that you were mean or meanest; indeed I didn’t.”

Board. —“Stop. If you did mean mean, how can you say that you didn’t mean?”

Jaques. —“But when I say mean, I don’t mean the mean that you mean. You mean mean something; it’s unfair.”

Board. —“Not by any manner of means. You need not put on an indignant mien in addition to all the other means.”

Jaques. —“But I mean to say that I did not mean to say the mean that you mean, when you say mean, but did mean the mean that isn’t mean.”

Board. —“Take care, young man; you will become a hopeless prodigal if you don’t look better after your means.”

How long this kind of thing might have gone on it is impossible to tell; but it was put an end to by a little boy coming out of the school, and taking the School Board by the ear, saying—

“Oh dear, sir! please, sir,” whined the board, [88] as he piped, or rather pipeclayed, his eye, “I won’t do it any more, sir. Let me off this time, sir; ah, you might, sir!”

The boy let the board go, and it immediately walked its chalks into school, wiping its eyes with the towel. He then turned to our heroes, and said politely—

“These School Boards are a perfect nuisance, what with the power of rating they have got, and the power of prating they assume, things are coming to a pretty pass.”

They were quite proud at the idea of being treated as visitors, like the grown-up ladies and gentlemen who came to their own school, and said they would like it very much, so the boy led the way to the building.

“Oh, all kinds,” answered the boy. “Growing branches, green branches, lopped branches, rotten branches, branches of the service, railway branches, railway switches, courteous boughs, sprigs of nobility, and many others. Do you twig?”

“We don’t teach them at all. Putting pupils up to a thing or two is not approved of.”

“But,” said Norval, who had seen an education report in a newspaper, “do you follow any standard in your teaching?”

“No, there’s no flagging with us. We try to keep in advance in our training; we go in for the truck system, so as to keep in the van.”

They were now entering one of the class-rooms, so that Norval’s questioning was brought to a close, leaving him quite as wise as he was before, for which it is to be hoped he was sufficiently grateful.

The grammar lesson was going on, and in the course of a few minutes they had illustrations of various moods—dull moods, sulky moods, cheerful moods, rude moods, and good moods. They also learned a new point in grammar—that there are an indefinite number of cases. Norval objected when this was stated; but the teacher, who had a dominiering look, though an M A ciated Fellow, met his objection at once.

“Beg pardon, sir; we do not in our modern school submit to the teaching of old-fashioned grammars. We stick to facts, sir—to facts. Thomas, prove to the gentleman that there are more cases than are stated in the old grammars.”

Thomas, who went by the nickname of Soft Tommy—being bred though not born a duffer—tried to look crusty, and did not rise.

“Case No. 1, a case of obstinacy,” said the teacher, with a grand air. “Then there are sad cases, strong cases, long cases, card-cases, cases of conscience, cases of instruments, cases of divorce, dressing-cases, hard cases, puzzling cases, pencil-cases, [91] cases of brandy, cases of collision, packing-cases, caucases, ukases, ca-sas——”

How long he might have gone on nobody can tell; but the small boy that acted as conductor, seizing a cane, began belabouring the teacher with it most vigorously. The master seemed to take this quite as a matter of course (as indeed the class did also), and calmly brought his speech to a close, saying, in a voice broken by sobs, “and lastly, for the present, a case of discipline.”

“We’ve had plenty of your cases, and, in our present mood, decline going on with this intense sort of nonsense. Give us some history; come on, old boy!” Saying this, he gave him a poke in the ribs.

Our heroes could hardly help feeling a considerably uncomfortable sensation at the thought of what would have happened behind them had they behaved to their teacher at home as the class were doing; but instead of this one acting as they would have expected, he turned and said—

“I beg your pardon, young gentlemen, if I have detained you too long at grammar.”

“Well, well, take care it does not happen again,” ran in a murmur through the class, as the boys produced their history books.

“Now then, old stick in the mud!” said the top boy to the teacher, “read us that jolly bit about the battle, and don’t make any mistakes, or you’ll catch it.” As he said this, he and all the other boys pulled out their handkerchiefs, and made them up with knots.

The reading began; and the teacher, probably from fear, made every now and then some trifling blunder. Whenever this occurred, the whole class rushed on him and belaboured him with [93] the knotted handkerchiefs. Our heroes were at first afraid he would be seriously hurt; but as, being a Board teacher, he paid no more attention to the blows than if he had been made of wood, they soon began rather to enjoy the scene. The history lesson was as follows:—

“Hannibal, at the head of the invincible Roman legions, which had just got their rout, [5] marched on Poke Stogis. His infantry was augmented by an Amazon corps from the new British Woman’s Rights League, the special feature of which was, that it allowed talking in the ranks, and, indeed, used gossip and scandal as potent means of defeating its foes. The cavalry, who were greatly improved in musketry since one General Shoot had got the command, were mounted on highly-mettled steeds, cast by the [94] Board of Ordnance, and splendidly broken, especially about the knees. On nearing Poke Stogis, Hannibal was met by General Wattyler, who commanded the king’s troops. Hannibal, true to the traditions of the house of Hapsburg, rode in a Magna Carta—a war-chariot invented by King John when his subjects were taking liberties—while the General bestrode a 50-inch bicycle that had been presented to him by Ptolemy on the occasion of the opening of the Fiji water-works, at which the General, who was a freemason, had, in Scotch parlance, proved himself a very wat tyler indeed. The inhabitants of Poke Stogis, as is usual in tropical countries, regaled the troops on both sides with gooseberry-fool, after which the battle commenced in a field, and in earnest. After two hours’ hard fighting, during which splendid reinforcements arrived in Hansom cabs from Connecticut and Pondicherry, and after tossing up a halfpenny to decide which army they should join, went half to one side and half to the other, an adjournment took place for [95] luncheon, and another repast of sponge-cakes and ginger-beer was provided by the energy of the Major and Common Council of Poke Stogis, who, with that true nobility which is the best evidence of genuine rank, drew the corks with their own hands. These additional draughts added greatly to the strength of both sides, and comforted the combatants much, as they knew that those of them who might fall in the battle had their bier already provided for them. Before resuming hostilities, each commander addressed his troops in a few soul-stirring words. But small fragments of these celebrated speeches have been handed down to the present day; yet these are so valuable, that it is thought well here to reproduce them. Their noble sentiment and stirring patriotism may well cause them to be engraven upon the hearts of the rising generation. Lest any words unworthy of the rest should be inserted, it is thought preferable to [96] leave blanks where the actual expressions are not known. Hannibal said—

... on this occasion, it is with ... indeed, I may say ... ten thousand ... indeed, less and less ... may I not say ... words would fail me ... brave soldiers of the ... enemy ... victory is ... nay was ... perhaps may be ... disgrace ... shall add no more....

“If these disjointed fragments convey so much, well might it be asked, What may not the rest have been? The reader must answer this for himself. Of General Wattyler’s speech still less has been preserved. In fact, but for forty-nine h’s, which the pious affection of the citizens of Poke Stogis collected, and preserved in carbolic acid, history would be a blank regarding it. All honour to the men who spared no labour to preserve to a grateful posterity these valuable records of a warrior and a hero. When the memory of [97] thousands of greater places is lost in futurity, the glory Poke Stogis has haitchieved in handing down to us the droppings of a great warrior’s lips will be blazoned on the scroll of fame.

“The battle having recommenced, was so hotly contested that the thermometer rose to 549 degrees of Fahrenheit, and 272 men on one side perished, drowned in the surging tide of battle; while 74 of the opposing troops were roasted (although it was Friday) before the slow fire of the enemy. Both sides won a decisive victory, and captured the whole of the enemy’s artillery. A noble pillar, 1 foot 7½ inches high, still marks the spot on which Hannibal and Wattyler adjusted [98] the terms of the general order to the troops, thanking them in the name of King Cole (not the old one, but Parrot Cole, surnamed the Chatterer) for the glorious stampede by which they had turned the fortunes of the day. The event was celebrated in Poke Stogis by a grand illumination, in which seven bunches of dips, four boxes of Bryant & May’s matches, and two rows of fusees were expended—an extravagance not often perpetrated by a corporation so careful of the public money as that of Poke Stogis. The people shouted till they were hoarse,—they belonging to the class that cheers though not inebriates.”

This concluded the history lesson, and the school was then exercised in prose composition. Want of space forbids the production of more than a single specimen of the papers written; but the following is a fair one:—

Theme. — Cloe’s parents desire to wed her to Strephon, the eldest son of a noble house, and bid her accept his suit. She, being in love with Alexis, [99] the younger son, secretly meets him. They are discovered. Cloe is rebuked for her heartlessness, and Alexis languishes in a prison.—Moral.

“In such a state from heat so great, Alexis groaned and Cloe moaned, as through the wood, in loving mood, they made their way, till close of day; when homeward turning with cheeks just burning, to ’scape a shower they sought a bower, in which they rested and playful jested, and did discuss, promiscuous, their hopes and fears for future years, till moon uprose and did disclose, [100] ’neath graceful skirt, drawn up from dirt, her ankle neat near two great feet, to anxious Pa, who cried, ‘Ha, ha! I’ve found you out;’ then with a shout, flew on her swain and called his train, who held the stripling in their grip, and made him sleep in dungeon deep; while pretty Cloe wept in woe, as angry mater did soundly rate her, rustling with fuss, calling her, ‘hussey, brazen jade, wer’t not afraid? how couldst thou do’t? Lean to the suit of younger son, devoid of money! Secret wooings! Hein! pretty doings!’”

“ Moral. —This may suffice as good advice, to lovers to keep skirts from view, and draw their toes well in sub rosa , when in [101] bower at evening hour, and making spoons by light of moons.”

When the prose composition was over, the teacher was about to commence another lesson, but the small boy who had been so active with the cane before, coolly walked up to the desk, took the teacher’s watch out of his pocket, and holding it up called out—

In a moment the air was full of shouts and yells, slates and books, satchells and ink-bottles. Norval and his brothers were quite picklish enough to feel tempted to enjoy the fun; but seeing that the mischief was going far beyond what ought to be joined in, he seized Jaques and Ranulf, and made for the door. Fortunately for the boys, the teacher was between them and the class on their way out; and two ink-bottles, five pieces of india-rubber, a blotting-blad, and a handful of slate pencil, that came flying in their direction, were stopped by the body of the master, who, being a Board teacher, was not, as the boys expected, [102] floored by the missiles, but beamed pleasantly as if all was oakay, and the sensation so dealicious, that he wood like some more treemendously. Just as the boys were getting out at the door, the whole class rushed upon the teacher, and made him fast to the wall with his own nails, where he stuck with a plank look on his plane face, as if he was now bored through and through. Somehow the whole thing seemed to everybody engaged to be so ordinary an occurrence that the three boys felt no alarm, as they would have done under other circumstances; and as they got out and shut the door, had a hearty laugh at the ludicrous scene they had witnessed.

On reaching the street they began to stroll through the town, amusing themselves by looking in at the shop-windows. There was plenty of food for merriment, as things were mixed up in a very curious way. The contents of one window were, a leg of mutton, the Children’s Friend, a bottle of senna, six farthing dips, two bunches of radishes, an oyster, a wooden leg, [103] and a stuffed goose. In another, over which was painted upside down “Rafé and Cestaurant,” there were a millstone, a wooden shoe, three india-rubber goloshes, a can of train-oil, two white hats, a brass knocker, and a dead cat. A shop marked “Pluggist, licensed by the Packulty,” exhibited a drum, two sucking pigs, a magic-lantern, five cocked-hats, a green cotton umbrella, two packs of cards, a tin soldier, and a frying-pan. The notices in the windows were also very queer. One said, “No credit given, except without security. Any person paying ready money will be handed over to the police.” Close beside this was another: “Price down from 5s. to 7s. 9d. each.” The boys thought either sum would have been rather dear, as the ticket was upon a common peg-top, such as they had often bought for twopence. Another label bore, “Try our Totalfailure Mixture, strongly remmocended by the Boil College of Imposicians.” It would take too long to speak of all the funny things they saw; besides, it is always bad taste to talk too much “shop.” If [104] any one would like to hear more on that subject, he has only to address a polite note to

Messrs Norval, Jaques, Ranulf, & Company ,
The Nurseryfun Works,
Skrumpshustown,

enclosing five thousand stamps, when he will receive by return of post a copy of the most amusing shop-label they saw in Blundertown. If he considers the price too high, let him remember the poet’s query—

and if he thinks the answer is Naught, he can judge himself what is the difference, if N y.

Affairs in the street were quite as queer as in the shops. While the boys were looking in at a window, a silvery voice behind them called out, “Stalest Tellacrams—Last week’s paper at double price;” and turning round they saw a young lady, dressed in perfect taste, the only blunders about her being that she had no hair on her head but her own, which was neither dyed nor bleached, [105] nor combed down over her eyes à la pet terrier, and that she walked like a human being, not as ladies in the ordinary world do, with their heels perched up on things like a couple of inches cut off the legs of a chair, and wearing their dresses so tight, that their knees seem to be tied together with tape. A footman followed her, who had the calves of his legs in front, and the tie of his cravat at the back, and whose neck was not at all stiff, but shook like a shape of calves-foot jelly. [106] He carried a quantity of newspapers, wrapped in scented envelopes. Instead of getting pennies for her newspapers, the young lady, whenever anybody took one, curtsied low, and kissing her hand, gravely gave them a penny, saying, “Thanks, thanks—a thousand, thousand thanks; Telegraphina will never forget your kindness.”

The people, when they met in the street, instead of passing, walked straight up to each other, bumped one another heavily, and then went on smiling as if all was right. While Norval was gazing after the pretty young lady with the newspapers, an old dame, with a reticule on her head and a bonnet full of apples in her hand, made straight at him. Norval got out of the way, and she nearly fell on her nose, the apples rolling out on the pavement.

“And what’s the use of people who are not in [107] the way when they are wanted?” said she. “Old men like you——”

“Then you’re eight years old.” Norval did not see any answer to this, and she went on, “Does your papa ever tell lies?”

“How can I know how you feel,” replied the old lady, “when you won’t bump me? Oh!” she added, screwing up her lips and clasping her hands, “I do love a bumper! Is your name Tom?”

“That’s a pity; there’s no bumper like an old Tom; he’s a noble spirit, always ginoowine.”

“And did I say I wanted you to follow me? Gals have no followers here; I only wanted my regular bump.”

Norval having a grandfather who was fond of phrenology, had picked up a smattering, and was just going to say that he thought it was only silly people that wanted regular bumps, when suddenly the old lady called out, “Where are my pears? there were four of them.”

Jaques and Ranulf, who had picked up the apples, had been standing ready to hand them back to her ever so long.

“I say they’re pears,” said the old lady, testily. “How many have you?”

“Well, and isn’t that four pairs? I always like to buy them pared; it saves knives and [109] trouble,” said she. “It’s a pity that a boy like you should be a beggar.”

Just at this moment a policeman came up. He took off his helmet, and making a low bow, said, “I heard the word beg. May I take the great liberty of inquiring whether any one has thought proper to beg? and if so, from whom, and for what? If for anything real, good and well; but if merely from politeness or courtesy, then to be visited with the utmost severity of the law.”

Jaques, who had always been taught fearlessly to speak the truth, said at once, “I begged the old lady’s pardon,” half doubting what would happen. To his great surprise the policeman turned round sharp on the old lady, and asked, “Did this boy beg your pardon?”

“Then, madam, with peelings of the deepest [110] fain, it is my duty to inform you that you must at once be led to the court.”

“The court!” screamed the old lady; “it has been my ambition for fifty years to be courted, and now it has come at last.”

“It has, madam; you are now about to be presented at court by the aid of the police. Will your Majesty deign to proceed?”

“Let me endeavour to make it plain,” said the constable, with a wave of his hand like a professor lecturing. “Will your gracious Majesty deign to inform me whether I am correct in saying that this boy begged your pardon?”

“And would your Highness further permit me to inquire whether it is or is not a fact that begging is contrary to law?”

“May I also be suffered humbly and respectfully to put the question, whether anybody can pardon people for breaking the law, except the Queen?”

“Then I reverentially request permission of your gracious Majesty to point out that as you were asked to pardon when he broke the law, you must be the queen.”

“I must be condescendingly excused for venturing to differ from your Serene Highness. If you will feel for it, you will find you have a crown to your head.”

“Why, so I have,” said she, and suddenly drawing herself up, and assuming an air of most ridiculous dignity, added, “What, ho! bring hither my sceptre.”

The boys could scarcely keep in their laughter, and the difficulty increased when the policeman produced his baton, and going down on one knee handed it to the old lady, who immediately aimed a fierce blow at his head, crying,—

The policeman mildly replied, “Your Majesty, [112] I haven’t got a crown in the world; my missus doesn’t allow me more than 4 and 9 a-week for pocket-money.”

“Just as well for you; those who are limited to four and ninepence can feel proper respect for a sovereign,” said the old lady; “now for our court.” So saying, she began to perform a most wild minuet de la cour , the policeman beating time with his hands. Then ordering him to take off his greatcoat, she fastened it on as a train, and set off for the court.

The policeman went first, playing a grand march on a Jew’s harp, which he produced from his [113] pocket. It was as big as a fire-shovel, but this did not matter, as he had a mouth reaching from ear to ear. The old lady followed, holding her baton-sceptre up, and with her long, sharp chin cocked so high in the air that you could have hung a hat upon it. The policeman’s music made her quite lively, and she began to sing, with a chorus to each verse, which ran thus,—

during the singing of which she skipped about from one side to the other in a most lively manner.

Each time the old lady took up the chorus, she skipped about from one side to the other with a briskness that did her credit; and as she marched and tripped along the street, the policemen she passed joined the procession, each producing an instrument from his pocket, so that soon the old lady had a band before her, playing most vigorously on the following:—

and the inspector led the band, with his hat fastened to his waist-belt, keeping them to their beat by drumming in a spirited manner on the crown of it with a pair of batons.

The boys tried very hard to find out what the tune of the verses was, but could make nothing of it. All the melody seemed to rest in the [117] chorus instead of running through the song. The people in the streets, however, were evidently greatly delighted with it, as, the moment the procession came within hearing, they all stood still and began gravely to beat time with their sticks and umbrellas, those who had none wagging their heads up and down, like China mandarins. The boys laughed heartily when they saw several dozen umbrellas, sticks, and heads solemnly waving about, while the policemen squeaked and croaked, banged and tinkled, on their instruments, and the people slowly turned round their backs and bowed low to the houses as the old lady passed. Whenever she, in skipping about, came near any of the people who were bowing, she took a rise out of them by administering a sound whack with the baton-sceptre, which knocked them down, shouting, “Rise, Sir What’s-your-name Thingammy,” which the poor fellows did with a very beknighted look. Presently they arrived at a large building, at the door of which the policemen turned aside to let the old lady enter, and [118] having played a final flourish, repocketed their instruments. The old lady on reaching the door turned round, and finding the policeman who had given her the baton waiting, she grasped it firmly, saying—

“I’ll give it to you,” and, suiting the action to the utterance, she brought it down bang as hard as she could, as he bowed low, so that he fell flat on the pavement.

“I think it’s rather beat to my back,” replied he, although, curiously enough, he did not appear at all discomposed or hurt.

Suddenly some one rushed out at the door (knocking the old lady so that she tumbled over the policeman), and coming up to the boys said, “Are you judges of sweet things?”

“Then come along at once,” said he; and before they had time to think, he hurried them upstairs into a room where three pompous-looking attendants in white coats and enormous black [120] neckcloths dressed them up in grand robes, put immense full-bottomed wigs on their heads, and opening a door, pointed to three large chairs. The boys went in and sat down on the chairs, while everybody in the court rose up, making a low bow, and a crier called out—

“All persons, without any further ado before my Lords the Justices of Assize so small Boyer and Determiner, and Jug ale Delivery, draw beer and give to attendants.”

This announcement about beer might have appeared to be an aberration on the crier’s part, had it not been that, as is usual in criminal courts, there were plenty of queer mugs among the people in the building.

The boys hardly knew what to think of their new position. Norval and Jaques were rather overawed by their robes. Ranulf had got between his brothers, and so was seated in the Lord Chief Justice’s chair. At first he looked as grave as a judge, which was just what he ought to have done in the circumstances; but after a little he glanced [121] round at Norval, and seeing him in his wig, which came down to his waist, was just on the point of bursting out laughing, when the Clerk of Court, who wore green goggles as large as macaroons, peered over the Bench [122] from below, saying, “If yer Ludship pleases,” and sat down again.

“Your Lordship pleases me very much,” said a charming voice from the prisoner’s dock, in which stood a lovely lady, dressed in full Court costume, feathers and all, who kissed her daintily-gloved hand to Ranulf.

“But I thought we were brought here as judges of sweet things,” said Jaques.

The Clerk of Court peering over the bench again, said, “’Xac’ly so, m’ Lud; the sweetest thing in prisoners we’ve had for a long time, m’ Lud,” and sat down again.

“Pretty lasseny!” said Jaques aside to Norval. “I am sure she is guilty of that.”

Norval, who had once been in court at a trial, [123] thought the right thing to do was to take a note; so, seizing an enormous pen that was on the bench, he wrote, repeating aloud as he went on, “Prisoner charged with stealing a tart.”

“The person who stole tarts was a knave, and I thought a knave was a man?” said Ranulf.

“Yes,” said Norval; “but you know the women want to do what the men do nowadays.”

“I’ve heard of their wanting rights,” said Jaques; “but stealing isn’t a right, it’s a wrong, isn’t it?”

“Never mind,” said Norval; “it won’t do to appear not to understand. Ranny, you’re the old judge, you know, because you’re in the middle, so you must ask the questions. You had better ask what the prisoner’s name is. Now, look grave,” said he, as he observed the dimples in his brother’s cheeks beginning to show again.

Ranulf pursed his lips up very tight, and then said, “I want to know what the pretty lady’s name is?”

“Just so, m’ Lud,” said the Clerk, bobbing up; “prisoner’s name is Victoria Lawsenj. Yer Ludship had better ask her to plead.”

Norval whispered to Ranulf, “Tell her she’s charged with stealing a tart. Ask whether she is guilty or not guilty.”

Ranulf looked as grave as he could, and said “Victoria Lawsenj, you are charged with stealing a tart——”

“Beg pardon, m’ Lud,” said the Clerk, starting up; “some m’stake, my Lud——”

Ranulf began again, “Victoria Lawsenj, you are charged with stealing a tart and some steak.”

“Must pray yer Ludsh’p t’ excuse me ’gain; yer Ludship said tart and steak.”

“Was that the wrong order?” said Ranulf, meekly; “then I’ll say steak and tart.”

“Very well,” said Ranulf; “I’ll say that she is charged with stealing a female steak—cow-beef—and that the tart was not really a tart but a beefsteak pie.”

“But, m’ Lud,” said the Clerk; “really, m’ Lud, yer Ludship knows best, m’ Lud, of course; but, m’ Lud, I would suggest that your Ludship said tart instead of heart.”

Here Norval, remembering what he had seen in court, broke in, “But tart is right; it must be right—I’ve got it in my notes.”

This completely flabbergasted the Clerk, who gasped a feeble “M’ Lud,” and sank down in his seat in despair.

Jaques, practical as usual, whispered to Ranulf, “Never mind whether it’s a tart or a heart; just say, ‘You are charged with stealing a tart, or a heart, or something. Are you guilty or not guilty?’”

Ranulf took this advice; and turning to the lady, who was gracefully fanning herself, he asked her [126] the question, only he got confused towards the end, and made it—“Are you gilded or not gilded?”

“Oh, my Lord,” said the lady, “there’s no gilt about me; I’m as true as steel.”

“Steeeled!” said the Clerk, contemptuously; “how do you spell ‘steeeeled’?”

“Yer Ludship sees how bad she is; her manner’s bad, her grammar’s bad, and her spelling’s bad. Your Ludship had better add another count for murder.”

“That would be a great many murders, for there are more than thirty million English,” said Jaques, who had learned the population in his geography book; “how could she murder so many?”

The Clerk was quite puzzled at this, and tried [127] to look as wise as he could, which was not very wise, but otherwise. There was a long pause, during which the prisoner ate an ice and drank a cool beverage that were brought to her by a powdered footman, after which she looked brighter and lovelier than ever, while everybody else in court was miserable with stuffiness and heat.

The footman said nothing, but turning round made a low bow, walked up to the bench, and as the boys held out their hands for ices, gravely shook his head, made another low bow, and walked out.

By this time the Clerk had recovered himself, and a jury having been called, they were got into the jury-box. This was a matter of some difficulty, as the box was made without any door, and the jurymen were seized by ushers and thrown over the partition, tumbling in a confused heap. When the whole twelve had been thrown over, they presented a sorry spectacle of torn clothes [128] and dusty faces. There were no seats in the box, but the ushers threw in some chairs on the top of the jurymen, who appeared to take all as a matter of course. The plaintiff was then called forward, and a large wooden box placed over him by the ushers, who padlocked it down and then sat on the top of it.

“Shall ’ave to beg yer Ludship’s pardon,” said the Clerk; “we don’t lock him up, we lock him down.”

Jaques himself seemed rather shut up at this, and Norval, moved again by what he had once seen at a trial, said, “What is your name?”

“It should be Jack, when he’s in a box, shouldn’t it?” said Ranulf; “and he ought to start up, oughtn’t he?”

“Oh, he will be sure to do that,” said the lady; “he always was an upstart, indeed he was, my dear—Lord, I mean,” said she, correcting herself with a smile.

“No, my name’s not John What,” said the voice from the box; “it’s John Doe.”

“That’s strange,” said Jaques; “I thought the case was about a heart, not about a doe.”

“Yes, my Lud, but the charge is that she stole a Doe’s heart,” said the Clerk.

“Doe and hart, hart and doe; I don’t think I’ll ever understand it,” said Ranulf, with a sigh.

“Oh dear, oh dear! here’s a roe now; that’s another staggerer,” cried Jaques.

“Never mind,” whispered Norval—“look solemn, and make believe you know all about it.”

“Various lengths. I have known her from 2 feet 3 inches long to 5 feet 7½ inches long, as she is now. But even now she is sometimes pretty short with me. I’ve known her so long, in short, that the longer I knew her the more I got to long after her.”

“Well, I don’t want to know anything about long after; I mean, when did you first come across her?”

“I cross her! I never crossed her in my life. [131] She had her own way as long as I knew her; it was she that was cross with me.”

“Really this is intolerable. I want you to tell me what was the time at which your first meeting took place.”

“We had no dates at our first meeting, only [132] raisins; and we ate them all, so I cannot give you any.”

“A fig for your dates and raisins! I wish I could get at the raison d’être of your answers. How can I put the question?”

Norval, who had learned a little Latin, replied, “Do you mean that you can annihilate him?”

“Never mind his head, and let him manage his own tail. Perhaps he’s a bit of a wag.”

The lady in the dock gave such a merry laugh at this, that she infected the whole court. Ranulf went into such fits, that his wig slipped down to his chin, and an usher had to come up to the bench and slap him on the back to bring him round. Norval recovered first, and putting on as grave a face as he could, said to Jaques and Ranulf, “Don’t be silly; judges are always stern [134] and grumpy, so we must be too;” and turning to John Doe, said, “What is your complaint against her? Did she steal your heart?”

“But I want to know,” said Norval, “how could she steal what was her own?”

“That’s right, my Lord,” said the lady; “and I was tart without the sweet, I admit.”

“Yes, my Lord, a regular Tartar; when I gave her my whole heart, she steeled hers against me.”

“True,” said the prisoner; “your Lordship must know he came with so much brass, that I could only meet him with irony, particularly as I fancied he was after the tin.”

Practical Jaques here broke in once more, saying, “Would it not put the matter all right if she gave you back your heart?”

“That need not be a difficulty,” said the lady; “I’ll soon put it together; I’m very good at a patchwork quilt.”

The Clerk, who had been dozing, wakened up once more at this, and said, “She admits her guilt, m’ Lud.”

“My Lord,” said the lady, “here is his heart; I have offered it back to him often, but he always said he did not want it, he wanted mine.”

So saying, she pulled out of a neat little chatelaine [137] bag which hung at her side a small bundle wrapped up in silver paper.

No sooner were these words uttered than a tremendous hurrah rang out from the box in which the witness was enclosed, and John Doe proved the upstart character Victoria had given him, by bursting the lid of the box open and starting up in the air, sending the ushers upon it flying, and, jumping out on the floor, he rushed up to the dock and gave the prisoner a great hug.

“What!” said he, “did you not say you would give me all your heart with my own?”

“Well, you have me there,” said she; “but you must take the whole or none. When you asked for my heart, you asked for my hand as well, and you must take the one with the other,”—giving him another box on the ear.

The curious thing was, that from each box a number of little round things fell with a clatter and scattered themselves on the floor.

The noise woke the Clerk, who, starting up, called out, “Silence in the court!”

“Oh, nothing,” said the lady, skipping out of the dock, and administering a box on the ear to the Clerk; “only boxes of Victoria Lawsenj’s.”

“Certainly,” said she; and before you could count 10, the whole of the jury, counsel, ushers, [140] and spectators were sprawling on the ground, showers of lozenges falling in all directions,—thus once more demonstrating what every one knows, that there’s no rain like Victoria’s, and that Royal Boxes often contain the sweet. As everybody scrambled after the lozenges, the whole court became a scene of confusion. The boys, however, who had a notion that judges must be dignified, remained quite still, only peering over their desks to see what was going on. As the boxes continued, the court got ankle-deep in lozenges, in which the people tumbled about, cramming them into their mouths and pockets by handsful. The pile rose so high that Ranulf could resist the temptation no longer, but with his long pen drew a lozenge towards him, and keeping as grave as he could, stooped down and picked it up. As he had been taught not to be selfish, he broke it in three and handed two of the pieces to Norval and Jaques. They were just going to eat them, when the lady called out—

“Oh, boys, surely you would not eat what was [141] picked up off the floor! that would be being bad judges of sweet things.”

They stopped at once. Ranulf could not help casting a wistful eye at his bit of lozenge, but getting the better of himself, he threw it down, and the others did the same.

“That’s right,” said the lady; “so now you will not get a Victoria Lawsenj box on the ear, like the other stupid people tumbling about there: here are some nice clean sweetmeats for you.” So saying, she handed each of the boys a lovely little box, made of chased gold and blue enamel, and marked out in diamonds on the lid, “Genuine—our own manufacture.” A prompt “Thank you” came from each judge’s desk; and on the boxes being opened, the boys found in them, not the common lozenges that were flying about the floor, but most lovely bonbons, which tasted more delicious than any they ever had before.

Meanwhile the scene in court baffled description. Everybody was cramming himself with [142] lozenges, which, strangely enough, set them coughing furiously.

“Oh, well,” said she, “I will manage it; I will even charge the jury, if necessary.”

So saying, she took little Ranulf up in her arms, and telling the other boys to keep close behind her, turned and said to the jury—

“Now it is quite evident you have agreed, by the way you are over-eating yourselves, so you can return your verdict.”

“Oh, come, that’s nonsense; surely you can give it tout de suite , after swallowing so much sugar.”

“The motion of seconds is too fast for minutes to be stopped; besides, they don’t belong to us, not being hours, so we have no right to stop them.” So saying, she charged across the court, tumbling the jury over on the top of John Doe in the middle of the lozenges.

“Don’t do that,” gasped the jury, “and we will pay you whatever your charge may be.”

“Oh, there’s nothing to pay for the lozenges. We don’t sell ourselves, we only sell other people! Ta, ta” said the lady, and led the boys out at the door. On reaching the entrance, she bid them good-bye, at which they looked rather blank, as they had hoped she would stay with them; and seeing this, she said—

“My dear boys, I cannot come with you, as it is time for afternoon tea, and I must have that. T comes before U, does it not?” So saying, she kissed them, and passed them out at the door.

The boys turned round and saw a short fat gun, evidently an infant of the Woolwich infant. On a sign on the wall opposite it was painted “DOUBLE ACTION BLUNDERBUS CO𐞲. (unlimited).”

“Well, ye see, sir, the street ’ere is pretty steep; that’s how it’z erranged mortar-like.”

“Which way is it going?” asked Norval, not wishing to return by the street they had already walked along.

“Both ways,” said the conductor. “Hinside passengers one way, houtside t’other.”

“Himproved happlication of Mongrieff’s recoil utilizer. When we goes hoff, hinside passengers blown to Hattems, houtside recoils with shock and ’orrer in hopposite d’rection.”

The boys at once resolved they would not go inside, but from curiosity ran round to look into [145] the gun. They found, packed very tight in it, three wooden soldiers, a grate party with two brass dogs at his feet, a dancing nigger, a Miss Manage—who, being on her way to an archery meeting, had a beau by her side—a dumb-waiter, and a snob.

This reassured the boys, who, not wishing to go up the steep street towards which the gun pointed, clambered on to the top. They were scarcely seated, when a clown with a red-hot poker rushed out of the coach-office, and applied the end to the touch-hole. Immediately there is a fearful bang, and the Blunderbus starts backwards. The inside passengers fly down the street helter-skelter, except Miss Manage, who keeps herself collected, shooting out gracefully à la Zazel, being, alas! a sell for her beau, who wishes to cut his stick; but she, without a quiver even in her eyelid, holds on to him as he talks of flight, turning ashy pale at such a narrow escape. Not having forgotten the excellent rule to have two strings to your beau, she had made a bolt impossible.

The dumb-waiter, cured by what would make most people speechless (a proof of the truth of homœopathy), flew in all directions, shouting “Yessir, yessir!” The wooden soldiers pulled themselves together for a moment to salute an officer who was passing, which they did with the [147] wrong hand, and then sped on in more fragments than before. The grate party was smashed so small that even his dogs did not know him; the nigger’s nether limbs went off down the street by themselves, and were at once apprehended as black-legs by the police, while the rest of him formed a kind of Black’s Atlas upon the pavement. The snob, as was natural, disappeared in any number of vulgar fractions.

The Blunderbus ran back at a great pace for a mile, butting over two Papal bulls, sending spinning mules without number, and ended by knocking ten feet out of a square yard, in which a regiment of soldiers was being drilled.

Our trio, who had been rather alarmed during their ride, jumped off the gun the moment it stopped, and, as boys will always do, ran off to look at the soldiers. On getting near [148] they were surprised to see that each man had a nigger lady beside him. While they were wondering what this could mean, the Colonel, who wore a shell jacket, and had a husky voice, rode up on a clothes-horse, and handed Norval a parade state, which was as follows:—

“How is it,” said practical Jaques, who observed that the men had only wooden guns, “that your men have no rifles?”

“Well, sir, we don’t go in for new-fangled notions here,” said the Colonel; “we hold on to our Brown Bessies, as you see.”

All the nigger ladies grinned tremendously at this, and called out, “Ya! ya! dat all right, Massa Kurnel.”

“Will you keep those brown Bessiers stock-still?” shouted the Colonel to the men; “if you don’t, you shan’t have any ball.”

At this everybody looked very blank, and the Brown Bessies became suddenly immovable. The Colonel then gave the word of command—

All the men at once turned away, and put their hands in their pockets, displaying the most contemptuous indifference to the brown ladies, who now were all attention and smiles, trying to coax the men to turn to them again.

The boys walked down to the end of the line, whereupon the band, which consisted of one fife and 29 triangles, struck up—

As they came near the line, the Colonel took from his pocket a magnifying-glass as big as the crown of a hat, and handed it to Norval, who asked—

Twoty-tenth Boshshire Ruffs , 37th Marchuary 7718 .
	Present with Leave.	Present without Leave.	Absent in Mind.	Absent in Body.	Tea Tottles.
Kernels,	0	1½	1½	0
Ragers,	0	2¾	2	¾
Catpins,	0	7.09	5	2.09
Bluelandlords,	0	10	10	0
Scar Gents,	0	15.4	0	15.4
Noodlers,	0	11	11	0
Fank and Rile,	0	550.7	550.7	0
T Tottles,	Add	them up	for your	self.
A. NUTT, Kernel of the Core.

At this question the entire regiment burst into a tremendous guffaw, laughing till the tears ran down their cheeks, and the whole line was a scene of pocket-handkerchiefs, each being as big as a Turkish-bath towel, and as there was a high wind, of course this caused a great fluttering and shaking. The boys thought this very unlike the soldiers they had been accustomed to see, particularly as the officers and sergeants laughed and [151] shook more than the men, and the Colonel, going off into a broad grin, laughed and grew so fat that his very steed became infected, and losing half its understanding and all its breeding, indulged in a horse-laugh, which shook it so that when the rider fattened, it sank under his weight, bringing him plump to the ground. A fatigue party had to come to his assistance, and when he had been propped up by two long crutches, one on each [152] side of his horse, he tried to speak, but could scarcely get on for laughing.

“Well, you see, ah, ha, ha, ha! it’s because of, ha, ha, ha, ha! Mr Sadpebble and Lord Guardsell.”

“Oh! they, ha, ha, ha! were the mime primister and skekentary of skate for raw, ho, ho, ho!”

“They managed things so, you see, ha, ha, aha, ha, ha! that everything was getting small, ho, ho, ho! the regiments were getting smaller, and the men were getting smaller, and the chests were getting smaller, and the efficiency was getting smaller, and the contentment was getting smaller, ha, ha, ha, ha! so they, ha, ha! they, ha, ha, ha! they, ah, ha, ha, ha! they took to military spectacles to make things look better.”

“Oh, we’ve only one general here—General Public—he’s the boy for mobilisation, oh, haha, haha, ha!”

He laughed so loud and shook so much that the crutches, trembling under him, stuck in the ground, and his horse, walking off, left him up in the air between the crutches. This did not seem to disconcert him at all, but brandishing his sword, he shouted—

As the regiment was standing still already, the boys thought this a very funny order to give; but they were more surprised still when they saw the whole line set off marching, all limping as if they had blistered feet.

“Very well, very steadily done,” said the Colonel, as they came bobbing and limping towards him, like a lot of ducks in a thunder-storm. Presently, on their coming close to him, he shouted—

At this they all turned round and went off in the opposite direction, limping slower and slower.

“Surely that’s wrong,” said Jaques; “that’s right about turn; they should have gone straight on and faster.”

“Not at all,” said the Colonel; “in our movements we follow Levrett’s manœuvres.”

“Oh yes, it is. Did you ever see a March hare double? Well, we double just as he does. Pussian tactics, you know.”

and gallantly going at the head of his men on his crutches, shouted “Victory!” After they were brought to a stand at one end of the ground, he gave the order—

Upon this the Brown Bessies turned round upon the men and began to plague them most horribly, [155] pulling their hair, poking fingers into their ears, and pricking them with pins. The men stood it for some time wonderfully, but at last began to bawl out.

“No bawl practice without my orders!” shouted the Colonel; and then tremendously loud—

Everybody immediately stopped. The Brown Bessies at once produced combs and brushes, and commenced a vigorous hair-dressing, and the men began putting on white kid-gloves.

“Preparing for ball practice,” said the Colonel. “In our tactics we go in for leading the enemy a pretty dance. That’s far the best way.”

he shouted. The boys could not afterwards make out how it had happened, but the Colonel had scarcely given this order when, instead of being on the dull, dingy parade-ground, they stood on a most lovely floor that seemed all to be made of ivory inlaid with gold. The Brown Bessies were brown no longer, but fair ladies beautifully dressed; the men were in splendid costumes; the band had no triangles, but discoursed most lovely music. The boys, looking round, saw they were in an immense hall, lighted by ten thousand wax candles; and as all the walls were mirror, the brilliant scene repeated itself as far as the eye could see, and probably further. But the most beautiful thing of all was, that when the ladies and gentlemen began to dance, instead of bouncing about in a crowd, bumping and knocking one another, each couple floated from the ground, gliding along [157] in the air smoothly and gracefully; and as the music rose and fell, fast and then slow, they flew, now in joyous bounds, now gracefully circling in soft dreamy waves, now whirling with birdlike speed, anon wafted along like a gossamer borne on the almost motionless air of a summer day; the measure having always such grace and ease in its fury, such firm-swept curve in its calm, that the little fellows stood gazing in rapt delight.

When the dance was over, half the mirrors on the walls folded back, moved by unseen hands, and the ladies and gentlemen strolled out to a lovely terrace, rich with flowers of every hue, where fountains threw water in sparkling diamonds to the sun. As each couple emerged from the building, a flower that grew on the parterre detached a lovely blossom, which, floating in the air towards them, growing ever larger and larger, moved wherever they turned their steps, shading them from the sun, and surrounding them with its perfume. Strange, too, that it did not appear to be matter of chance which flower performed [158] formed this friendly office, for the blossom that floated over the heads of each pair that roamed the garden, was always of a colour harmonising admirably with the costume beneath. A couple dressed in pale blue were attended by a primrose; two that wore green had a lovely snow-white lily for their shade; a third pair, who were in white, rejoiced in the protection of a scarlet geranium; and a fourth, in a pearly grey, had a most delicate pink blossom for their attendant.

It was a lovely sight, but small boys soon get tired of the beautiful unless there is some fun going; so after our trio had gazed for a time on the people with their varied dresses, they began to long for something more exciting. Looking about, they saw at one end of the lawn a large gateway, and started off at a run to see whither it led. On getting near the gate, they observed a funny little man sitting on the arch above it, who, the moment they came up, said, “Put them down.”

The boys told him, at which he gave a triumphant sniff, and said, “If you bear names, look at your dictionary and see what bear means. My dictionary says it means carry. Don’t carry them any longer; put them down.”

“Up to the top of the door, don’t you see, stoopid?” said the little man. “Sometimes I’m up to anything, but just at present I’m only up to the top of a door. Why do you make me a contradiction of myself?”

“Oh yes, you do. Here I am up at the top of the door, and yet you make me be down upon you at the same time. It’s very inconvenient to [160] be put in two places at once; so don’t do it again, that’s all.”

“But I say you can,” said the little man, “and more than two. You can be in the heat of an argument, in the middle of a cold audience, in the wrong box, and in the hope of getting out of it, and in a great mistake in thinking so, all at once. So once more I say, put them down.”

“But what are we to put down, and where are we to put them, whatever they may be?” said Norval.

“Didn’t I say your names (everybody visiting towers should put down their names)? and where would you think of putting names down but in a book, I should like to know?” said the little man.

“Well, and are you not a visitor? so if you put it down in your book it will be in the visitor’s book, won’t it?”

This seemed to be nothing short of downright nonsense to the boys; but to please the little man, they took out their pocket-books, and gravely wrote their own names in them.

“Now, let me see,” said the little man, producing a pair of spectacles with eyes as big as saucers.

They held up their books, and the little man took a glance through his spectacles. The moment he saw the writing he gave a start of surprise and disgust, and nearly tumbled off his perch.

“Woe is me!” he exclaimed, wringing his hands. “Is this the effect of Education Acts and School Boards? Why, they are upside up, when I told you it was down they were to be.”

“No,” said the little man, sorrowfully, “they are not even that. They are up at the very top of the page, all of them. Oh dear! it upsets me completely,” he added, as, bending down, he raised his legs in the air and stood upon his head.

“Ah, now,” he said, “it is all right! they are down now. You see if I were standing on ceremony I could not have let you pass, but standing on my head heals up the difficulty. It’s a pate-nt way of my own. Now you may pass on.”

“There,” said the little man, pointing to a rope attached to the bolt of the gate—“you’re A flat; B E sharp now, and C what F-ect ten or a dozen treble G-erks applied altogether to the bar at the [163] base there may have in the D-velopment of a passage.”

This speech made the boys look at one another, and laugh. “Well,” said the little man, “passages generally do open with a chord seem funny as it may; so just try.”

At this, Norval seized the rope, and, tugging it vigorously, the gate swung slowly on its hinges.

“Ah! what lovely opening bars!” cried the little man, beating time with one leg; “there never was a passage better done on the P an’ O.”

The remark may be made here, in passing, that a match against time with both legs is common, but to beat time with one leg! extraordinary feat!!! The passage must have been very legato, or it could not have been done.

“Oh, never mind thanking me; it’s been a case of stuck-at-a passage long enough; get through it in treble quick time, and be happy.”

No second bidding was needed, and the little fellows, running through the gateway, found themselves in a courtyard in which stood a high tower, whose stones looked like transparent green glass, and the lines between them as if raspberry-jam had been used for lime.

After looking at it for a few moments, Jaques exclaimed, “I wonder what the tower is for?”

“Nothing at all at present, thank you; I’m not ’ungry,” replied a forte voice, in somewhat stony accents.

“’Ouses don’t talk, don’t they? Ha, ha, ha!” shouted the tower, till its sides shook so that the boys were afraid it would tumble, and its tiers would have fallen, only they had not the cheek to run down. “Ha, ha, ha, ha! So you think ’ouses can’t talk. Now I’ve ’eard it said they talk [165] too much. Look at the ’Ouse of Commons, and you’ll see that you never made a Biggar mistake; it seems to do nothing but talk.”

“Ah, but,” said Jaques, “that’s different; it’s not a great high stone thing, like you.”

“Not stone, and not ’igh! Is that all you know? Isn’t a glad stone always getting up in it, and ain’t the dizzy ’ights at the top? But I shan’t talk to you hany more.”

“Then I shan’t talk to you. When I talk I always talk to some purpose, or to some heffect, or to some hend. I like the last best. Give me some hend to talk to, and I’ll talk no hend.”

“Some end of what?” asked Norval; “is it the end of a stick, or a cigar, or what?”

“Oh, to the hend of time, or hanything. Make a hend of yourself, and you will see how I’ll talk to you then.”

The boys did not quite see that to be the talk of a tower was a sufficient temptation to suicide, so remained silent.

“Well, I’m glad, at all hevents, you’ve made a bend of something; making a hend of speaking is better than making a hend of nothing. Now that you’ve made a hend, I can talk to it, if you will promise that the bend will attend to the hend, that the bend in view may in the bend be brought to a hend, and that——”

“Why,” said Norval, interrupting, “I beg your pardon, but you said you would talk no end, and it seems to me it is all end together.”

At this the tower completely forgot itself, indeed went off into a towering passion, and stormed away for ever so long. Some people may think that it is strange a tower should storm itself, instead of being stormed; but the fact was that its mortar being ill tempered, it exploded spontaneously. The way in which a tower flies into a passion is very difficult to describe, and it will not be attempted here. Suffice it to say, that [167] of course it used its wings. Its rage was so great as to make it speechless, which, from the rubbish it had been talking on end before, was just as well, for though it kept on end, it did so silently. The boys began to walk round it, and on getting to the other side, they found a very low door, over which was a large placard:—

VISITORS
WHO HAVE
NO VIEWS OF THEIR OWN
WILL FIND SOME
AT THE TOP OF THIS TOWER.

Those who change their views charged extra.

FRAMES OF MIND FOR THE VIEWS MAY BE HAD
AT MODERATE PRICES.

ADMISSION FREE.
ON WHOLEYDAYS HALF-PRICE.

N.B.— Whatever goes in at the bottom must come out at the top.

By Order.

A. B. FEATER,
Custodier.

Now “must” is a word that people are constantly telling little boys not to use, but are just as constantly using themselves in speaking to them. Accordingly it is not very surprising that when boys see the word “must” painted up in large letters, they should feel inclined to resist. When Norval, and Jaques, and Ranulf saw “must go out at the top” on the placard, their bump of combativeness at once became irritated; and, after a short conference, they resolved they would go into the tower, and would not go out at the top. Norval’s idea was that there was some one inside to catch anybody that entered, and force him to the top, so he told Jaques and Ranulf that he would peep in, if they would be ready to pull him back should any one try to take hold of him. He then advanced cautiously, and put his head in at the door. The moment he did so, he called out—

The “oh” was very loud, but the “hold” [169] sounded more distant, and the “me” was so far off as to be difficult to hear. Jaques and Ranulf held on stoutly to Norval’s legs, but found they could not haul him out, though pulling with all their might. While they were still struggling, Norval’s voice behind them said, “It’s no use, you had better let them go.” On looking round they were amazed to see Norval’s head upside down just at their backs, hanging by a long neck, not thicker than a sausage, from the top of the tower.

In ordinary circumstances this would have shocked them horribly, but then wonders began to come almost as matters of course, and Norval’s head drooping down like a ball at the end of a string had such an irresistibly comical appearance, that they both burst into a loud fit of laughter, in which Norval himself joined most heartily. But when they had enjoyed their laugh, and began to look matters and Norval in the face, the puzzle was what to do; for they saw that to resist going out at the top would be useless, and [170] feared that if Norval’s legs were released, his body would go out at the top and be smashed. After thinking a little, Jaques asked Ranulf for his top-cord, proposing to tie it to Norval’s legs, and let him down quietly. “Oh, but,” said Ranulf, “the cord would never reach so far.”

“Oh yes,” said Jaques; “don’t you see that whatever goes in at the bottom must come out at the top? so the string will get long if we hold it, just as Norval’s neck did.” This proved to be correct; for on tying the cord to Norval’s legs and letting them go, they flew up at once, and Jaques and Ranulf holding on prevented Norval tumbling over. But while Jaques was easing the cord down, by moving his hands forward, he thoughtlessly brought them within the doorway, when at once his arms flew up the tower, and Norval had in his turn to assist Ranulf to hold Jaques, whose hands shot out at the top of the tower, and hung down behind them as Norval’s head had done before. Norval and Ranulf began to get the cord ready to let Jaques down safely in his turn, [171] but Jaques (mechanical again) relieved them from the trouble by making use of his long arms. He seized each of his heels firmly in one hand, and bidding the other boys let go, eased his body gently up the tower, out at the top, and down to the ground, and then drew his hands out. The sight of him, with his monstrous arms, produced another burst of laughter, which increased when Jaques, wanting to give Ranulf a box on the ear [6] for laughing, found that his hand, instead of touching him, flew into a rhododendron bush ever so far down the garden-walk. Although neither he nor his brother could shorten their drawn-out members to their original size, still these were so far elastic, that they could draw them in to about half their enormous length, and throw them out again as they pleased. After they had experimented a little with their unwieldy projections, making them perform all sorts of antics, so that the three screamed with laughter, [172] Norval took it into his head that he would like to have a look into the tower; for on his previous journey through it, he had been so hurried that he saw nothing—in fact, had gone through [173] like winking. He therefore raised his head, drawing in his long neck, till he and the tower looked like a gigantic pewter pot with its handle. On getting his nose to the edge, he at once exclaimed, “Oh, what a jolly smell!” This excited Ranulf’s curiosity, so he at once rushed to the door to have a sniff, and to make sure he was not caught as his brothers had been, he took care not to put even his hands in at the door. But unfortunately he forgot the slightly Roman tendency of his nose, which, as he tried to get a whiff of the scent, flew up the tower, nearly poking out Norval’s eye at the top, and ran down the outside to the ground. Ranulf, who did not like having his nose pulled in this fashion, was just going to cry, but remembering the fairy’s caution, exclaimed to himself, “Not if I knows it,” pulled out his handkerchief, and turning round gently did as boys usually do when they have had to gulp down a sob.

“Do! follow your nose, to be sure. Why don’t you come down by your bridge?”

Jaques accordingly seized Ranulf’s nose in his long arms, and giving it a hitch round the lightning-conductor at the top of the tower, held the end slanting, making it hang like the rope for the terrific ascents of tight-rope performers, and down this improvised bridge Ranulf slid successfully to the ground, after which Jaques removed the hitch from the lightning-conductor, and Ranulf, who had a taste for the sea, coiled his nose neatly upon the ground, like a hawser on board ship, and taking the coils in his hand, threw them over his shoulder. His brothers seeing this, stowed away their slack also, and had scarcely done so, when there was a tremendous flourish of trumpets, and a being that might have passed for a pantaloon, as he was clothed entirely in golden trouser-legs (the Blunderland substitute for coats of arms) [175] entered the gate. In reality he was a herald, although you would not have guessed it, as he wore no ruff round his throat Behind him strode six stalwart trumpeters, each of whom, instead of blowing his own trumpet—as is too common nowadays—held his instrument to the mouth of his left-hand neighbour. There was an awkwardness about this arrangement, however, for the man at the right end of the line had no trumpet for his mouth, and the man at the other end had no mouth for his trumpet. But in Blunderland, difficulties which elsewhere would be thought insurmountable are soon overleapt. Accordingly, the sixth trumpet was managed thus: The moment the others were raised, trumpeter No. 1, who had no instrument, looked hard along the line, and called out, “No. 6, you be blowed!” and as obedience is the rule in Blunderland, as opposed to what occurs elsewhere, this command was quite enough to make trumpet No. 6 tootle-ootle away as loud as the rest.

It seemed to be the business of these trumpeters to make as much noise as they could whenever the unfortunate herald opened his lips to make his proclamation. The sort of thing that went on was this: The herald, having unrolled his paper, cleared his throat, of which there was much need; for if there was no ruff outside, that was more than could be said of the interior. If he had had colera he could not have been more nekroky. [7] Having given a hem, long enough to go round the skirt of a lady’s dress, even of modern proportions, he began to read—

Instantly his thread was broken by tra ta ta, ti ta ta, tatata ta tum, tatatraratatata, from all the trumpets at once.

Tra ta t’t’t’a, t’t’a—tra ta ta ti ta ti tati ta tum ta tum ta, ta, ta.

When this had happened over and over again, the tra-ta-ta-ing getting louder and longer each time, the herald calmly sat down on the ground, laid aside his proclamation, produced from his pocket a gilt bladder, which he quietly proceeded to blow up till it was full of air, and fastened to the end of his baton by a string about a foot long. Having carefully tested its strength by giving it a few thumps on the ground, he rose, and recommenced reading his proclamation. Instantly behind him began once more the braying of trumpets; but before one tra-ta could escape, bang, b’ng, b’ng, b’ng, bang, bang came the bladder down upon the heads of the six trumpeters. This stopped five of the too-toos [8] coming from them, [178] the whole six trumpeters being knocked out of time. But as there was nobody to take the blow for No. 6 trumpet, it was brazen enough to go on all by itself, as if it would be blowed if it would stop. The herald, however, evidently knew what he was about, for he ran to No. 6 trumpet and gave it such a blowing up, up its mouth, that nothing could get out for ever so long; indeed the air was too much for it, and it could not give it off even in parts; as for the bass, it could not get so low; treble X ecution was quite as impossible; the third part was ten or more notes beyond it; and the only remaining one was altogether so.

Having thus succeeded in obtaining silence, the herald proceeded to read his proclamation, and got through some lines before the trumpeters recovered sufficiently to commence their noise once more; when seeing them about to begin, he repeated the bang bang bang, bang bang, process with most excellent effect—and making about fifteen pauses to perform this operation, he managed to read the whole. In order not to try the [179] reader’s patience, it is thought better to give it without the interrupting bangs—in fact, bang off.

By the King—

A Proclamation.

WHEREAS it is our will and desire to maintain a clear course, so that we may be kept placed in the races of the earth, and that our people may continue to have a handy capacity for all athletic sports, likewise to avert the risk of the mussels of our subjects getting limp at the end of our royal line by any shellfish a’baiting (after the barb’rous manner of the fishy policy of the Angles) of the care bestowed by it on generations yet unborn—

We have thought it would fit, with or without the advice of our Prating Council, and the Cakes of our Parliament, to appoint and declare, and we do hereby, by and with, or passing by and without the said advice, appoint and declare, that immediately, or even sooner, all who hear or do not hear of this proclamation, [180] shall assemble without delay on a spot to be fixed by us at some future time, there to hold our annual games.

ODD JOBS.

And our will and pleasure further is, that prizes be awarded to those of our subjects who display the greatest skill in performing any of the following feats of agility and strength:—

I. Running up a bill with spears and ponds.

II. Taking a spring from a well in dancing pumps.

III. Carrying 6 Woolwich infants in an estimate.

IV. Handling a weighty argument, and hurling it at an adversary.

V. Knocking down a five-storey house by one blow of a hammer at the bidding of the purchaser.

VI. Carrying a measure with a Committee sitting upon it through two Houses.

VII. Keeping a gentleman in your eye when you have a stye in it already.

VIII. Carrying a crowded house along with you for three hours.

IX. Running a tremendous risk, and beating it.

X. Keeping time for the human race.

And such others as we may appoint.

GIVEN AT OUR COURT AT LUCKINGHAM ON THE 32ND OF APRIL 8177, IN THE ONE HUNDRED AND THIRTY-NINTH YEAR OF OUR REIGN.

The herald having completed the reading of the proclamation, evidently expected that, the proper time having now arrived, his trumpeters would blow a vigorous flourish, as in duty bound; but instead of this there was dead silence, all the trumpeters standing stock-still, with their hands hanging at their sides, and mouths wide open. At this the herald got white with passion, the choler rose so at his throat that he could bear it no longer, but cut up rough, the cuffs flying from him in showers, till at last he burst the bladder with [182] a terrific bang on the nose of No. 1, who took no more notice than if he had been made of gutta-percha. The herald calmed down as suddenly as he had flared up, and after looking at the motionless figures for a moment, quietly remarked, “Oh, I’m in no hurry, I can wait,” produced from the pocket of one of his many trouser-legs a copy of ‘Enquire within upon Everything’—a book much studied in Blunderland—and commenced reading, evidently in the hope that he might in course of time come upon a receipt that would enable him to settle the hash of his saucy attendants. The trumpeters could have borne any amount of violence, but the herald’s tactics were too much for them; so before he could get his spectacles adjusted to commence reading, they all placed their trumpets to their mouths, and blew a most elegant tootle-ootle, at which the herald, smiling sweetly, turned and said, “Thanks, thanks, my children!” and producing a box from another pocket, handed each of them a stick of barley-sugar. Now no one will think it surprising [183] that the sight of a free distribution of barley-sugar should be rather exciting to three small boys like our heroes. And although they had been well taught that little men should not thrust themselves on people to ask for things, still, being in Blunderland, it is not strange that they should be a little infected by the character of the country, and do what would have been not at all good manners anywhere else. So Jaques, taking advantage of his long arms, unwound one of them, and passing it round to the back of the trumpeters, thrust it out between two of them. The herald, quite unsuspecting, placed in it a stick of barley-sugar, when it was instantly withdrawn, and Jaques handed the barley-sugar to his elder brother. Repeating the process, he succeeded in getting sticks for Ranulf and for himself, the [184] herald being in great astonishment, as he found that though he had given out more than six sticks, and the trumpeters were all sucking away furiously, there was always an empty hand stretched out from some quarter or another for more. Looking behind the trumpeters, all he could see was what he took to be a garden watering-pipe lying on the ground, but which was in reality Jaques’ arm. Not to be beaten, he muttered to himself that he would go on till he found it out; so, to the boys’ great delight, kept putting sticks into Jaques’ hand, until his box was empty and their pockets full. They felt, however, when all was over, that while it might not be of great consequence, still, to be little gentlemen as they ought, they must not leave matters unexplained; so, after a short consultation how it was to be done, Jaques’ hand again appeared between the trumpeters holding all the sticks of barley-sugar, minus one little bit that Ranulf, with a haste excusable at six years, but no longer, had nibbled off, and a voice behind the herald said, “Please [185] sir, may we have them?” Turning round, he saw the three boys, and gazing at them with their coils, exclaimed in amazement—

“Oh no; we aren’t tapirs,” said Ranulf, who, having a recollection of a beast with a long snout in his animals-book, thought this was a reflection on his nose. He felt very much inclined to put his fingers to it; but a sense of propriety, and a difficulty in finding the point of it among the folds, combined to restrain him.

“Then if you’re not tapers,” said the herald, “you must be sons of a gun, built on the coil system—Armstrong’s patent, eh? or perhaps you are in the still line?”

“Nurse never thinks so,” said Jaques. “She says she would like to see a little more of the still about us—that we are too full of good spirits.”

“And what is the still business for, except to produce good spirits; but,” said the herald, suddenly [186] assuming a tremendous air of official dignity, “we must tarry no longer; the games are about to commence.”

“Yes,” said he, and was going to add “but” something, only he did not get time, for his Yes was instantly followed by three Thank-yous, and three enormous bites at the barley-sugar.

The boys knew that they should not speak with their mouths full; and having as much in them as good manners allow, they were compelled to nod.

“And how can you both eat your lollypop and keep it? There’s a poser for you,” said the herald, folding his arms, throwing back his head, and planting his right foot forward in a manner which plainly meant, “I poses for a reply.”

It was a poser in one way, for no answer could [187] be given to it by nod or shake; and as the mouths were still full, it remained unanswered, the boys wavering between—

“Speak when you are spoken to”
and
“Don’t speak with your mouth full.”

The herald’s notion of his own dignity seemed to be greatly increased by there being apparently no answer to his question, which was just as well, for as he got full of importance he got empty of everything else (on the well-known principle of natural philosophy, that two things cannot occupy the same space at the same time), and so forgot all about his question.

While he was still posing, a mounted disorderly galloped on to the ground, shouting—

“Here, hi, hollo, you there! What’s yer name? How long d’ye mean to keep the king waiting?”

In a moment all the herald’s dignity was gone. He trembled till his trouser-legs were fluttering [188] all round him, like a cock’s feathers when he shakes himself, and cried—

“The king waiting! oh, oh dear!” gathered his trouser-legs about him, and fled through the gateway, like an old woman running in a shower of rain.

The trumpeters, thus relieved of the dread of the gilded bladder, blew a tremendous flourish, threw their trumpets in the air, and then the end one giving a back, they set off in leap-frog after the herald.

The boys made after them as fast as they could, soon outstripping them with their young [189] legs, and on passing through the gate found the people assembled for the games. It was indeed a lovely sight. Unlike such gatherings among those who do not blunder, there were no thimble-riggers; no dismal niggers; no men with two black cards and a red; no shouts of four to one, bar one; no little girls with careworn faces and work-worn tights, faded and patched, performing on stilts to a consumptive drum and a time-defying flageolet; no display of paint, false hair, and falser smiles; no pouring in of sparkling gooseberry; no pouring out of wild and wicked words; no reeling and staggering; no shouting and brawling; no fingers in other people’s pockets, and fists in other people’s eyes. Such things are only to be witnessed in countries where the people have grown out of the condition of blundering, and have reached an advanced stage of civilisation and intelligence. Here in this yet unenlightened country things were quite different. The sight was lovely. The ladies and gentlemen whom the boys had seen before on the lawn, [190] were here assembled, along with a host of other people of humbler rank, the rich costumes of the ladies and gentlemen contrasting with the less costly dresses of the lower classes, grouped as they were with the most charming harmony and accommodation of colours too beautiful for description, forming a sight never to be forgotten. The effect was made still more charming by the flowers that had sheltered the groups on the lawn being formed into a vast sun-shade above—a gigantic white lily, with its bell turned downwards, being the centre, and the circles going out from it in the most delicate gradations of colour through all the tints of the rainbow; the edges of this gigantic and gorgeous ombrelle being formed of enormous bright fern-leaves, the points of which, bending towards the ground, were by some unseen means kept gently waving, wafting the air charged with the fragrance of the flowers in delicious coolness over the whole assemblage.

In rather incongruous contrast to the elegance [191] and luxurious refinement of the scene was the conduct of one individual, who, although he had a crown on his head, was rushing about with an apron on and a napkin under his arm, carrying dishes and bottles in all directions.

“Come along, king,” said a fourth, “attend to the comforts of your subjects.”

The poor king did his very best, and rushed about most energetically. He managed, like a good waiter, to keep up a considerable fire of chaff. A man having offered him a tip of 2s. 6d., he exclaimed, “Oh, sir, you cannot give a king less than a crown!” To a party who gave him 15s., he objected, “This won’t do, sir; I must have five more.”

“Three crowns is the Pope’s allowance. It takes four to make a real sovereign, sir.”

But although trying to be as merry and lively as possible, he found it very hard work, and the moment the herald appeared, dropped his napkin, six plates of lamb and salad and eight pewter pots he was carrying, tore off his apron, changed a crown, and picking up his robe of state and his sceptre and ball, gave a royal wave of his hand.

The herald was at once seized and brought forward, and, addressing him, the king said, “What, ho, thou caitiff! say, how hast thou dared so long to keep thy sovereign waiting?”

If the herald had been a log, he could not have remained more stolidly immovable. There was dead silence for a few moments, and then the king again spoke, “’Tis well thou knowest thou shouldest not dare to answer back to a king, for this is half thine offence pardoned. Canst thou bring forward anything why punishment should not overtake thee for the other half?” At this [194] the herald did bring something forward, for he brought up one hand, and placing the thumb to the end of his nose, he slowly extended the fingers as far out as he could, and waggled them about, then he placed the thumb of the other hand to the little finger already stretched out, and extending his other fingers, waggled them too. The boys were aghast at thus seeing a subject making a long nose at a king, and still more when he finished by bringing his hand sharply up against his open mouth, producing a sound like the popping of a well-fitted cork.

The king, however, seemed not at all struck in the way they were by the herald’s conduct, but turning to an attendant said, “Bring forward the whys man, that we may get the interpretation of these heraldic emblems.”

The whys man was, as might have been expected, [195] the querist man that ever was seen. Nobody could fail to see that he was a man of mark of interrogation, for when you looked at him you saw a great deal of curl at the head, and when you reached his feet he came to a stop. [9]

The boys thought this bad grammar, and very rude on the part of a subject (not knowing that he meant, “Command, I obey”); for, as Norval said to Jaques, a subject giving dictation, instead of a subject being given in dictation, was contrary to all their school experience. But they were beginning not to be surprised at anything.

“Didst thou behold the mysterious signs just [196] made by our herald? What mean they?” said the king.

“Will your Majesty deign to say whether you desire to be answered with rhyme and reason or without rhyme or reason?”

“Then, seriously speaking, I would say that if a point of view be taken, such as those who take points of view, with a view to getting the point of view, that brings best into view the true view of the point, which ought to be kept in view, in the view of getting at the point——”

“Oh, stop, stop, stop!” cried the king; “which is that—‘with’ or ‘without’?”

“Then, for pity’s sake, let us have with, if it will save us from being compassed with so many points. I feel pricked all over.”

“Fiddle-dee-dee!” cried the king; “to such defence I cannot listen. It may be with rhyme, but [198] is certainly without reason. If it comes to anything it comes to this, that he kept me waiting so long in order that I might get tips, eh? That is seeking to give the king the sack. I would be mad ere I accepted such a mumm sham penitence. I declare it brand’ed as a shabbily-concocted whine; so turn from it, and laugh it to scorn. He shall have his mead. Summon the headsman, and let him whisk it off.”

The executioner at once appeared, set his block in front of the throne, felt the edge of his axe, advanced to the herald, and began to drag him forward.

“Friend,” said the herald (he had turned quaker at the sight of the block), “why dost thou draw this way?”

“Because my business is funny cuts,” said the executioner, giving him a sudden pull.

“Don’t ketch me up so if thou art a Jack in the box wood way; thou shouldst not put such hard lines on a fellow.”

“I call you rather knave than fellow,” replied the [199] executioner, getting somewhat surly, “I don’t need you to tell me how to make the cuts on my block.”

The boys began to feel rather uncomfortable at the idea of seeing a head cut off. They were somewhat relieved, however, to notice that the executioner and attendants, on getting the herald to the block, did not apply his neck to it, but made him sit down. They then began searching among the many trouser-legs that hung behind him, and were so long at this operation that [200] Jaques, who, being a schoolboy, had an impression of his own as to what they were after, suddenly exclaimed—

But care-taker Norval stopped Jaques’ mouth with his hand before he could get anything unmentionable out.

“Nonsense!” replied the king; “Darwin has put it in a book, and therefore there must be. Besides, the Family Herald has lots of tales; and what a Family Herald has, surely a Royal Herald can have too!”

At last they found them—two very small swallow tails indeed—one of which was duly chopped off, but the other spared, as the king had forgiven half the fault; and the executioner, taking his stand on the form used at Charles the 1st’s execution, lifted up the tail and solemnly said, “This is the end of a cratur.”

The herald looked very disconsolate, and the executioner, clapping him on the shoulder as he sat on the block, said to him—

“No thanks to you for axing; your chop’s a very cruel kind of cut let’s say no more about it.”

“Well, well, but you don’t need to have it left so; they’ll right you at any retail place in no time.”

“Enough of chops, and cutlets, and tails,” suddenly shouted the king; “now for the royal stakes—is that course ready?”

“Yes, your Majesty,” said the Secretary of [202] Steak; “the entries are just over, and so the beef-eaters can come on now.” They soon got through the removes necessary, and the game course cleared; whereupon the king’s and queen’s suites were set in their places, including the cream of society, and a following which was quite the cheese.

“Now,” said the king, “every man shall have his desert. Go on with the heats,”—heats being apparently the Blunderland substitute for ices.

This injunction made the officials warm to their work, so that all was quickly ready, and the competitors came running up to take their places. They were a funny-looking set altogether. There was a fast young gentleman, who looked as if he had not been in bed all night, but had just come out of a bandbox. There was a scarlet-runner, who was the pink of condition; a post-runner, who of course was clad in a mail suit; a fore-runner, who went sometimes on his fore legs, and sometimes on his four legs; and an old woman, who said she would warrant her tongue [203] to go faster, and to run on longer, than anybody on the ground. A solemn discussion arose among the judges, upon the question whether a tongue could be allowed to enter for the race; and it was at last decided that it must not, as the race was a flat one, while the old woman’s tongue was more than usually sharp.

The aged dame was very angry at this, her much-despised member going on at such a rate, that she, when told to hold it, excused herself [204] on the ground that it was going too fast to be caught up without a stretch of imagination, which, at her age, was quite beyond her powers. So, as her tongue could not be stopped, the police took a homœopathic process, and simply ordered her and the offender to “move on;” whereupon, with female contradiction, she did the very opposite, and moved off.

“That woman’s tongue is equal to any two,” said the clerk of the course; “so, if a couple more would like to come forward and take its place, they may do so.”

Thus invited, Norval and Jaques stepped out. Their appearance, with their coils wound round them, was that of a pair of screws, and this led the other competitors to look on them with contempt, apparently thinking that such well-hooped casks could never run.

But the boys paid no attention to the sneers. They intended to run for the sport of it—to win if possible, and to take it cheerfully if they could not; which is the proper spirit for all [205] boys, young or old, when they are going in for a contest.

On the start taking place, the fore-runner was soon left behind, the post-runner found his mail suit rather heavy, the scarlet-runner proved to be only a creeper, and there were none left except the fast young man and the two boys. At first Norval and Jaques with their young legs got a good start, as the fast youth, not having been in bed, had forgotten to wind up his watch, and being unaccustomed to get on without tick, had to stop till he got it wound. But as the race was a long one, he soon made up for lost time, and it looked as if the boys would get the worst of it, for at the third round of the course, Jaques was many yards behind, and his brother also losing ground; when, to the surprise of everybody, Norval suddenly shouted “Neck or nothing!” uncoiled his neck, and collared his opponent by shooting it out to the winning-post. This feat was received with deafening cheers, which were redoubled when Jaques, taking the [206] hint, threw his long arms out over the head of the fast young man, and vaulting on his hands, flew over him, far past the winning-post, and got in a second before him.

The fast young man lodged a protest, maintaining, in a style even louder than the style of his trousers, that Norval had won by neck-romantic arts; and that Jaques, instead of going on foot, had taken a fly, and so cabalistically over-reached him by craft. After the judges had looked [207] very wise for ever so long—in fact, as long as Norval’s neck itself—they decided that the neck being a neck, it did not matter whether it was romantic or not; and as it could not be alleged that Jaques had used any other craft than handicraft, his using feats of arms for feats of feet was quite allowable, he having only availed himself of his own handy capacity; and that as to his taking a fly, it was not a handsome thing to call it cabalistic, and an argument that only a for weal or woe begone growler would think it fair to take his hackneyed stand on. Norval was therefore declared first, and Jaques second, amid loud applause; and the fast young man, with his views dissipated, went off a bad third.

The next race was a blindfold one. The competitors having their eyes tied up at the winning-post, were led back to the scratch, and started; the rule being that, if any one wandered to the side of the course and fouled the ropes, or went beyond the post without touching it, he was out of the race. Now Ranulf, who came forward to [208] run, kept wondering to himself what he should do to win.

“You see,” he said, speaking to himself, “I’ve not got anything but a nose; and how can a long nose help me to see? and it’s the blindfolding that is the bother. If I only had an eye at the tip, that would be jolly, only it wouldn’t be fair not to tell them to tie it up too. What am I to do?”

Now Ranulf had still some of Victoria’s sweetmeats in his pocket, and Ranulf was a boy; so it fell out that when he felt perplexed and did not know where to turn, he, as a matter of course, thrust his hands into his pockets, and it followed naturally that the sweetmeats got into his hand, and that his hand set off on a journey to his mouth. They had a most delicious perfume, so strong that though Ranulf’s nose was wound round him so many times, the scent got through it into his head in a jiffy, or rather in a sniffy. The moment this happened, he began to rub his head very hard, as if something had struck him. He was struck, as it so happened; and [209] although it was only by an idea, it had got so firmly into his head that it must have struck him pretty forcibly. He immediately set himself to work it out. When the competitors were ready to start, Ranulf shot his nose out up the course, sniffing for the first thing he had noticed lying on the side of it that could be discovered by smelling. It looked so funny to see this projection waving about, like some dozens of those long wooden serpents that they have at the toy-shops put end to end, that the whole crowd set up a tremendous shout of laughter. One man, however, did not seem to like it at all. He was the backer of another competitor, and rushed up in a very forward manner (particularly for a backer), shouting—

Upon this the umpires were at once summoned; and after being told what the matter was, one of them addressed the backer, and said—

“We understand you have some objection to [210] this gentleman’s nose; state your proposition.” [10]

The referees again looked very wise, pursing up their mouths, as if the words that were to come from them were gold; and after comparing notes, one of them solemnly said—

“While it seems to the referees that it is scarcely their province to sit upon long noses, these not being matters of course, we think we are justified in holding that a gentleman who wishes to follow his own nose, and trust to his own tip, instead of getting a tip from anybody else, is entitled to do so.”

The backer at this got very excited, and shouted, “Nay, nay, but you surely won’t go so far——”

“Sir,” said the referee, sternly, “this is a foot-race, so you need not mount your high horse, [211] neighing at us in that way. The referees have carefully considered the length of the gentleman’s nose, and, long as it is, their opinion goes that length. So let there be an end of it.”

The backer, seeing he could make nothing of it, marched off, muttering, “End of it, indeed! it’s no end of a nose that fellow’s got. There’s one comfort, it can’t be called a straight tip.”

All this wrangling had served Ranulf’s purpose, for it gave him time to con over his lesson. And a very funny lesson it was. He had observed all the smelly things on the sides of the course that the people in taking their refreshments had thrown on the grass inside the ropes; so his lesson went thus:—

The winning-post was opposite the place where the ladies and gentlemen sat, and of course they did not throw orange-peel, or anything of that kind, about. Ranulf had been greatly puzzled how to find his way there; but, luckily, a lady had put a splendid nosegay on one of the posts, and Ranulf, in going forward to be blindfolded, had a good sniff of it, so that he was sure he would find it all right.

At last the race began, and a very queer business it was; for the runners, in trying to avoid coming against the ropes, wandered about in the most extraordinary fashion. But Ranulf’s performance was quite irresistible, and it would have cured the worst fit of sulks in all the world just to see him for a minute, stretching out his nose, and working it from side to side, like an elephant’s trunk. He first found the peppermint-drop, up to which he rushed, winding up his nose on the ground like a coil of rope in a ship, then throwing it out again he found the ginger-beer bottle, and so on. He was rather put out by coming upon [213] orange-peel just after passing the cigar-end; and when this happened, the puzzled look of his nose, as it caught scent of the peel at the wrong place, made the crowd roar again. The truth was, that some one in the crowd was throwing orange-peel; but, fortunately, a piece hit him on the nose, so that he guessed what was wrong, and with a bold sweep caught scent of the onion-skin from afar, and on he went, winning easily by a nose. The ladies were so delighted with this performance, that they all wanted to kiss him at once, and for a couple of minutes his nose was in great requisition.

In the distribution of prizes, Norval was made merry as a cricket by the gift of a golden bat; Jaques being declared entitled to an armful of toys, was able to claim enough to fill a bazaar by the aid of his long arms; and Ranulf, whose greatest delight was horses, rejoiced in a real Lilliputian pony of 25 pounds, the proper figure for a pony gained at races. When the prize distribution was over, the boys were led to the [214] king’s table, on which an elegant feast was spread.

While they were enjoying it, there was a sudden flutter, and every eye turned one way.

“Oh, here he comes! here’s Blunderbore!” was the cry that rose on all sides.

“Blunderbore?” said Ranulf, turning rather pale; “that’s the giant with the awful teeth and the big club. I thought Jack had killed him. Oh dear, what shall we do?”

Norval did not feel quite comfortable either, but, seeing little Ranulf’s pale face, he forgot himself, and, trying to cheer him, said as bravely as he could—

“Never mind, Ranny; you know with my long neck I can make myself as big as he is, and I will brandish my bat as a club—perhaps that will frighten him.” He was not very confident of this, but put on as much appearance of being at ease as he could, so as to encourage his little brother.

“It’s Jaques’ business to kill him,” said Ranulf, [215] solemnly. “It’s a good thing he has got long enough arms.”

Jaques did not seem to see it, and the whole three were anything but comfortable in their minds.

It was somewhat reassuring, however, to notice that the news of the arrival of Blunderbore appeared to distress none of the rest of the company. The ladies were all looking through their opera-glasses, with faces which showed that he had no terrors for them. The gentlemen seemed, on the whole, to be rather disgusted, as the announcement of the giant’s approach appeared to throw them entirely into the shade so far as the fair sex were concerned, and they looked at one another with glances of pique and contempt, as the ladies twittered away in eager conversation—eyes sparkling, lips smiling, and that curious buzz that always heralds a great arrival running through the whole assemblage.

“Any room for me?” said a voice (which, though evidently kept as mild as possible, made a [216] sound very like the Westminster chimes striking the first quarter), as a face about three yards long, below a three-cornered cocked-hat, made its appearance under the fern-leaf fringe of the tent of flowers. Blunderbore had been compelled to stoop down so low in order to look in that his face was level with his knees, and as it was very round, the effect was ludicrously like a circular clock on pillars. The moment the face became visible, all strange and unpleasant thoughts began to fade from the boys’ minds, for it was the picture of jolly good-nature. His eyes, the balls of which were larger than a Christmas plum-pudding, fastened themselves specially on Ranulf, and putting out a vast hand, he shook a forefinger as large as a bolster at him, saying—

“Now, I know you are expecting me to say Fe-fo-fum, something about grinding bones, and all that.”

“Y-e-e-e-e-s, sir,” said Ranulf, half frightened, but only half; for the jolly face was so good-humoured that it was almost impossible to be afraid.

“Well,” said Blunderbore, taking him up on his vast hand, “giants in Blunderland don’t talk rubbish of that kind, and they are not such geese as to grind bones when they want to make bread.”

“Come in, Blunderbore; we will make room for you,” came in a surging ripple from hundreds of fair lips, while, with many a rustle of silk and velvet, they cleared a large space on one side of the amphitheatre, the seats of which rose in tiers one above the other.

“Well, but your ceiling is so low. However, [218] perhaps old Blunderbore can cure that for you,” said the giant, as, pushing his head in below the ombrelle of flowers, he placed his forefinger in the centre of the white lily at the top, and, apparently without an effort, raised the canopy aloft. Showers of diamond drops fell thick and fast from between the fern-leaves as the gorgeous ceiling rose, faster and ever faster, till at every leaf there stood a glassy pillar, glittering and sparkling with wondrous lustre, and in a twinkling the bower became a crystal floral palace, to which that of Covent Garden is but a dingy, dull, depressing dungeon. Blunderbore then made his way through the crowd with great care, of which there was much need, his feet being nearly as big as the dingies of a ship of the line, and seated himself on the side of the hall that had been vacated for his accommodation. He certainly was very unlike the old kind of Blunderbore, from the top of his three-cornered hat down to the red heels of his buckled shoes. A magnificent single-breasted coat and long flap-waistcoat, with [219] golden stripes, separated by lines of rich maroon-coloured velvet, took the place of the short armless blouse, and the great belt with a buckle like a wicket-gate, that are supposed generally to be the orthodox costume of gentlemen more than eight feet high. And instead of the gnarled club or grievous crab-tree cudgel of the story-books, our Blunderbore carried a most elegant cane with a golden top. It is true that the cane was as thick as an ordinary lamp-post, but still it looked quite neat and tiny, appearing slight enough in Blunderbore’s vast hand to suit the most foppish taste. His breeches were of yellow satin, below which were stockings of silk of the same colour, and his curly hair was of a golden tint. Altogether, he made a most presentable-looking giant, and seemed to be a special favourite with the ladies, to whom, as he sat down, he kissed his hand right gallantly. This done, he produced from his waistcoat-pocket a snuff-box, larger than a full-sized trunk, and took a pinch out of it, giving his hand an elegant shake—in fact, quite à la Cox-comme [220] il faut of the last century, sending a shower of snuff from his fingers like the stream from the rose of a watering-pot. This, the boys expected, would set every one sneezing; but such snuff was not likely to get into any one’s nostril by accident, the particles being as large as ordinary peas, and no one seemed inclined intentionally to make his nose a pis aller for what the giant threw away. As what remained between his fingers would have stuffed an ordinary pillow, it proved that Blunderbore was anything but a bad fellow at a pinch, and completely allayed the fears of our little men, so that they were not the least alarmed when he gave a terrific sneeze, like a squall of a north-easterly gale—a perfect Blunder Boreas.

“Now, then,” said he, “what can I do to promote the harmony of the meeting?”

“Give us some music; let’s have a Monstre Concert,” was the cry that rose on every side.

“No, no! no Wagner, please; we don’t want [221] the music of the future; no promissory notes for us. [11]

“Well, I daresay you are right,” replied Blunderbore; “the music of the future is no pastime. What do you say to a present of Chopin Morceaux?”

“All right, then; here goes,” said the giant; “and I am sure you will admit that I give you admirable concerted pieces.”

The ladies seemed to know what was going to happen, for about 60 of them at once clustered round Blunderbore.

Blunderbore at once stiffened up, in a manner that formed a marked contrast to his previous easy affability, squared at the whole company, and displayed any amount of brass. It soon appeared, however, that, just like a great many other people when asked to give a little music, he was making a fuss about the preliminaries, for presently, when he had looked stuck-up for a minute or two, he executed a most elegant breakdown, ending in a thoroughly organic change and brilliant musical parts, which latter the ladies caught neatly as they fell, and there, in a moment, stood a full orchestra, with a monster organ in the middle, as Blunderbore’s gold-striped coat and waistcoat became gilded pipes, his curly locks fell in a shower of cornets and French horns, his stock made a full-sized drum, his cuffs a couple of brass drums, his cheeks a pair of cymbals, the bones of his nose naturally became a group of trombones; the fingers and nails scattering in a shower of violins, flutes, piccolos, clarionets, and oboes, and the thumbs in violas and bassoons; his arms making a splendid set of sax-horns, euphonions, and ophicleides; the legs forming two enormous double basses, and his [224] feet dividing into two pairs of violoncellos; while the pin at his breast dropped down as a neat jewel-mounted conducting-baton, the cane bent itself into a magnificent harp; and, to crown all, his hat settled on the top of the organ, forming an elegant carved screen over it. Tap, tap, went the baton in the lovely hand of the conductress, as the gentlemen formed themselves into animated music-desks, which, in the case of the ladies who held the different classes of violins, reversed the usual saying, by giving them two bows to their strings. Wave, wave, wave, swept the baton—one, two, three, and off they went in a grand overture, the fair performers playing their parts (of Blunderbore) to perfection. The lady with the harp was the only disconcerted one, for, unfortunately, Blunderbore had lost the cords and tassels of his walking-cane, so when formed into a harp the instrument was stringless, and the lady holding it, who had a solo to play, was in despair. Ranulf, seeing her distress, mounted the orchestra, saying, as he looked and fumbled among the confused [225] mass that forms the proper contents of a boy’s pocket, “Here is something that will perhaps do.” The lady, seeing the coils over his shoulder, misunderstood him; and there being no time to lose, she, in the very act of saying, “Thank you, dear,” slipped his nose off his shoulder, and before he had time to know what was to happen, strung it on the harp, up and down, up and down, just as the conductress turned towards her to indicate the time for her solo. Her nimble feminine fingers were so gentle that Ranulf was not at all put out, and there was little time to think, for the beautiful arms were stretched out, the taper-fingers gave a rapid wave, and the harp poured out its richest notes, so that all stood listening entranced, as the graceful fingers made it speak, now in round rolling roughness, like the storm; now in rich fulness of music; and now in gentle brilliant trills, like the birds in a distant wood. Ranulf himself, who had a good ear, drank in the sweet sounds with eager delight, wondering as nothing since he left home had made him [226] wonder. But, in an evil moment, forgetting his good manners, which forbid speaking when a solo is going on, he exclaimed—

Terrible was the result. Everybody knows how horrid the sound is when a person speaks holding his nose; but then he only grasps it at one place. Now Ranulf’s, of course, was held at about [227] a hundred places on the harp, and so it sounded 100 times over the fearful twang, making everybody put hands to ears; and the lady harpist, whose sweetest notes had been made so false as to turn her harp into a lyre, was so struck that she looked despair as black as blue eyes could.

Instantly, an indignant but good-natured cry burst forth from the ladies of the orchestra, as they turned upon Ranulf and sang [12] —

And so it was; for all the ladies that were immediately round the harp, arming themselves with feathers from their hair, or flowers from their bouquets, rushed off in a chorus and down upon Ranulf, to tickle his long nose, singing—

And, suiting the action to the utterance, the feathers and the roses were thrust forward in a score of dainty hands to tickle poor Ranulf’s offending organ. But the lady who had strung him on her harp, though she was shocked at the nasal twang he had brought out of her and his instruments combined, did not forget the aid he had given when she was in a difficulty; so, as the merry group came to the attack, taking Ranulf up in her arms, she seated him on the very top of the harp out of reach (where, though not gilded, and in knickerbockers, he did very well for a Cupid), and did all in her power to protect him from the thrusts of the feathers and roses. She succeeded pretty well while only her own sex were engaged, for, being a harpist, she could move her hands rapidly over the strings and wave off the attack in [229] all directions. But what was Ranulf’s horror to see Norval and Jaques, like a pair of rogues as they were, unable to resist the temptation to join the fun, thrust their long neck and arms over the bevy of fair ladies who surrounded him—Norval with a rose in his mouth, and Jaques with a feather in his hand. Ranulf knew at once that he must go off into fits, for the lady could not protect him from the wild flights of the long neck and hands as they flew about tickling his poor nose in all directions. He resigned himself to his fate, slid down to the ground, and went off in screams of laughter, while the merry chorus round him sang—

And as he lay, the arms were still out to protect him, only, instead of their being uncovered except by handsome bracelets at the wrist, they seemed [230] to get grown over with something very like brown merino; and when a voice spoke, saying, “Now, boys, leave him alone, will you?—stop tickling him at once,” it was that of his nurse (for whom his pet name, appropriately, was Harpin); and [231] there he lay, sprawling on his back on the rug, as she kept his brothers off him.

“But where’s my nose?” he exclaimed, as on putting up his hand to his tickled face he found that his coils were gone.

This question was received with a shout of laughter, in which Harpin joined, and Ranulf awoke to the fact that he had been dreaming.

But although he has returned from Blunderland, leaving behind him his long nose, he has brought a pretty long tail home with him instead of it; and now, as he was often taught never to be a tale-bearer, it has been carried to the Black woods, and hid away in these leaves, in the hope that it may amuse other little people who chance to unfold it.

FOOTNOTES

[1] Air —“Silver Threads among the Gold.”

[2] The words, “Till ’ee gits it he’s coal as a cokeumber,” are interpolated in the MSS.; but doubts of their authenticity, and fears of ruptured sides in the case of those who might think a joke was intended, make it prudent to delete them.— Ed.

[3] This pig must have been north of the Tweed, to forget his Tees thus.— Ed.

[4] Air —“Johnny come marching home.”

[5] It is perhaps not generally known that before troops march forth to victory, they are first routed by the Quartermaster—General’s Department. Should the reader think this a joke, he will probably say it is a very poor one; but if he will take the trouble to ask any of his military friends, he will find that they think it anything but a joke that they get routed so often.— Ed.

[6] In fun, of course. These boys had learned what all boys should learn, never to get angry at being laughed at.

[7] Perhaps the small reader does not understand. Let him wait till he begins Greek.

[8] If any one, with a mind not delivered from the bondage of mere vulgar arithmetic, should object that two 2’s make 4, and not 5, we have only to say that we don’t care a fraction, and refuse to alter our addition for any such common multiple of a fellow. If any other spelling B-ound individual should say that “toos” is not according to English orthography, we beg to remind him that Eng means narrow, and we prefer to go in for all abroad in such matters; and this being a book of fun, we adopt the funnytick mode.

[9] If anybody should think, on reading this, that the statement is superfluous, because all men come to a stop at their feet, he will please remember that men often have more sole under their feet than anywhere else: in fact, they are so fond of fishy and slippery ways that they always go upon soles and eels; and some of them are so fast, that so far from stopping at their feet, they go such lengths that they stop at nothing.

[10] In the original MS., this word was written proboscition by the author in his innocence.— Ed.

[11] Boys should take this as one of their mottoes—“No bills or promissory notes for us.” There are too many sharps ready to press them on young naturals and flats, and they very often end in harsh keys and gloomy bars.— Ed.

[12] Air —“I’ll strike you with a feather.”

*** END OF THE PROJECT GUTENBERG EBOOK OUR TRIP TO BLUNDERLAND ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate .

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org .

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

I mean.	not	I mean.
Thou meanest.	not	You mean.”

Right side,	Peppermint-drop.
Left side,	Ginger-beer bottle.
Right side,	Cigar-end.
Left side,	Skin of onion.
Right side,	Orange-peel.
Left side,	Nosegay.

The Project Gutenberg eBook of Our trip to Blunderland

OUR TRIP TO BLUNDERLAND

FOOTNOTES

THE FULL PROJECT GUTENBERG LICENSE