The Impostures of Scapin., by Molière

OCT. Ah! what sad news for one in love! What a hard fate to be reduced to! So, Silvestre, you have just heard at the harbour that my father is coming back?

OCT. Oh! speak, I pray you; don't go on in such a way as that, and force me to wrench everything from you, word by word.

SIL. But what is the use of my speaking? You don't forget one single detail, but state everything exactly as it is.

OCT. At least advise me, and tell me what I ought to do in this wretched business.

SIL. I really feel as much perplexed as you, and I myself need the advice of some one to guide me.

OCT. When my father hears what has taken place, a storm of reprimands will burst upon me.

SIL. Reprimands are not very heavy to bear; would to heaven I were free at that price! But I am very likely to pay dearly for all your wild doings, and I see a storm of blows ready to burst upon my shoulders.

OCT. What am I to do? What steps must I take? To what course of action have recourse?

SCENE II.—OCTAVE, SCAPIN, SILVESTRE.

SCA. How now, Mr. Octave? What is the matter with you? What is it? What trouble are you in? You are all upset, I see.

OCT. Ah! my dear Scapin, I am in despair; I am lost; I am the most unfortunate of mortals.

SCA. No; but it only depends on you that I should soon know; and I am a man of consolation, a man who can interest himself in the troubles of young people.

OCT. Ah! Scapin, if you could find some scheme, invent some plot, to get me out of the trouble I am in, I should think myself indebted to you for more than life.

SCA. To tell you the truth, there are few things impossible to me when I once set about them. Heaven has bestowed on me a fair enough share of genius for the making up of all those neat strokes of mother wit, for all those ingenious gallantries to which the ignorant and vulgar give the name of impostures; and I can boast, without vanity, that there have been very few men more skilful than I in expedients and intrigues, and who have acquired a greater reputation in the noble profession. But, to tell the truth, merit is too ill rewarded nowadays, and I have given up everything of the kind since the trouble I had through a certain affair which happened to me.

SCA. Yes. She used me very badly; and I felt so enraged against the ingratitude of our age that I determined never to do anything for anybody. But never mind; tell me about yourself all the same.

OCT. You know, Scapin, that two months ago Mr. Géronte and my father set out together on a voyage, about a certain business in which they are both interested.

OCT. And that both Léandre and I were left by our respective fathers, I under the management of Silvestre, and Léandre under your management.

OCT. Some time afterwards Léandre met with a young gipsy girl, with whom he fell in love.

OCT. As we are great friends, he told me at once of his love, and took me to see this young girl, whom I thought good-looking, it is true, but not so beautiful as he would have had me believe. He never spoke of anything but her; at every opportunity he exaggerated her grace and her beauty, extolled her intelligence, spoke to me with transport of the charms of her conversation, and related to me her most insignificant saying, which he always wanted me to think the cleverest thing in the world. He often found fault with me for not thinking as highly as he imagined I ought to do of the things he related to me, and blamed me again and again for being so insensible to the power of love.

OCT. One day, as I was going with him to the people who have charge of the girl with whom he is in love, we heard in a small house on a by-street, lamentations mixed with a good deal of sobbing. We inquired what it was, and were told by a woman that we might see there a most piteous sight, in the persons of two strangers, and that unless we were quite insensible to pity, we should be sure to be touched with it.

OCT. Curiosity made me urge Léandre to come in with me. We went into a low room, where we saw an old woman dying, and with her a servant who was uttering lamentations, and a young girl dissolved in tears, the most beautiful, the most touching sight that you ever saw.

OCT. Any other person would have seemed frightful in the condition she was in, for all the dress she had on was a scanty old petticoat, with a night jacket of plain fustian, and turned back at the top of her head a yellow cap, which let her hair fall in disorder on her shoulders; and yet dressed even thus she shone with a thousand attractions, and all her person was most charming and pleasant.

OCT. Had you but seen her, Scapin, as I did, you would have thought her admirable.

SCA. Oh! I have no doubt about it; and without seeing her, I plainly perceive that she must have been altogether charming.

OCT. Her tears were none of those unpleasant tears which spoil the face; she had a most touching grace in weeping, and her sorrow was a most beautiful thing to witness.

OCT. All who approached her burst into tears whilst she threw herself, in her loving way, on the body of the dying woman, whom she called her dear mother; and nobody could help being moved to the depths of the heart to see a girl with such a loving disposition.

SCA. Yes, all that is very touching; and I understand that this loving disposition made you love her.

OCT. After a few words, with which I tried to soothe her grief, we left her; and when I asked Léandre what he thought of her, he answered coldly that she was rather pretty! I was wounded to find how unfeelingly he spoke to me of her, and I would not tell him the effect her beauty had had on my heart.

SIL. ( to OCTAVE). If you do not abridge your story, we shall have to stop here till to-morrow. Leave it to me to finish it in a few words. ( To SCAPIN) His heart takes fire from that moment. He cannot live without going to comfort the amiable and sorrowful girl. His frequent visits are forbidden by the servant, who has become her guardian by the death of the mother. Our young man is in despair; he presses, begs, beseeches—all in vain. He is told that the young girl, although without friends and without fortune, is of an honourable family, and that, unless he marries her, he must cease his visits. His love increases with the difficulties. He racks his brains; debates, reasons, ponders, and makes up his mind. And, to cut a long story short, he has been married these three days.

SIL. Now, add to this the unforeseen return of the father, who was not to be back before two whole months; the discovery which the uncle has made of the marriage; and that other marriage projected between him and a daughter which Mr. Géronte had by a second wife, whom, they say, he married at Tarentum.

OCT. And, above all, add also the poverty of my beloved, and the impossibility there is for me to do anything for her relief.

SCA. Is that all? You are both of you at a great loss about nothing. Is there any reason to be alarmed? Are you not ashamed, you, Silvestre, to fall short in such a small matter? Deuce take it all! You, big and stout as father and mother put together, you can't find any expedient in your noddle? you can't plan any stratagem, invent any gallant intrigue to put matters straight? Fie! Plague on the booby! I wish I had had the two old fellows to bamboozle in former times; I should not have thought much of it; and I was no bigger than that, when I had given a hundred delicate proofs of my skill.

SIL. I acknowledge that Heaven has not given me your talent, and that I have not the brains like you to embroil myself with justice.

SCENE III.—HYACINTHA, OCTAVE, SCAPIN, SILVESTRE.

HYA. Ah! Octave, is what Silvestre has just told Nérine really true? Is your father back, and is he bent upon marrying you?

OCT. Yes, it is so, dear Hyacintha; and these tidings have given me a cruel shock. But what do I see? You are weeping? Why those tears? Do you suspect me of unfaithfulness, and have you no assurance of the love I feel for you?

HYA. Yes, Octave, I am sure that you love me now; but can I be sure that you will love me always?

HYA. I have heard say, Octave, that your sex does not love so long as ours, and that the ardour men show is a fire which dies out as easily as it is kindled.

OCT. Then, my dear Hyacintha, my heart is not like that of other men, and I feel certain that I shall love you till I die.

HYA. I want to believe what you say, and I have no doubt that you are sincere; but I fear a power which will oppose in your heart the tender feelings you have for me. You depend on a father who would marry you to another, and I am sure it would kill me if such a thing happened.

OCT. No, lovely Hyacintha, there is no father who can force me to break my faith to you, and I could resolve to leave my country, and even to die, rather than be separated from you. Without having seen her, I have already conceived a horrible aversion to her whom they want me to marry; and although I am not cruel, I wish the sea would swallow her up, or drive her hence forever. Do not weep, then, dear Hyacintha, for your tears kill me, and I cannot see them without feeling pierced to the heart.

HYA. Since you wish it, I will dry my tears, and I will wait without fear for what Heaven shall decide.

OCT. ( showing SCAPIN). Here is a man who, if he would, could be of the greatest help to us in all our trouble.

SCA. I have sworn with many oaths never more to meddle with anything. But if you both entreat me very much, I might....

OCT. Ah! if entreaties will obtain your help, I beseech you with all my heart to steer our bark.

HYA. Like him, I beseech you, by all that is most dear to you upon earth, to assist us in our love.

SCA. I must have a little humanity, and give way. There, don't be afraid; I will do all I can for you.

SCENE IV.—OCTAVE, SCAPIN, SILVESTRE.

SCA. ( to OCTAVE). You must prepare yourself to receive your father with firmness.

OCT. I confess that this meeting frightens me before hand, for with him I have a natural shyness that I cannot conquer.

SCA. Yes; you must be firm from the first, for fear that he should take advantage of your weakness, and lead you like a child. Now, come, try to school yourself into some amount of firmness, and be ready to answer boldly all he can say to you.

SCA. Well! let us try a little, just to see. Rehearse your part, and let us see how you will manage. Come, a look of decision, your head erect, a bold face.

SCA. That will do. Now, fancy that I am your father, just arrived; answer me boldly as if it were he himself.—"What! you scoundrel, you good-for-nothing fellow, you infamous rascal, unworthy son of such a father as I, dare you appear before me after what you have done, and after the infamous trick you have played me during my absence? Is this, you rascal, the reward of all my care? Is this the fruit of all my devotion? Is this the respect due to me? Is this the respect you retain for me?"—Now then, now then.—"You are insolent enough, scoundrel, to go and engage yourself without the consent of your father, and contract a clandestine marriage! Answer me, you villain! Answer me. Let me hear your fine reasons"....—Why, the deuce, you seem quite lost.

SCA. Why, yes; and it is for this reason that you must try not to look like an idiot.

SCENE V.—SCAPIN, SILVESTRE.

SCA. Stop, Octave; stop. He's off. What a poor specimen it is! Let's wait for the old man all the same.

SCENE VI.—ARGANTE, SCAPIN, SILVESTRE

SCA. ( to SILVESTRE). He has already heard of the affair, and is so struck by it that, although alone, he speaks aloud about it.

ARG. ( thinking himself alone ). I should like to know what they can say to me about this fine marriage.

ARG. ( thinking himself alone ). Do they intend to deceive me with impertinent stories?

ARG. ( thinking himself alone ). I shall know how to put my rascal of a son in a safe place.

ARG. ( thinking himself alone ). And as for that rascal Silvestre, I will cudgel him soundly.

SIL. ( to SCAPIN). I should have been very much astonished if he had forgotten me.

ARG. ( seeing SILVESTRE). Ah, ah! here you are, most wise governor of a family, fine director of young people!

ARG. Good morning, Scapin. ( To SILVESTRE) You have really followed my orders in a fine manner, and my son has behaved splendidly.

SCA. Yes, there is something to be said against it, but my opinion is that you should make no fuss about it.

ARG. This is your opinion, but not mine; and I will make as much fuss as I please. What! do you not think that I have every reason to be angry?

SCA. Quite so. I was angry myself when I first heard it; and I so far felt interested in your behalf that I rated your son well. Just ask him the fine sermons I gave him, and how I lectured him about the little respect he showed his father, whose very footsteps he ought to kiss. You could not yourself talk better to him. But what of that? I submitted to reason, and considered that, after all, he had done nothing so dreadful.

ARG. What are you telling me? He has done nothing so dreadful? When he goes and marries straight off a perfect stranger?

ARG. Oh, oh! You give me there a fine reason. One has nothing better to do now than to commit the greatest crime imaginable—to cheat, steal, and murder—and give for an excuse that we were urged to it by destiny.

SCA. Ah me! You take my words too much like a philosopher. I mean to say that he was fatally engaged in this affair.

SCA. Do you expect him to be as wise as you are? Can you put an old head on young shoulders, and expect young people to have all the prudence necessary to do nothing but what is reasonable? Just look at our Léandre, who, in spite of all my lessons, has done even worse than that. I should like to know whether you yourself were not young once, and have not played as many pranks as others? I have heard say that you were a sad fellow in your time, that you played the gallant among the most gallant of those days, and that you never gave in until you had gained your point.

ARG. It is true, I grant it; but I always confined myself to gallantry, and never went so far as to do what he has done.

SCA. But what was he to do? He sees a young person who wishes him well; for he inherits it from you that all women love him. He thinks her charming, goes to see her, makes love to her, sighs as lovers sigh, and does the passionate swain. She yields to his pressing visits; he pushes his fortune. But her relations catch him with her, and oblige him to marry her by main force.

SCA. Would you have him suffer them to murder him? It is still better to be married than to be dead.

SCA. ( showing SILVESTRE). Ask him, if you like; he will tell you the same thing.

ARG. Then he should have gone at once to a lawyer to protest against the violence.

ARG. What! Have I not on my side the rights of a father, and can I not have satisfaction for the violence done to my son?

SCA. Your son. Would you have him acknowledge that he was frightened, and that he yielded by force to what was wanted of him? He will take care not to confess that; it would be to wrong himself, and show himself unworthy of a father like you.

SCA. He must, for his own honour and yours, say that he married of his own free will.

ARG. And I wish for my own honour, and for his, that he should say the contrary.

ARG. No, I am not kind-hearted; I can be angry when I choose. Leave off talking; you put me out of all patience. ( To SYLVESTRE) Go, you rascal, run and fetch my son, while I go to Mr. Géronte and tell him of my misfortune.

ARG. I thank you. ( Aside ) Ah! Why is he my only son? Oh! that I had with me the daughter that Heaven has taken away from me, so that I might make her my heir.

SCENE VII.—SCAPIN, SYLVESTRE.

SIL. You are a great man, I must confess; and things are in a fair way to succeed. But, on the other hand, we are greatly pressed for money, and we have people dunning us.

SCA. Leave it to me; the plan is all ready. I am only puzzling my brains to find out a fellow to act along with us, in order to play a personage I want. But let me see; just look at me a little. Stick your cap rather rakishly on one side. Put on a furious look. Put your hand on your side. Walk about like a king on the stage. {Footnote: Compare the 'Impromptu of Versailles'.} That will do. Follow me. I possess some means of changing your face and voice.

SCA. Never mind, we will share our perils like brothers, and three years more or less on the galleys are not sufficient to check a noble heart.

ACT II.

SCENE I.—GÉRONTE, ARGANTE.

GER. Yes, there is no doubt but that with this weather we shall have our people with us to-day; and a sailor who has arrived from Tarentum told me just now that he had seen our man about to start with the ship. But my daughter's arrival will find things strangely altered from what we thought they would be, and what you have just told me of your son has put an end to all the plans we had made together.

ARG. Don't be anxious about that; I give you my word that I shall remove that obstacle, and I am going to see about it this moment.

GER. In all good faith, Mr. Argante, shall I tell you what? The education of children is a thing that one could never be too careful about.

GER. Because most of the follies of young men come from the way they have been brought up by their fathers.

GER. Because, if, like a courageous father, you had corrected your son when he was young, he would not have played you such a trick.

GER. Certainly; and I should be very sorry if he had done anything at all like what yours has done.

ARG. And if that son, so well brought up, had done worse even than mine, what would you say?

ARG. I mean, Mr. Géronte, that we should never be so ready to blame the conduct of others, and that those who live in glass houses should not throw stones.

ARG. Your servant Scapin, in his vexation, only told me the thing roughly, and you can learn all the particulars from him or from some one else. For my part, I will at once go to my solicitor, and see what steps I can take in the matter. Good-bye.

SCENE II.—GÉRONTE ( alone ).

GER. What can it be? Worse than what his son has done! I am sure I don't know what anyone can do more wrong than that; and to marry without the consent of one's father is the worst thing that I can possibly imagine. {Footnote: No exaggeration, if we consider that this was said two hundred years ago, and by a French father.}

SCENE III—GÉRONTE, LÉANDRE.

LEA. ( going quickly towards his father to embrace him ). Ah! father, how glad I am to see you!

LEA. How! father, you deprive me of the pleasure of showing you my joy at your return?

GER. It is not I who wanted you to do anything, but who ask you now what it is you did?

GER. He has. But this is not the place to talk about the business, and we must go elsewhere to see to it. Go home at once; I will be there presently. Ah! scoundrel, if you mean to bring dishonour upon me, I will renounce you for my son, and you will have to avoid my presence for ever!

SCENE IV.—LÉANDRE ( alone ).

LEA. To betray me after that fashion! A rascal who for so many reasons should be the first to keep secret what I trust him with! To go and tell everything to my father! Ah! I swear by all that is dear to me not to let such villainy go unpunished.

SCENE V.—OCTAVE, LÉANDRE, SCAPIN.

OCT. My dear Scapin, what do I not owe to you? What a wonderful man you are, and how kind of Heaven to send you to my help!

LEA. ( drawing his sword ). You are setting me at defiance, I believe...Ah! I will teach you how....

LEA. No, Octave, I will have him confess here on the spot the perfidy of which he is guilty. Yes, scoundrel, I know the trick you have played me; I have just been told of it. You did not think the secret would be revealed to me, did you? But I will have you confess it with your own lips, or I will run you through and through with my sword.

LEA. Yes, scoundrel! and your conscience must tell you only too well what it is.

SCA. Well, Sir, since you will have it, I confess that I drank with some of my friends that small cask of Spanish wine you received as a present some days ago, and that it was I who made that opening in the cask, and spilled some water on the ground round it, to make you believe that all the wine had leaked out.

LEA. What! scoundrel, it was you who drank my Spanish wine, and who suffered me to scold the servant so much, because I thought it was she who had played me that trick?

LEA. No; it is something else, for which I care much more, and I will have you tell it me.

SCA. Yes, Sir; it is true that three weeks ago, when you sent me in the evening to take a small watch to the gypsy {Footnote: Égyptienne . Compare act v. scene ii. Bohémienne is a more usual name.} girl you love, and I came back, my clothes spattered with mud and my face covered with blood, I told you that I had been attacked by robbers who had beaten me soundly and had stolen the watch from me. It is true that I told a lie. It was I who kept the watch, Sir.

LEA. Ah! you are telling me fine things; I have indeed a very faithful servant! But it is not this that I want to know of you.

SCA. Well, Sir, you remember that ghost that six months ago cudgelled you soundly, and almost made you break your neck down a cellar, where you fell whilst running away?

SCA. Only to frighten you a little, and to cure you of the habit of making us go out every night as you did.

LEA. I will remember in proper time and place all I have just heard. But I'll have you speak about the present matter, and tell me what it is you said to my father.

SCENE VI.—LÉANDRE, OCTAVE, CARLE, SCAPIN.

CAR. The gypsies are on the point of carrying off Zerbinette. She came herself all in tears to ask me to tell you that, unless you take to them, before two hours are over, the money they have asked you for her, she will be lost to you for ever.

SCENE VII.—LÉANDRE, OCTAVE, SCAPIN.

SCA. ( rising and passing proudly before LÉANDRE). Ah! my dear Scapin! I am my dear Scapin, now that I am wanted.

SCA. No, no; forgive me nothing; run your sword through and through my body. I should be perfectly satisfied if you were to kill me.

LEA. You are too dear to me for that. I beg of you to make use for me of that wonderful genius of yours which can conquer everything.

LEA. Ah! for mercy's sake, don't think of that now, but try to give me the help I ask.

LEA. I beseech you to forget my outburst of temper, and to make use of your skill for me.

LEA. I ask you to forgive me, with all my heart; and if you want to see me at your feet, I beseech you, kneeling, not to give me up.

SCA. I must extract this money from your respective fathers' pockets. ( To OCTAVE) As far as yours is concerned, my plan is all ready. ( To LÉANDRE) And as for yours, although he is the greatest miser imaginable, we shall find it easier still; for you know that he is not blessed with too much intellect, and I look upon him as a man who will believe anything. This cannot offend you; there is not a suspicion of a resemblance between him and you; and you know what the world thinks, that he is your father only in name.

SCA. Besides, what does it matter? But, Mr. Octave, I see your father coming. Let us begin by him, since he is the first to cross our path. Vanish both of you; ( to OCTAVE) and you, please, tell Silvestre to come quickly, and take his part in the affair.

SCENE VIII.—ARGANTE, SCAPIN.

ARG. ( thinking himself alone ). Such behaviour and such lack of consideration! To entangle himself in an engagement like that! Ah! rash youth.

SCA. Ah! Sir, life is full of troubles; and we should always be prepared for them. I was told, a long time ago, the saying of an ancient philosopher which I have never forgotten.

SCA. That if the father of a family has been away from home for ever so short a time, he ought to dwell upon all the sad news that may greet him on his return. He ought to fancy his house burnt down, his money stolen, his wife dead, his son married, his daughter ruined; and be very thankful for whatever falls short of all this. In my small way of philosophy, I have ever taken this lesson to heart; and I never come home but I expect to have to bear with the anger of my masters, their scoldings, insults, kicks, blows, and horse-whipping. And I always thank my destiny for whatever I do not receive.

ARG. That's all very well; but this rash marriage is more than I can put up with, and it forces me to break off the match I had intended for my son. I have come from my solicitor's to see if we can cancel it.

SCA. Well, Sir, if you will take my advice, you will look to some other way of settling this business. You know what a law-suit means in this country, and you'll find yourself in the midst of a strange bush of thorns.

SCA. I think I have found something that will answer much better. The sorrow that I felt for you made me rummage in my head to find some means of getting you out of trouble; for I cannot bear to see kind fathers a prey to grief without feeling sad about it, and, besides, I have at all times had the greatest regard for you.

SCA. Then you must know that I went to the brother of the young girl whom your son has married. He is one of those fire-eaters, one of those men all sword-thrusts, who speak of nothing but fighting, and who think no more of killing a man than of swallowing a glass of wine. I got him to speak of this marriage; I showed him how easy it would be to have it broken off, because of the violence used towards your son. I spoke to him of your prerogatives as father, and of the weight which your rights, your money, and your friends would have with justice. I managed him so that at last he lent a ready ear to the propositions I made to him of arranging the matter amicably for a sum of money. In short, he will give his consent to the marriage being cancelled, provided you pay him well.

SCA. Just what I told him. I laughed his proposal to scorn, and made him understand that you were not a man to be duped in that fashion, and of whom anyone can ask five or six hundred pistoles! However, after much talking, this is what we decided upon. "The time is now come," he said, "when I must go and rejoin the army. I am buying my equipments, and the want of money I am in forces me to listen to what you propose. I must have a horse, and I cannot obtain one at all fit for the service under sixty pistoles."

SCA. He must have the harness and pistols, and that will cost very nearly twenty pistoles more.

SCA. He must also have a horse for his servant, which, we may expect, will cost at least thirty pistoles.

SCA. Now, Sir, really don't go and hesitate for so little. Don't have recourse to law, I beg of you, but rather give all that is asked of you, and save yourself from the clutches of justice.

ARG. Let him go to the devil with his mule! This is asking too much. We will go before the judges.

SCA. Ah! Sir, what are you talking about, and what a resolution you are going to take. Just cast a glance on the ins and outs of justice, look at the number of appeals, of stages of jurisdiction; how many embarrassing procedures; how many ravening wolves through whose claws you will have to pass; serjeants, solicitors, counsel, registrars, substitutes, recorders, judges and their clerks. There is not one of these who, for the merest trifle, couldn't knock over the best case in the world. A serjeant will issue false writs without your knowing anything of it. Your solicitor will act in concert with your adversary, and sell you for ready money. Your counsel, bribed in the same way, will be nowhere to be found when your case comes on, or else will bring forward arguments which are the merest shooting in the air, and will never come to the point. The registrar will issue writs and decrees against you for contumacy. The recorder's clerk will make away with some of your papers, or the instructing officer himself will not say what he has seen, and when, by dint of the wariest possible precautions, you have escaped all these traps, you will be amazed that your judges have been set against you either by bigots or by the women they love. Ah! Sir, save yourself from such a hell, if you can. 'Tis damnation in this world to have to go to law; and the mere thought of a lawsuit is quite enough to drive me to the other end of the world.

SCA. For the mule, for his horse and that of his servant, for the harness and pistols, and to pay a little something he owes at the hotel, he asks altogether two hundred pistoles, Sir.

SCA. But to go to law you need money. You must have money for the summons, you must have money for the rolls, for prosecution, attorney's introduction, solicitor's advice, evidence, and his days in court. You must have money for the consultations and pleadings of the counsel, for the right of withdrawing the briefs, and for engrossed copies of the documents. You must have money for the reports of the substitutes, for the court fees {1} at the conclusion, for registrar's enrolment, drawing up of deeds, sentences, decrees, rolls, signings, and clerks' despatches; letting alone all the presents you will have to make. Give this money to the man, and there you are well out of the whole thing.

{1} Épices , "spices," in ancient times, equalled sweetmeats , and were given to the judge by the side which gained the suit, as a mark of gratitude. These épices had long been changed into a compulsory payment of money when Molière wrote. In Racine's Plaideurs , act ii. scene vii., Petit Jean takes literally the demand of the judge for épices , and fetches the pepper-box to satisfy him.

SCA. Yes, and you will save by it. I have made a small calculation in my head of all that justice costs, and I find that by giving two hundred pistoles to your man you will have a large margin left—say, at least a hundred and fifty pistoles—without taking into consideration the cares, troubles, and anxieties, which you will spare yourself. For were it only to avoid being before everybody the butt of some facetious counsel, I had rather give three hundred pistoles than go to law. {Footnote: What would Molière have said if he had been living now!}

ARG. I don't care for that, and I challenge all the lawyers to say anything against me.

SCENE IX.—ARGANTE, SCAPIN, SILVESTRE,

SIL. I have just been told that he wants to go to law with me, and to have my sister's marriage annulled.

SCA. I don't know if such is his intention, but he won't consent to give the two hundred pistoles you asked; he says it's too much.

SIL. S'death! s'blood! If I can but find him, I'll make mince-meat of him, were I to be broken alive on the wheel afterwards.

SCA. Sir, the father of Octave is a brave man, and perhaps he will not be afraid of you.

SIL. Ah! will he not? S'blood! s'death! If he were here, I would in a moment run my sword through his body. ( Seeing ARGANTE.) Who is that man?

SIL. Ah! zounds! I am delighted at it. ( To ARGANTE) You are an enemy of that scoundrel Argante, are you?

SIL. ( shaking ARGANTE'S hand roughly ). Shake hands, shake hands. I give you my word, I swear upon my honour, by the sword I wear, by all the oaths I can take, that, before the day is over, I shall have delivered you of that rascally knave, of that scoundrel Argante. Trust me.

SCA. He will certainly take his precautions; he has relations, friends, servants, who will take his part against you.

SIL. Blood and thunder! It is all I ask, all I ask. ( Drawing his sword .) Ah! s'death! ah! s'blood! Why can I not meet him at this very moment, with all these relations and friends of his? If he would only appear before me, surrounded by a score of them! Why do they not fall upon me, arms in hand? ( Standing upon his guard .) What! you villains! you dare to attack me? Now, s'death! Kill and slay! ( He lunges out on all sides; as if he were fighting many people at once .) No quarter; lay on. Thrust. Firm. Again. Eye and foot. Ah! knaves! ah! rascals! ah! you shall have a taste of it. I'll give you your fill. Come on, you rabble! come on. That's what you want, you there. You shall have your fill of it, I say. Stick to it, you brutes; stick to it. Now, then, parry; now, then, you. ( Turning towards ARGANTE and SCAPIN.) Parry this; parry. You draw back? Stand firm, man! S'death! What! Never flinch, I say.

SCENE X.—ARGANTE, SCAPIN.

SCA. Well, Sir, you see how many people are killed for two hundred pistoles. Now I wish you a good morning.

SCA. Better give them to me. You must not, for your honour, appear in this business, now that you have passed for another; and, besides, I should be afraid that he would ask you for more, if he knew who you are.

SCA. Zounds! Sir; either I am a thief or an honest man; one or the other. Do you think I would deceive you, and that in all this I have any other interest at heart than yours and that of my master, whom you want to take into your family? If I have not all your confidence, I will have no more to do with all this, and you can look out for somebody else to get you out of the mess.

SCA. No, Sir; do not trust your money to me. I would rather you trusted another with your message.

SCA. No, no, I tell you; do not trust me. Who knows if I do not want to steal your money from you?

ARG. Take it, I tell you, and don't force me to ask you again. However, mind you have an acknowledgment from him.

SCA. I shall be sure to go. ( Alone .) That one's all right; now for the other. Ah! here he is. They are sent one after the other to fall into my net.

SCENE XI.—GÉRONTE, SCAPIN.

SCA. ( affecting not to see GÉRONTE). O Heaven! O unforeseen misfortune! O unfortunate father! Poor Géronte, what will you do?

SCA. ( running about on the stage, and still affecting not to see or hear GÉRONTE). Where could I meet him, to tell him of this misfortune?

SCA. ( as before ). He must have hidden himself in some place which nobody can guess.

SCA. This afternoon I found him looking very sad about something which you had said to him, and in which you had very improperly mixed my name. While trying: to dissipate his sorrow, we went and walked about in the harbour. There, among other things, was to be seen a Turkish galley. A young Turk, with a gentlemanly look about him, invited us to go in, and held out his hand to us. We went in. He was most civil to us; gave us some lunch, with the most excellent fruit and the best wine you have ever seen.

SCA. Wait a little; it is coming. Whilst we were eating, the galley left the harbour, and when in the open sea, the Turk made me go down into a boat, and sent me to tell you that unless you sent by me five hundred crowns, he would take your son prisoner to Algiers.

SCA. It is for you, Sir, to see quickly about the means of saving from slavery a son whom you love so tenderly.

GER. What the deuce did he want to go in that galley for? {Footnote: Que diable allait-il faire dans cette galère? This sentence has become established in the language with the meaning, "Whatever business had he there?"}

GER. Go, Scapin, go quickly, and tell that Turk that I shall send the police after him.

GER. You must go and tell that Turk that he must send me back my son, and that you will take his place until I have found the sum he asks.

SCA. Ah! Sir; do you know what you are saying? and do you fancy that that Turk will be foolish enough to receive a poor wretch like me in your son's stead?

SCA. He could not foresee his misfortune. However, Sir, remember that he has given me only two hours.

SCA. Yes, Sir, he knows that five hundred crowns are one thousand five hundred francs. {Footnote: The écu stands usually for petit écu , which equalled three franks. "Crown," employed in a general sense, seems the only translation possible.}

GER. Does the scoundrel think that one thousand five hundred francs are to be found in the gutter?

SCA. Ah! what a waste of words! Leave the galley alone; remember that time presses, and that you are running the risk of losing your son for ever. Alas! my poor master, perhaps I shall never see you again, and that at this very moment, whilst I am speaking to you, they are taking you away to make a slave of you in Algiers! But Heaven is my witness that I did all I could, and that, if you are not brought back, it is all owing to the want of love of your father.

GER. Here, Scapin; I had forgotten that I have just received this sum in gold, and I had no idea it would so soon be wrenched from me. ( Taking his purse out of his pocket, and making as if he were giving it to SCAPIN.) But mind you tell that Turk that he is a scoundrel.

GER. ( putting back the purse in his pocket ). Go, go quickly, and fetch my son.

GER. What the deuce did he want to go in that galley for? Ah! cursed galley! Scoundrel of a Turk! May the devil take you!

SCAPIN ( alone ). He can't get over the five hundred crowns I wrench from him; but he has not yet done with me, and I will make him pay in a different money his imposture about me to his son.

SCENE XII.-OCTAVE, LÉANDRE, SCAPIN.

LEA. ( going away ). Then I must die, Sir, for I could not live without Zerbinette.

SCA. But I give it you only on one condition, which is that you will allow me to revenge myself a little on your father for the trick he has played me.

ACT III.

SCENE I.—ZERBINETTE, HYACINTHA, SCAPIN, SILVESTRE.

SIL. Yes; your lovers have decided that you should be together, and we are acting according to their orders.

HYA. ( to ZERBINETTE). Such an order has nothing in it but what is pleasant to me. I receive such a companion with joy, and it will not be my fault if the friendship which exists between those we love does not exist also between us two.

ZER. I accept the offer, and I am not one to draw back when friendship is asked of me.

ZER. Ah! love is a different thing. One runs more risk, and I feel less determined.

SCA. You are determined enough against my master, and yet what he has just done for you ought to give you confidence enough to respond to his love as you should.

ZER. As yet I only half trust him, and what he has just done is not sufficient to reassure me. I am of a happy disposition, and am very fond of fun, it is true. But though I laugh, I am serious about many things; and your master will find himself deceived if he thinks that it is sufficient for him to have bought me, for me to be altogether his. He will have to give something else besides money, and for me to answer to his love as he wishes me, he must give me his word, with an accompaniment of certain little ceremonies which are thought indispensable.

SCA. It is so he understands this matter. He only wants you as his wife, and I am not a man to have mixed in this business if he had meant anything else.

ZER. I believe it since you say so; but I foresee certain difficulties with the father.

HYA. ( to ZERBINETTE). The similarity of our fate ought to strengthen the tie of friendship between us. We are both subject to the same fears, both exposed to the same misfortune.

ZER. You have this advantage at least that you know who your parents are, and that, sure of their help, when you wish to make them known, you can secure your happiness by obtaining a consent to the marriage you have contracted. But I, on the contrary, have no such hope to fall back upon, and the position I am in is little calculated to satisfy the wishes of a father whose whole care is money.

HYA. That is true; but you have this in your favour, that the one you love is under no temptation of contracting another marriage.

ZER. A change in a lover's heart is not what we should fear the most. We may justly rely on our own power to keep the conquest we have made; but what I particularly dread is the power of the fathers; for we cannot expect to see them moved by our merit.

HYA. Alas! Why must the course of true love never run smooth? How sweet it would be to love with no link wanting in those chains which unite two hearts.

SCA. How mistaken you are about this! Security in love forms a very unpleasant calm. Constant happiness becomes wearisome. We want ups and downs in life; and the difficulties which generally beset our path in this world revive us, and increase our sense of pleasure.

ZER. Do tell us, Scapin, all about that stratagem of yours, which, I was told, is so very amusing; and how you managed to get some money out of your old miser. You know that the trouble of telling me something amusing is not lost upon me, and that I well repay those who take that trouble by the pleasure it gives me.

SCA. Silvestre here will do that as well as I. I am nursing in my heart a certain little scheme of revenge which I mean to enjoy thoroughly.

SIL. Why do you recklessly engage in enterprises that may bring you into trouble?

SIL. As I told you already, you would give up the idea you have if you would listen to me.

SIL. It is because I can see that you will without necessity bring a storm of blows upon yourself.

SIL. It is true that you are master of your own shoulders, and at liberty to dispose of them as you please.

SCA. Such dangers never stop me, and I hate those fearful hearts which, by dint of thinking of what may happen, never undertake anything.

SCA. Oh, yes! but I shall soon be with you again. It shall never be said that a man has with impunity put me into a position of betraying myself, and of revealing secrets which it were better should not be known.

SCENE II.—GÉRONTE, SCAPIN.

SCA. Your son is safe, Sir; but you now run the greatest danger imaginable, and I sincerely wish you were safe in your house.

SCA. While I am speaking to you, there are people who are looking out for you everywhere.

SCA. The brother of that young girl whom Octave has married. He thinks that you are trying to break off that match, because you intend to give to your daughter the place she occupies in the heart of Octave; and he has resolved to wreak his vengeance upon you. All his friends, men of the sword like himself, are looking out for you, and are seeking you everywhere. I have met with scores here and there, soldiers of his company, who question every one they meet, and occupy in companies all the thoroughfares leading to your house, so that you cannot go home either to the right or the left without falling into their hands.

SCA. I am sure I don't know, Sir; it is an unpleasant business. I tremble for you from head to foot and.... Wait a moment.

GER. Ah! Scapin, show yourself a devoted servant. Do not forsake me, I pray you.

SCA. I will do what I can. I feel for you a tenderness which renders it impossible for me to leave you without help.

GER. Be sure that I will reward you for it, Scapin, and I promise you this coat of mine when it is a little more worn.

SCA. Wait a minute. I have just thought, at the proper moment, of the very thing to save you. You must get into this sack, and I....

SCA. No, no, no, no; 'tis nobody. As I was saying, you must get in here, and must be very careful not to stir. I will put you on my shoulders, and carry you like a bundle of something or other. I shall thus be able to take you through your enemies, and see you safe into your house. When there, we will barricade the door and send for help.

SCA. The best possible. You will see. ( Aside ) Ah! you shall pay me for that lie.

SCA. I only say that your enemies will be finely caught. Get in right to the bottom, and, above all things, be careful not to show yourself and not to move, whatever may happen.

SCA. Hide yourself; here comes one of the bullies! He is looking for you. ( Altering his voice .) {Footnote: All the parts within inverted commas are supposed to be spoken by the man Scapin is personating; the rest by himself.} "Vat! I shall not hab de pleasure to kill dis Géronte, and one vill not in sharity show me vere is he?" ( To GÉRONTE, in his ordinary tone ) Do not stir. "Pardi! I vill find him if he lied in de mittle ob de eart" ( To GÉRONTE, in his natural tone ) Do not show yourself. "Ho! you man vid a sack!" Sir! "I will give thee a pound if thou vilt tell me where dis Géronte is." You are looking for Mr. Géronte? "Yes, dat I am." And on what business, Sir? "For vat pusiness?" Yes. "I vill, pardi! trash him vid one stick to dead." Oh! Sir, people like him are not thrashed with sticks, and he is not a man to be treated so. "Vat! dis fob of a Géronte, dis prute, dis cat." Mr. Géronte, Sir, is neither a fop, a brute, nor a cad; and you ought, if you please, to speak differently. "Vat! you speak so mighty vit me?" I am defending, as I ought, an honourable man who is maligned. "Are you one friend of dis Géronte?" Yes, Sir, I am. "Ah, ah! You are one friend of him, dat is goot luck!" ( Beating the sack several times with the stick .) "Here is vat I give you for him." ( Calling out as if he received the beating ) Ah! ah! ah! ah! Sir. Ah! ah! Sir, gently! Ah! pray. Ah! ah! ah! "Dere, bear him dat from me. Goot-pye." Ah! the wretch. Ah!...ah!

SCA. No, I tell you; it was only the end of his stick that reached your shoulders.

SCA. ( pushing GÉRONTE'S head back into the sack ). Take care, here is another man who looks like a foreigner. "Frient, me run like one Dutchman, and me not fint all de tay dis treatful Géronte." Hide yourself well. "Tell me, you, Sir gentleman, if you please, know you not vere is dis Géronte, vat me look for?" No, Sir, I do not know where Géronte is. "Tell me, trutful, me not vant much vit him. Only to gife him one tosen plows vid a stick, and two or tree runs vid a swort tro' his shest." I assure you, Sir, I do not know where he is. "It seems me I see sometink shake in dat sack." Excuse me, Sir. "I pe shure dere is sometink or oder in dat sack." Not at all, Sir. "Me should like to gife one plow of de swort in dat sack." Ah! Sir, beware, pray you, of doing so. "Put, show me ten vat to be dere?" Gently, Sir. "Why chently?" You have nothing to do with what I am carrying. "And I, put I vill see." You shall not see. "Ah! vat trifling." It is some clothes of mine. "Show me tem, I tell you." I will not. "You vill not?" No. "I make you feel this shtick upon de sholders." I don't care. "Ah! you vill poast!" ( Striking the sack, and calling out as if he were beaten ) Oh! oh! oh! Oh! Sir. Oh! oh! "Goot-bye, dat is one littel lesson teach you to speak so insolent." Ah! plague the crazy jabberer! Oh!

SCA. ( pushing his head back into the bag ). Take care; I see half a dozen soldiers coming together. ( Imitating the voices of several people .) "Now, we must discover Géronte; let us look everywhere carefully. We must spare no trouble, scour the town, and not forget one single spot Let us search on all sides. Which way shall we go? Let us go that way. No, this. On the left. On the right. No; yes." ( To GÉRONTE in his ordinary voice ) Hide yourself well. "Ah! here is his servant. I say, you rascal, you must tell us where your master is. Speak. Be quick. At once. Make haste. Now." Ah! gentlemen, one moment. (GÉRONTE looks quietly out of the bag, and sees SCAPIN'S trick .) "If you do not tell us at once where your master is, we will shower a rain of blows on your back." I had rather suffer anything than tell you where my master is. "Very well, we will cudgel you soundly." Do as you please. "You want to be beaten, then?" I will never betray my master. "Ah! you will have it—there." Oh!

( As he is going to strike , GÉRONTE gets out of the bag, and SCAPIN runs away .)

GER. ( alone ). Ah! infamous wretch! ah I rascal! ah! scoundrel! It is thus that you murder me?

SCENE III.—ZERBINETTE, GÉRONTE.

ZER. ( laughing, without seeing GÉRONTE). Ah, ah! I must really come and breathe a little.

ZER. ( not seeing GÉRONTE). Ah, ah, ah, ah! What an amusing story! What a good dupe that old man is!

ZER. This has nothing to do with you. I am only laughing with myself at the remembrance of a story which has just been told me. The most amusing story in the world. I don't know if it is because I am interested in the matter, but I never heard anything so absurd as the trick that has just been played by a son to his father to get some money out of him.

ZER. Yes; and if you are at all desirous of hearing how it was done, I will tell you the whole affair. I have a natural longing for imparting to others the funny things I know.

ZER. Willingly. I shall not risk much by telling it you, for it is an adventure which is not likely to remain secret long. Fate placed me among one of those bands of people who are called gypsies, and who, tramping from province to province, tell you your fortune, and do many other things besides. When we came to this town, I met a young man, who, on seeing me, fell in love with me. From that moment he followed me everywhere; and, like all young men, he imagined that he had but to speak and things would go on as he liked; but he met with a pride which forced him to think twice. He spoke of his love to the people in whose power I was, and found them ready to give me up for a certain sum of money. But the sad part of the business was that my lover found himself exactly in the same condition as most young men of good family, that is, without any money at all. His father, although rich, is the veriest old skinflint and greatest miser you ever heard of. Wait a moment—what is his name? I don't remember it—can't you help me? Can't you name some one in this town who is known to be the most hard-fisted old miser in the place?

ZER. There is in his name some Ron...Ronte... Or...Oronte...No. Gé...Géronte. Yes, Géronte, that's my miser's name. I have it now; it is the old churl I mean. Well, to come back to our story. Our people wished to leave this town to-day, and my lover would have lost me through his lack of money if, in order to wrench some out of his father, he had not made use of a clever servant he has. As for that servant's name, I remember it very well. His name is Scapin. He is a most wonderful man, and deserves the highest praise.

ZER. But just listen to the plan he adopted to take in his dupe—ah! ah! ah! ah! I can't think of it without laughing heartily—ah! ah! ah! He went to that old screw—ah! ah! ah!—and told him that while he was walking about the harbour with his son—ah! ah!—they noticed a Turkish galley; that a young Turk had invited them to come in and see it; that he had given them some lunch—ah! ah!—and that, while they were at table, the galley had gone into the open sea; that the Turk had sent him alone back, with the express order to say to him that, unless he sent him five hundred crowns, he would take his son to be a slave in Algiers—ah, ah, ah! You may imagine our miser, our stingy old curmudgeon, in the greatest anguish, struggling between his love for his son and his love for his money. Those five hundred crowns that are asked of him are five hundred dagger-thrusts—ah! ah! ah! ah! He can't bring his mind to tear out, as it were, this sum from his heart, and his anguish makes him think of the most ridiculous means to find money for his son's ransom—ah! ah! ah! He wants to send the police into the open sea after the Turk's galley—ah! ah! ah! He asks his servant to take the place of his son till he has found the money to pay for him—money he has no intention of giving—ah! ah! ah! He yields up, to make the five hundred crowns, three or four old suits which are not worth thirty—ah! ah! ah! The servant shows him each time how absurd is what he proposes, and each reflection of the old fellow is accompanied by an agonising, "But what the deuce did he want to go in that galley for? Ah! cursed galley. Ah! scoundrel of a Turk!" At last, after many hesitations, after having sighed and groaned for a long time...But it seems to me that my story does not make you laugh; what do you say to it?

GER. What I say? That the young man is a scoundrel—a good-for-nothing fellow—who will be punished by his father for the trick he has played him; that the gypsy girl is a bold, impudent hussy to come and insult a man of honour, who will give her what she deserves for coming here to debauch the sons of good families; and that the servant is an infamous wretch, whom Géronte will take care to have hung before to-morrow is over.

SCENE IV.—ZERBINETTE, SILVESTRE.

SIL. Where are you running away to? Do you know that the man you were speaking to is your lover's father?

ZER. I have just begun to suspect that it was so; and I related to him his own story without knowing who he was.

ZER. Yes; I was so full of that story that I longed to tell it to somebody. But what does it matter? So much the worse for him. I do not see that things can be made either better or worse.

SIL. You must have been in a great hurry to chatter; and it is indiscretion, indeed, not to keep silent on your own affairs.

SCENE V.—ARGANTE, ZERBINETTE, SILVESTRE.

SCENE VI.—ARGANTE, SILVESTRE.

ARG. So you agreed, you rascals; you agreed—Scapin, you, and my son—to cheat me out of my money; and you think that I am going to bear it patiently?

SIL. Upon my word, Sir, if Scapin is deceiving you, it is none of my doing. I assure you that I have nothing whatever to do with it.

ARG. We shall see, you rascal! we shall see; and I am not going to be made a fool of for nothing.

SCENE VII.-GÉRONTE, ARGANTE, SILVESTRE.

GER. He was not satisfied with getting those five hundred crowns, but treated me besides in a manner I am ashamed to speak of. But he—shall pay me for it.

GER. But, Mr. Argante, this is not all; and misfortunes, as you know, never come alone. I was looking forward to the happiness of to-day seeing my daughter, who was everything to me; and I have just heard that she left Tarentum a long while since; and there is every reason to suppose that the ship was wrecked, and that she is lost to me for ever.

ARG. But why did you keep her in Tarentum, instead of enjoying the happiness of having her with you?

GER. I had my reasons for it; some family interests forced me till now to keep my second marriage secret. But what do I see?

SCENE VIII.—ARGANTE, GÉRONTE, NÉRINE, SILVESTRE.

GER. Call me Géronte, and do not use the other name any more. The reasons which forced me to take it at Tarentum exist no longer.

NER. Alas! what sorrow that change of name has caused us; what troubles and difficulties in trying to find you out!

NER. Your daughter, Sir, is not far from here; but before I go to fetch her, I must ask you to forgive me for having married her, because of the forsaken state we found ourselves in, when we had no longer any hope of meeting you.

SCENE IX.—SCAPIN, SILVESTRE.

SIL. I have two things to tell you. One is that Octave is all right; our Hyacintha is, it seems, the daughter of Géronte, and chance has brought to pass what the wisdom of the fathers had decided. The other, that the old men threaten you with the greatest punishments—particularly Mr. Géronte.

SCA. Oh, that's nothing. Threats have never done me any harm as yet; they are but clouds which pass away far above our heads.

SIL. You had better take care. The sons may get reconciled to their fathers, and leave you in the lurch.

SCENE X.—GÉRONTE, ARGANTE, HYACINTHA, ZERBINETTE, NÉRINE, SILVESTRE.

GER. Come, my daughter; come to my house. My happiness would be perfect if your mother had been with you.

SCENE XI.—ARGANTE, GÉRONTE, OCTAVE, HYACINTHA, ZERBINETTE, NÉRINE,

ARG. Come, my son, come and rejoice with us about the happiness of your marriage. Heaven....

OCT. No, father, all your proposals for marriage are useless. I must be open with you, and you have been told how I am engaged.

OCT. ( to GÉRONTE). You need not go on, Sir; I hope you will forgive me, but I shall abide by my resolution.

OCT. No, father, I would rather die than lose my dear Hyacintha ( crossing the theatre, and placing himself by HYACINTHA). Yes, all you would do is useless; this is the one to whom my heart is engaged. I will have no other wife.

ARG. Well! she it is whom we give you. What a madcap you are never to listen to anything but your own foolish whim.

HYA. ( showing GÉRONTE). Yes, Octave, this is my father whom I have found again, and all our troubles are over.

HYA. ( showing ZERBINETTE). Ah! father, I beg of you the favour not to part me from this charming young lady. She has noble qualities, which will be sure to make you like her when you know her.

GER. What! do you wish me to take to my house a girl with whom your brother is in love, and who told me to my face so many insulting things?

ZER. Pray forgive me, Sir; I should not have spoken in that way if I had known who you were, and I only knew you by reputation.

HYA. Father, I can answer for it that she is most virtuous, and that the love my brother has for her is pure.

GER. It is all very well. You would try now to persuade me to marry my son to her, a stranger, a street-girl!

SCENE XII.-ARGANTE, GÉRONTE, LÉANDRE, OCTAVE, HYACINTHA, ZERBINETTE,

LEA. My father, you must no longer say that I love a stranger without birth or wealth. Those from whom I bought her have just told me that she belongs to an honest family in this town. They stole her away when she was four years old, and here is a bracelet which they gave me, and which will help me to discover her family.

ARG. Ah! To judge by this bracelet, this is my daughter whom I lost when she was four years old.

ARG. Yes, I see she is my daughter. I know all her features again. My dear child!

SCENE XIII.—ARGANTE, GÉRONTE, LÉANDRE, OCTAVE, HYACINTHA,

CAR. Alas! Sir, you will not have that trouble. As he was passing near a building, a bricklayer's hammer fell on his head and broke his skull, leaving his brain exposed. He is dying, and he has asked to be brought in here to speak to you before he dies.

SCENE XIV.—ARGANTE, GÉRONTE, LÉANDRE, OCTAVE, HYACINTHA, ZERBINETTE,

SCA. ( brought in by some men, his head wrapped up, as if he were wounded ). Oh, oh! gentlemen, you see me.... Oh! You see me in a sad state. Oh! I would not die without coming to ask forgiveness of all those I may have offended. Oh! Yes, gentlemen, before I give up the ghost, I beseech you to forgive me all I have done amiss, and particularly Mr. Argante and Mr. Géronte. Oh!

SCA. ( to GÉRONTE). It is you, Sir, I have offended the most, because of the beating with the cudgel which I....

SCA. Alas! how good you are. But is it really with all your heart that you forgive me the beating which I...?

ARG. Mr. Géronte, let us forgive him without any condition, for we are all so happy.

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The Project Gutenberg eBook of The Impostures of Scapin

THE IMPOSTURES OF SCAPIN.

(LES FOURBERIES DE SCAPIN.)

By Molière

PERSONS REPRESENTED.