The Project Gutenberg eBook of War is Kind This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: War is Kind Author: Stephen Crane Release date: February 1, 2006 [eBook #9870] Most recently updated: December 27, 2020 Language: English Credits: Produced by an anonymous Project Gutenberg volunteer. *** START OF THE PROJECT GUTENBERG EBOOK WAR IS KIND *** Produced by an anonymous Project Gutenberg volunteer. WAR IS KIND by Stephen Crane Drawings by Will Bradley 1899 Do not weep, maiden, for war is kind. Because your lover threw wild hands toward the sky And the affrighted steed ran on alone, Do not weep. War is kind. Hoarse, booming drums of the regiment, Little souls who thirst for fight, These men were born to drill and die. The unexplained glory files above them, Great is the battle-god, great, and his kingdom-- A field where a thousand corpses lie. Do not weep, babe, for war is kind. Because your father tumbled in the yellow trenches, Raged at his breast, gulped and died, Do not weep. War is kind. Swift blazing flag of the regiment, Eagle with crest of red and gold, These men were born to drill and die. Point for them the virtue of the slaughter, Make plain to them the excellence of killing And a field where a thousand corpses lie. Mother whose heart hung humble as a button On the bright splendid shroud of your son, Do not weep. War is kind. What says the sea, little shell? "What says the sea? "Long has our brother been silent to us, "Kept his message for the ships, "Awkward ships, stupid ships." "The sea bids you mourn, O Pines, "Sing low in the moonlight. "He sends tale of the land of doom, "Of place where endless falls "A rain of women's tears, "And men in grey robes-- "Men in grey robes-- "Chant the unknown pain." "What says the sea, little shell? "What says the sea? "Long has our brother been silent to us, "Kept is message for the ships, "Puny ships, silly ships." "The sea bids you teach, O Pines, "Sing low in the moonlight; "Teach the gold of patience, "Cry gospel of gentle hands, "Cry a brotherhood of hearts. "The sea bids you teach, O Pines." "And where is the reward, little shell? "What says the sea? "Long has our brother been silent to us, "Kept his message for the ships, "Puny ships, silly ships." "No word says the sea, O Pines, "No word says the sea. "Long will your brother be silent to you, "Keep his message for the ships, "O puny ships, silly pines." To the maiden The sea was blue meadow, Alive with little froth-people Singing. To the sailor, wrecked, The sea was dead grey walls Superlative in vacancy, Upon which nevertheless at fateful time Was written The grim hatred of nature. A little ink more or less! It surely can't matter? Even the sky and the opulent sea, The plains and the hills, aloof, Hear the uproar of all these books. But it is only a little ink more or less. What? You define me God with these trinkets? Can my misery meal on an ordered walking Of surpliced numskulls? And a fanfare of lights? Or even upon the measured pulpitings Of the familiar false and true? Is this God? Where, then is hell? Show me some bastard mushrooms Sprung from a pollution of blood. It is better. Where is God? "Have you ever made a just man?" "Oh, I have made three," answered God, "But two of them are dead, "And the third-- "Listen! Listen! "And you will hear the thud of his defeat." I explain the silvered passing of a ship at night, The sweep of each sad lost wave, The dwindling boom of the steel thing's striving, The little cry of a man to a man, A shadow falling across the greyer night, And the sinking of the small star; Then the waste, the far waste of waters, And the soft lashing of black waves For long and in loneliness. Remember, thou, O ship of love, Thou leavest a far waste of waters, And the soft lashing of black waves For long and in loneliness. "I have heard the sunset song of the birches, "A white melody in the silence, "I have seen a quarrel of the pines. "At nightfall "The little grasses have rushed by me "With the wind men. "These things have I lived," quoth the maniac, "Possessing only eyes and ears. "But you-- "You don green spectacles before you look at roses." Fast rode the knight With spurs, hot and reeking, Ever waving an eager sword, "To save my lady!" Fast rode the knight, And leaped from saddle to war. Men of steel flickered and gleamed Like riot of silver lights, And the gold of the knight's good banner Still waved on a castle wall. . . . . . . . A horse, Blowing, staggering, bloody thing, Forgotten at foot of castle wall. A horse Dead at foot of castle wall. Forth went the candid man And spoke freely to the wind-- When he looked about him he was in a far strange country. Forth went the candid man And spoke freely to the stars-- Yellow light tore sight from his eye. "My good fool," said a learned bystander, "Your operations are mad." "You are too candid," cried the candid man. And when his stick left the head of the learned bystander It was two sticks. You tell me this is God? I tell you this is a printed list, A burning candle and an ass. On the desert A silence from the moon's deepest valley. Fire rays fall athwart the robes Of hooded men, squat and dumb. Before them, a woman Moves to the blowing of shrill whistles And distant thunder of drums, While mystic things, sinuous, dull with terrible color, Sleepily fondle her body Or move at her will, swishing stealthily over the sand. The snakes whisper softly; The whispering, whispering snakes, Dreaming and swaying and staring, But always whispering, softly whispering. The wind streams from the lone reaches Of Arabia, solemn with night, And the wild fire makes shimmer of blood Over the robes of the hooded men Squat and dumb. Bands of moving bronze, emerald, yellow, Circle the throat and arms of her, And over the sands serpents move warily Slow, menacing and submissive, Swinging to the whistles and drums, The whispering, whispering snakes, Dreaming and swaying and staring, But always whispering, softly whispering. The dignity of the accursed; The glory of slavery, despair, death, Is in the dance of the whispering snakes. A newspaper is a collection of half-injustices Which, bawled by boys from mile to mile, Spreads its curious opinion To a million merciful and sneering men, While families cuddle the joys of the fireside When spurred by tale of dire lone agony. A newspaper is a court Where every one is kindly and unfairly tried By a squalor of honest men. A newspaper is a market Where wisdom sells its freedom And melons are crowned by the crowd. A newspaper is a game Where his error scores the player victory While another's skill wins death. A newspaper is a symbol; It is fetless life's chronical, A collection of loud tales Concentrating eternal stupidities, That in remote ages lived unhaltered, Roaming through a fenceless world. The wayfarer, Perceiving the pathway to truth, Was struck with astonishment. It was thickly grown with weeds. "Ha," he said, "I see that none has passed here "In a long time." Later he saw that each weed Was a singular knife. "Well," he mumbled at last, "Doubtless there are other roads." A slant of sun on dull brown walls, A forgotten sky of bashful blue. Toward God a mighty hymn, A song of collisions and cries, Rumbling wheels, hoof-beats, bells, Welcomes, farewells, love-calls, final moans, Voices of joy, idiocy, warning, despair, The unknown appeals of brutes, The chanting of flowers, The screams of cut trees, The senseless babble of hens and wise men-- A cluttered incoherency that says at the stars; "O God, save us!" Once a man clambering to the housetops Appealed to the heavens. With a strong voice he called to the deaf spheres; A warrior's shout he raised to the suns. Lo, at last, there was a dot on the clouds, And--at last and at last-- --God--the sky was filled with armies. There was a man with tongue of wood Who essayed to sing, And in truth it was lamentable. But there was one who heard The clip-clapper of this tongue of wood And knew what the man Wished to sing, And with that the singer was content. The successful man has thrust himself Through the water of the years, Reeking wet with mistakes,-- Bloody mistakes; Slimed with victories over the lesser, A figure thankful on the shore of money. Then, with the bones of fools He buys silken banners Limned with his triumphant face; With the skins of wise men He buys the trivial bows of all. Flesh painted with marrow Contributes a coverlet, A coverlet for his contented slumber. In guiltless ignorance, in ignorant guilt, He delivered his secrets to the riven multitude. "Thus I defended: Thus I wrought." Complacent, smiling, He stands heavily on the dead. Erect on a pillar of skulls He declaims his trampling of babes; Smirking, fat, dripping, He makes speech in guiltless ignorance, Innocence. In the night Grey heavy clouds muffled the valleys, And the peaks looked toward God alone. "O Master that movest the wind with a finger, "Humble, idle, futile peaks are we. "Grant that we may run swiftly across the world "To huddle in worship at Thy feet." In the morning A noise of men at work came the clear blue miles, And the little black cities were apparent. "O Master that knowest the meaning of raindrops, "Humble, idle, futile peaks are we. "Give voice to us, we pray, O Lord, "That we may sing Thy goodness to the sun." In the evening The far valleys were sprinkled with tiny lights. "O Master, "Thou that knowest the value of kings and birds, "Thou hast made us humble, idle, futile peaks. "Thous only needest eternal patience; "We bow to Thy wisdom, O Lord-- "Humble, idle, futile peaks." In the night Grey heavy clouds muffles the valleys, And the peaks looked toward God alone. The chatter of a death-demon from a tree-top. Blood--blood and torn grass-- Had marked the rise of his agony-- This lone hunter. The grey-green woods impassive Had watched the threshing of his limbs. A canoe with flashing paddle, A girl with soft searching eyes, A call: "John!" . . . . . . . Come, arise, hunter! Can you not hear? The chatter of a death-demon from a tree- top. The impact of a dollar upon the heart Smiles warm red light, Sweeping from the hearth rosily upon the white table, With the hanging cool velvet shadows Moving softly upon the door. The impact of a million dollars Is a crash of flunkys, And yawning emblems of Persia Cheeked against oak, France and a sabre, The outcry of old beauty Whored by pimping merchants To submission before wine and chatter. Silly rich peasants stamp the carpets of men, Dead men who dreamed fragrance and light Into their woof, their lives; The rug of an honest bear Under the feet of a cryptic slave Who speaks always of baubles, Forgetting state, multitude, work, and state, Champing and mouthing of hats, Making ratful squeak of hats, Hats. A man said to the universe: "Sir, I exist!" "However," replied the universe, "The fact has not created in me "A sense of obligation." When the prophet, a complacent fat man, Arrived at the mountain-top, He cried: "Woe to my knowledge! "I intended to see good white lands "And bad black lands, "But the scene is grey." There was a land where lived no violets. A traveller at once demanded: "Why?" The people told him: "Once the violets of this place spoke thus: "'Until some woman freely give her lover "'To another woman "'We will fight in bloody scuffle.'" Sadly the people added: "There are no violets here." There was one I met upon the road Who looked at me with kind eyes. He said: "Show me of your wares." And I did, Holding forth one, He said: "It is a sin." Then I held forth another. He said: "It is a sin." Then I held forth another. He said: "It is a sin." And so to the end. Always He said: "It is a sin." At last, I cried out: "But I have non other." He looked at me With kinder eyes. "Poor soul," he said. Aye, workman, make me a dream, A dream for my love. Cunningly weave sunlight, Breezes, and flowers. Let it be of the cloth of meadows. And--good workman-- And let there be a man walking thereon. Each small gleam was a voice, A lantern voice-- In little songs of carmine, violet, green, gold. A chorus of colors came over the water; The wondrous leaf-shadow no longer wavered, No pines crooned on the hills, The blue night was elsewhere a silence, When the chorus of colors came over the water, Little songs of carmine, violet, green, gold. Small glowing pebbles Thrown on the dark plane of evening Sing good ballads of God And eternity, with soul's rest. Little priests, little holy fathers, None can doubt the truth of hour hymning. When the marvellous chorus comes over the water, Songs of carmine, violet, green, gold. The trees in the garden rained flowers. Children ran there joyously. They gathered the flowers Each to himself. Now there were some Who gathered great heaps-- Having opportunity and skill-- Until, behold, only chance blossoms Remained for the feeble. Then a little spindling tutor Ran importantly to the father, crying: "Pray, come hither! "See this unjust thing in your garden!" But when the father had surveyed, He admonished the tutor: "Not so, small sage! "This thing is just. "For, look you, "Are not they who possess the flowers "Stronger, bolder, shrewder "Than they who have none? "Why should the strong-- "The beautiful strong-- "Why should they not have the flowers? Upon reflection, the tutor bowed to the ground. "My lord," he said, "The stars are displaced "By this towering wisdom." INTRIGUE Thou art my love, And thou art the peace of sundown When the blue shadows soothe, And the grasses and the leaves sleep To the song of the little brooks, Woe is me. Thou art my love, And thou art a strorm That breaks black in the sky, And, sweeping headlong, Drenches and cowers each tree, And at the panting end There is no sound Save the melancholy cry of a single owl-- Woe is me! Thou are my love, And thou art a tinsel thing, And I in my play Broke thee easily, And from the little fragments Arose my long sorrow-- Woe is me. Thou art my love, And thou art a wary violet, Drooping from sun-caresses, Answering mine carelessly-- Woe is me. Thou art my love, And thou art the ashes of other men's love, And I bury my face in these ashes, And I love them-- Woe is me. Thou art my love, And thou art the beard On another man's face-- Woe is me. Thou art my love, And thou art a temple, And in this temple is an altar, And on this altar is my heart-- Woe is me. Thou art my love, And thou art a wretch. Let these sacred love-lies choke thee, From I am come to where I know your lies as truth And you truth as lies-- Woe is me. Thou art my love, And thou art a priestess, And in they hand is a bloody dagger, And my doom comes to me surely-- Woe is me. Thou art my love, And thou art a skull with ruby eyes, And I love thee-- Woe is me. Thou art my love, And I doubt thee. And if peace came with thy murder Then would I murder-- Woe is me. Thou art my love, And thou art death, Aye, thou art death Black and yet black, But I love thee, I love thee-- Woe, welcome woe, to me. Love, forgive me if I wish you grief, For in your grief You huddle to my breast, And for it Would I pay the price of your grief. You walk among men And all men do not surrender, And thus I understand That love reaches his hand In mercy to me. He had your picture in his room, A scurvy traitor picture, And he smiled --Merely a fat complacence of men who know fine women-- And thus I divided with him A part of my love. Fool, not to know that thy little shoe Can make men weep! --Some men weep. I weep and I gnash, And I love the little shoe, The little, little shoe. God give me medals, God give me loud honors, That I may strut before you, sweetheart, And be worthy of-- The love I bear you. Now let me crunch you With full weight of affrighted love. I doubted you --I doubted you-- And in this short doubting My love grew like a genie For my further undoing. Beware of my friends, Be not in speech too civil, For in all courtesy My weak heart sees spectres, Mists of desire Arising from the lips of my chosen; Be not civil. The flower I gave thee once Was incident to a stride, A detail of a gesture, But search those pale petals And see engraven thereon A record of my intention. Ah, God, the way your little finger moved, As you thrust a bare arm backward And made play with your hair And a comb, a silly gilt comb --Ah, God--that I should suffer Because of the way a little finger moved. Once I saw thee idly rocking --Idly rocking-- And chattering girlishly to other girls, Bell-voiced, happy, Careless with the stout heart of unscarred womanhood, And life to thee was all light melody. I thought of the great storms of love as I knew it, Torn, miserable, and ashamed of my open sorrow, I thought of the thunders that lived in my head, And I wish to be an ogre, And hale and haul my beloved to a castle, And make her mourn with my mourning. Tell me why, behind thee, I see always the shadow of another lover? Is it real, Or is this the thrice damned memory of a better happiness? Plague on him if he be dead, Plague on him if he be alive-- A swinish numskull To intrude his shade Always between me and my peace! And yet I have seen thee happy with me. I am no fool To poll stupidly into iron. I have heard your quick breaths And seen your arms writhe toward me; At those times --God help us-- I was impelled to be a grand knight, And swagger and snap my fingers, And explain my mind finely. Oh, lost sweetheart, I would that I had not been a grand knight. I said: "Sweetheart." Thou said'st: "Sweetheart." And we preserved an admirable mimicry Without heeding the drip of the blood From my heart. I heard thee laugh, And in this merriment I defined the measure of my pain; I knew that I was alone, Alone with love, Poor shivering love, And he, little sprite, Came to watch with me, And at midnight, We were like two creatures by a dead camp-fire. I wonder if sometimes in the dusk, When the brave lights that gild thy evenings Have not yet been touched with flame, I wonder if sometimes in the dusk Thou rememberest a time, A time when thou loved me And our love was to thee thy all? Is the memory rubbish now? An old gown Worn in an age of other fashions? Woe is me, oh, lost one, For that love is now to me A supernal dream, White, white, white with many suns. Love met me at noonday, --Reckless imp, To leave his shaded nights And brave the glare,-- And I saw him then plainly For a bungler, A stupid, simpering, eyeless bungler, Breaking the hearts of brave people As the snivelling idiot-boy cracks his bowl, And I cursed him, Cursed him to and fro, back and forth, Into all the silly mazes of his mind, But in the end He laughed and pointed to my breast, Where a heart still beat for thee, beloved. I have seen thy face aflame For love of me, Thy fair arms go mad, Thy lips tremble and mutter and rave. And--surely-- This should leave a man content? Thou lovest not me now, But thou didst love me, And in loving me once Thou gavest me an eternal privilege, For I can think of thee. *** END OF THE PROJECT GUTENBERG EBOOK WAR IS KIND *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.